<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" xmlns:podcast="https://podcastindex.org/namespace/1.0">
  <channel>
    <atom:link href="https://feeds.simplecast.com/KodC6fj_" rel="self" title="MP3 Audio" type="application/atom+xml"/>
    <atom:link href="https://simplecast.superfeedr.com" rel="hub" xmlns="http://www.w3.org/2005/Atom"/>
    <generator>https://simplecast.com</generator>
    <title>New Books in African American Studies</title>
    <description>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</description>
    <copyright>New Books Network</copyright>
    <language>en</language>
    <pubDate>Tue, 29 Sep 2026 08:00:00 +0000</pubDate>
    <lastBuildDate>Tue, 29 Sep 2026 08:00:39 +0000</lastBuildDate>
    <image>
      <link>https://newbooksnetwork.com</link>
      <title>New Books in African American Studies</title>
      <url>https://image.simplecastcdn.com/images/475a8a11-c9ac-434e-9ff9-5a0118116964/c854ba6b-00a2-4b25-b0f6-696d32315a43/3000x3000/5571090387754d767d98f7128343781c.png?aid=rss_feed</url>
    </image>
    <link>https://newbooksnetwork.com</link>
    <itunes:type>episodic</itunes:type>
    <itunes:summary>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
    <itunes:author>New Books Network</itunes:author>
    <itunes:explicit>false</itunes:explicit>
    <itunes:image href="https://image.simplecastcdn.com/images/475a8a11-c9ac-434e-9ff9-5a0118116964/c854ba6b-00a2-4b25-b0f6-696d32315a43/3000x3000/5571090387754d767d98f7128343781c.png?aid=rss_feed"/>
    <itunes:new-feed-url>https://feeds.simplecast.com/KodC6fj_</itunes:new-feed-url>
    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>caleb@newbooksnetwork.com</itunes:email>
    </itunes:owner>
    <itunes:category text="Society &amp; Culture"/>
    <itunes:category text="History"/>
    <item>
      <guid isPermaLink="false">ea1f3610-85fc-42bf-9dd1-37895427dfac</guid>
      <title>How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington with Marcia Chatelain</title>
      <description><![CDATA[<p>There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”<br><br>In <a href="https://bookshop.org/a/12343/9780553387261" target="_blank" rel="noopener noreferrer"><i>How Bright the Path Grows﻿: The Untold Story of the Women Who Made the March on Washington</i></a><i>&nbsp;﻿</i>(Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.<br><br><i>How Bright the Path Grows</i> is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.</p><p>Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of <i>South Side Girls</i> and <i>Franchise</i>, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on <a href="https://www.instagram.com/drmchatelain/" rel="noopener noreferrer">Instagram</a> and <a href="https://www.tiktok.com/@drmchatelain" rel="noopener noreferrer">TikTok</a>.&nbsp;</p><p>Subscribe, like, follow, and rate&nbsp;<a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer" rel="noopener noreferrer">Additions to the Archive with Sullivan Summer</a> on&nbsp;<a href="https://www.instagram.com/additionstothearchive/" rel="noopener noreferrer">Instagram</a>,&nbsp;<a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips" rel="noopener noreferrer">Substack</a>, and wherever you get your podcasts.&nbsp;</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 29 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”<br><br>In <a href="https://bookshop.org/a/12343/9780553387261" target="_blank" rel="noopener noreferrer"><i>How Bright the Path Grows﻿: The Untold Story of the Women Who Made the March on Washington</i></a><i>&nbsp;﻿</i>(Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.<br><br><i>How Bright the Path Grows</i> is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.</p><p>Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of <i>South Side Girls</i> and <i>Franchise</i>, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on <a href="https://www.instagram.com/drmchatelain/" rel="noopener noreferrer">Instagram</a> and <a href="https://www.tiktok.com/@drmchatelain" rel="noopener noreferrer">TikTok</a>.&nbsp;</p><p>Subscribe, like, follow, and rate&nbsp;<a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer" rel="noopener noreferrer">Additions to the Archive with Sullivan Summer</a> on&nbsp;<a href="https://www.instagram.com/additionstothearchive/" rel="noopener noreferrer">Instagram</a>,&nbsp;<a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips" rel="noopener noreferrer">Substack</a>, and wherever you get your podcasts.&nbsp;</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43866521" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/463f5ddd-2ef8-4457-a095-17a21c3dd920/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=463f5ddd-2ef8-4457-a095-17a21c3dd920&amp;awSourceEpisodeId=d9dd4aef-55f5-447e-affb-d43aa8b09ea3&amp;feed=KodC6fj_"/>
      <itunes:title>How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington with Marcia Chatelain</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:41</itunes:duration>
      <itunes:summary>There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows﻿: The Untold Story of the Women Who Made the March on Washington ﻿(Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of South Side Girls and Franchise, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on Instagram and TikTok. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. </itunes:summary>
      <itunes:subtitle>There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows﻿: The Untold Story of the Women Who Made the March on Washington ﻿(Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of South Side Girls and Franchise, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on Instagram and TikTok. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cb6dec15-f2f3-475c-af7b-abd2f43cf117</guid>
      <title>Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America with Kevin M. Burton (NYU Press, 2026)</title>
      <description><![CDATA[<p>Shows how apocalypticism helped drive anti-slavery abolitionism and inspire progressive social reform in nineteenth-century America In March 1844, Melissa Botsford of Meriden, Connecticut, defiantly left her local Methodist church because it supported slavery and other “sins” that permeated America. Botsford was among one hundred thousand other abolitionists who abandoned their evangelical churches throughout the decade. These protesters came out with a stern apocalyptic warning: God would soon judge America—and its churches—for the sins of slavery and race prejudice. It has long been assumed that apocalypticism is antithetical to social reform. Yet in <a href="https://bookshop.org/a/12343/9781479839469" target="_blank" rel="noopener noreferrer"><i>Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America</i></a> ﻿(NYU Press, 2026), Kevin M. Burton uncovers the untold story of how apocalypticism shaped the abolitionist cause and helped destroy slavery in the United States. Contrary to popular opinion, the revival fires of the Second Great Awakening did not drive most evangelicals to progressive social reforms like abolitionism. Neither were the denominational schisms during that period a fight between northern abolitionists and southern slaveholders. Rather, before the Methodist and Baptist denominations split along sectional lines, most abolitionists, particularly members of the Adventist movement, had already left their churches in what was likely the largest mass exodus from mainstream evangelicalism in American history, precisely because most evangelicals opposed radical social reform movements. This volume makes the case that evangelicals receive undeserved credit for antislavery, and that it was apocalyptic abolitionists who led the way. Drawing from rare and overlooked sources to create a database of biographies of nearly 2000 people to track their religious affiliations and activism over time, Burton offers invaluable data to develop a robust framework for understanding apocalypticism, evangelicalism, and social reform politics of the nineteenth century. Kevin M. Burton is Assistant Professor of Church History, Seventh-day Adventist Theological Seminary, Andrews University, where he also directs the Center for Adventist Research. &nbsp;to American religious history." ~John Corrigan, author of The Feeling of Forgetting: Christianity, Race, and Violence in America</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 27 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Shows how apocalypticism helped drive anti-slavery abolitionism and inspire progressive social reform in nineteenth-century America In March 1844, Melissa Botsford of Meriden, Connecticut, defiantly left her local Methodist church because it supported slavery and other “sins” that permeated America. Botsford was among one hundred thousand other abolitionists who abandoned their evangelical churches throughout the decade. These protesters came out with a stern apocalyptic warning: God would soon judge America—and its churches—for the sins of slavery and race prejudice. It has long been assumed that apocalypticism is antithetical to social reform. Yet in <a href="https://bookshop.org/a/12343/9781479839469" target="_blank" rel="noopener noreferrer"><i>Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America</i></a> ﻿(NYU Press, 2026), Kevin M. Burton uncovers the untold story of how apocalypticism shaped the abolitionist cause and helped destroy slavery in the United States. Contrary to popular opinion, the revival fires of the Second Great Awakening did not drive most evangelicals to progressive social reforms like abolitionism. Neither were the denominational schisms during that period a fight between northern abolitionists and southern slaveholders. Rather, before the Methodist and Baptist denominations split along sectional lines, most abolitionists, particularly members of the Adventist movement, had already left their churches in what was likely the largest mass exodus from mainstream evangelicalism in American history, precisely because most evangelicals opposed radical social reform movements. This volume makes the case that evangelicals receive undeserved credit for antislavery, and that it was apocalyptic abolitionists who led the way. Drawing from rare and overlooked sources to create a database of biographies of nearly 2000 people to track their religious affiliations and activism over time, Burton offers invaluable data to develop a robust framework for understanding apocalypticism, evangelicalism, and social reform politics of the nineteenth century. Kevin M. Burton is Assistant Professor of Church History, Seventh-day Adventist Theological Seminary, Andrews University, where he also directs the Center for Adventist Research. &nbsp;to American religious history." ~John Corrigan, author of The Feeling of Forgetting: Christianity, Race, and Violence in America</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40770668" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/81e1faaa-5961-407b-9034-3ef8c4d34217/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=81e1faaa-5961-407b-9034-3ef8c4d34217&amp;awSourceEpisodeId=ac925ccd-2184-4838-a4f7-88811bf3d2a8&amp;feed=KodC6fj_"/>
      <itunes:title>Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America with Kevin M. Burton (NYU Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:27</itunes:duration>
      <itunes:summary>Shows how apocalypticism helped drive anti-slavery abolitionism and inspire progressive social reform in nineteenth-century America In March 1844, Melissa Botsford of Meriden, Connecticut, defiantly left her local Methodist church because it supported slavery and other “sins” that permeated America. Botsford was among one hundred thousand other abolitionists who abandoned their evangelical churches throughout the decade. These protesters came out with a stern apocalyptic warning: God would soon judge America—and its churches—for the sins of slavery and race prejudice. It has long been assumed that apocalypticism is antithetical to social reform. Yet in Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America ﻿(NYU Press, 2026), Kevin M. Burton uncovers the untold story of how apocalypticism shaped the abolitionist cause and helped destroy slavery in the United States. Contrary to popular opinion, the revival fires of the Second Great Awakening did not drive most evangelicals to progressive social reforms like abolitionism. Neither were the denominational schisms during that period a fight between northern abolitionists and southern slaveholders. Rather, before the Methodist and Baptist denominations split along sectional lines, most abolitionists, particularly members of the Adventist movement, had already left their churches in what was likely the largest mass exodus from mainstream evangelicalism in American history, precisely because most evangelicals opposed radical social reform movements. This volume makes the case that evangelicals receive undeserved credit for antislavery, and that it was apocalyptic abolitionists who led the way. Drawing from rare and overlooked sources to create a database of biographies of nearly 2000 people to track their religious affiliations and activism over time, Burton offers invaluable data to develop a robust framework for understanding apocalypticism, evangelicalism, and social reform politics of the nineteenth century. Kevin M. Burton is Assistant Professor of Church History, Seventh-day Adventist Theological Seminary, Andrews University, where he also directs the Center for Adventist Research.  to American religious history.&quot; ~John Corrigan, author of The Feeling of Forgetting: Christianity, Race, and Violence in America</itunes:summary>
      <itunes:subtitle>Shows how apocalypticism helped drive anti-slavery abolitionism and inspire progressive social reform in nineteenth-century America In March 1844, Melissa Botsford of Meriden, Connecticut, defiantly left her local Methodist church because it supported slavery and other “sins” that permeated America. Botsford was among one hundred thousand other abolitionists who abandoned their evangelical churches throughout the decade. These protesters came out with a stern apocalyptic warning: God would soon judge America—and its churches—for the sins of slavery and race prejudice. It has long been assumed that apocalypticism is antithetical to social reform. Yet in Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America ﻿(NYU Press, 2026), Kevin M. Burton uncovers the untold story of how apocalypticism shaped the abolitionist cause and helped destroy slavery in the United States. Contrary to popular opinion, the revival fires of the Second Great Awakening did not drive most evangelicals to progressive social reforms like abolitionism. Neither were the denominational schisms during that period a fight between northern abolitionists and southern slaveholders. Rather, before the Methodist and Baptist denominations split along sectional lines, most abolitionists, particularly members of the Adventist movement, had already left their churches in what was likely the largest mass exodus from mainstream evangelicalism in American history, precisely because most evangelicals opposed radical social reform movements. This volume makes the case that evangelicals receive undeserved credit for antislavery, and that it was apocalyptic abolitionists who led the way. Drawing from rare and overlooked sources to create a database of biographies of nearly 2000 people to track their religious affiliations and activism over time, Burton offers invaluable data to develop a robust framework for understanding apocalypticism, evangelicalism, and social reform politics of the nineteenth century. Kevin M. Burton is Assistant Professor of Church History, Seventh-day Adventist Theological Seminary, Andrews University, where he also directs the Center for Adventist Research.  to American religious history.&quot; ~John Corrigan, author of The Feeling of Forgetting: Christianity, Race, and Violence in America</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7600e378-b8af-43da-a27a-51ff3963183a</guid>
      <title>Tess Chakkalakal, &quot;A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt&quot; (St. Martin&apos;s Press, 2025)</title>
      <description><![CDATA[<p>In<a href="https://bookshop.org/a/12343/9781250287649" target="_blank" rel="noopener noreferrer"> <i>A Matter of Complexion﻿: The Life and Fictions of Charles W. Chesnutt</i></a><i>&nbsp;</i>(St. Martin's Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in <i>The Atlantic Monthly</i> and whose books were published by Houghton Mifflin.&nbsp;</p><p>Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In <i>A Matter of Complexion</i>,<i> </i>Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.</p><p>Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of <i>Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America</i> and co-editor of <i>Jim Crow, Literature, and the Legacy of Sutton E. Griggs</i> and <i>Imperium in Imperio: A Critical Edition</i>.&nbsp;</p><p>Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at <a href="https://medium.com/ballasts-for-the-mind" rel="noopener noreferrer">Ballasts for the Mind</a>, <a href="https://www.instagram.com/rtwilliams16/" rel="noopener noreferrer">Instagram,</a> and <a href="https://www.threads.com/@rtwilliams16" rel="noopener noreferrer">Threads</a>.﻿&nbsp;</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 23 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In<a href="https://bookshop.org/a/12343/9781250287649" target="_blank" rel="noopener noreferrer"> <i>A Matter of Complexion﻿: The Life and Fictions of Charles W. Chesnutt</i></a><i>&nbsp;</i>(St. Martin's Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in <i>The Atlantic Monthly</i> and whose books were published by Houghton Mifflin.&nbsp;</p><p>Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In <i>A Matter of Complexion</i>,<i> </i>Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.</p><p>Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of <i>Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America</i> and co-editor of <i>Jim Crow, Literature, and the Legacy of Sutton E. Griggs</i> and <i>Imperium in Imperio: A Critical Edition</i>.&nbsp;</p><p>Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at <a href="https://medium.com/ballasts-for-the-mind" rel="noopener noreferrer">Ballasts for the Mind</a>, <a href="https://www.instagram.com/rtwilliams16/" rel="noopener noreferrer">Instagram,</a> and <a href="https://www.threads.com/@rtwilliams16" rel="noopener noreferrer">Threads</a>.﻿&nbsp;</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58133956" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ff90c26d-f1f6-4be2-bcef-2caeff78464e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ff90c26d-f1f6-4be2-bcef-2caeff78464e&amp;awSourceEpisodeId=96baf876-cd4e-40a3-9adf-82229245843c&amp;feed=KodC6fj_"/>
      <itunes:title>Tess Chakkalakal, &quot;A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt&quot; (St. Martin&apos;s Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:32</itunes:duration>
      <itunes:summary>In A Matter of Complexion﻿: The Life and Fictions of Charles W. Chesnutt (St. Martin&apos;s Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin. 

Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion, Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.

Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America and co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition. 

Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at Ballasts for the Mind, Instagram, and Threads.﻿ </itunes:summary>
      <itunes:subtitle>In A Matter of Complexion﻿: The Life and Fictions of Charles W. Chesnutt (St. Martin&apos;s Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin. 

Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion, Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.

Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America and co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition. 

Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at Ballasts for the Mind, Instagram, and Threads.﻿ </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fb74e950-eafb-468d-b7ed-12cecb520e6a</guid>
      <title>Randal Maurice Jelks, &quot;My America: Langston Hughes on Democracy&quot; (Broadleaf Books, 2026)</title>
      <description><![CDATA[<p>Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and&nbsp;<i>My America</i>&nbsp;explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.</p><p>With care and no-holds-barred insight,&nbsp;<a href="https://bookshop.org/a/12343/9798889832126" target="_blank" rel="noopener noreferrer">My America: Langston Hughes on Democracy</a>&nbsp;﻿(Broadleaf Books, 2026)&nbsp;removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.</p><p>Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the <i>Boston Review</i>, the <i>Los Angeles Review of Books</i>, blogs, journals, and periodicals. You can learn more about him and his work at his <a href="https://randalmauricejelks.com/" rel="noopener noreferrer">website</a>.</p><p>Subscribe, like, follow, and rate&nbsp;<a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer" rel="noopener noreferrer">Additions to the Archive with Sullivan Summer</a> on&nbsp;<a href="https://www.instagram.com/additionstothearchive/" rel="noopener noreferrer">Instagram</a>,&nbsp;<a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips" rel="noopener noreferrer">Substack</a>, and wherever you get your podcasts.&nbsp;</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 22 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and&nbsp;<i>My America</i>&nbsp;explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.</p><p>With care and no-holds-barred insight,&nbsp;<a href="https://bookshop.org/a/12343/9798889832126" target="_blank" rel="noopener noreferrer">My America: Langston Hughes on Democracy</a>&nbsp;﻿(Broadleaf Books, 2026)&nbsp;removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.</p><p>Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the <i>Boston Review</i>, the <i>Los Angeles Review of Books</i>, blogs, journals, and periodicals. You can learn more about him and his work at his <a href="https://randalmauricejelks.com/" rel="noopener noreferrer">website</a>.</p><p>Subscribe, like, follow, and rate&nbsp;<a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer" rel="noopener noreferrer">Additions to the Archive with Sullivan Summer</a> on&nbsp;<a href="https://www.instagram.com/additionstothearchive/" rel="noopener noreferrer">Instagram</a>,&nbsp;<a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips" rel="noopener noreferrer">Substack</a>, and wherever you get your podcasts.&nbsp;</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40520750" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4e3c239f-776d-4f29-b916-564f9b84e1f1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4e3c239f-776d-4f29-b916-564f9b84e1f1&amp;awSourceEpisodeId=3fa31644-2d27-40ca-8d43-b764fd7c7951&amp;feed=KodC6fj_"/>
      <itunes:title>Randal Maurice Jelks, &quot;My America: Langston Hughes on Democracy&quot; (Broadleaf Books, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:12</itunes:duration>
      <itunes:summary>Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.

With care and no-holds-barred insight, My America: Langston Hughes on Democracy ﻿(Broadleaf Books, 2026) removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.

Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals. You can learn more about him and his work at his website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. </itunes:summary>
      <itunes:subtitle>Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.

With care and no-holds-barred insight, My America: Langston Hughes on Democracy ﻿(Broadleaf Books, 2026) removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.

Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals. You can learn more about him and his work at his website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b730e9b3-fdc8-45e0-8cb0-7dd872fdc449</guid>
      <title>Bryant Simon, &quot;For Customers Only: Public Bathrooms and the Making of American Inequality&quot; (U Chicago Press, 2026)</title>
      <description><![CDATA[<p>Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies.﻿&nbsp;</p><p><a href="https://bookshop.org/a/12343/9780226835181" target="_blank" rel="noopener noreferrer"><i>For Customers Only: Public Bathrooms and the Making of American Inequality</i> </a>(University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order.﻿&nbsp;</p><p>But officials soon grew anxious about who might take advantage of this privacy: gay men, the unhoused, and eventually drug users. And as the civil rights movement challenged segregation, officials in the north and south closed public toilets rather than integrate them. By the end of the twentieth century, only people with means could use private bathrooms while out and about—provided they made a purchase at a business. Today, as the fights over trans rights reveal, bathroom access remains a flash point across the country. Meanwhile, some municipalities are again calling for widely available public toilets, but as a tool for economic revitalization, not a public necessity.﻿&nbsp;</p><p>The political and cultural history of a squirm-inducing subject,&nbsp;<i>For Customers Only</i> reveals the real and symbolic power of the most ordinary of things. Bathrooms, Dr. Simon shows, have always reflected our fragmented national values. Whether these spaces will ever become more accessible and inclusive is ultimately up to us.</p><p>&nbsp;</p><p><i>This interview was conducted by Dr. Miranda Melcher whose</i><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/" rel="noopener noreferrer"><i> book</i></a><i> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on&nbsp;</i><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher" rel="noopener noreferrer"><i>New Books with Miranda Melcher</i></a><i>, wherever you get your podcasts.&nbsp;</i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 17 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies.﻿&nbsp;</p><p><a href="https://bookshop.org/a/12343/9780226835181" target="_blank" rel="noopener noreferrer"><i>For Customers Only: Public Bathrooms and the Making of American Inequality</i> </a>(University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order.﻿&nbsp;</p><p>But officials soon grew anxious about who might take advantage of this privacy: gay men, the unhoused, and eventually drug users. And as the civil rights movement challenged segregation, officials in the north and south closed public toilets rather than integrate them. By the end of the twentieth century, only people with means could use private bathrooms while out and about—provided they made a purchase at a business. Today, as the fights over trans rights reveal, bathroom access remains a flash point across the country. Meanwhile, some municipalities are again calling for widely available public toilets, but as a tool for economic revitalization, not a public necessity.﻿&nbsp;</p><p>The political and cultural history of a squirm-inducing subject,&nbsp;<i>For Customers Only</i> reveals the real and symbolic power of the most ordinary of things. Bathrooms, Dr. Simon shows, have always reflected our fragmented national values. Whether these spaces will ever become more accessible and inclusive is ultimately up to us.</p><p>&nbsp;</p><p><i>This interview was conducted by Dr. Miranda Melcher whose</i><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/" rel="noopener noreferrer"><i> book</i></a><i> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on&nbsp;</i><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher" rel="noopener noreferrer"><i>New Books with Miranda Melcher</i></a><i>, wherever you get your podcasts.&nbsp;</i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36628305" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/30338e6a-9e07-4d75-bd1d-3e4471f339fc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=30338e6a-9e07-4d75-bd1d-3e4471f339fc&amp;awSourceEpisodeId=df950bbb-fd95-4ffd-9888-ecfc967074b8&amp;feed=KodC6fj_"/>
      <itunes:title>Bryant Simon, &quot;For Customers Only: Public Bathrooms and the Making of American Inequality&quot; (U Chicago Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:08</itunes:duration>
      <itunes:summary>Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies.﻿ 

For Customers Only: Public Bathrooms and the Making of American Inequality (University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order.﻿ </itunes:summary>
      <itunes:subtitle>Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies.﻿ 

For Customers Only: Public Bathrooms and the Making of American Inequality (University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order.﻿ </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c0b3d31a-b018-11f1-86fe-eba6d33174a0</guid>
      <title>Catherine A John, &quot;Afroindigenization: A Theory of Grassroots Cultural Practice&quot; (Duke UP, 2026)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478038986">Afroindigenization: A Theory of Grassroots Cultural Practice </a>(Duke University Press, 2026), Catherine A. John addresses the underbelly of spiritual resilience shaping a range of African diasporic institutions, traditions, and practices. John argues that repressed forms of indigenous African knowledge systems manifest in a myriad of culturally embodied ways in African diaspora spaces and places. From mermaid lore in rural Jamaica to hip-hop trance-induced dance in Los Angeles to the stories of two debaters-turned-social-media-influencers, John shows how the descendants of enslaved Africans express the signs and substance of their afroindigenous power through collective creativity. Drawing from scholars such as Vèvè Clark, Hortense Spillers, Dianne M. Stewart, and Sylvia Wynter, <em>Afroindigenization</em> exposes the cultural and spiritual ancestries that lie at the heart of modern Black identities and practices.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 15 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478038986">Afroindigenization: A Theory of Grassroots Cultural Practice </a>(Duke University Press, 2026), Catherine A. John addresses the underbelly of spiritual resilience shaping a range of African diasporic institutions, traditions, and practices. John argues that repressed forms of indigenous African knowledge systems manifest in a myriad of culturally embodied ways in African diaspora spaces and places. From mermaid lore in rural Jamaica to hip-hop trance-induced dance in Los Angeles to the stories of two debaters-turned-social-media-influencers, John shows how the descendants of enslaved Africans express the signs and substance of their afroindigenous power through collective creativity. Drawing from scholars such as Vèvè Clark, Hortense Spillers, Dianne M. Stewart, and Sylvia Wynter, <em>Afroindigenization</em> exposes the cultural and spiritual ancestries that lie at the heart of modern Black identities and practices.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44021159" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d3a7c2b0-0d6f-4677-860c-6e9bf38d5163/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d3a7c2b0-0d6f-4677-860c-6e9bf38d5163&amp;feed=KodC6fj_"/>
      <itunes:title>Catherine A John, &quot;Afroindigenization: A Theory of Grassroots Cultural Practice&quot; (Duke UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:46</itunes:duration>
      <itunes:summary>In Afroindigenization: A Theory of Grassroots Cultural Practice (Duke University Press, 2026), Catherine A. John addresses the underbelly of spiritual resilience shaping a range of African diasporic institutions, traditions, and practices. John argues that repressed forms of indigenous African knowledge systems manifest in a myriad of culturally embodied ways in African diaspora spaces and places. From mermaid lore in rural Jamaica to hip-hop trance-induced dance in Los Angeles to the stories of two debaters-turned-social-media-influencers, John shows how the descendants of enslaved Africans express the signs and substance of their afroindigenous power through collective creativity. Drawing from scholars such as Vèvè Clark, Hortense Spillers, Dianne M. Stewart, and Sylvia Wynter, Afroindigenization exposes the cultural and spiritual ancestries that lie at the heart of modern Black identities and practices.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Afroindigenization: A Theory of Grassroots Cultural Practice (Duke University Press, 2026), Catherine A. John addresses the underbelly of spiritual resilience shaping a range of African diasporic institutions, traditions, and practices. John argues that repressed forms of indigenous African knowledge systems manifest in a myriad of culturally embodied ways in African diaspora spaces and places. From mermaid lore in rural Jamaica to hip-hop trance-induced dance in Los Angeles to the stories of two debaters-turned-social-media-influencers, John shows how the descendants of enslaved Africans express the signs and substance of their afroindigenous power through collective creativity. Drawing from scholars such as Vèvè Clark, Hortense Spillers, Dianne M. Stewart, and Sylvia Wynter, Afroindigenization exposes the cultural and spiritual ancestries that lie at the heart of modern Black identities and practices.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1974</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">60a13be6-b015-11f1-91b3-ff9066c3301d</guid>
      <title>Samantha Barbas, &quot;Hate Speech: The Legal and Cultural History of an American Dilemma&quot; (U California Press, 2026)</title>
      <description><![CDATA[<p>The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In <a href="https://bookshop.org/a/12343/9780520401983">Hate Speech: The Legal and Cultural History of an American Dilemma</a> (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country’s legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.<br />The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn’t through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless.﻿ </p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 15 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In <a href="https://bookshop.org/a/12343/9780520401983">Hate Speech: The Legal and Cultural History of an American Dilemma</a> (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country’s legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.<br />The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn’t through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless.﻿ </p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33763070" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d8cb014f-928a-416d-ba5b-ce4650a02893/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d8cb014f-928a-416d-ba5b-ce4650a02893&amp;feed=KodC6fj_"/>
      <itunes:title>Samantha Barbas, &quot;Hate Speech: The Legal and Cultural History of an American Dilemma&quot; (U California Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:08</itunes:duration>
      <itunes:summary>The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In Hate Speech: The Legal and Cultural History of an American Dilemma (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country’s legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn’t through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless.﻿ 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In Hate Speech: The Legal and Cultural History of an American Dilemma (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country’s legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn’t through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless.﻿ 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1973</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">40dd4682-b01b-11f1-b8a4-b3708efb003e</guid>
      <title>Justin Ellen, &quot;Better Than Grandma&apos;s: Comfort Desserts We Grew Up Loving&quot; (Rolling Pin Press, 2026)</title>
      <description><![CDATA[<p>We all love the desserts we grew up with-the ones tied to family, tradition, and the moments we remember most. But as much as we love those recipes, they don't always turn out the way we'd want. That's where this book comes in. From cakes and cookies to pies, breads, and more, each recipe in<a href="https://shop.everythingjustbaked.com/products/better-than-grandmas-cookbook?srsltid=AfmBOorRWlqOXc_wjKSfZP0BO5uBDBBtPKKDFSR17DTyir3lOFWMsdYo"> Better than Grandma's</a> (Rolling Pin Press, 2026) takes a nostalgic classic and reworks it to be more flavorful, more reliable, and easier to make at home. With better (proven) techniques, small changes that make big improvements, and a deep understanding of what actually makes a difference, celebrity baker Justin Ellen offers up recipes that turn out desserts the way you always hoped they would be. And while the title may be <em>Better than Grandma's,</em> the book is also a love letter to the grandmothers who taught Justin to find joy in every moment, to fill every room with confidence and laughter, and how to bake in the first place. It's about honoring the women, along with the recipes, then building on them to make them even better. Because it is never just about the dessert. It's about who you make it with, who you make it for, and the kitchens and women who shaped you.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 15 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>We all love the desserts we grew up with-the ones tied to family, tradition, and the moments we remember most. But as much as we love those recipes, they don't always turn out the way we'd want. That's where this book comes in. From cakes and cookies to pies, breads, and more, each recipe in<a href="https://shop.everythingjustbaked.com/products/better-than-grandmas-cookbook?srsltid=AfmBOorRWlqOXc_wjKSfZP0BO5uBDBBtPKKDFSR17DTyir3lOFWMsdYo"> Better than Grandma's</a> (Rolling Pin Press, 2026) takes a nostalgic classic and reworks it to be more flavorful, more reliable, and easier to make at home. With better (proven) techniques, small changes that make big improvements, and a deep understanding of what actually makes a difference, celebrity baker Justin Ellen offers up recipes that turn out desserts the way you always hoped they would be. And while the title may be <em>Better than Grandma's,</em> the book is also a love letter to the grandmothers who taught Justin to find joy in every moment, to fill every room with confidence and laughter, and how to bake in the first place. It's about honoring the women, along with the recipes, then building on them to make them even better. Because it is never just about the dessert. It's about who you make it with, who you make it for, and the kitchens and women who shaped you.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="30080480" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d628da09-7a28-499e-bacf-6363bfac6cbc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d628da09-7a28-499e-bacf-6363bfac6cbc&amp;feed=KodC6fj_"/>
      <itunes:title>Justin Ellen, &quot;Better Than Grandma&apos;s: Comfort Desserts We Grew Up Loving&quot; (Rolling Pin Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:31:15</itunes:duration>
      <itunes:summary>We all love the desserts we grew up with-the ones tied to family, tradition, and the moments we remember most. But as much as we love those recipes, they don&apos;t always turn out the way we&apos;d want. That&apos;s where this book comes in. From cakes and cookies to pies, breads, and more, each recipe in Better than Grandma&apos;s (Rolling Pin Press, 2026) takes a nostalgic classic and reworks it to be more flavorful, more reliable, and easier to make at home. With better (proven) techniques, small changes that make big improvements, and a deep understanding of what actually makes a difference, celebrity baker Justin Ellen offers up recipes that turn out desserts the way you always hoped they would be. And while the title may be Better than Grandma&apos;s, the book is also a love letter to the grandmothers who taught Justin to find joy in every moment, to fill every room with confidence and laughter, and how to bake in the first place. It&apos;s about honoring the women, along with the recipes, then building on them to make them even better. Because it is never just about the dessert. It&apos;s about who you make it with, who you make it for, and the kitchens and women who shaped you.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>We all love the desserts we grew up with-the ones tied to family, tradition, and the moments we remember most. But as much as we love those recipes, they don&apos;t always turn out the way we&apos;d want. That&apos;s where this book comes in. From cakes and cookies to pies, breads, and more, each recipe in Better than Grandma&apos;s (Rolling Pin Press, 2026) takes a nostalgic classic and reworks it to be more flavorful, more reliable, and easier to make at home. With better (proven) techniques, small changes that make big improvements, and a deep understanding of what actually makes a difference, celebrity baker Justin Ellen offers up recipes that turn out desserts the way you always hoped they would be. And while the title may be Better than Grandma&apos;s, the book is also a love letter to the grandmothers who taught Justin to find joy in every moment, to fill every room with confidence and laughter, and how to bake in the first place. It&apos;s about honoring the women, along with the recipes, then building on them to make them even better. Because it is never just about the dessert. It&apos;s about who you make it with, who you make it for, and the kitchens and women who shaped you.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1972</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">63b7bc6e-adeb-11f1-8cb7-abb8b236a341</guid>
      <title>R. Douglas Hurt, &quot;The Country People: An Agricultural History of the American Revolution&quot; (U Georgia Press, 2026)</title>
      <description><![CDATA[<p>Although historians have given considerable attention to the American Revolution, the agricultural history of the American War for Independence exists only in pieces found in scattered articles and passing references in various books dealing with the war. Nonagricultural historians have ignored it or treated it almost as an aside and unworthy of analysis, even when it is related to other war topics. Yet, the revolution had profound effects on American agriculture during the war and after.<a href="https://bookshop.org/a/12343/9780820377193"><br /></a><a href="https://bookshop.org/a/12343/9780820377193">The Country People: An Agricultural History of the American Revolution</a> (U Georgia Press, 2026) by Dr. R. Douglas Hurt brings the many pieces of this story together in a synthesis that provides an overview of agriculture during the American Revolution—from 1774 until signing of the Peace of Paris on September 3, 1783. In so doing, Dr. Hurt asks (and answers) three essential questions: What did farmers do in their daily lives during the revolutionary years from 1774 to 1783? How did the war affect farmers and planters, and how did they influence the war? And what were the consequences of the war on American agriculture?﻿ </p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 14 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Although historians have given considerable attention to the American Revolution, the agricultural history of the American War for Independence exists only in pieces found in scattered articles and passing references in various books dealing with the war. Nonagricultural historians have ignored it or treated it almost as an aside and unworthy of analysis, even when it is related to other war topics. Yet, the revolution had profound effects on American agriculture during the war and after.<a href="https://bookshop.org/a/12343/9780820377193"><br /></a><a href="https://bookshop.org/a/12343/9780820377193">The Country People: An Agricultural History of the American Revolution</a> (U Georgia Press, 2026) by Dr. R. Douglas Hurt brings the many pieces of this story together in a synthesis that provides an overview of agriculture during the American Revolution—from 1774 until signing of the Peace of Paris on September 3, 1783. In so doing, Dr. Hurt asks (and answers) three essential questions: What did farmers do in their daily lives during the revolutionary years from 1774 to 1783? How did the war affect farmers and planters, and how did they influence the war? And what were the consequences of the war on American agriculture?﻿ </p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46719846" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5ee6ad4d-dae4-4458-a574-66045a598dd9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5ee6ad4d-dae4-4458-a574-66045a598dd9&amp;feed=KodC6fj_"/>
      <itunes:title>R. Douglas Hurt, &quot;The Country People: An Agricultural History of the American Revolution&quot; (U Georgia Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:36</itunes:duration>
      <itunes:summary>Although historians have given considerable attention to the American Revolution, the agricultural history of the American War for Independence exists only in pieces found in scattered articles and passing references in various books dealing with the war. Nonagricultural historians have ignored it or treated it almost as an aside and unworthy of analysis, even when it is related to other war topics. Yet, the revolution had profound effects on American agriculture during the war and after.The Country People: An Agricultural History of the American Revolution (U Georgia Press, 2026) by Dr. R. Douglas Hurt brings the many pieces of this story together in a synthesis that provides an overview of agriculture during the American Revolution—from 1774 until signing of the Peace of Paris on September 3, 1783. In so doing, Dr. Hurt asks (and answers) three essential questions: What did farmers do in their daily lives during the revolutionary years from 1774 to 1783? How did the war affect farmers and planters, and how did they influence the war? And what were the consequences of the war on American agriculture?﻿ 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Although historians have given considerable attention to the American Revolution, the agricultural history of the American War for Independence exists only in pieces found in scattered articles and passing references in various books dealing with the war. Nonagricultural historians have ignored it or treated it almost as an aside and unworthy of analysis, even when it is related to other war topics. Yet, the revolution had profound effects on American agriculture during the war and after.The Country People: An Agricultural History of the American Revolution (U Georgia Press, 2026) by Dr. R. Douglas Hurt brings the many pieces of this story together in a synthesis that provides an overview of agriculture during the American Revolution—from 1774 until signing of the Peace of Paris on September 3, 1783. In so doing, Dr. Hurt asks (and answers) three essential questions: What did farmers do in their daily lives during the revolutionary years from 1774 to 1783? How did the war affect farmers and planters, and how did they influence the war? And what were the consequences of the war on American agriculture?﻿ 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1971</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fd3d0946-ac03-11f1-be94-b39adab71103</guid>
      <title>Christopher Freeburg, &quot;Soul: A Brief History of Black Cultural Life&quot; (Yale UP, 2026)</title>
      <description><![CDATA[<p>Today’s guest, Christopher Freeburg, is the author of <a href="https://bookshop.org/a/12343/9780300264159">Soul: A Brief History of Black Cultural Life</a> (Yale University Press, 2026). This book explores the US history of black cultural life as a history of soul – a spiritual lived practice rooted in communally fostered music, religion, and politics. It makes the case that soul is forged through black community connections and that it’s sustained by moral principles, or pillars, which define how it is lived. The book’s four chapters are organized around four of these pillars: resonance, revelation, resilience, and transcendence. A number of black individuals are foregrounded in these discussions: they include Phillis Wheatley, Gwendolyn Brooks, Nina Simone, Jewel Thais-Williams, Barack Obama, and others.</p>
<p>By telling their stories, and by honoring the weight of the trauma and violence that has long befallen the black community, Christopher Freeburg’s <em>Soul</em> invites its readers to commune with the soul power of people who brought about transformation in the face of seeming impossibility.</p>
<p><a href="https://www.umass.edu/english/about/directory/jane-hwang-degenhardt">Jane Hwang Degenhardt</a> is Professor English at the University of Massachusetts Amherst. She is the author of <a href="https://global.oup.com/academic/product/globalizing-fortune-on-the-early-modern-stage-9780198867920?cc=us&amp;lang=en&amp;">Globalizing Fortune on the Early Modern Stage</a> (Oxford UP, 2022) and <a href="https://www.cambridge.org/core/books/islamic-conversion-and-christian-resistance-on-the-early-modern-stage/EA41A67AB61DF6E70EA2691F9A178D0E">Islamic Conversion and Christian Resistance on the Early Modern Stage</a> (Edinburgh UP, 2012). She is also a co-editor of the academic journal <a href="https://www.journals.uchicago.edu/toc/elr/current">English Literary Renaissance</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 11 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today’s guest, Christopher Freeburg, is the author of <a href="https://bookshop.org/a/12343/9780300264159">Soul: A Brief History of Black Cultural Life</a> (Yale University Press, 2026). This book explores the US history of black cultural life as a history of soul – a spiritual lived practice rooted in communally fostered music, religion, and politics. It makes the case that soul is forged through black community connections and that it’s sustained by moral principles, or pillars, which define how it is lived. The book’s four chapters are organized around four of these pillars: resonance, revelation, resilience, and transcendence. A number of black individuals are foregrounded in these discussions: they include Phillis Wheatley, Gwendolyn Brooks, Nina Simone, Jewel Thais-Williams, Barack Obama, and others.</p>
<p>By telling their stories, and by honoring the weight of the trauma and violence that has long befallen the black community, Christopher Freeburg’s <em>Soul</em> invites its readers to commune with the soul power of people who brought about transformation in the face of seeming impossibility.</p>
<p><a href="https://www.umass.edu/english/about/directory/jane-hwang-degenhardt">Jane Hwang Degenhardt</a> is Professor English at the University of Massachusetts Amherst. She is the author of <a href="https://global.oup.com/academic/product/globalizing-fortune-on-the-early-modern-stage-9780198867920?cc=us&amp;lang=en&amp;">Globalizing Fortune on the Early Modern Stage</a> (Oxford UP, 2022) and <a href="https://www.cambridge.org/core/books/islamic-conversion-and-christian-resistance-on-the-early-modern-stage/EA41A67AB61DF6E70EA2691F9A178D0E">Islamic Conversion and Christian Resistance on the Early Modern Stage</a> (Edinburgh UP, 2012). She is also a co-editor of the academic journal <a href="https://www.journals.uchicago.edu/toc/elr/current">English Literary Renaissance</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47576929" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7c9da121-e6ee-4459-be6e-6891525a4674/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7c9da121-e6ee-4459-be6e-6891525a4674&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher Freeburg, &quot;Soul: A Brief History of Black Cultural Life&quot; (Yale UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:30</itunes:duration>
      <itunes:summary>Today’s guest, Christopher Freeburg, is the author of Soul: A Brief History of Black Cultural Life (Yale University Press, 2026). This book explores the US history of black cultural life as a history of soul – a spiritual lived practice rooted in communally fostered music, religion, and politics. It makes the case that soul is forged through black community connections and that it’s sustained by moral principles, or pillars, which define how it is lived. The book’s four chapters are organized around four of these pillars: resonance, revelation, resilience, and transcendence. A number of black individuals are foregrounded in these discussions: they include Phillis Wheatley, Gwendolyn Brooks, Nina Simone, Jewel Thais-Williams, Barack Obama, and others.

By telling their stories, and by honoring the weight of the trauma and violence that has long befallen the black community, Christopher Freeburg’s Soul invites its readers to commune with the soul power of people who brought about transformation in the face of seeming impossibility.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today’s guest, Christopher Freeburg, is the author of Soul: A Brief History of Black Cultural Life (Yale University Press, 2026). This book explores the US history of black cultural life as a history of soul – a spiritual lived practice rooted in communally fostered music, religion, and politics. It makes the case that soul is forged through black community connections and that it’s sustained by moral principles, or pillars, which define how it is lived. The book’s four chapters are organized around four of these pillars: resonance, revelation, resilience, and transcendence. A number of black individuals are foregrounded in these discussions: they include Phillis Wheatley, Gwendolyn Brooks, Nina Simone, Jewel Thais-Williams, Barack Obama, and others.

By telling their stories, and by honoring the weight of the trauma and violence that has long befallen the black community, Christopher Freeburg’s Soul invites its readers to commune with the soul power of people who brought about transformation in the face of seeming impossibility.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1970</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">de6448aa-ac02-11f1-8bd4-1bdee8d92728</guid>
      <title>Patrick Griffin, &quot;The Age of Atlantic Revolution: The Fall and Rise of a Connected World&quot; (Yale UP, 2023)</title>
      <description><![CDATA[<p>David Gellman interviews Patrick Griffin on <a href="https://urldefense.com/v3/__https:/yalebooks.yale.edu/book/9780300206333/the-age-of-atlantic-revolution/__;!!H7yp__TR!bUvYeIaDNH2AKz5J_ULVwCuSfH81Lo6Q2BT8iM9AN0Bljdq8TRr9MxZK95oAfzcZ2zl6vpsSPHRh03r6BeY$"><em>The Age of Atlantic Revolution: The Fall and Rise of a Connected World</em></a></p>
<p>The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750–1850).<br />Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 10 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>David Gellman interviews Patrick Griffin on <a href="https://urldefense.com/v3/__https:/yalebooks.yale.edu/book/9780300206333/the-age-of-atlantic-revolution/__;!!H7yp__TR!bUvYeIaDNH2AKz5J_ULVwCuSfH81Lo6Q2BT8iM9AN0Bljdq8TRr9MxZK95oAfzcZ2zl6vpsSPHRh03r6BeY$"><em>The Age of Atlantic Revolution: The Fall and Rise of a Connected World</em></a></p>
<p>The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750–1850).<br />Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55810531" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/67142b47-9e8e-46c4-8183-8e7cdb5f6d01/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=67142b47-9e8e-46c4-8183-8e7cdb5f6d01&amp;feed=KodC6fj_"/>
      <itunes:title>Patrick Griffin, &quot;The Age of Atlantic Revolution: The Fall and Rise of a Connected World&quot; (Yale UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:06</itunes:duration>
      <itunes:summary>David Gellman interviews Patrick Griffin on The Age of Atlantic Revolution: The Fall and Rise of a Connected World

The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750–1850).Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>David Gellman interviews Patrick Griffin on The Age of Atlantic Revolution: The Fall and Rise of a Connected World

The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750–1850).Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1969</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b96fb3ec-ac00-11f1-9919-7f3fdc5d864c</guid>
      <title>Michelle Adams, &quot;The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North &quot; (FSG, 2025)</title>
      <description><![CDATA[<p>Winner of the MAAH Stone Book Award Winner of the 2025 Avern Cohn Award A New York Times Notable Book of 2025, A New Yorker Best Book of 2025 selection A Christian Science Monitor 25 Best Books of 2025 The epic story of Detroit’s struggle to integrate schools in its suburbs—and the defeat of desegregation in the North. In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why? In <a href="https://bookshop.org/a/12343/9780374721787">The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North</a><em> </em>﻿﻿(FSG, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today. Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.</p>
<p>My guest today is Michelle Adams. Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writings have appeared in The New Yorker, The Yale Law Journal, California Law Review, and elsewhere. She was born and grew up in Detroit.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 9 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Winner of the MAAH Stone Book Award Winner of the 2025 Avern Cohn Award A New York Times Notable Book of 2025, A New Yorker Best Book of 2025 selection A Christian Science Monitor 25 Best Books of 2025 The epic story of Detroit’s struggle to integrate schools in its suburbs—and the defeat of desegregation in the North. In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why? In <a href="https://bookshop.org/a/12343/9780374721787">The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North</a><em> </em>﻿﻿(FSG, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today. Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.</p>
<p>My guest today is Michelle Adams. Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writings have appeared in The New Yorker, The Yale Law Journal, California Law Review, and elsewhere. She was born and grew up in Detroit.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68526094" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e29e73a0-adf2-481b-b0bf-9f9a232469c4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e29e73a0-adf2-481b-b0bf-9f9a232469c4&amp;feed=KodC6fj_"/>
      <itunes:title>Michelle Adams, &quot;The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North &quot; (FSG, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:19</itunes:duration>
      <itunes:summary>Winner of the MAAH Stone Book Award Winner of the 2025 Avern Cohn Award A New York Times Notable Book of 2025, A New Yorker Best Book of 2025 selection A Christian Science Monitor 25 Best Books of 2025 The epic story of Detroit’s struggle to integrate schools in its suburbs—and the defeat of desegregation in the North. In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why? In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North ﻿﻿(FSG, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit&apos;s students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today. Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.

My guest today is Michelle Adams. Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writings have appeared in The New Yorker, The Yale Law Journal, California Law Review, and elsewhere. She was born and grew up in Detroit.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Winner of the MAAH Stone Book Award Winner of the 2025 Avern Cohn Award A New York Times Notable Book of 2025, A New Yorker Best Book of 2025 selection A Christian Science Monitor 25 Best Books of 2025 The epic story of Detroit’s struggle to integrate schools in its suburbs—and the defeat of desegregation in the North. In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why? In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North ﻿﻿(FSG, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit&apos;s students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today. Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.

My guest today is Michelle Adams. Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writings have appeared in The New Yorker, The Yale Law Journal, California Law Review, and elsewhere. She was born and grew up in Detroit.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1968</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">71c35e34-a82e-11f1-b2e3-6f2c35b103d7</guid>
      <title>Lucas L. Johnson II, &quot;Remembering Roots: How an American Classic Transformed the World&quot; (Broadleaf Books, 2026)</title>
      <description><![CDATA[<p>As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel <em>Roots</em> (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen.</p>
<p>With vivid personal anecdotes, emotional tributes, and probing reflections, <a href="https://bookshop.org/a/12343/9798889835127">Remembering Roots: How an American Classic Transformed the World</a> (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of <em>Roots</em>’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture.</p>
<p>As debates rage over which histories get told, <em>Remembering Roots</em> boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available <a href="https://www.broadleafbooks.com/store/product/9798889835127/Remembering-Roots">here</a>.</p>
<p>Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of <em>Finding the Good </em>and coauthor of <em>Youth Change Agent</em>. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his <a href="https://lucasljohnson.com/">website</a>. </p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 8 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel <em>Roots</em> (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen.</p>
<p>With vivid personal anecdotes, emotional tributes, and probing reflections, <a href="https://bookshop.org/a/12343/9798889835127">Remembering Roots: How an American Classic Transformed the World</a> (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of <em>Roots</em>’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture.</p>
<p>As debates rage over which histories get told, <em>Remembering Roots</em> boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available <a href="https://www.broadleafbooks.com/store/product/9798889835127/Remembering-Roots">here</a>.</p>
<p>Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of <em>Finding the Good </em>and coauthor of <em>Youth Change Agent</em>. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his <a href="https://lucasljohnson.com/">website</a>. </p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42769517" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e008dc01-a06e-46bd-82ea-4a26e43d6d3c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e008dc01-a06e-46bd-82ea-4a26e43d6d3c&amp;feed=KodC6fj_"/>
      <itunes:title>Lucas L. Johnson II, &quot;Remembering Roots: How an American Classic Transformed the World&quot; (Broadleaf Books, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:26</itunes:duration>
      <itunes:summary>As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel Roots (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen.

With vivid personal anecdotes, emotional tributes, and probing reflections, Remembering Roots: How an American Classic Transformed the World (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of Roots’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture.

As debates rage over which histories get told, Remembering Roots boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available here.

Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of Finding the Good and coauthor of Youth Change Agent. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his website. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel Roots (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen.

With vivid personal anecdotes, emotional tributes, and probing reflections, Remembering Roots: How an American Classic Transformed the World (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of Roots’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture.

As debates rage over which histories get told, Remembering Roots boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available here.

Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of Finding the Good and coauthor of Youth Change Agent. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his website. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1967</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9b383f34-a2fa-11f1-a812-c769e16fbd46</guid>
      <title>Deirdre Mayer Dougherty, &quot;Race and Place: School Desegregation in Prince George&apos;s County, Maryland&quot; (Rutgers UP, 2025)</title>
      <description><![CDATA[<p><em></em><a href="https://bookshop.org/a/12343/9781978827998"><em>Race and Place: School Desegregation in Prince George's County, Maryland</em></a>  (Rutgers University Press, 2025) considers the everyday experiences of community members throughout the 
process of school desegregation and how race, place, and truth came to 
matter in this process in Prince George's County, Maryland from 1945 
through 1973. Organized around several successive policies that emerged 
in this time: school equalization, school choice, neighborhood schools, 
school construction, school closure, busing for racial integration, and 
school discipline, Dougherty shows how these policies contained and 
reinforced assumptions about place and created new racial truths about 
people and schooling.</p>
<p>﻿<a href="https://www.knox.edu/academics/faculty/mayer-dougherty-deirdre">Dierdre Mayer Dougherty</a> is an Associate Professor of Educational Studies at Knox College.</p>
<p>﻿﻿<a href="https://gse.rutgers.edu/student/max-antonio-jacobs/">Max Jacobs</a> is a PhD student in Education at Rutgers Universty.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 4 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em></em><a href="https://bookshop.org/a/12343/9781978827998"><em>Race and Place: School Desegregation in Prince George's County, Maryland</em></a>  (Rutgers University Press, 2025) considers the everyday experiences of community members throughout the 
process of school desegregation and how race, place, and truth came to 
matter in this process in Prince George's County, Maryland from 1945 
through 1973. Organized around several successive policies that emerged 
in this time: school equalization, school choice, neighborhood schools, 
school construction, school closure, busing for racial integration, and 
school discipline, Dougherty shows how these policies contained and 
reinforced assumptions about place and created new racial truths about 
people and schooling.</p>
<p>﻿<a href="https://www.knox.edu/academics/faculty/mayer-dougherty-deirdre">Dierdre Mayer Dougherty</a> is an Associate Professor of Educational Studies at Knox College.</p>
<p>﻿﻿<a href="https://gse.rutgers.edu/student/max-antonio-jacobs/">Max Jacobs</a> is a PhD student in Education at Rutgers Universty.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43781885" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e688debb-a052-421d-95ef-9978b443bf63/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e688debb-a052-421d-95ef-9978b443bf63&amp;feed=KodC6fj_"/>
      <itunes:title>Deirdre Mayer Dougherty, &quot;Race and Place: School Desegregation in Prince George&apos;s County, Maryland&quot; (Rutgers UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:33</itunes:duration>
      <itunes:summary>Race and Place: School Desegregation in Prince George&apos;s County, Maryland  (Rutgers University Press, 2025) considers the everyday experiences of community members throughout the 
process of school desegregation and how race, place, and truth came to 
matter in this process in Prince George&apos;s County, Maryland from 1945 
through 1973. Organized around several successive policies that emerged 
in this time: school equalization, school choice, neighborhood schools, 
school construction, school closure, busing for racial integration, and 
school discipline, Dougherty shows how these policies contained and 
reinforced assumptions about place and created new racial truths about 
people and schooling.

﻿Dierdre Mayer Dougherty is an Associate Professor of Educational Studies at Knox College.

﻿﻿Max Jacobs is a PhD student in Education at Rutgers Universty.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Race and Place: School Desegregation in Prince George&apos;s County, Maryland  (Rutgers University Press, 2025) considers the everyday experiences of community members throughout the 
process of school desegregation and how race, place, and truth came to 
matter in this process in Prince George&apos;s County, Maryland from 1945 
through 1973. Organized around several successive policies that emerged 
in this time: school equalization, school choice, neighborhood schools, 
school construction, school closure, busing for racial integration, and 
school discipline, Dougherty shows how these policies contained and 
reinforced assumptions about place and created new racial truths about 
people and schooling.

﻿Dierdre Mayer Dougherty is an Associate Professor of Educational Studies at Knox College.

﻿﻿Max Jacobs is a PhD student in Education at Rutgers Universty.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1966</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ba50c280-a131-11f1-b178-4bcf78617334</guid>
      <title>Kamau Ware, &quot;Battle in the Margins: Black Experiences in New York City During the American Revolution&quot; (Black Gotham Experience)</title>
      <description><![CDATA[<p>While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.</p>
<p><em>Battle in the Margins</em> is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with <a href="https://blackgotham.com/">Black Gotham Experience</a>, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 <a href="https://blackgotham.com/battle-in-the-margins/">Battle in the Margins “Main Event,”</a> a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The <em>Battle in the Margins</em> Research Brief is available <a href="https://blackgotham.com/battle-in-the-margins/">here</a>.</p>
<p>Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the<a href="https://blackgotham.com/"> Black Gotham Experience (BGX)</a>. BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 1 Sep 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.</p>
<p><em>Battle in the Margins</em> is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with <a href="https://blackgotham.com/">Black Gotham Experience</a>, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 <a href="https://blackgotham.com/battle-in-the-margins/">Battle in the Margins “Main Event,”</a> a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The <em>Battle in the Margins</em> Research Brief is available <a href="https://blackgotham.com/battle-in-the-margins/">here</a>.</p>
<p>Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the<a href="https://blackgotham.com/"> Black Gotham Experience (BGX)</a>. BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35768450" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0979e60b-66fb-411c-af06-a226239f7eea/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0979e60b-66fb-411c-af06-a226239f7eea&amp;feed=KodC6fj_"/>
      <itunes:title>Kamau Ware, &quot;Battle in the Margins: Black Experiences in New York City During the American Revolution&quot; (Black Gotham Experience)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:37:08</itunes:duration>
      <itunes:summary>While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.

Battle in the Margins is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with Black Gotham Experience, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 Battle in the Margins “Main Event,” a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The Battle in the Margins Research Brief is available here.

Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the Black Gotham Experience (BGX). BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.

Battle in the Margins is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with Black Gotham Experience, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 Battle in the Margins “Main Event,” a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The Battle in the Margins Research Brief is available here.

Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the Black Gotham Experience (BGX). BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1965</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bdca9a90-9fe6-11f1-9bfb-076f26ac6f72</guid>
      <title>Courtney Weikle‑Mills, &quot;Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement&quot; (Johns Hopkins UP, 2026)</title>
      <description><![CDATA[<p>What if children’s literature was never as innocent as we imagine?﻿</p>
<p>In<a href="https://bookshop.org/a/12343/9781421454450"> <em>Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement</em></a> (Johns
 Hopkins University Press, 2026), the relationship between childhood 
reading and Atlantic slavery is brought into sharp focus. The book 
argues that children’s literature did not merely emerge alongside the 
plantation economy; it was deeply shaped by it. Sugar, sweetness, moral 
instruction, and domestic comfort were all tied to systems of 
enslavement and colonial trade, even as the violence behind them was 
softened or erased in stories for young readers.</p>
<p>﻿The book also 
examines how ideas of white civility shaped childhood. White children, 
particularly girls, were cast as symbols of innocence, refinement, and 
moral feeling, while Black children were excluded from those same 
protections. Through analyses of persecuted-heroine narratives, 
missionary education, and colonial schooling, the study reveals how 
children’s literature helped normalise racial hierarchy across the 
British Empire.</p>
<p>﻿Yet the project is equally attentive to 
resistance and alternative ethical traditions. Afro-Caribbean oral 
storytelling, including Anansi tales, songs, and folktales, emerges as a
 powerful counterarchive. These traditions preserved histories of 
survival, collective memory, and resistance that colonial print culture 
often attempted to suppress. The discussion of the “Queen Mary” Fireburn
 song, for instance, highlights how storytelling became a form of 
ethical education and cultural continuity across generations.</p>
<p>﻿One
 of the book’s most striking contributions is its global scope. 
Children’s texts on slavery circulated far beyond Britain and the 
Caribbean, travelling to Africa, Asia, and the Middle East via 
missionary and imperial networks. In translation and adaptation, these 
works sometimes reinforced imperial ideologies, but they could also be 
reshaped in unexpected ways by ‘local’ readers and writers.</p>
<p>﻿<em>Sugarcoated Ethics</em>
 asks readers to reconsider what children’s literature teaches us about 
morality, empathy, and history. It challenges the assumption that 
childhood stories are politically neutral and invites us to think more 
critically about the ethical worlds children’s books continue to create 
today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 29 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What if children’s literature was never as innocent as we imagine?﻿</p>
<p>In<a href="https://bookshop.org/a/12343/9781421454450"> <em>Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement</em></a> (Johns
 Hopkins University Press, 2026), the relationship between childhood 
reading and Atlantic slavery is brought into sharp focus. The book 
argues that children’s literature did not merely emerge alongside the 
plantation economy; it was deeply shaped by it. Sugar, sweetness, moral 
instruction, and domestic comfort were all tied to systems of 
enslavement and colonial trade, even as the violence behind them was 
softened or erased in stories for young readers.</p>
<p>﻿The book also 
examines how ideas of white civility shaped childhood. White children, 
particularly girls, were cast as symbols of innocence, refinement, and 
moral feeling, while Black children were excluded from those same 
protections. Through analyses of persecuted-heroine narratives, 
missionary education, and colonial schooling, the study reveals how 
children’s literature helped normalise racial hierarchy across the 
British Empire.</p>
<p>﻿Yet the project is equally attentive to 
resistance and alternative ethical traditions. Afro-Caribbean oral 
storytelling, including Anansi tales, songs, and folktales, emerges as a
 powerful counterarchive. These traditions preserved histories of 
survival, collective memory, and resistance that colonial print culture 
often attempted to suppress. The discussion of the “Queen Mary” Fireburn
 song, for instance, highlights how storytelling became a form of 
ethical education and cultural continuity across generations.</p>
<p>﻿One
 of the book’s most striking contributions is its global scope. 
Children’s texts on slavery circulated far beyond Britain and the 
Caribbean, travelling to Africa, Asia, and the Middle East via 
missionary and imperial networks. In translation and adaptation, these 
works sometimes reinforced imperial ideologies, but they could also be 
reshaped in unexpected ways by ‘local’ readers and writers.</p>
<p>﻿<em>Sugarcoated Ethics</em>
 asks readers to reconsider what children’s literature teaches us about 
morality, empathy, and history. It challenges the assumption that 
childhood stories are politically neutral and invites us to think more 
critically about the ethical worlds children’s books continue to create 
today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58598194" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1b01616d-2f34-402b-a39d-af3ab3c58224/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1b01616d-2f34-402b-a39d-af3ab3c58224&amp;feed=KodC6fj_"/>
      <itunes:title>Courtney Weikle‑Mills, &quot;Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement&quot; (Johns Hopkins UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:58</itunes:duration>
      <itunes:summary>What if children’s literature was never as innocent as we imagine?﻿

In Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement (Johns
 Hopkins University Press, 2026), the relationship between childhood 
reading and Atlantic slavery is brought into sharp focus. The book 
argues that children’s literature did not merely emerge alongside the 
plantation economy; it was deeply shaped by it. Sugar, sweetness, moral 
instruction, and domestic comfort were all tied to systems of 
enslavement and colonial trade, even as the violence behind them was 
softened or erased in stories for young readers.

﻿The book also 
examines how ideas of white civility shaped childhood. White children, 
particularly girls, were cast as symbols of innocence, refinement, and 
moral feeling, while Black children were excluded from those same 
protections. Through analyses of persecuted-heroine narratives, 
missionary education, and colonial schooling, the study reveals how 
children’s literature helped normalise racial hierarchy across the 
British Empire.

﻿Yet the project is equally attentive to 
resistance and alternative ethical traditions. Afro-Caribbean oral 
storytelling, including Anansi tales, songs, and folktales, emerges as a
 powerful counterarchive. These traditions preserved histories of 
survival, collective memory, and resistance that colonial print culture 
often attempted to suppress. The discussion of the “Queen Mary” Fireburn
 song, for instance, highlights how storytelling became a form of 
ethical education and cultural continuity across generations.

﻿One
 of the book’s most striking contributions is its global scope. 
Children’s texts on slavery circulated far beyond Britain and the 
Caribbean, travelling to Africa, Asia, and the Middle East via 
missionary and imperial networks. In translation and adaptation, these 
works sometimes reinforced imperial ideologies, but they could also be 
reshaped in unexpected ways by ‘local’ readers and writers.

﻿Sugarcoated Ethics
 asks readers to reconsider what children’s literature teaches us about 
morality, empathy, and history. It challenges the assumption that 
childhood stories are politically neutral and invites us to think more 
critically about the ethical worlds children’s books continue to create 
today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What if children’s literature was never as innocent as we imagine?﻿

In Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement (Johns
 Hopkins University Press, 2026), the relationship between childhood 
reading and Atlantic slavery is brought into sharp focus. The book 
argues that children’s literature did not merely emerge alongside the 
plantation economy; it was deeply shaped by it. Sugar, sweetness, moral 
instruction, and domestic comfort were all tied to systems of 
enslavement and colonial trade, even as the violence behind them was 
softened or erased in stories for young readers.

﻿The book also 
examines how ideas of white civility shaped childhood. White children, 
particularly girls, were cast as symbols of innocence, refinement, and 
moral feeling, while Black children were excluded from those same 
protections. Through analyses of persecuted-heroine narratives, 
missionary education, and colonial schooling, the study reveals how 
children’s literature helped normalise racial hierarchy across the 
British Empire.

﻿Yet the project is equally attentive to 
resistance and alternative ethical traditions. Afro-Caribbean oral 
storytelling, including Anansi tales, songs, and folktales, emerges as a
 powerful counterarchive. These traditions preserved histories of 
survival, collective memory, and resistance that colonial print culture 
often attempted to suppress. The discussion of the “Queen Mary” Fireburn
 song, for instance, highlights how storytelling became a form of 
ethical education and cultural continuity across generations.

﻿One
 of the book’s most striking contributions is its global scope. 
Children’s texts on slavery circulated far beyond Britain and the 
Caribbean, travelling to Africa, Asia, and the Middle East via 
missionary and imperial networks. In translation and adaptation, these 
works sometimes reinforced imperial ideologies, but they could also be 
reshaped in unexpected ways by ‘local’ readers and writers.

﻿Sugarcoated Ethics
 asks readers to reconsider what children’s literature teaches us about 
morality, empathy, and history. It challenges the assumption that 
childhood stories are politically neutral and invites us to think more 
critically about the ethical worlds children’s books continue to create 
today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1964</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">51733704-9fe0-11f1-b2a6-ffcf87745632</guid>
      <title>Bernadette Ludwig, &quot;Unwelcome Shores: Black Refugees in America&quot; (Rutgers UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781978843073"><em>Unwelcome Shores: Black Refugees in America</em></a><em> </em>(Rutgers University Press, 2025)<em> </em>is
 an ethnographic study of the Liberian refugee community in Staten 
Island, New York, home to the largest per capita concentration of 
Liberians in the U.S., that sheds light on the racialization of Black 
refugees and the racism they have experienced at every step of their 
migration journey. In this pioneering study, sociologist Bernadette 
Ludwig explores
 how Liberians have responded to such racist exclusions, noting how 
members of this community reject the informal refugee label once they 
are resettled in the United States. Liberian migrants often view the 
label as a liability since the larger general public, the media, and the
 U.S. government tend to regard Black refugees as an economic and social
 burden unworthy of assistance. Indeed, Black refugees’ humanity is 
often ignored,
 Ludwig contends, in favor of overemphasizing presumed barbaric 
violence, endemic wars, cultural backwardness, and diseases. By 
detailing the lack of aid and support for Black refugees and describing 
how Liberian refugees in particular have had to overcome various 
struggles and barriers in coming to the U.S. and while living here, <em>Unwelcome Shores</em> highlights the overarching role of race and anti-Black racism in American society.</p>
<p>Dr. Bernadette Ludwig is a Sociologist and the Assistant Dean of the 
Macricostas School of Arts and Sciences at Western Connecticut State 
University. She is also an Affiliated Faculty with The New School's 
Zolberg Institute on Migration &amp; Mobility. </p>
<p>Host:
 Michael L. Rosino is Assistant Professor of Sociology at Molloy 
University, studying racial politics, media, and democracy. His most 
recent book, <a href="https://uncpress.org/9781469685632/democracy-is-awkward/"><em>Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing</em></a>, is now available with the University of North Carolina Press. </p>
<p>In this episode, Dr. Ludwig mentioned an opportunity to get involved in asylum and deportation cases. Here is <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Flinkprotect.cudasvc.com%2Furl%3Fa%3Dhttps%253a%252f%252fcgrs.uclawsf.edu%252fen%252fexpert-witness-database%26c%3DE%2C1%2CxB0MpicEqG8Ze4M0wgez1sf0Fzq8MM0u0OisTUDixpoWTkWAESj33cAcdIUW2QbwVRdtiMfYy1YxbpZMyHXcx9-T7-T0-ROzAu1mImBPzmgBHf8rd9uvAQ9hZJok%26typo%3D1&amp;data=05%7C02%7Cmrosino%40molloy.edu%7Cdc2346c033d84e57448308defeb8daed%7Cca79296d783f4900961eab1c73ca868e%7C0%7C0%7C639228267093110575%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=vCsbgiJJAka%2FsxiNxutO5I6S1igv26tiPxchrUwc1iU%3D&amp;reserved=0">the link</a> for scholars to submit their information or attend trainings to become country conditions experts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 29 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781978843073"><em>Unwelcome Shores: Black Refugees in America</em></a><em> </em>(Rutgers University Press, 2025)<em> </em>is
 an ethnographic study of the Liberian refugee community in Staten 
Island, New York, home to the largest per capita concentration of 
Liberians in the U.S., that sheds light on the racialization of Black 
refugees and the racism they have experienced at every step of their 
migration journey. In this pioneering study, sociologist Bernadette 
Ludwig explores
 how Liberians have responded to such racist exclusions, noting how 
members of this community reject the informal refugee label once they 
are resettled in the United States. Liberian migrants often view the 
label as a liability since the larger general public, the media, and the
 U.S. government tend to regard Black refugees as an economic and social
 burden unworthy of assistance. Indeed, Black refugees’ humanity is 
often ignored,
 Ludwig contends, in favor of overemphasizing presumed barbaric 
violence, endemic wars, cultural backwardness, and diseases. By 
detailing the lack of aid and support for Black refugees and describing 
how Liberian refugees in particular have had to overcome various 
struggles and barriers in coming to the U.S. and while living here, <em>Unwelcome Shores</em> highlights the overarching role of race and anti-Black racism in American society.</p>
<p>Dr. Bernadette Ludwig is a Sociologist and the Assistant Dean of the 
Macricostas School of Arts and Sciences at Western Connecticut State 
University. She is also an Affiliated Faculty with The New School's 
Zolberg Institute on Migration &amp; Mobility. </p>
<p>Host:
 Michael L. Rosino is Assistant Professor of Sociology at Molloy 
University, studying racial politics, media, and democracy. His most 
recent book, <a href="https://uncpress.org/9781469685632/democracy-is-awkward/"><em>Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing</em></a>, is now available with the University of North Carolina Press. </p>
<p>In this episode, Dr. Ludwig mentioned an opportunity to get involved in asylum and deportation cases. Here is <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Flinkprotect.cudasvc.com%2Furl%3Fa%3Dhttps%253a%252f%252fcgrs.uclawsf.edu%252fen%252fexpert-witness-database%26c%3DE%2C1%2CxB0MpicEqG8Ze4M0wgez1sf0Fzq8MM0u0OisTUDixpoWTkWAESj33cAcdIUW2QbwVRdtiMfYy1YxbpZMyHXcx9-T7-T0-ROzAu1mImBPzmgBHf8rd9uvAQ9hZJok%26typo%3D1&amp;data=05%7C02%7Cmrosino%40molloy.edu%7Cdc2346c033d84e57448308defeb8daed%7Cca79296d783f4900961eab1c73ca868e%7C0%7C0%7C639228267093110575%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=vCsbgiJJAka%2FsxiNxutO5I6S1igv26tiPxchrUwc1iU%3D&amp;reserved=0">the link</a> for scholars to submit their information or attend trainings to become country conditions experts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38703665" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b6fa9494-5111-4dc0-bdbe-315219cfe95b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b6fa9494-5111-4dc0-bdbe-315219cfe95b&amp;feed=KodC6fj_"/>
      <itunes:title>Bernadette Ludwig, &quot;Unwelcome Shores: Black Refugees in America&quot; (Rutgers UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:16</itunes:duration>
      <itunes:summary>Unwelcome Shores: Black Refugees in America (Rutgers University Press, 2025) is
 an ethnographic study of the Liberian refugee community in Staten 
Island, New York, home to the largest per capita concentration of 
Liberians in the U.S., that sheds light on the racialization of Black 
refugees and the racism they have experienced at every step of their 
migration journey. In this pioneering study, sociologist Bernadette 
Ludwig explores
 how Liberians have responded to such racist exclusions, noting how 
members of this community reject the informal refugee label once they 
are resettled in the United States. Liberian migrants often view the 
label as a liability since the larger general public, the media, and the
 U.S. government tend to regard Black refugees as an economic and social
 burden unworthy of assistance. Indeed, Black refugees’ humanity is 
often ignored,
 Ludwig contends, in favor of overemphasizing presumed barbaric 
violence, endemic wars, cultural backwardness, and diseases. By 
detailing the lack of aid and support for Black refugees and describing 
how Liberian refugees in particular have had to overcome various 
struggles and barriers in coming to the U.S. and while living here, Unwelcome Shores highlights the overarching role of race and anti-Black racism in American society.

Dr. Bernadette Ludwig is a Sociologist and the Assistant Dean of the 
Macricostas School of Arts and Sciences at Western Connecticut State 
University. She is also an Affiliated Faculty with The New School&apos;s 
Zolberg Institute on Migration &amp; Mobility. 

Host:
 Michael L. Rosino is Assistant Professor of Sociology at Molloy 
University, studying racial politics, media, and democracy. His most 
recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press. 

In this episode, Dr. Ludwig mentioned an opportunity to get involved in asylum and deportation cases. Here is the link for scholars to submit their information or attend trainings to become country conditions experts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Unwelcome Shores: Black Refugees in America (Rutgers University Press, 2025) is
 an ethnographic study of the Liberian refugee community in Staten 
Island, New York, home to the largest per capita concentration of 
Liberians in the U.S., that sheds light on the racialization of Black 
refugees and the racism they have experienced at every step of their 
migration journey. In this pioneering study, sociologist Bernadette 
Ludwig explores
 how Liberians have responded to such racist exclusions, noting how 
members of this community reject the informal refugee label once they 
are resettled in the United States. Liberian migrants often view the 
label as a liability since the larger general public, the media, and the
 U.S. government tend to regard Black refugees as an economic and social
 burden unworthy of assistance. Indeed, Black refugees’ humanity is 
often ignored,
 Ludwig contends, in favor of overemphasizing presumed barbaric 
violence, endemic wars, cultural backwardness, and diseases. By 
detailing the lack of aid and support for Black refugees and describing 
how Liberian refugees in particular have had to overcome various 
struggles and barriers in coming to the U.S. and while living here, Unwelcome Shores highlights the overarching role of race and anti-Black racism in American society.

Dr. Bernadette Ludwig is a Sociologist and the Assistant Dean of the 
Macricostas School of Arts and Sciences at Western Connecticut State 
University. She is also an Affiliated Faculty with The New School&apos;s 
Zolberg Institute on Migration &amp; Mobility. 

Host:
 Michael L. Rosino is Assistant Professor of Sociology at Molloy 
University, studying racial politics, media, and democracy. His most 
recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press. 

In this episode, Dr. Ludwig mentioned an opportunity to get involved in asylum and deportation cases. Here is the link for scholars to submit their information or attend trainings to become country conditions experts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1963</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e759d90e-9c51-11f1-aa49-937bf22ecf71</guid>
      <title>Honoree Fanonne Jeffers, &quot;The Love Songs of W.E.B. Du Bois&quot; (HarperCollins, 2021)</title>
      <description><![CDATA[<p>In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with <em>The Love Songs of W.E.B. DuBois</em>, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of <em>Homegoing</em>; <em>Sing, Unburied, Sing</em>; and <em>The Water Dancer</em>—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era.</p>
<p>Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel’s publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything.</p>
<p>Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, <em>The Age of Phillis</em>. She was on the podcast on <a href="https://newbooksnetwork.com/misbehaving-at-the-crossroads#entry:386264@1:url">June 20, 2025</a> to discuss her book, <em>Misbehaving at the Crossroad: Essays and Writing</em>. You can find Honorée on <a href="https://substack.com/@honoreejeffers">Substack</a>, <a href="https://www.facebook.com/honoreej/">Facebook</a>, and <a href="https://www.instagram.com/honoree_jeffers/">Instagram</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 25 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with <em>The Love Songs of W.E.B. DuBois</em>, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of <em>Homegoing</em>; <em>Sing, Unburied, Sing</em>; and <em>The Water Dancer</em>—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era.</p>
<p>Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel’s publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything.</p>
<p>Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, <em>The Age of Phillis</em>. She was on the podcast on <a href="https://newbooksnetwork.com/misbehaving-at-the-crossroads#entry:386264@1:url">June 20, 2025</a> to discuss her book, <em>Misbehaving at the Crossroad: Essays and Writing</em>. You can find Honorée on <a href="https://substack.com/@honoreejeffers">Substack</a>, <a href="https://www.facebook.com/honoreej/">Facebook</a>, and <a href="https://www.instagram.com/honoree_jeffers/">Instagram</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59072241" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1d5c3a29-7400-4400-b9c0-754fe3196a0f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1d5c3a29-7400-4400-b9c0-754fe3196a0f&amp;feed=KodC6fj_"/>
      <itunes:title>Honoree Fanonne Jeffers, &quot;The Love Songs of W.E.B. Du Bois&quot; (HarperCollins, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:25</itunes:duration>
      <itunes:summary>In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with The Love Songs of W.E.B. DuBois, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era.

Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel’s publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything.

Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, The Age of Phillis. She was on the podcast on June 20, 2025 to discuss her book, Misbehaving at the Crossroad: Essays and Writing. You can find Honorée on Substack, Facebook, and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with The Love Songs of W.E.B. DuBois, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era.

Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel’s publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything.

Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, The Age of Phillis. She was on the podcast on June 20, 2025 to discuss her book, Misbehaving at the Crossroad: Essays and Writing. You can find Honorée on Substack, Facebook, and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1962</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5327702a-9a12-11f1-8b87-7f65ff0dab77</guid>
      <title>Ashanté M. Reese, &quot;Gather: Black Food, Nourishment, and the Art of Togetherness&quot; (W. W. Norton, 2026)</title>
      <description><![CDATA[<p>Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities?</p>
<p>In <em>G</em><a href="https://bookshop.org/a/12343/9781324076469">ather: Black Food, Nourishment, and the Art of Togetherness </a>(Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health</p>
<p><em>Gather</em> presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change.</p>
<p>There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. <em>Gather</em> is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul.</p>
<p>Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em> <em>Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 21 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities?</p>
<p>In <em>G</em><a href="https://bookshop.org/a/12343/9781324076469">ather: Black Food, Nourishment, and the Art of Togetherness </a>(Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health</p>
<p><em>Gather</em> presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change.</p>
<p>There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. <em>Gather</em> is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul.</p>
<p>Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em> <em>Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34641082" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/69e651ba-bd4d-4b04-9a12-f23d89bd76a9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=69e651ba-bd4d-4b04-9a12-f23d89bd76a9&amp;feed=KodC6fj_"/>
      <itunes:title>Ashanté M. Reese, &quot;Gather: Black Food, Nourishment, and the Art of Togetherness&quot; (W. W. Norton, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:01</itunes:duration>
      <itunes:summary>Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities?

In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health

Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change.

There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul.

Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities?

In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health

Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change.

There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul.

Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1961</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d8302368-97e5-11f1-aeac-739a7ae45c94</guid>
      <title>Nancy Folbre, &quot;Making Care Work: Why Our Economy Should Put People First&quot; (U California Press, 2026)</title>
      <description><![CDATA[<p>A bold critique of conventional economics that reveals why the time 
and money we devote to care work is vital to our economic future.</p>
<p>Our
 economy is much bigger than the dollar value of things we buy and sell.
 It depends on us—our health, our creativity, and our moral commitments.
 These capabilities don't have price tags but are crucial to a 
sustainable future. We need to acknowledge and reward the value of 
caring for ourselves and others, especially our children, our elderly, 
and those experiencing illness or disability.</p>
<p>From leading feminist economist Nancy Folbre, <a href="https://bookshop.org/a/12343/9780520405622"><em>Making Care Work﻿: Why Our Economy Should Put People First</em></a> (University
 of California Press, 2026) provides a compelling historical and economic
 account of care provision in the United States. Folbre traces the long 
and colorful history of resistance to bogus claims that only paid work 
"counts" and that employees in care services are always paid what they 
deserve. Explaining why care providers remain economically vulnerable 
today, she argues that more attention to the public benefits of care 
provision could help build the political coalitions needed to implement 
policies that put people first.</p>
<p>In this comprehensive and bold 
book, Folbre upends conventional economic thinking and maps a hopeful 
path toward a more equitable and sustainable economy.</p>
<p>﻿Nancy 
Folbre is Director of the Program on Gender and Care Work at the 
Political Economy Research Institute and Professor Emerita of Economics 
at UMass Amherst. She is the author of many books, including <em>The Invisible Heart: Economics and Family Values</em>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 19 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A bold critique of conventional economics that reveals why the time 
and money we devote to care work is vital to our economic future.</p>
<p>Our
 economy is much bigger than the dollar value of things we buy and sell.
 It depends on us—our health, our creativity, and our moral commitments.
 These capabilities don't have price tags but are crucial to a 
sustainable future. We need to acknowledge and reward the value of 
caring for ourselves and others, especially our children, our elderly, 
and those experiencing illness or disability.</p>
<p>From leading feminist economist Nancy Folbre, <a href="https://bookshop.org/a/12343/9780520405622"><em>Making Care Work﻿: Why Our Economy Should Put People First</em></a> (University
 of California Press, 2026) provides a compelling historical and economic
 account of care provision in the United States. Folbre traces the long 
and colorful history of resistance to bogus claims that only paid work 
"counts" and that employees in care services are always paid what they 
deserve. Explaining why care providers remain economically vulnerable 
today, she argues that more attention to the public benefits of care 
provision could help build the political coalitions needed to implement 
policies that put people first.</p>
<p>In this comprehensive and bold 
book, Folbre upends conventional economic thinking and maps a hopeful 
path toward a more equitable and sustainable economy.</p>
<p>﻿Nancy 
Folbre is Director of the Program on Gender and Care Work at the 
Political Economy Research Institute and Professor Emerita of Economics 
at UMass Amherst. She is the author of many books, including <em>The Invisible Heart: Economics and Family Values</em>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46646878" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0c59b958-6ae0-4f5f-90c8-92f47c9ec276/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0c59b958-6ae0-4f5f-90c8-92f47c9ec276&amp;feed=KodC6fj_"/>
      <itunes:title>Nancy Folbre, &quot;Making Care Work: Why Our Economy Should Put People First&quot; (U California Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:32</itunes:duration>
      <itunes:summary>A bold critique of conventional economics that reveals why the time 
and money we devote to care work is vital to our economic future.

Our
 economy is much bigger than the dollar value of things we buy and sell.
 It depends on us—our health, our creativity, and our moral commitments.
 These capabilities don&apos;t have price tags but are crucial to a 
sustainable future. We need to acknowledge and reward the value of 
caring for ourselves and others, especially our children, our elderly, 
and those experiencing illness or disability.

From leading feminist economist Nancy Folbre, Making Care Work﻿: Why Our Economy Should Put People First (University
 of California Press, 2026) provides a compelling historical and economic
 account of care provision in the United States. Folbre traces the long 
and colorful history of resistance to bogus claims that only paid work 
&quot;counts&quot; and that employees in care services are always paid what they 
deserve. Explaining why care providers remain economically vulnerable 
today, she argues that more attention to the public benefits of care 
provision could help build the political coalitions needed to implement 
policies that put people first.

In this comprehensive and bold 
book, Folbre upends conventional economic thinking and maps a hopeful 
path toward a more equitable and sustainable economy.

﻿Nancy 
Folbre is Director of the Program on Gender and Care Work at the 
Political Economy Research Institute and Professor Emerita of Economics 
at UMass Amherst. She is the author of many books, including The Invisible Heart: Economics and Family Values.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A bold critique of conventional economics that reveals why the time 
and money we devote to care work is vital to our economic future.

Our
 economy is much bigger than the dollar value of things we buy and sell.
 It depends on us—our health, our creativity, and our moral commitments.
 These capabilities don&apos;t have price tags but are crucial to a 
sustainable future. We need to acknowledge and reward the value of 
caring for ourselves and others, especially our children, our elderly, 
and those experiencing illness or disability.

From leading feminist economist Nancy Folbre, Making Care Work﻿: Why Our Economy Should Put People First (University
 of California Press, 2026) provides a compelling historical and economic
 account of care provision in the United States. Folbre traces the long 
and colorful history of resistance to bogus claims that only paid work 
&quot;counts&quot; and that employees in care services are always paid what they 
deserve. Explaining why care providers remain economically vulnerable 
today, she argues that more attention to the public benefits of care 
provision could help build the political coalitions needed to implement 
policies that put people first.

In this comprehensive and bold 
book, Folbre upends conventional economic thinking and maps a hopeful 
path toward a more equitable and sustainable economy.

﻿Nancy 
Folbre is Director of the Program on Gender and Care Work at the 
Political Economy Research Institute and Professor Emerita of Economics 
at UMass Amherst. She is the author of many books, including The Invisible Heart: Economics and Family Values.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1960</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">287beee8-96e6-11f1-8dec-7f1a276f1330</guid>
      <title>Beronda L. Montgomery, &quot;When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy&quot; (Henry Holt &amp; Co.)</title>
      <description><![CDATA[<p>The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.<br />In <a href="https://bookshop.org/a/12343/9781250335166">When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy</a><em> </em>(Henry Holt &amp; Co.), award-winning plant biologist Dr. Beronda L. Montgomery explores the ways seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.<br />Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.</p>
<p>Beronda L. Montgomery, PhD, is a writer, researcher, and scholar who pursues a common theme of understanding how individuals perceive, respond to, and are impacted by the environments in which they exist. Her primary laboratory-based research has been focused on the responses of photosynthetic organisms (i.e., plants and cyanobacteria) to external light cues. Additionally, Beronda pursues this theme in the context of effective mentoring and leadership of individuals, and the role of innovative leaders in supporting success. You can find her at her <a href="https://www.berondamontgomery.com/">website</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 18 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.<br />In <a href="https://bookshop.org/a/12343/9781250335166">When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy</a><em> </em>(Henry Holt &amp; Co.), award-winning plant biologist Dr. Beronda L. Montgomery explores the ways seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.<br />Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.</p>
<p>Beronda L. Montgomery, PhD, is a writer, researcher, and scholar who pursues a common theme of understanding how individuals perceive, respond to, and are impacted by the environments in which they exist. Her primary laboratory-based research has been focused on the responses of photosynthetic organisms (i.e., plants and cyanobacteria) to external light cues. Additionally, Beronda pursues this theme in the context of effective mentoring and leadership of individuals, and the role of innovative leaders in supporting success. You can find her at her <a href="https://www.berondamontgomery.com/">website</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43198652" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3f888112-b3c9-4e32-b89a-247b4a41354c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3f888112-b3c9-4e32-b89a-247b4a41354c&amp;feed=KodC6fj_"/>
      <itunes:title>Beronda L. Montgomery, &quot;When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy&quot; (Henry Holt &amp; Co.)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:53</itunes:duration>
      <itunes:summary>The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.In When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy (Henry Holt &amp; Co.), award-winning plant biologist Dr. Beronda L. Montgomery explores the ways seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

Beronda L. Montgomery, PhD, is a writer, researcher, and scholar who pursues a common theme of understanding how individuals perceive, respond to, and are impacted by the environments in which they exist. Her primary laboratory-based research has been focused on the responses of photosynthetic organisms (i.e., plants and cyanobacteria) to external light cues. Additionally, Beronda pursues this theme in the context of effective mentoring and leadership of individuals, and the role of innovative leaders in supporting success. You can find her at her website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.In When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy (Henry Holt &amp; Co.), award-winning plant biologist Dr. Beronda L. Montgomery explores the ways seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

Beronda L. Montgomery, PhD, is a writer, researcher, and scholar who pursues a common theme of understanding how individuals perceive, respond to, and are impacted by the environments in which they exist. Her primary laboratory-based research has been focused on the responses of photosynthetic organisms (i.e., plants and cyanobacteria) to external light cues. Additionally, Beronda pursues this theme in the context of effective mentoring and leadership of individuals, and the role of innovative leaders in supporting success. You can find her at her website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1959</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2bff4fac-9609-11f1-a4e9-a706f54b9f45</guid>
      <title>Edward E. Andrews, &quot;Newport Gardner&apos;s Anthem: A Story of Slavery, Struggle, and Survival in Early America&quot; (Cornell UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781501783555">Newport Gardner's Anthem: A Story of Slavery, Struggle, and Survival in Early America</a> (Cornell UP, 2025) explores the remarkable life of Occramer Marycoo, an enslaved African who went on to become one of early America's most important Black leaders. </p>
<p>In the mid-eighteenth century, Marycoo was taken from West Africa to Newport, Rhode Island, where he was forced into racial bondage and given a name that symbolized the power that his new city and new enslaver held over him: Newport Gardner. In this powerful book, Edward E. Andrews pieces together newspaper articles, church records, letters, and Gardner's own writings to tell the story of his life.</p>
<p>After acquiring his freedom via a winning lottery ticket in 1791, Gardner became a kind of Founding Father for Newport's free Black community. He established and led several Black benevolent organizations that helped the community navigate the complicated waters of freedom as Rhode Island slowly began the process of emancipation. He became a popular educator to young Black Newporters, and also emerged as a key religious figure, serving as a long-standing pillar of Newport's First Congregational Church and later founding an independent Black church in the 1820s. His final act was leading a group of about three dozen Black New Englanders to Liberia, in hopes that a new start in Africa would be better than the discrimination they faced in America.</p>
<p>A richly textured account, <em>Newport Gardner's Anthem </em>tells the story of a forgotten Black leader while exploring the new, but tragically limited, opportunities for formerly enslaved people in the post-Revolutionary world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 17 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781501783555">Newport Gardner's Anthem: A Story of Slavery, Struggle, and Survival in Early America</a> (Cornell UP, 2025) explores the remarkable life of Occramer Marycoo, an enslaved African who went on to become one of early America's most important Black leaders. </p>
<p>In the mid-eighteenth century, Marycoo was taken from West Africa to Newport, Rhode Island, where he was forced into racial bondage and given a name that symbolized the power that his new city and new enslaver held over him: Newport Gardner. In this powerful book, Edward E. Andrews pieces together newspaper articles, church records, letters, and Gardner's own writings to tell the story of his life.</p>
<p>After acquiring his freedom via a winning lottery ticket in 1791, Gardner became a kind of Founding Father for Newport's free Black community. He established and led several Black benevolent organizations that helped the community navigate the complicated waters of freedom as Rhode Island slowly began the process of emancipation. He became a popular educator to young Black Newporters, and also emerged as a key religious figure, serving as a long-standing pillar of Newport's First Congregational Church and later founding an independent Black church in the 1820s. His final act was leading a group of about three dozen Black New Englanders to Liberia, in hopes that a new start in Africa would be better than the discrimination they faced in America.</p>
<p>A richly textured account, <em>Newport Gardner's Anthem </em>tells the story of a forgotten Black leader while exploring the new, but tragically limited, opportunities for formerly enslaved people in the post-Revolutionary world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43736976" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b4fce76c-dfb0-4ebd-83d2-5ad8d161228f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b4fce76c-dfb0-4ebd-83d2-5ad8d161228f&amp;feed=KodC6fj_"/>
      <itunes:title>Edward E. Andrews, &quot;Newport Gardner&apos;s Anthem: A Story of Slavery, Struggle, and Survival in Early America&quot; (Cornell UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:31</itunes:duration>
      <itunes:summary>Newport Gardner&apos;s Anthem: A Story of Slavery, Struggle, and Survival in Early America (Cornell UP, 2025) explores the remarkable life of Occramer Marycoo, an enslaved African who went on to become one of early America&apos;s most important Black leaders. 

In the mid-eighteenth century, Marycoo was taken from West Africa to Newport, Rhode Island, where he was forced into racial bondage and given a name that symbolized the power that his new city and new enslaver held over him: Newport Gardner. In this powerful book, Edward E. Andrews pieces together newspaper articles, church records, letters, and Gardner&apos;s own writings to tell the story of his life.

After acquiring his freedom via a winning lottery ticket in 1791, Gardner became a kind of Founding Father for Newport&apos;s free Black community. He established and led several Black benevolent organizations that helped the community navigate the complicated waters of freedom as Rhode Island slowly began the process of emancipation. He became a popular educator to young Black Newporters, and also emerged as a key religious figure, serving as a long-standing pillar of Newport&apos;s First Congregational Church and later founding an independent Black church in the 1820s. His final act was leading a group of about three dozen Black New Englanders to Liberia, in hopes that a new start in Africa would be better than the discrimination they faced in America.

A richly textured account, Newport Gardner&apos;s Anthem tells the story of a forgotten Black leader while exploring the new, but tragically limited, opportunities for formerly enslaved people in the post-Revolutionary world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Newport Gardner&apos;s Anthem: A Story of Slavery, Struggle, and Survival in Early America (Cornell UP, 2025) explores the remarkable life of Occramer Marycoo, an enslaved African who went on to become one of early America&apos;s most important Black leaders. 

In the mid-eighteenth century, Marycoo was taken from West Africa to Newport, Rhode Island, where he was forced into racial bondage and given a name that symbolized the power that his new city and new enslaver held over him: Newport Gardner. In this powerful book, Edward E. Andrews pieces together newspaper articles, church records, letters, and Gardner&apos;s own writings to tell the story of his life.

After acquiring his freedom via a winning lottery ticket in 1791, Gardner became a kind of Founding Father for Newport&apos;s free Black community. He established and led several Black benevolent organizations that helped the community navigate the complicated waters of freedom as Rhode Island slowly began the process of emancipation. He became a popular educator to young Black Newporters, and also emerged as a key religious figure, serving as a long-standing pillar of Newport&apos;s First Congregational Church and later founding an independent Black church in the 1820s. His final act was leading a group of about three dozen Black New Englanders to Liberia, in hopes that a new start in Africa would be better than the discrimination they faced in America.

A richly textured account, Newport Gardner&apos;s Anthem tells the story of a forgotten Black leader while exploring the new, but tragically limited, opportunities for formerly enslaved people in the post-Revolutionary world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1958</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">638057d2-9299-11f1-ae12-4fe7f6c924e4</guid>
      <title>Jarvis C. McInnis, &quot;Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South&quot; (Columbia UP, 2025)</title>
      <description><![CDATA[<p>﻿Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by ﻿Booker T. Washington, offered agricultural and industrial education as a strategy for ﻿Black self-determination. There―and in many other communities in the U.S. South, the ﻿Caribbean, and Central America―Black people repurposed and regenerated what had ﻿been a place of enslavement into a site for imagining alternative futures.</p>
<p>﻿Jarvis C. McInnis charts a new account of Black modernity by 
centering Tuskegee’s﻿vision of agrarian worldmaking. He traces the 
diasporic ties and networks of exchange ﻿that linked Black communities 
in the late nineteenth and early twentieth centuries. ﻿﻿Although Washington is often regarded as an accommodationist, McInnis shows how ﻿artists, intellectuals, and political leaders―including George Washington Carver, Jean ﻿Price-Mars, Zora Neale Hurston, Claude McKay, and Marcus Garvey―adapted ﻿Tuskegee’s methods into dynamic strategies for liberation in places like Cuba, Puerto ﻿Rico, Haiti, and Jamaica. Even as the legacy of the plantation continued to circumscribe ﻿Black life, these thinkers found resources in its ruins to forge new theories and practices ﻿of progress, aesthetic innovation, and freedom that contributed to the New Negro ﻿Movement of the 1920s and 1930s.﻿</p>
<p>In
 contrast to traditional understandings of Black modernity as urban and 
premised on ﻿northward migration, McInnis foregrounds rural settings and
 practices of place making, ﻿rootedness, and liberatory agriculture. 
Shedding new light on the transnational influence ﻿of a historically 
Black institution in the U.S. South, Afterlives of the Plantation remaps
 ﻿Black cultural, intellectual, and political histories down to the very
 soil.</p>
<p><a href="https://bookshop.org/a/12343/9780231215756"><em>Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black﻿ South</em></a> (Columbia University Press, 2025) is an award-winning monograph earning recognition as a ﻿winner of the 2026 S-USIH Annual Book Prize by the Society for U.S. Intellectual ﻿History, 2026 Pauli Murray Book Prize in Black Intellectual History by the African ﻿American Intellectual History Society, and the 2026 ASALH Book Prize by the ﻿Association for the Study of African American Life and History ﻿Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State ﻿University. Her most recent writing appears in the edited collection: <a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1"><em>From Rights to ﻿Lives: The Evolution of the Black Freedom Struggle</em></a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 12 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>﻿Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by ﻿Booker T. Washington, offered agricultural and industrial education as a strategy for ﻿Black self-determination. There―and in many other communities in the U.S. South, the ﻿Caribbean, and Central America―Black people repurposed and regenerated what had ﻿been a place of enslavement into a site for imagining alternative futures.</p>
<p>﻿Jarvis C. McInnis charts a new account of Black modernity by 
centering Tuskegee’s﻿vision of agrarian worldmaking. He traces the 
diasporic ties and networks of exchange ﻿that linked Black communities 
in the late nineteenth and early twentieth centuries. ﻿﻿Although Washington is often regarded as an accommodationist, McInnis shows how ﻿artists, intellectuals, and political leaders―including George Washington Carver, Jean ﻿Price-Mars, Zora Neale Hurston, Claude McKay, and Marcus Garvey―adapted ﻿Tuskegee’s methods into dynamic strategies for liberation in places like Cuba, Puerto ﻿Rico, Haiti, and Jamaica. Even as the legacy of the plantation continued to circumscribe ﻿Black life, these thinkers found resources in its ruins to forge new theories and practices ﻿of progress, aesthetic innovation, and freedom that contributed to the New Negro ﻿Movement of the 1920s and 1930s.﻿</p>
<p>In
 contrast to traditional understandings of Black modernity as urban and 
premised on ﻿northward migration, McInnis foregrounds rural settings and
 practices of place making, ﻿rootedness, and liberatory agriculture. 
Shedding new light on the transnational influence ﻿of a historically 
Black institution in the U.S. South, Afterlives of the Plantation remaps
 ﻿Black cultural, intellectual, and political histories down to the very
 soil.</p>
<p><a href="https://bookshop.org/a/12343/9780231215756"><em>Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black﻿ South</em></a> (Columbia University Press, 2025) is an award-winning monograph earning recognition as a ﻿winner of the 2026 S-USIH Annual Book Prize by the Society for U.S. Intellectual ﻿History, 2026 Pauli Murray Book Prize in Black Intellectual History by the African ﻿American Intellectual History Society, and the 2026 ASALH Book Prize by the ﻿Association for the Study of African American Life and History ﻿Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State ﻿University. Her most recent writing appears in the edited collection: <a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1"><em>From Rights to ﻿Lives: The Evolution of the Black Freedom Struggle</em></a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65379946" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/18e7274f-d9c0-42a0-aede-4a0b24301969/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=18e7274f-d9c0-42a0-aede-4a0b24301969&amp;feed=KodC6fj_"/>
      <itunes:title>Jarvis C. McInnis, &quot;Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South&quot; (Columbia UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:01</itunes:duration>
      <itunes:summary>Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by ﻿Booker T. Washington, offered agricultural and industrial education as a strategy for ﻿Black self-determination. There―and in many other communities in the U.S. South, the ﻿Caribbean, and Central America―Black people repurposed and regenerated what had ﻿been a place of enslavement into a site for imagining alternative futures.

﻿Jarvis C. McInnis charts a new account of Black modernity by 
centering Tuskegee’s﻿vision of agrarian worldmaking. He traces the 
diasporic ties and networks of exchange ﻿that linked Black communities 
in the late nineteenth and early twentieth centuries. ﻿﻿Although Washington is often regarded as an accommodationist, McInnis shows how ﻿artists, intellectuals, and political leaders―including George Washington Carver, Jean ﻿Price-Mars, Zora Neale Hurston, Claude McKay, and Marcus Garvey―adapted ﻿Tuskegee’s methods into dynamic strategies for liberation in places like Cuba, Puerto ﻿Rico, Haiti, and Jamaica. Even as the legacy of the plantation continued to circumscribe ﻿Black life, these thinkers found resources in its ruins to forge new theories and practices ﻿of progress, aesthetic innovation, and freedom that contributed to the New Negro ﻿Movement of the 1920s and 1930s.﻿

In
 contrast to traditional understandings of Black modernity as urban and 
premised on ﻿northward migration, McInnis foregrounds rural settings and
 practices of place making, ﻿rootedness, and liberatory agriculture. 
Shedding new light on the transnational influence ﻿of a historically 
Black institution in the U.S. South, Afterlives of the Plantation remaps
 ﻿Black cultural, intellectual, and political histories down to the very
 soil.

Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black﻿ South (Columbia University Press, 2025) is an award-winning monograph earning recognition as a ﻿winner of the 2026 S-USIH Annual Book Prize by the Society for U.S. Intellectual ﻿History, 2026 Pauli Murray Book Prize in Black Intellectual History by the African ﻿American Intellectual History Society, and the 2026 ASALH Book Prize by the ﻿Association for the Study of African American Life and History ﻿Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State ﻿University. Her most recent writing appears in the edited collection: From Rights to ﻿Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by ﻿Booker T. Washington, offered agricultural and industrial education as a strategy for ﻿Black self-determination. There―and in many other communities in the U.S. South, the ﻿Caribbean, and Central America―Black people repurposed and regenerated what had ﻿been a place of enslavement into a site for imagining alternative futures.

﻿Jarvis C. McInnis charts a new account of Black modernity by 
centering Tuskegee’s﻿vision of agrarian worldmaking. He traces the 
diasporic ties and networks of exchange ﻿that linked Black communities 
in the late nineteenth and early twentieth centuries. ﻿﻿Although Washington is often regarded as an accommodationist, McInnis shows how ﻿artists, intellectuals, and political leaders―including George Washington Carver, Jean ﻿Price-Mars, Zora Neale Hurston, Claude McKay, and Marcus Garvey―adapted ﻿Tuskegee’s methods into dynamic strategies for liberation in places like Cuba, Puerto ﻿Rico, Haiti, and Jamaica. Even as the legacy of the plantation continued to circumscribe ﻿Black life, these thinkers found resources in its ruins to forge new theories and practices ﻿of progress, aesthetic innovation, and freedom that contributed to the New Negro ﻿Movement of the 1920s and 1930s.﻿

In
 contrast to traditional understandings of Black modernity as urban and 
premised on ﻿northward migration, McInnis foregrounds rural settings and
 practices of place making, ﻿rootedness, and liberatory agriculture. 
Shedding new light on the transnational influence ﻿of a historically 
Black institution in the U.S. South, Afterlives of the Plantation remaps
 ﻿Black cultural, intellectual, and political histories down to the very
 soil.

Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black﻿ South (Columbia University Press, 2025) is an award-winning monograph earning recognition as a ﻿winner of the 2026 S-USIH Annual Book Prize by the Society for U.S. Intellectual ﻿History, 2026 Pauli Murray Book Prize in Black Intellectual History by the African ﻿American Intellectual History Society, and the 2026 ASALH Book Prize by the ﻿Association for the Study of African American Life and History ﻿Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State ﻿University. Her most recent writing appears in the edited collection: From Rights to ﻿Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1957</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9b8fc07c-9172-11f1-9170-6fd2eecaf7b2</guid>
      <title>Christopher R. Rogers, &quot;My City Need Something&quot; (Common Notions, 2026)</title>
      <description><![CDATA[<p>Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.<br />Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.<br />Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, <a href="https://bookshop.org/a/12343/9781945335501">My City Need Something</a> (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.</p>
<p>Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition &amp; Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for <em>How We Stay Free: Notes on a Black Uprisin</em>g (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.</p>
<p>After listening to this episode, head over to the <a href="https://sullivansummer.substack.com/">Additions to the Archive Substack</a>, where Chris and Sullivan talk further about community education and activism.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 11 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.<br />Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.<br />Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, <a href="https://bookshop.org/a/12343/9781945335501">My City Need Something</a> (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.</p>
<p>Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition &amp; Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for <em>How We Stay Free: Notes on a Black Uprisin</em>g (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.</p>
<p>After listening to this episode, head over to the <a href="https://sullivansummer.substack.com/">Additions to the Archive Substack</a>, where Chris and Sullivan talk further about community education and activism.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52780381" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/eded86a5-d1f3-4a39-9a98-48c50e0235c1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=eded86a5-d1f3-4a39-9a98-48c50e0235c1&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher R. Rogers, &quot;My City Need Something&quot; (Common Notions, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:52</itunes:duration>
      <itunes:summary>Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, My City Need Something (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.

Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition &amp; Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for How We Stay Free: Notes on a Black Uprising (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.

After listening to this episode, head over to the Additions to the Archive Substack, where Chris and Sullivan talk further about community education and activism.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, My City Need Something (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.

Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition &amp; Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for How We Stay Free: Notes on a Black Uprising (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.

After listening to this episode, head over to the Additions to the Archive Substack, where Chris and Sullivan talk further about community education and activism.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1956</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f0da969e-908a-11f1-a276-e39cce1e3820</guid>
      <title>David N. Gellman, &quot;Liberty’s Chain: Slavery, Abolition, and the Jay Family of New York&quot; (Cornell UP, 2022)</title>
      <description><![CDATA[<p>Edward Blum interviews David N. Gellman on his book <a href="https://bookshop.org/a/12343/9781501715846"><em>Liberty’s Chain: Slavery, Abolition, and the Jay Family of New York</em></a> ﻿(Cornell UP, 2022).</p>
<p>In <em>Liberty's Chain</em>, David N. Gellman shows how the Jay family, abolitionists and slaveholders alike, embodied the contradictions of the revolutionary age. The Jays of New York were a preeminent founding family. John Jay, diplomat, Supreme Court justice, and coauthor of the Federalist Papers, and his children and grandchildren helped chart the course of the Early American Republic.<br /><em>Liberty's Chain</em> forges a new path for thinking about slavery and the nation's founding. John Jay served as the inaugural president of a pioneering antislavery society. His descendants, especially his son William Jay and his grandson John Jay II, embraced radical abolitionism in the nineteenth century, the cause most likely to rend the nation. The scorn of their elite peers—and racist mobs—did not deter their commitment to end southern slavery and to combat northern injustice.<br />John Jay's personal dealings with African Americans ranged from callousness to caring. Across the generations, even as prominent Jays decried human servitude, enslaved people and formerly enslaved people served in Jay households. Abbe, Clarinda, Caesar Valentine, Zilpah Montgomery, and others lived difficult, often isolated, lives that tested their courage and the Jay family's principles.</p>
<p>The personal and the political intersect in this saga, as Gellman charts American values transmitted and transformed from the colonial and revolutionary eras to the Civil War, Reconstruction, and beyond. The Jays, as well as those who served them, demonstrated the elusiveness and the vitality of liberty's legacy. This remarkable family story forces us to grapple with what we mean by patriotism, conservatism, and radicalism. Their story speaks directly to our own divided times.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 10 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Edward Blum interviews David N. Gellman on his book <a href="https://bookshop.org/a/12343/9781501715846"><em>Liberty’s Chain: Slavery, Abolition, and the Jay Family of New York</em></a> ﻿(Cornell UP, 2022).</p>
<p>In <em>Liberty's Chain</em>, David N. Gellman shows how the Jay family, abolitionists and slaveholders alike, embodied the contradictions of the revolutionary age. The Jays of New York were a preeminent founding family. John Jay, diplomat, Supreme Court justice, and coauthor of the Federalist Papers, and his children and grandchildren helped chart the course of the Early American Republic.<br /><em>Liberty's Chain</em> forges a new path for thinking about slavery and the nation's founding. John Jay served as the inaugural president of a pioneering antislavery society. His descendants, especially his son William Jay and his grandson John Jay II, embraced radical abolitionism in the nineteenth century, the cause most likely to rend the nation. The scorn of their elite peers—and racist mobs—did not deter their commitment to end southern slavery and to combat northern injustice.<br />John Jay's personal dealings with African Americans ranged from callousness to caring. Across the generations, even as prominent Jays decried human servitude, enslaved people and formerly enslaved people served in Jay households. Abbe, Clarinda, Caesar Valentine, Zilpah Montgomery, and others lived difficult, often isolated, lives that tested their courage and the Jay family's principles.</p>
<p>The personal and the political intersect in this saga, as Gellman charts American values transmitted and transformed from the colonial and revolutionary eras to the Civil War, Reconstruction, and beyond. The Jays, as well as those who served them, demonstrated the elusiveness and the vitality of liberty's legacy. This remarkable family story forces us to grapple with what we mean by patriotism, conservatism, and radicalism. Their story speaks directly to our own divided times.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45671969" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f97a347f-69aa-4abf-946c-2d55a4401255/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f97a347f-69aa-4abf-946c-2d55a4401255&amp;feed=KodC6fj_"/>
      <itunes:title>David N. Gellman, &quot;Liberty’s Chain: Slavery, Abolition, and the Jay Family of New York&quot; (Cornell UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:32</itunes:duration>
      <itunes:summary>Edward Blum interviews David N. Gellman on his book Liberty’s Chain: Slavery, Abolition, and the Jay Family of New York ﻿(Cornell UP, 2022).

In Liberty&apos;s Chain, David N. Gellman shows how the Jay family, abolitionists and slaveholders alike, embodied the contradictions of the revolutionary age. The Jays of New York were a preeminent founding family. John Jay, diplomat, Supreme Court justice, and coauthor of the Federalist Papers, and his children and grandchildren helped chart the course of the Early American Republic.Liberty&apos;s Chain forges a new path for thinking about slavery and the nation&apos;s founding. John Jay served as the inaugural president of a pioneering antislavery society. His descendants, especially his son William Jay and his grandson John Jay II, embraced radical abolitionism in the nineteenth century, the cause most likely to rend the nation. The scorn of their elite peers—and racist mobs—did not deter their commitment to end southern slavery and to combat northern injustice.John Jay&apos;s personal dealings with African Americans ranged from callousness to caring. Across the generations, even as prominent Jays decried human servitude, enslaved people and formerly enslaved people served in Jay households. Abbe, Clarinda, Caesar Valentine, Zilpah Montgomery, and others lived difficult, often isolated, lives that tested their courage and the Jay family&apos;s principles.

The personal and the political intersect in this saga, as Gellman charts American values transmitted and transformed from the colonial and revolutionary eras to the Civil War, Reconstruction, and beyond. The Jays, as well as those who served them, demonstrated the elusiveness and the vitality of liberty&apos;s legacy. This remarkable family story forces us to grapple with what we mean by patriotism, conservatism, and radicalism. Their story speaks directly to our own divided times.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Edward Blum interviews David N. Gellman on his book Liberty’s Chain: Slavery, Abolition, and the Jay Family of New York ﻿(Cornell UP, 2022).

In Liberty&apos;s Chain, David N. Gellman shows how the Jay family, abolitionists and slaveholders alike, embodied the contradictions of the revolutionary age. The Jays of New York were a preeminent founding family. John Jay, diplomat, Supreme Court justice, and coauthor of the Federalist Papers, and his children and grandchildren helped chart the course of the Early American Republic.Liberty&apos;s Chain forges a new path for thinking about slavery and the nation&apos;s founding. John Jay served as the inaugural president of a pioneering antislavery society. His descendants, especially his son William Jay and his grandson John Jay II, embraced radical abolitionism in the nineteenth century, the cause most likely to rend the nation. The scorn of their elite peers—and racist mobs—did not deter their commitment to end southern slavery and to combat northern injustice.John Jay&apos;s personal dealings with African Americans ranged from callousness to caring. Across the generations, even as prominent Jays decried human servitude, enslaved people and formerly enslaved people served in Jay households. Abbe, Clarinda, Caesar Valentine, Zilpah Montgomery, and others lived difficult, often isolated, lives that tested their courage and the Jay family&apos;s principles.

The personal and the political intersect in this saga, as Gellman charts American values transmitted and transformed from the colonial and revolutionary eras to the Civil War, Reconstruction, and beyond. The Jays, as well as those who served them, demonstrated the elusiveness and the vitality of liberty&apos;s legacy. This remarkable family story forces us to grapple with what we mean by patriotism, conservatism, and radicalism. Their story speaks directly to our own divided times.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1955</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d8a4b144-9018-11f1-86b1-df5618cb4cb5</guid>
      <title>Edlie Wong, &quot;Empire, Race, and Print Culture in the Black Pacific&quot; (Cambridge UP, 2026)</title>
      <description><![CDATA[<p><em></em><a href="https://bookshop.org/a/12343/9781009644334"><em>Empire, Race, and Print Culture in the Black Pacific</em></a> (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US 
citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism.</p>
<p>﻿﻿Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism.</p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose </em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em>book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 7 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em></em><a href="https://bookshop.org/a/12343/9781009644334"><em>Empire, Race, and Print Culture in the Black Pacific</em></a> (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US 
citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism.</p>
<p>﻿﻿Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism.</p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose </em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em>book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45342539" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/adfe03d3-afb3-4bd5-b73c-7dff3d8d6f5a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=adfe03d3-afb3-4bd5-b73c-7dff3d8d6f5a&amp;feed=KodC6fj_"/>
      <itunes:title>Edlie Wong, &quot;Empire, Race, and Print Culture in the Black Pacific&quot; (Cambridge UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:10</itunes:duration>
      <itunes:summary>Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the &apos;Black Pacific&apos; as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US 
citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction&apos;s possibilities. Race accrued dynamic new meanings in the age of new imperialism.

﻿﻿Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism.

﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the &apos;Black Pacific&apos; as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US 
citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction&apos;s possibilities. Race accrued dynamic new meanings in the age of new imperialism.

﻿﻿Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism.

﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1954</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">686b0768-8d28-11f1-9dfa-9b8a454b144b</guid>
      <title>Blair L.M. Kelley, &quot;Black Freedom: A Visual History of Juneteenth and Emancipation Days﻿&quot; (Black Dog &amp; Leventhal, 2026)</title>
      <description><![CDATA[<p>For more than 150 years, Black communities have gathered to honor 
freedom, resilience, and the ongoing struggle for true liberation. While
 Juneteenth has recently gained wider recognition, it was one of many 
Emancipation Day traditions celebrated across the United States. These 
observances were spaces of joy, remembrance, and resistance—even as the 
fight for full freedom was unfinished. <em>﻿</em><a href="https://bookshop.org/a/12343/9780762486946"><em>Black Freedom: A Visual History of Juneteenth and Emancipation Days</em></a><a href="https://bookshop.org/a/12343/9780762486946">﻿</a> (Black Dog &amp; Leventhal, 2026) brings
 together stirring essays and striking images from Juneteenth and 
beyond, offering a sweeping portrait of how Black people have created 
and sustained rituals of remembrance, a testament to the generations 
who, through celebration and storytelling, demanded that their 
contributions to the making of America be fully recognized.</p>
<p>Blair L.M. Kelley, Ph.D. is a renowned author, historian, and scholar
 of the African American experience. She is the seventh president of the
 <a href="http://nationalhumanitiescenter.org/">National Humanities Center</a>,
 the only independent center for advanced study in the world dedicated 
exclusively to the humanities. Blair previously held senior leadership 
roles at the University of North Carolina at Chapel Hill as the Joel R. 
Williamson Distinguished Professor of Southern Studies and Director of 
the Center for the Study of the American South and at North Carolina 
State University where she served as Associate Dean for 
Interdisciplinary Affairs and Partnerships and the Alumni Graduate 
Professor of History. You can find her on all social platforms 
@profblmkelley.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 4 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>For more than 150 years, Black communities have gathered to honor 
freedom, resilience, and the ongoing struggle for true liberation. While
 Juneteenth has recently gained wider recognition, it was one of many 
Emancipation Day traditions celebrated across the United States. These 
observances were spaces of joy, remembrance, and resistance—even as the 
fight for full freedom was unfinished. <em>﻿</em><a href="https://bookshop.org/a/12343/9780762486946"><em>Black Freedom: A Visual History of Juneteenth and Emancipation Days</em></a><a href="https://bookshop.org/a/12343/9780762486946">﻿</a> (Black Dog &amp; Leventhal, 2026) brings
 together stirring essays and striking images from Juneteenth and 
beyond, offering a sweeping portrait of how Black people have created 
and sustained rituals of remembrance, a testament to the generations 
who, through celebration and storytelling, demanded that their 
contributions to the making of America be fully recognized.</p>
<p>Blair L.M. Kelley, Ph.D. is a renowned author, historian, and scholar
 of the African American experience. She is the seventh president of the
 <a href="http://nationalhumanitiescenter.org/">National Humanities Center</a>,
 the only independent center for advanced study in the world dedicated 
exclusively to the humanities. Blair previously held senior leadership 
roles at the University of North Carolina at Chapel Hill as the Joel R. 
Williamson Distinguished Professor of Southern Studies and Director of 
the Center for the Study of the American South and at North Carolina 
State University where she served as Associate Dean for 
Interdisciplinary Affairs and Partnerships and the Alumni Graduate 
Professor of History. You can find her on all social platforms 
@profblmkelley.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45791919" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b827b43f-f92a-44ec-b600-b574333fe399/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b827b43f-f92a-44ec-b600-b574333fe399&amp;feed=KodC6fj_"/>
      <itunes:title>Blair L.M. Kelley, &quot;Black Freedom: A Visual History of Juneteenth and Emancipation Days﻿&quot; (Black Dog &amp; Leventhal, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:35</itunes:duration>
      <itunes:summary>For more than 150 years, Black communities have gathered to honor 
freedom, resilience, and the ongoing struggle for true liberation. While
 Juneteenth has recently gained wider recognition, it was one of many 
Emancipation Day traditions celebrated across the United States. These 
observances were spaces of joy, remembrance, and resistance—even as the 
fight for full freedom was unfinished. ﻿Black Freedom: A Visual History of Juneteenth and Emancipation Days﻿ (Black Dog &amp; Leventhal, 2026) brings
 together stirring essays and striking images from Juneteenth and 
beyond, offering a sweeping portrait of how Black people have created 
and sustained rituals of remembrance, a testament to the generations 
who, through celebration and storytelling, demanded that their 
contributions to the making of America be fully recognized.

Blair L.M. Kelley, Ph.D. is a renowned author, historian, and scholar
 of the African American experience. She is the seventh president of the
 National Humanities Center,
 the only independent center for advanced study in the world dedicated 
exclusively to the humanities. Blair previously held senior leadership 
roles at the University of North Carolina at Chapel Hill as the Joel R. 
Williamson Distinguished Professor of Southern Studies and Director of 
the Center for the Study of the American South and at North Carolina 
State University where she served as Associate Dean for 
Interdisciplinary Affairs and Partnerships and the Alumni Graduate 
Professor of History. You can find her on all social platforms 
@profblmkelley.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>For more than 150 years, Black communities have gathered to honor 
freedom, resilience, and the ongoing struggle for true liberation. While
 Juneteenth has recently gained wider recognition, it was one of many 
Emancipation Day traditions celebrated across the United States. These 
observances were spaces of joy, remembrance, and resistance—even as the 
fight for full freedom was unfinished. ﻿Black Freedom: A Visual History of Juneteenth and Emancipation Days﻿ (Black Dog &amp; Leventhal, 2026) brings
 together stirring essays and striking images from Juneteenth and 
beyond, offering a sweeping portrait of how Black people have created 
and sustained rituals of remembrance, a testament to the generations 
who, through celebration and storytelling, demanded that their 
contributions to the making of America be fully recognized.

Blair L.M. Kelley, Ph.D. is a renowned author, historian, and scholar
 of the African American experience. She is the seventh president of the
 National Humanities Center,
 the only independent center for advanced study in the world dedicated 
exclusively to the humanities. Blair previously held senior leadership 
roles at the University of North Carolina at Chapel Hill as the Joel R. 
Williamson Distinguished Professor of Southern Studies and Director of 
the Center for the Study of the American South and at North Carolina 
State University where she served as Associate Dean for 
Interdisciplinary Affairs and Partnerships and the Alumni Graduate 
Professor of History. You can find her on all social platforms 
@profblmkelley.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1953</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4a7735b0-8c1f-11f1-97ea-6f7dbe1e4e3f</guid>
      <title>Kristen Tegtmeier Oertel, &quot;Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance Within the Five Tribes, 1790–1861&quot; (LSU Press, 2026)</title>
      <description><![CDATA[<p>Dr. Kristen Tegtmeier Oertel’s <em>﻿</em><a href="https://bookshop.org/a/12343/9780807186923"><em>Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance within the Five Tribes, 1790–1861</em></a><em> </em>(LSU Press, 2026) is the first comprehensive study of African chattel 
slavery within the Five Tribes: the Cherokee, Chickasaw, Choctaw, 
Muscogee (Creek), and Seminole Nations. Dr. Oertel examines how chattel 
slavery functioned among all Five Tribes before and during the removal 
process, how the tribes reconstituted slavery post-removal in Indian 
Territory, and how enslaved Black people promoted freedom-seeking 
strategies at each stage. Furthermore, her work considers how the 
conflict over slavery in Indian Territory contributed to the larger 
national debate over slavery’s fate on the eve of the Civil War.</p>
<p>Historians
 have examined how the practice of African enslavement emerged within 
one or two tribes, how forced migration affected slavery within 
particular nations,
 and how the debate over slavery divided multiple Indigenous nations. 
Dr. Oertel, however, is the first to examine Indian Territory as a 
whole, its significance to the sectional debates, and its role as an 
incubator of emancipation policies in the United States. Knitting 
together these individual tribal narratives and supplementing them with 
extensive primary research on how slavery functioned across Indian 
Territory, she integrates Indian country into the antebellum march 
toward the Civil War.</p>
<p><em>Seeking Freedom in Indian Country</em>
 joins a rising chorus of studies that integrate southern and western 
history, which, by default, also pulls together the history of the 
so-called Indian Wars with the Civil War. Dr. Oertel suggests that we 
cannot fully understand the causes of the Civil War without also 
considering the changes brought about by the forced removal of Indians. 
She argues that settler colonialism and the expansion of African chattel
 slavery together set the stage for sectional conflict to explode in the
 West. Ironically, both Indigenous resistance to settler colonialism and
 Black resistance to slavery challenged white supremacy in ways that 
foretold the end of slavery but also furthered the settler colonial 
project.</p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose </em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em>book</em></a><em>
 focuses on post-conflict military integration, understanding treaty 
negotiation and implementation in civil war contexts, with qualitative 
analysis of the Angolan and Mozambican civil wars. You can find 
Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 3 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dr. Kristen Tegtmeier Oertel’s <em>﻿</em><a href="https://bookshop.org/a/12343/9780807186923"><em>Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance within the Five Tribes, 1790–1861</em></a><em> </em>(LSU Press, 2026) is the first comprehensive study of African chattel 
slavery within the Five Tribes: the Cherokee, Chickasaw, Choctaw, 
Muscogee (Creek), and Seminole Nations. Dr. Oertel examines how chattel 
slavery functioned among all Five Tribes before and during the removal 
process, how the tribes reconstituted slavery post-removal in Indian 
Territory, and how enslaved Black people promoted freedom-seeking 
strategies at each stage. Furthermore, her work considers how the 
conflict over slavery in Indian Territory contributed to the larger 
national debate over slavery’s fate on the eve of the Civil War.</p>
<p>Historians
 have examined how the practice of African enslavement emerged within 
one or two tribes, how forced migration affected slavery within 
particular nations,
 and how the debate over slavery divided multiple Indigenous nations. 
Dr. Oertel, however, is the first to examine Indian Territory as a 
whole, its significance to the sectional debates, and its role as an 
incubator of emancipation policies in the United States. Knitting 
together these individual tribal narratives and supplementing them with 
extensive primary research on how slavery functioned across Indian 
Territory, she integrates Indian country into the antebellum march 
toward the Civil War.</p>
<p><em>Seeking Freedom in Indian Country</em>
 joins a rising chorus of studies that integrate southern and western 
history, which, by default, also pulls together the history of the 
so-called Indian Wars with the Civil War. Dr. Oertel suggests that we 
cannot fully understand the causes of the Civil War without also 
considering the changes brought about by the forced removal of Indians. 
She argues that settler colonialism and the expansion of African chattel
 slavery together set the stage for sectional conflict to explode in the
 West. Ironically, both Indigenous resistance to settler colonialism and
 Black resistance to slavery challenged white supremacy in ways that 
foretold the end of slavery but also furthered the settler colonial 
project.</p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose </em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em>book</em></a><em>
 focuses on post-conflict military integration, understanding treaty 
negotiation and implementation in civil war contexts, with qualitative 
analysis of the Angolan and Mozambican civil wars. You can find 
Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42682708" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/37b336fa-c791-4037-bd68-a24d6444cef4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=37b336fa-c791-4037-bd68-a24d6444cef4&amp;feed=KodC6fj_"/>
      <itunes:title>Kristen Tegtmeier Oertel, &quot;Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance Within the Five Tribes, 1790–1861&quot; (LSU Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:23</itunes:duration>
      <itunes:summary>Dr. Kristen Tegtmeier Oertel’s ﻿Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance within the Five Tribes, 1790–1861 (LSU Press, 2026) is the first comprehensive study of African chattel 
slavery within the Five Tribes: the Cherokee, Chickasaw, Choctaw, 
Muscogee (Creek), and Seminole Nations. Dr. Oertel examines how chattel 
slavery functioned among all Five Tribes before and during the removal 
process, how the tribes reconstituted slavery post-removal in Indian 
Territory, and how enslaved Black people promoted freedom-seeking 
strategies at each stage. Furthermore, her work considers how the 
conflict over slavery in Indian Territory contributed to the larger 
national debate over slavery’s fate on the eve of the Civil War.

Historians
 have examined how the practice of African enslavement emerged within 
one or two tribes, how forced migration affected slavery within 
particular nations,
 and how the debate over slavery divided multiple Indigenous nations. 
Dr. Oertel, however, is the first to examine Indian Territory as a 
whole, its significance to the sectional debates, and its role as an 
incubator of emancipation policies in the United States. Knitting 
together these individual tribal narratives and supplementing them with 
extensive primary research on how slavery functioned across Indian 
Territory, she integrates Indian country into the antebellum march 
toward the Civil War.

Seeking Freedom in Indian Country
 joins a rising chorus of studies that integrate southern and western 
history, which, by default, also pulls together the history of the 
so-called Indian Wars with the Civil War. Dr. Oertel suggests that we 
cannot fully understand the causes of the Civil War without also 
considering the changes brought about by the forced removal of Indians. 
She argues that settler colonialism and the expansion of African chattel
 slavery together set the stage for sectional conflict to explode in the
 West. Ironically, both Indigenous resistance to settler colonialism and
 Black resistance to slavery challenged white supremacy in ways that 
foretold the end of slavery but also furthered the settler colonial 
project.

﻿This interview was conducted by Dr. Miranda Melcher whose book
 focuses on post-conflict military integration, understanding treaty 
negotiation and implementation in civil war contexts, with qualitative 
analysis of the Angolan and Mozambican civil wars. You can find 
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dr. Kristen Tegtmeier Oertel’s ﻿Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance within the Five Tribes, 1790–1861 (LSU Press, 2026) is the first comprehensive study of African chattel 
slavery within the Five Tribes: the Cherokee, Chickasaw, Choctaw, 
Muscogee (Creek), and Seminole Nations. Dr. Oertel examines how chattel 
slavery functioned among all Five Tribes before and during the removal 
process, how the tribes reconstituted slavery post-removal in Indian 
Territory, and how enslaved Black people promoted freedom-seeking 
strategies at each stage. Furthermore, her work considers how the 
conflict over slavery in Indian Territory contributed to the larger 
national debate over slavery’s fate on the eve of the Civil War.

Historians
 have examined how the practice of African enslavement emerged within 
one or two tribes, how forced migration affected slavery within 
particular nations,
 and how the debate over slavery divided multiple Indigenous nations. 
Dr. Oertel, however, is the first to examine Indian Territory as a 
whole, its significance to the sectional debates, and its role as an 
incubator of emancipation policies in the United States. Knitting 
together these individual tribal narratives and supplementing them with 
extensive primary research on how slavery functioned across Indian 
Territory, she integrates Indian country into the antebellum march 
toward the Civil War.

Seeking Freedom in Indian Country
 joins a rising chorus of studies that integrate southern and western 
history, which, by default, also pulls together the history of the 
so-called Indian Wars with the Civil War. Dr. Oertel suggests that we 
cannot fully understand the causes of the Civil War without also 
considering the changes brought about by the forced removal of Indians. 
She argues that settler colonialism and the expansion of African chattel
 slavery together set the stage for sectional conflict to explode in the
 West. Ironically, both Indigenous resistance to settler colonialism and
 Black resistance to slavery challenged white supremacy in ways that 
foretold the end of slavery but also furthered the settler colonial 
project.

﻿This interview was conducted by Dr. Miranda Melcher whose book
 focuses on post-conflict military integration, understanding treaty 
negotiation and implementation in civil war contexts, with qualitative 
analysis of the Angolan and Mozambican civil wars. You can find 
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1952</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4d0a64ba-8b65-11f1-bcf4-5bae7640e639</guid>
      <title>Virginia McGee Richards, &quot;The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway&quot; (MIT Press, 2026)</title>
      <description><![CDATA[<p>Some of the earliest canals in colonial America, referred to as the ﻿Inner Passage, were constructed by enslaved people living in the ﻿Lowcountry of South Carolina in the early 1700s. In a paradox of ﻿history, for over a hundred years enslaved Black people used these ﻿canals, constructed for white plantation owners, to travel southward to ﻿freedom in Spanish Florida.</p>
<p>In <a href="https://bookshop.org/a/12343/9780262051712"><em>The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway</em></a> (MIT Press, 2026), Virginia McGee Richards﻿ documents the lost narrative of the Inner Passage through 60 ﻿extraordinary photographs of landscapes altered by slavery and portraits﻿ of Lowcountry descendants, along with an essay describing her discovery﻿ of this untold history. In an accompanying essay, Imani Perry writes ﻿about her own journey on the Inner Passage, putting Black resistance to ﻿enslavement and Southern history into an immediate context. James Estrin﻿ brings decades of insight about photography and the power of visual ﻿storytelling to his affecting foreword. Together, these words and images﻿ offer a powerful living map of history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 1 Aug 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Some of the earliest canals in colonial America, referred to as the ﻿Inner Passage, were constructed by enslaved people living in the ﻿Lowcountry of South Carolina in the early 1700s. In a paradox of ﻿history, for over a hundred years enslaved Black people used these ﻿canals, constructed for white plantation owners, to travel southward to ﻿freedom in Spanish Florida.</p>
<p>In <a href="https://bookshop.org/a/12343/9780262051712"><em>The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway</em></a> (MIT Press, 2026), Virginia McGee Richards﻿ documents the lost narrative of the Inner Passage through 60 ﻿extraordinary photographs of landscapes altered by slavery and portraits﻿ of Lowcountry descendants, along with an essay describing her discovery﻿ of this untold history. In an accompanying essay, Imani Perry writes ﻿about her own journey on the Inner Passage, putting Black resistance to ﻿enslavement and Southern history into an immediate context. James Estrin﻿ brings decades of insight about photography and the power of visual ﻿storytelling to his affecting foreword. Together, these words and images﻿ offer a powerful living map of history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29988883" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4ed6a7e3-af4b-4f8e-b8c6-41a8e190cbff/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4ed6a7e3-af4b-4f8e-b8c6-41a8e190cbff&amp;feed=KodC6fj_"/>
      <itunes:title>Virginia McGee Richards, &quot;The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway&quot; (MIT Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:31:11</itunes:duration>
      <itunes:summary>Some of the earliest canals in colonial America, referred to as the ﻿Inner Passage, were constructed by enslaved people living in the ﻿Lowcountry of South Carolina in the early 1700s. In a paradox of ﻿history, for over a hundred years enslaved Black people used these ﻿canals, constructed for white plantation owners, to travel southward to ﻿freedom in Spanish Florida.

In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards﻿ documents the lost narrative of the Inner Passage through 60 ﻿extraordinary photographs of landscapes altered by slavery and portraits﻿ of Lowcountry descendants, along with an essay describing her discovery﻿ of this untold history. In an accompanying essay, Imani Perry writes ﻿about her own journey on the Inner Passage, putting Black resistance to ﻿enslavement and Southern history into an immediate context. James Estrin﻿ brings decades of insight about photography and the power of visual ﻿storytelling to his affecting foreword. Together, these words and images﻿ offer a powerful living map of history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Some of the earliest canals in colonial America, referred to as the ﻿Inner Passage, were constructed by enslaved people living in the ﻿Lowcountry of South Carolina in the early 1700s. In a paradox of ﻿history, for over a hundred years enslaved Black people used these ﻿canals, constructed for white plantation owners, to travel southward to ﻿freedom in Spanish Florida.

In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards﻿ documents the lost narrative of the Inner Passage through 60 ﻿extraordinary photographs of landscapes altered by slavery and portraits﻿ of Lowcountry descendants, along with an essay describing her discovery﻿ of this untold history. In an accompanying essay, Imani Perry writes ﻿about her own journey on the Inner Passage, putting Black resistance to ﻿enslavement and Southern history into an immediate context. James Estrin﻿ brings decades of insight about photography and the power of visual ﻿storytelling to his affecting foreword. Together, these words and images﻿ offer a powerful living map of history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1951</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dfa7f7dc-85d5-11f1-baed-fb9081637f39</guid>
      <title>Grégory Pierrot, &quot;Fantômes de la révolution noire: Une histoire culturelle transatlantique&quot; (Ròt-Bò-Krik, 2026)</title>
      <description><![CDATA[<p>Black Power! A name with a ring to it on both sides of the Atlantic, 
taken as a sign of Black American rage incarnated by a few 
names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis.</p>
<p>﻿﻿Behind
 these archetypes of the 1960s and 70s stood a political movement as 
mutable as it was international, that of Black Power, with the goal of 
bringing about a global uprising. This insurrection of Black worlds has 
haunted the West for centuries, rumbling beneath the words of Frantz 
Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah 
Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri 
Baraka and Sonia Sanchez. In <a href="https://www.rot-bo-krik.com/fantomes-de-la-revolution-noire"><em>Fantômes de la révolution noire: Une Histoire culturelle transatlantique</em></a> ([<em>Ghosts of the Black Revolution: A Transatlantic Cultural History</em>] Éditions Ròt-Bò-Krik,
 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that 
the arts are real laboratories where the Black Revolution is formed, 
reinvented, and broadcast.</p>
<p>﻿Guest Grégory Pierrot is Associate 
professor of English at the University of Connecticut, where he studies 
the cultural and artistic networks of the Black Atlantic. In addition to<em> Fantômes de la révolution noire</em> published
 by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and 
co-translated a series of essays and novels from and into French, and 
edited or co-edited several volumes concerning the literature of and 
about the Haitian revolution in French and English. He is also the 
author of <em>The Black Avenger in Atlantic Culture</em> and <em>Decolonize Hipsters</em>.</p>
<p>﻿Host
 Gina Stamm is Associate Professor of French at The University of 
Alabama, with research concentrated on the environmental humanities and 
speculative literatures of the 20th and 21st centuries, from Surrealism 
to contemporary science fiction and feminist utopias, in Metropolitan 
France and the francophone Caribbean, with a book manuscript under 
review on posthumanist ecological engagement in the surrealist movement.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 24 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Black Power! A name with a ring to it on both sides of the Atlantic, 
taken as a sign of Black American rage incarnated by a few 
names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis.</p>
<p>﻿﻿Behind
 these archetypes of the 1960s and 70s stood a political movement as 
mutable as it was international, that of Black Power, with the goal of 
bringing about a global uprising. This insurrection of Black worlds has 
haunted the West for centuries, rumbling beneath the words of Frantz 
Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah 
Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri 
Baraka and Sonia Sanchez. In <a href="https://www.rot-bo-krik.com/fantomes-de-la-revolution-noire"><em>Fantômes de la révolution noire: Une Histoire culturelle transatlantique</em></a> ([<em>Ghosts of the Black Revolution: A Transatlantic Cultural History</em>] Éditions Ròt-Bò-Krik,
 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that 
the arts are real laboratories where the Black Revolution is formed, 
reinvented, and broadcast.</p>
<p>﻿Guest Grégory Pierrot is Associate 
professor of English at the University of Connecticut, where he studies 
the cultural and artistic networks of the Black Atlantic. In addition to<em> Fantômes de la révolution noire</em> published
 by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and 
co-translated a series of essays and novels from and into French, and 
edited or co-edited several volumes concerning the literature of and 
about the Haitian revolution in French and English. He is also the 
author of <em>The Black Avenger in Atlantic Culture</em> and <em>Decolonize Hipsters</em>.</p>
<p>﻿Host
 Gina Stamm is Associate Professor of French at The University of 
Alabama, with research concentrated on the environmental humanities and 
speculative literatures of the 20th and 21st centuries, from Surrealism 
to contemporary science fiction and feminist utopias, in Metropolitan 
France and the francophone Caribbean, with a book manuscript under 
review on posthumanist ecological engagement in the surrealist movement.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62538588" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d590bb24-4e25-4ff3-9ef7-b929e19b4bda/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d590bb24-4e25-4ff3-9ef7-b929e19b4bda&amp;feed=KodC6fj_"/>
      <itunes:title>Grégory Pierrot, &quot;Fantômes de la révolution noire: Une histoire culturelle transatlantique&quot; (Ròt-Bò-Krik, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:05</itunes:duration>
      <itunes:summary>Black Power! A name with a ring to it on both sides of the Atlantic, 
taken as a sign of Black American rage incarnated by a few 
names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis.

﻿﻿Behind
 these archetypes of the 1960s and 70s stood a political movement as 
mutable as it was international, that of Black Power, with the goal of 
bringing about a global uprising. This insurrection of Black worlds has 
haunted the West for centuries, rumbling beneath the words of Frantz 
Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah 
Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri 
Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik,
 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that 
the arts are real laboratories where the Black Revolution is formed, 
reinvented, and broadcast.

﻿Guest Grégory Pierrot is Associate 
professor of English at the University of Connecticut, where he studies 
the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published
 by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and 
co-translated a series of essays and novels from and into French, and 
edited or co-edited several volumes concerning the literature of and 
about the Haitian revolution in French and English. He is also the 
author of The Black Avenger in Atlantic Culture and Decolonize Hipsters.

﻿Host
 Gina Stamm is Associate Professor of French at The University of 
Alabama, with research concentrated on the environmental humanities and 
speculative literatures of the 20th and 21st centuries, from Surrealism 
to contemporary science fiction and feminist utopias, in Metropolitan 
France and the francophone Caribbean, with a book manuscript under 
review on posthumanist ecological engagement in the surrealist movement.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Power! A name with a ring to it on both sides of the Atlantic, 
taken as a sign of Black American rage incarnated by a few 
names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis.

﻿﻿Behind
 these archetypes of the 1960s and 70s stood a political movement as 
mutable as it was international, that of Black Power, with the goal of 
bringing about a global uprising. This insurrection of Black worlds has 
haunted the West for centuries, rumbling beneath the words of Frantz 
Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah 
Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri 
Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik,
 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that 
the arts are real laboratories where the Black Revolution is formed, 
reinvented, and broadcast.

﻿Guest Grégory Pierrot is Associate 
professor of English at the University of Connecticut, where he studies 
the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published
 by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and 
co-translated a series of essays and novels from and into French, and 
edited or co-edited several volumes concerning the literature of and 
about the Haitian revolution in French and English. He is also the 
author of The Black Avenger in Atlantic Culture and Decolonize Hipsters.

﻿Host
 Gina Stamm is Associate Professor of French at The University of 
Alabama, with research concentrated on the environmental humanities and 
speculative literatures of the 20th and 21st centuries, from Surrealism 
to contemporary science fiction and feminist utopias, in Metropolitan 
France and the francophone Caribbean, with a book manuscript under 
review on posthumanist ecological engagement in the surrealist movement.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1950</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cd663316-8442-11f1-984c-0f7a5e3cd5c9</guid>
      <title>Maria Pinto, &quot;Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/978146968979"><em>Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival</em></a> (University
 of North Carolina Press, 2026), naturalist, forager, and educator Maria
 Pinto uncovers strange and beautiful connections between the natural 
and human worlds, mingling reportage, research, memoir, and nature 
writing, touching on topics that range from Black farmers’ domestication
 of the unforgettable aroma of truffles, to the possibility that 
enslaved people wielded mycological poisons against their enslavers.</p>
<p>Pinto
 brings a new perspective and a distinctive literary voice to this mix 
of environmental and lived history, and every page sings with her 
enthusiasm for the networks in which we are embedded: fungal, 
ecological, ancestral, and communal. Join us in pursuit of beautiful, 
perplexing, delicious, and deadly mushrooms as we explore this 
understudied kingdom’s awe-inspiring diversity, discovering how fungi 
have been used by people, especially those on the margins, for survival,
 pleasure, revelation, and revolution.</p>
<p>﻿When she’s not in the 
woods (and sometimes when she is), Maria Pinto is a writer, editor, and 
educator. She teaches writing for various literary organizations. She 
reads fiction for <em>Peripheries Journal</em> and serves on the board 
of Hale, an outdoor education and land conservancy nonprofit. Her 
writing has been supported by Assets for Artists at Massachusetts Museum
 of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio 
Center, the Mass Cultural Council, the Writers’ Room of Boston, The 
Mastheads, and The Garrett on the Green. You can find Maria at her <a href="https://www.mariapinto.net/">Website</a> and on <a href="https://www.instagram.com/aravensgrace/">Instagram</a>. </p>
<p>﻿Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 21 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/978146968979"><em>Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival</em></a> (University
 of North Carolina Press, 2026), naturalist, forager, and educator Maria
 Pinto uncovers strange and beautiful connections between the natural 
and human worlds, mingling reportage, research, memoir, and nature 
writing, touching on topics that range from Black farmers’ domestication
 of the unforgettable aroma of truffles, to the possibility that 
enslaved people wielded mycological poisons against their enslavers.</p>
<p>Pinto
 brings a new perspective and a distinctive literary voice to this mix 
of environmental and lived history, and every page sings with her 
enthusiasm for the networks in which we are embedded: fungal, 
ecological, ancestral, and communal. Join us in pursuit of beautiful, 
perplexing, delicious, and deadly mushrooms as we explore this 
understudied kingdom’s awe-inspiring diversity, discovering how fungi 
have been used by people, especially those on the margins, for survival,
 pleasure, revelation, and revolution.</p>
<p>﻿When she’s not in the 
woods (and sometimes when she is), Maria Pinto is a writer, editor, and 
educator. She teaches writing for various literary organizations. She 
reads fiction for <em>Peripheries Journal</em> and serves on the board 
of Hale, an outdoor education and land conservancy nonprofit. Her 
writing has been supported by Assets for Artists at Massachusetts Museum
 of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio 
Center, the Mass Cultural Council, the Writers’ Room of Boston, The 
Mastheads, and The Garrett on the Green. You can find Maria at her <a href="https://www.mariapinto.net/">Website</a> and on <a href="https://www.instagram.com/aravensgrace/">Instagram</a>. </p>
<p>﻿Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57509158" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2e3efcd7-9acc-42f6-a2b0-0eca2be9b3b8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2e3efcd7-9acc-42f6-a2b0-0eca2be9b3b8&amp;feed=KodC6fj_"/>
      <itunes:title>Maria Pinto, &quot;Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:47</itunes:duration>
      <itunes:summary>In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University
 of North Carolina Press, 2026), naturalist, forager, and educator Maria
 Pinto uncovers strange and beautiful connections between the natural 
and human worlds, mingling reportage, research, memoir, and nature 
writing, touching on topics that range from Black farmers’ domestication
 of the unforgettable aroma of truffles, to the possibility that 
enslaved people wielded mycological poisons against their enslavers.

Pinto
 brings a new perspective and a distinctive literary voice to this mix 
of environmental and lived history, and every page sings with her 
enthusiasm for the networks in which we are embedded: fungal, 
ecological, ancestral, and communal. Join us in pursuit of beautiful, 
perplexing, delicious, and deadly mushrooms as we explore this 
understudied kingdom’s awe-inspiring diversity, discovering how fungi 
have been used by people, especially those on the margins, for survival,
 pleasure, revelation, and revolution.

﻿When she’s not in the 
woods (and sometimes when she is), Maria Pinto is a writer, editor, and 
educator. She teaches writing for various literary organizations. She 
reads fiction for Peripheries Journal and serves on the board 
of Hale, an outdoor education and land conservancy nonprofit. Her 
writing has been supported by Assets for Artists at Massachusetts Museum
 of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio 
Center, the Mass Cultural Council, the Writers’ Room of Boston, The 
Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram. 

﻿Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University
 of North Carolina Press, 2026), naturalist, forager, and educator Maria
 Pinto uncovers strange and beautiful connections between the natural 
and human worlds, mingling reportage, research, memoir, and nature 
writing, touching on topics that range from Black farmers’ domestication
 of the unforgettable aroma of truffles, to the possibility that 
enslaved people wielded mycological poisons against their enslavers.

Pinto
 brings a new perspective and a distinctive literary voice to this mix 
of environmental and lived history, and every page sings with her 
enthusiasm for the networks in which we are embedded: fungal, 
ecological, ancestral, and communal. Join us in pursuit of beautiful, 
perplexing, delicious, and deadly mushrooms as we explore this 
understudied kingdom’s awe-inspiring diversity, discovering how fungi 
have been used by people, especially those on the margins, for survival,
 pleasure, revelation, and revolution.

﻿When she’s not in the 
woods (and sometimes when she is), Maria Pinto is a writer, editor, and 
educator. She teaches writing for various literary organizations. She 
reads fiction for Peripheries Journal and serves on the board 
of Hale, an outdoor education and land conservancy nonprofit. Her 
writing has been supported by Assets for Artists at Massachusetts Museum
 of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio 
Center, the Mass Cultural Council, the Writers’ Room of Boston, The 
Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram. 

﻿Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1949</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7e84cb4e-812d-11f1-a951-0bc0002132f0</guid>
      <title>Khiara Bridges, &quot;Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans&quot; (MIT Press, 2026)</title>
      <description><![CDATA[<p>An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.<br />From a leading expert on race, class, maternal health, and reproductive rights.<br />Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States,<a href="https://bookshop.org/a/12343/9780262051552"> </a><a href="https://bookshop.org/a/12343/9780262051552">Expecting Inequity: ﻿How the Maternal Health Crisis Affects Even the Wealthiest Black Americans</a><em> </em>(MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”<br />Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 19 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.<br />From a leading expert on race, class, maternal health, and reproductive rights.<br />Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States,<a href="https://bookshop.org/a/12343/9780262051552"> </a><a href="https://bookshop.org/a/12343/9780262051552">Expecting Inequity: ﻿How the Maternal Health Crisis Affects Even the Wealthiest Black Americans</a><em> </em>(MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”<br />Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42946986" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/df8e9051-d5db-4f05-a84e-08599fa8da1d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=df8e9051-d5db-4f05-a84e-08599fa8da1d&amp;feed=KodC6fj_"/>
      <itunes:title>Khiara Bridges, &quot;Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans&quot; (MIT Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:41</itunes:duration>
      <itunes:summary>An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: ﻿How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: ﻿How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1948</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c9fc53fc-7fcb-11f1-8468-c7fc535cef13</guid>
      <title>Gayle F. Wald, &quot;This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement&quot; (U Chicago Press, 2025)</title>
      <description><![CDATA[<p>Ella Jenkins (1924–2024) was one of the most influential musicians of
 the twentieth century, although many people have never heard of her. A 
pioneer in children’s music and an innovative educator, Jenkins recorded
 forty albums and influenced countless children and adults over a 
sixty-year career. Gayle Wald places Jenkins’s life and work within the 
larger contexts of the civil rights movement, the folk revival, and the 
changing worlds of children’s education and entertainment in <a href="https://bookshop.org/a/12343/9780226824826"><em>This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement</em> </a>(University
 of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
 beliefs in social justice and our shared humanity into her work with 
children and her compositions. She viewed music as a way for children to
 come together and establish connections with each other rather than as a
 gateway to musical achievement or literacy. Based on dozens of 
interviews including with Jenkins and her life partner Bernadelle 
Richter, Wald traces Jenkins’s life from her childhood in segregated 
Chicago, her involvement with the integrated folk music scene, and her 
successful career as a music educator. <em>This is Rhythm</em> was given special recognition by the <a href="https://www.newberry.org/news/author-dominic-a-pacyga-will-receive-the-2026-pattis-family-foundation-chicago-book-award-for-his-book-clout-city-the-rise-and-fall-of-the-chicago-political-machine?bbeml=tp-lANfAqKcWUW2wX96jx25LA.jA4ES3AzlA06Y-mTRvKgP7g.rkBmWixjPIU6kObtDITMNpA.lSi-UdZ2Whk-0YXLJwN-FDQ">2026 Pattis Family Foundation Chicago Book Award</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 15 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Ella Jenkins (1924–2024) was one of the most influential musicians of
 the twentieth century, although many people have never heard of her. A 
pioneer in children’s music and an innovative educator, Jenkins recorded
 forty albums and influenced countless children and adults over a 
sixty-year career. Gayle Wald places Jenkins’s life and work within the 
larger contexts of the civil rights movement, the folk revival, and the 
changing worlds of children’s education and entertainment in <a href="https://bookshop.org/a/12343/9780226824826"><em>This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement</em> </a>(University
 of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
 beliefs in social justice and our shared humanity into her work with 
children and her compositions. She viewed music as a way for children to
 come together and establish connections with each other rather than as a
 gateway to musical achievement or literacy. Based on dozens of 
interviews including with Jenkins and her life partner Bernadelle 
Richter, Wald traces Jenkins’s life from her childhood in segregated 
Chicago, her involvement with the integrated folk music scene, and her 
successful career as a music educator. <em>This is Rhythm</em> was given special recognition by the <a href="https://www.newberry.org/news/author-dominic-a-pacyga-will-receive-the-2026-pattis-family-foundation-chicago-book-award-for-his-book-clout-city-the-rise-and-fall-of-the-chicago-political-machine?bbeml=tp-lANfAqKcWUW2wX96jx25LA.jA4ES3AzlA06Y-mTRvKgP7g.rkBmWixjPIU6kObtDITMNpA.lSi-UdZ2Whk-0YXLJwN-FDQ">2026 Pattis Family Foundation Chicago Book Award</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59133147" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/60ff7ca8-33cd-4ee9-97b1-29d16929ae12/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=60ff7ca8-33cd-4ee9-97b1-29d16929ae12&amp;feed=KodC6fj_"/>
      <itunes:title>Gayle F. Wald, &quot;This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement&quot; (U Chicago Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:33</itunes:duration>
      <itunes:summary>Ella Jenkins (1924–2024) was one of the most influential musicians of
 the twentieth century, although many people have never heard of her. A 
pioneer in children’s music and an innovative educator, Jenkins recorded
 forty albums and influenced countless children and adults over a 
sixty-year career. Gayle Wald places Jenkins’s life and work within the 
larger contexts of the civil rights movement, the folk revival, and the 
changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University
 of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
 beliefs in social justice and our shared humanity into her work with 
children and her compositions. She viewed music as a way for children to
 come together and establish connections with each other rather than as a
 gateway to musical achievement or literacy. Based on dozens of 
interviews including with Jenkins and her life partner Bernadelle 
Richter, Wald traces Jenkins’s life from her childhood in segregated 
Chicago, her involvement with the integrated folk music scene, and her 
successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ella Jenkins (1924–2024) was one of the most influential musicians of
 the twentieth century, although many people have never heard of her. A 
pioneer in children’s music and an innovative educator, Jenkins recorded
 forty albums and influenced countless children and adults over a 
sixty-year career. Gayle Wald places Jenkins’s life and work within the 
larger contexts of the civil rights movement, the folk revival, and the 
changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University
 of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
 beliefs in social justice and our shared humanity into her work with 
children and her compositions. She viewed music as a way for children to
 come together and establish connections with each other rather than as a
 gateway to musical achievement or literacy. Based on dozens of 
interviews including with Jenkins and her life partner Bernadelle 
Richter, Wald traces Jenkins’s life from her childhood in segregated 
Chicago, her involvement with the integrated folk music scene, and her 
successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1947</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b8b2db54-7b0f-11f1-b1e4-2b499515ebe6</guid>
      <title>Peter C. Mancall, &quot;Contested Continent: The Struggle for North America, c. 1000-1680&quot; (Oxford UP, 2026)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780190090654"><em>Contested Continent: The Struggle for America, c.1000-1680</em></a> (Oxford University Press, 2026), the newest installment of the acclaimed <a href="https://global.oup.com/academic/content/series/o/oxford-history-of-the-united-states-ohus/?cc=us&amp;lang=en&amp;"><em>Oxford History of the United States</em></a> series, <a href="https://www.petercmancall.com/">Peter C. Mancall</a> 
recounts how North America was forged from the experiences of millions 
of Indigenous women and men as well as Europeans and Africans. This 
history spans the continent from the North Atlantic to the West Indies 
and includes the entire Atlantic basin, telling a new story about the 
origins of major aspects of American culture. He illuminates the rise of
 a booming trans-Atlantic economy based on the extraction of abundant 
American natural resources; the central role that European migrants and 
their descendants played in the enslavement of Africans and the 
displacement of Indigenous peoples; and the spread of self-governing 
polities where many enjoyed religious freedom. None of these 
developments was inevitable. Conflicts broke out frequently as different
 peoples battled over precious resources. Europeans' appetites for 
material gain and expanding Christendom brought horrific consequences 
for those brutalized, enslaved, and vulnerable to infectious 
diseases. This is a sweeping history of developments crucial to the 
eventual founding of the United States. <em>Contested Continent </em>underscores
 the titanic struggles between the peoples who had populated the 
Americas for centuries and the migrants from the Old World who initiated
 changes that created a New World that offered boundless opportunities 
for some and crushed the aspirations of others.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 11 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780190090654"><em>Contested Continent: The Struggle for America, c.1000-1680</em></a> (Oxford University Press, 2026), the newest installment of the acclaimed <a href="https://global.oup.com/academic/content/series/o/oxford-history-of-the-united-states-ohus/?cc=us&amp;lang=en&amp;"><em>Oxford History of the United States</em></a> series, <a href="https://www.petercmancall.com/">Peter C. Mancall</a> 
recounts how North America was forged from the experiences of millions 
of Indigenous women and men as well as Europeans and Africans. This 
history spans the continent from the North Atlantic to the West Indies 
and includes the entire Atlantic basin, telling a new story about the 
origins of major aspects of American culture. He illuminates the rise of
 a booming trans-Atlantic economy based on the extraction of abundant 
American natural resources; the central role that European migrants and 
their descendants played in the enslavement of Africans and the 
displacement of Indigenous peoples; and the spread of self-governing 
polities where many enjoyed religious freedom. None of these 
developments was inevitable. Conflicts broke out frequently as different
 peoples battled over precious resources. Europeans' appetites for 
material gain and expanding Christendom brought horrific consequences 
for those brutalized, enslaved, and vulnerable to infectious 
diseases. This is a sweeping history of developments crucial to the 
eventual founding of the United States. <em>Contested Continent </em>underscores
 the titanic struggles between the peoples who had populated the 
Americas for centuries and the migrants from the Old World who initiated
 changes that created a New World that offered boundless opportunities 
for some and crushed the aspirations of others.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="108649846" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e4fa5b4e-509a-4108-8234-50c1f4534bb1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e4fa5b4e-509a-4108-8234-50c1f4534bb1&amp;feed=KodC6fj_"/>
      <itunes:title>Peter C. Mancall, &quot;Contested Continent: The Struggle for North America, c. 1000-1680&quot; (Oxford UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:53:07</itunes:duration>
      <itunes:summary>In Contested Continent: The Struggle for America, c.1000-1680 (Oxford University Press, 2026), the newest installment of the acclaimed Oxford History of the United States series, Peter C. Mancall 
recounts how North America was forged from the experiences of millions 
of Indigenous women and men as well as Europeans and Africans. This 
history spans the continent from the North Atlantic to the West Indies 
and includes the entire Atlantic basin, telling a new story about the 
origins of major aspects of American culture. He illuminates the rise of
 a booming trans-Atlantic economy based on the extraction of abundant 
American natural resources; the central role that European migrants and 
their descendants played in the enslavement of Africans and the 
displacement of Indigenous peoples; and the spread of self-governing 
polities where many enjoyed religious freedom. None of these 
developments was inevitable. Conflicts broke out frequently as different
 peoples battled over precious resources. Europeans&apos; appetites for 
material gain and expanding Christendom brought horrific consequences 
for those brutalized, enslaved, and vulnerable to infectious 
diseases. This is a sweeping history of developments crucial to the 
eventual founding of the United States. Contested Continent underscores
 the titanic struggles between the peoples who had populated the 
Americas for centuries and the migrants from the Old World who initiated
 changes that created a New World that offered boundless opportunities 
for some and crushed the aspirations of others.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Contested Continent: The Struggle for America, c.1000-1680 (Oxford University Press, 2026), the newest installment of the acclaimed Oxford History of the United States series, Peter C. Mancall 
recounts how North America was forged from the experiences of millions 
of Indigenous women and men as well as Europeans and Africans. This 
history spans the continent from the North Atlantic to the West Indies 
and includes the entire Atlantic basin, telling a new story about the 
origins of major aspects of American culture. He illuminates the rise of
 a booming trans-Atlantic economy based on the extraction of abundant 
American natural resources; the central role that European migrants and 
their descendants played in the enslavement of Africans and the 
displacement of Indigenous peoples; and the spread of self-governing 
polities where many enjoyed religious freedom. None of these 
developments was inevitable. Conflicts broke out frequently as different
 peoples battled over precious resources. Europeans&apos; appetites for 
material gain and expanding Christendom brought horrific consequences 
for those brutalized, enslaved, and vulnerable to infectious 
diseases. This is a sweeping history of developments crucial to the 
eventual founding of the United States. Contested Continent underscores
 the titanic struggles between the peoples who had populated the 
Americas for centuries and the migrants from the Old World who initiated
 changes that created a New World that offered boundless opportunities 
for some and crushed the aspirations of others.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1946</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0ea48f8c-7a1e-11f1-a464-77c091efc6ad</guid>
      <title>Cécile Bishop, &quot;Forms of Blackness: Race and Visibility in the French-Speaking World&quot; (Duke UP, 2026)</title>
      <description><![CDATA[<p>What does Blackness look like? In <a href="https://bookshop.org/a/12343/9781478038764"><em>Forms of Blackness: Race and Visibility in the French-Speaking World</em></a> (Duke University Press, 2026),
 Cécile Bishop argues that this seemingly simple question has no 
straightforward answer. Instead of treating race as something 
immediately visible, she explores how Blackness emerges through the 
interplay of perception, language, and history.</p>
<p>A central theme of the book is that visibility is never neutral. 
Through examples ranging from photographs of the Liberation of Paris to 
works of art such as Portrait of a Black Woman, Bishop shows that 
Blackness cannot be reduced to what is seen. Instead, she introduces the
 idea of Blackness as <em>form</em>, emphasizing the importance of representation, opacity, and aesthetic experience.</p>
<p>Engaging with thinkers such as Édouard Glissant and Frantz Fanon, 
Bishop invites readers to rethink the assumption that seeing is the same
 as knowing. <em>Forms of Blackness</em> offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.</p>
<p><a href="https://vu.nl/en/research/scientists/amisah-bakuri">Amisah Bakuri (PhD)</a> is an
 Assistant Professor in the Faculty of Social Sciences and Humanities at
 Vrije Universiteit Amsterdam. Her work explores the intersections of 
religion, sexuality, gender, and migration, especially within African 
diasporic communities in the Netherlands.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 11 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What does Blackness look like? In <a href="https://bookshop.org/a/12343/9781478038764"><em>Forms of Blackness: Race and Visibility in the French-Speaking World</em></a> (Duke University Press, 2026),
 Cécile Bishop argues that this seemingly simple question has no 
straightforward answer. Instead of treating race as something 
immediately visible, she explores how Blackness emerges through the 
interplay of perception, language, and history.</p>
<p>A central theme of the book is that visibility is never neutral. 
Through examples ranging from photographs of the Liberation of Paris to 
works of art such as Portrait of a Black Woman, Bishop shows that 
Blackness cannot be reduced to what is seen. Instead, she introduces the
 idea of Blackness as <em>form</em>, emphasizing the importance of representation, opacity, and aesthetic experience.</p>
<p>Engaging with thinkers such as Édouard Glissant and Frantz Fanon, 
Bishop invites readers to rethink the assumption that seeing is the same
 as knowing. <em>Forms of Blackness</em> offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.</p>
<p><a href="https://vu.nl/en/research/scientists/amisah-bakuri">Amisah Bakuri (PhD)</a> is an
 Assistant Professor in the Faculty of Social Sciences and Humanities at
 Vrije Universiteit Amsterdam. Her work explores the intersections of 
religion, sexuality, gender, and migration, especially within African 
diasporic communities in the Netherlands.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48025091" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2a21f402-9b82-4cd2-813a-48a0c9c49f8b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2a21f402-9b82-4cd2-813a-48a0c9c49f8b&amp;feed=KodC6fj_"/>
      <itunes:title>Cécile Bishop, &quot;Forms of Blackness: Race and Visibility in the French-Speaking World&quot; (Duke UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:58</itunes:duration>
      <itunes:summary>What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026),
 Cécile Bishop argues that this seemingly simple question has no 
straightforward answer. Instead of treating race as something 
immediately visible, she explores how Blackness emerges through the 
interplay of perception, language, and history.

A central theme of the book is that visibility is never neutral. 
Through examples ranging from photographs of the Liberation of Paris to 
works of art such as Portrait of a Black Woman, Bishop shows that 
Blackness cannot be reduced to what is seen. Instead, she introduces the
 idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience.

Engaging with thinkers such as Édouard Glissant and Frantz Fanon, 
Bishop invites readers to rethink the assumption that seeing is the same
 as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.

Amisah Bakuri (PhD) is an
 Assistant Professor in the Faculty of Social Sciences and Humanities at
 Vrije Universiteit Amsterdam. Her work explores the intersections of 
religion, sexuality, gender, and migration, especially within African 
diasporic communities in the Netherlands.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026),
 Cécile Bishop argues that this seemingly simple question has no 
straightforward answer. Instead of treating race as something 
immediately visible, she explores how Blackness emerges through the 
interplay of perception, language, and history.

A central theme of the book is that visibility is never neutral. 
Through examples ranging from photographs of the Liberation of Paris to 
works of art such as Portrait of a Black Woman, Bishop shows that 
Blackness cannot be reduced to what is seen. Instead, she introduces the
 idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience.

Engaging with thinkers such as Édouard Glissant and Frantz Fanon, 
Bishop invites readers to rethink the assumption that seeing is the same
 as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.

Amisah Bakuri (PhD) is an
 Assistant Professor in the Faculty of Social Sciences and Humanities at
 Vrije Universiteit Amsterdam. Her work explores the intersections of 
religion, sexuality, gender, and migration, especially within African 
diasporic communities in the Netherlands.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1945</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">81106f6a-7653-11f1-8716-63fa6366fe96</guid>
      <title>Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781643366395">Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies </a>(University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book’s contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. <em>Gullah-Geechee Diasporas </em>is a fresh framework for understanding African American cultural origins, migrations, and transformations.</p>
<p>Dr. Muhammad Fraser-Rahim is associate professor of Intelligence and Security Studies at The Citadel. He is the author of<em> America’s Other Muslims</em> and<em> Gullah Geechee Muslims in America</em>. You can find him on <a href="https://www.instagram.com/dervishvibez/">Instagram</a> and <a href="https://www.linkedin.com/in/muhammad-fraser-rahim-ph-d-2598394">LinkedIn</a>.<br />Dr. Elizabeth J. West is professor of English and the John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters at Georgia State University. Her books include <em>Finding Francis</em> and<em> African Spirituality in Black Women’s Fiction.</em> She can be found online at <a href="https://www.instagram.com/elizjwest/">Instagram</a> and <a href="https://www.linkedin.com/in/elizabeth-west-6388081b2">LinkedIn</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781643366395">Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies </a>(University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book’s contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. <em>Gullah-Geechee Diasporas </em>is a fresh framework for understanding African American cultural origins, migrations, and transformations.</p>
<p>Dr. Muhammad Fraser-Rahim is associate professor of Intelligence and Security Studies at The Citadel. He is the author of<em> America’s Other Muslims</em> and<em> Gullah Geechee Muslims in America</em>. You can find him on <a href="https://www.instagram.com/dervishvibez/">Instagram</a> and <a href="https://www.linkedin.com/in/muhammad-fraser-rahim-ph-d-2598394">LinkedIn</a>.<br />Dr. Elizabeth J. West is professor of English and the John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters at Georgia State University. Her books include <em>Finding Francis</em> and<em> African Spirituality in Black Women’s Fiction.</em> She can be found online at <a href="https://www.instagram.com/elizjwest/">Instagram</a> and <a href="https://www.linkedin.com/in/elizabeth-west-6388081b2">LinkedIn</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58628756" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f1915550-60cb-48cb-af99-8ff3345dd421/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f1915550-60cb-48cb-af99-8ff3345dd421&amp;feed=KodC6fj_"/>
      <itunes:title>Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:57</itunes:duration>
      <itunes:summary>Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies (University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book’s contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. Gullah-Geechee Diasporas is a fresh framework for understanding African American cultural origins, migrations, and transformations.

Dr. Muhammad Fraser-Rahim is associate professor of Intelligence and Security Studies at The Citadel. He is the author of America’s Other Muslims and Gullah Geechee Muslims in America. You can find him on Instagram and LinkedIn.Dr. Elizabeth J. West is professor of English and the John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters at Georgia State University. Her books include Finding Francis and African Spirituality in Black Women’s Fiction. She can be found online at Instagram and LinkedIn.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies (University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book’s contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. Gullah-Geechee Diasporas is a fresh framework for understanding African American cultural origins, migrations, and transformations.

Dr. Muhammad Fraser-Rahim is associate professor of Intelligence and Security Studies at The Citadel. He is the author of America’s Other Muslims and Gullah Geechee Muslims in America. You can find him on Instagram and LinkedIn.Dr. Elizabeth J. West is professor of English and the John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters at Georgia State University. Her books include Finding Francis and African Spirituality in Black Women’s Fiction. She can be found online at Instagram and LinkedIn.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1944</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">11620e6e-7656-11f1-9dfb-6fbf67a1076d</guid>
      <title>Daniel Rood, &quot;In the Shadow of the Great House: A History of the Plantation in America&quot; (Norton, 2026)</title>
      <description><![CDATA[<p>Dan Rood’s <a href="https://bookshop.org/a/12343/9781631498381"><em>In the Shadow of the Great House</em></a> (W.W.
 Norton &amp; Co., 2026) is one of the first contemporary books to focus
 on the primary engine of slavery, race, and capitalism in this country:
 the plantation. The plantation was invented on the small Atlantic 
island of São Tomé in the 1500s, and the island also became the site, 
soon enough, of the first slave revolt. The brutal technology was then 
perfected in Barbados, where planters worked tens of thousands of 
African captives to their deaths in sugar factories. But it was in the 
United States, Rood shows, that the plantation found its most powerful 
manifestations. In Virginia, Carolina, and then the Deep South, 
successive plantation revolutions transformed slavery into a much more 
rigid and oppressive institution. Incomparably wealthy planters now 
insisted on a rightless, eternally available, “increasing” source of 
labor, and in the process reinvented human bondage and stamped it onto a
 single race. But the plantation did not die after the Civil War. It 
metastasized. From the advent of sharecropping in the late nineteenth 
century to the rise of cotton in mid-twentieth century California to 
today’s chicken processing plants, the plantation has cast a long shadow
 over American life. Rood further documents the “dark retreats” carved 
out of plantation life by the enslaved. It was the enslaved who offered 
the most clear-eyed understanding of what the plantation behemoths told 
us, and still tell us, about our country.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dan Rood’s <a href="https://bookshop.org/a/12343/9781631498381"><em>In the Shadow of the Great House</em></a> (W.W.
 Norton &amp; Co., 2026) is one of the first contemporary books to focus
 on the primary engine of slavery, race, and capitalism in this country:
 the plantation. The plantation was invented on the small Atlantic 
island of São Tomé in the 1500s, and the island also became the site, 
soon enough, of the first slave revolt. The brutal technology was then 
perfected in Barbados, where planters worked tens of thousands of 
African captives to their deaths in sugar factories. But it was in the 
United States, Rood shows, that the plantation found its most powerful 
manifestations. In Virginia, Carolina, and then the Deep South, 
successive plantation revolutions transformed slavery into a much more 
rigid and oppressive institution. Incomparably wealthy planters now 
insisted on a rightless, eternally available, “increasing” source of 
labor, and in the process reinvented human bondage and stamped it onto a
 single race. But the plantation did not die after the Civil War. It 
metastasized. From the advent of sharecropping in the late nineteenth 
century to the rise of cotton in mid-twentieth century California to 
today’s chicken processing plants, the plantation has cast a long shadow
 over American life. Rood further documents the “dark retreats” carved 
out of plantation life by the enslaved. It was the enslaved who offered 
the most clear-eyed understanding of what the plantation behemoths told 
us, and still tell us, about our country.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73753330" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/55cdf287-6bb1-48ff-a32b-78aa068ca5de/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=55cdf287-6bb1-48ff-a32b-78aa068ca5de&amp;feed=KodC6fj_"/>
      <itunes:title>Daniel Rood, &quot;In the Shadow of the Great House: A History of the Plantation in America&quot; (Norton, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:46</itunes:duration>
      <itunes:summary>Dan Rood’s In the Shadow of the Great House (W.W.
 Norton &amp; Co., 2026) is one of the first contemporary books to focus
 on the primary engine of slavery, race, and capitalism in this country:
 the plantation. The plantation was invented on the small Atlantic 
island of São Tomé in the 1500s, and the island also became the site, 
soon enough, of the first slave revolt. The brutal technology was then 
perfected in Barbados, where planters worked tens of thousands of 
African captives to their deaths in sugar factories. But it was in the 
United States, Rood shows, that the plantation found its most powerful 
manifestations. In Virginia, Carolina, and then the Deep South, 
successive plantation revolutions transformed slavery into a much more 
rigid and oppressive institution. Incomparably wealthy planters now 
insisted on a rightless, eternally available, “increasing” source of 
labor, and in the process reinvented human bondage and stamped it onto a
 single race. But the plantation did not die after the Civil War. It 
metastasized. From the advent of sharecropping in the late nineteenth 
century to the rise of cotton in mid-twentieth century California to 
today’s chicken processing plants, the plantation has cast a long shadow
 over American life. Rood further documents the “dark retreats” carved 
out of plantation life by the enslaved. It was the enslaved who offered 
the most clear-eyed understanding of what the plantation behemoths told 
us, and still tell us, about our country.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dan Rood’s In the Shadow of the Great House (W.W.
 Norton &amp; Co., 2026) is one of the first contemporary books to focus
 on the primary engine of slavery, race, and capitalism in this country:
 the plantation. The plantation was invented on the small Atlantic 
island of São Tomé in the 1500s, and the island also became the site, 
soon enough, of the first slave revolt. The brutal technology was then 
perfected in Barbados, where planters worked tens of thousands of 
African captives to their deaths in sugar factories. But it was in the 
United States, Rood shows, that the plantation found its most powerful 
manifestations. In Virginia, Carolina, and then the Deep South, 
successive plantation revolutions transformed slavery into a much more 
rigid and oppressive institution. Incomparably wealthy planters now 
insisted on a rightless, eternally available, “increasing” source of 
labor, and in the process reinvented human bondage and stamped it onto a
 single race. But the plantation did not die after the Civil War. It 
metastasized. From the advent of sharecropping in the late nineteenth 
century to the rise of cotton in mid-twentieth century California to 
today’s chicken processing plants, the plantation has cast a long shadow
 over American life. Rood further documents the “dark retreats” carved 
out of plantation life by the enslaved. It was the enslaved who offered 
the most clear-eyed understanding of what the plantation behemoths told 
us, and still tell us, about our country.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1943</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">66d031a8-7568-11f1-b042-4f32c0b13d46</guid>
      <title>Stephen Robertson, &quot;Harlem in Disorder: A Spatial History of How Racial Violence Changed in 1935&quot; (Stanford UP, 2024)</title>
      <description><![CDATA[<p>﻿The violence that spread across Harlem on the night of March 19, 1935 was the first
large-scale racial disorder in the United States in more than a decade and the first
occurrence in the nation’s leading Black neighborhood. However, as many observers
pointed out, the events were “not a race riot” of the kind that had marked the decades
after the Civil War. Racial violence took a new form in 1935.</p>
<p>﻿Through a granular analysis of those events and the mapping of their locations,<em> </em><a href="https://harlemindisorder.org/"><em>Harlem
in Disorder: A Spatial History of How Racial Violence Changed in 1935</em></a><em> </em>﻿(Stanford University Press, 2024) reveals that Harlem’s residents participated in a complex new mix of
violence that was a multifaceted challenge to white economic and political power.
Tracing the legal and government investigations that followed, this project highlights
how that violence came to be distorted, diminished, and marginalized by the concern of
white authorities to maintain the racial order, and by the unwillingness of Harlem's Black
leaders and their white allies to embrace fully such direct forms of protest.
</p>
<p>Focused on capturing rather than simplifying the complexity of the new form of racial
violence, <em>Harlem in Disorder </em>is a multi-layered, hyperlinked narrative that connects
different scales of analysis: individual events, aggregated patterns, and a chronological
narrative. Its structure foregrounds individual events to counter how data can
dehumanize the past, and to make transparent the interpretations involved in the
creation of data from uncertain and ambiguous sources.
</p>
<p><em>Harlem in Disorder </em>is an award-winning monograph earning recognition as a Finalist for
the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the
American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book
Award for Best Monograph, sponsored by the American Studies Association Digital
Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal
History Prize, sponsored by the American Society for Legal History, and Honorable
Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social
Knowledge Institute.
</p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State
University. Her most recent writing appears in the edited collection: From Rights to
Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 6 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>﻿The violence that spread across Harlem on the night of March 19, 1935 was the first
large-scale racial disorder in the United States in more than a decade and the first
occurrence in the nation’s leading Black neighborhood. However, as many observers
pointed out, the events were “not a race riot” of the kind that had marked the decades
after the Civil War. Racial violence took a new form in 1935.</p>
<p>﻿Through a granular analysis of those events and the mapping of their locations,<em> </em><a href="https://harlemindisorder.org/"><em>Harlem
in Disorder: A Spatial History of How Racial Violence Changed in 1935</em></a><em> </em>﻿(Stanford University Press, 2024) reveals that Harlem’s residents participated in a complex new mix of
violence that was a multifaceted challenge to white economic and political power.
Tracing the legal and government investigations that followed, this project highlights
how that violence came to be distorted, diminished, and marginalized by the concern of
white authorities to maintain the racial order, and by the unwillingness of Harlem's Black
leaders and their white allies to embrace fully such direct forms of protest.
</p>
<p>Focused on capturing rather than simplifying the complexity of the new form of racial
violence, <em>Harlem in Disorder </em>is a multi-layered, hyperlinked narrative that connects
different scales of analysis: individual events, aggregated patterns, and a chronological
narrative. Its structure foregrounds individual events to counter how data can
dehumanize the past, and to make transparent the interpretations involved in the
creation of data from uncertain and ambiguous sources.
</p>
<p><em>Harlem in Disorder </em>is an award-winning monograph earning recognition as a Finalist for
the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the
American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book
Award for Best Monograph, sponsored by the American Studies Association Digital
Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal
History Prize, sponsored by the American Society for Legal History, and Honorable
Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social
Knowledge Institute.
</p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State
University. Her most recent writing appears in the edited collection: From Rights to
Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52017019" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2092a318-d9fa-42f9-8afe-4e87064d5ddb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2092a318-d9fa-42f9-8afe-4e87064d5ddb&amp;feed=KodC6fj_"/>
      <itunes:title>Stephen Robertson, &quot;Harlem in Disorder: A Spatial History of How Racial Violence Changed in 1935&quot; (Stanford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:06</itunes:duration>
      <itunes:summary>The violence that spread across Harlem on the night of March 19, 1935 was the first
large-scale racial disorder in the United States in more than a decade and the first
occurrence in the nation’s leading Black neighborhood. However, as many observers
pointed out, the events were “not a race riot” of the kind that had marked the decades
after the Civil War. Racial violence took a new form in 1935.

﻿Through a granular analysis of those events and the mapping of their locations, Harlem
in Disorder: A Spatial History of How Racial Violence Changed in 1935 ﻿(Stanford University Press, 2024) reveals that Harlem’s residents participated in a complex new mix of
violence that was a multifaceted challenge to white economic and political power.
Tracing the legal and government investigations that followed, this project highlights
how that violence came to be distorted, diminished, and marginalized by the concern of
white authorities to maintain the racial order, and by the unwillingness of Harlem&apos;s Black
leaders and their white allies to embrace fully such direct forms of protest.


Focused on capturing rather than simplifying the complexity of the new form of racial
violence, Harlem in Disorder is a multi-layered, hyperlinked narrative that connects
different scales of analysis: individual events, aggregated patterns, and a chronological
narrative. Its structure foregrounds individual events to counter how data can
dehumanize the past, and to make transparent the interpretations involved in the
creation of data from uncertain and ambiguous sources.


Harlem in Disorder is an award-winning monograph earning recognition as a Finalist for
the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the
American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book
Award for Best Monograph, sponsored by the American Studies Association Digital
Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal
History Prize, sponsored by the American Society for Legal History, and Honorable
Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social
Knowledge Institute.


Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State
University. Her most recent writing appears in the edited collection: From Rights to
Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The violence that spread across Harlem on the night of March 19, 1935 was the first
large-scale racial disorder in the United States in more than a decade and the first
occurrence in the nation’s leading Black neighborhood. However, as many observers
pointed out, the events were “not a race riot” of the kind that had marked the decades
after the Civil War. Racial violence took a new form in 1935.

﻿Through a granular analysis of those events and the mapping of their locations, Harlem
in Disorder: A Spatial History of How Racial Violence Changed in 1935 ﻿(Stanford University Press, 2024) reveals that Harlem’s residents participated in a complex new mix of
violence that was a multifaceted challenge to white economic and political power.
Tracing the legal and government investigations that followed, this project highlights
how that violence came to be distorted, diminished, and marginalized by the concern of
white authorities to maintain the racial order, and by the unwillingness of Harlem&apos;s Black
leaders and their white allies to embrace fully such direct forms of protest.


Focused on capturing rather than simplifying the complexity of the new form of racial
violence, Harlem in Disorder is a multi-layered, hyperlinked narrative that connects
different scales of analysis: individual events, aggregated patterns, and a chronological
narrative. Its structure foregrounds individual events to counter how data can
dehumanize the past, and to make transparent the interpretations involved in the
creation of data from uncertain and ambiguous sources.


Harlem in Disorder is an award-winning monograph earning recognition as a Finalist for
the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the
American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book
Award for Best Monograph, sponsored by the American Studies Association Digital
Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal
History Prize, sponsored by the American Society for Legal History, and Honorable
Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social
Knowledge Institute.


Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State
University. Her most recent writing appears in the edited collection: From Rights to
Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1942</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">deb7369a-744a-11f1-a6c4-47cc661a1d17</guid>
      <title>Thy Will Be Done: George Washington&apos;s Legacy of Slavery and the Fight for American Memory</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469693521">Thy Will Be Done: ﻿George Washington's Legacy of Slavery and the Fight for American Memory</a><em> </em>﻿(UNC Press, 2026), historian John Garrison Marks tells the story of Americans’ long, fraught struggle to come to terms with Washington’s legacy of slavery. He traces how politicians, abolitionists, educators, activists, Washington’s former slaves and their descendants, and others have remembered, forgotten, and manipulated slavery’s place in Washington’s story, and how they have wielded versions of that story in the political and cultural fights of their time. Dr. Marks shows how generational struggles over our collective memory of Washington and slavery have always been part of a bigger conversation about defining the United States and its people. As debates about the founders’ participation in the system of slavery continue to roil public discourse, Dr. Marks shows with new clarity that Americans have never collectively reconciled Washington’s conflicted legacy. By truly grappling with Washington’s role as enslaver and emancipator, we may come to better understand the nation and ourselves.</p>
<p>This episode considers: the life and legacy of George Washington, the role of myth and memory in the New Republic, and how conflicted legacies continue.</p>
<p>A Neuroscientist's Guide to a Healthier, Happier Life</p>
<p>Guest: <a href="https://www.johngmarks.com/">Dr. John Garrison Marks</a> holds a Ph.D. in history from Rice University. He is a New Jersey native currently living outside Washington, DC. He is the author of Thy Will Be Done: <em>George Washington's Legacy of Slavery and the Fight for American Memory.</em></p>
<p>Host: <a href="https://christinagessler.com/">Dr. Christina Gessler</a> holds a Ph.D. in history which she uses to explore the stories we tell and what happens to those we never tell. She is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast, and writes the newsletter at christinagessler.substack.com.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar">Never Caught</a></li>
  <li><a href="https://newbooksnetwork.com/bell">Running From Bondage</a></li>
  <li><a href="https://newbooksnetwork.com/no-common-ground">No Common Ground</a></li>
  <li><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn">The Vice-President's Black Wife: The Untold Life of Julia Chinn</a></li>
  <li><a href="https://newbooksnetwork.com/teaching-about-race-and-racism-in-the-college-classroom">Teaching About Race and Racism in the College Classroom</a></li>
  <li><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder">The Social Constructions of Race</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/no-way-they-were-gay">The Untold Story of President Lincoln</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 2 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469693521">Thy Will Be Done: ﻿George Washington's Legacy of Slavery and the Fight for American Memory</a><em> </em>﻿(UNC Press, 2026), historian John Garrison Marks tells the story of Americans’ long, fraught struggle to come to terms with Washington’s legacy of slavery. He traces how politicians, abolitionists, educators, activists, Washington’s former slaves and their descendants, and others have remembered, forgotten, and manipulated slavery’s place in Washington’s story, and how they have wielded versions of that story in the political and cultural fights of their time. Dr. Marks shows how generational struggles over our collective memory of Washington and slavery have always been part of a bigger conversation about defining the United States and its people. As debates about the founders’ participation in the system of slavery continue to roil public discourse, Dr. Marks shows with new clarity that Americans have never collectively reconciled Washington’s conflicted legacy. By truly grappling with Washington’s role as enslaver and emancipator, we may come to better understand the nation and ourselves.</p>
<p>This episode considers: the life and legacy of George Washington, the role of myth and memory in the New Republic, and how conflicted legacies continue.</p>
<p>A Neuroscientist's Guide to a Healthier, Happier Life</p>
<p>Guest: <a href="https://www.johngmarks.com/">Dr. John Garrison Marks</a> holds a Ph.D. in history from Rice University. He is a New Jersey native currently living outside Washington, DC. He is the author of Thy Will Be Done: <em>George Washington's Legacy of Slavery and the Fight for American Memory.</em></p>
<p>Host: <a href="https://christinagessler.com/">Dr. Christina Gessler</a> holds a Ph.D. in history which she uses to explore the stories we tell and what happens to those we never tell. She is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast, and writes the newsletter at christinagessler.substack.com.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar">Never Caught</a></li>
  <li><a href="https://newbooksnetwork.com/bell">Running From Bondage</a></li>
  <li><a href="https://newbooksnetwork.com/no-common-ground">No Common Ground</a></li>
  <li><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn">The Vice-President's Black Wife: The Untold Life of Julia Chinn</a></li>
  <li><a href="https://newbooksnetwork.com/teaching-about-race-and-racism-in-the-college-classroom">Teaching About Race and Racism in the College Classroom</a></li>
  <li><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder">The Social Constructions of Race</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/no-way-they-were-gay">The Untold Story of President Lincoln</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57680450" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/36787a82-a725-4664-b8c8-d25b311856dc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=36787a82-a725-4664-b8c8-d25b311856dc&amp;feed=KodC6fj_"/>
      <itunes:title>Thy Will Be Done: George Washington&apos;s Legacy of Slavery and the Fight for American Memory</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:02</itunes:duration>
      <itunes:summary>In Thy Will Be Done: ﻿George Washington&apos;s Legacy of Slavery and the Fight for American Memory ﻿(UNC Press, 2026), historian John Garrison Marks tells the story of Americans’ long, fraught struggle to come to terms with Washington’s legacy of slavery. He traces how politicians, abolitionists, educators, activists, Washington’s former slaves and their descendants, and others have remembered, forgotten, and manipulated slavery’s place in Washington’s story, and how they have wielded versions of that story in the political and cultural fights of their time. Dr. Marks shows how generational struggles over our collective memory of Washington and slavery have always been part of a bigger conversation about defining the United States and its people. As debates about the founders’ participation in the system of slavery continue to roil public discourse, Dr. Marks shows with new clarity that Americans have never collectively reconciled Washington’s conflicted legacy. By truly grappling with Washington’s role as enslaver and emancipator, we may come to better understand the nation and ourselves.

This episode considers: the life and legacy of George Washington, the role of myth and memory in the New Republic, and how conflicted legacies continue.

A Neuroscientist&apos;s Guide to a Healthier, Happier Life

Guest: Dr. John Garrison Marks holds a Ph.D. in history from Rice University. He is a New Jersey native currently living outside Washington, DC. He is the author of Thy Will Be Done: George Washington&apos;s Legacy of Slavery and the Fight for American Memory.

Host: Dr. Christina Gessler holds a Ph.D. in history which she uses to explore the stories we tell and what happens to those we never tell. She is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast, and writes the newsletter at christinagessler.substack.com.

Playlist for listeners:


  Never Caught

  Running From Bondage

  No Common Ground

  The Vice-President&apos;s Black Wife: The Untold Life of Julia Chinn

  Teaching About Race and Racism in the College Classroom

  The Social Constructions of Race

  What Might Be

  The Untold Story of President Lincoln


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Thy Will Be Done: ﻿George Washington&apos;s Legacy of Slavery and the Fight for American Memory ﻿(UNC Press, 2026), historian John Garrison Marks tells the story of Americans’ long, fraught struggle to come to terms with Washington’s legacy of slavery. He traces how politicians, abolitionists, educators, activists, Washington’s former slaves and their descendants, and others have remembered, forgotten, and manipulated slavery’s place in Washington’s story, and how they have wielded versions of that story in the political and cultural fights of their time. Dr. Marks shows how generational struggles over our collective memory of Washington and slavery have always been part of a bigger conversation about defining the United States and its people. As debates about the founders’ participation in the system of slavery continue to roil public discourse, Dr. Marks shows with new clarity that Americans have never collectively reconciled Washington’s conflicted legacy. By truly grappling with Washington’s role as enslaver and emancipator, we may come to better understand the nation and ourselves.

This episode considers: the life and legacy of George Washington, the role of myth and memory in the New Republic, and how conflicted legacies continue.

A Neuroscientist&apos;s Guide to a Healthier, Happier Life

Guest: Dr. John Garrison Marks holds a Ph.D. in history from Rice University. He is a New Jersey native currently living outside Washington, DC. He is the author of Thy Will Be Done: George Washington&apos;s Legacy of Slavery and the Fight for American Memory.

Host: Dr. Christina Gessler holds a Ph.D. in history which she uses to explore the stories we tell and what happens to those we never tell. She is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast, and writes the newsletter at christinagessler.substack.com.

Playlist for listeners:


  Never Caught

  Running From Bondage

  No Common Ground

  The Vice-President&apos;s Black Wife: The Untold Life of Julia Chinn

  Teaching About Race and Racism in the College Classroom

  The Social Constructions of Race

  What Might Be

  The Untold Story of President Lincoln


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1941</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b8740e7e-713c-11f1-8c90-4bb9c18fd1c7</guid>
      <title>A.D. Carson, &quot;Owning My Masters (Mastered): The Rhetorics of Rhymes &amp; Revolutions&quot; (U Michigan Press, 2026)</title>
      <description><![CDATA[<p><a href="https://press.umich.edu/Books/O/Owning-My-Masters-Mastered">Owning My Masters (Mastered)</a> is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and ﻿repurposed music, film, and news clips, an introductory video, and original rap lyrics, he﻿offers a new examination of how to create theory through hip-hop.</p>
<p>The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.</p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 2 Jul 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://press.umich.edu/Books/O/Owning-My-Masters-Mastered">Owning My Masters (Mastered)</a> is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and ﻿repurposed music, film, and news clips, an introductory video, and original rap lyrics, he﻿offers a new examination of how to create theory through hip-hop.</p>
<p>The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.</p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52872538" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0ff36c2d-6757-499b-9278-fcf141bb6585/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0ff36c2d-6757-499b-9278-fcf141bb6585&amp;feed=KodC6fj_"/>
      <itunes:title>A.D. Carson, &quot;Owning My Masters (Mastered): The Rhetorics of Rhymes &amp; Revolutions&quot; (U Michigan Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:02</itunes:duration>
      <itunes:summary>Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and ﻿repurposed music, film, and news clips, an introductory video, and original rap lyrics, he﻿offers a new examination of how to create theory through hip-hop.

The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and ﻿repurposed music, film, and news clips, an introductory video, and original rap lyrics, he﻿offers a new examination of how to create theory through hip-hop.

The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1940</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a00d2ccc-705a-11f1-a83a-83d35122fc64</guid>
      <title>Sharron Wilkins Conrad, &quot;The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>A striking triptych once displayed in countless African American households, the Trinity typically features Jesus Christ, Martin Luther King Jr., and John F. Kennedy. More than decoration, these portraits were deliberate acts of memory and quiet resistance, a medium through which African Americans asserted their own narratives of hope, leadership, and the fight for justice.</p>
<p>In this provocative history ﻿<a href="https://bookshop.org/a/12343/9781469694436">The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory</a> (UNC Press, 2026), Sharron Wilkins Conrad traces the Trinity across several decades, showing how African Americans didn’t merely remember the civil rights movement; they shaped its meaning. The Trinity reveals why Kennedy’s image hung beside King and Christ, while Lyndon B. Johnson, despite signing landmark legislation such as the 1964 Civil Rights Act, remained largely unheralded. Kennedy’s charisma, symbolic promise, and perceived martyrdom placed him among sacred icons, while Johnson—seen as transactional and confronted by the era’s growing impatience—never secured the same emotional legacy. In a gripping exploration of memory and meaning-making, Conrad reveals how communities create historical truths by elevating some leaders, sidelining others, and preserving their own visions in defiance of the official record.</p>
<p>Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 27 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A striking triptych once displayed in countless African American households, the Trinity typically features Jesus Christ, Martin Luther King Jr., and John F. Kennedy. More than decoration, these portraits were deliberate acts of memory and quiet resistance, a medium through which African Americans asserted their own narratives of hope, leadership, and the fight for justice.</p>
<p>In this provocative history ﻿<a href="https://bookshop.org/a/12343/9781469694436">The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory</a> (UNC Press, 2026), Sharron Wilkins Conrad traces the Trinity across several decades, showing how African Americans didn’t merely remember the civil rights movement; they shaped its meaning. The Trinity reveals why Kennedy’s image hung beside King and Christ, while Lyndon B. Johnson, despite signing landmark legislation such as the 1964 Civil Rights Act, remained largely unheralded. Kennedy’s charisma, symbolic promise, and perceived martyrdom placed him among sacred icons, while Johnson—seen as transactional and confronted by the era’s growing impatience—never secured the same emotional legacy. In a gripping exploration of memory and meaning-making, Conrad reveals how communities create historical truths by elevating some leaders, sidelining others, and preserving their own visions in defiance of the official record.</p>
<p>Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69615163" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7d04106c-da68-40a3-86d9-f008bafc1d0b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7d04106c-da68-40a3-86d9-f008bafc1d0b&amp;feed=KodC6fj_"/>
      <itunes:title>Sharron Wilkins Conrad, &quot;The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:26</itunes:duration>
      <itunes:summary>A striking triptych once displayed in countless African American households, the Trinity typically features Jesus Christ, Martin Luther King Jr., and John F. Kennedy. More than decoration, these portraits were deliberate acts of memory and quiet resistance, a medium through which African Americans asserted their own narratives of hope, leadership, and the fight for justice.

In this provocative history ﻿The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory (UNC Press, 2026), Sharron Wilkins Conrad traces the Trinity across several decades, showing how African Americans didn’t merely remember the civil rights movement; they shaped its meaning. The Trinity reveals why Kennedy’s image hung beside King and Christ, while Lyndon B. Johnson, despite signing landmark legislation such as the 1964 Civil Rights Act, remained largely unheralded. Kennedy’s charisma, symbolic promise, and perceived martyrdom placed him among sacred icons, while Johnson—seen as transactional and confronted by the era’s growing impatience—never secured the same emotional legacy. In a gripping exploration of memory and meaning-making, Conrad reveals how communities create historical truths by elevating some leaders, sidelining others, and preserving their own visions in defiance of the official record.

Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A striking triptych once displayed in countless African American households, the Trinity typically features Jesus Christ, Martin Luther King Jr., and John F. Kennedy. More than decoration, these portraits were deliberate acts of memory and quiet resistance, a medium through which African Americans asserted their own narratives of hope, leadership, and the fight for justice.

In this provocative history ﻿The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory (UNC Press, 2026), Sharron Wilkins Conrad traces the Trinity across several decades, showing how African Americans didn’t merely remember the civil rights movement; they shaped its meaning. The Trinity reveals why Kennedy’s image hung beside King and Christ, while Lyndon B. Johnson, despite signing landmark legislation such as the 1964 Civil Rights Act, remained largely unheralded. Kennedy’s charisma, symbolic promise, and perceived martyrdom placed him among sacred icons, while Johnson—seen as transactional and confronted by the era’s growing impatience—never secured the same emotional legacy. In a gripping exploration of memory and meaning-making, Conrad reveals how communities create historical truths by elevating some leaders, sidelining others, and preserving their own visions in defiance of the official record.

Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1939</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f0a4bc0c-70e8-11f1-9bdd-67ba4313dbf0</guid>
      <title>Introducing Periodically: A UC Press Journals Podcast with Journals Director David Famiano</title>
      <description><![CDATA[<p>1. A complete list of University of California Press journals is available at <a href="https://online.ucpress.edu/journals">UC Press Journals</a></p>
<p>2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: <a href="https://doi.org/10.1525/elementa.2023.00101">Link</a></p>
<p>3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: <a href="https://www.ucpress.edu/books/blacksound/paper">UC Press Bookstore</a></p>
<p>4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: <a href="https://doi.org/10.1525/jams.2019.72.3.781">Link</a></p>
<p>6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: <a href="https://doi.org/10.1525/fmh.2023.9.2.43">Link</a></p>
<p>If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit <a href="https://ucpress.edu/support-us">UC Press Website</a>.</p>
<p>David Famiano is the Journals Director at the University of California Press</p>
<p><em>﻿Jessica Chesnutt is the Journals Manager at the University of California Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 25 Jun 2026 22:48:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>1. A complete list of University of California Press journals is available at <a href="https://online.ucpress.edu/journals">UC Press Journals</a></p>
<p>2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: <a href="https://doi.org/10.1525/elementa.2023.00101">Link</a></p>
<p>3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: <a href="https://www.ucpress.edu/books/blacksound/paper">UC Press Bookstore</a></p>
<p>4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: <a href="https://doi.org/10.1525/jams.2019.72.3.781">Link</a></p>
<p>6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: <a href="https://doi.org/10.1525/fmh.2023.9.2.43">Link</a></p>
<p>If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit <a href="https://ucpress.edu/support-us">UC Press Website</a>.</p>
<p>David Famiano is the Journals Director at the University of California Press</p>
<p><em>﻿Jessica Chesnutt is the Journals Manager at the University of California Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="23593917" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2315b74e-3451-418d-98aa-e3a5ae384316/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2315b74e-3451-418d-98aa-e3a5ae384316&amp;feed=KodC6fj_"/>
      <itunes:title>Introducing Periodically: A UC Press Journals Podcast with Journals Director David Famiano</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:24:32</itunes:duration>
      <itunes:summary>1. A complete list of University of California Press journals is available at UC Press Journals

2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link

3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore

4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link

6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website.

David Famiano is the Journals Director at the University of California Press

﻿Jessica Chesnutt is the Journals Manager at the University of California Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>1. A complete list of University of California Press journals is available at UC Press Journals

2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link

3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore

4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link

6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website.

David Famiano is the Journals Director at the University of California Press

﻿Jessica Chesnutt is the Journals Manager at the University of California Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1938</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">764bca50-6bab-11f1-9238-9f96657983a9</guid>
      <title>Where Harlem Rests at the Woodlawn Cemetery</title>
      <description><![CDATA[<p>A cemetery as open-air museum? Historian and award-winning author of <em>Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal</em>, Eric K. Washington thinks so.</p>
<p>In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic <a href="https://www.woodlawn.org/">Woodlawn Cemetery</a> in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.</p>
<p>While the Harlem Renaissance is often told through a handful of well-known names, <em>Where Harlem Rests</em> (available <a href="https://www.woodlawn.org/wp-content/uploads/2026/06/Where-Harlem-Rests-PDF-Version-of-Booklet.pdf">here</a>) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.</p>
<p>The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.</p>
<p>You can find Erik at his <a href="https://www.ekwashington.com/">website</a>, and on at <a href="https://www.instagram.com/erickwashington/">personal Instagram page</a>, as well as <a href="https://www.instagram.com/taggingthepast/">@taggingthepast</a>.</p>
<p>His recommended reading list is available on the <em>Additions to the Archive</em> <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 23 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A cemetery as open-air museum? Historian and award-winning author of <em>Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal</em>, Eric K. Washington thinks so.</p>
<p>In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic <a href="https://www.woodlawn.org/">Woodlawn Cemetery</a> in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.</p>
<p>While the Harlem Renaissance is often told through a handful of well-known names, <em>Where Harlem Rests</em> (available <a href="https://www.woodlawn.org/wp-content/uploads/2026/06/Where-Harlem-Rests-PDF-Version-of-Booklet.pdf">here</a>) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.</p>
<p>The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.</p>
<p>You can find Erik at his <a href="https://www.ekwashington.com/">website</a>, and on at <a href="https://www.instagram.com/erickwashington/">personal Instagram page</a>, as well as <a href="https://www.instagram.com/taggingthepast/">@taggingthepast</a>.</p>
<p>His recommended reading list is available on the <em>Additions to the Archive</em> <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45054997" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/62c9e6c6-97b5-4e3c-95d6-a384d1d4fbd5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=62c9e6c6-97b5-4e3c-95d6-a384d1d4fbd5&amp;feed=KodC6fj_"/>
      <itunes:title>Where Harlem Rests at the Woodlawn Cemetery</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:49</itunes:duration>
      <itunes:summary>A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so.

In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.

While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.

The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation&apos;s finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.

You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast.

His recommended reading list is available on the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so.

In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.

While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.

The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation&apos;s finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.

You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast.

His recommended reading list is available on the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1937</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">571c30b0-6ae9-11f1-9bd8-5f02014480e6</guid>
      <title>Shelley Fisher Fishkin, &quot;Jim: The Life and Afterlives of Huckleberry Finn’s Comrade&quot; (Yale UP, 2025)</title>
      <description><![CDATA[<p>﻿Mark Twain’s Jim, introduced in <em>Adventures of Huckleberry Finn</em> (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning <em>Huckleberry Finn</em> and a reason for teaching it; an embarrassment and a source of pride for Black readers.<br />In <a href="https://bookshop.org/a/12343/9780300268324">﻿Jim: The Life and Afterlives of Huckleberry Finn’s Comrade</a> (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.</p>
<p>Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including <em>Writing America: Literary Landmarks from Walden Pond to Wounded Knee</em> and <em>Was Huck Black? Mark Twain and African American Voices</em>, and editor of the twenty-nine-volume <em>Oxford Mark Twain</em>. She lives in Stanford, CA.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 21 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>﻿Mark Twain’s Jim, introduced in <em>Adventures of Huckleberry Finn</em> (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning <em>Huckleberry Finn</em> and a reason for teaching it; an embarrassment and a source of pride for Black readers.<br />In <a href="https://bookshop.org/a/12343/9780300268324">﻿Jim: The Life and Afterlives of Huckleberry Finn’s Comrade</a> (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.</p>
<p>Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including <em>Writing America: Literary Landmarks from Walden Pond to Wounded Knee</em> and <em>Was Huck Black? Mark Twain and African American Voices</em>, and editor of the twenty-nine-volume <em>Oxford Mark Twain</em>. She lives in Stanford, CA.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55162384" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a5c995e1-07df-4432-a2c4-6a03057066ad/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a5c995e1-07df-4432-a2c4-6a03057066ad&amp;feed=KodC6fj_"/>
      <itunes:title>Shelley Fisher Fishkin, &quot;Jim: The Life and Afterlives of Huckleberry Finn’s Comrade&quot; (Yale UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:24</itunes:duration>
      <itunes:summary>Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In ﻿Jim: The Life and Afterlives of Huckleberry Finn’s Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In ﻿Jim: The Life and Afterlives of Huckleberry Finn’s Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1936</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8d6bc0c6-69fa-11f1-9e09-bb946cd5cd43</guid>
      <title>Youssef J. Carter, &quot;The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>Youssef J. Carter’s <a href="https://bookshop.org/a/12343/9781469693576">The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path</a><em> </em>(UNC Press, 2026) is a stunning meditation on Black Atlantic Sufism, specifically as it travels between South Carolina and Senegal via the Mustafawiyya Sufi community and Shaykh Arona Faye. The book orbits around Sufi conceptual frameworks which are translated through the register of Black and Africana Studies. For example, <em>bay’a</em> is rendered as “solidarity” or <em>khidma</em> as “labour”; such attunement of Sufi concepts presents capacious possibilities for Sufi studies at the intersection of Black and Muslim studies. The book then uses deep ethnography to capture the flows of stories, rituals, and piety, and also Black radical labour, motherwork, and becoming to highlight how in spite of the ongoing violence of racial capitalism and plantation modernity, Black-Africana Sufi communities are vital spaces of <em>worldmaking</em>, one that is not merely metaphysical (such as through ritual piety) but also political, anti-racist, and anti-colonial and rooted in collective care. This book is necessary reading for scholars of Sufism, and those who work on Black and African Islam.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 19 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Youssef J. Carter’s <a href="https://bookshop.org/a/12343/9781469693576">The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path</a><em> </em>(UNC Press, 2026) is a stunning meditation on Black Atlantic Sufism, specifically as it travels between South Carolina and Senegal via the Mustafawiyya Sufi community and Shaykh Arona Faye. The book orbits around Sufi conceptual frameworks which are translated through the register of Black and Africana Studies. For example, <em>bay’a</em> is rendered as “solidarity” or <em>khidma</em> as “labour”; such attunement of Sufi concepts presents capacious possibilities for Sufi studies at the intersection of Black and Muslim studies. The book then uses deep ethnography to capture the flows of stories, rituals, and piety, and also Black radical labour, motherwork, and becoming to highlight how in spite of the ongoing violence of racial capitalism and plantation modernity, Black-Africana Sufi communities are vital spaces of <em>worldmaking</em>, one that is not merely metaphysical (such as through ritual piety) but also political, anti-racist, and anti-colonial and rooted in collective care. This book is necessary reading for scholars of Sufism, and those who work on Black and African Islam.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="78374405" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8477ec47-17a0-4ef3-bcf0-a4ebf235f79e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8477ec47-17a0-4ef3-bcf0-a4ebf235f79e&amp;feed=KodC6fj_"/>
      <itunes:title>Youssef J. Carter, &quot;The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:21:35</itunes:duration>
      <itunes:summary>Youssef J. Carter’s The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path (UNC Press, 2026) is a stunning meditation on Black Atlantic Sufism, specifically as it travels between South Carolina and Senegal via the Mustafawiyya Sufi community and Shaykh Arona Faye. The book orbits around Sufi conceptual frameworks which are translated through the register of Black and Africana Studies. For example, bay’a is rendered as “solidarity” or khidma as “labour”; such attunement of Sufi concepts presents capacious possibilities for Sufi studies at the intersection of Black and Muslim studies. The book then uses deep ethnography to capture the flows of stories, rituals, and piety, and also Black radical labour, motherwork, and becoming to highlight how in spite of the ongoing violence of racial capitalism and plantation modernity, Black-Africana Sufi communities are vital spaces of worldmaking, one that is not merely metaphysical (such as through ritual piety) but also political, anti-racist, and anti-colonial and rooted in collective care. This book is necessary reading for scholars of Sufism, and those who work on Black and African Islam.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Youssef J. Carter’s The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path (UNC Press, 2026) is a stunning meditation on Black Atlantic Sufism, specifically as it travels between South Carolina and Senegal via the Mustafawiyya Sufi community and Shaykh Arona Faye. The book orbits around Sufi conceptual frameworks which are translated through the register of Black and Africana Studies. For example, bay’a is rendered as “solidarity” or khidma as “labour”; such attunement of Sufi concepts presents capacious possibilities for Sufi studies at the intersection of Black and Muslim studies. The book then uses deep ethnography to capture the flows of stories, rituals, and piety, and also Black radical labour, motherwork, and becoming to highlight how in spite of the ongoing violence of racial capitalism and plantation modernity, Black-Africana Sufi communities are vital spaces of worldmaking, one that is not merely metaphysical (such as through ritual piety) but also political, anti-racist, and anti-colonial and rooted in collective care. This book is necessary reading for scholars of Sufism, and those who work on Black and African Islam.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1935</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1b22eaa8-69a0-11f1-8eb0-17e862f4b421</guid>
      <title>Blair LM Kelley, &quot;Black Freedom: A Visual History of Juneteenth and Emancipation Days&quot; (Black Dog &amp; Leventhal, 2026)</title>
      <description><![CDATA[<p><em></em><a href="https://bookshop.org/a/12343/9780762486939"><em>Black Freedom: A Visual History of Juneteenth and Emancipation Days</em></a><em> </em>(Black Dog &amp; Leventhal, 2026) is
 the first fully illustrated history of Juneteenth and other 
Emancipation Day celebrations, told through photographs, art, and an 
engrossing narrative.</p>
<p>For more than 150 years, Black communities 
have gathered to honor freedom, resilience, and the ongoing struggle for
 true liberation. ﻿While Juneteenth has recently gained wider 
recognition, it was one of many Emancipation Day traditions celebrated 
across the United States.</p>
<p>These observances were spaces of joy, 
remembrance, and resistance—even as the fight for full freedom was 
unfinished. This volume brings together stirring essays and striking 
images from Juneteenth and beyond, offering a sweeping portrait of how 
Black people have created and sustained rituals of remembrance, a 
testament to the generations who, through celebration and storytelling, 
demanded that their contributions to the making of America be fully 
recognized.</p>
<p>﻿Blair LM Kelley is an award-winning author, 
historian, and scholar of  the African American experience. She is also 
the president and director of the National Humanities Center, the only 
independent center for advanced study in the world dedicated exclusively
 to the humanities.</p>
<p>Kishauna Soljour is an Assistant Professor of 
Public Humanities at San Diego State University. Her most recent writing
 appears in the edited collection <em>﻿From Rights to Lives: The Evolution of the Black Freedom Struggle.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 19 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em></em><a href="https://bookshop.org/a/12343/9780762486939"><em>Black Freedom: A Visual History of Juneteenth and Emancipation Days</em></a><em> </em>(Black Dog &amp; Leventhal, 2026) is
 the first fully illustrated history of Juneteenth and other 
Emancipation Day celebrations, told through photographs, art, and an 
engrossing narrative.</p>
<p>For more than 150 years, Black communities 
have gathered to honor freedom, resilience, and the ongoing struggle for
 true liberation. ﻿While Juneteenth has recently gained wider 
recognition, it was one of many Emancipation Day traditions celebrated 
across the United States.</p>
<p>These observances were spaces of joy, 
remembrance, and resistance—even as the fight for full freedom was 
unfinished. This volume brings together stirring essays and striking 
images from Juneteenth and beyond, offering a sweeping portrait of how 
Black people have created and sustained rituals of remembrance, a 
testament to the generations who, through celebration and storytelling, 
demanded that their contributions to the making of America be fully 
recognized.</p>
<p>﻿Blair LM Kelley is an award-winning author, 
historian, and scholar of  the African American experience. She is also 
the president and director of the National Humanities Center, the only 
independent center for advanced study in the world dedicated exclusively
 to the humanities.</p>
<p>Kishauna Soljour is an Assistant Professor of 
Public Humanities at San Diego State University. Her most recent writing
 appears in the edited collection <em>﻿From Rights to Lives: The Evolution of the Black Freedom Struggle.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42618345" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6358cb12-bf85-4f8f-9d23-9af0965df7d6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6358cb12-bf85-4f8f-9d23-9af0965df7d6&amp;feed=KodC6fj_"/>
      <itunes:title>Blair LM Kelley, &quot;Black Freedom: A Visual History of Juneteenth and Emancipation Days&quot; (Black Dog &amp; Leventhal, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:18</itunes:duration>
      <itunes:summary>Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog &amp; Leventhal, 2026) is
 the first fully illustrated history of Juneteenth and other 
Emancipation Day celebrations, told through photographs, art, and an 
engrossing narrative.

For more than 150 years, Black communities 
have gathered to honor freedom, resilience, and the ongoing struggle for
 true liberation. ﻿While Juneteenth has recently gained wider 
recognition, it was one of many Emancipation Day traditions celebrated 
across the United States.

These observances were spaces of joy, 
remembrance, and resistance—even as the fight for full freedom was 
unfinished. This volume brings together stirring essays and striking 
images from Juneteenth and beyond, offering a sweeping portrait of how 
Black people have created and sustained rituals of remembrance, a 
testament to the generations who, through celebration and storytelling, 
demanded that their contributions to the making of America be fully 
recognized.

﻿Blair LM Kelley is an award-winning author, 
historian, and scholar of  the African American experience. She is also 
the president and director of the National Humanities Center, the only 
independent center for advanced study in the world dedicated exclusively
 to the humanities.

Kishauna Soljour is an Assistant Professor of 
Public Humanities at San Diego State University. Her most recent writing
 appears in the edited collection ﻿From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog &amp; Leventhal, 2026) is
 the first fully illustrated history of Juneteenth and other 
Emancipation Day celebrations, told through photographs, art, and an 
engrossing narrative.

For more than 150 years, Black communities 
have gathered to honor freedom, resilience, and the ongoing struggle for
 true liberation. ﻿While Juneteenth has recently gained wider 
recognition, it was one of many Emancipation Day traditions celebrated 
across the United States.

These observances were spaces of joy, 
remembrance, and resistance—even as the fight for full freedom was 
unfinished. This volume brings together stirring essays and striking 
images from Juneteenth and beyond, offering a sweeping portrait of how 
Black people have created and sustained rituals of remembrance, a 
testament to the generations who, through celebration and storytelling, 
demanded that their contributions to the making of America be fully 
recognized.

﻿Blair LM Kelley is an award-winning author, 
historian, and scholar of  the African American experience. She is also 
the president and director of the National Humanities Center, the only 
independent center for advanced study in the world dedicated exclusively
 to the humanities.

Kishauna Soljour is an Assistant Professor of 
Public Humanities at San Diego State University. Her most recent writing
 appears in the edited collection ﻿From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1934</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c14252b6-6969-11f1-b163-1f2ea7696eb7</guid>
      <title>Anna O. Law, &quot;Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants&quot; (Oxford UP, 2026)</title>
      <description><![CDATA[<p>Anna O. Law, the Herbert Kurz Chair in Constitutional Rights in the Department of Political Science at City University of New York-Brooklyn Campus, has a deeply researched and important new book that weaves together different approaches to understanding American citizenship, especially in context of immigration and migration in the first century of the U.S. republic. <a href="https://bookshop.org/a/12343/9780197660089">Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants</a><em>﻿</em> (Oxford University Press, 2026) engages three different disciplines, including Political Science, History, and Legal Studies/Law, to unpack the many different approaches to citizenship in the new republic. Law noted as we spoke that she had not intended to write a book about slavery, but it was impossible to think about or understand immigration in the United States, especially in the first century of the United States, without examining the particular place and role of those who were enslaved, since they were also immigrants to the United States, though it was a forced immigration, against their will and without their consent. Part of what <a href="https://global.oup.com/academic/product/migration-and-the-origins-of-american-citizenship-9780197660096?lang=en&amp;cc=us"><em>Migration and the Origins of American Citizenship</em></a> focuses on is that prior to the Civil War and the post-war constitutional Amendments, immigration was a patchwork, designed state by state, without a national standard or structure. Thus, we see a form of federalism that shifts from the states to the national government after the 14th and 15th Amendments, and after a number of pieces of legislation passed in the 1880s by Congress. Immigration becomes a more centralized issue and process as Congress passed a raft of restrictive laws focused mostly on Chinese individuals. These moves took the power to manage immigration away from the individual states and nationalized policies and regulations.</p>
<p>At the same time, the story of American immigration is incomplete without understanding how the national government forcefully took land belonging to Native Americans and compelled their migration to other areas of the United States. In much the same way that we cannot understand immigration without understanding how slavery was intertwined with it, we also can’t understand immigration to the United States without the history of how newly arrived immigrants displaced Native Americans and were given stolen land through national and state level regulations and policies. This is another entire area of history, policy, law, and regulation that Law unpacks to explore the interaction between Native Americans, sovereignty, land claims, and federalism in context of American citizenship and the complexity of who was and was not considered to be a citizen.</p>
<p><a href="https://global.oup.com/academic/product/migration-and-the-origins-of-american-citizenship-9780197660096?lang=en&amp;cc=us"><em>Migration and the Origins of American Citizenship</em></a> is a masterful work that helps us understand the contemporary battles over citizenship. As the Supreme Court is set to make yet another determination of how the 14th Amendment is to be applied to individuals born in the United States, Law’s research and analysis has particular relevance and importance as we grapple with these ongoing disputes.</p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (</em></a><em>University Press of Kansas, 2022), and of </em><a href="https://kansaspress.ku.edu/9780700640546/"><em>The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse</em></a><em> (University Press of Kansas, 2025) as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 18 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Anna O. Law, the Herbert Kurz Chair in Constitutional Rights in the Department of Political Science at City University of New York-Brooklyn Campus, has a deeply researched and important new book that weaves together different approaches to understanding American citizenship, especially in context of immigration and migration in the first century of the U.S. republic. <a href="https://bookshop.org/a/12343/9780197660089">Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants</a><em>﻿</em> (Oxford University Press, 2026) engages three different disciplines, including Political Science, History, and Legal Studies/Law, to unpack the many different approaches to citizenship in the new republic. Law noted as we spoke that she had not intended to write a book about slavery, but it was impossible to think about or understand immigration in the United States, especially in the first century of the United States, without examining the particular place and role of those who were enslaved, since they were also immigrants to the United States, though it was a forced immigration, against their will and without their consent. Part of what <a href="https://global.oup.com/academic/product/migration-and-the-origins-of-american-citizenship-9780197660096?lang=en&amp;cc=us"><em>Migration and the Origins of American Citizenship</em></a> focuses on is that prior to the Civil War and the post-war constitutional Amendments, immigration was a patchwork, designed state by state, without a national standard or structure. Thus, we see a form of federalism that shifts from the states to the national government after the 14th and 15th Amendments, and after a number of pieces of legislation passed in the 1880s by Congress. Immigration becomes a more centralized issue and process as Congress passed a raft of restrictive laws focused mostly on Chinese individuals. These moves took the power to manage immigration away from the individual states and nationalized policies and regulations.</p>
<p>At the same time, the story of American immigration is incomplete without understanding how the national government forcefully took land belonging to Native Americans and compelled their migration to other areas of the United States. In much the same way that we cannot understand immigration without understanding how slavery was intertwined with it, we also can’t understand immigration to the United States without the history of how newly arrived immigrants displaced Native Americans and were given stolen land through national and state level regulations and policies. This is another entire area of history, policy, law, and regulation that Law unpacks to explore the interaction between Native Americans, sovereignty, land claims, and federalism in context of American citizenship and the complexity of who was and was not considered to be a citizen.</p>
<p><a href="https://global.oup.com/academic/product/migration-and-the-origins-of-american-citizenship-9780197660096?lang=en&amp;cc=us"><em>Migration and the Origins of American Citizenship</em></a> is a masterful work that helps us understand the contemporary battles over citizenship. As the Supreme Court is set to make yet another determination of how the 14th Amendment is to be applied to individuals born in the United States, Law’s research and analysis has particular relevance and importance as we grapple with these ongoing disputes.</p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (</em></a><em>University Press of Kansas, 2022), and of </em><a href="https://kansaspress.ku.edu/9780700640546/"><em>The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse</em></a><em> (University Press of Kansas, 2025) as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42611571" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/133c7b36-e389-4df1-87cf-eff827dbcacd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=133c7b36-e389-4df1-87cf-eff827dbcacd&amp;feed=KodC6fj_"/>
      <itunes:title>Anna O. Law, &quot;Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants&quot; (Oxford UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:19</itunes:duration>
      <itunes:summary>Anna O. Law, the Herbert Kurz Chair in Constitutional Rights in the Department of Political Science at City University of New York-Brooklyn Campus, has a deeply researched and important new book that weaves together different approaches to understanding American citizenship, especially in context of immigration and migration in the first century of the U.S. republic. Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants﻿ (Oxford University Press, 2026) engages three different disciplines, including Political Science, History, and Legal Studies/Law, to unpack the many different approaches to citizenship in the new republic. Law noted as we spoke that she had not intended to write a book about slavery, but it was impossible to think about or understand immigration in the United States, especially in the first century of the United States, without examining the particular place and role of those who were enslaved, since they were also immigrants to the United States, though it was a forced immigration, against their will and without their consent. Part of what Migration and the Origins of American Citizenship focuses on is that prior to the Civil War and the post-war constitutional Amendments, immigration was a patchwork, designed state by state, without a national standard or structure. Thus, we see a form of federalism that shifts from the states to the national government after the 14th and 15th Amendments, and after a number of pieces of legislation passed in the 1880s by Congress. Immigration becomes a more centralized issue and process as Congress passed a raft of restrictive laws focused mostly on Chinese individuals. These moves took the power to manage immigration away from the individual states and nationalized policies and regulations.

At the same time, the story of American immigration is incomplete without understanding how the national government forcefully took land belonging to Native Americans and compelled their migration to other areas of the United States. In much the same way that we cannot understand immigration without understanding how slavery was intertwined with it, we also can’t understand immigration to the United States without the history of how newly arrived immigrants displaced Native Americans and were given stolen land through national and state level regulations and policies. This is another entire area of history, policy, law, and regulation that Law unpacks to explore the interaction between Native Americans, sovereignty, land claims, and federalism in context of American citizenship and the complexity of who was and was not considered to be a citizen.

Migration and the Origins of American Citizenship is a masterful work that helps us understand the contemporary battles over citizenship. As the Supreme Court is set to make yet another determination of how the 14th Amendment is to be applied to individuals born in the United States, Law’s research and analysis has particular relevance and importance as we grapple with these ongoing disputes.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Anna O. Law, the Herbert Kurz Chair in Constitutional Rights in the Department of Political Science at City University of New York-Brooklyn Campus, has a deeply researched and important new book that weaves together different approaches to understanding American citizenship, especially in context of immigration and migration in the first century of the U.S. republic. Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants﻿ (Oxford University Press, 2026) engages three different disciplines, including Political Science, History, and Legal Studies/Law, to unpack the many different approaches to citizenship in the new republic. Law noted as we spoke that she had not intended to write a book about slavery, but it was impossible to think about or understand immigration in the United States, especially in the first century of the United States, without examining the particular place and role of those who were enslaved, since they were also immigrants to the United States, though it was a forced immigration, against their will and without their consent. Part of what Migration and the Origins of American Citizenship focuses on is that prior to the Civil War and the post-war constitutional Amendments, immigration was a patchwork, designed state by state, without a national standard or structure. Thus, we see a form of federalism that shifts from the states to the national government after the 14th and 15th Amendments, and after a number of pieces of legislation passed in the 1880s by Congress. Immigration becomes a more centralized issue and process as Congress passed a raft of restrictive laws focused mostly on Chinese individuals. These moves took the power to manage immigration away from the individual states and nationalized policies and regulations.

At the same time, the story of American immigration is incomplete without understanding how the national government forcefully took land belonging to Native Americans and compelled their migration to other areas of the United States. In much the same way that we cannot understand immigration without understanding how slavery was intertwined with it, we also can’t understand immigration to the United States without the history of how newly arrived immigrants displaced Native Americans and were given stolen land through national and state level regulations and policies. This is another entire area of history, policy, law, and regulation that Law unpacks to explore the interaction between Native Americans, sovereignty, land claims, and federalism in context of American citizenship and the complexity of who was and was not considered to be a citizen.

Migration and the Origins of American Citizenship is a masterful work that helps us understand the contemporary battles over citizenship. As the Supreme Court is set to make yet another determination of how the 14th Amendment is to be applied to individuals born in the United States, Law’s research and analysis has particular relevance and importance as we grapple with these ongoing disputes.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1933</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">64195ec4-68d1-11f1-996d-dfb173446eb0</guid>
      <title>Joe P. L. Davidson, &quot;Saving Utopia: Imagining Hopeful Futures in Dystopian Times&quot; (MIT Press, 2026)</title>
      <description><![CDATA[<p>There is no alternative. The End of History. Climate Apocalypse. It 
seems that our contemporary moment is defined by the idea that things 
can only get worse or, in the most optimistic reading, perhaps stay as 
they are. Ideas for things getting better, utopian ideas, seem in short 
supply. It is this which Joe Davidson confronts in his book <a href="https://bookshop.org/a/12343/9780262385725"><em>Saving Utopia: Imagining Hopeful Futures in Dystopian Times</em></a> (MIT Press, 2026).
 Davidson links this apparent decline in utopian thinking to a change in
 ‘time consciousness’, the ways in which our sense of the future seems 
less open to possibility than it once was. Despite this he notes the 
persistence of utopianism in a new form, the ‘postdystopian utopia’ 
which takes account of the assumption the future will be worse and uses 
this as a spur to utopian thinking. He then explores how this manifests 
itself in various utopian works in different traditions, from Black 
utopianism considering the tragedy of the slave trade, feminism mining 
the nostalgia of previous battles to consider how things could be 
different and climate change utopianism confronting catastrophe.</p>
<p>In our discussion we explore the changing fortunes and forms of 
utopianism over time, the value of ‘utopian studies’, why Silicon Valley
 tech-bros might be as utopian (or dystopian) as they make out and think
 about why it is important we all imagine the possibility of different 
worlds. Joe also makes a number of reading recommendations for 
postdystopian utopian novels.</p>
<p>Your host, <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Matt Dawson</a> is Professor of Sociology at the University of Glasgow and the author of <a href="https://link.springer.com/book/10.1007/978-3-031-75484-5"><em>G.D.H. Cole and British Sociology: A Study in Semi-Alienation</em></a> (Palgrave Macmillan, 2024) and co-editor of <a href="https://anthempress.com/books/the-anthem-companion-to-henri-lefebvre-hb"><em>The Anthem Companion to Henri Lefebvre</em></a> (Anthem Press, 2026) along with other texts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 17 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>There is no alternative. The End of History. Climate Apocalypse. It 
seems that our contemporary moment is defined by the idea that things 
can only get worse or, in the most optimistic reading, perhaps stay as 
they are. Ideas for things getting better, utopian ideas, seem in short 
supply. It is this which Joe Davidson confronts in his book <a href="https://bookshop.org/a/12343/9780262385725"><em>Saving Utopia: Imagining Hopeful Futures in Dystopian Times</em></a> (MIT Press, 2026).
 Davidson links this apparent decline in utopian thinking to a change in
 ‘time consciousness’, the ways in which our sense of the future seems 
less open to possibility than it once was. Despite this he notes the 
persistence of utopianism in a new form, the ‘postdystopian utopia’ 
which takes account of the assumption the future will be worse and uses 
this as a spur to utopian thinking. He then explores how this manifests 
itself in various utopian works in different traditions, from Black 
utopianism considering the tragedy of the slave trade, feminism mining 
the nostalgia of previous battles to consider how things could be 
different and climate change utopianism confronting catastrophe.</p>
<p>In our discussion we explore the changing fortunes and forms of 
utopianism over time, the value of ‘utopian studies’, why Silicon Valley
 tech-bros might be as utopian (or dystopian) as they make out and think
 about why it is important we all imagine the possibility of different 
worlds. Joe also makes a number of reading recommendations for 
postdystopian utopian novels.</p>
<p>Your host, <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Matt Dawson</a> is Professor of Sociology at the University of Glasgow and the author of <a href="https://link.springer.com/book/10.1007/978-3-031-75484-5"><em>G.D.H. Cole and British Sociology: A Study in Semi-Alienation</em></a> (Palgrave Macmillan, 2024) and co-editor of <a href="https://anthempress.com/books/the-anthem-companion-to-henri-lefebvre-hb"><em>The Anthem Companion to Henri Lefebvre</em></a> (Anthem Press, 2026) along with other texts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57442449" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8bf3e2a5-138f-4a2a-ac9f-db5a021d7664/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8bf3e2a5-138f-4a2a-ac9f-db5a021d7664&amp;feed=KodC6fj_"/>
      <itunes:title>Joe P. L. Davidson, &quot;Saving Utopia: Imagining Hopeful Futures in Dystopian Times&quot; (MIT Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:47</itunes:duration>
      <itunes:summary>There is no alternative. The End of History. Climate Apocalypse. It 
seems that our contemporary moment is defined by the idea that things 
can only get worse or, in the most optimistic reading, perhaps stay as 
they are. Ideas for things getting better, utopian ideas, seem in short 
supply. It is this which Joe Davidson confronts in his book Saving Utopia: Imagining Hopeful Futures in Dystopian Times (MIT Press, 2026).
 Davidson links this apparent decline in utopian thinking to a change in
 ‘time consciousness’, the ways in which our sense of the future seems 
less open to possibility than it once was. Despite this he notes the 
persistence of utopianism in a new form, the ‘postdystopian utopia’ 
which takes account of the assumption the future will be worse and uses 
this as a spur to utopian thinking. He then explores how this manifests 
itself in various utopian works in different traditions, from Black 
utopianism considering the tragedy of the slave trade, feminism mining 
the nostalgia of previous battles to consider how things could be 
different and climate change utopianism confronting catastrophe.

In our discussion we explore the changing fortunes and forms of 
utopianism over time, the value of ‘utopian studies’, why Silicon Valley
 tech-bros might be as utopian (or dystopian) as they make out and think
 about why it is important we all imagine the possibility of different 
worlds. Joe also makes a number of reading recommendations for 
postdystopian utopian novels.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024) and co-editor of The Anthem Companion to Henri Lefebvre (Anthem Press, 2026) along with other texts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>There is no alternative. The End of History. Climate Apocalypse. It 
seems that our contemporary moment is defined by the idea that things 
can only get worse or, in the most optimistic reading, perhaps stay as 
they are. Ideas for things getting better, utopian ideas, seem in short 
supply. It is this which Joe Davidson confronts in his book Saving Utopia: Imagining Hopeful Futures in Dystopian Times (MIT Press, 2026).
 Davidson links this apparent decline in utopian thinking to a change in
 ‘time consciousness’, the ways in which our sense of the future seems 
less open to possibility than it once was. Despite this he notes the 
persistence of utopianism in a new form, the ‘postdystopian utopia’ 
which takes account of the assumption the future will be worse and uses 
this as a spur to utopian thinking. He then explores how this manifests 
itself in various utopian works in different traditions, from Black 
utopianism considering the tragedy of the slave trade, feminism mining 
the nostalgia of previous battles to consider how things could be 
different and climate change utopianism confronting catastrophe.

In our discussion we explore the changing fortunes and forms of 
utopianism over time, the value of ‘utopian studies’, why Silicon Valley
 tech-bros might be as utopian (or dystopian) as they make out and think
 about why it is important we all imagine the possibility of different 
worlds. Joe also makes a number of reading recommendations for 
postdystopian utopian novels.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024) and co-editor of The Anthem Companion to Henri Lefebvre (Anthem Press, 2026) along with other texts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1932</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6655d80c-688b-11f1-a5c0-2385e22f7660</guid>
      <title>Robert Suits, &quot;The Hobo: A History of America&apos;s First Climate Migrants&quot; (Princeton UP, 2026)</title>
      <description><![CDATA[<p>From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. <a href="https://bookshop.org/a/12343/9780691287942"><em>The Hobo: A History of America's First Climate Migrants</em> </a>(Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.<br />Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.<br />Drawing on oral histories, environmental data, and cutting-edge digital methods, <em>The Hobo</em> paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 16 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. <a href="https://bookshop.org/a/12343/9780691287942"><em>The Hobo: A History of America's First Climate Migrants</em> </a>(Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.<br />Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.<br />Drawing on oral histories, environmental data, and cutting-edge digital methods, <em>The Hobo</em> paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59178088" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0ebb0451-0239-49c2-93cf-3540b19a9248/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0ebb0451-0239-49c2-93cf-3540b19a9248&amp;feed=KodC6fj_"/>
      <itunes:title>Robert Suits, &quot;The Hobo: A History of America&apos;s First Climate Migrants&quot; (Princeton UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:35</itunes:duration>
      <itunes:summary>From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. The Hobo: A History of America&apos;s First Climate Migrants (Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.Drawing on oral histories, environmental data, and cutting-edge digital methods, The Hobo paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. The Hobo: A History of America&apos;s First Climate Migrants (Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.Drawing on oral histories, environmental data, and cutting-edge digital methods, The Hobo paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1931</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e15ca17a-65b1-11f1-bb40-b78e2b245cf5</guid>
      <title>Stephanie Coontz, &quot;For Better and Worse: The Complicated Past and Challenging Future of Marriage&quot; (Viking, 2026)</title>
      <description><![CDATA[<p>Marriage rates have fallen dramatically since the 1970s. Yet far 
﻿from devaluing marriage, people still overwhelmingly describe marriage 
﻿as the highest commitment they can imagine. Most Americans say they <em>want</em>﻿
 to marry eventually, and couples who do marry have a lower chance of 
﻿divorce than at any time since the 1970s. Increasingly, though, people 
﻿tell pollsters they “have no idea” if they actually <em>will </em>end up married. And unlike in the past, young women are more uncertain than young men.</p>
<p>In <a href="https://bookshop.org/a/12343/9780593299098"><em>For Better and Worse: The Complicated Past and Challenging Future of Marriage</em></a><em> </em>﻿(Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book <em>Marriage, A History</em>—unravels﻿ the roots of such paradoxical trends. Examining five critical periods ﻿of historical transformation, she reveals how shifting romantic ideals, ﻿gender expectations, sexual mores, and cultural myths have bequeathed us﻿ a welter of contradictory beliefs, dysfunctional habits, and emotional ﻿earworms that make it hard to adjust our family relationships to the ﻿social and economic challenges of twenty-first-century life.</p>
<p>﻿Coontz﻿
 demonstrates that today’s widespread nostalgia for a seemingly more 
﻿stable past is an understandable reaction to heightened economic 
﻿insecurity and eroding social solidarities. But trying to reproduce a 
﻿largely imaginary golden age of marriage from the past simply locks us 
﻿into a restricted future.</p>
<p>Current public debates about marriage 
﻿are dominated by two diametrically opposed groups. One argues that 
﻿marriage is the only sure route to personal happiness and social 
﻿stability; the other, that marriage is inherently oppressive. Coontz 
﻿puts forward a radical middle ground, pointing to surprising new 
﻿research on the personal changes and the policy innovations that can 
﻿help people create successful relationships, in or out of marriage.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 14 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Marriage rates have fallen dramatically since the 1970s. Yet far 
﻿from devaluing marriage, people still overwhelmingly describe marriage 
﻿as the highest commitment they can imagine. Most Americans say they <em>want</em>﻿
 to marry eventually, and couples who do marry have a lower chance of 
﻿divorce than at any time since the 1970s. Increasingly, though, people 
﻿tell pollsters they “have no idea” if they actually <em>will </em>end up married. And unlike in the past, young women are more uncertain than young men.</p>
<p>In <a href="https://bookshop.org/a/12343/9780593299098"><em>For Better and Worse: The Complicated Past and Challenging Future of Marriage</em></a><em> </em>﻿(Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book <em>Marriage, A History</em>—unravels﻿ the roots of such paradoxical trends. Examining five critical periods ﻿of historical transformation, she reveals how shifting romantic ideals, ﻿gender expectations, sexual mores, and cultural myths have bequeathed us﻿ a welter of contradictory beliefs, dysfunctional habits, and emotional ﻿earworms that make it hard to adjust our family relationships to the ﻿social and economic challenges of twenty-first-century life.</p>
<p>﻿Coontz﻿
 demonstrates that today’s widespread nostalgia for a seemingly more 
﻿stable past is an understandable reaction to heightened economic 
﻿insecurity and eroding social solidarities. But trying to reproduce a 
﻿largely imaginary golden age of marriage from the past simply locks us 
﻿into a restricted future.</p>
<p>Current public debates about marriage 
﻿are dominated by two diametrically opposed groups. One argues that 
﻿marriage is the only sure route to personal happiness and social 
﻿stability; the other, that marriage is inherently oppressive. Coontz 
﻿puts forward a radical middle ground, pointing to surprising new 
﻿research on the personal changes and the policy innovations that can 
﻿help people create successful relationships, in or out of marriage.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45575421" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c9847e40-93da-461c-8102-576cc2bb956f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c9847e40-93da-461c-8102-576cc2bb956f&amp;feed=KodC6fj_"/>
      <itunes:title>Stephanie Coontz, &quot;For Better and Worse: The Complicated Past and Challenging Future of Marriage&quot; (Viking, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:23</itunes:duration>
      <itunes:summary>Marriage rates have fallen dramatically since the 1970s. Yet far 
﻿from devaluing marriage, people still overwhelmingly describe marriage 
﻿as the highest commitment they can imagine. Most Americans say they want﻿
 to marry eventually, and couples who do marry have a lower chance of 
﻿divorce than at any time since the 1970s. Increasingly, though, people 
﻿tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men.

In For Better and Worse: The Complicated Past and Challenging Future of Marriage ﻿(Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels﻿ the roots of such paradoxical trends. Examining five critical periods ﻿of historical transformation, she reveals how shifting romantic ideals, ﻿gender expectations, sexual mores, and cultural myths have bequeathed us﻿ a welter of contradictory beliefs, dysfunctional habits, and emotional ﻿earworms that make it hard to adjust our family relationships to the ﻿social and economic challenges of twenty-first-century life.

﻿Coontz﻿
 demonstrates that today’s widespread nostalgia for a seemingly more 
﻿stable past is an understandable reaction to heightened economic 
﻿insecurity and eroding social solidarities. But trying to reproduce a 
﻿largely imaginary golden age of marriage from the past simply locks us 
﻿into a restricted future.

Current public debates about marriage 
﻿are dominated by two diametrically opposed groups. One argues that 
﻿marriage is the only sure route to personal happiness and social 
﻿stability; the other, that marriage is inherently oppressive. Coontz 
﻿puts forward a radical middle ground, pointing to surprising new 
﻿research on the personal changes and the policy innovations that can 
﻿help people create successful relationships, in or out of marriage.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Marriage rates have fallen dramatically since the 1970s. Yet far 
﻿from devaluing marriage, people still overwhelmingly describe marriage 
﻿as the highest commitment they can imagine. Most Americans say they want﻿
 to marry eventually, and couples who do marry have a lower chance of 
﻿divorce than at any time since the 1970s. Increasingly, though, people 
﻿tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men.

In For Better and Worse: The Complicated Past and Challenging Future of Marriage ﻿(Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels﻿ the roots of such paradoxical trends. Examining five critical periods ﻿of historical transformation, she reveals how shifting romantic ideals, ﻿gender expectations, sexual mores, and cultural myths have bequeathed us﻿ a welter of contradictory beliefs, dysfunctional habits, and emotional ﻿earworms that make it hard to adjust our family relationships to the ﻿social and economic challenges of twenty-first-century life.

﻿Coontz﻿
 demonstrates that today’s widespread nostalgia for a seemingly more 
﻿stable past is an understandable reaction to heightened economic 
﻿insecurity and eroding social solidarities. But trying to reproduce a 
﻿largely imaginary golden age of marriage from the past simply locks us 
﻿into a restricted future.

Current public debates about marriage 
﻿are dominated by two diametrically opposed groups. One argues that 
﻿marriage is the only sure route to personal happiness and social 
﻿stability; the other, that marriage is inherently oppressive. Coontz 
﻿puts forward a radical middle ground, pointing to surprising new 
﻿research on the personal changes and the policy innovations that can 
﻿help people create successful relationships, in or out of marriage.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1930</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dba4aa46-5fe1-11f1-ba24-67a76559d8c9</guid>
      <title>Javier Arbona-Homar, &quot;Explosivity: Following What Remains&quot; (U Minnesota Press, 2025)</title>
      <description><![CDATA[<p>Offering a novel approach to contemporary landscape studies,<a href="https://bookshop.org/a/12343/9781452973043"> </a><a href="https://bookshop.org/a/12343/9781517918842">Explosivity: Following What Remains</a> (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region’s geography.</p>
<p>From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized.</p>
<p>Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, <em>Explosivity</em> presents a radical exercise in the exposition of public memory.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Offering a novel approach to contemporary landscape studies,<a href="https://bookshop.org/a/12343/9781452973043"> </a><a href="https://bookshop.org/a/12343/9781517918842">Explosivity: Following What Remains</a> (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region’s geography.</p>
<p>From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized.</p>
<p>Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, <em>Explosivity</em> presents a radical exercise in the exposition of public memory.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61910542" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cc20b7b3-8d53-4ae0-b12d-c1a5ed0aa9c0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cc20b7b3-8d53-4ae0-b12d-c1a5ed0aa9c0&amp;feed=KodC6fj_"/>
      <itunes:title>Javier Arbona-Homar, &quot;Explosivity: Following What Remains&quot; (U Minnesota Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:25</itunes:duration>
      <itunes:summary>Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region’s geography.

From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized.

Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region’s geography.

From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized.

Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1929</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">84dc49f0-5fe4-11f1-94ef-d7bf89e89549</guid>
      <title>Bruce Dearstyne, &quot;Revolutionary New York: 250 Years of Social Change&quot; (SUNY Press, 2026)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9798855804928">Revolutionary New York: 250 Years of Social Change</a> (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”</p>
<p>Dearstyne is the editor of this volume and the author of several books, including <em>The Spirit of New York: Defining Events in the Empire State’s History</em> and <em>The Crucible of Public Policy: New York Courts in the Progressive Era</em>.</p>
<p>Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of <em>When the City Stopped: Stories from New York’s Essential Workers</em> (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9798855804928">Revolutionary New York: 250 Years of Social Change</a> (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”</p>
<p>Dearstyne is the editor of this volume and the author of several books, including <em>The Spirit of New York: Defining Events in the Empire State’s History</em> and <em>The Crucible of Public Policy: New York Courts in the Progressive Era</em>.</p>
<p>Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of <em>When the City Stopped: Stories from New York’s Essential Workers</em> (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="28590663" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c712f094-3052-45b1-ab2f-5140d4a405cc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c712f094-3052-45b1-ab2f-5140d4a405cc&amp;feed=KodC6fj_"/>
      <itunes:title>Bruce Dearstyne, &quot;Revolutionary New York: 250 Years of Social Change&quot; (SUNY Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:29:44</itunes:duration>
      <itunes:summary>Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”

Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era.

Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”

Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era.

Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1928</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5ecd6ab2-60d1-11f1-838f-9bcb3f6511a0</guid>
      <title>Terese Mason Pierre, &quot;As the Earth Dreams: Black Canadian Speculative Stories&quot; (Spiderline, 2025)</title>
      <description><![CDATA[<p>In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about <a href="https://bookshop.org/a/12343/9781487012663"><em>As the Earth Dreams: Black Canadian Speculative Stories</em></a> (Spiderline, 2025).</p>
<p>A ground-breaking anthology of haunting speculative stories by 
contemporary Black Canadian writers that explore growth, futurity, and 
joy.</p>
<p>Edited by esteemed poet Terese Mason Pierre, this bold and innovative
 anthology of speculative short fiction reveals and uplifts the 
spectacular imaginings, reveries, reflections, experiments, and hopes of
 Black writers in Canada. A masseuse attends her mother's fourth 
funeral, only to encounter family she's never met. A postdoc instructor 
navigates an almost-life in an Elsewhere realm of safety and comfort. 
After societal collapse, an immigrant leaves her precarious station, and
 her memories, behind. A woman isolating from a new virus starts 
hallucinating. A young nanny accepts a job with a peculiar employer in 
search of immortality. A medium is tasked with summoning a spirit that 
hits too close to home. And two teenagers test a friendship over magic 
carpet flying practice.</p>
<p>These ten breathtaking stories explore natural and urban landscapes, 
living and dead relationships, economic catastrophe, love, and 
desire--all while celebrating the persistent and ever-changing self, and
 envisioning beautiful Black futures.﻿</p>
<p>Featuring stories by:<br />Trynne Delaney<br />francesca ekwuyasi<br />Whitney French<br />Aline-Mwezi Niyonsenga<br />Chimedum Ohaegbu<br />Suyi Davies Okungbowa<br />Chinelo Onwualu<br />Lue Palmer<br />Terese Mason Pierre<br />Zalika Reid-Benta</p>
<p>TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the <em>Walrus</em>, <em>ROOM</em>, <em>Brick</em>, <em>Quill &amp; Quire</em>, <em>Uncanny</em>, and <em>Year’s Best Canadian Fantasy and Science Fiction</em>.
 Her work has been nominated for the bpNichol Chapbook Award, Best of 
the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She
 is one of ten winners of the Writers’ Trust Journey Prize and was named
 a Writers’ Trust Rising Star. Terese is the chief programming officer 
at Augur, a speculative arts nonprofit, and co-director of AugurCon, 
Augur’s biennial speculative arts conference. Terese lives in Toronto.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about <a href="https://bookshop.org/a/12343/9781487012663"><em>As the Earth Dreams: Black Canadian Speculative Stories</em></a> (Spiderline, 2025).</p>
<p>A ground-breaking anthology of haunting speculative stories by 
contemporary Black Canadian writers that explore growth, futurity, and 
joy.</p>
<p>Edited by esteemed poet Terese Mason Pierre, this bold and innovative
 anthology of speculative short fiction reveals and uplifts the 
spectacular imaginings, reveries, reflections, experiments, and hopes of
 Black writers in Canada. A masseuse attends her mother's fourth 
funeral, only to encounter family she's never met. A postdoc instructor 
navigates an almost-life in an Elsewhere realm of safety and comfort. 
After societal collapse, an immigrant leaves her precarious station, and
 her memories, behind. A woman isolating from a new virus starts 
hallucinating. A young nanny accepts a job with a peculiar employer in 
search of immortality. A medium is tasked with summoning a spirit that 
hits too close to home. And two teenagers test a friendship over magic 
carpet flying practice.</p>
<p>These ten breathtaking stories explore natural and urban landscapes, 
living and dead relationships, economic catastrophe, love, and 
desire--all while celebrating the persistent and ever-changing self, and
 envisioning beautiful Black futures.﻿</p>
<p>Featuring stories by:<br />Trynne Delaney<br />francesca ekwuyasi<br />Whitney French<br />Aline-Mwezi Niyonsenga<br />Chimedum Ohaegbu<br />Suyi Davies Okungbowa<br />Chinelo Onwualu<br />Lue Palmer<br />Terese Mason Pierre<br />Zalika Reid-Benta</p>
<p>TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the <em>Walrus</em>, <em>ROOM</em>, <em>Brick</em>, <em>Quill &amp; Quire</em>, <em>Uncanny</em>, and <em>Year’s Best Canadian Fantasy and Science Fiction</em>.
 Her work has been nominated for the bpNichol Chapbook Award, Best of 
the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She
 is one of ten winners of the Writers’ Trust Journey Prize and was named
 a Writers’ Trust Rising Star. Terese is the chief programming officer 
at Augur, a speculative arts nonprofit, and co-director of AugurCon, 
Augur’s biennial speculative arts conference. Terese lives in Toronto.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36456159" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a3c03e1e-cc27-4223-b0e0-ad2f6087dd64/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a3c03e1e-cc27-4223-b0e0-ad2f6087dd64&amp;feed=KodC6fj_"/>
      <itunes:title>Terese Mason Pierre, &quot;As the Earth Dreams: Black Canadian Speculative Stories&quot; (Spiderline, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:37:56</itunes:duration>
      <itunes:summary>In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about As the Earth Dreams: Black Canadian Speculative Stories (Spiderline, 2025).

A ground-breaking anthology of haunting speculative stories by 
contemporary Black Canadian writers that explore growth, futurity, and 
joy.

Edited by esteemed poet Terese Mason Pierre, this bold and innovative
 anthology of speculative short fiction reveals and uplifts the 
spectacular imaginings, reveries, reflections, experiments, and hopes of
 Black writers in Canada. A masseuse attends her mother&apos;s fourth 
funeral, only to encounter family she&apos;s never met. A postdoc instructor 
navigates an almost-life in an Elsewhere realm of safety and comfort. 
After societal collapse, an immigrant leaves her precarious station, and
 her memories, behind. A woman isolating from a new virus starts 
hallucinating. A young nanny accepts a job with a peculiar employer in 
search of immortality. A medium is tasked with summoning a spirit that 
hits too close to home. And two teenagers test a friendship over magic 
carpet flying practice.

These ten breathtaking stories explore natural and urban landscapes, 
living and dead relationships, economic catastrophe, love, and 
desire--all while celebrating the persistent and ever-changing self, and
 envisioning beautiful Black futures.﻿

Featuring stories by:Trynne Delaneyfrancesca ekwuyasiWhitney FrenchAline-Mwezi NiyonsengaChimedum OhaegbuSuyi Davies OkungbowaChinelo OnwualuLue PalmerTerese Mason PierreZalika Reid-Benta

TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the Walrus, ROOM, Brick, Quill &amp; Quire, Uncanny, and Year’s Best Canadian Fantasy and Science Fiction.
 Her work has been nominated for the bpNichol Chapbook Award, Best of 
the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She
 is one of ten winners of the Writers’ Trust Journey Prize and was named
 a Writers’ Trust Rising Star. Terese is the chief programming officer 
at Augur, a speculative arts nonprofit, and co-director of AugurCon, 
Augur’s biennial speculative arts conference. Terese lives in Toronto.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about As the Earth Dreams: Black Canadian Speculative Stories (Spiderline, 2025).

A ground-breaking anthology of haunting speculative stories by 
contemporary Black Canadian writers that explore growth, futurity, and 
joy.

Edited by esteemed poet Terese Mason Pierre, this bold and innovative
 anthology of speculative short fiction reveals and uplifts the 
spectacular imaginings, reveries, reflections, experiments, and hopes of
 Black writers in Canada. A masseuse attends her mother&apos;s fourth 
funeral, only to encounter family she&apos;s never met. A postdoc instructor 
navigates an almost-life in an Elsewhere realm of safety and comfort. 
After societal collapse, an immigrant leaves her precarious station, and
 her memories, behind. A woman isolating from a new virus starts 
hallucinating. A young nanny accepts a job with a peculiar employer in 
search of immortality. A medium is tasked with summoning a spirit that 
hits too close to home. And two teenagers test a friendship over magic 
carpet flying practice.

These ten breathtaking stories explore natural and urban landscapes, 
living and dead relationships, economic catastrophe, love, and 
desire--all while celebrating the persistent and ever-changing self, and
 envisioning beautiful Black futures.﻿

Featuring stories by:Trynne Delaneyfrancesca ekwuyasiWhitney FrenchAline-Mwezi NiyonsengaChimedum OhaegbuSuyi Davies OkungbowaChinelo OnwualuLue PalmerTerese Mason PierreZalika Reid-Benta

TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the Walrus, ROOM, Brick, Quill &amp; Quire, Uncanny, and Year’s Best Canadian Fantasy and Science Fiction.
 Her work has been nominated for the bpNichol Chapbook Award, Best of 
the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She
 is one of ten winners of the Writers’ Trust Journey Prize and was named
 a Writers’ Trust Rising Star. Terese is the chief programming officer 
at Augur, a speculative arts nonprofit, and co-director of AugurCon, 
Augur’s biennial speculative arts conference. Terese lives in Toronto.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1927</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3ac3e5aa-601e-11f1-bc36-ffa9e6abc7d1</guid>
      <title>Allyson Nadia Field, &quot;Acts of Love: ﻿Black Performance and the Kiss That Changed Film History&quot; ﻿(U California Press, 2026)</title>
      <description><![CDATA[<p>In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled <em>Something Good—Negro Kiss</em>.
 The first known film to portray African American affection, it was lost
 for over a century until its rediscovery inspired contemporary 
audiences with a powerful and enduring depiction of Black love. More 
than a missing piece in an untold history of Black cinematic 
performance, <em>Something Good</em>—and the magnetism of Suttle and 
Brown—attests to the power of Black performance on stage and screen from
 the nineteenth century to today.</p>
<p>In <a href="https://bookshop.org/a/12343/9780520392939"><em>Acts of Love: ﻿Black Performance and the Kiss That Changed Film History</em></a><em> </em>﻿(University of California Press, 2026), Allyson Nadia Field tells the story of <em>Something Good</em>
 and recovers the forgotten yet fascinating lives of its performers and 
their world. Drawing a vivid picture from sparse historical records, <em>Acts of Love</em>
 examines popular culture's negotiation of blackness to reconsider the 
intersections of minstrelsy, vaudeville, and cinema in ragtime America. 
This book not only presents the story of <em>Something Good</em>, its 
performers, and the drama of its rediscovery; it shows how the 
rediscovery of this short early film changes our understanding of 
American film history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 6 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled <em>Something Good—Negro Kiss</em>.
 The first known film to portray African American affection, it was lost
 for over a century until its rediscovery inspired contemporary 
audiences with a powerful and enduring depiction of Black love. More 
than a missing piece in an untold history of Black cinematic 
performance, <em>Something Good</em>—and the magnetism of Suttle and 
Brown—attests to the power of Black performance on stage and screen from
 the nineteenth century to today.</p>
<p>In <a href="https://bookshop.org/a/12343/9780520392939"><em>Acts of Love: ﻿Black Performance and the Kiss That Changed Film History</em></a><em> </em>﻿(University of California Press, 2026), Allyson Nadia Field tells the story of <em>Something Good</em>
 and recovers the forgotten yet fascinating lives of its performers and 
their world. Drawing a vivid picture from sparse historical records, <em>Acts of Love</em>
 examines popular culture's negotiation of blackness to reconsider the 
intersections of minstrelsy, vaudeville, and cinema in ragtime America. 
This book not only presents the story of <em>Something Good</em>, its 
performers, and the drama of its rediscovery; it shows how the 
rediscovery of this short early film changes our understanding of 
American film history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42440377" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1019bcb0-c9d1-42fd-8c71-f49c528aebbc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1019bcb0-c9d1-42fd-8c71-f49c528aebbc&amp;feed=KodC6fj_"/>
      <itunes:title>Allyson Nadia Field, &quot;Acts of Love: ﻿Black Performance and the Kiss That Changed Film History&quot; ﻿(U California Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:10</itunes:duration>
      <itunes:summary>In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss.
 The first known film to portray African American affection, it was lost
 for over a century until its rediscovery inspired contemporary 
audiences with a powerful and enduring depiction of Black love. More 
than a missing piece in an untold history of Black cinematic 
performance, Something Good—and the magnetism of Suttle and 
Brown—attests to the power of Black performance on stage and screen from
 the nineteenth century to today.

In Acts of Love: ﻿Black Performance and the Kiss That Changed Film History ﻿(University of California Press, 2026), Allyson Nadia Field tells the story of Something Good
 and recovers the forgotten yet fascinating lives of its performers and 
their world. Drawing a vivid picture from sparse historical records, Acts of Love
 examines popular culture&apos;s negotiation of blackness to reconsider the 
intersections of minstrelsy, vaudeville, and cinema in ragtime America. 
This book not only presents the story of Something Good, its 
performers, and the drama of its rediscovery; it shows how the 
rediscovery of this short early film changes our understanding of 
American film history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss.
 The first known film to portray African American affection, it was lost
 for over a century until its rediscovery inspired contemporary 
audiences with a powerful and enduring depiction of Black love. More 
than a missing piece in an untold history of Black cinematic 
performance, Something Good—and the magnetism of Suttle and 
Brown—attests to the power of Black performance on stage and screen from
 the nineteenth century to today.

In Acts of Love: ﻿Black Performance and the Kiss That Changed Film History ﻿(University of California Press, 2026), Allyson Nadia Field tells the story of Something Good
 and recovers the forgotten yet fascinating lives of its performers and 
their world. Drawing a vivid picture from sparse historical records, Acts of Love
 examines popular culture&apos;s negotiation of blackness to reconsider the 
intersections of minstrelsy, vaudeville, and cinema in ragtime America. 
This book not only presents the story of Something Good, its 
performers, and the drama of its rediscovery; it shows how the 
rediscovery of this short early film changes our understanding of 
American film history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1926</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">beef1fa6-5e49-11f1-8d7a-0f70ca8bb9dd</guid>
      <title>David Cunningham on Contesting Confederate Monuments (JP)</title>
      <description><![CDATA[<p><a href="https://artsci.washu.edu/faculty-staff/david-cunningham">David Cunningham</a> joins John to speak about <a href="https://placesjournal.org/article/monumental-juxtapositions-and-the-confederate-landscape/">his pathbreaking article </a>about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored <em>Social Problems</em> article, <a href="https://academic.oup.com/socpro/article-abstract/69/3/591/6055437">“Contesting Commemorative Landscapes”</a> which first got him thinking about monument removal, he posits that “<em>expungement, amplification, </em>and<em> repositioning</em>” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization.</p>
<p>David is author of <a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.ucpress.edu%2Fbooks%2Ftheres-something-happening-here%2Fpaper&amp;data=05%7C02%7Copal%40wustl.edu%7Cb2f076474d07449079e808dd3c012c50%7C4ccca3b571cd4e6d974b4d9beb96c6d6%7C0%7C0%7C638732697920305855%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=V7RO0VoWfNOsn%2FYFTQE9Of4%2FGXDZ705rKvHMRWBtAJQ%3D&amp;reserved=0">There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence</a> and the award-winning<a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fglobal.oup.com%2Facademic%2Fproduct%2Fklansville-usa-9780199391165%3Fq%3Dklansville%26lang%3Den%26cc%3Dus&amp;data=05%7C02%7Copal%40wustl.edu%7Cb2f076474d07449079e808dd3c012c50%7C4ccca3b571cd4e6d974b4d9beb96c6d6%7C0%7C0%7C638732697920344653%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=MkaepQr8LUior04zhPwtWuSoUMFCmhL75Jvyn1Iz3pk%3D&amp;reserved=0"> Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK</a>,, a member of the<a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.stlcityreparations.com%2F&amp;data=05%7C02%7Copal%40wustl.edu%7Cb2f076474d07449079e808dd3c012c50%7C4ccca3b571cd4e6d974b4d9beb96c6d6%7C0%7C0%7C638732697920378436%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=Qn3hEmLG993ulmwy9Ed4sXJgEz8zm%2FH9njawL6lW0E4%3D&amp;reserved=0"> City of St. Louis Reparations Commission</a> and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on<a href="https://recallthisbook.org/2020/06/17/36-policing-and-white-power-ef-jp-global-policing-series/"> racialized policing</a> in the US, on<a href="https://recallthisbook.org/2021/01/21/49-the-capitol-insurrection-and-asymmetrical-policing-david-cunningham-ef-jp/"> January 6th</a> , and also on the<a href="https://recallthisbook.org/2024/11/23/138c-what-just-happened-david-cunningham-herbert-hoover-gave-us-woody-guthrie/"> 2024 presidential election</a>–and a conversation with <a href="https://recallthisbook.org/2025/10/30/159-glenn-patterson-you-can-choose-who-you-are-jp-dc/">Glenn Patterson, author of Lapsed Protestant </a>about the mural culture and politicized spaces of Belfast and Northern Ireland.</p>
<p><a href="https://recallthisbook.org/wp-content/uploads/2026/05/cunningham-monument-rtb-172-6.26-.pdf">Read</a> the episode here.</p>
<p>Mentioned in the episode</p>
<ul>
  <li>By David Cunmningham himself: “<a href="https://wordinblack.com/2024/12/what-richmond-got-right-confederate-monuments/">What Richmond got Right about taking down Confederate Monuments</a>” and a <a href="https://journals.sagepub.com/doi/10.1177/15365042231192497">2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths”</a>
</li>
  <li>On <em>place</em> vs <em>space</em> there is wonderful work by <a href="https://en.wikipedia.org/wiki/Lieu_de_m%C3%A9moire">Pierre Nora</a> and <a href="https://en.wikipedia.org/wiki/Social_production_of_space">Henri Lefebvre</a>.</li>
  <li>Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg <a href="https://digitalcommons.bucknell.edu/northernirelandarchive/37/">this tour by Neil Jarman</a>.</li>
  <li>The lucid John Guillory article (mentioned but not discussed) is “<a href="https://www.degruyterbrill.com/document/doi/10.7208/chicago/9780226821313-005/html">Monuments and Documents: On the Object of Study in the Humanities</a>.”</li>
  <li>Confederate generals whose statues were erected essentially to glorify the KKK famously include<a href="https://en.wikipedia.org/wiki/Nathan_Bedford_Forrest"> Nathaniel Bedford Forrest</a>. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s <a href="https://valormemorialpark.com/">Valor Memorial Park,</a> and in Texas the <a href="https://ssamemorial.org/">SS American Memorial Foundation</a>’s military retreat space now adorned with removed Confederate statues. In Bentonville, <a href="https://jameshberrypark.org/">this park</a> glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry.</li>
  <li>The MOCA/Brick reimagined <a href="https://www.moca.org/exhibition/monuments">MONUMENTS Exhibition</a> includes work by Kara Walker and <a href="https://www.alexandergray.com/news/3100-bethany-collins-monuments-at-the-geffen-contemporary-at-moca/">Bethany Collins</a>.</li>
  <li><a href="https://www.nps.gov/boaf/learn/historyculture/shaw.htm">https://www.nps.gov/boaf/learn/historyculture/shaw.htm</a></li>
  <li>Sylva North Carolina <a href="https://www.thesylvaherald.com/top_stories/article_679d1446-1960-4317-8575-f514c713b945.html">Confederate plaque debate</a>.</li>
  <li>Kazuo Ishiguro, <a href="https://en.wikipedia.org/wiki/The_Buried_Giant">The Buried Giant</a> and the Nietzschean problem of “creative forgetting.”</li>
  <li>The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “<a href="https://www.mariettamccarty.com/blogposts/martin-luther-king-birmingham-jail">creative tension</a>.”</li>
  <li>
<a href="https://press.princeton.edu/taxonomy/term/26634">Hajar Yazdiha</a>, <a href="https://press.princeton.edu/books/paperback/9780691246475/the-struggle-for-the-peoples-king"><em>Struggle for the People’s King</em></a>
</li>
  <li>How long will the <a href="https://www.nps.gov/cech/index.htm">Chavez National Monument </a>last? The <a href="https://abc30.com/post/cesar-chavez-statue-fresno-state-officially-removed-president-says/18741278/">statue at UC Fresno</a> is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are?</li>
  <li>
<a href="https://www.amazon.com/Denmark-Veseys-Garden-Slavery-Confederacy/dp/1620973650/ref=tmm_hrd_swatch_0">Denmark Vescey’s Garden </a>by <a href="https://www.amazon.com/Ethan-J-Kytle/e/B00IIS1J9W/ref=dp_byline_cont_book_1">Ethan J. Kytle</a> and, <a href="https://www.amazon.com/Blain-Roberts/e/B00HQX0WUM/ref=dp_byline_cont_book_2">Blain Roberts</a><br />Zore Neale Hurston <a href="https://pressbooks.library.torontomu.ca/theireyeswerewatchinggod/chapter/1/">Their Eyes were Watching God</a>﻿</li>
</ul><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 4 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://artsci.washu.edu/faculty-staff/david-cunningham">David Cunningham</a> joins John to speak about <a href="https://placesjournal.org/article/monumental-juxtapositions-and-the-confederate-landscape/">his pathbreaking article </a>about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored <em>Social Problems</em> article, <a href="https://academic.oup.com/socpro/article-abstract/69/3/591/6055437">“Contesting Commemorative Landscapes”</a> which first got him thinking about monument removal, he posits that “<em>expungement, amplification, </em>and<em> repositioning</em>” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization.</p>
<p>David is author of <a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.ucpress.edu%2Fbooks%2Ftheres-something-happening-here%2Fpaper&amp;data=05%7C02%7Copal%40wustl.edu%7Cb2f076474d07449079e808dd3c012c50%7C4ccca3b571cd4e6d974b4d9beb96c6d6%7C0%7C0%7C638732697920305855%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=V7RO0VoWfNOsn%2FYFTQE9Of4%2FGXDZ705rKvHMRWBtAJQ%3D&amp;reserved=0">There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence</a> and the award-winning<a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fglobal.oup.com%2Facademic%2Fproduct%2Fklansville-usa-9780199391165%3Fq%3Dklansville%26lang%3Den%26cc%3Dus&amp;data=05%7C02%7Copal%40wustl.edu%7Cb2f076474d07449079e808dd3c012c50%7C4ccca3b571cd4e6d974b4d9beb96c6d6%7C0%7C0%7C638732697920344653%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=MkaepQr8LUior04zhPwtWuSoUMFCmhL75Jvyn1Iz3pk%3D&amp;reserved=0"> Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK</a>,, a member of the<a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.stlcityreparations.com%2F&amp;data=05%7C02%7Copal%40wustl.edu%7Cb2f076474d07449079e808dd3c012c50%7C4ccca3b571cd4e6d974b4d9beb96c6d6%7C0%7C0%7C638732697920378436%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=Qn3hEmLG993ulmwy9Ed4sXJgEz8zm%2FH9njawL6lW0E4%3D&amp;reserved=0"> City of St. Louis Reparations Commission</a> and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on<a href="https://recallthisbook.org/2020/06/17/36-policing-and-white-power-ef-jp-global-policing-series/"> racialized policing</a> in the US, on<a href="https://recallthisbook.org/2021/01/21/49-the-capitol-insurrection-and-asymmetrical-policing-david-cunningham-ef-jp/"> January 6th</a> , and also on the<a href="https://recallthisbook.org/2024/11/23/138c-what-just-happened-david-cunningham-herbert-hoover-gave-us-woody-guthrie/"> 2024 presidential election</a>–and a conversation with <a href="https://recallthisbook.org/2025/10/30/159-glenn-patterson-you-can-choose-who-you-are-jp-dc/">Glenn Patterson, author of Lapsed Protestant </a>about the mural culture and politicized spaces of Belfast and Northern Ireland.</p>
<p><a href="https://recallthisbook.org/wp-content/uploads/2026/05/cunningham-monument-rtb-172-6.26-.pdf">Read</a> the episode here.</p>
<p>Mentioned in the episode</p>
<ul>
  <li>By David Cunmningham himself: “<a href="https://wordinblack.com/2024/12/what-richmond-got-right-confederate-monuments/">What Richmond got Right about taking down Confederate Monuments</a>” and a <a href="https://journals.sagepub.com/doi/10.1177/15365042231192497">2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths”</a>
</li>
  <li>On <em>place</em> vs <em>space</em> there is wonderful work by <a href="https://en.wikipedia.org/wiki/Lieu_de_m%C3%A9moire">Pierre Nora</a> and <a href="https://en.wikipedia.org/wiki/Social_production_of_space">Henri Lefebvre</a>.</li>
  <li>Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg <a href="https://digitalcommons.bucknell.edu/northernirelandarchive/37/">this tour by Neil Jarman</a>.</li>
  <li>The lucid John Guillory article (mentioned but not discussed) is “<a href="https://www.degruyterbrill.com/document/doi/10.7208/chicago/9780226821313-005/html">Monuments and Documents: On the Object of Study in the Humanities</a>.”</li>
  <li>Confederate generals whose statues were erected essentially to glorify the KKK famously include<a href="https://en.wikipedia.org/wiki/Nathan_Bedford_Forrest"> Nathaniel Bedford Forrest</a>. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s <a href="https://valormemorialpark.com/">Valor Memorial Park,</a> and in Texas the <a href="https://ssamemorial.org/">SS American Memorial Foundation</a>’s military retreat space now adorned with removed Confederate statues. In Bentonville, <a href="https://jameshberrypark.org/">this park</a> glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry.</li>
  <li>The MOCA/Brick reimagined <a href="https://www.moca.org/exhibition/monuments">MONUMENTS Exhibition</a> includes work by Kara Walker and <a href="https://www.alexandergray.com/news/3100-bethany-collins-monuments-at-the-geffen-contemporary-at-moca/">Bethany Collins</a>.</li>
  <li><a href="https://www.nps.gov/boaf/learn/historyculture/shaw.htm">https://www.nps.gov/boaf/learn/historyculture/shaw.htm</a></li>
  <li>Sylva North Carolina <a href="https://www.thesylvaherald.com/top_stories/article_679d1446-1960-4317-8575-f514c713b945.html">Confederate plaque debate</a>.</li>
  <li>Kazuo Ishiguro, <a href="https://en.wikipedia.org/wiki/The_Buried_Giant">The Buried Giant</a> and the Nietzschean problem of “creative forgetting.”</li>
  <li>The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “<a href="https://www.mariettamccarty.com/blogposts/martin-luther-king-birmingham-jail">creative tension</a>.”</li>
  <li>
<a href="https://press.princeton.edu/taxonomy/term/26634">Hajar Yazdiha</a>, <a href="https://press.princeton.edu/books/paperback/9780691246475/the-struggle-for-the-peoples-king"><em>Struggle for the People’s King</em></a>
</li>
  <li>How long will the <a href="https://www.nps.gov/cech/index.htm">Chavez National Monument </a>last? The <a href="https://abc30.com/post/cesar-chavez-statue-fresno-state-officially-removed-president-says/18741278/">statue at UC Fresno</a> is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are?</li>
  <li>
<a href="https://www.amazon.com/Denmark-Veseys-Garden-Slavery-Confederacy/dp/1620973650/ref=tmm_hrd_swatch_0">Denmark Vescey’s Garden </a>by <a href="https://www.amazon.com/Ethan-J-Kytle/e/B00IIS1J9W/ref=dp_byline_cont_book_1">Ethan J. Kytle</a> and, <a href="https://www.amazon.com/Blain-Roberts/e/B00HQX0WUM/ref=dp_byline_cont_book_2">Blain Roberts</a><br />Zore Neale Hurston <a href="https://pressbooks.library.torontomu.ca/theireyeswerewatchinggod/chapter/1/">Their Eyes were Watching God</a>﻿</li>
</ul><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47934023" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1aa7479f-9a49-4081-a6f7-ca926d579df2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1aa7479f-9a49-4081-a6f7-ca926d579df2&amp;feed=KodC6fj_"/>
      <itunes:title>David Cunningham on Contesting Confederate Monuments (JP)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:32</itunes:duration>
      <itunes:summary>David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization.

David is author of There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland.

Read the episode here.

Mentioned in the episode


  By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths”


  On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre.

  Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman.

  The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.”

  Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s Valor Memorial Park, and in Texas the SS American Memorial Foundation’s military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry.

  The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins.

  https://www.nps.gov/boaf/learn/historyculture/shaw.htm

  Sylva North Carolina Confederate plaque debate.

  Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.”

  The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “creative tension.”

  
Hajar Yazdiha, Struggle for the People’s King


  How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are?

  
Denmark Vescey’s Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God﻿



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization.

David is author of There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland.

Read the episode here.

Mentioned in the episode


  By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths”


  On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre.

  Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman.

  The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.”

  Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s Valor Memorial Park, and in Texas the SS American Memorial Foundation’s military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry.

  The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins.

  https://www.nps.gov/boaf/learn/historyculture/shaw.htm

  Sylva North Carolina Confederate plaque debate.

  Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.”

  The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “creative tension.”

  
Hajar Yazdiha, Struggle for the People’s King


  How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are?

  
Denmark Vescey’s Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God﻿



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1925</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1897ef18-5e47-11f1-9c70-bb873ed98646</guid>
      <title>Mollie Barnes, &quot;Paper Heroines: Women Writers in Conversation and Community Across the Sea Islands, 1838-1902&quot; (U South Carolina Press, 2026)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781643365367">Paper Heroines: ﻿﻿Women Writers in Conversation and Community Across the Sea Islands, 1838-1902</a> (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another's lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in <em>Paper Heroines</em> were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes's exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women's lives in a place and time that was equally tumultuous and consequential.<br /></p>
<p>Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford.</p>
<p>Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of <em>Paper Heroines, </em>which received funding support from the National Endowment for the Humanities.</p>
<p>Host: <a href="https://christinagessler.com/">Dr. Christina Gessler</a> holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/on-writing-well-feminist-biography">Writing Biography</a></li>
  <li><a href="https://newbooksnetwork.com/bell">Running From Bondage</a></li>
  <li><a href="https://newbooksnetwork.com/jumping-through-hoops">Jumping Through Hoops</a></li>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar">Never Caught</a></li>
  <li><a href="https://newbooksnetwork.com/dana-rubin-speaking-while-female-75-extraordinary-speeches-by-american-women-realclear-2023">Speaking While Female</a></li>
  <li><a href="https://newbooksnetwork.com/exploring-public-facing-humanities">Women Reformers and The House on Henry Street</a></li>
  <li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance">We Refuse</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 4 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781643365367">Paper Heroines: ﻿﻿Women Writers in Conversation and Community Across the Sea Islands, 1838-1902</a> (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another's lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in <em>Paper Heroines</em> were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes's exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women's lives in a place and time that was equally tumultuous and consequential.<br /></p>
<p>Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford.</p>
<p>Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of <em>Paper Heroines, </em>which received funding support from the National Endowment for the Humanities.</p>
<p>Host: <a href="https://christinagessler.com/">Dr. Christina Gessler</a> holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/on-writing-well-feminist-biography">Writing Biography</a></li>
  <li><a href="https://newbooksnetwork.com/bell">Running From Bondage</a></li>
  <li><a href="https://newbooksnetwork.com/jumping-through-hoops">Jumping Through Hoops</a></li>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar">Never Caught</a></li>
  <li><a href="https://newbooksnetwork.com/dana-rubin-speaking-while-female-75-extraordinary-speeches-by-american-women-realclear-2023">Speaking While Female</a></li>
  <li><a href="https://newbooksnetwork.com/exploring-public-facing-humanities">Women Reformers and The House on Henry Street</a></li>
  <li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance">We Refuse</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46029082" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5f01f072-f1d7-4454-a9ff-cd594f0b9ebb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5f01f072-f1d7-4454-a9ff-cd594f0b9ebb&amp;feed=KodC6fj_"/>
      <itunes:title>Mollie Barnes, &quot;Paper Heroines: Women Writers in Conversation and Community Across the Sea Islands, 1838-1902&quot; (U South Carolina Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:53</itunes:duration>
      <itunes:summary>In Paper Heroines: ﻿﻿Women Writers in Conversation and Community Across the Sea Islands, 1838-1902 (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another&apos;s lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in Paper Heroines were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes&apos;s exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women&apos;s lives in a place and time that was equally tumultuous and consequential.

Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford.

Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of Paper Heroines, which received funding support from the National Endowment for the Humanities.

Host: Dr. Christina Gessler holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast.

Playlist for listeners:


  Writing Biography

  Running From Bondage

  Jumping Through Hoops

  Never Caught

  Speaking While Female

  Women Reformers and The House on Henry Street

  We Refuse


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Paper Heroines: ﻿﻿Women Writers in Conversation and Community Across the Sea Islands, 1838-1902 (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another&apos;s lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in Paper Heroines were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes&apos;s exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women&apos;s lives in a place and time that was equally tumultuous and consequential.

Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford.

Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of Paper Heroines, which received funding support from the National Endowment for the Humanities.

Host: Dr. Christina Gessler holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast.

Playlist for listeners:


  Writing Biography

  Running From Bondage

  Jumping Through Hoops

  Never Caught

  Speaking While Female

  Women Reformers and The House on Henry Street

  We Refuse


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1924</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d27d7020-5b3a-11f1-81c6-e313f532dcd9</guid>
      <title>On The State of Black Men&apos;s Studies and Black Masculinist Thought Scholarship</title>
      <description><![CDATA[<p>Wide ranging interview with Dr. Ronald L. Jackson II, Professor and Department Chair of Communication Studies, the University of Miami. Interview explores Dr. Jackson's pioneering scholarship in Black Masculinist Thought, its contribution to Black Studies, its intercultural conversations with Black Feminist Thought, the State of Black Men's Studies and its relationship to Black Women's Studies, its interface with the public spheres of Manosphere and Womanosphere, as well as the future of Black Masculinist Thought Scholarship and Black Gender Studies.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 2 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Wide ranging interview with Dr. Ronald L. Jackson II, Professor and Department Chair of Communication Studies, the University of Miami. Interview explores Dr. Jackson's pioneering scholarship in Black Masculinist Thought, its contribution to Black Studies, its intercultural conversations with Black Feminist Thought, the State of Black Men's Studies and its relationship to Black Women's Studies, its interface with the public spheres of Manosphere and Womanosphere, as well as the future of Black Masculinist Thought Scholarship and Black Gender Studies.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69593141" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c5349415-6c43-41ef-9865-e3ab1aa7fbf0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c5349415-6c43-41ef-9865-e3ab1aa7fbf0&amp;feed=KodC6fj_"/>
      <itunes:title>On The State of Black Men&apos;s Studies and Black Masculinist Thought Scholarship</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:24</itunes:duration>
      <itunes:summary>Wide ranging interview with Dr. Ronald L. Jackson II, Professor and Department Chair of Communication Studies, the University of Miami. Interview explores Dr. Jackson&apos;s pioneering scholarship in Black Masculinist Thought, its contribution to Black Studies, its intercultural conversations with Black Feminist Thought, the State of Black Men&apos;s Studies and its relationship to Black Women&apos;s Studies, its interface with the public spheres of Manosphere and Womanosphere, as well as the future of Black Masculinist Thought Scholarship and Black Gender Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Wide ranging interview with Dr. Ronald L. Jackson II, Professor and Department Chair of Communication Studies, the University of Miami. Interview explores Dr. Jackson&apos;s pioneering scholarship in Black Masculinist Thought, its contribution to Black Studies, its intercultural conversations with Black Feminist Thought, the State of Black Men&apos;s Studies and its relationship to Black Women&apos;s Studies, its interface with the public spheres of Manosphere and Womanosphere, as well as the future of Black Masculinist Thought Scholarship and Black Gender Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1923</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4844124a-5b37-11f1-b400-77e2a9a4bd50</guid>
      <title>Elizabeth Stordeur Pryor, &quot;Something We Said: Richard Pryor, a Notorious Word and Me&quot; (37 Ink, 2026)</title>
      <description><![CDATA[<p>The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.<br />When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.<br />As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.<br />A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, <a href="https://bookshop.org/a/12343/9781982154509">Something We Said: Richard Pryor, a Notorious Word and Me</a><em> </em>(37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map.</p>
<p>You can find Elizabeth on her <a href="https://www.pryorhistories.com/">website</a>, <a href="https://www.instagram.com/pryorhistories/">Instagram</a>, and <a href="https://www.tiktok.com/@pryorhistories">TikTok</a>. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is <a href="https://www.ted.com/talks/elizabeth_stordeur_pryor_why_it_s_so_hard_to_talk_about_the_n_word">here</a>. And <em>Richard Pryor: Live in Concern</em> (1979) can be streamed on <a href="https://dai.ly/xa7rol0">YouTube</a>. </p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 2 Jun 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.<br />When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.<br />As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.<br />A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, <a href="https://bookshop.org/a/12343/9781982154509">Something We Said: Richard Pryor, a Notorious Word and Me</a><em> </em>(37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map.</p>
<p>You can find Elizabeth on her <a href="https://www.pryorhistories.com/">website</a>, <a href="https://www.instagram.com/pryorhistories/">Instagram</a>, and <a href="https://www.tiktok.com/@pryorhistories">TikTok</a>. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is <a href="https://www.ted.com/talks/elizabeth_stordeur_pryor_why_it_s_so_hard_to_talk_about_the_n_word">here</a>. And <em>Richard Pryor: Live in Concern</em> (1979) can be streamed on <a href="https://dai.ly/xa7rol0">YouTube</a>. </p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45752286" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/98063829-7432-45e8-abe5-5d60067571d6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=98063829-7432-45e8-abe5-5d60067571d6&amp;feed=KodC6fj_"/>
      <itunes:title>Elizabeth Stordeur Pryor, &quot;Something We Said: Richard Pryor, a Notorious Word and Me&quot; (37 Ink, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:32</itunes:duration>
      <itunes:summary>The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map.

You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map.

You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1922</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8ba296da-5aa9-11f1-9ab9-e7d783104057</guid>
      <title>Gary Hoover, &quot;Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead&quot; (U California Press, 2026)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520402621"><em>﻿Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead</em></a> (University of California Press, 2026)﻿, Gary Hoover asks the reader a simple question: Is our economy a ladder or a lottery? Are people able to control their position on the economic spectrum by their actions? Some argue that, in our market-based economy, if you play by certain rules and make certain choices, you'll achieve upward mobility no matter what economic position you were born into.</p>
<p>Drawing on his vast economic expertise, Hoover explores what this "social contract" requires of its citizens, and what it offers in return. Hoover shows how civil unrest is often directly related to broken society-level promises, exploring protest movements such as Occupy Wall Street, the Tea Party, the Arab Spring, and student debt forgiveness as case studies. He also predicts where future protests can be expected if results promised are not results delivered.﻿</p>
<p>This insightful and data-driven book tackles challenging issues around 
income inequality, health care, and artificial intelligence, and ultimately equips readers to answer these pressing questions: Is our social contract a ladder to higher economic standing, accessible to all no matter where they start? Or rather a lottery in which many will buy a ticket but only a few will find success? And how can we best align social promises with our lived economic realities?</p>
<p>﻿Gary Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University.</p>
<p>﻿﻿Dr. Zachery Williams is an Adjunct Professor in the Department of African and African American Studies at LSU.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 30 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520402621"><em>﻿Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead</em></a> (University of California Press, 2026)﻿, Gary Hoover asks the reader a simple question: Is our economy a ladder or a lottery? Are people able to control their position on the economic spectrum by their actions? Some argue that, in our market-based economy, if you play by certain rules and make certain choices, you'll achieve upward mobility no matter what economic position you were born into.</p>
<p>Drawing on his vast economic expertise, Hoover explores what this "social contract" requires of its citizens, and what it offers in return. Hoover shows how civil unrest is often directly related to broken society-level promises, exploring protest movements such as Occupy Wall Street, the Tea Party, the Arab Spring, and student debt forgiveness as case studies. He also predicts where future protests can be expected if results promised are not results delivered.﻿</p>
<p>This insightful and data-driven book tackles challenging issues around 
income inequality, health care, and artificial intelligence, and ultimately equips readers to answer these pressing questions: Is our social contract a ladder to higher economic standing, accessible to all no matter where they start? Or rather a lottery in which many will buy a ticket but only a few will find success? And how can we best align social promises with our lived economic realities?</p>
<p>﻿Gary Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University.</p>
<p>﻿﻿Dr. Zachery Williams is an Adjunct Professor in the Department of African and African American Studies at LSU.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73936143" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d81b24b6-1595-4a57-a11a-644375856ba2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d81b24b6-1595-4a57-a11a-644375856ba2&amp;feed=KodC6fj_"/>
      <itunes:title>Gary Hoover, &quot;Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead&quot; (U California Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:56</itunes:duration>
      <itunes:summary>In ﻿Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead (University of California Press, 2026)﻿, Gary Hoover asks the reader a simple question: Is our economy a ladder or a lottery? Are people able to control their position on the economic spectrum by their actions? Some argue that, in our market-based economy, if you play by certain rules and make certain choices, you&apos;ll achieve upward mobility no matter what economic position you were born into.

Drawing on his vast economic expertise, Hoover explores what this &quot;social contract&quot; requires of its citizens, and what it offers in return. Hoover shows how civil unrest is often directly related to broken society-level promises, exploring protest movements such as Occupy Wall Street, the Tea Party, the Arab Spring, and student debt forgiveness as case studies. He also predicts where future protests can be expected if results promised are not results delivered.﻿

This insightful and data-driven book tackles challenging issues around 
income inequality, health care, and artificial intelligence, and ultimately equips readers to answer these pressing questions: Is our social contract a ladder to higher economic standing, accessible to all no matter where they start? Or rather a lottery in which many will buy a ticket but only a few will find success? And how can we best align social promises with our lived economic realities?

﻿Gary Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University.

﻿﻿Dr. Zachery Williams is an Adjunct Professor in the Department of African and African American Studies at LSU.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In ﻿Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead (University of California Press, 2026)﻿, Gary Hoover asks the reader a simple question: Is our economy a ladder or a lottery? Are people able to control their position on the economic spectrum by their actions? Some argue that, in our market-based economy, if you play by certain rules and make certain choices, you&apos;ll achieve upward mobility no matter what economic position you were born into.

Drawing on his vast economic expertise, Hoover explores what this &quot;social contract&quot; requires of its citizens, and what it offers in return. Hoover shows how civil unrest is often directly related to broken society-level promises, exploring protest movements such as Occupy Wall Street, the Tea Party, the Arab Spring, and student debt forgiveness as case studies. He also predicts where future protests can be expected if results promised are not results delivered.﻿

This insightful and data-driven book tackles challenging issues around 
income inequality, health care, and artificial intelligence, and ultimately equips readers to answer these pressing questions: Is our social contract a ladder to higher economic standing, accessible to all no matter where they start? Or rather a lottery in which many will buy a ticket but only a few will find success? And how can we best align social promises with our lived economic realities?

﻿Gary Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University.

﻿﻿Dr. Zachery Williams is an Adjunct Professor in the Department of African and African American Studies at LSU.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1921</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4c4636d0-5af5-11f1-853d-4b84c3ae4a63</guid>
      <title>Annette Gordon-Reed ed., &quot;Jefferson on Race: A Reader&quot; (Princeton UP, 2026)</title>
      <description><![CDATA[<p>From The New York Times–bestselling and Pulitzer Prize–winning author of The Hemingses of Monticello, a groundbreaking collection of Thomas Jefferson’s writings on race that every American should read Among America’s Founding Fathers, none was more deeply, personally, or controversially entangled with race and slavery than Thomas Jefferson. The man whose Declaration of Independence proclaimed that “all men are created equal” enslaved more than 600 people of African descent even as he acknowledged the injustice of slavery, saw himself as its opponent, and condemned it in his writings. How is this possible? In <a href="https://bookshop.org/a/12343/9780691122069">Jefferson on Race: A Reader</a><em> </em>(Princeton University Press, 2026), Pulitzer Prize–winning historian Annette Gordon-Reed gathers Jefferson’s most revealing writings about African Americans, slavery, and Native Americans, enabling readers as never before to directly explore his complex and contradictory thoughts, feelings, and decisions on these subjects—the most hotly debated aspect of his legacy. These selections come from Jefferson’s public and private writings, letters, and plantation records, as well as accounts by contemporaries, including his son Madison Hemings and three other people formerly enslaved at Monticello. The book documents Jefferson’s ideas about—and self-image in relation to—African Americans, slavery, and Native Americans, as well as his conduct, including interactions with individual Black and Native people. The writings show how Jefferson responded to living in a multiracial slave society while professing progressive ideals, and how his views on race and slavery were shaped by his experiences with enslaved Black people. Jefferson on Race is essential reading for anyone seeking to understand Jefferson’s conflicted attitudes—and the impact of race and slavery on American history.</p>
<p>Annette Gordon-Reed is a <em>New York Times</em>-bestselling historian and the Carl M. Loeb University Professor at Harvard University. Her books include <em>The Hemingses of Monticello: An American Family</em>, which won the Pulitzer Prize and National Book Award,</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 30 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From The New York Times–bestselling and Pulitzer Prize–winning author of The Hemingses of Monticello, a groundbreaking collection of Thomas Jefferson’s writings on race that every American should read Among America’s Founding Fathers, none was more deeply, personally, or controversially entangled with race and slavery than Thomas Jefferson. The man whose Declaration of Independence proclaimed that “all men are created equal” enslaved more than 600 people of African descent even as he acknowledged the injustice of slavery, saw himself as its opponent, and condemned it in his writings. How is this possible? In <a href="https://bookshop.org/a/12343/9780691122069">Jefferson on Race: A Reader</a><em> </em>(Princeton University Press, 2026), Pulitzer Prize–winning historian Annette Gordon-Reed gathers Jefferson’s most revealing writings about African Americans, slavery, and Native Americans, enabling readers as never before to directly explore his complex and contradictory thoughts, feelings, and decisions on these subjects—the most hotly debated aspect of his legacy. These selections come from Jefferson’s public and private writings, letters, and plantation records, as well as accounts by contemporaries, including his son Madison Hemings and three other people formerly enslaved at Monticello. The book documents Jefferson’s ideas about—and self-image in relation to—African Americans, slavery, and Native Americans, as well as his conduct, including interactions with individual Black and Native people. The writings show how Jefferson responded to living in a multiracial slave society while professing progressive ideals, and how his views on race and slavery were shaped by his experiences with enslaved Black people. Jefferson on Race is essential reading for anyone seeking to understand Jefferson’s conflicted attitudes—and the impact of race and slavery on American history.</p>
<p>Annette Gordon-Reed is a <em>New York Times</em>-bestselling historian and the Carl M. Loeb University Professor at Harvard University. Her books include <em>The Hemingses of Monticello: An American Family</em>, which won the Pulitzer Prize and National Book Award,</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63938551" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bd4ba878-bc79-4098-aa75-976454713b5a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bd4ba878-bc79-4098-aa75-976454713b5a&amp;feed=KodC6fj_"/>
      <itunes:title>Annette Gordon-Reed ed., &quot;Jefferson on Race: A Reader&quot; (Princeton UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:29</itunes:duration>
      <itunes:summary>From The New York Times–bestselling and Pulitzer Prize–winning author of The Hemingses of Monticello, a groundbreaking collection of Thomas Jefferson’s writings on race that every American should read Among America’s Founding Fathers, none was more deeply, personally, or controversially entangled with race and slavery than Thomas Jefferson. The man whose Declaration of Independence proclaimed that “all men are created equal” enslaved more than 600 people of African descent even as he acknowledged the injustice of slavery, saw himself as its opponent, and condemned it in his writings. How is this possible? In Jefferson on Race: A Reader (Princeton University Press, 2026), Pulitzer Prize–winning historian Annette Gordon-Reed gathers Jefferson’s most revealing writings about African Americans, slavery, and Native Americans, enabling readers as never before to directly explore his complex and contradictory thoughts, feelings, and decisions on these subjects—the most hotly debated aspect of his legacy. These selections come from Jefferson’s public and private writings, letters, and plantation records, as well as accounts by contemporaries, including his son Madison Hemings and three other people formerly enslaved at Monticello. The book documents Jefferson’s ideas about—and self-image in relation to—African Americans, slavery, and Native Americans, as well as his conduct, including interactions with individual Black and Native people. The writings show how Jefferson responded to living in a multiracial slave society while professing progressive ideals, and how his views on race and slavery were shaped by his experiences with enslaved Black people. Jefferson on Race is essential reading for anyone seeking to understand Jefferson’s conflicted attitudes—and the impact of race and slavery on American history.

Annette Gordon-Reed is a New York Times-bestselling historian and the Carl M. Loeb University Professor at Harvard University. Her books include The Hemingses of Monticello: An American Family, which won the Pulitzer Prize and National Book Award,

Caleb Zakarin is CEO and Publisher of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From The New York Times–bestselling and Pulitzer Prize–winning author of The Hemingses of Monticello, a groundbreaking collection of Thomas Jefferson’s writings on race that every American should read Among America’s Founding Fathers, none was more deeply, personally, or controversially entangled with race and slavery than Thomas Jefferson. The man whose Declaration of Independence proclaimed that “all men are created equal” enslaved more than 600 people of African descent even as he acknowledged the injustice of slavery, saw himself as its opponent, and condemned it in his writings. How is this possible? In Jefferson on Race: A Reader (Princeton University Press, 2026), Pulitzer Prize–winning historian Annette Gordon-Reed gathers Jefferson’s most revealing writings about African Americans, slavery, and Native Americans, enabling readers as never before to directly explore his complex and contradictory thoughts, feelings, and decisions on these subjects—the most hotly debated aspect of his legacy. These selections come from Jefferson’s public and private writings, letters, and plantation records, as well as accounts by contemporaries, including his son Madison Hemings and three other people formerly enslaved at Monticello. The book documents Jefferson’s ideas about—and self-image in relation to—African Americans, slavery, and Native Americans, as well as his conduct, including interactions with individual Black and Native people. The writings show how Jefferson responded to living in a multiracial slave society while professing progressive ideals, and how his views on race and slavery were shaped by his experiences with enslaved Black people. Jefferson on Race is essential reading for anyone seeking to understand Jefferson’s conflicted attitudes—and the impact of race and slavery on American history.

Annette Gordon-Reed is a New York Times-bestselling historian and the Carl M. Loeb University Professor at Harvard University. Her books include The Hemingses of Monticello: An American Family, which won the Pulitzer Prize and National Book Award,

Caleb Zakarin is CEO and Publisher of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1920</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">df7ba3f6-5a67-11f1-bf26-d73b02af2245</guid>
      <title>Robin R. Means Coleman and Novotny Lawrence eds., &quot;The Oxford Handbook of Black Horror Film&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>Since the release of Jordan Peele's Academy Award-winning horror hit <em>Get Out</em> (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.<br />The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?<br />Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, <a href="https://bookshop.org/a/12343/9780197624807">The Oxford Handbook of Black Horror Film</a><em> </em>(﻿Oxford ﻿UP, 2024) ﻿presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Since the release of Jordan Peele's Academy Award-winning horror hit <em>Get Out</em> (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.<br />The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?<br />Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, <a href="https://bookshop.org/a/12343/9780197624807">The Oxford Handbook of Black Horror Film</a><em> </em>(﻿Oxford ﻿UP, 2024) ﻿presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65861210" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0823f90a-0720-430e-a0d4-16ca27eaf34c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0823f90a-0720-430e-a0d4-16ca27eaf34c&amp;feed=KodC6fj_"/>
      <itunes:title>Robin R. Means Coleman and Novotny Lawrence eds., &quot;The Oxford Handbook of Black Horror Film&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:34</itunes:duration>
      <itunes:summary>Since the release of Jordan Peele&apos;s Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or &quot;Blackness&quot; has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered &quot;Black?&quot;; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror&apos;s place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (﻿Oxford ﻿UP, 2024) ﻿presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Since the release of Jordan Peele&apos;s Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or &quot;Blackness&quot; has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered &quot;Black?&quot;; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror&apos;s place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (﻿Oxford ﻿UP, 2024) ﻿presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1919</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8f10d1a4-5a60-11f1-a3a5-7b3ce8e447d8</guid>
      <title>Ashley Rose Young, &quot;Nourishing Networks: The Public Culture of Food in New Orleans&quot; (Oxford UP, 2025)</title>
      <description><![CDATA[<p>For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.<br />In <a href="https://bookshop.org/a/12343/9780197794036"><em>Nourishing Networks: The Public Culture of Food in New Orleans</em> </a>(Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.<br /><em>Nourishing Networks</em> vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future.﻿<br /></p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.<br />In <a href="https://bookshop.org/a/12343/9780197794036"><em>Nourishing Networks: The Public Culture of Food in New Orleans</em> </a>(Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.<br /><em>Nourishing Networks</em> vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future.﻿<br /></p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47910747" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/11b1d884-0912-4101-bbef-943bd3422955/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=11b1d884-0912-4101-bbef-943bd3422955&amp;feed=KodC6fj_"/>
      <itunes:title>Ashley Rose Young, &quot;Nourishing Networks: The Public Culture of Food in New Orleans&quot; (Oxford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:50</itunes:duration>
      <itunes:summary>For much of the Crescent City&apos;s history, days began with the cries of roaming street vendors and the percussive thwack of butchers&apos; meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city&apos;s dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city&apos;s food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future.﻿

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>For much of the Crescent City&apos;s history, days began with the cries of roaming street vendors and the percussive thwack of butchers&apos; meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city&apos;s dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city&apos;s food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future.﻿

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1918</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d86046f8-59e0-11f1-b1c9-03d4220c12c6</guid>
      <title>Michael E. Sawyer, &quot;The Door of No Return: Being-As-Black&quot; (Temple UP, 2026)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781439925560"><em>The Door of No Return: Being-As-Black</em></a><em> </em>(Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution.</p>
<p>Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison’s ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism.</p>
<p>Michael E. Sawyer is Professor with Tenure of African American 
Literature &amp; Culture, and Director of Graduate Studies in the 
Department of English at the University of Pittsburgh﻿.</p>
<p>﻿Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781439925560"><em>The Door of No Return: Being-As-Black</em></a><em> </em>(Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution.</p>
<p>Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison’s ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism.</p>
<p>Michael E. Sawyer is Professor with Tenure of African American 
Literature &amp; Culture, and Director of Graduate Studies in the 
Department of English at the University of Pittsburgh﻿.</p>
<p>﻿Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68651156" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/95b79380-b73a-4da0-bbd7-8563cbab6bde/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=95b79380-b73a-4da0-bbd7-8563cbab6bde&amp;feed=KodC6fj_"/>
      <itunes:title>Michael E. Sawyer, &quot;The Door of No Return: Being-As-Black&quot; (Temple UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:26</itunes:duration>
      <itunes:summary>In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution.

Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison’s ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism.

Michael E. Sawyer is Professor with Tenure of African American 
Literature &amp; Culture, and Director of Graduate Studies in the 
Department of English at the University of Pittsburgh﻿.

﻿Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution.

Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison’s ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism.

Michael E. Sawyer is Professor with Tenure of African American 
Literature &amp; Culture, and Director of Graduate Studies in the 
Department of English at the University of Pittsburgh﻿.

﻿Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1917</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1a82cbdc-58ba-11f1-a426-074ef1ebfea5</guid>
      <title>The Instigators</title>
      <description><![CDATA[<p>Black women have always been the most relentless instigators for change—building a democracy for all. In <a href="https://bookshop.org/a/12343/9780063424876">The Instigators: How Black Women Have Been Essential to American Democracy (And What We Can Learn from Them</a> (Harper, 2026), Atima Omara draws on her political knowledge and expertise, as well as history, to examine how they have responded to failed strategic decisions by movement leaders and the modern Democratic Party in previous elections as a context for the present. She also provides actionable recommendations to organizers, donors, candidates, strategists, political party leaders, that everyday people can use in their communities to build an inclusive democracy that endures beyond one election cycle.</p>
<p><em>The Instigators</em> is at once an urgent political guide, historical exploration, and a poignant memoir that pulls from Omara’s two decades of work in Democratic politics and the progressive movement as an elected Democratic Party leader, movement organizer, former candidate, gubernatorial aide, campaign staff to candidates at the national, state, and local level; and now political strategist. Powerful, insightful, and practical, it is imperative reading for everyone eager to protect and rebuild our democracy and create a better tomorrow for all.</p>
<p>Our guest is: <a href="https://atima-omara.com/about/">Atima Omara,</a> who works and leads at the intersection of electoral politics and issue advocacy in the progressive movement. She is a political strategist, advocate, trainer, leader, and speaker with significant political, government, and non-profit experience, and she is a sought-after commentator and strategist. She is the author of <em>The Instigators.</em></p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and developmental editor for academics. She is the producer and show host of the <em>Academic Life</em> podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse: A Forceful History of Black Resistance</a></li>
  <li><a href="https://newbooksnetwork.com/abortion-and-reproductive-justice-an-essential-guide-for-resistance#entry:439509@1:url">Reproductive Justice: An Essential Guide</a></li>
  <li><a href="https://newbooksnetwork.com/the-end-of-white-politics-how-to-heal-our-liberal-divide#entry:347905@1:url">The End of White Politics</a></li>
  <li><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn#entry:377076@1:url">The Vice-Presidents Black Wife</a></li>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></li>
  <li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading From The Margins</a></li>
  <li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
  <li><a href="https://newbooksnetwork.com/black-woman-on-board#entry:343629@1:url">Black Woman On Board</a></li>
  <li><a href="https://newbooksnetwork.com/how-to-help-girls-achieve#entry:39407@1:url">How Girls Achieve</a></li>
  <li><a href="https://newbooksnetwork.com/stuck-how-money-media-and-violence-prevent-change-in-congress#entry:446275@1:url">Stuck: How Money, Media and Violence Prevent Change in Congress</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Black women have always been the most relentless instigators for change—building a democracy for all. In <a href="https://bookshop.org/a/12343/9780063424876">The Instigators: How Black Women Have Been Essential to American Democracy (And What We Can Learn from Them</a> (Harper, 2026), Atima Omara draws on her political knowledge and expertise, as well as history, to examine how they have responded to failed strategic decisions by movement leaders and the modern Democratic Party in previous elections as a context for the present. She also provides actionable recommendations to organizers, donors, candidates, strategists, political party leaders, that everyday people can use in their communities to build an inclusive democracy that endures beyond one election cycle.</p>
<p><em>The Instigators</em> is at once an urgent political guide, historical exploration, and a poignant memoir that pulls from Omara’s two decades of work in Democratic politics and the progressive movement as an elected Democratic Party leader, movement organizer, former candidate, gubernatorial aide, campaign staff to candidates at the national, state, and local level; and now political strategist. Powerful, insightful, and practical, it is imperative reading for everyone eager to protect and rebuild our democracy and create a better tomorrow for all.</p>
<p>Our guest is: <a href="https://atima-omara.com/about/">Atima Omara,</a> who works and leads at the intersection of electoral politics and issue advocacy in the progressive movement. She is a political strategist, advocate, trainer, leader, and speaker with significant political, government, and non-profit experience, and she is a sought-after commentator and strategist. She is the author of <em>The Instigators.</em></p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and developmental editor for academics. She is the producer and show host of the <em>Academic Life</em> podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse: A Forceful History of Black Resistance</a></li>
  <li><a href="https://newbooksnetwork.com/abortion-and-reproductive-justice-an-essential-guide-for-resistance#entry:439509@1:url">Reproductive Justice: An Essential Guide</a></li>
  <li><a href="https://newbooksnetwork.com/the-end-of-white-politics-how-to-heal-our-liberal-divide#entry:347905@1:url">The End of White Politics</a></li>
  <li><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn#entry:377076@1:url">The Vice-Presidents Black Wife</a></li>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></li>
  <li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading From The Margins</a></li>
  <li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
  <li><a href="https://newbooksnetwork.com/black-woman-on-board#entry:343629@1:url">Black Woman On Board</a></li>
  <li><a href="https://newbooksnetwork.com/how-to-help-girls-achieve#entry:39407@1:url">How Girls Achieve</a></li>
  <li><a href="https://newbooksnetwork.com/stuck-how-money-media-and-violence-prevent-change-in-congress#entry:446275@1:url">Stuck: How Money, Media and Violence Prevent Change in Congress</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49926896" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9f08ae1f-d859-4eee-8d69-66bf515a8474/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9f08ae1f-d859-4eee-8d69-66bf515a8474&amp;feed=KodC6fj_"/>
      <itunes:title>The Instigators</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:57</itunes:duration>
      <itunes:summary>Black women have always been the most relentless instigators for change—building a democracy for all. In The Instigators: How Black Women Have Been Essential to American Democracy (And What We Can Learn from Them (Harper, 2026), Atima Omara draws on her political knowledge and expertise, as well as history, to examine how they have responded to failed strategic decisions by movement leaders and the modern Democratic Party in previous elections as a context for the present. She also provides actionable recommendations to organizers, donors, candidates, strategists, political party leaders, that everyday people can use in their communities to build an inclusive democracy that endures beyond one election cycle.

The Instigators is at once an urgent political guide, historical exploration, and a poignant memoir that pulls from Omara’s two decades of work in Democratic politics and the progressive movement as an elected Democratic Party leader, movement organizer, former candidate, gubernatorial aide, campaign staff to candidates at the national, state, and local level; and now political strategist. Powerful, insightful, and practical, it is imperative reading for everyone eager to protect and rebuild our democracy and create a better tomorrow for all.

Our guest is: Atima Omara, who works and leads at the intersection of electoral politics and issue advocacy in the progressive movement. She is a political strategist, advocate, trainer, leader, and speaker with significant political, government, and non-profit experience, and she is a sought-after commentator and strategist. She is the author of The Instigators.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  We Refuse: A Forceful History of Black Resistance

  Reproductive Justice: An Essential Guide

  The End of White Politics

  The Vice-Presidents Black Wife

  Never Caught

  Leading From The Margins

  Remembering Lucille

  Black Woman On Board

  How Girls Achieve

  Stuck: How Money, Media and Violence Prevent Change in Congress


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black women have always been the most relentless instigators for change—building a democracy for all. In The Instigators: How Black Women Have Been Essential to American Democracy (And What We Can Learn from Them (Harper, 2026), Atima Omara draws on her political knowledge and expertise, as well as history, to examine how they have responded to failed strategic decisions by movement leaders and the modern Democratic Party in previous elections as a context for the present. She also provides actionable recommendations to organizers, donors, candidates, strategists, political party leaders, that everyday people can use in their communities to build an inclusive democracy that endures beyond one election cycle.

The Instigators is at once an urgent political guide, historical exploration, and a poignant memoir that pulls from Omara’s two decades of work in Democratic politics and the progressive movement as an elected Democratic Party leader, movement organizer, former candidate, gubernatorial aide, campaign staff to candidates at the national, state, and local level; and now political strategist. Powerful, insightful, and practical, it is imperative reading for everyone eager to protect and rebuild our democracy and create a better tomorrow for all.

Our guest is: Atima Omara, who works and leads at the intersection of electoral politics and issue advocacy in the progressive movement. She is a political strategist, advocate, trainer, leader, and speaker with significant political, government, and non-profit experience, and she is a sought-after commentator and strategist. She is the author of The Instigators.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  We Refuse: A Forceful History of Black Resistance

  Reproductive Justice: An Essential Guide

  The End of White Politics

  The Vice-Presidents Black Wife

  Never Caught

  Leading From The Margins

  Remembering Lucille

  Black Woman On Board

  How Girls Achieve

  Stuck: How Money, Media and Violence Prevent Change in Congress


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1916</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8228fe6a-58b4-11f1-9d82-c35fe1cf6356</guid>
      <title>David Faflik, &quot;Segregation Games: Boston, Busing, and the Making of Red Sox Nation&quot; (U Massachusetts Press, 2026)</title>
      <description><![CDATA[<p>A cultural history of race, resistance, and representation in a city divided by politics and play<br />When outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis.<br />Situated at the intersection of US cultural and social history, <a href="https://bookshop.org/a/12343/9781625349286">Segregation Games: Boston, Busing, and the Making of Red Sox Nation</a> (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt.<br />Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 27 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A cultural history of race, resistance, and representation in a city divided by politics and play<br />When outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis.<br />Situated at the intersection of US cultural and social history, <a href="https://bookshop.org/a/12343/9781625349286">Segregation Games: Boston, Busing, and the Making of Red Sox Nation</a> (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt.<br />Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37783065" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3cefa2ab-4c28-4a47-bc38-6753a281696f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3cefa2ab-4c28-4a47-bc38-6753a281696f&amp;feed=KodC6fj_"/>
      <itunes:title>David Faflik, &quot;Segregation Games: Boston, Busing, and the Making of Red Sox Nation&quot; (U Massachusetts Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:18</itunes:duration>
      <itunes:summary>A cultural history of race, resistance, and representation in a city divided by politics and playWhen outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis.Situated at the intersection of US cultural and social history, Segregation Games: Boston, Busing, and the Making of Red Sox Nation (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt.Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A cultural history of race, resistance, and representation in a city divided by politics and playWhen outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis.Situated at the intersection of US cultural and social history, Segregation Games: Boston, Busing, and the Making of Red Sox Nation (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt.Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1915</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b6949f20-575a-11f1-8e0d-4b19301cc207</guid>
      <title>Claudia Smith Brinson, &quot;Stories of Struggle: The Clash over Civil Rights in South Carolina&quot; (U South Carolina Press, 2020)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781643364629"><em>Stories of Struggle: The Clash over Civil Rights in South Carolina</em></a> (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.</p><p>Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants' use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.</p><p>These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton's Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.</p><p>Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers' strike.</p><p>These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians' often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com</p><p><em>Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on </em><a href="https://twitter.com/matthewfsimmons"><em>X</em></a><em> @matthewfsimmons.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 25 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781643364629"><em>Stories of Struggle: The Clash over Civil Rights in South Carolina</em></a> (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.</p><p>Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants' use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.</p><p>These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton's Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.</p><p>Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers' strike.</p><p>These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians' often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com</p><p><em>Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on </em><a href="https://twitter.com/matthewfsimmons"><em>X</em></a><em> @matthewfsimmons.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60974527" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9cd99506-544f-4135-82e4-fe4b0345383a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9cd99506-544f-4135-82e4-fe4b0345383a&amp;feed=KodC6fj_"/>
      <itunes:title>Claudia Smith Brinson, &quot;Stories of Struggle: The Clash over Civil Rights in South Carolina&quot; (U South Carolina Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:30</itunes:duration>
      <itunes:summary>In Stories of Struggle: The Clash over Civil Rights in South Carolina (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.
Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants&apos; use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.
These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton&apos;s Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.
Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers&apos; strike.
These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians&apos; often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com
Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Stories of Struggle: The Clash over Civil Rights in South Carolina (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.
Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants&apos; use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.
These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton&apos;s Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.
Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers&apos; strike.
These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians&apos; often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com
Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">10c4d8ee-5615-11f1-9581-1baf5f8de4d1</guid>
      <title>Shane Breaux, &quot;Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns&quot; (Routledge, 2026)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781041035824">Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns</a> (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances.</p>
<p>This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 24 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781041035824">Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns</a> (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances.</p>
<p>This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42365890" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e997f3a9-98a2-4d80-b678-ee447563dc2f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e997f3a9-98a2-4d80-b678-ee447563dc2f&amp;feed=KodC6fj_"/>
      <itunes:title>Shane Breaux, &quot;Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns&quot; (Routledge, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:04</itunes:duration>
      <itunes:summary>Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances.

This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers&apos; widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances.

This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers&apos; widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1913</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d4cc249c-55f5-11f1-89a5-ff41d6c17053</guid>
      <title>James O&apos;Neil Spady, &quot;Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>In 1822, Black Charlestonians attempted to overthrow slavery. They were exposed before they could strike, and many were tried and executed in what has come to be known as the Denmark Vesey Affair. <a href="https://bookshop.org/a/12343/9781469686387"><em>Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair</em></a><em> </em>(University of North Carolina Press, 2026) reinterprets these events on the basis of new evidence and methods. Dr. James O’Neil Spady narrates the roles of a variety of Black men and women, arguing that the uprising was a broadly based, African-influenced social movement that marshaled radical love and fugitive practices of freedom to ignite a revolution that sought to liberate beloved friends, families, and communities from increasingly aggressive and racializing slaveowners. </p>
<p>Uncovering never-before-consulted, unpublished documents, Dr. Spady names the clerk who made the trial records and settles old arguments about their reliability. <em>Take Freedom</em> demonstrates the realism of the uprising movement’s strategy and uses social network mapping to illustrate the social dynamics within the Black community, emphasizing the roles of women and relationships among enslaved people. Ultimately, this book offers a more inclusive and expanded portrayal of this pivotal revolutionary movement. </p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 23 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1822, Black Charlestonians attempted to overthrow slavery. They were exposed before they could strike, and many were tried and executed in what has come to be known as the Denmark Vesey Affair. <a href="https://bookshop.org/a/12343/9781469686387"><em>Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair</em></a><em> </em>(University of North Carolina Press, 2026) reinterprets these events on the basis of new evidence and methods. Dr. James O’Neil Spady narrates the roles of a variety of Black men and women, arguing that the uprising was a broadly based, African-influenced social movement that marshaled radical love and fugitive practices of freedom to ignite a revolution that sought to liberate beloved friends, families, and communities from increasingly aggressive and racializing slaveowners. </p>
<p>Uncovering never-before-consulted, unpublished documents, Dr. Spady names the clerk who made the trial records and settles old arguments about their reliability. <em>Take Freedom</em> demonstrates the realism of the uprising movement’s strategy and uses social network mapping to illustrate the social dynamics within the Black community, emphasizing the roles of women and relationships among enslaved people. Ultimately, this book offers a more inclusive and expanded portrayal of this pivotal revolutionary movement. </p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55771423" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0fd96b62-71b0-4b05-ba22-23601c63cd39/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0fd96b62-71b0-4b05-ba22-23601c63cd39&amp;feed=KodC6fj_"/>
      <itunes:title>James O&apos;Neil Spady, &quot;Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:01</itunes:duration>
      <itunes:summary>In 1822, Black Charlestonians attempted to overthrow slavery. They were exposed before they could strike, and many were tried and executed in what has come to be known as the Denmark Vesey Affair. Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair (University of North Carolina Press, 2026) reinterprets these events on the basis of new evidence and methods. Dr. James O’Neil Spady narrates the roles of a variety of Black men and women, arguing that the uprising was a broadly based, African-influenced social movement that marshaled radical love and fugitive practices of freedom to ignite a revolution that sought to liberate beloved friends, families, and communities from increasingly aggressive and racializing slaveowners. 

Uncovering never-before-consulted, unpublished documents, Dr. Spady names the clerk who made the trial records and settles old arguments about their reliability. Take Freedom demonstrates the realism of the uprising movement’s strategy and uses social network mapping to illustrate the social dynamics within the Black community, emphasizing the roles of women and relationships among enslaved people. Ultimately, this book offers a more inclusive and expanded portrayal of this pivotal revolutionary movement. 

﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1822, Black Charlestonians attempted to overthrow slavery. They were exposed before they could strike, and many were tried and executed in what has come to be known as the Denmark Vesey Affair. Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair (University of North Carolina Press, 2026) reinterprets these events on the basis of new evidence and methods. Dr. James O’Neil Spady narrates the roles of a variety of Black men and women, arguing that the uprising was a broadly based, African-influenced social movement that marshaled radical love and fugitive practices of freedom to ignite a revolution that sought to liberate beloved friends, families, and communities from increasingly aggressive and racializing slaveowners. 

Uncovering never-before-consulted, unpublished documents, Dr. Spady names the clerk who made the trial records and settles old arguments about their reliability. Take Freedom demonstrates the realism of the uprising movement’s strategy and uses social network mapping to illustrate the social dynamics within the Black community, emphasizing the roles of women and relationships among enslaved people. Ultimately, this book offers a more inclusive and expanded portrayal of this pivotal revolutionary movement. 

﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1912</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b36a7062-558a-11f1-b203-b3d4863edca4</guid>
      <title>Mary T. Freeman, &quot;Abolitionists and the Politics of Correspondence&quot; (U Pennsylvania Press, 2026)</title>
      <description><![CDATA[<p>Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book <em>﻿</em><a href="https://bookshop.org/a/12343/9781512828955">Abolitionists and the Politics of Correspondence</a> (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.</p>
<p>Highlights include:</p>
<ul>
  <li>The inspiration behind the book’s striking title;</li>
  <li>The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;</li>
  <li>A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;</li>
  <li>How the abolitionist movement grew alongside the rise of the post office;</li>
  <li>The role of new forms of technology in shaping social movements, yesterday and today.</li>
</ul>
<p>Guest: <a href="https://umaine.edu/directory/ums_directory/mary-t-freeman/">Mary</a><a href="https://umaine.edu/directory/ums_directory/mary-t-freeman/"> Freeman</a> is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the <em>Journal of the Early Republic</em> and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 23 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book <em>﻿</em><a href="https://bookshop.org/a/12343/9781512828955">Abolitionists and the Politics of Correspondence</a> (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.</p>
<p>Highlights include:</p>
<ul>
  <li>The inspiration behind the book’s striking title;</li>
  <li>The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;</li>
  <li>A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;</li>
  <li>How the abolitionist movement grew alongside the rise of the post office;</li>
  <li>The role of new forms of technology in shaping social movements, yesterday and today.</li>
</ul>
<p>Guest: <a href="https://umaine.edu/directory/ums_directory/mary-t-freeman/">Mary</a><a href="https://umaine.edu/directory/ums_directory/mary-t-freeman/"> Freeman</a> is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the <em>Journal of the Early Republic</em> and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73377176" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/908333ca-dd8e-46da-8d72-31629a7036d6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=908333ca-dd8e-46da-8d72-31629a7036d6&amp;feed=KodC6fj_"/>
      <itunes:title>Mary T. Freeman, &quot;Abolitionists and the Politics of Correspondence&quot; (U Pennsylvania Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:22</itunes:duration>
      <itunes:summary>Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book ﻿Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.

Highlights include:


  The inspiration behind the book’s striking title;

  The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;

  A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;

  How the abolitionist movement grew alongside the rise of the post office;

  The role of new forms of technology in shaping social movements, yesterday and today.


Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book ﻿Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.

Highlights include:


  The inspiration behind the book’s striking title;

  The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;

  A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;

  How the abolitionist movement grew alongside the rise of the post office;

  The role of new forms of technology in shaping social movements, yesterday and today.


Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1911</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4b4cc244-553c-11f1-a385-b7ac92ff24cd</guid>
      <title>Anna O. Law, &quot;Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants&quot; (Oxford UP, 2026)</title>
      <description><![CDATA[<p>Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations. </p>
<p><a href="https://bookshop.org/a/12343/9780197660089"><em>Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants</em></a> (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and 
combining the methodologies of political science, history, and law, Dr. Law reveals the unmistakable effects of slavery and Native American dispossession in modern US immigration policy. </p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 22 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations. </p>
<p><a href="https://bookshop.org/a/12343/9780197660089"><em>Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants</em></a> (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and 
combining the methodologies of political science, history, and law, Dr. Law reveals the unmistakable effects of slavery and Native American dispossession in modern US immigration policy. </p>
<p>﻿<em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32006377" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c7481ff5-2e45-4483-8150-2ba99c1b88ec/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c7481ff5-2e45-4483-8150-2ba99c1b88ec&amp;feed=KodC6fj_"/>
      <itunes:title>Anna O. Law, &quot;Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants&quot; (Oxford UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:18</itunes:duration>
      <itunes:summary>Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations. 

Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and 
combining the methodologies of political science, history, and law, Dr. Law reveals the unmistakable effects of slavery and Native American dispossession in modern US immigration policy. 

﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations. 

Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and 
combining the methodologies of political science, history, and law, Dr. Law reveals the unmistakable effects of slavery and Native American dispossession in modern US immigration policy. 

﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1910</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">84d9ea0e-51aa-11f1-abf4-9f6fd8713ed2</guid>
      <title>Steven W. Thrasher, &quot;The Overseer Class: A Manifesto&quot; (Amistad, 2026)</title>
      <description><![CDATA[<p>“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God’s sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967)</p>
<p>Professor and journalist Steven Thrasher, author of the critically acclaimed <em>The Viral Underclass </em>(one of Kirkus Reviews best books of 2022), explores in <a href="https://bookshop.org/a/12343/9780063399419"><em>The Overseer Class: A Manifesto</em> </a>(Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain.</p>
<p>This is a conversation, and a book, not to be missed.</p>
<p>You can find author Steven Thrasher on <a href="https://bsky.app/profile/thrasherxy.bsky.social">Bluesky</a> and <a href="https://www.instagram.com/thrasherxy/">Instagram</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God’s sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967)</p>
<p>Professor and journalist Steven Thrasher, author of the critically acclaimed <em>The Viral Underclass </em>(one of Kirkus Reviews best books of 2022), explores in <a href="https://bookshop.org/a/12343/9780063399419"><em>The Overseer Class: A Manifesto</em> </a>(Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain.</p>
<p>This is a conversation, and a book, not to be missed.</p>
<p>You can find author Steven Thrasher on <a href="https://bsky.app/profile/thrasherxy.bsky.social">Bluesky</a> and <a href="https://www.instagram.com/thrasherxy/">Instagram</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60300124" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3132c1fb-694e-4753-99ca-6bd27ebdef96/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3132c1fb-694e-4753-99ca-6bd27ebdef96&amp;feed=KodC6fj_"/>
      <itunes:title>Steven W. Thrasher, &quot;The Overseer Class: A Manifesto&quot; (Amistad, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:42</itunes:duration>
      <itunes:summary>“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn&apos;t. ‘If you must call a cop,’ we said in those days, ‘for God’s sake, make sure it&apos;s a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967)

Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain.

This is a conversation, and a book, not to be missed.

You can find author Steven Thrasher on Bluesky and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn&apos;t. ‘If you must call a cop,’ we said in those days, ‘for God’s sake, make sure it&apos;s a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967)

Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain.

This is a conversation, and a book, not to be missed.

You can find author Steven Thrasher on Bluesky and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1909</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">07085852-5125-11f1-8a84-6fd68297f714</guid>
      <title>Heather Ann Thompson, &quot;Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage&quot; (Pantheon, 2026)</title>
      <description><![CDATA[<p>Historian Heather Ann Thompson’s <a href="https://bookshop.org/a/12343/9780593702093"><em>Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage</em></a> (Pantheon, 2026) ﻿recounts the 1984 New York City subway shooting in which Bernhard Goetz shot four Black teenagers—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur—and became both a fugitive and, later, a celebrated vigilante figure for many Americans frustrated by the social and economic tensions of the Reagan era. The book examines how media outlets like Rupert Murdoch’s <em>New York Post</em> and later Fox News fueled public fear and anger, transforming Goetz into a hero while casting his victims as villains. Using archival materials and legal records, Thompson revisits the shooting’s lasting impact and argues that it marked a pivotal moment in modern American politics, media, and racial attitudes.</p>
<p><em>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.</em>﻿<br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 18 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Historian Heather Ann Thompson’s <a href="https://bookshop.org/a/12343/9780593702093"><em>Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage</em></a> (Pantheon, 2026) ﻿recounts the 1984 New York City subway shooting in which Bernhard Goetz shot four Black teenagers—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur—and became both a fugitive and, later, a celebrated vigilante figure for many Americans frustrated by the social and economic tensions of the Reagan era. The book examines how media outlets like Rupert Murdoch’s <em>New York Post</em> and later Fox News fueled public fear and anger, transforming Goetz into a hero while casting his victims as villains. Using archival materials and legal records, Thompson revisits the shooting’s lasting impact and argues that it marked a pivotal moment in modern American politics, media, and racial attitudes.</p>
<p><em>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.</em>﻿<br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55012761" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1c12db53-ee6c-45ed-a1f5-604c09a3c8f8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1c12db53-ee6c-45ed-a1f5-604c09a3c8f8&amp;feed=KodC6fj_"/>
      <itunes:title>Heather Ann Thompson, &quot;Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage&quot; (Pantheon, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:13</itunes:duration>
      <itunes:summary>Historian Heather Ann Thompson’s Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026) ﻿recounts the 1984 New York City subway shooting in which Bernhard Goetz shot four Black teenagers—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur—and became both a fugitive and, later, a celebrated vigilante figure for many Americans frustrated by the social and economic tensions of the Reagan era. The book examines how media outlets like Rupert Murdoch’s New York Post and later Fox News fueled public fear and anger, transforming Goetz into a hero while casting his victims as villains. Using archival materials and legal records, Thompson revisits the shooting’s lasting impact and argues that it marked a pivotal moment in modern American politics, media, and racial attitudes.

Dr. N&apos;Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Historian Heather Ann Thompson’s Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026) ﻿recounts the 1984 New York City subway shooting in which Bernhard Goetz shot four Black teenagers—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur—and became both a fugitive and, later, a celebrated vigilante figure for many Americans frustrated by the social and economic tensions of the Reagan era. The book examines how media outlets like Rupert Murdoch’s New York Post and later Fox News fueled public fear and anger, transforming Goetz into a hero while casting his victims as villains. Using archival materials and legal records, Thompson revisits the shooting’s lasting impact and argues that it marked a pivotal moment in modern American politics, media, and racial attitudes.

Dr. N&apos;Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1908</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6c33f15e-5031-11f1-8c8c-435fe6e6302a</guid>
      <title>Justin Randolph, &quot;Mississippi Law: Policing and Reform in America’s Jim Crow Countryside (UNC Press, 2026)</title>
      <description><![CDATA[<p>Justin Randolph, assistant professor of history at Texas A&amp;M University, joins Michael Stauch to discuss ﻿<a href="https://bookshop.org/a/12343/9781469689487">Mississippi Law: Policing and Reform in America’s Jim Crow Countryside </a>(UNC Press, 2026), his new book on policing in Jim Crow Mississippi, told through the lens of that state’s highway patrol. Using oral history and a wide range of archival sources, Randolph narrates efforts by elites in Mississippi to modernize the police while maintaining social hierarchies, as well as efforts on the part of Black Mississippians to envision a world without police.</p>
<p>Highlights include:</p>
<ul>
  <li>What a focus on state-level policing adds to our understanding of policing;</li>
  <li>How the founding of the Mississippi highway patrol brought together various forms of policing in the Southwest, including the Texas rangers;</li>
  <li>A surprisingly robust discussion of cows, including Mississippi’s economic transformation to a center of cattle raising and the rise of cattlemen’s “Massive Resistance” in the 1950s;</li>
  <li>What Nina Simone revealed about policing in Mississippi, and the myth of Southern exceptionalism, in her song “Mississippi Goddam.”</li>
</ul>
<p>Guest: <a href="https://artsci.tamu.edu/history/contact/profiles/justin-randolph.html">Justin Randolph</a> is an assistant professor of history at Texas A&amp;M University, and his other research projects include histories of police desegregation, rural debt peonage, the Taser, and 9-1-1. His writing has appeared in scholarly outlets like the Journal of Southern History and Southern Cultures. He has also written for popular outlets such as The Washington Post, The Mississippi Encyclopedia, and the Mississippi Center for Investigative Reporting. He has received an American Council of Learned Societies (ACLS) Fellowship and prizes from both the Southern Historical Association and Agricultural History Society.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 17 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Justin Randolph, assistant professor of history at Texas A&amp;M University, joins Michael Stauch to discuss ﻿<a href="https://bookshop.org/a/12343/9781469689487">Mississippi Law: Policing and Reform in America’s Jim Crow Countryside </a>(UNC Press, 2026), his new book on policing in Jim Crow Mississippi, told through the lens of that state’s highway patrol. Using oral history and a wide range of archival sources, Randolph narrates efforts by elites in Mississippi to modernize the police while maintaining social hierarchies, as well as efforts on the part of Black Mississippians to envision a world without police.</p>
<p>Highlights include:</p>
<ul>
  <li>What a focus on state-level policing adds to our understanding of policing;</li>
  <li>How the founding of the Mississippi highway patrol brought together various forms of policing in the Southwest, including the Texas rangers;</li>
  <li>A surprisingly robust discussion of cows, including Mississippi’s economic transformation to a center of cattle raising and the rise of cattlemen’s “Massive Resistance” in the 1950s;</li>
  <li>What Nina Simone revealed about policing in Mississippi, and the myth of Southern exceptionalism, in her song “Mississippi Goddam.”</li>
</ul>
<p>Guest: <a href="https://artsci.tamu.edu/history/contact/profiles/justin-randolph.html">Justin Randolph</a> is an assistant professor of history at Texas A&amp;M University, and his other research projects include histories of police desegregation, rural debt peonage, the Taser, and 9-1-1. His writing has appeared in scholarly outlets like the Journal of Southern History and Southern Cultures. He has also written for popular outlets such as The Washington Post, The Mississippi Encyclopedia, and the Mississippi Center for Investigative Reporting. He has received an American Council of Learned Societies (ACLS) Fellowship and prizes from both the Southern Historical Association and Agricultural History Society.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64435274" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d2785ac3-2a05-4fd8-ba50-0491999e0677/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d2785ac3-2a05-4fd8-ba50-0491999e0677&amp;feed=KodC6fj_"/>
      <itunes:title>Justin Randolph, &quot;Mississippi Law: Policing and Reform in America’s Jim Crow Countryside (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:05</itunes:duration>
      <itunes:summary>Justin Randolph, assistant professor of history at Texas A&amp;M University, joins Michael Stauch to discuss ﻿Mississippi Law: Policing and Reform in America’s Jim Crow Countryside (UNC Press, 2026), his new book on policing in Jim Crow Mississippi, told through the lens of that state’s highway patrol. Using oral history and a wide range of archival sources, Randolph narrates efforts by elites in Mississippi to modernize the police while maintaining social hierarchies, as well as efforts on the part of Black Mississippians to envision a world without police.

Highlights include:


  What a focus on state-level policing adds to our understanding of policing;

  How the founding of the Mississippi highway patrol brought together various forms of policing in the Southwest, including the Texas rangers;

  A surprisingly robust discussion of cows, including Mississippi’s economic transformation to a center of cattle raising and the rise of cattlemen’s “Massive Resistance” in the 1950s;

  What Nina Simone revealed about policing in Mississippi, and the myth of Southern exceptionalism, in her song “Mississippi Goddam.”


Guest: Justin Randolph is an assistant professor of history at Texas A&amp;M University, and his other research projects include histories of police desegregation, rural debt peonage, the Taser, and 9-1-1. His writing has appeared in scholarly outlets like the Journal of Southern History and Southern Cultures. He has also written for popular outlets such as The Washington Post, The Mississippi Encyclopedia, and the Mississippi Center for Investigative Reporting. He has received an American Council of Learned Societies (ACLS) Fellowship and prizes from both the Southern Historical Association and Agricultural History Society.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Justin Randolph, assistant professor of history at Texas A&amp;M University, joins Michael Stauch to discuss ﻿Mississippi Law: Policing and Reform in America’s Jim Crow Countryside (UNC Press, 2026), his new book on policing in Jim Crow Mississippi, told through the lens of that state’s highway patrol. Using oral history and a wide range of archival sources, Randolph narrates efforts by elites in Mississippi to modernize the police while maintaining social hierarchies, as well as efforts on the part of Black Mississippians to envision a world without police.

Highlights include:


  What a focus on state-level policing adds to our understanding of policing;

  How the founding of the Mississippi highway patrol brought together various forms of policing in the Southwest, including the Texas rangers;

  A surprisingly robust discussion of cows, including Mississippi’s economic transformation to a center of cattle raising and the rise of cattlemen’s “Massive Resistance” in the 1950s;

  What Nina Simone revealed about policing in Mississippi, and the myth of Southern exceptionalism, in her song “Mississippi Goddam.”


Guest: Justin Randolph is an assistant professor of history at Texas A&amp;M University, and his other research projects include histories of police desegregation, rural debt peonage, the Taser, and 9-1-1. His writing has appeared in scholarly outlets like the Journal of Southern History and Southern Cultures. He has also written for popular outlets such as The Washington Post, The Mississippi Encyclopedia, and the Mississippi Center for Investigative Reporting. He has received an American Council of Learned Societies (ACLS) Fellowship and prizes from both the Southern Historical Association and Agricultural History Society.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1907</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3a5ed8e8-4dc9-11f1-b9fa-e784735aa6b4</guid>
      <title>Fabio Rojas, &quot;From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline&quot; (JHU Press, 2010)</title>
      <description><![CDATA[<p>The black power movement helped redefine African Americans' identity and establish a new racial consciousness in the 1960s. As an influential political force, this movement in turn spawned the academic discipline known as Black Studies. Today there are more than a hundred Black Studies degree programs in the United States, many of them located in America’s elite research institutions. In <a href="https://bookshop.org/a/12343/9780801898259">From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline</a> (JHU Press, 2010), Fabio Rojas explores how this radical social movement evolved into a recognized academic discipline.</p>
<p>Rojas traces the evolution of Black Studies over more than three decades, beginning with its origins in black nationalist politics. His account includes the 1968 Third World Strike at San Francisco State College, the Ford Foundation’s attempts to shape the field, and a description of Black Studies programs at various American universities. His statistical analyses of protest data illuminate how violent and nonviolent protests influenced the establishment of Black Studies programs. Integrating personal interviews and newly discovered archival material, Rojas documents how social activism can bring about organizational change.</p>
<p>Shedding light on the black power movement, Black Studies programs, and American higher education, this historical analysis reveals how radical politics are assimilated into the university system.</p>
<p>Interview covers the evolution of Black Studies as a subject area and discipline, the historical role of philanthropy in funding and supporting Black Studies, the comparative existence and need of knowledge production coming from Black Studies think tanks and research centers and institutes, and the State of Black Studies in the 21st Century.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 13 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The black power movement helped redefine African Americans' identity and establish a new racial consciousness in the 1960s. As an influential political force, this movement in turn spawned the academic discipline known as Black Studies. Today there are more than a hundred Black Studies degree programs in the United States, many of them located in America’s elite research institutions. In <a href="https://bookshop.org/a/12343/9780801898259">From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline</a> (JHU Press, 2010), Fabio Rojas explores how this radical social movement evolved into a recognized academic discipline.</p>
<p>Rojas traces the evolution of Black Studies over more than three decades, beginning with its origins in black nationalist politics. His account includes the 1968 Third World Strike at San Francisco State College, the Ford Foundation’s attempts to shape the field, and a description of Black Studies programs at various American universities. His statistical analyses of protest data illuminate how violent and nonviolent protests influenced the establishment of Black Studies programs. Integrating personal interviews and newly discovered archival material, Rojas documents how social activism can bring about organizational change.</p>
<p>Shedding light on the black power movement, Black Studies programs, and American higher education, this historical analysis reveals how radical politics are assimilated into the university system.</p>
<p>Interview covers the evolution of Black Studies as a subject area and discipline, the historical role of philanthropy in funding and supporting Black Studies, the comparative existence and need of knowledge production coming from Black Studies think tanks and research centers and institutes, and the State of Black Studies in the 21st Century.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65883440" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/64f225d0-c350-4b5a-b0e1-4a8c151aa834/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=64f225d0-c350-4b5a-b0e1-4a8c151aa834&amp;feed=KodC6fj_"/>
      <itunes:title>Fabio Rojas, &quot;From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline&quot; (JHU Press, 2010)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:33</itunes:duration>
      <itunes:summary>The black power movement helped redefine African Americans&apos; identity and establish a new racial consciousness in the 1960s. As an influential political force, this movement in turn spawned the academic discipline known as Black Studies. Today there are more than a hundred Black Studies degree programs in the United States, many of them located in America’s elite research institutions. In From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline (JHU Press, 2010), Fabio Rojas explores how this radical social movement evolved into a recognized academic discipline.

Rojas traces the evolution of Black Studies over more than three decades, beginning with its origins in black nationalist politics. His account includes the 1968 Third World Strike at San Francisco State College, the Ford Foundation’s attempts to shape the field, and a description of Black Studies programs at various American universities. His statistical analyses of protest data illuminate how violent and nonviolent protests influenced the establishment of Black Studies programs. Integrating personal interviews and newly discovered archival material, Rojas documents how social activism can bring about organizational change.

Shedding light on the black power movement, Black Studies programs, and American higher education, this historical analysis reveals how radical politics are assimilated into the university system.

Interview covers the evolution of Black Studies as a subject area and discipline, the historical role of philanthropy in funding and supporting Black Studies, the comparative existence and need of knowledge production coming from Black Studies think tanks and research centers and institutes, and the State of Black Studies in the 21st Century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The black power movement helped redefine African Americans&apos; identity and establish a new racial consciousness in the 1960s. As an influential political force, this movement in turn spawned the academic discipline known as Black Studies. Today there are more than a hundred Black Studies degree programs in the United States, many of them located in America’s elite research institutions. In From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline (JHU Press, 2010), Fabio Rojas explores how this radical social movement evolved into a recognized academic discipline.

Rojas traces the evolution of Black Studies over more than three decades, beginning with its origins in black nationalist politics. His account includes the 1968 Third World Strike at San Francisco State College, the Ford Foundation’s attempts to shape the field, and a description of Black Studies programs at various American universities. His statistical analyses of protest data illuminate how violent and nonviolent protests influenced the establishment of Black Studies programs. Integrating personal interviews and newly discovered archival material, Rojas documents how social activism can bring about organizational change.

Shedding light on the black power movement, Black Studies programs, and American higher education, this historical analysis reveals how radical politics are assimilated into the university system.

Interview covers the evolution of Black Studies as a subject area and discipline, the historical role of philanthropy in funding and supporting Black Studies, the comparative existence and need of knowledge production coming from Black Studies think tanks and research centers and institutes, and the State of Black Studies in the 21st Century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1906</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cebd5b2a-4ce5-11f1-9b5d-db4a6c08c631</guid>
      <title>Es-pranza Humphrey, &quot;Act Black: Posters from Black American Stage &amp; Screen&quot; (Poster House Museum, 2026)</title>
      <description><![CDATA[<p>Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression.</p>
<p>Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, <a href="https://posterhouse.org/exhibition/act-black-posters-from-black-american-stage-screen/"><em>Act Black: Posters From Black American Stage and Screen</em></a>, curated by our guest for this episode, Assistant Curator of Collections at New York City’s <a href="https://posterhouse.org/">Poster House</a> museum, Es-pranza Humphrey.</p>
<p><a href="https://posterhouse.org/exhibition/act-black-posters-from-black-american-stage-screen/"><em>Act Black: Posters from Black American Stage &amp; Screen</em></a> is on view at <a href="https://posterhouse.org/">Poster House</a> through September 6, 2026. Exhibition resources are also available via the <a href="https://www.bloombergconnects.org/">Bloomberg Connects app</a> until September 6, and at the Poster House <a href="https://posterhouse.org/exhibition-archive/">online exhibition archive</a> thereafter.</p>
<p>Es-pranza’s recommended reading list is available at the Additions to the Archive <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 12 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression.</p>
<p>Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, <a href="https://posterhouse.org/exhibition/act-black-posters-from-black-american-stage-screen/"><em>Act Black: Posters From Black American Stage and Screen</em></a>, curated by our guest for this episode, Assistant Curator of Collections at New York City’s <a href="https://posterhouse.org/">Poster House</a> museum, Es-pranza Humphrey.</p>
<p><a href="https://posterhouse.org/exhibition/act-black-posters-from-black-american-stage-screen/"><em>Act Black: Posters from Black American Stage &amp; Screen</em></a> is on view at <a href="https://posterhouse.org/">Poster House</a> through September 6, 2026. Exhibition resources are also available via the <a href="https://www.bloombergconnects.org/">Bloomberg Connects app</a> until September 6, and at the Poster House <a href="https://posterhouse.org/exhibition-archive/">online exhibition archive</a> thereafter.</p>
<p>Es-pranza’s recommended reading list is available at the Additions to the Archive <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52742546" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/08374cdb-c2b2-49b4-831b-2e1bbc1995c7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=08374cdb-c2b2-49b4-831b-2e1bbc1995c7&amp;feed=KodC6fj_"/>
      <itunes:title>Es-pranza Humphrey, &quot;Act Black: Posters from Black American Stage &amp; Screen&quot; (Poster House Museum, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:49</itunes:duration>
      <itunes:summary>Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression.

Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City’s Poster House museum, Es-pranza Humphrey.

Act Black: Posters from Black American Stage &amp; Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter.

Es-pranza’s recommended reading list is available at the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression.

Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City’s Poster House museum, Es-pranza Humphrey.

Act Black: Posters from Black American Stage &amp; Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter.

Es-pranza’s recommended reading list is available at the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1905</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">980a0166-4ce8-11f1-8520-cbea63db485b</guid>
      <title>Wil Haygood, &quot;The War within a War: The Black Struggle in Vietnam and at Home&quot; (Knopf, 2026)</title>
      <description><![CDATA[<p>Award-winning author Wil Haygood joins Michael Stauch to discuss ﻿<a href="https://bookshop.org/a/12343/9780593537695">The War within a War: The Black Struggle in Vietnam and at Home</a> (Knopf, 2026) his new book on the experiences of Black soldiers during the first war fought with an integrated military, the Vietnam War. Through the lives of seven soldiers, a pianist, and a wartime journalist, Haygood details how Black soldiers’ attempts to rise through their merits in the military came up against white racism within that same military, even as the Civil Rights movement scored significant gains domestically, through the Civil Rights and Voting Rights Acts.</p>
<p>Highlights include:</p>
<ul>
  <li>
<p>How VA employee Maude DeVictor helped expose the effects of Agent Orange on returning veterans;</p>
</li>
  <li>
<p>Pilot Fred Cherry’s flight “from segregation to integration” before spending five years as the first African American prisoner of war in Vietnam;</p>
</li>
  <li>
<p>Art Gregg’s distinguished career in military logistics, culminating in renaming Fort Robert E. Lee in his honor (before that fort was again renamed under the Trump administration);</p>
</li>
  <li>
<p>The power of monuments and memorials to shape public memory and inspire future generations, as in the memorial to Henry O. Flipper, the first Black graduate of West Point, in former secretary of defense Lloyd Austin’s hometown;</p>
</li>
  <li>
<p>Wil’s soon-to-be legendary rendition of Marvin Gaye’s antiwar masterpiece, “What’s Going On.”</p>
</li>
</ul>
<p>Guest: Wil Haygood is the author of ten nonfiction books, many of which have won literary awards. His book, <em>The Butler</em>, was made into a film directed by Lee Daniels. Haygood has been a correspondent for the Washington Post and The Boston Globe, where he was a Pulitzer Prize finalist. In 2022, he received the Ambassador Richard C. Holbrooke Distinguished Achievement Award from the Dayton Peace Prize Foundation. A Guggenheim and National Endowment for the Humanities Fellow, Haygood is currently Boadway Visiting Distinguished Scholar at Miami University in Ohio and has recently been elected to the prestigious American Academy of Arts &amp; Sciences.</p>
<p><br /></p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 12 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Award-winning author Wil Haygood joins Michael Stauch to discuss ﻿<a href="https://bookshop.org/a/12343/9780593537695">The War within a War: The Black Struggle in Vietnam and at Home</a> (Knopf, 2026) his new book on the experiences of Black soldiers during the first war fought with an integrated military, the Vietnam War. Through the lives of seven soldiers, a pianist, and a wartime journalist, Haygood details how Black soldiers’ attempts to rise through their merits in the military came up against white racism within that same military, even as the Civil Rights movement scored significant gains domestically, through the Civil Rights and Voting Rights Acts.</p>
<p>Highlights include:</p>
<ul>
  <li>
<p>How VA employee Maude DeVictor helped expose the effects of Agent Orange on returning veterans;</p>
</li>
  <li>
<p>Pilot Fred Cherry’s flight “from segregation to integration” before spending five years as the first African American prisoner of war in Vietnam;</p>
</li>
  <li>
<p>Art Gregg’s distinguished career in military logistics, culminating in renaming Fort Robert E. Lee in his honor (before that fort was again renamed under the Trump administration);</p>
</li>
  <li>
<p>The power of monuments and memorials to shape public memory and inspire future generations, as in the memorial to Henry O. Flipper, the first Black graduate of West Point, in former secretary of defense Lloyd Austin’s hometown;</p>
</li>
  <li>
<p>Wil’s soon-to-be legendary rendition of Marvin Gaye’s antiwar masterpiece, “What’s Going On.”</p>
</li>
</ul>
<p>Guest: Wil Haygood is the author of ten nonfiction books, many of which have won literary awards. His book, <em>The Butler</em>, was made into a film directed by Lee Daniels. Haygood has been a correspondent for the Washington Post and The Boston Globe, where he was a Pulitzer Prize finalist. In 2022, he received the Ambassador Richard C. Holbrooke Distinguished Achievement Award from the Dayton Peace Prize Foundation. A Guggenheim and National Endowment for the Humanities Fellow, Haygood is currently Boadway Visiting Distinguished Scholar at Miami University in Ohio and has recently been elected to the prestigious American Academy of Arts &amp; Sciences.</p>
<p><br /></p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50343728" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/26aa736c-49ce-4495-88bf-3fe64a3bd2e4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=26aa736c-49ce-4495-88bf-3fe64a3bd2e4&amp;feed=KodC6fj_"/>
      <itunes:title>Wil Haygood, &quot;The War within a War: The Black Struggle in Vietnam and at Home&quot; (Knopf, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:22</itunes:duration>
      <itunes:summary>Award-winning author Wil Haygood joins Michael Stauch to discuss ﻿The War within a War: The Black Struggle in Vietnam and at Home (Knopf, 2026) his new book on the experiences of Black soldiers during the first war fought with an integrated military, the Vietnam War. Through the lives of seven soldiers, a pianist, and a wartime journalist, Haygood details how Black soldiers’ attempts to rise through their merits in the military came up against white racism within that same military, even as the Civil Rights movement scored significant gains domestically, through the Civil Rights and Voting Rights Acts.

Highlights include:


  
How VA employee Maude DeVictor helped expose the effects of Agent Orange on returning veterans;



  
Pilot Fred Cherry’s flight “from segregation to integration” before spending five years as the first African American prisoner of war in Vietnam;



  
Art Gregg’s distinguished career in military logistics, culminating in renaming Fort Robert E. Lee in his honor (before that fort was again renamed under the Trump administration);



  
The power of monuments and memorials to shape public memory and inspire future generations, as in the memorial to Henry O. Flipper, the first Black graduate of West Point, in former secretary of defense Lloyd Austin’s hometown;



  
Wil’s soon-to-be legendary rendition of Marvin Gaye’s antiwar masterpiece, “What’s Going On.”




Guest: Wil Haygood is the author of ten nonfiction books, many of which have won literary awards. His book, The Butler, was made into a film directed by Lee Daniels. Haygood has been a correspondent for the Washington Post and The Boston Globe, where he was a Pulitzer Prize finalist. In 2022, he received the Ambassador Richard C. Holbrooke Distinguished Achievement Award from the Dayton Peace Prize Foundation. A Guggenheim and National Endowment for the Humanities Fellow, Haygood is currently Boadway Visiting Distinguished Scholar at Miami University in Ohio and has recently been elected to the prestigious American Academy of Arts &amp; Sciences.



Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Award-winning author Wil Haygood joins Michael Stauch to discuss ﻿The War within a War: The Black Struggle in Vietnam and at Home (Knopf, 2026) his new book on the experiences of Black soldiers during the first war fought with an integrated military, the Vietnam War. Through the lives of seven soldiers, a pianist, and a wartime journalist, Haygood details how Black soldiers’ attempts to rise through their merits in the military came up against white racism within that same military, even as the Civil Rights movement scored significant gains domestically, through the Civil Rights and Voting Rights Acts.

Highlights include:


  
How VA employee Maude DeVictor helped expose the effects of Agent Orange on returning veterans;



  
Pilot Fred Cherry’s flight “from segregation to integration” before spending five years as the first African American prisoner of war in Vietnam;



  
Art Gregg’s distinguished career in military logistics, culminating in renaming Fort Robert E. Lee in his honor (before that fort was again renamed under the Trump administration);



  
The power of monuments and memorials to shape public memory and inspire future generations, as in the memorial to Henry O. Flipper, the first Black graduate of West Point, in former secretary of defense Lloyd Austin’s hometown;



  
Wil’s soon-to-be legendary rendition of Marvin Gaye’s antiwar masterpiece, “What’s Going On.”




Guest: Wil Haygood is the author of ten nonfiction books, many of which have won literary awards. His book, The Butler, was made into a film directed by Lee Daniels. Haygood has been a correspondent for the Washington Post and The Boston Globe, where he was a Pulitzer Prize finalist. In 2022, he received the Ambassador Richard C. Holbrooke Distinguished Achievement Award from the Dayton Peace Prize Foundation. A Guggenheim and National Endowment for the Humanities Fellow, Haygood is currently Boadway Visiting Distinguished Scholar at Miami University in Ohio and has recently been elected to the prestigious American Academy of Arts &amp; Sciences.



Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1904</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8ce09f64-4cd1-11f1-b5bf-ebbd16caed48</guid>
      <title>Samiha Rahman, &quot;Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care&quot; (NYU Press, 2026)</title>
      <description><![CDATA[<p>Samiha Rahman’s<em> </em><a href="https://bookshop.org/a/12343/9781479838219">Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care</a><a href="https://bookshop.org/a/12343/9781479838219"> </a>(New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur’an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 11 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Samiha Rahman’s<em> </em><a href="https://bookshop.org/a/12343/9781479838219">Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care</a><a href="https://bookshop.org/a/12343/9781479838219"> </a>(New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur’an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="81291798" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2406cecc-7d3b-489a-971c-44a6800bb797/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2406cecc-7d3b-489a-971c-44a6800bb797&amp;feed=KodC6fj_"/>
      <itunes:title>Samiha Rahman, &quot;Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care&quot; (NYU Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:24:37</itunes:duration>
      <itunes:summary>Samiha Rahman’s Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur’an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Samiha Rahman’s Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur’an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1903</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">69256850-49e0-11f1-a6df-ef1ff74819db</guid>
      <title>Terror, Hope, &amp; Exodus: The Testimony of Henry Adams, Freedman</title>
      <description><![CDATA[<p>May 5, 2026—In March 1880, an extraordinary American traveled to Washington, DC, to testify before a Senate committee investigating the exodus of formerly enslaved people from the Southern states. Vividly describing the nightmarish violence and exploitation inflicted by “the very men who held us slaves,” the Louisiana freedman Henry Adams spoke of Black resistance to terrorism and disenfranchisement, articulating hope for a future where Black people might “make themselves a name and a nation.”</p>
<p>Join Pulitzer Prize winner Steven Hahn and acclaimed historian Kidada E. Williams for a conversation about a <a href="https://www.loa.org/books/the-testimony-of-henry-adams-freedman-hope-terror-and-exodus-in-the-post-civil-war-south/">revelatory text</a>, recently published in full for the first time by Library of America, that speaks to the fragility of democracy and the bravery of those who fought for freedom in the aftermath of the Civil War.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 9 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>May 5, 2026—In March 1880, an extraordinary American traveled to Washington, DC, to testify before a Senate committee investigating the exodus of formerly enslaved people from the Southern states. Vividly describing the nightmarish violence and exploitation inflicted by “the very men who held us slaves,” the Louisiana freedman Henry Adams spoke of Black resistance to terrorism and disenfranchisement, articulating hope for a future where Black people might “make themselves a name and a nation.”</p>
<p>Join Pulitzer Prize winner Steven Hahn and acclaimed historian Kidada E. Williams for a conversation about a <a href="https://www.loa.org/books/the-testimony-of-henry-adams-freedman-hope-terror-and-exodus-in-the-post-civil-war-south/">revelatory text</a>, recently published in full for the first time by Library of America, that speaks to the fragility of democracy and the bravery of those who fought for freedom in the aftermath of the Civil War.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61521589" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/506cacb3-11d6-4641-a33b-ef749de301cb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=506cacb3-11d6-4641-a33b-ef749de301cb&amp;feed=KodC6fj_"/>
      <itunes:title>Terror, Hope, &amp; Exodus: The Testimony of Henry Adams, Freedman</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:51</itunes:duration>
      <itunes:summary>May 5, 2026—In March 1880, an extraordinary American traveled to Washington, DC, to testify before a Senate committee investigating the exodus of formerly enslaved people from the Southern states. Vividly describing the nightmarish violence and exploitation inflicted by “the very men who held us slaves,” the Louisiana freedman Henry Adams spoke of Black resistance to terrorism and disenfranchisement, articulating hope for a future where Black people might “make themselves a name and a nation.”

Join Pulitzer Prize winner Steven Hahn and acclaimed historian Kidada E. Williams for a conversation about a revelatory text, recently published in full for the first time by Library of America, that speaks to the fragility of democracy and the bravery of those who fought for freedom in the aftermath of the Civil War.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>May 5, 2026—In March 1880, an extraordinary American traveled to Washington, DC, to testify before a Senate committee investigating the exodus of formerly enslaved people from the Southern states. Vividly describing the nightmarish violence and exploitation inflicted by “the very men who held us slaves,” the Louisiana freedman Henry Adams spoke of Black resistance to terrorism and disenfranchisement, articulating hope for a future where Black people might “make themselves a name and a nation.”

Join Pulitzer Prize winner Steven Hahn and acclaimed historian Kidada E. Williams for a conversation about a revelatory text, recently published in full for the first time by Library of America, that speaks to the fragility of democracy and the bravery of those who fought for freedom in the aftermath of the Civil War.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1902</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">32e4cb02-4849-11f1-8609-ff210f2a916f</guid>
      <title>Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia</title>
      <description><![CDATA[<p>Prince George’s County, Maryland, is a suburban jurisdiction in the Washington, D.C., metropolitan area and is home to the highest concentration of Black middle-class residents in the United States. As such, it is well positioned to overcome white domination and anti-Black racism and their social and economic consequences. Yet Prince George’s does not raise tax revenue sufficient to provide consistent high-quality public goods and services. In <a href="https://bookshop.org/a/12343/9780871548252">Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia</a><em> </em>﻿(﻿Russell Sage Foundation, 2026) sociologist Angela Simms examines the factors contributing to Prince George’s financial troubles.</p>
<p>Dr. Simms draws on two years of observations of Prince George’s County’s budget and policy development processes, interviews with nearly 60 Prince George’s leaders and residents, and budget and policy analysis for Prince George’s County and its two Whiter, wealthier neighbors, Montgomery County, Maryland, and Fairfax County, Virginia. She argues legacy and ongoing government policies and business practices—such as federal mortgage insurance policy prior to 1968, local government reliance on property taxes, and private investment patterns—have resulted in disparities in wealth accumulation between Black and white Americans, not only for individuals and families but local jurisdictions as well. <em>Fighting for a Foothold</em> is an in-depth analysis of the fiscal challenges experienced by Prince George’s County and by the suburban Black middle-class and majority-Black jurisdictions, more broadly. The book reveals how race, class, and local jurisdiction boundaries in metropolitan areas interact to create different material living conditions for Americans.</p>
<p>Our guest is: Dr. Angela Simms, who is Assistant Professor of Sociology and Urban Studies, Barnard College, Columbia University. She is the author of <em>Fighting for a Foothold</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and developmental editor for academics. She is the creator and producer of the <em>Academic Life</em> podcast.</p>
<p>Listeners may enjoy this playlist:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/house-of-diggs-the-rise-and-fall-of-americas-most-consequential-black-congressman-charles-c-diggs-jr#entry:429183@1:url">House of Diggs</a></li>
  <li><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder#entry:71281@1:url">The Social Constructions of Race</a></li>
  <li><a href="https://newbooksnetwork.com/the-fight-to-save-the-town#entry:167629@1:url">The Fight To Save The Town</a></li>
  <li><a href="https://newbooksnetwork.com/stuck-how-money-media-and-violence-prevent-change-in-congress#entry:446275@1:url">Stuck: How Money, Media, and Violence Prevent Change in Congress</a></li>
  <li><a href="https://newbooksnetwork.com/studying-the-pipeline-to-politics-for-women#entry:226734@1:url">Of Bears and Ballots</a></li>
  <li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
  <li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing#entry:39424@1:url">The Names of All the Flowers</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be#entry:387428@1:url">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/the-end-of-white-politics-how-to-heal-our-liberal-divide#entry:347905@1:url">The End of White Politics</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 7 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Prince George’s County, Maryland, is a suburban jurisdiction in the Washington, D.C., metropolitan area and is home to the highest concentration of Black middle-class residents in the United States. As such, it is well positioned to overcome white domination and anti-Black racism and their social and economic consequences. Yet Prince George’s does not raise tax revenue sufficient to provide consistent high-quality public goods and services. In <a href="https://bookshop.org/a/12343/9780871548252">Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia</a><em> </em>﻿(﻿Russell Sage Foundation, 2026) sociologist Angela Simms examines the factors contributing to Prince George’s financial troubles.</p>
<p>Dr. Simms draws on two years of observations of Prince George’s County’s budget and policy development processes, interviews with nearly 60 Prince George’s leaders and residents, and budget and policy analysis for Prince George’s County and its two Whiter, wealthier neighbors, Montgomery County, Maryland, and Fairfax County, Virginia. She argues legacy and ongoing government policies and business practices—such as federal mortgage insurance policy prior to 1968, local government reliance on property taxes, and private investment patterns—have resulted in disparities in wealth accumulation between Black and white Americans, not only for individuals and families but local jurisdictions as well. <em>Fighting for a Foothold</em> is an in-depth analysis of the fiscal challenges experienced by Prince George’s County and by the suburban Black middle-class and majority-Black jurisdictions, more broadly. The book reveals how race, class, and local jurisdiction boundaries in metropolitan areas interact to create different material living conditions for Americans.</p>
<p>Our guest is: Dr. Angela Simms, who is Assistant Professor of Sociology and Urban Studies, Barnard College, Columbia University. She is the author of <em>Fighting for a Foothold</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and developmental editor for academics. She is the creator and producer of the <em>Academic Life</em> podcast.</p>
<p>Listeners may enjoy this playlist:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/house-of-diggs-the-rise-and-fall-of-americas-most-consequential-black-congressman-charles-c-diggs-jr#entry:429183@1:url">House of Diggs</a></li>
  <li><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder#entry:71281@1:url">The Social Constructions of Race</a></li>
  <li><a href="https://newbooksnetwork.com/the-fight-to-save-the-town#entry:167629@1:url">The Fight To Save The Town</a></li>
  <li><a href="https://newbooksnetwork.com/stuck-how-money-media-and-violence-prevent-change-in-congress#entry:446275@1:url">Stuck: How Money, Media, and Violence Prevent Change in Congress</a></li>
  <li><a href="https://newbooksnetwork.com/studying-the-pipeline-to-politics-for-women#entry:226734@1:url">Of Bears and Ballots</a></li>
  <li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
  <li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing#entry:39424@1:url">The Names of All the Flowers</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be#entry:387428@1:url">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/the-end-of-white-politics-how-to-heal-our-liberal-divide#entry:347905@1:url">The End of White Politics</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63132953" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4d67fc82-c5c1-47cf-9316-8f70e901b6c4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4d67fc82-c5c1-47cf-9316-8f70e901b6c4&amp;feed=KodC6fj_"/>
      <itunes:title>Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:42</itunes:duration>
      <itunes:summary>Prince George’s County, Maryland, is a suburban jurisdiction in the Washington, D.C., metropolitan area and is home to the highest concentration of Black middle-class residents in the United States. As such, it is well positioned to overcome white domination and anti-Black racism and their social and economic consequences. Yet Prince George’s does not raise tax revenue sufficient to provide consistent high-quality public goods and services. In Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia ﻿(﻿Russell Sage Foundation, 2026) sociologist Angela Simms examines the factors contributing to Prince George’s financial troubles.

Dr. Simms draws on two years of observations of Prince George’s County’s budget and policy development processes, interviews with nearly 60 Prince George’s leaders and residents, and budget and policy analysis for Prince George’s County and its two Whiter, wealthier neighbors, Montgomery County, Maryland, and Fairfax County, Virginia. She argues legacy and ongoing government policies and business practices—such as federal mortgage insurance policy prior to 1968, local government reliance on property taxes, and private investment patterns—have resulted in disparities in wealth accumulation between Black and white Americans, not only for individuals and families but local jurisdictions as well. Fighting for a Foothold is an in-depth analysis of the fiscal challenges experienced by Prince George’s County and by the suburban Black middle-class and majority-Black jurisdictions, more broadly. The book reveals how race, class, and local jurisdiction boundaries in metropolitan areas interact to create different material living conditions for Americans.

Our guest is: Dr. Angela Simms, who is Assistant Professor of Sociology and Urban Studies, Barnard College, Columbia University. She is the author of Fighting for a Foothold.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast.

Listeners may enjoy this playlist:


  House of Diggs

  The Social Constructions of Race

  The Fight To Save The Town

  Stuck: How Money, Media, and Violence Prevent Change in Congress

  Of Bears and Ballots

  Remembering Lucille

  The Names of All the Flowers

  What Might Be

  The End of White Politics


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Prince George’s County, Maryland, is a suburban jurisdiction in the Washington, D.C., metropolitan area and is home to the highest concentration of Black middle-class residents in the United States. As such, it is well positioned to overcome white domination and anti-Black racism and their social and economic consequences. Yet Prince George’s does not raise tax revenue sufficient to provide consistent high-quality public goods and services. In Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia ﻿(﻿Russell Sage Foundation, 2026) sociologist Angela Simms examines the factors contributing to Prince George’s financial troubles.

Dr. Simms draws on two years of observations of Prince George’s County’s budget and policy development processes, interviews with nearly 60 Prince George’s leaders and residents, and budget and policy analysis for Prince George’s County and its two Whiter, wealthier neighbors, Montgomery County, Maryland, and Fairfax County, Virginia. She argues legacy and ongoing government policies and business practices—such as federal mortgage insurance policy prior to 1968, local government reliance on property taxes, and private investment patterns—have resulted in disparities in wealth accumulation between Black and white Americans, not only for individuals and families but local jurisdictions as well. Fighting for a Foothold is an in-depth analysis of the fiscal challenges experienced by Prince George’s County and by the suburban Black middle-class and majority-Black jurisdictions, more broadly. The book reveals how race, class, and local jurisdiction boundaries in metropolitan areas interact to create different material living conditions for Americans.

Our guest is: Dr. Angela Simms, who is Assistant Professor of Sociology and Urban Studies, Barnard College, Columbia University. She is the author of Fighting for a Foothold.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast.

Listeners may enjoy this playlist:


  House of Diggs

  The Social Constructions of Race

  The Fight To Save The Town

  Stuck: How Money, Media, and Violence Prevent Change in Congress

  Of Bears and Ballots

  Remembering Lucille

  The Names of All the Flowers

  What Might Be

  The End of White Politics


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1901</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d089836c-476c-11f1-a5b3-fb52a3bdb9ea</guid>
      <title>Lerone Martin, &quot;Young King: The Making of Martin Luther King Jr.&quot; (Amistad, 2026)</title>
      <description><![CDATA[<p>We know who Martin Luther King Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?</p>
<p>Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.</p>
<p>Revelatory, humanizing, and compassionate,<a href="https://bookshop.org/a/12343/9780063340947"> <em>Young King: The Making of Martin Luther King Jr. </em>(</a>Amistad, 2026) unearths MLK’s days as “Little Mike,” the ever-eager middle child and a precocious prankster; his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South; his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union; and his winding path to seminary, his spiritual devotion, and his relationship with Coretta, his wife-to-be.</p>
<p>As America undergoes another era of turmoil and change, this powerful biography—and this discussion—provides a vital roadmap for how greatness comes to light, and how history shapes a leader.</p>
<p>You can find <a href="https://www.instagram.com/leroneamartin/">Lerone Martin</a>, and the <a href="https://kinginstitute.stanford.edu/">Martin Luther King, Jr. Research and Education Institute</a> on <a href="https://www.facebook.com/KingInstitute">Facebook</a> and <a href="https://www.instagram.com/mlkinginstitute/">Instagram</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 5 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>We know who Martin Luther King Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?</p>
<p>Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.</p>
<p>Revelatory, humanizing, and compassionate,<a href="https://bookshop.org/a/12343/9780063340947"> <em>Young King: The Making of Martin Luther King Jr. </em>(</a>Amistad, 2026) unearths MLK’s days as “Little Mike,” the ever-eager middle child and a precocious prankster; his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South; his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union; and his winding path to seminary, his spiritual devotion, and his relationship with Coretta, his wife-to-be.</p>
<p>As America undergoes another era of turmoil and change, this powerful biography—and this discussion—provides a vital roadmap for how greatness comes to light, and how history shapes a leader.</p>
<p>You can find <a href="https://www.instagram.com/leroneamartin/">Lerone Martin</a>, and the <a href="https://kinginstitute.stanford.edu/">Martin Luther King, Jr. Research and Education Institute</a> on <a href="https://www.facebook.com/KingInstitute">Facebook</a> and <a href="https://www.instagram.com/mlkinginstitute/">Instagram</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45584664" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/48ecd4fd-2681-421f-a2b7-cd1524017eb7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=48ecd4fd-2681-421f-a2b7-cd1524017eb7&amp;feed=KodC6fj_"/>
      <itunes:title>Lerone Martin, &quot;Young King: The Making of Martin Luther King Jr.&quot; (Amistad, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:22</itunes:duration>
      <itunes:summary>We know who Martin Luther King Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?

Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.

Revelatory, humanizing, and compassionate, Young King: The Making of Martin Luther King Jr. (Amistad, 2026) unearths MLK’s days as “Little Mike,” the ever-eager middle child and a precocious prankster; his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South; his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union; and his winding path to seminary, his spiritual devotion, and his relationship with Coretta, his wife-to-be.

As America undergoes another era of turmoil and change, this powerful biography—and this discussion—provides a vital roadmap for how greatness comes to light, and how history shapes a leader.

You can find Lerone Martin, and the Martin Luther King, Jr. Research and Education Institute on Facebook and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>We know who Martin Luther King Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?

Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.

Revelatory, humanizing, and compassionate, Young King: The Making of Martin Luther King Jr. (Amistad, 2026) unearths MLK’s days as “Little Mike,” the ever-eager middle child and a precocious prankster; his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South; his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union; and his winding path to seminary, his spiritual devotion, and his relationship with Coretta, his wife-to-be.

As America undergoes another era of turmoil and change, this powerful biography—and this discussion—provides a vital roadmap for how greatness comes to light, and how history shapes a leader.

You can find Lerone Martin, and the Martin Luther King, Jr. Research and Education Institute on Facebook and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1900</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">83448f38-471d-11f1-855d-0bdeccc6f03e</guid>
      <title>Benjamin Y. Fong and Paul Prescod, &quot;Rustin&apos;s Challenge&quot; (2026)</title>
      <description><![CDATA[<p>There was no more trenchant and substantive critic of the Left <em>from </em>the Left in the 1960s and 1970s than Bayard Rustin. Some liberals and leftists today valorize Rustin on the basis of his multiple oppressed identities and civil rights organizing. On the other hand, many others dismiss him for being compromised by his commitment to the Democratic Party or by his deep suspicion of the new forms of left activism that appeared in the mid-1960s.</p>
<p>While Rustin certainly made some strategic mis-steps later in life, his challenges to the New Left, Black Power, and a regressing liberal establishment from 1964 until his passing in 1987 were insightful, cutting, and often quite prescient. At a time when the Left is in dire need of self-reflection and reorientation, Rustin’s work has gained a new relevance and urgency.</p>
<p>In a new collection of Rustin's writings from this period, Fong and Prescod gathered together articles and speeches that represent <em>Rustin's Challenge</em> to the Left of his day. Some of the pieces of Rustin’s writing chosen for inclusion have been published before, but only in pamphlets or newspapers from many decades ago. Some will be published for the first time here.<br />The volume also includes commentaries on these pieces by Adolph Reed, Jr., Jennifer Silva, Les Leopold, Mark Dudzic, Jen Pan, John-Baptiste Oduor, and many others, all contextualizing Rustin's challenge and demonstrating its continuing applicability.﻿<br /></p>
<p>Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.<br /></p>
<p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 4 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>There was no more trenchant and substantive critic of the Left <em>from </em>the Left in the 1960s and 1970s than Bayard Rustin. Some liberals and leftists today valorize Rustin on the basis of his multiple oppressed identities and civil rights organizing. On the other hand, many others dismiss him for being compromised by his commitment to the Democratic Party or by his deep suspicion of the new forms of left activism that appeared in the mid-1960s.</p>
<p>While Rustin certainly made some strategic mis-steps later in life, his challenges to the New Left, Black Power, and a regressing liberal establishment from 1964 until his passing in 1987 were insightful, cutting, and often quite prescient. At a time when the Left is in dire need of self-reflection and reorientation, Rustin’s work has gained a new relevance and urgency.</p>
<p>In a new collection of Rustin's writings from this period, Fong and Prescod gathered together articles and speeches that represent <em>Rustin's Challenge</em> to the Left of his day. Some of the pieces of Rustin’s writing chosen for inclusion have been published before, but only in pamphlets or newspapers from many decades ago. Some will be published for the first time here.<br />The volume also includes commentaries on these pieces by Adolph Reed, Jr., Jennifer Silva, Les Leopold, Mark Dudzic, Jen Pan, John-Baptiste Oduor, and many others, all contextualizing Rustin's challenge and demonstrating its continuing applicability.﻿<br /></p>
<p>Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.<br /></p>
<p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43580760" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/830001fb-f375-4a80-93f7-8cd7dd9a39a7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=830001fb-f375-4a80-93f7-8cd7dd9a39a7&amp;feed=KodC6fj_"/>
      <itunes:title>Benjamin Y. Fong and Paul Prescod, &quot;Rustin&apos;s Challenge&quot; (2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:21</itunes:duration>
      <itunes:summary>There was no more trenchant and substantive critic of the Left from the Left in the 1960s and 1970s than Bayard Rustin. Some liberals and leftists today valorize Rustin on the basis of his multiple oppressed identities and civil rights organizing. On the other hand, many others dismiss him for being compromised by his commitment to the Democratic Party or by his deep suspicion of the new forms of left activism that appeared in the mid-1960s.

While Rustin certainly made some strategic mis-steps later in life, his challenges to the New Left, Black Power, and a regressing liberal establishment from 1964 until his passing in 1987 were insightful, cutting, and often quite prescient. At a time when the Left is in dire need of self-reflection and reorientation, Rustin’s work has gained a new relevance and urgency.

In a new collection of Rustin&apos;s writings from this period, Fong and Prescod gathered together articles and speeches that represent Rustin&apos;s Challenge to the Left of his day. Some of the pieces of Rustin’s writing chosen for inclusion have been published before, but only in pamphlets or newspapers from many decades ago. Some will be published for the first time here.The volume also includes commentaries on these pieces by Adolph Reed, Jr., Jennifer Silva, Les Leopold, Mark Dudzic, Jen Pan, John-Baptiste Oduor, and many others, all contextualizing Rustin&apos;s challenge and demonstrating its continuing applicability.﻿

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>There was no more trenchant and substantive critic of the Left from the Left in the 1960s and 1970s than Bayard Rustin. Some liberals and leftists today valorize Rustin on the basis of his multiple oppressed identities and civil rights organizing. On the other hand, many others dismiss him for being compromised by his commitment to the Democratic Party or by his deep suspicion of the new forms of left activism that appeared in the mid-1960s.

While Rustin certainly made some strategic mis-steps later in life, his challenges to the New Left, Black Power, and a regressing liberal establishment from 1964 until his passing in 1987 were insightful, cutting, and often quite prescient. At a time when the Left is in dire need of self-reflection and reorientation, Rustin’s work has gained a new relevance and urgency.

In a new collection of Rustin&apos;s writings from this period, Fong and Prescod gathered together articles and speeches that represent Rustin&apos;s Challenge to the Left of his day. Some of the pieces of Rustin’s writing chosen for inclusion have been published before, but only in pamphlets or newspapers from many decades ago. Some will be published for the first time here.The volume also includes commentaries on these pieces by Adolph Reed, Jr., Jennifer Silva, Les Leopold, Mark Dudzic, Jen Pan, John-Baptiste Oduor, and many others, all contextualizing Rustin&apos;s challenge and demonstrating its continuing applicability.﻿

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>311</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2df35c58-451f-11f1-acff-33cd887f94c8</guid>
      <title>Alice Echols, &quot;Black Power, White Heat: From Solidarity Politics to Radical Chic&quot; (Oxford UP, 2026)</title>
      <description><![CDATA[<p>A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era.</p>
<p><br />One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.<br />In <a href="https://bookshop.org/a/12343/9780197789032"><em>Black Power, White Heat: From Solidarity Politics to Radical Chic</em>,</a> ﻿(Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.<br />By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.<br /><em>Black Power, White Heat</em> explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, <em>Black Power,</em> <em>White Heat</em> nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics.</p>
<p>Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including <em>Daring to Be Bad</em>, <em>Scars of Sweet Paradise: The Life and Times of Janis Joplin</em>, <em>Hot Stuff: Disco and the Remaking of American Culture</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 3 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era.</p>
<p><br />One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.<br />In <a href="https://bookshop.org/a/12343/9780197789032"><em>Black Power, White Heat: From Solidarity Politics to Radical Chic</em>,</a> ﻿(Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.<br />By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.<br /><em>Black Power, White Heat</em> explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, <em>Black Power,</em> <em>White Heat</em> nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics.</p>
<p>Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including <em>Daring to Be Bad</em>, <em>Scars of Sweet Paradise: The Life and Times of Janis Joplin</em>, <em>Hot Stuff: Disco and the Remaking of American Culture</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="71423767" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a3337a0d-b681-43dd-8f3e-152ad6181040/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a3337a0d-b681-43dd-8f3e-152ad6181040&amp;feed=KodC6fj_"/>
      <itunes:title>Alice Echols, &quot;Black Power, White Heat: From Solidarity Politics to Radical Chic&quot; (Oxford UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:14:19</itunes:duration>
      <itunes:summary>A rich history of cross-racial coalitions and alliances of the Sixties&apos; freedom movement, acclaimed historian Alice Echols&apos;s Black Power, White Heat reshapes our understanding of the entire era.

One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people&apos;s movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, ﻿(Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a &quot;white heat&quot; so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women&apos;s liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of &quot;revolutionary nationalism,&quot; and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of &quot;radical chic,&quot; advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era&apos;s most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics.

Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A rich history of cross-racial coalitions and alliances of the Sixties&apos; freedom movement, acclaimed historian Alice Echols&apos;s Black Power, White Heat reshapes our understanding of the entire era.

One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people&apos;s movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, ﻿(Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a &quot;white heat&quot; so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women&apos;s liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of &quot;revolutionary nationalism,&quot; and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of &quot;radical chic,&quot; advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era&apos;s most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics.

Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1898</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6e54a288-4458-11f1-8560-2bb7b60803d3</guid>
      <title>Jason R. Young, &quot;The Mask of Memory: White Racial Fantasy After the Civil War&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery.</p>
<p>Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, <a href="https://bookshop.org/a/12343/9781469694351">The Mask of Memory</a><a href="https://bookshop.org/a/12343/9781469694351">: White Racial Fantasy After the Civil War</a><em> </em>(UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time.</p>
<p>You can find Jason Young at the University of Michigan <a href="https://lsa.umich.edu/history/people/faculty/youngjr.html">website</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 1 May 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery.</p>
<p>Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, <a href="https://bookshop.org/a/12343/9781469694351">The Mask of Memory</a><a href="https://bookshop.org/a/12343/9781469694351">: White Racial Fantasy After the Civil War</a><em> </em>(UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time.</p>
<p>You can find Jason Young at the University of Michigan <a href="https://lsa.umich.edu/history/people/faculty/youngjr.html">website</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68944047" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fd588706-ee29-4936-bc46-8f45a7a9e1ce/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fd588706-ee29-4936-bc46-8f45a7a9e1ce&amp;feed=KodC6fj_"/>
      <itunes:title>Jason R. Young, &quot;The Mask of Memory: White Racial Fantasy After the Civil War&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:42</itunes:duration>
      <itunes:summary>In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery.

Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time.

You can find Jason Young at the University of Michigan website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery.

Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time.

You can find Jason Young at the University of Michigan website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1897</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ae6197b8-42b0-11f1-9b77-0394386fc171</guid>
      <title>The Lost World of African American Cantors 1915–1953</title>
      <description><![CDATA[<p>Histories of Black-Jewish cultural interaction often focus on how Jews adopted and adapted Black vernacular music—ragtime, jazz, swing, R&amp;B, blues—as performers, promoters, managers, club owners, and record labels. The phenomenon of African American musicians who performed Yiddish and cantorial music in and for the Jewish community in theaters, on record, on radio, and in concert between the World Wars deserves such scholarly inquiry. This talk will honor the memory of now forgotten Black cantors – Mendele der Shvartser Khazn, Reb Dovid Kalistrita, Abraham Ben Benjamin Franklin, Thomas LaRue Jones, and Goldye di Shvartse Khaznte, the first known Black woman cantor. This talk by award winning producer, author, and ethnomusicologist Henry Sapoznik will feature dozens of historic graphics, translations of period Yiddish newspaper previews, ads, and reviews, and the playing of the one known 1923 Yiddish and Hebrew recording of Thomas Jones LaRue.</p>
<p>This lecture originally took place on June 15, 2021.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 28 Apr 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Histories of Black-Jewish cultural interaction often focus on how Jews adopted and adapted Black vernacular music—ragtime, jazz, swing, R&amp;B, blues—as performers, promoters, managers, club owners, and record labels. The phenomenon of African American musicians who performed Yiddish and cantorial music in and for the Jewish community in theaters, on record, on radio, and in concert between the World Wars deserves such scholarly inquiry. This talk will honor the memory of now forgotten Black cantors – Mendele der Shvartser Khazn, Reb Dovid Kalistrita, Abraham Ben Benjamin Franklin, Thomas LaRue Jones, and Goldye di Shvartse Khaznte, the first known Black woman cantor. This talk by award winning producer, author, and ethnomusicologist Henry Sapoznik will feature dozens of historic graphics, translations of period Yiddish newspaper previews, ads, and reviews, and the playing of the one known 1923 Yiddish and Hebrew recording of Thomas Jones LaRue.</p>
<p>This lecture originally took place on June 15, 2021.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66001590" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f30b4d69-5dfd-4913-88ea-235d6d016ddb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f30b4d69-5dfd-4913-88ea-235d6d016ddb&amp;feed=KodC6fj_"/>
      <itunes:title>The Lost World of African American Cantors 1915–1953</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:42</itunes:duration>
      <itunes:summary>Histories of Black-Jewish cultural interaction often focus on how Jews adopted and adapted Black vernacular music—ragtime, jazz, swing, R&amp;B, blues—as performers, promoters, managers, club owners, and record labels. The phenomenon of African American musicians who performed Yiddish and cantorial music in and for the Jewish community in theaters, on record, on radio, and in concert between the World Wars deserves such scholarly inquiry. This talk will honor the memory of now forgotten Black cantors – Mendele der Shvartser Khazn, Reb Dovid Kalistrita, Abraham Ben Benjamin Franklin, Thomas LaRue Jones, and Goldye di Shvartse Khaznte, the first known Black woman cantor. This talk by award winning producer, author, and ethnomusicologist Henry Sapoznik will feature dozens of historic graphics, translations of period Yiddish newspaper previews, ads, and reviews, and the playing of the one known 1923 Yiddish and Hebrew recording of Thomas Jones LaRue.

This lecture originally took place on June 15, 2021.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Histories of Black-Jewish cultural interaction often focus on how Jews adopted and adapted Black vernacular music—ragtime, jazz, swing, R&amp;B, blues—as performers, promoters, managers, club owners, and record labels. The phenomenon of African American musicians who performed Yiddish and cantorial music in and for the Jewish community in theaters, on record, on radio, and in concert between the World Wars deserves such scholarly inquiry. This talk will honor the memory of now forgotten Black cantors – Mendele der Shvartser Khazn, Reb Dovid Kalistrita, Abraham Ben Benjamin Franklin, Thomas LaRue Jones, and Goldye di Shvartse Khaznte, the first known Black woman cantor. This talk by award winning producer, author, and ethnomusicologist Henry Sapoznik will feature dozens of historic graphics, translations of period Yiddish newspaper previews, ads, and reviews, and the playing of the one known 1923 Yiddish and Hebrew recording of Thomas Jones LaRue.

This lecture originally took place on June 15, 2021.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1896</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c05afc2c-3962-11f1-9f74-2759f30b0900</guid>
      <title>Emely Rumble, &quot;Bibliotherapy in The Bronx&quot; (Row House, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781955905886">Bibliotherapy in The Bronx</a> (Row House, 2025) by Emely Rumble, LCSW, is a groundbreaking exploration of the healing power of literature in the lives of marginalized communities. Drawing from her personal and professional experiences, Rumble masterfully intertwines storytelling with therapeutic insights to reveal how reading can be a potent tool for self-discovery, emotional transformation, and social change.<br />In this transformative work, Rumble offers readers an intimate glimpse into her journey as a psychotherapist in the Bronx, where she has spent over 14 years using books to help clients navigate complex emotions, heal from trauma, and find their voices. Through vivid anecdotes and real-world case studies, she demonstrates how literature can serve as a bridge between personal pain and collective healing.<br />Rich with practical tips, reflective exercises, and book recommendations, <em>Bibliotherapy in The Bronx</em> is a valuable resource for anyone interested in the power of words to change lives. Whether you're a therapist, educator, bibliophile, or simply someone seeking deeper understanding and growth, this book offers a compassionate, culturally affirming guide to the transformative potential of storytelling.<br />Rumble's work is a testament to the enduring power of books to heal, empower, and liberate. In a time when the world feels increasingly divided, <em>Bibliotherapy in The Bronx</em> reminds us that the stories we tell—and the stories we read—can unite us in our shared humanity.</p>
<p>-Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 18 Apr 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781955905886">Bibliotherapy in The Bronx</a> (Row House, 2025) by Emely Rumble, LCSW, is a groundbreaking exploration of the healing power of literature in the lives of marginalized communities. Drawing from her personal and professional experiences, Rumble masterfully intertwines storytelling with therapeutic insights to reveal how reading can be a potent tool for self-discovery, emotional transformation, and social change.<br />In this transformative work, Rumble offers readers an intimate glimpse into her journey as a psychotherapist in the Bronx, where she has spent over 14 years using books to help clients navigate complex emotions, heal from trauma, and find their voices. Through vivid anecdotes and real-world case studies, she demonstrates how literature can serve as a bridge between personal pain and collective healing.<br />Rich with practical tips, reflective exercises, and book recommendations, <em>Bibliotherapy in The Bronx</em> is a valuable resource for anyone interested in the power of words to change lives. Whether you're a therapist, educator, bibliophile, or simply someone seeking deeper understanding and growth, this book offers a compassionate, culturally affirming guide to the transformative potential of storytelling.<br />Rumble's work is a testament to the enduring power of books to heal, empower, and liberate. In a time when the world feels increasingly divided, <em>Bibliotherapy in The Bronx</em> reminds us that the stories we tell—and the stories we read—can unite us in our shared humanity.</p>
<p>-Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63270226" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/014b08bd-f64c-4511-b1fb-41c4511370e7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=014b08bd-f64c-4511-b1fb-41c4511370e7&amp;feed=KodC6fj_"/>
      <itunes:title>Emely Rumble, &quot;Bibliotherapy in The Bronx&quot; (Row House, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:49</itunes:duration>
      <itunes:summary>Bibliotherapy in The Bronx (Row House, 2025) by Emely Rumble, LCSW, is a groundbreaking exploration of the healing power of literature in the lives of marginalized communities. Drawing from her personal and professional experiences, Rumble masterfully intertwines storytelling with therapeutic insights to reveal how reading can be a potent tool for self-discovery, emotional transformation, and social change.In this transformative work, Rumble offers readers an intimate glimpse into her journey as a psychotherapist in the Bronx, where she has spent over 14 years using books to help clients navigate complex emotions, heal from trauma, and find their voices. Through vivid anecdotes and real-world case studies, she demonstrates how literature can serve as a bridge between personal pain and collective healing.Rich with practical tips, reflective exercises, and book recommendations, Bibliotherapy in The Bronx is a valuable resource for anyone interested in the power of words to change lives. Whether you&apos;re a therapist, educator, bibliophile, or simply someone seeking deeper understanding and growth, this book offers a compassionate, culturally affirming guide to the transformative potential of storytelling.Rumble&apos;s work is a testament to the enduring power of books to heal, empower, and liberate. In a time when the world feels increasingly divided, Bibliotherapy in The Bronx reminds us that the stories we tell—and the stories we read—can unite us in our shared humanity.

-Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Bibliotherapy in The Bronx (Row House, 2025) by Emely Rumble, LCSW, is a groundbreaking exploration of the healing power of literature in the lives of marginalized communities. Drawing from her personal and professional experiences, Rumble masterfully intertwines storytelling with therapeutic insights to reveal how reading can be a potent tool for self-discovery, emotional transformation, and social change.In this transformative work, Rumble offers readers an intimate glimpse into her journey as a psychotherapist in the Bronx, where she has spent over 14 years using books to help clients navigate complex emotions, heal from trauma, and find their voices. Through vivid anecdotes and real-world case studies, she demonstrates how literature can serve as a bridge between personal pain and collective healing.Rich with practical tips, reflective exercises, and book recommendations, Bibliotherapy in The Bronx is a valuable resource for anyone interested in the power of words to change lives. Whether you&apos;re a therapist, educator, bibliophile, or simply someone seeking deeper understanding and growth, this book offers a compassionate, culturally affirming guide to the transformative potential of storytelling.Rumble&apos;s work is a testament to the enduring power of books to heal, empower, and liberate. In a time when the world feels increasingly divided, Bibliotherapy in The Bronx reminds us that the stories we tell—and the stories we read—can unite us in our shared humanity.

-Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1895</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dbc38cc8-38f8-11f1-a915-1bde9b92d638</guid>
      <title>Rawlston Williams, &quot;The Caribbean Cookbook&quot; (Phaidon Press, 2026)</title>
      <description><![CDATA[<p>An exploration of Caribbean cuisine and culinary history, featuring more than 380 authentic home cooking recipes from across the region Caribbean cuisine reveals a culture of boundless imagination and creativity. It is the result of resourcefulness and ingenuity, where the need to survive and thrive shaped dishes that stand as powerful representations of its various cultures. In The Caribbean Cookbook, chef Rawlston Williams celebrates the diverse foods, flavors, and culinary traditions of this vibrant region. Featuring more than 380 recipes from 28 countries and island nations, the book includes classic marinades, sauces, and preserves; broths and soups; rices, grains, and vegetables; and chapters dedicated to Sea &amp; River, On Land, Flour, Sugar, Juice, and Rum. The iconic ingredients synonymous with the Caribbean - citrus, nutmeg, coconut, tamarind, pimento, pineapple, rum - are showcased throughout, with spices as the stars, elevating other ingredients to create layered and satisfying dishes. This intensively researched recipe collection includes both beloved classics and lesser-known specialties. Home cooks around the world will discover Jamaica's Jerk Chicken and Dominica's Callaloo Soup; Puerto Rico's plantain-based Mofongo; Green Fig Salad from Saint Lucia; Haiti's Seafood Creole; a sweet Cashew Cake from Aruba; and other authentic dishes. There's plenty for armchair travelers to enjoy, too: Rawlston's descriptions of the islands' histories, culture, and traditions bring each recipe to life, while stunning color photography of the food and landscapes offers a whirlwind journey across one of the world's most beautiful destinations. Beautifully designed in bold tropical shades, The Caribbean Cookbook is a powerful, joyful ode to the many flavors of this incredible region. </p>
<p><br /></p>
<p><em>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in the Department of Africana Studies from Brown University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 15 Apr 2026 18:40:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An exploration of Caribbean cuisine and culinary history, featuring more than 380 authentic home cooking recipes from across the region Caribbean cuisine reveals a culture of boundless imagination and creativity. It is the result of resourcefulness and ingenuity, where the need to survive and thrive shaped dishes that stand as powerful representations of its various cultures. In The Caribbean Cookbook, chef Rawlston Williams celebrates the diverse foods, flavors, and culinary traditions of this vibrant region. Featuring more than 380 recipes from 28 countries and island nations, the book includes classic marinades, sauces, and preserves; broths and soups; rices, grains, and vegetables; and chapters dedicated to Sea &amp; River, On Land, Flour, Sugar, Juice, and Rum. The iconic ingredients synonymous with the Caribbean - citrus, nutmeg, coconut, tamarind, pimento, pineapple, rum - are showcased throughout, with spices as the stars, elevating other ingredients to create layered and satisfying dishes. This intensively researched recipe collection includes both beloved classics and lesser-known specialties. Home cooks around the world will discover Jamaica's Jerk Chicken and Dominica's Callaloo Soup; Puerto Rico's plantain-based Mofongo; Green Fig Salad from Saint Lucia; Haiti's Seafood Creole; a sweet Cashew Cake from Aruba; and other authentic dishes. There's plenty for armchair travelers to enjoy, too: Rawlston's descriptions of the islands' histories, culture, and traditions bring each recipe to life, while stunning color photography of the food and landscapes offers a whirlwind journey across one of the world's most beautiful destinations. Beautifully designed in bold tropical shades, The Caribbean Cookbook is a powerful, joyful ode to the many flavors of this incredible region. </p>
<p><br /></p>
<p><em>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in the Department of Africana Studies from Brown University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33406780" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b30e5286-5897-4c4a-b995-499af16ceafc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b30e5286-5897-4c4a-b995-499af16ceafc&amp;feed=KodC6fj_"/>
      <itunes:title>Rawlston Williams, &quot;The Caribbean Cookbook&quot; (Phaidon Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:43</itunes:duration>
      <itunes:summary>An exploration of Caribbean cuisine and culinary history, featuring more than 380 authentic home cooking recipes from across the region Caribbean cuisine reveals a culture of boundless imagination and creativity. It is the result of resourcefulness and ingenuity, where the need to survive and thrive shaped dishes that stand as powerful representations of its various cultures. In The Caribbean Cookbook, chef Rawlston Williams celebrates the diverse foods, flavors, and culinary traditions of this vibrant region. Featuring more than 380 recipes from 28 countries and island nations, the book includes classic marinades, sauces, and preserves; broths and soups; rices, grains, and vegetables; and chapters dedicated to Sea &amp; River, On Land, Flour, Sugar, Juice, and Rum. The iconic ingredients synonymous with the Caribbean - citrus, nutmeg, coconut, tamarind, pimento, pineapple, rum - are showcased throughout, with spices as the stars, elevating other ingredients to create layered and satisfying dishes. This intensively researched recipe collection includes both beloved classics and lesser-known specialties. Home cooks around the world will discover Jamaica&apos;s Jerk Chicken and Dominica&apos;s Callaloo Soup; Puerto Rico&apos;s plantain-based Mofongo; Green Fig Salad from Saint Lucia; Haiti&apos;s Seafood Creole; a sweet Cashew Cake from Aruba; and other authentic dishes. There&apos;s plenty for armchair travelers to enjoy, too: Rawlston&apos;s descriptions of the islands&apos; histories, culture, and traditions bring each recipe to life, while stunning color photography of the food and landscapes offers a whirlwind journey across one of the world&apos;s most beautiful destinations. Beautifully designed in bold tropical shades, The Caribbean Cookbook is a powerful, joyful ode to the many flavors of this incredible region. 



Dr. N&apos;Kosi Oates is a curator. He earned his Ph.D. in the Department of Africana Studies from Brown University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An exploration of Caribbean cuisine and culinary history, featuring more than 380 authentic home cooking recipes from across the region Caribbean cuisine reveals a culture of boundless imagination and creativity. It is the result of resourcefulness and ingenuity, where the need to survive and thrive shaped dishes that stand as powerful representations of its various cultures. In The Caribbean Cookbook, chef Rawlston Williams celebrates the diverse foods, flavors, and culinary traditions of this vibrant region. Featuring more than 380 recipes from 28 countries and island nations, the book includes classic marinades, sauces, and preserves; broths and soups; rices, grains, and vegetables; and chapters dedicated to Sea &amp; River, On Land, Flour, Sugar, Juice, and Rum. The iconic ingredients synonymous with the Caribbean - citrus, nutmeg, coconut, tamarind, pimento, pineapple, rum - are showcased throughout, with spices as the stars, elevating other ingredients to create layered and satisfying dishes. This intensively researched recipe collection includes both beloved classics and lesser-known specialties. Home cooks around the world will discover Jamaica&apos;s Jerk Chicken and Dominica&apos;s Callaloo Soup; Puerto Rico&apos;s plantain-based Mofongo; Green Fig Salad from Saint Lucia; Haiti&apos;s Seafood Creole; a sweet Cashew Cake from Aruba; and other authentic dishes. There&apos;s plenty for armchair travelers to enjoy, too: Rawlston&apos;s descriptions of the islands&apos; histories, culture, and traditions bring each recipe to life, while stunning color photography of the food and landscapes offers a whirlwind journey across one of the world&apos;s most beautiful destinations. Beautifully designed in bold tropical shades, The Caribbean Cookbook is a powerful, joyful ode to the many flavors of this incredible region. 



Dr. N&apos;Kosi Oates is a curator. He earned his Ph.D. in the Department of Africana Studies from Brown University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1894</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f16c6652-370a-11f1-9dbe-fba32914bc89</guid>
      <title>Voices from a Century of Struggle: Writings of the Jim Crow Era</title>
      <description><![CDATA[<p>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.</p>
<p>Join Tyina L. Steptoe, editor of the <a href="https://www.loa.org/books/jim-crow-voices-from-a-century-of-struggle-1876-1976-boxed-set/?no_lightbox=1"><em>new two-volume LOA edition</em></a> of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.</p>
<p><em>Hosted by Max Rudin</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 14 Apr 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.</p>
<p>Join Tyina L. Steptoe, editor of the <a href="https://www.loa.org/books/jim-crow-voices-from-a-century-of-struggle-1876-1976-boxed-set/?no_lightbox=1"><em>new two-volume LOA edition</em></a> of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.</p>
<p><em>Hosted by Max Rudin</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58833039" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ba6d5d67-875b-41cc-998b-a5681981a112/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ba6d5d67-875b-41cc-998b-a5681981a112&amp;feed=KodC6fj_"/>
      <itunes:title>Voices from a Century of Struggle: Writings of the Jim Crow Era</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:03</itunes:duration>
      <itunes:summary>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.

Join Tyina L. Steptoe, editor of the new two-volume LOA edition of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.

Hosted by Max Rudin

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.

Join Tyina L. Steptoe, editor of the new two-volume LOA edition of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.

Hosted by Max Rudin

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1893</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d0088d42-3304-11f1-913d-cf6905f1b129</guid>
      <title>Cedric de Leon, &quot;Freedom Train: Black Politics and the Story of Interracial Labor Solidarity&quot; (U California Press, 2025)</title>
      <description><![CDATA[<p>Our guest today is Cedric de Leon, author of <a href="https://bookshop.org/a/12343/9780520410251">Freedom Train: Black Politics and the Story of Interracial Labor Solidarity</a><em> </em>﻿﻿(U California Press, 2025). In this book, de Leon explores the complex and often overlooked history of Black political organizing within the U.S. labor movement. Rather than presenting a simple story of unity, he highlights the tensions, debates, and internal conflicts within Black civil society that ultimately strengthened movements for interracial labor solidarity. The book traces key organizations, leaders, and events from early socialist influences in Harlem to the rise of labor coalitions and the Memphis sanitation strike; demonstrating how Black workers and leaders actively shaped strategies for liberation. By focusing on both cooperation and disagreement, de Leon argues that Black political agency is best understood through this dynamic interplay. Freedom Train ultimately reframes labor history by centering Black voices and showing how their activism was crucial in pushing forward both civil rights and workers’ rights in America.</p>
<p>Our guest, Cedric de Leon, is a Professor of Sociology and Labor studies at the University of Massachusetts Amherst. From 2018 to 2022, Cedric directed the UMass Amherst Labor Center, the country's premier worker-side graduate program in Labor Studies. He was the first person of color to do so. Before de Leon became an academic, he worked as a staff organizer and elected leader in the U.S. labor movement. His research focuses on race, labor, social movements, and political sociology, and he has published several books examining labor history and organizing. He has written extensively about how social movements organize and how political identities are formed, particularly within Black communities and labor struggles. His research combines historical analysis with sociological theory to better understand power, resistance, and collective action.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 9 Apr 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Our guest today is Cedric de Leon, author of <a href="https://bookshop.org/a/12343/9780520410251">Freedom Train: Black Politics and the Story of Interracial Labor Solidarity</a><em> </em>﻿﻿(U California Press, 2025). In this book, de Leon explores the complex and often overlooked history of Black political organizing within the U.S. labor movement. Rather than presenting a simple story of unity, he highlights the tensions, debates, and internal conflicts within Black civil society that ultimately strengthened movements for interracial labor solidarity. The book traces key organizations, leaders, and events from early socialist influences in Harlem to the rise of labor coalitions and the Memphis sanitation strike; demonstrating how Black workers and leaders actively shaped strategies for liberation. By focusing on both cooperation and disagreement, de Leon argues that Black political agency is best understood through this dynamic interplay. Freedom Train ultimately reframes labor history by centering Black voices and showing how their activism was crucial in pushing forward both civil rights and workers’ rights in America.</p>
<p>Our guest, Cedric de Leon, is a Professor of Sociology and Labor studies at the University of Massachusetts Amherst. From 2018 to 2022, Cedric directed the UMass Amherst Labor Center, the country's premier worker-side graduate program in Labor Studies. He was the first person of color to do so. Before de Leon became an academic, he worked as a staff organizer and elected leader in the U.S. labor movement. His research focuses on race, labor, social movements, and political sociology, and he has published several books examining labor history and organizing. He has written extensively about how social movements organize and how political identities are formed, particularly within Black communities and labor struggles. His research combines historical analysis with sociological theory to better understand power, resistance, and collective action.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43743445" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8102d66e-3bc9-4b0f-b023-c4ebd30df52f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8102d66e-3bc9-4b0f-b023-c4ebd30df52f&amp;feed=KodC6fj_"/>
      <itunes:title>Cedric de Leon, &quot;Freedom Train: Black Politics and the Story of Interracial Labor Solidarity&quot; (U California Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:29</itunes:duration>
      <itunes:summary>Our guest today is Cedric de Leon, author of Freedom Train: Black Politics and the Story of Interracial Labor Solidarity ﻿﻿(U California Press, 2025). In this book, de Leon explores the complex and often overlooked history of Black political organizing within the U.S. labor movement. Rather than presenting a simple story of unity, he highlights the tensions, debates, and internal conflicts within Black civil society that ultimately strengthened movements for interracial labor solidarity. The book traces key organizations, leaders, and events from early socialist influences in Harlem to the rise of labor coalitions and the Memphis sanitation strike; demonstrating how Black workers and leaders actively shaped strategies for liberation. By focusing on both cooperation and disagreement, de Leon argues that Black political agency is best understood through this dynamic interplay. Freedom Train ultimately reframes labor history by centering Black voices and showing how their activism was crucial in pushing forward both civil rights and workers’ rights in America.

Our guest, Cedric de Leon, is a Professor of Sociology and Labor studies at the University of Massachusetts Amherst. From 2018 to 2022, Cedric directed the UMass Amherst Labor Center, the country&apos;s premier worker-side graduate program in Labor Studies. He was the first person of color to do so. Before de Leon became an academic, he worked as a staff organizer and elected leader in the U.S. labor movement. His research focuses on race, labor, social movements, and political sociology, and he has published several books examining labor history and organizing. He has written extensively about how social movements organize and how political identities are formed, particularly within Black communities and labor struggles. His research combines historical analysis with sociological theory to better understand power, resistance, and collective action.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Our guest today is Cedric de Leon, author of Freedom Train: Black Politics and the Story of Interracial Labor Solidarity ﻿﻿(U California Press, 2025). In this book, de Leon explores the complex and often overlooked history of Black political organizing within the U.S. labor movement. Rather than presenting a simple story of unity, he highlights the tensions, debates, and internal conflicts within Black civil society that ultimately strengthened movements for interracial labor solidarity. The book traces key organizations, leaders, and events from early socialist influences in Harlem to the rise of labor coalitions and the Memphis sanitation strike; demonstrating how Black workers and leaders actively shaped strategies for liberation. By focusing on both cooperation and disagreement, de Leon argues that Black political agency is best understood through this dynamic interplay. Freedom Train ultimately reframes labor history by centering Black voices and showing how their activism was crucial in pushing forward both civil rights and workers’ rights in America.

Our guest, Cedric de Leon, is a Professor of Sociology and Labor studies at the University of Massachusetts Amherst. From 2018 to 2022, Cedric directed the UMass Amherst Labor Center, the country&apos;s premier worker-side graduate program in Labor Studies. He was the first person of color to do so. Before de Leon became an academic, he worked as a staff organizer and elected leader in the U.S. labor movement. His research focuses on race, labor, social movements, and political sociology, and he has published several books examining labor history and organizing. He has written extensively about how social movements organize and how political identities are formed, particularly within Black communities and labor struggles. His research combines historical analysis with sociological theory to better understand power, resistance, and collective action.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1892</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7bedb098-3241-11f1-9e3b-0b5e89b0a667</guid>
      <title>Michael W. Tuck, &quot;The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World&quot; (Brill, 2026)</title>
      <description><![CDATA[<p>In his new book, <a href="https://bookshop.org/a/12343/9789004748002">The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World</a><em> </em>﻿﻿(Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century.</p>
<p>These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts.</p>
<p>Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival.</p>
<p>Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon.</p>
<p>Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes.</p>
<p>The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity.</p>
<p>Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 8 Apr 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In his new book, <a href="https://bookshop.org/a/12343/9789004748002">The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World</a><em> </em>﻿﻿(Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century.</p>
<p>These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts.</p>
<p>Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival.</p>
<p>Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon.</p>
<p>Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes.</p>
<p>The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity.</p>
<p>Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58522595" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7b548632-f012-4460-9a24-2dd70a7d4612/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7b548632-f012-4460-9a24-2dd70a7d4612&amp;feed=KodC6fj_"/>
      <itunes:title>Michael W. Tuck, &quot;The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World&quot; (Brill, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:54</itunes:duration>
      <itunes:summary>In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World ﻿﻿(Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century.

These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts.

Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival.

Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon.

Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes.

The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World ﻿﻿(Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century.

These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts.

Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival.

Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon.

Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes.

The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1891</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">acfbc62e-2e55-11f1-bd7c-8f553c517c0a</guid>
      <title>Danielle Bainbridge, &quot;Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive&quot; (NYU Press, 2026)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781479829569">Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive </a>(NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions.</p>
<p>At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies.</p>
<p>Blending historical analysis with innovative archival theory, <em>Currencies of Cruelty</em> challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.</p>
<p>Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the <a href="https://communication.northwestern.edu/faculty/danielle-bainbridge.html">Northwestern University website</a>, on <a href="https://www.instagram.com/quirkyprofessor_/">Instagram</a>, and on <a href="https://bsky.app/profile/daniellebainbridge.bsky.social">Bluesky</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 3 Apr 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781479829569">Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive </a>(NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions.</p>
<p>At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies.</p>
<p>Blending historical analysis with innovative archival theory, <em>Currencies of Cruelty</em> challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.</p>
<p>Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the <a href="https://communication.northwestern.edu/faculty/danielle-bainbridge.html">Northwestern University website</a>, on <a href="https://www.instagram.com/quirkyprofessor_/">Instagram</a>, and on <a href="https://bsky.app/profile/daniellebainbridge.bsky.social">Bluesky</a>.</p>
<p>Subscribe, like, follow, and rate <a href="https://newbooksnetwork.com/category/up-partners/additions-to-the-archive-with-sullivan-summer">Additions to the Archive with Sullivan Summer</a> on <a href="https://www.instagram.com/additionstothearchive/">Instagram</a>, <a href="https://sullivansummer.substack.com/?utm_campaign=profile_chips">Substack</a>, and wherever you get your podcasts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53650511" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f47ed82b-04e3-4307-b98c-0588ec6dd545/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f47ed82b-04e3-4307-b98c-0588ec6dd545&amp;feed=KodC6fj_"/>
      <itunes:title>Danielle Bainbridge, &quot;Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive&quot; (NYU Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:46</itunes:duration>
      <itunes:summary>Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions.

At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies.

Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions.

At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies.

Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1890</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c2b6e2f2-2c0f-11f1-9e09-b316ebe32d53</guid>
      <title>Tyesha Maddox, &quot;A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781512824537"><em>A Home Away from Home: ﻿﻿Mutual Aid, Political Activism, and Caribbean American Identity </em>﻿</a>(﻿U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.<br />At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.<br />Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. <em>A Home Away from Home</em> demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.</p>
<p>Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame.  ﻿<a href="https://africana.nd.edu/people/kiana-knight/">Kiana’s Webpage</a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 31 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781512824537"><em>A Home Away from Home: ﻿﻿Mutual Aid, Political Activism, and Caribbean American Identity </em>﻿</a>(﻿U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.<br />At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.<br />Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. <em>A Home Away from Home</em> demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.</p>
<p>Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame.  ﻿<a href="https://africana.nd.edu/people/kiana-knight/">Kiana’s Webpage</a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38707254" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/177db16b-895f-46f6-875d-69d1800e4c1d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=177db16b-895f-46f6-875d-69d1800e4c1d&amp;feed=KodC6fj_"/>
      <itunes:title>Tyesha Maddox, &quot;A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:14</itunes:duration>
      <itunes:summary>A Home Away from Home: ﻿﻿Mutual Aid, Political Activism, and Caribbean American Identity ﻿(﻿U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.

Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame.  ﻿Kiana’s Webpage﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A Home Away from Home: ﻿﻿Mutual Aid, Political Activism, and Caribbean American Identity ﻿(﻿U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.

Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame.  ﻿Kiana’s Webpage﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1889</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0a941e5e-288d-11f1-942b-df834301eedd</guid>
      <title>Why Did Langston Hughes&apos;s &quot;Troubled Lands&quot; Go Unpublished for Nearly a Century?: A Conversation with Ricardo Wilson</title>
      <description><![CDATA[<p>Why did Langston Hughes's translations of Mexican and Cuban stories go unpublished for nearly a century?</p>
<p>A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled <a href="https://bookshop.org/a/12343/9780691268415">Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes</a><em> </em>(Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. <em>Troubled Lands</em> features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. <em>Troubled Lands</em> provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba.</p>
<p>Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of <a href="https://www.outposttheresidency.org/">The Outpost Foundation</a>.</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 27 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Why did Langston Hughes's translations of Mexican and Cuban stories go unpublished for nearly a century?</p>
<p>A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled <a href="https://bookshop.org/a/12343/9780691268415">Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes</a><em> </em>(Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. <em>Troubled Lands</em> features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. <em>Troubled Lands</em> provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba.</p>
<p>Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of <a href="https://www.outposttheresidency.org/">The Outpost Foundation</a>.</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46587119" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d7cc55e6-43b9-436f-86ce-69619690f22b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d7cc55e6-43b9-436f-86ce-69619690f22b&amp;feed=KodC6fj_"/>
      <itunes:title>Why Did Langston Hughes&apos;s &quot;Troubled Lands&quot; Go Unpublished for Nearly a Century?: A Conversation with Ricardo Wilson</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:24</itunes:duration>
      <itunes:summary>Why did Langston Hughes&apos;s translations of Mexican and Cuban stories go unpublished for nearly a century?

A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes (Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. Troubled Lands features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. Troubled Lands provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba.

Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of The Outpost Foundation.

Caleb Zakarin is CEO and Publisher of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Why did Langston Hughes&apos;s translations of Mexican and Cuban stories go unpublished for nearly a century?

A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes (Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. Troubled Lands features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. Troubled Lands provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba.

Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of The Outpost Foundation.

Caleb Zakarin is CEO and Publisher of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1888</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">970ecb96-26ca-11f1-b67f-cbe481581003</guid>
      <title>Hsuan L Hsu, &quot;Olfactory Worldmaking&quot; (U Minnesota Press, 2026)</title>
      <description><![CDATA[<p>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In <em>Olfactory Worldmaking</em> (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.</p>
<p>Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 24 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In <em>Olfactory Worldmaking</em> (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.</p>
<p>Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="25470569" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/809b67af-c276-4323-a249-375bd46dbe05/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=809b67af-c276-4323-a249-375bd46dbe05&amp;feed=KodC6fj_"/>
      <itunes:title>Hsuan L Hsu, &quot;Olfactory Worldmaking&quot; (U Minnesota Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:26:28</itunes:duration>
      <itunes:summary>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.

Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.

Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>387</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5f5302ce-2519-11f1-9b93-9b058fdc2014</guid>
      <title>Katharine Gerbner, &quot;Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica&quot; (Duke UP, 2025)</title>
      <description><![CDATA[<p>In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word <em>Obeah </em>first appeared in British colonial law. In <em>Archival Irruptions</em>, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 23 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word <em>Obeah </em>first appeared in British colonial law. In <em>Archival Irruptions</em>, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55679617" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/55968ef6-194c-447e-a8b6-93786dfa4c10/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=55968ef6-194c-447e-a8b6-93786dfa4c10&amp;feed=KodC6fj_"/>
      <itunes:title>Katharine Gerbner, &quot;Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica&quot; (Duke UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:55</itunes:duration>
      <itunes:summary>In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as &quot;irruptions&quot; moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner&apos;s search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as &quot;irruptions&quot; moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner&apos;s search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>550</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">234daf90-2497-11f1-b65f-c79f9778cbe0</guid>
      <title>Prolepsis</title>
      <description><![CDATA[<p>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.</p>
<p>In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s <a href="https://en.wikipedia.org/wiki/Black_Power:_The_Politics_of_Liberation"><em>Black Power: The Politics of Liberation</em></a> (Random House 1967) and Michael Dango's <a href="https://www.sup.org/books/literary-studies-and-literature/crisis-style"><em>Crisis Style: The Aesthetics of Repair</em></a> (Stanford UP 2021). The transcript lives here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Prolepsis-Transcript.docx">WordDoc</a> and here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Prolepsis-Transcript.pdf">PDF</a>.</p>
<p>Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.</p>
<p>In her first book, <a href="https://cup.columbia.edu/book/orhan-pamuk-and-the-good-of-world-literature/9780231183260/"><em>Orhan Pamuk and the Good of World Literature</em></a> (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.</p>
<p>In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">chemical spill</a>, maybe, or <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">untimely death at sea</a>; <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">incarceration</a>, or a <a href="https://www.dropbox.com/s/so8017ddd40h4de/NLH.Fisk.pdf?dl=0">terrorist attack</a> — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is <em>We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale</em>. Look forward to seeing it in print!</p>
<p>The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the <a href="https://pdimagearchive.org/images/91a69ca0-7067-4bbf-9bc0-9f4e8756d0e3/">Public Domain Image Archive</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 23 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.</p>
<p>In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s <a href="https://en.wikipedia.org/wiki/Black_Power:_The_Politics_of_Liberation"><em>Black Power: The Politics of Liberation</em></a> (Random House 1967) and Michael Dango's <a href="https://www.sup.org/books/literary-studies-and-literature/crisis-style"><em>Crisis Style: The Aesthetics of Repair</em></a> (Stanford UP 2021). The transcript lives here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Prolepsis-Transcript.docx">WordDoc</a> and here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Prolepsis-Transcript.pdf">PDF</a>.</p>
<p>Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.</p>
<p>In her first book, <a href="https://cup.columbia.edu/book/orhan-pamuk-and-the-good-of-world-literature/9780231183260/"><em>Orhan Pamuk and the Good of World Literature</em></a> (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.</p>
<p>In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">chemical spill</a>, maybe, or <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">untimely death at sea</a>; <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">incarceration</a>, or a <a href="https://www.dropbox.com/s/so8017ddd40h4de/NLH.Fisk.pdf?dl=0">terrorist attack</a> — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is <em>We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale</em>. Look forward to seeing it in print!</p>
<p>The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the <a href="https://pdimagearchive.org/images/91a69ca0-7067-4bbf-9bc0-9f4e8756d0e3/">Public Domain Image Archive</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="15115299" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ca076cf5-2a72-4f2c-8eb6-bbaa30765ae0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ca076cf5-2a72-4f2c-8eb6-bbaa30765ae0&amp;feed=KodC6fj_"/>
      <itunes:title>Prolepsis</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/ca076cf5-2a72-4f2c-8eb6-bbaa30765ae0/3000x3000/9eb72f4f83d2130a8ab036b10f006d68.jpg?aid=rss_feed"/>
      <itunes:duration>00:15:19</itunes:duration>
      <itunes:summary>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.

In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango&apos;s Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF.

Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.

In her first book, Orhan Pamuk and the Good of World Literature (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.

In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a chemical spill, maybe, or untimely death at sea; incarceration, or a terrorist attack — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale. Look forward to seeing it in print!

The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the Public Domain Image Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.

In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango&apos;s Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF.

Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.

In her first book, Orhan Pamuk and the Good of World Literature (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.

In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a chemical spill, maybe, or untimely death at sea; incarceration, or a terrorist attack — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale. Look forward to seeing it in print!

The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the Public Domain Image Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1885</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">df87a33e-21cf-11f1-9b67-13bd7f23652b</guid>
      <title>Lisa Nakamura, &quot;The Inattention Economy: How Women of Color Built the Internet&quot; (U Minnesota Press, 2026)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780816699063">The Inattention Economy: How Women of Color Built the Internet</a> (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.</p>
<p>From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.</p>
<p>Arguing for both recognition and material compensation for these women’s labor, <em>The Inattention Economy</em> is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 18 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780816699063">The Inattention Economy: How Women of Color Built the Internet</a> (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.</p>
<p>From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.</p>
<p>Arguing for both recognition and material compensation for these women’s labor, <em>The Inattention Economy</em> is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="39309380" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f738b4a9-5df0-47f2-9684-f8eef33afbc9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f738b4a9-5df0-47f2-9684-f8eef33afbc9&amp;feed=KodC6fj_"/>
      <itunes:title>Lisa Nakamura, &quot;The Inattention Economy: How Women of Color Built the Internet&quot; (U Minnesota Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:52</itunes:duration>
      <itunes:summary>The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.

From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.

Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.

From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.

Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1884</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">99d23f78-1e98-11f1-90a5-dbf0dec92c92</guid>
      <title>Antwain K. Hunter, &quot;A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>Spanning the 1720s through the end of the Civil War,<a href="https://bookshop.org/a/12343/9781469689890"> </a><a href="https://bookshop.org/a/12343/9781469689890">A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865</a> (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. <em>A Precarious Balance</em> challenges readers to rethink how they understand race and firearms in the American past, and in its present.</p>
<p>Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. <em>A Precarious Balance is his first book.</em></p>
<p>Find host, Sullivan Summer, at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Antwain continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 16 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Spanning the 1720s through the end of the Civil War,<a href="https://bookshop.org/a/12343/9781469689890"> </a><a href="https://bookshop.org/a/12343/9781469689890">A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865</a> (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. <em>A Precarious Balance</em> challenges readers to rethink how they understand race and firearms in the American past, and in its present.</p>
<p>Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. <em>A Precarious Balance is his first book.</em></p>
<p>Find host, Sullivan Summer, at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Antwain continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44323294" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/27eeb7e5-5b03-4978-b038-dbbc8796b0d2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=27eeb7e5-5b03-4978-b038-dbbc8796b0d2&amp;feed=KodC6fj_"/>
      <itunes:title>Antwain K. Hunter, &quot;A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:07</itunes:duration>
      <itunes:summary>Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers to rethink how they understand race and firearms in the American past, and in its present.

Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. A Precarious Balance is his first book.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack, where she and Antwain continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers to rethink how they understand race and firearms in the American past, and in its present.

Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. A Precarious Balance is his first book.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack, where she and Antwain continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1883</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">66828aea-1dcd-11f1-a805-03f6eacf5868</guid>
      <title>Ethelene Whitmire, &quot;The Remarkable Life of Reed Peggram&quot; (Viking, 2026)</title>
      <description><![CDATA[<p>On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he’d made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.<br />Award-winning historian Ethelene Whitmire unearthed a trove of Reed’s letters when she met one of his descendants at a lecture, awed that she’d heard so little of this charismatic man and his fascinating true story of love and war. In <a href="https://bookshop.org/a/12343/9780593654194">The Remarkable Life of Reed Peggram</a><em> </em>(Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him.</p>
<p>Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em> <em>She is currently working on the</em> <em>book</em> <em>Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism. </em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 15 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he’d made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.<br />Award-winning historian Ethelene Whitmire unearthed a trove of Reed’s letters when she met one of his descendants at a lecture, awed that she’d heard so little of this charismatic man and his fascinating true story of love and war. In <a href="https://bookshop.org/a/12343/9780593654194">The Remarkable Life of Reed Peggram</a><em> </em>(Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him.</p>
<p>Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em> <em>She is currently working on the</em> <em>book</em> <em>Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism. </em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29385710" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/97917575-7061-47b8-99cb-dfaa02a50a69/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=97917575-7061-47b8-99cb-dfaa02a50a69&amp;feed=KodC6fj_"/>
      <itunes:title>Ethelene Whitmire, &quot;The Remarkable Life of Reed Peggram&quot; (Viking, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:30:31</itunes:duration>
      <itunes:summary>On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he’d made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed’s letters when she met one of his descendants at a lecture, awed that she’d heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him.

Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he’d made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed’s letters when she met one of his descendants at a lecture, awed that she’d heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him.

Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1882</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">24cd3060-1cff-11f1-974f-a3324ac3d9c2</guid>
      <title>Jessica Ann Levy, &quot;Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics&quot; (U Pennsylvania Press, 2026)</title>
      <description><![CDATA[<p>﻿<a href="https://bookshop.org/a/12343/9781512828580">Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics</a><em>, </em>(U Pennsylvania Press, 2026), traces the rise of Black empowerment politics in the United States and Africa. <br />On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest—we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment—an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.<br />Jessica Ann Levy traces Black empowerment’s rise in American politics—from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postwar America into corporate boardrooms and government offices—and across the Atlantic Ocean to Africa. Civil rights leaders, Black entrepreneurs, white corporate executives, and government officials all championed Black empowerment as a means to address multiple crises in US cities and to blunt some of the more radical aspects of the Black Power movement. Black empowerment politics likewise found application overseas in various Cold War efforts to promote American-style free enterprise in Africa. This was especially the case in South Africa, where US corporate executives and government officials wielded Black empowerment politics to oppose apartheid and divestment.<br />By the early twenty-first century, the idea that private enterprise, including small-scale entrepreneurs and large multinational corporations, should play a leading role in combating racial inequality and empowering Black and other marginalized people featured prominently in various policies and programs at the local, national, and international level. By tracing Black empowerment politics’ evolution, Black Power, Inc. explains its popularity, championed by leaders from Bill Clinton to Nelson Mandela, while also revealing its role in expanding US corporate power, locally and globally.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 13 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>﻿<a href="https://bookshop.org/a/12343/9781512828580">Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics</a><em>, </em>(U Pennsylvania Press, 2026), traces the rise of Black empowerment politics in the United States and Africa. <br />On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest—we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment—an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.<br />Jessica Ann Levy traces Black empowerment’s rise in American politics—from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postwar America into corporate boardrooms and government offices—and across the Atlantic Ocean to Africa. Civil rights leaders, Black entrepreneurs, white corporate executives, and government officials all championed Black empowerment as a means to address multiple crises in US cities and to blunt some of the more radical aspects of the Black Power movement. Black empowerment politics likewise found application overseas in various Cold War efforts to promote American-style free enterprise in Africa. This was especially the case in South Africa, where US corporate executives and government officials wielded Black empowerment politics to oppose apartheid and divestment.<br />By the early twenty-first century, the idea that private enterprise, including small-scale entrepreneurs and large multinational corporations, should play a leading role in combating racial inequality and empowering Black and other marginalized people featured prominently in various policies and programs at the local, national, and international level. By tracing Black empowerment politics’ evolution, Black Power, Inc. explains its popularity, championed by leaders from Bill Clinton to Nelson Mandela, while also revealing its role in expanding US corporate power, locally and globally.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64374721" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/73dbc7ea-c1dc-42d6-b157-ad65a59d44a3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=73dbc7ea-c1dc-42d6-b157-ad65a59d44a3&amp;feed=KodC6fj_"/>
      <itunes:title>Jessica Ann Levy, &quot;Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics&quot; (U Pennsylvania Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:58</itunes:duration>
      <itunes:summary>Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics, (U Pennsylvania Press, 2026), traces the rise of Black empowerment politics in the United States and Africa. On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest—we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment—an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.Jessica Ann Levy traces Black empowerment’s rise in American politics—from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postwar America into corporate boardrooms and government offices—and across the Atlantic Ocean to Africa. Civil rights leaders, Black entrepreneurs, white corporate executives, and government officials all championed Black empowerment as a means to address multiple crises in US cities and to blunt some of the more radical aspects of the Black Power movement. Black empowerment politics likewise found application overseas in various Cold War efforts to promote American-style free enterprise in Africa. This was especially the case in South Africa, where US corporate executives and government officials wielded Black empowerment politics to oppose apartheid and divestment.By the early twenty-first century, the idea that private enterprise, including small-scale entrepreneurs and large multinational corporations, should play a leading role in combating racial inequality and empowering Black and other marginalized people featured prominently in various policies and programs at the local, national, and international level. By tracing Black empowerment politics’ evolution, Black Power, Inc. explains its popularity, championed by leaders from Bill Clinton to Nelson Mandela, while also revealing its role in expanding US corporate power, locally and globally.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics, (U Pennsylvania Press, 2026), traces the rise of Black empowerment politics in the United States and Africa. On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest—we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment—an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.Jessica Ann Levy traces Black empowerment’s rise in American politics—from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postwar America into corporate boardrooms and government offices—and across the Atlantic Ocean to Africa. Civil rights leaders, Black entrepreneurs, white corporate executives, and government officials all championed Black empowerment as a means to address multiple crises in US cities and to blunt some of the more radical aspects of the Black Power movement. Black empowerment politics likewise found application overseas in various Cold War efforts to promote American-style free enterprise in Africa. This was especially the case in South Africa, where US corporate executives and government officials wielded Black empowerment politics to oppose apartheid and divestment.By the early twenty-first century, the idea that private enterprise, including small-scale entrepreneurs and large multinational corporations, should play a leading role in combating racial inequality and empowering Black and other marginalized people featured prominently in various policies and programs at the local, national, and international level. By tracing Black empowerment politics’ evolution, Black Power, Inc. explains its popularity, championed by leaders from Bill Clinton to Nelson Mandela, while also revealing its role in expanding US corporate power, locally and globally.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1881</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8f0e0da4-1b9d-11f1-8cda-9b54d1f6ebfe</guid>
      <title>Austin McCoy, &quot;Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made&quot; (Atria/One Signal, 2026)</title>
      <description><![CDATA[<p>For fans of <em>Dilla Time </em>and <em>The Chronicles of DOOM, a</em> culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.</p>
<p>Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.</p>
<p>But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout <em>3 Feet and Rising</em>, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.</p>
<p>Now, in <a href="https://bookshop.org/a/12343/9781668047941"><em>Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made </em></a>(Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.</p>
<p>One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.</p>
<p><em>Living in a D.A.I.S.Y. Age </em>will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.</p>
<p><br /></p>
<p>Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 12 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>For fans of <em>Dilla Time </em>and <em>The Chronicles of DOOM, a</em> culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.</p>
<p>Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.</p>
<p>But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout <em>3 Feet and Rising</em>, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.</p>
<p>Now, in <a href="https://bookshop.org/a/12343/9781668047941"><em>Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made </em></a>(Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.</p>
<p>One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.</p>
<p><em>Living in a D.A.I.S.Y. Age </em>will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.</p>
<p><br /></p>
<p>Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48736034" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e5b9713d-130c-437f-9a87-07f422e47f43/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e5b9713d-130c-437f-9a87-07f422e47f43&amp;feed=KodC6fj_"/>
      <itunes:title>Austin McCoy, &quot;Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made&quot; (Atria/One Signal, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:43</itunes:duration>
      <itunes:summary>For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.

Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.

But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.

Now, in Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.

One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.

Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.



Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.

Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.

But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.

Now, in Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.

One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.

Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.



Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1880</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ae6e568c-1b9c-11f1-9dad-a7de66a79bd8</guid>
      <title>Selina Nwulu, &quot;Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures&quot; (Chatto &amp; Windus, 2025)</title>
      <description><![CDATA[<p>Brought to you by the <a href="https://www.bisa.ac.uk/members/working-groups/ecp">BISA Environment and Climate Politics Working Group</a>.</p>
<p>Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face.</p>
<p>In <a href="https://bookshop.org/a/12343/9781784744885">Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures </a>(Chatto &amp; Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist.</p>
<p>Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination.</p>
<p>This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures.</p>
<p>Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing.</p>
<p><a href="https://www.kcl.ac.uk/people/pauline-sophie-heinrichs">Pauline Heinrichs</a> is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 11 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Brought to you by the <a href="https://www.bisa.ac.uk/members/working-groups/ecp">BISA Environment and Climate Politics Working Group</a>.</p>
<p>Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face.</p>
<p>In <a href="https://bookshop.org/a/12343/9781784744885">Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures </a>(Chatto &amp; Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist.</p>
<p>Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination.</p>
<p>This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures.</p>
<p>Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing.</p>
<p><a href="https://www.kcl.ac.uk/people/pauline-sophie-heinrichs">Pauline Heinrichs</a> is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47981851" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fffc035e-09ca-405a-8553-d5cd21a80cf8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fffc035e-09ca-405a-8553-d5cd21a80cf8&amp;feed=KodC6fj_"/>
      <itunes:title>Selina Nwulu, &quot;Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures&quot; (Chatto &amp; Windus, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:55</itunes:duration>
      <itunes:summary>Brought to you by the BISA Environment and Climate Politics Working Group.

Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face.

In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto &amp; Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist.

Nwulu, former Young People&apos;s Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination.

This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures.

Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing.

Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Brought to you by the BISA Environment and Climate Politics Working Group.

Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face.

In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto &amp; Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist.

Nwulu, former Young People&apos;s Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination.

This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures.

Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing.

Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1879</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ab1ab166-1b9b-11f1-8f48-dfe339c30b8b</guid>
      <title>Michelle Adams, &quot;The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North&quot; (FSG Press, 2025)</title>
      <description><![CDATA[<p>In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why?</p>
<p>In <a href="https://bookshop.org/a/12343/9780374250423">The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North</a><em> </em>﻿﻿(FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today.</p>
<p>Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.</p>
<p><br /></p>
<p>Guest: Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court of the United States and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writing has appeared in The New Yorker, The Yale Law Journal, California Law Review, and other publications. She was born and grew up in Detroit.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 11 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why?</p>
<p>In <a href="https://bookshop.org/a/12343/9780374250423">The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North</a><em> </em>﻿﻿(FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today.</p>
<p>Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.</p>
<p><br /></p>
<p>Guest: Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court of the United States and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writing has appeared in The New Yorker, The Yale Law Journal, California Law Review, and other publications. She was born and grew up in Detroit.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34863123" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ae61ac52-d629-4ba7-b5b1-310657b9ecbd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ae61ac52-d629-4ba7-b5b1-310657b9ecbd&amp;feed=KodC6fj_"/>
      <itunes:title>Michelle Adams, &quot;The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North&quot; (FSG Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:15</itunes:duration>
      <itunes:summary>In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why?

In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North ﻿﻿(FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit&apos;s students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today.

Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.



Guest: Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court of the United States and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writing has appeared in The New Yorker, The Yale Law Journal, California Law Review, and other publications. She was born and grew up in Detroit.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why?

In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North ﻿﻿(FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit&apos;s students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today.

Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit’s first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today’s backlash against affirmative action and other efforts to fulfill the country’s promise.



Guest: Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration’s Presidential Commission on the Supreme Court of the United States and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writing has appeared in The New Yorker, The Yale Law Journal, California Law Review, and other publications. She was born and grew up in Detroit.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1878</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">727d3350-1b92-11f1-9ac7-8bcd463737b7</guid>
      <title>Dana A. Williams, &quot;Toni at Random: The Iconic Writer&apos;s Legendary Editorship&quot; (Amistad, 2025)</title>
      <description><![CDATA[<p>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired,<a href="https://bookshop.org/a/12343/9780063011977"> Toni at Random: The Iconic Writer's Legendary Editorship</a> (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.<br /></p>
<p>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 10 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired,<a href="https://bookshop.org/a/12343/9780063011977"> Toni at Random: The Iconic Writer's Legendary Editorship</a> (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.<br /></p>
<p>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49678260" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/346b6b55-e20a-4814-afe0-dfe76a562156/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=346b6b55-e20a-4814-afe0-dfe76a562156&amp;feed=KodC6fj_"/>
      <itunes:title>Dana A. Williams, &quot;Toni at Random: The Iconic Writer&apos;s Legendary Editorship&quot; (Amistad, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:40</itunes:duration>
      <itunes:summary>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon&apos;s profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation&apos;s most prestigious publishing houses. While Toni Morrison&apos;s literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison&apos;s remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book&apos;s title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer&apos;s Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison&apos;s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Dr. N&apos;Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon&apos;s profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation&apos;s most prestigious publishing houses. While Toni Morrison&apos;s literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison&apos;s remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book&apos;s title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer&apos;s Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison&apos;s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Dr. N&apos;Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1877</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">89ca30dc-191a-11f1-bb7a-5b45c8f475a9</guid>
      <title>Danielle Wiggins, &quot;Black Excellence: Atlanta and the Making of Modern Black Liberalism&quot; (U Pennsylvania Press, 2025)</title>
      <description><![CDATA[<p><em>A provocative new history of modern black liberalism</em></p>
<p><a href="https://bookshop.org/a/12343/9781512827842">Black Excellence: Atlanta and the Making of Modern Black Liberalism</a> (U Pennsylvania Press, 2025) offers a provocative new history of modern black liberalism by situating the seemingly conservative tendencies of black elected officials in the post–civil rights era within neoliberal American politics and an enduring black liberal tradition.</p>
<p>In the 1970s and ’80s, cities across the country elected black mayors for the first time. Just as these officials gained political power, however, their cities felt the full brunt of white flight and deindustrialization. Tasked with governing cities in crisis, black political leaders responded in seemingly conservative ways to the social problems that austerity worsened. Nowhere was this response more evident than in Atlanta. In the nation’s preeminent black urban regime, black leaders such as mayors Maynard Jackson and Andrew Young employed the power of policing and the private sector to discipline black Atlantans, hoping they would equip vulnerable communities with the tools to manage the volatility of the era.</p>
<p>Danielle Wiggins shows that these punitive responses to the problems of crime, family instability, and unemployment were informed by black liberalism’s disciplinary impulse: an enduring tendency to reform behaviors believed to threaten black survival in a white supremacist nation. Forged in response to the violence of Jim Crow, the disciplinary impulse relied upon notions of pathology and its inverse, black excellence. Wiggins identifies several black liberal efforts to cultivate excellent black communities, families, and workers in the post–civil rights era, including community policing, corporate-sponsored family initiatives, and black entrepreneurship.</p>
<p>In embracing disciplinary strategies, however, black liberals often focused on behavior at the expense of addressing structural inequality. Consequently, their approaches dovetailed with those of the “New” Democrats, whose post–Great Society social policies were informed by urban black liberals. Black Excellence reveals thus how urban black liberals not only reshaped black politics but, as Democrats, also helped build the neoliberal Democratic Party.</p>
<p><br /></p>
<p>Guest: Danielle Wiggins is an assistant professor of history at Georgetown University, where she teaches courses on U.S. and African American history since the 1960s. She is currently researching race and the politics of energy since the 1960s. Focusing on the 1970s energy crisis, her project will explore how black Americans thought about energy, consumption, growth, and sustainability in ways that alternately challenged, intersected with, and radically rethought mainstream energy discourses.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 8 Mar 2026 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>A provocative new history of modern black liberalism</em></p>
<p><a href="https://bookshop.org/a/12343/9781512827842">Black Excellence: Atlanta and the Making of Modern Black Liberalism</a> (U Pennsylvania Press, 2025) offers a provocative new history of modern black liberalism by situating the seemingly conservative tendencies of black elected officials in the post–civil rights era within neoliberal American politics and an enduring black liberal tradition.</p>
<p>In the 1970s and ’80s, cities across the country elected black mayors for the first time. Just as these officials gained political power, however, their cities felt the full brunt of white flight and deindustrialization. Tasked with governing cities in crisis, black political leaders responded in seemingly conservative ways to the social problems that austerity worsened. Nowhere was this response more evident than in Atlanta. In the nation’s preeminent black urban regime, black leaders such as mayors Maynard Jackson and Andrew Young employed the power of policing and the private sector to discipline black Atlantans, hoping they would equip vulnerable communities with the tools to manage the volatility of the era.</p>
<p>Danielle Wiggins shows that these punitive responses to the problems of crime, family instability, and unemployment were informed by black liberalism’s disciplinary impulse: an enduring tendency to reform behaviors believed to threaten black survival in a white supremacist nation. Forged in response to the violence of Jim Crow, the disciplinary impulse relied upon notions of pathology and its inverse, black excellence. Wiggins identifies several black liberal efforts to cultivate excellent black communities, families, and workers in the post–civil rights era, including community policing, corporate-sponsored family initiatives, and black entrepreneurship.</p>
<p>In embracing disciplinary strategies, however, black liberals often focused on behavior at the expense of addressing structural inequality. Consequently, their approaches dovetailed with those of the “New” Democrats, whose post–Great Society social policies were informed by urban black liberals. Black Excellence reveals thus how urban black liberals not only reshaped black politics but, as Democrats, also helped build the neoliberal Democratic Party.</p>
<p><br /></p>
<p>Guest: Danielle Wiggins is an assistant professor of history at Georgetown University, where she teaches courses on U.S. and African American history since the 1960s. She is currently researching race and the politics of energy since the 1960s. Focusing on the 1970s energy crisis, her project will explore how black Americans thought about energy, consumption, growth, and sustainability in ways that alternately challenged, intersected with, and radically rethought mainstream energy discourses.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57892070" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b6ade8b6-4894-45c2-8af9-d5f7b058f47f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b6ade8b6-4894-45c2-8af9-d5f7b058f47f&amp;feed=KodC6fj_"/>
      <itunes:title>Danielle Wiggins, &quot;Black Excellence: Atlanta and the Making of Modern Black Liberalism&quot; (U Pennsylvania Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:15</itunes:duration>
      <itunes:summary>A provocative new history of modern black liberalism

Black Excellence: Atlanta and the Making of Modern Black Liberalism (U Pennsylvania Press, 2025) offers a provocative new history of modern black liberalism by situating the seemingly conservative tendencies of black elected officials in the post–civil rights era within neoliberal American politics and an enduring black liberal tradition.

In the 1970s and ’80s, cities across the country elected black mayors for the first time. Just as these officials gained political power, however, their cities felt the full brunt of white flight and deindustrialization. Tasked with governing cities in crisis, black political leaders responded in seemingly conservative ways to the social problems that austerity worsened. Nowhere was this response more evident than in Atlanta. In the nation’s preeminent black urban regime, black leaders such as mayors Maynard Jackson and Andrew Young employed the power of policing and the private sector to discipline black Atlantans, hoping they would equip vulnerable communities with the tools to manage the volatility of the era.

Danielle Wiggins shows that these punitive responses to the problems of crime, family instability, and unemployment were informed by black liberalism’s disciplinary impulse: an enduring tendency to reform behaviors believed to threaten black survival in a white supremacist nation. Forged in response to the violence of Jim Crow, the disciplinary impulse relied upon notions of pathology and its inverse, black excellence. Wiggins identifies several black liberal efforts to cultivate excellent black communities, families, and workers in the post–civil rights era, including community policing, corporate-sponsored family initiatives, and black entrepreneurship.

In embracing disciplinary strategies, however, black liberals often focused on behavior at the expense of addressing structural inequality. Consequently, their approaches dovetailed with those of the “New” Democrats, whose post–Great Society social policies were informed by urban black liberals. Black Excellence reveals thus how urban black liberals not only reshaped black politics but, as Democrats, also helped build the neoliberal Democratic Party.



Guest: Danielle Wiggins is an assistant professor of history at Georgetown University, where she teaches courses on U.S. and African American history since the 1960s. She is currently researching race and the politics of energy since the 1960s. Focusing on the 1970s energy crisis, her project will explore how black Americans thought about energy, consumption, growth, and sustainability in ways that alternately challenged, intersected with, and radically rethought mainstream energy discourses.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A provocative new history of modern black liberalism

Black Excellence: Atlanta and the Making of Modern Black Liberalism (U Pennsylvania Press, 2025) offers a provocative new history of modern black liberalism by situating the seemingly conservative tendencies of black elected officials in the post–civil rights era within neoliberal American politics and an enduring black liberal tradition.

In the 1970s and ’80s, cities across the country elected black mayors for the first time. Just as these officials gained political power, however, their cities felt the full brunt of white flight and deindustrialization. Tasked with governing cities in crisis, black political leaders responded in seemingly conservative ways to the social problems that austerity worsened. Nowhere was this response more evident than in Atlanta. In the nation’s preeminent black urban regime, black leaders such as mayors Maynard Jackson and Andrew Young employed the power of policing and the private sector to discipline black Atlantans, hoping they would equip vulnerable communities with the tools to manage the volatility of the era.

Danielle Wiggins shows that these punitive responses to the problems of crime, family instability, and unemployment were informed by black liberalism’s disciplinary impulse: an enduring tendency to reform behaviors believed to threaten black survival in a white supremacist nation. Forged in response to the violence of Jim Crow, the disciplinary impulse relied upon notions of pathology and its inverse, black excellence. Wiggins identifies several black liberal efforts to cultivate excellent black communities, families, and workers in the post–civil rights era, including community policing, corporate-sponsored family initiatives, and black entrepreneurship.

In embracing disciplinary strategies, however, black liberals often focused on behavior at the expense of addressing structural inequality. Consequently, their approaches dovetailed with those of the “New” Democrats, whose post–Great Society social policies were informed by urban black liberals. Black Excellence reveals thus how urban black liberals not only reshaped black politics but, as Democrats, also helped build the neoliberal Democratic Party.



Guest: Danielle Wiggins is an assistant professor of history at Georgetown University, where she teaches courses on U.S. and African American history since the 1960s. She is currently researching race and the politics of energy since the 1960s. Focusing on the 1970s energy crisis, her project will explore how black Americans thought about energy, consumption, growth, and sustainability in ways that alternately challenged, intersected with, and radically rethought mainstream energy discourses.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1876</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d5aa4cfc-15f6-11f1-a840-53c0b9a10684</guid>
      <title>Nicole E. Trujillo-Pagán, &quot;Detroit Never Left: Black Space, White Borders, Latino Crossings&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p>Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. <em>Detroit Never Left</em> explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.<br />Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in <a href="https://bookshop.org/a/12343/9781479826827"><em>Detroit Never Left: Black Space, White Borders, Latino Crossings</em> </a>(NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, <em>Detroit Never Left</em> tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents’ concerns underscored broader tensions between democratic inclusion and racialized capitalism.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 3 Mar 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. <em>Detroit Never Left</em> explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.<br />Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in <a href="https://bookshop.org/a/12343/9781479826827"><em>Detroit Never Left: Black Space, White Borders, Latino Crossings</em> </a>(NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, <em>Detroit Never Left</em> tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents’ concerns underscored broader tensions between democratic inclusion and racialized capitalism.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35294824" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/da4cedf0-b787-4be2-8d5e-2d2cde6679bf/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=da4cedf0-b787-4be2-8d5e-2d2cde6679bf&amp;feed=KodC6fj_"/>
      <itunes:title>Nicole E. Trujillo-Pagán, &quot;Detroit Never Left: Black Space, White Borders, Latino Crossings&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:43</itunes:duration>
      <itunes:summary>Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents&apos; fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents’ concerns underscored broader tensions between democratic inclusion and racialized capitalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents&apos; fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents’ concerns underscored broader tensions between democratic inclusion and racialized capitalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1875</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">78c217ee-12dc-11f1-be58-a791a85245dd</guid>
      <title>Clarissa E. Francis, &quot;Black Women&apos;s Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement&quot; (Routledge, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781032699455">Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement</a> (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.</p>
<p>This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.</p>
<p>The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 28 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781032699455">Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement</a> (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.</p>
<p>This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.</p>
<p>The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62528813" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d9562b56-44e2-4296-8ebc-b4d216f79738/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d9562b56-44e2-4296-8ebc-b4d216f79738&amp;feed=KodC6fj_"/>
      <itunes:title>Clarissa E. Francis, &quot;Black Women&apos;s Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement&quot; (Routledge, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:03</itunes:duration>
      <itunes:summary>Black Women&apos;s Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song &quot;Hot Girl Summer&quot; and pleasure activism, Dr. Clarissa E. Francis (&quot;The Real Hot Girl Doc&quot;) examines the cultural and social impacts of &quot;hot girl&quot; music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.

This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.

The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Women&apos;s Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song &quot;Hot Girl Summer&quot; and pleasure activism, Dr. Clarissa E. Francis (&quot;The Real Hot Girl Doc&quot;) examines the cultural and social impacts of &quot;hot girl&quot; music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.

This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.

The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1874</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7cb65324-12d2-11f1-9ecd-9391efcc8863</guid>
      <title>Sarah Jones Weicksel, &quot;A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.<br />In <a href="https://bookshop.org/a/12343/9781469689135">A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era</a> (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 27 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.<br />In <a href="https://bookshop.org/a/12343/9781469689135">A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era</a> (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51109542" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/15471e5d-3089-4270-98d7-3e15b9d76ece/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=15471e5d-3089-4270-98d7-3e15b9d76ece&amp;feed=KodC6fj_"/>
      <itunes:title>Sarah Jones Weicksel, &quot;A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:10</itunes:duration>
      <itunes:summary>During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1873</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">05d42318-106f-11f1-813b-0f6794dc748a</guid>
      <title>Stephen Stacks, &quot;The Resounding Revolution: Freedom Song After 1968&quot; (U Illinois Press, 2025)</title>
      <description><![CDATA[<p>What happened to freedom singing after Martin Luther King, Jr.’s assassination? Stephen Stacks considers this question in <a href="https://bookshop.org/a/12343/9780252088704">The Resounding Revolution: Freedom Song After 1968</a><em> </em>(U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks’s analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement’s great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. <em>The Resounding Revolution </em>examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 24 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What happened to freedom singing after Martin Luther King, Jr.’s assassination? Stephen Stacks considers this question in <a href="https://bookshop.org/a/12343/9780252088704">The Resounding Revolution: Freedom Song After 1968</a><em> </em>(U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks’s analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement’s great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. <em>The Resounding Revolution </em>examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65061353" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5e2efb87-bb81-4dd9-8d81-10ea411b22b6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5e2efb87-bb81-4dd9-8d81-10ea411b22b6&amp;feed=KodC6fj_"/>
      <itunes:title>Stephen Stacks, &quot;The Resounding Revolution: Freedom Song After 1968&quot; (U Illinois Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:43</itunes:duration>
      <itunes:summary>What happened to freedom singing after Martin Luther King, Jr.’s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks’s analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement’s great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What happened to freedom singing after Martin Luther King, Jr.’s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks’s analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement’s great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1872</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ae3441ca-0b0e-11f1-b78e-8fb5b9d9570f</guid>
      <title>John Drabinski, &quot;So Unimaginable a Price: Baldwin and the Black Atlantic&quot; (Northwestern UP, 2025)</title>
      <description><![CDATA[<p>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In <a href="https://bookshop.org/a/12343/9780810149557">So Unimaginable a Price: Baldwin and the Black Atlantic</a> (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 18 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In <a href="https://bookshop.org/a/12343/9780810149557">So Unimaginable a Price: Baldwin and the Black Atlantic</a> (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53157186" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/414453e9-6cb7-4abd-8c4a-b4ba4c05cfd7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=414453e9-6cb7-4abd-8c4a-b4ba4c05cfd7&amp;feed=KodC6fj_"/>
      <itunes:title>John Drabinski, &quot;So Unimaginable a Price: Baldwin and the Black Atlantic&quot; (Northwestern UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:19</itunes:duration>
      <itunes:summary>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In So Unimaginable a Price: Baldwin and the Black Atlantic (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In So Unimaginable a Price: Baldwin and the Black Atlantic (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1871</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2838aee4-0aff-11f1-81f5-6f95178510a6</guid>
      <title>Brian Hallstoos, &quot;Sol Butler: An Olympian&apos;s Odyssey through Jim Crow America&quot; (U Illinois Press, 2026)</title>
      <description><![CDATA[<p>A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In <a href="https://bookshop.org/a/12343/9780252089121">﻿Sol Butler: An Olympian's Odyssey through Jim Crow America</a> (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete’s canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler’s sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler’s use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur.</p>
<p>Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of <em>Caddying on the Color Line</em>, a history of African American golf caddies in the U.S. South.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 17 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In <a href="https://bookshop.org/a/12343/9780252089121">﻿Sol Butler: An Olympian's Odyssey through Jim Crow America</a> (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete’s canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler’s sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler’s use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur.</p>
<p>Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of <em>Caddying on the Color Line</em>, a history of African American golf caddies in the U.S. South.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53647391" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6896b32b-65e5-4c92-9e68-bdc75f1a329b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6896b32b-65e5-4c92-9e68-bdc75f1a329b&amp;feed=KodC6fj_"/>
      <itunes:title>Brian Hallstoos, &quot;Sol Butler: An Olympian&apos;s Odyssey through Jim Crow America&quot; (U Illinois Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:50</itunes:duration>
      <itunes:summary>A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In ﻿Sol Butler: An Olympian&apos;s Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete’s canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler’s sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler’s use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In ﻿Sol Butler: An Olympian&apos;s Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete’s canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler’s sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler’s use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1870</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e6474874-0897-11f1-87fd-8f21e9598ac3</guid>
      <title>Cassandra Shepard, &quot;Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic&quot; (U Illinois Press, 2026)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780252089145">Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic</a> ﻿(U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment.</p>
<p>Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard’s book, <em>Settler Colonialism is the Disaster</em>, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia.</p>
<p>Cassandra Shepard’s new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice’ reconstruction, which demands attention. <em>Settler Colonialism is the Disaster </em>offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism.</p>
<p>Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, <em>Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine</em>, is now out with Bristol University Press.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 15 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780252089145">Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic</a> ﻿(U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment.</p>
<p>Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard’s book, <em>Settler Colonialism is the Disaster</em>, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia.</p>
<p>Cassandra Shepard’s new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice’ reconstruction, which demands attention. <em>Settler Colonialism is the Disaster </em>offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism.</p>
<p>Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, <em>Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine</em>, is now out with Bristol University Press.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48970657" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0a0eac88-4818-41e1-8127-f448fbe3ddf1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0a0eac88-4818-41e1-8127-f448fbe3ddf1&amp;feed=KodC6fj_"/>
      <itunes:title>Cassandra Shepard, &quot;Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic&quot; (U Illinois Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:55</itunes:duration>
      <itunes:summary>Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic ﻿(U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment.

Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard’s book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia.

Cassandra Shepard’s new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice’ reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism.

Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic ﻿(U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment.

Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard’s book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia.

Cassandra Shepard’s new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice’ reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism.

Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1869</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">58ea78ac-0725-11f1-af20-fbc360e59dee</guid>
      <title>Heather Ann Thompson, &quot;Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage&quot; (Pantheon, 2026)</title>
      <description><![CDATA[<p>In this masterful, groundbreaking work<a href="https://bookshop.org/a/12343/9780593702093"><em> ﻿Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage</em></a> (Pantheon, 2026), Pulitzer Prize-winning author Heather Ann Thompson shines surprising new light on an infamous 1984 New York subway shooting that would unveil simmering racial resentments and would lead, in unexpected ways, to a fractured future and a new era of rage and violence.</p>
<p>On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. He then disappeared into a dark tunnel. After an intense manhunt, and his eventual surrender in New Hampshire, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains.</p>
<p>Out of this dramatic moment would emerge an angry nation, in which Rupert Murdoch’s New York Post and later Fox News Network stoked the fear and the fury of a stunning number of Americans.</p>
<p>Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn’t matter. <em>Fear and Fury</em> is the remarkable account and a searing indictment of a crucial turning point in American history.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 12 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this masterful, groundbreaking work<a href="https://bookshop.org/a/12343/9780593702093"><em> ﻿Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage</em></a> (Pantheon, 2026), Pulitzer Prize-winning author Heather Ann Thompson shines surprising new light on an infamous 1984 New York subway shooting that would unveil simmering racial resentments and would lead, in unexpected ways, to a fractured future and a new era of rage and violence.</p>
<p>On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. He then disappeared into a dark tunnel. After an intense manhunt, and his eventual surrender in New Hampshire, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains.</p>
<p>Out of this dramatic moment would emerge an angry nation, in which Rupert Murdoch’s New York Post and later Fox News Network stoked the fear and the fury of a stunning number of Americans.</p>
<p>Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn’t matter. <em>Fear and Fury</em> is the remarkable account and a searing indictment of a crucial turning point in American history.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52800971" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/04fa9d18-2372-499a-abe0-9c47dda8610d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=04fa9d18-2372-499a-abe0-9c47dda8610d&amp;feed=KodC6fj_"/>
      <itunes:title>Heather Ann Thompson, &quot;Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage&quot; (Pantheon, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:56</itunes:duration>
      <itunes:summary>In this masterful, groundbreaking work ﻿Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026), Pulitzer Prize-winning author Heather Ann Thompson shines surprising new light on an infamous 1984 New York subway shooting that would unveil simmering racial resentments and would lead, in unexpected ways, to a fractured future and a new era of rage and violence.

On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. He then disappeared into a dark tunnel. After an intense manhunt, and his eventual surrender in New Hampshire, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains.

Out of this dramatic moment would emerge an angry nation, in which Rupert Murdoch’s New York Post and later Fox News Network stoked the fear and the fury of a stunning number of Americans.

Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn’t matter. Fear and Fury is the remarkable account and a searing indictment of a crucial turning point in American history.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this masterful, groundbreaking work ﻿Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026), Pulitzer Prize-winning author Heather Ann Thompson shines surprising new light on an infamous 1984 New York subway shooting that would unveil simmering racial resentments and would lead, in unexpected ways, to a fractured future and a new era of rage and violence.

On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. He then disappeared into a dark tunnel. After an intense manhunt, and his eventual surrender in New Hampshire, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains.

Out of this dramatic moment would emerge an angry nation, in which Rupert Murdoch’s New York Post and later Fox News Network stoked the fear and the fury of a stunning number of Americans.

Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn’t matter. Fear and Fury is the remarkable account and a searing indictment of a crucial turning point in American history.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1868</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">88d13d16-0587-11f1-a34b-0f4d920d3cd6</guid>
      <title>Joshua Clark Davis, &quot;Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back&quot; (Princeton UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780691238838">Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back</a><em> </em>(Princeton UP, 2025) ﻿shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.<br />The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.<br />The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, <em>Police Against the Movement</em> offers critical insight into the power of political resistance in the face of government attacks on protest.</p>
<p>Joshua Clark Davis is associate professor of history at the University of Baltimore. He is the author of <em>From Head Shops to Whole Foods</em> and the coeditor of <em>Baltimore Revisited</em>, and he has written for <em>The Nation</em>, <em>Slate</em>, <em>Jacobin</em>, and <em>The Atlantic</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a>﻿﻿ ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 10 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780691238838">Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back</a><em> </em>(Princeton UP, 2025) ﻿shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.<br />The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.<br />The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, <em>Police Against the Movement</em> offers critical insight into the power of political resistance in the face of government attacks on protest.</p>
<p>Joshua Clark Davis is associate professor of history at the University of Baltimore. He is the author of <em>From Head Shops to Whole Foods</em> and the coeditor of <em>Baltimore Revisited</em>, and he has written for <em>The Nation</em>, <em>Slate</em>, <em>Jacobin</em>, and <em>The Atlantic</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a>﻿﻿ ﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55216922" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/13db2d1b-c717-495e-ae60-c33ac85cefac/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=13db2d1b-c717-495e-ae60-c33ac85cefac&amp;feed=KodC6fj_"/>
      <itunes:title>Joshua Clark Davis, &quot;Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back&quot; (Princeton UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:26</itunes:duration>
      <itunes:summary>Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back (Princeton UP, 2025) ﻿shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, Police Against the Movement offers critical insight into the power of political resistance in the face of government attacks on protest.

Joshua Clark Davis is associate professor of history at the University of Baltimore. He is the author of From Head Shops to Whole Foods and the coeditor of Baltimore Revisited, and he has written for The Nation, Slate, Jacobin, and The Atlantic.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here﻿﻿ ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back (Princeton UP, 2025) ﻿shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, Police Against the Movement offers critical insight into the power of political resistance in the face of government attacks on protest.

Joshua Clark Davis is associate professor of history at the University of Baltimore. He is the author of From Head Shops to Whole Foods and the coeditor of Baltimore Revisited, and he has written for The Nation, Slate, Jacobin, and The Atlantic.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here﻿﻿ ﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1867</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">42be79be-0583-11f1-86dd-ff841581afde</guid>
      <title>Nicholas Boggs, &quot;Baldwin: A Love Story&quot; (FSG, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780374178710"><em>Baldwin: A Love Story</em></a> (FSG, 2025) the first major biography of James Baldwin in three decades, reveals how profoundly the writer’s personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin’s last great love is explored in these pages for the first time.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 10 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780374178710"><em>Baldwin: A Love Story</em></a> (FSG, 2025) the first major biography of James Baldwin in three decades, reveals how profoundly the writer’s personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin’s last great love is explored in these pages for the first time.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38013620" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6b9c2013-01a0-498e-8b97-52f7ac7c55cc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6b9c2013-01a0-498e-8b97-52f7ac7c55cc&amp;feed=KodC6fj_"/>
      <itunes:title>Nicholas Boggs, &quot;Baldwin: A Love Story&quot; (FSG, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:31</itunes:duration>
      <itunes:summary>Baldwin: A Love Story (FSG, 2025) the first major biography of James Baldwin in three decades, reveals how profoundly the writer’s personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin’s last great love is explored in these pages for the first time.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Baldwin: A Love Story (FSG, 2025) the first major biography of James Baldwin in three decades, reveals how profoundly the writer’s personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin’s last great love is explored in these pages for the first time.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1866</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">896b0b9a-031a-11f1-9321-8f2e7c1674f3</guid>
      <title>Gloria Browne-Marshall, &quot;A Protest History of the United States&quot; (Beacon Press, 2026) Revisited</title>
      <description><![CDATA[<p>In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, <a href="https://newbooksnetwork.com/a-protest-history-of-the-united-states"><em>A Protest History of the United States</em></a> (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests.</p>
<p>So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.”</p>
<p>In this episode, we mention Terence Keel’s <em>The Coroner’s Silence</em> (Beacon Press, 2025). Keel’s New Books Network episode is available <a href="https://newbooksnetwork.com/the-coroners-silence">here</a>.</p>
<p>A Protest History of the United States: In this timely new book in Beacon’s successful <em>ReVisioning History</em> series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks.</p>
<p>Drawing upon legal documents, archival material, memoir, government documents and secondary sources, <em>A Protest History of the United States</em> expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes.</p>
<p>As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, <em>A Protest History of the United States</em> empowers readers to find their own voice in today’s fights for justice.</p>
<p>Find author Gloria J. Browne-Marshall at her <a href="https://www.browne-marshall23.com/">website</a> and on <a href="https://www.instagram.com/gbrownemarshall/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 8 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, <a href="https://newbooksnetwork.com/a-protest-history-of-the-united-states"><em>A Protest History of the United States</em></a> (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests.</p>
<p>So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.”</p>
<p>In this episode, we mention Terence Keel’s <em>The Coroner’s Silence</em> (Beacon Press, 2025). Keel’s New Books Network episode is available <a href="https://newbooksnetwork.com/the-coroners-silence">here</a>.</p>
<p>A Protest History of the United States: In this timely new book in Beacon’s successful <em>ReVisioning History</em> series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks.</p>
<p>Drawing upon legal documents, archival material, memoir, government documents and secondary sources, <em>A Protest History of the United States</em> expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes.</p>
<p>As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, <em>A Protest History of the United States</em> empowers readers to find their own voice in today’s fights for justice.</p>
<p>Find author Gloria J. Browne-Marshall at her <a href="https://www.browne-marshall23.com/">website</a> and on <a href="https://www.instagram.com/gbrownemarshall/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54590238" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ed4cf319-4afa-492d-81c5-518323ac040c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ed4cf319-4afa-492d-81c5-518323ac040c&amp;feed=KodC6fj_"/>
      <itunes:title>Gloria Browne-Marshall, &quot;A Protest History of the United States&quot; (Beacon Press, 2026) Revisited</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:48</itunes:duration>
      <itunes:summary>In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests.

So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.”

In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here.

A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes.

As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice.

Find author Gloria J. Browne-Marshall at her website and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests.

So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.”

In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here.

A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes.

As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice.

Find author Gloria J. Browne-Marshall at her website and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1865</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">51e75fe4-01e8-11f1-b108-af5f85df1fc0</guid>
      <title>Ian Smith, &quot;Black Shakespeare: Reading and Misreading Race&quot; (Cambridge UP, 2022)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781009224086"><em>Black Shakespeare: Reading and Misreading Race </em></a>(Cambridge University Press, 2022), Ian Smith urges readers of <em>Othello</em>, <em>The Merchant of Venice</em>, and <em>Hamlet</em> to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, <em>Black Shakespeare</em> is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).</p><p>Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, <em>Race and Rhetoric in the Renaissance: Barbarian Errors</em> (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 7 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781009224086"><em>Black Shakespeare: Reading and Misreading Race </em></a>(Cambridge University Press, 2022), Ian Smith urges readers of <em>Othello</em>, <em>The Merchant of Venice</em>, and <em>Hamlet</em> to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, <em>Black Shakespeare</em> is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).</p><p>Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, <em>Race and Rhetoric in the Renaissance: Barbarian Errors</em> (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67960832" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b25356b7-8851-45b3-a64c-f9b30cbeb705/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b25356b7-8851-45b3-a64c-f9b30cbeb705&amp;feed=KodC6fj_"/>
      <itunes:title>Ian Smith, &quot;Black Shakespeare: Reading and Misreading Race&quot; (Cambridge UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:47</itunes:duration>
      <itunes:summary>In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare&apos;s The Tempest, Aphra Behn&apos;s Oroonoko, and John Milton&apos;s Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare&apos;s The Tempest, Aphra Behn&apos;s Oroonoko, and John Milton&apos;s Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">791b23e4-0246-11f1-b0bd-73633ac6d3a3</guid>
      <title>Garrett Felber, &quot;A Continuous Struggle: The Revolutionary Life of Martin Sostre&quot; (AK Press, 2025)</title>
      <description><![CDATA[<p><em>The first biography of the revolutionary political prisoner who laid the foundation for contemporary abolitionist struggles and Black anarchism.</em></p>
<p><a href="https://bookshop.org/a/12343/9781849355902"><em>A Continuous Struggle: The Revolutionary Life of Martin Sostre</em></a> (AK Press, 2025) is a political biography of one of the most important revolutionary figures of the twentieth century in the United States. Martin Sostre (1923–2015) was a Black Puerto Rican from East Harlem who became a politicized prisoner and jailhouse lawyer, winning cases in the early 1960s that helped secure the constitutional rights of incarcerated people. He opened one of the country’s first radical Black bookstores and was scapegoated and framed by police and the FBI following the Buffalo rebellion of 1967. He was sentenced by an all-white jury to thirty-one to forty-one years.</p>
<p>Throughout his nine-year imprisonment, Sostre transformed himself and the revolutionary movements he was a part of, eventually identifying as a revolutionary anarchist and laying the foundation for contemporary Black anarchism. During that time, he engaged in principled resistance to strip frisks for which he was beaten eleven times, raising awareness about the routinized sexual assault of imprisoned people. The decade-long Free Martin Sostre movement was one of the greatest and most improbable defense campaign victories of the Black Power era, alongside those to liberate Angela Davis and Huey Newton. Although Sostre receded from public view after his release in 1976, he lived another four decades of committed struggle as a tenant organizer and youth mentor in New York and New Jersey. Throughout his long life, Martin Sostre was a jailhouse lawyer, revolutionary bookseller, yogi, mentor and teacher, anti-rape organizer, housing justice activist, and original political thinker. The variety of strategies he used and terrains on which he struggled emphasize the necessity and possibility of multi-faceted and continuous struggle against all forms of oppression in pursuit of an egalitarian society founded on the principles of “maximum human freedom, spirituality, and love.”</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 6 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>The first biography of the revolutionary political prisoner who laid the foundation for contemporary abolitionist struggles and Black anarchism.</em></p>
<p><a href="https://bookshop.org/a/12343/9781849355902"><em>A Continuous Struggle: The Revolutionary Life of Martin Sostre</em></a> (AK Press, 2025) is a political biography of one of the most important revolutionary figures of the twentieth century in the United States. Martin Sostre (1923–2015) was a Black Puerto Rican from East Harlem who became a politicized prisoner and jailhouse lawyer, winning cases in the early 1960s that helped secure the constitutional rights of incarcerated people. He opened one of the country’s first radical Black bookstores and was scapegoated and framed by police and the FBI following the Buffalo rebellion of 1967. He was sentenced by an all-white jury to thirty-one to forty-one years.</p>
<p>Throughout his nine-year imprisonment, Sostre transformed himself and the revolutionary movements he was a part of, eventually identifying as a revolutionary anarchist and laying the foundation for contemporary Black anarchism. During that time, he engaged in principled resistance to strip frisks for which he was beaten eleven times, raising awareness about the routinized sexual assault of imprisoned people. The decade-long Free Martin Sostre movement was one of the greatest and most improbable defense campaign victories of the Black Power era, alongside those to liberate Angela Davis and Huey Newton. Although Sostre receded from public view after his release in 1976, he lived another four decades of committed struggle as a tenant organizer and youth mentor in New York and New Jersey. Throughout his long life, Martin Sostre was a jailhouse lawyer, revolutionary bookseller, yogi, mentor and teacher, anti-rape organizer, housing justice activist, and original political thinker. The variety of strategies he used and terrains on which he struggled emphasize the necessity and possibility of multi-faceted and continuous struggle against all forms of oppression in pursuit of an egalitarian society founded on the principles of “maximum human freedom, spirituality, and love.”</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54584853" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/01f91df4-3b86-4959-8682-ea3fd480e116/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=01f91df4-3b86-4959-8682-ea3fd480e116&amp;feed=KodC6fj_"/>
      <itunes:title>Garrett Felber, &quot;A Continuous Struggle: The Revolutionary Life of Martin Sostre&quot; (AK Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:48</itunes:duration>
      <itunes:summary>The first biography of the revolutionary political prisoner who laid the foundation for contemporary abolitionist struggles and Black anarchism.

A Continuous Struggle: The Revolutionary Life of Martin Sostre (AK Press, 2025) is a political biography of one of the most important revolutionary figures of the twentieth century in the United States. Martin Sostre (1923–2015) was a Black Puerto Rican from East Harlem who became a politicized prisoner and jailhouse lawyer, winning cases in the early 1960s that helped secure the constitutional rights of incarcerated people. He opened one of the country’s first radical Black bookstores and was scapegoated and framed by police and the FBI following the Buffalo rebellion of 1967. He was sentenced by an all-white jury to thirty-one to forty-one years.

Throughout his nine-year imprisonment, Sostre transformed himself and the revolutionary movements he was a part of, eventually identifying as a revolutionary anarchist and laying the foundation for contemporary Black anarchism. During that time, he engaged in principled resistance to strip frisks for which he was beaten eleven times, raising awareness about the routinized sexual assault of imprisoned people. The decade-long Free Martin Sostre movement was one of the greatest and most improbable defense campaign victories of the Black Power era, alongside those to liberate Angela Davis and Huey Newton. Although Sostre receded from public view after his release in 1976, he lived another four decades of committed struggle as a tenant organizer and youth mentor in New York and New Jersey. Throughout his long life, Martin Sostre was a jailhouse lawyer, revolutionary bookseller, yogi, mentor and teacher, anti-rape organizer, housing justice activist, and original political thinker. The variety of strategies he used and terrains on which he struggled emphasize the necessity and possibility of multi-faceted and continuous struggle against all forms of oppression in pursuit of an egalitarian society founded on the principles of “maximum human freedom, spirituality, and love.”

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The first biography of the revolutionary political prisoner who laid the foundation for contemporary abolitionist struggles and Black anarchism.

A Continuous Struggle: The Revolutionary Life of Martin Sostre (AK Press, 2025) is a political biography of one of the most important revolutionary figures of the twentieth century in the United States. Martin Sostre (1923–2015) was a Black Puerto Rican from East Harlem who became a politicized prisoner and jailhouse lawyer, winning cases in the early 1960s that helped secure the constitutional rights of incarcerated people. He opened one of the country’s first radical Black bookstores and was scapegoated and framed by police and the FBI following the Buffalo rebellion of 1967. He was sentenced by an all-white jury to thirty-one to forty-one years.

Throughout his nine-year imprisonment, Sostre transformed himself and the revolutionary movements he was a part of, eventually identifying as a revolutionary anarchist and laying the foundation for contemporary Black anarchism. During that time, he engaged in principled resistance to strip frisks for which he was beaten eleven times, raising awareness about the routinized sexual assault of imprisoned people. The decade-long Free Martin Sostre movement was one of the greatest and most improbable defense campaign victories of the Black Power era, alongside those to liberate Angela Davis and Huey Newton. Although Sostre receded from public view after his release in 1976, he lived another four decades of committed struggle as a tenant organizer and youth mentor in New York and New Jersey. Throughout his long life, Martin Sostre was a jailhouse lawyer, revolutionary bookseller, yogi, mentor and teacher, anti-rape organizer, housing justice activist, and original political thinker. The variety of strategies he used and terrains on which he struggled emphasize the necessity and possibility of multi-faceted and continuous struggle against all forms of oppression in pursuit of an egalitarian society founded on the principles of “maximum human freedom, spirituality, and love.”

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1863</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">03b063cc-00d3-11f1-a44d-0b74432b3a49</guid>
      <title>Dianna N. Watkins-Dickerson, &quot;A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris&quot; (UP of Mississippi)</title>
      <description><![CDATA[<p>Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In <a href="https://bookshop.org/a/12343/9781496859389">A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris</a>(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.﻿</p>
<p>Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.</p>
<p>The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.</p>
<p>You can find Dianna N. Watkins Dickerson at her <a href="https://www.watkinsdickerson.com/">website</a>, and on social platforms @drdwd.</p>
<p>Find host, Sullivan Summer, at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 4 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In <a href="https://bookshop.org/a/12343/9781496859389">A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris</a>(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.﻿</p>
<p>Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.</p>
<p>The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.</p>
<p>You can find Dianna N. Watkins Dickerson at her <a href="https://www.watkinsdickerson.com/">website</a>, and on social platforms @drdwd.</p>
<p>Find host, Sullivan Summer, at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59228984" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/dd96988e-9cb4-4acc-9df8-0473e6006736/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=dd96988e-9cb4-4acc-9df8-0473e6006736&amp;feed=KodC6fj_"/>
      <itunes:title>Dianna N. Watkins-Dickerson, &quot;A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris&quot; (UP of Mississippi)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:37</itunes:duration>
      <itunes:summary>Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.﻿

Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.

The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.

You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.﻿

Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.

The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.

You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1862</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3c8edcbc-6d16-11ee-86a7-cfcd01df3509</guid>
      <title>Danielle N. Boaz, &quot;Voodoo: The History of a Racial Slur&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p>Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic.</p><p>In <a href="https://bookshop.org/a/12343/9780197689417"><em>Voodoo: The History of a Racial Slur</em></a> (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Dr. Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 1 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic.</p><p>In <a href="https://bookshop.org/a/12343/9780197689417"><em>Voodoo: The History of a Racial Slur</em></a> (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Dr. Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58716753" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e1fa1d61-3752-408e-b242-adfe3b732b4d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e1fa1d61-3752-408e-b242-adfe3b732b4d&amp;feed=KodC6fj_"/>
      <itunes:title>Danielle N. Boaz, &quot;Voodoo: The History of a Racial Slur&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:09</itunes:duration>
      <itunes:summary>Coined in the middle of the nineteenth century, the term &quot;voodoo&quot; has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. &quot;Voodoo&quot; is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic.
In Voodoo: The History of a Racial Slur (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of &quot;voodoo&quot; as they have varied over time, with an emphasis on the intricate connection between stereotypes of &quot;voodoo&quot; and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain &quot;superstitions&quot; that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as &quot;voodoo cults.&quot; More recently, ideas about &quot;voodoo&quot; have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Dr. Boaz shows that the term &quot;voodoo&quot; has often been a tool of racism, colonialism, and oppression.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Coined in the middle of the nineteenth century, the term &quot;voodoo&quot; has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. &quot;Voodoo&quot; is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic.
In Voodoo: The History of a Racial Slur (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of &quot;voodoo&quot; as they have varied over time, with an emphasis on the intricate connection between stereotypes of &quot;voodoo&quot; and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain &quot;superstitions&quot; that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as &quot;voodoo cults.&quot; More recently, ideas about &quot;voodoo&quot; have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Dr. Boaz shows that the term &quot;voodoo&quot; has often been a tool of racism, colonialism, and oppression.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>422</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0f2927d2-ff95-11f0-8ddd-4f54901af2c8</guid>
      <title>The Caste Question with Suraj Yengde and Anupama Rao</title>
      <description><![CDATA[<p>TCP’s inaugural episode features Suraj Yengde and Anupama Rao, two scholars whose academic work and activism have helped to set the parameters of the contemporary debate on caste. In our conversation, we addressed the challenge of defining caste, their individual pathways into researching and writing on the caste question, and the virtues and limitations of comparing caste and race as two enduring forms of social stratification. We ended with a discussion of Isabel Wilkerson’s <em>Caste: The Origins of Our Discontents</em>, the runaway bestseller that made caste and its relationship to race a topic of mainstream debate in the United States.</p>
<p>Guests:</p>
<p><a href="https://www.surajyengde.com/">Suraj Yengde</a>: scholar, public intellectual, and anti-caste activist.</p>
<p><a href="https://mesaas.columbia.edu/faculty-directory/anupama-rao/">Anupama Rao</a>: Professor of History and Middle Eastern, South Asian, and African Studies, Columbia University</p>
<p>Mentioned in the episode:</p>
<p>B.R. Ambedkar, <a href="https://www.versobooks.com/products/75-annihilation-of-caste?srsltid=AfmBOopnSikAMZu3oy7zrmLWJGSV6ze2mmIXfwPFswLpB6PJlJHFE2kK">Annihilation of Caste</a></p>
<p>IITs: the Indian Institutes of Technology</p>
<p>IIMs: the Indian Institutes of Management</p>
<p>Reserved candidates: beneficiaries of India’s system of affirmative action</p>
<p>B.R. Ambedkar, “<a>Castes in India</a>”</p>
<p>Isabel Wilkerson, <a href="https://www.penguinrandomhouse.com/books/653196/caste-by-isabel-wilkerson/">Caste: The Origins of Our Discontents</a></p>
<p>Anupama Rao, <a href="https://www.ucpress.edu/books/the-caste-question/paper">The Caste Question</a></p>
<p>Suraj Yengde, <a href="https://www.penguin.co.in/book/caste-matters/">Caste Matters</a></p>
<p>Suraj Yengde, <a href="https://www.hurstpublishers.com/book/caste/">Caste: A Global Story</a></p>
<p><a href="https://www.shaadi.com/">Shaadi.com</a>: an Indian matrimonial website</p>
<p>Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra.</p>
<p>Periyar: E.V. Ramasamy Naicker, commonly known as Periyar, was a writer, social revolutionary, and politician who was one of the principal ideologues of the Self-Respect Movement.</p>
<p>Begumpura, or “city without sorrow” expresses the notion of a casteless, classless utopia and was first formulated by Sant Ravidas (c. 1450-1520).</p>
<p>Dalit Panthers was a revolutionary, anti-caste organization founded in 1972. It was based in Maharashtra and drew inspiration from the American Black Panther Party.</p>
<p>Oliver Cox, Caste, Class, and Race: A Study in Social Dynamics (1948)</p>
<p>Divya Cherian, <a href="https://www.ucpress.edu/books/merchants-of-virtue/paper">Merchants of Virtue</a></p>
<p><a href="https://www.penguin.co.in/book/meet-the-savarnas/">Meet the Savarnas</a>: 2025 book by Ravikant Kisana</p>
<p>Ramesh Bairy, <a href="https://www.routledge.com/Being-Brahmin-Being-Modern-Exploring-the-Lives-of-Caste-Today/Bairy/p/book/9781138662681">Being Brahmin, Being Modern</a></p>
<p>Dumont, <a href="https://press.uchicago.edu/ucp/books/book/chicago/H/bo25135790.html">Homo Hierarchicus</a></p>
<p>Daniel Immerwahr, “<a>Caste of Colony</a>?”</p>
<p>Nico Slate, <a href="https://www.hup.harvard.edu/books/9780674979727">Colored Cosmopolitanism</a></p>
<p>W.E.B. Du Bois, <a href="https://www.penguinrandomhouse.com/books/463741/the-souls-of-black-folk-by-web-du-bois/9781598530544/?ref=PRHB7BD76FBDB&amp;aid=14813&amp;linkid=PRHB7BD76FBDB">The Souls of Black Folk</a></p>
<p>W.E.B. Du Bois, <a href="https://archive.org/details/blackreconstruc00dubo/page/n5/mode/2up">Black Reconstruction</a></p>
<p><em>Ajantha Subramanian is Professor of Anthropology at CUNY Graduate Center and host of The Caste Pod.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 1 Feb 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>TCP’s inaugural episode features Suraj Yengde and Anupama Rao, two scholars whose academic work and activism have helped to set the parameters of the contemporary debate on caste. In our conversation, we addressed the challenge of defining caste, their individual pathways into researching and writing on the caste question, and the virtues and limitations of comparing caste and race as two enduring forms of social stratification. We ended with a discussion of Isabel Wilkerson’s <em>Caste: The Origins of Our Discontents</em>, the runaway bestseller that made caste and its relationship to race a topic of mainstream debate in the United States.</p>
<p>Guests:</p>
<p><a href="https://www.surajyengde.com/">Suraj Yengde</a>: scholar, public intellectual, and anti-caste activist.</p>
<p><a href="https://mesaas.columbia.edu/faculty-directory/anupama-rao/">Anupama Rao</a>: Professor of History and Middle Eastern, South Asian, and African Studies, Columbia University</p>
<p>Mentioned in the episode:</p>
<p>B.R. Ambedkar, <a href="https://www.versobooks.com/products/75-annihilation-of-caste?srsltid=AfmBOopnSikAMZu3oy7zrmLWJGSV6ze2mmIXfwPFswLpB6PJlJHFE2kK">Annihilation of Caste</a></p>
<p>IITs: the Indian Institutes of Technology</p>
<p>IIMs: the Indian Institutes of Management</p>
<p>Reserved candidates: beneficiaries of India’s system of affirmative action</p>
<p>B.R. Ambedkar, “<a>Castes in India</a>”</p>
<p>Isabel Wilkerson, <a href="https://www.penguinrandomhouse.com/books/653196/caste-by-isabel-wilkerson/">Caste: The Origins of Our Discontents</a></p>
<p>Anupama Rao, <a href="https://www.ucpress.edu/books/the-caste-question/paper">The Caste Question</a></p>
<p>Suraj Yengde, <a href="https://www.penguin.co.in/book/caste-matters/">Caste Matters</a></p>
<p>Suraj Yengde, <a href="https://www.hurstpublishers.com/book/caste/">Caste: A Global Story</a></p>
<p><a href="https://www.shaadi.com/">Shaadi.com</a>: an Indian matrimonial website</p>
<p>Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra.</p>
<p>Periyar: E.V. Ramasamy Naicker, commonly known as Periyar, was a writer, social revolutionary, and politician who was one of the principal ideologues of the Self-Respect Movement.</p>
<p>Begumpura, or “city without sorrow” expresses the notion of a casteless, classless utopia and was first formulated by Sant Ravidas (c. 1450-1520).</p>
<p>Dalit Panthers was a revolutionary, anti-caste organization founded in 1972. It was based in Maharashtra and drew inspiration from the American Black Panther Party.</p>
<p>Oliver Cox, Caste, Class, and Race: A Study in Social Dynamics (1948)</p>
<p>Divya Cherian, <a href="https://www.ucpress.edu/books/merchants-of-virtue/paper">Merchants of Virtue</a></p>
<p><a href="https://www.penguin.co.in/book/meet-the-savarnas/">Meet the Savarnas</a>: 2025 book by Ravikant Kisana</p>
<p>Ramesh Bairy, <a href="https://www.routledge.com/Being-Brahmin-Being-Modern-Exploring-the-Lives-of-Caste-Today/Bairy/p/book/9781138662681">Being Brahmin, Being Modern</a></p>
<p>Dumont, <a href="https://press.uchicago.edu/ucp/books/book/chicago/H/bo25135790.html">Homo Hierarchicus</a></p>
<p>Daniel Immerwahr, “<a>Caste of Colony</a>?”</p>
<p>Nico Slate, <a href="https://www.hup.harvard.edu/books/9780674979727">Colored Cosmopolitanism</a></p>
<p>W.E.B. Du Bois, <a href="https://www.penguinrandomhouse.com/books/463741/the-souls-of-black-folk-by-web-du-bois/9781598530544/?ref=PRHB7BD76FBDB&amp;aid=14813&amp;linkid=PRHB7BD76FBDB">The Souls of Black Folk</a></p>
<p>W.E.B. Du Bois, <a href="https://archive.org/details/blackreconstruc00dubo/page/n5/mode/2up">Black Reconstruction</a></p>
<p><em>Ajantha Subramanian is Professor of Anthropology at CUNY Graduate Center and host of The Caste Pod.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57267142" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3dd30f03-83d1-40f2-91c7-b561db34a8cd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3dd30f03-83d1-40f2-91c7-b561db34a8cd&amp;feed=KodC6fj_"/>
      <itunes:title>The Caste Question with Suraj Yengde and Anupama Rao</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:36</itunes:duration>
      <itunes:summary>TCP’s inaugural episode features Suraj Yengde and Anupama Rao, two scholars whose academic work and activism have helped to set the parameters of the contemporary debate on caste. In our conversation, we addressed the challenge of defining caste, their individual pathways into researching and writing on the caste question, and the virtues and limitations of comparing caste and race as two enduring forms of social stratification. We ended with a discussion of Isabel Wilkerson’s Caste: The Origins of Our Discontents, the runaway bestseller that made caste and its relationship to race a topic of mainstream debate in the United States.

Guests:

Suraj Yengde: scholar, public intellectual, and anti-caste activist.

Anupama Rao: Professor of History and Middle Eastern, South Asian, and African Studies, Columbia University

Mentioned in the episode:

B.R. Ambedkar, Annihilation of Caste

IITs: the Indian Institutes of Technology

IIMs: the Indian Institutes of Management

Reserved candidates: beneficiaries of India’s system of affirmative action

B.R. Ambedkar, “Castes in India”

Isabel Wilkerson, Caste: The Origins of Our Discontents

Anupama Rao, The Caste Question

Suraj Yengde, Caste Matters

Suraj Yengde, Caste: A Global Story

Shaadi.com: an Indian matrimonial website

Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra.

Periyar: E.V. Ramasamy Naicker, commonly known as Periyar, was a writer, social revolutionary, and politician who was one of the principal ideologues of the Self-Respect Movement.

Begumpura, or “city without sorrow” expresses the notion of a casteless, classless utopia and was first formulated by Sant Ravidas (c. 1450-1520).

Dalit Panthers was a revolutionary, anti-caste organization founded in 1972. It was based in Maharashtra and drew inspiration from the American Black Panther Party.

Oliver Cox, Caste, Class, and Race: A Study in Social Dynamics (1948)

Divya Cherian, Merchants of Virtue

Meet the Savarnas: 2025 book by Ravikant Kisana

Ramesh Bairy, Being Brahmin, Being Modern

Dumont, Homo Hierarchicus

Daniel Immerwahr, “Caste of Colony?”

Nico Slate, Colored Cosmopolitanism

W.E.B. Du Bois, The Souls of Black Folk

W.E.B. Du Bois, Black Reconstruction

Ajantha Subramanian is Professor of Anthropology at CUNY Graduate Center and host of The Caste Pod.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>TCP’s inaugural episode features Suraj Yengde and Anupama Rao, two scholars whose academic work and activism have helped to set the parameters of the contemporary debate on caste. In our conversation, we addressed the challenge of defining caste, their individual pathways into researching and writing on the caste question, and the virtues and limitations of comparing caste and race as two enduring forms of social stratification. We ended with a discussion of Isabel Wilkerson’s Caste: The Origins of Our Discontents, the runaway bestseller that made caste and its relationship to race a topic of mainstream debate in the United States.

Guests:

Suraj Yengde: scholar, public intellectual, and anti-caste activist.

Anupama Rao: Professor of History and Middle Eastern, South Asian, and African Studies, Columbia University

Mentioned in the episode:

B.R. Ambedkar, Annihilation of Caste

IITs: the Indian Institutes of Technology

IIMs: the Indian Institutes of Management

Reserved candidates: beneficiaries of India’s system of affirmative action

B.R. Ambedkar, “Castes in India”

Isabel Wilkerson, Caste: The Origins of Our Discontents

Anupama Rao, The Caste Question

Suraj Yengde, Caste Matters

Suraj Yengde, Caste: A Global Story

Shaadi.com: an Indian matrimonial website

Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra.

Periyar: E.V. Ramasamy Naicker, commonly known as Periyar, was a writer, social revolutionary, and politician who was one of the principal ideologues of the Self-Respect Movement.

Begumpura, or “city without sorrow” expresses the notion of a casteless, classless utopia and was first formulated by Sant Ravidas (c. 1450-1520).

Dalit Panthers was a revolutionary, anti-caste organization founded in 1972. It was based in Maharashtra and drew inspiration from the American Black Panther Party.

Oliver Cox, Caste, Class, and Race: A Study in Social Dynamics (1948)

Divya Cherian, Merchants of Virtue

Meet the Savarnas: 2025 book by Ravikant Kisana

Ramesh Bairy, Being Brahmin, Being Modern

Dumont, Homo Hierarchicus

Daniel Immerwahr, “Caste of Colony?”

Nico Slate, Colored Cosmopolitanism

W.E.B. Du Bois, The Souls of Black Folk

W.E.B. Du Bois, Black Reconstruction

Ajantha Subramanian is Professor of Anthropology at CUNY Graduate Center and host of The Caste Pod.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1860</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1feef200-faf8-11f0-9e57-c7f38bc0c392</guid>
      <title>Blair Kelley, &quot;Black Folk: The Roots of the Black Working Class&quot; (LIveright, 2023)</title>
      <description><![CDATA[<p>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the <em>white </em>working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. </p><p>In <a href="https://bookshop.org/a/12343/9781631496554"><em>Black Folk: The Roots of the Black Working Class</em> </a>(LIveright, 2023<em>), </em>Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.</p><p>Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.</p><p>Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, <em>Black Folk</em> celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” <em>Black Folk</em> looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.</p><p><a href="https://www.profblmkelley.com/">Dr. Blair LM Kelley</a> is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of <a href="https://bookshop.org/p/books/right-to-ride-streetcar-boycotts-and-african-american-citizenship-in-the-era-of-plessy-v-ferguson-blair-l-m-kelley/10090103"><em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson</em></a> from the University of North Carolina Press.</p><p>Dr. Kelley mentions Dr. Tera W. Hunter’s <a href="https://bookshop.org/p/books/to-joy-my-freedom-southern-black-women-s-lives-and-labors-after-the-civil-war-tera-w-hunter/6726921?gclid=Cj0KCQjwwvilBhCFARIsADvYi7KdjrVy3RX86sASEF8xzlk8qYccLxCHgFIeAXN7FgDdJ_kt_oemwTkaAil4EALw_wcB"><em>To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War</em></a>, Duke University’s <a href="https://repository.duke.edu/dc/behindtheveil"><em>Behind the Veil</em></a> oral history project, and Philip R. Rubio’s <a href="https://bookshop.org/p/books/there-s-always-work-at-the-post-office-african-american-postal-workers-and-the-fight-for-jobs-justice-and-equality-philip-f-rubio/10083852"><em>There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 31 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the <em>white </em>working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. </p><p>In <a href="https://bookshop.org/a/12343/9781631496554"><em>Black Folk: The Roots of the Black Working Class</em> </a>(LIveright, 2023<em>), </em>Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.</p><p>Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.</p><p>Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, <em>Black Folk</em> celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” <em>Black Folk</em> looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.</p><p><a href="https://www.profblmkelley.com/">Dr. Blair LM Kelley</a> is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of <a href="https://bookshop.org/p/books/right-to-ride-streetcar-boycotts-and-african-american-citizenship-in-the-era-of-plessy-v-ferguson-blair-l-m-kelley/10090103"><em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson</em></a> from the University of North Carolina Press.</p><p>Dr. Kelley mentions Dr. Tera W. Hunter’s <a href="https://bookshop.org/p/books/to-joy-my-freedom-southern-black-women-s-lives-and-labors-after-the-civil-war-tera-w-hunter/6726921?gclid=Cj0KCQjwwvilBhCFARIsADvYi7KdjrVy3RX86sASEF8xzlk8qYccLxCHgFIeAXN7FgDdJ_kt_oemwTkaAil4EALw_wcB"><em>To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War</em></a>, Duke University’s <a href="https://repository.duke.edu/dc/behindtheveil"><em>Behind the Veil</em></a> oral history project, and Philip R. Rubio’s <a href="https://bookshop.org/p/books/there-s-always-work-at-the-post-office-african-american-postal-workers-and-the-fight-for-jobs-justice-and-equality-philip-f-rubio/10083852"><em>There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40595272" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0c051f06-7e7a-4d0c-b8ce-ea080244f892/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0c051f06-7e7a-4d0c-b8ce-ea080244f892&amp;feed=KodC6fj_"/>
      <itunes:title>Blair Kelley, &quot;Black Folk: The Roots of the Black Working Class&quot; (LIveright, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:16</itunes:duration>
      <itunes:summary>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 
In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.
Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.
Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.
Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.
Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 
In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.
Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.
Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.
Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.
Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>666</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a2e90f92-fc10-11f0-812b-a79f86626ed1</guid>
      <title>Justin L. Mann, &quot;Breaking the World: ﻿﻿Black Insecurity and the Horizons of Speculation&quot; (Duke UP, 2026)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781478029816">Breaking the World: Black Insecurity and the Horizons of Speculation </a>(Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781478029816">Breaking the World: Black Insecurity and the Horizons of Speculation </a>(Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="103464620" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2d9d9ed7-ec3d-4ffb-bcd2-b18e500db69e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2d9d9ed7-ec3d-4ffb-bcd2-b18e500db69e&amp;feed=KodC6fj_"/>
      <itunes:title>Justin L. Mann, &quot;Breaking the World: ﻿﻿Black Insecurity and the Horizons of Speculation&quot; (Duke UP, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:47:43</itunes:duration>
      <itunes:summary>Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and &quot;Black insecurity.&quot; Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization&quot;-- Provided by publisher.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and &quot;Black insecurity.&quot; Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization&quot;-- Provided by publisher.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1858</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5e242b4c-fc0d-11f0-aa47-37b763fe1772</guid>
      <title>Ghost in the Criminal Justice Machine</title>
      <description><![CDATA[<p>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In <a href="https://bookshop.org/a/12343/9781620977880">Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future</a>, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.</p>
<p>During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for <em>Easy Street Magazine</em>; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.</p>
<p>DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. <em>Ghost in the Criminal Justice Machine</em> adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.</p>
<p>This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.</p>
<p>Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the <em>San Francisco Chronicle</em>, the <em>San Jose Mercury News</em>, <em>Colorlines</em>, <em>The Appeal</em>, <em>The Rumpus</em>, and <em>Seventh Wave</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice">Hands Up, Don't Shoot</a></li>
  <li><a href="https://newbooksnetwork.com/freemans-challenge">Freemans Challenge</a></li>
  <li><a href="https://newbooksnetwork.com/stitching-freedom">Stitching Freedom</a></li>
  <li><a href="https://newbooksnetwork.com/education-behind-the-wall">Education Behind The Wall</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/brittany-friedman-carceral-apartheid-how-lies-and-white-supremacists-run-our-prisons-unc-press-2025">Carceral Apartheid</a></li>
  <li><a href="https://newbooksnetwork.com/no-common-ground">No Common Ground</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In <a href="https://bookshop.org/a/12343/9781620977880">Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future</a>, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.</p>
<p>During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for <em>Easy Street Magazine</em>; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.</p>
<p>DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. <em>Ghost in the Criminal Justice Machine</em> adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.</p>
<p>This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.</p>
<p>Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the <em>San Francisco Chronicle</em>, the <em>San Jose Mercury News</em>, <em>Colorlines</em>, <em>The Appeal</em>, <em>The Rumpus</em>, and <em>Seventh Wave</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice">Hands Up, Don't Shoot</a></li>
  <li><a href="https://newbooksnetwork.com/freemans-challenge">Freemans Challenge</a></li>
  <li><a href="https://newbooksnetwork.com/stitching-freedom">Stitching Freedom</a></li>
  <li><a href="https://newbooksnetwork.com/education-behind-the-wall">Education Behind The Wall</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/brittany-friedman-carceral-apartheid-how-lies-and-white-supremacists-run-our-prisons-unc-press-2025">Carceral Apartheid</a></li>
  <li><a href="https://newbooksnetwork.com/no-common-ground">No Common Ground</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="39933334" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6c0e959b-fcce-4113-bd52-afeaa51e3971/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6c0e959b-fcce-4113-bd52-afeaa51e3971&amp;feed=KodC6fj_"/>
      <itunes:title>Ghost in the Criminal Justice Machine</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:33</itunes:duration>
      <itunes:summary>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.

During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for Easy Street Magazine; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.

DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. Ghost in the Criminal Justice Machine adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.

This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.

Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the San Francisco Chronicle, the San Jose Mercury News, Colorlines, The Appeal, The Rumpus, and Seventh Wave.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.

Playlist for listeners:


  Hands Up, Don&apos;t Shoot

  Freemans Challenge

  Stitching Freedom

  Education Behind The Wall

  What Might Be

  Carceral Apartheid

  No Common Ground


Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.

During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for Easy Street Magazine; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.

DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. Ghost in the Criminal Justice Machine adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.

This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.

Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the San Francisco Chronicle, the San Jose Mercury News, Colorlines, The Appeal, The Rumpus, and Seventh Wave.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.

Playlist for listeners:


  Hands Up, Don&apos;t Shoot

  Freemans Challenge

  Stitching Freedom

  Education Behind The Wall

  What Might Be

  Carceral Apartheid

  No Common Ground


Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1857</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">247fce84-fb3e-11f0-a338-f7236ff00e94</guid>
      <title>Mark Anthony Neal, &quot;New Black Man&quot; (﻿Routledge, 2015)</title>
      <description><![CDATA[<p>In honor of the twentieth anniversary of Mark Anthony Neal’s pivotal text <a href="https://bookshop.org/a/12343/9781138792586">New Black Man</a><em> </em>(﻿Routledge, 2015), Mickell Carter interviews Neal about the book’s revolutionary model of Black masculinity for the twenty-first century—one that moves beyond patriarchy to embrace feminism and confront homophobia.</p>
<p>Now more vital than ever, <em>New Black Man</em> urges us to imagine a redefined Black masculinity grounded in family, community, and diversity. Part memoir and part manifesto, the book celebrates the Black man of our time in all his vibrancy and complexity.</p>
<p>The tenth-anniversary edition (2015) of this classic text includes a new foreword by Joan Morgan, as well as a new introduction and postscript by Neal, which bring the book’s central questions into the present.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 28 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In honor of the twentieth anniversary of Mark Anthony Neal’s pivotal text <a href="https://bookshop.org/a/12343/9781138792586">New Black Man</a><em> </em>(﻿Routledge, 2015), Mickell Carter interviews Neal about the book’s revolutionary model of Black masculinity for the twenty-first century—one that moves beyond patriarchy to embrace feminism and confront homophobia.</p>
<p>Now more vital than ever, <em>New Black Man</em> urges us to imagine a redefined Black masculinity grounded in family, community, and diversity. Part memoir and part manifesto, the book celebrates the Black man of our time in all his vibrancy and complexity.</p>
<p>The tenth-anniversary edition (2015) of this classic text includes a new foreword by Joan Morgan, as well as a new introduction and postscript by Neal, which bring the book’s central questions into the present.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31096852" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/262b3d9d-ca27-4b1e-95e5-4ed327bacea8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=262b3d9d-ca27-4b1e-95e5-4ed327bacea8&amp;feed=KodC6fj_"/>
      <itunes:title>Mark Anthony Neal, &quot;New Black Man&quot; (﻿Routledge, 2015)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:32:19</itunes:duration>
      <itunes:summary>In honor of the twentieth anniversary of Mark Anthony Neal’s pivotal text New Black Man (﻿Routledge, 2015), Mickell Carter interviews Neal about the book’s revolutionary model of Black masculinity for the twenty-first century—one that moves beyond patriarchy to embrace feminism and confront homophobia.

Now more vital than ever, New Black Man urges us to imagine a redefined Black masculinity grounded in family, community, and diversity. Part memoir and part manifesto, the book celebrates the Black man of our time in all his vibrancy and complexity.

The tenth-anniversary edition (2015) of this classic text includes a new foreword by Joan Morgan, as well as a new introduction and postscript by Neal, which bring the book’s central questions into the present.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In honor of the twentieth anniversary of Mark Anthony Neal’s pivotal text New Black Man (﻿Routledge, 2015), Mickell Carter interviews Neal about the book’s revolutionary model of Black masculinity for the twenty-first century—one that moves beyond patriarchy to embrace feminism and confront homophobia.

Now more vital than ever, New Black Man urges us to imagine a redefined Black masculinity grounded in family, community, and diversity. Part memoir and part manifesto, the book celebrates the Black man of our time in all his vibrancy and complexity.

The tenth-anniversary edition (2015) of this classic text includes a new foreword by Joan Morgan, as well as a new introduction and postscript by Neal, which bring the book’s central questions into the present.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1856</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5216f410-fa87-11f0-8e6a-eba487d212ae</guid>
      <title>Alaina M. Morgan, &quot;Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>Alaina Morgan's <a href="https://bookshop.org/a/12343/9781469688718"><em>Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora</em> </a>(UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Muslims in the United States and the Caribbean. Using rich archival material, such as the Nation of Islam’s <em>Muhammad Speaks</em>, we learn about 20th century Black Muslim movements such as the Moorish Science Temple and the Nation of Islam as they encounter and engage with South Asian Muslim communities, like the Ahmadiyya movement in the US, as their discourses of global anti-imperial and decolonial struggles shaped or overlapped with each other. The second half of the book takes us to Bermuda to trace the translation of these Black Muslim liberation movements into the Caribbean. By focusing on the flow and encounters of these overlapping diasporas, we learn how anti-imperial and ant-colonial discourses were inhabited by varied South Asian, Black, and Afro-Caribbean diasporic communities, and how organizing, be it around labour and education, framed Islam through Black and Afro-diasporic liberatory registers. Morgan’s sharp analysis of these rich diasporic flows charts new <em>imagined</em> geographies of freedom struggles and resistance. This study will be of interest to scholars who think and write on Islam in the global west and the Caribbean, diaspora studies, anti-colonial and anti-imperial Muslim organizing and much more.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 27 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Alaina Morgan's <a href="https://bookshop.org/a/12343/9781469688718"><em>Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora</em> </a>(UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Muslims in the United States and the Caribbean. Using rich archival material, such as the Nation of Islam’s <em>Muhammad Speaks</em>, we learn about 20th century Black Muslim movements such as the Moorish Science Temple and the Nation of Islam as they encounter and engage with South Asian Muslim communities, like the Ahmadiyya movement in the US, as their discourses of global anti-imperial and decolonial struggles shaped or overlapped with each other. The second half of the book takes us to Bermuda to trace the translation of these Black Muslim liberation movements into the Caribbean. By focusing on the flow and encounters of these overlapping diasporas, we learn how anti-imperial and ant-colonial discourses were inhabited by varied South Asian, Black, and Afro-Caribbean diasporic communities, and how organizing, be it around labour and education, framed Islam through Black and Afro-diasporic liberatory registers. Morgan’s sharp analysis of these rich diasporic flows charts new <em>imagined</em> geographies of freedom struggles and resistance. This study will be of interest to scholars who think and write on Islam in the global west and the Caribbean, diaspora studies, anti-colonial and anti-imperial Muslim organizing and much more.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66706590" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d2641c58-def4-4617-b334-6a8f554394db/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d2641c58-def4-4617-b334-6a8f554394db&amp;feed=KodC6fj_"/>
      <itunes:title>Alaina M. Morgan, &quot;Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:26</itunes:duration>
      <itunes:summary>Alaina Morgan&apos;s Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora (UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Muslims in the United States and the Caribbean. Using rich archival material, such as the Nation of Islam’s Muhammad Speaks, we learn about 20th century Black Muslim movements such as the Moorish Science Temple and the Nation of Islam as they encounter and engage with South Asian Muslim communities, like the Ahmadiyya movement in the US, as their discourses of global anti-imperial and decolonial struggles shaped or overlapped with each other. The second half of the book takes us to Bermuda to trace the translation of these Black Muslim liberation movements into the Caribbean. By focusing on the flow and encounters of these overlapping diasporas, we learn how anti-imperial and ant-colonial discourses were inhabited by varied South Asian, Black, and Afro-Caribbean diasporic communities, and how organizing, be it around labour and education, framed Islam through Black and Afro-diasporic liberatory registers. Morgan’s sharp analysis of these rich diasporic flows charts new imagined geographies of freedom struggles and resistance. This study will be of interest to scholars who think and write on Islam in the global west and the Caribbean, diaspora studies, anti-colonial and anti-imperial Muslim organizing and much more.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Alaina Morgan&apos;s Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora (UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Muslims in the United States and the Caribbean. Using rich archival material, such as the Nation of Islam’s Muhammad Speaks, we learn about 20th century Black Muslim movements such as the Moorish Science Temple and the Nation of Islam as they encounter and engage with South Asian Muslim communities, like the Ahmadiyya movement in the US, as their discourses of global anti-imperial and decolonial struggles shaped or overlapped with each other. The second half of the book takes us to Bermuda to trace the translation of these Black Muslim liberation movements into the Caribbean. By focusing on the flow and encounters of these overlapping diasporas, we learn how anti-imperial and ant-colonial discourses were inhabited by varied South Asian, Black, and Afro-Caribbean diasporic communities, and how organizing, be it around labour and education, framed Islam through Black and Afro-diasporic liberatory registers. Morgan’s sharp analysis of these rich diasporic flows charts new imagined geographies of freedom struggles and resistance. This study will be of interest to scholars who think and write on Islam in the global west and the Caribbean, diaspora studies, anti-colonial and anti-imperial Muslim organizing and much more.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1855</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6396b580-f826-11f0-9139-03e6fd10a830</guid>
      <title>Kimberley Johnson, &quot;Dark Concrete: Black Power Urbanism and the American Metropolis&quot; (Cornell UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781501781841">Dark Concrete: Black Power Urbanism and the American Metropolis</a> (Cornell UP, 2025) by Dr. Kimberley Johnson is about how the Black Power movement reshaped urban politics in the United States—from expectations to practices. Although the national and international dimensions of the Black Power movement are often focused on, Dr. Johnson looks at the movement at the local level, highlighting Newark and East Orange, New Jersey, and Oakland and East Palo Alto, California, and three policy areas: housing, education, and policing.</p>
<p>Dr. Johnson examines how Black Power Urbanism had its own local meanings as it was defined by local activists, neighborhood residents, parents, tenants, and others who sought to repair cities and particularly black neighborhoods that were shattered due to urban renewal and highway construction, as well as ongoing political and economic disinvestment. <em>Dark Concrete</em> depicts how local conditions influenced the emergence of the Black Power movement and, in turn, the ways in which these local movements reshaped urban politics, institutions, and place.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 25 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781501781841">Dark Concrete: Black Power Urbanism and the American Metropolis</a> (Cornell UP, 2025) by Dr. Kimberley Johnson is about how the Black Power movement reshaped urban politics in the United States—from expectations to practices. Although the national and international dimensions of the Black Power movement are often focused on, Dr. Johnson looks at the movement at the local level, highlighting Newark and East Orange, New Jersey, and Oakland and East Palo Alto, California, and three policy areas: housing, education, and policing.</p>
<p>Dr. Johnson examines how Black Power Urbanism had its own local meanings as it was defined by local activists, neighborhood residents, parents, tenants, and others who sought to repair cities and particularly black neighborhoods that were shattered due to urban renewal and highway construction, as well as ongoing political and economic disinvestment. <em>Dark Concrete</em> depicts how local conditions influenced the emergence of the Black Power movement and, in turn, the ways in which these local movements reshaped urban politics, institutions, and place.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50335620" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/703b6a3e-5117-4c9e-94e5-554ea438366b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=703b6a3e-5117-4c9e-94e5-554ea438366b&amp;feed=KodC6fj_"/>
      <itunes:title>Kimberley Johnson, &quot;Dark Concrete: Black Power Urbanism and the American Metropolis&quot; (Cornell UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:21</itunes:duration>
      <itunes:summary>Dark Concrete: Black Power Urbanism and the American Metropolis (Cornell UP, 2025) by Dr. Kimberley Johnson is about how the Black Power movement reshaped urban politics in the United States—from expectations to practices. Although the national and international dimensions of the Black Power movement are often focused on, Dr. Johnson looks at the movement at the local level, highlighting Newark and East Orange, New Jersey, and Oakland and East Palo Alto, California, and three policy areas: housing, education, and policing.

Dr. Johnson examines how Black Power Urbanism had its own local meanings as it was defined by local activists, neighborhood residents, parents, tenants, and others who sought to repair cities and particularly black neighborhoods that were shattered due to urban renewal and highway construction, as well as ongoing political and economic disinvestment. Dark Concrete depicts how local conditions influenced the emergence of the Black Power movement and, in turn, the ways in which these local movements reshaped urban politics, institutions, and place.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dark Concrete: Black Power Urbanism and the American Metropolis (Cornell UP, 2025) by Dr. Kimberley Johnson is about how the Black Power movement reshaped urban politics in the United States—from expectations to practices. Although the national and international dimensions of the Black Power movement are often focused on, Dr. Johnson looks at the movement at the local level, highlighting Newark and East Orange, New Jersey, and Oakland and East Palo Alto, California, and three policy areas: housing, education, and policing.

Dr. Johnson examines how Black Power Urbanism had its own local meanings as it was defined by local activists, neighborhood residents, parents, tenants, and others who sought to repair cities and particularly black neighborhoods that were shattered due to urban renewal and highway construction, as well as ongoing political and economic disinvestment. Dark Concrete depicts how local conditions influenced the emergence of the Black Power movement and, in turn, the ways in which these local movements reshaped urban politics, institutions, and place.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1854</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0e0d0f4e-f68a-11f0-91b6-774797c095e6</guid>
      <title>Terence Keel, &quot;The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence&quot; (Beacon Press, 2025)</title>
      <description><![CDATA[<p>Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. <a href="https://bookshop.org/a/12343/9780807017517">The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence</a><em> </em>(Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.<br />Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.<br /><em>The Coroner’s Silence</em> uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.<br />True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. <em>The Coroner’s Silence</em> is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence.</p>
<p>You can Terrence Keel at his <a href="https://www.terencekeel.com/">website</a>.</p>
<p>Find host, Sullivan Summer, at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 23 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. <a href="https://bookshop.org/a/12343/9780807017517">The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence</a><em> </em>(Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.<br />Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.<br /><em>The Coroner’s Silence</em> uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.<br />True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. <em>The Coroner’s Silence</em> is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence.</p>
<p>You can Terrence Keel at his <a href="https://www.terencekeel.com/">website</a>.</p>
<p>Find host, Sullivan Summer, at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51497786" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e2fc21ad-56f6-424e-90c4-35ffe5c41a59/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e2fc21ad-56f6-424e-90c4-35ffe5c41a59&amp;feed=KodC6fj_"/>
      <itunes:title>Terence Keel, &quot;The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence&quot; (Beacon Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:35</itunes:duration>
      <itunes:summary>Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner’s Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence.

You can Terrence Keel at his website.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner’s Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence.

You can Terrence Keel at his website.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1853</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d3efd7f6-f4e5-11f0-a55e-3ba076cb4020</guid>
      <title>Kellen Hoxworth, &quot;Transoceanic Blackface: Empire, Race, Performance&quot; (Northwestern UP, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780810147072">Transoceanic Blackface: Empire, Race, Performance</a> (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century.</p>
<p>A material history of racialized performance throughout the Anglophone imperial world, <em>Transoceanic Blackface: Empire, Race, Performance</em> revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques.</p>
<p>Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, <em>Transoceanic Blackface</em> offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 20 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780810147072">Transoceanic Blackface: Empire, Race, Performance</a> (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century.</p>
<p>A material history of racialized performance throughout the Anglophone imperial world, <em>Transoceanic Blackface: Empire, Race, Performance</em> revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques.</p>
<p>Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, <em>Transoceanic Blackface</em> offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43475808" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/20a40f18-1094-4af8-8960-1d5a2001f303/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=20a40f18-1094-4af8-8960-1d5a2001f303&amp;feed=KodC6fj_"/>
      <itunes:title>Kellen Hoxworth, &quot;Transoceanic Blackface: Empire, Race, Performance&quot; (Northwestern UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:14</itunes:duration>
      <itunes:summary>In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century.

A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques.

Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century.

A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques.

Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1852</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6b40fc60-f4e2-11f0-97e5-df0437c67845</guid>
      <title>O. Jennifer Dixon-McKnight, &quot;We Paved the Way: Black Women and the Charleston Hospital Workers&apos; Campaign&quot; (UP of Mississippi, 2025)</title>
      <description><![CDATA[<p>In the spring of 1969, hundreds of workers, all Black and mostly female, went on strike at Medical College Hospital and Charleston County Hospital to protest racial discrimination, low wages, and the marginalization of their dignity. The movement began with an incident of wrongful termination in 1967 involving five Black women at Medical College Hospital that uncovered the pervasiveness of racial and economic discrimination at both hospitals. The termination sparked outrage among other hospital workers who, with support from local community leaders, organized a movement that galvanized the city, state, and nation.</p>
<p><em></em><a href="https://bookshop.org/a/12343/9781496860071">We Paved the Way: Black Women and the Charleston Hospital Workers' Campaign</a>﻿﻿﻿ (UP of Mississippi, 2025) explores this campaign in the context of a broader protest tradition, revealing it to be a full-scale movement that demonstrates the power and complexity of Black women's activism in the mid-twentieth century. O. Jennifer Dixon-McKnight argues that the experiences of the women at the center of this conflict offer a window into the plight of Southern Black working-class women and the ways in which they fought for equality, access, and well-being.</p>
<p>Though much of what has been written about the hospital workers' campaign focuses on the strike through an institutional lens, Dixon-McKnight uses extensive interviews and oral history to expand the scope of existing scholarship. Local leaders such as Septima Clark, Esau Jenkins, William Saunders, and Isaiah Bennett served as bridge builders for the Black community's involvement in protest, which helped shape and nurture the hospital workers' campaign. By discussing the grassroots organizing that sparked the strike and tracing the aftermath of the conflict, including what workers experienced in their return to work and their relationships with the Southern Christian Leadership Conference and Local 1199 Hospital and Nursing Home Employees Union, this volume situates the hospital workers' movement as a critical moment in the nation's long civil rights history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 20 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the spring of 1969, hundreds of workers, all Black and mostly female, went on strike at Medical College Hospital and Charleston County Hospital to protest racial discrimination, low wages, and the marginalization of their dignity. The movement began with an incident of wrongful termination in 1967 involving five Black women at Medical College Hospital that uncovered the pervasiveness of racial and economic discrimination at both hospitals. The termination sparked outrage among other hospital workers who, with support from local community leaders, organized a movement that galvanized the city, state, and nation.</p>
<p><em></em><a href="https://bookshop.org/a/12343/9781496860071">We Paved the Way: Black Women and the Charleston Hospital Workers' Campaign</a>﻿﻿﻿ (UP of Mississippi, 2025) explores this campaign in the context of a broader protest tradition, revealing it to be a full-scale movement that demonstrates the power and complexity of Black women's activism in the mid-twentieth century. O. Jennifer Dixon-McKnight argues that the experiences of the women at the center of this conflict offer a window into the plight of Southern Black working-class women and the ways in which they fought for equality, access, and well-being.</p>
<p>Though much of what has been written about the hospital workers' campaign focuses on the strike through an institutional lens, Dixon-McKnight uses extensive interviews and oral history to expand the scope of existing scholarship. Local leaders such as Septima Clark, Esau Jenkins, William Saunders, and Isaiah Bennett served as bridge builders for the Black community's involvement in protest, which helped shape and nurture the hospital workers' campaign. By discussing the grassroots organizing that sparked the strike and tracing the aftermath of the conflict, including what workers experienced in their return to work and their relationships with the Southern Christian Leadership Conference and Local 1199 Hospital and Nursing Home Employees Union, this volume situates the hospital workers' movement as a critical moment in the nation's long civil rights history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34644575" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/291fa54c-9481-43d6-9823-582a8e4d1437/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=291fa54c-9481-43d6-9823-582a8e4d1437&amp;feed=KodC6fj_"/>
      <itunes:title>O. Jennifer Dixon-McKnight, &quot;We Paved the Way: Black Women and the Charleston Hospital Workers&apos; Campaign&quot; (UP of Mississippi, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:00</itunes:duration>
      <itunes:summary>In the spring of 1969, hundreds of workers, all Black and mostly female, went on strike at Medical College Hospital and Charleston County Hospital to protest racial discrimination, low wages, and the marginalization of their dignity. The movement began with an incident of wrongful termination in 1967 involving five Black women at Medical College Hospital that uncovered the pervasiveness of racial and economic discrimination at both hospitals. The termination sparked outrage among other hospital workers who, with support from local community leaders, organized a movement that galvanized the city, state, and nation.

We Paved the Way: Black Women and the Charleston Hospital Workers&apos; Campaign﻿﻿﻿ (UP of Mississippi, 2025) explores this campaign in the context of a broader protest tradition, revealing it to be a full-scale movement that demonstrates the power and complexity of Black women&apos;s activism in the mid-twentieth century. O. Jennifer Dixon-McKnight argues that the experiences of the women at the center of this conflict offer a window into the plight of Southern Black working-class women and the ways in which they fought for equality, access, and well-being.

Though much of what has been written about the hospital workers&apos; campaign focuses on the strike through an institutional lens, Dixon-McKnight uses extensive interviews and oral history to expand the scope of existing scholarship. Local leaders such as Septima Clark, Esau Jenkins, William Saunders, and Isaiah Bennett served as bridge builders for the Black community&apos;s involvement in protest, which helped shape and nurture the hospital workers&apos; campaign. By discussing the grassroots organizing that sparked the strike and tracing the aftermath of the conflict, including what workers experienced in their return to work and their relationships with the Southern Christian Leadership Conference and Local 1199 Hospital and Nursing Home Employees Union, this volume situates the hospital workers&apos; movement as a critical moment in the nation&apos;s long civil rights history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the spring of 1969, hundreds of workers, all Black and mostly female, went on strike at Medical College Hospital and Charleston County Hospital to protest racial discrimination, low wages, and the marginalization of their dignity. The movement began with an incident of wrongful termination in 1967 involving five Black women at Medical College Hospital that uncovered the pervasiveness of racial and economic discrimination at both hospitals. The termination sparked outrage among other hospital workers who, with support from local community leaders, organized a movement that galvanized the city, state, and nation.

We Paved the Way: Black Women and the Charleston Hospital Workers&apos; Campaign﻿﻿﻿ (UP of Mississippi, 2025) explores this campaign in the context of a broader protest tradition, revealing it to be a full-scale movement that demonstrates the power and complexity of Black women&apos;s activism in the mid-twentieth century. O. Jennifer Dixon-McKnight argues that the experiences of the women at the center of this conflict offer a window into the plight of Southern Black working-class women and the ways in which they fought for equality, access, and well-being.

Though much of what has been written about the hospital workers&apos; campaign focuses on the strike through an institutional lens, Dixon-McKnight uses extensive interviews and oral history to expand the scope of existing scholarship. Local leaders such as Septima Clark, Esau Jenkins, William Saunders, and Isaiah Bennett served as bridge builders for the Black community&apos;s involvement in protest, which helped shape and nurture the hospital workers&apos; campaign. By discussing the grassroots organizing that sparked the strike and tracing the aftermath of the conflict, including what workers experienced in their return to work and their relationships with the Southern Christian Leadership Conference and Local 1199 Hospital and Nursing Home Employees Union, this volume situates the hospital workers&apos; movement as a critical moment in the nation&apos;s long civil rights history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1851</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">434e6d72-ac7f-11ed-ad01-37208c7cb669</guid>
      <title>Gerald F. Goodwin, &quot;Race in the Crucible of War: African American Servicemen and the War in Vietnam&quot; (U Massachusetts Press, 2023)</title>
      <description><![CDATA[<p>When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable.</p><p>In <a href="https://bookshop.org/a/12343/9781625346841"><em>Race in the Crucible of War: African American Servicemen and the War in Vietnam</em></a> (U Massachusetts Press, 2023), Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home.</p><p><em>Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 19 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable.</p><p>In <a href="https://bookshop.org/a/12343/9781625346841"><em>Race in the Crucible of War: African American Servicemen and the War in Vietnam</em></a> (U Massachusetts Press, 2023), Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home.</p><p><em>Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51139856" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/afa9564c-c75f-4d26-beb8-c2ed01213b0e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=afa9564c-c75f-4d26-beb8-c2ed01213b0e&amp;feed=KodC6fj_"/>
      <itunes:title>Gerald F. Goodwin, &quot;Race in the Crucible of War: African American Servicemen and the War in Vietnam&quot; (U Massachusetts Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:16</itunes:duration>
      <itunes:summary>When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable.
In Race in the Crucible of War: African American Servicemen and the War in Vietnam (U Massachusetts Press, 2023), Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable.
In Race in the Crucible of War: African American Servicemen and the War in Vietnam (U Massachusetts Press, 2023), Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>360</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a0d5e15a-959c-11ec-91b7-fb5fccc9f593</guid>
      <title>Mark Christian Thompson, &quot;﻿Phenomenal Blackness: ﻿Black Power, Philosophy, and Theory&quot; (U Chicago Press, 2022)</title>
      <description><![CDATA[<p>Mark Christian Thompson's book, <a href="https://bookshop.org/a/12343/9780226816418"><em>Phenomenal Blackness: Black Power, Philosophy, and Theory</em></a><em> </em>(University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 17 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Mark Christian Thompson's book, <a href="https://bookshop.org/a/12343/9780226816418"><em>Phenomenal Blackness: Black Power, Philosophy, and Theory</em></a><em> </em>(University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56118636" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e14e7059-0892-4708-904b-a81a004e8f88/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e14e7059-0892-4708-904b-a81a004e8f88&amp;feed=KodC6fj_"/>
      <itunes:title>Mark Christian Thompson, &quot;﻿Phenomenal Blackness: ﻿Black Power, Philosophy, and Theory&quot; (U Chicago Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:24</itunes:duration>
      <itunes:summary>Mark Christian Thompson&apos;s book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka&apos;s writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a &quot;Black aesthetic dimension&quot; wherein aspirational models for Black liberation might emerge.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Mark Christian Thompson&apos;s book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka&apos;s writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a &quot;Black aesthetic dimension&quot; wherein aspirational models for Black liberation might emerge.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>281</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b919019e-f1c7-11f0-afb7-67f45babadf3</guid>
      <title>Johanna Lukate, &quot;(Dis)Entangled: Black Hair, Race, and Identity&quot; (Coronet, 2025)</title>
      <description><![CDATA[<p>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?</p>
<p><a href="https://bookshop.org/a/12343/9781399700993">(Dis)entangled: ﻿Black Hair, Race, and Identity</a> (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.<br />Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.<br /></p>
<p>This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her <a href="https://global.oup.com/academic/product/the-game-9780197812280?cc=us&amp;lang=en">new book</a> has just been published (2025, Oxford University Press).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 16 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?</p>
<p><a href="https://bookshop.org/a/12343/9781399700993">(Dis)entangled: ﻿Black Hair, Race, and Identity</a> (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.<br />Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.<br /></p>
<p>This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her <a href="https://global.oup.com/academic/product/the-game-9780197812280?cc=us&amp;lang=en">new book</a> has just been published (2025, Oxford University Press).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45165619" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8ba150b8-9b58-4d22-a320-29b8d1ac5056/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8ba150b8-9b58-4d22-a320-29b8d1ac5056&amp;feed=KodC6fj_"/>
      <itunes:title>Johanna Lukate, &quot;(Dis)Entangled: Black Hair, Race, and Identity&quot; (Coronet, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:58</itunes:duration>
      <itunes:summary>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?

(Dis)entangled: ﻿Black Hair, Race, and Identity (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?

(Dis)entangled: ﻿Black Hair, Race, and Identity (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1848</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e122a5d4-b990-11ef-8d1f-d76766ca0c1a</guid>
      <title>Brian Martin, &quot;From Underground Railroad to Rebel Refuge: Canada and the Civil War&quot; (ECW Press, 2022)</title>
      <description><![CDATA[<p>Despite all we know about the Civil War, its causes, battles, characters, issues, impacts, and legacy, few books have explored Canada’s role in the bloody conflict that claimed more than 600,000 lives. Until <a href="https://bookshop.org/a/12343/9781770416383"><em>From Underground Railroad to Rebel Refuge: Canada and the Civil War</em></a> (ECW Press, 2022) by Brian Martin.</p><p>A surprising 20,000 Canadians went south to take up arms on both sides of the conflict, while thousands of enslaved people, draft dodgers, deserters, recruiters, plotters, and spies fled northward to take shelter in the attic that is Canada. Though many escaped slavery and found safety through the Underground Railroad, they were later joined by KKK members wanted for murder. Confederate President Jefferson Davis along with several of his emissaries and generals found refuge on Canadian soil, and many plantation owners moved north of the border.</p><p>Award-winning journalist Brian Martin will open eyes in both Canada and the United States to how the two countries and their citizens interacted during the Civil War and the troubled times that surrounded it.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 12 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Despite all we know about the Civil War, its causes, battles, characters, issues, impacts, and legacy, few books have explored Canada’s role in the bloody conflict that claimed more than 600,000 lives. Until <a href="https://bookshop.org/a/12343/9781770416383"><em>From Underground Railroad to Rebel Refuge: Canada and the Civil War</em></a> (ECW Press, 2022) by Brian Martin.</p><p>A surprising 20,000 Canadians went south to take up arms on both sides of the conflict, while thousands of enslaved people, draft dodgers, deserters, recruiters, plotters, and spies fled northward to take shelter in the attic that is Canada. Though many escaped slavery and found safety through the Underground Railroad, they were later joined by KKK members wanted for murder. Confederate President Jefferson Davis along with several of his emissaries and generals found refuge on Canadian soil, and many plantation owners moved north of the border.</p><p>Award-winning journalist Brian Martin will open eyes in both Canada and the United States to how the two countries and their citizens interacted during the Civil War and the troubled times that surrounded it.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33431484" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/80dae279-b232-4299-82cf-a43f856de70a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=80dae279-b232-4299-82cf-a43f856de70a&amp;feed=KodC6fj_"/>
      <itunes:title>Brian Martin, &quot;From Underground Railroad to Rebel Refuge: Canada and the Civil War&quot; (ECW Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:49</itunes:duration>
      <itunes:summary>Despite all we know about the Civil War, its causes, battles, characters, issues, impacts, and legacy, few books have explored Canada’s role in the bloody conflict that claimed more than 600,000 lives. Until From Underground Railroad to Rebel Refuge: Canada and the Civil War (ECW Press, 2022) by Brian Martin.
A surprising 20,000 Canadians went south to take up arms on both sides of the conflict, while thousands of enslaved people, draft dodgers, deserters, recruiters, plotters, and spies fled northward to take shelter in the attic that is Canada. Though many escaped slavery and found safety through the Underground Railroad, they were later joined by KKK members wanted for murder. Confederate President Jefferson Davis along with several of his emissaries and generals found refuge on Canadian soil, and many plantation owners moved north of the border.
Award-winning journalist Brian Martin will open eyes in both Canada and the United States to how the two countries and their citizens interacted during the Civil War and the troubled times that surrounded it.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Despite all we know about the Civil War, its causes, battles, characters, issues, impacts, and legacy, few books have explored Canada’s role in the bloody conflict that claimed more than 600,000 lives. Until From Underground Railroad to Rebel Refuge: Canada and the Civil War (ECW Press, 2022) by Brian Martin.
A surprising 20,000 Canadians went south to take up arms on both sides of the conflict, while thousands of enslaved people, draft dodgers, deserters, recruiters, plotters, and spies fled northward to take shelter in the attic that is Canada. Though many escaped slavery and found safety through the Underground Railroad, they were later joined by KKK members wanted for murder. Confederate President Jefferson Davis along with several of his emissaries and generals found refuge on Canadian soil, and many plantation owners moved north of the border.
Award-winning journalist Brian Martin will open eyes in both Canada and the United States to how the two countries and their citizens interacted during the Civil War and the troubled times that surrounded it.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">91f1ae8a-ee1c-11f0-88df-db4666b6cd4e</guid>
      <title>Chris Boucher, &quot;Harry &quot;Bucky&quot; Lew: A Biography of the First Black Professional Basketball Player&quot; (McFarland, 2026)</title>
      <description><![CDATA[<p>Harry "Bucky" Lew leapt over pro basketball's color wall in 1902 and continued to integrate every single role in the game over the next 25 years. He was the first Black player, coach, manager, referee, and franchise owner in otherwise white leagues. His accomplishments were well documented in the newspapers of his day, but he has largely been forgotten, despite his assist to the Dodgers in finding a home for their first Black players in the United States and the full integration of all major league sports that soon followed. Covering Lew's entire sporting career and major league legacy, this biography shows how he persevered and triumphed over adversity to provide a shining example for those seeking full participation across the sports spectrum.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 11 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Harry "Bucky" Lew leapt over pro basketball's color wall in 1902 and continued to integrate every single role in the game over the next 25 years. He was the first Black player, coach, manager, referee, and franchise owner in otherwise white leagues. His accomplishments were well documented in the newspapers of his day, but he has largely been forgotten, despite his assist to the Dodgers in finding a home for their first Black players in the United States and the full integration of all major league sports that soon followed. Covering Lew's entire sporting career and major league legacy, this biography shows how he persevered and triumphed over adversity to provide a shining example for those seeking full participation across the sports spectrum.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42387116" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8c2fb654-4c30-46b8-b8a3-1e145d8079c2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8c2fb654-4c30-46b8-b8a3-1e145d8079c2&amp;feed=KodC6fj_"/>
      <itunes:title>Chris Boucher, &quot;Harry &quot;Bucky&quot; Lew: A Biography of the First Black Professional Basketball Player&quot; (McFarland, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:06</itunes:duration>
      <itunes:summary>Harry &quot;Bucky&quot; Lew leapt over pro basketball&apos;s color wall in 1902 and continued to integrate every single role in the game over the next 25 years. He was the first Black player, coach, manager, referee, and franchise owner in otherwise white leagues. His accomplishments were well documented in the newspapers of his day, but he has largely been forgotten, despite his assist to the Dodgers in finding a home for their first Black players in the United States and the full integration of all major league sports that soon followed. Covering Lew&apos;s entire sporting career and major league legacy, this biography shows how he persevered and triumphed over adversity to provide a shining example for those seeking full participation across the sports spectrum.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Harry &quot;Bucky&quot; Lew leapt over pro basketball&apos;s color wall in 1902 and continued to integrate every single role in the game over the next 25 years. He was the first Black player, coach, manager, referee, and franchise owner in otherwise white leagues. His accomplishments were well documented in the newspapers of his day, but he has largely been forgotten, despite his assist to the Dodgers in finding a home for their first Black players in the United States and the full integration of all major league sports that soon followed. Covering Lew&apos;s entire sporting career and major league legacy, this biography shows how he persevered and triumphed over adversity to provide a shining example for those seeking full participation across the sports spectrum.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>305</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">57284946-eccb-11f0-a97d-7f5dde320885</guid>
      <title>John Samuel Harpham, &quot;Intellectual Origins of American Slavery: English Ideas in the Early Modern Atlantic World&quot; (Harvard UP, 2025)</title>
      <description><![CDATA[<p>The period from 1550 to 1700 was critical in the development of slavery across the English Atlantic world. During this time, English discourse about slavery revolved around one central question: How could free persons be made into slaves? John Samuel Harpham shows that English authors found answers to this question in a tradition of ideas that stretched back to the ancient world, where they were most powerfully expressed in Roman law. These ideas, in turn, became the basis for the earliest defenses of American slavery. The Roman tradition had located the main source of slavery in war: enslavement was the common fate of captives who otherwise faced execution. In early modern England, this account was incorporated into studies of the common law and influential natural rights theories by the likes of Hugo Grotius and John Locke. When Europeans started to publish firsthand accounts of Africa in the sixteenth century, these reports were thus received into a culture saturated with Roman ideas. Over time, English observers started to assert that the common customs of enslavement among the nations of Africa fit within the Roman model. Englishmen had initially expressed reluctance to take part in the Atlantic slave trade. But once assured that the slave trade could be traced back to customs they understood to be legitimate, they proved keen to profit from it.</p>
<p>An eloquent account of the moral logic that propelled the development of an immoral institution, John Samuel Harpham's <em>The Intellectual Origins of American Slavery</em> (Harvard University Press, 2025) reveals the power of an overlooked tradition of ideas in the history of human bondage.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 11 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The period from 1550 to 1700 was critical in the development of slavery across the English Atlantic world. During this time, English discourse about slavery revolved around one central question: How could free persons be made into slaves? John Samuel Harpham shows that English authors found answers to this question in a tradition of ideas that stretched back to the ancient world, where they were most powerfully expressed in Roman law. These ideas, in turn, became the basis for the earliest defenses of American slavery. The Roman tradition had located the main source of slavery in war: enslavement was the common fate of captives who otherwise faced execution. In early modern England, this account was incorporated into studies of the common law and influential natural rights theories by the likes of Hugo Grotius and John Locke. When Europeans started to publish firsthand accounts of Africa in the sixteenth century, these reports were thus received into a culture saturated with Roman ideas. Over time, English observers started to assert that the common customs of enslavement among the nations of Africa fit within the Roman model. Englishmen had initially expressed reluctance to take part in the Atlantic slave trade. But once assured that the slave trade could be traced back to customs they understood to be legitimate, they proved keen to profit from it.</p>
<p>An eloquent account of the moral logic that propelled the development of an immoral institution, John Samuel Harpham's <em>The Intellectual Origins of American Slavery</em> (Harvard University Press, 2025) reveals the power of an overlooked tradition of ideas in the history of human bondage.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="88888089" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ba0f3d83-563c-4469-88fc-ce222e373493/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ba0f3d83-563c-4469-88fc-ce222e373493&amp;feed=KodC6fj_"/>
      <itunes:title>John Samuel Harpham, &quot;Intellectual Origins of American Slavery: English Ideas in the Early Modern Atlantic World&quot; (Harvard UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:32:32</itunes:duration>
      <itunes:summary>The period from 1550 to 1700 was critical in the development of slavery across the English Atlantic world. During this time, English discourse about slavery revolved around one central question: How could free persons be made into slaves? John Samuel Harpham shows that English authors found answers to this question in a tradition of ideas that stretched back to the ancient world, where they were most powerfully expressed in Roman law. These ideas, in turn, became the basis for the earliest defenses of American slavery. The Roman tradition had located the main source of slavery in war: enslavement was the common fate of captives who otherwise faced execution. In early modern England, this account was incorporated into studies of the common law and influential natural rights theories by the likes of Hugo Grotius and John Locke. When Europeans started to publish firsthand accounts of Africa in the sixteenth century, these reports were thus received into a culture saturated with Roman ideas. Over time, English observers started to assert that the common customs of enslavement among the nations of Africa fit within the Roman model. Englishmen had initially expressed reluctance to take part in the Atlantic slave trade. But once assured that the slave trade could be traced back to customs they understood to be legitimate, they proved keen to profit from it.

An eloquent account of the moral logic that propelled the development of an immoral institution, John Samuel Harpham&apos;s The Intellectual Origins of American Slavery (Harvard University Press, 2025) reveals the power of an overlooked tradition of ideas in the history of human bondage.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The period from 1550 to 1700 was critical in the development of slavery across the English Atlantic world. During this time, English discourse about slavery revolved around one central question: How could free persons be made into slaves? John Samuel Harpham shows that English authors found answers to this question in a tradition of ideas that stretched back to the ancient world, where they were most powerfully expressed in Roman law. These ideas, in turn, became the basis for the earliest defenses of American slavery. The Roman tradition had located the main source of slavery in war: enslavement was the common fate of captives who otherwise faced execution. In early modern England, this account was incorporated into studies of the common law and influential natural rights theories by the likes of Hugo Grotius and John Locke. When Europeans started to publish firsthand accounts of Africa in the sixteenth century, these reports were thus received into a culture saturated with Roman ideas. Over time, English observers started to assert that the common customs of enslavement among the nations of Africa fit within the Roman model. Englishmen had initially expressed reluctance to take part in the Atlantic slave trade. But once assured that the slave trade could be traced back to customs they understood to be legitimate, they proved keen to profit from it.

An eloquent account of the moral logic that propelled the development of an immoral institution, John Samuel Harpham&apos;s The Intellectual Origins of American Slavery (Harvard University Press, 2025) reveals the power of an overlooked tradition of ideas in the history of human bondage.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a53030c0-ed95-11f0-8c53-47bb5d92b27e</guid>
      <title>Kendra D. Boyd, &quot;Freedom Enterprise: Black Entrepreneurship and Racial Capitalism in Detroit&quot; (U Pennsylvania Press, 2025)</title>
      <description><![CDATA[<p>The Great Migration saw more than six million African Americans leave the US South between 1910 and 1970. Though the experiences of migrant laborers are well-known, countless African Americans also left the South to pursue entrepreneurial opportunities and viewed business as key to Black liberation. Detroit's status as a mecca for Black entrepreneurship illuminates this overlooked aspect of the Great Migration story. In <em>Freedom Enterprise, </em>Kendra D. Boyd uses "migrant entrepreneurship" as a lens through which to understand the entwined histories of Black-owned business, racial capitalism, and urban space.</p>
<p><em>Freedom Enterprise</em> follows Black Southerners' journeys to Detroit during the initial wave of migration in the 1910s and 1920s, through their efforts to build a prosperous Black business community in the 1930s and 1940s, to the destruction of that community through urban renewal projects and freeway construction in the 1950s and 1960s. Combining business and social history methods to analyze an eclectic archive, Boyd chronicles migrant entrepreneurs' experiences, highlighting tales of racial and economic violence, Black women's business organizing, illegal business, communist entrepreneurs, and cooperative economics.</p>
<p>Boyd uses the framework of racial capitalism to examine migrant entrepreneurs' experiences in twentieth-century America. In the Jim Crow South, African Americans worried about white mobs taking away their property, wealth, and lives. Though they sought refuge in Detroit, migrant entrepreneurs subsequently faced the loss of their livelihoods and the businesses they had spent decades building to the bulldozers of state-sponsored urban redevelopment initiatives. Southern migrants' "freedom enterprise"--their undertaking of attaining freedom through business--was curtailed by the reality of operating within the confines of US racial capitalism.</p>
<p>In tracing Black entrepreneurs across the Great Migration, <em>Freedom Enterprise</em> provides important insights into African Americans' activism for racial and economic justice and continued racialized wealth disparities.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 10 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The Great Migration saw more than six million African Americans leave the US South between 1910 and 1970. Though the experiences of migrant laborers are well-known, countless African Americans also left the South to pursue entrepreneurial opportunities and viewed business as key to Black liberation. Detroit's status as a mecca for Black entrepreneurship illuminates this overlooked aspect of the Great Migration story. In <em>Freedom Enterprise, </em>Kendra D. Boyd uses "migrant entrepreneurship" as a lens through which to understand the entwined histories of Black-owned business, racial capitalism, and urban space.</p>
<p><em>Freedom Enterprise</em> follows Black Southerners' journeys to Detroit during the initial wave of migration in the 1910s and 1920s, through their efforts to build a prosperous Black business community in the 1930s and 1940s, to the destruction of that community through urban renewal projects and freeway construction in the 1950s and 1960s. Combining business and social history methods to analyze an eclectic archive, Boyd chronicles migrant entrepreneurs' experiences, highlighting tales of racial and economic violence, Black women's business organizing, illegal business, communist entrepreneurs, and cooperative economics.</p>
<p>Boyd uses the framework of racial capitalism to examine migrant entrepreneurs' experiences in twentieth-century America. In the Jim Crow South, African Americans worried about white mobs taking away their property, wealth, and lives. Though they sought refuge in Detroit, migrant entrepreneurs subsequently faced the loss of their livelihoods and the businesses they had spent decades building to the bulldozers of state-sponsored urban redevelopment initiatives. Southern migrants' "freedom enterprise"--their undertaking of attaining freedom through business--was curtailed by the reality of operating within the confines of US racial capitalism.</p>
<p>In tracing Black entrepreneurs across the Great Migration, <em>Freedom Enterprise</em> provides important insights into African Americans' activism for racial and economic justice and continued racialized wealth disparities.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56778868" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9045971a-62a0-4e95-9953-753b73e222af/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9045971a-62a0-4e95-9953-753b73e222af&amp;feed=KodC6fj_"/>
      <itunes:title>Kendra D. Boyd, &quot;Freedom Enterprise: Black Entrepreneurship and Racial Capitalism in Detroit&quot; (U Pennsylvania Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:04</itunes:duration>
      <itunes:summary>The Great Migration saw more than six million African Americans leave the US South between 1910 and 1970. Though the experiences of migrant laborers are well-known, countless African Americans also left the South to pursue entrepreneurial opportunities and viewed business as key to Black liberation. Detroit&apos;s status as a mecca for Black entrepreneurship illuminates this overlooked aspect of the Great Migration story. In Freedom Enterprise, Kendra D. Boyd uses &quot;migrant entrepreneurship&quot; as a lens through which to understand the entwined histories of Black-owned business, racial capitalism, and urban space.

Freedom Enterprise follows Black Southerners&apos; journeys to Detroit during the initial wave of migration in the 1910s and 1920s, through their efforts to build a prosperous Black business community in the 1930s and 1940s, to the destruction of that community through urban renewal projects and freeway construction in the 1950s and 1960s. Combining business and social history methods to analyze an eclectic archive, Boyd chronicles migrant entrepreneurs&apos; experiences, highlighting tales of racial and economic violence, Black women&apos;s business organizing, illegal business, communist entrepreneurs, and cooperative economics.

Boyd uses the framework of racial capitalism to examine migrant entrepreneurs&apos; experiences in twentieth-century America. In the Jim Crow South, African Americans worried about white mobs taking away their property, wealth, and lives. Though they sought refuge in Detroit, migrant entrepreneurs subsequently faced the loss of their livelihoods and the businesses they had spent decades building to the bulldozers of state-sponsored urban redevelopment initiatives. Southern migrants&apos; &quot;freedom enterprise&quot;--their undertaking of attaining freedom through business--was curtailed by the reality of operating within the confines of US racial capitalism.

In tracing Black entrepreneurs across the Great Migration, Freedom Enterprise provides important insights into African Americans&apos; activism for racial and economic justice and continued racialized wealth disparities.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Great Migration saw more than six million African Americans leave the US South between 1910 and 1970. Though the experiences of migrant laborers are well-known, countless African Americans also left the South to pursue entrepreneurial opportunities and viewed business as key to Black liberation. Detroit&apos;s status as a mecca for Black entrepreneurship illuminates this overlooked aspect of the Great Migration story. In Freedom Enterprise, Kendra D. Boyd uses &quot;migrant entrepreneurship&quot; as a lens through which to understand the entwined histories of Black-owned business, racial capitalism, and urban space.

Freedom Enterprise follows Black Southerners&apos; journeys to Detroit during the initial wave of migration in the 1910s and 1920s, through their efforts to build a prosperous Black business community in the 1930s and 1940s, to the destruction of that community through urban renewal projects and freeway construction in the 1950s and 1960s. Combining business and social history methods to analyze an eclectic archive, Boyd chronicles migrant entrepreneurs&apos; experiences, highlighting tales of racial and economic violence, Black women&apos;s business organizing, illegal business, communist entrepreneurs, and cooperative economics.

Boyd uses the framework of racial capitalism to examine migrant entrepreneurs&apos; experiences in twentieth-century America. In the Jim Crow South, African Americans worried about white mobs taking away their property, wealth, and lives. Though they sought refuge in Detroit, migrant entrepreneurs subsequently faced the loss of their livelihoods and the businesses they had spent decades building to the bulldozers of state-sponsored urban redevelopment initiatives. Southern migrants&apos; &quot;freedom enterprise&quot;--their undertaking of attaining freedom through business--was curtailed by the reality of operating within the confines of US racial capitalism.

In tracing Black entrepreneurs across the Great Migration, Freedom Enterprise provides important insights into African Americans&apos; activism for racial and economic justice and continued racialized wealth disparities.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>541</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">590cc3b0-ecbf-11f0-b376-d7bbafd51d40</guid>
      <title>Sonya Lea, &quot;American Bloodlines: Reckoning with Lynch Culture&quot; (UP of Kentucky, 2025)</title>
      <description><![CDATA[<p>Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea's hanging—the last documented public execution in the United States—into a brutal carnival.</p>
<p>Bethea's story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother's funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea's execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea's research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea's hanging.</p>
<p><em>American Bloodlines: Reckoning with Lynch Culture</em> (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 9 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea's hanging—the last documented public execution in the United States—into a brutal carnival.</p>
<p>Bethea's story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother's funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea's execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea's research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea's hanging.</p>
<p><em>American Bloodlines: Reckoning with Lynch Culture</em> (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44348761" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8cd2b15f-0fcf-44a5-a0cc-0b967431864d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8cd2b15f-0fcf-44a5-a0cc-0b967431864d&amp;feed=KodC6fj_"/>
      <itunes:title>Sonya Lea, &quot;American Bloodlines: Reckoning with Lynch Culture&quot; (UP of Kentucky, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:07</itunes:duration>
      <itunes:summary>Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea&apos;s hanging—the last documented public execution in the United States—into a brutal carnival.

Bethea&apos;s story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother&apos;s funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea&apos;s execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea&apos;s research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea&apos;s hanging.

American Bloodlines: Reckoning with Lynch Culture (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea&apos;s hanging—the last documented public execution in the United States—into a brutal carnival.

Bethea&apos;s story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother&apos;s funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea&apos;s execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea&apos;s research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea&apos;s hanging.

American Bloodlines: Reckoning with Lynch Culture (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>540</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">793afb1a-ec07-11f0-9dff-0f97c3f4ffd7</guid>
      <title>Keidrick Roy, &quot;American Dark Age: Racial Feudalism and the Rise of Black Liberalism&quot; (Princeton UP, 2024)</title>
      <description><![CDATA[<p>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. <em>American Dark Age</em> reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.<br />Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.<br /><em>American Dark Age</em> reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.</p>
<p><strong>Keidrick Roy</strong> is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as <em>CBS News Sunday Morning</em> and the <em>Chicago Review of Books </em>and appears in the HBO documentary <em>Frederick Douglass: In Five Speeches</em>. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p>
<p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 8 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. <em>American Dark Age</em> reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.<br />Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.<br /><em>American Dark Age</em> reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.</p>
<p><strong>Keidrick Roy</strong> is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as <em>CBS News Sunday Morning</em> and the <em>Chicago Review of Books </em>and appears in the HBO documentary <em>Frederick Douglass: In Five Speeches</em>. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p>
<p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47572079" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3f515056-7251-4d2f-8b72-f44cd8075546/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3f515056-7251-4d2f-8b72-f44cd8075546&amp;feed=KodC6fj_"/>
      <itunes:title>Keidrick Roy, &quot;American Dark Age: Racial Feudalism and the Rise of Black Liberalism&quot; (Princeton UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:28</itunes:duration>
      <itunes:summary>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

Keidrick Roy is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as CBS News Sunday Morning and the Chicago Review of Books and appears in the HBO documentary Frederick Douglass: In Five Speeches. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

Keidrick Roy is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as CBS News Sunday Morning and the Chicago Review of Books and appears in the HBO documentary Frederick Douglass: In Five Speeches. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>539</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d96226d6-eb2a-11f0-938c-3300c14b8204</guid>
      <title>W. Ralph Eubanks, &quot;When It&apos;s Darkness on the Delta: How America&apos;s Richest Soil Became Its Poorest Land&quot; (Beacon Press, 2026)</title>
      <description><![CDATA[<p>Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.<br />Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like<br /></p>
<p><strong>Theodore G. Bilbo and William Whittington</strong>, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s</p>
<p><strong>Gloria Carter Dickerson</strong>, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered</p>
<p><strong>Calvin Head</strong>, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi</p>
<p>Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience.</p>
<p>You can find Ralph at his <a href="https://www.wralpheubanks.com/">website</a>.</p>
<p>A soundtrack for the book is available <a href="https://open.spotify.com/playlist/6JJpVSvFoAZ7cjGweXUHuj?si=iNyCiykcS0uLE3OWpx69Ug&amp;pi=vqo1msBURS64y&amp;nd=1&amp;dlsi=25a622196f814cca">here</a>.</p>
<p>Host Sullivan Summer is at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 7 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.<br />Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like<br /></p>
<p><strong>Theodore G. Bilbo and William Whittington</strong>, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s</p>
<p><strong>Gloria Carter Dickerson</strong>, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered</p>
<p><strong>Calvin Head</strong>, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi</p>
<p>Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience.</p>
<p>You can find Ralph at his <a href="https://www.wralpheubanks.com/">website</a>.</p>
<p>A soundtrack for the book is available <a href="https://open.spotify.com/playlist/6JJpVSvFoAZ7cjGweXUHuj?si=iNyCiykcS0uLE3OWpx69Ug&amp;pi=vqo1msBURS64y&amp;nd=1&amp;dlsi=25a622196f814cca">here</a>.</p>
<p>Host Sullivan Summer is at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58535310" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/389b34d1-6d3d-4aa2-af3f-a2c17f2ac81e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=389b34d1-6d3d-4aa2-af3f-a2c17f2ac81e&amp;feed=KodC6fj_"/>
      <itunes:title>W. Ralph Eubanks, &quot;When It&apos;s Darkness on the Delta: How America&apos;s Richest Soil Became Its Poorest Land&quot; (Beacon Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:54</itunes:duration>
      <itunes:summary>Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like

Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s

Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered

Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi

Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience.

You can find Ralph at his website.

A soundtrack for the book is available here.

Host Sullivan Summer is at her website, Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like

Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s

Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered

Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi

Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience.

You can find Ralph at his website.

A soundtrack for the book is available here.

Host Sullivan Summer is at her website, Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9c9be01c-e81d-11f0-9b8a-abe9bc518d10</guid>
      <title>Robert D. Bland, &quot;Requiem for Reconstruction: Black Countermemory and the Legacy of the Lowcountry&apos;s Lost Political Generation&quot; (UNC Press, 2026)</title>
      <description><![CDATA[<p>The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.<br /><em>Requiem for Reconstruction</em> (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions.</p>
<p>Find Professor Bland at his <a href="https://www.robertdbland.com/">website</a>, and on <a href="https://www.threads.com/@rob_bland">Threads</a>, <a href="https://bsky.app/profile/robertdbland.bsky.social">BlueSky</a>, and <a href="https://x.com/rob_bland">X</a>.</p>
<p>Host Sullivan Summer is at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a> where she and Professor Bland continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 5 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.<br /><em>Requiem for Reconstruction</em> (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions.</p>
<p>Find Professor Bland at his <a href="https://www.robertdbland.com/">website</a>, and on <a href="https://www.threads.com/@rob_bland">Threads</a>, <a href="https://bsky.app/profile/robertdbland.bsky.social">BlueSky</a>, and <a href="https://x.com/rob_bland">X</a>.</p>
<p>Host Sullivan Summer is at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a> where she and Professor Bland continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56853263" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6f58e38e-6089-4e01-9aea-311cd0eac741/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6f58e38e-6089-4e01-9aea-311cd0eac741&amp;feed=KodC6fj_"/>
      <itunes:title>Robert D. Bland, &quot;Requiem for Reconstruction: Black Countermemory and the Legacy of the Lowcountry&apos;s Lost Political Generation&quot; (UNC Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:08</itunes:duration>
      <itunes:summary>The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.Requiem for Reconstruction (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions.

Find Professor Bland at his website, and on Threads, BlueSky, and X.

Host Sullivan Summer is at her website, Instagram, and on Substack where she and Professor Bland continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.Requiem for Reconstruction (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions.

Find Professor Bland at his website, and on Threads, BlueSky, and X.

Host Sullivan Summer is at her website, Instagram, and on Substack where she and Professor Bland continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>538</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e13658d8-e74b-11f0-9863-435f122bfb54</guid>
      <title>Ashley Brown, &quot;Serving Herself: The Life and Times of Althea Gibson&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p>From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.</p><p>In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, <a href="https://bookshop.org/a/12343/9780197551752"><em>Serving Herself: The Life and Times of Althea Gibson</em></a><em> </em>(Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race. </p><p>An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of <em>Sports Illustrated</em> and <em>Time</em>, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.</p><p>A compelling life and times portrait, <em>Serving Herself </em>offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 3 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.</p><p>In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, <a href="https://bookshop.org/a/12343/9780197551752"><em>Serving Herself: The Life and Times of Althea Gibson</em></a><em> </em>(Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race. </p><p>An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of <em>Sports Illustrated</em> and <em>Time</em>, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.</p><p>A compelling life and times portrait, <em>Serving Herself </em>offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43887255" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/76554f27-38ee-4e08-bb86-a4b75848012c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=76554f27-38ee-4e08-bb86-a4b75848012c&amp;feed=KodC6fj_"/>
      <itunes:title>Ashley Brown, &quot;Serving Herself: The Life and Times of Althea Gibson&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:42</itunes:duration>
      <itunes:summary>From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.
In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson&apos;s life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community&apos;s expectations that she selflessly serve as a representative of her race. 
An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.
A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.
In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson&apos;s life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community&apos;s expectations that she selflessly serve as a representative of her race. 
An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.
A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">09501924-e73a-11f0-89c5-337389a99d50</guid>
      <title>Andrew S. Curran, &quot;Biography of a Dangerous Idea: A New History of Race from Louis XIV to Thomas Jefferson&quot; (Other Press, 2026)</title>
      <description><![CDATA[<p>An engaging investigation of how 13 key Enlightenment figures shaped the concept of race, from the acclaimed author of Diderot and the Art of Thinking Freely. Over the first decades of the 18th century, Christianity began to lose its grip on the story of humankind. Yet centuries of xenophobia, religious intolerance, and proto-biological ideas did not simply disappear. This raw material was increasingly “processed” by secularly minded thinkers who claimed the right to rethink the category of the human. By century’s end, naturalists and classifiers had divided the human species into racial categories using methods that we now associate with the Enlightenment era. In Biography of a Dangerous Idea, prize-winning biographer and Enlightenment specialist Andrew S. Curran retells this story through the medium of group biography. Written more like a detective story than traditional history, the book traces the emergence of race through the lives of 13 pivotal figures, among them Louis XIV, Buffon, Linnaeus, Voltaire, Hume, Adam Smith, Blumenbach, Kant, and Jefferson. Moving from the gilded halls of Versailles to the slave plantations of the Caribbean, from the court of the Mughal Empire to the drawing rooms of Monticello, this sweeping narrative not only reveals how the Enlightenment’s ultimate Promethean quest intertwined with systems of oppression and empire, but also offers a groundbreaking reassessment of the era’s most famous luminaries.</p>
<p>Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University.</p>
<p><em>Caleb Zakarin is CEO and Publisher of New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 2 Jan 2026 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An engaging investigation of how 13 key Enlightenment figures shaped the concept of race, from the acclaimed author of Diderot and the Art of Thinking Freely. Over the first decades of the 18th century, Christianity began to lose its grip on the story of humankind. Yet centuries of xenophobia, religious intolerance, and proto-biological ideas did not simply disappear. This raw material was increasingly “processed” by secularly minded thinkers who claimed the right to rethink the category of the human. By century’s end, naturalists and classifiers had divided the human species into racial categories using methods that we now associate with the Enlightenment era. In Biography of a Dangerous Idea, prize-winning biographer and Enlightenment specialist Andrew S. Curran retells this story through the medium of group biography. Written more like a detective story than traditional history, the book traces the emergence of race through the lives of 13 pivotal figures, among them Louis XIV, Buffon, Linnaeus, Voltaire, Hume, Adam Smith, Blumenbach, Kant, and Jefferson. Moving from the gilded halls of Versailles to the slave plantations of the Caribbean, from the court of the Mughal Empire to the drawing rooms of Monticello, this sweeping narrative not only reveals how the Enlightenment’s ultimate Promethean quest intertwined with systems of oppression and empire, but also offers a groundbreaking reassessment of the era’s most famous luminaries.</p>
<p>Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University.</p>
<p><em>Caleb Zakarin is CEO and Publisher of New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70138017" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/09d15163-e46b-4219-9d31-8538d1fca51b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=09d15163-e46b-4219-9d31-8538d1fca51b&amp;feed=KodC6fj_"/>
      <itunes:title>Andrew S. Curran, &quot;Biography of a Dangerous Idea: A New History of Race from Louis XIV to Thomas Jefferson&quot; (Other Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:00</itunes:duration>
      <itunes:summary>An engaging investigation of how 13 key Enlightenment figures shaped the concept of race, from the acclaimed author of Diderot and the Art of Thinking Freely. Over the first decades of the 18th century, Christianity began to lose its grip on the story of humankind. Yet centuries of xenophobia, religious intolerance, and proto-biological ideas did not simply disappear. This raw material was increasingly “processed” by secularly minded thinkers who claimed the right to rethink the category of the human. By century’s end, naturalists and classifiers had divided the human species into racial categories using methods that we now associate with the Enlightenment era. In Biography of a Dangerous Idea, prize-winning biographer and Enlightenment specialist Andrew S. Curran retells this story through the medium of group biography. Written more like a detective story than traditional history, the book traces the emergence of race through the lives of 13 pivotal figures, among them Louis XIV, Buffon, Linnaeus, Voltaire, Hume, Adam Smith, Blumenbach, Kant, and Jefferson. Moving from the gilded halls of Versailles to the slave plantations of the Caribbean, from the court of the Mughal Empire to the drawing rooms of Monticello, this sweeping narrative not only reveals how the Enlightenment’s ultimate Promethean quest intertwined with systems of oppression and empire, but also offers a groundbreaking reassessment of the era’s most famous luminaries.

Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University.

Caleb Zakarin is CEO and Publisher of New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An engaging investigation of how 13 key Enlightenment figures shaped the concept of race, from the acclaimed author of Diderot and the Art of Thinking Freely. Over the first decades of the 18th century, Christianity began to lose its grip on the story of humankind. Yet centuries of xenophobia, religious intolerance, and proto-biological ideas did not simply disappear. This raw material was increasingly “processed” by secularly minded thinkers who claimed the right to rethink the category of the human. By century’s end, naturalists and classifiers had divided the human species into racial categories using methods that we now associate with the Enlightenment era. In Biography of a Dangerous Idea, prize-winning biographer and Enlightenment specialist Andrew S. Curran retells this story through the medium of group biography. Written more like a detective story than traditional history, the book traces the emergence of race through the lives of 13 pivotal figures, among them Louis XIV, Buffon, Linnaeus, Voltaire, Hume, Adam Smith, Blumenbach, Kant, and Jefferson. Moving from the gilded halls of Versailles to the slave plantations of the Caribbean, from the court of the Mughal Empire to the drawing rooms of Monticello, this sweeping narrative not only reveals how the Enlightenment’s ultimate Promethean quest intertwined with systems of oppression and empire, but also offers a groundbreaking reassessment of the era’s most famous luminaries.

Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University.

Caleb Zakarin is CEO and Publisher of New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>263</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">06622476-defe-11f0-bc82-8f5b7f3392d6</guid>
      <title>Nicholas L. Caverly, &quot;Demolishing Detroit: How Structural Racism Endures&quot; (Stanford UP, 2025)</title>
      <description><![CDATA[<p>In this episode, Nick Caverly talks about his new book, <a href="https://bookshop.org/a/12343/9781503640252"><em>Demolishing Detroit: How Structural Racism Endures</em></a> (Stanford UP, 2025). For decades, Detroit residents, politicians, planners, and advocacy organizations have campaigned for the elimination of empty buildings from city neighborhoods. Leveling these structures, many argue, is essential to making space for Detroit's majority-Black populace to flourish in the wake of white flight and deindustrialization. In 2013, the city set out to demolish more than twenty thousand empty buildings by the end of the decade, with administrators suggesting it would offer an innovative model for what other American cities could do to combat the effects of racist disinvestment. Drawing on extensive ethnographic research with city residents, demolition workers, and public officials, as well as analyses of administrative archives, <em>Demolishing Detroit</em> examines the causes, procedures, and consequences of empty-building demolitions in Detroit. Contrary to stated goals of equity, the book reveals how racism and intersecting inequities endured despite efforts to level them. As calls to dismantle racist systems have become increasingly urgent, this book provides cautionary tales of urban transformations meant to combat white supremacy that ultimately reinforced inequality. Bridging political analyses of racial capitalism, infrastructures, and environments in cities, Nick Caverly grapples with the reality that tearing down unjust policies, ideologies, and landscapes is not enough to end racist disparities in opportunities and life chances. Doing so demands rebuilding systems in the service of reparative futures.</p>
<p><a href="https://nickcaverly.com/">Nick Caverly</a> is Assistant Professor of Anthropology at the University of Massachusetts Amherst.</p>
<p><a href="https://www.elenasobrino.site/">Elena Sobrino</a> is Lecturer in the Science, Technology, and Society program at Tufts University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 26 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this episode, Nick Caverly talks about his new book, <a href="https://bookshop.org/a/12343/9781503640252"><em>Demolishing Detroit: How Structural Racism Endures</em></a> (Stanford UP, 2025). For decades, Detroit residents, politicians, planners, and advocacy organizations have campaigned for the elimination of empty buildings from city neighborhoods. Leveling these structures, many argue, is essential to making space for Detroit's majority-Black populace to flourish in the wake of white flight and deindustrialization. In 2013, the city set out to demolish more than twenty thousand empty buildings by the end of the decade, with administrators suggesting it would offer an innovative model for what other American cities could do to combat the effects of racist disinvestment. Drawing on extensive ethnographic research with city residents, demolition workers, and public officials, as well as analyses of administrative archives, <em>Demolishing Detroit</em> examines the causes, procedures, and consequences of empty-building demolitions in Detroit. Contrary to stated goals of equity, the book reveals how racism and intersecting inequities endured despite efforts to level them. As calls to dismantle racist systems have become increasingly urgent, this book provides cautionary tales of urban transformations meant to combat white supremacy that ultimately reinforced inequality. Bridging political analyses of racial capitalism, infrastructures, and environments in cities, Nick Caverly grapples with the reality that tearing down unjust policies, ideologies, and landscapes is not enough to end racist disparities in opportunities and life chances. Doing so demands rebuilding systems in the service of reparative futures.</p>
<p><a href="https://nickcaverly.com/">Nick Caverly</a> is Assistant Professor of Anthropology at the University of Massachusetts Amherst.</p>
<p><a href="https://www.elenasobrino.site/">Elena Sobrino</a> is Lecturer in the Science, Technology, and Society program at Tufts University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44390161" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/31a5b2d9-e8b6-4dd1-84f8-ec1eb9c192e9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=31a5b2d9-e8b6-4dd1-84f8-ec1eb9c192e9&amp;feed=KodC6fj_"/>
      <itunes:title>Nicholas L. Caverly, &quot;Demolishing Detroit: How Structural Racism Endures&quot; (Stanford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:11</itunes:duration>
      <itunes:summary>In this episode, Nick Caverly talks about his new book, Demolishing Detroit: How Structural Racism Endures (Stanford UP, 2025). For decades, Detroit residents, politicians, planners, and advocacy organizations have campaigned for the elimination of empty buildings from city neighborhoods. Leveling these structures, many argue, is essential to making space for Detroit&apos;s majority-Black populace to flourish in the wake of white flight and deindustrialization. In 2013, the city set out to demolish more than twenty thousand empty buildings by the end of the decade, with administrators suggesting it would offer an innovative model for what other American cities could do to combat the effects of racist disinvestment. Drawing on extensive ethnographic research with city residents, demolition workers, and public officials, as well as analyses of administrative archives, Demolishing Detroit examines the causes, procedures, and consequences of empty-building demolitions in Detroit. Contrary to stated goals of equity, the book reveals how racism and intersecting inequities endured despite efforts to level them. As calls to dismantle racist systems have become increasingly urgent, this book provides cautionary tales of urban transformations meant to combat white supremacy that ultimately reinforced inequality. Bridging political analyses of racial capitalism, infrastructures, and environments in cities, Nick Caverly grapples with the reality that tearing down unjust policies, ideologies, and landscapes is not enough to end racist disparities in opportunities and life chances. Doing so demands rebuilding systems in the service of reparative futures.

Nick Caverly is Assistant Professor of Anthropology at the University of Massachusetts Amherst.

Elena Sobrino is Lecturer in the Science, Technology, and Society program at Tufts University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this episode, Nick Caverly talks about his new book, Demolishing Detroit: How Structural Racism Endures (Stanford UP, 2025). For decades, Detroit residents, politicians, planners, and advocacy organizations have campaigned for the elimination of empty buildings from city neighborhoods. Leveling these structures, many argue, is essential to making space for Detroit&apos;s majority-Black populace to flourish in the wake of white flight and deindustrialization. In 2013, the city set out to demolish more than twenty thousand empty buildings by the end of the decade, with administrators suggesting it would offer an innovative model for what other American cities could do to combat the effects of racist disinvestment. Drawing on extensive ethnographic research with city residents, demolition workers, and public officials, as well as analyses of administrative archives, Demolishing Detroit examines the causes, procedures, and consequences of empty-building demolitions in Detroit. Contrary to stated goals of equity, the book reveals how racism and intersecting inequities endured despite efforts to level them. As calls to dismantle racist systems have become increasingly urgent, this book provides cautionary tales of urban transformations meant to combat white supremacy that ultimately reinforced inequality. Bridging political analyses of racial capitalism, infrastructures, and environments in cities, Nick Caverly grapples with the reality that tearing down unjust policies, ideologies, and landscapes is not enough to end racist disparities in opportunities and life chances. Doing so demands rebuilding systems in the service of reparative futures.

Nick Caverly is Assistant Professor of Anthropology at the University of Massachusetts Amherst.

Elena Sobrino is Lecturer in the Science, Technology, and Society program at Tufts University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1837</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">04fe710e-dd0d-11f0-919e-d74703daf188</guid>
      <title>Trymaine Lee, &quot;A Thousand Ways to Die: The True Cost of Violence on Black Life in America&quot; (St. Martins, 2025)</title>
      <description><![CDATA[<p>A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.<br />In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.<br />In <em>A Thousand Ways to Die</em> (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy.</p>
<p>In this episode we discuss the work of <a href="https://therestofuspodcast.com/">Dana Tenille Weeks</a>. You can hear her talk about the reimagination of future at <a href="https://therestofuspodcast.com/podcast/rest-in-conversation-with-nia-imagine/">Episode 22 of her podcast</a>, <em>The Rest of Us</em>.</p>
<p>Find Trymaine Lee at his <a href="https://trymaineleeauthor.com/">website</a> and on <a href="https://www.instagram.com/trymaine.lee/">Instagram</a>.</p>
<p>Host Sullivan Summer is at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 25 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.<br />In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.<br />In <em>A Thousand Ways to Die</em> (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy.</p>
<p>In this episode we discuss the work of <a href="https://therestofuspodcast.com/">Dana Tenille Weeks</a>. You can hear her talk about the reimagination of future at <a href="https://therestofuspodcast.com/podcast/rest-in-conversation-with-nia-imagine/">Episode 22 of her podcast</a>, <em>The Rest of Us</em>.</p>
<p>Find Trymaine Lee at his <a href="https://trymaineleeauthor.com/">website</a> and on <a href="https://www.instagram.com/trymaine.lee/">Instagram</a>.</p>
<p>Host Sullivan Summer is at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48768323" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3cce9c09-b99a-4bfc-8f09-a10d1dd08279/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3cce9c09-b99a-4bfc-8f09-a10d1dd08279&amp;feed=KodC6fj_"/>
      <itunes:title>Trymaine Lee, &quot;A Thousand Ways to Die: The True Cost of Violence on Black Life in America&quot; (St. Martins, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:43</itunes:duration>
      <itunes:summary>A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy.

In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us.

Find Trymaine Lee at his website and on Instagram.

Host Sullivan Summer is at her website, Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy.

In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us.

Find Trymaine Lee at his website and on Instagram.

Host Sullivan Summer is at her website, Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1836</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">86f40cb2-dce7-11f0-adce-17230ba2cb3c</guid>
      <title>Brittany Michelle Friedman, &quot;Carceral Apartheid: How Lies and White Supremacists Run Our Prisons&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>It is impossible to deny the impact of lies and white supremacy on the institutional conditions in US prisons. There is a particular power dynamic of racist intent in the prison system that culminates in what Brittany Friedman terms "carceral apartheid." Prisons are a microcosm of how carceral apartheid operates as a larger governing strategy to decimate political targets and foster deceit, disinformation, and division in society. Among many shocking discoveries, Friedman shows that beginning in the 1950s, California prison officials declared war on imprisoned Black people and sought to identify Black militants as a key problem, creating a strategy for the management, segregation, and elimination of these individuals from the prison population that continues into the present day. <a href="https://bookshop.org/a/12343/9781469683409">Carceral Apartheid: How Lies and White Supremacists Run Our Prisons</a> (UNC Press, 2025), delves into how the California Department of Corrections deployed various official, clandestine, and at times extralegal control techniques, including officer alliances with imprisoned white supremacists, to suppress Black political movements, revealing the broader themes of deception, empire, corruption, and white supremacy in American mass incarceration. Drawing from original interviews with founders of Black political movements such as the Black Guerilla Family, white supremacists, and a swath of little-known archival data, Friedman uncovers how the US domestic war against imprisoned Black people models and perpetuates genocide, imprisonment, and torture abroad.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 24 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>It is impossible to deny the impact of lies and white supremacy on the institutional conditions in US prisons. There is a particular power dynamic of racist intent in the prison system that culminates in what Brittany Friedman terms "carceral apartheid." Prisons are a microcosm of how carceral apartheid operates as a larger governing strategy to decimate political targets and foster deceit, disinformation, and division in society. Among many shocking discoveries, Friedman shows that beginning in the 1950s, California prison officials declared war on imprisoned Black people and sought to identify Black militants as a key problem, creating a strategy for the management, segregation, and elimination of these individuals from the prison population that continues into the present day. <a href="https://bookshop.org/a/12343/9781469683409">Carceral Apartheid: How Lies and White Supremacists Run Our Prisons</a> (UNC Press, 2025), delves into how the California Department of Corrections deployed various official, clandestine, and at times extralegal control techniques, including officer alliances with imprisoned white supremacists, to suppress Black political movements, revealing the broader themes of deception, empire, corruption, and white supremacy in American mass incarceration. Drawing from original interviews with founders of Black political movements such as the Black Guerilla Family, white supremacists, and a swath of little-known archival data, Friedman uncovers how the US domestic war against imprisoned Black people models and perpetuates genocide, imprisonment, and torture abroad.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63200261" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/80673e11-9f28-4151-867d-393db216b112/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=80673e11-9f28-4151-867d-393db216b112&amp;feed=KodC6fj_"/>
      <itunes:title>Brittany Michelle Friedman, &quot;Carceral Apartheid: How Lies and White Supremacists Run Our Prisons&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:45</itunes:duration>
      <itunes:summary>It is impossible to deny the impact of lies and white supremacy on the institutional conditions in US prisons. There is a particular power dynamic of racist intent in the prison system that culminates in what Brittany Friedman terms &quot;carceral apartheid.&quot; Prisons are a microcosm of how carceral apartheid operates as a larger governing strategy to decimate political targets and foster deceit, disinformation, and division in society. Among many shocking discoveries, Friedman shows that beginning in the 1950s, California prison officials declared war on imprisoned Black people and sought to identify Black militants as a key problem, creating a strategy for the management, segregation, and elimination of these individuals from the prison population that continues into the present day. Carceral Apartheid: How Lies and White Supremacists Run Our Prisons (UNC Press, 2025), delves into how the California Department of Corrections deployed various official, clandestine, and at times extralegal control techniques, including officer alliances with imprisoned white supremacists, to suppress Black political movements, revealing the broader themes of deception, empire, corruption, and white supremacy in American mass incarceration. Drawing from original interviews with founders of Black political movements such as the Black Guerilla Family, white supremacists, and a swath of little-known archival data, Friedman uncovers how the US domestic war against imprisoned Black people models and perpetuates genocide, imprisonment, and torture abroad.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>It is impossible to deny the impact of lies and white supremacy on the institutional conditions in US prisons. There is a particular power dynamic of racist intent in the prison system that culminates in what Brittany Friedman terms &quot;carceral apartheid.&quot; Prisons are a microcosm of how carceral apartheid operates as a larger governing strategy to decimate political targets and foster deceit, disinformation, and division in society. Among many shocking discoveries, Friedman shows that beginning in the 1950s, California prison officials declared war on imprisoned Black people and sought to identify Black militants as a key problem, creating a strategy for the management, segregation, and elimination of these individuals from the prison population that continues into the present day. Carceral Apartheid: How Lies and White Supremacists Run Our Prisons (UNC Press, 2025), delves into how the California Department of Corrections deployed various official, clandestine, and at times extralegal control techniques, including officer alliances with imprisoned white supremacists, to suppress Black political movements, revealing the broader themes of deception, empire, corruption, and white supremacy in American mass incarceration. Drawing from original interviews with founders of Black political movements such as the Black Guerilla Family, white supremacists, and a swath of little-known archival data, Friedman uncovers how the US domestic war against imprisoned Black people models and perpetuates genocide, imprisonment, and torture abroad.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1835</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5279805a-dc49-11f0-9fa7-6fd668ff9dce</guid>
      <title>Karma F. Frierson, &quot;Local Color: Reckoning with Blackness in the Port City of Veracruz&quot; (U California Press, 2025)</title>
      <description><![CDATA[<p>The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In <em>Local Color: Reckoning with Blackness in the Port City of Veracruz</em> (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more <em>jarocho</em>, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness.</p>
<p><strong>Karma F. Frierson</strong> is Assistant Professor of Black Studies at the University of Rochester.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 23 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In <em>Local Color: Reckoning with Blackness in the Port City of Veracruz</em> (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more <em>jarocho</em>, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness.</p>
<p><strong>Karma F. Frierson</strong> is Assistant Professor of Black Studies at the University of Rochester.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45354398" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1afde46c-de76-4ad8-9394-32c3d27b249d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1afde46c-de76-4ad8-9394-32c3d27b249d&amp;feed=KodC6fj_"/>
      <itunes:title>Karma F. Frierson, &quot;Local Color: Reckoning with Blackness in the Port City of Veracruz&quot; (U California Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:11</itunes:duration>
      <itunes:summary>The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness.

Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness.

Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>392</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">edf6cc62-db78-11f0-b4cb-af697ac914fb</guid>
      <title>Jamila Cupid and Myescha Joell, &quot;Who&apos;s in the Room? A Guide to Public Relations from the Black Professional Perspective&quot; (Kendall Hunt, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9798385193844">Who’s in the Room?: A Guide to Public Relations from the Black Professional Perspective</a> (Kendall Hunt, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. <br /></p>
<p>Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media.</p>
<p>Myescha Joell is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 20 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9798385193844">Who’s in the Room?: A Guide to Public Relations from the Black Professional Perspective</a> (Kendall Hunt, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. <br /></p>
<p>Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media.</p>
<p>Myescha Joell is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50629452" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7496af54-bfed-441a-ae38-68641d25d444/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7496af54-bfed-441a-ae38-68641d25d444&amp;feed=KodC6fj_"/>
      <itunes:title>Jamila Cupid and Myescha Joell, &quot;Who&apos;s in the Room? A Guide to Public Relations from the Black Professional Perspective&quot; (Kendall Hunt, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:41</itunes:duration>
      <itunes:summary>Who’s in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. 

Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media.

Myescha Joell is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Who’s in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. 

Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media.

Myescha Joell is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1833</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5365b1e6-d951-11f0-9be3-ab03edf90a88</guid>
      <title>Amber Day, &quot;Caught in the Crosshairs: Feminist Comedians and the Culture Wars&quot; (Indiana UP, 2025)</title>
      <description><![CDATA[<p>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.</p>
<p><a href="https://bookshop.org/a/12343/9780253073150">Caught in the Crosshairs: Feminist Comedians and the Culture Wars</a> ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.</p>
<p><em>Caught in the Crosshairs</em> is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 16 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.</p>
<p><a href="https://bookshop.org/a/12343/9780253073150">Caught in the Crosshairs: Feminist Comedians and the Culture Wars</a> ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.</p>
<p><em>Caught in the Crosshairs</em> is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46855908" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/11ae4d97-6266-465d-8b2e-f1adb6ee3e84/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=11ae4d97-6266-465d-8b2e-f1adb6ee3e84&amp;feed=KodC6fj_"/>
      <itunes:title>Amber Day, &quot;Caught in the Crosshairs: Feminist Comedians and the Culture Wars&quot; (Indiana UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:45</itunes:duration>
      <itunes:summary>The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1832</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1c869886-d82d-11f0-a348-8f8c498cc4a6</guid>
      <title>Joseph L Graves, &quot;Why Black People Die Sooner: What Medicine Gets Wrong about Race and How to Fix It&quot; (Columbia UP, 2025)</title>
      <description><![CDATA[<p><em>Why Black People Die Sooner</em> is a powerful and rigorous examination of the ways racism shapes health and disease. Joseph L. Graves Jr. demonstrates that the medical profession still fails to grasp basic facts about race, tracing how deep-rooted falsehoods have perpetuated the disparity between Black and white lifespans. He equips readers with the tools to dispel the fallacies and errors of racialized medicine, including an understanding of evolutionary biology and human biological variation. Graves also debunks common misconceptions about race and health on topics such as high blood pressure, sickle cell disease, the microbiome, infectious diseases, and cancer. <em>Why Black People Die Sooner</em> closes by offering a sweeping vision for dismantling medical racism, from professional training to clinical practice through biomedical research. Timely and bracing, this book reveals why medicine keeps misunderstanding race—and how we can make it change.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 14 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>Why Black People Die Sooner</em> is a powerful and rigorous examination of the ways racism shapes health and disease. Joseph L. Graves Jr. demonstrates that the medical profession still fails to grasp basic facts about race, tracing how deep-rooted falsehoods have perpetuated the disparity between Black and white lifespans. He equips readers with the tools to dispel the fallacies and errors of racialized medicine, including an understanding of evolutionary biology and human biological variation. Graves also debunks common misconceptions about race and health on topics such as high blood pressure, sickle cell disease, the microbiome, infectious diseases, and cancer. <em>Why Black People Die Sooner</em> closes by offering a sweeping vision for dismantling medical racism, from professional training to clinical practice through biomedical research. Timely and bracing, this book reveals why medicine keeps misunderstanding race—and how we can make it change.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="25732928" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/179fe888-a3cd-4ccf-94a0-714c02cd1342/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=179fe888-a3cd-4ccf-94a0-714c02cd1342&amp;feed=KodC6fj_"/>
      <itunes:title>Joseph L Graves, &quot;Why Black People Die Sooner: What Medicine Gets Wrong about Race and How to Fix It&quot; (Columbia UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:26:44</itunes:duration>
      <itunes:summary>Why Black People Die Sooner is a powerful and rigorous examination of the ways racism shapes health and disease. Joseph L. Graves Jr. demonstrates that the medical profession still fails to grasp basic facts about race, tracing how deep-rooted falsehoods have perpetuated the disparity between Black and white lifespans. He equips readers with the tools to dispel the fallacies and errors of racialized medicine, including an understanding of evolutionary biology and human biological variation. Graves also debunks common misconceptions about race and health on topics such as high blood pressure, sickle cell disease, the microbiome, infectious diseases, and cancer. Why Black People Die Sooner closes by offering a sweeping vision for dismantling medical racism, from professional training to clinical practice through biomedical research. Timely and bracing, this book reveals why medicine keeps misunderstanding race—and how we can make it change.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Why Black People Die Sooner is a powerful and rigorous examination of the ways racism shapes health and disease. Joseph L. Graves Jr. demonstrates that the medical profession still fails to grasp basic facts about race, tracing how deep-rooted falsehoods have perpetuated the disparity between Black and white lifespans. He equips readers with the tools to dispel the fallacies and errors of racialized medicine, including an understanding of evolutionary biology and human biological variation. Graves also debunks common misconceptions about race and health on topics such as high blood pressure, sickle cell disease, the microbiome, infectious diseases, and cancer. Why Black People Die Sooner closes by offering a sweeping vision for dismantling medical racism, from professional training to clinical practice through biomedical research. Timely and bracing, this book reveals why medicine keeps misunderstanding race—and how we can make it change.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d4b4e840-d57b-11f0-b2e9-57f055824026</guid>
      <title>Caitlin Wiesner, &quot;Between the Street and the State: Black Women’s Anti-Rape Activism Amid the War on Crime&quot; (U Pennsylvania, 2025)</title>
      <description><![CDATA[<p>Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it.</p>
<p><a href="https://bookshop.org/a/12343/9781512828269">Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime</a> (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control.</p>
<p>Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. <em>Between the Street and the State </em>deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era.</p>
<p><br /></p>
<p>Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984," which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 11 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it.</p>
<p><a href="https://bookshop.org/a/12343/9781512828269">Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime</a> (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control.</p>
<p>Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. <em>Between the Street and the State </em>deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era.</p>
<p><br /></p>
<p>Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984," which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69214162" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/35e5a0af-9b85-4004-b654-7cbf94c31ed7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=35e5a0af-9b85-4004-b654-7cbf94c31ed7&amp;feed=KodC6fj_"/>
      <itunes:title>Caitlin Wiesner, &quot;Between the Street and the State: Black Women’s Anti-Rape Activism Amid the War on Crime&quot; (U Pennsylvania, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:02</itunes:duration>
      <itunes:summary>Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it.

Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control.

Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. Between the Street and the State deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era.



Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984,&quot; which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it.

Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control.

Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. Between the Street and the State deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era.



Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984,&quot; which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1830</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ae38da72-d1ad-11f0-96e3-5f29b0d9937e</guid>
      <title>Gloria Browne-Marshall, &quot;A Protest History of the United States&quot; (Beacon Press, 2026)</title>
      <description><![CDATA[<p>Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world</p>
<p>In this timely new book in Beacon’s successful <em>ReVisioning History</em> series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today.</p>
<p>Drawing upon legal documents, archival material, memoir, government documents and secondary sources,<a href="https://bookshop.org/a/12343/9780807022689"> </a><a href="https://bookshop.org/a/12343/9780807022689">A Protest History of the United States</a> (Beacon Press, 2026) ﻿gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of:</p>
<ul>
  <li>Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607;</li>
  <li>legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court;</li>
  <li>and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018.</li>
</ul>
<p>Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest.</p>
<p>Find Professor Gloria J. Browne-Marshall at her <a href="https://www.browne-marshall23.com/">website</a> and on <a href="https://www.instagram.com/gbrownemarshall/">Instagram</a>.</p>
<p>And find host Sullivan Summer <a href="https://sullivansummer.com/">at her website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a> where she and Gloria continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world</p>
<p>In this timely new book in Beacon’s successful <em>ReVisioning History</em> series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today.</p>
<p>Drawing upon legal documents, archival material, memoir, government documents and secondary sources,<a href="https://bookshop.org/a/12343/9780807022689"> </a><a href="https://bookshop.org/a/12343/9780807022689">A Protest History of the United States</a> (Beacon Press, 2026) ﻿gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of:</p>
<ul>
  <li>Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607;</li>
  <li>legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court;</li>
  <li>and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018.</li>
</ul>
<p>Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest.</p>
<p>Find Professor Gloria J. Browne-Marshall at her <a href="https://www.browne-marshall23.com/">website</a> and on <a href="https://www.instagram.com/gbrownemarshall/">Instagram</a>.</p>
<p>And find host Sullivan Summer <a href="https://sullivansummer.com/">at her website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a> where she and Gloria continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60159553" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/24725fd7-64b2-48c1-9611-4faa6f883a66/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=24725fd7-64b2-48c1-9611-4faa6f883a66&amp;feed=KodC6fj_"/>
      <itunes:title>Gloria Browne-Marshall, &quot;A Protest History of the United States&quot; (Beacon Press, 2026)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:37</itunes:duration>
      <itunes:summary>Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world

In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States (Beacon Press, 2026) ﻿gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of:


  Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607;

  legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court;

  and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018.


Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest.

Find Professor Gloria J. Browne-Marshall at her website and on Instagram.

And find host Sullivan Summer at her website, on Instagram, and on Substack where she and Gloria continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world

In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States (Beacon Press, 2026) ﻿gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of:


  Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607;

  legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court;

  and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018.


Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest.

Find Professor Gloria J. Browne-Marshall at her website and on Instagram.

And find host Sullivan Summer at her website, on Instagram, and on Substack where she and Gloria continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1829</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0877110e-d3a0-11f0-908d-3bc2130c1ac8</guid>
      <title>David Silkenat, &quot;Scars on the Land: An Environmental History of Slavery in the American South&quot; (Oxford UP, 2022)</title>
      <description><![CDATA[<p>They worked Virginia's tobacco fields, South Carolina's rice marshes, and the Black Belt's cotton plantations. Wherever they lived, enslaved people found their lives indelibly shaped by the Southern environment. By day, they plucked worms and insects from the crops, trod barefoot in the mud as they hoed rice fields, and endured the sun and humidity as they planted and harvested the fields. By night, they clandestinely took to the woods and swamps to trap opossums and turtles, to visit relatives living on adjacent plantations, and at times to escape slave patrols and escape to freedom.</p><p><a href="https://bookshop.org/a/12343/9780197564226"><em>Scars on the Land: An Environmental History of Slavery in the American South</em></a><em> </em>(Oxford UP, 2022) is the first comprehensive history of American slavery to examine how the environment fundamentally formed enslaved people's lives and how slavery remade the Southern landscape. Over two centuries, from the establishment of slavery in the Chesapeake to the Civil War, one simple calculation had profound consequences: rather than measuring productivity based on outputs per acre, Southern planters sought to maximize how much labor they could extract from their enslaved workforce. They saw the landscape as disposable, relocating to more fertile prospects once they had leached the soils and cut down the forests. On the leading edge of the frontier, slavery laid waste to fragile ecosystems, draining swamps, clearing forests to plant crops and fuel steamships, and introducing devastating invasive species. On its trailing edge, slavery left eroded hillsides, rivers clogged with sterile soil, and the extinction of native species. While environmental destruction fueled slavery's expansion, no environment could long survive intensive slave labor. The scars manifested themselves in different ways, but the land too fell victim to the slave owner's lash.</p><p>Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice.</p><p><a href="http://www.brandontjett.com/"><em>Brandon T. Jett</em></a><em>, professor of history at Florida SouthWestern State College, creator of the </em><a href="http://www.lynchinginlabelle.com/"><em>Lynching in LaBelle</em></a><em> Digital History Project, and author of </em><a href="https://bookshop.org/a/12343/9780807175071"><em>Race, Crime, and Policing in the Jim Crow South</em></a><em> (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>They worked Virginia's tobacco fields, South Carolina's rice marshes, and the Black Belt's cotton plantations. Wherever they lived, enslaved people found their lives indelibly shaped by the Southern environment. By day, they plucked worms and insects from the crops, trod barefoot in the mud as they hoed rice fields, and endured the sun and humidity as they planted and harvested the fields. By night, they clandestinely took to the woods and swamps to trap opossums and turtles, to visit relatives living on adjacent plantations, and at times to escape slave patrols and escape to freedom.</p><p><a href="https://bookshop.org/a/12343/9780197564226"><em>Scars on the Land: An Environmental History of Slavery in the American South</em></a><em> </em>(Oxford UP, 2022) is the first comprehensive history of American slavery to examine how the environment fundamentally formed enslaved people's lives and how slavery remade the Southern landscape. Over two centuries, from the establishment of slavery in the Chesapeake to the Civil War, one simple calculation had profound consequences: rather than measuring productivity based on outputs per acre, Southern planters sought to maximize how much labor they could extract from their enslaved workforce. They saw the landscape as disposable, relocating to more fertile prospects once they had leached the soils and cut down the forests. On the leading edge of the frontier, slavery laid waste to fragile ecosystems, draining swamps, clearing forests to plant crops and fuel steamships, and introducing devastating invasive species. On its trailing edge, slavery left eroded hillsides, rivers clogged with sterile soil, and the extinction of native species. While environmental destruction fueled slavery's expansion, no environment could long survive intensive slave labor. The scars manifested themselves in different ways, but the land too fell victim to the slave owner's lash.</p><p>Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice.</p><p><a href="http://www.brandontjett.com/"><em>Brandon T. Jett</em></a><em>, professor of history at Florida SouthWestern State College, creator of the </em><a href="http://www.lynchinginlabelle.com/"><em>Lynching in LaBelle</em></a><em> Digital History Project, and author of </em><a href="https://bookshop.org/a/12343/9780807175071"><em>Race, Crime, and Policing in the Jim Crow South</em></a><em> (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59563557" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8ff52fb7-53c1-4f0f-a652-af0ae26f850b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8ff52fb7-53c1-4f0f-a652-af0ae26f850b&amp;feed=KodC6fj_"/>
      <itunes:title>David Silkenat, &quot;Scars on the Land: An Environmental History of Slavery in the American South&quot; (Oxford UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:02</itunes:duration>
      <itunes:summary>They worked Virginia&apos;s tobacco fields, South Carolina&apos;s rice marshes, and the Black Belt&apos;s cotton plantations. Wherever they lived, enslaved people found their lives indelibly shaped by the Southern environment. By day, they plucked worms and insects from the crops, trod barefoot in the mud as they hoed rice fields, and endured the sun and humidity as they planted and harvested the fields. By night, they clandestinely took to the woods and swamps to trap opossums and turtles, to visit relatives living on adjacent plantations, and at times to escape slave patrols and escape to freedom.
Scars on the Land: An Environmental History of Slavery in the American South (Oxford UP, 2022) is the first comprehensive history of American slavery to examine how the environment fundamentally formed enslaved people&apos;s lives and how slavery remade the Southern landscape. Over two centuries, from the establishment of slavery in the Chesapeake to the Civil War, one simple calculation had profound consequences: rather than measuring productivity based on outputs per acre, Southern planters sought to maximize how much labor they could extract from their enslaved workforce. They saw the landscape as disposable, relocating to more fertile prospects once they had leached the soils and cut down the forests. On the leading edge of the frontier, slavery laid waste to fragile ecosystems, draining swamps, clearing forests to plant crops and fuel steamships, and introducing devastating invasive species. On its trailing edge, slavery left eroded hillsides, rivers clogged with sterile soil, and the extinction of native species. While environmental destruction fueled slavery&apos;s expansion, no environment could long survive intensive slave labor. The scars manifested themselves in different ways, but the land too fell victim to the slave owner&apos;s lash.
Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>They worked Virginia&apos;s tobacco fields, South Carolina&apos;s rice marshes, and the Black Belt&apos;s cotton plantations. Wherever they lived, enslaved people found their lives indelibly shaped by the Southern environment. By day, they plucked worms and insects from the crops, trod barefoot in the mud as they hoed rice fields, and endured the sun and humidity as they planted and harvested the fields. By night, they clandestinely took to the woods and swamps to trap opossums and turtles, to visit relatives living on adjacent plantations, and at times to escape slave patrols and escape to freedom.
Scars on the Land: An Environmental History of Slavery in the American South (Oxford UP, 2022) is the first comprehensive history of American slavery to examine how the environment fundamentally formed enslaved people&apos;s lives and how slavery remade the Southern landscape. Over two centuries, from the establishment of slavery in the Chesapeake to the Civil War, one simple calculation had profound consequences: rather than measuring productivity based on outputs per acre, Southern planters sought to maximize how much labor they could extract from their enslaved workforce. They saw the landscape as disposable, relocating to more fertile prospects once they had leached the soils and cut down the forests. On the leading edge of the frontier, slavery laid waste to fragile ecosystems, draining swamps, clearing forests to plant crops and fuel steamships, and introducing devastating invasive species. On its trailing edge, slavery left eroded hillsides, rivers clogged with sterile soil, and the extinction of native species. While environmental destruction fueled slavery&apos;s expansion, no environment could long survive intensive slave labor. The scars manifested themselves in different ways, but the land too fell victim to the slave owner&apos;s lash.
Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">614c0fde-cf57-11f0-8f58-c32b8d51f076</guid>
      <title>Black Girls and How We Fail Them</title>
      <description><![CDATA[<p>From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.<br />Dr. Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like <em>A Wrinkle in Time</em>. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In <a href="https://bookshop.org/a/12343/9781469686110">Black Girls and How We Fail Them</a><em> </em>﻿﻿(UNC Press, 2025), a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Dr. Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.</p>
<p>Our guest is: Dr. Aria S. Halliday, who is the Marie Rich Endowed Professor in Arts and Sciences and Associate Professor in the Department of Gender and Women’s Studies and program in African American and Africana Studies at the University of Kentucky. Dr. Halliday specializes in cultural constructions of black girlhood and womanhood in material, visual, and digital cultures in the 20th and 21st centuries. She has won numerous awards and fellowships, and her articles and chapters have been published in <em>The Black Scholar</em>,<em> Cultural Studies</em>, <em>Departures in Critical Qualitative Research</em>, <em>Girlhood Studies</em>, <em>Palimpsest</em>, and <em>SOULS</em>, as well as in edited volumes. She is the author of <a href="https://www.press.uillinois.edu/books/?id=83zmd7ed9780252044274"><em>Buy Black: How Black Women Transformed US Pop Culture</em></a>, and <a href="https://uncpress.org/book/9781469686110/black-girls-and-how-we-fail-them/"><em>Black Girls and How We Fail Them</em></a>. She is co-founder of <a href="http://digitalblackgirls.org/">Digital Black Girls</a>, a digital humanities archive celebrating Black girls' cultural production and innovation.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach, grad student coach, and developmental editor. She is the producer and host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/how-to-help-girls-achieve">How Girls Achieve</a></li>
  <li><a href="https://newbooksnetwork.com/community-building-and-how-we-show-up">How We Show Up</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 4 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.<br />Dr. Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like <em>A Wrinkle in Time</em>. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In <a href="https://bookshop.org/a/12343/9781469686110">Black Girls and How We Fail Them</a><em> </em>﻿﻿(UNC Press, 2025), a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Dr. Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.</p>
<p>Our guest is: Dr. Aria S. Halliday, who is the Marie Rich Endowed Professor in Arts and Sciences and Associate Professor in the Department of Gender and Women’s Studies and program in African American and Africana Studies at the University of Kentucky. Dr. Halliday specializes in cultural constructions of black girlhood and womanhood in material, visual, and digital cultures in the 20th and 21st centuries. She has won numerous awards and fellowships, and her articles and chapters have been published in <em>The Black Scholar</em>,<em> Cultural Studies</em>, <em>Departures in Critical Qualitative Research</em>, <em>Girlhood Studies</em>, <em>Palimpsest</em>, and <em>SOULS</em>, as well as in edited volumes. She is the author of <a href="https://www.press.uillinois.edu/books/?id=83zmd7ed9780252044274"><em>Buy Black: How Black Women Transformed US Pop Culture</em></a>, and <a href="https://uncpress.org/book/9781469686110/black-girls-and-how-we-fail-them/"><em>Black Girls and How We Fail Them</em></a>. She is co-founder of <a href="http://digitalblackgirls.org/">Digital Black Girls</a>, a digital humanities archive celebrating Black girls' cultural production and innovation.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach, grad student coach, and developmental editor. She is the producer and host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/how-to-help-girls-achieve">How Girls Achieve</a></li>
  <li><a href="https://newbooksnetwork.com/community-building-and-how-we-show-up">How We Show Up</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42622665" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c7265a99-c630-42d3-bc64-5663d76a9683/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c7265a99-c630-42d3-bc64-5663d76a9683&amp;feed=KodC6fj_"/>
      <itunes:title>Black Girls and How We Fail Them</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:21</itunes:duration>
      <itunes:summary>From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.Dr. Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like A Wrinkle in Time. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In Black Girls and How We Fail Them ﻿﻿(UNC Press, 2025), a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Dr. Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.

Our guest is: Dr. Aria S. Halliday, who is the Marie Rich Endowed Professor in Arts and Sciences and Associate Professor in the Department of Gender and Women’s Studies and program in African American and Africana Studies at the University of Kentucky. Dr. Halliday specializes in cultural constructions of black girlhood and womanhood in material, visual, and digital cultures in the 20th and 21st centuries. She has won numerous awards and fellowships, and her articles and chapters have been published in The Black Scholar, Cultural Studies, Departures in Critical Qualitative Research, Girlhood Studies, Palimpsest, and SOULS, as well as in edited volumes. She is the author of Buy Black: How Black Women Transformed US Pop Culture, and Black Girls and How We Fail Them. She is co-founder of Digital Black Girls, a digital humanities archive celebrating Black girls&apos; cultural production and innovation.

Our host is: Dr. Christina Gessler, who is a writing coach, grad student coach, and developmental editor. She is the producer and host of the Academic Life podcast.

Playlist for listeners:


  How Girls Achieve

  How We Show Up


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.Dr. Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like A Wrinkle in Time. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In Black Girls and How We Fail Them ﻿﻿(UNC Press, 2025), a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Dr. Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.

Our guest is: Dr. Aria S. Halliday, who is the Marie Rich Endowed Professor in Arts and Sciences and Associate Professor in the Department of Gender and Women’s Studies and program in African American and Africana Studies at the University of Kentucky. Dr. Halliday specializes in cultural constructions of black girlhood and womanhood in material, visual, and digital cultures in the 20th and 21st centuries. She has won numerous awards and fellowships, and her articles and chapters have been published in The Black Scholar, Cultural Studies, Departures in Critical Qualitative Research, Girlhood Studies, Palimpsest, and SOULS, as well as in edited volumes. She is the author of Buy Black: How Black Women Transformed US Pop Culture, and Black Girls and How We Fail Them. She is co-founder of Digital Black Girls, a digital humanities archive celebrating Black girls&apos; cultural production and innovation.

Our host is: Dr. Christina Gessler, who is a writing coach, grad student coach, and developmental editor. She is the producer and host of the Academic Life podcast.

Playlist for listeners:


  How Girls Achieve

  How We Show Up


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1827</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9eaf6d88-ce7d-11f0-8435-eb3bf4628ee0</guid>
      <title>Theresa Delgadillo, &quot;Geographies of Relation: Diasporas and Borderlands in the Americas&quot; (U Michigan Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780472904570">Geographies of Relation﻿: Diasporas and Borderlands in the Americas</a> (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance.</p>
<p>Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón’s literature and the documentary <em>Soy Andina</em>, and revisit the centrality of Black power in ending colonialism in Cuban narratives. <em>Geographies of Relation</em> demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere.</p>
<p>Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication <em>Latinx Talk</em>.</p>
<p>Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. ﻿Website <a href="https://www.ucl.ac.uk/social-historical-sciences/americas/research/research-students/shodona-kettle">here</a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 2 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780472904570">Geographies of Relation﻿: Diasporas and Borderlands in the Americas</a> (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance.</p>
<p>Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón’s literature and the documentary <em>Soy Andina</em>, and revisit the centrality of Black power in ending colonialism in Cuban narratives. <em>Geographies of Relation</em> demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere.</p>
<p>Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication <em>Latinx Talk</em>.</p>
<p>Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. ﻿Website <a href="https://www.ucl.ac.uk/social-historical-sciences/americas/research/research-students/shodona-kettle">here</a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56263869" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4853dccb-3cd5-4051-aaf1-4a4c07bebe88/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4853dccb-3cd5-4051-aaf1-4a4c07bebe88&amp;feed=KodC6fj_"/>
      <itunes:title>Theresa Delgadillo, &quot;Geographies of Relation: Diasporas and Borderlands in the Americas&quot; (U Michigan Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:32</itunes:duration>
      <itunes:summary>Geographies of Relation﻿: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance.

Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón’s literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere.

Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. ﻿Website here﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Geographies of Relation﻿: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance.

Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón’s literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere.

Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. ﻿Website here﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1826</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3b3a0774-3dc4-11ed-8fa7-1709ff65969d</guid>
      <title>Sarah F. Derbew, &quot;Untangling Blackness in Greek Antiquity&quot; (Cambridge UP, 2022)</title>
      <description><![CDATA[<p>Sarah Derbew’s new book <a href="https://bookshop.org/a/12343/9781108495288"><em>Untangling Blackness in Greek Antiquity</em></a> (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.</p><p>Get 20% off a copy of <em>Untangling Blackness in Greek Antiquity</em> using promo code UBGA2022 at <a href="https://www.cambridge.org/9781108495288">Cambridge University Press</a> (valid until February 2023).</p><p>Keep up with Sarah’s work on Twitter <a href="https://twitter.com/BlackAntiquity">@BlackAntiquity</a> and on her <a href="https://www.sarahderbew.com/">website</a>.</p><p><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 1 Dec 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Sarah Derbew’s new book <a href="https://bookshop.org/a/12343/9781108495288"><em>Untangling Blackness in Greek Antiquity</em></a> (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.</p><p>Get 20% off a copy of <em>Untangling Blackness in Greek Antiquity</em> using promo code UBGA2022 at <a href="https://www.cambridge.org/9781108495288">Cambridge University Press</a> (valid until February 2023).</p><p>Keep up with Sarah’s work on Twitter <a href="https://twitter.com/BlackAntiquity">@BlackAntiquity</a> and on her <a href="https://www.sarahderbew.com/">website</a>.</p><p><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62765358" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/aadd2a3e-ba05-4b8a-b340-c8e4e1c615e9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=aadd2a3e-ba05-4b8a-b340-c8e4e1c615e9&amp;feed=KodC6fj_"/>
      <itunes:title>Sarah F. Derbew, &quot;Untangling Blackness in Greek Antiquity&quot; (Cambridge UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:22</itunes:duration>
      <itunes:summary>Sarah Derbew’s new book Untangling Blackness in Greek Antiquity (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.
Get 20% off a copy of Untangling Blackness in Greek Antiquity using promo code UBGA2022 at Cambridge University Press (valid until February 2023).
Keep up with Sarah’s work on Twitter @BlackAntiquity and on her website.
@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Sarah Derbew’s new book Untangling Blackness in Greek Antiquity (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.
Get 20% off a copy of Untangling Blackness in Greek Antiquity using promo code UBGA2022 at Cambridge University Press (valid until February 2023).
Keep up with Sarah’s work on Twitter @BlackAntiquity and on her website.
@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>326</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7f92a962-ca2a-11f0-a9e0-cb6b7a24bf42</guid>
      <title>Jonathan Eig, &quot;King: A Life&quot; (FSG, 2023)</title>
      <description><![CDATA[<p>Vividly written and exhaustively researched, Jonathan Eig's <a href="https://bookshop.org/a/12343/9780374279295"><em>King: A Life</em></a><em> </em>(FSG, 2023) is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. <em>King </em>reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation's most mourned martyr.</p><p>In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.</p><p>Jonathan Eig is a former senior special writer for The Wall Street Journal. He is the author of several books, including two highly acclaimed bestsellers, Luckiest Man: The Life and Death of Lou Gehrig and Opening Day: The Story of Jackie Robinson’s First Season. Visit him at JonathanEig.com.</p><p><em> Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 27 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Vividly written and exhaustively researched, Jonathan Eig's <a href="https://bookshop.org/a/12343/9780374279295"><em>King: A Life</em></a><em> </em>(FSG, 2023) is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. <em>King </em>reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation's most mourned martyr.</p><p>In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.</p><p>Jonathan Eig is a former senior special writer for The Wall Street Journal. He is the author of several books, including two highly acclaimed bestsellers, Luckiest Man: The Life and Death of Lou Gehrig and Opening Day: The Story of Jackie Robinson’s First Season. Visit him at JonathanEig.com.</p><p><em> Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38957259" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/24069429-e49e-402e-b658-41078b403247/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=24069429-e49e-402e-b658-41078b403247&amp;feed=KodC6fj_"/>
      <itunes:title>Jonathan Eig, &quot;King: A Life&quot; (FSG, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:34</itunes:duration>
      <itunes:summary>Vividly written and exhaustively researched, Jonathan Eig&apos;s King: A Life (FSG, 2023) is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family&apos;s origins as well as MLK&apos;s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation&apos;s most mourned martyr.
In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history&apos;s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.
Jonathan Eig is a former senior special writer for The Wall Street Journal. He is the author of several books, including two highly acclaimed bestsellers, Luckiest Man: The Life and Death of Lou Gehrig and Opening Day: The Story of Jackie Robinson’s First Season. Visit him at JonathanEig.com.
 Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Vividly written and exhaustively researched, Jonathan Eig&apos;s King: A Life (FSG, 2023) is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family&apos;s origins as well as MLK&apos;s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation&apos;s most mourned martyr.
In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history&apos;s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.
Jonathan Eig is a former senior special writer for The Wall Street Journal. He is the author of several books, including two highly acclaimed bestsellers, Luckiest Man: The Life and Death of Lou Gehrig and Opening Day: The Story of Jackie Robinson’s First Season. Visit him at JonathanEig.com.
 Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">428056ea-c9a9-11f0-96da-c3518a4111e7</guid>
      <title>Christina Cecelia Davidson, &quot;Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation&quot; (Duke UP, 2024)</title>
      <description><![CDATA[<p>H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In <a href="https://bookshop.org/a/12343/9781478030942">Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation</a><em> </em>﻿﻿(Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond.</p>
<p>Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. <a href="https://africana.nd.edu/people/kiana-knight/">Kiana’s Webpage</a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 26 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In <a href="https://bookshop.org/a/12343/9781478030942">Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation</a><em> </em>﻿﻿(Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond.</p>
<p>Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. <a href="https://africana.nd.edu/people/kiana-knight/">Kiana’s Webpage</a>﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37465602" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7ecc0664-c14e-42ea-a62d-32f5105c2622/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7ecc0664-c14e-42ea-a62d-32f5105c2622&amp;feed=KodC6fj_"/>
      <itunes:title>Christina Cecelia Davidson, &quot;Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation&quot; (Duke UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:59</itunes:duration>
      <itunes:summary>H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation ﻿﻿(Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond.

Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. Kiana’s Webpage﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation ﻿﻿(Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond.

Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. Kiana’s Webpage﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1823</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">168fa200-ca28-11f0-9c36-3ffe8f709c02</guid>
      <title>Sharon White Rewires Disco</title>
      <description><![CDATA[<p>At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.</p>
<p>In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 25 Nov 2025 17:49:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.</p>
<p>In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63842885" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2c0f035f-3568-45b1-b0d8-a5c8936aa585/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2c0f035f-3568-45b1-b0d8-a5c8936aa585&amp;feed=KodC6fj_"/>
      <itunes:title>Sharon White Rewires Disco</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/2c0f035f-3568-45b1-b0d8-a5c8936aa585/3000x3000/2bf8e46b1948456e1dba645f473a0d04.png?aid=rss_feed"/>
      <itunes:duration>01:06:16</itunes:duration>
      <itunes:summary>At the center of 1970s New York&apos;s most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as &quot;edgy, deep, aggressive, tech, synthy, percussive and lush,&quot; White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn&apos;t belong. Her five-decade career didn&apos;t just challenge disco&apos;s male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco&apos;s inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.

In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>At the center of 1970s New York&apos;s most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as &quot;edgy, deep, aggressive, tech, synthy, percussive and lush,&quot; White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn&apos;t belong. Her five-decade career didn&apos;t just challenge disco&apos;s male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco&apos;s inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.

In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1822</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">51a2fd48-c5e5-11f0-a7af-3347844486ee</guid>
      <title>David Chanoff, &quot;Anthony Benezet: Quaker, Abolitionist, Anti-Racist&quot; (U Georgia Press, 2025)</title>
      <description><![CDATA[<p>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.<br />Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.<br />In <a href="https://bookshop.org/a/12343/9780820374253">Anthony Benezet: Quaker, Abolitionist, Anti-Racist</a> (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 22 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.<br />Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.<br />In <a href="https://bookshop.org/a/12343/9780820374253">Anthony Benezet: Quaker, Abolitionist, Anti-Racist</a> (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43326849" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/47190963-017e-4e49-9b14-26b0a688e8df/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=47190963-017e-4e49-9b14-26b0a688e8df&amp;feed=KodC6fj_"/>
      <itunes:title>David Chanoff, &quot;Anthony Benezet: Quaker, Abolitionist, Anti-Racist&quot; (U Georgia Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:06</itunes:duration>
      <itunes:summary>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1821</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3b8f284e-c697-11f0-8011-c37f5bebcaf7</guid>
      <title>Shatema Threadcraft, &quot;Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy&quot; (Oxford UP, 2025)</title>
      <description><![CDATA[<p>Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. <a href="https://bookshop.org/a/12343/9780197758588">﻿Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy</a> (Oxford UP, 2025)</p>
<p>Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Shatema continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 22 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. <a href="https://bookshop.org/a/12343/9780197758588">﻿Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy</a> (Oxford UP, 2025)</p>
<p>Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Shatema continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55881525" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7b45c127-c202-4b95-aa61-9c0f33b0fb55/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7b45c127-c202-4b95-aa61-9c0f33b0fb55&amp;feed=KodC6fj_"/>
      <itunes:title>Shatema Threadcraft, &quot;Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy&quot; (Oxford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:10</itunes:duration>
      <itunes:summary>Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. ﻿Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025)

Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.

Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. ﻿Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025)

Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.

Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1820</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b6ce4656-c062-11f0-bf2c-3b55d937a524</guid>
      <title>Lucy Caplan, &quot;Dreaming in Ensemble: How Black Artists Transformed American Opera&quot; (Harvard UP, 2025)</title>
      <description><![CDATA[<p>Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s <a href="https://bookshop.org/a/12343/9780674268517">Dreaming in Ensemble: How Black Artists Transformed American Opera</a><em> </em>(Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, <em>The Martyr</em>, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 15 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s <a href="https://bookshop.org/a/12343/9780674268517">Dreaming in Ensemble: How Black Artists Transformed American Opera</a><em> </em>(Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, <em>The Martyr</em>, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58117721" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b7a1d078-26cd-419c-8ff0-e2c4c193ffab/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b7a1d078-26cd-419c-8ff0-e2c4c193ffab&amp;feed=KodC6fj_"/>
      <itunes:title>Lucy Caplan, &quot;Dreaming in Ensemble: How Black Artists Transformed American Opera&quot; (Harvard UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:31</itunes:duration>
      <itunes:summary>Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera (Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera (Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1819</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b283fa86-c126-11f0-a840-13f0dfb66903</guid>
      <title>Rizvana Bradley, &quot;Anteaesthetics: Black Aesthesis and the Critique of Form&quot; (Stanford UP, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503637139">Anteaesthetics﻿: Black Aesthesis and the Critique of Form</a><em> </em>(Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.</p>
<p>Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, <em>Anteaesthetics</em> asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 15 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503637139">Anteaesthetics﻿: Black Aesthesis and the Critique of Form</a><em> </em>(Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.</p>
<p>Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, <em>Anteaesthetics</em> asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62357283" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0d3c08fe-07ca-4809-9dc6-00bf0d6c3407/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0d3c08fe-07ca-4809-9dc6-00bf0d6c3407&amp;feed=KodC6fj_"/>
      <itunes:title>Rizvana Bradley, &quot;Anteaesthetics: Black Aesthesis and the Critique of Form&quot; (Stanford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:54</itunes:duration>
      <itunes:summary>In Anteaesthetics﻿: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity&apos;s aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Anteaesthetics﻿: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity&apos;s aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1818</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">613c0c88-bf7b-11f0-a974-f3852007fa02</guid>
      <title>Ronald Angelo Johnson, &quot;Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution&quot; (Cornell UP, 2025)</title>
      <description><![CDATA[<p><em>Entangled Alliances</em> is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation.</p>
<p>Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny.</p>
<p>The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In <a href="https://bookshop.org/a/12343/9781501783715">Entangled Alliances﻿: ﻿Racialized Freedom and Atlantic Diplomacy During the American Revolution</a><em> </em>(Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord.</p>
<p><em>Entangled Alliances</em> is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century.</p>
<p>You can find Dr. Ronald Angelo Johnson at the <a href="https://history.artsandsciences.baylor.edu/person/ronald-angelo-johnson">Baylor University website</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a> where she and the author continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 13 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>Entangled Alliances</em> is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation.</p>
<p>Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny.</p>
<p>The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In <a href="https://bookshop.org/a/12343/9781501783715">Entangled Alliances﻿: ﻿Racialized Freedom and Atlantic Diplomacy During the American Revolution</a><em> </em>(Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord.</p>
<p><em>Entangled Alliances</em> is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century.</p>
<p>You can find Dr. Ronald Angelo Johnson at the <a href="https://history.artsandsciences.baylor.edu/person/ronald-angelo-johnson">Baylor University website</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a> where she and the author continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="78915035" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7768e7f6-8693-4e83-8a8a-f7a6dc20b7c1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7768e7f6-8693-4e83-8a8a-f7a6dc20b7c1&amp;feed=KodC6fj_"/>
      <itunes:title>Ronald Angelo Johnson, &quot;Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution&quot; (Cornell UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:22:10</itunes:duration>
      <itunes:summary>Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation.

Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny.

The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances﻿: ﻿Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord.

Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century.

You can find Dr. Ronald Angelo Johnson at the Baylor University website.

Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation.

Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny.

The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances﻿: ﻿Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord.

Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century.

You can find Dr. Ronald Angelo Johnson at the Baylor University website.

Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1817</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">671be1b6-bf56-11f0-b2df-638dfa7b2a60</guid>
      <title>James Brown&apos;s War on Disco</title>
      <description><![CDATA[<p>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.</p>
<p>The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.</p>
<p>Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.</p>
<p>With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 11 Nov 2025 23:26:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.</p>
<p>The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.</p>
<p>Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.</p>
<p>With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57539124" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b280ac0a-dea9-4c61-b4c1-606cc4cee55f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b280ac0a-dea9-4c61-b4c1-606cc4cee55f&amp;feed=KodC6fj_"/>
      <itunes:title>James Brown&apos;s War on Disco</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/b280ac0a-dea9-4c61-b4c1-606cc4cee55f/3000x3000/72cbcd7c4d7f2b8a2a07622a40e5cf5a.png?aid=rss_feed"/>
      <itunes:duration>00:59:42</itunes:duration>
      <itunes:summary>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.

The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.

Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.

With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.

The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.

Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.

With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1816</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">53b88176-bde7-11f0-ab70-57525db44480</guid>
      <title>Joseph P. Viteritti, &quot;Radical Dreamers: Race, Choice, and the Failure of American Education&quot; (Oxford UP, 2025)</title>
      <description><![CDATA[<p>Seventy years after <em>Brown v. Board of Education</em> and demands to desegregate public schools, race and class remain the most reliable predictors of educational achievement in America. In attempting to address this divide, many school reformers have championed school choice: solutions like charter schools, vouchers, and other innovations designed to build more options into the system. Today, at least thirty-five states have laws that enable parents to send their children to private and religious schools at public expense while forty-six states have legalized charter schools.</p>
<p>In<em> </em><a href="https://bookshop.org/a/12343/9780197827109">Radical Dreamers: Race, Choice, and the Failure of American Education</a><em> </em>(Oxford UP, 2025), Joseph P. Viteritti tells the definitive history of the school choice movement. In the 1990s, school choice emerged as an effort by a coalition of Black activists and conservative lawmakers seeking to offer economically disadvantaged students of color a way out of failing schools. As Viteritti shows, however, today's movement--championed by Republicans, conservatives, and faith-based organizations--has become less about placing disadvantaged children in better schools and more about providing public funding to students, irrespective of income, attending private--and frequently religious--schools.</p>
<p>Viteritti, an education insider and supporter of school choice for underserved students, profiles six influential figures, the "radical dreamers," who were integral to understanding the movement for greater education equality and the role that choice can play in fully realizing the movement's potential. <em>Radical Dreamers</em> urges us to have an honest conversation about education in America and where we have gone wrong. Viteritti's compelling narrative of how some of the most passionate educators conceived of school choice provides a valuable context to our nation's long struggle to offer every child in America a good education, and how that goal was undermined by advocates on both the left and right.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 11 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Seventy years after <em>Brown v. Board of Education</em> and demands to desegregate public schools, race and class remain the most reliable predictors of educational achievement in America. In attempting to address this divide, many school reformers have championed school choice: solutions like charter schools, vouchers, and other innovations designed to build more options into the system. Today, at least thirty-five states have laws that enable parents to send their children to private and religious schools at public expense while forty-six states have legalized charter schools.</p>
<p>In<em> </em><a href="https://bookshop.org/a/12343/9780197827109">Radical Dreamers: Race, Choice, and the Failure of American Education</a><em> </em>(Oxford UP, 2025), Joseph P. Viteritti tells the definitive history of the school choice movement. In the 1990s, school choice emerged as an effort by a coalition of Black activists and conservative lawmakers seeking to offer economically disadvantaged students of color a way out of failing schools. As Viteritti shows, however, today's movement--championed by Republicans, conservatives, and faith-based organizations--has become less about placing disadvantaged children in better schools and more about providing public funding to students, irrespective of income, attending private--and frequently religious--schools.</p>
<p>Viteritti, an education insider and supporter of school choice for underserved students, profiles six influential figures, the "radical dreamers," who were integral to understanding the movement for greater education equality and the role that choice can play in fully realizing the movement's potential. <em>Radical Dreamers</em> urges us to have an honest conversation about education in America and where we have gone wrong. Viteritti's compelling narrative of how some of the most passionate educators conceived of school choice provides a valuable context to our nation's long struggle to offer every child in America a good education, and how that goal was undermined by advocates on both the left and right.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42372136" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7c514063-e6b5-41c4-9779-22f39f2f37d1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7c514063-e6b5-41c4-9779-22f39f2f37d1&amp;feed=KodC6fj_"/>
      <itunes:title>Joseph P. Viteritti, &quot;Radical Dreamers: Race, Choice, and the Failure of American Education&quot; (Oxford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:08</itunes:duration>
      <itunes:summary>Seventy years after Brown v. Board of Education and demands to desegregate public schools, race and class remain the most reliable predictors of educational achievement in America. In attempting to address this divide, many school reformers have championed school choice: solutions like charter schools, vouchers, and other innovations designed to build more options into the system. Today, at least thirty-five states have laws that enable parents to send their children to private and religious schools at public expense while forty-six states have legalized charter schools.

In Radical Dreamers: Race, Choice, and the Failure of American Education (Oxford UP, 2025), Joseph P. Viteritti tells the definitive history of the school choice movement. In the 1990s, school choice emerged as an effort by a coalition of Black activists and conservative lawmakers seeking to offer economically disadvantaged students of color a way out of failing schools. As Viteritti shows, however, today&apos;s movement--championed by Republicans, conservatives, and faith-based organizations--has become less about placing disadvantaged children in better schools and more about providing public funding to students, irrespective of income, attending private--and frequently religious--schools.

Viteritti, an education insider and supporter of school choice for underserved students, profiles six influential figures, the &quot;radical dreamers,&quot; who were integral to understanding the movement for greater education equality and the role that choice can play in fully realizing the movement&apos;s potential. Radical Dreamers urges us to have an honest conversation about education in America and where we have gone wrong. Viteritti&apos;s compelling narrative of how some of the most passionate educators conceived of school choice provides a valuable context to our nation&apos;s long struggle to offer every child in America a good education, and how that goal was undermined by advocates on both the left and right.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Seventy years after Brown v. Board of Education and demands to desegregate public schools, race and class remain the most reliable predictors of educational achievement in America. In attempting to address this divide, many school reformers have championed school choice: solutions like charter schools, vouchers, and other innovations designed to build more options into the system. Today, at least thirty-five states have laws that enable parents to send their children to private and religious schools at public expense while forty-six states have legalized charter schools.

In Radical Dreamers: Race, Choice, and the Failure of American Education (Oxford UP, 2025), Joseph P. Viteritti tells the definitive history of the school choice movement. In the 1990s, school choice emerged as an effort by a coalition of Black activists and conservative lawmakers seeking to offer economically disadvantaged students of color a way out of failing schools. As Viteritti shows, however, today&apos;s movement--championed by Republicans, conservatives, and faith-based organizations--has become less about placing disadvantaged children in better schools and more about providing public funding to students, irrespective of income, attending private--and frequently religious--schools.

Viteritti, an education insider and supporter of school choice for underserved students, profiles six influential figures, the &quot;radical dreamers,&quot; who were integral to understanding the movement for greater education equality and the role that choice can play in fully realizing the movement&apos;s potential. Radical Dreamers urges us to have an honest conversation about education in America and where we have gone wrong. Viteritti&apos;s compelling narrative of how some of the most passionate educators conceived of school choice provides a valuable context to our nation&apos;s long struggle to offer every child in America a good education, and how that goal was undermined by advocates on both the left and right.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1815</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">79ff6330-48a3-11ec-ad81-3f8e27c0ac5f</guid>
      <title>Clint Smith, &quot;How the Word Is Passed: A Reckoning with the History of Slavery Across America&quot; (Little, Brown and Company, 2021)</title>
      <description><![CDATA[<p>How do we narrate history, both the troubling past and what we chose to remember? Clint Smith sets out to wrestle with this question and its relationship to enslavement in his first nonfiction book, <a href="https://bookshop.org/a/12343/9780316492935"><em>How the Word is Passed: A Reckoning with the History of Slavery Across America</em></a> (Little, Brown and Company, 2021). From Monticello plantation to Angola Prison to Galveston Island, Smith guides the reader on a journey as he visits domestic and abroad landmarks. In his exploration, he includes the reactions of the people he meets, like tourists, local public historians, and teachers, illuminating how these sites and all of us participate in remembering enslavement in contemporary America.</p><p><em>N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 9 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How do we narrate history, both the troubling past and what we chose to remember? Clint Smith sets out to wrestle with this question and its relationship to enslavement in his first nonfiction book, <a href="https://bookshop.org/a/12343/9780316492935"><em>How the Word is Passed: A Reckoning with the History of Slavery Across America</em></a> (Little, Brown and Company, 2021). From Monticello plantation to Angola Prison to Galveston Island, Smith guides the reader on a journey as he visits domestic and abroad landmarks. In his exploration, he includes the reactions of the people he meets, like tourists, local public historians, and teachers, illuminating how these sites and all of us participate in remembering enslavement in contemporary America.</p><p><em>N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="81363648" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/742164b9-8a0c-46b7-acf3-25fbb5c538fa/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=742164b9-8a0c-46b7-acf3-25fbb5c538fa&amp;feed=KodC6fj_"/>
      <itunes:title>Clint Smith, &quot;How the Word Is Passed: A Reckoning with the History of Slavery Across America&quot; (Little, Brown and Company, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:24:42</itunes:duration>
      <itunes:summary>How do we narrate history, both the troubling past and what we chose to remember? Clint Smith sets out to wrestle with this question and its relationship to enslavement in his first nonfiction book, How the Word is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021). From Monticello plantation to Angola Prison to Galveston Island, Smith guides the reader on a journey as he visits domestic and abroad landmarks. In his exploration, he includes the reactions of the people he meets, like tourists, local public historians, and teachers, illuminating how these sites and all of us participate in remembering enslavement in contemporary America.
N&apos;Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How do we narrate history, both the troubling past and what we chose to remember? Clint Smith sets out to wrestle with this question and its relationship to enslavement in his first nonfiction book, How the Word is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021). From Monticello plantation to Angola Prison to Galveston Island, Smith guides the reader on a journey as he visits domestic and abroad landmarks. In his exploration, he includes the reactions of the people he meets, like tourists, local public historians, and teachers, illuminating how these sites and all of us participate in remembering enslavement in contemporary America.
N&apos;Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6f18407e-bb8e-11f0-806b-cb80d8c026af</guid>
      <title>Yunxiang Gao, &quot;Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century&quot; (UNC Press, 2021)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781469664606"><em>Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century</em></a> (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.</p><p><a href="http://hettiewilliams.com/"><em>Hettie V. Williams</em></a><em> Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 8 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781469664606"><em>Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century</em></a> (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.</p><p><a href="http://hettiewilliams.com/"><em>Hettie V. Williams</em></a><em> Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50318015" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bc08b189-1efe-41e9-b357-f910da441a08/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bc08b189-1efe-41e9-b357-f910da441a08&amp;feed=KodC6fj_"/>
      <itunes:title>Yunxiang Gao, &quot;Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century&quot; (UNC Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:23</itunes:duration>
      <itunes:summary>Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China&apos;s modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book&apos;s multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.
Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China&apos;s modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book&apos;s multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.
Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">34710124-bb8c-11f0-9854-57bb4e69adce</guid>
      <title>Martha Biondi, &quot;We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation&quot; (U California Press, 2025)</title>
      <description><![CDATA[<p>Explores forgotten solidarity with African liberation struggles through the life of Black Chicagoan Prexy Nesbitt.</p>
<p>For many civil rights activists, the Vietnam War brought the dangers of US imperialism and the global nature of antiracist struggle into sharp relief. Martha Biondi tells the story of one such group of activists who built an internationalist movement in Chicago committed to liberation everywhere but especially to ending colonialism and apartheid in Africa.</p>
<p>Among their leaders was Prexy Nesbitt. Steeped from an early age in stories of Garveyism and labor militancy, Nesbitt was powerfully influenced by his encounters with the exiled African radicals he met in Dar es Salaam, London, and across the United States. Operating domestically and abroad, Nesbitt's cohort worked closely with opponents of Portuguese and white minority rule in Mozambique, Angola, and South Africa. Rather than promoting a US conception of Black self-determination, they took ideas from African anticolonial leaders and injected them into US foreign policy debates.</p>
<p>The biography of a man but even more so of a movement, <a href="https://bookshop.org/a/12343/9780520417717">We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation</a><em> </em>(U California Press, 2025) reveals the underappreciated influence of a transformative Black solidarity project.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 8 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Explores forgotten solidarity with African liberation struggles through the life of Black Chicagoan Prexy Nesbitt.</p>
<p>For many civil rights activists, the Vietnam War brought the dangers of US imperialism and the global nature of antiracist struggle into sharp relief. Martha Biondi tells the story of one such group of activists who built an internationalist movement in Chicago committed to liberation everywhere but especially to ending colonialism and apartheid in Africa.</p>
<p>Among their leaders was Prexy Nesbitt. Steeped from an early age in stories of Garveyism and labor militancy, Nesbitt was powerfully influenced by his encounters with the exiled African radicals he met in Dar es Salaam, London, and across the United States. Operating domestically and abroad, Nesbitt's cohort worked closely with opponents of Portuguese and white minority rule in Mozambique, Angola, and South Africa. Rather than promoting a US conception of Black self-determination, they took ideas from African anticolonial leaders and injected them into US foreign policy debates.</p>
<p>The biography of a man but even more so of a movement, <a href="https://bookshop.org/a/12343/9780520417717">We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation</a><em> </em>(U California Press, 2025) reveals the underappreciated influence of a transformative Black solidarity project.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42963279" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4385b969-8665-45ae-b88b-57cdde2cc4e3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4385b969-8665-45ae-b88b-57cdde2cc4e3&amp;feed=KodC6fj_"/>
      <itunes:title>Martha Biondi, &quot;We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation&quot; (U California Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:45</itunes:duration>
      <itunes:summary>Explores forgotten solidarity with African liberation struggles through the life of Black Chicagoan Prexy Nesbitt.

For many civil rights activists, the Vietnam War brought the dangers of US imperialism and the global nature of antiracist struggle into sharp relief. Martha Biondi tells the story of one such group of activists who built an internationalist movement in Chicago committed to liberation everywhere but especially to ending colonialism and apartheid in Africa.

Among their leaders was Prexy Nesbitt. Steeped from an early age in stories of Garveyism and labor militancy, Nesbitt was powerfully influenced by his encounters with the exiled African radicals he met in Dar es Salaam, London, and across the United States. Operating domestically and abroad, Nesbitt&apos;s cohort worked closely with opponents of Portuguese and white minority rule in Mozambique, Angola, and South Africa. Rather than promoting a US conception of Black self-determination, they took ideas from African anticolonial leaders and injected them into US foreign policy debates.

The biography of a man but even more so of a movement, We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation (U California Press, 2025) reveals the underappreciated influence of a transformative Black solidarity project.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Explores forgotten solidarity with African liberation struggles through the life of Black Chicagoan Prexy Nesbitt.

For many civil rights activists, the Vietnam War brought the dangers of US imperialism and the global nature of antiracist struggle into sharp relief. Martha Biondi tells the story of one such group of activists who built an internationalist movement in Chicago committed to liberation everywhere but especially to ending colonialism and apartheid in Africa.

Among their leaders was Prexy Nesbitt. Steeped from an early age in stories of Garveyism and labor militancy, Nesbitt was powerfully influenced by his encounters with the exiled African radicals he met in Dar es Salaam, London, and across the United States. Operating domestically and abroad, Nesbitt&apos;s cohort worked closely with opponents of Portuguese and white minority rule in Mozambique, Angola, and South Africa. Rather than promoting a US conception of Black self-determination, they took ideas from African anticolonial leaders and injected them into US foreign policy debates.

The biography of a man but even more so of a movement, We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation (U California Press, 2025) reveals the underappreciated influence of a transformative Black solidarity project.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1812</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ffe60f90-ba4f-11f0-be0d-6fc556040228</guid>
      <title>Diane T. Feldman, &quot;Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi&quot; (UP of Mississippi, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496857460">Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi</a><em> </em>(UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.</p>
<p>The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case <em>Alexander v. Holmes</em>, which abolished dual school systems in the South.</p>
<p>The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 6 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496857460">Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi</a><em> </em>(UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.</p>
<p>The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case <em>Alexander v. Holmes</em>, which abolished dual school systems in the South.</p>
<p>The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58949695" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5625ad15-c784-4a42-9309-917fa7681a1d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5625ad15-c784-4a42-9309-917fa7681a1d&amp;feed=KodC6fj_"/>
      <itunes:title>Diane T. Feldman, &quot;Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi&quot; (UP of Mississippi, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:24</itunes:duration>
      <itunes:summary>Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi (UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.

The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case Alexander v. Holmes, which abolished dual school systems in the South.

The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi (UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.

The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case Alexander v. Holmes, which abolished dual school systems in the South.

The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f204173c-ba4f-11f0-9bff-33eda9118dde</guid>
      <title>Diane T. Feldman, &quot;Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi&quot; (UP of Mississippi, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496857460">Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi</a><em> </em>(UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.</p>
<p>The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case <em>Alexander v. Holmes</em>, which abolished dual school systems in the South.</p>
<p>The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 6 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496857460">Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi</a><em> </em>(UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.</p>
<p>The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case <em>Alexander v. Holmes</em>, which abolished dual school systems in the South.</p>
<p>The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58949695" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/684b4d7e-19b2-4d5d-bf41-671b768f1ef5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=684b4d7e-19b2-4d5d-bf41-671b768f1ef5&amp;feed=KodC6fj_"/>
      <itunes:title>Diane T. Feldman, &quot;Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi&quot; (UP of Mississippi, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:24</itunes:duration>
      <itunes:summary>Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi (UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.

The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case Alexander v. Holmes, which abolished dual school systems in the South.

The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Borrowed Land, Stolen Labor, and the Holy Spirit: The Struggle for Power and Equality in Holmes County, Mississippi (UP Mississippi, 2025) chronicles the profound history of a low-income county that became a pivotal site for Delta organizing during the civil rights movement. Landowning African American farmers, who enjoyed more economic independence than sharecroppers, emerged as the grassroots leaders of the movement.

The volume begins with the county’s Native American heritage, moving through the periods of removal, land sales to speculators, the rapid increase of enslaved labor in the nineteenth century, and early African American political engagement during Reconstruction. Author Diane T. Feldman explores how African Americans fostered cooperative landownership efforts in the 1880s and 1920s, alongside the development of schools and churches, particularly the Church of God in Christ, a denomination founded in Holmes County. The fight for voting rights started with African American farmers in the 1950s and gained momentum with the Student Nonviolent Coordinating Committee in the 1960s. Their struggle to desegregate schools culminated in the landmark Supreme Court case Alexander v. Holmes, which abolished dual school systems in the South.

The final chapters cover the past sixty years and current initiatives to restore food production in the Mississippi Delta. Enriched with recent and historic photographs, this volume serves as a microhistory of a single county, illuminating broader themes prevalent throughout Mississippi and the rural South.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5dde212e-b9d2-11f0-9abf-234c1faf2f29</guid>
      <title>House of Diggs: The Rise and Fall of America’s Most Consequential Black Congressman, Charles C. Diggs Jr.</title>
      <description><![CDATA[<p>At the height of the civil rights movement, Charles C. Diggs Jr. (1922–1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan’s first Black member of Congress, was the only federal official to attend the trial of Emmett Till’s killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s.</p>
<p>Drawing on extensive archival research, including Diggs’s rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Dr. Marion Orr reveals that Diggs practiced a politics of strategic moderation. Dr. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson—two of Diggs’s better-known Black contemporaries. Vividly written and deeply researched, <em>House of Diggs</em> is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, <em>House of Diggs</em> restores him to his much-deserved place in the history of American politics.</p>
<p>Our guest is: Dr. Marion Orr, who is the inaugural Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University. He specializes in urban politics, race and ethnic politics, and African-American politics.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who produces the Academic Life podcast. She is a dissertation and grad student coach, and a developmental editor for humanities scholars at all stages of their careers. She writes the Academic Life Newsletter at <a href="https://christinagessler.substack.com/">ChristinaGessler.Substack.Com.</a></p>
<p>Playlist for listeners:</p>
<p><a href="https://newbooksnetwork.com/the-end-of-white-politics-how-to-heal-our-liberal-divide#entry:347905@1:url">The End of White Politics</a></p>
<p><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn#entry:377076@1:url">The Vice-President's Black Wife</a></p>
<p><a href="https://newbooksnetwork.com/no-common-ground#entry:392015@1:url">No Common Ground</a></p>
<p><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder#entry:71281@1:url">The Social Constructions of Race</a></p>
<p><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">Smithsonian American Women</a></p>
<p><a href="https://newbooksnetwork.com/he-first-and-last-king-of-haiti-the-rise-and-fall-of-henry-christophe#entry:372054@1:url">The First and Last King of Haiti</a></p>
<p><a href="https://newbooksnetwork.com/studying-the-pipeline-to-politics-for-women#entry:226734@1:url">Of Bears and Ballots</a></p>
<p><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></p>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And get free bonus content <a href="https://christinagessler.substack.com/">HERE.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 6 Nov 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>At the height of the civil rights movement, Charles C. Diggs Jr. (1922–1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan’s first Black member of Congress, was the only federal official to attend the trial of Emmett Till’s killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s.</p>
<p>Drawing on extensive archival research, including Diggs’s rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Dr. Marion Orr reveals that Diggs practiced a politics of strategic moderation. Dr. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson—two of Diggs’s better-known Black contemporaries. Vividly written and deeply researched, <em>House of Diggs</em> is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, <em>House of Diggs</em> restores him to his much-deserved place in the history of American politics.</p>
<p>Our guest is: Dr. Marion Orr, who is the inaugural Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University. He specializes in urban politics, race and ethnic politics, and African-American politics.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who produces the Academic Life podcast. She is a dissertation and grad student coach, and a developmental editor for humanities scholars at all stages of their careers. She writes the Academic Life Newsletter at <a href="https://christinagessler.substack.com/">ChristinaGessler.Substack.Com.</a></p>
<p>Playlist for listeners:</p>
<p><a href="https://newbooksnetwork.com/the-end-of-white-politics-how-to-heal-our-liberal-divide#entry:347905@1:url">The End of White Politics</a></p>
<p><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn#entry:377076@1:url">The Vice-President's Black Wife</a></p>
<p><a href="https://newbooksnetwork.com/no-common-ground#entry:392015@1:url">No Common Ground</a></p>
<p><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder#entry:71281@1:url">The Social Constructions of Race</a></p>
<p><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">Smithsonian American Women</a></p>
<p><a href="https://newbooksnetwork.com/he-first-and-last-king-of-haiti-the-rise-and-fall-of-henry-christophe#entry:372054@1:url">The First and Last King of Haiti</a></p>
<p><a href="https://newbooksnetwork.com/studying-the-pipeline-to-politics-for-women#entry:226734@1:url">Of Bears and Ballots</a></p>
<p><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></p>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And get free bonus content <a href="https://christinagessler.substack.com/">HERE.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49421149" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7c928035-073a-446a-98f0-75ab50a8dbd8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7c928035-073a-446a-98f0-75ab50a8dbd8&amp;feed=KodC6fj_"/>
      <itunes:title>House of Diggs: The Rise and Fall of America’s Most Consequential Black Congressman, Charles C. Diggs Jr.</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:28</itunes:duration>
      <itunes:summary>At the height of the civil rights movement, Charles C. Diggs Jr. (1922–1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan’s first Black member of Congress, was the only federal official to attend the trial of Emmett Till’s killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s.

Drawing on extensive archival research, including Diggs’s rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Dr. Marion Orr reveals that Diggs practiced a politics of strategic moderation. Dr. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson—two of Diggs’s better-known Black contemporaries. Vividly written and deeply researched, House of Diggs is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, House of Diggs restores him to his much-deserved place in the history of American politics.

Our guest is: Dr. Marion Orr, who is the inaugural Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University. He specializes in urban politics, race and ethnic politics, and African-American politics.

Our host is: Dr. Christina Gessler, who produces the Academic Life podcast. She is a dissertation and grad student coach, and a developmental editor for humanities scholars at all stages of their careers. She writes the Academic Life Newsletter at ChristinaGessler.Substack.Com.

Playlist for listeners:

The End of White Politics

The Vice-President&apos;s Black Wife

No Common Ground

The Social Constructions of Race

Smithsonian American Women

The First and Last King of Haiti

Of Bears and Ballots

Never Caught

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And get free bonus content HERE.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>At the height of the civil rights movement, Charles C. Diggs Jr. (1922–1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan’s first Black member of Congress, was the only federal official to attend the trial of Emmett Till’s killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s.

Drawing on extensive archival research, including Diggs’s rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Dr. Marion Orr reveals that Diggs practiced a politics of strategic moderation. Dr. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson—two of Diggs’s better-known Black contemporaries. Vividly written and deeply researched, House of Diggs is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, House of Diggs restores him to his much-deserved place in the history of American politics.

Our guest is: Dr. Marion Orr, who is the inaugural Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University. He specializes in urban politics, race and ethnic politics, and African-American politics.

Our host is: Dr. Christina Gessler, who produces the Academic Life podcast. She is a dissertation and grad student coach, and a developmental editor for humanities scholars at all stages of their careers. She writes the Academic Life Newsletter at ChristinaGessler.Substack.Com.

Playlist for listeners:

The End of White Politics

The Vice-President&apos;s Black Wife

No Common Ground

The Social Constructions of Race

Smithsonian American Women

The First and Last King of Haiti

Of Bears and Ballots

Never Caught

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And get free bonus content HERE.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1809</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7664202e-b43f-11f0-ad59-37bf042e6775</guid>
      <title>Disco&apos;s Revenge</title>
      <description><![CDATA[<p>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿</p>
<p>In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 28 Oct 2025 19:59:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿</p>
<p>In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55000521" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/abf4b091-a67c-43f5-8101-cc93ab8e680b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=abf4b091-a67c-43f5-8101-cc93ab8e680b&amp;feed=KodC6fj_"/>
      <itunes:title>Disco&apos;s Revenge</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/abf4b091-a67c-43f5-8101-cc93ab8e680b/3000x3000/6bfe6615836290eaa05ffa9500ea24b5.png?aid=rss_feed"/>
      <itunes:duration>00:57:17</itunes:duration>
      <itunes:summary>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿

In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿

In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1808</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2ee793a0-b30b-11f0-82cb-dba963717ab1</guid>
      <title>Joshua Clark Davis, &quot;Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back&quot; (Princeton UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780691238838">Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back</a><em> </em>(Princeton UP, 2025) shatters one of the most pernicious myths about the 1960s: thast the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.</p>
<p>The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.</p>
<p>The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, <em>Police Against the Movement</em> offers critical insight into the power of political resistance in the face of government attacks on protest.</p>
<p><br /></p>
<p>Guest: Joshua Clark Davis Blackmer (he/him) is an associate professor of U.S. history at the University of Baltimore. Davis is also the author of an earlier book, <em>From Head Shops to Whole Foods</em>, which examines organic food stores, feminist enterprises, Black bookstores and other businesses that emerged from movements of the ‘60s and ‘70s. His research has earned awards from the Fulbright Program, the Silvers Foundation, and the NEH Public Scholars Program, and he has written for The Atlantic, The Nation, Slate, Jacobin, and The Washington Post, and that work has been featured in The New York Times and CNN among other venues.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 28 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780691238838">Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back</a><em> </em>(Princeton UP, 2025) shatters one of the most pernicious myths about the 1960s: thast the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.</p>
<p>The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.</p>
<p>The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, <em>Police Against the Movement</em> offers critical insight into the power of political resistance in the face of government attacks on protest.</p>
<p><br /></p>
<p>Guest: Joshua Clark Davis Blackmer (he/him) is an associate professor of U.S. history at the University of Baltimore. Davis is also the author of an earlier book, <em>From Head Shops to Whole Foods</em>, which examines organic food stores, feminist enterprises, Black bookstores and other businesses that emerged from movements of the ‘60s and ‘70s. His research has earned awards from the Fulbright Program, the Silvers Foundation, and the NEH Public Scholars Program, and he has written for The Atlantic, The Nation, Slate, Jacobin, and The Washington Post, and that work has been featured in The New York Times and CNN among other venues.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="79039270" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/51f189f1-58b2-48b6-a22f-47077488132e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=51f189f1-58b2-48b6-a22f-47077488132e&amp;feed=KodC6fj_"/>
      <itunes:title>Joshua Clark Davis, &quot;Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back&quot; (Princeton UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:22:19</itunes:duration>
      <itunes:summary>Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back (Princeton UP, 2025) shatters one of the most pernicious myths about the 1960s: thast the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.

The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.

The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, Police Against the Movement offers critical insight into the power of political resistance in the face of government attacks on protest.



Guest: Joshua Clark Davis Blackmer (he/him) is an associate professor of U.S. history at the University of Baltimore. Davis is also the author of an earlier book, From Head Shops to Whole Foods, which examines organic food stores, feminist enterprises, Black bookstores and other businesses that emerged from movements of the ‘60s and ‘70s. His research has earned awards from the Fulbright Program, the Silvers Foundation, and the NEH Public Scholars Program, and he has written for The Atlantic, The Nation, Slate, Jacobin, and The Washington Post, and that work has been featured in The New York Times and CNN among other venues.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back (Princeton UP, 2025) shatters one of the most pernicious myths about the 1960s: thast the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.

The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.

The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, Police Against the Movement offers critical insight into the power of political resistance in the face of government attacks on protest.



Guest: Joshua Clark Davis Blackmer (he/him) is an associate professor of U.S. history at the University of Baltimore. Davis is also the author of an earlier book, From Head Shops to Whole Foods, which examines organic food stores, feminist enterprises, Black bookstores and other businesses that emerged from movements of the ‘60s and ‘70s. His research has earned awards from the Fulbright Program, the Silvers Foundation, and the NEH Public Scholars Program, and he has written for The Atlantic, The Nation, Slate, Jacobin, and The Washington Post, and that work has been featured in The New York Times and CNN among other venues.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1807</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1662cae8-b27a-11f0-9458-abdc8ef5a54b</guid>
      <title>Amanda Laury Kleintop, &quot;Counting the Cost of Freedom: The Fight Over Compensated Emancipation After the Civil War&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>During the Civil War, the U.S. federal government abolished slavery without reimbursing enslavers, diminishing the white South’s wealth by nearly 50 percent. After the Confederacy’s defeat, white Southerners demanded federal compensation for the financial value of formerly enslaved people and fought for other policies that would recognize abolition’s costs during Reconstruction. As Amanda Laury Kleintop shows in <a href="https://bookshop.org/a/12343/9781469688657">Counting the Cost of Freedom: The Fight Over Compensated Emancipation After the Civil War</a><em> </em>(University of North Carolina Press, 2025), their persistence eventually led to the creation of Section 4 of the Fourteenth Amendment, which abolished the right to profit from property in people. Surprisingly, former Confederates responded by using Lost Cause history-making to obscure the fact that they had demanded financial redress in the first place. The largely successful efforts of white Southerners to erase this history continues to generate false understandings today. Kleintop draws from an impressive array of archival sources to uncover this lost history. In doing so, she demonstrates how this legal battle also undermined efforts by formerly enslaved people to receive reparations for themselves and their descendants—a debate that persists in today’s national dialogue.</p>
<p>Amanda Laury Kleintop is assistant professor of history at Elon University.</p>
<p><em>Ryan Tripp is an adjunct for universities and California community colleges.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 27 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the Civil War, the U.S. federal government abolished slavery without reimbursing enslavers, diminishing the white South’s wealth by nearly 50 percent. After the Confederacy’s defeat, white Southerners demanded federal compensation for the financial value of formerly enslaved people and fought for other policies that would recognize abolition’s costs during Reconstruction. As Amanda Laury Kleintop shows in <a href="https://bookshop.org/a/12343/9781469688657">Counting the Cost of Freedom: The Fight Over Compensated Emancipation After the Civil War</a><em> </em>(University of North Carolina Press, 2025), their persistence eventually led to the creation of Section 4 of the Fourteenth Amendment, which abolished the right to profit from property in people. Surprisingly, former Confederates responded by using Lost Cause history-making to obscure the fact that they had demanded financial redress in the first place. The largely successful efforts of white Southerners to erase this history continues to generate false understandings today. Kleintop draws from an impressive array of archival sources to uncover this lost history. In doing so, she demonstrates how this legal battle also undermined efforts by formerly enslaved people to receive reparations for themselves and their descendants—a debate that persists in today’s national dialogue.</p>
<p>Amanda Laury Kleintop is assistant professor of history at Elon University.</p>
<p><em>Ryan Tripp is an adjunct for universities and California community colleges.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54011353" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/937a1d2c-8191-4ed1-962a-fe345ac3631d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=937a1d2c-8191-4ed1-962a-fe345ac3631d&amp;feed=KodC6fj_"/>
      <itunes:title>Amanda Laury Kleintop, &quot;Counting the Cost of Freedom: The Fight Over Compensated Emancipation After the Civil War&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:15</itunes:duration>
      <itunes:summary>During the Civil War, the U.S. federal government abolished slavery without reimbursing enslavers, diminishing the white South’s wealth by nearly 50 percent. After the Confederacy’s defeat, white Southerners demanded federal compensation for the financial value of formerly enslaved people and fought for other policies that would recognize abolition’s costs during Reconstruction. As Amanda Laury Kleintop shows in Counting the Cost of Freedom: The Fight Over Compensated Emancipation After the Civil War (University of North Carolina Press, 2025), their persistence eventually led to the creation of Section 4 of the Fourteenth Amendment, which abolished the right to profit from property in people. Surprisingly, former Confederates responded by using Lost Cause history-making to obscure the fact that they had demanded financial redress in the first place. The largely successful efforts of white Southerners to erase this history continues to generate false understandings today. Kleintop draws from an impressive array of archival sources to uncover this lost history. In doing so, she demonstrates how this legal battle also undermined efforts by formerly enslaved people to receive reparations for themselves and their descendants—a debate that persists in today’s national dialogue.

Amanda Laury Kleintop is assistant professor of history at Elon University.

Ryan Tripp is an adjunct for universities and California community colleges.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the Civil War, the U.S. federal government abolished slavery without reimbursing enslavers, diminishing the white South’s wealth by nearly 50 percent. After the Confederacy’s defeat, white Southerners demanded federal compensation for the financial value of formerly enslaved people and fought for other policies that would recognize abolition’s costs during Reconstruction. As Amanda Laury Kleintop shows in Counting the Cost of Freedom: The Fight Over Compensated Emancipation After the Civil War (University of North Carolina Press, 2025), their persistence eventually led to the creation of Section 4 of the Fourteenth Amendment, which abolished the right to profit from property in people. Surprisingly, former Confederates responded by using Lost Cause history-making to obscure the fact that they had demanded financial redress in the first place. The largely successful efforts of white Southerners to erase this history continues to generate false understandings today. Kleintop draws from an impressive array of archival sources to uncover this lost history. In doing so, she demonstrates how this legal battle also undermined efforts by formerly enslaved people to receive reparations for themselves and their descendants—a debate that persists in today’s national dialogue.

Amanda Laury Kleintop is assistant professor of history at Elon University.

Ryan Tripp is an adjunct for universities and California community colleges.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1806</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">119b3dfe-b119-11f0-a592-ef4050a65667</guid>
      <title>Patrick Parr, &quot;Malcolm Before X&quot; (U Massachusetts Press, 2024)</title>
      <description><![CDATA[<p>Drawing upon interviews, correspondence, and nearly 2000 pages of never-before-used prison records, Malcolm Before X is the definitive examination of the prison years of civil rights icon Malcolm X. The book was a Kirkus Nonfiction Book of the Year for 2024, a Spectator best book of the year, and a finalist for the 2025 ASALH book prize.</p>
<p>In February 1946, when 20-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.</p>
<p>Paying particular attention to his time in prison, Patrick Parr’s <em>Malcolm Before X</em> provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.</p>
<p>Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.</p>
<p>In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 26 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Drawing upon interviews, correspondence, and nearly 2000 pages of never-before-used prison records, Malcolm Before X is the definitive examination of the prison years of civil rights icon Malcolm X. The book was a Kirkus Nonfiction Book of the Year for 2024, a Spectator best book of the year, and a finalist for the 2025 ASALH book prize.</p>
<p>In February 1946, when 20-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.</p>
<p>Paying particular attention to his time in prison, Patrick Parr’s <em>Malcolm Before X</em> provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.</p>
<p>Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.</p>
<p>In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="25964277" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/97152e73-df45-4a81-b4f5-f8ef1dd0c0ed/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=97152e73-df45-4a81-b4f5-f8ef1dd0c0ed&amp;feed=KodC6fj_"/>
      <itunes:title>Patrick Parr, &quot;Malcolm Before X&quot; (U Massachusetts Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:27:02</itunes:duration>
      <itunes:summary>Drawing upon interviews, correspondence, and nearly 2000 pages of never-before-used prison records, Malcolm Before X is the definitive examination of the prison years of civil rights icon Malcolm X. The book was a Kirkus Nonfiction Book of the Year for 2024, a Spectator best book of the year, and a finalist for the 2025 ASALH book prize.

In February 1946, when 20-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.

Paying particular attention to his time in prison, Patrick Parr’s Malcolm Before X provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.

Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.

In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Drawing upon interviews, correspondence, and nearly 2000 pages of never-before-used prison records, Malcolm Before X is the definitive examination of the prison years of civil rights icon Malcolm X. The book was a Kirkus Nonfiction Book of the Year for 2024, a Spectator best book of the year, and a finalist for the 2025 ASALH book prize.

In February 1946, when 20-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.

Paying particular attention to his time in prison, Patrick Parr’s Malcolm Before X provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.

Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.

In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1805</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0fcd7cd0-b123-11f0-b0db-f3cb165a2b1d</guid>
      <title>Javier Wallace, &quot;Basketball Trafficking: Stolen Black Panamanian Dreams&quot; (Duke UP, 2025)</title>
      <description><![CDATA[<p>Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation.</p>
<p><a href="https://bookshop.org/a/12343/9781478032809">Basketball Trafficking: Stolen Black Panamanian Dreams</a> (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers.</p>
<p>Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&amp;M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics.</p>
<p>Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania &amp; University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin.<br /></p>
<p>Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him.</p>
<p>You can find Javier <a href="https://www.javierwallace.com/">online</a>, on <a href="https://www.instagram.com/javierwallace512/">Instagram</a>, and at <a href="https://www.linkedin.com/in/javierwallace/">LinkedIn</a>.</p>
<p>Find Host Sullivan Summer <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, or on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Javier continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 26 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation.</p>
<p><a href="https://bookshop.org/a/12343/9781478032809">Basketball Trafficking: Stolen Black Panamanian Dreams</a> (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers.</p>
<p>Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&amp;M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics.</p>
<p>Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania &amp; University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin.<br /></p>
<p>Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him.</p>
<p>You can find Javier <a href="https://www.javierwallace.com/">online</a>, on <a href="https://www.instagram.com/javierwallace512/">Instagram</a>, and at <a href="https://www.linkedin.com/in/javierwallace/">LinkedIn</a>.</p>
<p>Find Host Sullivan Summer <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, or on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Javier continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66358880" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/112b04a7-d81e-4a29-8297-e4664ee3e5ad/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=112b04a7-d81e-4a29-8297-e4664ee3e5ad&amp;feed=KodC6fj_"/>
      <itunes:title>Javier Wallace, &quot;Basketball Trafficking: Stolen Black Panamanian Dreams&quot; (Duke UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:07</itunes:duration>
      <itunes:summary>Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation.

Basketball Trafficking: Stolen Black Panamanian Dreams (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers.

Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&amp;M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics.

Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania &amp; University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin.

Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him.

You can find Javier online, on Instagram, and at LinkedIn.

Find Host Sullivan Summer online, on Instagram, or on Substack, where she and Javier continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation.

Basketball Trafficking: Stolen Black Panamanian Dreams (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers.

Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&amp;M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics.

Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania &amp; University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin.

Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him.

You can find Javier online, on Instagram, and at LinkedIn.

Find Host Sullivan Summer online, on Instagram, or on Substack, where she and Javier continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1804</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">828d81cc-b081-11f0-96cd-d7e0e483a075</guid>
      <title>Ashley D. Farmer, &quot;Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore&quot; (Pantheon, 2025)</title>
      <description><![CDATA[<p>In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America's most influential Black activists.<br />And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In <a href="https://bookshop.org/a/12343/9780593701546">Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore</a><em> </em>﻿(Pantheon, 2025), celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy.<br />Deeply researched and richly detailed, <em>Queen Mother </em>is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.﻿</p>
<p>Omari Averette-Phillips is a PhD candidate in History &amp; African American Studies at UC-Davis. He can be reached at okaverettephillips@ucdavis.edu.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 25 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America's most influential Black activists.<br />And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In <a href="https://bookshop.org/a/12343/9780593701546">Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore</a><em> </em>﻿(Pantheon, 2025), celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy.<br />Deeply researched and richly detailed, <em>Queen Mother </em>is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.﻿</p>
<p>Omari Averette-Phillips is a PhD candidate in History &amp; African American Studies at UC-Davis. He can be reached at okaverettephillips@ucdavis.edu.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="24065628" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ce6c74e1-4116-45d2-bbb0-f1cfdac0bae0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ce6c74e1-4116-45d2-bbb0-f1cfdac0bae0&amp;feed=KodC6fj_"/>
      <itunes:title>Ashley D. Farmer, &quot;Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore&quot; (Pantheon, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:25:03</itunes:duration>
      <itunes:summary>In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America&apos;s most influential Black activists.And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore ﻿(Pantheon, 2025), celebrated writer and historian Ashley D. Farmer restores Moore&apos;s faded portrait, delivering the first ever definitive account of her life and enduring legacy.Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It&apos;s a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.﻿

Omari Averette-Phillips is a PhD candidate in History &amp; African American Studies at UC-Davis. He can be reached at okaverettephillips@ucdavis.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America&apos;s most influential Black activists.And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore ﻿(Pantheon, 2025), celebrated writer and historian Ashley D. Farmer restores Moore&apos;s faded portrait, delivering the first ever definitive account of her life and enduring legacy.Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It&apos;s a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.﻿

Omari Averette-Phillips is a PhD candidate in History &amp; African American Studies at UC-Davis. He can be reached at okaverettephillips@ucdavis.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1803</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b686cc3a-adda-11f0-a7bb-938060dd1244</guid>
      <title>Michael W. Twitty, &quot;Recipes from the American South&quot; (Phaidon Press, 2025)</title>
      <description><![CDATA[<p><em>The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial.</em>﻿</p>
<p>A home cook's guide to one of America's most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty 'Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you're lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.' - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, 'No one state or area can give you the breadth of the Southern story or fully set the Southern table.' To answer this, <em>Recipes from the American South</em> journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region's most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig's Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region's "multicultural gumbo" of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, <em>Recipes from the American South</em> is a classic cookbook in the making.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 21 Oct 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial.</em>﻿</p>
<p>A home cook's guide to one of America's most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty 'Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you're lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.' - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, 'No one state or area can give you the breadth of the Southern story or fully set the Southern table.' To answer this, <em>Recipes from the American South</em> journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region's most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig's Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region's "multicultural gumbo" of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, <em>Recipes from the American South</em> is a classic cookbook in the making.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40507502" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/78ba7f08-9bf6-4741-b2c7-da251711ec42/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=78ba7f08-9bf6-4741-b2c7-da251711ec42&amp;feed=KodC6fj_"/>
      <itunes:title>Michael W. Twitty, &quot;Recipes from the American South&quot; (Phaidon Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:11</itunes:duration>
      <itunes:summary>The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial.﻿

A home cook&apos;s guide to one of America&apos;s most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty &apos;Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you&apos;re lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.&apos; - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, &apos;No one state or area can give you the breadth of the Southern story or fully set the Southern table.&apos; To answer this, Recipes from the American South journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region&apos;s most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig&apos;s Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region&apos;s &quot;multicultural gumbo&quot; of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, Recipes from the American South is a classic cookbook in the making.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The views expressed by the guest are their own and do not reflect those of the New Books Network or its hosts. This episode contains some content that listeners may find controversial.﻿

A home cook&apos;s guide to one of America&apos;s most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty &apos;Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you&apos;re lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.&apos; - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, &apos;No one state or area can give you the breadth of the Southern story or fully set the Southern table.&apos; To answer this, Recipes from the American South journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region&apos;s most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig&apos;s Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region&apos;s &quot;multicultural gumbo&quot; of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, Recipes from the American South is a classic cookbook in the making.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>529</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a0157862-ad7a-11f0-b134-2b066bbf3905</guid>
      <title>Peter D. Blackmer, &quot;Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers&quot; (UVA Press, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780813953755">Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers</a><em> </em>(UVA Press, 2025) explores the local dynamics, national connections, and global context of the Black freedom movement in Harlem from 1954 to 1964, illuminating how activists, organizers, and ordinary people mounted their resistance to systemic racism in the Jim Crow North. The richness of Black radical thought and action in this period made Harlem a key battleground in the national civil rights movement, transformed local Black grassroots politics, and facilitated the rise of Black Power in New York City. At the same time, the city’s attempts to clamp down on activists revealed the repressive nature of Northern liberalism and heralded the expansion of the carceral state. Peter Blackmer argues that this decade of confrontations between Black communities and white state power caused Harlem residents and activists to seek “new means” for achieving freedom within a city, state, and nation determined to deny it. Tracing the dual evolution of Black radicalism and white resistance, <em>Unleashing Black Power </em>offers a new framework for analyzing the epochal urban uprisings in the 1960s.</p>
<p><br /></p>
<p>Guest: Peter Blackmer (he/him) is an associate professor of Africology and African American Studies at Eastern Michigan University and his research and teaching explore the ways in which Black-led grassroots organizing campaigns for self-determination in the 20th and 21st Century United States have shaped local and national politics through struggles for civil rights, human rights, and political power in American cities.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 21 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780813953755">Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers</a><em> </em>(UVA Press, 2025) explores the local dynamics, national connections, and global context of the Black freedom movement in Harlem from 1954 to 1964, illuminating how activists, organizers, and ordinary people mounted their resistance to systemic racism in the Jim Crow North. The richness of Black radical thought and action in this period made Harlem a key battleground in the national civil rights movement, transformed local Black grassroots politics, and facilitated the rise of Black Power in New York City. At the same time, the city’s attempts to clamp down on activists revealed the repressive nature of Northern liberalism and heralded the expansion of the carceral state. Peter Blackmer argues that this decade of confrontations between Black communities and white state power caused Harlem residents and activists to seek “new means” for achieving freedom within a city, state, and nation determined to deny it. Tracing the dual evolution of Black radicalism and white resistance, <em>Unleashing Black Power </em>offers a new framework for analyzing the epochal urban uprisings in the 1960s.</p>
<p><br /></p>
<p>Guest: Peter Blackmer (he/him) is an associate professor of Africology and African American Studies at Eastern Michigan University and his research and teaching explore the ways in which Black-led grassroots organizing campaigns for self-determination in the 20th and 21st Century United States have shaped local and national politics through struggles for civil rights, human rights, and political power in American cities.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="80669775" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1fdbe199-3bc4-4690-a2ba-0e51c24d0c37/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1fdbe199-3bc4-4690-a2ba-0e51c24d0c37&amp;feed=KodC6fj_"/>
      <itunes:title>Peter D. Blackmer, &quot;Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers&quot; (UVA Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:24:01</itunes:duration>
      <itunes:summary>Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers (UVA Press, 2025) explores the local dynamics, national connections, and global context of the Black freedom movement in Harlem from 1954 to 1964, illuminating how activists, organizers, and ordinary people mounted their resistance to systemic racism in the Jim Crow North. The richness of Black radical thought and action in this period made Harlem a key battleground in the national civil rights movement, transformed local Black grassroots politics, and facilitated the rise of Black Power in New York City. At the same time, the city’s attempts to clamp down on activists revealed the repressive nature of Northern liberalism and heralded the expansion of the carceral state. Peter Blackmer argues that this decade of confrontations between Black communities and white state power caused Harlem residents and activists to seek “new means” for achieving freedom within a city, state, and nation determined to deny it. Tracing the dual evolution of Black radicalism and white resistance, Unleashing Black Power offers a new framework for analyzing the epochal urban uprisings in the 1960s.



Guest: Peter Blackmer (he/him) is an associate professor of Africology and African American Studies at Eastern Michigan University and his research and teaching explore the ways in which Black-led grassroots organizing campaigns for self-determination in the 20th and 21st Century United States have shaped local and national politics through struggles for civil rights, human rights, and political power in American cities.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers (UVA Press, 2025) explores the local dynamics, national connections, and global context of the Black freedom movement in Harlem from 1954 to 1964, illuminating how activists, organizers, and ordinary people mounted their resistance to systemic racism in the Jim Crow North. The richness of Black radical thought and action in this period made Harlem a key battleground in the national civil rights movement, transformed local Black grassroots politics, and facilitated the rise of Black Power in New York City. At the same time, the city’s attempts to clamp down on activists revealed the repressive nature of Northern liberalism and heralded the expansion of the carceral state. Peter Blackmer argues that this decade of confrontations between Black communities and white state power caused Harlem residents and activists to seek “new means” for achieving freedom within a city, state, and nation determined to deny it. Tracing the dual evolution of Black radicalism and white resistance, Unleashing Black Power offers a new framework for analyzing the epochal urban uprisings in the 1960s.



Guest: Peter Blackmer (he/him) is an associate professor of Africology and African American Studies at Eastern Michigan University and his research and teaching explore the ways in which Black-led grassroots organizing campaigns for self-determination in the 20th and 21st Century United States have shaped local and national politics through struggles for civil rights, human rights, and political power in American cities.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1801</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8882c0a6-ac2b-11f0-88c7-c71924e0062b</guid>
      <title>Peter C. Zimmerman, &quot;The Jazz Masters: Setting the Record Straight&quot; (UP of Mississippi, 2021)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496837431"><em>The Jazz Masters: Setting the Record Straight</em></a><em> </em>(UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.</p><p>Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.</p><p>The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching <em>The Jazz Masters</em>. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.</p><p>This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, <em>The Jazz Masters</em> goes a long way toward “setting the record straight.”</p><p><em>﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 20 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496837431"><em>The Jazz Masters: Setting the Record Straight</em></a><em> </em>(UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.</p><p>Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.</p><p>The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching <em>The Jazz Masters</em>. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.</p><p>This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, <em>The Jazz Masters</em> goes a long way toward “setting the record straight.”</p><p><em>﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53643770" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/acf73fb9-4bb0-44d0-b440-3843a2088252/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=acf73fb9-4bb0-44d0-b440-3843a2088252&amp;feed=KodC6fj_"/>
      <itunes:title>Peter C. Zimmerman, &quot;The Jazz Masters: Setting the Record Straight&quot; (UP of Mississippi, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:51</itunes:duration>
      <itunes:summary>The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.
Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.
The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.
This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”
﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.
Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.
The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.
This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”
﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7c6e1b88-ac14-11f0-bde9-0fd7184c689b</guid>
      <title>Bill V. Mullen, &quot;James Baldwin: Living in Fire&quot; (Pluto Press, 2019)</title>
      <description><![CDATA[<p>In the first major biography of Baldwin in more than a decade, <a href="https://bookshop.org/a/12343/9780745338545"><em>James Baldwin: Living in Fire</em></a> (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.</p><p><a href="https://www.billvmullen.com/">Bill V. Mullen</a> is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 19 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the first major biography of Baldwin in more than a decade, <a href="https://bookshop.org/a/12343/9780745338545"><em>James Baldwin: Living in Fire</em></a> (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.</p><p><a href="https://www.billvmullen.com/">Bill V. Mullen</a> is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55798363" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ecc0f7a4-f876-461c-b669-665545c0463d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ecc0f7a4-f876-461c-b669-665545c0463d&amp;feed=KodC6fj_"/>
      <itunes:title>Bill V. Mullen, &quot;James Baldwin: Living in Fire&quot; (Pluto Press, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:05</itunes:duration>
      <itunes:summary>In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin&apos;s life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.
Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin&apos;s life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.
Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">352df5fc-a603-11f0-8d81-9b7f91d67a63</guid>
      <title>Darren Mueller, &quot;At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz&quot; (Duke UP, 2024)</title>
      <description><![CDATA[<p>In<a href="https://doi.org/10.1215/9781478059073"> </a><a href="https://doi.org/10.1215/9781478059073">At the Vanguard of Vinyl</a>, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.</p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 12 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In<a href="https://doi.org/10.1215/9781478059073"> </a><a href="https://doi.org/10.1215/9781478059073">At the Vanguard of Vinyl</a>, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.</p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70265564" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/081ba14c-595e-4936-9dda-d644c6f0e7bc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=081ba14c-595e-4936-9dda-d644c6f0e7bc&amp;feed=KodC6fj_"/>
      <itunes:title>Darren Mueller, &quot;At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz&quot; (Duke UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:11</itunes:duration>
      <itunes:summary>In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>302</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7056ad4c-a589-11f0-ac64-03575be3cd60</guid>
      <title>Melissa M. Matthes, &quot;When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter&quot; (Harvard UP, 2021)</title>
      <description><![CDATA[<p>Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises.</p>
<p>In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory--it matters greatly who is mourned and who is overlooked.</p>
<p>Melissa M. Matthes conceives of these sermons as theo-political texts. In <a href="https://bookshop.org/a/12343/9780674988194">When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter</a> (Harvard UP, 2021), she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society.</p>
<p>Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 11 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises.</p>
<p>In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory--it matters greatly who is mourned and who is overlooked.</p>
<p>Melissa M. Matthes conceives of these sermons as theo-political texts. In <a href="https://bookshop.org/a/12343/9780674988194">When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter</a> (Harvard UP, 2021), she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society.</p>
<p>Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66289743" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3b09c6c1-205f-49a1-95d1-e9b559acab09/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3b09c6c1-205f-49a1-95d1-e9b559acab09&amp;feed=KodC6fj_"/>
      <itunes:title>Melissa M. Matthes, &quot;When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter&quot; (Harvard UP, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:02</itunes:duration>
      <itunes:summary>Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises.

In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory--it matters greatly who is mourned and who is overlooked.

Melissa M. Matthes conceives of these sermons as theo-political texts. In When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter (Harvard UP, 2021), she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society.

Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises.

In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory--it matters greatly who is mourned and who is overlooked.

Melissa M. Matthes conceives of these sermons as theo-political texts. In When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter (Harvard UP, 2021), she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society.

Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1797</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">73850e5c-a4e7-11f0-9ad9-3384347c2c71</guid>
      <title>Claire Whitlinger, &quot;Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi&quot; (UNC Press, 2020)</title>
      <description><![CDATA[<p>Few places are more notorious for civil rights–era violence than Philadelphia, Mississippi, the site of the 1964 “Mississippi Burning” murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi’s racial reckoning in the decades since. In ﻿<a href="https://bookshop.org/a/12343/9781469656328">Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi</a> (UNC Press, 2020) Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Examining two commemorations around key anniversaries of the murders held in 1989 and 2004, Whitlinger shows the differences in how those events unfolded. She also charts how the 2004 commemoration offered a springboard for the trial of former Klan leader Edgar Ray Killen for his role in the 1964 murders, the 2006 passage of Mississippi’s Civil Rights/Human Rights education bill, and the initiation of the Mississippi Truth Project. In doing so, Whitlinger provides the first comprehensive account of these high profile events and expands our understanding of how commemorations both emerge out of and catalyze associated memory movements.<br />Threading a compelling story with theoretical insights, Whitlinger delivers a study that will help scholars, students, and activists alike better understand the dynamics of commemorating difficult pasts, commemorative practices in general, and the links between memory, race, and social change.</p>
<p>Claire Whitlinger is Associate Professor of Sociology at Furman University.</p>
<p>Host: Michael L. Rosino is Assistant Professor of Sociology at Molloy University, studying racial politics, media, and democracy. His most recent book, <a href="https://uncpress.org/9781469685632/democracy-is-awkward/">Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing</a>, is now available with the University of North Carolina Press.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 10 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Few places are more notorious for civil rights–era violence than Philadelphia, Mississippi, the site of the 1964 “Mississippi Burning” murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi’s racial reckoning in the decades since. In ﻿<a href="https://bookshop.org/a/12343/9781469656328">Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi</a> (UNC Press, 2020) Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Examining two commemorations around key anniversaries of the murders held in 1989 and 2004, Whitlinger shows the differences in how those events unfolded. She also charts how the 2004 commemoration offered a springboard for the trial of former Klan leader Edgar Ray Killen for his role in the 1964 murders, the 2006 passage of Mississippi’s Civil Rights/Human Rights education bill, and the initiation of the Mississippi Truth Project. In doing so, Whitlinger provides the first comprehensive account of these high profile events and expands our understanding of how commemorations both emerge out of and catalyze associated memory movements.<br />Threading a compelling story with theoretical insights, Whitlinger delivers a study that will help scholars, students, and activists alike better understand the dynamics of commemorating difficult pasts, commemorative practices in general, and the links between memory, race, and social change.</p>
<p>Claire Whitlinger is Associate Professor of Sociology at Furman University.</p>
<p>Host: Michael L. Rosino is Assistant Professor of Sociology at Molloy University, studying racial politics, media, and democracy. His most recent book, <a href="https://uncpress.org/9781469685632/democracy-is-awkward/">Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing</a>, is now available with the University of North Carolina Press.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31531455" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/671ab2de-502f-4a1f-a2b0-d38d360b084b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=671ab2de-502f-4a1f-a2b0-d38d360b084b&amp;feed=KodC6fj_"/>
      <itunes:title>Claire Whitlinger, &quot;Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi&quot; (UNC Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:32:50</itunes:duration>
      <itunes:summary>Few places are more notorious for civil rights–era violence than Philadelphia, Mississippi, the site of the 1964 “Mississippi Burning” murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi’s racial reckoning in the decades since. In ﻿Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi (UNC Press, 2020) Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Examining two commemorations around key anniversaries of the murders held in 1989 and 2004, Whitlinger shows the differences in how those events unfolded. She also charts how the 2004 commemoration offered a springboard for the trial of former Klan leader Edgar Ray Killen for his role in the 1964 murders, the 2006 passage of Mississippi’s Civil Rights/Human Rights education bill, and the initiation of the Mississippi Truth Project. In doing so, Whitlinger provides the first comprehensive account of these high profile events and expands our understanding of how commemorations both emerge out of and catalyze associated memory movements.Threading a compelling story with theoretical insights, Whitlinger delivers a study that will help scholars, students, and activists alike better understand the dynamics of commemorating difficult pasts, commemorative practices in general, and the links between memory, race, and social change.

Claire Whitlinger is Associate Professor of Sociology at Furman University.

Host: Michael L. Rosino is Assistant Professor of Sociology at Molloy University, studying racial politics, media, and democracy. His most recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Few places are more notorious for civil rights–era violence than Philadelphia, Mississippi, the site of the 1964 “Mississippi Burning” murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi’s racial reckoning in the decades since. In ﻿Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi (UNC Press, 2020) Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Examining two commemorations around key anniversaries of the murders held in 1989 and 2004, Whitlinger shows the differences in how those events unfolded. She also charts how the 2004 commemoration offered a springboard for the trial of former Klan leader Edgar Ray Killen for his role in the 1964 murders, the 2006 passage of Mississippi’s Civil Rights/Human Rights education bill, and the initiation of the Mississippi Truth Project. In doing so, Whitlinger provides the first comprehensive account of these high profile events and expands our understanding of how commemorations both emerge out of and catalyze associated memory movements.Threading a compelling story with theoretical insights, Whitlinger delivers a study that will help scholars, students, and activists alike better understand the dynamics of commemorating difficult pasts, commemorative practices in general, and the links between memory, race, and social change.

Claire Whitlinger is Associate Professor of Sociology at Furman University.

Host: Michael L. Rosino is Assistant Professor of Sociology at Molloy University, studying racial politics, media, and democracy. His most recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1796</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ecfdaa0e-a411-11f0-b9e2-1be27283fcb1</guid>
      <title>John Minton, &quot;Folk Music and Song in the WPA Ex-Slave Narratives&quot; (UP of Mississippi, 2025)</title>
      <description><![CDATA[<p>In the late 1930s, fieldworkers with the Works Progress Administration interviewed about 3,500 formerly enslaved people resulting in approximately 20,000 pages of unedited typescripts. This collection of oral histories is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. John Minton’s <a href="https://bookshop.org/a/12343/9781496854278">Folk Music and Song in the WPA Ex-Slave Narratives</a><em> </em>(UP of Mississippi, 2024) examines the musical references in these narratives. A combination of reference information and analysis, Minton contextualizes and scrutinizes the vocal and instrumental music the narrators talked about, explains the various musical and cultural influences on Black folk music, and discusses the place of music and dance in the lives of enslaved people. He covers instrumental music and social dancing, spirituals and hymns, singing games and lullabies, ring plays and reels, worksongs, minstrel songs, ballads, war songs, slavery laments, and more. In the course of this exhaustive book, Minton helps his readers understand the lives of the narrators and the conditions in which they lived before and after emancipation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 9 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the late 1930s, fieldworkers with the Works Progress Administration interviewed about 3,500 formerly enslaved people resulting in approximately 20,000 pages of unedited typescripts. This collection of oral histories is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. John Minton’s <a href="https://bookshop.org/a/12343/9781496854278">Folk Music and Song in the WPA Ex-Slave Narratives</a><em> </em>(UP of Mississippi, 2024) examines the musical references in these narratives. A combination of reference information and analysis, Minton contextualizes and scrutinizes the vocal and instrumental music the narrators talked about, explains the various musical and cultural influences on Black folk music, and discusses the place of music and dance in the lives of enslaved people. He covers instrumental music and social dancing, spirituals and hymns, singing games and lullabies, ring plays and reels, worksongs, minstrel songs, ballads, war songs, slavery laments, and more. In the course of this exhaustive book, Minton helps his readers understand the lives of the narrators and the conditions in which they lived before and after emancipation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61234170" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8e50f53b-3538-446a-be59-9fba49f7d2d3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8e50f53b-3538-446a-be59-9fba49f7d2d3&amp;feed=KodC6fj_"/>
      <itunes:title>John Minton, &quot;Folk Music and Song in the WPA Ex-Slave Narratives&quot; (UP of Mississippi, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:47</itunes:duration>
      <itunes:summary>In the late 1930s, fieldworkers with the Works Progress Administration interviewed about 3,500 formerly enslaved people resulting in approximately 20,000 pages of unedited typescripts. This collection of oral histories is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. John Minton’s Folk Music and Song in the WPA Ex-Slave Narratives (UP of Mississippi, 2024) examines the musical references in these narratives. A combination of reference information and analysis, Minton contextualizes and scrutinizes the vocal and instrumental music the narrators talked about, explains the various musical and cultural influences on Black folk music, and discusses the place of music and dance in the lives of enslaved people. He covers instrumental music and social dancing, spirituals and hymns, singing games and lullabies, ring plays and reels, worksongs, minstrel songs, ballads, war songs, slavery laments, and more. In the course of this exhaustive book, Minton helps his readers understand the lives of the narrators and the conditions in which they lived before and after emancipation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the late 1930s, fieldworkers with the Works Progress Administration interviewed about 3,500 formerly enslaved people resulting in approximately 20,000 pages of unedited typescripts. This collection of oral histories is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. John Minton’s Folk Music and Song in the WPA Ex-Slave Narratives (UP of Mississippi, 2024) examines the musical references in these narratives. A combination of reference information and analysis, Minton contextualizes and scrutinizes the vocal and instrumental music the narrators talked about, explains the various musical and cultural influences on Black folk music, and discusses the place of music and dance in the lives of enslaved people. He covers instrumental music and social dancing, spirituals and hymns, singing games and lullabies, ring plays and reels, worksongs, minstrel songs, ballads, war songs, slavery laments, and more. In the course of this exhaustive book, Minton helps his readers understand the lives of the narrators and the conditions in which they lived before and after emancipation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1795</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0da3872a-a28b-11f0-afcc-9bf603148bbc</guid>
      <title>Zara Anishanslin, &quot;The Painter&apos;s Fire: A Forgotten History of the Artists Who Championed the American Revolution&quot; (Harvard UP, 2025)</title>
      <description><![CDATA[<p>The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In <em>T</em><a href="https://bookshop.org/a/12343/9780674290235">he Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution</a> (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.</p>
<p>Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.</p>
<p>Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, <em>The Painter’s Fire</em> reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In <em>T</em><a href="https://bookshop.org/a/12343/9780674290235">he Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution</a> (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.</p>
<p>Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.</p>
<p>Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, <em>The Painter’s Fire</em> reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49667647" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6ae66317-2b10-47ee-b570-6722819e632d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6ae66317-2b10-47ee-b570-6722819e632d&amp;feed=KodC6fj_"/>
      <itunes:title>Zara Anishanslin, &quot;The Painter&apos;s Fire: A Forgotten History of the Artists Who Championed the American Revolution&quot; (Harvard UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:44</itunes:duration>
      <itunes:summary>The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter&apos;s Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter&apos;s Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1794</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e8845b4e-a1e6-11f0-8752-7bbfe6981898</guid>
      <title>Marion Orr, &quot;House of Diggs: The Rise and Fall of America&apos;s Most Consequential Black Congressman, Charles C. Diggs Jr.&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>At the height of the civil rights movement, Charles C. Diggs Jr. (1922-1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan's first Black member of Congress, was the only federal official to attend the trial of Emmett Till's killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s. Drawing on extensive archival research, including Diggs's rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Marion Orr reveals that Diggs practiced a politics of strategic moderation. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson--two of Diggs's better-known Black contemporaries.<br />Vividly written and deeply researched, <em>House of Diggs</em> is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, <em>House of Diggs</em> restores him to his much-deserved place in the history of American politics.</p>
<p>﻿Marion Orr is the Frederick Lippitt Professor of Public Policy and professor of political science and urban studies at Brown University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 6 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>At the height of the civil rights movement, Charles C. Diggs Jr. (1922-1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan's first Black member of Congress, was the only federal official to attend the trial of Emmett Till's killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s. Drawing on extensive archival research, including Diggs's rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Marion Orr reveals that Diggs practiced a politics of strategic moderation. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson--two of Diggs's better-known Black contemporaries.<br />Vividly written and deeply researched, <em>House of Diggs</em> is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, <em>House of Diggs</em> restores him to his much-deserved place in the history of American politics.</p>
<p>﻿Marion Orr is the Frederick Lippitt Professor of Public Policy and professor of political science and urban studies at Brown University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53780394" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d16da34c-8c68-44a1-b6c0-5d2c60c2c9dc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d16da34c-8c68-44a1-b6c0-5d2c60c2c9dc&amp;feed=KodC6fj_"/>
      <itunes:title>Marion Orr, &quot;House of Diggs: The Rise and Fall of America&apos;s Most Consequential Black Congressman, Charles C. Diggs Jr.&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:01</itunes:duration>
      <itunes:summary>At the height of the civil rights movement, Charles C. Diggs Jr. (1922-1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan&apos;s first Black member of Congress, was the only federal official to attend the trial of Emmett Till&apos;s killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s. Drawing on extensive archival research, including Diggs&apos;s rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Marion Orr reveals that Diggs practiced a politics of strategic moderation. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson--two of Diggs&apos;s better-known Black contemporaries.Vividly written and deeply researched, House of Diggs is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, House of Diggs restores him to his much-deserved place in the history of American politics.

﻿Marion Orr is the Frederick Lippitt Professor of Public Policy and professor of political science and urban studies at Brown University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>At the height of the civil rights movement, Charles C. Diggs Jr. (1922-1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan&apos;s first Black member of Congress, was the only federal official to attend the trial of Emmett Till&apos;s killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s. Drawing on extensive archival research, including Diggs&apos;s rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Marion Orr reveals that Diggs practiced a politics of strategic moderation. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson--two of Diggs&apos;s better-known Black contemporaries.Vividly written and deeply researched, House of Diggs is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, House of Diggs restores him to his much-deserved place in the history of American politics.

﻿Marion Orr is the Frederick Lippitt Professor of Public Policy and professor of political science and urban studies at Brown University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1793</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">47a39f86-a09d-11f0-8559-af84217ef395</guid>
      <title>Meredith L. Roman, &quot;The Black Panthers and the Soviets: A Comparative History of Human Rights Movements&quot; (Bloomsbury, 2025)</title>
      <description><![CDATA[<p>The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.<br /><em>The Black Panthers and the Soviets: A Comparative History of Human Rights Movements</em> (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists' exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet 'dissidents' reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.<br />Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers' vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security.</p>
<p><br /><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 5 Oct 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.<br /><em>The Black Panthers and the Soviets: A Comparative History of Human Rights Movements</em> (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists' exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet 'dissidents' reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.<br />Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers' vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security.</p>
<p><br /><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48404859" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d1a52266-7aa6-478f-919a-cbc283ad24f7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d1a52266-7aa6-478f-919a-cbc283ad24f7&amp;feed=KodC6fj_"/>
      <itunes:title>Meredith L. Roman, &quot;The Black Panthers and the Soviets: A Comparative History of Human Rights Movements&quot; (Bloomsbury, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:25</itunes:duration>
      <itunes:summary>The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.The Black Panthers and the Soviets: A Comparative History of Human Rights Movements (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists&apos; exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet &apos;dissidents&apos; reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers&apos; vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.The Black Panthers and the Soviets: A Comparative History of Human Rights Movements (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists&apos; exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet &apos;dissidents&apos; reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers&apos; vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1792</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c4a06eea-9bd1-11f0-8506-ffe64614af98</guid>
      <title>Ashleigh Wade on How Black Girls Use Social Media</title>
      <description><![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, <em>Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice</em>. The book examines how black girls use social media posts to fashion self images that express the girls’ self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade’s current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 29 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, <em>Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice</em>. The book examines how black girls use social media posts to fashion self images that express the girls’ self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade’s current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73415459" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2cfa31e6-fcfa-4f37-9237-7829ecd84e49/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2cfa31e6-fcfa-4f37-9237-7829ecd84e49&amp;feed=KodC6fj_"/>
      <itunes:title>Ashleigh Wade on How Black Girls Use Social Media</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:28</itunes:duration>
      <itunes:summary>Peoples &amp; Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls’ self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade’s current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Peoples &amp; Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls’ self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade’s current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8ba4ea4e-99e2-11f0-a79f-b37bc5e1999e</guid>
      <title>Mary E. Hicks, &quot;Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery&quot; (Omohundro Institute and UNC Press, 2025)</title>
      <description><![CDATA[<p>From the bustling ports of Lisbon to the coastal inlets of the Bight of Benin to the vibrant waterways of Bahia, Black mariners were integral to every space of the commercial South Atlantic. Navigating this kaleidoscopic world required a remarkable cosmopolitanism--the chameleonlike ability to adapt to new surroundings by developing sophisticated medicinal, linguistic, and navigational knowledge. In ﻿<a href="https://bookshop.org/a/12343/9781469671468">Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery</a> (Omohundro Institute and UNC Press, 2025) Mary E. Hicks shows how Portuguese slaving ship captains harnessed and exploited this hybridity to expand their own traffic in human bondage. At the same time, she reveals how enslaved and free Black mariners capitalized on their shipboard positions and cosmopolitan expertise to participate in small-scale commodity trading on the very coasts where they themselves had been traded as commodities, reshaping societies and cultures on both sides of the Atlantic. Indeed, as Hicks argues, the Bahian slave trade was ruthlessly effective because its uniquely decentralized structure so effectively incorporated the desires and financial strategies of the very people enslaved by it. Yet taking advantage of such fraught economic opportunities ultimately enabled many enslaved Black mariners to purchase their freedom. And, in some cases, they became independent transatlantic slave traders themselves.<br />Hicks thus explores the central paradox that defined the lives of the captive cosmopolitans and, in doing so, reveals a new history of South Atlantic slavery centered on subaltern commercial and cultural exchange.﻿﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 26 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From the bustling ports of Lisbon to the coastal inlets of the Bight of Benin to the vibrant waterways of Bahia, Black mariners were integral to every space of the commercial South Atlantic. Navigating this kaleidoscopic world required a remarkable cosmopolitanism--the chameleonlike ability to adapt to new surroundings by developing sophisticated medicinal, linguistic, and navigational knowledge. In ﻿<a href="https://bookshop.org/a/12343/9781469671468">Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery</a> (Omohundro Institute and UNC Press, 2025) Mary E. Hicks shows how Portuguese slaving ship captains harnessed and exploited this hybridity to expand their own traffic in human bondage. At the same time, she reveals how enslaved and free Black mariners capitalized on their shipboard positions and cosmopolitan expertise to participate in small-scale commodity trading on the very coasts where they themselves had been traded as commodities, reshaping societies and cultures on both sides of the Atlantic. Indeed, as Hicks argues, the Bahian slave trade was ruthlessly effective because its uniquely decentralized structure so effectively incorporated the desires and financial strategies of the very people enslaved by it. Yet taking advantage of such fraught economic opportunities ultimately enabled many enslaved Black mariners to purchase their freedom. And, in some cases, they became independent transatlantic slave traders themselves.<br />Hicks thus explores the central paradox that defined the lives of the captive cosmopolitans and, in doing so, reveals a new history of South Atlantic slavery centered on subaltern commercial and cultural exchange.﻿﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66706625" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c825a0b9-2edb-4626-a04c-b1896d134a26/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c825a0b9-2edb-4626-a04c-b1896d134a26&amp;feed=KodC6fj_"/>
      <itunes:title>Mary E. Hicks, &quot;Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery&quot; (Omohundro Institute and UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:29</itunes:duration>
      <itunes:summary>From the bustling ports of Lisbon to the coastal inlets of the Bight of Benin to the vibrant waterways of Bahia, Black mariners were integral to every space of the commercial South Atlantic. Navigating this kaleidoscopic world required a remarkable cosmopolitanism--the chameleonlike ability to adapt to new surroundings by developing sophisticated medicinal, linguistic, and navigational knowledge. In ﻿Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery (Omohundro Institute and UNC Press, 2025) Mary E. Hicks shows how Portuguese slaving ship captains harnessed and exploited this hybridity to expand their own traffic in human bondage. At the same time, she reveals how enslaved and free Black mariners capitalized on their shipboard positions and cosmopolitan expertise to participate in small-scale commodity trading on the very coasts where they themselves had been traded as commodities, reshaping societies and cultures on both sides of the Atlantic. Indeed, as Hicks argues, the Bahian slave trade was ruthlessly effective because its uniquely decentralized structure so effectively incorporated the desires and financial strategies of the very people enslaved by it. Yet taking advantage of such fraught economic opportunities ultimately enabled many enslaved Black mariners to purchase their freedom. And, in some cases, they became independent transatlantic slave traders themselves.Hicks thus explores the central paradox that defined the lives of the captive cosmopolitans and, in doing so, reveals a new history of South Atlantic slavery centered on subaltern commercial and cultural exchange.﻿﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From the bustling ports of Lisbon to the coastal inlets of the Bight of Benin to the vibrant waterways of Bahia, Black mariners were integral to every space of the commercial South Atlantic. Navigating this kaleidoscopic world required a remarkable cosmopolitanism--the chameleonlike ability to adapt to new surroundings by developing sophisticated medicinal, linguistic, and navigational knowledge. In ﻿Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery (Omohundro Institute and UNC Press, 2025) Mary E. Hicks shows how Portuguese slaving ship captains harnessed and exploited this hybridity to expand their own traffic in human bondage. At the same time, she reveals how enslaved and free Black mariners capitalized on their shipboard positions and cosmopolitan expertise to participate in small-scale commodity trading on the very coasts where they themselves had been traded as commodities, reshaping societies and cultures on both sides of the Atlantic. Indeed, as Hicks argues, the Bahian slave trade was ruthlessly effective because its uniquely decentralized structure so effectively incorporated the desires and financial strategies of the very people enslaved by it. Yet taking advantage of such fraught economic opportunities ultimately enabled many enslaved Black mariners to purchase their freedom. And, in some cases, they became independent transatlantic slave traders themselves.Hicks thus explores the central paradox that defined the lives of the captive cosmopolitans and, in doing so, reveals a new history of South Atlantic slavery centered on subaltern commercial and cultural exchange.﻿﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1790</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7b80f166-98bc-11f0-ab30-0fe4a6b99e58</guid>
      <title>Deborah Willis, &quot;The Black Civil War Soldier: A Visual History of Conflict and Citizenship&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p>A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers</p>
<p>Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed--marking the Civil War as the first conflict to be extensively documented through photographs. In <a href="https://bookshop.org/a/12343/9781479832200">The Black Civil War Soldier: A Visual History of Conflict and Citizenship</a><em> </em>(NYU Press, 2025), Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.</p>
<p>With over seventy images, <em>The Black Civil War Soldier </em>contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle--from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and--most predominantly--African American resilience.</p>
<p><em>The Black Civil War Soldier</em> offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 24 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers</p>
<p>Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed--marking the Civil War as the first conflict to be extensively documented through photographs. In <a href="https://bookshop.org/a/12343/9781479832200">The Black Civil War Soldier: A Visual History of Conflict and Citizenship</a><em> </em>(NYU Press, 2025), Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.</p>
<p>With over seventy images, <em>The Black Civil War Soldier </em>contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle--from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and--most predominantly--African American resilience.</p>
<p><em>The Black Civil War Soldier</em> offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35022481" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4547e544-e636-476b-a22c-f862cbf6751f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4547e544-e636-476b-a22c-f862cbf6751f&amp;feed=KodC6fj_"/>
      <itunes:title>Deborah Willis, &quot;The Black Civil War Soldier: A Visual History of Conflict and Citizenship&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:28</itunes:duration>
      <itunes:summary>A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers

Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed--marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier: A Visual History of Conflict and Citizenship (NYU Press, 2025), Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.

With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle--from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and--most predominantly--African American resilience.

The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers

Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed--marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier: A Visual History of Conflict and Citizenship (NYU Press, 2025), Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.

With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle--from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and--most predominantly--African American resilience.

The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1789</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">228394b2-987e-11f0-85c9-db8d1a0c2538</guid>
      <title>Constance Bailey, &quot;Conversations with Kiese Laymon&quot; (UP of Mississippi, 2025)</title>
      <description><![CDATA[<p>This is a very special episode of the New Books Network, as the editor of <a href="https://bookshop.org/a/12343/9781496859044">Conversations with Kiese Laymon</a><em> </em>(UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.</p>
<p><em>Conversations with Kiese Laymon</em> provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, <em>Heavy</em>, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s <em>Coming of Age in Mississippi</em>, Welty’s <em>One Writer’s Beginnings</em>, Jesmyn Ward’s <em>Men We Reaped</em>, and Natasha Trethewey’s <em>Memorial Drive</em>. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.</p>
<p>As the first collection of its kind, <em>Conversations with Kiese Laymon </em>serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, <em>Conversations</em> provides an unfiltered look at the prolific Southern writer in his own words.</p>
<p>And the same can be said of this episode.</p>
<p>You can find Dr. Constance Bailey at her <a href="https://constancebailey.com/">website</a>, and on <a href="https://www.instagram.com/constancetheeakademic/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 24 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This is a very special episode of the New Books Network, as the editor of <a href="https://bookshop.org/a/12343/9781496859044">Conversations with Kiese Laymon</a><em> </em>(UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.</p>
<p><em>Conversations with Kiese Laymon</em> provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, <em>Heavy</em>, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s <em>Coming of Age in Mississippi</em>, Welty’s <em>One Writer’s Beginnings</em>, Jesmyn Ward’s <em>Men We Reaped</em>, and Natasha Trethewey’s <em>Memorial Drive</em>. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.</p>
<p>As the first collection of its kind, <em>Conversations with Kiese Laymon </em>serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, <em>Conversations</em> provides an unfiltered look at the prolific Southern writer in his own words.</p>
<p>And the same can be said of this episode.</p>
<p>You can find Dr. Constance Bailey at her <a href="https://constancebailey.com/">website</a>, and on <a href="https://www.instagram.com/constancetheeakademic/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65948523" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ddf1d852-8b43-47a4-afb8-1442b74e924f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ddf1d852-8b43-47a4-afb8-1442b74e924f&amp;feed=KodC6fj_"/>
      <itunes:title>Constance Bailey, &quot;Conversations with Kiese Laymon&quot; (UP of Mississippi, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:41</itunes:duration>
      <itunes:summary>This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.

Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words.

And the same can be said of this episode.

You can find Dr. Constance Bailey at her website, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.

Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words.

And the same can be said of this episode.

You can find Dr. Constance Bailey at her website, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1788</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4feda21e-978c-11f0-8dfb-c3b22d7ba83e</guid>
      <title>Nicholas Bromell, &quot;The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy&quot; (Oxford UP, 2013)</title>
      <description><![CDATA[<p>Nick Bromell is the author of <em>By the Sweat of the Brow: Labor and Literature in Antebellum American Culture</em> and<em> Tomorrow Never Knows: Rock and Psychedelics in the Sixties</em>, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in <em>American Literature, American Literary History, Political Theory, Raritan,</em> and <em>The Sewanee Review</em>. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org.</p>
<p>Nick Bromell’s book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin’s writings, reflects<br />the idea that democracy is never finished—it is always urgent and ongoing.<a href="https://academic.oup.com/book/5294"><br />The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy</a> (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideas<br />about freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,<br />and racial inequality, which provide a unique vantage point for critiquing American democracy.<br />Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin’s phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy’s fragility and incompleteness, challenging myths of American exceptionalism.<br />Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.<br />Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought’s insistence on recognition of shared humanity and mutual vulnerability as the foundation for democratic<br />practice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as political<br />theory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources for<br />democratic renewal in America come from traditions forged under conditions of racial oppression. </p>
<p>Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 23 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Nick Bromell is the author of <em>By the Sweat of the Brow: Labor and Literature in Antebellum American Culture</em> and<em> Tomorrow Never Knows: Rock and Psychedelics in the Sixties</em>, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in <em>American Literature, American Literary History, Political Theory, Raritan,</em> and <em>The Sewanee Review</em>. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org.</p>
<p>Nick Bromell’s book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin’s writings, reflects<br />the idea that democracy is never finished—it is always urgent and ongoing.<a href="https://academic.oup.com/book/5294"><br />The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy</a> (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideas<br />about freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,<br />and racial inequality, which provide a unique vantage point for critiquing American democracy.<br />Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin’s phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy’s fragility and incompleteness, challenging myths of American exceptionalism.<br />Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.<br />Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought’s insistence on recognition of shared humanity and mutual vulnerability as the foundation for democratic<br />practice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as political<br />theory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources for<br />democratic renewal in America come from traditions forged under conditions of racial oppression. </p>
<p>Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57848644" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/23dead0f-66f7-4025-88ec-aebebff53da7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=23dead0f-66f7-4025-88ec-aebebff53da7&amp;feed=KodC6fj_"/>
      <itunes:title>Nicholas Bromell, &quot;The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy&quot; (Oxford UP, 2013)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:15</itunes:duration>
      <itunes:summary>Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org.

Nick Bromell’s book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin’s writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin’s phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy’s fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought’s insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. 

Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org.

Nick Bromell’s book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin’s writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin’s phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy’s fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought’s insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. 

Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1787</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">28020546-9639-11f0-94f6-d32dfbc4567a</guid>
      <title>Kenja McCray, &quot;Essential Soldiers: Women Activists and Black Power Movement Leadership&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.<a href="https://bookshop.org/a/12343/9781479833047"><br /></a><a href="https://bookshop.org/a/12343/9781479833047">Essential Soldiers: Women Activists and Black Power Movement Leadership</a><em> </em>(New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, <em>Essential Soldiers</em> provides a new vantage point for considering Black Power leadership legacies.</p>
<p>This episode includes a reference to the book <em>Prose to the People: A Celebration of Black Bookstores</em> by Katie Mitchell (Random House, 2025). <a href="https://newbooksnetwork.com/prose-to-the-people#entry:390613@1:url">Listen to Mitchell discuss her book</a> at New Books in African American Studies, hosted by N’Kosi Oates.</p>
<p>Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of <em>Atlanta Metropolitan State College</em>: <em>A Campus History</em> (Arcadia Publishing, 2023)<em>.</em> You can find Dr. McCray at her <a href="https://kenjamccray.com/">website</a>, on <a href="https://www.facebook.com/p/Essential-Soldiers-Women-Activists-and-Black-Power-Movement-Leadership-61576674309372/">Facebook</a>, and on <a href="https://www.instagram.com/essentialsoldiers/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>, where she and Dr. McCray continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 22 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.<a href="https://bookshop.org/a/12343/9781479833047"><br /></a><a href="https://bookshop.org/a/12343/9781479833047">Essential Soldiers: Women Activists and Black Power Movement Leadership</a><em> </em>(New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, <em>Essential Soldiers</em> provides a new vantage point for considering Black Power leadership legacies.</p>
<p>This episode includes a reference to the book <em>Prose to the People: A Celebration of Black Bookstores</em> by Katie Mitchell (Random House, 2025). <a href="https://newbooksnetwork.com/prose-to-the-people#entry:390613@1:url">Listen to Mitchell discuss her book</a> at New Books in African American Studies, hosted by N’Kosi Oates.</p>
<p>Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of <em>Atlanta Metropolitan State College</em>: <em>A Campus History</em> (Arcadia Publishing, 2023)<em>.</em> You can find Dr. McCray at her <a href="https://kenjamccray.com/">website</a>, on <a href="https://www.facebook.com/p/Essential-Soldiers-Women-Activists-and-Black-Power-Movement-Leadership-61576674309372/">Facebook</a>, and on <a href="https://www.instagram.com/essentialsoldiers/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>, where she and Dr. McCray continued their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63514139" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a51136f5-f9a6-4fbf-a0ee-b4c169a7afcb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a51136f5-f9a6-4fbf-a0ee-b4c169a7afcb&amp;feed=KodC6fj_"/>
      <itunes:title>Kenja McCray, &quot;Essential Soldiers: Women Activists and Black Power Movement Leadership&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:09</itunes:duration>
      <itunes:summary>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1786</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2eeb17c0-9513-11f0-a8d0-7f70eb9ebb7d</guid>
      <title>Calvin Schermerhorn, &quot;The Plunder of Black America: How the Racial Wealth Gap Was Made&quot; (Yale UP, 2025)</title>
      <description><![CDATA[<p>Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include <em>The Business of Slavery and the Rise of American Capitalism, 1815–1860</em>, and <em>Unrequited Toil: A History of United States Slavery</em>. He lives in Tempe, AZ.</p>
<p>The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generations<br />Wealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?<br />In <a href="https://bookshop.org/a/12343/9780300258950">The Plunder of Black America: How the Racial Wealth Gap Was Made</a> (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.<br />From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today’s racial wealth inequality without understanding its unrelenting role in American history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 21 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include <em>The Business of Slavery and the Rise of American Capitalism, 1815–1860</em>, and <em>Unrequited Toil: A History of United States Slavery</em>. He lives in Tempe, AZ.</p>
<p>The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generations<br />Wealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?<br />In <a href="https://bookshop.org/a/12343/9780300258950">The Plunder of Black America: How the Racial Wealth Gap Was Made</a> (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.<br />From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today’s racial wealth inequality without understanding its unrelenting role in American history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60182905" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/095d0fd7-c691-41bb-8f79-a9c6acf66f21/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=095d0fd7-c691-41bb-8f79-a9c6acf66f21&amp;feed=KodC6fj_"/>
      <itunes:title>Calvin Schermerhorn, &quot;The Plunder of Black America: How the Racial Wealth Gap Was Made&quot; (Yale UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:41</itunes:duration>
      <itunes:summary>Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include The Business of Slavery and the Rise of American Capitalism, 1815–1860, and Unrequited Toil: A History of United States Slavery. He lives in Tempe, AZ.

The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generationsWealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?In The Plunder of Black America: How the Racial Wealth Gap Was Made (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today’s racial wealth inequality without understanding its unrelenting role in American history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include The Business of Slavery and the Rise of American Capitalism, 1815–1860, and Unrequited Toil: A History of United States Slavery. He lives in Tempe, AZ.

The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generationsWealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?In The Plunder of Black America: How the Racial Wealth Gap Was Made (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today’s racial wealth inequality without understanding its unrelenting role in American history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1785</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c38f431a-9446-11f0-a98c-934cd5f434d1</guid>
      <title>Marcus Rediker, &quot;Freedom Ship: The Uncharted History of Escaping Slavery by Sea&quot; (Penguin Group, 2025)</title>
      <description><![CDATA[<p>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of <em>The Slave Ship</em>.</p>
<p><a href="https://bookshop.org/a/12343/9780525558347">Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea</a><em> </em>(Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make <em>Freedom Ship</em> essential and enthralling reading.<br />Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, <em>Freedom Ship</em> traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.</p>
<p>Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 20 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of <em>The Slave Ship</em>.</p>
<p><a href="https://bookshop.org/a/12343/9780525558347">Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea</a><em> </em>(Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make <em>Freedom Ship</em> essential and enthralling reading.<br />Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, <em>Freedom Ship</em> traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.</p>
<p>Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62896203" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0ecad04d-b473-48f8-9502-de17271a0b91/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0ecad04d-b473-48f8-9502-de17271a0b91&amp;feed=KodC6fj_"/>
      <itunes:title>Marcus Rediker, &quot;Freedom Ship: The Uncharted History of Escaping Slavery by Sea&quot; (Penguin Group, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:30</itunes:duration>
      <itunes:summary>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of The Slave Ship.

Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.

Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of The Slave Ship.

Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.

Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1784</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">46a0151e-94fa-11f0-b831-775bc3f531c6</guid>
      <title>Jonathan White and Lucas Morel, &quot;Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln&quot; (Reedy Press, 2025)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781681066073">Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln </a>(Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass’s most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass’s writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln’s assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln’s statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln’s contributions to the nation but also teach today’s generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.</p>
<p>Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 20 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781681066073">Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln </a>(Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass’s most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass’s writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln’s assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln’s statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln’s contributions to the nation but also teach today’s generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.</p>
<p>Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35798061" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/db526e29-36b7-41e2-a4cc-105c53cf1275/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=db526e29-36b7-41e2-a4cc-105c53cf1275&amp;feed=KodC6fj_"/>
      <itunes:title>Jonathan White and Lucas Morel, &quot;Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln&quot; (Reedy Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:37:17</itunes:duration>
      <itunes:summary>In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass’s most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass’s writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln’s assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln’s statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln’s contributions to the nation but also teach today’s generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.

Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass’s most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass’s writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln’s assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln’s statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln’s contributions to the nation but also teach today’s generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.

Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1783</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">90d656bc-9206-11f0-91b0-8b76fa52b66e</guid>
      <title>Jessica B. Harris, &quot;Braided Heritage: Recipes and Stories on the Origin of American Cuisine&quot; (Clarkson Potter, 2025)</title>
      <description><![CDATA[<p>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, <a href="https://bookshop.org/a/12343/9780593139776">Braided Heritage: Recipes and Stories on the Origin of American Cuisine</a> (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 16 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, <a href="https://bookshop.org/a/12343/9780593139776">Braided Heritage: Recipes and Stories on the Origin of American Cuisine</a> (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37989681" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0ba4b837-88f7-4d48-a51e-2dcf2d7ae90e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0ba4b837-88f7-4d48-a51e-2dcf2d7ae90e&amp;feed=KodC6fj_"/>
      <itunes:title>Jessica B. Harris, &quot;Braided Heritage: Recipes and Stories on the Origin of American Cuisine&quot; (Clarkson Potter, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:34</itunes:duration>
      <itunes:summary>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, Braided Heritage: Recipes and Stories on the Origin of American Cuisine (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, Braided Heritage: Recipes and Stories on the Origin of American Cuisine (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1782</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dad8e2e8-8f8b-11f0-a3b8-dbb1e6588381</guid>
      <title>Keisha N. Blain, &quot;Without Fear: Black Women and the Making of Human Rights&quot; (W.W. Norton, 2025)</title>
      <description><![CDATA[<p>Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.</p>
<p><a href="https://bookshop.org/a/12343/9780393882292">Without Fear: Black Women and the Making of Human Rights</a><em> </em>(W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.</p>
<p>By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. <em>Without Fear</em> is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.</p>
<p>Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist <em>Until I Am Free</em>. You can find her on <a href="https://www.linkedin.com/in/keisha-n-blain-ph-d-27502b294/">LinkedIn</a>, <a href="https://www.instagram.com/keishanblain/">Instagram</a>, <a href="https://x.com/keishablain?lang=en">X</a>, and <a href="https://www.facebook.com/KeishaBlainPhD/">Facebook</a>.</p>
<p>You can find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 14 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.</p>
<p><a href="https://bookshop.org/a/12343/9780393882292">Without Fear: Black Women and the Making of Human Rights</a><em> </em>(W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.</p>
<p>By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. <em>Without Fear</em> is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.</p>
<p>Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist <em>Until I Am Free</em>. You can find her on <a href="https://www.linkedin.com/in/keisha-n-blain-ph-d-27502b294/">LinkedIn</a>, <a href="https://www.instagram.com/keishanblain/">Instagram</a>, <a href="https://x.com/keishablain?lang=en">X</a>, and <a href="https://www.facebook.com/KeishaBlainPhD/">Facebook</a>.</p>
<p>You can find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36713613" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/970b967c-b461-4f7e-a34d-aca2bb452e96/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=970b967c-b461-4f7e-a34d-aca2bb452e96&amp;feed=KodC6fj_"/>
      <itunes:title>Keisha N. Blain, &quot;Without Fear: Black Women and the Making of Human Rights&quot; (W.W. Norton, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:14</itunes:duration>
      <itunes:summary>Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1781</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5baa76f0-8c87-11f0-996b-234dd81f7b3b</guid>
      <title>Maria R. Montalvo, &quot;Enslaved Archives: Slavery, Law, and the Production of the Past&quot; (Johns Hopkins UP, 2024)</title>
      <description><![CDATA[<p>Explores the relationship between the production of enslaved property and the production of the past in the antebellum United States.</p>
<p>It is extraordinarily difficult for historians to reconstruct the lives of individual enslaved people. Records--where they exist--are often fragmentary, biased, or untrue. In <a href="https://bookshop.org/a/12343/9781421449463"><em>Enslaved Archives: Slavery, Law, and the Production of the Past</em> </a>(Johns Hopkins UP, 2024), Maria R. Montalvo investigates the legal records, including contracts and court records, that American antebellum enslavers produced and preserved to illuminate enslavers' capitalistic motivations for shaping the histories of enslaved people. The documentary archive was not simply a by-product of the business of slavery, but also a necessary tool that enslavers used to exploit the people they enslaved.</p>
<p>Building on Montalvo's analysis of more than 18,000 sets of court records, <em>Enslaved Archives </em>is a close study of what we can and cannot learn about enslaved individuals from the written record. By examining five lawsuits in Louisiana, Montalvo deconstructs enslavers' cases--the legal arguments and rhetorical strategies they used to produce information and shape perceptions of enslaved people. Commodifying enslaved people was not simply a matter of effectively exploiting their labor. Enslavers also needed to control information about those people. Enslavers' narratives--carefully manipulated, prone to omissions, and sometimes false--often survive as the only account of an enslaved individual's life.</p>
<p>In working to historicize the people at the center of enslavers' manipulations, Montalvo outlines the possibilities and limits of the archive, providing a glimpse of the historical and contemporary consequences of commodification. <em>Enslaved Archives</em> makes a significant intervention in the history of enslaved people, legal history, and the history of slavery and capitalism by adding a qualitative dimension to the analysis of how enslavers created and maintained power.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 9 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Explores the relationship between the production of enslaved property and the production of the past in the antebellum United States.</p>
<p>It is extraordinarily difficult for historians to reconstruct the lives of individual enslaved people. Records--where they exist--are often fragmentary, biased, or untrue. In <a href="https://bookshop.org/a/12343/9781421449463"><em>Enslaved Archives: Slavery, Law, and the Production of the Past</em> </a>(Johns Hopkins UP, 2024), Maria R. Montalvo investigates the legal records, including contracts and court records, that American antebellum enslavers produced and preserved to illuminate enslavers' capitalistic motivations for shaping the histories of enslaved people. The documentary archive was not simply a by-product of the business of slavery, but also a necessary tool that enslavers used to exploit the people they enslaved.</p>
<p>Building on Montalvo's analysis of more than 18,000 sets of court records, <em>Enslaved Archives </em>is a close study of what we can and cannot learn about enslaved individuals from the written record. By examining five lawsuits in Louisiana, Montalvo deconstructs enslavers' cases--the legal arguments and rhetorical strategies they used to produce information and shape perceptions of enslaved people. Commodifying enslaved people was not simply a matter of effectively exploiting their labor. Enslavers also needed to control information about those people. Enslavers' narratives--carefully manipulated, prone to omissions, and sometimes false--often survive as the only account of an enslaved individual's life.</p>
<p>In working to historicize the people at the center of enslavers' manipulations, Montalvo outlines the possibilities and limits of the archive, providing a glimpse of the historical and contemporary consequences of commodification. <em>Enslaved Archives</em> makes a significant intervention in the history of enslaved people, legal history, and the history of slavery and capitalism by adding a qualitative dimension to the analysis of how enslavers created and maintained power.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="78998751" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/95472210-9b98-4f80-84ae-5ca3a1b376e5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=95472210-9b98-4f80-84ae-5ca3a1b376e5&amp;feed=KodC6fj_"/>
      <itunes:title>Maria R. Montalvo, &quot;Enslaved Archives: Slavery, Law, and the Production of the Past&quot; (Johns Hopkins UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:22:17</itunes:duration>
      <itunes:summary>Explores the relationship between the production of enslaved property and the production of the past in the antebellum United States.

It is extraordinarily difficult for historians to reconstruct the lives of individual enslaved people. Records--where they exist--are often fragmentary, biased, or untrue. In Enslaved Archives: Slavery, Law, and the Production of the Past (Johns Hopkins UP, 2024), Maria R. Montalvo investigates the legal records, including contracts and court records, that American antebellum enslavers produced and preserved to illuminate enslavers&apos; capitalistic motivations for shaping the histories of enslaved people. The documentary archive was not simply a by-product of the business of slavery, but also a necessary tool that enslavers used to exploit the people they enslaved.

Building on Montalvo&apos;s analysis of more than 18,000 sets of court records, Enslaved Archives is a close study of what we can and cannot learn about enslaved individuals from the written record. By examining five lawsuits in Louisiana, Montalvo deconstructs enslavers&apos; cases--the legal arguments and rhetorical strategies they used to produce information and shape perceptions of enslaved people. Commodifying enslaved people was not simply a matter of effectively exploiting their labor. Enslavers also needed to control information about those people. Enslavers&apos; narratives--carefully manipulated, prone to omissions, and sometimes false--often survive as the only account of an enslaved individual&apos;s life.

In working to historicize the people at the center of enslavers&apos; manipulations, Montalvo outlines the possibilities and limits of the archive, providing a glimpse of the historical and contemporary consequences of commodification. Enslaved Archives makes a significant intervention in the history of enslaved people, legal history, and the history of slavery and capitalism by adding a qualitative dimension to the analysis of how enslavers created and maintained power.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Explores the relationship between the production of enslaved property and the production of the past in the antebellum United States.

It is extraordinarily difficult for historians to reconstruct the lives of individual enslaved people. Records--where they exist--are often fragmentary, biased, or untrue. In Enslaved Archives: Slavery, Law, and the Production of the Past (Johns Hopkins UP, 2024), Maria R. Montalvo investigates the legal records, including contracts and court records, that American antebellum enslavers produced and preserved to illuminate enslavers&apos; capitalistic motivations for shaping the histories of enslaved people. The documentary archive was not simply a by-product of the business of slavery, but also a necessary tool that enslavers used to exploit the people they enslaved.

Building on Montalvo&apos;s analysis of more than 18,000 sets of court records, Enslaved Archives is a close study of what we can and cannot learn about enslaved individuals from the written record. By examining five lawsuits in Louisiana, Montalvo deconstructs enslavers&apos; cases--the legal arguments and rhetorical strategies they used to produce information and shape perceptions of enslaved people. Commodifying enslaved people was not simply a matter of effectively exploiting their labor. Enslavers also needed to control information about those people. Enslavers&apos; narratives--carefully manipulated, prone to omissions, and sometimes false--often survive as the only account of an enslaved individual&apos;s life.

In working to historicize the people at the center of enslavers&apos; manipulations, Montalvo outlines the possibilities and limits of the archive, providing a glimpse of the historical and contemporary consequences of commodification. Enslaved Archives makes a significant intervention in the history of enslaved people, legal history, and the history of slavery and capitalism by adding a qualitative dimension to the analysis of how enslavers created and maintained power.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1780</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ad4dddba-86fd-11f0-95af-d373ea698287</guid>
      <title>Susana M. Morris, &quot;Positive Obsession: The Life and Times of Octavia E. Butler&quot; (Amistad Press, 2025)</title>
      <description><![CDATA[<p>A magnificent cultural biography, <a href="https://bookshop.org/a/12343/9780063212077">Positive Obsession: The Life and Times of Octavia E. Butler</a> (Amistad, 2025) charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work.</p>
<p>As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.</p>
<p>In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.</p>
<p>Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”</p>
<p>Susana M. Morris is the Associate Professor of Literature, Media &amp; Communication at the Georgia Institute of Technology. You can find Susana at her <a href="https://susanamorris.com/">website</a>, at <a href="https://www.instagram.com/susiemaye/">Instagram</a>; on <a href="https://www.threads.com/@susiemaye">Threads</a>; and on <a href="https://substack.com/@theremix">Substack</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>, where she and Susana went after the show to explore the question <em>What Would Octavia Do?</em> in our present moment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 2 Sep 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A magnificent cultural biography, <a href="https://bookshop.org/a/12343/9780063212077">Positive Obsession: The Life and Times of Octavia E. Butler</a> (Amistad, 2025) charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work.</p>
<p>As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.</p>
<p>In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.</p>
<p>Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”</p>
<p>Susana M. Morris is the Associate Professor of Literature, Media &amp; Communication at the Georgia Institute of Technology. You can find Susana at her <a href="https://susanamorris.com/">website</a>, at <a href="https://www.instagram.com/susiemaye/">Instagram</a>; on <a href="https://www.threads.com/@susiemaye">Threads</a>; and on <a href="https://substack.com/@theremix">Substack</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>, where she and Susana went after the show to explore the question <em>What Would Octavia Do?</em> in our present moment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55199585" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/84e7237c-c858-4c21-a254-53696633e8d2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=84e7237c-c858-4c21-a254-53696633e8d2&amp;feed=KodC6fj_"/>
      <itunes:title>Susana M. Morris, &quot;Positive Obsession: The Life and Times of Octavia E. Butler&quot; (Amistad Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:29</itunes:duration>
      <itunes:summary>A magnificent cultural biography, Positive Obsession: The Life and Times of Octavia E. Butler (Amistad, 2025) charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.

In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.

Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”

Susana M. Morris is the Associate Professor of Literature, Media &amp; Communication at the Georgia Institute of Technology. You can find Susana at her website, at Instagram; on Threads; and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Susana went after the show to explore the question What Would Octavia Do? in our present moment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A magnificent cultural biography, Positive Obsession: The Life and Times of Octavia E. Butler (Amistad, 2025) charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.

In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.

Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”

Susana M. Morris is the Associate Professor of Literature, Media &amp; Communication at the Georgia Institute of Technology. You can find Susana at her website, at Instagram; on Threads; and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Susana went after the show to explore the question What Would Octavia Do? in our present moment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1779</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fce40d88-83db-11f0-8d89-871e82e64d5c</guid>
      <title>Patrice D. Douglass, &quot;Engendering Blackness: Slavery and the Ontology of Sexual Violence&quot; (Stanford UP, 2025)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503641617">Engendering Blackness: Slavery and the Ontology of Sexual Violence</a> (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. <em>Engendering Blackness</em> urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503641617">Engendering Blackness: Slavery and the Ontology of Sexual Violence</a> (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. <em>Engendering Blackness</em> urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="80095812" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e4b7aaca-4709-40c9-8410-645e58766869/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e4b7aaca-4709-40c9-8410-645e58766869&amp;feed=KodC6fj_"/>
      <itunes:title>Patrice D. Douglass, &quot;Engendering Blackness: Slavery and the Ontology of Sexual Violence&quot; (Stanford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:23:25</itunes:duration>
      <itunes:summary>In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1778</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">70e551a6-696f-11f0-9ce0-97de186a8acc</guid>
      <title>Tackling the Everyday: Race and Nation in Big-Time College Football</title>
      <description><![CDATA[<p>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.<br /><em>Tackling the Everyday</em> shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game.</p>
<p>Our guest is: Dr. <a href="https://www.traciecanada.com/">Tracie Canada</a>, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology &amp; Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com.</p>
<p>Listeners may enjoy this playlist:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/shoutin-in-the-fire-a-conversation-with-graduate-student-dante-stewart">Shoutin In The Fire</a></li>
  <li><a href="http://ewbooksnetwork.com/savannah-bananas">College Baseball in the Off-Season</a></li>
  <li><a href="https://newbooksnetwork.com/he-she-they">How We Talk About Gender</a></li>
  <li><a href="https://newbooksnetwork.com/katherine-rye-jewell-live-from-the-underground-a-history-of-college-radio-unc-press-2023">History of College Radio</a></li>
  <li><a href="https://newbooksnetwork.com/leading-from-the-margins">Leading from the Margins</a></li>
  <li><a href="https://newbooksnetwork.com/black-and-queer-on-campus">Black and Queer On Campus</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.<br /><em>Tackling the Everyday</em> shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game.</p>
<p>Our guest is: Dr. <a href="https://www.traciecanada.com/">Tracie Canada</a>, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology &amp; Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com.</p>
<p>Listeners may enjoy this playlist:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/shoutin-in-the-fire-a-conversation-with-graduate-student-dante-stewart">Shoutin In The Fire</a></li>
  <li><a href="http://ewbooksnetwork.com/savannah-bananas">College Baseball in the Off-Season</a></li>
  <li><a href="https://newbooksnetwork.com/he-she-they">How We Talk About Gender</a></li>
  <li><a href="https://newbooksnetwork.com/katherine-rye-jewell-live-from-the-underground-a-history-of-college-radio-unc-press-2023">History of College Radio</a></li>
  <li><a href="https://newbooksnetwork.com/leading-from-the-margins">Leading from the Margins</a></li>
  <li><a href="https://newbooksnetwork.com/black-and-queer-on-campus">Black and Queer On Campus</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52150148" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c303cdc7-c1f4-4c4f-8718-7b371154cc61/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c303cdc7-c1f4-4c4f-8718-7b371154cc61&amp;feed=KodC6fj_"/>
      <itunes:title>Tackling the Everyday: Race and Nation in Big-Time College Football</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:19</itunes:duration>
      <itunes:summary>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading &quot;football family&quot; narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America&apos;s favorite game.

Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology &amp; Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American.

Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com.

Listeners may enjoy this playlist:


  Shoutin In The Fire

  College Baseball in the Off-Season

  How We Talk About Gender

  History of College Radio

  Leading from the Margins

  Black and Queer On Campus


Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading &quot;football family&quot; narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America&apos;s favorite game.

Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology &amp; Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American.

Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com.

Listeners may enjoy this playlist:


  Shoutin In The Fire

  College Baseball in the Off-Season

  How We Talk About Gender

  History of College Radio

  Leading from the Margins

  Black and Queer On Campus


Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>279</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">adf96d32-815e-11f0-accb-83485273d0c1</guid>
      <title>Elaine Weiss, &quot;Spell Freedom: The Underground Schools That Built the Civil Rights Movement&quot; (Simon and Schuster, 2025)</title>
      <description><![CDATA[<p>Elaine Weiss, acclaimed author of <em>The Woman’s Hour: The Great Fight to Win the Vote</em>, follows that magisterial work with a work of equal scholarly significance and narrative excellence, <a href="https://bookshop.org/a/12343/9781668002698">Spell Freedom: The Underground Schools That Built the Civil Rights Movement</a> (Simon and Schuster, 2025), "the story of four activists whose audacious plan to restore voting rights to Black Americans laid the groundwork for the Civil Rights Movement."<br />"In the summer of 1954, educator Septima Clark and small businessman Esau Jenkins travelled to rural Tennessee’s Highlander Folk School, an interracial training center for social change founded by Myles Horton, a white southerner with roots in the labor movement. There, the trio united behind a shared mission: preparing Black southerners to pass the daunting Jim Crow era voter registration literacy tests that were designed to disenfranchise them.<br />Together with beautician-turned-teacher Bernice Robinson, they launched the underground Citizenship Schools project, which began with a single makeshift classroom hidden in the back of a rural grocery store. By the time the Voting Rights Act was signed into law in 1965, the secretive undertaking had established more than nine hundred citizenship schools across the South, preparing tens of thousands of Black citizens to read and write, demand their rights—and vote. Simultaneously, it nurtured a generation of activists—many of them women—trained in community organizing, political citizenship, and tactics of resistance and struggle who became the grassroots foundation of the Civil Rights Movement. Dr. King called Septima Clark, “Mother of the Movement.”<br /></p>
<p>Elaine Weiss is an award-winning journalist, author, and public speaker. In addition to <em>Spell Freedom</em>, she is the author of <em>Fruits of Victory: The Woman’s Land Army of the Great War</em>; and<em> The Woman’s Hour: The Great Fight to Win the Vote.</em> Elaine lives with her husband in Baltimore, Maryland. Find out more at her <a href="http://elaineweiss.com/">website</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 26 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Elaine Weiss, acclaimed author of <em>The Woman’s Hour: The Great Fight to Win the Vote</em>, follows that magisterial work with a work of equal scholarly significance and narrative excellence, <a href="https://bookshop.org/a/12343/9781668002698">Spell Freedom: The Underground Schools That Built the Civil Rights Movement</a> (Simon and Schuster, 2025), "the story of four activists whose audacious plan to restore voting rights to Black Americans laid the groundwork for the Civil Rights Movement."<br />"In the summer of 1954, educator Septima Clark and small businessman Esau Jenkins travelled to rural Tennessee’s Highlander Folk School, an interracial training center for social change founded by Myles Horton, a white southerner with roots in the labor movement. There, the trio united behind a shared mission: preparing Black southerners to pass the daunting Jim Crow era voter registration literacy tests that were designed to disenfranchise them.<br />Together with beautician-turned-teacher Bernice Robinson, they launched the underground Citizenship Schools project, which began with a single makeshift classroom hidden in the back of a rural grocery store. By the time the Voting Rights Act was signed into law in 1965, the secretive undertaking had established more than nine hundred citizenship schools across the South, preparing tens of thousands of Black citizens to read and write, demand their rights—and vote. Simultaneously, it nurtured a generation of activists—many of them women—trained in community organizing, political citizenship, and tactics of resistance and struggle who became the grassroots foundation of the Civil Rights Movement. Dr. King called Septima Clark, “Mother of the Movement.”<br /></p>
<p>Elaine Weiss is an award-winning journalist, author, and public speaker. In addition to <em>Spell Freedom</em>, she is the author of <em>Fruits of Victory: The Woman’s Land Army of the Great War</em>; and<em> The Woman’s Hour: The Great Fight to Win the Vote.</em> Elaine lives with her husband in Baltimore, Maryland. Find out more at her <a href="http://elaineweiss.com/">website</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65731109" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/edb9cd8f-a912-4a2c-ae04-952ab62ece15/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=edb9cd8f-a912-4a2c-ae04-952ab62ece15&amp;feed=KodC6fj_"/>
      <itunes:title>Elaine Weiss, &quot;Spell Freedom: The Underground Schools That Built the Civil Rights Movement&quot; (Simon and Schuster, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:28</itunes:duration>
      <itunes:summary>Elaine Weiss, acclaimed author of The Woman’s Hour: The Great Fight to Win the Vote, follows that magisterial work with a work of equal scholarly significance and narrative excellence, Spell Freedom: The Underground Schools That Built the Civil Rights Movement (Simon and Schuster, 2025), &quot;the story of four activists whose audacious plan to restore voting rights to Black Americans laid the groundwork for the Civil Rights Movement.&quot;&quot;In the summer of 1954, educator Septima Clark and small businessman Esau Jenkins travelled to rural Tennessee’s Highlander Folk School, an interracial training center for social change founded by Myles Horton, a white southerner with roots in the labor movement. There, the trio united behind a shared mission: preparing Black southerners to pass the daunting Jim Crow era voter registration literacy tests that were designed to disenfranchise them.Together with beautician-turned-teacher Bernice Robinson, they launched the underground Citizenship Schools project, which began with a single makeshift classroom hidden in the back of a rural grocery store. By the time the Voting Rights Act was signed into law in 1965, the secretive undertaking had established more than nine hundred citizenship schools across the South, preparing tens of thousands of Black citizens to read and write, demand their rights—and vote. Simultaneously, it nurtured a generation of activists—many of them women—trained in community organizing, political citizenship, and tactics of resistance and struggle who became the grassroots foundation of the Civil Rights Movement. Dr. King called Septima Clark, “Mother of the Movement.”

Elaine Weiss is an award-winning journalist, author, and public speaker. In addition to Spell Freedom, she is the author of Fruits of Victory: The Woman’s Land Army of the Great War; and The Woman’s Hour: The Great Fight to Win the Vote. Elaine lives with her husband in Baltimore, Maryland. Find out more at her website.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Elaine Weiss, acclaimed author of The Woman’s Hour: The Great Fight to Win the Vote, follows that magisterial work with a work of equal scholarly significance and narrative excellence, Spell Freedom: The Underground Schools That Built the Civil Rights Movement (Simon and Schuster, 2025), &quot;the story of four activists whose audacious plan to restore voting rights to Black Americans laid the groundwork for the Civil Rights Movement.&quot;&quot;In the summer of 1954, educator Septima Clark and small businessman Esau Jenkins travelled to rural Tennessee’s Highlander Folk School, an interracial training center for social change founded by Myles Horton, a white southerner with roots in the labor movement. There, the trio united behind a shared mission: preparing Black southerners to pass the daunting Jim Crow era voter registration literacy tests that were designed to disenfranchise them.Together with beautician-turned-teacher Bernice Robinson, they launched the underground Citizenship Schools project, which began with a single makeshift classroom hidden in the back of a rural grocery store. By the time the Voting Rights Act was signed into law in 1965, the secretive undertaking had established more than nine hundred citizenship schools across the South, preparing tens of thousands of Black citizens to read and write, demand their rights—and vote. Simultaneously, it nurtured a generation of activists—many of them women—trained in community organizing, political citizenship, and tactics of resistance and struggle who became the grassroots foundation of the Civil Rights Movement. Dr. King called Septima Clark, “Mother of the Movement.”

Elaine Weiss is an award-winning journalist, author, and public speaker. In addition to Spell Freedom, she is the author of Fruits of Victory: The Woman’s Land Army of the Great War; and The Woman’s Hour: The Great Fight to Win the Vote. Elaine lives with her husband in Baltimore, Maryland. Find out more at her website.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1776</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b67f7e58-8012-11f0-bf3a-a3f283abd04e</guid>
      <title>LaShawn Harris, &quot;Tell Her Story: Eleanor Bumpurs &amp; the Police Killing That Galvanized New York City&quot; (Beacon, 2025)</title>
      <description><![CDATA[<p>On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.<br />Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.<br />So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, <em>Tell Her Story</em> (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.</p>
<p>Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the <em>Journal of African American History</em> (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on <a href="https://www.instagram.com/bronxhistorian08/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 25 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.<br />Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.<br />So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, <em>Tell Her Story</em> (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.</p>
<p>Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the <em>Journal of African American History</em> (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on <a href="https://www.instagram.com/bronxhistorian08/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66480637" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9184c773-f05f-4734-b98d-e78b12461e41/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9184c773-f05f-4734-b98d-e78b12461e41&amp;feed=KodC6fj_"/>
      <itunes:title>LaShawn Harris, &quot;Tell Her Story: Eleanor Bumpurs &amp; the Police Killing That Galvanized New York City&quot; (Beacon, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:14</itunes:duration>
      <itunes:summary>On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.

Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.

Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>519</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4bbf4aba-805f-11f0-b660-970f4effa1c0</guid>
      <title>Gregg Mitman, &quot;Empire of Rubber: Firestone&apos;s Scramble for Land and Power in Liberia&quot; (New Press, 2021)</title>
      <description><![CDATA[<p>In the early 1920s, Americans owned 80 percent of the world’s automobiles and consumed 75 percent of the world’s rubber. But only one percent of the world’s rubber grew under the U.S. flag, creating a bottleneck that hampered the nation’s explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic.</p><p><a href="https://bookshop.org/a/12343/9781620973776"><em>Empire of Rubber: Firestone's Scramble for Land and Power in Liberia</em></a> (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America’s rubber empire.</p><p>Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war.</p><p>A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present.</p><p>Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include <em>The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes</em>. He lives near Madison, Wisconsin. <a href="https://gmitman.com/">Website</a>.</p><p><em>Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 25 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the early 1920s, Americans owned 80 percent of the world’s automobiles and consumed 75 percent of the world’s rubber. But only one percent of the world’s rubber grew under the U.S. flag, creating a bottleneck that hampered the nation’s explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic.</p><p><a href="https://bookshop.org/a/12343/9781620973776"><em>Empire of Rubber: Firestone's Scramble for Land and Power in Liberia</em></a> (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America’s rubber empire.</p><p>Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war.</p><p>A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present.</p><p>Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include <em>The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes</em>. He lives near Madison, Wisconsin. <a href="https://gmitman.com/">Website</a>.</p><p><em>Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40610733" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9f61da5a-1b40-44c8-b7ea-41402285bc82/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9f61da5a-1b40-44c8-b7ea-41402285bc82&amp;feed=KodC6fj_"/>
      <itunes:title>Gregg Mitman, &quot;Empire of Rubber: Firestone&apos;s Scramble for Land and Power in Liberia&quot; (New Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:16</itunes:duration>
      <itunes:summary>In the early 1920s, Americans owned 80 percent of the world’s automobiles and consumed 75 percent of the world’s rubber. But only one percent of the world’s rubber grew under the U.S. flag, creating a bottleneck that hampered the nation’s explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic.
Empire of Rubber: Firestone&apos;s Scramble for Land and Power in Liberia (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America’s rubber empire.
Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war.
A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present.
Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes. He lives near Madison, Wisconsin. Website.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the early 1920s, Americans owned 80 percent of the world’s automobiles and consumed 75 percent of the world’s rubber. But only one percent of the world’s rubber grew under the U.S. flag, creating a bottleneck that hampered the nation’s explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic.
Empire of Rubber: Firestone&apos;s Scramble for Land and Power in Liberia (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America’s rubber empire.
Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war.
A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present.
Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes. He lives near Madison, Wisconsin. Website.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">561e42de-7f99-11f0-92ed-dbb86d28b428</guid>
      <title>Steve Luxenberg, &quot;Separate: The Story of Plessy v. Ferguson, and America’s Journey from Slavery to Segregation&quot; (Norton, 2019)</title>
      <description><![CDATA[<p><a href="https://www.steveluxenberg.com/">Steve Luxenberg</a> has created an unusual history of the famous Supreme Court case <em>Plessy v. Ferguson </em>and the 19th century’s segregationist practices in his book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvAj4ybKUQU5e7YVF_jM-xIAAAFpfmHpfwEAAAFKAfNnhac/https://www.amazon.com/dp/0393239373/?creativeASIN=0393239373&amp;linkCode=w61&amp;imprToken=70vL3d36Jj70CZCL-DYJSA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Separate: The Story of Plessy v. Ferguson, and America’s Journey from Slavery to Segregation</em></a> (Norton, 2019)  It is unusual because it is chiefly an ensemble biography of Henry Brown, John Marshall Harlan, and Albion Tourgee, three men intimately connected with the <em>Plessy</em> case.  The book covers the Antebellum period youth of the three men, each from a different part of the young nation and each encountering freedmen, slaves, and the institution of slavery in different social and political contexts.  We follow these men through the Civil War, Reconstruction, and the post-Reconstruction period leading up to the Plessy decision.  The <em>Plessy</em> case helped solidify official, state-enforced segregationist practices throughout the United States.  It made the now-infamous phrase “separate but equal” a constitutional doctrine that was the law of the land until the 1950s and 1960s.</p><p><em>Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 24 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://www.steveluxenberg.com/">Steve Luxenberg</a> has created an unusual history of the famous Supreme Court case <em>Plessy v. Ferguson </em>and the 19th century’s segregationist practices in his book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvAj4ybKUQU5e7YVF_jM-xIAAAFpfmHpfwEAAAFKAfNnhac/https://www.amazon.com/dp/0393239373/?creativeASIN=0393239373&amp;linkCode=w61&amp;imprToken=70vL3d36Jj70CZCL-DYJSA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Separate: The Story of Plessy v. Ferguson, and America’s Journey from Slavery to Segregation</em></a> (Norton, 2019)  It is unusual because it is chiefly an ensemble biography of Henry Brown, John Marshall Harlan, and Albion Tourgee, three men intimately connected with the <em>Plessy</em> case.  The book covers the Antebellum period youth of the three men, each from a different part of the young nation and each encountering freedmen, slaves, and the institution of slavery in different social and political contexts.  We follow these men through the Civil War, Reconstruction, and the post-Reconstruction period leading up to the Plessy decision.  The <em>Plessy</em> case helped solidify official, state-enforced segregationist practices throughout the United States.  It made the now-infamous phrase “separate but equal” a constitutional doctrine that was the law of the land until the 1950s and 1960s.</p><p><em>Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46809427" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/15a191d1-5dd5-4a0e-ad31-817d39f98894/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=15a191d1-5dd5-4a0e-ad31-817d39f98894&amp;feed=KodC6fj_"/>
      <itunes:title>Steve Luxenberg, &quot;Separate: The Story of Plessy v. Ferguson, and America’s Journey from Slavery to Segregation&quot; (Norton, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:44</itunes:duration>
      <itunes:summary>Steve Luxenberg has created an unusual history of the famous Supreme Court case Plessy v. Ferguson and the 19th century’s segregationist practices in his book Separate: The Story of Plessy v. Ferguson, and America’s Journey from Slavery to Segregation (Norton, 2019)  It is unusual because it is chiefly an ensemble biography of Henry Brown, John Marshall Harlan, and Albion Tourgee, three men intimately connected with the Plessy case.  The book covers the Antebellum period youth of the three men, each from a different part of the young nation and each encountering freedmen, slaves, and the institution of slavery in different social and political contexts.  We follow these men through the Civil War, Reconstruction, and the post-Reconstruction period leading up to the Plessy decision.  The Plessy case helped solidify official, state-enforced segregationist practices throughout the United States.  It made the now-infamous phrase “separate but equal” a constitutional doctrine that was the law of the land until the 1950s and 1960s.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Steve Luxenberg has created an unusual history of the famous Supreme Court case Plessy v. Ferguson and the 19th century’s segregationist practices in his book Separate: The Story of Plessy v. Ferguson, and America’s Journey from Slavery to Segregation (Norton, 2019)  It is unusual because it is chiefly an ensemble biography of Henry Brown, John Marshall Harlan, and Albion Tourgee, three men intimately connected with the Plessy case.  The book covers the Antebellum period youth of the three men, each from a different part of the young nation and each encountering freedmen, slaves, and the institution of slavery in different social and political contexts.  We follow these men through the Civil War, Reconstruction, and the post-Reconstruction period leading up to the Plessy decision.  The Plessy case helped solidify official, state-enforced segregationist practices throughout the United States.  It made the now-infamous phrase “separate but equal” a constitutional doctrine that was the law of the land until the 1950s and 1960s.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cb4d9e56-7f26-11f0-85a4-6fd2e46556e9</guid>
      <title>Timothy Messer-Kruse, &quot;Slavery’s Fugitives and the Making of the United States Constitution&quot; (LSU Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780807182765"><em>Slavery's Fugitives</em> </a><a href="https://bookshop.org/a/12343/9780807182765">and the Making of the United States Constitution</a> (LSU Press, 2024) unearths a long-hidden factor that led to the Constitutional Convention in 1787. While historians have generally acknowledged that patriot leaders assembled in response to postwar economic chaos, the threat of popular insurgencies, and the inability of the states to agree on how to fund the national government, Timothy Messer-Kruse suggests that scholars have discounted Americans' desire to compel Britain to return fugitives from slavery as a driving force behind the convention.</p>
<p>During the Revolutionary War, British governors offered freedom to enslaved Americans who joined the king's army. Thousands responded by fleeing to English camps. After the British defeat at Yorktown, American diplomats demanded the surrender of fugitive slaves. When British generals refused, several states confiscated Loyalist estates and blocked payment of English creditors, hoping to apply enough pressure on the Crown to hand over the runaways. State laws conflicting with the 1783 Treaty of Paris violated the Articles of Confederation--the young nation's first constitution--but Congress, lacking an executive branch or a federal judiciary, had no means to obligate states to comply.</p>
<p>The standoff over the escaped slaves quickly escalated following the Revolution as Britain failed to abandon the western forts it occupied and took steps to curtail American commerce. More than any other single matter, the impasse over the return of enslaved Americans threatened to hamper the nation's ability to expand westward, develop its commercial economy, and establish itself as a power among the courts of Europe. Messer-Kruse argues that the issue encouraged the founders to consider the prospect of scrapping the Articles of Confederation and drafting a superseding document that would dramatically increase federal authority--the Constitution.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 23 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780807182765"><em>Slavery's Fugitives</em> </a><a href="https://bookshop.org/a/12343/9780807182765">and the Making of the United States Constitution</a> (LSU Press, 2024) unearths a long-hidden factor that led to the Constitutional Convention in 1787. While historians have generally acknowledged that patriot leaders assembled in response to postwar economic chaos, the threat of popular insurgencies, and the inability of the states to agree on how to fund the national government, Timothy Messer-Kruse suggests that scholars have discounted Americans' desire to compel Britain to return fugitives from slavery as a driving force behind the convention.</p>
<p>During the Revolutionary War, British governors offered freedom to enslaved Americans who joined the king's army. Thousands responded by fleeing to English camps. After the British defeat at Yorktown, American diplomats demanded the surrender of fugitive slaves. When British generals refused, several states confiscated Loyalist estates and blocked payment of English creditors, hoping to apply enough pressure on the Crown to hand over the runaways. State laws conflicting with the 1783 Treaty of Paris violated the Articles of Confederation--the young nation's first constitution--but Congress, lacking an executive branch or a federal judiciary, had no means to obligate states to comply.</p>
<p>The standoff over the escaped slaves quickly escalated following the Revolution as Britain failed to abandon the western forts it occupied and took steps to curtail American commerce. More than any other single matter, the impasse over the return of enslaved Americans threatened to hamper the nation's ability to expand westward, develop its commercial economy, and establish itself as a power among the courts of Europe. Messer-Kruse argues that the issue encouraged the founders to consider the prospect of scrapping the Articles of Confederation and drafting a superseding document that would dramatically increase federal authority--the Constitution.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56583564" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/104e2176-87e3-4073-a46c-e4085de32501/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=104e2176-87e3-4073-a46c-e4085de32501&amp;feed=KodC6fj_"/>
      <itunes:title>Timothy Messer-Kruse, &quot;Slavery’s Fugitives and the Making of the United States Constitution&quot; (LSU Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:56</itunes:duration>
      <itunes:summary>Slavery&apos;s Fugitives and the Making of the United States Constitution (LSU Press, 2024) unearths a long-hidden factor that led to the Constitutional Convention in 1787. While historians have generally acknowledged that patriot leaders assembled in response to postwar economic chaos, the threat of popular insurgencies, and the inability of the states to agree on how to fund the national government, Timothy Messer-Kruse suggests that scholars have discounted Americans&apos; desire to compel Britain to return fugitives from slavery as a driving force behind the convention.

During the Revolutionary War, British governors offered freedom to enslaved Americans who joined the king&apos;s army. Thousands responded by fleeing to English camps. After the British defeat at Yorktown, American diplomats demanded the surrender of fugitive slaves. When British generals refused, several states confiscated Loyalist estates and blocked payment of English creditors, hoping to apply enough pressure on the Crown to hand over the runaways. State laws conflicting with the 1783 Treaty of Paris violated the Articles of Confederation--the young nation&apos;s first constitution--but Congress, lacking an executive branch or a federal judiciary, had no means to obligate states to comply.

The standoff over the escaped slaves quickly escalated following the Revolution as Britain failed to abandon the western forts it occupied and took steps to curtail American commerce. More than any other single matter, the impasse over the return of enslaved Americans threatened to hamper the nation&apos;s ability to expand westward, develop its commercial economy, and establish itself as a power among the courts of Europe. Messer-Kruse argues that the issue encouraged the founders to consider the prospect of scrapping the Articles of Confederation and drafting a superseding document that would dramatically increase federal authority--the Constitution.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Slavery&apos;s Fugitives and the Making of the United States Constitution (LSU Press, 2024) unearths a long-hidden factor that led to the Constitutional Convention in 1787. While historians have generally acknowledged that patriot leaders assembled in response to postwar economic chaos, the threat of popular insurgencies, and the inability of the states to agree on how to fund the national government, Timothy Messer-Kruse suggests that scholars have discounted Americans&apos; desire to compel Britain to return fugitives from slavery as a driving force behind the convention.

During the Revolutionary War, British governors offered freedom to enslaved Americans who joined the king&apos;s army. Thousands responded by fleeing to English camps. After the British defeat at Yorktown, American diplomats demanded the surrender of fugitive slaves. When British generals refused, several states confiscated Loyalist estates and blocked payment of English creditors, hoping to apply enough pressure on the Crown to hand over the runaways. State laws conflicting with the 1783 Treaty of Paris violated the Articles of Confederation--the young nation&apos;s first constitution--but Congress, lacking an executive branch or a federal judiciary, had no means to obligate states to comply.

The standoff over the escaped slaves quickly escalated following the Revolution as Britain failed to abandon the western forts it occupied and took steps to curtail American commerce. More than any other single matter, the impasse over the return of enslaved Americans threatened to hamper the nation&apos;s ability to expand westward, develop its commercial economy, and establish itself as a power among the courts of Europe. Messer-Kruse argues that the issue encouraged the founders to consider the prospect of scrapping the Articles of Confederation and drafting a superseding document that would dramatically increase federal authority--the Constitution.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1772</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ca52828e-7e61-11f0-934f-97d0fff36b6e</guid>
      <title>Rima Vesely-Flad, &quot;Black Buddhists and the Black Radical Tradition: The Practice of Stillness in the Movement for Liberation&quot; (NYU Press, 2022)</title>
      <description><![CDATA[<p>Finalist, Award for Excellence in the Study of Religion, Constructive-Reflective Studies, given by the American Academy of Religion<br />Explores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal ways<br />In <a href="https://bookshop.org/a/12343/9781479810499">Black Buddhists and the Black Radical Tradition﻿: ﻿The Practice of Stillness in the Movement for Liberation </a>(NYU Press, 2022), Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.<br />Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.<br />The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.</p>
<p>Please also check out her forthcoming book, <a href="https://www.penguinrandomhouse.com/books/790233/the-fire-inside-by-rima-vesely-flad-phd/">The Fire Inside: The Dharma of James Baldwin and Audre Lordre</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 22 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Finalist, Award for Excellence in the Study of Religion, Constructive-Reflective Studies, given by the American Academy of Religion<br />Explores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal ways<br />In <a href="https://bookshop.org/a/12343/9781479810499">Black Buddhists and the Black Radical Tradition﻿: ﻿The Practice of Stillness in the Movement for Liberation </a>(NYU Press, 2022), Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.<br />Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.<br />The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.</p>
<p>Please also check out her forthcoming book, <a href="https://www.penguinrandomhouse.com/books/790233/the-fire-inside-by-rima-vesely-flad-phd/">The Fire Inside: The Dharma of James Baldwin and Audre Lordre</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="85383369" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/76e8535d-f424-43e5-8b12-74b07beae998/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=76e8535d-f424-43e5-8b12-74b07beae998&amp;feed=KodC6fj_"/>
      <itunes:title>Rima Vesely-Flad, &quot;Black Buddhists and the Black Radical Tradition: The Practice of Stillness in the Movement for Liberation&quot; (NYU Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:28:56</itunes:duration>
      <itunes:summary>Finalist, Award for Excellence in the Study of Religion, Constructive-Reflective Studies, given by the American Academy of ReligionExplores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal waysIn Black Buddhists and the Black Radical Tradition﻿: ﻿The Practice of Stillness in the Movement for Liberation (NYU Press, 2022), Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.

Please also check out her forthcoming book, The Fire Inside: The Dharma of James Baldwin and Audre Lordre.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Finalist, Award for Excellence in the Study of Religion, Constructive-Reflective Studies, given by the American Academy of ReligionExplores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal waysIn Black Buddhists and the Black Radical Tradition﻿: ﻿The Practice of Stillness in the Movement for Liberation (NYU Press, 2022), Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.

Please also check out her forthcoming book, The Fire Inside: The Dharma of James Baldwin and Audre Lordre.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1771</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">347fa530-7ccb-11f0-82ff-b7fc35b5d155</guid>
      <title>Shennette Garrett-Scott, &quot;Banking on Freedom: Black Women in U.S. Finance Before the New Deal&quot; (Columbia UP, 2019)</title>
      <description><![CDATA[<p>Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  <a href="http://history.olemiss.edu/shennette-garrett-scott/">Shennette Garrett-Scott</a>'s new book, <a href="http://www.amazon.com/dp/0231183917/?tag=newbooinhis-20"><em>Banking on Freedom: Black Women in U.S. Finance Before the New Deal</em></a> (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.</p><p><em>Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of </em><a href="https://www.amazon.com/Getting-Back-Business-Portfolio-Investors/dp/1260135322">Getting Back to Business: Why Modern Portfolio Theory Fails Investors</a>.<em> You can follow him on Twitter</em><a href="https://twitter.com/Back2BizBook"><em> @Back2BizBook</em></a><em> or at </em><a href="http://www.strategicdividendinvestor.com/"><em>http://www.strategicdividendinvestor.com</em></a></p><p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 20 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  <a href="http://history.olemiss.edu/shennette-garrett-scott/">Shennette Garrett-Scott</a>'s new book, <a href="http://www.amazon.com/dp/0231183917/?tag=newbooinhis-20"><em>Banking on Freedom: Black Women in U.S. Finance Before the New Deal</em></a> (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.</p><p><em>Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of </em><a href="https://www.amazon.com/Getting-Back-Business-Portfolio-Investors/dp/1260135322">Getting Back to Business: Why Modern Portfolio Theory Fails Investors</a>.<em> You can follow him on Twitter</em><a href="https://twitter.com/Back2BizBook"><em> @Back2BizBook</em></a><em> or at </em><a href="http://www.strategicdividendinvestor.com/"><em>http://www.strategicdividendinvestor.com</em></a></p><p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37657494" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/63efc774-93d1-48c5-9543-f1b833e12e0e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=63efc774-93d1-48c5-9543-f1b833e12e0e&amp;feed=KodC6fj_"/>
      <itunes:title>Shennette Garrett-Scott, &quot;Banking on Freedom: Black Women in U.S. Finance Before the New Deal&quot; (Columbia UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:13</itunes:duration>
      <itunes:summary>Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott&apos;s new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn&apos;t take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.
Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com


Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott&apos;s new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn&apos;t take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.
Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com


Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">432fc356-7bec-11f0-8c5d-336124bd085f</guid>
      <title>Marlee S. Bunch, &quot;Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era&quot;</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780252046766">Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era</a><em> </em>(University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations.<br /></p>
<p>Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the <em>Brown v. Board of Education</em> decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, <em>Unlearning the Hush</em> combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time.</p>
<p>Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike.</p>
<p>A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow.</p>
<p>At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.<br />Her other publications include <a href="https://www.amazon.com/Magnitude-Educators-Culturally-Responsive-Classrooms/dp/0807769886"><em>The Magnitude of Us</em></a> (Teachers College Press, 2024), and <a href="https://www.amazon.com/Leveraging-Human-Centered-Learning-Culturally-Social-Emotional/dp/1032804998/ref=sr_1_3?crid=XS2E0AB1408N&amp;dib=eyJ2IjoiMSJ9.HsAlbJe4in0srI1sEqIYSW1gsePRC6geRaoMBjXQdbqzpzs2vDuyr7Sd7YjfKEDYIVhZ3QL_AWMUpHSmEa5hMs56oXNi6J2FDDpUqgGwHfA.cxr5MGb2JC9AmcZhYxScP6NjzhvJBBCfVGph8GBV8g0&amp;dib_tag=se&amp;keywords=marlee+bunch&amp;qid=1731994586&amp;s=books&amp;sprefix=marlee+bunch,stripbooks,129&amp;sr=1-3"><em>Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12</em>, co-authored with Brittany R. Collins (Routledge, 2025).</a></p>
<p>Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780252046766">Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era</a><em> </em>(University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations.<br /></p>
<p>Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the <em>Brown v. Board of Education</em> decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, <em>Unlearning the Hush</em> combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time.</p>
<p>Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike.</p>
<p>A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow.</p>
<p>At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.<br />Her other publications include <a href="https://www.amazon.com/Magnitude-Educators-Culturally-Responsive-Classrooms/dp/0807769886"><em>The Magnitude of Us</em></a> (Teachers College Press, 2024), and <a href="https://www.amazon.com/Leveraging-Human-Centered-Learning-Culturally-Social-Emotional/dp/1032804998/ref=sr_1_3?crid=XS2E0AB1408N&amp;dib=eyJ2IjoiMSJ9.HsAlbJe4in0srI1sEqIYSW1gsePRC6geRaoMBjXQdbqzpzs2vDuyr7Sd7YjfKEDYIVhZ3QL_AWMUpHSmEa5hMs56oXNi6J2FDDpUqgGwHfA.cxr5MGb2JC9AmcZhYxScP6NjzhvJBBCfVGph8GBV8g0&amp;dib_tag=se&amp;keywords=marlee+bunch&amp;qid=1731994586&amp;s=books&amp;sprefix=marlee+bunch,stripbooks,129&amp;sr=1-3"><em>Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12</em>, co-authored with Brittany R. Collins (Routledge, 2025).</a></p>
<p>Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64360237" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b159e8bb-3015-493e-9448-8beb8d79ed20/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b159e8bb-3015-493e-9448-8beb8d79ed20&amp;feed=KodC6fj_"/>
      <itunes:title>Marlee S. Bunch, &quot;Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era&quot;</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:02</itunes:duration>
      <itunes:summary>In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee&apos;s work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations.

Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time.

Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike.

A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow.

At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025).

Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee&apos;s work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations.

Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time.

Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike.

A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow.

At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025).

Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1769</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">37158d9a-7c54-11f0-96c3-8be6550dd538</guid>
      <title>Glenn Ligon, &quot;Distinguishing Piss from Rain&quot; (Hauser &amp; Wirth, 2024)</title>
      <description><![CDATA[<p>An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51842817" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ed0bd325-4282-488c-b40d-12efa75d4615/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ed0bd325-4282-488c-b40d-12efa75d4615&amp;feed=KodC6fj_"/>
      <itunes:title>Glenn Ligon, &quot;Distinguishing Piss from Rain&quot; (Hauser &amp; Wirth, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:00</itunes:duration>
      <itunes:summary>An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon&apos;s status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon&apos;s status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>516</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f9db80f2-7ac2-11f0-ae7c-fba000a208a6</guid>
      <title>Darren W. Davis and David C. Wilson, &quot;Racial Resentment in the Political Mind&quot; (U Chicago Press, 2021)</title>
      <description><![CDATA[<p>In<em> Racial Resentment in the Political Mind</em>, Darren W. Davis and David C. Wilson challenge the commonly held notion that all racial negativity, disagreements, and objections to policies that seek to help racial minorities stem from racial prejudice. They argue that racial resentment arises from just-world beliefs and appraisals of deservingness that help explain the persistence of racial inequality in America in ways more consequential than racism or racial prejudice alone.<br />The culprits, as many White people see it, are undeserving people of color, who are perceived to benefit unfairly from, and take advantage of, resources that come at Whites’ expense—a worldview in which any attempt at modest change is seen as a challenge to the status quo and privilege. Yet, as Davis and Wilson reveal, many Whites have become racially resentful due to their perceptions that African Americans skirt the “rules of the game” and violate traditional values by taking advantage of unearned resources. Resulting attempts at racial progress lead Whites to respond in ways that retain their social advantage—opposing ameliorative policies, minority candidates, and other advancement on racial progress. Because racial resentment is rooted in beliefs about justice, fairness, and deservingness, ordinary citizens, who may not harbor racist motivations, may wind up in the same political position as racists, but for different reasons.</p>
<p>Professor Davis’ research interests include most areas in public opinion and political behavior. A unifying theme running through much of his research is a concern for identifying the social psychological motivations underlying political attitudes and behavior. This approach has been applied to specific research areas, including political tolerance, implicit racial attitudes, the role of threat and anxiety in political behavior, public reactions to terrorism, social desirability, the measurement of political and social attitudes, racism and racial politics, and the political behavior of African Americans.<br />Professor Davis is co-author of a forthcoming Cambridge University Press book, <em>Perseverance in the Parish? Religious Attitudes from a Black Catholic Perspective</em>. Based on the first national survey of African American Catholics, this book explores the perceptions of racism and racial experiences in the Catholic Church. His other book, <em>Negative Liberty: Public Opinion and the Terrorist Attacks on America</em>, examines the role of threat perceptions on the tradeoffs between civil liberties and security, political tolerance, and ideas of citizenship.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 18 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In<em> Racial Resentment in the Political Mind</em>, Darren W. Davis and David C. Wilson challenge the commonly held notion that all racial negativity, disagreements, and objections to policies that seek to help racial minorities stem from racial prejudice. They argue that racial resentment arises from just-world beliefs and appraisals of deservingness that help explain the persistence of racial inequality in America in ways more consequential than racism or racial prejudice alone.<br />The culprits, as many White people see it, are undeserving people of color, who are perceived to benefit unfairly from, and take advantage of, resources that come at Whites’ expense—a worldview in which any attempt at modest change is seen as a challenge to the status quo and privilege. Yet, as Davis and Wilson reveal, many Whites have become racially resentful due to their perceptions that African Americans skirt the “rules of the game” and violate traditional values by taking advantage of unearned resources. Resulting attempts at racial progress lead Whites to respond in ways that retain their social advantage—opposing ameliorative policies, minority candidates, and other advancement on racial progress. Because racial resentment is rooted in beliefs about justice, fairness, and deservingness, ordinary citizens, who may not harbor racist motivations, may wind up in the same political position as racists, but for different reasons.</p>
<p>Professor Davis’ research interests include most areas in public opinion and political behavior. A unifying theme running through much of his research is a concern for identifying the social psychological motivations underlying political attitudes and behavior. This approach has been applied to specific research areas, including political tolerance, implicit racial attitudes, the role of threat and anxiety in political behavior, public reactions to terrorism, social desirability, the measurement of political and social attitudes, racism and racial politics, and the political behavior of African Americans.<br />Professor Davis is co-author of a forthcoming Cambridge University Press book, <em>Perseverance in the Parish? Religious Attitudes from a Black Catholic Perspective</em>. Based on the first national survey of African American Catholics, this book explores the perceptions of racism and racial experiences in the Catholic Church. His other book, <em>Negative Liberty: Public Opinion and the Terrorist Attacks on America</em>, examines the role of threat perceptions on the tradeoffs between civil liberties and security, political tolerance, and ideas of citizenship.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53417682" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0d5c2de1-dcb2-46c5-98fd-3ef95b311ae3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0d5c2de1-dcb2-46c5-98fd-3ef95b311ae3&amp;feed=KodC6fj_"/>
      <itunes:title>Darren W. Davis and David C. Wilson, &quot;Racial Resentment in the Political Mind&quot; (U Chicago Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:38</itunes:duration>
      <itunes:summary>In Racial Resentment in the Political Mind, Darren W. Davis and David C. Wilson challenge the commonly held notion that all racial negativity, disagreements, and objections to policies that seek to help racial minorities stem from racial prejudice. They argue that racial resentment arises from just-world beliefs and appraisals of deservingness that help explain the persistence of racial inequality in America in ways more consequential than racism or racial prejudice alone.The culprits, as many White people see it, are undeserving people of color, who are perceived to benefit unfairly from, and take advantage of, resources that come at Whites’ expense—a worldview in which any attempt at modest change is seen as a challenge to the status quo and privilege. Yet, as Davis and Wilson reveal, many Whites have become racially resentful due to their perceptions that African Americans skirt the “rules of the game” and violate traditional values by taking advantage of unearned resources. Resulting attempts at racial progress lead Whites to respond in ways that retain their social advantage—opposing ameliorative policies, minority candidates, and other advancement on racial progress. Because racial resentment is rooted in beliefs about justice, fairness, and deservingness, ordinary citizens, who may not harbor racist motivations, may wind up in the same political position as racists, but for different reasons.

Professor Davis’ research interests include most areas in public opinion and political behavior. A unifying theme running through much of his research is a concern for identifying the social psychological motivations underlying political attitudes and behavior. This approach has been applied to specific research areas, including political tolerance, implicit racial attitudes, the role of threat and anxiety in political behavior, public reactions to terrorism, social desirability, the measurement of political and social attitudes, racism and racial politics, and the political behavior of African Americans.Professor Davis is co-author of a forthcoming Cambridge University Press book, Perseverance in the Parish? Religious Attitudes from a Black Catholic Perspective. Based on the first national survey of African American Catholics, this book explores the perceptions of racism and racial experiences in the Catholic Church. His other book, Negative Liberty: Public Opinion and the Terrorist Attacks on America, examines the role of threat perceptions on the tradeoffs between civil liberties and security, political tolerance, and ideas of citizenship.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Racial Resentment in the Political Mind, Darren W. Davis and David C. Wilson challenge the commonly held notion that all racial negativity, disagreements, and objections to policies that seek to help racial minorities stem from racial prejudice. They argue that racial resentment arises from just-world beliefs and appraisals of deservingness that help explain the persistence of racial inequality in America in ways more consequential than racism or racial prejudice alone.The culprits, as many White people see it, are undeserving people of color, who are perceived to benefit unfairly from, and take advantage of, resources that come at Whites’ expense—a worldview in which any attempt at modest change is seen as a challenge to the status quo and privilege. Yet, as Davis and Wilson reveal, many Whites have become racially resentful due to their perceptions that African Americans skirt the “rules of the game” and violate traditional values by taking advantage of unearned resources. Resulting attempts at racial progress lead Whites to respond in ways that retain their social advantage—opposing ameliorative policies, minority candidates, and other advancement on racial progress. Because racial resentment is rooted in beliefs about justice, fairness, and deservingness, ordinary citizens, who may not harbor racist motivations, may wind up in the same political position as racists, but for different reasons.

Professor Davis’ research interests include most areas in public opinion and political behavior. A unifying theme running through much of his research is a concern for identifying the social psychological motivations underlying political attitudes and behavior. This approach has been applied to specific research areas, including political tolerance, implicit racial attitudes, the role of threat and anxiety in political behavior, public reactions to terrorism, social desirability, the measurement of political and social attitudes, racism and racial politics, and the political behavior of African Americans.Professor Davis is co-author of a forthcoming Cambridge University Press book, Perseverance in the Parish? Religious Attitudes from a Black Catholic Perspective. Based on the first national survey of African American Catholics, this book explores the perceptions of racism and racial experiences in the Catholic Church. His other book, Negative Liberty: Public Opinion and the Terrorist Attacks on America, examines the role of threat perceptions on the tradeoffs between civil liberties and security, political tolerance, and ideas of citizenship.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>513</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2f61651a-7a10-11f0-ac9f-0f13e65dcd20</guid>
      <title>Christopher M. Reali, &quot;Music and Mystique in Muscle Shoals&quot; (U Illinois Press, 2022)</title>
      <description><![CDATA[<p>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, <a href="https://bookshop.org/a/12343/9780252086588"><em>Music and Mystique in Muscle Shoals</em></a> (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.</p><p><a href="https://www.ramapo.edu/ca/faculty/christopher-reali/">Dr. Christopher Reali</a> is an assistant professor of music at Ramapo College of New Jersey.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 17 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, <a href="https://bookshop.org/a/12343/9780252086588"><em>Music and Mystique in Muscle Shoals</em></a> (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.</p><p><a href="https://www.ramapo.edu/ca/faculty/christopher-reali/">Dr. Christopher Reali</a> is an assistant professor of music at Ramapo College of New Jersey.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37586336" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b4a3c8f5-3015-4fa6-952b-393ea94b5067/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b4a3c8f5-3015-4fa6-952b-393ea94b5067&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher M. Reali, &quot;Music and Mystique in Muscle Shoals&quot; (U Illinois Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:09</itunes:duration>
      <itunes:summary>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali&apos;s in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals&apos;s impact on country music and describes the region&apos;s recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.
Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama&apos;s carnival.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali&apos;s in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals&apos;s impact on country music and describes the region&apos;s recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.
Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama&apos;s carnival.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ac3f539e-79fc-11f0-a0af-9f564616c4ff</guid>
      <title>Harriet Jacobs, &quot;Incidents in the Life of a Slave Girl&quot; (Norton, 2025)</title>
      <description><![CDATA[<p><em>Incidents in the Life of a Slave Girl </em>is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.</p>
<p>Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. <em>Incidents</em> is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.</p>
<p>In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.</p>
<p><a href="https://english.rutgers.edu/people/faculty-profiles/profile/1375-writers-house/6497-shockley-evie.html">Dr. Evie Shockley</a> is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on <a href="https://www.instagram.com/seminewblack/">Instagram</a>.</p>
<p>You can find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 16 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>Incidents in the Life of a Slave Girl </em>is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.</p>
<p>Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. <em>Incidents</em> is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.</p>
<p>In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.</p>
<p><a href="https://english.rutgers.edu/people/faculty-profiles/profile/1375-writers-house/6497-shockley-evie.html">Dr. Evie Shockley</a> is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on <a href="https://www.instagram.com/seminewblack/">Instagram</a>.</p>
<p>You can find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="71462020" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/019f60e4-e974-4f7c-939e-f556dec3f538/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=019f60e4-e974-4f7c-939e-f556dec3f538&amp;feed=KodC6fj_"/>
      <itunes:title>Harriet Jacobs, &quot;Incidents in the Life of a Slave Girl&quot; (Norton, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:14:26</itunes:duration>
      <itunes:summary>Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.

Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.

In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.

Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.

Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.

In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.

Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>515</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cfed99e0-75e2-11f0-b488-db1b6727ba62</guid>
      <title>Bryon L. Garner, &quot;Black Veteranality: Military Service and the Illusion of Inclusive Patriotism&quot; (Routledge, 2025)</title>
      <description><![CDATA[<p>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In <em>Black Veteranality: Military Service and the Illusion of Inclusive Patriotism</em>(Routledge, 2025). <a href="https://www.linkedin.com/in/bryon-l-garner-phd-908711255/">Dr. Bryon Garner</a> explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. <em>Black Veteranality</em> is an important opening in conversations about race, military service, and patriotism in the United States.</p>
<p>Please check out Dr. Garner’s podcast <a href="https://www.patreon.com/DrBLG">“American Paradox: Black Veterans and America 250.”</a></p>
<p>And you can find a <a href="https://medium.com/@john_armenta/understanding-the-black-veteran-experience-an-interview-with-bryon-garner-9dcf43beac16">transcript of the interview here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 11 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In <em>Black Veteranality: Military Service and the Illusion of Inclusive Patriotism</em>(Routledge, 2025). <a href="https://www.linkedin.com/in/bryon-l-garner-phd-908711255/">Dr. Bryon Garner</a> explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. <em>Black Veteranality</em> is an important opening in conversations about race, military service, and patriotism in the United States.</p>
<p>Please check out Dr. Garner’s podcast <a href="https://www.patreon.com/DrBLG">“American Paradox: Black Veterans and America 250.”</a></p>
<p>And you can find a <a href="https://medium.com/@john_armenta/understanding-the-black-veteran-experience-an-interview-with-bryon-garner-9dcf43beac16">transcript of the interview here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50684187" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/678d8061-9a5a-4dc9-9cde-dc86efba3d8e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=678d8061-9a5a-4dc9-9cde-dc86efba3d8e&amp;feed=KodC6fj_"/>
      <itunes:title>Bryon L. Garner, &quot;Black Veteranality: Military Service and the Illusion of Inclusive Patriotism&quot; (Routledge, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:47</itunes:duration>
      <itunes:summary>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In Black Veteranality: Military Service and the Illusion of Inclusive Patriotism(Routledge, 2025). Dr. Bryon Garner explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. Black Veteranality is an important opening in conversations about race, military service, and patriotism in the United States.

Please check out Dr. Garner’s podcast “American Paradox: Black Veterans and America 250.”

And you can find a transcript of the interview here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In Black Veteranality: Military Service and the Illusion of Inclusive Patriotism(Routledge, 2025). Dr. Bryon Garner explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. Black Veteranality is an important opening in conversations about race, military service, and patriotism in the United States.

Please check out Dr. Garner’s podcast “American Paradox: Black Veterans and America 250.”

And you can find a transcript of the interview here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>292</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">07ae4ab8-73c3-11f0-8b4b-5fb26f6f168d</guid>
      <title>Manuel Barcia, &quot;The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade&quot; (Yale UP, 2020)</title>
      <description><![CDATA[<p>As we now know, epidemics and pandemics are not new phenomena. In her new book <a href="https://www.amazon.com/dp/0300215851/?tag=newbooinhis-20"><em>The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade </em></a>(Yale University Press, 2020), <a href="https://ahc.leeds.ac.uk/history/staff/22/manuel-barcia">Manuel Barcia</a> offers a striking rendition of the diseases that swept through the illegal slave trade Atlantic World. In fact, Barcia argues that the history of disease and the story of continuing traffic in enslaved people despite the abolition of the slave trade are processes that must be understood together. Barcia demonstrates that in the 19th century Atlantic, quarantines were politicized, sworn enemies were forced to work together to combat disease, and the medical expertise of enslaved people often prevailed despite efforts to silence or ignore it.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 11 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>As we now know, epidemics and pandemics are not new phenomena. In her new book <a href="https://www.amazon.com/dp/0300215851/?tag=newbooinhis-20"><em>The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade </em></a>(Yale University Press, 2020), <a href="https://ahc.leeds.ac.uk/history/staff/22/manuel-barcia">Manuel Barcia</a> offers a striking rendition of the diseases that swept through the illegal slave trade Atlantic World. In fact, Barcia argues that the history of disease and the story of continuing traffic in enslaved people despite the abolition of the slave trade are processes that must be understood together. Barcia demonstrates that in the 19th century Atlantic, quarantines were politicized, sworn enemies were forced to work together to combat disease, and the medical expertise of enslaved people often prevailed despite efforts to silence or ignore it.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47363075" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c24e8c03-a079-4e90-a063-e25e01a560f3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c24e8c03-a079-4e90-a063-e25e01a560f3&amp;feed=KodC6fj_"/>
      <itunes:title>Manuel Barcia, &quot;The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade&quot; (Yale UP, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:20</itunes:duration>
      <itunes:summary>As we now know, epidemics and pandemics are not new phenomena. In her new book The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade (Yale University Press, 2020), Manuel Barcia offers a striking rendition of the diseases that swept through the illegal slave trade Atlantic World. In fact, Barcia argues that the history of disease and the story of continuing traffic in enslaved people despite the abolition of the slave trade are processes that must be understood together. Barcia demonstrates that in the 19th century Atlantic, quarantines were politicized, sworn enemies were forced to work together to combat disease, and the medical expertise of enslaved people often prevailed despite efforts to silence or ignore it.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>As we now know, epidemics and pandemics are not new phenomena. In her new book The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade (Yale University Press, 2020), Manuel Barcia offers a striking rendition of the diseases that swept through the illegal slave trade Atlantic World. In fact, Barcia argues that the history of disease and the story of continuing traffic in enslaved people despite the abolition of the slave trade are processes that must be understood together. Barcia demonstrates that in the 19th century Atlantic, quarantines were politicized, sworn enemies were forced to work together to combat disease, and the medical expertise of enslaved people often prevailed despite efforts to silence or ignore it.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9734c9a0-745e-11f0-91b6-07300c282957</guid>
      <title>Kenneth Jones, &quot;African American Males and Video Games: How Gaming Technology Can Motivate and Enhance Learning&quot; (Myers Education, 2025)</title>
      <description><![CDATA[<p>African American males are confronted with formidable barriers in their pursuit of quality education, resulting in stark disparities in academic performance, economic opportunities, and social outcomes. Despite numerous educational initiatives striving for parity, African American males persistently bear the brunt of the highest rates of suspensions, expulsions, and dropout rates, surpassing all other demographic groups. Educational environments often fail to acknowledge and integrate the cultural and social needs of Black males, viewing them as "problems" rather than recognizing their immense potential for academic and leadership success. The prevalence of negative stereotypes in media, particularly in video games, exacerbates societal biases, portraying African American males as inherently violent and criminal. These representations contribute to implicit biases that affect perceptions and treatment in real-life scenarios. The systemic issues within the education system, coupled with socioeconomic factors, result in African American males being underrepresented in advanced placement and gifted education programs. This underrepresentation limits their opportunities for higher education and professional advancement. </p>
<p>Confronting these challenges necessitates a comprehensive approach that encompasses the creation of inclusive educational environments, the eradication of systemic racism, and the promotion of positive representations of African American males in media. By acknowledging and fostering the potential of Black males, society can strive to reduce disparities and cultivate a more equitable and just education system that recognizes and celebrates their academic and professional achievements. African American Males and Video Gamesexplores the perspectives of four African American male college students aged 18 to 21 on the impact of video games on their academic growth and development. The participants, all maintaining a GPA of 3.0 or higher, shared their experiences with teachers, video games, and coping mechanisms. This qualitative approach allowed for a rich understanding of the participant's experiences and the role of video games in their academic and mental well-being. Video games emerged as a significant coping tool for the participants, providing a mental escape from academic and social pressures. The games allowed them to engage in competitive and creative activities, fostering a sense of accomplishment and reducing stress. For example, games like NBA 2K21 and Forza Horizon 4 enabled them to explore alter egos and interests in a virtual space, offering entertainment and a sense of community. African American Males and Video Gamesis a critical text for exploring alternatives in providing a quality education experience for young African American males.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 10 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>African American males are confronted with formidable barriers in their pursuit of quality education, resulting in stark disparities in academic performance, economic opportunities, and social outcomes. Despite numerous educational initiatives striving for parity, African American males persistently bear the brunt of the highest rates of suspensions, expulsions, and dropout rates, surpassing all other demographic groups. Educational environments often fail to acknowledge and integrate the cultural and social needs of Black males, viewing them as "problems" rather than recognizing their immense potential for academic and leadership success. The prevalence of negative stereotypes in media, particularly in video games, exacerbates societal biases, portraying African American males as inherently violent and criminal. These representations contribute to implicit biases that affect perceptions and treatment in real-life scenarios. The systemic issues within the education system, coupled with socioeconomic factors, result in African American males being underrepresented in advanced placement and gifted education programs. This underrepresentation limits their opportunities for higher education and professional advancement. </p>
<p>Confronting these challenges necessitates a comprehensive approach that encompasses the creation of inclusive educational environments, the eradication of systemic racism, and the promotion of positive representations of African American males in media. By acknowledging and fostering the potential of Black males, society can strive to reduce disparities and cultivate a more equitable and just education system that recognizes and celebrates their academic and professional achievements. African American Males and Video Gamesexplores the perspectives of four African American male college students aged 18 to 21 on the impact of video games on their academic growth and development. The participants, all maintaining a GPA of 3.0 or higher, shared their experiences with teachers, video games, and coping mechanisms. This qualitative approach allowed for a rich understanding of the participant's experiences and the role of video games in their academic and mental well-being. Video games emerged as a significant coping tool for the participants, providing a mental escape from academic and social pressures. The games allowed them to engage in competitive and creative activities, fostering a sense of accomplishment and reducing stress. For example, games like NBA 2K21 and Forza Horizon 4 enabled them to explore alter egos and interests in a virtual space, offering entertainment and a sense of community. African American Males and Video Gamesis a critical text for exploring alternatives in providing a quality education experience for young African American males.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="17551031" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c98d15b5-d9e8-482b-8375-7b67596dbcfa/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c98d15b5-d9e8-482b-8375-7b67596dbcfa&amp;feed=KodC6fj_"/>
      <itunes:title>Kenneth Jones, &quot;African American Males and Video Games: How Gaming Technology Can Motivate and Enhance Learning&quot; (Myers Education, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:18:16</itunes:duration>
      <itunes:summary>African American males are confronted with formidable barriers in their pursuit of quality education, resulting in stark disparities in academic performance, economic opportunities, and social outcomes. Despite numerous educational initiatives striving for parity, African American males persistently bear the brunt of the highest rates of suspensions, expulsions, and dropout rates, surpassing all other demographic groups. Educational environments often fail to acknowledge and integrate the cultural and social needs of Black males, viewing them as &quot;problems&quot; rather than recognizing their immense potential for academic and leadership success. The prevalence of negative stereotypes in media, particularly in video games, exacerbates societal biases, portraying African American males as inherently violent and criminal. These representations contribute to implicit biases that affect perceptions and treatment in real-life scenarios. The systemic issues within the education system, coupled with socioeconomic factors, result in African American males being underrepresented in advanced placement and gifted education programs. This underrepresentation limits their opportunities for higher education and professional advancement. 

Confronting these challenges necessitates a comprehensive approach that encompasses the creation of inclusive educational environments, the eradication of systemic racism, and the promotion of positive representations of African American males in media. By acknowledging and fostering the potential of Black males, society can strive to reduce disparities and cultivate a more equitable and just education system that recognizes and celebrates their academic and professional achievements. African American Males and Video Gamesexplores the perspectives of four African American male college students aged 18 to 21 on the impact of video games on their academic growth and development. The participants, all maintaining a GPA of 3.0 or higher, shared their experiences with teachers, video games, and coping mechanisms. This qualitative approach allowed for a rich understanding of the participant&apos;s experiences and the role of video games in their academic and mental well-being. Video games emerged as a significant coping tool for the participants, providing a mental escape from academic and social pressures. The games allowed them to engage in competitive and creative activities, fostering a sense of accomplishment and reducing stress. For example, games like NBA 2K21 and Forza Horizon 4 enabled them to explore alter egos and interests in a virtual space, offering entertainment and a sense of community. African American Males and Video Gamesis a critical text for exploring alternatives in providing a quality education experience for young African American males.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he&apos;s teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>African American males are confronted with formidable barriers in their pursuit of quality education, resulting in stark disparities in academic performance, economic opportunities, and social outcomes. Despite numerous educational initiatives striving for parity, African American males persistently bear the brunt of the highest rates of suspensions, expulsions, and dropout rates, surpassing all other demographic groups. Educational environments often fail to acknowledge and integrate the cultural and social needs of Black males, viewing them as &quot;problems&quot; rather than recognizing their immense potential for academic and leadership success. The prevalence of negative stereotypes in media, particularly in video games, exacerbates societal biases, portraying African American males as inherently violent and criminal. These representations contribute to implicit biases that affect perceptions and treatment in real-life scenarios. The systemic issues within the education system, coupled with socioeconomic factors, result in African American males being underrepresented in advanced placement and gifted education programs. This underrepresentation limits their opportunities for higher education and professional advancement. 

Confronting these challenges necessitates a comprehensive approach that encompasses the creation of inclusive educational environments, the eradication of systemic racism, and the promotion of positive representations of African American males in media. By acknowledging and fostering the potential of Black males, society can strive to reduce disparities and cultivate a more equitable and just education system that recognizes and celebrates their academic and professional achievements. African American Males and Video Gamesexplores the perspectives of four African American male college students aged 18 to 21 on the impact of video games on their academic growth and development. The participants, all maintaining a GPA of 3.0 or higher, shared their experiences with teachers, video games, and coping mechanisms. This qualitative approach allowed for a rich understanding of the participant&apos;s experiences and the role of video games in their academic and mental well-being. Video games emerged as a significant coping tool for the participants, providing a mental escape from academic and social pressures. The games allowed them to engage in competitive and creative activities, fostering a sense of accomplishment and reducing stress. For example, games like NBA 2K21 and Forza Horizon 4 enabled them to explore alter egos and interests in a virtual space, offering entertainment and a sense of community. African American Males and Video Gamesis a critical text for exploring alternatives in providing a quality education experience for young African American males.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he&apos;s teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">aa6cd28e-6e13-11eb-a843-bb0624de81e5</guid>
      <title>Stephanie McCurry, &quot;Women&apos;s War: Fighting and Surviving the Civil War&quot; (Harvard UP, 2019)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781617032677"><em>Women's War: Fighting and Surviving the Civil War</em></a> (Harvard UP, 2019), the award-winning author of <em>Confederate Reckoning</em> challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. </p><p>Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1029-pacatte-jerrad-p"><em>Jerrad P. Pacatte</em></a><em> is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 9 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781617032677"><em>Women's War: Fighting and Surviving the Civil War</em></a> (Harvard UP, 2019), the award-winning author of <em>Confederate Reckoning</em> challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. </p><p>Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1029-pacatte-jerrad-p"><em>Jerrad P. Pacatte</em></a><em> is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64444716" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/47ae9736-4672-4ae0-9dab-8477d183e572/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=47ae9736-4672-4ae0-9dab-8477d183e572&amp;feed=KodC6fj_"/>
      <itunes:title>Stephanie McCurry, &quot;Women&apos;s War: Fighting and Surviving the Civil War&quot; (Harvard UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:05</itunes:duration>
      <itunes:summary>In Women&apos;s War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women&apos;s transformative role in the American Civil War. We think of war as a man&apos;s world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America&apos;s bloodiest conflict not just as pitting brother against brother but as a woman&apos;s war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. 
Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union&apos;s response was to classify fugitive black women as &quot;soldiers&apos; wives,&quot; regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war&apos;s aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women&apos;s War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars.
Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Women&apos;s War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women&apos;s transformative role in the American Civil War. We think of war as a man&apos;s world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America&apos;s bloodiest conflict not just as pitting brother against brother but as a woman&apos;s war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. 
Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union&apos;s response was to classify fugitive black women as &quot;soldiers&apos; wives,&quot; regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war&apos;s aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women&apos;s War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars.
Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">255cb274-737e-11f0-bd2e-4fb6af76fbed</guid>
      <title>Irvin Weathersby Jr., &quot;In Open Contempt: Confronting White Supremacy in Art and Public Space&quot; (Viking, 2025)</title>
      <description><![CDATA[<p>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.<br />Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, <em>In Open Contempt </em>(Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.</p>
<p>Find Professor Weathersby at his <a href="https://www.irvinweathersby.com/">website</a>, where you can order <em>In Open Contempt</em>, check out his other writings, and attend upcoming events.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Professor Weathersby continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 8 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.<br />Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, <em>In Open Contempt </em>(Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.</p>
<p>Find Professor Weathersby at his <a href="https://www.irvinweathersby.com/">website</a>, where you can order <em>In Open Contempt</em>, check out his other writings, and attend upcoming events.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Professor Weathersby continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64465605" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/82803149-26be-448c-9c7a-11d16564bf49/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=82803149-26be-448c-9c7a-11d16564bf49&amp;feed=KodC6fj_"/>
      <itunes:title>Irvin Weathersby Jr., &quot;In Open Contempt: Confronting White Supremacy in Art and Public Space&quot; (Viking, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:08</itunes:duration>
      <itunes:summary>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1760</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e0932dd4-72b6-11f0-aa06-47b044d119fb</guid>
      <title>Teacher by Teacher: The People Who Change Our Lives</title>
      <description><![CDATA[<p><em>Teacher By Teacher</em> traces the journey of the tenth U.S. Secretary of Education and is a deeply personal love letter to all the teachers in our lives. The story of John B. King Jr.’s inspiring path to President Obama’s Cabinet begins the day that his mother died. He insisted on going to school that day, knowing he would find comfort in his classroom. As he navigated living alone with a father dying from undiagnosed Alzheimer’s, it was public school teachers who saved his life, believed in him and saw his potential. They made school a safe, supportive, and engaging place where he could be a kid despite the challenges at home. While some might have dismissed a rebellious young Black and Puerto Rican teen whose life was in crisis, King’s teachers and counselors gave him a second chance. He went on to earn degrees from Harvard, Columbia, and Yale and committed his career to trying to do for other young people what educators did for him.</p>
<p><em>Teacher By Teacher</em> shows how dedicated educators—both Dr. King’s own teachers and the phenomenal teachers who he has encountered throughout his career as a teacher, principal, and education policymaker—can profoundly shape the lives of their students.</p>
<p>Our guest is: Dr. <strong>John B. King Jr.</strong>, who served in President Barack Obama’s cabinet as the tenth U.S. Secretary of Education. Over the course of his influential career in public education, he has been a high school teacher, a middle school principal, the first African American and Puerto Rican to serve as New York State Education Commissioner, a college professor, the president and CEO of the Education Trust, and the chancellor of the State University of New York (SUNY). His parents were career New York City public school educators. He lives in Brooklyn with his wife, an education researcher and former teacher, and his two daughters.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who works as a writing coach and developmental editor. She is the producer of the Academic Life podcast, and the author of the Academic Life newsletter found at christinagessler.substack.com.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/a-pedagogy-of-kindness">A Pedagogy of Kindness</a></li>
  <li><a href="https://newbooksnetwork.com/we-are-not-dreamers-undocumented-scholars-theorize-undocumented-life-in-the-united-states">We Are Not Dreamers</a></li>
  <li><a href="https://newbooksnetwork.com/the-power-of-play-in-higher-education">The Power of Play in Education</a></li>
  <li><a href="https://newbooksnetwork.com/belonging-the-science-of-creating-connection-and-bridging-divides">Belonging : The Science of Creating Connection</a></li>
  <li><a href="https://newbooksnetwork.com/how-to-see-your-senior-year-of-high-school-as-a-path-to-college">Show Them You're Good</a></li>
  <li><a href="https://newbooksnetwork.com/how-schools-make-race-teaching-latinx-racialization-in-america">How Schools Make Race</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 7 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>Teacher By Teacher</em> traces the journey of the tenth U.S. Secretary of Education and is a deeply personal love letter to all the teachers in our lives. The story of John B. King Jr.’s inspiring path to President Obama’s Cabinet begins the day that his mother died. He insisted on going to school that day, knowing he would find comfort in his classroom. As he navigated living alone with a father dying from undiagnosed Alzheimer’s, it was public school teachers who saved his life, believed in him and saw his potential. They made school a safe, supportive, and engaging place where he could be a kid despite the challenges at home. While some might have dismissed a rebellious young Black and Puerto Rican teen whose life was in crisis, King’s teachers and counselors gave him a second chance. He went on to earn degrees from Harvard, Columbia, and Yale and committed his career to trying to do for other young people what educators did for him.</p>
<p><em>Teacher By Teacher</em> shows how dedicated educators—both Dr. King’s own teachers and the phenomenal teachers who he has encountered throughout his career as a teacher, principal, and education policymaker—can profoundly shape the lives of their students.</p>
<p>Our guest is: Dr. <strong>John B. King Jr.</strong>, who served in President Barack Obama’s cabinet as the tenth U.S. Secretary of Education. Over the course of his influential career in public education, he has been a high school teacher, a middle school principal, the first African American and Puerto Rican to serve as New York State Education Commissioner, a college professor, the president and CEO of the Education Trust, and the chancellor of the State University of New York (SUNY). His parents were career New York City public school educators. He lives in Brooklyn with his wife, an education researcher and former teacher, and his two daughters.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who works as a writing coach and developmental editor. She is the producer of the Academic Life podcast, and the author of the Academic Life newsletter found at christinagessler.substack.com.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/a-pedagogy-of-kindness">A Pedagogy of Kindness</a></li>
  <li><a href="https://newbooksnetwork.com/we-are-not-dreamers-undocumented-scholars-theorize-undocumented-life-in-the-united-states">We Are Not Dreamers</a></li>
  <li><a href="https://newbooksnetwork.com/the-power-of-play-in-higher-education">The Power of Play in Education</a></li>
  <li><a href="https://newbooksnetwork.com/belonging-the-science-of-creating-connection-and-bridging-divides">Belonging : The Science of Creating Connection</a></li>
  <li><a href="https://newbooksnetwork.com/how-to-see-your-senior-year-of-high-school-as-a-path-to-college">Show Them You're Good</a></li>
  <li><a href="https://newbooksnetwork.com/how-schools-make-race-teaching-latinx-racialization-in-america">How Schools Make Race</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45500135" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fb3ea5d4-e0ed-410d-ae8b-e6141aecc4a0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fb3ea5d4-e0ed-410d-ae8b-e6141aecc4a0&amp;feed=KodC6fj_"/>
      <itunes:title>Teacher by Teacher: The People Who Change Our Lives</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:23</itunes:duration>
      <itunes:summary>Teacher By Teacher traces the journey of the tenth U.S. Secretary of Education and is a deeply personal love letter to all the teachers in our lives. The story of John B. King Jr.’s inspiring path to President Obama’s Cabinet begins the day that his mother died. He insisted on going to school that day, knowing he would find comfort in his classroom. As he navigated living alone with a father dying from undiagnosed Alzheimer’s, it was public school teachers who saved his life, believed in him and saw his potential. They made school a safe, supportive, and engaging place where he could be a kid despite the challenges at home. While some might have dismissed a rebellious young Black and Puerto Rican teen whose life was in crisis, King’s teachers and counselors gave him a second chance. He went on to earn degrees from Harvard, Columbia, and Yale and committed his career to trying to do for other young people what educators did for him.

Teacher By Teacher shows how dedicated educators—both Dr. King’s own teachers and the phenomenal teachers who he has encountered throughout his career as a teacher, principal, and education policymaker—can profoundly shape the lives of their students.

Our guest is: Dr. John B. King Jr., who served in President Barack Obama’s cabinet as the tenth U.S. Secretary of Education. Over the course of his influential career in public education, he has been a high school teacher, a middle school principal, the first African American and Puerto Rican to serve as New York State Education Commissioner, a college professor, the president and CEO of the Education Trust, and the chancellor of the State University of New York (SUNY). His parents were career New York City public school educators. He lives in Brooklyn with his wife, an education researcher and former teacher, and his two daughters.

Our host is: Dr. Christina Gessler, who works as a writing coach and developmental editor. She is the producer of the Academic Life podcast, and the author of the Academic Life newsletter found at christinagessler.substack.com.

Playlist for listeners:


  A Pedagogy of Kindness

  We Are Not Dreamers

  The Power of Play in Education

  Belonging : The Science of Creating Connection

  Show Them You&apos;re Good

  How Schools Make Race


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Teacher By Teacher traces the journey of the tenth U.S. Secretary of Education and is a deeply personal love letter to all the teachers in our lives. The story of John B. King Jr.’s inspiring path to President Obama’s Cabinet begins the day that his mother died. He insisted on going to school that day, knowing he would find comfort in his classroom. As he navigated living alone with a father dying from undiagnosed Alzheimer’s, it was public school teachers who saved his life, believed in him and saw his potential. They made school a safe, supportive, and engaging place where he could be a kid despite the challenges at home. While some might have dismissed a rebellious young Black and Puerto Rican teen whose life was in crisis, King’s teachers and counselors gave him a second chance. He went on to earn degrees from Harvard, Columbia, and Yale and committed his career to trying to do for other young people what educators did for him.

Teacher By Teacher shows how dedicated educators—both Dr. King’s own teachers and the phenomenal teachers who he has encountered throughout his career as a teacher, principal, and education policymaker—can profoundly shape the lives of their students.

Our guest is: Dr. John B. King Jr., who served in President Barack Obama’s cabinet as the tenth U.S. Secretary of Education. Over the course of his influential career in public education, he has been a high school teacher, a middle school principal, the first African American and Puerto Rican to serve as New York State Education Commissioner, a college professor, the president and CEO of the Education Trust, and the chancellor of the State University of New York (SUNY). His parents were career New York City public school educators. He lives in Brooklyn with his wife, an education researcher and former teacher, and his two daughters.

Our host is: Dr. Christina Gessler, who works as a writing coach and developmental editor. She is the producer of the Academic Life podcast, and the author of the Academic Life newsletter found at christinagessler.substack.com.

Playlist for listeners:


  A Pedagogy of Kindness

  We Are Not Dreamers

  The Power of Play in Education

  Belonging : The Science of Creating Connection

  Show Them You&apos;re Good

  How Schools Make Race


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>282</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ad649d7c-72ba-11f0-873a-67046450ff8f</guid>
      <title>Kit W. Myers, &quot;The Violence of Love: Race, Family, and Adoption in the United States&quot;(U California Press, 2025)</title>
      <description><![CDATA[<p>This episode features Dr. Kit W. Myers, associate professor of History and Critical Race and Ethnic Studies at the University of California, Merced, discussing his book <em>The Violence of Love: Race, Family and Adoption in the United States,</em> which was published by the University of California Press in January 2025.</p>
<p><em>The Violence of Love </em>challenges the narrative that adoption is a solely loving act that benefits birth parents, adopted individuals, and adoptive parents—a narrative that is especially pervasive with transracial and transnational adoptions. Using interdisciplinary methods of archival, legal, and discursive analysis, Myers comparatively examines the adoption of Asian, Black, and Native American children by White families in the United States. He shows how race has been constructed relationally to mark certain homes, families, and nations as spaces of love, freedom, and better futures—in contrast to others that are not—and argues that violence is attached to adoption in complex ways. Propelled by different types of love, such adoptions attempt to transgress biological, racial, cultural, and national borders established by traditional family ideals. Yet they are also linked to structural, symbolic, and traumatic forms of violence. <em>The Violence of Love</em> confronts this discomforting reality and rethinks theories of family to offer more capacious understandings of love, kinship, and care.</p>
<p>Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 7 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This episode features Dr. Kit W. Myers, associate professor of History and Critical Race and Ethnic Studies at the University of California, Merced, discussing his book <em>The Violence of Love: Race, Family and Adoption in the United States,</em> which was published by the University of California Press in January 2025.</p>
<p><em>The Violence of Love </em>challenges the narrative that adoption is a solely loving act that benefits birth parents, adopted individuals, and adoptive parents—a narrative that is especially pervasive with transracial and transnational adoptions. Using interdisciplinary methods of archival, legal, and discursive analysis, Myers comparatively examines the adoption of Asian, Black, and Native American children by White families in the United States. He shows how race has been constructed relationally to mark certain homes, families, and nations as spaces of love, freedom, and better futures—in contrast to others that are not—and argues that violence is attached to adoption in complex ways. Propelled by different types of love, such adoptions attempt to transgress biological, racial, cultural, and national borders established by traditional family ideals. Yet they are also linked to structural, symbolic, and traumatic forms of violence. <em>The Violence of Love</em> confronts this discomforting reality and rethinks theories of family to offer more capacious understandings of love, kinship, and care.</p>
<p>Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73049854" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b962088f-6cea-4157-9b9f-ac86e138c842/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b962088f-6cea-4157-9b9f-ac86e138c842&amp;feed=KodC6fj_"/>
      <itunes:title>Kit W. Myers, &quot;The Violence of Love: Race, Family, and Adoption in the United States&quot;(U California Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:05</itunes:duration>
      <itunes:summary>This episode features Dr. Kit W. Myers, associate professor of History and Critical Race and Ethnic Studies at the University of California, Merced, discussing his book The Violence of Love: Race, Family and Adoption in the United States, which was published by the University of California Press in January 2025.

The Violence of Love challenges the narrative that adoption is a solely loving act that benefits birth parents, adopted individuals, and adoptive parents—a narrative that is especially pervasive with transracial and transnational adoptions. Using interdisciplinary methods of archival, legal, and discursive analysis, Myers comparatively examines the adoption of Asian, Black, and Native American children by White families in the United States. He shows how race has been constructed relationally to mark certain homes, families, and nations as spaces of love, freedom, and better futures—in contrast to others that are not—and argues that violence is attached to adoption in complex ways. Propelled by different types of love, such adoptions attempt to transgress biological, racial, cultural, and national borders established by traditional family ideals. Yet they are also linked to structural, symbolic, and traumatic forms of violence. The Violence of Love confronts this discomforting reality and rethinks theories of family to offer more capacious understandings of love, kinship, and care.

Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This episode features Dr. Kit W. Myers, associate professor of History and Critical Race and Ethnic Studies at the University of California, Merced, discussing his book The Violence of Love: Race, Family and Adoption in the United States, which was published by the University of California Press in January 2025.

The Violence of Love challenges the narrative that adoption is a solely loving act that benefits birth parents, adopted individuals, and adoptive parents—a narrative that is especially pervasive with transracial and transnational adoptions. Using interdisciplinary methods of archival, legal, and discursive analysis, Myers comparatively examines the adoption of Asian, Black, and Native American children by White families in the United States. He shows how race has been constructed relationally to mark certain homes, families, and nations as spaces of love, freedom, and better futures—in contrast to others that are not—and argues that violence is attached to adoption in complex ways. Propelled by different types of love, such adoptions attempt to transgress biological, racial, cultural, and national borders established by traditional family ideals. Yet they are also linked to structural, symbolic, and traumatic forms of violence. The Violence of Love confronts this discomforting reality and rethinks theories of family to offer more capacious understandings of love, kinship, and care.

Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>251</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">https://newbooksnetwork.com/?p=77506</guid>
      <title>Neil Roberts, “A Political Companion to Frederick Douglass” (UP of Kentucky, 2018)</title>
      <description><![CDATA[<p>The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. <a href="https://political-science.williams.edu/profile/nr2/">Neil Roberts</a>’ new edited volume, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QoEz574IsS4nitXQuFkAG5wAAAFleybJSQEAAAFKAcMCzNA/https://www.amazon.com/dp/0813175623/ref=as_at?creativeASIN=0813175623&amp;linkCode=w61&amp;imprToken=Mn2Uu.QyQOaH0PgPJokgHA&amp;slotNum=0&amp;tag=newbooinhis-20">A Political Companion to Frederick Douglass</a> (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship.</p><p>
</p><p>
Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter <a href="https://twitter.com/culturedmodesty?lang=en">@CulturedModesty</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 6 Aug 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. <a href="https://political-science.williams.edu/profile/nr2/">Neil Roberts</a>’ new edited volume, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QoEz574IsS4nitXQuFkAG5wAAAFleybJSQEAAAFKAcMCzNA/https://www.amazon.com/dp/0813175623/ref=as_at?creativeASIN=0813175623&amp;linkCode=w61&amp;imprToken=Mn2Uu.QyQOaH0PgPJokgHA&amp;slotNum=0&amp;tag=newbooinhis-20">A Political Companion to Frederick Douglass</a> (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship.</p><p>
</p><p>
Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter <a href="https://twitter.com/culturedmodesty?lang=en">@CulturedModesty</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="75542132" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/63c189f2-c639-4460-94b0-d702e9b5e827/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=63c189f2-c639-4460-94b0-d702e9b5e827&amp;feed=KodC6fj_"/>
      <itunes:title>Neil Roberts, “A Political Companion to Frederick Douglass” (UP of Kentucky, 2018)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:18:41</itunes:duration>
      <itunes:summary>The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship.



Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship.



Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3d6b4814-6b1b-11f0-a0a5-c73707477f4d</guid>
      <title>Arianne Edmonds, &quot;We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America&quot; (Oxford UP, 2025)</title>
      <description><![CDATA[<p>At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of <em>The Liberator</em> newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press.</p>
<p>Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. <em>The Liberator</em>, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship.</p>
<p>Written by Jefferson Lewis Edmonds' great-great granddaughter, <a href="https://bookshop.org/a/12343/9780197579084">We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America</a><em> </em>(Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans' communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, <em>We Now Belong to Ourselves</em> illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance.</p>
<p>Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 30 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of <em>The Liberator</em> newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press.</p>
<p>Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. <em>The Liberator</em>, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship.</p>
<p>Written by Jefferson Lewis Edmonds' great-great granddaughter, <a href="https://bookshop.org/a/12343/9780197579084">We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America</a><em> </em>(Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans' communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, <em>We Now Belong to Ourselves</em> illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance.</p>
<p>Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46109061" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ef3aafc3-c6de-4d32-89c0-ef342045094c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ef3aafc3-c6de-4d32-89c0-ef342045094c&amp;feed=KodC6fj_"/>
      <itunes:title>Arianne Edmonds, &quot;We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America&quot; (Oxford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:01</itunes:duration>
      <itunes:summary>At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women&apos;s rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press.

Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. The Liberator, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship.

Written by Jefferson Lewis Edmonds&apos; great-great granddaughter, We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America (Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans&apos; communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, We Now Belong to Ourselves illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance.

Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library.

Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women&apos;s rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press.

Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. The Liberator, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship.

Written by Jefferson Lewis Edmonds&apos; great-great granddaughter, We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America (Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans&apos; communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, We Now Belong to Ourselves illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance.

Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library.

Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1756</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">109c0b7e-6be4-11f0-a25f-27940ace3c5e</guid>
      <title>Dan-el Padilla Peralta, &quot;Classicism and Other Phobias&quot; (Princeton UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780691266183">Classicism and Other Phobias</a> (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.</p>
<p>Dan-el Padilla Peralta is professor of classics at Princeton University.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 30 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780691266183">Classicism and Other Phobias</a> (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.</p>
<p>Dan-el Padilla Peralta is professor of classics at Princeton University.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47166697" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/863d47a9-fb76-4e35-af6c-0d4384dfcaac/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=863d47a9-fb76-4e35-af6c-0d4384dfcaac&amp;feed=KodC6fj_"/>
      <itunes:title>Dan-el Padilla Peralta, &quot;Classicism and Other Phobias&quot; (Princeton UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:07</itunes:duration>
      <itunes:summary>Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.

Dan-el Padilla Peralta is professor of classics at Princeton University.

Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.

Dan-el Padilla Peralta is professor of classics at Princeton University.

Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1755</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f256af10-6a63-11f0-ad7d-1f36de77d460</guid>
      <title>Shani Adia Evans, &quot;We Belong Here: Gentrification, White Spacemaking, and a Black Sense of Place&quot; (U Chicago Press, 2025)</title>
      <description><![CDATA[<p>Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.<br />In <a href="https://bookshop.org/p/books/we-belong-here-counternarratives-on-gentrification-and-white-space-shani-adia-evans/21222026?ean=9780226837758&amp;next=t">We Belong Here</a>, sociologist <a href="https://profiles.rice.edu/faculty/shani-evans">Dr. Shani Adia Evans</a> offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. <em>We Belong Here</em> illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.</p>
<p>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu)</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 29 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.<br />In <a href="https://bookshop.org/p/books/we-belong-here-counternarratives-on-gentrification-and-white-space-shani-adia-evans/21222026?ean=9780226837758&amp;next=t">We Belong Here</a>, sociologist <a href="https://profiles.rice.edu/faculty/shani-evans">Dr. Shani Adia Evans</a> offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. <em>We Belong Here</em> illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.</p>
<p>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu)</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="28679484" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a2f24391-7fb1-44fb-a793-b0ce45b28461/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a2f24391-7fb1-44fb-a793-b0ce45b28461&amp;feed=KodC6fj_"/>
      <itunes:title>Shani Adia Evans, &quot;We Belong Here: Gentrification, White Spacemaking, and a Black Sense of Place&quot; (U Chicago Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:29:52</itunes:duration>
      <itunes:summary>Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.In We Belong Here, sociologist Dr. Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu)

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.In We Belong Here, sociologist Dr. Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu)

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>432</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ccc62892-6a5f-11f0-b6fc-cf03cc675b9b</guid>
      <title>Asha Jeffers, &quot;Against! Rebellious Daughters in Black Immigrant Fiction in the United States&quot; (Ohio State UP, 2025)</title>
      <description><![CDATA[<p><em>Against!</em> is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.</p>
<p>Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.</p>
<p>Asha Jeffers is Associate Professor in the Department of English, Gender and Women's Studies at Dalhousie University in Halifax, Nova Scotia.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 29 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>Against!</em> is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.</p>
<p>Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.</p>
<p>Asha Jeffers is Associate Professor in the Department of English, Gender and Women's Studies at Dalhousie University in Halifax, Nova Scotia.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37083901" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/613f94ce-b471-4515-bd1c-bec749fd6d1a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=613f94ce-b471-4515-bd1c-bec749fd6d1a&amp;feed=KodC6fj_"/>
      <itunes:title>Asha Jeffers, &quot;Against! Rebellious Daughters in Black Immigrant Fiction in the United States&quot; (Ohio State UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:37</itunes:duration>
      <itunes:summary>Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.

Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.

Asha Jeffers is Associate Professor in the Department of English, Gender and Women&apos;s Studies at Dalhousie University in Halifax, Nova Scotia.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.

Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.

Asha Jeffers is Associate Professor in the Department of English, Gender and Women&apos;s Studies at Dalhousie University in Halifax, Nova Scotia.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>512</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b1e7692e-67d9-11f0-82bf-2b4486120490</guid>
      <title>Michael Vorenberg, &quot;Lincoln&apos;s Peace: The Struggle to End the American Civil War&quot; (Random House, 2023)</title>
      <description><![CDATA[<p>More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? </p>
<p>That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg’s <em>Lincoln</em>. Vorenberg was inspired to write this groundbreaking book, finding its title, <em>Lincoln's Peace</em>, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln’s untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg’s search is not just for the Civil War’s endpoint but for its true nature and legacy, so essential to the American identity. It’s also a quest, in our age of “forever wars,” to understand whether the United States’s interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 29 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? </p>
<p>That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg’s <em>Lincoln</em>. Vorenberg was inspired to write this groundbreaking book, finding its title, <em>Lincoln's Peace</em>, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln’s untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg’s search is not just for the Civil War’s endpoint but for its true nature and legacy, so essential to the American identity. It’s also a quest, in our age of “forever wars,” to understand whether the United States’s interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="86593578" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/756ce6e2-6ae7-4ff8-97b6-1d3154761069/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=756ce6e2-6ae7-4ff8-97b6-1d3154761069&amp;feed=KodC6fj_"/>
      <itunes:title>Michael Vorenberg, &quot;Lincoln&apos;s Peace: The Struggle to End the American Civil War&quot; (Random House, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:30:11</itunes:duration>
      <itunes:summary>More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? 

That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg’s Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln&apos;s Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln’s untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg’s search is not just for the Civil War’s endpoint but for its true nature and legacy, so essential to the American identity. It’s also a quest, in our age of “forever wars,” to understand whether the United States’s interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? 

That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg’s Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln&apos;s Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln’s untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg’s search is not just for the Civil War’s endpoint but for its true nature and legacy, so essential to the American identity. It’s also a quest, in our age of “forever wars,” to understand whether the United States’s interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1593</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">90c7b76c-6b08-11f0-bb92-f7fe5d6a2607</guid>
      <title>Foluke Taylor, &quot;Unruly Therapeutic: Black Feminist Writings and Practices in Living Room&quot; (Norton, 2023)</title>
      <description><![CDATA[<p>In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following:</p>
<p>“The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.”</p>
<p>Almost 50 years later, we have a book that responds to this important group’s felt need.</p>
<p>Foluke Taylor’s <em>Unruly Therapeutic: Black Feminist Writings and Practices in Living Room</em>, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum.</p>
<p>The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous.</p>
<p>Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions.</p>
<p>The book has an interior design that reminds me of the way one might arrange furniture in a room, <em>a living room</em> as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth.</p>
<p>Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does.</p>
<p>The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that <em>belongs</em> to all people whose lineages have been truncated by enslavement.</p>
<p>Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 29 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following:</p>
<p>“The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.”</p>
<p>Almost 50 years later, we have a book that responds to this important group’s felt need.</p>
<p>Foluke Taylor’s <em>Unruly Therapeutic: Black Feminist Writings and Practices in Living Room</em>, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum.</p>
<p>The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous.</p>
<p>Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions.</p>
<p>The book has an interior design that reminds me of the way one might arrange furniture in a room, <em>a living room</em> as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth.</p>
<p>Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does.</p>
<p>The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that <em>belongs</em> to all people whose lineages have been truncated by enslavement.</p>
<p>Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58387293" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/98e7cffb-1496-4963-9d46-8808ca10f2bf/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=98e7cffb-1496-4963-9d46-8808ca10f2bf&amp;feed=KodC6fj_"/>
      <itunes:title>Foluke Taylor, &quot;Unruly Therapeutic: Black Feminist Writings and Practices in Living Room&quot; (Norton, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:48</itunes:duration>
      <itunes:summary>In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following:

“The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.”

Almost 50 years later, we have a book that responds to this important group’s felt need.

Foluke Taylor’s Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum.

The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous.

Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions.

The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth.

Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does.

The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement.

Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following:

“The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.”

Almost 50 years later, we have a book that responds to this important group’s felt need.

Foluke Taylor’s Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum.

The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous.

Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions.

The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth.

Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does.

The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement.

Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>272</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7140f8c8-6954-11f0-935d-f3ac79e21dc5</guid>
      <title>Michael Stauch, &quot;Wildcat of the Streets: Detroit in the Age of Community Policing&quot; (U Pennsylvania Press, 2025)</title>
      <description><![CDATA[<p>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. <em>Wildcat of the Streets</em> documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.</p>
<p>In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.</p>
<p>Centering the perspective of criminalized and crime-committing young people, <em>Wildcat of the Streets</em> is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.</p>
<p><strong>Guest:</strong> Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.</p>
<p><strong>Host:</strong> <a href="https://scholars.duke.edu/person/Jenna.Pittman">Jenna Pittman </a>(she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.</p>
<p>Scholars@Duke: <a href="https://scholars.duke.edu/person/Jenna.Pittman">https://scholars.duke.edu/pers...</a></p>
<p>Linktree: <a href="https://linktr.ee/jennapittman">https://linktr.ee/jennapittman</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 28 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. <em>Wildcat of the Streets</em> documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.</p>
<p>In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.</p>
<p>Centering the perspective of criminalized and crime-committing young people, <em>Wildcat of the Streets</em> is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.</p>
<p><strong>Guest:</strong> Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.</p>
<p><strong>Host:</strong> <a href="https://scholars.duke.edu/person/Jenna.Pittman">Jenna Pittman </a>(she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.</p>
<p>Scholars@Duke: <a href="https://scholars.duke.edu/person/Jenna.Pittman">https://scholars.duke.edu/pers...</a></p>
<p>Linktree: <a href="https://linktr.ee/jennapittman">https://linktr.ee/jennapittman</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58952320" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3e210c38-5114-44a8-948d-91487c1b77af/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3e210c38-5114-44a8-948d-91487c1b77af&amp;feed=KodC6fj_"/>
      <itunes:title>Michael Stauch, &quot;Wildcat of the Streets: Detroit in the Age of Community Policing&quot; (U Pennsylvania Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:24</itunes:duration>
      <itunes:summary>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. Wildcat of the Streets documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.

In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.

Centering the perspective of criminalized and crime-committing young people, Wildcat of the Streets is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.

Guest: Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. Wildcat of the Streets documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.

In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.

Centering the perspective of criminalized and crime-committing young people, Wildcat of the Streets is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.

Guest: Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1594</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b25e2ef8-6845-11f0-968f-efbe87760f01</guid>
      <title>Joseph O. Jewell, &quot;White Man’s Work: Race and Middle-Class Mobility into the Progressive Era&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the "browning" of the nation's middle class--once considered a de facto "white" category--over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations.<br />Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 25 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the "browning" of the nation's middle class--once considered a de facto "white" category--over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations.<br />Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36031704" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c61a348e-86ad-49ce-aec0-bd8457aa8a24/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c61a348e-86ad-49ce-aec0-bd8457aa8a24&amp;feed=KodC6fj_"/>
      <itunes:title>Joseph O. Jewell, &quot;White Man’s Work: Race and Middle-Class Mobility into the Progressive Era&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:37:31</itunes:duration>
      <itunes:summary>In the financial chaos of the last few decades, increasing wealth inequality has shaken people&apos;s expectations about middle-class stability. At the same time, demographers have predicted the &quot;browning&quot; of the nation&apos;s middle class--once considered a de facto &quot;white&quot; category--over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations.Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation&apos;s racialized economic order.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the financial chaos of the last few decades, increasing wealth inequality has shaken people&apos;s expectations about middle-class stability. At the same time, demographers have predicted the &quot;browning&quot; of the nation&apos;s middle class--once considered a de facto &quot;white&quot; category--over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations.Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation&apos;s racialized economic order.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1749</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c30516c8-678b-11f0-9901-038573fb1661</guid>
      <title>Ashley Howard, &quot;Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>This episode features Dr. Ashley Howard, assistant professor of History and African American Studies at the University of Iowa, discussing her book, <a href="https://bookshop.org/a/12343/9781469684864">Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement</a>, which was published by the University of North Carolina Press in June 2025.</p>
<p>In six thoroughly researched chapters, <em>Midwest Unrest</em> argues that urban rebellions were a working-class response to the failure of traditional civil rights activism and growing fissures between the Black working and middle classes in the 1960s. Howard focuses on three Midwestern sites–Cincinnati, Milwaukee, and Omaha–to explore the ways region, race, class, and gender all played critical and often overlapping roles in shaping Black people's resistance to racialized oppression. Using arrest records, Kerner Commission documents, and author-conducted oral history interviews, Howard registers the significant impact the rebellions had in transforming African Americans' consciousness and altering the relationship between Black urban communities and the state. Specifically, multiple parties, including municipal governments, city residents, and most importantly rebels, wielded urban revolt as a political tool to achieve their own objectives.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 24 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This episode features Dr. Ashley Howard, assistant professor of History and African American Studies at the University of Iowa, discussing her book, <a href="https://bookshop.org/a/12343/9781469684864">Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement</a>, which was published by the University of North Carolina Press in June 2025.</p>
<p>In six thoroughly researched chapters, <em>Midwest Unrest</em> argues that urban rebellions were a working-class response to the failure of traditional civil rights activism and growing fissures between the Black working and middle classes in the 1960s. Howard focuses on three Midwestern sites–Cincinnati, Milwaukee, and Omaha–to explore the ways region, race, class, and gender all played critical and often overlapping roles in shaping Black people's resistance to racialized oppression. Using arrest records, Kerner Commission documents, and author-conducted oral history interviews, Howard registers the significant impact the rebellions had in transforming African Americans' consciousness and altering the relationship between Black urban communities and the state. Specifically, multiple parties, including municipal governments, city residents, and most importantly rebels, wielded urban revolt as a political tool to achieve their own objectives.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66642263" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d25158da-b9a2-46dd-bc0a-d97c2ae94889/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d25158da-b9a2-46dd-bc0a-d97c2ae94889&amp;feed=KodC6fj_"/>
      <itunes:title>Ashley Howard, &quot;Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:25</itunes:duration>
      <itunes:summary>This episode features Dr. Ashley Howard, assistant professor of History and African American Studies at the University of Iowa, discussing her book, Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement, which was published by the University of North Carolina Press in June 2025.

In six thoroughly researched chapters, Midwest Unrest argues that urban rebellions were a working-class response to the failure of traditional civil rights activism and growing fissures between the Black working and middle classes in the 1960s. Howard focuses on three Midwestern sites–Cincinnati, Milwaukee, and Omaha–to explore the ways region, race, class, and gender all played critical and often overlapping roles in shaping Black people&apos;s resistance to racialized oppression. Using arrest records, Kerner Commission documents, and author-conducted oral history interviews, Howard registers the significant impact the rebellions had in transforming African Americans&apos; consciousness and altering the relationship between Black urban communities and the state. Specifically, multiple parties, including municipal governments, city residents, and most importantly rebels, wielded urban revolt as a political tool to achieve their own objectives.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This episode features Dr. Ashley Howard, assistant professor of History and African American Studies at the University of Iowa, discussing her book, Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement, which was published by the University of North Carolina Press in June 2025.

In six thoroughly researched chapters, Midwest Unrest argues that urban rebellions were a working-class response to the failure of traditional civil rights activism and growing fissures between the Black working and middle classes in the 1960s. Howard focuses on three Midwestern sites–Cincinnati, Milwaukee, and Omaha–to explore the ways region, race, class, and gender all played critical and often overlapping roles in shaping Black people&apos;s resistance to racialized oppression. Using arrest records, Kerner Commission documents, and author-conducted oral history interviews, Howard registers the significant impact the rebellions had in transforming African Americans&apos; consciousness and altering the relationship between Black urban communities and the state. Specifically, multiple parties, including municipal governments, city residents, and most importantly rebels, wielded urban revolt as a political tool to achieve their own objectives.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1748</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6465328e-669a-11f0-b7e6-770f702c2b2a</guid>
      <title>The Tug of War: Why Racial Progress Often Meets Resistance and Backlash</title>
      <description><![CDATA[<p>Dr. Karyne Messina and Dr. Felicia Powell-Williams, the host and co-host of “Psychoanalytic Perspectives of Racism in America” sponsored by The American Psychoanalytic Association explored how employing mechanisms of defense perpetuates racial injustice’s movement forward and the resistance it faces as a tug of war, i.e., progress followed by backlash.</p>
<p>They examined the symbolic removal of Dr. Martin Luther King Jr.'s bust from the White House and its implications for societal values, while also talking about the impact of Dr. King’s assassination and the current state of racial justice initiatives. The conversation included a discussion about the challenges of tolerating difficult truths and emotions in both psychoanalysis and society, including the persistence of white supremacy and its modern manifestations. It also underscored how symbols of the civil rights movement have been honored at the highest level of government yet in this case defense mechanisms initiated the physical removal of the bust.</p>
<p>Other topics discussed by the host and co-host covered the current administration’s ﻿sense of Juneteenth including the press secretary’s statements that suggested the day was “observed” but not “celebrated.” Her statements seemed to be in line with President Trump’s remarks about Americans having “too many holidays” which many observers interpreted as a direct critique of Juneteenth itself and, more broadly, of recent efforts to deemphasize the historical experiences of Black Americans. This approach stands in contrast to previous years when Donald Trump issued statements honoring Juneteenth.</p>
<p>Some analysts and advocates have noted that the timing of President Trump’s post was likely not coincidental. By choosing Juneteenth to air grievances about paid holidays, he sent a message to his political base that aligns with his administration’s broader efforts to roll back diversity, equity, and inclusion initiatives. The lack of formal White House observance and Trump’s public complaints about holidays were viewed by some as part of a pattern of minimizing the importance of this holiday and its meaning for Black Americans as well as all people in this country who celebrate the end of slavery.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 23 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dr. Karyne Messina and Dr. Felicia Powell-Williams, the host and co-host of “Psychoanalytic Perspectives of Racism in America” sponsored by The American Psychoanalytic Association explored how employing mechanisms of defense perpetuates racial injustice’s movement forward and the resistance it faces as a tug of war, i.e., progress followed by backlash.</p>
<p>They examined the symbolic removal of Dr. Martin Luther King Jr.'s bust from the White House and its implications for societal values, while also talking about the impact of Dr. King’s assassination and the current state of racial justice initiatives. The conversation included a discussion about the challenges of tolerating difficult truths and emotions in both psychoanalysis and society, including the persistence of white supremacy and its modern manifestations. It also underscored how symbols of the civil rights movement have been honored at the highest level of government yet in this case defense mechanisms initiated the physical removal of the bust.</p>
<p>Other topics discussed by the host and co-host covered the current administration’s ﻿sense of Juneteenth including the press secretary’s statements that suggested the day was “observed” but not “celebrated.” Her statements seemed to be in line with President Trump’s remarks about Americans having “too many holidays” which many observers interpreted as a direct critique of Juneteenth itself and, more broadly, of recent efforts to deemphasize the historical experiences of Black Americans. This approach stands in contrast to previous years when Donald Trump issued statements honoring Juneteenth.</p>
<p>Some analysts and advocates have noted that the timing of President Trump’s post was likely not coincidental. By choosing Juneteenth to air grievances about paid holidays, he sent a message to his political base that aligns with his administration’s broader efforts to roll back diversity, equity, and inclusion initiatives. The lack of formal White House observance and Trump’s public complaints about holidays were viewed by some as part of a pattern of minimizing the importance of this holiday and its meaning for Black Americans as well as all people in this country who celebrate the end of slavery.﻿</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="27956039" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5a762b70-f3e1-43cc-8eaf-c245a0cf3ea2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5a762b70-f3e1-43cc-8eaf-c245a0cf3ea2&amp;feed=KodC6fj_"/>
      <itunes:title>The Tug of War: Why Racial Progress Often Meets Resistance and Backlash</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:29:07</itunes:duration>
      <itunes:summary>Dr. Karyne Messina and Dr. Felicia Powell-Williams, the host and co-host of “Psychoanalytic Perspectives of Racism in America” sponsored by The American Psychoanalytic Association explored how employing mechanisms of defense perpetuates racial injustice’s movement forward and the resistance it faces as a tug of war, i.e., progress followed by backlash.

They examined the symbolic removal of Dr. Martin Luther King Jr.&apos;s bust from the White House and its implications for societal values, while also talking about the impact of Dr. King’s assassination and the current state of racial justice initiatives. The conversation included a discussion about the challenges of tolerating difficult truths and emotions in both psychoanalysis and society, including the persistence of white supremacy and its modern manifestations. It also underscored how symbols of the civil rights movement have been honored at the highest level of government yet in this case defense mechanisms initiated the physical removal of the bust.

Other topics discussed by the host and co-host covered the current administration’s ﻿sense of Juneteenth including the press secretary’s statements that suggested the day was “observed” but not “celebrated.” Her statements seemed to be in line with President Trump’s remarks about Americans having “too many holidays” which many observers interpreted as a direct critique of Juneteenth itself and, more broadly, of recent efforts to deemphasize the historical experiences of Black Americans. This approach stands in contrast to previous years when Donald Trump issued statements honoring Juneteenth.

Some analysts and advocates have noted that the timing of President Trump’s post was likely not coincidental. By choosing Juneteenth to air grievances about paid holidays, he sent a message to his political base that aligns with his administration’s broader efforts to roll back diversity, equity, and inclusion initiatives. The lack of formal White House observance and Trump’s public complaints about holidays were viewed by some as part of a pattern of minimizing the importance of this holiday and its meaning for Black Americans as well as all people in this country who celebrate the end of slavery.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dr. Karyne Messina and Dr. Felicia Powell-Williams, the host and co-host of “Psychoanalytic Perspectives of Racism in America” sponsored by The American Psychoanalytic Association explored how employing mechanisms of defense perpetuates racial injustice’s movement forward and the resistance it faces as a tug of war, i.e., progress followed by backlash.

They examined the symbolic removal of Dr. Martin Luther King Jr.&apos;s bust from the White House and its implications for societal values, while also talking about the impact of Dr. King’s assassination and the current state of racial justice initiatives. The conversation included a discussion about the challenges of tolerating difficult truths and emotions in both psychoanalysis and society, including the persistence of white supremacy and its modern manifestations. It also underscored how symbols of the civil rights movement have been honored at the highest level of government yet in this case defense mechanisms initiated the physical removal of the bust.

Other topics discussed by the host and co-host covered the current administration’s ﻿sense of Juneteenth including the press secretary’s statements that suggested the day was “observed” but not “celebrated.” Her statements seemed to be in line with President Trump’s remarks about Americans having “too many holidays” which many observers interpreted as a direct critique of Juneteenth itself and, more broadly, of recent efforts to deemphasize the historical experiences of Black Americans. This approach stands in contrast to previous years when Donald Trump issued statements honoring Juneteenth.

Some analysts and advocates have noted that the timing of President Trump’s post was likely not coincidental. By choosing Juneteenth to air grievances about paid holidays, he sent a message to his political base that aligns with his administration’s broader efforts to roll back diversity, equity, and inclusion initiatives. The lack of formal White House observance and Trump’s public complaints about holidays were viewed by some as part of a pattern of minimizing the importance of this holiday and its meaning for Black Americans as well as all people in this country who celebrate the end of slavery.﻿

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1747</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">16eb56fe-6619-11f0-a725-a7f7ed99cc80</guid>
      <title>Katie Mitchell, &quot;Prose to the People: A Celebration of Black Bookstores&quot; (Random House, 2025)</title>
      <description><![CDATA[<p>Traversing teeming metropolises and tiny towns, <a href="https://bookshop.org/a/12343/9780593581346">Prose to the People﻿: A Celebration of Black Bookstores</a> (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, <em>Prose to the People</em> is a reader’s road trip companion to the world of Black books.</p>
<p>Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, <em>Prose to the People</em> is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.</p>
<p>Interspersed throughout are essays, poems, and interviews by <em>New York Times</em> bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 22 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Traversing teeming metropolises and tiny towns, <a href="https://bookshop.org/a/12343/9780593581346">Prose to the People﻿: A Celebration of Black Bookstores</a> (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, <em>Prose to the People</em> is a reader’s road trip companion to the world of Black books.</p>
<p>Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, <em>Prose to the People</em> is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.</p>
<p>Interspersed throughout are essays, poems, and interviews by <em>New York Times</em> bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40262817" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e4da67e7-001a-417c-9e0f-bdf9c6ba1417/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e4da67e7-001a-417c-9e0f-bdf9c6ba1417&amp;feed=KodC6fj_"/>
      <itunes:title>Katie Mitchell, &quot;Prose to the People: A Celebration of Black Bookstores&quot; (Random House, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:56</itunes:duration>
      <itunes:summary>Traversing teeming metropolises and tiny towns, Prose to the People﻿: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Traversing teeming metropolises and tiny towns, Prose to the People﻿: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1746</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9efaea16-6365-11f0-996f-d321d1c8a16e</guid>
      <title>Sabrina L. Hom, &quot;Critical Mixed Race Philosophy: Rethinking Kinship and Identity&quot; (Lexington Books, 2025)</title>
      <description><![CDATA[<p>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In <a href="https://bookshop.org/a/12343/9781666962505">Critical Mixed Race Philosophy: Rethinking Kinship and Identity</a><em> </em>(Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.</p>
<p>﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women's and gender studies at Georgia College and State University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In <a href="https://bookshop.org/a/12343/9781666962505">Critical Mixed Race Philosophy: Rethinking Kinship and Identity</a><em> </em>(Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.</p>
<p>﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women's and gender studies at Georgia College and State University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="79595010" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/82eccc3b-26c3-4846-b35d-4453452f9d6a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=82eccc3b-26c3-4846-b35d-4453452f9d6a&amp;feed=KodC6fj_"/>
      <itunes:title>Sabrina L. Hom, &quot;Critical Mixed Race Philosophy: Rethinking Kinship and Identity&quot; (Lexington Books, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:22:54</itunes:duration>
      <itunes:summary>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In Critical Mixed Race Philosophy: Rethinking Kinship and Identity (Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.

﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women&apos;s and gender studies at Georgia College and State University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In Critical Mixed Race Philosophy: Rethinking Kinship and Identity (Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.

﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women&apos;s and gender studies at Georgia College and State University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1745</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3b61c8e8-63de-11f0-b34b-3fc0280d8d16</guid>
      <title>Dayna Bowen Matthew, &quot;Just Health: Treating Structural Racism to Heal America&quot; (NYU Press, 2022)</title>
      <description><![CDATA[<p>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿<a href="https://bookshop.org/a/12343/9781479802661"><em>Just Health: Treating Structural Racism to Heal America</em></a> (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.</p><p>Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.</p><p><em>Emma R. Handschke assisted in the production of this podcast.</em></p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿<a href="https://bookshop.org/a/12343/9781479802661"><em>Just Health: Treating Structural Racism to Heal America</em></a> (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.</p><p>Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.</p><p><em>Emma R. Handschke assisted in the production of this podcast.</em></p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42387260" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/428678ca-a770-4742-b21f-86d0ebc14c58/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=428678ca-a770-4742-b21f-86d0ebc14c58&amp;feed=KodC6fj_"/>
      <itunes:title>Dayna Bowen Matthew, &quot;Just Health: Treating Structural Racism to Heal America&quot; (NYU Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:08</itunes:duration>
      <itunes:summary>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿Just Health: Treating Structural Racism to Heal America (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.
Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿Just Health: Treating Structural Racism to Heal America (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.
Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>610</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c71d67f2-62e4-11f0-a515-a388609bc73d</guid>
      <title>Ahmad Greene-Hayes, &quot;Underworld Work: Black Atlantic Religion Making in Jim Crow New Orleans&quot; (U of Chicago Press, 2025)</title>
      <description><![CDATA[<p>A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 18 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57477802" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0f789192-a5fb-4247-b4ba-5b638e026bbc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0f789192-a5fb-4247-b4ba-5b638e026bbc&amp;feed=KodC6fj_"/>
      <itunes:title>Ahmad Greene-Hayes, &quot;Underworld Work: Black Atlantic Religion Making in Jim Crow New Orleans&quot; (U of Chicago Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:52</itunes:duration>
      <itunes:summary>A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1743</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fee1fe12-5e8b-11f0-a454-db366bdd2a7a</guid>
      <title>Jeremy Black, &quot;The Civil War&quot; (Saint Augustine&apos;s Press, 2025)</title>
      <description><![CDATA[<p>The American Civil War may have been more consequential to American history (and its global supremacy) than its Revolutionary War and participation in all other world wars. The influence of this war is not just reduced to the victory of the north and its economic infrastructure, but the fact of Union success ushered in the notion of 'what it means to be American' that even the revolution could not instill.</p>
<p>European military historian Jeremy Black reorients readers to see what was extraordinary in the civil war of 'the American colonies' and why this was warfare unlike anything that could be properly understood on the world stage at that time. He also examines with expertise the role of foreign powers (or lack thereof).</p>
<p>Black's treatment might be the doom of civil war counterfactuals. Was the south destined to fail? Was it weaker motive, faulty strategy, or lack of European support? Was the north just lucky, or possessed of foresight and providential endowment? Black dispels romanticism and sentimentalist hindsight--the American Civil War is unparalleled in many respects, but it is not without clear lessons in warcraft, diplomacy, and cultural-economic impasse.</p>
<p>Furthermore, Black's Civil War is a new resource that teaches, reaffirms, and reminds readers of the intensity of the American past--in both error and idealistic impulse--that might continue to guide us to the best future and avoid the lose-lose circumstances of a civil war. Black's acumen for historical review in this case renders a kind of warning: May the leaders of men in the future come to a better way of self-realization than give way to the internal conflict that pits father against son, and sister against brother. But if he must engage, at least understand the distinction between war and politics.</p>
<p>Black's objective and concise account is a treasure for students and experts alike who need clarity and insight without too much of an investment. The take-away is an appreciation for the American spirit that civil strife petrified and an understanding of the tactical progression of this conflict and the context of combat of that era.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 14 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The American Civil War may have been more consequential to American history (and its global supremacy) than its Revolutionary War and participation in all other world wars. The influence of this war is not just reduced to the victory of the north and its economic infrastructure, but the fact of Union success ushered in the notion of 'what it means to be American' that even the revolution could not instill.</p>
<p>European military historian Jeremy Black reorients readers to see what was extraordinary in the civil war of 'the American colonies' and why this was warfare unlike anything that could be properly understood on the world stage at that time. He also examines with expertise the role of foreign powers (or lack thereof).</p>
<p>Black's treatment might be the doom of civil war counterfactuals. Was the south destined to fail? Was it weaker motive, faulty strategy, or lack of European support? Was the north just lucky, or possessed of foresight and providential endowment? Black dispels romanticism and sentimentalist hindsight--the American Civil War is unparalleled in many respects, but it is not without clear lessons in warcraft, diplomacy, and cultural-economic impasse.</p>
<p>Furthermore, Black's Civil War is a new resource that teaches, reaffirms, and reminds readers of the intensity of the American past--in both error and idealistic impulse--that might continue to guide us to the best future and avoid the lose-lose circumstances of a civil war. Black's acumen for historical review in this case renders a kind of warning: May the leaders of men in the future come to a better way of self-realization than give way to the internal conflict that pits father against son, and sister against brother. But if he must engage, at least understand the distinction between war and politics.</p>
<p>Black's objective and concise account is a treasure for students and experts alike who need clarity and insight without too much of an investment. The take-away is an appreciation for the American spirit that civil strife petrified and an understanding of the tactical progression of this conflict and the context of combat of that era.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29272059" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f168a382-44b1-4472-93d6-89d3822a33b2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f168a382-44b1-4472-93d6-89d3822a33b2&amp;feed=KodC6fj_"/>
      <itunes:title>Jeremy Black, &quot;The Civil War&quot; (Saint Augustine&apos;s Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:30:29</itunes:duration>
      <itunes:summary>The American Civil War may have been more consequential to American history (and its global supremacy) than its Revolutionary War and participation in all other world wars. The influence of this war is not just reduced to the victory of the north and its economic infrastructure, but the fact of Union success ushered in the notion of &apos;what it means to be American&apos; that even the revolution could not instill.

European military historian Jeremy Black reorients readers to see what was extraordinary in the civil war of &apos;the American colonies&apos; and why this was warfare unlike anything that could be properly understood on the world stage at that time. He also examines with expertise the role of foreign powers (or lack thereof).

Black&apos;s treatment might be the doom of civil war counterfactuals. Was the south destined to fail? Was it weaker motive, faulty strategy, or lack of European support? Was the north just lucky, or possessed of foresight and providential endowment? Black dispels romanticism and sentimentalist hindsight--the American Civil War is unparalleled in many respects, but it is not without clear lessons in warcraft, diplomacy, and cultural-economic impasse.

Furthermore, Black&apos;s Civil War is a new resource that teaches, reaffirms, and reminds readers of the intensity of the American past--in both error and idealistic impulse--that might continue to guide us to the best future and avoid the lose-lose circumstances of a civil war. Black&apos;s acumen for historical review in this case renders a kind of warning: May the leaders of men in the future come to a better way of self-realization than give way to the internal conflict that pits father against son, and sister against brother. But if he must engage, at least understand the distinction between war and politics.

Black&apos;s objective and concise account is a treasure for students and experts alike who need clarity and insight without too much of an investment. The take-away is an appreciation for the American spirit that civil strife petrified and an understanding of the tactical progression of this conflict and the context of combat of that era.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The American Civil War may have been more consequential to American history (and its global supremacy) than its Revolutionary War and participation in all other world wars. The influence of this war is not just reduced to the victory of the north and its economic infrastructure, but the fact of Union success ushered in the notion of &apos;what it means to be American&apos; that even the revolution could not instill.

European military historian Jeremy Black reorients readers to see what was extraordinary in the civil war of &apos;the American colonies&apos; and why this was warfare unlike anything that could be properly understood on the world stage at that time. He also examines with expertise the role of foreign powers (or lack thereof).

Black&apos;s treatment might be the doom of civil war counterfactuals. Was the south destined to fail? Was it weaker motive, faulty strategy, or lack of European support? Was the north just lucky, or possessed of foresight and providential endowment? Black dispels romanticism and sentimentalist hindsight--the American Civil War is unparalleled in many respects, but it is not without clear lessons in warcraft, diplomacy, and cultural-economic impasse.

Furthermore, Black&apos;s Civil War is a new resource that teaches, reaffirms, and reminds readers of the intensity of the American past--in both error and idealistic impulse--that might continue to guide us to the best future and avoid the lose-lose circumstances of a civil war. Black&apos;s acumen for historical review in this case renders a kind of warning: May the leaders of men in the future come to a better way of self-realization than give way to the internal conflict that pits father against son, and sister against brother. But if he must engage, at least understand the distinction between war and politics.

Black&apos;s objective and concise account is a treasure for students and experts alike who need clarity and insight without too much of an investment. The take-away is an appreciation for the American spirit that civil strife petrified and an understanding of the tactical progression of this conflict and the context of combat of that era.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1742</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">74cb371e-5bd6-11f0-aaaa-07c295a47bb4</guid>
      <title>Andrew S. Berish, &quot;Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse&quot; (U of Chicago Press, 2025)</title>
      <description><![CDATA[<p><strong>Andrew S. Berish. 2025. </strong><a href="https://bookshop.org/a/12343/9780226838359">Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse</a><em><strong>. </strong></em><strong>(U of Chicago Press, 2025)</strong></p>
<p>Some good words from the inside flap:﻿</p>
<p>“</p>
<p><strong>A deep dive into the meaning behind the hatred of jazz.</strong><br />A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?<br />Andrew S. Berish’s <em>Hating Jazz </em>listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.<br />Both enlightening and original, <em>Hating Jazz</em> shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.</p>
<p>“</p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 10 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><strong>Andrew S. Berish. 2025. </strong><a href="https://bookshop.org/a/12343/9780226838359">Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse</a><em><strong>. </strong></em><strong>(U of Chicago Press, 2025)</strong></p>
<p>Some good words from the inside flap:﻿</p>
<p>“</p>
<p><strong>A deep dive into the meaning behind the hatred of jazz.</strong><br />A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?<br />Andrew S. Berish’s <em>Hating Jazz </em>listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.<br />Both enlightening and original, <em>Hating Jazz</em> shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.</p>
<p>“</p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70396261" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6706f0c2-c9f1-48d1-a74a-10c97f3b4a43/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6706f0c2-c9f1-48d1-a74a-10c97f3b4a43&amp;feed=KodC6fj_"/>
      <itunes:title>Andrew S. Berish, &quot;Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse&quot; (U of Chicago Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:19</itunes:duration>
      <itunes:summary>Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025)

Some good words from the inside flap:﻿

“

A deep dive into the meaning behind the hatred of jazz.A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.

“

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025)

Some good words from the inside flap:﻿

“

A deep dive into the meaning behind the hatred of jazz.A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.

“

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1741</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">66b321a6-59d7-11f0-bd35-d384f4884984</guid>
      <title>Joseph Darda, &quot;Gift and Grit: Race, Sports, and the Construction of Social Debt&quot; (Cambridge UP, 2025)</title>
      <description><![CDATA[<p>In 1998, Bill Clinton hosted a town hall on race and sports. 'If you've got a special gift,' the president said of athletes, 'you owe more back.' <a href="https://bookshop.org/a/12343/9781009584067">Gift and Grit</a> shows how the sports industry has incubated racial ideas about advantage and social debt since the civil rights era by sorting athletes into two broad categories. The gifted athlete received something for nothing, we're told, and owes the team, the fan, the city, God, nation. The gritty athlete received nothing and owes no one. The distinction between gift and grit is racial, but also, Joseph Darda reveals, racializing: It has structured new racial categories and redrawn racial lines. Sports, built on an image of fairness, inform how we talk about advantage and deservedness in other domains, including immigration, crime, education, and labor. Gift and Grit tells the stories of Roger Bannister, Roberto Clemente, Martina Navratilova, Florence Griffith Joyner, and LeBron James – and the story their stories tell about the shifting meaning of race in America.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 7 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1998, Bill Clinton hosted a town hall on race and sports. 'If you've got a special gift,' the president said of athletes, 'you owe more back.' <a href="https://bookshop.org/a/12343/9781009584067">Gift and Grit</a> shows how the sports industry has incubated racial ideas about advantage and social debt since the civil rights era by sorting athletes into two broad categories. The gifted athlete received something for nothing, we're told, and owes the team, the fan, the city, God, nation. The gritty athlete received nothing and owes no one. The distinction between gift and grit is racial, but also, Joseph Darda reveals, racializing: It has structured new racial categories and redrawn racial lines. Sports, built on an image of fairness, inform how we talk about advantage and deservedness in other domains, including immigration, crime, education, and labor. Gift and Grit tells the stories of Roger Bannister, Roberto Clemente, Martina Navratilova, Florence Griffith Joyner, and LeBron James – and the story their stories tell about the shifting meaning of race in America.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62889934" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3e4d7ee8-89fa-4772-905d-849ae5aa3cef/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3e4d7ee8-89fa-4772-905d-849ae5aa3cef&amp;feed=KodC6fj_"/>
      <itunes:title>Joseph Darda, &quot;Gift and Grit: Race, Sports, and the Construction of Social Debt&quot; (Cambridge UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:30</itunes:duration>
      <itunes:summary>In 1998, Bill Clinton hosted a town hall on race and sports. &apos;If you&apos;ve got a special gift,&apos; the president said of athletes, &apos;you owe more back.&apos; Gift and Grit shows how the sports industry has incubated racial ideas about advantage and social debt since the civil rights era by sorting athletes into two broad categories. The gifted athlete received something for nothing, we&apos;re told, and owes the team, the fan, the city, God, nation. The gritty athlete received nothing and owes no one. The distinction between gift and grit is racial, but also, Joseph Darda reveals, racializing: It has structured new racial categories and redrawn racial lines. Sports, built on an image of fairness, inform how we talk about advantage and deservedness in other domains, including immigration, crime, education, and labor. Gift and Grit tells the stories of Roger Bannister, Roberto Clemente, Martina Navratilova, Florence Griffith Joyner, and LeBron James – and the story their stories tell about the shifting meaning of race in America.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1998, Bill Clinton hosted a town hall on race and sports. &apos;If you&apos;ve got a special gift,&apos; the president said of athletes, &apos;you owe more back.&apos; Gift and Grit shows how the sports industry has incubated racial ideas about advantage and social debt since the civil rights era by sorting athletes into two broad categories. The gifted athlete received something for nothing, we&apos;re told, and owes the team, the fan, the city, God, nation. The gritty athlete received nothing and owes no one. The distinction between gift and grit is racial, but also, Joseph Darda reveals, racializing: It has structured new racial categories and redrawn racial lines. Sports, built on an image of fairness, inform how we talk about advantage and deservedness in other domains, including immigration, crime, education, and labor. Gift and Grit tells the stories of Roger Bannister, Roberto Clemente, Martina Navratilova, Florence Griffith Joyner, and LeBron James – and the story their stories tell about the shifting meaning of race in America.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1740</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5b3bdab2-588c-11f0-b5dc-5bd152765b42</guid>
      <title>Michael Amoruso, &quot;Moved by the Dead: Haunting and Devotion in São Paulo, Brazil&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>In the sprawling city of São Paulo, a weekly practice known as devotion to souls (<em>devoção às almas</em>) draws devotees to Catholic churches, cemeteries, and other sites associated with tragic or unjust deaths. The living pray and light candles for the souls of the dead, remembering events and circumstances in a rite of collective suffering. Yet contemporary devotion to souls is not confined to Catholic adherents or fixed to specific locations. The practice is also linked to popular tours of haunted sites in the city, and it moves within an urban environment routinely marked by violence and death. While based in Catholic traditions, devotion to souls is as complex and multifaceted as religion itself in Brazil, where African, Portuguese, and other cultural forms have blended and evolved over centuries.</p>
<p>Michael Amoruso's insightful work, <a href="https://bookshop.org/a/12343/9781469685175">Moved By The Dead: Haunting and Devotion in São Paulo, Brazil</a> (University of North Carolina Press, 2025) uses the methods of ethnography, religious studies, and urban studies to consider how devotion to souls embodies, adapts, and challenges conventional ideas of religion as tethered to specific sites and practices. Examining devotees' varied ways of ascribing meaning to their actions, Amoruso argues that devotion to souls acts as a form of what he calls "mnemonic repair," tying the living to the dead in a struggle against the forces of forgetting.</p>
<p>Michael Amoruso is assistant professor of religious studies at Occidental College.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 6 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the sprawling city of São Paulo, a weekly practice known as devotion to souls (<em>devoção às almas</em>) draws devotees to Catholic churches, cemeteries, and other sites associated with tragic or unjust deaths. The living pray and light candles for the souls of the dead, remembering events and circumstances in a rite of collective suffering. Yet contemporary devotion to souls is not confined to Catholic adherents or fixed to specific locations. The practice is also linked to popular tours of haunted sites in the city, and it moves within an urban environment routinely marked by violence and death. While based in Catholic traditions, devotion to souls is as complex and multifaceted as religion itself in Brazil, where African, Portuguese, and other cultural forms have blended and evolved over centuries.</p>
<p>Michael Amoruso's insightful work, <a href="https://bookshop.org/a/12343/9781469685175">Moved By The Dead: Haunting and Devotion in São Paulo, Brazil</a> (University of North Carolina Press, 2025) uses the methods of ethnography, religious studies, and urban studies to consider how devotion to souls embodies, adapts, and challenges conventional ideas of religion as tethered to specific sites and practices. Examining devotees' varied ways of ascribing meaning to their actions, Amoruso argues that devotion to souls acts as a form of what he calls "mnemonic repair," tying the living to the dead in a struggle against the forces of forgetting.</p>
<p>Michael Amoruso is assistant professor of religious studies at Occidental College.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62644705" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/69b2b97d-6e60-4534-b224-d1d0ebbb2ece/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=69b2b97d-6e60-4534-b224-d1d0ebbb2ece&amp;feed=KodC6fj_"/>
      <itunes:title>Michael Amoruso, &quot;Moved by the Dead: Haunting and Devotion in São Paulo, Brazil&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:15</itunes:duration>
      <itunes:summary>In the sprawling city of São Paulo, a weekly practice known as devotion to souls (devoção às almas) draws devotees to Catholic churches, cemeteries, and other sites associated with tragic or unjust deaths. The living pray and light candles for the souls of the dead, remembering events and circumstances in a rite of collective suffering. Yet contemporary devotion to souls is not confined to Catholic adherents or fixed to specific locations. The practice is also linked to popular tours of haunted sites in the city, and it moves within an urban environment routinely marked by violence and death. While based in Catholic traditions, devotion to souls is as complex and multifaceted as religion itself in Brazil, where African, Portuguese, and other cultural forms have blended and evolved over centuries.

Michael Amoruso&apos;s insightful work, Moved By The Dead: Haunting and Devotion in São Paulo, Brazil (University of North Carolina Press, 2025) uses the methods of ethnography, religious studies, and urban studies to consider how devotion to souls embodies, adapts, and challenges conventional ideas of religion as tethered to specific sites and practices. Examining devotees&apos; varied ways of ascribing meaning to their actions, Amoruso argues that devotion to souls acts as a form of what he calls &quot;mnemonic repair,&quot; tying the living to the dead in a struggle against the forces of forgetting.

Michael Amoruso is assistant professor of religious studies at Occidental College.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the sprawling city of São Paulo, a weekly practice known as devotion to souls (devoção às almas) draws devotees to Catholic churches, cemeteries, and other sites associated with tragic or unjust deaths. The living pray and light candles for the souls of the dead, remembering events and circumstances in a rite of collective suffering. Yet contemporary devotion to souls is not confined to Catholic adherents or fixed to specific locations. The practice is also linked to popular tours of haunted sites in the city, and it moves within an urban environment routinely marked by violence and death. While based in Catholic traditions, devotion to souls is as complex and multifaceted as religion itself in Brazil, where African, Portuguese, and other cultural forms have blended and evolved over centuries.

Michael Amoruso&apos;s insightful work, Moved By The Dead: Haunting and Devotion in São Paulo, Brazil (University of North Carolina Press, 2025) uses the methods of ethnography, religious studies, and urban studies to consider how devotion to souls embodies, adapts, and challenges conventional ideas of religion as tethered to specific sites and practices. Examining devotees&apos; varied ways of ascribing meaning to their actions, Amoruso argues that devotion to souls acts as a form of what he calls &quot;mnemonic repair,&quot; tying the living to the dead in a struggle against the forces of forgetting.

Michael Amoruso is assistant professor of religious studies at Occidental College.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1739</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e6d8fb9c-5835-11f0-97ef-2f7f5f09983c</guid>
      <title>John Bardes, &quot;The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930&quot; (UNC Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781469678177">The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930</a> (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow.<br /></p>
<p>With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.</p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: <a href="https://bookshop.org/a/12343/9780826506658">From Rights to Lives: The Evolution of the Black Freedom Struggle</a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 5 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781469678177">The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930</a> (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow.<br /></p>
<p>With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.</p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: <a href="https://bookshop.org/a/12343/9780826506658">From Rights to Lives: The Evolution of the Black Freedom Struggle</a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44376360" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bea2a3f0-6132-4c15-b52a-f6273a282aaf/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bea2a3f0-6132-4c15-b52a-f6273a282aaf&amp;feed=KodC6fj_"/>
      <itunes:title>John Bardes, &quot;The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930&quot; (UNC Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:13</itunes:duration>
      <itunes:summary>The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow.

With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow.

With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1738</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d22b7700-56bf-11f0-9216-dfe1a882c1ab</guid>
      <title>Angela Katrina Lewis-Maddox ed., &quot;Disrupting Political Science: Black Women Reimagining the Discipline&quot; (SUNY Press, 2025)</title>
      <description><![CDATA[<p>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.</p>
<p><a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science: Black Women Reimagining the Discipline</em></a> (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of <a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science</em></a> is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.</p>
<p>Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. <a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science: Black Women Reimagining the Discipline</em></a> is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.</p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 3 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.</p>
<p><a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science: Black Women Reimagining the Discipline</em></a> (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of <a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science</em></a> is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.</p>
<p>Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. <a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science: Black Women Reimagining the Discipline</em></a> is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.</p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45442749" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9176a76e-8a50-4ecb-b89e-d347c8a15a35/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9176a76e-8a50-4ecb-b89e-d347c8a15a35&amp;feed=KodC6fj_"/>
      <itunes:title>Angela Katrina Lewis-Maddox ed., &quot;Disrupting Political Science: Black Women Reimagining the Discipline&quot; (SUNY Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:19</itunes:duration>
      <itunes:summary>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.

Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.

Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.

Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.

Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1737</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">405eca22-557d-11f0-ac8b-7323cef8d625</guid>
      <title>Cheryl Thompson, &quot;Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895&quot; (Wilfrid Laurier UP, 2025)</title>
      <description><![CDATA[<p><em><strong>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025)</strong></em><strong> traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.</strong></p>
<p>When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.</p>
<p>It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.</p>
<p>Find Dr. Thompson on her <a href="https://www.drcherylthompson.com/cv-dr-cheryl">website</a> and the website of <a href="https://mobaprojects.ca/">Mapping Ontario’s Black Archives</a>, on <a href="https://bsky.app/profile/drcherylt.bsky.social">BlueSky</a>, and on <a href="https://substack.com/@drcherylthompson">Substack</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 1 Jul 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em><strong>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025)</strong></em><strong> traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.</strong></p>
<p>When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.</p>
<p>It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.</p>
<p>Find Dr. Thompson on her <a href="https://www.drcherylthompson.com/cv-dr-cheryl">website</a> and the website of <a href="https://mobaprojects.ca/">Mapping Ontario’s Black Archives</a>, on <a href="https://bsky.app/profile/drcherylt.bsky.social">BlueSky</a>, and on <a href="https://substack.com/@drcherylthompson">Substack</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67962060" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/88e1b672-6a97-4b59-bbda-25355e3d72e5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=88e1b672-6a97-4b59-bbda-25355e3d72e5&amp;feed=KodC6fj_"/>
      <itunes:title>Cheryl Thompson, &quot;Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895&quot; (Wilfrid Laurier UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:47</itunes:duration>
      <itunes:summary>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.

When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.

It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.

Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.

When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.

It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.

Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1736</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5a079f26-532a-11f0-a0b4-e3c1fbe7b6d9</guid>
      <title>Sarah Gold McBride &quot;Whiskerology: The Culture of Hair in Nineteenth-Century America&quot; (Harvard UP, 2025)</title>
      <description><![CDATA[<p>Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in <a href="https://bookshop.org/a/12343/9780674249295">Whiskerology: The Culture of Hair in Nineteenth-Century America</a> (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.</p>
<p>As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.</p>
<p>A history inscribed in bangs, curls, and chops, <em>Whiskerology</em> illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.</p>
<p><br /><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 29 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in <a href="https://bookshop.org/a/12343/9780674249295">Whiskerology: The Culture of Hair in Nineteenth-Century America</a> (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.</p>
<p>As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.</p>
<p>A history inscribed in bangs, curls, and chops, <em>Whiskerology</em> illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.</p>
<p><br /><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62970384" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0254b4ae-0523-414f-b72c-562d9ba6e028/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0254b4ae-0523-414f-b72c-562d9ba6e028&amp;feed=KodC6fj_"/>
      <itunes:title>Sarah Gold McBride &quot;Whiskerology: The Culture of Hair in Nineteenth-Century America&quot; (Harvard UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:35</itunes:duration>
      <itunes:summary>Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.

As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.

A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.

As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.

A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1735</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">45c0fbce-5155-11f0-aee6-6b37aeab8da6</guid>
      <title>Bryan D. Jones, The Southern Fault Line: How Race, Class, and Region Shaped One Family&apos;s History&quot; (Oxford UP, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780197770429">The Southern Fault Line: How Race, Class, and Region Shaped One Family's History</a><em> </em>(Oxford University Press, 2025)<em> </em>explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement.</p>
<p>Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state.</p>
<p>Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party.</p>
<p>Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 27 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780197770429">The Southern Fault Line: How Race, Class, and Region Shaped One Family's History</a><em> </em>(Oxford University Press, 2025)<em> </em>explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement.</p>
<p>Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state.</p>
<p>Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party.</p>
<p>Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54481098" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/eed05817-01ad-4e58-bcfd-a2152b996d36/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=eed05817-01ad-4e58-bcfd-a2152b996d36&amp;feed=KodC6fj_"/>
      <itunes:title>Bryan D. Jones, The Southern Fault Line: How Race, Class, and Region Shaped One Family&apos;s History&quot; (Oxford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:44</itunes:duration>
      <itunes:summary>The Southern Fault Line: How Race, Class, and Region Shaped One Family&apos;s History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement.

Bryan Jones draws from his own family&apos;s centuries-old history in the region to explore the rise and fall of the &quot;two minds&quot; of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism&apos;s supporters. Indeed, one of Jones&apos; ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state.

Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party.

Bryan Jones is J.J.&quot;Jake&quot; Pickle Regents&apos; Chair in Congressional Studies at the University of Texas at Austin.

Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Southern Fault Line: How Race, Class, and Region Shaped One Family&apos;s History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement.

Bryan Jones draws from his own family&apos;s centuries-old history in the region to explore the rise and fall of the &quot;two minds&quot; of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism&apos;s supporters. Indeed, one of Jones&apos; ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state.

Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party.

Bryan Jones is J.J.&quot;Jake&quot; Pickle Regents&apos; Chair in Congressional Studies at the University of Texas at Austin.

Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1734</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a843b276-5058-11f0-ad1b-97910027cab0</guid>
      <title>Is Sinners a New Classic of Political Utopianism?</title>
      <description><![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 25 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41136802" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/63f12a50-c63d-468e-b7b5-264beb840fbe/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=63f12a50-c63d-468e-b7b5-264beb840fbe&amp;feed=KodC6fj_"/>
      <itunes:title>Is Sinners a New Classic of Political Utopianism?</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:50</itunes:duration>
      <itunes:summary>It’s the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan&apos;s best and most complete work.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>It’s the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan&apos;s best and most complete work.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1733</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f3377ac6-411a-11f0-973e-9bbc34330b6b</guid>
      <title>Philip Kadish, &quot;The Great White Hoax: Frauds, Forgeries, and 200 Years of Selling Racism in America&quot;</title>
      <description><![CDATA[<p>Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. <a href="https://bookshop.org/a/12343/9781620974117">The Great White Hoax: Two Centuries of Selling Racism in America</a> (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before.</p>
<p>In a book that brilliantly puts our current era into historical context, <em>The Great White Hoax</em> uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery’s defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln’s enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet’s authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith’s Birth of a Nation, Henry Ford’s adaptation of The Protocols of the Elders of Zion, Madison Grant’s embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace’s race-baiting, and Roger Ailes’s creation of Fox News.</p>
<p><em>The Great White Hoax</em> reveals white supremacy as today’s real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive.</p>
<p><br /><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 24 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. <a href="https://bookshop.org/a/12343/9781620974117">The Great White Hoax: Two Centuries of Selling Racism in America</a> (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before.</p>
<p>In a book that brilliantly puts our current era into historical context, <em>The Great White Hoax</em> uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery’s defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln’s enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet’s authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith’s Birth of a Nation, Henry Ford’s adaptation of The Protocols of the Elders of Zion, Madison Grant’s embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace’s race-baiting, and Roger Ailes’s creation of Fox News.</p>
<p><em>The Great White Hoax</em> reveals white supremacy as today’s real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive.</p>
<p><br /><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68397000" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/586e4691-5c66-446f-999a-163cf758b50c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=586e4691-5c66-446f-999a-163cf758b50c&amp;feed=KodC6fj_"/>
      <itunes:title>Philip Kadish, &quot;The Great White Hoax: Frauds, Forgeries, and 200 Years of Selling Racism in America&quot;</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:14</itunes:duration>
      <itunes:summary>Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before.

In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery’s defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln’s enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet’s authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith’s Birth of a Nation, Henry Ford’s adaptation of The Protocols of the Elders of Zion, Madison Grant’s embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace’s race-baiting, and Roger Ailes’s creation of Fox News.

The Great White Hoax reveals white supremacy as today’s real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before.

In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery’s defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln’s enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet’s authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith’s Birth of a Nation, Henry Ford’s adaptation of The Protocols of the Elders of Zion, Madison Grant’s embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace’s race-baiting, and Roger Ailes’s creation of Fox News.

The Great White Hoax reveals white supremacy as today’s real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1732</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bb5d0f10-5008-11f0-aa24-6b171d7b1865</guid>
      <title>Judith Weisenfeld, &quot;Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake&quot; ﻿﻿(NYU Press, 2025)</title>
      <description><![CDATA[<p>In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in<a href="https://bookshop.org/a/12343/9781479829781"> </a><a href="https://bookshop.org/a/12343/9781479829781">Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake</a><em> ﻿</em>﻿(NYU Press, 2025)<em>, </em>psychiatrists’ notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists’ theories about African American religion and mental health being used to promote claims of Black people’s unfitness for freedom. Drawing on extensive archival research, <em>Black Religion in the Madhouse</em> is the first book to expose how racist views of Black religion in slavery’s wake shaped the rise of psychiatry as an established and powerful profession.</p>
<p>Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies.</p>
<p>This episode’s host, <a href="https://twitter.com/jakebarrett25">Jacob Barrett</a>, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website <a href="https://thereluctantamericanist.com/">thereluctantamericanist.com</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 24 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in<a href="https://bookshop.org/a/12343/9781479829781"> </a><a href="https://bookshop.org/a/12343/9781479829781">Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake</a><em> ﻿</em>﻿(NYU Press, 2025)<em>, </em>psychiatrists’ notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists’ theories about African American religion and mental health being used to promote claims of Black people’s unfitness for freedom. Drawing on extensive archival research, <em>Black Religion in the Madhouse</em> is the first book to expose how racist views of Black religion in slavery’s wake shaped the rise of psychiatry as an established and powerful profession.</p>
<p>Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies.</p>
<p>This episode’s host, <a href="https://twitter.com/jakebarrett25">Jacob Barrett</a>, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website <a href="https://thereluctantamericanist.com/">thereluctantamericanist.com</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49385736" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d41757df-31a3-49da-865a-4cfd93ccb266/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d41757df-31a3-49da-865a-4cfd93ccb266&amp;feed=KodC6fj_"/>
      <itunes:title>Judith Weisenfeld, &quot;Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake&quot; ﻿﻿(NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:26</itunes:duration>
      <itunes:summary>In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake ﻿﻿(NYU Press, 2025), psychiatrists’ notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists’ theories about African American religion and mental health being used to promote claims of Black people’s unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery’s wake shaped the rise of psychiatry as an established and powerful profession.

Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies.

This episode’s host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake ﻿﻿(NYU Press, 2025), psychiatrists’ notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists’ theories about African American religion and mental health being used to promote claims of Black people’s unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery’s wake shaped the rise of psychiatry as an established and powerful profession.

Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies.

This episode’s host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1731</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">74650418-4ca3-11f0-9b5f-133177a68d21</guid>
      <title>Honorée Fanonne Jeffers, &quot;Misbehaving at the Crossroads: Essays and Writings&quot; (Harper, 2025)</title>
      <description><![CDATA[<p>The <em>New York Times</em>-bestselling, National Book Award-nominated author of <em>The Love Songs of W.E.B. Du Bois</em> and <em>The Age of Phillis</em> makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.</p>
<p>Honorée Fanonne Jeffers is at a crossroads.</p>
<p>Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.</p>
<p>In <a href="https://bookshop.org/a/12343/9780063246638">Misbehaving at the Crossroads: Essays and Writings</a><em> </em>(Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.</p>
<p>Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, <em>Misbehaving at the Crossroads</em> illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.</p>
<p>Find author Honorée Fannone Jeffers at her <a href="https://honoreejeffers.com/">website</a>, <a href="https://www.instagram.com/honoree_jeffers/?hl=en">Instagram</a>, <a href="https://bsky.app/profile/blklibrarygirl.bsky.social">Bluesky</a>, and <a href="https://substack.com/@honoreejeffers">Substack</a>.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/?hl=en">Instagram</a>, and <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 20 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The <em>New York Times</em>-bestselling, National Book Award-nominated author of <em>The Love Songs of W.E.B. Du Bois</em> and <em>The Age of Phillis</em> makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.</p>
<p>Honorée Fanonne Jeffers is at a crossroads.</p>
<p>Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.</p>
<p>In <a href="https://bookshop.org/a/12343/9780063246638">Misbehaving at the Crossroads: Essays and Writings</a><em> </em>(Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.</p>
<p>Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, <em>Misbehaving at the Crossroads</em> illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.</p>
<p>Find author Honorée Fannone Jeffers at her <a href="https://honoreejeffers.com/">website</a>, <a href="https://www.instagram.com/honoree_jeffers/?hl=en">Instagram</a>, <a href="https://bsky.app/profile/blklibrarygirl.bsky.social">Bluesky</a>, and <a href="https://substack.com/@honoreejeffers">Substack</a>.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/?hl=en">Instagram</a>, and <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38447478" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9c530084-1777-4cc7-9ee4-bac8e6b17440/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9c530084-1777-4cc7-9ee4-bac8e6b17440&amp;feed=KodC6fj_"/>
      <itunes:title>Honorée Fanonne Jeffers, &quot;Misbehaving at the Crossroads: Essays and Writings&quot; (Harper, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:02</itunes:duration>
      <itunes:summary>The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1730</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f6871d1a-4a90-11f0-b137-536bead3f6cd</guid>
      <title>Rob Edwards, &quot;Defiant: The Story of Robert Smalls&quot; (Stranger Comics, 2025)</title>
      <description><![CDATA[<p>At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade<strong>.</strong> Smalls’ heroism, and material aid for the Union, made national headlines and influenced Lincoln’s decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.<a href="https://bookshop.org/a/12343/9781939834379"><br /><em><strong>DEFIANT: The Story of Robert Smalls</strong></em> </a>(Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (<em>The Fresh Prince of Bel-Air</em> and Academy-Award nominated <em>The Princess and the Frog)</em> and drawn by comic book artists Nikolas Draper-Ivey (<em>Black Panther</em> soundtrack cover, <em>Static: Shadows Of Dakota</em>) and Ray-Anthony Height (Marvel Comics’ <em>Star Wars: Doctor Aphra</em>)—details Smalls’ childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago.</p>
<p><br /></p>
<p>Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com.</p>
<p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 17 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade<strong>.</strong> Smalls’ heroism, and material aid for the Union, made national headlines and influenced Lincoln’s decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.<a href="https://bookshop.org/a/12343/9781939834379"><br /><em><strong>DEFIANT: The Story of Robert Smalls</strong></em> </a>(Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (<em>The Fresh Prince of Bel-Air</em> and Academy-Award nominated <em>The Princess and the Frog)</em> and drawn by comic book artists Nikolas Draper-Ivey (<em>Black Panther</em> soundtrack cover, <em>Static: Shadows Of Dakota</em>) and Ray-Anthony Height (Marvel Comics’ <em>Star Wars: Doctor Aphra</em>)—details Smalls’ childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago.</p>
<p><br /></p>
<p>Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com.</p>
<p><br /></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31026179" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a57da381-9861-44c2-97df-d906804750a4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a57da381-9861-44c2-97df-d906804750a4&amp;feed=KodC6fj_"/>
      <itunes:title>Rob Edwards, &quot;Defiant: The Story of Robert Smalls&quot; (Stranger Comics, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:32:18</itunes:duration>
      <itunes:summary>At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls’ heroism, and material aid for the Union, made national headlines and influenced Lincoln’s decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics’ Star Wars: Doctor Aphra)—details Smalls’ childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago.



Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com.



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls’ heroism, and material aid for the Union, made national headlines and influenced Lincoln’s decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics’ Star Wars: Doctor Aphra)—details Smalls’ childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago.



Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com.



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1729</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b42afb9e-4a86-11f0-9fc3-cf5cba8dafae</guid>
      <title>Robell Awake, &quot;A Short History of Black Craft in Ten Objects&quot; (Princeton Architectural Press, 2025)</title>
      <description><![CDATA[<p>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, <a href="https://bookshop.org/a/12343/9781797228549">A Short History of Black Craft in Ten Objects</a> (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 17 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, <a href="https://bookshop.org/a/12343/9781797228549">A Short History of Black Craft in Ten Objects</a> (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48684252" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8b8a76d7-debe-4695-b276-4aff624b9ae4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8b8a76d7-debe-4695-b276-4aff624b9ae4&amp;feed=KodC6fj_"/>
      <itunes:title>Robell Awake, &quot;A Short History of Black Craft in Ten Objects&quot; (Princeton Architectural Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:42</itunes:duration>
      <itunes:summary>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy&apos;s wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy&apos;s wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1728</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bc88a9b4-45ca-11f0-9974-97ab73adb7e7</guid>
      <title>Alexandria Russell, &quot;Black Women Legacies: Public History Sites Seen and Unseen&quot; (University of Illinois Press, 2024)</title>
      <description><![CDATA[<p>From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.</p>
<p>Intersectional and original, <a href="https://bookshop.org/a/12343/9780252088360">Black Women Legacies: Public History Sites Seen and Unseen </a>(Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.</p>
<p><a href="https://www.dralexandriarussell.com/blackwomenlegacies">Dr. Alexandria Russell</a> is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African &amp; African American Research.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Russell continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 11 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.</p>
<p>Intersectional and original, <a href="https://bookshop.org/a/12343/9780252088360">Black Women Legacies: Public History Sites Seen and Unseen </a>(Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.</p>
<p><a href="https://www.dralexandriarussell.com/blackwomenlegacies">Dr. Alexandria Russell</a> is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African &amp; African American Research.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Russell continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68565768" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bcb236c8-ac2a-42c3-8968-ec1d871b9401/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bcb236c8-ac2a-42c3-8968-ec1d871b9401&amp;feed=KodC6fj_"/>
      <itunes:title>Alexandria Russell, &quot;Black Women Legacies: Public History Sites Seen and Unseen&quot; (University of Illinois Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:25</itunes:duration>
      <itunes:summary>From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.

Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.

Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African &amp; African American Research.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.

Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.

Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African &amp; African American Research.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1727</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3fc1f6b6-44fc-11f0-b4db-d34729ebb287</guid>
      <title>Rob Franklin, &quot;Great Black Hope&quot; (Summit Books, 2025)</title>
      <description><![CDATA[<p><strong>Rob Franklin, </strong><em><strong>Great Black Hope</strong></em><strong> (Summit Books, 2025)</strong></p>
<p>Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of <a href="https://www.instagram.com/artforblacklives_/">Art for Black Lives</a>. A Kimbilio Fiction Fellow and finalist for the <em>New England Review</em> Emerging Writer prize, he has published work in <em>New England Review</em>, <em>Prairie Schooner</em>, and <em>The Rumpus </em>among others. Franklin holds a BA from Stanford University and an MFA from NYU’s Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts.</p>
<p><strong>Book Recommendations:</strong></p>
<p>Katie Kitamura, <a href="https://buffalostreetbooks.com/book/9780593852323"><em>Audition</em></a></p>
<p>Josh Duboff, <a href="https://buffalostreetbooks.com/book/9781668059937"><em>Early Thirties</em></a></p>
<p>Alexis Okeowo, <a href="https://buffalostreetbooks.com/book/9781250206220"><em>Blessings and Disasters</em></a></p>
<p><a href="https://www.ithaca.edu/faculty/cholmes">Chris Holmes</a> is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, <a href="https://www.bloomsbury.com/us/kazuo-ishiguro-against-world-literature-9781501388422/"><em>Kazuo Ishiguro Against World Literature</em></a>, is published with Bloomsbury Publishing. He is the co-director of <a href="https://www.ithaca.edu/academics/school-humanities-and-sciences/writing/new-voices-festival">The New Voices Festival</a>, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 10 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><strong>Rob Franklin, </strong><em><strong>Great Black Hope</strong></em><strong> (Summit Books, 2025)</strong></p>
<p>Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of <a href="https://www.instagram.com/artforblacklives_/">Art for Black Lives</a>. A Kimbilio Fiction Fellow and finalist for the <em>New England Review</em> Emerging Writer prize, he has published work in <em>New England Review</em>, <em>Prairie Schooner</em>, and <em>The Rumpus </em>among others. Franklin holds a BA from Stanford University and an MFA from NYU’s Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts.</p>
<p><strong>Book Recommendations:</strong></p>
<p>Katie Kitamura, <a href="https://buffalostreetbooks.com/book/9780593852323"><em>Audition</em></a></p>
<p>Josh Duboff, <a href="https://buffalostreetbooks.com/book/9781668059937"><em>Early Thirties</em></a></p>
<p>Alexis Okeowo, <a href="https://buffalostreetbooks.com/book/9781250206220"><em>Blessings and Disasters</em></a></p>
<p><a href="https://www.ithaca.edu/faculty/cholmes">Chris Holmes</a> is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, <a href="https://www.bloomsbury.com/us/kazuo-ishiguro-against-world-literature-9781501388422/"><em>Kazuo Ishiguro Against World Literature</em></a>, is published with Bloomsbury Publishing. He is the co-director of <a href="https://www.ithaca.edu/academics/school-humanities-and-sciences/writing/new-voices-festival">The New Voices Festival</a>, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40841549" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/95b7f906-d7b7-4ae5-b511-2f055f9a8bcb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=95b7f906-d7b7-4ae5-b511-2f055f9a8bcb&amp;feed=KodC6fj_"/>
      <itunes:title>Rob Franklin, &quot;Great Black Hope&quot; (Summit Books, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:32</itunes:duration>
      <itunes:summary>Rob Franklin, Great Black Hope (Summit Books, 2025)

Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU’s Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts.

Book Recommendations:

Katie Kitamura, Audition

Josh Duboff, Early Thirties

Alexis Okeowo, Blessings and Disasters

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Rob Franklin, Great Black Hope (Summit Books, 2025)

Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU’s Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts.

Book Recommendations:

Katie Kitamura, Audition

Josh Duboff, Early Thirties

Alexis Okeowo, Blessings and Disasters

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1726</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">52bce97c-40f8-11f0-b274-5787e2eb4ccb</guid>
      <title>Brando Simeo Starkey, &quot;Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System&quot; (Doubleday, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780385547383"><em>Their Accomplices Wore Robes: ﻿How the Supreme Court Chained Black America to the Bottom of a Racial Caste System</em> </a>(Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.<br />The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness.</p>
<p><em>Their Accomplices Wore Robes</em> brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward.</p>
<p>Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at <a href="https://thebraveverse.com/">The Braveverse</a>, and on his <a href="https://www.youtube.com/@TheBraveverse">YouTube channel</a> of the same name.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Brando continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 6 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780385547383"><em>Their Accomplices Wore Robes: ﻿How the Supreme Court Chained Black America to the Bottom of a Racial Caste System</em> </a>(Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.<br />The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness.</p>
<p><em>Their Accomplices Wore Robes</em> brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward.</p>
<p>Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at <a href="https://thebraveverse.com/">The Braveverse</a>, and on his <a href="https://www.youtube.com/@TheBraveverse">YouTube channel</a> of the same name.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Brando continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52721617" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d4d4f23d-5b9a-4c28-9f61-8a142f1ac162/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d4d4f23d-5b9a-4c28-9f61-8a142f1ac162&amp;feed=KodC6fj_"/>
      <itunes:title>Brando Simeo Starkey, &quot;Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System&quot; (Doubleday, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:54</itunes:duration>
      <itunes:summary>Their Accomplices Wore Robes: ﻿How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness.

Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward.

Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Their Accomplices Wore Robes: ﻿How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness.

Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward.

Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1725</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1c190268-3f89-11f0-9f08-07aa6f61f42c</guid>
      <title>Anthony C. Infanti, &quot;The Human Toll: Taxation and Slavery in Colonial America&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781479829866">The Human Toll: Taxation and Slavery in Colonial America</a> (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.<br />While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law,<em> The Human Toll</em> urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 3 Jun 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781479829866">The Human Toll: Taxation and Slavery in Colonial America</a> (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.<br />While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law,<em> The Human Toll</em> urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56677354" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3b07c510-f9ff-4482-ba3a-df67d7859ed0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3b07c510-f9ff-4482-ba3a-df67d7859ed0&amp;feed=KodC6fj_"/>
      <itunes:title>Anthony C. Infanti, &quot;The Human Toll: Taxation and Slavery in Colonial America&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:02</itunes:duration>
      <itunes:summary>The Human Toll: Taxation and Slavery in Colonial America (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law, The Human Toll urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Human Toll: Taxation and Slavery in Colonial America (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law, The Human Toll urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1724</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">76799d0a-3c67-11f0-ad89-236070007bfb</guid>
      <title>Nneka D. Dennie, &quot;Mary Ann Shadd Cary: Essential Writings of a Nineteenth Century Black Radical Feminist&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”</p>
<p><a href="https://bookshop.org/a/12343/9780197609477">Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist</a><em> </em>(Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.</p>
<p><a href="https://nnekadennie.com/">Nneka D. Dennie </a>is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the <a href="https://blackwomensstudies.org/">Black Women’s Studies Association</a>. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in<em> Palimpsest: A Journal on Women, Gender, and the Black International</em>; <em>Feminist Studies; Atlantic Studies: Global Currents</em>; <em>The Routledge Companion to Black Women's Social and Cultural Histories</em>; <em>The Oxford Handbook of W.E.B. Du Bois</em>, and more.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Dennie continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 30 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”</p>
<p><a href="https://bookshop.org/a/12343/9780197609477">Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist</a><em> </em>(Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.</p>
<p><a href="https://nnekadennie.com/">Nneka D. Dennie </a>is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the <a href="https://blackwomensstudies.org/">Black Women’s Studies Association</a>. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in<em> Palimpsest: A Journal on Women, Gender, and the Black International</em>; <em>Feminist Studies; Atlantic Studies: Global Currents</em>; <em>The Routledge Companion to Black Women's Social and Cultural Histories</em>; <em>The Oxford Handbook of W.E.B. Du Bois</em>, and more.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Dennie continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52596968" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/57ac7d43-d834-461f-b56f-d316084bc23e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=57ac7d43-d834-461f-b56f-d316084bc23e&amp;feed=KodC6fj_"/>
      <itunes:title>Nneka D. Dennie, &quot;Mary Ann Shadd Cary: Essential Writings of a Nineteenth Century Black Radical Feminist&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:47</itunes:duration>
      <itunes:summary>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women&apos;s centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women&apos;s Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women&apos;s centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women&apos;s Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1723</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8b139126-3aff-11f0-8cc6-6385bc2a8469</guid>
      <title>Karida L. Brown, &quot;The Battle for the Black Mind&quot; (Legacy Lit, 2025)</title>
      <description><![CDATA[<p>A gripping chronicle of the relentless fight for Black educational freedom--and the bold strategies to protect, nourish, and empower Black minds. <a href="https://bookshop.org/a/12343/9781538768433">The Battle for the Black Mind</a><em> </em>(Legacy Lit, 2025) is an explosive historical account of the struggle for educational justice in America. Drawing on over a decade of archival research, personal reflection, and keen sociological insight, this book traces a century of segregated schooling, examining how early efforts to control Black minds through education systems has laid the foundation for the systemic inequities we still live with today. NAACP Image Award-winning author Dr. Karida L. Brown, takes readers from the rural South to the bustling cities of the North and connects the dots between the experiences of Black students and educators across the nation. From the founding of early Historically Black Colleges and Universities (HBCUs), such as Hampton, Atlanta, and Tuskegee University, to the rise of the Black freedom struggle, <em>The Battle for the Black Mind</em> weaves together the stories of pioneering Black leaders and the institutions they built to educate future generations. Far from dwelling solely on oppression, this book offers powerful insight into how Black people have always fought to create environments where Black minds could thrive. Brown concludes with an urgent and empowering call to action, equipping everyday Americans with practical steps--both big and small--to ensure that Black minds can continue to flourish, even as our education system itself comes under attack. Grounded in both historical rigor and astute social commentary, <em>The Battle for the Black Mind</em> speaks directly to today's national fight over the American classroom, making it clear that the battle for Black minds is far from over. This book will resonate deeply if one understands the transformative power of education and is invested in understanding how education has always played a role in shaping the moral conscience of America.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 27 May 2025 13:37:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A gripping chronicle of the relentless fight for Black educational freedom--and the bold strategies to protect, nourish, and empower Black minds. <a href="https://bookshop.org/a/12343/9781538768433">The Battle for the Black Mind</a><em> </em>(Legacy Lit, 2025) is an explosive historical account of the struggle for educational justice in America. Drawing on over a decade of archival research, personal reflection, and keen sociological insight, this book traces a century of segregated schooling, examining how early efforts to control Black minds through education systems has laid the foundation for the systemic inequities we still live with today. NAACP Image Award-winning author Dr. Karida L. Brown, takes readers from the rural South to the bustling cities of the North and connects the dots between the experiences of Black students and educators across the nation. From the founding of early Historically Black Colleges and Universities (HBCUs), such as Hampton, Atlanta, and Tuskegee University, to the rise of the Black freedom struggle, <em>The Battle for the Black Mind</em> weaves together the stories of pioneering Black leaders and the institutions they built to educate future generations. Far from dwelling solely on oppression, this book offers powerful insight into how Black people have always fought to create environments where Black minds could thrive. Brown concludes with an urgent and empowering call to action, equipping everyday Americans with practical steps--both big and small--to ensure that Black minds can continue to flourish, even as our education system itself comes under attack. Grounded in both historical rigor and astute social commentary, <em>The Battle for the Black Mind</em> speaks directly to today's national fight over the American classroom, making it clear that the battle for Black minds is far from over. This book will resonate deeply if one understands the transformative power of education and is invested in understanding how education has always played a role in shaping the moral conscience of America.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58312627" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/33e71048-0de8-4173-bf15-b66866471452/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=33e71048-0de8-4173-bf15-b66866471452&amp;feed=KodC6fj_"/>
      <itunes:title>Karida L. Brown, &quot;The Battle for the Black Mind&quot; (Legacy Lit, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:44</itunes:duration>
      <itunes:summary>A gripping chronicle of the relentless fight for Black educational freedom--and the bold strategies to protect, nourish, and empower Black minds. The Battle for the Black Mind (Legacy Lit, 2025) is an explosive historical account of the struggle for educational justice in America. Drawing on over a decade of archival research, personal reflection, and keen sociological insight, this book traces a century of segregated schooling, examining how early efforts to control Black minds through education systems has laid the foundation for the systemic inequities we still live with today. NAACP Image Award-winning author Dr. Karida L. Brown, takes readers from the rural South to the bustling cities of the North and connects the dots between the experiences of Black students and educators across the nation. From the founding of early Historically Black Colleges and Universities (HBCUs), such as Hampton, Atlanta, and Tuskegee University, to the rise of the Black freedom struggle, The Battle for the Black Mind weaves together the stories of pioneering Black leaders and the institutions they built to educate future generations. Far from dwelling solely on oppression, this book offers powerful insight into how Black people have always fought to create environments where Black minds could thrive. Brown concludes with an urgent and empowering call to action, equipping everyday Americans with practical steps--both big and small--to ensure that Black minds can continue to flourish, even as our education system itself comes under attack. Grounded in both historical rigor and astute social commentary, The Battle for the Black Mind speaks directly to today&apos;s national fight over the American classroom, making it clear that the battle for Black minds is far from over. This book will resonate deeply if one understands the transformative power of education and is invested in understanding how education has always played a role in shaping the moral conscience of America.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A gripping chronicle of the relentless fight for Black educational freedom--and the bold strategies to protect, nourish, and empower Black minds. The Battle for the Black Mind (Legacy Lit, 2025) is an explosive historical account of the struggle for educational justice in America. Drawing on over a decade of archival research, personal reflection, and keen sociological insight, this book traces a century of segregated schooling, examining how early efforts to control Black minds through education systems has laid the foundation for the systemic inequities we still live with today. NAACP Image Award-winning author Dr. Karida L. Brown, takes readers from the rural South to the bustling cities of the North and connects the dots between the experiences of Black students and educators across the nation. From the founding of early Historically Black Colleges and Universities (HBCUs), such as Hampton, Atlanta, and Tuskegee University, to the rise of the Black freedom struggle, The Battle for the Black Mind weaves together the stories of pioneering Black leaders and the institutions they built to educate future generations. Far from dwelling solely on oppression, this book offers powerful insight into how Black people have always fought to create environments where Black minds could thrive. Brown concludes with an urgent and empowering call to action, equipping everyday Americans with practical steps--both big and small--to ensure that Black minds can continue to flourish, even as our education system itself comes under attack. Grounded in both historical rigor and astute social commentary, The Battle for the Black Mind speaks directly to today&apos;s national fight over the American classroom, making it clear that the battle for Black minds is far from over. This book will resonate deeply if one understands the transformative power of education and is invested in understanding how education has always played a role in shaping the moral conscience of America.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1722</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5efcf826-37fc-11f0-901a-a38d2bfb1a64</guid>
      <title>Frank X Walker, &quot;Load in Nine Times: Poems&quot; (Liveright, 2024)</title>
      <description><![CDATA[<p>For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.<br />Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”<br />While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, <em>Load in Nine Times</em> is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.</p>
<p>Winner of the 2025 PEN/Voelcker Award for Poetry.</p>
<p>A native of Danville, Kentucky, <a href="https://www.frankxwalker.com/index.html">Frank X Walker</a> is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including <em>Turn Me Loose: The Unghosting of Medgar Evers</em>, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Professor X continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 24 May 2025 04:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.<br />Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”<br />While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, <em>Load in Nine Times</em> is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.</p>
<p>Winner of the 2025 PEN/Voelcker Award for Poetry.</p>
<p>A native of Danville, Kentucky, <a href="https://www.frankxwalker.com/index.html">Frank X Walker</a> is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including <em>Turn Me Loose: The Unghosting of Medgar Evers</em>, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Professor X continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73696605" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/28ca96a8-e08b-4c45-a53a-384c05fd7be1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=28ca96a8-e08b-4c45-a53a-384c05fd7be1&amp;feed=KodC6fj_"/>
      <itunes:title>Frank X Walker, &quot;Load in Nine Times: Poems&quot; (Liveright, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:45</itunes:duration>
      <itunes:summary>For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.

Winner of the 2025 PEN/Voelcker Award for Poetry.

A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.

Winner of the 2025 PEN/Voelcker Award for Poetry.

A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ce57266a-3199-11f0-b0bb-53b23e687068</guid>
      <title>Rasheedah Phillips, &quot;Dismantling the Master&apos;s Clock: On Race, Space, and Time&quot; (AK Press, 2025)</title>
      <description><![CDATA[<p>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward <em>and</em> backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.</p>
<p>Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?</p>
<p>Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, <a href="https://bookshop.org/a/12343/9781849355612">Dismantling the Master's Clock: On Race, Space, and Time</a><em> </em>(AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.<br /></p>
<p><a href="https://www.rasheedah.net/">Rasheedah Phillips</a> is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the <em>New York Times</em>, <em>The Wire</em>, <em>New York </em>Magazine, <em>Boston Review</em>, <em>Hyperallergic</em>, and <em>e-flux</em>.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Rasheedah continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 16 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward <em>and</em> backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.</p>
<p>Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?</p>
<p>Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, <a href="https://bookshop.org/a/12343/9781849355612">Dismantling the Master's Clock: On Race, Space, and Time</a><em> </em>(AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.<br /></p>
<p><a href="https://www.rasheedah.net/">Rasheedah Phillips</a> is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the <em>New York Times</em>, <em>The Wire</em>, <em>New York </em>Magazine, <em>Boston Review</em>, <em>Hyperallergic</em>, and <em>e-flux</em>.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Rasheedah continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54195824" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ce664a28-8055-4c8f-b6a0-c57afb1e4be6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ce664a28-8055-4c8f-b6a0-c57afb1e4be6&amp;feed=KodC6fj_"/>
      <itunes:title>Rasheedah Phillips, &quot;Dismantling the Master&apos;s Clock: On Race, Space, and Time&quot; (AK Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:27</itunes:duration>
      <itunes:summary>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master&apos;s Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.

Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master&apos;s Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.

Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>506</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b87118f8-2f62-11f0-b177-b7a26fd7d28b</guid>
      <title>Robert F. Darden and Stephen M. Newby, &quot;Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch&quot; (Oxford UP, 2025)</title>
      <description><![CDATA[<p>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, <a href="https://bookshop.org/a/12343/9780197748121">Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch</a><em> </em>(Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.</p>
<p>10 Songs chosen by the authors:</p>
<ul>
  <li>The Blood (Will Never Lose Its Power)</li>
  <li>I’ve Got Confidence</li>
  <li>My Tribute (to God be the Glory)</li>
  <li>Satisfied</li>
  <li>Bless His Holy Name</li>
  <li>Take Me Back</li>
  <li>Soon and Very Soon</li>
  <li>Bless His Holy Name</li>
  <li>Jesus is the Answer</li>
  <li>Just Like He Said He Would</li>
</ul>
<p>Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for <em>Billboard</em> magazine.<br /></p>
<p>Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.</p>
<p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 14 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, <a href="https://bookshop.org/a/12343/9780197748121">Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch</a><em> </em>(Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.</p>
<p>10 Songs chosen by the authors:</p>
<ul>
  <li>The Blood (Will Never Lose Its Power)</li>
  <li>I’ve Got Confidence</li>
  <li>My Tribute (to God be the Glory)</li>
  <li>Satisfied</li>
  <li>Bless His Holy Name</li>
  <li>Take Me Back</li>
  <li>Soon and Very Soon</li>
  <li>Bless His Holy Name</li>
  <li>Jesus is the Answer</li>
  <li>Just Like He Said He Would</li>
</ul>
<p>Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for <em>Billboard</em> magazine.<br /></p>
<p>Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.</p>
<p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48179355" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/09543060-67f9-4cde-884d-0a25dbe0f1b4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=09543060-67f9-4cde-884d-0a25dbe0f1b4&amp;feed=KodC6fj_"/>
      <itunes:title>Robert F. Darden and Stephen M. Newby, &quot;Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch&quot; (Oxford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:11</itunes:duration>
      <itunes:summary>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--&quot;The Blood Will Never Lose Its Power,&quot; &quot;Through It All,&quot; &quot;My Tribute (To God be the Glory),&quot; &quot;Jesus is the Answer,&quot; &quot;Soon and Very Soon,&quot; and others--remain staples in modern hymnals, and he is often spoken of in the same &quot;genius&quot; pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:


  The Blood (Will Never Lose Its Power)

  I’ve Got Confidence

  My Tribute (to God be the Glory)

  Satisfied

  Bless His Holy Name

  Take Me Back

  Soon and Very Soon

  Bless His Holy Name

  Jesus is the Answer

  Just Like He Said He Would


Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--&quot;The Blood Will Never Lose Its Power,&quot; &quot;Through It All,&quot; &quot;My Tribute (To God be the Glory),&quot; &quot;Jesus is the Answer,&quot; &quot;Soon and Very Soon,&quot; and others--remain staples in modern hymnals, and he is often spoken of in the same &quot;genius&quot; pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:


  The Blood (Will Never Lose Its Power)

  I’ve Got Confidence

  My Tribute (to God be the Glory)

  Satisfied

  Bless His Holy Name

  Take Me Back

  Soon and Very Soon

  Bless His Holy Name

  Jesus is the Answer

  Just Like He Said He Would


Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8a1b3354-2f6b-11f0-a601-a730ecc03ea1</guid>
      <title>James B. Haile III, &quot;The Dark Delight of Being Strange: Black Stories of Freedom&quot; (Columbia UP, 2024)</title>
      <description><![CDATA[<p>An ambitious genre-crossing exploration of Black speculative imagination, <a href="https://bookshop.org/a/12343/9780231216302">The Dark Delight of Being Strange: Black Stories of Freedom</a><em> </em>(Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.<br />In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.<br />Offering new ways to grasp the meanings and implications of Black freedom, <em>The Dark Delight of Being Strange</em> invites us to reimagine history and memory, time and space, our identities and ourselves.</p>
<p>Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature</p>
<p>Finalist, 2025 PEN America Open Book Award</p>
<p>James B. Haile III is a Professor of English &amp; Philosophy at the University of Rhode Island. You can find him at the <a href="https://web.uri.edu/philosophy/meet/james-haile-iii/">University of Rhode Island Philosophy Department website</a>.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Haile continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 13 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An ambitious genre-crossing exploration of Black speculative imagination, <a href="https://bookshop.org/a/12343/9780231216302">The Dark Delight of Being Strange: Black Stories of Freedom</a><em> </em>(Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.<br />In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.<br />Offering new ways to grasp the meanings and implications of Black freedom, <em>The Dark Delight of Being Strange</em> invites us to reimagine history and memory, time and space, our identities and ourselves.</p>
<p>Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature</p>
<p>Finalist, 2025 PEN America Open Book Award</p>
<p>James B. Haile III is a Professor of English &amp; Philosophy at the University of Rhode Island. You can find him at the <a href="https://web.uri.edu/philosophy/meet/james-haile-iii/">University of Rhode Island Philosophy Department website</a>.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Haile continue their conversation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73612678" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/081d11bb-1486-44a9-b282-ca37bafb72d8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=081d11bb-1486-44a9-b282-ca37bafb72d8&amp;feed=KodC6fj_"/>
      <itunes:title>James B. Haile III, &quot;The Dark Delight of Being Strange: Black Stories of Freedom&quot; (Columbia UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:40</itunes:duration>
      <itunes:summary>An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN America Open Book Award

James B. Haile III is a Professor of English &amp; Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN America Open Book Award

James B. Haile III is a Professor of English &amp; Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>505</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b3cb560e-2d11-11f0-a938-6f61e2c2e763</guid>
      <title>Ariel Nereson, &quot;Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past&quot; (U Michigan Press, 2022)</title>
      <description><![CDATA[<p>On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: <em>Serenade/The Proposition</em>, <em>100 Migrations</em>, and <em>Fondly Do We Hope . . . Fervently Do We Pray</em>. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. <a href="https://bookshop.org/a/12343/9780472055128">Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past </a>(U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography.</p>
<p>The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 11 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: <em>Serenade/The Proposition</em>, <em>100 Migrations</em>, and <em>Fondly Do We Hope . . . Fervently Do We Pray</em>. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. <a href="https://bookshop.org/a/12343/9780472055128">Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past </a>(U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography.</p>
<p>The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29601395" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/095659fb-1d2a-43f7-86d7-21e300aaedc4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=095659fb-1d2a-43f7-86d7-21e300aaedc4&amp;feed=KodC6fj_"/>
      <itunes:title>Ariel Nereson, &quot;Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past&quot; (U Michigan Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:30:49</itunes:duration>
      <itunes:summary>On the 200th anniversary of Abraham Lincoln&apos;s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln&apos;s writings as they examined key moments in his life and his enduring legacy. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography.

The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America&apos;s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company&apos;s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones&apos;s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On the 200th anniversary of Abraham Lincoln&apos;s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln&apos;s writings as they examined key moments in his life and his enduring legacy. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography.

The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America&apos;s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company&apos;s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones&apos;s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">41974ad0-2b62-11f0-a871-d799c50c672a</guid>
      <title>Seulghee Lee, &quot;Other Lovings: An Afroasian American Theory of Life&quot; (Ohio State UP, 2025)</title>
      <description><![CDATA[<p>Join me for a conversation with <a href="https://www.sc.edu/study/colleges_schools/artsandsciences/english_language_and_literature/our_people/directory/lee_seulghee.php">Dr. Seulghee Lee</a> (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, <em>Other Lovings: An AfroAsian American Theory of Life</em> (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel <em>Shortcomings </em>(2007), Gayl Jones' novella <em>Corregidora</em> (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.</p>
<p>In <em>Other Lovings</em>, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, <em>Other Lovings</em> suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, <em>Other Loving</em>s argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.</p>
<p>This episode was hosted by <a href="https://history-of-art.osu.edu/people/adomanis.1">Asia Adomanis</a>, a PhD student in the Department of History of Art at Ohio State.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 9 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Join me for a conversation with <a href="https://www.sc.edu/study/colleges_schools/artsandsciences/english_language_and_literature/our_people/directory/lee_seulghee.php">Dr. Seulghee Lee</a> (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, <em>Other Lovings: An AfroAsian American Theory of Life</em> (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel <em>Shortcomings </em>(2007), Gayl Jones' novella <em>Corregidora</em> (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.</p>
<p>In <em>Other Lovings</em>, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, <em>Other Lovings</em> suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, <em>Other Loving</em>s argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.</p>
<p>This episode was hosted by <a href="https://history-of-art.osu.edu/people/adomanis.1">Asia Adomanis</a>, a PhD student in the Department of History of Art at Ohio State.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38946346" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8b7e1842-d25d-46d8-802a-fce3bceb4b91/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8b7e1842-d25d-46d8-802a-fce3bceb4b91&amp;feed=KodC6fj_"/>
      <itunes:title>Seulghee Lee, &quot;Other Lovings: An Afroasian American Theory of Life&quot; (Ohio State UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:33</itunes:duration>
      <itunes:summary>Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine&apos;s graphic novel Shortcomings (2007), Gayl Jones&apos; novella Corregidora (1975), and the cultural phenomenon of &quot;Linsanity&quot; and the lasting impact of NBA player Jeremy Lin&apos;s rise to fame.

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine&apos;s graphic novel Shortcomings (2007), Gayl Jones&apos; novella Corregidora (1975), and the cultural phenomenon of &quot;Linsanity&quot; and the lasting impact of NBA player Jeremy Lin&apos;s rise to fame.

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>504</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f9509da4-281d-11f0-8611-5bb1aba3c9a7</guid>
      <title>John Lee Hooker Jr., &quot;From the Shadow of the Blues: My Story of Music, Addiction, and Redemption&quot; (Rowman &amp; Littlefield, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781538186237">From the Shadow of the Blues: My Story of Music, Addiction, and Redemption</a><em> </em>(Rowman &amp; Littlefield, 2025) is powerful memoir of redemption from the son of blues legend John Lee Hooker.</p>
<p>Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father's shows as a teenager. His father was a sharecropper's son who became known for hit songs like "Boogie Chillin," "I'm in the Mood," and "Boom Boom," and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father's marriage was in trouble and ripped apart the family.<br />Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails &amp; prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal.<br />Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby "Blue" Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in churches and prisons in both Germany and America.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 5 May 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781538186237">From the Shadow of the Blues: My Story of Music, Addiction, and Redemption</a><em> </em>(Rowman &amp; Littlefield, 2025) is powerful memoir of redemption from the son of blues legend John Lee Hooker.</p>
<p>Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father's shows as a teenager. His father was a sharecropper's son who became known for hit songs like "Boogie Chillin," "I'm in the Mood," and "Boom Boom," and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father's marriage was in trouble and ripped apart the family.<br />Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails &amp; prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal.<br />Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby "Blue" Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in churches and prisons in both Germany and America.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48444737" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/940939bd-d579-43e2-b68e-f49733cd6f49/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=940939bd-d579-43e2-b68e-f49733cd6f49&amp;feed=KodC6fj_"/>
      <itunes:title>John Lee Hooker Jr., &quot;From the Shadow of the Blues: My Story of Music, Addiction, and Redemption&quot; (Rowman &amp; Littlefield, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:27</itunes:duration>
      <itunes:summary>From the Shadow of the Blues: My Story of Music, Addiction, and Redemption (Rowman &amp; Littlefield, 2025) is powerful memoir of redemption from the son of blues legend John Lee Hooker.

Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father&apos;s shows as a teenager. His father was a sharecropper&apos;s son who became known for hit songs like &quot;Boogie Chillin,&quot; &quot;I&apos;m in the Mood,&quot; and &quot;Boom Boom,&quot; and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father&apos;s marriage was in trouble and ripped apart the family.Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails &amp; prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal.Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby &quot;Blue&quot; Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in churches and prisons in both Germany and America.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From the Shadow of the Blues: My Story of Music, Addiction, and Redemption (Rowman &amp; Littlefield, 2025) is powerful memoir of redemption from the son of blues legend John Lee Hooker.

Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father&apos;s shows as a teenager. His father was a sharecropper&apos;s son who became known for hit songs like &quot;Boogie Chillin,&quot; &quot;I&apos;m in the Mood,&quot; and &quot;Boom Boom,&quot; and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father&apos;s marriage was in trouble and ripped apart the family.Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails &amp; prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal.Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby &quot;Blue&quot; Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in churches and prisons in both Germany and America.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>282</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0221ebd8-2682-11f0-82b9-3f79088c8f1c</guid>
      <title>Aaron Robertson, &quot;The Black Utopians: Searching for Paradise and the Promised Land in America&quot; (FSG, 2024)</title>
      <description><![CDATA[<p>How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?<br /></p>
<p>These questions animate Aaron Robertson’s exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.<br /></p>
<p>Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.<br /></p>
<p><a href="https://bookshop.org/a/12343/9780374604981"><em>The Black Utopians: Searching for Paradise and the Promised Land in America</em> </a>(FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.<br /></p>
<p><em>The Black Utopians </em>is a finalist for the Los Angeles Times Book Prize for History. </p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: <a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1">From Rights to Lives: The Evolution of the Black Freedom Struggle</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 2 May 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?<br /></p>
<p>These questions animate Aaron Robertson’s exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.<br /></p>
<p>Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.<br /></p>
<p><a href="https://bookshop.org/a/12343/9780374604981"><em>The Black Utopians: Searching for Paradise and the Promised Land in America</em> </a>(FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.<br /></p>
<p><em>The Black Utopians </em>is a finalist for the Los Angeles Times Book Prize for History. </p>
<p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: <a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1">From Rights to Lives: The Evolution of the Black Freedom Struggle</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51018156" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/22efd283-7c20-4a2d-be98-d246f1fefb04/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=22efd283-7c20-4a2d-be98-d246f1fefb04&amp;feed=KodC6fj_"/>
      <itunes:title>Aaron Robertson, &quot;The Black Utopians: Searching for Paradise and the Promised Land in America&quot; (FSG, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:08</itunes:duration>
      <itunes:summary>How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?

These questions animate Aaron Robertson’s exploration of Black Americans&apos; efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.

Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.

The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.

The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. 

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?

These questions animate Aaron Robertson’s exploration of Black Americans&apos; efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.

Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.

The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.

The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. 

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>503</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">60ca218a-2535-11f0-8cb9-bb7a22fbd66d</guid>
      <title>Vanessa Priya Daniel, &quot;Unrig the Game: What Women of Color Can Teach Everyone About Winning&quot; (Random House, 2025)</title>
      <description><![CDATA[<p>In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?<br /><a href="https://bookshop.org/a/12343/9780593596210">Unrig the Game: What Women of Color Can Teach Everyone About Winning </a>(Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.<br />For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 1 May 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?<br /><a href="https://bookshop.org/a/12343/9780593596210">Unrig the Game: What Women of Color Can Teach Everyone About Winning </a>(Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.<br />For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49257669" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f70d17c2-6f14-49f9-a61c-81b9cba431b3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f70d17c2-6f14-49f9-a61c-81b9cba431b3&amp;feed=KodC6fj_"/>
      <itunes:title>Vanessa Priya Daniel, &quot;Unrig the Game: What Women of Color Can Teach Everyone About Winning&quot; (Random House, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:18</itunes:duration>
      <itunes:summary>In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1713</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c56cd2a2-243d-11f0-ba12-235c4432024f</guid>
      <title>No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice</title>
      <description><![CDATA[<p>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today.</p>
<p>In <a href="https://bookshop.org/a/12343/9781469662688">No Common Ground: </a><a href="https://bookshop.org/a/12343/9781469662688">Confederate Monuments and the Ongoing Fight for Racial Justice</a><em> </em>(UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, <em>No Common Ground </em>is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.</p>
<p>Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include <em>Dreaming of Dixie: How the South Was Created in American Popular Culture</em> and <em>Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/research-whiteness-and-campus-monuments#entry:39395@1:url">Campus Monuments</a></li>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice#entry:39399@1:url">Researching Racial Injustice</a></li>
  <li><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">A Conversation with Curators from the Smithsonian</a></li>
  <li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing#entry:39424@1:url">The Names of All the Flowers</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be#entry:387428@1:url">What Might Be: Confronting Racism to Transform Our Institutions</a></li>
  <li><a href="https://newbooksnetwork.com/stolen-fragments-black-markets-bad-faith-and-the-illicit-trade-in-ancient-artefacts#entry:388728@1:url">Stolen Fragments</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 29 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today.</p>
<p>In <a href="https://bookshop.org/a/12343/9781469662688">No Common Ground: </a><a href="https://bookshop.org/a/12343/9781469662688">Confederate Monuments and the Ongoing Fight for Racial Justice</a><em> </em>(UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, <em>No Common Ground </em>is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.</p>
<p>Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include <em>Dreaming of Dixie: How the South Was Created in American Popular Culture</em> and <em>Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/research-whiteness-and-campus-monuments#entry:39395@1:url">Campus Monuments</a></li>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice#entry:39399@1:url">Researching Racial Injustice</a></li>
  <li><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">A Conversation with Curators from the Smithsonian</a></li>
  <li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing#entry:39424@1:url">The Names of All the Flowers</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be#entry:387428@1:url">What Might Be: Confronting Racism to Transform Our Institutions</a></li>
  <li><a href="https://newbooksnetwork.com/stolen-fragments-black-markets-bad-faith-and-the-illicit-trade-in-ancient-artefacts#entry:388728@1:url">Stolen Fragments</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47983455" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/df7fbe2a-a81b-43e4-b10a-ecf36aa25d28/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=df7fbe2a-a81b-43e4-b10a-ecf36aa25d28&amp;feed=KodC6fj_"/>
      <itunes:title>No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:58</itunes:duration>
      <itunes:summary>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they&apos;ve never been as intense as they are today.

In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and &quot;heritage&quot; laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie&apos;s Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Playlist for listeners:


  Campus Monuments

  Researching Racial Injustice

  A Conversation with Curators from the Smithsonian

  The Names of All the Flowers

  What Might Be: Confronting Racism to Transform Our Institutions

  Stolen Fragments


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they&apos;ve never been as intense as they are today.

In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and &quot;heritage&quot; laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie&apos;s Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Playlist for listeners:


  Campus Monuments

  Researching Racial Injustice

  A Conversation with Curators from the Smithsonian

  The Names of All the Flowers

  What Might Be: Confronting Racism to Transform Our Institutions

  Stolen Fragments


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">98c34688-22c0-11f0-a3ea-237343b1dd77</guid>
      <title>Frederick Knight, &quot;Black Elders: The Meaning of Age in American Slavery and Freedom&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p>Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery? </p>
<p>In <a href="https://bookshop.org/a/12343/9781512825664"><em>Black Elders: The Meaning of Age in American Slavery and Freedom</em></a> (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom.</p>
<p>You can find Dr. Knight at the <a href="https://profiles.howard.edu/frederick-knight">Howard University History Department page</a>, or on <a href="https://www.linkedin.com/in/fred-knight-a9b77952/">LinkedIn</a>. </p>
<p>And, once you’ve listened to the episode, head over to <a href="https://substack.com/@sullivansummer">Additions to the Archive</a> on Substack for a further conversation with Dr. Knight and host Sullivan Summer.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 28 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery? </p>
<p>In <a href="https://bookshop.org/a/12343/9781512825664"><em>Black Elders: The Meaning of Age in American Slavery and Freedom</em></a> (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom.</p>
<p>You can find Dr. Knight at the <a href="https://profiles.howard.edu/frederick-knight">Howard University History Department page</a>, or on <a href="https://www.linkedin.com/in/fred-knight-a9b77952/">LinkedIn</a>. </p>
<p>And, once you’ve listened to the episode, head over to <a href="https://substack.com/@sullivansummer">Additions to the Archive</a> on Substack for a further conversation with Dr. Knight and host Sullivan Summer.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69824243" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9e1d7272-97d2-4c17-9dc2-d66493031877/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9e1d7272-97d2-4c17-9dc2-d66493031877&amp;feed=KodC6fj_"/>
      <itunes:title>Frederick Knight, &quot;Black Elders: The Meaning of Age in American Slavery and Freedom&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:43</itunes:duration>
      <itunes:summary>Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery? 

In Black Elders: The Meaning of Age in American Slavery and Freedom (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom.

You can find Dr. Knight at the Howard University History Department page, or on LinkedIn. 

And, once you’ve listened to the episode, head over to Additions to the Archive on Substack for a further conversation with Dr. Knight and host Sullivan Summer.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery? 

In Black Elders: The Meaning of Age in American Slavery and Freedom (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom.

You can find Dr. Knight at the Howard University History Department page, or on LinkedIn. 

And, once you’ve listened to the episode, head over to Additions to the Archive on Substack for a further conversation with Dr. Knight and host Sullivan Summer.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>501</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6b78a3c6-2149-11f0-adcd-fbe0e5cbb8c2</guid>
      <title>Ben Arogundade, &quot;Hollywood Blackout: The Battle for Recognition in a White Hollywood&quot; (Cassell, 2025)</title>
      <description><![CDATA[<p>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. </p><p>In <a href="https://bookshop.org/a/12343/9781788405492"><em>Hollywood Blackout: The Battle for Inclusion at the Oscars</em></a> (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, <em>Hollywood Blackout</em> offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.</p><p>You can find and follow Ben at hollywoodblackout.com or <a href="https://arogundade.com/">arogundade.com</a>. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 26 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. </p><p>In <a href="https://bookshop.org/a/12343/9781788405492"><em>Hollywood Blackout: The Battle for Inclusion at the Oscars</em></a> (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, <em>Hollywood Blackout</em> offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.</p><p>You can find and follow Ben at hollywoodblackout.com or <a href="https://arogundade.com/">arogundade.com</a>. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62565804" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/62b323a5-5c29-4279-9917-34ba8b9a5f98/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=62b323a5-5c29-4279-9917-34ba8b9a5f98&amp;feed=KodC6fj_"/>
      <itunes:title>Ben Arogundade, &quot;Hollywood Blackout: The Battle for Recognition in a White Hollywood&quot; (Cassell, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:10</itunes:duration>
      <itunes:summary>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood&apos;s reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. 
In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.
You can find and follow Ben at hollywoodblackout.com or arogundade.com. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood&apos;s reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. 
In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.
You can find and follow Ben at hollywoodblackout.com or arogundade.com. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3e894ef4-2146-11f0-a848-2f1ad2385eb8</guid>
      <title>Alexander Stoffel, &quot;Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States&quot; (Stanford UP, 2025)</title>
      <description><![CDATA[<p>The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, <a href="https://bookshop.org/a/12343/9781503641662"><em>Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States</em></a> (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.</p><p>Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.</p><p>In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 25 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, <a href="https://bookshop.org/a/12343/9781503641662"><em>Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States</em></a> (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.</p><p>Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.</p><p>In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60164098" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/47e4bf36-dc4a-4612-98dc-423c72143806/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=47e4bf36-dc4a-4612-98dc-423c72143806&amp;feed=KodC6fj_"/>
      <itunes:title>Alexander Stoffel, &quot;Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States&quot; (Stanford UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:40</itunes:duration>
      <itunes:summary>The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.
Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.
In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States&apos; revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.
Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.
In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States&apos; revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0ceea022-1ebe-11f0-aab9-63d68efc3b2a</guid>
      <title>Philip V. McHarris, &quot;Beyond Policing&quot; (Legacy Lit, 2024)</title>
      <description><![CDATA[<p>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.</p><p>It's evident that policing is a problem. But what is the best way forward? In <a href="https://bookshop.org/a/12343/9781538725665"><em>Beyond Policing</em></a>, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.</p><p><em>Beyond Policing</em> tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.</p><p>McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.</p><p>McHarris writes, "What if our response to crisis wasn't about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn't just a daydream; it's the first step toward building a society where violence and fear no longer dictate our lives."</p><p>Transformative and forward thinking, <em>Beyond Policing</em> provides a blueprint for a brighter, safer world. McHarris's vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 22 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.</p><p>It's evident that policing is a problem. But what is the best way forward? In <a href="https://bookshop.org/a/12343/9781538725665"><em>Beyond Policing</em></a>, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.</p><p><em>Beyond Policing</em> tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.</p><p>McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.</p><p>McHarris writes, "What if our response to crisis wasn't about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn't just a daydream; it's the first step toward building a society where violence and fear no longer dictate our lives."</p><p>Transformative and forward thinking, <em>Beyond Policing</em> provides a blueprint for a brighter, safer world. McHarris's vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42801269" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3808c00d-f816-4a19-8d33-ce97ff1cf4cb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3808c00d-f816-4a19-8d33-ce97ff1cf4cb&amp;feed=KodC6fj_"/>
      <itunes:title>Philip V. McHarris, &quot;Beyond Policing&quot; (Legacy Lit, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:34</itunes:duration>
      <itunes:summary>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.
It&apos;s evident that policing is a problem. But what is the best way forward? In Beyond Policing, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.
Beyond Policing tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.
McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.
McHarris writes, &quot;What if our response to crisis wasn&apos;t about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn&apos;t just a daydream; it&apos;s the first step toward building a society where violence and fear no longer dictate our lives.&quot;
Transformative and forward thinking, Beyond Policing provides a blueprint for a brighter, safer world. McHarris&apos;s vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.
It&apos;s evident that policing is a problem. But what is the best way forward? In Beyond Policing, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.
Beyond Policing tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.
McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.
McHarris writes, &quot;What if our response to crisis wasn&apos;t about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn&apos;t just a daydream; it&apos;s the first step toward building a society where violence and fear no longer dictate our lives.&quot;
Transformative and forward thinking, Beyond Policing provides a blueprint for a brighter, safer world. McHarris&apos;s vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>500</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bd4a3df4-1c8f-11f0-8cc0-03e36ce768d4</guid>
      <title>Reginald K. Ellis et al., &quot;Black Citizens and American Democracy: Fighting for the Soul of a Nation&quot; (UP of Florida, 2025)</title>
      <description><![CDATA[<p>In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy.</p><p>The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women's roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed "race leaders"; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations.</p><p>These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. <a href="https://bookshop.org/a/12343/9780813080987">Black Citizens and American Democracy</a> (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 20 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy.</p><p>The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women's roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed "race leaders"; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations.</p><p>These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. <a href="https://bookshop.org/a/12343/9780813080987">Black Citizens and American Democracy</a> (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="25983668" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a4f95012-7037-4d74-b5a5-396b268c4bdd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a4f95012-7037-4d74-b5a5-396b268c4bdd&amp;feed=KodC6fj_"/>
      <itunes:title>Reginald K. Ellis et al., &quot;Black Citizens and American Democracy: Fighting for the Soul of a Nation&quot; (UP of Florida, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:27:03</itunes:duration>
      <itunes:summary>In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy.
The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women&apos;s roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed &quot;race leaders&quot;; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations.
These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. Black Citizens and American Democracy (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy.
The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women&apos;s roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed &quot;race leaders&quot;; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations.
These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. Black Citizens and American Democracy (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">68546966-1c6a-11f0-a44e-875fc0f1eae8</guid>
      <title>Alfred L. Martin, Jr., &quot;Fandom for Us, by Us: The Pleasures and Practices of Black Audiences&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p>Boldly going where few fandom scholars have gone before, <a href="https://bookshop.org/a/12343/9781479824922"><em>Fandom for Us, by Us: The Pleasures and Practices of Black Audiences</em></a><em> </em>(NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C’s”: class, clout, canon, and comfort.</p><p>Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland’s ascension in American Ballet Theatre. Clout refers to Black fans’ realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018’s <em>Black Panther</em>. Canon entails a communal fannish practice of sharing media objects, like the 1978 film <em>The Wiz</em>, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, <em>Golden Girls</em>, connected to notions of Black joy and signaling moments wherein Black people can just be themselves.</p><p>Through 75 in-depth interviews with Black fans, <em>Fandom for Us, by Us</em> argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 19 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Boldly going where few fandom scholars have gone before, <a href="https://bookshop.org/a/12343/9781479824922"><em>Fandom for Us, by Us: The Pleasures and Practices of Black Audiences</em></a><em> </em>(NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C’s”: class, clout, canon, and comfort.</p><p>Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland’s ascension in American Ballet Theatre. Clout refers to Black fans’ realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018’s <em>Black Panther</em>. Canon entails a communal fannish practice of sharing media objects, like the 1978 film <em>The Wiz</em>, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, <em>Golden Girls</em>, connected to notions of Black joy and signaling moments wherein Black people can just be themselves.</p><p>Through 75 in-depth interviews with Black fans, <em>Fandom for Us, by Us</em> argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68548961" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4f81d1f1-6b47-476a-a661-82e7609bd1fc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4f81d1f1-6b47-476a-a661-82e7609bd1fc&amp;feed=KodC6fj_"/>
      <itunes:title>Alfred L. Martin, Jr., &quot;Fandom for Us, by Us: The Pleasures and Practices of Black Audiences&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:24</itunes:duration>
      <itunes:summary>Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C’s”: class, clout, canon, and comfort.
Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland’s ascension in American Ballet Theatre. Clout refers to Black fans’ realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018’s Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves.
Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study.
Peter C. Kunze is an assistant professor of communication at Tulane University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C’s”: class, clout, canon, and comfort.
Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland’s ascension in American Ballet Theatre. Clout refers to Black fans’ realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018’s Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves.
Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study.
Peter C. Kunze is an assistant professor of communication at Tulane University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ffba23ae-17b0-11f0-8407-97a37528db79</guid>
      <title>Aaron Kupchik, &quot;Suspended Education: School Punishment and the Legacy of Racial Injustice&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p>Every year, millions of public school students are suspended. This overused punishment removes students from the classroom, but it does not improve their behavior. Instead, suspension disrupts their education, harming the students, their families, and their schools. Black students suffer most within this broken system, experiencing a far greater risk of school punishment and the significant harms that accompany it. Many activists and scholars have considered how school punishment increases racial inequity, but few have thought to ask <em>why</em>. Why do we punish students the way we do, and why have we allowed this harmful practice to impact the lives of our nation’s children?</p><p><br /></p><p>In <a href="https://bookshop.org/a/12343/9781479821112"><em>Suspended Education: School Punishment and the Legacy of Racial Injustice</em></a><em> </em>(NYU Press, 2025), Aaron Kupchik takes readers to the root of the issue. Suspensions were not intended as a behavior management tool. Instead, they were designed to remove unwanted students from the classroom. Through statistical analysis and in-depth case studies of schools in Massachusetts and Delaware, Kupchik reveals how suspension rates skyrocketed after the 1954 <em>Brown v. Board of Education </em>decision, serving as an unofficial means of removing Black children from newly desegregated schools. His groundbreaking research traces the legacy of these segregationist movements, demonstrating that school districts with more desegregation-related legal battles from the 1950s onward suspend more Black students today. Combining expert analysis with compelling, accessible prose, Kupchik makes a powerful case for the end of suspension and other exclusionary punishments. The result is a revelatory explanation of a pressing problem facing all children, parents, and educators today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 15 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Every year, millions of public school students are suspended. This overused punishment removes students from the classroom, but it does not improve their behavior. Instead, suspension disrupts their education, harming the students, their families, and their schools. Black students suffer most within this broken system, experiencing a far greater risk of school punishment and the significant harms that accompany it. Many activists and scholars have considered how school punishment increases racial inequity, but few have thought to ask <em>why</em>. Why do we punish students the way we do, and why have we allowed this harmful practice to impact the lives of our nation’s children?</p><p><br /></p><p>In <a href="https://bookshop.org/a/12343/9781479821112"><em>Suspended Education: School Punishment and the Legacy of Racial Injustice</em></a><em> </em>(NYU Press, 2025), Aaron Kupchik takes readers to the root of the issue. Suspensions were not intended as a behavior management tool. Instead, they were designed to remove unwanted students from the classroom. Through statistical analysis and in-depth case studies of schools in Massachusetts and Delaware, Kupchik reveals how suspension rates skyrocketed after the 1954 <em>Brown v. Board of Education </em>decision, serving as an unofficial means of removing Black children from newly desegregated schools. His groundbreaking research traces the legacy of these segregationist movements, demonstrating that school districts with more desegregation-related legal battles from the 1950s onward suspend more Black students today. Combining expert analysis with compelling, accessible prose, Kupchik makes a powerful case for the end of suspension and other exclusionary punishments. The result is a revelatory explanation of a pressing problem facing all children, parents, and educators today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="24939285" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/05c9af0b-44da-456e-b7cf-74784192bfdf/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=05c9af0b-44da-456e-b7cf-74784192bfdf&amp;feed=KodC6fj_"/>
      <itunes:title>Aaron Kupchik, &quot;Suspended Education: School Punishment and the Legacy of Racial Injustice&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:25:58</itunes:duration>
      <itunes:summary>Every year, millions of public school students are suspended. This overused punishment removes students from the classroom, but it does not improve their behavior. Instead, suspension disrupts their education, harming the students, their families, and their schools. Black students suffer most within this broken system, experiencing a far greater risk of school punishment and the significant harms that accompany it. Many activists and scholars have considered how school punishment increases racial inequity, but few have thought to ask why. Why do we punish students the way we do, and why have we allowed this harmful practice to impact the lives of our nation’s children?

In Suspended Education: School Punishment and the Legacy of Racial Injustice (NYU Press, 2025), Aaron Kupchik takes readers to the root of the issue. Suspensions were not intended as a behavior management tool. Instead, they were designed to remove unwanted students from the classroom. Through statistical analysis and in-depth case studies of schools in Massachusetts and Delaware, Kupchik reveals how suspension rates skyrocketed after the 1954 Brown v. Board of Education decision, serving as an unofficial means of removing Black children from newly desegregated schools. His groundbreaking research traces the legacy of these segregationist movements, demonstrating that school districts with more desegregation-related legal battles from the 1950s onward suspend more Black students today. Combining expert analysis with compelling, accessible prose, Kupchik makes a powerful case for the end of suspension and other exclusionary punishments. The result is a revelatory explanation of a pressing problem facing all children, parents, and educators today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Every year, millions of public school students are suspended. This overused punishment removes students from the classroom, but it does not improve their behavior. Instead, suspension disrupts their education, harming the students, their families, and their schools. Black students suffer most within this broken system, experiencing a far greater risk of school punishment and the significant harms that accompany it. Many activists and scholars have considered how school punishment increases racial inequity, but few have thought to ask why. Why do we punish students the way we do, and why have we allowed this harmful practice to impact the lives of our nation’s children?

In Suspended Education: School Punishment and the Legacy of Racial Injustice (NYU Press, 2025), Aaron Kupchik takes readers to the root of the issue. Suspensions were not intended as a behavior management tool. Instead, they were designed to remove unwanted students from the classroom. Through statistical analysis and in-depth case studies of schools in Massachusetts and Delaware, Kupchik reveals how suspension rates skyrocketed after the 1954 Brown v. Board of Education decision, serving as an unofficial means of removing Black children from newly desegregated schools. His groundbreaking research traces the legacy of these segregationist movements, demonstrating that school districts with more desegregation-related legal battles from the 1950s onward suspend more Black students today. Combining expert analysis with compelling, accessible prose, Kupchik makes a powerful case for the end of suspension and other exclusionary punishments. The result is a revelatory explanation of a pressing problem facing all children, parents, and educators today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>249</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c3020c92-1701-11f0-91e4-5b57c89d93fe</guid>
      <title>Maurice Jackson, &quot;Rhythms of Resistance and Resilience: How Black Washingtonians Used Music and Sports in the Fight for Equality&quot; (Georgetown UP, 2025)</title>
      <description><![CDATA[<p>In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life.</p><p><a href="https://bookshop.org/a/12343/9781647125219"><em>Rhythms of Resistance and Resilience</em></a> (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr.</p><p>Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 14 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life.</p><p><a href="https://bookshop.org/a/12343/9781647125219"><em>Rhythms of Resistance and Resilience</em></a> (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr.</p><p>Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49770909" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9d563e51-4609-4044-b411-f9b3a05f75b1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9d563e51-4609-4044-b411-f9b3a05f75b1&amp;feed=KodC6fj_"/>
      <itunes:title>Maurice Jackson, &quot;Rhythms of Resistance and Resilience: How Black Washingtonians Used Music and Sports in the Fight for Equality&quot; (Georgetown UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:50</itunes:duration>
      <itunes:summary>In the Nation&apos;s Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life.
Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians&apos; union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr.
Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the Nation&apos;s Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life.
Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians&apos; union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr.
Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>288</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9b3130e4-163e-11f0-b5b1-9bd7e533e2cb</guid>
      <title>Daryl Fairweather, &quot;Hate the Game: Economic Cheat Codes for Life, Love, and Work&quot; (U Chicago Press, 2025)</title>
      <description><![CDATA[<p>The secret insights of economics, translated for the rest of us. Should I buy or rent? Do I ask for a promotion? Should I tell people I’m pregnant? What salary do I deserve? Should I just quit this job? Common anxieties about life are often grounded in economics. In an increasingly win-lose society, these economic decisions—where to work, where to live, even how to live—have a way of feeling fixed and mistakes terminal. Daryl Fairweather is no stranger to these dynamics. As the first Black woman to receive an economics PhD from the famed University of Chicago, she saw firsthand how concepts of behavioral economics and game theory were deployed in the real world—and in her own life—to great effect. </p><p><a href="https://bookshop.org/a/12343/9780226839523"><em>Hate the Game: Economic Cheat Codes for Life, Love, and Work</em></a> (U Chicago Press, 2025) combines Fairweather’s elite knowledge of these principles with her singular voice in describing how they can be harnessed. Her great talent, unique among economists, is her ability to articulate economic trends in a way that is not just informative, but also accounts for life’s other anxieties. In <em>Hate the Game</em>, Fairweather fixes her expertise and service on navigating the earliest economic inflection points of adult life: whether to go to college and for how long; partnering, having kids, both, or neither; getting, keeping, and changing jobs; and where to live and how to pay for it. She speaks in actionable terms about what the economy means for individual people, especially those who have the sneaking suspicion they’re losing out. Set against her own experiences and enriched with lessons from history, science, and pop culture, Fairweather instructs readers on how to use game theory and behavioral science to map out options and choose directions while offering readers a sense of control and agency in an economy where those things are increasingly rare.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 13 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The secret insights of economics, translated for the rest of us. Should I buy or rent? Do I ask for a promotion? Should I tell people I’m pregnant? What salary do I deserve? Should I just quit this job? Common anxieties about life are often grounded in economics. In an increasingly win-lose society, these economic decisions—where to work, where to live, even how to live—have a way of feeling fixed and mistakes terminal. Daryl Fairweather is no stranger to these dynamics. As the first Black woman to receive an economics PhD from the famed University of Chicago, she saw firsthand how concepts of behavioral economics and game theory were deployed in the real world—and in her own life—to great effect. </p><p><a href="https://bookshop.org/a/12343/9780226839523"><em>Hate the Game: Economic Cheat Codes for Life, Love, and Work</em></a> (U Chicago Press, 2025) combines Fairweather’s elite knowledge of these principles with her singular voice in describing how they can be harnessed. Her great talent, unique among economists, is her ability to articulate economic trends in a way that is not just informative, but also accounts for life’s other anxieties. In <em>Hate the Game</em>, Fairweather fixes her expertise and service on navigating the earliest economic inflection points of adult life: whether to go to college and for how long; partnering, having kids, both, or neither; getting, keeping, and changing jobs; and where to live and how to pay for it. She speaks in actionable terms about what the economy means for individual people, especially those who have the sneaking suspicion they’re losing out. Set against her own experiences and enriched with lessons from history, science, and pop culture, Fairweather instructs readers on how to use game theory and behavioral science to map out options and choose directions while offering readers a sense of control and agency in an economy where those things are increasingly rare.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34877627" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3eeb6041-854d-48ad-bda7-86a78b0d7a6d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3eeb6041-854d-48ad-bda7-86a78b0d7a6d&amp;feed=KodC6fj_"/>
      <itunes:title>Daryl Fairweather, &quot;Hate the Game: Economic Cheat Codes for Life, Love, and Work&quot; (U Chicago Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:19</itunes:duration>
      <itunes:summary>The secret insights of economics, translated for the rest of us. Should I buy or rent? Do I ask for a promotion? Should I tell people I’m pregnant? What salary do I deserve? Should I just quit this job? Common anxieties about life are often grounded in economics. In an increasingly win-lose society, these economic decisions—where to work, where to live, even how to live—have a way of feeling fixed and mistakes terminal. Daryl Fairweather is no stranger to these dynamics. As the first Black woman to receive an economics PhD from the famed University of Chicago, she saw firsthand how concepts of behavioral economics and game theory were deployed in the real world—and in her own life—to great effect. 
Hate the Game: Economic Cheat Codes for Life, Love, and Work (U Chicago Press, 2025) combines Fairweather’s elite knowledge of these principles with her singular voice in describing how they can be harnessed. Her great talent, unique among economists, is her ability to articulate economic trends in a way that is not just informative, but also accounts for life’s other anxieties. In Hate the Game, Fairweather fixes her expertise and service on navigating the earliest economic inflection points of adult life: whether to go to college and for how long; partnering, having kids, both, or neither; getting, keeping, and changing jobs; and where to live and how to pay for it. She speaks in actionable terms about what the economy means for individual people, especially those who have the sneaking suspicion they’re losing out. Set against her own experiences and enriched with lessons from history, science, and pop culture, Fairweather instructs readers on how to use game theory and behavioral science to map out options and choose directions while offering readers a sense of control and agency in an economy where those things are increasingly rare.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The secret insights of economics, translated for the rest of us. Should I buy or rent? Do I ask for a promotion? Should I tell people I’m pregnant? What salary do I deserve? Should I just quit this job? Common anxieties about life are often grounded in economics. In an increasingly win-lose society, these economic decisions—where to work, where to live, even how to live—have a way of feeling fixed and mistakes terminal. Daryl Fairweather is no stranger to these dynamics. As the first Black woman to receive an economics PhD from the famed University of Chicago, she saw firsthand how concepts of behavioral economics and game theory were deployed in the real world—and in her own life—to great effect. 
Hate the Game: Economic Cheat Codes for Life, Love, and Work (U Chicago Press, 2025) combines Fairweather’s elite knowledge of these principles with her singular voice in describing how they can be harnessed. Her great talent, unique among economists, is her ability to articulate economic trends in a way that is not just informative, but also accounts for life’s other anxieties. In Hate the Game, Fairweather fixes her expertise and service on navigating the earliest economic inflection points of adult life: whether to go to college and for how long; partnering, having kids, both, or neither; getting, keeping, and changing jobs; and where to live and how to pay for it. She speaks in actionable terms about what the economy means for individual people, especially those who have the sneaking suspicion they’re losing out. Set against her own experiences and enriched with lessons from history, science, and pop culture, Fairweather instructs readers on how to use game theory and behavioral science to map out options and choose directions while offering readers a sense of control and agency in an economy where those things are increasingly rare.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">08669eec-16df-11f0-95c7-9b3067a82945</guid>
      <title>Davida Siwisa James, &quot;Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood Through the Centuries&quot; (Fordham UP, 2024)</title>
      <description><![CDATA[<p>For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own.</p><p>Davida Siwisa James explores two parts of Harlem in her book <a href="https://bookshop.org/a/12343/9781531506155"><em>Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood</em> <em>Through the Centuries</em></a>, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill.</p><p>James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America.</p><p>Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of <em>When the City Stopped: Stories from New York’s Essential Workers</em> (Cornell, 2025). Email: rwsnyder@rutgers.edu.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 12 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own.</p><p>Davida Siwisa James explores two parts of Harlem in her book <a href="https://bookshop.org/a/12343/9781531506155"><em>Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood</em> <em>Through the Centuries</em></a>, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill.</p><p>James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America.</p><p>Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of <em>When the City Stopped: Stories from New York’s Essential Workers</em> (Cornell, 2025). Email: rwsnyder@rutgers.edu.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43150351" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/12bc6688-7e41-4096-9ba8-ec7cddb55deb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=12bc6688-7e41-4096-9ba8-ec7cddb55deb&amp;feed=KodC6fj_"/>
      <itunes:title>Davida Siwisa James, &quot;Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood Through the Centuries&quot; (Fordham UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:56</itunes:duration>
      <itunes:summary>For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own.
Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill.
James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America.
Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own.
Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill.
James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America.
Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>499</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">06f40e64-1487-11f0-b3e8-3369d3291655</guid>
      <title>Forest Issac Jones, &quot;Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972&quot; (First Hill Books, 2025)</title>
      <description><![CDATA[<p>Forest Isaac Jones is an award-winning author of non-fiction and essays, specializing in the study of Irish History, the US Civil Rights Movement and Northern Ireland. His latest essay, ‘The Civil Rights Connection Between The USA and Northern Ireland’ was awarded honorable mention in the category of nonfiction essay by Writer’s Digest in their 93rd annual writing competition.</p><p>In this interview, he discusses his new book <a href="https://bookshop.org/a/12343/9781839994616"><em>Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972</em></a> (First Hill Books, 2025).</p><p><em>Good Trouble</em> investigates the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.</p><p>Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, <em>Once Upon A Time In Northern Ireland</em>) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann, who took part in the Belfast to Derry march in 1969.</p><p>Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 10 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Forest Isaac Jones is an award-winning author of non-fiction and essays, specializing in the study of Irish History, the US Civil Rights Movement and Northern Ireland. His latest essay, ‘The Civil Rights Connection Between The USA and Northern Ireland’ was awarded honorable mention in the category of nonfiction essay by Writer’s Digest in their 93rd annual writing competition.</p><p>In this interview, he discusses his new book <a href="https://bookshop.org/a/12343/9781839994616"><em>Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972</em></a> (First Hill Books, 2025).</p><p><em>Good Trouble</em> investigates the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.</p><p>Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, <em>Once Upon A Time In Northern Ireland</em>) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann, who took part in the Belfast to Derry march in 1969.</p><p>Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="24715405" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7be02e45-8502-4d93-b32b-6256d8f29df1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7be02e45-8502-4d93-b32b-6256d8f29df1&amp;feed=KodC6fj_"/>
      <itunes:title>Forest Issac Jones, &quot;Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972&quot; (First Hill Books, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:25:44</itunes:duration>
      <itunes:summary>Forest Isaac Jones is an award-winning author of non-fiction and essays, specializing in the study of Irish History, the US Civil Rights Movement and Northern Ireland. His latest essay, ‘The Civil Rights Connection Between The USA and Northern Ireland’ was awarded honorable mention in the category of nonfiction essay by Writer’s Digest in their 93rd annual writing competition.
In this interview, he discusses his new book Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972 (First Hill Books, 2025).
Good Trouble investigates the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.
Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann, who took part in the Belfast to Derry march in 1969.
Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Forest Isaac Jones is an award-winning author of non-fiction and essays, specializing in the study of Irish History, the US Civil Rights Movement and Northern Ireland. His latest essay, ‘The Civil Rights Connection Between The USA and Northern Ireland’ was awarded honorable mention in the category of nonfiction essay by Writer’s Digest in their 93rd annual writing competition.
In this interview, he discusses his new book Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972 (First Hill Books, 2025).
Good Trouble investigates the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.
Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann, who took part in the Belfast to Derry march in 1969.
Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5bad631e-10a5-11f0-a0fd-8f306e31e629</guid>
      <title>Martha S. Jones, &quot;The Trouble of Color: An American Family Memoir&quot; (Basic Books, 2025)</title>
      <description><![CDATA[<p>Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”</p><p><br /></p><p>Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.</p><p><br /></p><p>Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, <a href="https://bookshop.org/a/12343/9781541601000"><em>The Trouble of Color</em>: <em>An American Family Memoir</em> </a>(Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.</p><p><strong>Martha S. Jones</strong> is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently <em>Vanguard</em>, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the <em>New York Times</em>, <em>Atlantic</em>, and many other publications. She lives in Baltimore, Maryland.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 6 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”</p><p><br /></p><p>Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.</p><p><br /></p><p>Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, <a href="https://bookshop.org/a/12343/9781541601000"><em>The Trouble of Color</em>: <em>An American Family Memoir</em> </a>(Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.</p><p><strong>Martha S. Jones</strong> is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently <em>Vanguard</em>, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the <em>New York Times</em>, <em>Atlantic</em>, and many other publications. She lives in Baltimore, Maryland.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46547111" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5e04df77-e18b-4173-9018-a2b7bcc768b9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5e04df77-e18b-4173-9018-a2b7bcc768b9&amp;feed=KodC6fj_"/>
      <itunes:title>Martha S. Jones, &quot;The Trouble of Color: An American Family Memoir&quot; (Basic Books, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:29</itunes:duration>
      <itunes:summary>Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”

Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.

Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.
Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”

Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.

Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.
Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>355</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9e13b1a0-109a-11f0-8481-b3f05177ec3e</guid>
      <title>Julie Malnig, &quot;Dancing Black, Dancing White: Rock &apos;n&apos; Roll, Race, and Youth Culture of the 1950s and Early 1960s&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780197536261"><em>Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s</em></a><em> </em>(Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. </p><p>The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. <em>Dancing Black, Dancing White</em> weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.</p><p><a href="https://gallatin.nyu.edu/people/faculty/jmm2.html">Julie Malnig</a> is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 5 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780197536261"><em>Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s</em></a><em> </em>(Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. </p><p>The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. <em>Dancing Black, Dancing White</em> weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.</p><p><a href="https://gallatin.nyu.edu/people/faculty/jmm2.html">Julie Malnig</a> is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44383598" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/27b3fdce-9adf-4f67-9a04-f6c54c558976/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=27b3fdce-9adf-4f67-9a04-f6c54c558976&amp;feed=KodC6fj_"/>
      <itunes:title>Julie Malnig, &quot;Dancing Black, Dancing White: Rock &apos;n&apos; Roll, Race, and Youth Culture of the 1950s and Early 1960s&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:13</itunes:duration>
      <itunes:summary>Dancing Black, Dancing White: Rock &apos;n&apos; Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as &quot;dance parties,&quot; the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. 
The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock &apos;n&apos; roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dancing Black, Dancing White: Rock &apos;n&apos; Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as &quot;dance parties,&quot; the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. 
The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock &apos;n&apos; roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1699</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">99863c04-0ff8-11f0-a3a1-933efda60745</guid>
      <title>Atiya Husain, &quot;No God But Man: On Race, Knowledge, and Terrorism&quot; (Duke UP, 2025)</title>
      <description><![CDATA[<p>Atiya Husain’s <a href="https://bookshop.org/a/12343/9781478031369"><em>No God but Man: On Race, Knowledge and Terrorism</em></a> (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 4 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Atiya Husain’s <a href="https://bookshop.org/a/12343/9781478031369"><em>No God but Man: On Race, Knowledge and Terrorism</em></a> (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63776658" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/91ceb874-a297-4580-9ec0-3d874028b438/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=91ceb874-a297-4580-9ec0-3d874028b438&amp;feed=KodC6fj_"/>
      <itunes:title>Atiya Husain, &quot;No God But Man: On Race, Knowledge, and Terrorism&quot; (Duke UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:25</itunes:duration>
      <itunes:summary>Atiya Husain’s No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Atiya Husain’s No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>355</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7d0815f6-0fd6-11f0-af88-d76b2b47192a</guid>
      <title>Womanist Bioethics: Social Justice, Spirituality, and Black Women&apos;s Health</title>
      <description><![CDATA[<p>Black people, and especially Black women, suffer and die from diseases at much higher rates than their white counterparts. The vast majority of these health disparities are not attributed to behavioral differences or biology, but to the pervasive devaluation of Black bodies. <a href="https://bookshop.org/a/12343/9781479817245"><em>Womanist Bioethics: Social Justice, Spirituality, and Black Women’s Health </em></a>(NYU Press, 2025), by Dr. Wylin D. Wilson, addresses this crisis from a bioethical standpoint. It offers a critique of mainstream bioethics as having embraced the perspective of its mainly white, male progenitors, limiting the extent to which it is positioned to engage the issues that particularly affect vulnerable populations. This book makes the provocative but essential case that because African American women—across almost every health indicator—fare worse than others, we must not only include, but center, Black women’s experiences and voices in bioethics discourse and practice.</p><p><em>Womanist Bioethics</em> develops the first specifically womanist form of bioethics, focused on the diverse vulnerabilities and multiple oppressions that women of color face. This innovative womanist bioethics is grounded in the Black Christian prophetic tradition, based on the ideas that God does not condone oppression and that it is imperative to defend those who are vulnerable. It also draws on womanist theology and Black liberation theology, which take similar stances. At its core, the volume offers a new, broad-based approach to bioethics that is meant as a corrective to mainstream bioethics’ privileging of white, particularly male, experiences, and it outlines ways in which hospitals, churches, and the larger community can better respond to the healthcare needs of Black women.</p><p>Our guest is: Dr. <a href="https://divinity.duke.edu/faculty/wylin-d-wilson">Wylin D. Wilson</a>, who is associate professor of theological ethics at Duke Divinity School. Her work lies at the intersection of religion, gender, and bioethics. Her academic interests also include rural bioethics and Black church studies. Prior to joining Duke Divinity School in 2020, she was a teaching faculty member at the Harvard Medical School Center for Bioethics and a senior fellow at the Center for the Study of World Religions at Harvard Divinity School. She is the theologian-in-residence for the Children's Defense Fund and is a member of the American Academy of Religion’s Bioethics and Religion Program Unit Steering Committee. Among her publications is her book, <em>Economic Ethics and the Black Church</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and producer of the Academic</p><p>Life podcast.</p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 3 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Black people, and especially Black women, suffer and die from diseases at much higher rates than their white counterparts. The vast majority of these health disparities are not attributed to behavioral differences or biology, but to the pervasive devaluation of Black bodies. <a href="https://bookshop.org/a/12343/9781479817245"><em>Womanist Bioethics: Social Justice, Spirituality, and Black Women’s Health </em></a>(NYU Press, 2025), by Dr. Wylin D. Wilson, addresses this crisis from a bioethical standpoint. It offers a critique of mainstream bioethics as having embraced the perspective of its mainly white, male progenitors, limiting the extent to which it is positioned to engage the issues that particularly affect vulnerable populations. This book makes the provocative but essential case that because African American women—across almost every health indicator—fare worse than others, we must not only include, but center, Black women’s experiences and voices in bioethics discourse and practice.</p><p><em>Womanist Bioethics</em> develops the first specifically womanist form of bioethics, focused on the diverse vulnerabilities and multiple oppressions that women of color face. This innovative womanist bioethics is grounded in the Black Christian prophetic tradition, based on the ideas that God does not condone oppression and that it is imperative to defend those who are vulnerable. It also draws on womanist theology and Black liberation theology, which take similar stances. At its core, the volume offers a new, broad-based approach to bioethics that is meant as a corrective to mainstream bioethics’ privileging of white, particularly male, experiences, and it outlines ways in which hospitals, churches, and the larger community can better respond to the healthcare needs of Black women.</p><p>Our guest is: Dr. <a href="https://divinity.duke.edu/faculty/wylin-d-wilson">Wylin D. Wilson</a>, who is associate professor of theological ethics at Duke Divinity School. Her work lies at the intersection of religion, gender, and bioethics. Her academic interests also include rural bioethics and Black church studies. Prior to joining Duke Divinity School in 2020, she was a teaching faculty member at the Harvard Medical School Center for Bioethics and a senior fellow at the Center for the Study of World Religions at Harvard Divinity School. She is the theologian-in-residence for the Children's Defense Fund and is a member of the American Academy of Religion’s Bioethics and Religion Program Unit Steering Committee. Among her publications is her book, <em>Economic Ethics and the Black Church</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and producer of the Academic</p><p>Life podcast.</p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52059877" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/19bf347a-56a4-4570-ad86-d38593b93e77/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=19bf347a-56a4-4570-ad86-d38593b93e77&amp;feed=KodC6fj_"/>
      <itunes:title>Womanist Bioethics: Social Justice, Spirituality, and Black Women&apos;s Health</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:13</itunes:duration>
      <itunes:summary>Black people, and especially Black women, suffer and die from diseases at much higher rates than their white counterparts. The vast majority of these health disparities are not attributed to behavioral differences or biology, but to the pervasive devaluation of Black bodies. Womanist Bioethics: Social Justice, Spirituality, and Black Women’s Health (NYU Press, 2025), by Dr. Wylin D. Wilson, addresses this crisis from a bioethical standpoint. It offers a critique of mainstream bioethics as having embraced the perspective of its mainly white, male progenitors, limiting the extent to which it is positioned to engage the issues that particularly affect vulnerable populations. This book makes the provocative but essential case that because African American women—across almost every health indicator—fare worse than others, we must not only include, but center, Black women’s experiences and voices in bioethics discourse and practice.
Womanist Bioethics develops the first specifically womanist form of bioethics, focused on the diverse vulnerabilities and multiple oppressions that women of color face. This innovative womanist bioethics is grounded in the Black Christian prophetic tradition, based on the ideas that God does not condone oppression and that it is imperative to defend those who are vulnerable. It also draws on womanist theology and Black liberation theology, which take similar stances. At its core, the volume offers a new, broad-based approach to bioethics that is meant as a corrective to mainstream bioethics’ privileging of white, particularly male, experiences, and it outlines ways in which hospitals, churches, and the larger community can better respond to the healthcare needs of Black women.
Our guest is: Dr. Wylin D. Wilson, who is associate professor of theological ethics at Duke Divinity School. Her work lies at the intersection of religion, gender, and bioethics. Her academic interests also include rural bioethics and Black church studies. Prior to joining Duke Divinity School in 2020, she was a teaching faculty member at the Harvard Medical School Center for Bioethics and a senior fellow at the Center for the Study of World Religions at Harvard Divinity School. She is the theologian-in-residence for the Children&apos;s Defense Fund and is a member of the American Academy of Religion’s Bioethics and Religion Program Unit Steering Committee. Among her publications is her book, Economic Ethics and the Black Church.
Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic
Life podcast.
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black people, and especially Black women, suffer and die from diseases at much higher rates than their white counterparts. The vast majority of these health disparities are not attributed to behavioral differences or biology, but to the pervasive devaluation of Black bodies. Womanist Bioethics: Social Justice, Spirituality, and Black Women’s Health (NYU Press, 2025), by Dr. Wylin D. Wilson, addresses this crisis from a bioethical standpoint. It offers a critique of mainstream bioethics as having embraced the perspective of its mainly white, male progenitors, limiting the extent to which it is positioned to engage the issues that particularly affect vulnerable populations. This book makes the provocative but essential case that because African American women—across almost every health indicator—fare worse than others, we must not only include, but center, Black women’s experiences and voices in bioethics discourse and practice.
Womanist Bioethics develops the first specifically womanist form of bioethics, focused on the diverse vulnerabilities and multiple oppressions that women of color face. This innovative womanist bioethics is grounded in the Black Christian prophetic tradition, based on the ideas that God does not condone oppression and that it is imperative to defend those who are vulnerable. It also draws on womanist theology and Black liberation theology, which take similar stances. At its core, the volume offers a new, broad-based approach to bioethics that is meant as a corrective to mainstream bioethics’ privileging of white, particularly male, experiences, and it outlines ways in which hospitals, churches, and the larger community can better respond to the healthcare needs of Black women.
Our guest is: Dr. Wylin D. Wilson, who is associate professor of theological ethics at Duke Divinity School. Her work lies at the intersection of religion, gender, and bioethics. Her academic interests also include rural bioethics and Black church studies. Prior to joining Duke Divinity School in 2020, she was a teaching faculty member at the Harvard Medical School Center for Bioethics and a senior fellow at the Center for the Study of World Religions at Harvard Divinity School. She is the theologian-in-residence for the Children&apos;s Defense Fund and is a member of the American Academy of Religion’s Bioethics and Religion Program Unit Steering Committee. Among her publications is her book, Economic Ethics and the Black Church.
Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic
Life podcast.
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4ba63f72-0f38-11f0-8565-2fdc222f2c5a</guid>
      <title>Sam Klug, &quot;The Internal Colony: Race and the American Politics of Global Decolonization&quot; (U Chicago Press, 2025)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226820514"><em>The Internal Colony: Race and the American Politics of Global Decolonization</em></a> (University of Chicago Press, 2025), Dr. Sam Klug reveals the central but underappreciated importance of global decolonization to the divergence between mainstream liberalism and the Black freedom movement in postwar America. Dr. Klug reconsiders what has long been seen as a matter of primarily domestic policy in light of a series of debates concerning self-determination, postcolonial economic development, and the meanings of colonialism and decolonization. These debates deeply influenced the discord between Black activists and state policymakers and formed a crucial dividing line in national politics in the 1960s and 1970s.</p><p>The result is a history that broadens our understanding of ideological formation—particularly how Americans conceptualized racial power and political economy—by revealing a much wider and more dynamic network of influences. Linking intellectual, political, and social movement history, <em>The Internal Colony</em> illuminates how global decolonization transformed the terms of debate over race and social class in the twentieth-century United States.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 2 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226820514"><em>The Internal Colony: Race and the American Politics of Global Decolonization</em></a> (University of Chicago Press, 2025), Dr. Sam Klug reveals the central but underappreciated importance of global decolonization to the divergence between mainstream liberalism and the Black freedom movement in postwar America. Dr. Klug reconsiders what has long been seen as a matter of primarily domestic policy in light of a series of debates concerning self-determination, postcolonial economic development, and the meanings of colonialism and decolonization. These debates deeply influenced the discord between Black activists and state policymakers and formed a crucial dividing line in national politics in the 1960s and 1970s.</p><p>The result is a history that broadens our understanding of ideological formation—particularly how Americans conceptualized racial power and political economy—by revealing a much wider and more dynamic network of influences. Linking intellectual, political, and social movement history, <em>The Internal Colony</em> illuminates how global decolonization transformed the terms of debate over race and social class in the twentieth-century United States.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64331902" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/333d9621-1ebd-4231-9b94-6b0a29b2f0bd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=333d9621-1ebd-4231-9b94-6b0a29b2f0bd&amp;feed=KodC6fj_"/>
      <itunes:title>Sam Klug, &quot;The Internal Colony: Race and the American Politics of Global Decolonization&quot; (U Chicago Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:00</itunes:duration>
      <itunes:summary>In The Internal Colony: Race and the American Politics of Global Decolonization (University of Chicago Press, 2025), Dr. Sam Klug reveals the central but underappreciated importance of global decolonization to the divergence between mainstream liberalism and the Black freedom movement in postwar America. Dr. Klug reconsiders what has long been seen as a matter of primarily domestic policy in light of a series of debates concerning self-determination, postcolonial economic development, and the meanings of colonialism and decolonization. These debates deeply influenced the discord between Black activists and state policymakers and formed a crucial dividing line in national politics in the 1960s and 1970s.
The result is a history that broadens our understanding of ideological formation—particularly how Americans conceptualized racial power and political economy—by revealing a much wider and more dynamic network of influences. Linking intellectual, political, and social movement history, The Internal Colony illuminates how global decolonization transformed the terms of debate over race and social class in the twentieth-century United States.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Internal Colony: Race and the American Politics of Global Decolonization (University of Chicago Press, 2025), Dr. Sam Klug reveals the central but underappreciated importance of global decolonization to the divergence between mainstream liberalism and the Black freedom movement in postwar America. Dr. Klug reconsiders what has long been seen as a matter of primarily domestic policy in light of a series of debates concerning self-determination, postcolonial economic development, and the meanings of colonialism and decolonization. These debates deeply influenced the discord between Black activists and state policymakers and formed a crucial dividing line in national politics in the 1960s and 1970s.
The result is a history that broadens our understanding of ideological formation—particularly how Americans conceptualized racial power and political economy—by revealing a much wider and more dynamic network of influences. Linking intellectual, political, and social movement history, The Internal Colony illuminates how global decolonization transformed the terms of debate over race and social class in the twentieth-century United States.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1696</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9a52aa44-0ccb-11f0-8faa-b7470eb8129c</guid>
      <title>Jason Cannon, &quot;A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovery and Billy Williams&quot; (Rowman &amp; Littlefield, 2025)</title>
      <description><![CDATA[<p>Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball.</p><p>In <a href="https://bookshop.org/a/12343/9781538184578"><em>A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovey and Billy Williams</em></a> (Rowman &amp; Littlefield, 2025), Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today. Their personal resolve, leadership in the clubhouse, and dedication to their baseball communities endeared them to teammates and fans alike.</p><p>Featuring original interviews with family members, friends, teammates, and Williams himself, <em>A Time for Reflection </em>brings to life their monumental accomplishments on the diamond, while also detailing how McCovey and Williams grew into pillars of San Francisco and Chicago and inspired future generations of ballplayers.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 1 Apr 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball.</p><p>In <a href="https://bookshop.org/a/12343/9781538184578"><em>A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovey and Billy Williams</em></a> (Rowman &amp; Littlefield, 2025), Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today. Their personal resolve, leadership in the clubhouse, and dedication to their baseball communities endeared them to teammates and fans alike.</p><p>Featuring original interviews with family members, friends, teammates, and Williams himself, <em>A Time for Reflection </em>brings to life their monumental accomplishments on the diamond, while also detailing how McCovey and Williams grew into pillars of San Francisco and Chicago and inspired future generations of ballplayers.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57279707" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1427344a-89ef-4461-8f8e-a86c5f3a2086/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1427344a-89ef-4461-8f8e-a86c5f3a2086&amp;feed=KodC6fj_"/>
      <itunes:title>Jason Cannon, &quot;A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovery and Billy Williams&quot; (Rowman &amp; Littlefield, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:39</itunes:duration>
      <itunes:summary>Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball.
In A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovey and Billy Williams (Rowman &amp; Littlefield, 2025), Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today. Their personal resolve, leadership in the clubhouse, and dedication to their baseball communities endeared them to teammates and fans alike.
Featuring original interviews with family members, friends, teammates, and Williams himself, A Time for Reflection brings to life their monumental accomplishments on the diamond, while also detailing how McCovey and Williams grew into pillars of San Francisco and Chicago and inspired future generations of ballplayers.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball.
In A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovey and Billy Williams (Rowman &amp; Littlefield, 2025), Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today. Their personal resolve, leadership in the clubhouse, and dedication to their baseball communities endeared them to teammates and fans alike.
Featuring original interviews with family members, friends, teammates, and Williams himself, A Time for Reflection brings to life their monumental accomplishments on the diamond, while also detailing how McCovey and Williams grew into pillars of San Francisco and Chicago and inspired future generations of ballplayers.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>286</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a2f64c5e-0650-11f0-93a0-73e1b4f6dbf8</guid>
      <title>Tracie Canada, &quot;Tackling the Everyday: Race and Nation in Big-Time College Football&quot; (U California Press, 2025)</title>
      <description><![CDATA[<p>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.</p><p><br /></p><p><a href="https://bookshop.org/a/12343/9780520395657"><em>Tackling the Everyday: Race and Nation in Big-Time College Football</em> </a>(University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game.</p><p><strong>Tracie Canada</strong> is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, <em>The Guardian</em>, and <em>Scientific American</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 22 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.</p><p><br /></p><p><a href="https://bookshop.org/a/12343/9780520395657"><em>Tackling the Everyday: Race and Nation in Big-Time College Football</em> </a>(University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game.</p><p><strong>Tracie Canada</strong> is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, <em>The Guardian</em>, and <em>Scientific American</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63874788" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/44142fed-a560-42cc-9d9b-ee4102e592a3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=44142fed-a560-42cc-9d9b-ee4102e592a3&amp;feed=KodC6fj_"/>
      <itunes:title>Tracie Canada, &quot;Tackling the Everyday: Race and Nation in Big-Time College Football&quot; (U California Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:32</itunes:duration>
      <itunes:summary>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.

Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading &quot;football family&quot; narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America&apos;s favorite game.
Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.

Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading &quot;football family&quot; narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America&apos;s favorite game.
Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>353</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">40fd96ba-0425-11f0-ab54-cf77ffd1263e</guid>
      <title>Victoria Christopher Murray, &quot;Harlem Rhapsody&quot; (Berkley, 2025)</title>
      <description><![CDATA[<p>Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited <em>The Crisis</em>, the monthly magazine of the NAACP, while also writing such classics as <em>The Souls of Black Folk</em>.</p><p>But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray’s<a href="https://bookshop.org/a/12343/9780593638484"> <em>Harlem Rhapsody</em></a> (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master’s from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of <em>The Crisis</em> and its associated children’s magazine, <em>The Brownies Book</em>, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page.</p><p>Victoria Christopher Murray is the author of more than thirty novels, including <em>The Personal Librarian</em> and <em>The First Ladies</em>, both historical fiction co-written with Marie Benedict. <em>Harlem Rhapsody</em> is her most recent book.</p><p>C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, <em>Song of the Steadfast</em>, is due in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 21 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited <em>The Crisis</em>, the monthly magazine of the NAACP, while also writing such classics as <em>The Souls of Black Folk</em>.</p><p>But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray’s<a href="https://bookshop.org/a/12343/9780593638484"> <em>Harlem Rhapsody</em></a> (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master’s from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of <em>The Crisis</em> and its associated children’s magazine, <em>The Brownies Book</em>, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page.</p><p>Victoria Christopher Murray is the author of more than thirty novels, including <em>The Personal Librarian</em> and <em>The First Ladies</em>, both historical fiction co-written with Marie Benedict. <em>Harlem Rhapsody</em> is her most recent book.</p><p>C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, <em>Song of the Steadfast</em>, is due in 2025.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34278540" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/451d5133-4f99-4304-b6ce-99d05c7f6ed3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=451d5133-4f99-4304-b6ce-99d05c7f6ed3&amp;feed=KodC6fj_"/>
      <itunes:title>Victoria Christopher Murray, &quot;Harlem Rhapsody&quot; (Berkley, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:42</itunes:duration>
      <itunes:summary>Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited The Crisis, the monthly magazine of the NAACP, while also writing such classics as The Souls of Black Folk.
But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray’s Harlem Rhapsody (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master’s from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of The Crisis and its associated children’s magazine, The Brownies Book, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page.
Victoria Christopher Murray is the author of more than thirty novels, including The Personal Librarian and The First Ladies, both historical fiction co-written with Marie Benedict. Harlem Rhapsody is her most recent book.
C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited The Crisis, the monthly magazine of the NAACP, while also writing such classics as The Souls of Black Folk.
But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray’s Harlem Rhapsody (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master’s from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of The Crisis and its associated children’s magazine, The Brownies Book, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page.
Victoria Christopher Murray is the author of more than thirty novels, including The Personal Librarian and The First Ladies, both historical fiction co-written with Marie Benedict. Harlem Rhapsody is her most recent book.
C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1ec62ca8-0423-11f0-9f3a-0be243eeddc3</guid>
      <title>&quot;Micaiah Carter: What&apos;s My Name&quot; (Prestel, 2023)</title>
      <description><![CDATA[<p>Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter's images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member.</p><p>Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 19 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter's images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member.</p><p>Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37470592" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cfd8dc79-41b9-4fe6-9569-77637b9d1d2e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cfd8dc79-41b9-4fe6-9569-77637b9d1d2e&amp;feed=KodC6fj_"/>
      <itunes:title>&quot;Micaiah Carter: What&apos;s My Name&quot; (Prestel, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:01</itunes:duration>
      <itunes:summary>Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter&apos;s images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member.
Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter&apos;s images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member.
Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>497</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5737530a-00ea-11f0-8457-bf8c4177b929</guid>
      <title>Douglas Field, &quot;Walking in the Dark: James Baldwin, My Father and I&quot; (Manchester UP, 2024)</title>
      <description><![CDATA[<p>A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism.</p><p>Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestos of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance.</p><p>Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In <a href="https://bookshop.org/a/12343/9781526175175">Walking in the Dark: James Baldwin, My Father and I</a> (Manchester UP, 2024), he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death.</p><p>Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.</p><p>Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is <em>All Those Strangers: The Art and Lives of James Baldwin </em>(2015). His work has been published in <em>Beat Scene, </em>the <em>Big Issue</em>, the <em>Guardian</em> and the <em>Times Literary Supplement</em>, where he has been a regular contributor for twenty years. He is a founding editor of <em>James Baldwin Review</em>.</p><p><br /></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 15 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism.</p><p>Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestos of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance.</p><p>Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In <a href="https://bookshop.org/a/12343/9781526175175">Walking in the Dark: James Baldwin, My Father and I</a> (Manchester UP, 2024), he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death.</p><p>Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.</p><p>Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is <em>All Those Strangers: The Art and Lives of James Baldwin </em>(2015). His work has been published in <em>Beat Scene, </em>the <em>Big Issue</em>, the <em>Guardian</em> and the <em>Times Literary Supplement</em>, where he has been a regular contributor for twenty years. He is a founding editor of <em>James Baldwin Review</em>.</p><p><br /></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59593940" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3e7eea78-41be-4e29-8312-7aa07c509b56/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3e7eea78-41be-4e29-8312-7aa07c509b56&amp;feed=KodC6fj_"/>
      <itunes:title>Douglas Field, &quot;Walking in the Dark: James Baldwin, My Father and I&quot; (Manchester UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:04</itunes:duration>
      <itunes:summary>A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism.
Since James Baldwin&apos;s death in 1987, his writing - including The Fire Next Time, one of the manifestos of the Civil Rights Movement, and Giovanni&apos;s Room, a pioneering work of gay fiction - has only grown in relevance.
Douglas Field was introduced to Baldwin&apos;s essays and novels by his father, who witnessed the writer&apos;s debate with William F. Buckley at Cambridge University in 1965. In Walking in the Dark: James Baldwin, My Father and I (Manchester UP, 2024), he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death.
Tracing Baldwin&apos;s footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer&apos;s life and influence. At the same time, he offers a poignant account of coming to terms with his father&apos;s Alzheimer&apos;s disease. Interweaving Baldwin&apos;s writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.
Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is All Those Strangers: The Art and Lives of James Baldwin (2015). His work has been published in Beat Scene, the Big Issue, the Guardian and the Times Literary Supplement, where he has been a regular contributor for twenty years. He is a founding editor of James Baldwin Review.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism.
Since James Baldwin&apos;s death in 1987, his writing - including The Fire Next Time, one of the manifestos of the Civil Rights Movement, and Giovanni&apos;s Room, a pioneering work of gay fiction - has only grown in relevance.
Douglas Field was introduced to Baldwin&apos;s essays and novels by his father, who witnessed the writer&apos;s debate with William F. Buckley at Cambridge University in 1965. In Walking in the Dark: James Baldwin, My Father and I (Manchester UP, 2024), he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death.
Tracing Baldwin&apos;s footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer&apos;s life and influence. At the same time, he offers a poignant account of coming to terms with his father&apos;s Alzheimer&apos;s disease. Interweaving Baldwin&apos;s writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.
Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is All Those Strangers: The Art and Lives of James Baldwin (2015). His work has been published in Beat Scene, the Big Issue, the Guardian and the Times Literary Supplement, where he has been a regular contributor for twenty years. He is a founding editor of James Baldwin Review.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>496</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e7984ca2-0035-11f0-b522-47653d2d3a4d</guid>
      <title>Lydia Pelot-Hobbs, &quot;Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. <a href="https://bookshop.org/a/12343/9781469675121"><em>Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana</em></a> (University of North Carolina Press, 2023) is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020.</p><p>Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.</p><p>Understanding Louisiana's carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 14 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. <a href="https://bookshop.org/a/12343/9781469675121"><em>Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana</em></a> (University of North Carolina Press, 2023) is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020.</p><p>Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.</p><p>Understanding Louisiana's carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62604782" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/60df7b52-4130-43e9-a03a-2c407159284b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=60df7b52-4130-43e9-a03a-2c407159284b&amp;feed=KodC6fj_"/>
      <itunes:title>Lydia Pelot-Hobbs, &quot;Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:12</itunes:duration>
      <itunes:summary>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana (University of North Carolina Press, 2023) is the first detailed account of Louisiana&apos;s unprecedented turn to mass incarceration from 1970 to 2020.
Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana&apos;s carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding &quot;crime.&quot; However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.
Understanding Louisiana&apos;s carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana (University of North Carolina Press, 2023) is the first detailed account of Louisiana&apos;s unprecedented turn to mass incarceration from 1970 to 2020.
Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana&apos;s carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding &quot;crime.&quot; However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.
Understanding Louisiana&apos;s carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">565e9602-fdc3-11ef-9302-8388582b3f04</guid>
      <title>Jennifer L. Freeman Marshall, &quot;Ain&apos;t I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon&quot; (U Illinois Press, 2023)</title>
      <description><![CDATA[<p>Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, <a href="https://bookshop.org/a/12343/9780252087103"><em>Ain't I an Anthropologist</em></a> (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 11 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, <a href="https://bookshop.org/a/12343/9780252087103"><em>Ain't I an Anthropologist</em></a> (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65259872" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/086fb537-9508-4e7a-8839-e6861fc93a3b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=086fb537-9508-4e7a-8839-e6861fc93a3b&amp;feed=KodC6fj_"/>
      <itunes:title>Jennifer L. Freeman Marshall, &quot;Ain&apos;t I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon&quot; (U Illinois Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:58</itunes:duration>
      <itunes:summary>Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston&apos;s literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston&apos;s two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston&apos;s popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain&apos;t I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston&apos;s place in American cultural and intellectual life.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston&apos;s literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston&apos;s two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston&apos;s popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain&apos;t I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston&apos;s place in American cultural and intellectual life.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>351</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1e622914-fc31-11ef-89b3-2b7d68c01b12</guid>
      <title>&quot;Steadfast Democrats&quot; Five Years Later: A Conversation with Chryl N. Laird</title>
      <description><![CDATA[<p>Today I’m speaking with Chryl Laird, Associate Professor of Government and Politics at the University of Maryland College Park. We are discussing her co-authored book with Ismail White, <a href="https://bookshop.org/a/12343/9780691228983"><em>Steadfast Democrats: How Social Forces Shape Black Political Behavior</em></a><em>.</em> Published in 2020, this book remains highly relevant for understanding American political behavior. While Trump did make significant gains among black voters in 2024, particularly male voters, African American voters still overwhelmingly support the Democratic Party. Chryl has appeared on the NBN in the past, so while we will discuss the book, we will also discuss it in the context of today.</p><p>Chryl Laird is Associate Professor of Government and Politics at the University of Maryland College Park.</p><p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 10 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today I’m speaking with Chryl Laird, Associate Professor of Government and Politics at the University of Maryland College Park. We are discussing her co-authored book with Ismail White, <a href="https://bookshop.org/a/12343/9780691228983"><em>Steadfast Democrats: How Social Forces Shape Black Political Behavior</em></a><em>.</em> Published in 2020, this book remains highly relevant for understanding American political behavior. While Trump did make significant gains among black voters in 2024, particularly male voters, African American voters still overwhelmingly support the Democratic Party. Chryl has appeared on the NBN in the past, so while we will discuss the book, we will also discuss it in the context of today.</p><p>Chryl Laird is Associate Professor of Government and Politics at the University of Maryland College Park.</p><p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60193112" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5bd9e055-a24c-4aae-862b-6cf2cbb2aec8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5bd9e055-a24c-4aae-862b-6cf2cbb2aec8&amp;feed=KodC6fj_"/>
      <itunes:title>&quot;Steadfast Democrats&quot; Five Years Later: A Conversation with Chryl N. Laird</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:41</itunes:duration>
      <itunes:summary>Today I’m speaking with Chryl Laird, Associate Professor of Government and Politics at the University of Maryland College Park. We are discussing her co-authored book with Ismail White, Steadfast Democrats: How Social Forces Shape Black Political Behavior. Published in 2020, this book remains highly relevant for understanding American political behavior. While Trump did make significant gains among black voters in 2024, particularly male voters, African American voters still overwhelmingly support the Democratic Party. Chryl has appeared on the NBN in the past, so while we will discuss the book, we will also discuss it in the context of today.
Chryl Laird is Associate Professor of Government and Politics at the University of Maryland College Park.
Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today I’m speaking with Chryl Laird, Associate Professor of Government and Politics at the University of Maryland College Park. We are discussing her co-authored book with Ismail White, Steadfast Democrats: How Social Forces Shape Black Political Behavior. Published in 2020, this book remains highly relevant for understanding American political behavior. While Trump did make significant gains among black voters in 2024, particularly male voters, African American voters still overwhelmingly support the Democratic Party. Chryl has appeared on the NBN in the past, so while we will discuss the book, we will also discuss it in the context of today.
Chryl Laird is Associate Professor of Government and Politics at the University of Maryland College Park.
Caleb Zakarin is editor of the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f51716c8-fb90-11ef-8433-17861ce601a8</guid>
      <title>Andrew C. Isenberg, &quot;The Age of the Borderlands: Indians, Slaves, and the Limits of Manifest Destiny, 1790-1850&quot; (UNC Press, 2025)</title>
      <description><![CDATA[<p>Most US history textbooks contain a familiar map: shaded colors stretch across North America, clearly and neatly demarcating the extent of US expansion from 1776 thru the late nineteenth century. In <a href="https://bookshop.org/a/12343/9781469685052"><em>The Age of the Borderlands: Indians, Slaves, and the Limites of Manifest Destiny</em></a><em> </em>(UNC Press, 2025), University of Kansas distinguished historian Andrew Isenberg asks us to rethink the clean lines and simple borders of the North American past. By examing the stories of escaped enslaved people, Christian missionaries, government vaccination campaigns, anti-slavery schemes, and even well worn historical events like Lewis and Clark and the Lousiana Purchase, Isenberg shows that American power at its borders fell far short of expectations in Washington, and often doesn't match up to historical interpretations in our present day. Rather, American hegemony in the borderlands was contingent, weak, and anything but assured, until well into the nineteenth century. Rather than Manifest Destiny, Isenberg argues that American expansion both west and south should be viewed as one of just many possible outcomes of the boistrous mess that was early North American politics. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 9 Mar 2025 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Most US history textbooks contain a familiar map: shaded colors stretch across North America, clearly and neatly demarcating the extent of US expansion from 1776 thru the late nineteenth century. In <a href="https://bookshop.org/a/12343/9781469685052"><em>The Age of the Borderlands: Indians, Slaves, and the Limites of Manifest Destiny</em></a><em> </em>(UNC Press, 2025), University of Kansas distinguished historian Andrew Isenberg asks us to rethink the clean lines and simple borders of the North American past. By examing the stories of escaped enslaved people, Christian missionaries, government vaccination campaigns, anti-slavery schemes, and even well worn historical events like Lewis and Clark and the Lousiana Purchase, Isenberg shows that American power at its borders fell far short of expectations in Washington, and often doesn't match up to historical interpretations in our present day. Rather, American hegemony in the borderlands was contingent, weak, and anything but assured, until well into the nineteenth century. Rather than Manifest Destiny, Isenberg argues that American expansion both west and south should be viewed as one of just many possible outcomes of the boistrous mess that was early North American politics. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57529505" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/32ac06ec-9af0-427f-b8f8-8efe6f754ef1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=32ac06ec-9af0-427f-b8f8-8efe6f754ef1&amp;feed=KodC6fj_"/>
      <itunes:title>Andrew C. Isenberg, &quot;The Age of the Borderlands: Indians, Slaves, and the Limits of Manifest Destiny, 1790-1850&quot; (UNC Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:55</itunes:duration>
      <itunes:summary>Most US history textbooks contain a familiar map: shaded colors stretch across North America, clearly and neatly demarcating the extent of US expansion from 1776 thru the late nineteenth century. In The Age of the Borderlands: Indians, Slaves, and the Limites of Manifest Destiny (UNC Press, 2025), University of Kansas distinguished historian Andrew Isenberg asks us to rethink the clean lines and simple borders of the North American past. By examing the stories of escaped enslaved people, Christian missionaries, government vaccination campaigns, anti-slavery schemes, and even well worn historical events like Lewis and Clark and the Lousiana Purchase, Isenberg shows that American power at its borders fell far short of expectations in Washington, and often doesn&apos;t match up to historical interpretations in our present day. Rather, American hegemony in the borderlands was contingent, weak, and anything but assured, until well into the nineteenth century. Rather than Manifest Destiny, Isenberg argues that American expansion both west and south should be viewed as one of just many possible outcomes of the boistrous mess that was early North American politics. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Most US history textbooks contain a familiar map: shaded colors stretch across North America, clearly and neatly demarcating the extent of US expansion from 1776 thru the late nineteenth century. In The Age of the Borderlands: Indians, Slaves, and the Limites of Manifest Destiny (UNC Press, 2025), University of Kansas distinguished historian Andrew Isenberg asks us to rethink the clean lines and simple borders of the North American past. By examing the stories of escaped enslaved people, Christian missionaries, government vaccination campaigns, anti-slavery schemes, and even well worn historical events like Lewis and Clark and the Lousiana Purchase, Isenberg shows that American power at its borders fell far short of expectations in Washington, and often doesn&apos;t match up to historical interpretations in our present day. Rather, American hegemony in the borderlands was contingent, weak, and anything but assured, until well into the nineteenth century. Rather than Manifest Destiny, Isenberg argues that American expansion both west and south should be viewed as one of just many possible outcomes of the boistrous mess that was early North American politics. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3b33b162-f6c2-11ef-9731-93dfc5dd3051</guid>
      <title>Jack Dempsey, &quot;Warriors for Liberty: William Dollarson &amp; Michigan&apos;s Civil War African Americans&quot; (Michigan Civil War Association, 2024)</title>
      <description><![CDATA[<p>Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. </p><p><a href="https://bookshop.org/a/12343/9781961302785"><em>Warriors for Liberty: William Dollarson &amp; Michigan's Civil War African Americans </em></a>(Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 4 Mar 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. </p><p><a href="https://bookshop.org/a/12343/9781961302785"><em>Warriors for Liberty: William Dollarson &amp; Michigan's Civil War African Americans </em></a>(Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32745115" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0ea3ee7b-4250-4369-8224-be37df8bdee2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0ea3ee7b-4250-4369-8224-be37df8bdee2&amp;feed=KodC6fj_"/>
      <itunes:title>Jack Dempsey, &quot;Warriors for Liberty: William Dollarson &amp; Michigan&apos;s Civil War African Americans&quot; (Michigan Civil War Association, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:06</itunes:duration>
      <itunes:summary>Michigan&apos;s African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan&apos;s preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. 
Warriors for Liberty: William Dollarson &amp; Michigan&apos;s Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan&apos;s people of color in the cause of saving the Union and of emancipation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Michigan&apos;s African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan&apos;s preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. 
Warriors for Liberty: William Dollarson &amp; Michigan&apos;s Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan&apos;s people of color in the cause of saving the Union and of emancipation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>257</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">17ae432c-f444-11ef-9f0b-97d865bd3d57</guid>
      <title>Alexander Smalls and Nina Oduro, &quot;The Contemporary African Kitchen: Home Cooking Recipes from the Leading Chefs of Africa&quot; (Phaidon Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781838668457"><em>The Contemporary African Kitchen: Home Cooking Recipes from the Leading Chefs of Africa </em></a>(Phaidon Press, 2024) is an elegant collection of 120 home cooking recipes from Africa’s most​ exciting culinary voices today. Extensively researched and thoughtfully​ curated by James Beard Award winning chef, author, and restaurateur​ Alexander Smalls in collaboration with Dine Diaspora CEO Nina Oduro,​ this bold volume celebrates Africa’s extraordinary gastronomic past and​ present across a breadth of dishes.​ Composed of 55 countries with more than 1.4 billion people, and​ 2,000-plus languages spoken, Africa is home to distinct and diverse​ culinary traditions. </p><p><em>The Contemporary African Kitchen</em> centers Africa’s​ multifaceted cuisine and, as Smalls writes in the introduction, seeks to​ bring it into the “contemporary, modern, and stunning realm, illustrated through a myriad of stories, images, and recipes, all of which highlight​ Africa’s gifts to the world, through people and cuisine.” To accomplish​ this, Smalls and Oduro meticulously selected 33 of Africa’s most​ innovative and influential figures working today, all of whom were born or​ raised across the continent or have demonstrated contributions across​ countries, among them: Sinoyolo Sifo, Matse Uwatse, Eric Adjepong,​ Rōze Traore, Mogau Seshoene, and Dieuveil Malonga.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 28 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781838668457"><em>The Contemporary African Kitchen: Home Cooking Recipes from the Leading Chefs of Africa </em></a>(Phaidon Press, 2024) is an elegant collection of 120 home cooking recipes from Africa’s most​ exciting culinary voices today. Extensively researched and thoughtfully​ curated by James Beard Award winning chef, author, and restaurateur​ Alexander Smalls in collaboration with Dine Diaspora CEO Nina Oduro,​ this bold volume celebrates Africa’s extraordinary gastronomic past and​ present across a breadth of dishes.​ Composed of 55 countries with more than 1.4 billion people, and​ 2,000-plus languages spoken, Africa is home to distinct and diverse​ culinary traditions. </p><p><em>The Contemporary African Kitchen</em> centers Africa’s​ multifaceted cuisine and, as Smalls writes in the introduction, seeks to​ bring it into the “contemporary, modern, and stunning realm, illustrated through a myriad of stories, images, and recipes, all of which highlight​ Africa’s gifts to the world, through people and cuisine.” To accomplish​ this, Smalls and Oduro meticulously selected 33 of Africa’s most​ innovative and influential figures working today, all of whom were born or​ raised across the continent or have demonstrated contributions across​ countries, among them: Sinoyolo Sifo, Matse Uwatse, Eric Adjepong,​ Rōze Traore, Mogau Seshoene, and Dieuveil Malonga.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="23341511" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/457eb844-65ea-4f9d-a552-76272e0a77dd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=457eb844-65ea-4f9d-a552-76272e0a77dd&amp;feed=KodC6fj_"/>
      <itunes:title>Alexander Smalls and Nina Oduro, &quot;The Contemporary African Kitchen: Home Cooking Recipes from the Leading Chefs of Africa&quot; (Phaidon Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:24:18</itunes:duration>
      <itunes:summary>The Contemporary African Kitchen: Home Cooking Recipes from the Leading Chefs of Africa (Phaidon Press, 2024) is an elegant collection of 120 home cooking recipes from Africa’s most​ exciting culinary voices today. Extensively researched and thoughtfully​ curated by James Beard Award winning chef, author, and restaurateur​ Alexander Smalls in collaboration with Dine Diaspora CEO Nina Oduro,​ this bold volume celebrates Africa’s extraordinary gastronomic past and​ present across a breadth of dishes.​ Composed of 55 countries with more than 1.4 billion people, and​ 2,000-plus languages spoken, Africa is home to distinct and diverse​ culinary traditions. 
The Contemporary African Kitchen centers Africa’s​ multifaceted cuisine and, as Smalls writes in the introduction, seeks to​ bring it into the “contemporary, modern, and stunning realm, illustrated through a myriad of stories, images, and recipes, all of which highlight​ Africa’s gifts to the world, through people and cuisine.” To accomplish​ this, Smalls and Oduro meticulously selected 33 of Africa’s most​ innovative and influential figures working today, all of whom were born or​ raised across the continent or have demonstrated contributions across​ countries, among them: Sinoyolo Sifo, Matse Uwatse, Eric Adjepong,​ Rōze Traore, Mogau Seshoene, and Dieuveil Malonga.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Contemporary African Kitchen: Home Cooking Recipes from the Leading Chefs of Africa (Phaidon Press, 2024) is an elegant collection of 120 home cooking recipes from Africa’s most​ exciting culinary voices today. Extensively researched and thoughtfully​ curated by James Beard Award winning chef, author, and restaurateur​ Alexander Smalls in collaboration with Dine Diaspora CEO Nina Oduro,​ this bold volume celebrates Africa’s extraordinary gastronomic past and​ present across a breadth of dishes.​ Composed of 55 countries with more than 1.4 billion people, and​ 2,000-plus languages spoken, Africa is home to distinct and diverse​ culinary traditions. 
The Contemporary African Kitchen centers Africa’s​ multifaceted cuisine and, as Smalls writes in the introduction, seeks to​ bring it into the “contemporary, modern, and stunning realm, illustrated through a myriad of stories, images, and recipes, all of which highlight​ Africa’s gifts to the world, through people and cuisine.” To accomplish​ this, Smalls and Oduro meticulously selected 33 of Africa’s most​ innovative and influential figures working today, all of whom were born or​ raised across the continent or have demonstrated contributions across​ countries, among them: Sinoyolo Sifo, Matse Uwatse, Eric Adjepong,​ Rōze Traore, Mogau Seshoene, and Dieuveil Malonga.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>494</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6cc678d0-f2f4-11ef-ba1e-6bfbd0ab8226</guid>
      <title>Mike Sielski, &quot;Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk&quot; (St. Martin&apos;s Press, 2025)</title>
      <description><![CDATA[<p>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk's history is the story of a sport and a country changed by the most dominant act in basketball, and it makes <a href="https://bookshop.org/a/12343/9781250287526"><em>Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk</em></a> (St. Martin's Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.</p><p>When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.</p><p>Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, <em>Magic in the Air </em>brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There's never been a basketball book quite like it.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 26 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk's history is the story of a sport and a country changed by the most dominant act in basketball, and it makes <a href="https://bookshop.org/a/12343/9781250287526"><em>Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk</em></a> (St. Martin's Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.</p><p>When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.</p><p>Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, <em>Magic in the Air </em>brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There's never been a basketball book quite like it.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48507346" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ebf1ffad-3ca6-448e-8e1d-b9d820d45fd4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ebf1ffad-3ca6-448e-8e1d-b9d820d45fd4&amp;feed=KodC6fj_"/>
      <itunes:title>Mike Sielski, &quot;Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk&quot; (St. Martin&apos;s Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:31</itunes:duration>
      <itunes:summary>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk&apos;s history is the story of a sport and a country changed by the most dominant act in basketball, and it makes Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk (St. Martin&apos;s Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.
When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.
Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, Magic in the Air brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There&apos;s never been a basketball book quite like it.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk&apos;s history is the story of a sport and a country changed by the most dominant act in basketball, and it makes Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk (St. Martin&apos;s Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.
When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.
Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, Magic in the Air brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There&apos;s never been a basketball book quite like it.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>284</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a3d97676-eba9-11ef-9215-c789ee53ea04</guid>
      <title>William M. Paris, &quot;Race, Time, and Utopia: Critical Theory and the Process of Emancipation&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In <a href="https://bookshop.org/a/12343/9780197698877"><em>Race, Time, and Utopia: Critical Theory and the Process of Emancipation</em></a><em> </em>(Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 20 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In <a href="https://bookshop.org/a/12343/9780197698877"><em>Race, Time, and Utopia: Critical Theory and the Process of Emancipation</em></a><em> </em>(Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61961264" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b221bd87-0a13-4812-bce5-2183875c7b3f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b221bd87-0a13-4812-bce5-2183875c7b3f&amp;feed=KodC6fj_"/>
      <itunes:title>William M. Paris, &quot;Race, Time, and Utopia: Critical Theory and the Process of Emancipation&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:32</itunes:duration>
      <itunes:summary>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>365</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">74018a7c-ed63-11ef-bc52-17ee7bad3040</guid>
      <title>Stephanie M. Pridgeon, &quot;Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas&quot; (U Toronto Press, 2025)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781487527716"><em>Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas</em></a><em> </em>(U Toronto Press, 2025), Stephanie M. Pridgeon explores cultural depictions of Jewishness, Blackness, and Indigeneity within a comparative, inter-American framework. The dynamics of Jewishness interacting with other racial categories differ significantly in Latin America and the Caribbean compared with those in the United States and Canada, largely due to long-standing and often disputed concepts of mestizaje, broadly defined as racial mixture. As a result, a comprehensive understanding of Jewishness and the construction of racial identities requires an exploration of how Jewishness intersects with both Blackness and Indigeneity in the Americas.</p><p><em>Absorption Narratives</em> charts the ways in which literary works capture differences and similarities among Black, Jewish, and Indigenous experiences. Through an extensive and diverse examination of fiction, Pridgeon navigates the complex connections of these identity categories, offering a comparative perspective on race and ethnicity across the Americas that destabilizes US-centric critical practices. Revealing the limitations of US-focused models in understanding racial alterity in relation to Jewishness, <em>Absorption Narratives</em> emphasizes the importance of viewing the narrative of race relations in the Americas from a hemispheric standpoint.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 19 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781487527716"><em>Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas</em></a><em> </em>(U Toronto Press, 2025), Stephanie M. Pridgeon explores cultural depictions of Jewishness, Blackness, and Indigeneity within a comparative, inter-American framework. The dynamics of Jewishness interacting with other racial categories differ significantly in Latin America and the Caribbean compared with those in the United States and Canada, largely due to long-standing and often disputed concepts of mestizaje, broadly defined as racial mixture. As a result, a comprehensive understanding of Jewishness and the construction of racial identities requires an exploration of how Jewishness intersects with both Blackness and Indigeneity in the Americas.</p><p><em>Absorption Narratives</em> charts the ways in which literary works capture differences and similarities among Black, Jewish, and Indigenous experiences. Through an extensive and diverse examination of fiction, Pridgeon navigates the complex connections of these identity categories, offering a comparative perspective on race and ethnicity across the Americas that destabilizes US-centric critical practices. Revealing the limitations of US-focused models in understanding racial alterity in relation to Jewishness, <em>Absorption Narratives</em> emphasizes the importance of viewing the narrative of race relations in the Americas from a hemispheric standpoint.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49405494" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6dc3ca9b-c282-470f-9e06-611868cdba7b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6dc3ca9b-c282-470f-9e06-611868cdba7b&amp;feed=KodC6fj_"/>
      <itunes:title>Stephanie M. Pridgeon, &quot;Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas&quot; (U Toronto Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:27</itunes:duration>
      <itunes:summary>In Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas (U Toronto Press, 2025), Stephanie M. Pridgeon explores cultural depictions of Jewishness, Blackness, and Indigeneity within a comparative, inter-American framework. The dynamics of Jewishness interacting with other racial categories differ significantly in Latin America and the Caribbean compared with those in the United States and Canada, largely due to long-standing and often disputed concepts of mestizaje, broadly defined as racial mixture. As a result, a comprehensive understanding of Jewishness and the construction of racial identities requires an exploration of how Jewishness intersects with both Blackness and Indigeneity in the Americas.
Absorption Narratives charts the ways in which literary works capture differences and similarities among Black, Jewish, and Indigenous experiences. Through an extensive and diverse examination of fiction, Pridgeon navigates the complex connections of these identity categories, offering a comparative perspective on race and ethnicity across the Americas that destabilizes US-centric critical practices. Revealing the limitations of US-focused models in understanding racial alterity in relation to Jewishness, Absorption Narratives emphasizes the importance of viewing the narrative of race relations in the Americas from a hemispheric standpoint.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas (U Toronto Press, 2025), Stephanie M. Pridgeon explores cultural depictions of Jewishness, Blackness, and Indigeneity within a comparative, inter-American framework. The dynamics of Jewishness interacting with other racial categories differ significantly in Latin America and the Caribbean compared with those in the United States and Canada, largely due to long-standing and often disputed concepts of mestizaje, broadly defined as racial mixture. As a result, a comprehensive understanding of Jewishness and the construction of racial identities requires an exploration of how Jewishness intersects with both Blackness and Indigeneity in the Americas.
Absorption Narratives charts the ways in which literary works capture differences and similarities among Black, Jewish, and Indigenous experiences. Through an extensive and diverse examination of fiction, Pridgeon navigates the complex connections of these identity categories, offering a comparative perspective on race and ethnicity across the Americas that destabilizes US-centric critical practices. Revealing the limitations of US-focused models in understanding racial alterity in relation to Jewishness, Absorption Narratives emphasizes the importance of viewing the narrative of race relations in the Americas from a hemispheric standpoint.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>608</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4b5e9cee-ec7e-11ef-b2e2-fb3a76106a96</guid>
      <title>Trump, Anti-DEI and Psychoanalytic Defense Mechanisms</title>
      <description><![CDATA[<p>In this episode my co-host and I had planned to talk about how the new Trump administration could create unity in America. The episode title had been, “Starting with a Clean Slate: How the Trump administration could create unity in America.” By starting anew, without a political agenda, we intended to explore how a new sense of community and pride in America could evolve. However, after the group in charge eliminated Diversity, Equity and Inclusion (DEI) programs in a day, we felt we needed to talk about the new way a greater divide in America is evolving and how psychoanalytic defense mechanisms can inform us about new dilemmas we are facing as a nation.</p><p><em>Denial</em>, for example, appeared to be a part of what occurred. By refusing to acknowledge the existence or importance of systemic inequalities that DEI programs aimed to address, dismantling them is essentially denying reality. Since discrimination, inequity and racism are at an all-time high in our country, eliminating programs that were designed to improve them seems to overlook what is really occurring in America.</p><p>We also believe similar defense mechanisms are at play. The administration’s justification for ending DEI programs as “illegal” and “wasteful” can be seen as a form of <em>rationalization</em>. This defense mechanism involves creating logical-sounding reasons to justify actions that may be driven by underlying anxieties or biases. By framing DEI initiatives as discriminatory or ineffective, the administration rationalized their decision to eliminate them.</p><p>By attacking and dismantling DEI programs, it appears as though they have externalized internal conflicts, making them easier to confront and control. The strong push against DEI initiatives could be interpreted as <em>reaction formation</em>, where the administration overcompensated for underlying anxieties about diversity and inclusion by taking an extreme opposite stance.</p><p>Through the employment of these defense mechanisms, the Trump administration may be attempting to manage anxieties related to changing demographics, shifting power dynamics, and the challenges of addressing long-standing societal inequities. However, it’s important to note that these actions have significant real-world consequences for federal employees and the broader goals of creating a more inclusive and equitable society.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 18 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this episode my co-host and I had planned to talk about how the new Trump administration could create unity in America. The episode title had been, “Starting with a Clean Slate: How the Trump administration could create unity in America.” By starting anew, without a political agenda, we intended to explore how a new sense of community and pride in America could evolve. However, after the group in charge eliminated Diversity, Equity and Inclusion (DEI) programs in a day, we felt we needed to talk about the new way a greater divide in America is evolving and how psychoanalytic defense mechanisms can inform us about new dilemmas we are facing as a nation.</p><p><em>Denial</em>, for example, appeared to be a part of what occurred. By refusing to acknowledge the existence or importance of systemic inequalities that DEI programs aimed to address, dismantling them is essentially denying reality. Since discrimination, inequity and racism are at an all-time high in our country, eliminating programs that were designed to improve them seems to overlook what is really occurring in America.</p><p>We also believe similar defense mechanisms are at play. The administration’s justification for ending DEI programs as “illegal” and “wasteful” can be seen as a form of <em>rationalization</em>. This defense mechanism involves creating logical-sounding reasons to justify actions that may be driven by underlying anxieties or biases. By framing DEI initiatives as discriminatory or ineffective, the administration rationalized their decision to eliminate them.</p><p>By attacking and dismantling DEI programs, it appears as though they have externalized internal conflicts, making them easier to confront and control. The strong push against DEI initiatives could be interpreted as <em>reaction formation</em>, where the administration overcompensated for underlying anxieties about diversity and inclusion by taking an extreme opposite stance.</p><p>Through the employment of these defense mechanisms, the Trump administration may be attempting to manage anxieties related to changing demographics, shifting power dynamics, and the challenges of addressing long-standing societal inequities. However, it’s important to note that these actions have significant real-world consequences for federal employees and the broader goals of creating a more inclusive and equitable society.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="39829186" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6c83955f-bc67-467e-a9dc-dce3de81c144/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6c83955f-bc67-467e-a9dc-dce3de81c144&amp;feed=KodC6fj_"/>
      <itunes:title>Trump, Anti-DEI and Psychoanalytic Defense Mechanisms</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:29</itunes:duration>
      <itunes:summary>In this episode my co-host and I had planned to talk about how the new Trump administration could create unity in America. The episode title had been, “Starting with a Clean Slate: How the Trump administration could create unity in America.” By starting anew, without a political agenda, we intended to explore how a new sense of community and pride in America could evolve. However, after the group in charge eliminated Diversity, Equity and Inclusion (DEI) programs in a day, we felt we needed to talk about the new way a greater divide in America is evolving and how psychoanalytic defense mechanisms can inform us about new dilemmas we are facing as a nation.
Denial, for example, appeared to be a part of what occurred. By refusing to acknowledge the existence or importance of systemic inequalities that DEI programs aimed to address, dismantling them is essentially denying reality. Since discrimination, inequity and racism are at an all-time high in our country, eliminating programs that were designed to improve them seems to overlook what is really occurring in America.
We also believe similar defense mechanisms are at play. The administration’s justification for ending DEI programs as “illegal” and “wasteful” can be seen as a form of rationalization. This defense mechanism involves creating logical-sounding reasons to justify actions that may be driven by underlying anxieties or biases. By framing DEI initiatives as discriminatory or ineffective, the administration rationalized their decision to eliminate them.
By attacking and dismantling DEI programs, it appears as though they have externalized internal conflicts, making them easier to confront and control. The strong push against DEI initiatives could be interpreted as reaction formation, where the administration overcompensated for underlying anxieties about diversity and inclusion by taking an extreme opposite stance.
Through the employment of these defense mechanisms, the Trump administration may be attempting to manage anxieties related to changing demographics, shifting power dynamics, and the challenges of addressing long-standing societal inequities. However, it’s important to note that these actions have significant real-world consequences for federal employees and the broader goals of creating a more inclusive and equitable society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this episode my co-host and I had planned to talk about how the new Trump administration could create unity in America. The episode title had been, “Starting with a Clean Slate: How the Trump administration could create unity in America.” By starting anew, without a political agenda, we intended to explore how a new sense of community and pride in America could evolve. However, after the group in charge eliminated Diversity, Equity and Inclusion (DEI) programs in a day, we felt we needed to talk about the new way a greater divide in America is evolving and how psychoanalytic defense mechanisms can inform us about new dilemmas we are facing as a nation.
Denial, for example, appeared to be a part of what occurred. By refusing to acknowledge the existence or importance of systemic inequalities that DEI programs aimed to address, dismantling them is essentially denying reality. Since discrimination, inequity and racism are at an all-time high in our country, eliminating programs that were designed to improve them seems to overlook what is really occurring in America.
We also believe similar defense mechanisms are at play. The administration’s justification for ending DEI programs as “illegal” and “wasteful” can be seen as a form of rationalization. This defense mechanism involves creating logical-sounding reasons to justify actions that may be driven by underlying anxieties or biases. By framing DEI initiatives as discriminatory or ineffective, the administration rationalized their decision to eliminate them.
By attacking and dismantling DEI programs, it appears as though they have externalized internal conflicts, making them easier to confront and control. The strong push against DEI initiatives could be interpreted as reaction formation, where the administration overcompensated for underlying anxieties about diversity and inclusion by taking an extreme opposite stance.
Through the employment of these defense mechanisms, the Trump administration may be attempting to manage anxieties related to changing demographics, shifting power dynamics, and the challenges of addressing long-standing societal inequities. However, it’s important to note that these actions have significant real-world consequences for federal employees and the broader goals of creating a more inclusive and equitable society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>257</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3bc5c308-1096-11ef-aed3-2f4900c932ee</guid>
      <title>The Soundworld of Harriet Tubman</title>
      <description><![CDATA[<p>Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. </p><p>We first came across Maya’s work last year as part of <a href="https://msmagazine.com/tubman200/">The Harriet Tubman Bicentennial Project</a>, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a <a href="https://open.spotify.com/playlist/4KbRqSVLciPhvgAfAKWrvq">Spotify playlist</a> so you could listen as you read. </p><p>Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer <a href="mailto:ravi_krishnaswami@brown.edu">Ravi Krishnaswami</a>, her field recordings and playlist selections are mixed into the story. </p><p>And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called <a href="https://www.amazon.com/African-American-Music-Mellonee-Burnim/dp/0415881811/ref=pd_lpo_1?pd_rd_w=pFUC5&amp;content-id=amzn1.sym.116f529c-aa4d-4763-b2b6-4d614ec7dc00&amp;pf_rd_p=116f529c-aa4d-4763-b2b6-4d614ec7dc00&amp;pf_rd_r=WG3A64P6HMVJH8FYBG1B&amp;pd_rd_wg=rPI7Q&amp;pd_rd_r=32e3a797-5f68-4175-a8a9-629cfb50977a&amp;pd_rd_i=0415881811&amp;psc=1">African American Music: An Introduction</a>. </p><p>And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. </p><p>Today’s musical selections and soundscapes are by <a href="mailto:mccunningham@umass.edu">Maya Cunningham</a>. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 17 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. </p><p>We first came across Maya’s work last year as part of <a href="https://msmagazine.com/tubman200/">The Harriet Tubman Bicentennial Project</a>, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a <a href="https://open.spotify.com/playlist/4KbRqSVLciPhvgAfAKWrvq">Spotify playlist</a> so you could listen as you read. </p><p>Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer <a href="mailto:ravi_krishnaswami@brown.edu">Ravi Krishnaswami</a>, her field recordings and playlist selections are mixed into the story. </p><p>And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called <a href="https://www.amazon.com/African-American-Music-Mellonee-Burnim/dp/0415881811/ref=pd_lpo_1?pd_rd_w=pFUC5&amp;content-id=amzn1.sym.116f529c-aa4d-4763-b2b6-4d614ec7dc00&amp;pf_rd_p=116f529c-aa4d-4763-b2b6-4d614ec7dc00&amp;pf_rd_r=WG3A64P6HMVJH8FYBG1B&amp;pd_rd_wg=rPI7Q&amp;pd_rd_r=32e3a797-5f68-4175-a8a9-629cfb50977a&amp;pd_rd_i=0415881811&amp;psc=1">African American Music: An Introduction</a>. </p><p>And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. </p><p>Today’s musical selections and soundscapes are by <a href="mailto:mccunningham@umass.edu">Maya Cunningham</a>. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="39845172" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b3289685-8f4a-43ed-866f-f0b0d0828a76/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b3289685-8f4a-43ed-866f-f0b0d0828a76&amp;feed=KodC6fj_"/>
      <itunes:title>The Soundworld of Harriet Tubman</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:30</itunes:duration>
      <itunes:summary>Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. 
We first came across Maya’s work last year as part of The Harriet Tubman Bicentennial Project, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a Spotify playlist so you could listen as you read. 
Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer Ravi Krishnaswami, her field recordings and playlist selections are mixed into the story. 
And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called African American Music: An Introduction. 
And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. 
Today’s musical selections and soundscapes are by Maya Cunningham. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. 
We first came across Maya’s work last year as part of The Harriet Tubman Bicentennial Project, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a Spotify playlist so you could listen as you read. 
Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer Ravi Krishnaswami, her field recordings and playlist selections are mixed into the story. 
And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called African American Music: An Introduction. 
And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. 
Today’s musical selections and soundscapes are by Maya Cunningham. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">09c57fd8-ebb0-11ef-9dab-cb68b40caf40</guid>
      <title>Mary Frances Phillips, &quot;Black Panther Woman: The Political and Spiritual Life of Ericka Huggins&quot; (NYU Press, 2025)</title>
      <description><![CDATA[<p>In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.</p><p>Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.</p><p>Transcending the traditional male-centric study of the Black Panther Party, <a href="https://bookshop.org/a/12343/9781479802937"><em>Black Panther Woman: The Political and Spiritual Life of Ericka Huggins</em></a><em> </em>(NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 17 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.</p><p>Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.</p><p>Transcending the traditional male-centric study of the Black Panther Party, <a href="https://bookshop.org/a/12343/9781479802937"><em>Black Panther Woman: The Political and Spiritual Life of Ericka Huggins</em></a><em> </em>(NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35034963" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9ba69aad-08d0-495d-8835-f8c0c58b1a1e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9ba69aad-08d0-495d-8835-f8c0c58b1a1e&amp;feed=KodC6fj_"/>
      <itunes:title>Mary Frances Phillips, &quot;Black Panther Woman: The Political and Spiritual Life of Ericka Huggins&quot; (NYU Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:29</itunes:duration>
      <itunes:summary>In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.
Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins&apos;s political journey, shedding light on Ericka&apos;s use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.
Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.
Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins&apos;s political journey, shedding light on Ericka&apos;s use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.
Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>494</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8ddec9e0-e6ed-11ef-8c02-3b2428e52fbc</guid>
      <title>The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn</title>
      <description><![CDATA[<p>Our book is: <a href="https://bookshop.org/a/12343/9781469675237"><em>The Vice President's Black Wife: The Untold Life of Julia Chinn</em></a><em> </em>(University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.</p><p>Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of <em>Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston</em>, and <em>The Vice President's Black Wife: The Untold Life of Julia Chinn</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator, producer and show host of the Academic Life podcast.</p><p>Listeners may enjoy this playlist:</p><ul>
<li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></li>
<li><a href="https://newbooksnetwork.com/no-way-they-were-gay#entry:262354@1:url">The Story of President Lincoln, from No Way They Were Gay</a></li>
<li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse: A Forceful History of Black Resistance</a></li>
<li><a href="https://newbooksnetwork.com/bell#entry:85863@1:url">Running From Bondage</a></li>
<li><a href="https://newbooksnetwork.com/sally-nuamah-how-girls-achieve-harvard-up-2019-2#entry:31033@1:url">How Girls Achieve</a></li>
<li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 13 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Our book is: <a href="https://bookshop.org/a/12343/9781469675237"><em>The Vice President's Black Wife: The Untold Life of Julia Chinn</em></a><em> </em>(University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.</p><p>Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of <em>Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston</em>, and <em>The Vice President's Black Wife: The Untold Life of Julia Chinn</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator, producer and show host of the Academic Life podcast.</p><p>Listeners may enjoy this playlist:</p><ul>
<li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></li>
<li><a href="https://newbooksnetwork.com/no-way-they-were-gay#entry:262354@1:url">The Story of President Lincoln, from No Way They Were Gay</a></li>
<li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse: A Forceful History of Black Resistance</a></li>
<li><a href="https://newbooksnetwork.com/bell#entry:85863@1:url">Running From Bondage</a></li>
<li><a href="https://newbooksnetwork.com/sally-nuamah-how-girls-achieve-harvard-up-2019-2#entry:31033@1:url">How Girls Achieve</a></li>
<li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61962900" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/291357c8-12a7-4cdf-bc91-9aa44591cb9e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=291357c8-12a7-4cdf-bc91-9aa44591cb9e&amp;feed=KodC6fj_"/>
      <itunes:title>The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:32</itunes:duration>
      <itunes:summary>Our book is: The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring&apos;s slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple&apos;s world. Chinn&apos;s relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn&apos;s life exceptional is the power that Johnson invested in her, the opportunities the couple&apos;s relationship afforded her and her daughters, and their community&apos;s tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn&apos;t interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.
Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn.
Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.
Listeners may enjoy this playlist:

Never Caught

The Story of President Lincoln, from No Way They Were Gay

We Refuse: A Forceful History of Black Resistance

Running From Bondage

How Girls Achieve

Remembering Lucille


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Our book is: The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring&apos;s slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple&apos;s world. Chinn&apos;s relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn&apos;s life exceptional is the power that Johnson invested in her, the opportunities the couple&apos;s relationship afforded her and her daughters, and their community&apos;s tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn&apos;t interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.
Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn.
Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.
Listeners may enjoy this playlist:

Never Caught

The Story of President Lincoln, from No Way They Were Gay

We Refuse: A Forceful History of Black Resistance

Running From Bondage

How Girls Achieve

Remembering Lucille


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">42c0569e-e586-11ef-99db-d3e5ec7b4cf7</guid>
      <title>Tao Leigh Goffe, &quot;Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis&quot; (Doubleday Books, 2025)</title>
      <description><![CDATA[<p>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In <a href="https://bookshop.org/a/12343/9780385549912"><em>Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis</em></a> (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.</p><p>Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. <em>Dark Laboratory </em>forces a reckoning with the received forms of knowledge that have led us astray.</p><p><br /></p><p>Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, <em>Dark Laboratory</em> becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.</p><p>Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 10 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In <a href="https://bookshop.org/a/12343/9780385549912"><em>Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis</em></a> (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.</p><p>Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. <em>Dark Laboratory </em>forces a reckoning with the received forms of knowledge that have led us astray.</p><p><br /></p><p>Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, <em>Dark Laboratory</em> becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.</p><p>Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54041234" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f8c575b3-1b7c-44f9-9362-406b270fee97/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f8c575b3-1b7c-44f9-9362-406b270fee97&amp;feed=KodC6fj_"/>
      <itunes:title>Tao Leigh Goffe, &quot;Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis&quot; (Doubleday Books, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:17</itunes:duration>
      <itunes:summary>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.
Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.
Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.
Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.
Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>346</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a0d412f6-e3de-11ef-9606-c320b1b50005</guid>
      <title>Samantha Ege, &quot;South Side Impresarios: How Race Women Transformed Chicago&apos;s Classical Music Scene&quot; (U Illinois Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780252088339"><em>South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene</em></a><em> </em>by Samantha Ege (University of Illinois Press, 2014) is a collective biography of a group of Black women living in Chicago who were at the center of the support, promotion, and circulation of classical music by Black composers—often specifically Black women composers—in the years between the World Wars. Women like Nora Holt, Maud Roberts George, Estella Conway Bonds, and her daughter Margaret Bonds founded and led institutions, raised money, wrote music criticism, composed music, played in and arranged concerts, opened their homes to salons and their wallets to support concerts and even individuals. This “behind the scenes” book, shows how these Race Women made Chicago’s South Side into a center of Black classical music making.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 7 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780252088339"><em>South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene</em></a><em> </em>by Samantha Ege (University of Illinois Press, 2014) is a collective biography of a group of Black women living in Chicago who were at the center of the support, promotion, and circulation of classical music by Black composers—often specifically Black women composers—in the years between the World Wars. Women like Nora Holt, Maud Roberts George, Estella Conway Bonds, and her daughter Margaret Bonds founded and led institutions, raised money, wrote music criticism, composed music, played in and arranged concerts, opened their homes to salons and their wallets to support concerts and even individuals. This “behind the scenes” book, shows how these Race Women made Chicago’s South Side into a center of Black classical music making.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56707007" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/995674dd-bba3-4eb1-b5e1-eeb2d8c9411e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=995674dd-bba3-4eb1-b5e1-eeb2d8c9411e&amp;feed=KodC6fj_"/>
      <itunes:title>Samantha Ege, &quot;South Side Impresarios: How Race Women Transformed Chicago&apos;s Classical Music Scene&quot; (U Illinois Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:04</itunes:duration>
      <itunes:summary>South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene by Samantha Ege (University of Illinois Press, 2014) is a collective biography of a group of Black women living in Chicago who were at the center of the support, promotion, and circulation of classical music by Black composers—often specifically Black women composers—in the years between the World Wars. Women like Nora Holt, Maud Roberts George, Estella Conway Bonds, and her daughter Margaret Bonds founded and led institutions, raised money, wrote music criticism, composed music, played in and arranged concerts, opened their homes to salons and their wallets to support concerts and even individuals. This “behind the scenes” book, shows how these Race Women made Chicago’s South Side into a center of Black classical music making.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene by Samantha Ege (University of Illinois Press, 2014) is a collective biography of a group of Black women living in Chicago who were at the center of the support, promotion, and circulation of classical music by Black composers—often specifically Black women composers—in the years between the World Wars. Women like Nora Holt, Maud Roberts George, Estella Conway Bonds, and her daughter Margaret Bonds founded and led institutions, raised money, wrote music criticism, composed music, played in and arranged concerts, opened their homes to salons and their wallets to support concerts and even individuals. This “behind the scenes” book, shows how these Race Women made Chicago’s South Side into a center of Black classical music making.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>266</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">36db3668-e32a-11ef-9b9e-0717add1584f</guid>
      <title>Anthony E. Kaye, &quot;Nat Turner, Black Prophet: A Visionary History&quot; (FSG, 2024)</title>
      <description><![CDATA[<p>In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act.</p><p><a href="https://bookshop.org/a/12343/9780809024377"><em>Nat Turner, Black Prophet: A Visionary History</em></a><em> </em>(FSG, 2024) is the fullest recounting to date of Turner’s uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country’s politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events.</p><p><em>Nat Turner, Black Prophet </em>was named a <em>Times Literary Supplement </em>Book of the Year and one of <em>Literary Hub</em>'s 50 Best Nonfiction Books of the Year.</p><p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 6 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act.</p><p><a href="https://bookshop.org/a/12343/9780809024377"><em>Nat Turner, Black Prophet: A Visionary History</em></a><em> </em>(FSG, 2024) is the fullest recounting to date of Turner’s uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country’s politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events.</p><p><em>Nat Turner, Black Prophet </em>was named a <em>Times Literary Supplement </em>Book of the Year and one of <em>Literary Hub</em>'s 50 Best Nonfiction Books of the Year.</p><p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49203577" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7b160856-f2e7-42a1-b19e-49f374a4a643/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7b160856-f2e7-42a1-b19e-49f374a4a643&amp;feed=KodC6fj_"/>
      <itunes:title>Anthony E. Kaye, &quot;Nat Turner, Black Prophet: A Visionary History&quot; (FSG, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:15</itunes:duration>
      <itunes:summary>In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act.
Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner’s uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country’s politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century&apos;s most decisive events.
Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub&apos;s 50 Best Nonfiction Books of the Year.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act.
Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner’s uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country’s politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century&apos;s most decisive events.
Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub&apos;s 50 Best Nonfiction Books of the Year.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>493</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c3065178-e0b8-11ef-9829-67e0d4888ffe</guid>
      <title>Gloria Blizzard, &quot;Black Cake, Turtle Soup, and Other Dilemmas&quot; (Dundurn Press, 2025)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781459752825"><em>Black Cake, Turtle Soup, and Other Dilemmas</em></a><em> </em>(Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion.</p><p>In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard’s essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds.</p><p><strong>About Gloria Blizzard:</strong></p><p><strong>Gloria Blizzard </strong>is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto.</p><p><strong>About Hollay Ghadery:</strong></p><p>Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, <em>Rebellion Box </em>was released by Radiant Press in 2023, and her collection of short fiction,<em> Widow Fantasies,</em> was released with Gordon Hill Press in fall 2024. Her debut novel, T<em>he Unraveling of Ou</em>, is due out with Palimpsest Press in 2026, and her children’s book, <em>Being with the Birds, </em>with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 2 Feb 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781459752825"><em>Black Cake, Turtle Soup, and Other Dilemmas</em></a><em> </em>(Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion.</p><p>In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard’s essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds.</p><p><strong>About Gloria Blizzard:</strong></p><p><strong>Gloria Blizzard </strong>is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto.</p><p><strong>About Hollay Ghadery:</strong></p><p>Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, <em>Rebellion Box </em>was released by Radiant Press in 2023, and her collection of short fiction,<em> Widow Fantasies,</em> was released with Gordon Hill Press in fall 2024. Her debut novel, T<em>he Unraveling of Ou</em>, is due out with Palimpsest Press in 2026, and her children’s book, <em>Being with the Birds, </em>with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="24916013" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2ae5e738-97f8-4a28-a35c-27682ca910b5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2ae5e738-97f8-4a28-a35c-27682ca910b5&amp;feed=KodC6fj_"/>
      <itunes:title>Gloria Blizzard, &quot;Black Cake, Turtle Soup, and Other Dilemmas&quot; (Dundurn Press, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:25:57</itunes:duration>
      <itunes:summary>Black Cake, Turtle Soup, and Other Dilemmas (Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion.
In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard’s essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds.
About Gloria Blizzard:
Gloria Blizzard is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Cake, Turtle Soup, and Other Dilemmas (Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion.
In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard’s essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds.
About Gloria Blizzard:
Gloria Blizzard is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>457</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ad8eb88a-ddbb-11ef-819e-1393d3ed6bd4</guid>
      <title>Derek W. Black, &quot;Dangerous Learning: The South&apos;s Long War on Black Literacy&quot; (Yale UP, 2025)</title>
      <description><![CDATA[<p>Few have ever valued literacy as much as the enslaved Black people of the American South. For them, it was more than a means to a better life; it was a gateway to freedom and, in some instances, a tool for inspiring revolt. And few governments tried harder to suppress literacy than did those in the South. Everyone understood that knowledge was power: power to keep a person enslaved in mind and body, power to resist oppression. In the decades before the Civil War, Southern governments drove Black literacy underground, but it was too precious to be entirely stamped out.</p><p><a href="https://bookshop.org/a/12343/9780300272826"><em>Dangerous Learning: The South's Long War on Black Literacy</em></a> (Yale UP, 2025) describes the violent lengths to which southern leaders went to repress Black literacy and the extraordinary courage it took Black people to resist. Derek W. Black shows how, from the beginning of the nineteenth century to the end of Reconstruction, literacy evolved from a subversive gateway to freedom to a public program to extend citizenship and build democratic institutions—and how, once Reconstruction was abandoned, opposition to educating Black children depressed education throughout the South for Black and white students alike. He also reveals the deep imprint those events had on education and how this legacy is resurfacing today.</p><p>Omari Averette-Phillips is a PhD student in the History department at UC Davis.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 30 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Few have ever valued literacy as much as the enslaved Black people of the American South. For them, it was more than a means to a better life; it was a gateway to freedom and, in some instances, a tool for inspiring revolt. And few governments tried harder to suppress literacy than did those in the South. Everyone understood that knowledge was power: power to keep a person enslaved in mind and body, power to resist oppression. In the decades before the Civil War, Southern governments drove Black literacy underground, but it was too precious to be entirely stamped out.</p><p><a href="https://bookshop.org/a/12343/9780300272826"><em>Dangerous Learning: The South's Long War on Black Literacy</em></a> (Yale UP, 2025) describes the violent lengths to which southern leaders went to repress Black literacy and the extraordinary courage it took Black people to resist. Derek W. Black shows how, from the beginning of the nineteenth century to the end of Reconstruction, literacy evolved from a subversive gateway to freedom to a public program to extend citizenship and build democratic institutions—and how, once Reconstruction was abandoned, opposition to educating Black children depressed education throughout the South for Black and white students alike. He also reveals the deep imprint those events had on education and how this legacy is resurfacing today.</p><p>Omari Averette-Phillips is a PhD student in the History department at UC Davis.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36681030" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4dd906e2-8a37-4ec9-9e65-1cc52f5b9821/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4dd906e2-8a37-4ec9-9e65-1cc52f5b9821&amp;feed=KodC6fj_"/>
      <itunes:title>Derek W. Black, &quot;Dangerous Learning: The South&apos;s Long War on Black Literacy&quot; (Yale UP, 2025)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:12</itunes:duration>
      <itunes:summary>Few have ever valued literacy as much as the enslaved Black people of the American South. For them, it was more than a means to a better life; it was a gateway to freedom and, in some instances, a tool for inspiring revolt. And few governments tried harder to suppress literacy than did those in the South. Everyone understood that knowledge was power: power to keep a person enslaved in mind and body, power to resist oppression. In the decades before the Civil War, Southern governments drove Black literacy underground, but it was too precious to be entirely stamped out.
Dangerous Learning: The South&apos;s Long War on Black Literacy (Yale UP, 2025) describes the violent lengths to which southern leaders went to repress Black literacy and the extraordinary courage it took Black people to resist. Derek W. Black shows how, from the beginning of the nineteenth century to the end of Reconstruction, literacy evolved from a subversive gateway to freedom to a public program to extend citizenship and build democratic institutions—and how, once Reconstruction was abandoned, opposition to educating Black children depressed education throughout the South for Black and white students alike. He also reveals the deep imprint those events had on education and how this legacy is resurfacing today.
Omari Averette-Phillips is a PhD student in the History department at UC Davis.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Few have ever valued literacy as much as the enslaved Black people of the American South. For them, it was more than a means to a better life; it was a gateway to freedom and, in some instances, a tool for inspiring revolt. And few governments tried harder to suppress literacy than did those in the South. Everyone understood that knowledge was power: power to keep a person enslaved in mind and body, power to resist oppression. In the decades before the Civil War, Southern governments drove Black literacy underground, but it was too precious to be entirely stamped out.
Dangerous Learning: The South&apos;s Long War on Black Literacy (Yale UP, 2025) describes the violent lengths to which southern leaders went to repress Black literacy and the extraordinary courage it took Black people to resist. Derek W. Black shows how, from the beginning of the nineteenth century to the end of Reconstruction, literacy evolved from a subversive gateway to freedom to a public program to extend citizenship and build democratic institutions—and how, once Reconstruction was abandoned, opposition to educating Black children depressed education throughout the South for Black and white students alike. He also reveals the deep imprint those events had on education and how this legacy is resurfacing today.
Omari Averette-Phillips is a PhD student in the History department at UC Davis.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>492</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4bf42d3e-db2d-11ef-a354-07e5fa32de87</guid>
      <title>Robin Bernstein, &quot;Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a> (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn’s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.</p><p><br /></p><p>Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 27 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a> (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn’s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.</p><p><br /></p><p>Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40352245" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7897546f-6a24-4cbc-9c6d-f66b67a4ec8d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7897546f-6a24-4cbc-9c6d-f66b67a4ec8d&amp;feed=KodC6fj_"/>
      <itunes:title>Robin Bernstein, &quot;Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:01</itunes:duration>
      <itunes:summary>In Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn’s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.

Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn’s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.

Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>491</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f46e8690-d901-11ef-b118-e75baa2b7065</guid>
      <title>Leonne M. Hudson, &quot;Black Americans in Mourning: Reactions to the Assassination of Abraham Lincoln&quot; (Southern Illinois UP, 2024)</title>
      <description><![CDATA[<p>On April 14, 1865, John Wilkes Booth carried out the first presidential assassination in United States history. The euphoria resulting from General Lee's surrender evaporated at the news of Abraham Lincoln's murder. The nation--excepting many white Southerners--found itself consumed with grief, and no group mourned Lincoln more deeply than people of color. African Americans did not speak with a monolithic voice on social or political issues, but even Lincoln's Black contemporaries who may not have approved of him while he was alive mourned his death, understanding its implications for their future.</p><p>Beginning with the assassination itself and chronicling Lincoln's three-week-long national funeral, historian Leonne M. Hudson captures the profound sadness of Black Americans as they mourned the crafter of the Emancipation Proclamation and the man they thought of as their earthly Moses, father, friend, and benefactor. Hudson continues the narrative by detailing the postwar efforts of African Americans to gain citizenship and voting rights.</p><p><a href="https://bookshop.org/a/12343/9780809339549"><em>Black Americans in Mourning: Reactions to the Assassination of Abraham Lincoln</em></a><em> </em>(Southern Illinois UP, 2024) includes the tributes of prominent figures such as Frederick Douglass, Martin R. Delany, and Elizabeth Keckley, who raised their voices to honor Lincoln, as well as formal expressions of grief by institutions and organizations such as the United States Colored Troops. In a triumph of research, Hudson also features the voices of lesser-known Black people who mourned Lincoln across the country, showing that the outpouring of individual and collective grief helped set the stage for his enduring glorification.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 24 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On April 14, 1865, John Wilkes Booth carried out the first presidential assassination in United States history. The euphoria resulting from General Lee's surrender evaporated at the news of Abraham Lincoln's murder. The nation--excepting many white Southerners--found itself consumed with grief, and no group mourned Lincoln more deeply than people of color. African Americans did not speak with a monolithic voice on social or political issues, but even Lincoln's Black contemporaries who may not have approved of him while he was alive mourned his death, understanding its implications for their future.</p><p>Beginning with the assassination itself and chronicling Lincoln's three-week-long national funeral, historian Leonne M. Hudson captures the profound sadness of Black Americans as they mourned the crafter of the Emancipation Proclamation and the man they thought of as their earthly Moses, father, friend, and benefactor. Hudson continues the narrative by detailing the postwar efforts of African Americans to gain citizenship and voting rights.</p><p><a href="https://bookshop.org/a/12343/9780809339549"><em>Black Americans in Mourning: Reactions to the Assassination of Abraham Lincoln</em></a><em> </em>(Southern Illinois UP, 2024) includes the tributes of prominent figures such as Frederick Douglass, Martin R. Delany, and Elizabeth Keckley, who raised their voices to honor Lincoln, as well as formal expressions of grief by institutions and organizations such as the United States Colored Troops. In a triumph of research, Hudson also features the voices of lesser-known Black people who mourned Lincoln across the country, showing that the outpouring of individual and collective grief helped set the stage for his enduring glorification.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67956420" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fd118815-66ad-483d-a03f-586ba848a88f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fd118815-66ad-483d-a03f-586ba848a88f&amp;feed=KodC6fj_"/>
      <itunes:title>Leonne M. Hudson, &quot;Black Americans in Mourning: Reactions to the Assassination of Abraham Lincoln&quot; (Southern Illinois UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:47</itunes:duration>
      <itunes:summary>On April 14, 1865, John Wilkes Booth carried out the first presidential assassination in United States history. The euphoria resulting from General Lee&apos;s surrender evaporated at the news of Abraham Lincoln&apos;s murder. The nation--excepting many white Southerners--found itself consumed with grief, and no group mourned Lincoln more deeply than people of color. African Americans did not speak with a monolithic voice on social or political issues, but even Lincoln&apos;s Black contemporaries who may not have approved of him while he was alive mourned his death, understanding its implications for their future.
Beginning with the assassination itself and chronicling Lincoln&apos;s three-week-long national funeral, historian Leonne M. Hudson captures the profound sadness of Black Americans as they mourned the crafter of the Emancipation Proclamation and the man they thought of as their earthly Moses, father, friend, and benefactor. Hudson continues the narrative by detailing the postwar efforts of African Americans to gain citizenship and voting rights.
Black Americans in Mourning: Reactions to the Assassination of Abraham Lincoln (Southern Illinois UP, 2024) includes the tributes of prominent figures such as Frederick Douglass, Martin R. Delany, and Elizabeth Keckley, who raised their voices to honor Lincoln, as well as formal expressions of grief by institutions and organizations such as the United States Colored Troops. In a triumph of research, Hudson also features the voices of lesser-known Black people who mourned Lincoln across the country, showing that the outpouring of individual and collective grief helped set the stage for his enduring glorification.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On April 14, 1865, John Wilkes Booth carried out the first presidential assassination in United States history. The euphoria resulting from General Lee&apos;s surrender evaporated at the news of Abraham Lincoln&apos;s murder. The nation--excepting many white Southerners--found itself consumed with grief, and no group mourned Lincoln more deeply than people of color. African Americans did not speak with a monolithic voice on social or political issues, but even Lincoln&apos;s Black contemporaries who may not have approved of him while he was alive mourned his death, understanding its implications for their future.
Beginning with the assassination itself and chronicling Lincoln&apos;s three-week-long national funeral, historian Leonne M. Hudson captures the profound sadness of Black Americans as they mourned the crafter of the Emancipation Proclamation and the man they thought of as their earthly Moses, father, friend, and benefactor. Hudson continues the narrative by detailing the postwar efforts of African Americans to gain citizenship and voting rights.
Black Americans in Mourning: Reactions to the Assassination of Abraham Lincoln (Southern Illinois UP, 2024) includes the tributes of prominent figures such as Frederick Douglass, Martin R. Delany, and Elizabeth Keckley, who raised their voices to honor Lincoln, as well as formal expressions of grief by institutions and organizations such as the United States Colored Troops. In a triumph of research, Hudson also features the voices of lesser-known Black people who mourned Lincoln across the country, showing that the outpouring of individual and collective grief helped set the stage for his enduring glorification.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>490</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">823dd56e-d8f0-11ef-835e-2f5ec7747a94</guid>
      <title>Ellen Hartigan-O&apos;Connor, &quot;America Under the Hammer: Auctions and the Emergence of Market Values&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p>As the first book-length study of auctions in early America, <a href="https://bookshop.org/a/12343/9781512826517"><em>America Under the Hammer: Auctions and the Emergence of Market Values</em></a><em> </em>(U Pennsylvania Press, 2024) follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.</p><p>Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged.</p><p>In contrast to histories focused on banks, currencies, or plantations, <em>America Under the Hammer </em>highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.</p><p>Ellen Hartigan-O'Connor is Professor of History at the University of California, Davis, and author of <em>The Ties That Buy: Women and Commerce in Revolutionary America</em>, also available from the University of Pennsylvania Press.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 24 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>As the first book-length study of auctions in early America, <a href="https://bookshop.org/a/12343/9781512826517"><em>America Under the Hammer: Auctions and the Emergence of Market Values</em></a><em> </em>(U Pennsylvania Press, 2024) follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.</p><p>Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged.</p><p>In contrast to histories focused on banks, currencies, or plantations, <em>America Under the Hammer </em>highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.</p><p>Ellen Hartigan-O'Connor is Professor of History at the University of California, Davis, and author of <em>The Ties That Buy: Women and Commerce in Revolutionary America</em>, also available from the University of Pennsylvania Press.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36869804" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/847c4a99-6dd3-495a-818e-b690781b06a7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=847c4a99-6dd3-495a-818e-b690781b06a7&amp;feed=KodC6fj_"/>
      <itunes:title>Ellen Hartigan-O&apos;Connor, &quot;America Under the Hammer: Auctions and the Emergence of Market Values&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:24</itunes:duration>
      <itunes:summary>As the first book-length study of auctions in early America, America Under the Hammer: Auctions and the Emergence of Market Values (U Pennsylvania Press, 2024) follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.
Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged.
In contrast to histories focused on banks, currencies, or plantations, America Under the Hammer highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.
Ellen Hartigan-O&apos;Connor is Professor of History at the University of California, Davis, and author of The Ties That Buy: Women and Commerce in Revolutionary America, also available from the University of Pennsylvania Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>As the first book-length study of auctions in early America, America Under the Hammer: Auctions and the Emergence of Market Values (U Pennsylvania Press, 2024) follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.
Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged.
In contrast to histories focused on banks, currencies, or plantations, America Under the Hammer highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.
Ellen Hartigan-O&apos;Connor is Professor of History at the University of California, Davis, and author of The Ties That Buy: Women and Commerce in Revolutionary America, also available from the University of Pennsylvania Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">804a952a-d824-11ef-b7ab-d3296aa6a6fc</guid>
      <title>The First and Last King of Haiti: The Rise and Fall of Henry Christophe</title>
      <description><![CDATA[<p>Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma?</p><p>In <a href="https://bookshop.org/a/12343/9780593316160"><em>The First and Last King of Haiti: The Rise and Fall of Henry Christophe</em></a>, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, <em>The First and Last King of Haiti</em> is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. <em>The First and Last King of Haiti </em>is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon’s forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet.</p><p><br /></p><p>Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti’s first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south?</p><p><br /></p><p><em>The First and Last King of Haiti</em> is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval.</p><p>Our guest is: <a href="https://afamstudies.yale.edu/people/marlene-daut">Dr. Marlene Daut</a>, who is Professor of French and African Diaspora Studies at Yale University. Her books include <em>Baron de Vastey and the Origins of Black Atlantic Humanism</em>; <em>Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865</em>; <em>Awakening the Ashes: An Intellectual History of the Haitian Revolution</em>; and <em>The First and Last King of Haiti: The Rise and Fall of Henry Christophe</em>. She is co-editor of the <em>Haitian Revolutionary Fictions: An Anthology</em>, and her articles have appeared in <em>The New Yorker, The New York Times</em>, <em>The Nation</em>, <em>Essence Magazine</em>, <em>Harper’s Bazaar</em>, <em>The Conversation</em>, <em>New Literary History</em>, <em>Nineteenth-Century Literature, and Comparative Literature</em>, among others. She is the co-creator and co-editor of H-Net Commons’ digital platform, H-Haiti.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and producer of the Academic Life podcast.</p><p>Listeners might also enjoy:</p><ul>
<li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse: A Forceful History of Black Resistance</a></li>
<li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught, with Dr. Erica Armstrong Dunbar</a></li>
<li><a href="https://newbooksnetwork.com/in-person-research-and-writing-visiting-archives-and-selling-anti-slavery#entry:228786@1:url">Selling Anti-Slavery</a></li>
<li><a href="https://newbooksnetwork.com/bell#entry:85863@1:url">Running From Bondage</a></li>
<li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading from the Margins</a></li>
<li><a href="https://newbooksnetwork.com/shoutin-in-the-fire-a-conversation-with-graduate-student-dante-stewart#entry:110131@1:url">Shoutin in the Fire</a></li>
</ul><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 23 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma?</p><p>In <a href="https://bookshop.org/a/12343/9780593316160"><em>The First and Last King of Haiti: The Rise and Fall of Henry Christophe</em></a>, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, <em>The First and Last King of Haiti</em> is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. <em>The First and Last King of Haiti </em>is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon’s forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet.</p><p><br /></p><p>Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti’s first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south?</p><p><br /></p><p><em>The First and Last King of Haiti</em> is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval.</p><p>Our guest is: <a href="https://afamstudies.yale.edu/people/marlene-daut">Dr. Marlene Daut</a>, who is Professor of French and African Diaspora Studies at Yale University. Her books include <em>Baron de Vastey and the Origins of Black Atlantic Humanism</em>; <em>Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865</em>; <em>Awakening the Ashes: An Intellectual History of the Haitian Revolution</em>; and <em>The First and Last King of Haiti: The Rise and Fall of Henry Christophe</em>. She is co-editor of the <em>Haitian Revolutionary Fictions: An Anthology</em>, and her articles have appeared in <em>The New Yorker, The New York Times</em>, <em>The Nation</em>, <em>Essence Magazine</em>, <em>Harper’s Bazaar</em>, <em>The Conversation</em>, <em>New Literary History</em>, <em>Nineteenth-Century Literature, and Comparative Literature</em>, among others. She is the co-creator and co-editor of H-Net Commons’ digital platform, H-Haiti.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and producer of the Academic Life podcast.</p><p>Listeners might also enjoy:</p><ul>
<li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse: A Forceful History of Black Resistance</a></li>
<li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught, with Dr. Erica Armstrong Dunbar</a></li>
<li><a href="https://newbooksnetwork.com/in-person-research-and-writing-visiting-archives-and-selling-anti-slavery#entry:228786@1:url">Selling Anti-Slavery</a></li>
<li><a href="https://newbooksnetwork.com/bell#entry:85863@1:url">Running From Bondage</a></li>
<li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading from the Margins</a></li>
<li><a href="https://newbooksnetwork.com/shoutin-in-the-fire-a-conversation-with-graduate-student-dante-stewart#entry:110131@1:url">Shoutin in the Fire</a></li>
</ul><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59216832" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0fc07891-ef0e-48b2-97f4-535ccfd5ebbd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0fc07891-ef0e-48b2-97f4-535ccfd5ebbd&amp;feed=KodC6fj_"/>
      <itunes:title>The First and Last King of Haiti: The Rise and Fall of Henry Christophe</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:40</itunes:duration>
      <itunes:summary>Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma?
In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon’s forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet.

Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti’s first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south?

The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval.
Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper’s Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons’ digital platform, H-Haiti.
Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast.
Listeners might also enjoy:

We Refuse: A Forceful History of Black Resistance

Never Caught, with Dr. Erica Armstrong Dunbar

Selling Anti-Slavery

Running From Bondage

Leading from the Margins

Shoutin in the Fire



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma?
In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon’s forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet.

Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti’s first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south?

The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval.
Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper’s Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons’ digital platform, H-Haiti.
Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast.
Listeners might also enjoy:

We Refuse: A Forceful History of Black Resistance

Never Caught, with Dr. Erica Armstrong Dunbar

Selling Anti-Slavery

Running From Bondage

Leading from the Margins

Shoutin in the Fire



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>250</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">10681414-d74b-11ef-a29b-9f0139e10cc9</guid>
      <title>Casey Golomski, &quot;God&apos;s Waiting Room: Racial Reckoning at Life&apos;s End&quot; (Rutgers UP, 2024)</title>
      <description><![CDATA[<p>Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, <a href="https://bookshop.org/a/12343/9781978840607"><em>God's Waiting Room: Racial Reckoning at Life's End</em></a><em> </em>(Rutgers University Press, 2024)<em> </em>considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.</p><p>Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of <em>Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 22 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, <a href="https://bookshop.org/a/12343/9781978840607"><em>God's Waiting Room: Racial Reckoning at Life's End</em></a><em> </em>(Rutgers University Press, 2024)<em> </em>considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.</p><p>Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of <em>Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62207290" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/88bcbf3d-2c6a-4146-9630-c725324ae5d5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=88bcbf3d-2c6a-4146-9630-c725324ae5d5&amp;feed=KodC6fj_"/>
      <itunes:title>Casey Golomski, &quot;God&apos;s Waiting Room: Racial Reckoning at Life&apos;s End&quot; (Rutgers UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:47</itunes:duration>
      <itunes:summary>Can older racists change their tune, or will they haunt us further once they&apos;re gone? Rich in mystery and life&apos;s lessons, God&apos;s Waiting Room: Racial Reckoning at Life&apos;s End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski&apos;s story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home&apos;s residents and nurses, including the untold story of Nelson Mandela&apos;s Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.
Casey Golomski is an associate professor of anthropology and women&apos;s and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Can older racists change their tune, or will they haunt us further once they&apos;re gone? Rich in mystery and life&apos;s lessons, God&apos;s Waiting Room: Racial Reckoning at Life&apos;s End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski&apos;s story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home&apos;s residents and nurses, including the untold story of Nelson Mandela&apos;s Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.
Casey Golomski is an associate professor of anthropology and women&apos;s and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>342</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">31d8ccf4-d1c6-11ef-a2a8-0f361b4b5560</guid>
      <title>Beretta E. Smith-Shomade, &quot;Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture&quot; (Rutgers UP, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978839779"><em>Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture</em></a><em> </em>(Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.</p><p>This book is also freely available online as an open-access digital edition <a href="https://www.rutgersuniversitypress.org/finding-god-in-all-the-black-places/9781978839779/">here</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 15 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978839779"><em>Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture</em></a><em> </em>(Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.</p><p>This book is also freely available online as an open-access digital edition <a href="https://www.rutgersuniversitypress.org/finding-god-in-all-the-black-places/9781978839779/">here</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48709275" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1a2c811d-8e0d-48c5-a98b-be199fa3cb24/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1a2c811d-8e0d-48c5-a98b-be199fa3cb24&amp;feed=KodC6fj_"/>
      <itunes:title>Beretta E. Smith-Shomade, &quot;Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture&quot; (Rutgers UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:44</itunes:duration>
      <itunes:summary>In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.
This book is also freely available online as an open-access digital edition here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.
This book is also freely available online as an open-access digital edition here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2cad9fbc-d10c-11ef-bec0-0321503a394d</guid>
      <title>Anthony Walton, &quot;The End of Respectability: Notes of a Black American Reckoning with His Life and His Nation&quot; (David R. Godine, 2024)</title>
      <description><![CDATA[<p>Born into the Civil Rights Movement, author Anthony Walton observed firsthand the opening of opportunity for racial reconciliation. He also saw systemic racism and the vicious backlash against Black progress embodied in the Southern Strategy, Tea Party, and MAGA. Over time, Walton came to believe that moving forward requires a "Third Reconstruction" to accomplish what remains: better health outcomes, secure voting rights, and sustained economic and educational opportunity. Only this approach, he believes, will accomplish what remains unfinished for true African American equality.</p><p>Blending social history, bracing analysis, and autobiography, this dazzling collection includes essays published in <em>The New York Times</em> and <em>The Atlantic</em>--including "Willie Horton and Me" and the much-anthologized "Technology vs. African Americans"--as well as new work that probes Walton's earlier thinking. Throughout, the author delivers insights that wrestle with the hydra-headed, ever-changing realities of an American society in which the more things change, the more they stay the same.</p><p><a href="https://bookshop.org/a/12343/9781567927283"><em>The End of Respectability: Notes of a Black American Reckoning with His Life and His Nation</em></a> (David R. Godine, 2024) illuminates recent American history as experienced by a writer who has remained open to hope, unfazed by failures, and unflinchingly dedicated to the truth. This book will leave you changed. And just may incite you to be a part of the change we need.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 15 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Born into the Civil Rights Movement, author Anthony Walton observed firsthand the opening of opportunity for racial reconciliation. He also saw systemic racism and the vicious backlash against Black progress embodied in the Southern Strategy, Tea Party, and MAGA. Over time, Walton came to believe that moving forward requires a "Third Reconstruction" to accomplish what remains: better health outcomes, secure voting rights, and sustained economic and educational opportunity. Only this approach, he believes, will accomplish what remains unfinished for true African American equality.</p><p>Blending social history, bracing analysis, and autobiography, this dazzling collection includes essays published in <em>The New York Times</em> and <em>The Atlantic</em>--including "Willie Horton and Me" and the much-anthologized "Technology vs. African Americans"--as well as new work that probes Walton's earlier thinking. Throughout, the author delivers insights that wrestle with the hydra-headed, ever-changing realities of an American society in which the more things change, the more they stay the same.</p><p><a href="https://bookshop.org/a/12343/9781567927283"><em>The End of Respectability: Notes of a Black American Reckoning with His Life and His Nation</em></a> (David R. Godine, 2024) illuminates recent American history as experienced by a writer who has remained open to hope, unfazed by failures, and unflinchingly dedicated to the truth. This book will leave you changed. And just may incite you to be a part of the change we need.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49748238" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/19b69333-0a2f-4620-ba6c-2dc93cce41b4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=19b69333-0a2f-4620-ba6c-2dc93cce41b4&amp;feed=KodC6fj_"/>
      <itunes:title>Anthony Walton, &quot;The End of Respectability: Notes of a Black American Reckoning with His Life and His Nation&quot; (David R. Godine, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:49</itunes:duration>
      <itunes:summary>Born into the Civil Rights Movement, author Anthony Walton observed firsthand the opening of opportunity for racial reconciliation. He also saw systemic racism and the vicious backlash against Black progress embodied in the Southern Strategy, Tea Party, and MAGA. Over time, Walton came to believe that moving forward requires a &quot;Third Reconstruction&quot; to accomplish what remains: better health outcomes, secure voting rights, and sustained economic and educational opportunity. Only this approach, he believes, will accomplish what remains unfinished for true African American equality.
Blending social history, bracing analysis, and autobiography, this dazzling collection includes essays published in The New York Times and The Atlantic--including &quot;Willie Horton and Me&quot; and the much-anthologized &quot;Technology vs. African Americans&quot;--as well as new work that probes Walton&apos;s earlier thinking. Throughout, the author delivers insights that wrestle with the hydra-headed, ever-changing realities of an American society in which the more things change, the more they stay the same.
The End of Respectability: Notes of a Black American Reckoning with His Life and His Nation (David R. Godine, 2024) illuminates recent American history as experienced by a writer who has remained open to hope, unfazed by failures, and unflinchingly dedicated to the truth. This book will leave you changed. And just may incite you to be a part of the change we need.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Born into the Civil Rights Movement, author Anthony Walton observed firsthand the opening of opportunity for racial reconciliation. He also saw systemic racism and the vicious backlash against Black progress embodied in the Southern Strategy, Tea Party, and MAGA. Over time, Walton came to believe that moving forward requires a &quot;Third Reconstruction&quot; to accomplish what remains: better health outcomes, secure voting rights, and sustained economic and educational opportunity. Only this approach, he believes, will accomplish what remains unfinished for true African American equality.
Blending social history, bracing analysis, and autobiography, this dazzling collection includes essays published in The New York Times and The Atlantic--including &quot;Willie Horton and Me&quot; and the much-anthologized &quot;Technology vs. African Americans&quot;--as well as new work that probes Walton&apos;s earlier thinking. Throughout, the author delivers insights that wrestle with the hydra-headed, ever-changing realities of an American society in which the more things change, the more they stay the same.
The End of Respectability: Notes of a Black American Reckoning with His Life and His Nation (David R. Godine, 2024) illuminates recent American history as experienced by a writer who has remained open to hope, unfazed by failures, and unflinchingly dedicated to the truth. This book will leave you changed. And just may incite you to be a part of the change we need.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>489</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">55a84db4-d04d-11ef-8f74-d3041dfd1ea9</guid>
      <title>Nora Gross, &quot;Brothers in Grief: The Hidden Toll of Gun Violence on Black Boys and Their Schools&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>A heartbreaking account of grief, Black boyhood, and how we can support young people as they navigate loss.</p><p>JahSun, a dependable, much-loved senior at Boys' Prep was just hitting his stride in the fall of 2017. He had finally earned a starting position on the varsity football team and was already weighing two college acceptances. Then, over Thanksgiving, tragedy struck. An altercation at his older sister's home escalated into violence, killing the unarmed teenager in a hail of bullets. JahSun's untimely death overwhelmed his entire community, sending his family, friends, and school into seemingly insurmountable grief. Worse yet, that spring two additional Boys' Prep students would be shot to death in their neighborhood. JahSun and his peers are not alone in suffering the toll of gun violence, as every year in the United States teenagers die by gunfire in epidemic numbers, with Black boys most deeply affected.</p><p><a href="https://bookshop.org/a/12343/9780226820873"><em>Brothers in Grief: The Hidden Toll of Gun Violence on Black Boys and Their Schools</em></a><em> </em>(U Chicago Press, 2024) closely attends to the neglected victims of youth gun violence: the suffering friends and classmates who must cope, mostly out of public view, with lasting grief and hidden anguish. Set at an ambitious urban high school for boys during the heartbreaking year following the death of JahSun, the book chronicles the consequences of untimely death on Black teen boys and on a school community struggling to recover. Sociologist Nora Gross tells the story of students attempting to grapple with unthinkable loss, inviting readers in to observe how they move through their days at school and on social media in the aftermath of their friends' and classmates' deaths. Gross highlights the discrepancy between their school's educational mission and teachers' and administrators' fraught attempts to care for students' emotional wellbeing. In the end, the school did not provide adequate space for grief, making it more difficult for students to heal, reengage with school, and imagine hopeful futures. Even so, supportive relationships deepened among students and formed across generations, offering promising examples of productive efforts to channel student grief into positive community change.</p><p>A searing testimony of our collective failure to understand the inner lives of our children in crisis, <em>Brothers in Grief</em> invites us all to wrestle with the hidden costs of gun violence on racial and educational inequity.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 13 Jan 2025 05:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A heartbreaking account of grief, Black boyhood, and how we can support young people as they navigate loss.</p><p>JahSun, a dependable, much-loved senior at Boys' Prep was just hitting his stride in the fall of 2017. He had finally earned a starting position on the varsity football team and was already weighing two college acceptances. Then, over Thanksgiving, tragedy struck. An altercation at his older sister's home escalated into violence, killing the unarmed teenager in a hail of bullets. JahSun's untimely death overwhelmed his entire community, sending his family, friends, and school into seemingly insurmountable grief. Worse yet, that spring two additional Boys' Prep students would be shot to death in their neighborhood. JahSun and his peers are not alone in suffering the toll of gun violence, as every year in the United States teenagers die by gunfire in epidemic numbers, with Black boys most deeply affected.</p><p><a href="https://bookshop.org/a/12343/9780226820873"><em>Brothers in Grief: The Hidden Toll of Gun Violence on Black Boys and Their Schools</em></a><em> </em>(U Chicago Press, 2024) closely attends to the neglected victims of youth gun violence: the suffering friends and classmates who must cope, mostly out of public view, with lasting grief and hidden anguish. Set at an ambitious urban high school for boys during the heartbreaking year following the death of JahSun, the book chronicles the consequences of untimely death on Black teen boys and on a school community struggling to recover. Sociologist Nora Gross tells the story of students attempting to grapple with unthinkable loss, inviting readers in to observe how they move through their days at school and on social media in the aftermath of their friends' and classmates' deaths. Gross highlights the discrepancy between their school's educational mission and teachers' and administrators' fraught attempts to care for students' emotional wellbeing. In the end, the school did not provide adequate space for grief, making it more difficult for students to heal, reengage with school, and imagine hopeful futures. Even so, supportive relationships deepened among students and formed across generations, offering promising examples of productive efforts to channel student grief into positive community change.</p><p>A searing testimony of our collective failure to understand the inner lives of our children in crisis, <em>Brothers in Grief</em> invites us all to wrestle with the hidden costs of gun violence on racial and educational inequity.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47144485" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f1b6250e-ca8d-492d-a115-46ce7dc5db6d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f1b6250e-ca8d-492d-a115-46ce7dc5db6d&amp;feed=KodC6fj_"/>
      <itunes:title>Nora Gross, &quot;Brothers in Grief: The Hidden Toll of Gun Violence on Black Boys and Their Schools&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:06</itunes:duration>
      <itunes:summary>A heartbreaking account of grief, Black boyhood, and how we can support young people as they navigate loss.
JahSun, a dependable, much-loved senior at Boys&apos; Prep was just hitting his stride in the fall of 2017. He had finally earned a starting position on the varsity football team and was already weighing two college acceptances. Then, over Thanksgiving, tragedy struck. An altercation at his older sister&apos;s home escalated into violence, killing the unarmed teenager in a hail of bullets. JahSun&apos;s untimely death overwhelmed his entire community, sending his family, friends, and school into seemingly insurmountable grief. Worse yet, that spring two additional Boys&apos; Prep students would be shot to death in their neighborhood. JahSun and his peers are not alone in suffering the toll of gun violence, as every year in the United States teenagers die by gunfire in epidemic numbers, with Black boys most deeply affected.
Brothers in Grief: The Hidden Toll of Gun Violence on Black Boys and Their Schools (U Chicago Press, 2024) closely attends to the neglected victims of youth gun violence: the suffering friends and classmates who must cope, mostly out of public view, with lasting grief and hidden anguish. Set at an ambitious urban high school for boys during the heartbreaking year following the death of JahSun, the book chronicles the consequences of untimely death on Black teen boys and on a school community struggling to recover. Sociologist Nora Gross tells the story of students attempting to grapple with unthinkable loss, inviting readers in to observe how they move through their days at school and on social media in the aftermath of their friends&apos; and classmates&apos; deaths. Gross highlights the discrepancy between their school&apos;s educational mission and teachers&apos; and administrators&apos; fraught attempts to care for students&apos; emotional wellbeing. In the end, the school did not provide adequate space for grief, making it more difficult for students to heal, reengage with school, and imagine hopeful futures. Even so, supportive relationships deepened among students and formed across generations, offering promising examples of productive efforts to channel student grief into positive community change.
A searing testimony of our collective failure to understand the inner lives of our children in crisis, Brothers in Grief invites us all to wrestle with the hidden costs of gun violence on racial and educational inequity.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A heartbreaking account of grief, Black boyhood, and how we can support young people as they navigate loss.
JahSun, a dependable, much-loved senior at Boys&apos; Prep was just hitting his stride in the fall of 2017. He had finally earned a starting position on the varsity football team and was already weighing two college acceptances. Then, over Thanksgiving, tragedy struck. An altercation at his older sister&apos;s home escalated into violence, killing the unarmed teenager in a hail of bullets. JahSun&apos;s untimely death overwhelmed his entire community, sending his family, friends, and school into seemingly insurmountable grief. Worse yet, that spring two additional Boys&apos; Prep students would be shot to death in their neighborhood. JahSun and his peers are not alone in suffering the toll of gun violence, as every year in the United States teenagers die by gunfire in epidemic numbers, with Black boys most deeply affected.
Brothers in Grief: The Hidden Toll of Gun Violence on Black Boys and Their Schools (U Chicago Press, 2024) closely attends to the neglected victims of youth gun violence: the suffering friends and classmates who must cope, mostly out of public view, with lasting grief and hidden anguish. Set at an ambitious urban high school for boys during the heartbreaking year following the death of JahSun, the book chronicles the consequences of untimely death on Black teen boys and on a school community struggling to recover. Sociologist Nora Gross tells the story of students attempting to grapple with unthinkable loss, inviting readers in to observe how they move through their days at school and on social media in the aftermath of their friends&apos; and classmates&apos; deaths. Gross highlights the discrepancy between their school&apos;s educational mission and teachers&apos; and administrators&apos; fraught attempts to care for students&apos; emotional wellbeing. In the end, the school did not provide adequate space for grief, making it more difficult for students to heal, reengage with school, and imagine hopeful futures. Even so, supportive relationships deepened among students and formed across generations, offering promising examples of productive efforts to channel student grief into positive community change.
A searing testimony of our collective failure to understand the inner lives of our children in crisis, Brothers in Grief invites us all to wrestle with the hidden costs of gun violence on racial and educational inequity.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>399</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">efb6ca7e-cb85-11ef-8bd9-e705928319ef</guid>
      <title>Jennie Lightweis-Goff, &quot;Captive City: Meditations on Slavery in the Urban South&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p>Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson’s anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts.</p><p><br /></p><p><a href="https://bookshop.org/a/12343/9781512826685"><em>Captive City: Meditations on Slavery in the Urban South</em></a> (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.</p><p><br /></p><p>Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments.</p><p>Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher's Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was "born in the back of the house."</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson’s anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts.</p><p><br /></p><p><a href="https://bookshop.org/a/12343/9781512826685"><em>Captive City: Meditations on Slavery in the Urban South</em></a> (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.</p><p><br /></p><p>Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments.</p><p>Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher's Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was "born in the back of the house."</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50979948" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6d2e9159-d05d-453b-a8b4-3c06069e3286/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6d2e9159-d05d-453b-a8b4-3c06069e3286&amp;feed=KodC6fj_"/>
      <itunes:title>Jennie Lightweis-Goff, &quot;Captive City: Meditations on Slavery in the Urban South&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:06</itunes:duration>
      <itunes:summary>Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson’s anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts.

Captive City: Meditations on Slavery in the Urban South (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.

Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments.
Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher&apos;s Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was &quot;born in the back of the house.&quot;
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson’s anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts.

Captive City: Meditations on Slavery in the Urban South (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.

Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments.
Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher&apos;s Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was &quot;born in the back of the house.&quot;
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">434cf6be-cb94-11ef-942f-f3021edd4d86</guid>
      <title>Simon Hall, &quot;Ten Days in Harlem: Fidel Castro and the Making of the 1960s&quot; (Faber and Faber, 2020)</title>
      <description><![CDATA[<p>In his new book <a href="https://bookshop.org/a/12343/9780571353064"><em>Ten Days in Harlem: Fidel Castro and the Making of the 1960s</em></a> (Faber, 2020), <a href="https://ahc.leeds.ac.uk/history/staff/59/professor-simon-hall">Simon Hall</a>, a Professor of Modern History at the University of Leeds, colorfully details an extraordinary visit by Fidel Castro to New York in the Autumn of 1960 for the opening of the UN General Assembly.</p><p>Holding court from the iconic Hotel Theresa in Harlem, Castro's riotous stay in New York saw him connect with leaders from within the local African American community, as well as political and cultural luminaries such as Gamal Abdel Nasser, Nikita Khrushchev, Kwame Nkrumah and Allen Ginsberg. Through exploring the local and global impact of these ten days, Hall recovers Castro's visit as a critical turning point in the trajectory of the Cold War and the development of the 'The Sixties.'</p><p><em>E. James West is a Leverhulme Early Career Fellow in American History at Northumbria University. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In his new book <a href="https://bookshop.org/a/12343/9780571353064"><em>Ten Days in Harlem: Fidel Castro and the Making of the 1960s</em></a> (Faber, 2020), <a href="https://ahc.leeds.ac.uk/history/staff/59/professor-simon-hall">Simon Hall</a>, a Professor of Modern History at the University of Leeds, colorfully details an extraordinary visit by Fidel Castro to New York in the Autumn of 1960 for the opening of the UN General Assembly.</p><p>Holding court from the iconic Hotel Theresa in Harlem, Castro's riotous stay in New York saw him connect with leaders from within the local African American community, as well as political and cultural luminaries such as Gamal Abdel Nasser, Nikita Khrushchev, Kwame Nkrumah and Allen Ginsberg. Through exploring the local and global impact of these ten days, Hall recovers Castro's visit as a critical turning point in the trajectory of the Cold War and the development of the 'The Sixties.'</p><p><em>E. James West is a Leverhulme Early Career Fellow in American History at Northumbria University. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41916624" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/036dd59d-b632-47a1-8c5a-e23e2e0ac192/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=036dd59d-b632-47a1-8c5a-e23e2e0ac192&amp;feed=KodC6fj_"/>
      <itunes:title>Simon Hall, &quot;Ten Days in Harlem: Fidel Castro and the Making of the 1960s&quot; (Faber and Faber, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:37</itunes:duration>
      <itunes:summary>In his new book Ten Days in Harlem: Fidel Castro and the Making of the 1960s (Faber, 2020), Simon Hall, a Professor of Modern History at the University of Leeds, colorfully details an extraordinary visit by Fidel Castro to New York in the Autumn of 1960 for the opening of the UN General Assembly.
Holding court from the iconic Hotel Theresa in Harlem, Castro&apos;s riotous stay in New York saw him connect with leaders from within the local African American community, as well as political and cultural luminaries such as Gamal Abdel Nasser, Nikita Khrushchev, Kwame Nkrumah and Allen Ginsberg. Through exploring the local and global impact of these ten days, Hall recovers Castro&apos;s visit as a critical turning point in the trajectory of the Cold War and the development of the &apos;The Sixties.&apos;
E. James West is a Leverhulme Early Career Fellow in American History at Northumbria University. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In his new book Ten Days in Harlem: Fidel Castro and the Making of the 1960s (Faber, 2020), Simon Hall, a Professor of Modern History at the University of Leeds, colorfully details an extraordinary visit by Fidel Castro to New York in the Autumn of 1960 for the opening of the UN General Assembly.
Holding court from the iconic Hotel Theresa in Harlem, Castro&apos;s riotous stay in New York saw him connect with leaders from within the local African American community, as well as political and cultural luminaries such as Gamal Abdel Nasser, Nikita Khrushchev, Kwame Nkrumah and Allen Ginsberg. Through exploring the local and global impact of these ten days, Hall recovers Castro&apos;s visit as a critical turning point in the trajectory of the Cold War and the development of the &apos;The Sixties.&apos;
E. James West is a Leverhulme Early Career Fellow in American History at Northumbria University. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">998af942-c9fd-11ef-8484-57a7dcdb168d</guid>
      <title>Joshua D. Rothman, &quot;The Ledger and the Chain: How Domestic Slave Traders Shaped America&quot; (Basic Book, 2021)</title>
      <description><![CDATA[<p>Joshua Rothman’s <a href="https://bookshop.org/a/12343/9781541616615"><em>The Ledger and the Chain: How Domestic Slave Traders Shaped America</em></a> was published by Basic Books in 2021, and tells a sprawling history of slave traders in America. Often presented as outcasts and social pariahs, slave traders were often instead wealthy and respected members of their communities. Rothman explores the lives and careers of Isaac Franklin, John Armfield, and Rice Ballard to show just what the work of a domestic slave trader looked like and the devastating affects their actions had on enslaved people. By weaving together a history the lives of men who created one of the most powerful slave trading operations in America, Rothman is able to show how slavery’s expansion and growth occurred up to the Civil War.</p><p>Joshua Rothman is a professor of history at the University of Alabama.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 4 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Joshua Rothman’s <a href="https://bookshop.org/a/12343/9781541616615"><em>The Ledger and the Chain: How Domestic Slave Traders Shaped America</em></a> was published by Basic Books in 2021, and tells a sprawling history of slave traders in America. Often presented as outcasts and social pariahs, slave traders were often instead wealthy and respected members of their communities. Rothman explores the lives and careers of Isaac Franklin, John Armfield, and Rice Ballard to show just what the work of a domestic slave trader looked like and the devastating affects their actions had on enslaved people. By weaving together a history the lives of men who created one of the most powerful slave trading operations in America, Rothman is able to show how slavery’s expansion and growth occurred up to the Civil War.</p><p>Joshua Rothman is a professor of history at the University of Alabama.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42435215" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2c726491-8721-4e8a-84f2-507e59b024aa/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2c726491-8721-4e8a-84f2-507e59b024aa&amp;feed=KodC6fj_"/>
      <itunes:title>Joshua D. Rothman, &quot;The Ledger and the Chain: How Domestic Slave Traders Shaped America&quot; (Basic Book, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:10</itunes:duration>
      <itunes:summary>Joshua Rothman’s The Ledger and the Chain: How Domestic Slave Traders Shaped America was published by Basic Books in 2021, and tells a sprawling history of slave traders in America. Often presented as outcasts and social pariahs, slave traders were often instead wealthy and respected members of their communities. Rothman explores the lives and careers of Isaac Franklin, John Armfield, and Rice Ballard to show just what the work of a domestic slave trader looked like and the devastating affects their actions had on enslaved people. By weaving together a history the lives of men who created one of the most powerful slave trading operations in America, Rothman is able to show how slavery’s expansion and growth occurred up to the Civil War.
Joshua Rothman is a professor of history at the University of Alabama.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Joshua Rothman’s The Ledger and the Chain: How Domestic Slave Traders Shaped America was published by Basic Books in 2021, and tells a sprawling history of slave traders in America. Often presented as outcasts and social pariahs, slave traders were often instead wealthy and respected members of their communities. Rothman explores the lives and careers of Isaac Franklin, John Armfield, and Rice Ballard to show just what the work of a domestic slave trader looked like and the devastating affects their actions had on enslaved people. By weaving together a history the lives of men who created one of the most powerful slave trading operations in America, Rothman is able to show how slavery’s expansion and growth occurred up to the Civil War.
Joshua Rothman is a professor of history at the University of Alabama.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>986</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c27c3a6a-c6e1-11ef-aa6a-97c6079522e2</guid>
      <title>I. Augustus Durham, &quot;Stay Black and Die: On Melancholy and Genius&quot; (Duke UP, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025528"><em>Stay Black and Die: On Melancholy and Genius</em></a><em> </em>(Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 2 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025528"><em>Stay Black and Die: On Melancholy and Genius</em></a><em> </em>(Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68442868" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3796f5d0-e1fe-4158-a5d7-723992ae35dd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3796f5d0-e1fe-4158-a5d7-723992ae35dd&amp;feed=KodC6fj_"/>
      <itunes:title>I. Augustus Durham, &quot;Stay Black and Die: On Melancholy and Genius&quot; (Duke UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:17</itunes:duration>
      <itunes:summary>In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>488</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3ea4e25e-df32-11eb-b895-3b735745e23a</guid>
      <title>Deborah Willis, &quot;The Black Civil War Soldier: A Visual History of Conflict and Citizenship&quot; (NYU Press, 2021)</title>
      <description><![CDATA[<p>Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis's <a href="https://bookshop.org/a/12343/9781479809004"><em>The Black Civil War Soldier: A Visual History of Conflict and Citizenship</em></a> (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. <em>The Black Civil War Soldier</em> offers an opportunity to experience the war through their perspectives.</p><p><em>N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 2 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis's <a href="https://bookshop.org/a/12343/9781479809004"><em>The Black Civil War Soldier: A Visual History of Conflict and Citizenship</em></a> (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. <em>The Black Civil War Soldier</em> offers an opportunity to experience the war through their perspectives.</p><p><em>N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="80992919" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a468dd56-e200-4f05-ad63-82b1e9fba703/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a468dd56-e200-4f05-ad63-82b1e9fba703&amp;feed=KodC6fj_"/>
      <itunes:title>Deborah Willis, &quot;The Black Civil War Soldier: A Visual History of Conflict and Citizenship&quot; (NYU Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:24:19</itunes:duration>
      <itunes:summary>Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis&apos;s The Black Civil War Soldier: A Visual History of Conflict and Citizenship (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. The Black Civil War Soldier offers an opportunity to experience the war through their perspectives.
N&apos;Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis&apos;s The Black Civil War Soldier: A Visual History of Conflict and Citizenship (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. The Black Civil War Soldier offers an opportunity to experience the war through their perspectives.
N&apos;Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>249</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8bf9b6cc-c617-11ef-815e-733ff159c16f</guid>
      <title>Donna Tesiero, &quot;A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North&quot; (McFarland, 2024)</title>
      <description><![CDATA[<p>At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.</p><p>After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines.<em> </em><a href="https://bookshop.org/a/12343/9781476694535"><em>A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North</em></a><em> </em>(McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 1 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.</p><p>After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines.<em> </em><a href="https://bookshop.org/a/12343/9781476694535"><em>A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North</em></a><em> </em>(McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="82491289" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/490abbfb-2b56-43b5-94c0-d3a3e5503a07/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=490abbfb-2b56-43b5-94c0-d3a3e5503a07&amp;feed=KodC6fj_"/>
      <itunes:title>Donna Tesiero, &quot;A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North&quot; (McFarland, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:25:55</itunes:duration>
      <itunes:summary>At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America&apos;s leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.
After leaving her enslaver&apos;s family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman&apos;s life and the far-reaching influence of her battle for freedom.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America&apos;s leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.
After leaving her enslaver&apos;s family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman&apos;s life and the far-reaching influence of her battle for freedom.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>487</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">810d5175-cf1c-418e-a177-027dceeceaf1</guid>
      <title>In Conversation: The Antinomies of Afropessimism</title>
      <description><![CDATA[<p>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 1 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59289542" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7e59ee63-3b8b-4e0c-bbb5-b55006e91685/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7e59ee63-3b8b-4e0c-bbb5-b55006e91685&amp;feed=KodC6fj_"/>
      <itunes:title>In Conversation: The Antinomies of Afropessimism</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/7e59ee63-3b8b-4e0c-bbb5-b55006e91685/3000x3000/472441f8cf2c8b82f4e06bef450af5d9.jpg?aid=rss_feed"/>
      <itunes:duration>01:01:45</itunes:duration>
      <itunes:summary>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">45c008fe-c780-11ef-8681-e7b683ffabac</guid>
      <title>Kent Michael Shaw, &quot;Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary&quot; (Pickwick, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781666768237"><em>Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary </em></a>(Pickwick, 2024), Kent Michael Shaw I examines the lives and theology of early African American missionaries of the Antebellum and Reconstruction era. The enslaved and formerly enslaved constructed a hermeneutic and interpreted the sacred text through a lens that contradicted the enslaver's version of Christianity. They engaged Scripture on their own terms and embraced a theology of mission that compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries were not only mission workers but missiologists. The reader will discover an applied missiology with relevance not only for the African American church of that day but for the church as a whole today.</p><p>Dave Broucek is a retired cross-cultural missionary/coordinator of continuing education/international ministries director, having served on the staff of two faith-based nonprofits, The Evangelical Alliance Mission (TEAM) and South America Mission (SAM). He holds a PhD in Intercultural Studies from Trinity Evangelical Divinity School, Deerfield, Illinois.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 1 Jan 2025 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781666768237"><em>Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary </em></a>(Pickwick, 2024), Kent Michael Shaw I examines the lives and theology of early African American missionaries of the Antebellum and Reconstruction era. The enslaved and formerly enslaved constructed a hermeneutic and interpreted the sacred text through a lens that contradicted the enslaver's version of Christianity. They engaged Scripture on their own terms and embraced a theology of mission that compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries were not only mission workers but missiologists. The reader will discover an applied missiology with relevance not only for the African American church of that day but for the church as a whole today.</p><p>Dave Broucek is a retired cross-cultural missionary/coordinator of continuing education/international ministries director, having served on the staff of two faith-based nonprofits, The Evangelical Alliance Mission (TEAM) and South America Mission (SAM). He holds a PhD in Intercultural Studies from Trinity Evangelical Divinity School, Deerfield, Illinois.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40339259" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/912e6026-06bf-40e5-8819-810575f97d87/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=912e6026-06bf-40e5-8819-810575f97d87&amp;feed=KodC6fj_"/>
      <itunes:title>Kent Michael Shaw, &quot;Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary&quot; (Pickwick, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:01</itunes:duration>
      <itunes:summary>In Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary (Pickwick, 2024), Kent Michael Shaw I examines the lives and theology of early African American missionaries of the Antebellum and Reconstruction era. The enslaved and formerly enslaved constructed a hermeneutic and interpreted the sacred text through a lens that contradicted the enslaver&apos;s version of Christianity. They engaged Scripture on their own terms and embraced a theology of mission that compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries were not only mission workers but missiologists. The reader will discover an applied missiology with relevance not only for the African American church of that day but for the church as a whole today.
Dave Broucek is a retired cross-cultural missionary/coordinator of continuing education/international ministries director, having served on the staff of two faith-based nonprofits, The Evangelical Alliance Mission (TEAM) and South America Mission (SAM). He holds a PhD in Intercultural Studies from Trinity Evangelical Divinity School, Deerfield, Illinois.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Missiology Reimagined: The Missions Theology of the Nineteenth-Century African American Missionary (Pickwick, 2024), Kent Michael Shaw I examines the lives and theology of early African American missionaries of the Antebellum and Reconstruction era. The enslaved and formerly enslaved constructed a hermeneutic and interpreted the sacred text through a lens that contradicted the enslaver&apos;s version of Christianity. They engaged Scripture on their own terms and embraced a theology of mission that compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries were not only mission workers but missiologists. The reader will discover an applied missiology with relevance not only for the African American church of that day but for the church as a whole today.
Dave Broucek is a retired cross-cultural missionary/coordinator of continuing education/international ministries director, having served on the staff of two faith-based nonprofits, The Evangelical Alliance Mission (TEAM) and South America Mission (SAM). He holds a PhD in Intercultural Studies from Trinity Evangelical Divinity School, Deerfield, Illinois.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">57c1495e-c5f6-11ef-a0ad-17411e6d6b7c</guid>
      <title>James Baldwin’s Use of Mechanisms of Defense in this Story “Going to Meet the Man”</title>
      <description><![CDATA[<p>James Baldwin’s “Going to Meet the Man” is a powerful short story that describes the life of Jesse, a 42-year-old white police officer whose experiences alternate between his present-day struggles with impotence and his memories of racial violence. As the narrative unfolds a pivotal childhood memory of a lynching, sets the tone and comes to represent the fundamental weakness of white supremacy. His need for racist violence to regain potency suggests that the system of white supremacy requires constant reinforcement to maintain itself. Projective identification, a powerful mechanism of defense, also plays a significant role in exploring the complex psychological dynamics of racism and its impact on both the oppressor and the oppressed.</p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 31 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>James Baldwin’s “Going to Meet the Man” is a powerful short story that describes the life of Jesse, a 42-year-old white police officer whose experiences alternate between his present-day struggles with impotence and his memories of racial violence. As the narrative unfolds a pivotal childhood memory of a lynching, sets the tone and comes to represent the fundamental weakness of white supremacy. His need for racist violence to regain potency suggests that the system of white supremacy requires constant reinforcement to maintain itself. Projective identification, a powerful mechanism of defense, also plays a significant role in exploring the complex psychological dynamics of racism and its impact on both the oppressor and the oppressed.</p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33395703" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/37ab849f-5489-4b29-bec1-0560db3eddb8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=37ab849f-5489-4b29-bec1-0560db3eddb8&amp;feed=KodC6fj_"/>
      <itunes:title>James Baldwin’s Use of Mechanisms of Defense in this Story “Going to Meet the Man”</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:47</itunes:duration>
      <itunes:summary>James Baldwin’s “Going to Meet the Man” is a powerful short story that describes the life of Jesse, a 42-year-old white police officer whose experiences alternate between his present-day struggles with impotence and his memories of racial violence. As the narrative unfolds a pivotal childhood memory of a lynching, sets the tone and comes to represent the fundamental weakness of white supremacy. His need for racist violence to regain potency suggests that the system of white supremacy requires constant reinforcement to maintain itself. Projective identification, a powerful mechanism of defense, also plays a significant role in exploring the complex psychological dynamics of racism and its impact on both the oppressor and the oppressed.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>James Baldwin’s “Going to Meet the Man” is a powerful short story that describes the life of Jesse, a 42-year-old white police officer whose experiences alternate between his present-day struggles with impotence and his memories of racial violence. As the narrative unfolds a pivotal childhood memory of a lynching, sets the tone and comes to represent the fundamental weakness of white supremacy. His need for racist violence to regain potency suggests that the system of white supremacy requires constant reinforcement to maintain itself. Projective identification, a powerful mechanism of defense, also plays a significant role in exploring the complex psychological dynamics of racism and its impact on both the oppressor and the oppressed.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">422af54e-c60b-11ef-bbbb-8b55d3f55e73</guid>
      <title>Randy M. Browne, &quot;The Driver’s Story: Labor and Power in the World of Atlantic Slavery&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p>The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers.</p><p>In <a href="https://bookshop.org/a/12343/9781512825862"><em>The Driver’s Story: Labor and Power in the World of Atlantic Slavery </em></a>(U Pennsylvania Press, 2024), Randy M. Browne illuminates the predicament and harrowing struggles of these men―and sometimes women―at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one’s fellow enslaved laborers?</p><p>In this insightful and unsettling account of slavery and racial capitalism, Browne shows that on plantations across the Americas, drivers were at the center of enslaved people’s working lives, social relationships, and struggles against slavery. Drivers enforced labor discipline and confronted the resistance of their fellow enslaved laborers, aiming to maintain a position that helped them survive in a world where enslaved people were treated as disposable. Drivers also protected the people they supervised, negotiating workloads and customary rights to essentials like food and rest with white authorities. Within the slave community, drivers helped other enslaved people create a sense of belonging, as husbands and fathers, as Big Men, and as leaders of diasporic African “nations.” Sometimes, drivers even organized rebellions, sabotaging the very system they were appointed to support.</p><p>Compelling and original, <em>The Driver’s Story </em>enriches our understanding of the never-ending war between enslavers and enslaved laborers by focusing on its front line. It also brings us face-to-face with the horror of capitalist labor exploitation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 31 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers.</p><p>In <a href="https://bookshop.org/a/12343/9781512825862"><em>The Driver’s Story: Labor and Power in the World of Atlantic Slavery </em></a>(U Pennsylvania Press, 2024), Randy M. Browne illuminates the predicament and harrowing struggles of these men―and sometimes women―at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one’s fellow enslaved laborers?</p><p>In this insightful and unsettling account of slavery and racial capitalism, Browne shows that on plantations across the Americas, drivers were at the center of enslaved people’s working lives, social relationships, and struggles against slavery. Drivers enforced labor discipline and confronted the resistance of their fellow enslaved laborers, aiming to maintain a position that helped them survive in a world where enslaved people were treated as disposable. Drivers also protected the people they supervised, negotiating workloads and customary rights to essentials like food and rest with white authorities. Within the slave community, drivers helped other enslaved people create a sense of belonging, as husbands and fathers, as Big Men, and as leaders of diasporic African “nations.” Sometimes, drivers even organized rebellions, sabotaging the very system they were appointed to support.</p><p>Compelling and original, <em>The Driver’s Story </em>enriches our understanding of the never-ending war between enslavers and enslaved laborers by focusing on its front line. It also brings us face-to-face with the horror of capitalist labor exploitation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62068893" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/447c3ddb-3508-43b5-92eb-b76fa40a83ca/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=447c3ddb-3508-43b5-92eb-b76fa40a83ca&amp;feed=KodC6fj_"/>
      <itunes:title>Randy M. Browne, &quot;The Driver’s Story: Labor and Power in the World of Atlantic Slavery&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:39</itunes:duration>
      <itunes:summary>The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers.
In The Driver’s Story: Labor and Power in the World of Atlantic Slavery (U Pennsylvania Press, 2024), Randy M. Browne illuminates the predicament and harrowing struggles of these men―and sometimes women―at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one’s fellow enslaved laborers?
In this insightful and unsettling account of slavery and racial capitalism, Browne shows that on plantations across the Americas, drivers were at the center of enslaved people’s working lives, social relationships, and struggles against slavery. Drivers enforced labor discipline and confronted the resistance of their fellow enslaved laborers, aiming to maintain a position that helped them survive in a world where enslaved people were treated as disposable. Drivers also protected the people they supervised, negotiating workloads and customary rights to essentials like food and rest with white authorities. Within the slave community, drivers helped other enslaved people create a sense of belonging, as husbands and fathers, as Big Men, and as leaders of diasporic African “nations.” Sometimes, drivers even organized rebellions, sabotaging the very system they were appointed to support.
Compelling and original, The Driver’s Story enriches our understanding of the never-ending war between enslavers and enslaved laborers by focusing on its front line. It also brings us face-to-face with the horror of capitalist labor exploitation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers.
In The Driver’s Story: Labor and Power in the World of Atlantic Slavery (U Pennsylvania Press, 2024), Randy M. Browne illuminates the predicament and harrowing struggles of these men―and sometimes women―at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one’s fellow enslaved laborers?
In this insightful and unsettling account of slavery and racial capitalism, Browne shows that on plantations across the Americas, drivers were at the center of enslaved people’s working lives, social relationships, and struggles against slavery. Drivers enforced labor discipline and confronted the resistance of their fellow enslaved laborers, aiming to maintain a position that helped them survive in a world where enslaved people were treated as disposable. Drivers also protected the people they supervised, negotiating workloads and customary rights to essentials like food and rest with white authorities. Within the slave community, drivers helped other enslaved people create a sense of belonging, as husbands and fathers, as Big Men, and as leaders of diasporic African “nations.” Sometimes, drivers even organized rebellions, sabotaging the very system they were appointed to support.
Compelling and original, The Driver’s Story enriches our understanding of the never-ending war between enslavers and enslaved laborers by focusing on its front line. It also brings us face-to-face with the horror of capitalist labor exploitation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>486</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f5cdc74c-c5ee-11ef-99c3-0314222993db</guid>
      <title>Crystal R. Sanders, &quot;A Forgotten Migration: Black Southerners, Segregation Scholarships, and the Debt Owed to Public HBCUs&quot; (UNC Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781469679808"><em>A Forgotten Migration: Black Southerners, Segregation Scholarships, and the Debt Owed to Public HBCUs</em></a><em> </em>(UNC Press, 2024) tells the little-known story of "segregation scholarships" awarded by states in the US South to Black students seeking graduate education in the pre-<em>Brown v. Board of Education</em> era. Under the <em>Plessy v. Ferguson</em> decision, decades earlier, southern states could provide graduate opportunities for African Americans by creating separate but equal graduate programs at tax-supported Black colleges or by admitting Black students to historically white institutions. Most did neither and instead paid to send Black students out of state for graduate education.</p><p>Crystal R. Sanders examines Black graduate students who relocated to the North, Midwest, and West to continue their education with segregation scholarships, revealing the many challenges they faced along the way. Students that entered out-of-state programs endured long and tedious travel, financial hardship, racial discrimination, isolation, and homesickness. With the passage of <em>Brown</em> in 1954, segregation scholarships began to wane, but the integration of graduate programs at southern public universities was slow. In telling this story, Sanders demonstrates how white efforts to preserve segregation led to the underfunding of public Black colleges, furthering racial inequality in American higher education.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 30 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781469679808"><em>A Forgotten Migration: Black Southerners, Segregation Scholarships, and the Debt Owed to Public HBCUs</em></a><em> </em>(UNC Press, 2024) tells the little-known story of "segregation scholarships" awarded by states in the US South to Black students seeking graduate education in the pre-<em>Brown v. Board of Education</em> era. Under the <em>Plessy v. Ferguson</em> decision, decades earlier, southern states could provide graduate opportunities for African Americans by creating separate but equal graduate programs at tax-supported Black colleges or by admitting Black students to historically white institutions. Most did neither and instead paid to send Black students out of state for graduate education.</p><p>Crystal R. Sanders examines Black graduate students who relocated to the North, Midwest, and West to continue their education with segregation scholarships, revealing the many challenges they faced along the way. Students that entered out-of-state programs endured long and tedious travel, financial hardship, racial discrimination, isolation, and homesickness. With the passage of <em>Brown</em> in 1954, segregation scholarships began to wane, but the integration of graduate programs at southern public universities was slow. In telling this story, Sanders demonstrates how white efforts to preserve segregation led to the underfunding of public Black colleges, furthering racial inequality in American higher education.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35159759" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a0b0d660-c9e8-46aa-ae25-9a7fa48df298/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a0b0d660-c9e8-46aa-ae25-9a7fa48df298&amp;feed=KodC6fj_"/>
      <itunes:title>Crystal R. Sanders, &quot;A Forgotten Migration: Black Southerners, Segregation Scholarships, and the Debt Owed to Public HBCUs&quot; (UNC Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:37</itunes:duration>
      <itunes:summary>A Forgotten Migration: Black Southerners, Segregation Scholarships, and the Debt Owed to Public HBCUs (UNC Press, 2024) tells the little-known story of &quot;segregation scholarships&quot; awarded by states in the US South to Black students seeking graduate education in the pre-Brown v. Board of Education era. Under the Plessy v. Ferguson decision, decades earlier, southern states could provide graduate opportunities for African Americans by creating separate but equal graduate programs at tax-supported Black colleges or by admitting Black students to historically white institutions. Most did neither and instead paid to send Black students out of state for graduate education.
Crystal R. Sanders examines Black graduate students who relocated to the North, Midwest, and West to continue their education with segregation scholarships, revealing the many challenges they faced along the way. Students that entered out-of-state programs endured long and tedious travel, financial hardship, racial discrimination, isolation, and homesickness. With the passage of Brown in 1954, segregation scholarships began to wane, but the integration of graduate programs at southern public universities was slow. In telling this story, Sanders demonstrates how white efforts to preserve segregation led to the underfunding of public Black colleges, furthering racial inequality in American higher education.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A Forgotten Migration: Black Southerners, Segregation Scholarships, and the Debt Owed to Public HBCUs (UNC Press, 2024) tells the little-known story of &quot;segregation scholarships&quot; awarded by states in the US South to Black students seeking graduate education in the pre-Brown v. Board of Education era. Under the Plessy v. Ferguson decision, decades earlier, southern states could provide graduate opportunities for African Americans by creating separate but equal graduate programs at tax-supported Black colleges or by admitting Black students to historically white institutions. Most did neither and instead paid to send Black students out of state for graduate education.
Crystal R. Sanders examines Black graduate students who relocated to the North, Midwest, and West to continue their education with segregation scholarships, revealing the many challenges they faced along the way. Students that entered out-of-state programs endured long and tedious travel, financial hardship, racial discrimination, isolation, and homesickness. With the passage of Brown in 1954, segregation scholarships began to wane, but the integration of graduate programs at southern public universities was slow. In telling this story, Sanders demonstrates how white efforts to preserve segregation led to the underfunding of public Black colleges, furthering racial inequality in American higher education.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>485</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f8181966-c52c-11ef-bfc3-13ff55dae87b</guid>
      <title>Susanna Ashton, &quot;A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin&quot; (New Press, 2024)</title>
      <description><![CDATA[<p>In December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write <em>Uncle Tom’s Cabin</em>, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States.</p><p><a href="https://bookshop.org/a/12343/9781620978191"><em>A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin</em></a><em> </em>(New Press, 2024) unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang.</p><p>In the spirit of Tiya Miles’s prizewinning <em>All That She Carried</em> and Erica Armstrong Dunbar’s <em>Never Caught</em>, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 29 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write <em>Uncle Tom’s Cabin</em>, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States.</p><p><a href="https://bookshop.org/a/12343/9781620978191"><em>A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin</em></a><em> </em>(New Press, 2024) unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang.</p><p>In the spirit of Tiya Miles’s prizewinning <em>All That She Carried</em> and Erica Armstrong Dunbar’s <em>Never Caught</em>, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="82726262" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5ec74215-2a2a-4231-a441-515db6e9c382/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5ec74215-2a2a-4231-a441-515db6e9c382&amp;feed=KodC6fj_"/>
      <itunes:title>Susanna Ashton, &quot;A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin&quot; (New Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:26:10</itunes:duration>
      <itunes:summary>In December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write Uncle Tom’s Cabin, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States.
A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin (New Press, 2024) unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang.
In the spirit of Tiya Miles’s prizewinning All That She Carried and Erica Armstrong Dunbar’s Never Caught, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write Uncle Tom’s Cabin, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States.
A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin (New Press, 2024) unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang.
In the spirit of Tiya Miles’s prizewinning All That She Carried and Erica Armstrong Dunbar’s Never Caught, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>484</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a5d51ab8-c069-11ef-968c-17ada38a0421</guid>
      <title>Jennifer C. Nash, &quot;How We Write Now: Living with Black Feminist Theory&quot; (Duke UP, 2024)</title>
      <description><![CDATA[<p>In <a href="https://www.dukeupress.edu/how-we-write-now"><em>How We Write Now: Living with Black Feminist Theory</em></a><em> </em>(Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 25 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://www.dukeupress.edu/how-we-write-now"><em>How We Write Now: Living with Black Feminist Theory</em></a><em> </em>(Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37714853" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f7a10ed4-cc90-4777-9b0c-83795e501c89/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f7a10ed4-cc90-4777-9b0c-83795e501c89&amp;feed=KodC6fj_"/>
      <itunes:title>Jennifer C. Nash, &quot;How We Write Now: Living with Black Feminist Theory&quot; (Duke UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:17</itunes:duration>
      <itunes:summary>In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>483</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2eeb2430-2023-4d02-8036-42b8dbd4aafa</guid>
      <title>In Conversation: Enslaved Muslims in the Americas</title>
      <description><![CDATA[<p>A conversation with Dr. Sylviane Diouf on enslaved Muslim in the Americas. Diouf is the author of <a href="https://bookshop.org/a/12343/9780814760284">Slavery's Exiles: The Story of the American Maroons</a> (NYU Press, 2016).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 25 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A conversation with Dr. Sylviane Diouf on enslaved Muslim in the Americas. Diouf is the author of <a href="https://bookshop.org/a/12343/9780814760284">Slavery's Exiles: The Story of the American Maroons</a> (NYU Press, 2016).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50739048" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ca939273-28a7-412e-b184-8846de57eb86/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ca939273-28a7-412e-b184-8846de57eb86&amp;feed=KodC6fj_"/>
      <itunes:title>In Conversation: Enslaved Muslims in the Americas</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/ca939273-28a7-412e-b184-8846de57eb86/3000x3000/472441f8cf2c8b82f4e06bef450af5d9.jpg?aid=rss_feed"/>
      <itunes:duration>00:52:51</itunes:duration>
      <itunes:summary>A conversation with Dr. Sylviane Diouf on enslaved Muslim in the Americas. Diouf is the author of Slavery&apos;s Exiles: The Story of the American Maroons (NYU Press, 2016).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A conversation with Dr. Sylviane Diouf on enslaved Muslim in the Americas. Diouf is the author of Slavery&apos;s Exiles: The Story of the American Maroons (NYU Press, 2016).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b2b454b2-bfd1-11ef-995f-bf06c850528f</guid>
      <title>Jess A. Goldberg, &quot;Abolition Time: Grammars of Law, Poetics of Justice&quot; (U Minnesota Press, 2024)</title>
      <description><![CDATA[<p>How can Black Atlantic literature challenge conventions and redefine literary scholarship?</p><p><a href="https://bookshop.org/a/12343/9781517917890"><em>Abolition Time: Grammars of Law, Poetics of Justice</em></a><em> </em>(U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How can Black Atlantic literature challenge conventions and redefine literary scholarship?</p><p><a href="https://bookshop.org/a/12343/9781517917890"><em>Abolition Time: Grammars of Law, Poetics of Justice</em></a><em> </em>(U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="72233089" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6f510ec3-1566-485e-b68a-784d32421438/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6f510ec3-1566-485e-b68a-784d32421438&amp;feed=KodC6fj_"/>
      <itunes:title>Jess A. Goldberg, &quot;Abolition Time: Grammars of Law, Poetics of Justice&quot; (U Minnesota Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:15:14</itunes:duration>
      <itunes:summary>How can Black Atlantic literature challenge conventions and redefine literary scholarship?
Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown&apos;s The Escape, Angelina Weld Grimké&apos;s Rachel, Toni Morrison&apos;s A Mercy, and Claudia Rankine&apos;s Citizen--to consider literature and literary scholarship&apos;s roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How can Black Atlantic literature challenge conventions and redefine literary scholarship?
Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown&apos;s The Escape, Angelina Weld Grimké&apos;s Rachel, Toni Morrison&apos;s A Mercy, and Claudia Rankine&apos;s Citizen--to consider literature and literary scholarship&apos;s roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>328</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">96b78a18-bfd6-11ef-87cd-0786055e0045</guid>
      <title>Vincent Haddad, &quot;The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023&quot; (Lever Press, 2024)</title>
      <description><![CDATA[<p>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s <a href="https://bookshop.org/a/12343/9781643150680"><em>The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023</em></a> (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.</p><p>The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including <em>Blue Collar</em>, <em>Robocop</em>, <em>The Crow</em>, <em>It Follows</em>, and <em>Barbarian</em>. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.</p><p>Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, <em>The Detroit Genre</em> is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s <a href="https://bookshop.org/a/12343/9781643150680"><em>The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023</em></a> (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.</p><p>The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including <em>Blue Collar</em>, <em>Robocop</em>, <em>The Crow</em>, <em>It Follows</em>, and <em>Barbarian</em>. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.</p><p>Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, <em>The Detroit Genre</em> is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64373737" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/52733eda-ed8e-412b-9bfa-684bdc4eb59a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=52733eda-ed8e-412b-9bfa-684bdc4eb59a&amp;feed=KodC6fj_"/>
      <itunes:title>Vincent Haddad, &quot;The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023&quot; (Lever Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:03</itunes:duration>
      <itunes:summary>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.
The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.
Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.
The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.
Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a4d1fca6-baee-11ef-aa94-7b5b6b720443</guid>
      <title>Tom Jenks, &quot;James Baldwin&apos;s Sonny&apos;s Blues&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780192884244"><em>James Baldwin's Sonny's Blues</em></a> (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.</p><p>Drawing on Baldwin's book-length essay <em>The Fire Next Time</em>, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art.</p><p>Tom Jenks is the cofounder and editor of <em>Narrative</em> magazine. Check out his magazine online <a href="https://www.narrativemagazine.com/">here</a>. He is a former editor of <em>Esquire, Gentlemen's Quarterly, The Paris Review</em>, and a senior editor at Scribners, where he edited Hemingway's <em>The Garden of Eden</em>. With Raymond Carver, he edited <em>American Short Story Masterpieces</em>. His writing has appeared in <em>Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points</em>, the <em>Los Angeles Times</em>, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.</p><p>Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 17 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780192884244"><em>James Baldwin's Sonny's Blues</em></a> (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.</p><p>Drawing on Baldwin's book-length essay <em>The Fire Next Time</em>, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art.</p><p>Tom Jenks is the cofounder and editor of <em>Narrative</em> magazine. Check out his magazine online <a href="https://www.narrativemagazine.com/">here</a>. He is a former editor of <em>Esquire, Gentlemen's Quarterly, The Paris Review</em>, and a senior editor at Scribners, where he edited Hemingway's <em>The Garden of Eden</em>. With Raymond Carver, he edited <em>American Short Story Masterpieces</em>. His writing has appeared in <em>Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points</em>, the <em>Los Angeles Times</em>, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.</p><p>Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37777890" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/62645c49-d146-4fba-b2c5-6cafa82071c2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=62645c49-d146-4fba-b2c5-6cafa82071c2&amp;feed=KodC6fj_"/>
      <itunes:title>Tom Jenks, &quot;James Baldwin&apos;s Sonny&apos;s Blues&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:20</itunes:duration>
      <itunes:summary>In James Baldwin&apos;s Sonny&apos;s Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes &quot;Sonny&apos;s Blues&quot; into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story &quot;All Aunt Hagar&apos;s Children&quot; bears a knowing relationship to &quot;Sonny&apos;s Blues,&quot;) to Charlie Parker&apos;s music, and to Billie Holiday&apos;s &quot;Am I Blue?&quot; and John Coltrane&apos;s &quot;A Love Supreme&quot; as part of the musical progression Baldwin creates, and with attention to Baldwin&apos;s oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.
Drawing on Baldwin&apos;s book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin&apos;s life for &quot;Sonny&apos;s Blues&quot; and on the logic and passion by which life may be meaningfully transformed into art.
Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen&apos;s Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway&apos;s The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper&apos;s, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers&apos; Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.
Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In James Baldwin&apos;s Sonny&apos;s Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes &quot;Sonny&apos;s Blues&quot; into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story &quot;All Aunt Hagar&apos;s Children&quot; bears a knowing relationship to &quot;Sonny&apos;s Blues,&quot;) to Charlie Parker&apos;s music, and to Billie Holiday&apos;s &quot;Am I Blue?&quot; and John Coltrane&apos;s &quot;A Love Supreme&quot; as part of the musical progression Baldwin creates, and with attention to Baldwin&apos;s oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.
Drawing on Baldwin&apos;s book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin&apos;s life for &quot;Sonny&apos;s Blues&quot; and on the logic and passion by which life may be meaningfully transformed into art.
Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen&apos;s Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway&apos;s The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper&apos;s, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers&apos; Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.
Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1dcd6ed6-b803-11ef-ac52-afd1df00fc56</guid>
      <title>Leslie Beth Ribovich, &quot;Without a Prayer: Religion and Race in New York City Public Schools&quot; (NYU Press, 2024)</title>
      <description><![CDATA[<p>The processes of secularization and desegregation were among the two most radical transformations of the American public school system in all its history. Many regard the 1962 and 1963 US Supreme Court rulings against school prayer and Bible-reading as the end of religion in public schools. Likewise, the 1954 Brown v. Board of Education case is seen as the dawn of school racial equality. Yet, these two major twentieth-century American educational movements are often perceived as having no bearing on one another.</p><p><a href="https://bookshop.org/a/12343/9781479817269"><em>Without a Prayer: Religion and Race in New York City Public Schools</em></a> (New York University Press, 2024) by Dr. Leslie Beth Ribovich redefines secularization and desegregation as intrinsically linked. Using New York City as a window into a national story, the volume argues that these rulings failed to successfully remove religion from public schools, because it was worked into the foundation of the public education structure, especially how public schools treated race and moral formation. Moreover, even public schools that were not legally segregated nonetheless remained racially segregated in part because public schools rooted moral lessons in an invented tradition—Judeo-Christianity—and in whiteness.</p><p>The book illuminates how both secularization and desegregation took the form of inculcating students into white Christian norms as part of their project of shaping them into citizens. Schools and religious and civic constituents worked together to promote programs such as juvenile delinquency prevention, moral and spiritual values curricula, and racial integration advocacy. At the same time, religiously and racially diverse community members drew on, resisted, and reimagined public school morality.</p><p>Drawing on research from a number of archival repositories, newspaper and legal databases, and visual and material culture, <em>Without a Prayer</em> shows how religion and racial discrimination were woven into the very fabric of public schools, continuing to inform public education’s everyday practices even after the Supreme Court rulings.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 13 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The processes of secularization and desegregation were among the two most radical transformations of the American public school system in all its history. Many regard the 1962 and 1963 US Supreme Court rulings against school prayer and Bible-reading as the end of religion in public schools. Likewise, the 1954 Brown v. Board of Education case is seen as the dawn of school racial equality. Yet, these two major twentieth-century American educational movements are often perceived as having no bearing on one another.</p><p><a href="https://bookshop.org/a/12343/9781479817269"><em>Without a Prayer: Religion and Race in New York City Public Schools</em></a> (New York University Press, 2024) by Dr. Leslie Beth Ribovich redefines secularization and desegregation as intrinsically linked. Using New York City as a window into a national story, the volume argues that these rulings failed to successfully remove religion from public schools, because it was worked into the foundation of the public education structure, especially how public schools treated race and moral formation. Moreover, even public schools that were not legally segregated nonetheless remained racially segregated in part because public schools rooted moral lessons in an invented tradition—Judeo-Christianity—and in whiteness.</p><p>The book illuminates how both secularization and desegregation took the form of inculcating students into white Christian norms as part of their project of shaping them into citizens. Schools and religious and civic constituents worked together to promote programs such as juvenile delinquency prevention, moral and spiritual values curricula, and racial integration advocacy. At the same time, religiously and racially diverse community members drew on, resisted, and reimagined public school morality.</p><p>Drawing on research from a number of archival repositories, newspaper and legal databases, and visual and material culture, <em>Without a Prayer</em> shows how religion and racial discrimination were woven into the very fabric of public schools, continuing to inform public education’s everyday practices even after the Supreme Court rulings.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50420038" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/065510cd-4b58-432f-9e0d-0b84f2e29582/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=065510cd-4b58-432f-9e0d-0b84f2e29582&amp;feed=KodC6fj_"/>
      <itunes:title>Leslie Beth Ribovich, &quot;Without a Prayer: Religion and Race in New York City Public Schools&quot; (NYU Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:31</itunes:duration>
      <itunes:summary>The processes of secularization and desegregation were among the two most radical transformations of the American public school system in all its history. Many regard the 1962 and 1963 US Supreme Court rulings against school prayer and Bible-reading as the end of religion in public schools. Likewise, the 1954 Brown v. Board of Education case is seen as the dawn of school racial equality. Yet, these two major twentieth-century American educational movements are often perceived as having no bearing on one another.
Without a Prayer: Religion and Race in New York City Public Schools (New York University Press, 2024) by Dr. Leslie Beth Ribovich redefines secularization and desegregation as intrinsically linked. Using New York City as a window into a national story, the volume argues that these rulings failed to successfully remove religion from public schools, because it was worked into the foundation of the public education structure, especially how public schools treated race and moral formation. Moreover, even public schools that were not legally segregated nonetheless remained racially segregated in part because public schools rooted moral lessons in an invented tradition—Judeo-Christianity—and in whiteness.
The book illuminates how both secularization and desegregation took the form of inculcating students into white Christian norms as part of their project of shaping them into citizens. Schools and religious and civic constituents worked together to promote programs such as juvenile delinquency prevention, moral and spiritual values curricula, and racial integration advocacy. At the same time, religiously and racially diverse community members drew on, resisted, and reimagined public school morality.
Drawing on research from a number of archival repositories, newspaper and legal databases, and visual and material culture, Without a Prayer shows how religion and racial discrimination were woven into the very fabric of public schools, continuing to inform public education’s everyday practices even after the Supreme Court rulings.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The processes of secularization and desegregation were among the two most radical transformations of the American public school system in all its history. Many regard the 1962 and 1963 US Supreme Court rulings against school prayer and Bible-reading as the end of religion in public schools. Likewise, the 1954 Brown v. Board of Education case is seen as the dawn of school racial equality. Yet, these two major twentieth-century American educational movements are often perceived as having no bearing on one another.
Without a Prayer: Religion and Race in New York City Public Schools (New York University Press, 2024) by Dr. Leslie Beth Ribovich redefines secularization and desegregation as intrinsically linked. Using New York City as a window into a national story, the volume argues that these rulings failed to successfully remove religion from public schools, because it was worked into the foundation of the public education structure, especially how public schools treated race and moral formation. Moreover, even public schools that were not legally segregated nonetheless remained racially segregated in part because public schools rooted moral lessons in an invented tradition—Judeo-Christianity—and in whiteness.
The book illuminates how both secularization and desegregation took the form of inculcating students into white Christian norms as part of their project of shaping them into citizens. Schools and religious and civic constituents worked together to promote programs such as juvenile delinquency prevention, moral and spiritual values curricula, and racial integration advocacy. At the same time, religiously and racially diverse community members drew on, resisted, and reimagined public school morality.
Drawing on research from a number of archival repositories, newspaper and legal databases, and visual and material culture, Without a Prayer shows how religion and racial discrimination were woven into the very fabric of public schools, continuing to inform public education’s everyday practices even after the Supreme Court rulings.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1521</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2eac6c9c-b65b-11ef-a938-7b283c3b946c</guid>
      <title>Ana Lucia Araujo, &quot;Humans in Shackles: An Atlantic History of Slavery&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>During the era of the Atlantic slave trade, more than twelve million enslaved Africans were forcibly transported to the Americas in cramped, inhumane conditions. Many of them died on the way, and those who survived had to endure further suffering in the violent conditions that met them onshore. Covering more than three hundred years, <a href="https://bookshop.org/a/12343/9780226771588"><em>Humans in Shackles: An Atlantic History of Slavery</em></a> (U Chicago Press, 2024) grapples with this history by foregrounding the lived experience of enslaved people in tracing the long, complex history of slavery in the Americas. </p><p>Based on twenty years of research, this book not only serves as a comprehensive history; it also expands that history by providing a truly transnational account that emphasizes the central role of Brazil in the Atlantic slave trade. Additionally, it is deeply informed by African history and shows how African practices and traditions survived and persisted in the Americas among communities of enslaved people. Drawing on primary sources including travel accounts, pamphlets, newspaper articles, slave narratives, and visual sources such as artworks and artifacts, Araujo illuminates the social, cultural, and religious lives of enslaved people working in plantations and urban areas, building families and cultivating affective ties, congregating and re-creating their cultures, and organizing rebellions.</p><p><br /></p><p><em>Humans in Shackles</em> puts the lived experiences of enslaved peoples at the center of the story and investigates the heavy impact these atrocities have had on the current wealth disparity of the Americas and rampant anti-Black racism.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 12 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the era of the Atlantic slave trade, more than twelve million enslaved Africans were forcibly transported to the Americas in cramped, inhumane conditions. Many of them died on the way, and those who survived had to endure further suffering in the violent conditions that met them onshore. Covering more than three hundred years, <a href="https://bookshop.org/a/12343/9780226771588"><em>Humans in Shackles: An Atlantic History of Slavery</em></a> (U Chicago Press, 2024) grapples with this history by foregrounding the lived experience of enslaved people in tracing the long, complex history of slavery in the Americas. </p><p>Based on twenty years of research, this book not only serves as a comprehensive history; it also expands that history by providing a truly transnational account that emphasizes the central role of Brazil in the Atlantic slave trade. Additionally, it is deeply informed by African history and shows how African practices and traditions survived and persisted in the Americas among communities of enslaved people. Drawing on primary sources including travel accounts, pamphlets, newspaper articles, slave narratives, and visual sources such as artworks and artifacts, Araujo illuminates the social, cultural, and religious lives of enslaved people working in plantations and urban areas, building families and cultivating affective ties, congregating and re-creating their cultures, and organizing rebellions.</p><p><br /></p><p><em>Humans in Shackles</em> puts the lived experiences of enslaved peoples at the center of the story and investigates the heavy impact these atrocities have had on the current wealth disparity of the Americas and rampant anti-Black racism.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63976089" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d3f7200c-82bc-4f5c-8e56-8b3456b9ede6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d3f7200c-82bc-4f5c-8e56-8b3456b9ede6&amp;feed=KodC6fj_"/>
      <itunes:title>Ana Lucia Araujo, &quot;Humans in Shackles: An Atlantic History of Slavery&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:38</itunes:duration>
      <itunes:summary>During the era of the Atlantic slave trade, more than twelve million enslaved Africans were forcibly transported to the Americas in cramped, inhumane conditions. Many of them died on the way, and those who survived had to endure further suffering in the violent conditions that met them onshore. Covering more than three hundred years, Humans in Shackles: An Atlantic History of Slavery (U Chicago Press, 2024) grapples with this history by foregrounding the lived experience of enslaved people in tracing the long, complex history of slavery in the Americas. 
Based on twenty years of research, this book not only serves as a comprehensive history; it also expands that history by providing a truly transnational account that emphasizes the central role of Brazil in the Atlantic slave trade. Additionally, it is deeply informed by African history and shows how African practices and traditions survived and persisted in the Americas among communities of enslaved people. Drawing on primary sources including travel accounts, pamphlets, newspaper articles, slave narratives, and visual sources such as artworks and artifacts, Araujo illuminates the social, cultural, and religious lives of enslaved people working in plantations and urban areas, building families and cultivating affective ties, congregating and re-creating their cultures, and organizing rebellions.

Humans in Shackles puts the lived experiences of enslaved peoples at the center of the story and investigates the heavy impact these atrocities have had on the current wealth disparity of the Americas and rampant anti-Black racism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the era of the Atlantic slave trade, more than twelve million enslaved Africans were forcibly transported to the Americas in cramped, inhumane conditions. Many of them died on the way, and those who survived had to endure further suffering in the violent conditions that met them onshore. Covering more than three hundred years, Humans in Shackles: An Atlantic History of Slavery (U Chicago Press, 2024) grapples with this history by foregrounding the lived experience of enslaved people in tracing the long, complex history of slavery in the Americas. 
Based on twenty years of research, this book not only serves as a comprehensive history; it also expands that history by providing a truly transnational account that emphasizes the central role of Brazil in the Atlantic slave trade. Additionally, it is deeply informed by African history and shows how African practices and traditions survived and persisted in the Americas among communities of enslaved people. Drawing on primary sources including travel accounts, pamphlets, newspaper articles, slave narratives, and visual sources such as artworks and artifacts, Araujo illuminates the social, cultural, and religious lives of enslaved people working in plantations and urban areas, building families and cultivating affective ties, congregating and re-creating their cultures, and organizing rebellions.

Humans in Shackles puts the lived experiences of enslaved peoples at the center of the story and investigates the heavy impact these atrocities have had on the current wealth disparity of the Americas and rampant anti-Black racism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1519</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0cf6a4e8-b57d-11ef-9f35-2b8ecb651e9d</guid>
      <title>Aisha M Beliso-de Jesús, &quot;Excited Delirium: Race, Police Violence, and the Invention of a Disease&quot; (Duke UP, 2024)</title>
      <description><![CDATA[<p>In 1980, Charles Wetli---a Miami-based medical examiner and self-proclaimed “cult expert” of Afro-Caribbean religions---identified what he called “excited delirium syndrome.” Soon, medical examiners began using the syndrome regularly to describe the deaths of Black men and women during interactions with police. Police and medical examiners claimed that Black people with so-called excited delirium exhibited superhuman strength induced from narcotics abuse. It was fatal heart failure that killed them, examiners said, not forceful police restraints. </p><p>In <a href="https://www.dukeupress.edu/excited-delirium"><em>Excited Delirium: Race, Police Violence, and the Invention of a Disease</em></a> (Duke University Press, 2024), Aisha M. Beliso-De Jesús examines this fabricated medical diagnosis and its use to justify and erase police violence against Black and Brown communities. Exposing excited delirium syndrome’s flawed diagnostic criteria, she outlines its inextricable ties to the criminalization of Afro-Latiné religions. Beliso-De Jesús demonstrates that it is yet a further example of the systemic racism that pervades law enforcement in which the culpability for state violence is shifted from the state onto its victims. In so doing, she furthers understanding of the complex layers of medicalized state-sanctioned violence against people of color in the United States.</p><p>Aisha M. Beliso-De Jesús is Olden Street Professor of American Studies at Princeton University and author of <em>Electric Santería: Racial and Sexual Assemblages of Transnational Religion</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 10 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1980, Charles Wetli---a Miami-based medical examiner and self-proclaimed “cult expert” of Afro-Caribbean religions---identified what he called “excited delirium syndrome.” Soon, medical examiners began using the syndrome regularly to describe the deaths of Black men and women during interactions with police. Police and medical examiners claimed that Black people with so-called excited delirium exhibited superhuman strength induced from narcotics abuse. It was fatal heart failure that killed them, examiners said, not forceful police restraints. </p><p>In <a href="https://www.dukeupress.edu/excited-delirium"><em>Excited Delirium: Race, Police Violence, and the Invention of a Disease</em></a> (Duke University Press, 2024), Aisha M. Beliso-De Jesús examines this fabricated medical diagnosis and its use to justify and erase police violence against Black and Brown communities. Exposing excited delirium syndrome’s flawed diagnostic criteria, she outlines its inextricable ties to the criminalization of Afro-Latiné religions. Beliso-De Jesús demonstrates that it is yet a further example of the systemic racism that pervades law enforcement in which the culpability for state violence is shifted from the state onto its victims. In so doing, she furthers understanding of the complex layers of medicalized state-sanctioned violence against people of color in the United States.</p><p>Aisha M. Beliso-De Jesús is Olden Street Professor of American Studies at Princeton University and author of <em>Electric Santería: Racial and Sexual Assemblages of Transnational Religion</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48398264" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a40a2ade-557b-4006-a854-7f43531178fe/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a40a2ade-557b-4006-a854-7f43531178fe&amp;feed=KodC6fj_"/>
      <itunes:title>Aisha M Beliso-de Jesús, &quot;Excited Delirium: Race, Police Violence, and the Invention of a Disease&quot; (Duke UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:24</itunes:duration>
      <itunes:summary>In 1980, Charles Wetli---a Miami-based medical examiner and self-proclaimed “cult expert” of Afro-Caribbean religions---identified what he called “excited delirium syndrome.” Soon, medical examiners began using the syndrome regularly to describe the deaths of Black men and women during interactions with police. Police and medical examiners claimed that Black people with so-called excited delirium exhibited superhuman strength induced from narcotics abuse. It was fatal heart failure that killed them, examiners said, not forceful police restraints. 
In Excited Delirium: Race, Police Violence, and the Invention of a Disease (Duke University Press, 2024), Aisha M. Beliso-De Jesús examines this fabricated medical diagnosis and its use to justify and erase police violence against Black and Brown communities. Exposing excited delirium syndrome’s flawed diagnostic criteria, she outlines its inextricable ties to the criminalization of Afro-Latiné religions. Beliso-De Jesús demonstrates that it is yet a further example of the systemic racism that pervades law enforcement in which the culpability for state violence is shifted from the state onto its victims. In so doing, she furthers understanding of the complex layers of medicalized state-sanctioned violence against people of color in the United States.
Aisha M. Beliso-De Jesús is Olden Street Professor of American Studies at Princeton University and author of Electric Santería: Racial and Sexual Assemblages of Transnational Religion.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1980, Charles Wetli---a Miami-based medical examiner and self-proclaimed “cult expert” of Afro-Caribbean religions---identified what he called “excited delirium syndrome.” Soon, medical examiners began using the syndrome regularly to describe the deaths of Black men and women during interactions with police. Police and medical examiners claimed that Black people with so-called excited delirium exhibited superhuman strength induced from narcotics abuse. It was fatal heart failure that killed them, examiners said, not forceful police restraints. 
In Excited Delirium: Race, Police Violence, and the Invention of a Disease (Duke University Press, 2024), Aisha M. Beliso-De Jesús examines this fabricated medical diagnosis and its use to justify and erase police violence against Black and Brown communities. Exposing excited delirium syndrome’s flawed diagnostic criteria, she outlines its inextricable ties to the criminalization of Afro-Latiné religions. Beliso-De Jesús demonstrates that it is yet a further example of the systemic racism that pervades law enforcement in which the culpability for state violence is shifted from the state onto its victims. In so doing, she furthers understanding of the complex layers of medicalized state-sanctioned violence against people of color in the United States.
Aisha M. Beliso-De Jesús is Olden Street Professor of American Studies at Princeton University and author of Electric Santería: Racial and Sexual Assemblages of Transnational Religion.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>337</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">60b3735e-b31b-11ef-9024-f73e3e9292e4</guid>
      <title>Deondra Rose, &quot;The Power of Black Excellence: HBCUs and the Fight for American Democracy&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>From their founding, Historically Black Colleges and Universities (HBCUs) educated as many as 90 percent of Black college students in the United States. Although many are aware of the significance of HBCUs in expanding Black Americans' educational opportunities, much less attention has been paid to the vital role that they have played in enhancing American democracy.</p><p>In <a href="https://bookshop.org/a/12343/9780197776599"><em>The Power of Black Excellence: HBCUs and the Fight for American Democracy</em></a><em> </em>(Oxford UP, 2024), Deondra Rose provides an authoritative history of HBCUs and the unique role they have played in shaping American democracy since 1837. Drawing on over six years of deep research, Rose brings into view the historic impact that government support for HBCUs has had on the American political landscape, arguing that they have been essential for not only empowering Black citizens but also reshaping the distribution of political power in the United States. Rose challenges the conventional wisdom that, prior to the late twentieth century, the federal government took a laissez-faire approach to education. Instead, governmental action contributed to the expansion of HBCUs in an era plagued by racist policies and laws. Today, HBCUs remain extremely important, as evidenced by the outsized number of black political leaders--including Kamala Harris--who attended them. Rose stresses that policymakers promote democracy itself when they support HBCUs and their unique approach to postsecondary education, which includes a commitment to helping students develop politically empowering skills, promoting political leadership, and fostering a commitment to service.</p><p>A fresh look into the relationship between education and democracy, <em>The Power of Black Excellence </em>is essential reading for anyone interested not just in HBCUs, but the broader trajectory of Black citizenship in American history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 7 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From their founding, Historically Black Colleges and Universities (HBCUs) educated as many as 90 percent of Black college students in the United States. Although many are aware of the significance of HBCUs in expanding Black Americans' educational opportunities, much less attention has been paid to the vital role that they have played in enhancing American democracy.</p><p>In <a href="https://bookshop.org/a/12343/9780197776599"><em>The Power of Black Excellence: HBCUs and the Fight for American Democracy</em></a><em> </em>(Oxford UP, 2024), Deondra Rose provides an authoritative history of HBCUs and the unique role they have played in shaping American democracy since 1837. Drawing on over six years of deep research, Rose brings into view the historic impact that government support for HBCUs has had on the American political landscape, arguing that they have been essential for not only empowering Black citizens but also reshaping the distribution of political power in the United States. Rose challenges the conventional wisdom that, prior to the late twentieth century, the federal government took a laissez-faire approach to education. Instead, governmental action contributed to the expansion of HBCUs in an era plagued by racist policies and laws. Today, HBCUs remain extremely important, as evidenced by the outsized number of black political leaders--including Kamala Harris--who attended them. Rose stresses that policymakers promote democracy itself when they support HBCUs and their unique approach to postsecondary education, which includes a commitment to helping students develop politically empowering skills, promoting political leadership, and fostering a commitment to service.</p><p>A fresh look into the relationship between education and democracy, <em>The Power of Black Excellence </em>is essential reading for anyone interested not just in HBCUs, but the broader trajectory of Black citizenship in American history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53628945" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/75469f3f-caac-4dbf-ad38-92f8200fa25e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=75469f3f-caac-4dbf-ad38-92f8200fa25e&amp;feed=KodC6fj_"/>
      <itunes:title>Deondra Rose, &quot;The Power of Black Excellence: HBCUs and the Fight for American Democracy&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:51</itunes:duration>
      <itunes:summary>From their founding, Historically Black Colleges and Universities (HBCUs) educated as many as 90 percent of Black college students in the United States. Although many are aware of the significance of HBCUs in expanding Black Americans&apos; educational opportunities, much less attention has been paid to the vital role that they have played in enhancing American democracy.
In The Power of Black Excellence: HBCUs and the Fight for American Democracy (Oxford UP, 2024), Deondra Rose provides an authoritative history of HBCUs and the unique role they have played in shaping American democracy since 1837. Drawing on over six years of deep research, Rose brings into view the historic impact that government support for HBCUs has had on the American political landscape, arguing that they have been essential for not only empowering Black citizens but also reshaping the distribution of political power in the United States. Rose challenges the conventional wisdom that, prior to the late twentieth century, the federal government took a laissez-faire approach to education. Instead, governmental action contributed to the expansion of HBCUs in an era plagued by racist policies and laws. Today, HBCUs remain extremely important, as evidenced by the outsized number of black political leaders--including Kamala Harris--who attended them. Rose stresses that policymakers promote democracy itself when they support HBCUs and their unique approach to postsecondary education, which includes a commitment to helping students develop politically empowering skills, promoting political leadership, and fostering a commitment to service.
A fresh look into the relationship between education and democracy, The Power of Black Excellence is essential reading for anyone interested not just in HBCUs, but the broader trajectory of Black citizenship in American history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From their founding, Historically Black Colleges and Universities (HBCUs) educated as many as 90 percent of Black college students in the United States. Although many are aware of the significance of HBCUs in expanding Black Americans&apos; educational opportunities, much less attention has been paid to the vital role that they have played in enhancing American democracy.
In The Power of Black Excellence: HBCUs and the Fight for American Democracy (Oxford UP, 2024), Deondra Rose provides an authoritative history of HBCUs and the unique role they have played in shaping American democracy since 1837. Drawing on over six years of deep research, Rose brings into view the historic impact that government support for HBCUs has had on the American political landscape, arguing that they have been essential for not only empowering Black citizens but also reshaping the distribution of political power in the United States. Rose challenges the conventional wisdom that, prior to the late twentieth century, the federal government took a laissez-faire approach to education. Instead, governmental action contributed to the expansion of HBCUs in an era plagued by racist policies and laws. Today, HBCUs remain extremely important, as evidenced by the outsized number of black political leaders--including Kamala Harris--who attended them. Rose stresses that policymakers promote democracy itself when they support HBCUs and their unique approach to postsecondary education, which includes a commitment to helping students develop politically empowering skills, promoting political leadership, and fostering a commitment to service.
A fresh look into the relationship between education and democracy, The Power of Black Excellence is essential reading for anyone interested not just in HBCUs, but the broader trajectory of Black citizenship in American history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6ab46eb4-b283-11ef-8b19-37fe66c7692c</guid>
      <title>Helena Hansen et al., &quot;Whiteout: How Racial Capitalism Changed the Color of Opioids in America&quot; (U California Press, 2023)</title>
      <description><![CDATA[<p>The phrase "racial capitalism" was used by <a href="https://books.google.com/books/about/Black_Marxism.html?id=Y30zsnRdFlIC">Cedric Robinson</a> to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.</p><p>In the award-winning book <a href="https://bookshop.org/a/12343/9780520384057"><em>Whiteout: How Racial Capitalism Changed the Color of Opioids in America</em></a><em> </em>(U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.</p><p>This interview was a collaborative effort among Professor <a href="http://www.laura-stark.com/">Laura Stark</a> and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design <a href="https://www.researchgate.net/publication/286403980_Can_New_Media_Save_the_Book">collaborative interview projects for the classroom</a>.</p><p>email: <a href="mailto:laura.stark@vanderbilt.edu">laura.stark@vanderbilt.edu</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 5 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The phrase "racial capitalism" was used by <a href="https://books.google.com/books/about/Black_Marxism.html?id=Y30zsnRdFlIC">Cedric Robinson</a> to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.</p><p>In the award-winning book <a href="https://bookshop.org/a/12343/9780520384057"><em>Whiteout: How Racial Capitalism Changed the Color of Opioids in America</em></a><em> </em>(U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.</p><p>This interview was a collaborative effort among Professor <a href="http://www.laura-stark.com/">Laura Stark</a> and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design <a href="https://www.researchgate.net/publication/286403980_Can_New_Media_Save_the_Book">collaborative interview projects for the classroom</a>.</p><p>email: <a href="mailto:laura.stark@vanderbilt.edu">laura.stark@vanderbilt.edu</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="68274919" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9126ab15-627d-4f92-9c72-c419a926e8c9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9126ab15-627d-4f92-9c72-c419a926e8c9&amp;feed=KodC6fj_"/>
      <itunes:title>Helena Hansen et al., &quot;Whiteout: How Racial Capitalism Changed the Color of Opioids in America&quot; (U California Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:11:07</itunes:duration>
      <itunes:summary>The phrase &quot;racial capitalism&quot; was used by Cedric Robinson to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.
In the award-winning book Whiteout: How Racial Capitalism Changed the Color of Opioids in America (U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.
This interview was a collaborative effort among Professor Laura Stark and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
email: laura.stark@vanderbilt.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The phrase &quot;racial capitalism&quot; was used by Cedric Robinson to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.
In the award-winning book Whiteout: How Racial Capitalism Changed the Color of Opioids in America (U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.
This interview was a collaborative effort among Professor Laura Stark and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
email: laura.stark@vanderbilt.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b31fe030-b1a6-11ef-942f-ab7be3040d12</guid>
      <title>Matthew Gardner Kelly, &quot;Dividing the Public: School Finance and the Creation of Structural Inequity&quot; (Cornell UP, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501773266"><em>Dividing the Public: School Finance and the Creation of Structural Inequity</em></a><em> </em>(Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States<strong>.</strong> With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.</p><p>From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, <em>Dividing the Public</em> traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.</p><p><a href="https://education.uw.edu/about/directory/matthew-gardner-kelly">Matthew Gardner Kelly</a> is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  </p><p><a href="https://gse.rutgers.edu/student/max-antonio-jacobs/"><em>Max Jacobs</em></a><em> is a PhD student in education at Rutgers University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 4 Dec 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501773266"><em>Dividing the Public: School Finance and the Creation of Structural Inequity</em></a><em> </em>(Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States<strong>.</strong> With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.</p><p>From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, <em>Dividing the Public</em> traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.</p><p><a href="https://education.uw.edu/about/directory/matthew-gardner-kelly">Matthew Gardner Kelly</a> is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  </p><p><a href="https://gse.rutgers.edu/student/max-antonio-jacobs/"><em>Max Jacobs</em></a><em> is a PhD student in education at Rutgers University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="74368257" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/af9b03bd-2987-4b24-84ae-4e24d7c46a86/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=af9b03bd-2987-4b24-84ae-4e24d7c46a86&amp;feed=KodC6fj_"/>
      <itunes:title>Matthew Gardner Kelly, &quot;Dividing the Public: School Finance and the Creation of Structural Inequity&quot; (Cornell UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:17:27</itunes:duration>
      <itunes:summary>In Dividing the Public: School Finance and the Creation of Structural Inequity (Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States. With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.
From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, Dividing the Public traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.
Matthew Gardner Kelly is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  
Max Jacobs is a PhD student in education at Rutgers University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Dividing the Public: School Finance and the Creation of Structural Inequity (Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States. With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.
From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, Dividing the Public traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.
Matthew Gardner Kelly is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  
Max Jacobs is a PhD student in education at Rutgers University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">30abcf3a-ac36-11ef-a7f6-ef6bdac88752</guid>
      <title>Too Black and Rasul A. Mowatt, &quot;Laundering Black Rage: The Washing of Black Death, People, Property, and Profits&quot; (Routledge, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781032573779"><em>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits</em></a> (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism"--</p><p><strong>Too Black</strong> is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as <em>Black Agenda Report</em>,<em> Left Voice</em>,<em> Indianapolis Recorder</em>, and <em>Hood Communist</em>. He is also the co-director of the award-winning documentary <em>The Pendleton 2: They Stood Up</em>.</p><p><strong>Rasul A. Mowatt </strong>is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book <em>The Geographies of Threat and the Production of Violence: The City and State Between Us.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781032573779"><em>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits</em></a> (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism"--</p><p><strong>Too Black</strong> is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as <em>Black Agenda Report</em>,<em> Left Voice</em>,<em> Indianapolis Recorder</em>, and <em>Hood Communist</em>. He is also the co-director of the award-winning documentary <em>The Pendleton 2: They Stood Up</em>.</p><p><strong>Rasul A. Mowatt </strong>is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book <em>The Geographies of Threat and the Production of Violence: The City and State Between Us.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="98943196" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0f5ebcae-7524-48f1-84b8-8ff945c51705/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0f5ebcae-7524-48f1-84b8-8ff945c51705&amp;feed=KodC6fj_"/>
      <itunes:title>Too Black and Rasul A. Mowatt, &quot;Laundering Black Rage: The Washing of Black Death, People, Property, and Profits&quot; (Routledge, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:43:03</itunes:duration>
      <itunes:summary>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism&quot;--
Too Black is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as Black Agenda Report, Left Voice, Indianapolis Recorder, and Hood Communist. He is also the co-director of the award-winning documentary The Pendleton 2: They Stood Up.
Rasul A. Mowatt is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book The Geographies of Threat and the Production of Violence: The City and State Between Us.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism&quot;--
Too Black is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as Black Agenda Report, Left Voice, Indianapolis Recorder, and Hood Communist. He is also the co-director of the award-winning documentary The Pendleton 2: They Stood Up.
Rasul A. Mowatt is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book The Geographies of Threat and the Production of Violence: The City and State Between Us.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>482</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e59934f2-ac25-11ef-b2bc-7bcf9301647b</guid>
      <title>Mary Ellen Curtin, &quot;She Changed the Nation: Barbara Jordan&apos;s Life and Legacy in Black Politics&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p>During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. "Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future." The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called "the common good."</p><p>In <a href="https://bookshop.org/a/12343/9781512825800"><em>She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics</em></a><em> </em>(U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan's untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times.</p><p>No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan's life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. "Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future." The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called "the common good."</p><p>In <a href="https://bookshop.org/a/12343/9781512825800"><em>She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics</em></a><em> </em>(U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan's untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times.</p><p>No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan's life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62608283" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ddadc0db-9cf2-4d35-91eb-f716c7d1865b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ddadc0db-9cf2-4d35-91eb-f716c7d1865b&amp;feed=KodC6fj_"/>
      <itunes:title>Mary Ellen Curtin, &quot;She Changed the Nation: Barbara Jordan&apos;s Life and Legacy in Black Politics&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:12</itunes:duration>
      <itunes:summary>During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. &quot;Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future.&quot; The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called &quot;the common good.&quot;
In She Changed the Nation: Barbara Jordan&apos;s Life and Legacy in Black Politics (U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan&apos;s untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times.
No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan&apos;s life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. &quot;Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future.&quot; The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called &quot;the common good.&quot;
In She Changed the Nation: Barbara Jordan&apos;s Life and Legacy in Black Politics (U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan&apos;s untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times.
No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan&apos;s life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>266</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">73fda1e2-ab4a-11ef-b91c-cfb8d0ddc958</guid>
      <title>Sabrina Strings, &quot;The End of Love: Racism, Sexism, and the Death of Romance&quot; (Beacon Press, 2024)</title>
      <description><![CDATA[<p>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.</p><p>Connecting the past to the present, in <a href="https://bookshop.org/a/12343/9780807016817"><em>The End of Love: Racism, Sexism, and the Death of Romance</em></a> (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.</p><p>Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 27 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.</p><p>Connecting the past to the present, in <a href="https://bookshop.org/a/12343/9780807016817"><em>The End of Love: Racism, Sexism, and the Death of Romance</em></a> (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.</p><p>Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32283208" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/05eb2217-f5d2-4d53-807c-5731eed64dbd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=05eb2217-f5d2-4d53-807c-5731eed64dbd&amp;feed=KodC6fj_"/>
      <itunes:title>Sabrina Strings, &quot;The End of Love: Racism, Sexism, and the Death of Romance&quot; (Beacon Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:37</itunes:duration>
      <itunes:summary>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.
Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.
Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.
Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.
Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">251315fe-aa7c-11ef-97c0-bf87c86a4461</guid>
      <title>W. Paul Reeve, et al., &quot;This Abominable Slavery: Race, Religion, and the Battle over Human Bondage in Antebellum Utah&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>On July 22, 1847, a group of about forty refugees entered the Salt Lake Valley. Among them were three enslaved men, two of whom shared the religion, Mormonism, that had caused them to flee. The valley was also home to members of the Ute tribe, who would sometimes barter captive women and children to Spanish colonizers. Thus, the question of whether the Latter-day Saints would accept or reject slavery in their new Zion confronted them on the day they first arrived. Five years later, after Utah had become an American territory, its legislature was prodded to take up the question then roiling the nation: would they be slave or free?</p><p><br /></p><p>George D. Watt, the official reporter for the 1852 legislative session, reported debates and speeches in Pitman shorthand. They remained in their original format, virtually untouched, for more than one hundred and fifty years, until LaJean Purcell Carruth transcribed them. In this eye-opening volume <a href="https://bookshop.org/a/12343/9780197765029"><em>This Abominable Slavery: Race, Religion, and the Battle over Human Bondage in Antebellum Utah</em></a> (Oxford University Press, 2024), Carruth, Dr. Christopher Rich, and Dr. W. Paul Reeve draw extensively on these new sources to chronicle the session, during which the legislature passed two important statutes: one that legally transformed African American slaves into "servants" but did not pass the condition of servitude on to their children and another that authorized twenty-year indentures for enslaved Native Americans.</p><p><br /></p><p>This Abominable Slavery places these debates within the context of the nation's growing sectional divide and contextualizes the meaning of these laws in the lives of Black enslaved people and Native American indentured servants. In doing so, it sheds new light on race, religion, slavery, and unfree labor in the antebellum period.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 26 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On July 22, 1847, a group of about forty refugees entered the Salt Lake Valley. Among them were three enslaved men, two of whom shared the religion, Mormonism, that had caused them to flee. The valley was also home to members of the Ute tribe, who would sometimes barter captive women and children to Spanish colonizers. Thus, the question of whether the Latter-day Saints would accept or reject slavery in their new Zion confronted them on the day they first arrived. Five years later, after Utah had become an American territory, its legislature was prodded to take up the question then roiling the nation: would they be slave or free?</p><p><br /></p><p>George D. Watt, the official reporter for the 1852 legislative session, reported debates and speeches in Pitman shorthand. They remained in their original format, virtually untouched, for more than one hundred and fifty years, until LaJean Purcell Carruth transcribed them. In this eye-opening volume <a href="https://bookshop.org/a/12343/9780197765029"><em>This Abominable Slavery: Race, Religion, and the Battle over Human Bondage in Antebellum Utah</em></a> (Oxford University Press, 2024), Carruth, Dr. Christopher Rich, and Dr. W. Paul Reeve draw extensively on these new sources to chronicle the session, during which the legislature passed two important statutes: one that legally transformed African American slaves into "servants" but did not pass the condition of servitude on to their children and another that authorized twenty-year indentures for enslaved Native Americans.</p><p><br /></p><p>This Abominable Slavery places these debates within the context of the nation's growing sectional divide and contextualizes the meaning of these laws in the lives of Black enslaved people and Native American indentured servants. In doing so, it sheds new light on race, religion, slavery, and unfree labor in the antebellum period.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49626532" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/00b16956-834a-42c5-a92b-ad951b7c675d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=00b16956-834a-42c5-a92b-ad951b7c675d&amp;feed=KodC6fj_"/>
      <itunes:title>W. Paul Reeve, et al., &quot;This Abominable Slavery: Race, Religion, and the Battle over Human Bondage in Antebellum Utah&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:41</itunes:duration>
      <itunes:summary>On July 22, 1847, a group of about forty refugees entered the Salt Lake Valley. Among them were three enslaved men, two of whom shared the religion, Mormonism, that had caused them to flee. The valley was also home to members of the Ute tribe, who would sometimes barter captive women and children to Spanish colonizers. Thus, the question of whether the Latter-day Saints would accept or reject slavery in their new Zion confronted them on the day they first arrived. Five years later, after Utah had become an American territory, its legislature was prodded to take up the question then roiling the nation: would they be slave or free?

George D. Watt, the official reporter for the 1852 legislative session, reported debates and speeches in Pitman shorthand. They remained in their original format, virtually untouched, for more than one hundred and fifty years, until LaJean Purcell Carruth transcribed them. In this eye-opening volume This Abominable Slavery: Race, Religion, and the Battle over Human Bondage in Antebellum Utah (Oxford University Press, 2024), Carruth, Dr. Christopher Rich, and Dr. W. Paul Reeve draw extensively on these new sources to chronicle the session, during which the legislature passed two important statutes: one that legally transformed African American slaves into &quot;servants&quot; but did not pass the condition of servitude on to their children and another that authorized twenty-year indentures for enslaved Native Americans.

This Abominable Slavery places these debates within the context of the nation&apos;s growing sectional divide and contextualizes the meaning of these laws in the lives of Black enslaved people and Native American indentured servants. In doing so, it sheds new light on race, religion, slavery, and unfree labor in the antebellum period.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On July 22, 1847, a group of about forty refugees entered the Salt Lake Valley. Among them were three enslaved men, two of whom shared the religion, Mormonism, that had caused them to flee. The valley was also home to members of the Ute tribe, who would sometimes barter captive women and children to Spanish colonizers. Thus, the question of whether the Latter-day Saints would accept or reject slavery in their new Zion confronted them on the day they first arrived. Five years later, after Utah had become an American territory, its legislature was prodded to take up the question then roiling the nation: would they be slave or free?

George D. Watt, the official reporter for the 1852 legislative session, reported debates and speeches in Pitman shorthand. They remained in their original format, virtually untouched, for more than one hundred and fifty years, until LaJean Purcell Carruth transcribed them. In this eye-opening volume This Abominable Slavery: Race, Religion, and the Battle over Human Bondage in Antebellum Utah (Oxford University Press, 2024), Carruth, Dr. Christopher Rich, and Dr. W. Paul Reeve draw extensively on these new sources to chronicle the session, during which the legislature passed two important statutes: one that legally transformed African American slaves into &quot;servants&quot; but did not pass the condition of servitude on to their children and another that authorized twenty-year indentures for enslaved Native Americans.

This Abominable Slavery places these debates within the context of the nation&apos;s growing sectional divide and contextualizes the meaning of these laws in the lives of Black enslaved people and Native American indentured servants. In doing so, it sheds new light on race, religion, slavery, and unfree labor in the antebellum period.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1507</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3e60ae0a-a8f0-11ef-aeb5-3f20e0f4e774</guid>
      <title>Elizabeth Garner Masarik, &quot;The Sentimental State: How Women-Led Reform Built the American Welfare State&quot; (U Georgia Press, 2024)</title>
      <description><![CDATA[<p>With <a href="https://bookshop.org/a/12343/9780820366050"><em>The Sentimental State: How Women-Led Reform Built the American Welfare State</em></a> (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children.</p><p><br /></p><p>Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government.</p><p><br /></p><p>Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 24 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>With <a href="https://bookshop.org/a/12343/9780820366050"><em>The Sentimental State: How Women-Led Reform Built the American Welfare State</em></a> (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children.</p><p><br /></p><p>Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government.</p><p><br /></p><p>Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58203418" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fc8b945f-27fb-45ae-943a-f139f252be14/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fc8b945f-27fb-45ae-943a-f139f252be14&amp;feed=KodC6fj_"/>
      <itunes:title>Elizabeth Garner Masarik, &quot;The Sentimental State: How Women-Led Reform Built the American Welfare State&quot; (U Georgia Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:37</itunes:duration>
      <itunes:summary>With The Sentimental State: How Women-Led Reform Built the American Welfare State (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children.

Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government.

Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>With The Sentimental State: How Women-Led Reform Built the American Welfare State (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children.

Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government.

Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1504</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e4d72766-a835-11ef-b53e-178a8696cf66</guid>
      <title>Timothy E. Nelson, &quot;Blackdom, New Mexico: The Significance of the Afro-Frontier, 1900-1930&quot; (Texas Tech UP, 2023)</title>
      <description><![CDATA[<p>By most accounts, Blackdom, New Mexico existed from 1900-1930. However, as historian and artist Dr. Timothy Nelson argues in his new book, the Black colony founded in the then-territory of New Mexico has a much longer history and many afterlives, even after the residents moved away. In <a href="https://bookshop.org/a/12343/9781682831755"><em>Blackdom, New Mexico: The Significance of the Afro-Frontier, 1900-1930</em></a><em> </em>﻿(﻿Texas Tech University Press, 2023), Nelson weaves together the history of a particular place with philosophy, personal vulnerability, and the historiography of the American West to provide a unique account of the rise, decline, and continuance of Blackdom as both myth and reality. A unique book, <em>Blackdom, New Mexico</em> places Nelson as the storyteller front and center in the narrative, tracing his own life and family history growing up in Compton, California and training as a historian in New Mexico, and connecting these threads with the history of Black colonization along what he terms the Afro-Frontier. <em>Blackdom, New Mexico</em> is an excellent example of how even when the past seems dead in the past, its legacies and ghosts live on.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 22 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>By most accounts, Blackdom, New Mexico existed from 1900-1930. However, as historian and artist Dr. Timothy Nelson argues in his new book, the Black colony founded in the then-territory of New Mexico has a much longer history and many afterlives, even after the residents moved away. In <a href="https://bookshop.org/a/12343/9781682831755"><em>Blackdom, New Mexico: The Significance of the Afro-Frontier, 1900-1930</em></a><em> </em>﻿(﻿Texas Tech University Press, 2023), Nelson weaves together the history of a particular place with philosophy, personal vulnerability, and the historiography of the American West to provide a unique account of the rise, decline, and continuance of Blackdom as both myth and reality. A unique book, <em>Blackdom, New Mexico</em> places Nelson as the storyteller front and center in the narrative, tracing his own life and family history growing up in Compton, California and training as a historian in New Mexico, and connecting these threads with the history of Black colonization along what he terms the Afro-Frontier. <em>Blackdom, New Mexico</em> is an excellent example of how even when the past seems dead in the past, its legacies and ghosts live on.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46509524" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/acc8b3ee-68be-4554-a06e-cbaca3aafc9c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=acc8b3ee-68be-4554-a06e-cbaca3aafc9c&amp;feed=KodC6fj_"/>
      <itunes:title>Timothy E. Nelson, &quot;Blackdom, New Mexico: The Significance of the Afro-Frontier, 1900-1930&quot; (Texas Tech UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:26</itunes:duration>
      <itunes:summary>By most accounts, Blackdom, New Mexico existed from 1900-1930. However, as historian and artist Dr. Timothy Nelson argues in his new book, the Black colony founded in the then-territory of New Mexico has a much longer history and many afterlives, even after the residents moved away. In Blackdom, New Mexico: The Significance of the Afro-Frontier, 1900-1930 ﻿(﻿Texas Tech University Press, 2023), Nelson weaves together the history of a particular place with philosophy, personal vulnerability, and the historiography of the American West to provide a unique account of the rise, decline, and continuance of Blackdom as both myth and reality. A unique book, Blackdom, New Mexico places Nelson as the storyteller front and center in the narrative, tracing his own life and family history growing up in Compton, California and training as a historian in New Mexico, and connecting these threads with the history of Black colonization along what he terms the Afro-Frontier. Blackdom, New Mexico is an excellent example of how even when the past seems dead in the past, its legacies and ghosts live on.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>By most accounts, Blackdom, New Mexico existed from 1900-1930. However, as historian and artist Dr. Timothy Nelson argues in his new book, the Black colony founded in the then-territory of New Mexico has a much longer history and many afterlives, even after the residents moved away. In Blackdom, New Mexico: The Significance of the Afro-Frontier, 1900-1930 ﻿(﻿Texas Tech University Press, 2023), Nelson weaves together the history of a particular place with philosophy, personal vulnerability, and the historiography of the American West to provide a unique account of the rise, decline, and continuance of Blackdom as both myth and reality. A unique book, Blackdom, New Mexico places Nelson as the storyteller front and center in the narrative, tracing his own life and family history growing up in Compton, California and training as a historian in New Mexico, and connecting these threads with the history of Black colonization along what he terms the Afro-Frontier. Blackdom, New Mexico is an excellent example of how even when the past seems dead in the past, its legacies and ghosts live on.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ed47785e-a760-11ef-9f57-63d48341744d</guid>
      <title>Debra Bruno, &quot;A Hudson Valley Reckoning: Discovering the Forgotten History of Slaveholding in My Dutch American Family&quot; (Cornell UP, 2024)</title>
      <description><![CDATA[<p><em>A </em><a href="https://bookshop.org/a/12343/9781501776564"><em>Hudson Valley Reckoning: Discovering the Forgotten History of Slaveholding in My Dutch American Family</em> </a>(Cornell University Press, 2024) tells the long-ignored story of slavery's history in upstate New York through Debra Bruno's absorbing chronicle that uncovers her Dutch ancestors' slave-holding past and leads to a deep connection with the descendants of the enslaved people her family owned.</p><p>Bruno, who grew up in New York's Hudson Valley knowing little about her Dutch heritage, was shaken when a historian told her that her Dutch ancestors were almost certainly slaveholders. Driven by this knowledge, Bruno began to unearth her family's past. In the last will and testament of her ancestor, she found the first evidence: human beings bequeathed to his family along with animals and furniture. The more she expanded her family tree, the more enslavers she found. She reached out to Black Americans tracing their own ancestry, and by serendipitous luck became friends with Eleanor C. Mire, a descendent of a woman enslaved by Bruno's Dutch ancestors.</p><p><em>A Hudson Valley Reckoning </em>recounts Bruno's journey into the nearly forgotten history of Northern slavery and of the thousands of enslaved people brought in chains to Manhattan and the Hudson Valley. With the help of Mire, who provides a moving epilogue, Debra Bruno tells the story of white and Black lives impacted by the stain of slavery and its long legacy of racism, as she investigates the erasure of the uncomfortable truths about our family and national histories.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 21 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>A </em><a href="https://bookshop.org/a/12343/9781501776564"><em>Hudson Valley Reckoning: Discovering the Forgotten History of Slaveholding in My Dutch American Family</em> </a>(Cornell University Press, 2024) tells the long-ignored story of slavery's history in upstate New York through Debra Bruno's absorbing chronicle that uncovers her Dutch ancestors' slave-holding past and leads to a deep connection with the descendants of the enslaved people her family owned.</p><p>Bruno, who grew up in New York's Hudson Valley knowing little about her Dutch heritage, was shaken when a historian told her that her Dutch ancestors were almost certainly slaveholders. Driven by this knowledge, Bruno began to unearth her family's past. In the last will and testament of her ancestor, she found the first evidence: human beings bequeathed to his family along with animals and furniture. The more she expanded her family tree, the more enslavers she found. She reached out to Black Americans tracing their own ancestry, and by serendipitous luck became friends with Eleanor C. Mire, a descendent of a woman enslaved by Bruno's Dutch ancestors.</p><p><em>A Hudson Valley Reckoning </em>recounts Bruno's journey into the nearly forgotten history of Northern slavery and of the thousands of enslaved people brought in chains to Manhattan and the Hudson Valley. With the help of Mire, who provides a moving epilogue, Debra Bruno tells the story of white and Black lives impacted by the stain of slavery and its long legacy of racism, as she investigates the erasure of the uncomfortable truths about our family and national histories.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33997903" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/96eb4cad-b530-45ba-9663-3b899d8d6e16/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=96eb4cad-b530-45ba-9663-3b899d8d6e16&amp;feed=KodC6fj_"/>
      <itunes:title>Debra Bruno, &quot;A Hudson Valley Reckoning: Discovering the Forgotten History of Slaveholding in My Dutch American Family&quot; (Cornell UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:24</itunes:duration>
      <itunes:summary>A Hudson Valley Reckoning: Discovering the Forgotten History of Slaveholding in My Dutch American Family (Cornell University Press, 2024) tells the long-ignored story of slavery&apos;s history in upstate New York through Debra Bruno&apos;s absorbing chronicle that uncovers her Dutch ancestors&apos; slave-holding past and leads to a deep connection with the descendants of the enslaved people her family owned.
Bruno, who grew up in New York&apos;s Hudson Valley knowing little about her Dutch heritage, was shaken when a historian told her that her Dutch ancestors were almost certainly slaveholders. Driven by this knowledge, Bruno began to unearth her family&apos;s past. In the last will and testament of her ancestor, she found the first evidence: human beings bequeathed to his family along with animals and furniture. The more she expanded her family tree, the more enslavers she found. She reached out to Black Americans tracing their own ancestry, and by serendipitous luck became friends with Eleanor C. Mire, a descendent of a woman enslaved by Bruno&apos;s Dutch ancestors.
A Hudson Valley Reckoning recounts Bruno&apos;s journey into the nearly forgotten history of Northern slavery and of the thousands of enslaved people brought in chains to Manhattan and the Hudson Valley. With the help of Mire, who provides a moving epilogue, Debra Bruno tells the story of white and Black lives impacted by the stain of slavery and its long legacy of racism, as she investigates the erasure of the uncomfortable truths about our family and national histories.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A Hudson Valley Reckoning: Discovering the Forgotten History of Slaveholding in My Dutch American Family (Cornell University Press, 2024) tells the long-ignored story of slavery&apos;s history in upstate New York through Debra Bruno&apos;s absorbing chronicle that uncovers her Dutch ancestors&apos; slave-holding past and leads to a deep connection with the descendants of the enslaved people her family owned.
Bruno, who grew up in New York&apos;s Hudson Valley knowing little about her Dutch heritage, was shaken when a historian told her that her Dutch ancestors were almost certainly slaveholders. Driven by this knowledge, Bruno began to unearth her family&apos;s past. In the last will and testament of her ancestor, she found the first evidence: human beings bequeathed to his family along with animals and furniture. The more she expanded her family tree, the more enslavers she found. She reached out to Black Americans tracing their own ancestry, and by serendipitous luck became friends with Eleanor C. Mire, a descendent of a woman enslaved by Bruno&apos;s Dutch ancestors.
A Hudson Valley Reckoning recounts Bruno&apos;s journey into the nearly forgotten history of Northern slavery and of the thousands of enslaved people brought in chains to Manhattan and the Hudson Valley. With the help of Mire, who provides a moving epilogue, Debra Bruno tells the story of white and Black lives impacted by the stain of slavery and its long legacy of racism, as she investigates the erasure of the uncomfortable truths about our family and national histories.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1501</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a9824470-a77c-11ef-bae5-eb11cb61b0ae</guid>
      <title>Joan L. Bryant, &quot;Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness.</p><p><a href="https://bookshop.org/a/12343/9780195312973"><em>Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America</em></a> (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. <em>Reluctant Race Men </em>was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award.</p><p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 21 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness.</p><p><a href="https://bookshop.org/a/12343/9780195312973"><em>Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America</em></a> (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. <em>Reluctant Race Men </em>was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award.</p><p>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31804576" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/13a051c6-b212-4f6e-b244-dd3628462c72/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=13a051c6-b212-4f6e-b244-dd3628462c72&amp;feed=KodC6fj_"/>
      <itunes:title>Joan L. Bryant, &quot;Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:07</itunes:duration>
      <itunes:summary>Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness.
Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation&apos;s history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness.
Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation&apos;s history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>481</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">825a412e-a6a3-11ef-826b-77a96be1c248</guid>
      <title>Christopher Bell, &quot;Walking East Harlem: A Neighborhood Experience&quot; (Rutgers UP, 2024)</title>
      <description><![CDATA[<p>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.</p><p>Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.</p><p>Lavishly illustrated with over fifty photos, <a href="https://bookshop.org/a/12343/9781978836532"><em>Walking East Harlem: A Neighborhood Experience</em></a><em> </em>﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 20 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.</p><p>Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.</p><p>Lavishly illustrated with over fifty photos, <a href="https://bookshop.org/a/12343/9781978836532"><em>Walking East Harlem: A Neighborhood Experience</em></a><em> </em>﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31744545" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6a9bc80e-f589-45b2-bca0-b2925e367815/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6a9bc80e-f589-45b2-bca0-b2925e367815&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher Bell, &quot;Walking East Harlem: A Neighborhood Experience&quot; (Rutgers UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:03</itunes:duration>
      <itunes:summary>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You&apos;ll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience ﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio&apos;s exciting history, cultural diversity, and continued artistic vibrancy.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You&apos;ll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience ﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio&apos;s exciting history, cultural diversity, and continued artistic vibrancy.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c36ec1be-a4fd-11ef-b155-0f68ef4ed42b</guid>
      <title>Domingo Morel, &quot;Developing Scholars: Race, Politics, and the Pursuit of Higher Education&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p>Over the past fifty years, debates concerning race and college admissions have focused primarily on the policy of affirmative action at elite institutions of higher education. But a less well-known approach to affirmative action also emerged in the 1960s in response to urban unrest and Black and Latino political mobilization. The programs that emerged in response to community demands offered a more radical view of college access: admitting and supporting students who do not meet regular admissions requirements and come from families who are unable to afford college tuition, fees, and other expenses. While conventional views of affirmative action policies focus on the "identification" of high-achieving students of color to attend elite institutions of higher education, these programs represent a community-centered approach to affirmative action. This approach is based on a logic of developing scholars who can be supported at their local public institutions of higher education. </p><p>In <a href="https://bookshop.org/a/12343/9780197637005"><em>Developing Scholars: Race, Politics, and the Pursuit of Higher Education</em></a><em> </em>(Oxford UP, 2023), Domingo Morel explores the history and political factors that led to the creation of college access programs for students of color in the 1960s. Through a case study of an existing community-centered affirmative action program, Talent Development, Morel shows how protest, including violent protest, has been instrumental in the maintenance of college access programs. He also reveals that in response to the college expansion efforts of the 1960s, hidden forms of restriction emerged that have significantly impacted students of color. Developing Scholars argues that the origin, history, and purpose of these programs reveal gaps in our understanding of college access expansion in the US that challenge conventional wisdom of American politics.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Over the past fifty years, debates concerning race and college admissions have focused primarily on the policy of affirmative action at elite institutions of higher education. But a less well-known approach to affirmative action also emerged in the 1960s in response to urban unrest and Black and Latino political mobilization. The programs that emerged in response to community demands offered a more radical view of college access: admitting and supporting students who do not meet regular admissions requirements and come from families who are unable to afford college tuition, fees, and other expenses. While conventional views of affirmative action policies focus on the "identification" of high-achieving students of color to attend elite institutions of higher education, these programs represent a community-centered approach to affirmative action. This approach is based on a logic of developing scholars who can be supported at their local public institutions of higher education. </p><p>In <a href="https://bookshop.org/a/12343/9780197637005"><em>Developing Scholars: Race, Politics, and the Pursuit of Higher Education</em></a><em> </em>(Oxford UP, 2023), Domingo Morel explores the history and political factors that led to the creation of college access programs for students of color in the 1960s. Through a case study of an existing community-centered affirmative action program, Talent Development, Morel shows how protest, including violent protest, has been instrumental in the maintenance of college access programs. He also reveals that in response to the college expansion efforts of the 1960s, hidden forms of restriction emerged that have significantly impacted students of color. Developing Scholars argues that the origin, history, and purpose of these programs reveal gaps in our understanding of college access expansion in the US that challenge conventional wisdom of American politics.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48855811" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/19aacab1-38bc-4752-aab7-c40c1323bb3c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=19aacab1-38bc-4752-aab7-c40c1323bb3c&amp;feed=KodC6fj_"/>
      <itunes:title>Domingo Morel, &quot;Developing Scholars: Race, Politics, and the Pursuit of Higher Education&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:53</itunes:duration>
      <itunes:summary>Over the past fifty years, debates concerning race and college admissions have focused primarily on the policy of affirmative action at elite institutions of higher education. But a less well-known approach to affirmative action also emerged in the 1960s in response to urban unrest and Black and Latino political mobilization. The programs that emerged in response to community demands offered a more radical view of college access: admitting and supporting students who do not meet regular admissions requirements and come from families who are unable to afford college tuition, fees, and other expenses. While conventional views of affirmative action policies focus on the &quot;identification&quot; of high-achieving students of color to attend elite institutions of higher education, these programs represent a community-centered approach to affirmative action. This approach is based on a logic of developing scholars who can be supported at their local public institutions of higher education. 
In Developing Scholars: Race, Politics, and the Pursuit of Higher Education (Oxford UP, 2023), Domingo Morel explores the history and political factors that led to the creation of college access programs for students of color in the 1960s. Through a case study of an existing community-centered affirmative action program, Talent Development, Morel shows how protest, including violent protest, has been instrumental in the maintenance of college access programs. He also reveals that in response to the college expansion efforts of the 1960s, hidden forms of restriction emerged that have significantly impacted students of color. Developing Scholars argues that the origin, history, and purpose of these programs reveal gaps in our understanding of college access expansion in the US that challenge conventional wisdom of American politics.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Over the past fifty years, debates concerning race and college admissions have focused primarily on the policy of affirmative action at elite institutions of higher education. But a less well-known approach to affirmative action also emerged in the 1960s in response to urban unrest and Black and Latino political mobilization. The programs that emerged in response to community demands offered a more radical view of college access: admitting and supporting students who do not meet regular admissions requirements and come from families who are unable to afford college tuition, fees, and other expenses. While conventional views of affirmative action policies focus on the &quot;identification&quot; of high-achieving students of color to attend elite institutions of higher education, these programs represent a community-centered approach to affirmative action. This approach is based on a logic of developing scholars who can be supported at their local public institutions of higher education. 
In Developing Scholars: Race, Politics, and the Pursuit of Higher Education (Oxford UP, 2023), Domingo Morel explores the history and political factors that led to the creation of college access programs for students of color in the 1960s. Through a case study of an existing community-centered affirmative action program, Talent Development, Morel shows how protest, including violent protest, has been instrumental in the maintenance of college access programs. He also reveals that in response to the college expansion efforts of the 1960s, hidden forms of restriction emerged that have significantly impacted students of color. Developing Scholars argues that the origin, history, and purpose of these programs reveal gaps in our understanding of college access expansion in the US that challenge conventional wisdom of American politics.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">55c61a34-a4fa-11ef-b2b6-6f6bd20e1319</guid>
      <title>Benjamin Barson, &quot;Brassroots Democracy: Maroon Ecologies and the Jazz Commons&quot; (Wesleyan UP, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780819501127"><em>Brassroots Democracy: Maroon Ecologies and the Jazz Commons</em></a> (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.</p><p><em>Brassroots Democracy</em> demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. <em>Brassroots Democracy</em> illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today</p><p>BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in <em>Black Power Afterlives: The Enduring Significance of the Black Panther Party</em> (2020), <em>Routledge Handbook on Jazz and Gender</em> (2021) and <em>Routledge Guide to Ecosocialism</em> (2021).</p><p><br /></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780819501127"><em>Brassroots Democracy: Maroon Ecologies and the Jazz Commons</em></a> (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.</p><p><em>Brassroots Democracy</em> demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. <em>Brassroots Democracy</em> illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today</p><p>BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in <em>Black Power Afterlives: The Enduring Significance of the Black Panther Party</em> (2020), <em>Routledge Handbook on Jazz and Gender</em> (2021) and <em>Routledge Guide to Ecosocialism</em> (2021).</p><p><br /></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61451442" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/13c8c133-5868-4e12-bed7-9c555dbb4f7a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=13c8c133-5868-4e12-bed7-9c555dbb4f7a&amp;feed=KodC6fj_"/>
      <itunes:title>Benjamin Barson, &quot;Brassroots Democracy: Maroon Ecologies and the Jazz Commons&quot; (Wesleyan UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:00</itunes:duration>
      <itunes:summary>Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a &quot;music history from below,&quot; following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.
Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed &quot;Brassroots Democracy,&quot; this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today
BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a &quot;music history from below,&quot; following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.
Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed &quot;Brassroots Democracy,&quot; this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today
BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>258</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">30c16d76-a4e9-11ef-8a35-3bceee351aaf</guid>
      <title>Carrie J. Preston, &quot;Complicit Participation: The Liberal Audience for Theater of Racial Justice&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. </p><p><a href="https://bookshop.org/a/12343/9780197693407"><em>Complicit Participation: The Liberal Audience for Theater of Racial Justice</em></a><em> </em>(Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s <em>The Blacks</em>, Branden Jacobs-Jenkins’s <em>An Octoroon</em>, George C. Wolfe’s <em>Shuffle Along</em>, Lin-Manuel Miranda’s <em>Hamilton</em>, Anna Deavere Smith’s <em>Notes from the Field</em>, and Claudia Rankine’s <em>The White Card</em>. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.</p><p>In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.</p><p><em>Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. </p><p><a href="https://bookshop.org/a/12343/9780197693407"><em>Complicit Participation: The Liberal Audience for Theater of Racial Justice</em></a><em> </em>(Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s <em>The Blacks</em>, Branden Jacobs-Jenkins’s <em>An Octoroon</em>, George C. Wolfe’s <em>Shuffle Along</em>, Lin-Manuel Miranda’s <em>Hamilton</em>, Anna Deavere Smith’s <em>Notes from the Field</em>, and Claudia Rankine’s <em>The White Card</em>. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.</p><p>In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.</p><p><em>Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49211609" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3de9c041-b210-43b7-a2a6-089ef11e04c9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3de9c041-b210-43b7-a2a6-089ef11e04c9&amp;feed=KodC6fj_"/>
      <itunes:title>Carrie J. Preston, &quot;Complicit Participation: The Liberal Audience for Theater of Racial Justice&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:15</itunes:duration>
      <itunes:summary>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. 
Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s The Blacks, Branden Jacobs-Jenkins’s An Octoroon, George C. Wolfe’s Shuffle Along, Lin-Manuel Miranda’s Hamilton, Anna Deavere Smith’s Notes from the Field, and Claudia Rankine’s The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. 
Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s The Blacks, Branden Jacobs-Jenkins’s An Octoroon, George C. Wolfe’s Shuffle Along, Lin-Manuel Miranda’s Hamilton, Anna Deavere Smith’s Notes from the Field, and Claudia Rankine’s The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">35587040-a5c6-11ef-b373-8795c6f5eca0</guid>
      <title>Anthony Kwame Harrison on Cassette Tapes and Hip Hop Culture</title>
      <description><![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.</p><p>Harrison is the author of <a href="https://bookshop.org/a/12343/9781439900611"><em>Hip Hop Underground: The Integrity and Ethics of Racial Identification</em> </a>(Temple UP, 2009).</p><p>Song credits from this episode:</p><ol>
<li>Murs/ F'Real/ Say Anything/ 1997</li>
<li>Zagu Brown/Dont Believe It/ Projects/1996</li>
<li>Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000</li>
<li>FundaMentals/The Pattern Fall Wars/Falling Down/1996</li>
<li>Jun Dax/ Spills/2000AD—Two Zero/2000</li>
<li>Mad Squirrel/ Pinko/Triple A/2002</li>
<li>Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012</li>
<li>Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012</li>
<li>Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021</li>
</ol><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 18 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.</p><p>Harrison is the author of <a href="https://bookshop.org/a/12343/9781439900611"><em>Hip Hop Underground: The Integrity and Ethics of Racial Identification</em> </a>(Temple UP, 2009).</p><p>Song credits from this episode:</p><ol>
<li>Murs/ F'Real/ Say Anything/ 1997</li>
<li>Zagu Brown/Dont Believe It/ Projects/1996</li>
<li>Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000</li>
<li>FundaMentals/The Pattern Fall Wars/Falling Down/1996</li>
<li>Jun Dax/ Spills/2000AD—Two Zero/2000</li>
<li>Mad Squirrel/ Pinko/Triple A/2002</li>
<li>Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012</li>
<li>Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012</li>
<li>Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021</li>
</ol><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="107317358" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/97b02f3a-7f69-4e35-b9ad-0a680c24615f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=97b02f3a-7f69-4e35-b9ad-0a680c24615f&amp;feed=KodC6fj_"/>
      <itunes:title>Anthony Kwame Harrison on Cassette Tapes and Hip Hop Culture</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:51:47</itunes:duration>
      <itunes:summary>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.
Harrison is the author of Hip Hop Underground: The Integrity and Ethics of Racial Identification (Temple UP, 2009).
Song credits from this episode:

Murs/ F&apos;Real/ Say Anything/ 1997

Zagu Brown/Dont Believe It/ Projects/1996

Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000

FundaMentals/The Pattern Fall Wars/Falling Down/1996

Jun Dax/ Spills/2000AD—Two Zero/2000

Mad Squirrel/ Pinko/Triple A/2002

Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012

Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012

Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.
Harrison is the author of Hip Hop Underground: The Integrity and Ethics of Racial Identification (Temple UP, 2009).
Song credits from this episode:

Murs/ F&apos;Real/ Say Anything/ 1997

Zagu Brown/Dont Believe It/ Projects/1996

Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000

FundaMentals/The Pattern Fall Wars/Falling Down/1996

Jun Dax/ Spills/2000AD—Two Zero/2000

Mad Squirrel/ Pinko/Triple A/2002

Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012

Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012

Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1f9becba-a453-11ef-8edc-bf7e062a6895</guid>
      <title>Andrew Stone Higgins, &quot;Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation's largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. </p><p><a href="https://bookshop.org/a/12343/9781469672915"><em>Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan</em></a><em> </em>(UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan's financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.</p><p>Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford's Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 18 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation's largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. </p><p><a href="https://bookshop.org/a/12343/9781469672915"><em>Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan</em></a><em> </em>(UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan's financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.</p><p>Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford's Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59700680" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1f215286-fede-4ea8-a369-d694d4d6d01f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1f215286-fede-4ea8-a369-d694d4d6d01f&amp;feed=KodC6fj_"/>
      <itunes:title>Andrew Stone Higgins, &quot;Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:11</itunes:duration>
      <itunes:summary>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation&apos;s largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. 
Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan (UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan&apos;s financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.
Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford&apos;s Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation&apos;s largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. 
Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan (UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan&apos;s financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.
Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford&apos;s Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a5eb0672-a398-11ef-9d66-87412a2bd71d</guid>
      <title>Ian Miller, &quot;Self-Esteem: An American History&quot; (Polity Press, 2024)</title>
      <description><![CDATA[<p>By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should.</p><p><a href="https://bookshop.org/a/12343/9781509559404"><em>Self-Esteem: An American History</em></a> (Polity, 2024) by Dr. Ian Miller is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Dr. Miller’s expert analysis looks at the critiques of self-help that accuse it of propping up conservative agendas by encouraging us to look solely inside ourselves to resolve life’s problems. At the same time, he reveals how African American, LGBTQ+, and feminist activists have endeavoured to build positive collective identities based on self-esteem, pride, and self-respect.</p><p>This revelatory book will be essential reading for anyone with an interest in the history of mental health and well-being, and in how the politics of self-esteem is played out in today’s US society and culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 17 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should.</p><p><a href="https://bookshop.org/a/12343/9781509559404"><em>Self-Esteem: An American History</em></a> (Polity, 2024) by Dr. Ian Miller is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Dr. Miller’s expert analysis looks at the critiques of self-help that accuse it of propping up conservative agendas by encouraging us to look solely inside ourselves to resolve life’s problems. At the same time, he reveals how African American, LGBTQ+, and feminist activists have endeavoured to build positive collective identities based on self-esteem, pride, and self-respect.</p><p>This revelatory book will be essential reading for anyone with an interest in the history of mental health and well-being, and in how the politics of self-esteem is played out in today’s US society and culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35278614" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/867e2c23-b9a8-4183-afd5-8764f7ea6893/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=867e2c23-b9a8-4183-afd5-8764f7ea6893&amp;feed=KodC6fj_"/>
      <itunes:title>Ian Miller, &quot;Self-Esteem: An American History&quot; (Polity Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:44</itunes:duration>
      <itunes:summary>By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should.
Self-Esteem: An American History (Polity, 2024) by Dr. Ian Miller is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Dr. Miller’s expert analysis looks at the critiques of self-help that accuse it of propping up conservative agendas by encouraging us to look solely inside ourselves to resolve life’s problems. At the same time, he reveals how African American, LGBTQ+, and feminist activists have endeavoured to build positive collective identities based on self-esteem, pride, and self-respect.
This revelatory book will be essential reading for anyone with an interest in the history of mental health and well-being, and in how the politics of self-esteem is played out in today’s US society and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should.
Self-Esteem: An American History (Polity, 2024) by Dr. Ian Miller is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Dr. Miller’s expert analysis looks at the critiques of self-help that accuse it of propping up conservative agendas by encouraging us to look solely inside ourselves to resolve life’s problems. At the same time, he reveals how African American, LGBTQ+, and feminist activists have endeavoured to build positive collective identities based on self-esteem, pride, and self-respect.
This revelatory book will be essential reading for anyone with an interest in the history of mental health and well-being, and in how the politics of self-esteem is played out in today’s US society and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>230</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">406db9ee-a374-11ef-a4ec-17bcc03cfc41</guid>
      <title>Deborah Parker, &quot;Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters&quot; (Villa I Tatti, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780674299818"><em>Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters</em></a> (Harvard University Press, October 2024)<em>,</em> Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.</p><p>Deborah Parker is Professor of Italian at the University of Virginia, and her books include <em>Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet,</em> and <em>Michelangelo and the Art of Letter Writing</em>. Her writings also appear in the exhibition catalog for the Morgan Library &amp; Museum’s centenary exhibition, <em>Belle da Costa Greene: A Librarian’s Legacy.</em></p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 16 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780674299818"><em>Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters</em></a> (Harvard University Press, October 2024)<em>,</em> Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.</p><p>Deborah Parker is Professor of Italian at the University of Virginia, and her books include <em>Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet,</em> and <em>Michelangelo and the Art of Letter Writing</em>. Her writings also appear in the exhibition catalog for the Morgan Library &amp; Museum’s centenary exhibition, <em>Belle da Costa Greene: A Librarian’s Legacy.</em></p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54168545" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f78bd15b-bd15-40d8-a32b-7fa001ca77af/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f78bd15b-bd15-40d8-a32b-7fa001ca77af&amp;feed=KodC6fj_"/>
      <itunes:title>Deborah Parker, &quot;Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters&quot; (Villa I Tatti, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:25</itunes:duration>
      <itunes:summary>In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.
Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library &amp; Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.
Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library &amp; Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1249b130-a1ee-11ef-9c09-a71644467434</guid>
      <title>We Refuse: A Forceful History of Black Resistance</title>
      <description><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781541602908"><em>We Refuse: A Forceful History of Black Resistance</em></a><em> </em>(Seal Press, 2024) by Dr. Kellie Carter Jackson.</p><p>Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In <em>We Refuse</em>, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, <em>We Refuse</em> offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.</p><p>Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book <em>Force and Freedom</em> was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Playlist for listeners:</p><ul>
<li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">This discussion of the book Remembering Lucille with Dr. Polly Bugros McLean</a></li>
<li><a href="https://newbooksnetwork.com/bell#entry:85863@1:url">This discussion of the book Running From Bondage</a></li>
<li><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder#entry:71281@1:url">The Social Constructions of Race: A Discussion with Dr. Brigette Fielder</a></li>
<li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">This discussion of the book Never Caught with Dr. Erica Armstrong Dunbar</a></li>
<li><a href="https://newbooksnetwork.com/black-woman-on-board#entry:343629@1:url">This discussion of the book Black Woman on Board with Dr. Nicol</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 14 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781541602908"><em>We Refuse: A Forceful History of Black Resistance</em></a><em> </em>(Seal Press, 2024) by Dr. Kellie Carter Jackson.</p><p>Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In <em>We Refuse</em>, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, <em>We Refuse</em> offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.</p><p>Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book <em>Force and Freedom</em> was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Playlist for listeners:</p><ul>
<li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">This discussion of the book Remembering Lucille with Dr. Polly Bugros McLean</a></li>
<li><a href="https://newbooksnetwork.com/bell#entry:85863@1:url">This discussion of the book Running From Bondage</a></li>
<li><a href="https://newbooksnetwork.com/the-social-constructions-of-race-a-discussion-with-brigette-fielder#entry:71281@1:url">The Social Constructions of Race: A Discussion with Dr. Brigette Fielder</a></li>
<li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">This discussion of the book Never Caught with Dr. Erica Armstrong Dunbar</a></li>
<li><a href="https://newbooksnetwork.com/black-woman-on-board#entry:343629@1:url">This discussion of the book Black Woman on Board with Dr. Nicol</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47618993" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0aae78e0-11fe-4274-8b24-71ea81a96462/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0aae78e0-11fe-4274-8b24-71ea81a96462&amp;feed=KodC6fj_"/>
      <itunes:title>We Refuse: A Forceful History of Black Resistance</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:35</itunes:duration>
      <itunes:summary>Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson.
Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.
Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Playlist for listeners:

This discussion of the book Remembering Lucille with Dr. Polly Bugros McLean

This discussion of the book Running From Bondage

The Social Constructions of Race: A Discussion with Dr. Brigette Fielder

This discussion of the book Never Caught with Dr. Erica Armstrong Dunbar

This discussion of the book Black Woman on Board with Dr. Nicol


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson.
Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.
Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Playlist for listeners:

This discussion of the book Remembering Lucille with Dr. Polly Bugros McLean

This discussion of the book Running From Bondage

The Social Constructions of Race: A Discussion with Dr. Brigette Fielder

This discussion of the book Never Caught with Dr. Erica Armstrong Dunbar

This discussion of the book Black Woman on Board with Dr. Nicol


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3164df94-a203-11ef-b654-93e1c3e2350a</guid>
      <title>Donna J. Nicol, &quot;Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action&quot; (U Rochester Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781648250231"><em>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action</em></a><em> </em>(University of Rochester Press, 2024) examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Author Donna J. Nicol tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974-94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates.</p><p>Donna J. Nicol is Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 9 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781648250231"><em>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action</em></a><em> </em>(University of Rochester Press, 2024) examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Author Donna J. Nicol tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974-94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates.</p><p>Donna J. Nicol is Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56845202" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e41081e0-31ff-452a-adc0-c772db4b2651/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e41081e0-31ff-452a-adc0-c772db4b2651&amp;feed=KodC6fj_"/>
      <itunes:title>Donna J. Nicol, &quot;Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action&quot; (U Rochester Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:12</itunes:duration>
      <itunes:summary>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Author Donna J. Nicol tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system&apos;s first Black woman trustee, who later became the board&apos;s first woman chair, and her twenty-year fight (1974-94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Nicol argues that Hampton enacted &quot;sly civility&quot; to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates.
Donna J. Nicol is Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Author Donna J. Nicol tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system&apos;s first Black woman trustee, who later became the board&apos;s first woman chair, and her twenty-year fight (1974-94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Nicol argues that Hampton enacted &quot;sly civility&quot; to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates.
Donna J. Nicol is Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1495</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d681be56-9bb5-11ef-83b8-d72d8a64aa2d</guid>
      <title>Aran Robert Shetterly, &quot;Morningside: The 1979 Greensboro Massacre and the Struggle for an American City&apos;s Soul&quot; (Amistad, 2024)</title>
      <description><![CDATA[<p>On November 3, 1979, as activist Nelson Johnson assembled people for a march adjacent to Morningside Homes in Greensboro, North Carolina, gunshots rang out. A caravan of Klansmen and Neo-Nazis sped from the scene, leaving behind five dead. Known as the "Greensboro Massacre," the event and its aftermath encapsulate the racial conflict, economic anxiety, clash of ideologies, and toxic mix of corruption and conspiracy that roiled American democracy then--and threaten it today.</p><p>In 88 seconds, one Southern city shattered over irreconcilable visions of America's past and future. When the shooters are acquitted in the courts, Reverend Johnson, his wife Joyce, and their allies, at odds with the police and the Greensboro establishment, sought alternative forms of justice. As the Johnsons rebuilt their lives after 1979, they found inspiration in Nelson Mandela's post-apartheid Truth and Reconciliation Commission and Martin Luther King Jr's concept of Beloved Community and insist that only by facing history's hardest truths can healing come to the city they refuse to give up on.</p><p>This intimate, deeply researched, and heart-stopping account draws upon survivor interviews, court documents, and the files from one of the largest investigations in FBI history. The persistent mysteries of the case touch deep cultural insecurities and contradictions about race and class. A quintessentially American story, <a href="https://bookshop.org/a/12343/9780062858214"><em>Morningside: The 1979 Greensboro Massacre and the Struggle for an American City's Soul </em></a>(Amistad, 2024) explores the courage required to make change and the evolving pursuit of a more inclusive and equal future.</p><p>Arran Shetterly is the author of the critically acclaimed <em>The Americano: Fighting with Castro for Cuba’s Freedom</em>, the founder of the Mexico City-based magazine, <em>Inside Mexico</em>, and a member of the board of the Americans Who Tell the Truth organization. He has received numerous fellowships, including the Virginia Humanities Fellowship and the 2019 National Endowment for the Humanities Fellowship. Aran holds a BA in literature from Harvard College, and an MA in American Studies. He currently he lives in Charlottesville, Virginia, with his son and wife, the New York Times bestselling author Margot Lee Shetterly.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 6 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On November 3, 1979, as activist Nelson Johnson assembled people for a march adjacent to Morningside Homes in Greensboro, North Carolina, gunshots rang out. A caravan of Klansmen and Neo-Nazis sped from the scene, leaving behind five dead. Known as the "Greensboro Massacre," the event and its aftermath encapsulate the racial conflict, economic anxiety, clash of ideologies, and toxic mix of corruption and conspiracy that roiled American democracy then--and threaten it today.</p><p>In 88 seconds, one Southern city shattered over irreconcilable visions of America's past and future. When the shooters are acquitted in the courts, Reverend Johnson, his wife Joyce, and their allies, at odds with the police and the Greensboro establishment, sought alternative forms of justice. As the Johnsons rebuilt their lives after 1979, they found inspiration in Nelson Mandela's post-apartheid Truth and Reconciliation Commission and Martin Luther King Jr's concept of Beloved Community and insist that only by facing history's hardest truths can healing come to the city they refuse to give up on.</p><p>This intimate, deeply researched, and heart-stopping account draws upon survivor interviews, court documents, and the files from one of the largest investigations in FBI history. The persistent mysteries of the case touch deep cultural insecurities and contradictions about race and class. A quintessentially American story, <a href="https://bookshop.org/a/12343/9780062858214"><em>Morningside: The 1979 Greensboro Massacre and the Struggle for an American City's Soul </em></a>(Amistad, 2024) explores the courage required to make change and the evolving pursuit of a more inclusive and equal future.</p><p>Arran Shetterly is the author of the critically acclaimed <em>The Americano: Fighting with Castro for Cuba’s Freedom</em>, the founder of the Mexico City-based magazine, <em>Inside Mexico</em>, and a member of the board of the Americans Who Tell the Truth organization. He has received numerous fellowships, including the Virginia Humanities Fellowship and the 2019 National Endowment for the Humanities Fellowship. Aran holds a BA in literature from Harvard College, and an MA in American Studies. He currently he lives in Charlottesville, Virginia, with his son and wife, the New York Times bestselling author Margot Lee Shetterly.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49418425" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/df159001-70a1-4290-be85-22d7a44082aa/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=df159001-70a1-4290-be85-22d7a44082aa&amp;feed=KodC6fj_"/>
      <itunes:title>Aran Robert Shetterly, &quot;Morningside: The 1979 Greensboro Massacre and the Struggle for an American City&apos;s Soul&quot; (Amistad, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:28</itunes:duration>
      <itunes:summary>On November 3, 1979, as activist Nelson Johnson assembled people for a march adjacent to Morningside Homes in Greensboro, North Carolina, gunshots rang out. A caravan of Klansmen and Neo-Nazis sped from the scene, leaving behind five dead. Known as the &quot;Greensboro Massacre,&quot; the event and its aftermath encapsulate the racial conflict, economic anxiety, clash of ideologies, and toxic mix of corruption and conspiracy that roiled American democracy then--and threaten it today.
In 88 seconds, one Southern city shattered over irreconcilable visions of America&apos;s past and future. When the shooters are acquitted in the courts, Reverend Johnson, his wife Joyce, and their allies, at odds with the police and the Greensboro establishment, sought alternative forms of justice. As the Johnsons rebuilt their lives after 1979, they found inspiration in Nelson Mandela&apos;s post-apartheid Truth and Reconciliation Commission and Martin Luther King Jr&apos;s concept of Beloved Community and insist that only by facing history&apos;s hardest truths can healing come to the city they refuse to give up on.
This intimate, deeply researched, and heart-stopping account draws upon survivor interviews, court documents, and the files from one of the largest investigations in FBI history. The persistent mysteries of the case touch deep cultural insecurities and contradictions about race and class. A quintessentially American story, Morningside: The 1979 Greensboro Massacre and the Struggle for an American City&apos;s Soul (Amistad, 2024) explores the courage required to make change and the evolving pursuit of a more inclusive and equal future.
Arran Shetterly is the author of the critically acclaimed The Americano: Fighting with Castro for Cuba’s Freedom, the founder of the Mexico City-based magazine, Inside Mexico, and a member of the board of the Americans Who Tell the Truth organization. He has received numerous fellowships, including the Virginia Humanities Fellowship and the 2019 National Endowment for the Humanities Fellowship. Aran holds a BA in literature from Harvard College, and an MA in American Studies. He currently he lives in Charlottesville, Virginia, with his son and wife, the New York Times bestselling author Margot Lee Shetterly.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On November 3, 1979, as activist Nelson Johnson assembled people for a march adjacent to Morningside Homes in Greensboro, North Carolina, gunshots rang out. A caravan of Klansmen and Neo-Nazis sped from the scene, leaving behind five dead. Known as the &quot;Greensboro Massacre,&quot; the event and its aftermath encapsulate the racial conflict, economic anxiety, clash of ideologies, and toxic mix of corruption and conspiracy that roiled American democracy then--and threaten it today.
In 88 seconds, one Southern city shattered over irreconcilable visions of America&apos;s past and future. When the shooters are acquitted in the courts, Reverend Johnson, his wife Joyce, and their allies, at odds with the police and the Greensboro establishment, sought alternative forms of justice. As the Johnsons rebuilt their lives after 1979, they found inspiration in Nelson Mandela&apos;s post-apartheid Truth and Reconciliation Commission and Martin Luther King Jr&apos;s concept of Beloved Community and insist that only by facing history&apos;s hardest truths can healing come to the city they refuse to give up on.
This intimate, deeply researched, and heart-stopping account draws upon survivor interviews, court documents, and the files from one of the largest investigations in FBI history. The persistent mysteries of the case touch deep cultural insecurities and contradictions about race and class. A quintessentially American story, Morningside: The 1979 Greensboro Massacre and the Struggle for an American City&apos;s Soul (Amistad, 2024) explores the courage required to make change and the evolving pursuit of a more inclusive and equal future.
Arran Shetterly is the author of the critically acclaimed The Americano: Fighting with Castro for Cuba’s Freedom, the founder of the Mexico City-based magazine, Inside Mexico, and a member of the board of the Americans Who Tell the Truth organization. He has received numerous fellowships, including the Virginia Humanities Fellowship and the 2019 National Endowment for the Humanities Fellowship. Aran holds a BA in literature from Harvard College, and an MA in American Studies. He currently he lives in Charlottesville, Virginia, with his son and wife, the New York Times bestselling author Margot Lee Shetterly.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1fa7d256-97b4-11ef-94b5-af1f45f4abff</guid>
      <title>Anne M. Whitesell, &quot;Living Off the Government?: Race, Gender, and the Politics of Welfare&quot; (NYU Press, 2024)</title>
      <description><![CDATA[<p>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. </p><p>From debates over stimulus check eligibility to the uncertain future of unemployment benefits,<a href="https://bookshop.org/a/12343/9781479828586"> <em>Living Off the Government?: Race, Gender, and the Politics of Welfare</em></a><em> </em>(NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn't—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 3 Nov 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. </p><p>From debates over stimulus check eligibility to the uncertain future of unemployment benefits,<a href="https://bookshop.org/a/12343/9781479828586"> <em>Living Off the Government?: Race, Gender, and the Politics of Welfare</em></a><em> </em>(NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn't—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="30085211" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/67f25bb2-d619-48d7-a3bb-460f76899711/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=67f25bb2-d619-48d7-a3bb-460f76899711&amp;feed=KodC6fj_"/>
      <itunes:title>Anne M. Whitesell, &quot;Living Off the Government?: Race, Gender, and the Politics of Welfare&quot; (NYU Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:31:20</itunes:duration>
      <itunes:summary>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. 
From debates over stimulus check eligibility to the uncertain future of unemployment benefits, Living Off the Government?: Race, Gender, and the Politics of Welfare (NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn&apos;t—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. 
From debates over stimulus check eligibility to the uncertain future of unemployment benefits, Living Off the Government?: Race, Gender, and the Politics of Welfare (NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn&apos;t—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f972413e-930d-11ef-ba40-9b7d0fe83f1c</guid>
      <title>Eve Dunbar, &quot;Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation&quot; (U Minnesota Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781517917876"><em>Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation</em></a><em> </em>(U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.</p><p>Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal.</p><p>While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 27 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781517917876"><em>Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation</em></a><em> </em>(U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.</p><p>Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal.</p><p>While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43592061" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/22a8d787-e306-4027-b874-50b5e16d20b1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=22a8d787-e306-4027-b874-50b5e16d20b1&amp;feed=KodC6fj_"/>
      <itunes:title>Eve Dunbar, &quot;Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation&quot; (U Minnesota Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:24</itunes:duration>
      <itunes:summary>Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women&apos;s writings in the 1930s-1950s, illustrating how these writers centered Black women&apos;s satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.
Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers&apos; dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women&apos;s capacity to locate satisfaction within the domestic and interpersonal.
While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people&apos;s quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women&apos;s completeness, joy, and happiness outside the bounds of normative racial inclusion.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women&apos;s writings in the 1930s-1950s, illustrating how these writers centered Black women&apos;s satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.
Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers&apos; dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women&apos;s capacity to locate satisfaction within the domestic and interpersonal.
While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people&apos;s quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women&apos;s completeness, joy, and happiness outside the bounds of normative racial inclusion.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>480</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">15234018-939a-11ef-adbc-f7eee0a1a41e</guid>
      <title>Nathan Kalman-Lamb and Derek Silva, &quot;The End of College Football: On the Human Cost of an All-American Game&quot; (UNC Press, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469683461"><em>The End of College Football: On the Human Cost of an All-American Game</em></a> (UNC Press, 2024), Nathan Kalman-Lamb and Derek Silva offer an existential challenge to one of America's favorite pastimes: college football. Drawing on twenty-five in-depth interviews with former players from some of the country's most prominent college football teams, Kalman-Lamb and Silva explore how football is both predicated on a foundation of coercion and suffused with racialized harm and exploitation. Through the stories of those who lived it, the authors examine the ways in which college football must be understood as a site of harm, revealing how players are systematically denied the economic value they produce for universities and offered only a devalued education in return.</p><p>By illuminating the plantation dynamics that make college football a particularly racialized form of exploitation, the book makes legible the forms of physical sacrifice that are required, the ultimate cost in health and well-being, and the coercion that drives players into the sport and compels them to endure such abusive conditions.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 27 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469683461"><em>The End of College Football: On the Human Cost of an All-American Game</em></a> (UNC Press, 2024), Nathan Kalman-Lamb and Derek Silva offer an existential challenge to one of America's favorite pastimes: college football. Drawing on twenty-five in-depth interviews with former players from some of the country's most prominent college football teams, Kalman-Lamb and Silva explore how football is both predicated on a foundation of coercion and suffused with racialized harm and exploitation. Through the stories of those who lived it, the authors examine the ways in which college football must be understood as a site of harm, revealing how players are systematically denied the economic value they produce for universities and offered only a devalued education in return.</p><p>By illuminating the plantation dynamics that make college football a particularly racialized form of exploitation, the book makes legible the forms of physical sacrifice that are required, the ultimate cost in health and well-being, and the coercion that drives players into the sport and compels them to endure such abusive conditions.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61770376" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/828a7d86-bfe9-4d5f-975d-668519bb3dfe/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=828a7d86-bfe9-4d5f-975d-668519bb3dfe&amp;feed=KodC6fj_"/>
      <itunes:title>Nathan Kalman-Lamb and Derek Silva, &quot;The End of College Football: On the Human Cost of an All-American Game&quot; (UNC Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:20</itunes:duration>
      <itunes:summary>In The End of College Football: On the Human Cost of an All-American Game (UNC Press, 2024), Nathan Kalman-Lamb and Derek Silva offer an existential challenge to one of America&apos;s favorite pastimes: college football. Drawing on twenty-five in-depth interviews with former players from some of the country&apos;s most prominent college football teams, Kalman-Lamb and Silva explore how football is both predicated on a foundation of coercion and suffused with racialized harm and exploitation. Through the stories of those who lived it, the authors examine the ways in which college football must be understood as a site of harm, revealing how players are systematically denied the economic value they produce for universities and offered only a devalued education in return.
By illuminating the plantation dynamics that make college football a particularly racialized form of exploitation, the book makes legible the forms of physical sacrifice that are required, the ultimate cost in health and well-being, and the coercion that drives players into the sport and compels them to endure such abusive conditions.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The End of College Football: On the Human Cost of an All-American Game (UNC Press, 2024), Nathan Kalman-Lamb and Derek Silva offer an existential challenge to one of America&apos;s favorite pastimes: college football. Drawing on twenty-five in-depth interviews with former players from some of the country&apos;s most prominent college football teams, Kalman-Lamb and Silva explore how football is both predicated on a foundation of coercion and suffused with racialized harm and exploitation. Through the stories of those who lived it, the authors examine the ways in which college football must be understood as a site of harm, revealing how players are systematically denied the economic value they produce for universities and offered only a devalued education in return.
By illuminating the plantation dynamics that make college football a particularly racialized form of exploitation, the book makes legible the forms of physical sacrifice that are required, the ultimate cost in health and well-being, and the coercion that drives players into the sport and compels them to endure such abusive conditions.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>278</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9e4bbd8c-8e4c-11ef-89c5-bba05ca37cfb</guid>
      <title>Steven T. Katz, &quot;The Holocaust and New World Slavery: A Comparative History, Volume 2&quot; (Cambridge UP, 2019)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781108415088"><em>The Holocaust and New World Slavery: Volume 2</em></a> (Cambridge UP, 2019) second volume of the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven T. Katz analyses the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. </p><p>Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 22 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781108415088"><em>The Holocaust and New World Slavery: Volume 2</em></a> (Cambridge UP, 2019) second volume of the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven T. Katz analyses the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. </p><p>Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46776434" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9d015fce-6b63-4a42-96a0-9dac0b075127/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9d015fce-6b63-4a42-96a0-9dac0b075127&amp;feed=KodC6fj_"/>
      <itunes:title>Steven T. Katz, &quot;The Holocaust and New World Slavery: A Comparative History, Volume 2&quot; (Cambridge UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:43</itunes:duration>
      <itunes:summary>The Holocaust and New World Slavery: Volume 2 (Cambridge UP, 2019) second volume of the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven T. Katz analyses the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. 
Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Holocaust and New World Slavery: Volume 2 (Cambridge UP, 2019) second volume of the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven T. Katz analyses the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. 
Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>561</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0eae0410-8ca7-11ef-b0c7-df33238a0f5b</guid>
      <title>Ashawnta Jackson, &quot;Soul-Folk&quot; (Bloomsbury, 2024)</title>
      <description><![CDATA[<p>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.</p><p><a href="https://bookshop.org/a/12343/9798765103456"><em>Soul-Folk</em></a> (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.</p><p>Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's <em>Take Twelve</em>. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.</p><p>Ashawnta on <a href="https://x.com/_heyjackson">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 19 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.</p><p><a href="https://bookshop.org/a/12343/9798765103456"><em>Soul-Folk</em></a> (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.</p><p>Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's <em>Take Twelve</em>. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.</p><p>Ashawnta on <a href="https://x.com/_heyjackson">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65344501" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f6324d29-f8c7-46ae-9059-d7377a11b7c8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f6324d29-f8c7-46ae-9059-d7377a11b7c8&amp;feed=KodC6fj_"/>
      <itunes:title>Ashawnta Jackson, &quot;Soul-Folk&quot; (Bloomsbury, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:03</itunes:duration>
      <itunes:summary>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.
Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.
Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan&apos;s Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.
Ashawnta on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2&apos;s The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa&apos;s America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.
Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.
Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan&apos;s Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.
Ashawnta on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2&apos;s The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa&apos;s America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bec7f498-8bf6-11ef-b98c-1b91ec6f5bea</guid>
      <title>Jennifer Chudy, &quot;Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>There is racial inequality in America, and some people are distressed over it while others are not. <a href="https://bookshop.org/a/12343/9780226834436"><em>Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity</em></a> (University of Chicago Press, 2024) by Dr. Jennifer Chudy is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Dr. Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups.<em> Some White Folks</em> reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Dr. Chudy examines.</p><p>Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Dr. Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, <em>Some White Folks</em> demonstrates the multifaceted role of race in American politics and public opinion.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 18 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>There is racial inequality in America, and some people are distressed over it while others are not. <a href="https://bookshop.org/a/12343/9780226834436"><em>Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity</em></a> (University of Chicago Press, 2024) by Dr. Jennifer Chudy is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Dr. Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups.<em> Some White Folks</em> reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Dr. Chudy examines.</p><p>Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Dr. Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, <em>Some White Folks</em> demonstrates the multifaceted role of race in American politics and public opinion.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35515447" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f18a85c7-0082-41c2-806d-dd315c994b7b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f18a85c7-0082-41c2-806d-dd315c994b7b&amp;feed=KodC6fj_"/>
      <itunes:title>Jennifer Chudy, &quot;Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:59</itunes:duration>
      <itunes:summary>There is racial inequality in America, and some people are distressed over it while others are not. Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity (University of Chicago Press, 2024) by Dr. Jennifer Chudy is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Dr. Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups. Some White Folks reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Dr. Chudy examines.
Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Dr. Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, Some White Folks demonstrates the multifaceted role of race in American politics and public opinion.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>There is racial inequality in America, and some people are distressed over it while others are not. Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity (University of Chicago Press, 2024) by Dr. Jennifer Chudy is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Dr. Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups. Some White Folks reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Dr. Chudy examines.
Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Dr. Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, Some White Folks demonstrates the multifaceted role of race in American politics and public opinion.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>743</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b9a5ae0c-8a29-11ef-ac7a-83a2329f2ee6</guid>
      <title>Psychoanalytic Defense Mechanisms in James Baldwin’s &quot;Tell Me How Long the Train&apos;s Been Gone&quot;</title>
      <description><![CDATA[<p>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.</p><p>Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.</p><p><a href="https://bookshop.org/a/12343/9780375701894"><em>Tell Me How Long the Train's Been Gone</em></a> is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.</p><p>It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, <em>Where Do We Go From Here: Chaos or Community?</em></p><p>Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 16 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.</p><p>Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.</p><p><a href="https://bookshop.org/a/12343/9780375701894"><em>Tell Me How Long the Train's Been Gone</em></a> is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.</p><p>It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, <em>Where Do We Go From Here: Chaos or Community?</em></p><p>Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36353064" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7d0cf29f-c94c-40d7-9a11-047cf8ff33e6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7d0cf29f-c94c-40d7-9a11-047cf8ff33e6&amp;feed=KodC6fj_"/>
      <itunes:title>Psychoanalytic Defense Mechanisms in James Baldwin’s &quot;Tell Me How Long the Train&apos;s Been Gone&quot;</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:37:51</itunes:duration>
      <itunes:summary>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.
Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin&apos;s penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.
Tell Me How Long the Train&apos;s Been Gone is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.
It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, Where Do We Go From Here: Chaos or Community?
Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.
Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin&apos;s penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.
Tell Me How Long the Train&apos;s Been Gone is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.
It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, Where Do We Go From Here: Chaos or Community?
Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2ad62346-87f4-11ef-b349-7b1a1a486c31</guid>
      <title>Boris Adjemian, &quot;The Brass Band of the King: Armenians in Ethiopia&quot; (Bloomsbury, 2024)</title>
      <description><![CDATA[<p>In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.</p><p>Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in <a href="https://bookshop.org/a/12343/9780755648412"><em>The Brass Band of the King: Armenians in Ethiopia</em></a><em> </em>(Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.</p><p>Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 12 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.</p><p>Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in <a href="https://bookshop.org/a/12343/9780755648412"><em>The Brass Band of the King: Armenians in Ethiopia</em></a><em> </em>(Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.</p><p>Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62395815" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b053724e-e84c-4190-8d3e-c6ce7079dd70/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b053724e-e84c-4190-8d3e-c6ce7079dd70&amp;feed=KodC6fj_"/>
      <itunes:title>Boris Adjemian, &quot;The Brass Band of the King: Armenians in Ethiopia&quot; (Bloomsbury, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:59</itunes:duration>
      <itunes:summary>In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire&apos;s royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.
Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.
Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire&apos;s royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.
Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.
Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1488</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">184107e0-8354-11ef-ab30-5356ce4a39e9</guid>
      <title>Natalie Wall, &quot;Black Expression and White Generosity: A Theoretical Framework of Race&quot; (Emerald Publishing, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781803827582"><em>Black Expression and White Generosity: A Theoretical Framework of Race</em></a> (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.</p><p>Taking inspiration from the bold, powerful, and experimental work of black artists and activists, <em>Black Expression and White Generosity</em> forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 7 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781803827582"><em>Black Expression and White Generosity: A Theoretical Framework of Race</em></a> (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.</p><p>Taking inspiration from the bold, powerful, and experimental work of black artists and activists, <em>Black Expression and White Generosity</em> forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54042848" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0e68cf2a-9981-4003-85d8-b151bfb7b463/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0e68cf2a-9981-4003-85d8-b151bfb7b463&amp;feed=KodC6fj_"/>
      <itunes:title>Natalie Wall, &quot;Black Expression and White Generosity: A Theoretical Framework of Race&quot; (Emerald Publishing, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:17</itunes:duration>
      <itunes:summary>In Black Expression and White Generosity: A Theoretical Framework of Race (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.
Taking inspiration from the bold, powerful, and experimental work of black artists and activists, Black Expression and White Generosity forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Black Expression and White Generosity: A Theoretical Framework of Race (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.
Taking inspiration from the bold, powerful, and experimental work of black artists and activists, Black Expression and White Generosity forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>479</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6ed69b3a-80f0-11ef-ba8f-872b7def9621</guid>
      <title>Camille Owens, &quot;Like Children: Black Prodigy and the Measure of the Human in America&quot; (NYU Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781479812929"><em>Like Children:</em> <em>Black Prodigy and the Measure of the Human in America</em></a><em> </em>(NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.</p><p><em>Like Children</em> recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, <em>Like Children</em> displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 3 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781479812929"><em>Like Children:</em> <em>Black Prodigy and the Measure of the Human in America</em></a><em> </em>(NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.</p><p><em>Like Children</em> recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, <em>Like Children</em> displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40449537" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/61c34d7b-deda-4f07-8d49-8a81d41cba08/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=61c34d7b-deda-4f07-8d49-8a81d41cba08&amp;feed=KodC6fj_"/>
      <itunes:title>Camille Owens, &quot;Like Children: Black Prodigy and the Measure of the Human in America&quot; (NYU Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:07</itunes:duration>
      <itunes:summary>Like Children: Black Prodigy and the Measure of the Human in America (NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.
Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Like Children: Black Prodigy and the Measure of the Human in America (NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.
Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>478</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3de3138a-80cf-11ef-a66c-cb9fcf8a441c</guid>
      <title>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action</title>
      <description><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781648250231"><em>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action</em></a><em> </em>(University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. <em>Black Woman on Board </em>tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. <em>Black Woman on Board</em> explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era.</p><p>Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the producer of the Academic Life podcast.</p><p>Listeners may enjoy this playlist:</p><ul>
<li><a href="https://newbooksnetwork.com/black-women-ivory-tower#entry:287753@1:url">Black Women, Ivory Tower</a></li>
<li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading from the Margins</a></li>
<li><a href="https://newbooksnetwork.com/how-to-deal-with-structural-inequality#entry:39410@1:url">Presumed Incompetent</a></li>
<li><a href="https://newbooksnetwork.com/phding-while-parenting#entry:313920@1:url">PhDing While Parenting</a></li>
<li><a href="https://newbooksnetwork.com/is-grad-school-for-me#entry:298899@1:url">Is Grad School For Me?</a></li>
<li><a href="https://newbooksnetwork.com/how-to-help-girls-achieve#entry:39407@1:url">How Girls Achieve</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 3 Oct 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781648250231"><em>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action</em></a><em> </em>(University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. <em>Black Woman on Board </em>tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. <em>Black Woman on Board</em> explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era.</p><p>Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the producer of the Academic Life podcast.</p><p>Listeners may enjoy this playlist:</p><ul>
<li><a href="https://newbooksnetwork.com/black-women-ivory-tower#entry:287753@1:url">Black Women, Ivory Tower</a></li>
<li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading from the Margins</a></li>
<li><a href="https://newbooksnetwork.com/how-to-deal-with-structural-inequality#entry:39410@1:url">Presumed Incompetent</a></li>
<li><a href="https://newbooksnetwork.com/phding-while-parenting#entry:313920@1:url">PhDing While Parenting</a></li>
<li><a href="https://newbooksnetwork.com/is-grad-school-for-me#entry:298899@1:url">Is Grad School For Me?</a></li>
<li><a href="https://newbooksnetwork.com/how-to-help-girls-achieve#entry:39407@1:url">How Girls Achieve</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51697027" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0805981b-5a2c-4003-af23-ad17b03b5fe8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0805981b-5a2c-4003-af23-ad17b03b5fe8&amp;feed=KodC6fj_"/>
      <itunes:title>Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:50</itunes:duration>
      <itunes:summary>Today’s book is: Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Black Woman on Board tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system&apos;s first Black woman trustee, who later became the board&apos;s first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted &quot;sly civility&quot; to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. Black Woman on Board explores how Hampton methodically &quot;played the game of boardsmanship,&quot; using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the &quot;affirmative action trustee,&quot; this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women&apos;s educational leadership in the post-Civil Rights era.
Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.
Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.
Listeners may enjoy this playlist:

Black Women, Ivory Tower

Leading from the Margins

Presumed Incompetent

PhDing While Parenting

Is Grad School For Me?

How Girls Achieve


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today’s book is: Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Black Woman on Board tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system&apos;s first Black woman trustee, who later became the board&apos;s first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted &quot;sly civility&quot; to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. Black Woman on Board explores how Hampton methodically &quot;played the game of boardsmanship,&quot; using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the &quot;affirmative action trustee,&quot; this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women&apos;s educational leadership in the post-Civil Rights era.
Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.
Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.
Listeners may enjoy this playlist:

Black Women, Ivory Tower

Leading from the Margins

Presumed Incompetent

PhDing While Parenting

Is Grad School For Me?

How Girls Achieve


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ae92d710-7e62-11ef-97d3-431d152a4e54</guid>
      <title>Steven T. Katz, &quot;The Holocaust and New World Slavery: A Comparative History&quot; (Cambridge UP, 2019)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781108415088"><em>The Holocaust and New World Slavery: A Comparative History</em></a> (Cambridge UP, 2019) offers the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven Katz analyzes the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. </p><p>Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 30 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781108415088"><em>The Holocaust and New World Slavery: A Comparative History</em></a> (Cambridge UP, 2019) offers the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven Katz analyzes the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. </p><p>Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50298566" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/031ba9c6-1488-4e00-b8f7-c0113fef8a3e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=031ba9c6-1488-4e00-b8f7-c0113fef8a3e&amp;feed=KodC6fj_"/>
      <itunes:title>Steven T. Katz, &quot;The Holocaust and New World Slavery: A Comparative History&quot; (Cambridge UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:23</itunes:duration>
      <itunes:summary>The Holocaust and New World Slavery: A Comparative History (Cambridge UP, 2019) offers the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven Katz analyzes the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. 
Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Holocaust and New World Slavery: A Comparative History (Cambridge UP, 2019) offers the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven Katz analyzes the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. 
Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>552</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bc54416c-7a85-11ef-bac0-47b65f2d37f5</guid>
      <title>Andrew W. Kahrl, &quot;The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226730592"><em>The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America</em></a><em> </em>(U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.</p><p>Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 25 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226730592"><em>The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America</em></a><em> </em>(U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.</p><p>Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52599264" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/04f4000f-c0a1-48fd-a4cf-c11bae76d81b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=04f4000f-c0a1-48fd-a4cf-c11bae76d81b&amp;feed=KodC6fj_"/>
      <itunes:title>Andrew W. Kahrl, &quot;The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:47</itunes:duration>
      <itunes:summary>In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.
Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.
Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>477</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1812978c-7852-11ef-a261-bf5420855602</guid>
      <title>Wayne A. Wiegand, &quot;In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries&quot; (UP of Mississippi, 2024)</title>
      <description><![CDATA[<p>Librarians around the country are currently on a battleground, defending their right to purchase and circulate books dealing with issues of race and systemic racism. Despite this work, the library community has often overlooked—even ignored—its own history of White supremacy and deliberate inaction on the part of White librarians and library leadership. Author Wayne A. Wiegand takes a crucial step to amend this historical record. <a href="https://bookshop.org/a/12343/9781496853073"><em>In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries</em></a> (University of Mississippi Press, 2024) analyzes and critiques the world of professional librarianship between 1954 and 1974.</p><p>Wiegand begins by identifying racism in the practice and customs of public school libraries in the years leading up to the <em>Brown v. Board of Education </em>decision. This culture permeated the next two decades, as subsequent Supreme Court decisions led to feeble and mostly unsuccessful attempts to integrate Jim Crow public schools and their libraries. During this same period, the profession was honing its national image as a defender of intellectual freedom, a proponent of the freedom to read, and an opponent of censorship. Still, the community did not take any unified action to support <em>Brown</em> or to visibly oppose racial segregation. As Black school librarians and their Black patrons suffered through the humiliations and hostility of the Jim Crow educational establishment, the American library community remained largely ambivalent and silent.</p><p>The book brings to light a distressing history that continues to impact the library community, its students, and its patrons. Currently available school library literature skews the historical perspective that informs the present. <em>In Silence or Indifference </em>is the first attempt to establish historical accountability for the systemic racism contemporary school librarianship inherited in the twenty-first century.</p><p>Wayne A. Wiegand is F. William Summers Professor of Library and Information Studies Emeritus at Florida State University. Often referred to as “the Dean of American library historians,” he is author of many scholarly articles and books, including <em>Irrepressible Reformer: A Biography of Melvil Dewe</em>y; <em>Part of Our Lives: A People’s History of the American Public Library</em>; and <em>American Public School Librarianship: A History</em>.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 23 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Librarians around the country are currently on a battleground, defending their right to purchase and circulate books dealing with issues of race and systemic racism. Despite this work, the library community has often overlooked—even ignored—its own history of White supremacy and deliberate inaction on the part of White librarians and library leadership. Author Wayne A. Wiegand takes a crucial step to amend this historical record. <a href="https://bookshop.org/a/12343/9781496853073"><em>In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries</em></a> (University of Mississippi Press, 2024) analyzes and critiques the world of professional librarianship between 1954 and 1974.</p><p>Wiegand begins by identifying racism in the practice and customs of public school libraries in the years leading up to the <em>Brown v. Board of Education </em>decision. This culture permeated the next two decades, as subsequent Supreme Court decisions led to feeble and mostly unsuccessful attempts to integrate Jim Crow public schools and their libraries. During this same period, the profession was honing its national image as a defender of intellectual freedom, a proponent of the freedom to read, and an opponent of censorship. Still, the community did not take any unified action to support <em>Brown</em> or to visibly oppose racial segregation. As Black school librarians and their Black patrons suffered through the humiliations and hostility of the Jim Crow educational establishment, the American library community remained largely ambivalent and silent.</p><p>The book brings to light a distressing history that continues to impact the library community, its students, and its patrons. Currently available school library literature skews the historical perspective that informs the present. <em>In Silence or Indifference </em>is the first attempt to establish historical accountability for the systemic racism contemporary school librarianship inherited in the twenty-first century.</p><p>Wayne A. Wiegand is F. William Summers Professor of Library and Information Studies Emeritus at Florida State University. Often referred to as “the Dean of American library historians,” he is author of many scholarly articles and books, including <em>Irrepressible Reformer: A Biography of Melvil Dewe</em>y; <em>Part of Our Lives: A People’s History of the American Public Library</em>; and <em>American Public School Librarianship: A History</em>.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="27052096" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6ec7253e-3b4e-4146-a6cb-966f5e0e3841/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6ec7253e-3b4e-4146-a6cb-966f5e0e3841&amp;feed=KodC6fj_"/>
      <itunes:title>Wayne A. Wiegand, &quot;In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries&quot; (UP of Mississippi, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:28:10</itunes:duration>
      <itunes:summary>Librarians around the country are currently on a battleground, defending their right to purchase and circulate books dealing with issues of race and systemic racism. Despite this work, the library community has often overlooked—even ignored—its own history of White supremacy and deliberate inaction on the part of White librarians and library leadership. Author Wayne A. Wiegand takes a crucial step to amend this historical record. In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries (University of Mississippi Press, 2024) analyzes and critiques the world of professional librarianship between 1954 and 1974.
Wiegand begins by identifying racism in the practice and customs of public school libraries in the years leading up to the Brown v. Board of Education decision. This culture permeated the next two decades, as subsequent Supreme Court decisions led to feeble and mostly unsuccessful attempts to integrate Jim Crow public schools and their libraries. During this same period, the profession was honing its national image as a defender of intellectual freedom, a proponent of the freedom to read, and an opponent of censorship. Still, the community did not take any unified action to support Brown or to visibly oppose racial segregation. As Black school librarians and their Black patrons suffered through the humiliations and hostility of the Jim Crow educational establishment, the American library community remained largely ambivalent and silent.
The book brings to light a distressing history that continues to impact the library community, its students, and its patrons. Currently available school library literature skews the historical perspective that informs the present. In Silence or Indifference is the first attempt to establish historical accountability for the systemic racism contemporary school librarianship inherited in the twenty-first century.
Wayne A. Wiegand is F. William Summers Professor of Library and Information Studies Emeritus at Florida State University. Often referred to as “the Dean of American library historians,” he is author of many scholarly articles and books, including Irrepressible Reformer: A Biography of Melvil Dewey; Part of Our Lives: A People’s History of the American Public Library; and American Public School Librarianship: A History.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Librarians around the country are currently on a battleground, defending their right to purchase and circulate books dealing with issues of race and systemic racism. Despite this work, the library community has often overlooked—even ignored—its own history of White supremacy and deliberate inaction on the part of White librarians and library leadership. Author Wayne A. Wiegand takes a crucial step to amend this historical record. In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries (University of Mississippi Press, 2024) analyzes and critiques the world of professional librarianship between 1954 and 1974.
Wiegand begins by identifying racism in the practice and customs of public school libraries in the years leading up to the Brown v. Board of Education decision. This culture permeated the next two decades, as subsequent Supreme Court decisions led to feeble and mostly unsuccessful attempts to integrate Jim Crow public schools and their libraries. During this same period, the profession was honing its national image as a defender of intellectual freedom, a proponent of the freedom to read, and an opponent of censorship. Still, the community did not take any unified action to support Brown or to visibly oppose racial segregation. As Black school librarians and their Black patrons suffered through the humiliations and hostility of the Jim Crow educational establishment, the American library community remained largely ambivalent and silent.
The book brings to light a distressing history that continues to impact the library community, its students, and its patrons. Currently available school library literature skews the historical perspective that informs the present. In Silence or Indifference is the first attempt to establish historical accountability for the systemic racism contemporary school librarianship inherited in the twenty-first century.
Wayne A. Wiegand is F. William Summers Professor of Library and Information Studies Emeritus at Florida State University. Often referred to as “the Dean of American library historians,” he is author of many scholarly articles and books, including Irrepressible Reformer: A Biography of Melvil Dewey; Part of Our Lives: A People’s History of the American Public Library; and American Public School Librarianship: A History.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4d0c54aa-778a-11ef-b889-9f916c398b3c</guid>
      <title>Sarah Lewis, &quot;The Unseen Truth: When Race Changed Sight in America&quot; (Harvard UP, 2024)</title>
      <description><![CDATA[<p>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.</p><p>The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.</p><p>To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant,<a href="https://bookshop.org/a/12343/9780674238343"> <em>The Unseen Truth: When Race Changed Sight in America</em></a><em> </em>(Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.</p><p>Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of <em>The Unseen Truth: When Race Changed Sight in America</em> (Harvard University Press), the bestseller, <em>The Rise: Creativity, the Gift of Failure, and the Search for Mastery </em>(Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by <em>Aperture</em> magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the <em>New Yorker</em>, the <em>New York Times</em>, <em>Artforum</em>, and the <em>New York Review of Books</em>, and her work has been the subject of profiles from <em>The Boston Globe</em> to the <em>New York Times</em>. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 21 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.</p><p>The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.</p><p>To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant,<a href="https://bookshop.org/a/12343/9780674238343"> <em>The Unseen Truth: When Race Changed Sight in America</em></a><em> </em>(Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.</p><p>Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of <em>The Unseen Truth: When Race Changed Sight in America</em> (Harvard University Press), the bestseller, <em>The Rise: Creativity, the Gift of Failure, and the Search for Mastery </em>(Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by <em>Aperture</em> magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the <em>New Yorker</em>, the <em>New York Times</em>, <em>Artforum</em>, and the <em>New York Review of Books</em>, and her work has been the subject of profiles from <em>The Boston Globe</em> to the <em>New York Times</em>. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38062509" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d74a308c-3f61-45d6-b47b-1899ad30942d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d74a308c-3f61-45d6-b47b-1899ad30942d&amp;feed=KodC6fj_"/>
      <itunes:title>Sarah Lewis, &quot;The Unseen Truth: When Race Changed Sight in America&quot; (Harvard UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:38</itunes:duration>
      <itunes:summary>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.
The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.
To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.
The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.
To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>324</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2e36e156-7764-11ef-a367-0318d75a675c</guid>
      <title>Caree A. Banton, &quot;More Auspicious Shores: Barbadian Migration to Liberia, Blackness, and the Making of an African Republic&quot; (Cambridge UP, 2019)</title>
      <description><![CDATA[<p>Caree A. Banton's book<em> </em><a href="https://bookshop.org/a/12343/9781108429634"><em>More Auspicious Shores: Barbadian Migration to Liberia, Blackness, and the Making of an African Republic</em></a><em> </em>(Cambridge UP, 2019) chronicles the migration of Afro-Barbadians to Liberia. In 1865, 346 Afro-Barbadians fled a failed post-emancipation Caribbean for the independent black republic of Liberia. They saw Liberia as a means of achieving their post-emancipation goals and promoting a pan-Africanist agenda while simultaneously fulfilling their 'civilizing' and 'Christianizing' duties. </p><p>Through a close examination of the Afro-Barbadians, Banton provides a transatlantic approach to understanding the political and sociocultural consequences of their migration and settlement in Africa. Banton reveals how, as former British subjects, Afro-Barbadians navigated an inherent tension between ideas of pan-Africanism and colonial superiority. Upon their arrival in Liberia, an English imperial identity distinguished the Barbadians from African Americans and secured them privileges in the Republic's hierarchy above the other group. By fracturing assumptions of a homogeneous black identity, Banton ultimately demonstrates how Afro-Barbadian settlement in Liberia influenced ideas of blackness in the Atlantic World.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 21 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Caree A. Banton's book<em> </em><a href="https://bookshop.org/a/12343/9781108429634"><em>More Auspicious Shores: Barbadian Migration to Liberia, Blackness, and the Making of an African Republic</em></a><em> </em>(Cambridge UP, 2019) chronicles the migration of Afro-Barbadians to Liberia. In 1865, 346 Afro-Barbadians fled a failed post-emancipation Caribbean for the independent black republic of Liberia. They saw Liberia as a means of achieving their post-emancipation goals and promoting a pan-Africanist agenda while simultaneously fulfilling their 'civilizing' and 'Christianizing' duties. </p><p>Through a close examination of the Afro-Barbadians, Banton provides a transatlantic approach to understanding the political and sociocultural consequences of their migration and settlement in Africa. Banton reveals how, as former British subjects, Afro-Barbadians navigated an inherent tension between ideas of pan-Africanism and colonial superiority. Upon their arrival in Liberia, an English imperial identity distinguished the Barbadians from African Americans and secured them privileges in the Republic's hierarchy above the other group. By fracturing assumptions of a homogeneous black identity, Banton ultimately demonstrates how Afro-Barbadian settlement in Liberia influenced ideas of blackness in the Atlantic World.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="81523373" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c3936719-0d42-45f5-bfa5-b4d61f7c1c64/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c3936719-0d42-45f5-bfa5-b4d61f7c1c64&amp;feed=KodC6fj_"/>
      <itunes:title>Caree A. Banton, &quot;More Auspicious Shores: Barbadian Migration to Liberia, Blackness, and the Making of an African Republic&quot; (Cambridge UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:24:55</itunes:duration>
      <itunes:summary>Caree A. Banton&apos;s book More Auspicious Shores: Barbadian Migration to Liberia, Blackness, and the Making of an African Republic (Cambridge UP, 2019) chronicles the migration of Afro-Barbadians to Liberia. In 1865, 346 Afro-Barbadians fled a failed post-emancipation Caribbean for the independent black republic of Liberia. They saw Liberia as a means of achieving their post-emancipation goals and promoting a pan-Africanist agenda while simultaneously fulfilling their &apos;civilizing&apos; and &apos;Christianizing&apos; duties. 
Through a close examination of the Afro-Barbadians, Banton provides a transatlantic approach to understanding the political and sociocultural consequences of their migration and settlement in Africa. Banton reveals how, as former British subjects, Afro-Barbadians navigated an inherent tension between ideas of pan-Africanism and colonial superiority. Upon their arrival in Liberia, an English imperial identity distinguished the Barbadians from African Americans and secured them privileges in the Republic&apos;s hierarchy above the other group. By fracturing assumptions of a homogeneous black identity, Banton ultimately demonstrates how Afro-Barbadian settlement in Liberia influenced ideas of blackness in the Atlantic World.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Caree A. Banton&apos;s book More Auspicious Shores: Barbadian Migration to Liberia, Blackness, and the Making of an African Republic (Cambridge UP, 2019) chronicles the migration of Afro-Barbadians to Liberia. In 1865, 346 Afro-Barbadians fled a failed post-emancipation Caribbean for the independent black republic of Liberia. They saw Liberia as a means of achieving their post-emancipation goals and promoting a pan-Africanist agenda while simultaneously fulfilling their &apos;civilizing&apos; and &apos;Christianizing&apos; duties. 
Through a close examination of the Afro-Barbadians, Banton provides a transatlantic approach to understanding the political and sociocultural consequences of their migration and settlement in Africa. Banton reveals how, as former British subjects, Afro-Barbadians navigated an inherent tension between ideas of pan-Africanism and colonial superiority. Upon their arrival in Liberia, an English imperial identity distinguished the Barbadians from African Americans and secured them privileges in the Republic&apos;s hierarchy above the other group. By fracturing assumptions of a homogeneous black identity, Banton ultimately demonstrates how Afro-Barbadian settlement in Liberia influenced ideas of blackness in the Atlantic World.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">edefee92-769d-11ef-bd3e-83cc6068c10a</guid>
      <title>David Kroening Seitz, &quot;A Different Trek: Radical Geographies of Deep Space Nine&quot; (U Nebraska Press, 2023)</title>
      <description><![CDATA[<p>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.</p><p>Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, <a href="https://bookshop.org/a/12343/9781496235428"><em>A Different Trek: Radical Geographies of Deep Space Nine</em></a> (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 20 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.</p><p>Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, <a href="https://bookshop.org/a/12343/9781496235428"><em>A Different Trek: Radical Geographies of Deep Space Nine</em></a> (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56655359" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b2f245cc-826b-49e5-b51f-0f8f985047f1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b2f245cc-826b-49e5-b51f-0f8f985047f1&amp;feed=KodC6fj_"/>
      <itunes:title>David Kroening Seitz, &quot;A Different Trek: Radical Geographies of Deep Space Nine&quot; (U Nebraska Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:00</itunes:duration>
      <itunes:summary>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6215201a-75fb-11ef-a771-1b6635c8d306</guid>
      <title>Alexis Pauline Gumbs, &quot;Survival Is a Promise: The Eternal Life of Audre Lorde&quot; (FSG, 2024)</title>
      <description><![CDATA[<p>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.</p><p>Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.</p><p>In <a href="https://bookshop.org/a/12343/9780374603274"><em>Survival Is a Promise: The Eternal Life of Audre Lorde</em></a><em> </em>(FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 19 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.</p><p>Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.</p><p>In <a href="https://bookshop.org/a/12343/9780374603274"><em>Survival Is a Promise: The Eternal Life of Audre Lorde</em></a><em> </em>(FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51251924" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5ebde96b-d0bc-4757-9b23-4b3251ad06b3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5ebde96b-d0bc-4757-9b23-4b3251ad06b3&amp;feed=KodC6fj_"/>
      <itunes:title>Alexis Pauline Gumbs, &quot;Survival Is a Promise: The Eternal Life of Audre Lorde&quot; (FSG, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:23</itunes:duration>
      <itunes:summary>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde&apos;s teachings on &quot;the creative power of difference&quot; may be missing something fundamental about her life and work, and what they can mean for us today.
Lorde&apos;s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde&apos;s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.
In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde&apos;s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde&apos;s teachings on &quot;the creative power of difference&quot; may be missing something fundamental about her life and work, and what they can mean for us today.
Lorde&apos;s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde&apos;s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.
In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde&apos;s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>476</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">de1c4652-72cc-11ef-98ca-97c32cd91cb4</guid>
      <title>Michael L. Walker, &quot;Indefinite: Doing Time in Jail&quot; (Oxford UP, 2022)</title>
      <description><![CDATA[<p>Jails are the principal people-processing machines of the criminal justice system. Mostly they hold persons awaiting trial who cannot afford or have been denied bail. Although jail sentences max out at a year, some spend years awaiting trial in jail-especially in counties where courts are jammed with cases. City and county jails, detention centers, police lockups, and other temporary holding facilities are regularly overcrowded, poorly funded, and the buildings are often in disrepair. American jails admit over ten million people every year, but very little is known about what happens to them while they're locked away.</p><p><a href="https://bookshop.org/a/12343/9780190072865"><em>Indefinite: Doing Time in Jail</em></a><em> </em>(Oxford UP, 2022) is an ethnographic study of a California county jail that reflects on what it means to do jail time and what it does to men. Michael L. Walker spent several extended spells in jail, having been arrested while trying to pay parking tickets in graduate school. This book is an intimate account of his experience and in it he shares the routines, rhythms, and subtle meanings that come with being incarcerated. Walker shows how punishment in jail is much more than the deprivation of liberties. It is, he argues, purposefully degrading. Jail creates a racial politics that organizes daily life, moves men from clock time to event time, normalizes trauma, and imbues residents with substantial measures of vulnerability. Deputies used self-centered management styles to address the problems associated with running a jail, some that magnified individual conflicts to potential group conflicts and others that created divisions between residents for the sake of control. And though not every deputy indulged, many gave themselves over to the pleasures of punishment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 15 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Jails are the principal people-processing machines of the criminal justice system. Mostly they hold persons awaiting trial who cannot afford or have been denied bail. Although jail sentences max out at a year, some spend years awaiting trial in jail-especially in counties where courts are jammed with cases. City and county jails, detention centers, police lockups, and other temporary holding facilities are regularly overcrowded, poorly funded, and the buildings are often in disrepair. American jails admit over ten million people every year, but very little is known about what happens to them while they're locked away.</p><p><a href="https://bookshop.org/a/12343/9780190072865"><em>Indefinite: Doing Time in Jail</em></a><em> </em>(Oxford UP, 2022) is an ethnographic study of a California county jail that reflects on what it means to do jail time and what it does to men. Michael L. Walker spent several extended spells in jail, having been arrested while trying to pay parking tickets in graduate school. This book is an intimate account of his experience and in it he shares the routines, rhythms, and subtle meanings that come with being incarcerated. Walker shows how punishment in jail is much more than the deprivation of liberties. It is, he argues, purposefully degrading. Jail creates a racial politics that organizes daily life, moves men from clock time to event time, normalizes trauma, and imbues residents with substantial measures of vulnerability. Deputies used self-centered management styles to address the problems associated with running a jail, some that magnified individual conflicts to potential group conflicts and others that created divisions between residents for the sake of control. And though not every deputy indulged, many gave themselves over to the pleasures of punishment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34034409" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/12e7b220-1297-4f02-95bd-33e700d41ef9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=12e7b220-1297-4f02-95bd-33e700d41ef9&amp;feed=KodC6fj_"/>
      <itunes:title>Michael L. Walker, &quot;Indefinite: Doing Time in Jail&quot; (Oxford UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:24</itunes:duration>
      <itunes:summary>Jails are the principal people-processing machines of the criminal justice system. Mostly they hold persons awaiting trial who cannot afford or have been denied bail. Although jail sentences max out at a year, some spend years awaiting trial in jail-especially in counties where courts are jammed with cases. City and county jails, detention centers, police lockups, and other temporary holding facilities are regularly overcrowded, poorly funded, and the buildings are often in disrepair. American jails admit over ten million people every year, but very little is known about what happens to them while they&apos;re locked away.
Indefinite: Doing Time in Jail (Oxford UP, 2022) is an ethnographic study of a California county jail that reflects on what it means to do jail time and what it does to men. Michael L. Walker spent several extended spells in jail, having been arrested while trying to pay parking tickets in graduate school. This book is an intimate account of his experience and in it he shares the routines, rhythms, and subtle meanings that come with being incarcerated. Walker shows how punishment in jail is much more than the deprivation of liberties. It is, he argues, purposefully degrading. Jail creates a racial politics that organizes daily life, moves men from clock time to event time, normalizes trauma, and imbues residents with substantial measures of vulnerability. Deputies used self-centered management styles to address the problems associated with running a jail, some that magnified individual conflicts to potential group conflicts and others that created divisions between residents for the sake of control. And though not every deputy indulged, many gave themselves over to the pleasures of punishment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Jails are the principal people-processing machines of the criminal justice system. Mostly they hold persons awaiting trial who cannot afford or have been denied bail. Although jail sentences max out at a year, some spend years awaiting trial in jail-especially in counties where courts are jammed with cases. City and county jails, detention centers, police lockups, and other temporary holding facilities are regularly overcrowded, poorly funded, and the buildings are often in disrepair. American jails admit over ten million people every year, but very little is known about what happens to them while they&apos;re locked away.
Indefinite: Doing Time in Jail (Oxford UP, 2022) is an ethnographic study of a California county jail that reflects on what it means to do jail time and what it does to men. Michael L. Walker spent several extended spells in jail, having been arrested while trying to pay parking tickets in graduate school. This book is an intimate account of his experience and in it he shares the routines, rhythms, and subtle meanings that come with being incarcerated. Walker shows how punishment in jail is much more than the deprivation of liberties. It is, he argues, purposefully degrading. Jail creates a racial politics that organizes daily life, moves men from clock time to event time, normalizes trauma, and imbues residents with substantial measures of vulnerability. Deputies used self-centered management styles to address the problems associated with running a jail, some that magnified individual conflicts to potential group conflicts and others that created divisions between residents for the sake of control. And though not every deputy indulged, many gave themselves over to the pleasures of punishment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f3a9008a-7143-11ef-86ce-939fef54abd4</guid>
      <title>Grant Olwage, &quot;Paul Robeson&apos;s Voices&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780197637487"><em>Paul Robeson's Voices</em> </a>(Oxford UP, 2023)<em> </em>is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being?</p><p>Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. <em>Paul Robeson's Voices</em> charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.”</p><p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p><p>nathan.smith@yale.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 13 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780197637487"><em>Paul Robeson's Voices</em> </a>(Oxford UP, 2023)<em> </em>is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being?</p><p>Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. <em>Paul Robeson's Voices</em> charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.”</p><p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p><p>nathan.smith@yale.edu</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="92059373" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d8dd2f6e-3f33-4a30-b228-e6bc508354e7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d8dd2f6e-3f33-4a30-b228-e6bc508354e7&amp;feed=KodC6fj_"/>
      <itunes:title>Grant Olwage, &quot;Paul Robeson&apos;s Voices&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:35:53</itunes:duration>
      <itunes:summary>Paul Robeson&apos;s Voices (Oxford UP, 2023) is a meditation on Robeson&apos;s singing, a study of the artist&apos;s life in song. Music historian Grant Olwage examines Robeson&apos;s voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being?
Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson&apos;s sense of self and his politics. Paul Robeson&apos;s Voices charts the dialectal process of Robeson&apos;s vocal and self-discovery, documenting some of the ways Robeson&apos;s practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.”
Nathan Smith is a PhD candidate in Music Theory at Yale University
nathan.smith@yale.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Paul Robeson&apos;s Voices (Oxford UP, 2023) is a meditation on Robeson&apos;s singing, a study of the artist&apos;s life in song. Music historian Grant Olwage examines Robeson&apos;s voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being?
Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson&apos;s sense of self and his politics. Paul Robeson&apos;s Voices charts the dialectal process of Robeson&apos;s vocal and self-discovery, documenting some of the ways Robeson&apos;s practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.”
Nathan Smith is a PhD candidate in Music Theory at Yale University
nathan.smith@yale.edu

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>252</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">786de28e-6c8c-11ef-9e07-2bfa23d1727d</guid>
      <title>The Epic Story of America&apos;s Great Migration: A Talk by Isabel Wilkerson</title>
      <description><![CDATA[<p>In 2010, Isabel Wilkerson spoke to the Institute about the fifteen years she spent reporting and writing her book, <a href="https://bookshop.org/a/12343/9780679763888"><em>The Warmth of Other Suns: The Epic Story of America's Great Migration </em></a>(Knopf, 2010). The book won the 2010 National Book Critics Circle Award for Nonfiction,</p><p>In 1994, Wilkerson was the <em>New York Times</em> Chicago Bureau Chief when she won the Pulitzer Prize for her profile of a fourth-grader from Chicago's South Side, and for two stories on the Midwestern floods of 1993. She was the first woman of African-American heritage to win the Pulitzer Prize in journalism.</p><p>Her 2020 book <em>Caste: The Origins of Our Discontents</em> argues that racial stratification in the United States is best understood as a caste system, akin to those in India and in Nazi Germany</p><p>She has taught at Princeton, Emory and Boston universities.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 7 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 2010, Isabel Wilkerson spoke to the Institute about the fifteen years she spent reporting and writing her book, <a href="https://bookshop.org/a/12343/9780679763888"><em>The Warmth of Other Suns: The Epic Story of America's Great Migration </em></a>(Knopf, 2010). The book won the 2010 National Book Critics Circle Award for Nonfiction,</p><p>In 1994, Wilkerson was the <em>New York Times</em> Chicago Bureau Chief when she won the Pulitzer Prize for her profile of a fourth-grader from Chicago's South Side, and for two stories on the Midwestern floods of 1993. She was the first woman of African-American heritage to win the Pulitzer Prize in journalism.</p><p>Her 2020 book <em>Caste: The Origins of Our Discontents</em> argues that racial stratification in the United States is best understood as a caste system, akin to those in India and in Nazi Germany</p><p>She has taught at Princeton, Emory and Boston universities.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60392068" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/524ff687-fdd8-431f-a28e-0a73d5485582/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=524ff687-fdd8-431f-a28e-0a73d5485582&amp;feed=KodC6fj_"/>
      <itunes:title>The Epic Story of America&apos;s Great Migration: A Talk by Isabel Wilkerson</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:54</itunes:duration>
      <itunes:summary>In 2010, Isabel Wilkerson spoke to the Institute about the fifteen years she spent reporting and writing her book, The Warmth of Other Suns: The Epic Story of America&apos;s Great Migration (Knopf, 2010). The book won the 2010 National Book Critics Circle Award for Nonfiction,
In 1994, Wilkerson was the New York Times Chicago Bureau Chief when she won the Pulitzer Prize for her profile of a fourth-grader from Chicago&apos;s South Side, and for two stories on the Midwestern floods of 1993. She was the first woman of African-American heritage to win the Pulitzer Prize in journalism.
Her 2020 book Caste: The Origins of Our Discontents argues that racial stratification in the United States is best understood as a caste system, akin to those in India and in Nazi Germany
She has taught at Princeton, Emory and Boston universities.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 2010, Isabel Wilkerson spoke to the Institute about the fifteen years she spent reporting and writing her book, The Warmth of Other Suns: The Epic Story of America&apos;s Great Migration (Knopf, 2010). The book won the 2010 National Book Critics Circle Award for Nonfiction,
In 1994, Wilkerson was the New York Times Chicago Bureau Chief when she won the Pulitzer Prize for her profile of a fourth-grader from Chicago&apos;s South Side, and for two stories on the Midwestern floods of 1993. She was the first woman of African-American heritage to win the Pulitzer Prize in journalism.
Her 2020 book Caste: The Origins of Our Discontents argues that racial stratification in the United States is best understood as a caste system, akin to those in India and in Nazi Germany
She has taught at Princeton, Emory and Boston universities.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">23879d26-6c89-11ef-9853-97d88baef56c</guid>
      <title>Sara E. Johnson, &quot;Encyclopédie Noire: The Making of Moreau de Saint-Méry&apos;s Intellectual World&quot; (Omohundro Institute and UNC Press, 2023)</title>
      <description><![CDATA[<p>If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were predicated upon the work of enslaved people and free people of color. Their labor afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. Every beautiful book Moreau produced contains an embedded story of hidden violence.</p><p>In <a href="https://bookshop.org/a/12343/9781469676913"><em>Encyclopédie Noire: The Making of Moreau de Saint-Méry's Intellectual World</em></a> (Omohundro Institute and UNC Press, 2023), Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, <em>Encyclopédie noire</em> is a communal biography of the women and men who made Moreau’s world.</p><p>Sara E. Johnson is professor of literature of the Americas at University of California, San Diego.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 7 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were predicated upon the work of enslaved people and free people of color. Their labor afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. Every beautiful book Moreau produced contains an embedded story of hidden violence.</p><p>In <a href="https://bookshop.org/a/12343/9781469676913"><em>Encyclopédie Noire: The Making of Moreau de Saint-Méry's Intellectual World</em></a> (Omohundro Institute and UNC Press, 2023), Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, <em>Encyclopédie noire</em> is a communal biography of the women and men who made Moreau’s world.</p><p>Sara E. Johnson is professor of literature of the Americas at University of California, San Diego.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36770080" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c9fe2fff-9a28-49ea-b90b-af90a53d0350/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c9fe2fff-9a28-49ea-b90b-af90a53d0350&amp;feed=KodC6fj_"/>
      <itunes:title>Sara E. Johnson, &quot;Encyclopédie Noire: The Making of Moreau de Saint-Méry&apos;s Intellectual World&quot; (Omohundro Institute and UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:17</itunes:duration>
      <itunes:summary>If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau&apos;s achievements were predicated upon the work of enslaved people and free people of color. Their labor afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. Every beautiful book Moreau produced contains an embedded story of hidden violence.
In Encyclopédie Noire: The Making of Moreau de Saint-Méry&apos;s Intellectual World (Omohundro Institute and UNC Press, 2023), Sara Johnson&apos;s arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau’s world.
Sara E. Johnson is professor of literature of the Americas at University of California, San Diego.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau&apos;s achievements were predicated upon the work of enslaved people and free people of color. Their labor afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. Every beautiful book Moreau produced contains an embedded story of hidden violence.
In Encyclopédie Noire: The Making of Moreau de Saint-Méry&apos;s Intellectual World (Omohundro Institute and UNC Press, 2023), Sara Johnson&apos;s arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau’s world.
Sara E. Johnson is professor of literature of the Americas at University of California, San Diego.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">91f025a4-6bc0-11ef-ba77-2fe08929acd0</guid>
      <title>Magdalena J. Zaborowska, &quot;Me and My House: James Baldwin&apos;s Last Decade in France&quot; (Duke UP, 2018)</title>
      <description><![CDATA[<p>The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In <a href="https://bookshop.org/a/12343/9780822369837"><em>Me and My House: James Baldwin's Last Decade in France</em></a><em> </em>(Duke UP, 2018), Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in <em>The Welcome Table</em>, <em>Just above My Head</em>, and <em>If Beale Street Could Talk</em> directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, <em>Me and My House</em> offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.</p><p>Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan</p><p><br /></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 6 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In <a href="https://bookshop.org/a/12343/9780822369837"><em>Me and My House: James Baldwin's Last Decade in France</em></a><em> </em>(Duke UP, 2018), Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in <em>The Welcome Table</em>, <em>Just above My Head</em>, and <em>If Beale Street Could Talk</em> directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, <em>Me and My House</em> offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.</p><p>Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan</p><p><br /></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57294286" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/20a4d7f5-9756-4470-8c8e-c1253fdf37c9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=20a4d7f5-9756-4470-8c8e-c1253fdf37c9&amp;feed=KodC6fj_"/>
      <itunes:title>Magdalena J. Zaborowska, &quot;Me and My House: James Baldwin&apos;s Last Decade in France&quot; (Duke UP, 2018)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:40</itunes:duration>
      <itunes:summary>The last sixteen years of James Baldwin&apos;s life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House: James Baldwin&apos;s Last Decade in France (Duke UP, 2018), Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin&apos;s influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin&apos;s friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin&apos;s life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.
Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The last sixteen years of James Baldwin&apos;s life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House: James Baldwin&apos;s Last Decade in France (Duke UP, 2018), Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin&apos;s influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin&apos;s friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin&apos;s life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.
Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>475</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">57d59d1e-6967-11ef-af97-8b985156b93d</guid>
      <title>Andy Clarno et al., &quot;Imperial Policing: Weaponized Data in Carceral Chicago&quot; (U Minnesota Press, 2024)</title>
      <description><![CDATA[<p>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice.<a href="https://bookshop.org/a/12343/9781517917715"> <em>Imperial Policing: Weaponized Data in Carceral Chicago</em></a><em> </em>(University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.</p><p>Collaboratively authored by the Policing in Chicago Research Group (PCRG), <em>Imperial Policing</em> was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. <em>Imperial Policing </em>analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.</p><p>Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.</p><p>Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.</p><p>Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.</p><p>Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 3 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice.<a href="https://bookshop.org/a/12343/9781517917715"> <em>Imperial Policing: Weaponized Data in Carceral Chicago</em></a><em> </em>(University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.</p><p>Collaboratively authored by the Policing in Chicago Research Group (PCRG), <em>Imperial Policing</em> was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. <em>Imperial Policing </em>analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.</p><p>Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.</p><p>Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.</p><p>Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.</p><p>Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69977691" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/93c7465e-ce8e-448e-bd2b-f71a88b3af16/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=93c7465e-ce8e-448e-bd2b-f71a88b3af16&amp;feed=KodC6fj_"/>
      <itunes:title>Andy Clarno et al., &quot;Imperial Policing: Weaponized Data in Carceral Chicago&quot; (U Minnesota Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:53</itunes:duration>
      <itunes:summary>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice. Imperial Policing: Weaponized Data in Carceral Chicago (University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.
Collaboratively authored by the Policing in Chicago Research Group (PCRG), Imperial Policing was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. Imperial Policing analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.
Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.
Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.
Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.
Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice. Imperial Policing: Weaponized Data in Carceral Chicago (University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.
Collaboratively authored by the Policing in Chicago Research Group (PCRG), Imperial Policing was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. Imperial Policing analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.
Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.
Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.
Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.
Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">49f1eae0-6962-11ef-8dfe-ffa2ed5e38bf</guid>
      <title>How Mechanisms of Psychoanalytic Defense Perpetuate Racism in America</title>
      <description><![CDATA[<p>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, <a href="https://web.sas.upenn.edu/psycheoncampus/2022/01/06/making-black-psychoanalysts-speak/">“Black Psychoanalysts Speak</a>,” which was an excellent film created by <a href="https://web.sas.upenn.edu/psycheoncampus/2022/01/06/making-black-psychoanalysts-speak/">Basia Winograd.</a> <a href="https://www.researchgate.net/publication/330272141_Race_African_Americans_and_Psychoanalysis_Collective_Silence_in_the_Therapeutic_Situation">Dr. Powell’s JAPA article</a> written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about <a href="https://www.betterhelp.com/advice/defense-mechanisms/an-overview-of-freuds-defense-mechanisms-and-how-they-may-show-up-in-everyday-life/">psychoanalytic mechanisms of defense.</a></p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 3 Sep 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, <a href="https://web.sas.upenn.edu/psycheoncampus/2022/01/06/making-black-psychoanalysts-speak/">“Black Psychoanalysts Speak</a>,” which was an excellent film created by <a href="https://web.sas.upenn.edu/psycheoncampus/2022/01/06/making-black-psychoanalysts-speak/">Basia Winograd.</a> <a href="https://www.researchgate.net/publication/330272141_Race_African_Americans_and_Psychoanalysis_Collective_Silence_in_the_Therapeutic_Situation">Dr. Powell’s JAPA article</a> written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about <a href="https://www.betterhelp.com/advice/defense-mechanisms/an-overview-of-freuds-defense-mechanisms-and-how-they-may-show-up-in-everyday-life/">psychoanalytic mechanisms of defense.</a></p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37863082" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/aed4c871-ae8d-4930-affc-124a93164468/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=aed4c871-ae8d-4930-affc-124a93164468&amp;feed=KodC6fj_"/>
      <itunes:title>How Mechanisms of Psychoanalytic Defense Perpetuate Racism in America</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:26</itunes:duration>
      <itunes:summary>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, “Black Psychoanalysts Speak,” which was an excellent film created by Basia Winograd. Dr. Powell’s JAPA article written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about psychoanalytic mechanisms of defense.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, “Black Psychoanalysts Speak,” which was an excellent film created by Basia Winograd. Dr. Powell’s JAPA article written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about psychoanalytic mechanisms of defense.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7bc5f848-670c-11ef-bb9f-2b345c4dff1f</guid>
      <title>Tadashi Dozono, &quot;Discipline Problems: How Students of Color Trouble Whiteness in Schools&quot; (U Pennsylvania Press, 2024)</title>
      <description><![CDATA[<p>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” </p><p>Angel, like every student interviewed in <a href="https://bookshop.org/a/12343/9781512825251"><em>Discipline Problems: How Students of Color Trouble Whiteness in Schools</em></a> (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. </p><p>Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 31 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” </p><p>Angel, like every student interviewed in <a href="https://bookshop.org/a/12343/9781512825251"><em>Discipline Problems: How Students of Color Trouble Whiteness in Schools</em></a> (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. </p><p>Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="27049973" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3650da8d-12bf-494f-892d-10cb5bd19d09/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3650da8d-12bf-494f-892d-10cb5bd19d09&amp;feed=KodC6fj_"/>
      <itunes:title>Tadashi Dozono, &quot;Discipline Problems: How Students of Color Trouble Whiteness in Schools&quot; (U Pennsylvania Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:28:10</itunes:duration>
      <itunes:summary>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” 
Angel, like every student interviewed in Discipline Problems: How Students of Color Trouble Whiteness in Schools (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. 
Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” 
Angel, like every student interviewed in Discipline Problems: How Students of Color Trouble Whiteness in Schools (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. 
Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>239</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">de3e9878-527a-11ef-a953-3b35a6cf58f0</guid>
      <title>Robin Bernstein, &quot;Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>In the early nineteenth century, as slavery gradually ended in the North, a village in New York State invented a new form of unfreedom: the profit-driven prison. Uniting incarceration and capitalism, the village of Auburn built a prison that enclosed industrial factories. There, "slaves of the state" were leased to private companies. The prisoners earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system.</p><p>In <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a><em> </em>(U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn's prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back--with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman's unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery "except as a punishment for crime"--and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.</p><p>Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 23 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the early nineteenth century, as slavery gradually ended in the North, a village in New York State invented a new form of unfreedom: the profit-driven prison. Uniting incarceration and capitalism, the village of Auburn built a prison that enclosed industrial factories. There, "slaves of the state" were leased to private companies. The prisoners earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system.</p><p>In <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a><em> </em>(U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn's prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back--with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman's unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery "except as a punishment for crime"--and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.</p><p>Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67451967" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c9718b71-d11a-4f0a-a301-db7f3d56f972/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c9718b71-d11a-4f0a-a301-db7f3d56f972&amp;feed=KodC6fj_"/>
      <itunes:title>Robin Bernstein, &quot;Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:15</itunes:duration>
      <itunes:summary>In the early nineteenth century, as slavery gradually ended in the North, a village in New York State invented a new form of unfreedom: the profit-driven prison. Uniting incarceration and capitalism, the village of Auburn built a prison that enclosed industrial factories. There, &quot;slaves of the state&quot; were leased to private companies. The prisoners earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system.
In Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn&apos;s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back--with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman&apos;s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery &quot;except as a punishment for crime&quot;--and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.
Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the early nineteenth century, as slavery gradually ended in the North, a village in New York State invented a new form of unfreedom: the profit-driven prison. Uniting incarceration and capitalism, the village of Auburn built a prison that enclosed industrial factories. There, &quot;slaves of the state&quot; were leased to private companies. The prisoners earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system.
In Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn&apos;s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back--with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman&apos;s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery &quot;except as a punishment for crime&quot;--and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.
Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1466</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">30dfca46-5fd4-11ef-9190-8b4c963dbea0</guid>
      <title>Edward Pearson, &quot;The Enslaved and Their Enslavers: Power, Resistance, and Culture in South Carolina, 1670-1825&quot; (U Pennsylvania Press, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781512824384"><em>The Enslaved and Their Enslavers: Power, Resistance, and Culture in South Carolina, 1670-1825</em></a><em> </em>(U Pennsylvania Press, 2023), Edward Pearson offers a sweeping history of slavery in South Carolina, from British settlement in 1670 to the dawn of the Civil War. For enslaved peoples, the shape of their daily lives depended primarily on the particular environment in which they lived and worked, and Pearson examines three distinctive settings in the province: the extensive rice and indigo plantations of the coastal plain; the streets, workshops, and wharves of Charleston; and the farms and estates of the upcountry. In doing so, he provides a fine-grained analysis of how enslaved laborers interacted with their enslavers in the workplace and other locations where they encountered one another as plantation agriculture came to dominate the colony.</p><p><em>The Enslaved and Their Enslavers</em> sets this portrait of early South Carolina against broader political events, economic developments, and social trends that also shaped the development of slavery in the region. For example, the outbreak of the American Revolution and the subsequent war against the British in the 1770s and early 1780s as well as the French and Haitian revolutions all had a profound impact on the institution’s development, both in terms of what enslaved people drew from these events and how their enslavers responded to them.</p><p>Throughout South Carolina’s long history, enslaved people never accepted their enslavement passively and regularly demonstrated their fundamental opposition to the institution by engaging in acts of resistance, which ranged from vandalism to arson to escape, and, on rare occasions, organizing collectively against their oppression. Their attempts to subvert the institution in which they were held captive not only resulted in slaveowners tightening formal and informal mechanisms of control but also generated new forms of thinking about race and slavery among whites that eventually mutated into pro-slavery ideology and the myth of southern exceptionalism.</p><p>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at <a href="mailto:omariaverette@gmail.com">omariaverette@gmail.com</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 22 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781512824384"><em>The Enslaved and Their Enslavers: Power, Resistance, and Culture in South Carolina, 1670-1825</em></a><em> </em>(U Pennsylvania Press, 2023), Edward Pearson offers a sweeping history of slavery in South Carolina, from British settlement in 1670 to the dawn of the Civil War. For enslaved peoples, the shape of their daily lives depended primarily on the particular environment in which they lived and worked, and Pearson examines three distinctive settings in the province: the extensive rice and indigo plantations of the coastal plain; the streets, workshops, and wharves of Charleston; and the farms and estates of the upcountry. In doing so, he provides a fine-grained analysis of how enslaved laborers interacted with their enslavers in the workplace and other locations where they encountered one another as plantation agriculture came to dominate the colony.</p><p><em>The Enslaved and Their Enslavers</em> sets this portrait of early South Carolina against broader political events, economic developments, and social trends that also shaped the development of slavery in the region. For example, the outbreak of the American Revolution and the subsequent war against the British in the 1770s and early 1780s as well as the French and Haitian revolutions all had a profound impact on the institution’s development, both in terms of what enslaved people drew from these events and how their enslavers responded to them.</p><p>Throughout South Carolina’s long history, enslaved people never accepted their enslavement passively and regularly demonstrated their fundamental opposition to the institution by engaging in acts of resistance, which ranged from vandalism to arson to escape, and, on rare occasions, organizing collectively against their oppression. Their attempts to subvert the institution in which they were held captive not only resulted in slaveowners tightening formal and informal mechanisms of control but also generated new forms of thinking about race and slavery among whites that eventually mutated into pro-slavery ideology and the myth of southern exceptionalism.</p><p>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at <a href="mailto:omariaverette@gmail.com">omariaverette@gmail.com</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63191029" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1b4fdf62-5d2d-43e1-826d-220553dc0d12/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1b4fdf62-5d2d-43e1-826d-220553dc0d12&amp;feed=KodC6fj_"/>
      <itunes:title>Edward Pearson, &quot;The Enslaved and Their Enslavers: Power, Resistance, and Culture in South Carolina, 1670-1825&quot; (U Pennsylvania Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:49</itunes:duration>
      <itunes:summary>In The Enslaved and Their Enslavers: Power, Resistance, and Culture in South Carolina, 1670-1825 (U Pennsylvania Press, 2023), Edward Pearson offers a sweeping history of slavery in South Carolina, from British settlement in 1670 to the dawn of the Civil War. For enslaved peoples, the shape of their daily lives depended primarily on the particular environment in which they lived and worked, and Pearson examines three distinctive settings in the province: the extensive rice and indigo plantations of the coastal plain; the streets, workshops, and wharves of Charleston; and the farms and estates of the upcountry. In doing so, he provides a fine-grained analysis of how enslaved laborers interacted with their enslavers in the workplace and other locations where they encountered one another as plantation agriculture came to dominate the colony.
The Enslaved and Their Enslavers sets this portrait of early South Carolina against broader political events, economic developments, and social trends that also shaped the development of slavery in the region. For example, the outbreak of the American Revolution and the subsequent war against the British in the 1770s and early 1780s as well as the French and Haitian revolutions all had a profound impact on the institution’s development, both in terms of what enslaved people drew from these events and how their enslavers responded to them.
Throughout South Carolina’s long history, enslaved people never accepted their enslavement passively and regularly demonstrated their fundamental opposition to the institution by engaging in acts of resistance, which ranged from vandalism to arson to escape, and, on rare occasions, organizing collectively against their oppression. Their attempts to subvert the institution in which they were held captive not only resulted in slaveowners tightening formal and informal mechanisms of control but also generated new forms of thinking about race and slavery among whites that eventually mutated into pro-slavery ideology and the myth of southern exceptionalism.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Enslaved and Their Enslavers: Power, Resistance, and Culture in South Carolina, 1670-1825 (U Pennsylvania Press, 2023), Edward Pearson offers a sweeping history of slavery in South Carolina, from British settlement in 1670 to the dawn of the Civil War. For enslaved peoples, the shape of their daily lives depended primarily on the particular environment in which they lived and worked, and Pearson examines three distinctive settings in the province: the extensive rice and indigo plantations of the coastal plain; the streets, workshops, and wharves of Charleston; and the farms and estates of the upcountry. In doing so, he provides a fine-grained analysis of how enslaved laborers interacted with their enslavers in the workplace and other locations where they encountered one another as plantation agriculture came to dominate the colony.
The Enslaved and Their Enslavers sets this portrait of early South Carolina against broader political events, economic developments, and social trends that also shaped the development of slavery in the region. For example, the outbreak of the American Revolution and the subsequent war against the British in the 1770s and early 1780s as well as the French and Haitian revolutions all had a profound impact on the institution’s development, both in terms of what enslaved people drew from these events and how their enslavers responded to them.
Throughout South Carolina’s long history, enslaved people never accepted their enslavement passively and regularly demonstrated their fundamental opposition to the institution by engaging in acts of resistance, which ranged from vandalism to arson to escape, and, on rare occasions, organizing collectively against their oppression. Their attempts to subvert the institution in which they were held captive not only resulted in slaveowners tightening formal and informal mechanisms of control but also generated new forms of thinking about race and slavery among whites that eventually mutated into pro-slavery ideology and the myth of southern exceptionalism.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>474</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3f81b3de-51d3-11ef-a834-67ced42d79b1</guid>
      <title>Devonya N. Havis, &quot;Creating a Black Vernacular Philosophy&quot; (Lexington Books, 2022)</title>
      <description><![CDATA[<p>What can philosophy <em>do</em>? By taking up Black American cultural practices, Devonya N. Havis suggests that academic philosophy has been too narrow in its considerations of this question, supporting domination and oppression. </p><p>In <a href="https://rowman.com/ISBN/9781498530149/Creating-a-Black-Vernacular-Philosophy"><em>Creating a Black Vernacular Philosophy </em></a>(Lexington Books, 2022), Havis brings our focus to theoretically rich practices of African diasporic communities. Offering critical insight into how philosophy has been narrowed, Havis also offers a guide to interpreting the world otherwise, engaging stories, novels, the blues, jazz, work songs, naming and self-naming, and more. Havis does Black Vernacular Philosophy in conversation with other doers as she shows us the urgent need for such work.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 20 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What can philosophy <em>do</em>? By taking up Black American cultural practices, Devonya N. Havis suggests that academic philosophy has been too narrow in its considerations of this question, supporting domination and oppression. </p><p>In <a href="https://rowman.com/ISBN/9781498530149/Creating-a-Black-Vernacular-Philosophy"><em>Creating a Black Vernacular Philosophy </em></a>(Lexington Books, 2022), Havis brings our focus to theoretically rich practices of African diasporic communities. Offering critical insight into how philosophy has been narrowed, Havis also offers a guide to interpreting the world otherwise, engaging stories, novels, the blues, jazz, work songs, naming and self-naming, and more. Havis does Black Vernacular Philosophy in conversation with other doers as she shows us the urgent need for such work.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44353279" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/889f8017-993a-4e43-bbe0-e6ace5dfac43/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=889f8017-993a-4e43-bbe0-e6ace5dfac43&amp;feed=KodC6fj_"/>
      <itunes:title>Devonya N. Havis, &quot;Creating a Black Vernacular Philosophy&quot; (Lexington Books, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:11</itunes:duration>
      <itunes:summary>What can philosophy do? By taking up Black American cultural practices, Devonya N. Havis suggests that academic philosophy has been too narrow in its considerations of this question, supporting domination and oppression. 
In Creating a Black Vernacular Philosophy (Lexington Books, 2022), Havis brings our focus to theoretically rich practices of African diasporic communities. Offering critical insight into how philosophy has been narrowed, Havis also offers a guide to interpreting the world otherwise, engaging stories, novels, the blues, jazz, work songs, naming and self-naming, and more. Havis does Black Vernacular Philosophy in conversation with other doers as she shows us the urgent need for such work.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What can philosophy do? By taking up Black American cultural practices, Devonya N. Havis suggests that academic philosophy has been too narrow in its considerations of this question, supporting domination and oppression. 
In Creating a Black Vernacular Philosophy (Lexington Books, 2022), Havis brings our focus to theoretically rich practices of African diasporic communities. Offering critical insight into how philosophy has been narrowed, Havis also offers a guide to interpreting the world otherwise, engaging stories, novels, the blues, jazz, work songs, naming and self-naming, and more. Havis does Black Vernacular Philosophy in conversation with other doers as she shows us the urgent need for such work.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>351</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e6d9f5d6-5b30-11ef-9a88-776269af69e6</guid>
      <title>Alyssa Goldstein Sepinwall, &quot;Haitian History: New Perspectives&quot; (Routledge, 2012)</title>
      <description><![CDATA[<p>Despite Haiti's proximity to the United States, and its considerable importance to our own history, Haiti barely registered in the historic consciousness of most Americans until recently. Those who struggled to understand Haiti's suffering in the earthquake of 2010 often spoke of it as the poorest country in the Western hemisphere, but could not explain how it came to be so.</p><p>In recent years, the amount of scholarship about the island has increased dramatically. Whereas once this scholarship was focused on Haiti's political or military leaders, now the historiography of Haiti features lively debates and different schools of thought. Even as this body of knowledge has developed, it has been hard for students to grasp its various strands. </p><p><a href="https://bookshop.org/a/12343/9780415808682"><em>Haitian History: New Perspectives</em></a><em> </em>(Routledge, 2012) presents the best of the recent articles on Haitian history, by both Haitian and foreign scholars, moving from colonial Saint Domingue to the aftermath of the 2010 earthquake. It will be the go-to one-volume introduction to the field of Haitian history, helping to explain how the promise of the Haitian Revolution dissipated, and presenting the major debates and questions in the field today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 17 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Despite Haiti's proximity to the United States, and its considerable importance to our own history, Haiti barely registered in the historic consciousness of most Americans until recently. Those who struggled to understand Haiti's suffering in the earthquake of 2010 often spoke of it as the poorest country in the Western hemisphere, but could not explain how it came to be so.</p><p>In recent years, the amount of scholarship about the island has increased dramatically. Whereas once this scholarship was focused on Haiti's political or military leaders, now the historiography of Haiti features lively debates and different schools of thought. Even as this body of knowledge has developed, it has been hard for students to grasp its various strands. </p><p><a href="https://bookshop.org/a/12343/9780415808682"><em>Haitian History: New Perspectives</em></a><em> </em>(Routledge, 2012) presents the best of the recent articles on Haitian history, by both Haitian and foreign scholars, moving from colonial Saint Domingue to the aftermath of the 2010 earthquake. It will be the go-to one-volume introduction to the field of Haitian history, helping to explain how the promise of the Haitian Revolution dissipated, and presenting the major debates and questions in the field today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44837313" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e974e79d-f941-48f6-8e8b-b78cf096ee85/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e974e79d-f941-48f6-8e8b-b78cf096ee85&amp;feed=KodC6fj_"/>
      <itunes:title>Alyssa Goldstein Sepinwall, &quot;Haitian History: New Perspectives&quot; (Routledge, 2012)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:42</itunes:duration>
      <itunes:summary>Despite Haiti&apos;s proximity to the United States, and its considerable importance to our own history, Haiti barely registered in the historic consciousness of most Americans until recently. Those who struggled to understand Haiti&apos;s suffering in the earthquake of 2010 often spoke of it as the poorest country in the Western hemisphere, but could not explain how it came to be so.
In recent years, the amount of scholarship about the island has increased dramatically. Whereas once this scholarship was focused on Haiti&apos;s political or military leaders, now the historiography of Haiti features lively debates and different schools of thought. Even as this body of knowledge has developed, it has been hard for students to grasp its various strands. 
Haitian History: New Perspectives (Routledge, 2012) presents the best of the recent articles on Haitian history, by both Haitian and foreign scholars, moving from colonial Saint Domingue to the aftermath of the 2010 earthquake. It will be the go-to one-volume introduction to the field of Haitian history, helping to explain how the promise of the Haitian Revolution dissipated, and presenting the major debates and questions in the field today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Despite Haiti&apos;s proximity to the United States, and its considerable importance to our own history, Haiti barely registered in the historic consciousness of most Americans until recently. Those who struggled to understand Haiti&apos;s suffering in the earthquake of 2010 often spoke of it as the poorest country in the Western hemisphere, but could not explain how it came to be so.
In recent years, the amount of scholarship about the island has increased dramatically. Whereas once this scholarship was focused on Haiti&apos;s political or military leaders, now the historiography of Haiti features lively debates and different schools of thought. Even as this body of knowledge has developed, it has been hard for students to grasp its various strands. 
Haitian History: New Perspectives (Routledge, 2012) presents the best of the recent articles on Haitian history, by both Haitian and foreign scholars, moving from colonial Saint Domingue to the aftermath of the 2010 earthquake. It will be the go-to one-volume introduction to the field of Haitian history, helping to explain how the promise of the Haitian Revolution dissipated, and presenting the major debates and questions in the field today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1468</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">990053ae-5a55-11ef-8789-6718be230ead</guid>
      <title>Policing and White Power with Daniel Kryder and David Cunningham (JP, EF)</title>
      <description><![CDATA[<p>This June 2020 episode, originally part of a <a href="https://recallthisbook.org/episodes/global-policing/">Global Policing</a> series, was Recall this Book's first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by <a href="https://scholarworks.brandeis.edu/esploro/profile/daniel_kryder/overview?emplid=488b867310b49ff8036f0bd1f9d55e8522c1c62f">Daniel Kryder</a> and <a href="https://sociology.wustl.edu/people/david-cunningham">David Cunningham</a>, two scholars who have worked on these questions for decades.</p><p>Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (<a href="https://wwnorton.com/books/The-Color-of-Law/"><em>The Color of Law</em></a>), education (<a href="https://www.amazon.com/Black-Kids-Sitting-Together-Cafeteria/dp/0465083617"><em>Why Are All the Black Kids Sitting Together</em></a><em>, </em><a href="https://en.wikipedia.org/wiki/Savage_Inequalities"><em>Savage Inequalities</em></a>) and the carceral state (<a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674238145"><em>The Condemnation of Blackness</em></a>, <a href="https://newjimcrow.com/"><em>The New Jim Crow,</em></a> <a href="https://www.jamesformanjr.com/"><em>Locking Up Our Own</em></a>).</p><p>Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the <a href="https://www.washingtonpost.com/graphics/investigations/police-shootings-database/">stubbornly astronomically number of fatal shootings</a> by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.</p><p>The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.</p><p><strong>Mentioned in this episode:</strong></p><ul>
<li>
<a href="https://www.amazon.com/Klansville-U-S-Civil-Rights-Era/dp/0199752028">Klansville, USA</a> (cf. the <a href="https://www.pbs.org/wgbh/americanexperience/films/klansville/">PBS show of the same name </a>that drew heavily on the book; and<a href="https://www.pbs.org/wgbh/americanexperience/features/klansville-faq/"> an interview David did</a> on the topic of today’s Klan)</li>
<li>
<a href="https://en.wikipedia.org/wiki/Kerner_Commission">Kerner Commission Report</a> (1968)</li>
<li>
<a href="https://esopstl.org/">Ethical Society of Police</a> (cf. this compelling <a href="https://www.youtube.com/watch?v=xxSb-cY_VUE&amp;list=WL&amp;index=3&amp;t=0s">local post-Ferguson PBS documentary</a> that speaks with St. Louis African-American police officers)</li>
</ul><p><strong>Recallable Books</strong></p><ul>
<li>Walter Johnson, “<a href="https://www.basicbooks.com/titles/walter-johnson/the-broken-heart-of-america/9780465064267/">The Broken Heart of America</a>” (2020)</li>
<li>James Baldwin, “<a href="https://en.wikipedia.org/wiki/The_Fire_Next_Time">The Fire Next Time</a>” (1963)</li>
<li>Ta-Nehisi Coates, “<a href="https://en.wikipedia.org/wiki/Between_the_World_and_Me">Between the World and Me</a>” (2015)</li>
</ul><p><br /></p><p>Listen and <a href="https://recallthisbook.org/wp-content/uploads/2020/06/rtb-38-cunningham-kruder-transcrip.pdf">Read</a> Here:</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 15 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This June 2020 episode, originally part of a <a href="https://recallthisbook.org/episodes/global-policing/">Global Policing</a> series, was Recall this Book's first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by <a href="https://scholarworks.brandeis.edu/esploro/profile/daniel_kryder/overview?emplid=488b867310b49ff8036f0bd1f9d55e8522c1c62f">Daniel Kryder</a> and <a href="https://sociology.wustl.edu/people/david-cunningham">David Cunningham</a>, two scholars who have worked on these questions for decades.</p><p>Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (<a href="https://wwnorton.com/books/The-Color-of-Law/"><em>The Color of Law</em></a>), education (<a href="https://www.amazon.com/Black-Kids-Sitting-Together-Cafeteria/dp/0465083617"><em>Why Are All the Black Kids Sitting Together</em></a><em>, </em><a href="https://en.wikipedia.org/wiki/Savage_Inequalities"><em>Savage Inequalities</em></a>) and the carceral state (<a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674238145"><em>The Condemnation of Blackness</em></a>, <a href="https://newjimcrow.com/"><em>The New Jim Crow,</em></a> <a href="https://www.jamesformanjr.com/"><em>Locking Up Our Own</em></a>).</p><p>Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the <a href="https://www.washingtonpost.com/graphics/investigations/police-shootings-database/">stubbornly astronomically number of fatal shootings</a> by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.</p><p>The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.</p><p><strong>Mentioned in this episode:</strong></p><ul>
<li>
<a href="https://www.amazon.com/Klansville-U-S-Civil-Rights-Era/dp/0199752028">Klansville, USA</a> (cf. the <a href="https://www.pbs.org/wgbh/americanexperience/films/klansville/">PBS show of the same name </a>that drew heavily on the book; and<a href="https://www.pbs.org/wgbh/americanexperience/features/klansville-faq/"> an interview David did</a> on the topic of today’s Klan)</li>
<li>
<a href="https://en.wikipedia.org/wiki/Kerner_Commission">Kerner Commission Report</a> (1968)</li>
<li>
<a href="https://esopstl.org/">Ethical Society of Police</a> (cf. this compelling <a href="https://www.youtube.com/watch?v=xxSb-cY_VUE&amp;list=WL&amp;index=3&amp;t=0s">local post-Ferguson PBS documentary</a> that speaks with St. Louis African-American police officers)</li>
</ul><p><strong>Recallable Books</strong></p><ul>
<li>Walter Johnson, “<a href="https://www.basicbooks.com/titles/walter-johnson/the-broken-heart-of-america/9780465064267/">The Broken Heart of America</a>” (2020)</li>
<li>James Baldwin, “<a href="https://en.wikipedia.org/wiki/The_Fire_Next_Time">The Fire Next Time</a>” (1963)</li>
<li>Ta-Nehisi Coates, “<a href="https://en.wikipedia.org/wiki/Between_the_World_and_Me">Between the World and Me</a>” (2015)</li>
</ul><p><br /></p><p>Listen and <a href="https://recallthisbook.org/wp-content/uploads/2020/06/rtb-38-cunningham-kruder-transcrip.pdf">Read</a> Here:</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32485726" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a3b90af8-75ea-4e54-89b3-6c28e8476104/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a3b90af8-75ea-4e54-89b3-6c28e8476104&amp;feed=KodC6fj_"/>
      <itunes:title>Policing and White Power with Daniel Kryder and David Cunningham (JP, EF)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:50</itunes:duration>
      <itunes:summary>This June 2020 episode, originally part of a Global Policing series, was Recall this Book&apos;s first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by Daniel Kryder and David Cunningham, two scholars who have worked on these questions for decades.
Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (The Color of Law), education (Why Are All the Black Kids Sitting Together, Savage Inequalities) and the carceral state (The Condemnation of Blackness, The New Jim Crow, Locking Up Our Own).
Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the stubbornly astronomically number of fatal shootings by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.
The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.
Mentioned in this episode:


Klansville, USA (cf. the PBS show of the same name that drew heavily on the book; and an interview David did on the topic of today’s Klan)


Kerner Commission Report (1968)


Ethical Society of Police (cf. this compelling local post-Ferguson PBS documentary that speaks with St. Louis African-American police officers)

Recallable Books

Walter Johnson, “The Broken Heart of America” (2020)

James Baldwin, “The Fire Next Time” (1963)

Ta-Nehisi Coates, “Between the World and Me” (2015)


Listen and Read Here:

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This June 2020 episode, originally part of a Global Policing series, was Recall this Book&apos;s first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by Daniel Kryder and David Cunningham, two scholars who have worked on these questions for decades.
Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (The Color of Law), education (Why Are All the Black Kids Sitting Together, Savage Inequalities) and the carceral state (The Condemnation of Blackness, The New Jim Crow, Locking Up Our Own).
Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the stubbornly astronomically number of fatal shootings by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.
The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.
Mentioned in this episode:


Klansville, USA (cf. the PBS show of the same name that drew heavily on the book; and an interview David did on the topic of today’s Klan)


Kerner Commission Report (1968)


Ethical Society of Police (cf. this compelling local post-Ferguson PBS documentary that speaks with St. Louis African-American police officers)

Recallable Books

Walter Johnson, “The Broken Heart of America” (2020)

James Baldwin, “The Fire Next Time” (1963)

Ta-Nehisi Coates, “Between the World and Me” (2015)


Listen and Read Here:

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1df7f528-5266-11ef-a384-cf90fb131303</guid>
      <title>Crystal Wilkinson, &quot;Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks&quot; (Clarkson Potter, 2023)</title>
      <description><![CDATA[<p>Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, <a href="https://bookshop.org/a/12343/9780593236512"><em>Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks</em></a><em> </em>(Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.</p><p><em>Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 14 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, <a href="https://bookshop.org/a/12343/9780593236512"><em>Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks</em></a><em> </em>(Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.</p><p><em>Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51679425" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4380fe92-630e-4201-9439-1361ecc2c1dd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4380fe92-630e-4201-9439-1361ecc2c1dd&amp;feed=KodC6fj_"/>
      <itunes:title>Crystal Wilkinson, &quot;Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks&quot; (Clarkson Potter, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:49</itunes:duration>
      <itunes:summary>Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.
Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.
Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>473</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2ce687c2-5412-11ef-8110-8326c2dd8997</guid>
      <title>The Role of Psychoanalytic Mechanisms of Defense; What They Are and How They Work</title>
      <description><![CDATA[<p>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic <a href="https://positivepsychology.com/defense-mechanisms-in-psychology/">mechanism of defense</a> starting with <em>denial</em> which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, <em>Strategic Denial</em> and <em>Psychological Denial</em> as described in <a href="https://tapmagazine.org/all-articles/beyond-guilt-and-racism-denial">“The American Psychoanalyst”</a> (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “<a href="https://www.tandfonline.com/doi/full/10.1080/01419870.2023.2181668#abstract">Racism as Neglect and Denial</a>” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.</p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 7 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic <a href="https://positivepsychology.com/defense-mechanisms-in-psychology/">mechanism of defense</a> starting with <em>denial</em> which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, <em>Strategic Denial</em> and <em>Psychological Denial</em> as described in <a href="https://tapmagazine.org/all-articles/beyond-guilt-and-racism-denial">“The American Psychoanalyst”</a> (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “<a href="https://www.tandfonline.com/doi/full/10.1080/01419870.2023.2181668#abstract">Racism as Neglect and Denial</a>” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.</p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34418332" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8382d1fb-76aa-40df-bf44-29862b33e1b7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8382d1fb-76aa-40df-bf44-29862b33e1b7&amp;feed=KodC6fj_"/>
      <itunes:title>The Role of Psychoanalytic Mechanisms of Defense; What They Are and How They Work</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:50</itunes:duration>
      <itunes:summary>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic mechanism of defense starting with denial which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, Strategic Denial and Psychological Denial as described in “The American Psychoanalyst” (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “Racism as Neglect and Denial” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic mechanism of defense starting with denial which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, Strategic Denial and Psychological Denial as described in “The American Psychoanalyst” (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “Racism as Neglect and Denial” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c6a7e278-51cb-11ef-a454-abd7051d1aba</guid>
      <title>Anne Gray Fischer, &quot;The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification&quot; (UNC Press, 2022)</title>
      <description><![CDATA[<p>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.</p><p>Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In <a href="https://bookshop.org/a/12343/9781469665047"><em>The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification</em></a><em> </em>(UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.</p><p><br /></p><p>Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, <em>The Streets Belong to Us</em> illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 5 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.</p><p>Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In <a href="https://bookshop.org/a/12343/9781469665047"><em>The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification</em></a><em> </em>(UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.</p><p><br /></p><p>Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, <em>The Streets Belong to Us</em> illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70410221" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d36c9e3e-8a34-4cab-8c31-8df9f0667c09/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d36c9e3e-8a34-4cab-8c31-8df9f0667c09&amp;feed=KodC6fj_"/>
      <itunes:title>Anne Gray Fischer, &quot;The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification&quot; (UNC Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:20</itunes:duration>
      <itunes:summary>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.
Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women&apos;s sexuality and their right to move freely through city streets.

Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.
Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women&apos;s sexuality and their right to move freely through city streets.

Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c0f4b460-51bb-11ef-b83f-f7e7cf338cfc</guid>
      <title>Race, Gender, and the 2024 Presidential Election Cycle</title>
      <description><![CDATA[<p>Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.</p><p>I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, <a href="https://www.routledge.com/Framing-Sarah-Palin-Pit-Bulls-Puritans-and-Politics/Beail-Longworth/p/book/9780415893367"><em>Framing Sarah Palin: Pit Bulls, Puritans, and Politics</em></a>, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 5 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.</p><p>I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, <a href="https://www.routledge.com/Framing-Sarah-Palin-Pit-Bulls-Puritans-and-Politics/Beail-Longworth/p/book/9780415893367"><em>Framing Sarah Palin: Pit Bulls, Puritans, and Politics</em></a>, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44059979" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3049ce85-a599-4f12-9e6b-e122195f52f9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3049ce85-a599-4f12-9e6b-e122195f52f9&amp;feed=KodC6fj_"/>
      <itunes:title>Race, Gender, and the 2024 Presidential Election Cycle</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:53</itunes:duration>
      <itunes:summary>Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.
I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.
I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2421c802-51ad-11ef-9323-ef668c50b5bd</guid>
      <title>Nadirah Simmons, &quot;First Things First: Hip-Hop Ladies Who Changed the Game&quot; (Twelve, 2024)</title>
      <description><![CDATA[<p>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.</p><p><a href="https://bookshop.org/a/12343/9781538740743"><em>First Things First: Hip-Hop Ladies Who Changed the Game</em></a><em> </em>(Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. <em>First Things First</em> takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)</p><p>There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.</p><p>Altogether, <em>First Things First</em> is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 4 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.</p><p><a href="https://bookshop.org/a/12343/9781538740743"><em>First Things First: Hip-Hop Ladies Who Changed the Game</em></a><em> </em>(Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. <em>First Things First</em> takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)</p><p>There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.</p><p>Altogether, <em>First Things First</em> is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73912147" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0430a6d2-965c-4043-8270-8e1a14ff6632/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0430a6d2-965c-4043-8270-8e1a14ff6632&amp;feed=KodC6fj_"/>
      <itunes:title>Nadirah Simmons, &quot;First Things First: Hip-Hop Ladies Who Changed the Game&quot; (Twelve, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:59</itunes:duration>
      <itunes:summary>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.
First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)
There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.
Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.
First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)
There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.
Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>472</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7405f99e-510b-11ef-9b66-6302578b8759</guid>
      <title>Nik Ribianszky, &quot;Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865&quot; (U Georgia Press, 2021)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780820360126"><em>Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865</em></a> (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.</p><p>Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system.</p><p>Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.</p><p>For more, see the "Generations of Freedom" <a href="https://generationsoffreedom.com/index/">website</a>. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 3 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780820360126"><em>Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865</em></a> (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.</p><p>Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system.</p><p>Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.</p><p>For more, see the "Generations of Freedom" <a href="https://generationsoffreedom.com/index/">website</a>. </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="71843915" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b89e36c6-25a7-48c0-a256-9f64e8a9748e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b89e36c6-25a7-48c0-a256-9f64e8a9748e&amp;feed=KodC6fj_"/>
      <itunes:title>Nik Ribianszky, &quot;Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865&quot; (U Georgia Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:14:50</itunes:duration>
      <itunes:summary>In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.
Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America&apos;s system of chattel, racial slavery. Notwithstanding one&apos;s status at birth as legally free or unfree, though, each individual&apos;s continued freedom was based on compliance with a demanding and often unfair system.
Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.
For more, see the &quot;Generations of Freedom&quot; website. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.
Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America&apos;s system of chattel, racial slavery. Notwithstanding one&apos;s status at birth as legally free or unfree, though, each individual&apos;s continued freedom was based on compliance with a demanding and often unfair system.
Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.
For more, see the &quot;Generations of Freedom&quot; website. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>471</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">941ca0c2-503c-11ef-944c-73599b3d0bff</guid>
      <title>Tisha Brooks, &quot;Spirit Deep: Recovering the Sacred in Black Women’s Travel&quot; (U Virginia Press, 2023)</title>
      <description><![CDATA[<p>What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? </p><p>With <a href="https://bookshop.org/a/12343/9780813948935"><em>Spirit Deep: Recovering the Sacred in Black Women’s Travel </em></a>(U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, <em>Spirit Deep</em> uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. <em>Spirit Deep</em> thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 2 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? </p><p>With <a href="https://bookshop.org/a/12343/9780813948935"><em>Spirit Deep: Recovering the Sacred in Black Women’s Travel </em></a>(U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, <em>Spirit Deep</em> uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. <em>Spirit Deep</em> thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="34223187" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9bde6848-482c-438f-bf7b-077e42b4b601/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9bde6848-482c-438f-bf7b-077e42b4b601&amp;feed=KodC6fj_"/>
      <itunes:title>Tisha Brooks, &quot;Spirit Deep: Recovering the Sacred in Black Women’s Travel&quot; (U Virginia Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:38</itunes:duration>
      <itunes:summary>What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? 
With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and &quot;free&quot; passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? 
With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and &quot;free&quot; passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>470</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cd26a878-4f69-11ef-aab9-8b3de6a566f8</guid>
      <title>Jane-Marie Collins, &quot;Emancipatory Narratives &amp; Enslaved Motherhood: Bahia, Brazil, 1830-1888&quot; (Liverpool UP, 2023)</title>
      <description><![CDATA[<p>Jane-Marie Collins's book <a href="https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781800856929"><em>Emancipatory Narratives &amp; Enslaved Motherhood: Bahia, Brazil, 1830-1888</em></a><em> </em>(Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.</p><p>The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 1 Aug 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Jane-Marie Collins's book <a href="https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781800856929"><em>Emancipatory Narratives &amp; Enslaved Motherhood: Bahia, Brazil, 1830-1888</em></a><em> </em>(Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.</p><p>The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="74272921" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3f7d42ce-24d5-48b1-a595-9097df07224a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3f7d42ce-24d5-48b1-a595-9097df07224a&amp;feed=KodC6fj_"/>
      <itunes:title>Jane-Marie Collins, &quot;Emancipatory Narratives &amp; Enslaved Motherhood: Bahia, Brazil, 1830-1888&quot; (Liverpool UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:17:21</itunes:duration>
      <itunes:summary>Jane-Marie Collins&apos;s book Emancipatory Narratives &amp; Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.
The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Jane-Marie Collins&apos;s book Emancipatory Narratives &amp; Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.
The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>469</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ff2c30d2-4b8a-11ef-b91a-bffe7daef19e</guid>
      <title>Musa al-Gharbi, &quot;We Have Never Been Woke: The Cultural Contradictions of a New Elite&quot; (Princeton UP, 2024)</title>
      <description><![CDATA[<p>How a new "woke" elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.</p><p>Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In <a href="https://bookshop.org/a/12343/9780691232607"><em>We Have Never Been Woke: The Cultural Contradictions of a New Elite</em></a> (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.</p><p><em>We Have Never Been Woke</em> details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.</p><p>A powerful critique, <em>We Have Never Been Woke</em> reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 28 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How a new "woke" elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.</p><p>Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In <a href="https://bookshop.org/a/12343/9780691232607"><em>We Have Never Been Woke: The Cultural Contradictions of a New Elite</em></a> (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.</p><p><em>We Have Never Been Woke</em> details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.</p><p>A powerful critique, <em>We Have Never Been Woke</em> reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32800737" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f6dbfeb8-6417-4d49-bdff-6ac651033749/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f6dbfeb8-6417-4d49-bdff-6ac651033749&amp;feed=KodC6fj_"/>
      <itunes:title>Musa al-Gharbi, &quot;We Have Never Been Woke: The Cultural Contradictions of a New Elite&quot; (Princeton UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:09</itunes:duration>
      <itunes:summary>How a new &quot;woke&quot; elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.
Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke: The Cultural Contradictions of a New Elite (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.
We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.
A powerful critique, We Have Never Been Woke reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How a new &quot;woke&quot; elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.
Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke: The Cultural Contradictions of a New Elite (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.
We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.
A powerful critique, We Have Never Been Woke reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>374</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">aa5a8cec-4c3a-11ef-b93c-a30f62a0c20d</guid>
      <title>Prithi Kanakamedala, &quot;Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough&quot; (NYU Press, 2024)</title>
      <description><![CDATA[<p>Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice.</p><p>Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. <a href="https://bookshop.org/a/12343/9781479833092"><em>Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough</em></a><em> </em>(NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough.</p><p>This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.</p><p>This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 28 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice.</p><p>Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. <a href="https://bookshop.org/a/12343/9781479833092"><em>Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough</em></a><em> </em>(NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough.</p><p>This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.</p><p>This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50618515" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0e5afa19-87b1-4b28-b5f0-b97929fdfb09/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0e5afa19-87b1-4b28-b5f0-b97929fdfb09&amp;feed=KodC6fj_"/>
      <itunes:title>Prithi Kanakamedala, &quot;Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough&quot; (NYU Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:43</itunes:duration>
      <itunes:summary>Meet the Black Brooklynites who defined New York City&apos;s most populous borough through their search for social justice.
Before it was a borough, Brooklyn was our nation&apos;s third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City&apos;s most populous borough.
This cultural and social history is told through four ordinary families from Brooklyn&apos;s nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn&apos;s place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we&apos;re born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.
This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Meet the Black Brooklynites who defined New York City&apos;s most populous borough through their search for social justice.
Before it was a borough, Brooklyn was our nation&apos;s third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City&apos;s most populous borough.
This cultural and social history is told through four ordinary families from Brooklyn&apos;s nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn&apos;s place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we&apos;re born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.
This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>468</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a0abc688-4c40-11ef-8341-5773ab70ad9a</guid>
      <title>Sheila Curran Bernard, &quot;Bring Judgment Day: Reclaiming Lead Belly&apos;s Truths from Jim Crow&apos;s Lies&quot; (Cambridge UP, 2024)</title>
      <description><![CDATA[<p>Known worldwide as Lead Belly, Huddie Ledbetter (1889-1949) is an American icon whose influence on modern music was tremendous - as was, according to legend, the temper that landed him in two of the South's most brutal prisons, while his immense talent twice won him pardons. </p><p>But, as <a href="https://bookshop.org/a/12343/9781009098120"><em>Bring Judgment Day: Reclaiming Lead Belly's Truths from Jim Crow's Lies</em></a> (Cambridge UP, 2024) shows, these stories were shaped by the white folklorists who 'discovered' Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and more, author Sheila Curran Bernard replaces myth with fact, offering a stunning indictment of systemic racism in the Jim Crow era of the United States and the power of narrative to erase and distort the past.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 28 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Known worldwide as Lead Belly, Huddie Ledbetter (1889-1949) is an American icon whose influence on modern music was tremendous - as was, according to legend, the temper that landed him in two of the South's most brutal prisons, while his immense talent twice won him pardons. </p><p>But, as <a href="https://bookshop.org/a/12343/9781009098120"><em>Bring Judgment Day: Reclaiming Lead Belly's Truths from Jim Crow's Lies</em></a> (Cambridge UP, 2024) shows, these stories were shaped by the white folklorists who 'discovered' Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and more, author Sheila Curran Bernard replaces myth with fact, offering a stunning indictment of systemic racism in the Jim Crow era of the United States and the power of narrative to erase and distort the past.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29275209" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/08b04199-5cce-4452-a9f2-8ee79f2ae751/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=08b04199-5cce-4452-a9f2-8ee79f2ae751&amp;feed=KodC6fj_"/>
      <itunes:title>Sheila Curran Bernard, &quot;Bring Judgment Day: Reclaiming Lead Belly&apos;s Truths from Jim Crow&apos;s Lies&quot; (Cambridge UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:30:29</itunes:duration>
      <itunes:summary>Known worldwide as Lead Belly, Huddie Ledbetter (1889-1949) is an American icon whose influence on modern music was tremendous - as was, according to legend, the temper that landed him in two of the South&apos;s most brutal prisons, while his immense talent twice won him pardons. 
But, as Bring Judgment Day: Reclaiming Lead Belly&apos;s Truths from Jim Crow&apos;s Lies (Cambridge UP, 2024) shows, these stories were shaped by the white folklorists who &apos;discovered&apos; Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and more, author Sheila Curran Bernard replaces myth with fact, offering a stunning indictment of systemic racism in the Jim Crow era of the United States and the power of narrative to erase and distort the past.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Known worldwide as Lead Belly, Huddie Ledbetter (1889-1949) is an American icon whose influence on modern music was tremendous - as was, according to legend, the temper that landed him in two of the South&apos;s most brutal prisons, while his immense talent twice won him pardons. 
But, as Bring Judgment Day: Reclaiming Lead Belly&apos;s Truths from Jim Crow&apos;s Lies (Cambridge UP, 2024) shows, these stories were shaped by the white folklorists who &apos;discovered&apos; Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and more, author Sheila Curran Bernard replaces myth with fact, offering a stunning indictment of systemic racism in the Jim Crow era of the United States and the power of narrative to erase and distort the past.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">49452c54-46b4-11ef-9513-77de8dfb58a7</guid>
      <title>Tiffany Gill, &quot;To Turn the Whole World Over: Black Women and Internationalism&quot; (U Illinois Press, 2019)</title>
      <description><![CDATA[<p>Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns.</p><p><a href="https://bookshop.org/a/12343/9780252042317"><em>To Turn the Whole World Over: Black Women and Internationalism</em> </a>(U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.</p><p>Tiffany Gill is an Associate Professor of Africana Studies &amp; History and Cochran Scholar at the University of Delaware.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 21 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns.</p><p><a href="https://bookshop.org/a/12343/9780252042317"><em>To Turn the Whole World Over: Black Women and Internationalism</em> </a>(U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.</p><p>Tiffany Gill is an Associate Professor of Africana Studies &amp; History and Cochran Scholar at the University of Delaware.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33175820" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/636503f4-901d-44f0-8543-965a3499d4a8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=636503f4-901d-44f0-8543-965a3499d4a8&amp;feed=KodC6fj_"/>
      <itunes:title>Tiffany Gill, &quot;To Turn the Whole World Over: Black Women and Internationalism&quot; (U Illinois Press, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:33</itunes:duration>
      <itunes:summary>Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women&apos;s rights and with feminist concerns.
To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women&apos;s internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women&apos;s global engagements. At the same time, they focus on these women&apos;s remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.
Tiffany Gill is an Associate Professor of Africana Studies &amp; History and Cochran Scholar at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women&apos;s rights and with feminist concerns.
To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women&apos;s internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women&apos;s global engagements. At the same time, they focus on these women&apos;s remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.
Tiffany Gill is an Associate Professor of Africana Studies &amp; History and Cochran Scholar at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>522</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b97195b0-4549-11ef-bd7a-33cb13ac1694</guid>
      <title>Ujju Aggarwal, &quot;Unsettling Choice: Race, Rights, and the Partitioning of Public Education&quot; (U Minnesota Press, 2024)</title>
      <description><![CDATA[<p>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? <a href="https://bookshop.org/a/12343/9781517915674"><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></a> (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. </p><p>Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 20 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? <a href="https://bookshop.org/a/12343/9781517915674"><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></a> (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. </p><p>Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="35318593" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0eef84bb-969c-41c9-acd7-a895589cb681/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0eef84bb-969c-41c9-acd7-a895589cb681&amp;feed=KodC6fj_"/>
      <itunes:title>Ujju Aggarwal, &quot;Unsettling Choice: Race, Rights, and the Partitioning of Public Education&quot; (U Minnesota Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:36:47</itunes:duration>
      <itunes:summary>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? Unsettling Choice: Race, Rights, and the Partitioning of Public Education (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. 
Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? Unsettling Choice: Race, Rights, and the Partitioning of Public Education (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. 
Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5d2fe194-45e4-11ef-a9b4-5fe10083940f</guid>
      <title>Michael J. Douma, &quot;The Slow Death of Slavery in Dutch New York: A Cultural, Economic, and Demographic History, 1700-1827&quot; (Cambridge UP, 2024)</title>
      <description><![CDATA[<p>Original and deeply researched, <a href="https://www.cambridge.org/core/books/slow-death-of-slavery-in-dutch-new-york/413EB9AA4BA12B16BE5D9B16489E8437"><em>The Slow Death of Slavery in Dutch New York: A Cultural, Economic, and Demographic History, 1700-1827</em></a> (Cambridge University Press, 2024) provides a new interpretation of Dutch American slavery which challenges many of the traditional assumptions about slavery in New York. With an emphasis on demography and economics, Michael J. Douma shows that slavery in eighteenth-century New York was mostly rural, heavily Dutch, and generally profitable through the cultivation of wheat. Slavery in Dutch New York ultimately died a political death in the nineteenth century, while resistance from enslaved persons, and a gradual turn against slavery in society and in the courts, encouraged its destruction. This important study will reshape the historiography of slavery in the American North.</p><p>Michael J. Douma is Associate Research Professor and Director, Georgetown Institute for the Study of Markets and Ethics.</p><p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 20 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Original and deeply researched, <a href="https://www.cambridge.org/core/books/slow-death-of-slavery-in-dutch-new-york/413EB9AA4BA12B16BE5D9B16489E8437"><em>The Slow Death of Slavery in Dutch New York: A Cultural, Economic, and Demographic History, 1700-1827</em></a> (Cambridge University Press, 2024) provides a new interpretation of Dutch American slavery which challenges many of the traditional assumptions about slavery in New York. With an emphasis on demography and economics, Michael J. Douma shows that slavery in eighteenth-century New York was mostly rural, heavily Dutch, and generally profitable through the cultivation of wheat. Slavery in Dutch New York ultimately died a political death in the nineteenth century, while resistance from enslaved persons, and a gradual turn against slavery in society and in the courts, encouraged its destruction. This important study will reshape the historiography of slavery in the American North.</p><p>Michael J. Douma is Associate Research Professor and Director, Georgetown Institute for the Study of Markets and Ethics.</p><p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43908532" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2e270e86-8cd4-41d0-97c0-b4deda0bf1da/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2e270e86-8cd4-41d0-97c0-b4deda0bf1da&amp;feed=KodC6fj_"/>
      <itunes:title>Michael J. Douma, &quot;The Slow Death of Slavery in Dutch New York: A Cultural, Economic, and Demographic History, 1700-1827&quot; (Cambridge UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:44</itunes:duration>
      <itunes:summary>Original and deeply researched, The Slow Death of Slavery in Dutch New York: A Cultural, Economic, and Demographic History, 1700-1827 (Cambridge University Press, 2024) provides a new interpretation of Dutch American slavery which challenges many of the traditional assumptions about slavery in New York. With an emphasis on demography and economics, Michael J. Douma shows that slavery in eighteenth-century New York was mostly rural, heavily Dutch, and generally profitable through the cultivation of wheat. Slavery in Dutch New York ultimately died a political death in the nineteenth century, while resistance from enslaved persons, and a gradual turn against slavery in society and in the courts, encouraged its destruction. This important study will reshape the historiography of slavery in the American North.
Michael J. Douma is Associate Research Professor and Director, Georgetown Institute for the Study of Markets and Ethics.
Caleb Zakarin is editor at the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Original and deeply researched, The Slow Death of Slavery in Dutch New York: A Cultural, Economic, and Demographic History, 1700-1827 (Cambridge University Press, 2024) provides a new interpretation of Dutch American slavery which challenges many of the traditional assumptions about slavery in New York. With an emphasis on demography and economics, Michael J. Douma shows that slavery in eighteenth-century New York was mostly rural, heavily Dutch, and generally profitable through the cultivation of wheat. Slavery in Dutch New York ultimately died a political death in the nineteenth century, while resistance from enslaved persons, and a gradual turn against slavery in society and in the courts, encouraged its destruction. This important study will reshape the historiography of slavery in the American North.
Michael J. Douma is Associate Research Professor and Director, Georgetown Institute for the Study of Markets and Ethics.
Caleb Zakarin is editor at the New Books Network.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">94c17d96-445b-11ef-bc5a-5f92392f5dda</guid>
      <title>Freeman&apos;s Challenge: The Murder That Shook America&apos;s Original Prison for Profit</title>
      <description><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a><em> </em>(U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. </p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.</p><p>Playlist for listeners who wish to learn more:</p><ul>
<li><a href="https://newbooksnetwork.com/stitching-freedom#entry:300506@1:url">Stitching Freedom: Embroidery and Incarceration</a></li>
<li><a href="https://newbooksnetwork.com/education-behind-the-wall#entry:206799@1:url">Education Behind the Wall</a></li>
<li><a href="https://newbooksnetwork.com/researching-racial-injustice#entry:39399@1:url">Hands Up, Don't Shoot: Researching Racial Injustice</a></li>
<li><a href="https://newbooksnetwork.com/the-journal-of-higher-education-in-prison#entry:156475@1:url">The Journal of Higher Education in Prison</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 18 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a><em> </em>(U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. </p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.</p><p>Playlist for listeners who wish to learn more:</p><ul>
<li><a href="https://newbooksnetwork.com/stitching-freedom#entry:300506@1:url">Stitching Freedom: Embroidery and Incarceration</a></li>
<li><a href="https://newbooksnetwork.com/education-behind-the-wall#entry:206799@1:url">Education Behind the Wall</a></li>
<li><a href="https://newbooksnetwork.com/researching-racial-injustice#entry:39399@1:url">Hands Up, Don't Shoot: Researching Racial Injustice</a></li>
<li><a href="https://newbooksnetwork.com/the-journal-of-higher-education-in-prison#entry:156475@1:url">The Journal of Higher Education in Prison</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50784741" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6b2bca78-482a-4724-92a4-16d96bb35437/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6b2bca78-482a-4724-92a4-16d96bb35437&amp;feed=KodC6fj_"/>
      <itunes:title>Freeman&apos;s Challenge: The Murder That Shook America&apos;s Original Prison for Profit</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:53</itunes:duration>
      <itunes:summary>Today’s book is: Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.
Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. 
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
Playlist for listeners who wish to learn more:

Stitching Freedom: Embroidery and Incarceration

Education Behind the Wall

Hands Up, Don&apos;t Shoot: Researching Racial Injustice

The Journal of Higher Education in Prison


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today’s book is: Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.
Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. 
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
Playlist for listeners who wish to learn more:

Stitching Freedom: Embroidery and Incarceration

Education Behind the Wall

Hands Up, Don&apos;t Shoot: Researching Racial Injustice

The Journal of Higher Education in Prison


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">df214732-4149-11ef-a214-27c5101bf853</guid>
      <title>Toby Green, &quot;A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution&quot; (U Chicago Press, 2019)</title>
      <description><![CDATA[<p>All too often, the history of early modern Africa is told from the perspective of outsiders. In his book <a href="http://www.amazon.com/dp/022664457X/?tag=newbooinhis-20"><em>A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution</em></a> (University of Chicago Press, 2019), <a href="https://www.kcl.ac.uk/people/dr-toby-green-copy">Toby Green</a> draws upon a range of underutilized sources to describe the evolution of West Africa over a period of four transformative centuries. With these sources Green demonstrates that the region was integrated into the developing transcontinental trade networks far earlier than is often portrayed in more Western-centric accounts, and in ways that influenced the development of local communities long before European ships arrived off of their coast. The arrival of the Portuguese in the 15th century, however, shifted the dynamics of this trade in dramatic ways, changing kingdoms and reshaping economic priorities. While West Africa was an equal partner for the first two and a half centuries of this period, Green shows how the growing demand for slaves and the very different nature of slavery in the West during this period combined increasingly disadvantaged the region, while simultaneously changing the internal political dynamics of kingdoms and the societies within them.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>All too often, the history of early modern Africa is told from the perspective of outsiders. In his book <a href="http://www.amazon.com/dp/022664457X/?tag=newbooinhis-20"><em>A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution</em></a> (University of Chicago Press, 2019), <a href="https://www.kcl.ac.uk/people/dr-toby-green-copy">Toby Green</a> draws upon a range of underutilized sources to describe the evolution of West Africa over a period of four transformative centuries. With these sources Green demonstrates that the region was integrated into the developing transcontinental trade networks far earlier than is often portrayed in more Western-centric accounts, and in ways that influenced the development of local communities long before European ships arrived off of their coast. The arrival of the Portuguese in the 15th century, however, shifted the dynamics of this trade in dramatic ways, changing kingdoms and reshaping economic priorities. While West Africa was an equal partner for the first two and a half centuries of this period, Green shows how the growing demand for slaves and the very different nature of slavery in the West during this period combined increasingly disadvantaged the region, while simultaneously changing the internal political dynamics of kingdoms and the societies within them.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41589461" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0fa27f7b-f745-4ef0-b1f0-97bb8b29763f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0fa27f7b-f745-4ef0-b1f0-97bb8b29763f&amp;feed=KodC6fj_"/>
      <itunes:title>Toby Green, &quot;A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution&quot; (U Chicago Press, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:19</itunes:duration>
      <itunes:summary>All too often, the history of early modern Africa is told from the perspective of outsiders. In his book A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution (University of Chicago Press, 2019), Toby Green draws upon a range of underutilized sources to describe the evolution of West Africa over a period of four transformative centuries. With these sources Green demonstrates that the region was integrated into the developing transcontinental trade networks far earlier than is often portrayed in more Western-centric accounts, and in ways that influenced the development of local communities long before European ships arrived off of their coast. The arrival of the Portuguese in the 15th century, however, shifted the dynamics of this trade in dramatic ways, changing kingdoms and reshaping economic priorities. While West Africa was an equal partner for the first two and a half centuries of this period, Green shows how the growing demand for slaves and the very different nature of slavery in the West during this period combined increasingly disadvantaged the region, while simultaneously changing the internal political dynamics of kingdoms and the societies within them.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>All too often, the history of early modern Africa is told from the perspective of outsiders. In his book A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution (University of Chicago Press, 2019), Toby Green draws upon a range of underutilized sources to describe the evolution of West Africa over a period of four transformative centuries. With these sources Green demonstrates that the region was integrated into the developing transcontinental trade networks far earlier than is often portrayed in more Western-centric accounts, and in ways that influenced the development of local communities long before European ships arrived off of their coast. The arrival of the Portuguese in the 15th century, however, shifted the dynamics of this trade in dramatic ways, changing kingdoms and reshaping economic priorities. While West Africa was an equal partner for the first two and a half centuries of this period, Green shows how the growing demand for slaves and the very different nature of slavery in the West during this period combined increasingly disadvantaged the region, while simultaneously changing the internal political dynamics of kingdoms and the societies within them.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>499</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d2c97af6-3ec7-11ef-8898-2ba7a3d9089c</guid>
      <title>Charly Palmer and Karida Brown, &quot;The New Brownies&apos; Book: A Love Letter to Black Families&quot; (Chronicle Books, 2023)</title>
      <description><![CDATA[<p>In 1920, W. E. B. Du Bois and the NAACP founders published <em>The Brownies’ Book: A Monthly Magazine for Children of the Sun</em>. A century later, <a href="https://bookshop.org/a/12343/9781797216829"><em>The New Brownies' Book: A Love Letter to Black Families</em></a> (Chronicle Books, 2023) recreates the very first publication created for Black youth in 1920 into a sensational anthology. Expanding on the mission of the original periodical to inspire the hearts and minds of Black children across the country Award-winning sociologist Karida L. Brown and accomplished artist Charly Palmer gathered more than fifty contemporary Black artists, intellectuals, and writers to produce a book filled with essays, poems, paintings, folktales, and short stories reflecting on the beauty of Blackness and the Black experience.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1920, W. E. B. Du Bois and the NAACP founders published <em>The Brownies’ Book: A Monthly Magazine for Children of the Sun</em>. A century later, <a href="https://bookshop.org/a/12343/9781797216829"><em>The New Brownies' Book: A Love Letter to Black Families</em></a> (Chronicle Books, 2023) recreates the very first publication created for Black youth in 1920 into a sensational anthology. Expanding on the mission of the original periodical to inspire the hearts and minds of Black children across the country Award-winning sociologist Karida L. Brown and accomplished artist Charly Palmer gathered more than fifty contemporary Black artists, intellectuals, and writers to produce a book filled with essays, poems, paintings, folktales, and short stories reflecting on the beauty of Blackness and the Black experience.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48979308" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/408681f1-8b15-4195-bcda-0e6b3e53a972/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=408681f1-8b15-4195-bcda-0e6b3e53a972&amp;feed=KodC6fj_"/>
      <itunes:title>Charly Palmer and Karida Brown, &quot;The New Brownies&apos; Book: A Love Letter to Black Families&quot; (Chronicle Books, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:01</itunes:duration>
      <itunes:summary>In 1920, W. E. B. Du Bois and the NAACP founders published The Brownies’ Book: A Monthly Magazine for Children of the Sun. A century later, The New Brownies&apos; Book: A Love Letter to Black Families (Chronicle Books, 2023) recreates the very first publication created for Black youth in 1920 into a sensational anthology. Expanding on the mission of the original periodical to inspire the hearts and minds of Black children across the country Award-winning sociologist Karida L. Brown and accomplished artist Charly Palmer gathered more than fifty contemporary Black artists, intellectuals, and writers to produce a book filled with essays, poems, paintings, folktales, and short stories reflecting on the beauty of Blackness and the Black experience.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1920, W. E. B. Du Bois and the NAACP founders published The Brownies’ Book: A Monthly Magazine for Children of the Sun. A century later, The New Brownies&apos; Book: A Love Letter to Black Families (Chronicle Books, 2023) recreates the very first publication created for Black youth in 1920 into a sensational anthology. Expanding on the mission of the original periodical to inspire the hearts and minds of Black children across the country Award-winning sociologist Karida L. Brown and accomplished artist Charly Palmer gathered more than fifty contemporary Black artists, intellectuals, and writers to produce a book filled with essays, poems, paintings, folktales, and short stories reflecting on the beauty of Blackness and the Black experience.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>467</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4c162b40-4222-11ef-9474-d7ea6244d017</guid>
      <title>Jill A. Fisher, &quot;Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals&quot; (NYU Press, 2020)</title>
      <description><![CDATA[<p>Imagine that you volunteer for the clinical trial of an experimental drug. The only direct benefit of participating is that you will receive up to $5,175. You must spend twenty nights literally locked in a research facility. You will be told what to eat, when to eat, and when to sleep. You will share a bedroom with several strangers. Who are you, and why would you choose to take part in this kind of study?</p><p>This book explores the hidden world of pharmaceutical testing on healthy volunteers. Drawing on two years of fieldwork in clinics across the country and 268 interviews with participants and staff, it illustrates how decisions to take part in such studies are often influenced by poverty and lack of employment opportunities. It shows that healthy participants are typically recruited from African American and Latino/a communities, and that they are often serial participants, who obtain a significant portion of their income from these trials.</p><p>This book reveals not only how social inequality fundamentally shapes these drug trials, but it also depicts the important validity concerns inherent in this mode of testing new pharmaceuticals. These highly controlled studies bear little resemblance to real-world conditions, and everyone involved is incentivized to game the system, ultimately making new drugs appear safer than they really are.</p><p><a href="https://www.amazon.com/Adverse-Events-Inequality-Testing-Pharmaceuticals-ebook/dp/B07ZKYWT5N/?tag=newbooinhis-20"><em>Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals</em></a> (New York University Press) provides an unprecedented view of the intersection of racial inequalities with pharmaceutical testing, signaling the dangers of this research enterprise to both social justice and public health.</p><p><a href="https://www.med.unc.edu/socialmed/directory/jill-fisher/">Jill A. Fisher</a> is Associate Professor of Social Medicine and Bioethics at the University of North Carolina at Chapel Hill.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Imagine that you volunteer for the clinical trial of an experimental drug. The only direct benefit of participating is that you will receive up to $5,175. You must spend twenty nights literally locked in a research facility. You will be told what to eat, when to eat, and when to sleep. You will share a bedroom with several strangers. Who are you, and why would you choose to take part in this kind of study?</p><p>This book explores the hidden world of pharmaceutical testing on healthy volunteers. Drawing on two years of fieldwork in clinics across the country and 268 interviews with participants and staff, it illustrates how decisions to take part in such studies are often influenced by poverty and lack of employment opportunities. It shows that healthy participants are typically recruited from African American and Latino/a communities, and that they are often serial participants, who obtain a significant portion of their income from these trials.</p><p>This book reveals not only how social inequality fundamentally shapes these drug trials, but it also depicts the important validity concerns inherent in this mode of testing new pharmaceuticals. These highly controlled studies bear little resemblance to real-world conditions, and everyone involved is incentivized to game the system, ultimately making new drugs appear safer than they really are.</p><p><a href="https://www.amazon.com/Adverse-Events-Inequality-Testing-Pharmaceuticals-ebook/dp/B07ZKYWT5N/?tag=newbooinhis-20"><em>Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals</em></a> (New York University Press) provides an unprecedented view of the intersection of racial inequalities with pharmaceutical testing, signaling the dangers of this research enterprise to both social justice and public health.</p><p><a href="https://www.med.unc.edu/socialmed/directory/jill-fisher/">Jill A. Fisher</a> is Associate Professor of Social Medicine and Bioethics at the University of North Carolina at Chapel Hill.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42690431" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c8f4f29b-8cd8-4a14-aa64-2ceb174a0377/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c8f4f29b-8cd8-4a14-aa64-2ceb174a0377&amp;feed=KodC6fj_"/>
      <itunes:title>Jill A. Fisher, &quot;Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals&quot; (NYU Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:27</itunes:duration>
      <itunes:summary>Imagine that you volunteer for the clinical trial of an experimental drug. The only direct benefit of participating is that you will receive up to $5,175. You must spend twenty nights literally locked in a research facility. You will be told what to eat, when to eat, and when to sleep. You will share a bedroom with several strangers. Who are you, and why would you choose to take part in this kind of study?
This book explores the hidden world of pharmaceutical testing on healthy volunteers. Drawing on two years of fieldwork in clinics across the country and 268 interviews with participants and staff, it illustrates how decisions to take part in such studies are often influenced by poverty and lack of employment opportunities. It shows that healthy participants are typically recruited from African American and Latino/a communities, and that they are often serial participants, who obtain a significant portion of their income from these trials.
This book reveals not only how social inequality fundamentally shapes these drug trials, but it also depicts the important validity concerns inherent in this mode of testing new pharmaceuticals. These highly controlled studies bear little resemblance to real-world conditions, and everyone involved is incentivized to game the system, ultimately making new drugs appear safer than they really are.
Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals (New York University Press) provides an unprecedented view of the intersection of racial inequalities with pharmaceutical testing, signaling the dangers of this research enterprise to both social justice and public health.
Jill A. Fisher is Associate Professor of Social Medicine and Bioethics at the University of North Carolina at Chapel Hill.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Imagine that you volunteer for the clinical trial of an experimental drug. The only direct benefit of participating is that you will receive up to $5,175. You must spend twenty nights literally locked in a research facility. You will be told what to eat, when to eat, and when to sleep. You will share a bedroom with several strangers. Who are you, and why would you choose to take part in this kind of study?
This book explores the hidden world of pharmaceutical testing on healthy volunteers. Drawing on two years of fieldwork in clinics across the country and 268 interviews with participants and staff, it illustrates how decisions to take part in such studies are often influenced by poverty and lack of employment opportunities. It shows that healthy participants are typically recruited from African American and Latino/a communities, and that they are often serial participants, who obtain a significant portion of their income from these trials.
This book reveals not only how social inequality fundamentally shapes these drug trials, but it also depicts the important validity concerns inherent in this mode of testing new pharmaceuticals. These highly controlled studies bear little resemblance to real-world conditions, and everyone involved is incentivized to game the system, ultimately making new drugs appear safer than they really are.
Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals (New York University Press) provides an unprecedented view of the intersection of racial inequalities with pharmaceutical testing, signaling the dangers of this research enterprise to both social justice and public health.
Jill A. Fisher is Associate Professor of Social Medicine and Bioethics at the University of North Carolina at Chapel Hill.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3ef5b308-4151-11ef-95ea-fb443e3154b3</guid>
      <title>Emily J. Lordi, &quot;The Meaning of Soul: Black Music and Resilience Since the 1960s&quot; (Duke UP, 2020)</title>
      <description><![CDATA[<p>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In <a href="https://bookshop.org/a/12343/9781478009597"><em>The Meaning of Soul: Black Music and Resilience Since the 1960s</em></a> (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.</p><p><a href="http://www.emilylordi.com/">Emily J. Lordi</a> is an Associate Professor of English at Vanderbilt University. <em>The Meaning of Soul </em>is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as <em>Billboard, The Atlantic, </em>and<em> NPR.</em></p><p><em>Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In <a href="https://bookshop.org/a/12343/9781478009597"><em>The Meaning of Soul: Black Music and Resilience Since the 1960s</em></a> (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.</p><p><a href="http://www.emilylordi.com/">Emily J. Lordi</a> is an Associate Professor of English at Vanderbilt University. <em>The Meaning of Soul </em>is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as <em>Billboard, The Atlantic, </em>and<em> NPR.</em></p><p><em>Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53368710" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/89c86374-1463-4ce5-8867-d0970f09ff21/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=89c86374-1463-4ce5-8867-d0970f09ff21&amp;feed=KodC6fj_"/>
      <itunes:title>Emily J. Lordi, &quot;The Meaning of Soul: Black Music and Resilience Since the 1960s&quot; (Duke UP, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:35</itunes:duration>
      <itunes:summary>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.
Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.
Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b433b7d4-3ed4-11ef-a1a4-f79091bd5a0a</guid>
      <title>Theresa McCulla, &quot;Insatiable City: Food and Race in New Orleans&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>A history of food in the Crescent City that explores race, power, social status, and labor.</p><p>In <a href="https://bookshop.org/a/12343/9780226833828"><em>Insatiable City: Food and Race in New Orleans</em></a><em> </em>(U Chicago Press, 2024), Theresa McCulla probes the overt and covert ways that the production of food and the discourse about it both created and reinforced many strains of inequality in New Orleans, a city significantly defined by its foodways. Tracking the city’s economy from nineteenth-century chattel slavery to twentieth-century tourism, McCulla uses menus, cookbooks, newspapers, postcards, photography, and other material culture to limn the interplay among the production and reception of food, the inscription and reiteration of racial hierarchies, and the constant diminishment and exploitation of working-class people. The consumption of food and people, she shows, was mutually reinforced and deeply intertwined. Yet she also details how enslaved and free people of color in New Orleans used food and drink to carve paths of mobility, stability, autonomy, freedom, profit, and joy. A story of pain and pleasure, labor and leisure, <em>Insatiable City</em> goes far beyond the task of tracing New Orleans’s culinary history to focus on how food suffuses culture and our understandings and constructions of race and power.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 11 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A history of food in the Crescent City that explores race, power, social status, and labor.</p><p>In <a href="https://bookshop.org/a/12343/9780226833828"><em>Insatiable City: Food and Race in New Orleans</em></a><em> </em>(U Chicago Press, 2024), Theresa McCulla probes the overt and covert ways that the production of food and the discourse about it both created and reinforced many strains of inequality in New Orleans, a city significantly defined by its foodways. Tracking the city’s economy from nineteenth-century chattel slavery to twentieth-century tourism, McCulla uses menus, cookbooks, newspapers, postcards, photography, and other material culture to limn the interplay among the production and reception of food, the inscription and reiteration of racial hierarchies, and the constant diminishment and exploitation of working-class people. The consumption of food and people, she shows, was mutually reinforced and deeply intertwined. Yet she also details how enslaved and free people of color in New Orleans used food and drink to carve paths of mobility, stability, autonomy, freedom, profit, and joy. A story of pain and pleasure, labor and leisure, <em>Insatiable City</em> goes far beyond the task of tracing New Orleans’s culinary history to focus on how food suffuses culture and our understandings and constructions of race and power.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70371768" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7897b004-3a30-4b43-81db-f5bcfd3b1fb6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7897b004-3a30-4b43-81db-f5bcfd3b1fb6&amp;feed=KodC6fj_"/>
      <itunes:title>Theresa McCulla, &quot;Insatiable City: Food and Race in New Orleans&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:18</itunes:duration>
      <itunes:summary>A history of food in the Crescent City that explores race, power, social status, and labor.
In Insatiable City: Food and Race in New Orleans (U Chicago Press, 2024), Theresa McCulla probes the overt and covert ways that the production of food and the discourse about it both created and reinforced many strains of inequality in New Orleans, a city significantly defined by its foodways. Tracking the city’s economy from nineteenth-century chattel slavery to twentieth-century tourism, McCulla uses menus, cookbooks, newspapers, postcards, photography, and other material culture to limn the interplay among the production and reception of food, the inscription and reiteration of racial hierarchies, and the constant diminishment and exploitation of working-class people. The consumption of food and people, she shows, was mutually reinforced and deeply intertwined. Yet she also details how enslaved and free people of color in New Orleans used food and drink to carve paths of mobility, stability, autonomy, freedom, profit, and joy. A story of pain and pleasure, labor and leisure, Insatiable City goes far beyond the task of tracing New Orleans’s culinary history to focus on how food suffuses culture and our understandings and constructions of race and power.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A history of food in the Crescent City that explores race, power, social status, and labor.
In Insatiable City: Food and Race in New Orleans (U Chicago Press, 2024), Theresa McCulla probes the overt and covert ways that the production of food and the discourse about it both created and reinforced many strains of inequality in New Orleans, a city significantly defined by its foodways. Tracking the city’s economy from nineteenth-century chattel slavery to twentieth-century tourism, McCulla uses menus, cookbooks, newspapers, postcards, photography, and other material culture to limn the interplay among the production and reception of food, the inscription and reiteration of racial hierarchies, and the constant diminishment and exploitation of working-class people. The consumption of food and people, she shows, was mutually reinforced and deeply intertwined. Yet she also details how enslaved and free people of color in New Orleans used food and drink to carve paths of mobility, stability, autonomy, freedom, profit, and joy. A story of pain and pleasure, labor and leisure, Insatiable City goes far beyond the task of tracing New Orleans’s culinary history to focus on how food suffuses culture and our understandings and constructions of race and power.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ce460242-3e1d-11ef-9b72-5f78de457386</guid>
      <title>Kellie Carter Jackson, &quot;We Refuse: A Forceful History of Black Resistance&quot; (Seal Press, 2024)</title>
      <description><![CDATA[<p>Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In <a href="https://bookshop.org/a/12343/9781541602908"><em>We Refuse: A Forceful History of Black Resistance</em></a> (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.</p><p>The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.</p><p>Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 10 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In <a href="https://bookshop.org/a/12343/9781541602908"><em>We Refuse: A Forceful History of Black Resistance</em></a> (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.</p><p>The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.</p><p>Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54971050" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a51b1b3d-061d-4711-a842-f5e0f586b93a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a51b1b3d-061d-4711-a842-f5e0f586b93a&amp;feed=KodC6fj_"/>
      <itunes:title>Kellie Carter Jackson, &quot;We Refuse: A Forceful History of Black Resistance&quot; (Seal Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:15</itunes:duration>
      <itunes:summary>Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse: A Forceful History of Black Resistance (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse: A Forceful History of Black Resistance (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>466</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">44d2996a-2c04-11ef-9a2f-3f367d7d2128</guid>
      <title>Racism as Power Relation: A Discussion with Adaner Usmani (EF, JP)</title>
      <description><![CDATA[<p>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, <a href="https://sociology.fas.harvard.edu/people/adaner-usmani">Assistant Professor of Sociology and Social Studies</a> at Harvard and on <a href="https://www.jacobinmag.com/author/adaner-usmani">the editorial board at <em>Catalyst</em></a> joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.</p><p>Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North's industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.</p><ul>
<li>Adaner Usmani and <a href="https://history.uchicago.edu/directory/john-clegg">John Clegg</a>, "<a href="https://catalyst-journal.com/vol3/no3/the-economic-origins-of-mass-incarceration">The Economic Origins of Mass Incarceration</a>" (<em>Catalyst </em>3:3, 2019)</li>
<li>Michelle Alexander, <a href="https://en.wikipedia.org/wiki/The_New_Jim_Crow"><em>The New Jim Crow: Mass Incarceration in the Age of Colorblindness</em></a> (2010)</li>
<li>Robin Einhorn, <a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo3750524.html"><em>American Taxation, American Slavery</em></a> (2006)</li>
<li>Richard Rothstein, <em>The Color of Law </em>(2017)</li>
<li>Kenneth Jackson, <a href="https://www.amazon.com/Crabgrass-Frontier-Suburbanization-United-States/dp/0195049837"><em>Crabgrass Frontier</em></a> (1987)</li>
</ul><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 4 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, <a href="https://sociology.fas.harvard.edu/people/adaner-usmani">Assistant Professor of Sociology and Social Studies</a> at Harvard and on <a href="https://www.jacobinmag.com/author/adaner-usmani">the editorial board at <em>Catalyst</em></a> joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.</p><p>Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North's industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.</p><ul>
<li>Adaner Usmani and <a href="https://history.uchicago.edu/directory/john-clegg">John Clegg</a>, "<a href="https://catalyst-journal.com/vol3/no3/the-economic-origins-of-mass-incarceration">The Economic Origins of Mass Incarceration</a>" (<em>Catalyst </em>3:3, 2019)</li>
<li>Michelle Alexander, <a href="https://en.wikipedia.org/wiki/The_New_Jim_Crow"><em>The New Jim Crow: Mass Incarceration in the Age of Colorblindness</em></a> (2010)</li>
<li>Robin Einhorn, <a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo3750524.html"><em>American Taxation, American Slavery</em></a> (2006)</li>
<li>Richard Rothstein, <em>The Color of Law </em>(2017)</li>
<li>Kenneth Jackson, <a href="https://www.amazon.com/Crabgrass-Frontier-Suburbanization-United-States/dp/0195049837"><em>Crabgrass Frontier</em></a> (1987)</li>
</ul><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29987245" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3afc9fce-4cd5-4961-bc4d-6cf44bb94b37/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3afc9fce-4cd5-4961-bc4d-6cf44bb94b37&amp;feed=KodC6fj_"/>
      <itunes:title>Racism as Power Relation: A Discussion with Adaner Usmani (EF, JP)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:31:14</itunes:duration>
      <itunes:summary>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, Assistant Professor of Sociology and Social Studies at Harvard and on the editorial board at Catalyst joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.
Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North&apos;s industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.

Adaner Usmani and John Clegg, &quot;The Economic Origins of Mass Incarceration&quot; (Catalyst 3:3, 2019)

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010)

Robin Einhorn, American Taxation, American Slavery (2006)

Richard Rothstein, The Color of Law (2017)

Kenneth Jackson, Crabgrass Frontier (1987)



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, Assistant Professor of Sociology and Social Studies at Harvard and on the editorial board at Catalyst joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.
Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North&apos;s industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.

Adaner Usmani and John Clegg, &quot;The Economic Origins of Mass Incarceration&quot; (Catalyst 3:3, 2019)

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010)

Robin Einhorn, American Taxation, American Slavery (2006)

Richard Rothstein, The Color of Law (2017)

Kenneth Jackson, Crabgrass Frontier (1987)



Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b1cd35f8-389c-11ef-9a23-8bf8ffa811cd</guid>
      <title>Oneka LaBennett, &quot;Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond&quot; (NYU Press, 2024)</title>
      <description><![CDATA[<p>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.</p><p>Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s <em>Lovecraft Country</em>, and Netflix’s Indian Matchmaking―<a href="https://bookshop.org/a/12343/9781479827015"><em>Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond</em></a><em> </em>(NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.</p><p><em>Global Guyana</em> uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.</p><p>Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of <em>She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn </em>and co-editor of <em>Racial Formation in the Twenty-First Century</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 3 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.</p><p>Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s <em>Lovecraft Country</em>, and Netflix’s Indian Matchmaking―<a href="https://bookshop.org/a/12343/9781479827015"><em>Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond</em></a><em> </em>(NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.</p><p><em>Global Guyana</em> uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.</p><p>Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of <em>She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn </em>and co-editor of <em>Racial Formation in the Twenty-First Century</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48128928" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a54c8d7e-a527-4194-b324-bdefc3501e6e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a54c8d7e-a527-4194-b324-bdefc3501e6e&amp;feed=KodC6fj_"/>
      <itunes:title>Oneka LaBennett, &quot;Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond&quot; (NYU Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:07</itunes:duration>
      <itunes:summary>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.
Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.
Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.
Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.
Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.
Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.
Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0a779d7a-3711-11ef-a232-7f7c76fa7360</guid>
      <title>Ben Wright, &quot;Bonds of Salvation: How Christianity Inspired and Limited American Abolitionism&quot; (LSU Press, 2020)</title>
      <description><![CDATA[<p>Ben Wright's <a href="https://bookshop.org/a/12343/9780807173893"><em>Bonds of Salvation: How Christianity Inspired and Limited American Abolitionism</em></a> (LSU Press, 2020) demonstrates how religion structured the possibilities and limitations of American abolitionism during the early years of the republic. From the American Revolution through the eruption of schisms in the three largest Protestant denominations in the 1840s, this comprehensive work lays bare the social and religious divides that culminated in secession and civil war. Historians often emphasize status anxieties, market changes, biracial cooperation, and political maneuvering as primary forces in the evolution of slavery in the United States. Wright instead foregrounds the pivotal role religion played in shaping the ideological contours of the early abolitionist movement.</p><p>Wright first examines the ideological distinctions between religious conversion and purification in the aftermath of the Revolution, when a small number of white Christians contended that the nation must purify itself from slavery before it could fulfill its religious destiny. Most white Christians disagreed, focusing on visions of spiritual salvation over the practical goal of emancipation. To expand salvation to all, they created new denominations equipped to carry the gospel across the American continent and eventually all over the globe. These denominations established numerous reform organizations, collectively known as the "benevolent empire," to reckon with the problem of slavery. One affiliated group, the American Colonization Society (ACS), worked to end slavery and secure white supremacy by promising salvation for Africa and redemption for the United States.</p><p>Yet the ACS and its efforts drew strong objections. Proslavery prophets transformed expectations of expanded salvation into a formidable antiabolitionist weapon, framing the ACS's proponents as enemies of national unity. Abolitionist assertions that enslavers could not serve as agents of salvation sapped the most potent force in American nationalism--Christianity--and led to schisms within the Presbyterian, Baptist, and Methodist churches. These divides exacerbated sectional hostilities and sent the nation farther down the path to secession and war. Wright's provocative analysis reveals that visions of salvation both created and almost destroyed the American nation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 2 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Ben Wright's <a href="https://bookshop.org/a/12343/9780807173893"><em>Bonds of Salvation: How Christianity Inspired and Limited American Abolitionism</em></a> (LSU Press, 2020) demonstrates how religion structured the possibilities and limitations of American abolitionism during the early years of the republic. From the American Revolution through the eruption of schisms in the three largest Protestant denominations in the 1840s, this comprehensive work lays bare the social and religious divides that culminated in secession and civil war. Historians often emphasize status anxieties, market changes, biracial cooperation, and political maneuvering as primary forces in the evolution of slavery in the United States. Wright instead foregrounds the pivotal role religion played in shaping the ideological contours of the early abolitionist movement.</p><p>Wright first examines the ideological distinctions between religious conversion and purification in the aftermath of the Revolution, when a small number of white Christians contended that the nation must purify itself from slavery before it could fulfill its religious destiny. Most white Christians disagreed, focusing on visions of spiritual salvation over the practical goal of emancipation. To expand salvation to all, they created new denominations equipped to carry the gospel across the American continent and eventually all over the globe. These denominations established numerous reform organizations, collectively known as the "benevolent empire," to reckon with the problem of slavery. One affiliated group, the American Colonization Society (ACS), worked to end slavery and secure white supremacy by promising salvation for Africa and redemption for the United States.</p><p>Yet the ACS and its efforts drew strong objections. Proslavery prophets transformed expectations of expanded salvation into a formidable antiabolitionist weapon, framing the ACS's proponents as enemies of national unity. Abolitionist assertions that enslavers could not serve as agents of salvation sapped the most potent force in American nationalism--Christianity--and led to schisms within the Presbyterian, Baptist, and Methodist churches. These divides exacerbated sectional hostilities and sent the nation farther down the path to secession and war. Wright's provocative analysis reveals that visions of salvation both created and almost destroyed the American nation.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="22262414" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7b3b8efe-b65e-465f-8e1b-000e1225d261/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7b3b8efe-b65e-465f-8e1b-000e1225d261&amp;feed=KodC6fj_"/>
      <itunes:title>Ben Wright, &quot;Bonds of Salvation: How Christianity Inspired and Limited American Abolitionism&quot; (LSU Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:23:11</itunes:duration>
      <itunes:summary>Ben Wright&apos;s Bonds of Salvation: How Christianity Inspired and Limited American Abolitionism (LSU Press, 2020) demonstrates how religion structured the possibilities and limitations of American abolitionism during the early years of the republic. From the American Revolution through the eruption of schisms in the three largest Protestant denominations in the 1840s, this comprehensive work lays bare the social and religious divides that culminated in secession and civil war. Historians often emphasize status anxieties, market changes, biracial cooperation, and political maneuvering as primary forces in the evolution of slavery in the United States. Wright instead foregrounds the pivotal role religion played in shaping the ideological contours of the early abolitionist movement.
Wright first examines the ideological distinctions between religious conversion and purification in the aftermath of the Revolution, when a small number of white Christians contended that the nation must purify itself from slavery before it could fulfill its religious destiny. Most white Christians disagreed, focusing on visions of spiritual salvation over the practical goal of emancipation. To expand salvation to all, they created new denominations equipped to carry the gospel across the American continent and eventually all over the globe. These denominations established numerous reform organizations, collectively known as the &quot;benevolent empire,&quot; to reckon with the problem of slavery. One affiliated group, the American Colonization Society (ACS), worked to end slavery and secure white supremacy by promising salvation for Africa and redemption for the United States.
Yet the ACS and its efforts drew strong objections. Proslavery prophets transformed expectations of expanded salvation into a formidable antiabolitionist weapon, framing the ACS&apos;s proponents as enemies of national unity. Abolitionist assertions that enslavers could not serve as agents of salvation sapped the most potent force in American nationalism--Christianity--and led to schisms within the Presbyterian, Baptist, and Methodist churches. These divides exacerbated sectional hostilities and sent the nation farther down the path to secession and war. Wright&apos;s provocative analysis reveals that visions of salvation both created and almost destroyed the American nation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ben Wright&apos;s Bonds of Salvation: How Christianity Inspired and Limited American Abolitionism (LSU Press, 2020) demonstrates how religion structured the possibilities and limitations of American abolitionism during the early years of the republic. From the American Revolution through the eruption of schisms in the three largest Protestant denominations in the 1840s, this comprehensive work lays bare the social and religious divides that culminated in secession and civil war. Historians often emphasize status anxieties, market changes, biracial cooperation, and political maneuvering as primary forces in the evolution of slavery in the United States. Wright instead foregrounds the pivotal role religion played in shaping the ideological contours of the early abolitionist movement.
Wright first examines the ideological distinctions between religious conversion and purification in the aftermath of the Revolution, when a small number of white Christians contended that the nation must purify itself from slavery before it could fulfill its religious destiny. Most white Christians disagreed, focusing on visions of spiritual salvation over the practical goal of emancipation. To expand salvation to all, they created new denominations equipped to carry the gospel across the American continent and eventually all over the globe. These denominations established numerous reform organizations, collectively known as the &quot;benevolent empire,&quot; to reckon with the problem of slavery. One affiliated group, the American Colonization Society (ACS), worked to end slavery and secure white supremacy by promising salvation for Africa and redemption for the United States.
Yet the ACS and its efforts drew strong objections. Proslavery prophets transformed expectations of expanded salvation into a formidable antiabolitionist weapon, framing the ACS&apos;s proponents as enemies of national unity. Abolitionist assertions that enslavers could not serve as agents of salvation sapped the most potent force in American nationalism--Christianity--and led to schisms within the Presbyterian, Baptist, and Methodist churches. These divides exacerbated sectional hostilities and sent the nation farther down the path to secession and war. Wright&apos;s provocative analysis reveals that visions of salvation both created and almost destroyed the American nation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>270</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dbc82dc2-36e9-11ef-b1e8-cbf49e7b039a</guid>
      <title>Kehbuma Langmia, &quot;Black &apos;Race&apos; and the White Supremacy Saga&quot; (Anthem Press, 2024)</title>
      <description><![CDATA[<p>Dr. Langmia's book <a href="https://bookshop.org/a/12343/9781839989964"><em>Black 'Race' and the White Supremacy Saga</em></a><em> </em>(Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term "White supremacy" has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become 'civilized' on planet earth. </p><p>But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been 'inferiorized' because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human "race." </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 1 Jul 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dr. Langmia's book <a href="https://bookshop.org/a/12343/9781839989964"><em>Black 'Race' and the White Supremacy Saga</em></a><em> </em>(Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term "White supremacy" has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become 'civilized' on planet earth. </p><p>But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been 'inferiorized' because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human "race." </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42160453" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b2f1b803-7652-4dfd-beb9-2cb02bbc842f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b2f1b803-7652-4dfd-beb9-2cb02bbc842f&amp;feed=KodC6fj_"/>
      <itunes:title>Kehbuma Langmia, &quot;Black &apos;Race&apos; and the White Supremacy Saga&quot; (Anthem Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:54</itunes:duration>
      <itunes:summary>Dr. Langmia&apos;s book Black &apos;Race&apos; and the White Supremacy Saga (Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term &quot;White supremacy&quot; has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become &apos;civilized&apos; on planet earth. 
But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been &apos;inferiorized&apos; because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human &quot;race.&quot; 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dr. Langmia&apos;s book Black &apos;Race&apos; and the White Supremacy Saga (Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term &quot;White supremacy&quot; has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become &apos;civilized&apos; on planet earth. 
But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been &apos;inferiorized&apos; because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human &quot;race.&quot; 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>467</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9dddca5c-357d-11ef-9664-2335e2620b61</guid>
      <title>Bayley J. Marquez, &quot;Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space&quot; (U California Press, 2024)</title>
      <description><![CDATA[<p>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, <a href="https://bookshop.org/a/12343/9780520393714"><em>Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space</em></a><em> </em>(U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.</p><p><a href="https://wgss.umd.edu/directory/bayley-marquez">Bayley J. Marquez</a> is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.</p><p><a href="https://gse.rutgers.edu/student/max-antonio-jacobs/"><em>Max Jacobs</em></a><em> is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the </em><a href="https://www.historyofeducation.org/"><em>History of Education Society</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 30 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, <a href="https://bookshop.org/a/12343/9780520393714"><em>Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space</em></a><em> </em>(U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.</p><p><a href="https://wgss.umd.edu/directory/bayley-marquez">Bayley J. Marquez</a> is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.</p><p><a href="https://gse.rutgers.edu/student/max-antonio-jacobs/"><em>Max Jacobs</em></a><em> is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the </em><a href="https://www.historyofeducation.org/"><em>History of Education Society</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="72339378" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/42789d2a-544a-43c7-8da3-b3f0835088a8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=42789d2a-544a-43c7-8da3-b3f0835088a8&amp;feed=KodC6fj_"/>
      <itunes:title>Bayley J. Marquez, &quot;Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space&quot; (U California Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:15:21</itunes:duration>
      <itunes:summary>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space (U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.
Bayley J. Marquez is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.
Max Jacobs is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the History of Education Society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space (U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.
Bayley J. Marquez is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.
Max Jacobs is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the History of Education Society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6addf22e-28dc-11ef-bf41-5358c5e835ef</guid>
      <title>On Michael Jackson: A Lecture by Margo Jefferson</title>
      <description><![CDATA[<p>In September 2006, Margo Jefferson spoke to the Institute about her book,<em> </em><a href="https://bookshop.org/a/12343/9780307277657"><em>On Michael Jackson</em></a><em> </em>(Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the<em> New York Times</em>. Her 2015 book, <em>Negroland: A Memoir</em>, won the National Book Critics Circle Award. And in 2022, she published, <em>Constructing a Nervous System</em>, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 29 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In September 2006, Margo Jefferson spoke to the Institute about her book,<em> </em><a href="https://bookshop.org/a/12343/9780307277657"><em>On Michael Jackson</em></a><em> </em>(Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the<em> New York Times</em>. Her 2015 book, <em>Negroland: A Memoir</em>, won the National Book Critics Circle Award. And in 2022, she published, <em>Constructing a Nervous System</em>, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43202740" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4a916514-a904-48fb-bc5b-b435a63e1be1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4a916514-a904-48fb-bc5b-b435a63e1be1&amp;feed=KodC6fj_"/>
      <itunes:title>On Michael Jackson: A Lecture by Margo Jefferson</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:00</itunes:duration>
      <itunes:summary>In September 2006, Margo Jefferson spoke to the Institute about her book, On Michael Jackson (Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the New York Times. Her 2015 book, Negroland: A Memoir, won the National Book Critics Circle Award. And in 2022, she published, Constructing a Nervous System, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In September 2006, Margo Jefferson spoke to the Institute about her book, On Michael Jackson (Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the New York Times. Her 2015 book, Negroland: A Memoir, won the National Book Critics Circle Award. And in 2022, she published, Constructing a Nervous System, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2f533782-30ac-11ef-b875-3b7d58772bd3</guid>
      <title>Jeremy Schipper, &quot;Denmark Vesey&apos;s Bible: The Thwarted Revolt That Put Slavery and Scripture on Trial&quot; (Princeton UP, 2022)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780691259314"><em>Denmark Vesey's Bible: The Thwarted Revolt that Put Slavery and Scripture on Trial</em></a><em> </em>(Princeton UP, 2022), Dr. Jeremy Schipper tells the story of a free Black man accused of plotting an anti-slavery insurrection in Charleston, South Carolina, in 1822. Vesey was found guilty and hanged along with dozens of others accused of collaborating with him.</p><p>At the center of the book is an examination of how former slave Denmark Vesey used interpretations of the Bible to justify the revolt while members of the white establishment in South Carolina use that same Bible to support the slaveholders view of themselves as benevolent biblical patriarchs. </p><p>The book is a riveting account of a key moment in antebellum American history that underscores deep racial inequities and the assumed supremacy of white Christians during a time of violence, fear, and conflicting understandings of moral superiority and biblical truth.</p><p>Recommended reading: </p><p><a href="https://upf.com/book.asp?id=EGERT001">The Denmark Vesey Affair: A Documentary History</a> edited by Douglas R. Egerton and Robert L. Paquette</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 27 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780691259314"><em>Denmark Vesey's Bible: The Thwarted Revolt that Put Slavery and Scripture on Trial</em></a><em> </em>(Princeton UP, 2022), Dr. Jeremy Schipper tells the story of a free Black man accused of plotting an anti-slavery insurrection in Charleston, South Carolina, in 1822. Vesey was found guilty and hanged along with dozens of others accused of collaborating with him.</p><p>At the center of the book is an examination of how former slave Denmark Vesey used interpretations of the Bible to justify the revolt while members of the white establishment in South Carolina use that same Bible to support the slaveholders view of themselves as benevolent biblical patriarchs. </p><p>The book is a riveting account of a key moment in antebellum American history that underscores deep racial inequities and the assumed supremacy of white Christians during a time of violence, fear, and conflicting understandings of moral superiority and biblical truth.</p><p>Recommended reading: </p><p><a href="https://upf.com/book.asp?id=EGERT001">The Denmark Vesey Affair: A Documentary History</a> edited by Douglas R. Egerton and Robert L. Paquette</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70525884" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2093bc7c-dc72-41eb-81a5-7771ffcc073e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2093bc7c-dc72-41eb-81a5-7771ffcc073e&amp;feed=KodC6fj_"/>
      <itunes:title>Jeremy Schipper, &quot;Denmark Vesey&apos;s Bible: The Thwarted Revolt That Put Slavery and Scripture on Trial&quot; (Princeton UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:27</itunes:duration>
      <itunes:summary>In Denmark Vesey&apos;s Bible: The Thwarted Revolt that Put Slavery and Scripture on Trial (Princeton UP, 2022), Dr. Jeremy Schipper tells the story of a free Black man accused of plotting an anti-slavery insurrection in Charleston, South Carolina, in 1822. Vesey was found guilty and hanged along with dozens of others accused of collaborating with him.
At the center of the book is an examination of how former slave Denmark Vesey used interpretations of the Bible to justify the revolt while members of the white establishment in South Carolina use that same Bible to support the slaveholders view of themselves as benevolent biblical patriarchs. 
The book is a riveting account of a key moment in antebellum American history that underscores deep racial inequities and the assumed supremacy of white Christians during a time of violence, fear, and conflicting understandings of moral superiority and biblical truth.
Recommended reading: 
The Denmark Vesey Affair: A Documentary History edited by Douglas R. Egerton and Robert L. Paquette

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Denmark Vesey&apos;s Bible: The Thwarted Revolt that Put Slavery and Scripture on Trial (Princeton UP, 2022), Dr. Jeremy Schipper tells the story of a free Black man accused of plotting an anti-slavery insurrection in Charleston, South Carolina, in 1822. Vesey was found guilty and hanged along with dozens of others accused of collaborating with him.
At the center of the book is an examination of how former slave Denmark Vesey used interpretations of the Bible to justify the revolt while members of the white establishment in South Carolina use that same Bible to support the slaveholders view of themselves as benevolent biblical patriarchs. 
The book is a riveting account of a key moment in antebellum American history that underscores deep racial inequities and the assumed supremacy of white Christians during a time of violence, fear, and conflicting understandings of moral superiority and biblical truth.
Recommended reading: 
The Denmark Vesey Affair: A Documentary History edited by Douglas R. Egerton and Robert L. Paquette

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>465</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f4bc0ef8-3175-11ef-9007-f30c16a003c9</guid>
      <title>Frederick Klaits et al., &quot;Pentecostal Insight in a Segregated US City: Designs for Vitality&quot; (Bloomsbury, 2022)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781350175884"><em>Pentecostal Insight in a Segregated US City: Designs for Vitality</em></a><em> (Bloomsbury, 2022)</em>, Frederick Klaits compares how members of one majority white and two African American churches in Buffalo, New York receive knowledge from God about their own and others' life circumstances.</p><p>In the Pentecostal Christian faith, believers say that they acquire divinely inspired insights by developing a "relationship with God." But what makes these insights appear necessary? This book offers a novel approach to this question, arguing that the inspirations believers receive from God lead them to take critical stances on what they regard as ordinary understandings of space, time, care, and personal value. Using a shared Pentecostal language, believers occupying different positions within racial, class, and gender formations reflect in divergent ways on God's designs. In the process, they engage critically with late liberal imaginaries of eventfulness and vitality to envision possibilities of life in a highly unequal society.</p><p>This text incorporates commentaries on Klaits' ethnography by LaShekia Chatman and Michael Richbart, junior scholars who have also studied and been part of Pentecostal communities in Buffalo.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 26 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781350175884"><em>Pentecostal Insight in a Segregated US City: Designs for Vitality</em></a><em> (Bloomsbury, 2022)</em>, Frederick Klaits compares how members of one majority white and two African American churches in Buffalo, New York receive knowledge from God about their own and others' life circumstances.</p><p>In the Pentecostal Christian faith, believers say that they acquire divinely inspired insights by developing a "relationship with God." But what makes these insights appear necessary? This book offers a novel approach to this question, arguing that the inspirations believers receive from God lead them to take critical stances on what they regard as ordinary understandings of space, time, care, and personal value. Using a shared Pentecostal language, believers occupying different positions within racial, class, and gender formations reflect in divergent ways on God's designs. In the process, they engage critically with late liberal imaginaries of eventfulness and vitality to envision possibilities of life in a highly unequal society.</p><p>This text incorporates commentaries on Klaits' ethnography by LaShekia Chatman and Michael Richbart, junior scholars who have also studied and been part of Pentecostal communities in Buffalo.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53116753" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f4429ce8-11e5-43ea-b21f-53128e5f1df2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f4429ce8-11e5-43ea-b21f-53128e5f1df2&amp;feed=KodC6fj_"/>
      <itunes:title>Frederick Klaits et al., &quot;Pentecostal Insight in a Segregated US City: Designs for Vitality&quot; (Bloomsbury, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:19</itunes:duration>
      <itunes:summary>In Pentecostal Insight in a Segregated US City: Designs for Vitality (Bloomsbury, 2022), Frederick Klaits compares how members of one majority white and two African American churches in Buffalo, New York receive knowledge from God about their own and others&apos; life circumstances.
In the Pentecostal Christian faith, believers say that they acquire divinely inspired insights by developing a &quot;relationship with God.&quot; But what makes these insights appear necessary? This book offers a novel approach to this question, arguing that the inspirations believers receive from God lead them to take critical stances on what they regard as ordinary understandings of space, time, care, and personal value. Using a shared Pentecostal language, believers occupying different positions within racial, class, and gender formations reflect in divergent ways on God&apos;s designs. In the process, they engage critically with late liberal imaginaries of eventfulness and vitality to envision possibilities of life in a highly unequal society.
This text incorporates commentaries on Klaits&apos; ethnography by LaShekia Chatman and Michael Richbart, junior scholars who have also studied and been part of Pentecostal communities in Buffalo.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Pentecostal Insight in a Segregated US City: Designs for Vitality (Bloomsbury, 2022), Frederick Klaits compares how members of one majority white and two African American churches in Buffalo, New York receive knowledge from God about their own and others&apos; life circumstances.
In the Pentecostal Christian faith, believers say that they acquire divinely inspired insights by developing a &quot;relationship with God.&quot; But what makes these insights appear necessary? This book offers a novel approach to this question, arguing that the inspirations believers receive from God lead them to take critical stances on what they regard as ordinary understandings of space, time, care, and personal value. Using a shared Pentecostal language, believers occupying different positions within racial, class, and gender formations reflect in divergent ways on God&apos;s designs. In the process, they engage critically with late liberal imaginaries of eventfulness and vitality to envision possibilities of life in a highly unequal society.
This text incorporates commentaries on Klaits&apos; ethnography by LaShekia Chatman and Michael Richbart, junior scholars who have also studied and been part of Pentecostal communities in Buffalo.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>312</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">19aa2798-30a6-11ef-9d41-2fc8f41b8688</guid>
      <title>Jerry Rafiki Jenkins, &quot;Anti-Blackness and Human Monstrosity in Black American Horror Fiction&quot; (Ohio State UP, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814259054"><em>Anti-Blackness and Human Monstrosity in Black American Horror Fiction</em></a><em> </em>(Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when <em>Black American</em> is disassociated from <em>American</em>. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. </p><p>Jenkins examines a variety of these monstrous forms in Tananarive Due's <em>The Between, </em>Victor LaValle's <em>The Changeling, </em>Octavia Butler's <em>Kindred, </em>Nnedi Okorafor's <em>Who Fears Death, </em>and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 25 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814259054"><em>Anti-Blackness and Human Monstrosity in Black American Horror Fiction</em></a><em> </em>(Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when <em>Black American</em> is disassociated from <em>American</em>. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. </p><p>Jenkins examines a variety of these monstrous forms in Tananarive Due's <em>The Between, </em>Victor LaValle's <em>The Changeling, </em>Octavia Butler's <em>Kindred, </em>Nnedi Okorafor's <em>Who Fears Death, </em>and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43524642" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a9d4549b-97ec-4773-939a-5205c6a10c03/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a9d4549b-97ec-4773-939a-5205c6a10c03&amp;feed=KodC6fj_"/>
      <itunes:title>Jerry Rafiki Jenkins, &quot;Anti-Blackness and Human Monstrosity in Black American Horror Fiction&quot; (Ohio State UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:20</itunes:duration>
      <itunes:summary>In Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when Black American is disassociated from American. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their &quot;anti-Black sadism,&quot; as Jenkins calls it, is what makes them repulsive. 
Jenkins examines a variety of these monstrous forms in Tananarive Due&apos;s The Between, Victor LaValle&apos;s The Changeling, Octavia Butler&apos;s Kindred, Nnedi Okorafor&apos;s Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when Black American is disassociated from American. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their &quot;anti-Black sadism,&quot; as Jenkins calls it, is what makes them repulsive. 
Jenkins examines a variety of these monstrous forms in Tananarive Due&apos;s The Between, Victor LaValle&apos;s The Changeling, Octavia Butler&apos;s Kindred, Nnedi Okorafor&apos;s Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>306</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5c484896-316e-11ef-be07-abed900c95e3</guid>
      <title>A Psychoanalytic Overview of Racism in America</title>
      <description><![CDATA[<p>The first podcast in this series was inspired by a documentary film made in 2014 called <a href="https://reframe.sussex.ac.uk/repsychoanalysis/2015/12/16/black-psychoanalysts-speak/">“Black Analysts Speak”</a> as well as some of the findings in the <a href="https://apsa.org/about-apsa/holmes-commission/">Holmes Commission on Racial Equality in American Psychoanalysis</a> published in 2023. It also considered the reasons <a href="https://www.epi.org/publication/chasing-the-dream-of-equity/">why racism has persisted</a> so long in America including perspectives from a psychoanalytic vantage point. <a href="https://positivepsychology.com/defense-mechanisms-in-psychology/">Mechanism of defense</a>, particularly <a href="https://www.psychologytoday.com/us/blog/psychoanalysis-unplugged/202106/understanding-boundaries-what-is-projective-identification">projective identification</a> was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons <a href="https://diversity.syr.edu/the-good-intentions-of-white-people/">why it is important for white people to listen to the Black experience</a>. Dr. Martin Luther King Jr.’s book, <a href="https://www.thriftbooks.com/w/where-do-we-go-from-here-chaos-or-community/9531160/item/9618146/?utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=high_vol_midlist_standard_shopping_retention&amp;utm_adgroup=&amp;utm_term=&amp;utm_content=666159745081&amp;gad_source=1&amp;gclid=CjwKCAjwgdayBhBQEiwAXhMxtmzEoNhAtivQdECfrifFqTYL9ECb8bv_lHg0DVAJB7Mc_8LkgT6WqRoCBe4QAvD_BwE#idiq=9618146&amp;edition=8903005"><em>Where do we go from here, Chaos or Community</em></a> was also considered because of its relevance today.</p><p><a href="https://www.drkarynemessina.com/">Dr. Karyne E. Messina</a> is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p><a href="https://psian.org/felecia-powellwilliams">Dr. Felecia Powell-Williams</a> is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 24 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The first podcast in this series was inspired by a documentary film made in 2014 called <a href="https://reframe.sussex.ac.uk/repsychoanalysis/2015/12/16/black-psychoanalysts-speak/">“Black Analysts Speak”</a> as well as some of the findings in the <a href="https://apsa.org/about-apsa/holmes-commission/">Holmes Commission on Racial Equality in American Psychoanalysis</a> published in 2023. It also considered the reasons <a href="https://www.epi.org/publication/chasing-the-dream-of-equity/">why racism has persisted</a> so long in America including perspectives from a psychoanalytic vantage point. <a href="https://positivepsychology.com/defense-mechanisms-in-psychology/">Mechanism of defense</a>, particularly <a href="https://www.psychologytoday.com/us/blog/psychoanalysis-unplugged/202106/understanding-boundaries-what-is-projective-identification">projective identification</a> was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons <a href="https://diversity.syr.edu/the-good-intentions-of-white-people/">why it is important for white people to listen to the Black experience</a>. Dr. Martin Luther King Jr.’s book, <a href="https://www.thriftbooks.com/w/where-do-we-go-from-here-chaos-or-community/9531160/item/9618146/?utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=high_vol_midlist_standard_shopping_retention&amp;utm_adgroup=&amp;utm_term=&amp;utm_content=666159745081&amp;gad_source=1&amp;gclid=CjwKCAjwgdayBhBQEiwAXhMxtmzEoNhAtivQdECfrifFqTYL9ECb8bv_lHg0DVAJB7Mc_8LkgT6WqRoCBe4QAvD_BwE#idiq=9618146&amp;edition=8903005"><em>Where do we go from here, Chaos or Community</em></a> was also considered because of its relevance today.</p><p><a href="https://www.drkarynemessina.com/">Dr. Karyne E. Messina</a> is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p><a href="https://psian.org/felecia-powellwilliams">Dr. Felecia Powell-Williams</a> is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42687569" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6d778640-e1b9-4ec7-92ce-3b9576044e4c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6d778640-e1b9-4ec7-92ce-3b9576044e4c&amp;feed=KodC6fj_"/>
      <itunes:title>A Psychoanalytic Overview of Racism in America</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:27</itunes:duration>
      <itunes:summary>The first podcast in this series was inspired by a documentary film made in 2014 called “Black Analysts Speak” as well as some of the findings in the Holmes Commission on Racial Equality in American Psychoanalysis published in 2023. It also considered the reasons why racism has persisted so long in America including perspectives from a psychoanalytic vantage point. Mechanism of defense, particularly projective identification was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons why it is important for white people to listen to the Black experience. Dr. Martin Luther King Jr.’s book, Where do we go from here, Chaos or Community was also considered because of its relevance today.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The first podcast in this series was inspired by a documentary film made in 2014 called “Black Analysts Speak” as well as some of the findings in the Holmes Commission on Racial Equality in American Psychoanalysis published in 2023. It also considered the reasons why racism has persisted so long in America including perspectives from a psychoanalytic vantage point. Mechanism of defense, particularly projective identification was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons why it is important for white people to listen to the Black experience. Dr. Martin Luther King Jr.’s book, Where do we go from here, Chaos or Community was also considered because of its relevance today.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">05e80a78-2da8-11ef-93d3-cfe19924ca1b</guid>
      <title>Paula Marie Seniors, &quot;Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists&quot; (U Georgia Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780820366425"><em>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists</em></a> (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.</p><p>Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?</p><p>Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 22 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780820366425"><em>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists</em></a> (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.</p><p>Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?</p><p>Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44831831" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/95833689-ca2b-4667-82a5-7f9470fd512d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=95833689-ca2b-4667-82a5-7f9470fd512d&amp;feed=KodC6fj_"/>
      <itunes:title>Paula Marie Seniors, &quot;Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists&quot; (U Georgia Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:41</itunes:duration>
      <itunes:summary>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.
Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?
Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.
Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?
Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>464</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d2ebc5fe-2a84-11ef-badb-b3cea4ed4f0c</guid>
      <title>Sally Stocksdale, &quot;When Emancipation Came: The End of Enslavement on a Southern Plantation and a Russian Estate&quot; (McFarland, 2022)</title>
      <description><![CDATA[<p>Linked by declarations of emancipation within the same five-year period, two countries shared human rights issues on two distinct continents. In <a href="https://bookshop.org/a/12343/9781476681986"><em>When Emancipation Came: The End of Enslavement on a Southern Plantation and a Russian Estate</em></a> (McFarland, 2022), readers will find a case-study comparison of the emancipation of Russian serfs on the Yazykovo Selo estate and American slaves at the Palmyra Plantation. Although state policies and reactions may not follow the same paths in each area, there were striking thematic parallels. These findings add to our understanding of what happens throughout an emancipation process in which the state grants freedom, and therefore speaks to the universality of the human experience. </p><p>Despite the political and economic differences between the two countries, as well as their geographic and cultural distances, this book re-conceptualizes emancipation and its aftermath in each country: from a history that treats each as a separate, self-contained story to one with a unified, global framework.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 19 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Linked by declarations of emancipation within the same five-year period, two countries shared human rights issues on two distinct continents. In <a href="https://bookshop.org/a/12343/9781476681986"><em>When Emancipation Came: The End of Enslavement on a Southern Plantation and a Russian Estate</em></a> (McFarland, 2022), readers will find a case-study comparison of the emancipation of Russian serfs on the Yazykovo Selo estate and American slaves at the Palmyra Plantation. Although state policies and reactions may not follow the same paths in each area, there were striking thematic parallels. These findings add to our understanding of what happens throughout an emancipation process in which the state grants freedom, and therefore speaks to the universality of the human experience. </p><p>Despite the political and economic differences between the two countries, as well as their geographic and cultural distances, this book re-conceptualizes emancipation and its aftermath in each country: from a history that treats each as a separate, self-contained story to one with a unified, global framework.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58275423" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/98d64bcf-f2d0-432e-8158-3f344595f698/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=98d64bcf-f2d0-432e-8158-3f344595f698&amp;feed=KodC6fj_"/>
      <itunes:title>Sally Stocksdale, &quot;When Emancipation Came: The End of Enslavement on a Southern Plantation and a Russian Estate&quot; (McFarland, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:42</itunes:duration>
      <itunes:summary>Linked by declarations of emancipation within the same five-year period, two countries shared human rights issues on two distinct continents. In When Emancipation Came: The End of Enslavement on a Southern Plantation and a Russian Estate (McFarland, 2022), readers will find a case-study comparison of the emancipation of Russian serfs on the Yazykovo Selo estate and American slaves at the Palmyra Plantation. Although state policies and reactions may not follow the same paths in each area, there were striking thematic parallels. These findings add to our understanding of what happens throughout an emancipation process in which the state grants freedom, and therefore speaks to the universality of the human experience. 
Despite the political and economic differences between the two countries, as well as their geographic and cultural distances, this book re-conceptualizes emancipation and its aftermath in each country: from a history that treats each as a separate, self-contained story to one with a unified, global framework.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Linked by declarations of emancipation within the same five-year period, two countries shared human rights issues on two distinct continents. In When Emancipation Came: The End of Enslavement on a Southern Plantation and a Russian Estate (McFarland, 2022), readers will find a case-study comparison of the emancipation of Russian serfs on the Yazykovo Selo estate and American slaves at the Palmyra Plantation. Although state policies and reactions may not follow the same paths in each area, there were striking thematic parallels. These findings add to our understanding of what happens throughout an emancipation process in which the state grants freedom, and therefore speaks to the universality of the human experience. 
Despite the political and economic differences between the two countries, as well as their geographic and cultural distances, this book re-conceptualizes emancipation and its aftermath in each country: from a history that treats each as a separate, self-contained story to one with a unified, global framework.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>463</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">17e5e30c-2809-11ef-9255-8b0c615ce6ba</guid>
      <title>Duana Fullwiley, &quot;Tabula Raza: Mapping Race and Human Diversity in American Genome Science&quot; (U California Press, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520401174">Tabula Raza: Mapping Race and Human Diversity in American Genome Science</a> (University of California Press, 2024), Duana Fullwiley has penned an intimate chronicle of laboratory life in the genomic age. She presents many of the influential scientists at the forefront of genetics who have redefined how we practice medicine and law and understand ancestry in an era of big data and waning privacy. Exceedingly relatable and human, the scientists in these pages often struggle for visibility, teeter on the tightrope of inclusion, and work tirelessly to imprint the future. As they actively imagine a more equal and just world, they often find themselves ensnared in reproducing timeworn conceits of race and racism that can seed the same health disparities they hope to resolve. Nothing dynamic can live for long as a blank slate, an innocent tabula rasa. But how the blank slate of the once-raceless human genome became one of racial differences, in various forms of what Fullwiley calls the tabula raza, has a very specific and familiar history--one that has cycled through the ages in unexpected ways.</p><p><strong>Duana Fullwiley</strong> is an anthropologist of science and medicine at Stanford University. She is the author of the award-winning book <em>The Enculturated Gene: Sickle Cell Health Politics and Biological Difference in West Africa</em>.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 12 Jun 2024 04:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520401174">Tabula Raza: Mapping Race and Human Diversity in American Genome Science</a> (University of California Press, 2024), Duana Fullwiley has penned an intimate chronicle of laboratory life in the genomic age. She presents many of the influential scientists at the forefront of genetics who have redefined how we practice medicine and law and understand ancestry in an era of big data and waning privacy. Exceedingly relatable and human, the scientists in these pages often struggle for visibility, teeter on the tightrope of inclusion, and work tirelessly to imprint the future. As they actively imagine a more equal and just world, they often find themselves ensnared in reproducing timeworn conceits of race and racism that can seed the same health disparities they hope to resolve. Nothing dynamic can live for long as a blank slate, an innocent tabula rasa. But how the blank slate of the once-raceless human genome became one of racial differences, in various forms of what Fullwiley calls the tabula raza, has a very specific and familiar history--one that has cycled through the ages in unexpected ways.</p><p><strong>Duana Fullwiley</strong> is an anthropologist of science and medicine at Stanford University. She is the author of the award-winning book <em>The Enculturated Gene: Sickle Cell Health Politics and Biological Difference in West Africa</em>.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69696858" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cdf3065c-14cf-4e71-9001-84a149cb3b90/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cdf3065c-14cf-4e71-9001-84a149cb3b90&amp;feed=KodC6fj_"/>
      <itunes:title>Duana Fullwiley, &quot;Tabula Raza: Mapping Race and Human Diversity in American Genome Science&quot; (U California Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:35</itunes:duration>
      <itunes:summary>In Tabula Raza: Mapping Race and Human Diversity in American Genome Science (University of California Press, 2024), Duana Fullwiley has penned an intimate chronicle of laboratory life in the genomic age. She presents many of the influential scientists at the forefront of genetics who have redefined how we practice medicine and law and understand ancestry in an era of big data and waning privacy. Exceedingly relatable and human, the scientists in these pages often struggle for visibility, teeter on the tightrope of inclusion, and work tirelessly to imprint the future. As they actively imagine a more equal and just world, they often find themselves ensnared in reproducing timeworn conceits of race and racism that can seed the same health disparities they hope to resolve. Nothing dynamic can live for long as a blank slate, an innocent tabula rasa. But how the blank slate of the once-raceless human genome became one of racial differences, in various forms of what Fullwiley calls the tabula raza, has a very specific and familiar history--one that has cycled through the ages in unexpected ways.
Duana Fullwiley is an anthropologist of science and medicine at Stanford University. She is the author of the award-winning book The Enculturated Gene: Sickle Cell Health Politics and Biological Difference in West Africa.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Tabula Raza: Mapping Race and Human Diversity in American Genome Science (University of California Press, 2024), Duana Fullwiley has penned an intimate chronicle of laboratory life in the genomic age. She presents many of the influential scientists at the forefront of genetics who have redefined how we practice medicine and law and understand ancestry in an era of big data and waning privacy. Exceedingly relatable and human, the scientists in these pages often struggle for visibility, teeter on the tightrope of inclusion, and work tirelessly to imprint the future. As they actively imagine a more equal and just world, they often find themselves ensnared in reproducing timeworn conceits of race and racism that can seed the same health disparities they hope to resolve. Nothing dynamic can live for long as a blank slate, an innocent tabula rasa. But how the blank slate of the once-raceless human genome became one of racial differences, in various forms of what Fullwiley calls the tabula raza, has a very specific and familiar history--one that has cycled through the ages in unexpected ways.
Duana Fullwiley is an anthropologist of science and medicine at Stanford University. She is the author of the award-winning book The Enculturated Gene: Sickle Cell Health Politics and Biological Difference in West Africa.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>308</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0e331126-106d-11ef-9d4f-33ddf640aed0</guid>
      <title>Screwed and Chopped</title>
      <description><![CDATA[<p>Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “<a href="http://www.texanwirewheels.com/houston-slab-culture/"><strong>slabs</strong></a>” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.</p><p>Folklorist and Houston native <a href="http://tnartscommission.org/staff/langston-collin-wilkins-ph-d/"><strong>Langston Collin Wilkins</strong></a> studies slab culture and the “<a href="https://en.wikipedia.org/wiki/Chopped_and_screwed"><strong>screwed and chopped</strong></a>” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a <em>space</em>—a collection of buildings and streets—into a <em>place</em> that is known, respected, and loved.</p><p>In this show we hear the slow, muddy, psychedelic sounds of<strong> </strong><a href="https://en.wikipedia.org/wiki/DJ_Screw"><strong>DJ Screw</strong></a> and <a href="https://en.wikipedia.org/wiki/Screwed_Up_Click"><strong>The Screwed Up Click</strong></a>, including rappers such as <a href="https://www.youtube.com/watch?v=3wuSQpiWtdU"><strong>Lil Keke</strong></a>,<strong> </strong><a href="https://www.youtube.com/watch?v=N42Ob4FGXo8"><strong>Fat Pat</strong></a>, <a href="https://www.youtube.com/watch?v=p-nZzeeMqHw"><strong>Big Hawk</strong></a>, and <a href="https://www.youtube.com/watch?v=zAd0btarXo0"><strong>UGK</strong></a>–as well as songs by <a href="https://www.youtube.com/watch?v=vGwQETnUAzE"><strong>Geto Boys</strong></a>, <a href="https://www.youtube.com/watch?v=WEdd8LXYpZE"><strong>Willie Dee</strong></a>, <a href="https://www.youtube.com/watch?v=PM7_V8Hxaqg"><strong>Swishahouse</strong></a>, <a href="https://www.youtube.com/watch?v=CEl7scqLDGc"><strong>Point Blank</strong></a>, <a href="https://www.youtube.com/watch?v=IzRMVZdykjo"><strong>Biggie Smalls</strong></a>, and <a href="https://www.youtube.com/watch?v=ys3RPPGXbd8"><strong>MC T Tucker &amp; DJ Irv</strong>.</a></p><p> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 10 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “<a href="http://www.texanwirewheels.com/houston-slab-culture/"><strong>slabs</strong></a>” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.</p><p>Folklorist and Houston native <a href="http://tnartscommission.org/staff/langston-collin-wilkins-ph-d/"><strong>Langston Collin Wilkins</strong></a> studies slab culture and the “<a href="https://en.wikipedia.org/wiki/Chopped_and_screwed"><strong>screwed and chopped</strong></a>” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a <em>space</em>—a collection of buildings and streets—into a <em>place</em> that is known, respected, and loved.</p><p>In this show we hear the slow, muddy, psychedelic sounds of<strong> </strong><a href="https://en.wikipedia.org/wiki/DJ_Screw"><strong>DJ Screw</strong></a> and <a href="https://en.wikipedia.org/wiki/Screwed_Up_Click"><strong>The Screwed Up Click</strong></a>, including rappers such as <a href="https://www.youtube.com/watch?v=3wuSQpiWtdU"><strong>Lil Keke</strong></a>,<strong> </strong><a href="https://www.youtube.com/watch?v=N42Ob4FGXo8"><strong>Fat Pat</strong></a>, <a href="https://www.youtube.com/watch?v=p-nZzeeMqHw"><strong>Big Hawk</strong></a>, and <a href="https://www.youtube.com/watch?v=zAd0btarXo0"><strong>UGK</strong></a>–as well as songs by <a href="https://www.youtube.com/watch?v=vGwQETnUAzE"><strong>Geto Boys</strong></a>, <a href="https://www.youtube.com/watch?v=WEdd8LXYpZE"><strong>Willie Dee</strong></a>, <a href="https://www.youtube.com/watch?v=PM7_V8Hxaqg"><strong>Swishahouse</strong></a>, <a href="https://www.youtube.com/watch?v=CEl7scqLDGc"><strong>Point Blank</strong></a>, <a href="https://www.youtube.com/watch?v=IzRMVZdykjo"><strong>Biggie Smalls</strong></a>, and <a href="https://www.youtube.com/watch?v=ys3RPPGXbd8"><strong>MC T Tucker &amp; DJ Irv</strong>.</a></p><p> </p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31849715" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/94a27b5c-6c16-4277-b42e-ef96550f1eca/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=94a27b5c-6c16-4277-b42e-ef96550f1eca&amp;feed=KodC6fj_"/>
      <itunes:title>Screwed and Chopped</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:10</itunes:duration>
      <itunes:summary>Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.
Folklorist and Houston native Langston Collin Wilkins studies slab culture and the “screwed and chopped” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a space—a collection of buildings and streets—into a place that is known, respected, and loved.
In this show we hear the slow, muddy, psychedelic sounds of DJ Screw and The Screwed Up Click, including rappers such as Lil Keke, Fat Pat, Big Hawk, and UGK–as well as songs by Geto Boys, Willie Dee, Swishahouse, Point Blank, Biggie Smalls, and MC T Tucker &amp; DJ Irv.
 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.
Folklorist and Houston native Langston Collin Wilkins studies slab culture and the “screwed and chopped” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a space—a collection of buildings and streets—into a place that is known, respected, and loved.
In this show we hear the slow, muddy, psychedelic sounds of DJ Screw and The Screwed Up Click, including rappers such as Lil Keke, Fat Pat, Big Hawk, and UGK–as well as songs by Geto Boys, Willie Dee, Swishahouse, Point Blank, Biggie Smalls, and MC T Tucker &amp; DJ Irv.
 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7db2f6d6-250f-11ef-bdad-374b72b31aaa</guid>
      <title>Adrienne Brown, &quot;The Residential Is Racial: A Perceptual History of Mass Homeownership&quot; (Stanford UP, 2024)</title>
      <description><![CDATA[<p>Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race.</p><p>In <a href="https://bookshop.org/a/12343/9781503638648"><em>The Residential Is Racial: A Perceptual History of Mass Homeownership</em></a> (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value.</p><p>Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 9 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race.</p><p>In <a href="https://bookshop.org/a/12343/9781503638648"><em>The Residential Is Racial: A Perceptual History of Mass Homeownership</em></a> (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value.</p><p>Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59496296" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6bd95100-498a-4345-a2af-d55f92cef2a6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6bd95100-498a-4345-a2af-d55f92cef2a6&amp;feed=KodC6fj_"/>
      <itunes:title>Adrienne Brown, &quot;The Residential Is Racial: A Perceptual History of Mass Homeownership&quot; (Stanford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:58</itunes:duration>
      <itunes:summary>Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race.
In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership&apos;s necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value.
Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race.
In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership&apos;s necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value.
Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">da7bfcee-243a-11ef-8837-3f4567fc888c</guid>
      <title>Financial Institutions and Enslavement</title>
      <description><![CDATA[<p>In this special episode, we talk to two authors about the role of financial institutions in enslavement. Sharon Ann Murphy, associate professor of history, argues in <a href="https://bookshop.org/a/12343/9780226825137"><em>Banking on Slavery Financing Southern Expansion in the Antebellum United States</em></a> (University of Chicago Press, 2023) that Southern banks’ willingness to use enslaved people as loan collateral led to the exponential growth of Southern enslavement during the 1820-30s. In filmmaker, producer, and author David Montero’s book, <a href="https://bookshop.org/a/12343/9780306827174"><em>The Stolen Wealth of Slavery: A Case for Reparations</em></a><em> </em>(Hatchette Book Group, 2024), he follows Wall Street bankers and large Northern banks were critical to the financing of slavery and, in turn, who massed incredible wealth from enslavement.</p><p>Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 8 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this special episode, we talk to two authors about the role of financial institutions in enslavement. Sharon Ann Murphy, associate professor of history, argues in <a href="https://bookshop.org/a/12343/9780226825137"><em>Banking on Slavery Financing Southern Expansion in the Antebellum United States</em></a> (University of Chicago Press, 2023) that Southern banks’ willingness to use enslaved people as loan collateral led to the exponential growth of Southern enslavement during the 1820-30s. In filmmaker, producer, and author David Montero’s book, <a href="https://bookshop.org/a/12343/9780306827174"><em>The Stolen Wealth of Slavery: A Case for Reparations</em></a><em> </em>(Hatchette Book Group, 2024), he follows Wall Street bankers and large Northern banks were critical to the financing of slavery and, in turn, who massed incredible wealth from enslavement.</p><p>Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58753843" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/84f401ff-2c8c-458f-97ea-5e69b4f0f3d2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=84f401ff-2c8c-458f-97ea-5e69b4f0f3d2&amp;feed=KodC6fj_"/>
      <itunes:title>Financial Institutions and Enslavement</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:12</itunes:duration>
      <itunes:summary>In this special episode, we talk to two authors about the role of financial institutions in enslavement. Sharon Ann Murphy, associate professor of history, argues in Banking on Slavery Financing Southern Expansion in the Antebellum United States (University of Chicago Press, 2023) that Southern banks’ willingness to use enslaved people as loan collateral led to the exponential growth of Southern enslavement during the 1820-30s. In filmmaker, producer, and author David Montero’s book, The Stolen Wealth of Slavery: A Case for Reparations (Hatchette Book Group, 2024), he follows Wall Street bankers and large Northern banks were critical to the financing of slavery and, in turn, who massed incredible wealth from enslavement.
Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this special episode, we talk to two authors about the role of financial institutions in enslavement. Sharon Ann Murphy, associate professor of history, argues in Banking on Slavery Financing Southern Expansion in the Antebellum United States (University of Chicago Press, 2023) that Southern banks’ willingness to use enslaved people as loan collateral led to the exponential growth of Southern enslavement during the 1820-30s. In filmmaker, producer, and author David Montero’s book, The Stolen Wealth of Slavery: A Case for Reparations (Hatchette Book Group, 2024), he follows Wall Street bankers and large Northern banks were critical to the financing of slavery and, in turn, who massed incredible wealth from enslavement.
Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>462</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">04b9eb66-237c-11ef-bda9-1fc2c79442a3</guid>
      <title>Corey J. Miles, &quot;Vibe: The Sound and Feeling of Black Life in the American South&quot; (U Mississippi Press, 2024)</title>
      <description><![CDATA[<p>In <a href="https://www.upress.state.ms.us/Books/V/Vibe"><em>Vibe: The Sound and Feeling of Black Life in the American South</em></a> (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. </p><p>Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 7 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://www.upress.state.ms.us/Books/V/Vibe"><em>Vibe: The Sound and Feeling of Black Life in the American South</em></a> (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. </p><p>Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47875841" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5996639f-562d-48c0-af7c-406458546c13/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5996639f-562d-48c0-af7c-406458546c13&amp;feed=KodC6fj_"/>
      <itunes:title>Corey J. Miles, &quot;Vibe: The Sound and Feeling of Black Life in the American South&quot; (U Mississippi Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:52</itunes:duration>
      <itunes:summary>In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the &quot;carceral South,&quot; to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. 
Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use &quot;vibe&quot; as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the &quot;carceral South,&quot; to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. 
Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use &quot;vibe&quot; as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2a4cb056-2355-11ef-af8b-0b1d57fbe5f0</guid>
      <title>Vince Brown, Caribbean Vectors (EF, JP)</title>
      <description><![CDATA[<p>The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year’s War, though it isn’t usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published <a href="https://bookshop.org/a/12343/9780674260290"><em>Tacky’s Revolt: The Story of an Atlantic Slave War</em></a> (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war.</p><p>Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history’s most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways.</p><p>Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD.</p><p>The idea of the vector shaped his first book as well. Vince’s “cartographic narrative” <a href="http://revolt.axismaps.com/map/">“A Slave Revolt in Jamaica: 1760-1761” </a>and the film he produced with director Llewellyn Smith, <a href="http://newsreel.org/video/HERSKOVITS-HEART-BLACKNESS">Herskovits at the Heart of Blackness</a> (which traces African studies and anthropology’s understanding of cultural movements from between Africa and the Americas) also explore these burning questions.</p><p>Along the way, Vince discusses C.L.R. James’ notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with <a href="https://recallthisbook.org/category/ajantha-subramanian/">Ajantha Subramanian</a>) and those bumper stickers from the early 1980s in which the Taliban were the good guys.</p><p><strong>Mentioned in this episode:</strong></p><ul>
<li>
<a href="https://www.imdb.com/title/tt0095956/">Rambo III</a> (1988)</li>
<li>
<a href="https://docsouth.unc.edu/neh/equiano1/equiano1.html"><em>The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself</em></a> (1789)</li>
<li>Aphra Behn,<a href="https://www.bl.uk/collection-items/aphra-behns-oroonoko-1688"> <em>Oroonoko</em></a><a href="https://docsouth.unc.edu/neh/equiano1/equiano1.html"> </a>(1688)</li>
<li>Catherine Hall, <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo3644017.html"><em>Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867</em></a> (2002)</li>
<li>C. L. R. James, <a href="https://www.penguinrandomhouse.com/books/86417/the-black-jacobins-by-c-l-r-james/"><em>The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution</em></a> (1938)</li>
<li>John Thornton,<a href="https://www.cambridge.org/core/books/africa-and-africans-in-the-making-of-the-atlantic-world-14001800/7454C6576723129F517E68BBF164E1F1"> <em>Africa and Africans in the making of the Atlantic World-1400-1800</em></a> (1992)</li>
<li>
<a href="http://web3.jamaica-gleaner.com/article/news/20191014/st-mary-man-walk-jamaica-10-days-derrick-%E2%80%98black-x%E2%80%99-robinson-intensifies-bid">Derrick ‘Black X’ Robinson</a> on his advocacy to make Tacky a national hero in Jamaica</li>
<li><em>Black X walks barefoot across Jamaica to make Tacky a national hero</em></li>
</ul><p><em>﻿</em></p><p><strong>Recallable Books:</strong></p><ul>
<li>Marlon James, <a href="https://www.penguinrandomhouse.com/books/302841/the-book-of-night-women-by-marlon-james/"><em>The Book of Night Women</em></a> (2009)</li>
<li>John Tutino, <a href="https://www.dukeupress.edu/making-a-new-world"><em>Making a New World</em> </a>(2011)</li>
<li>Angel Palerm,<em> The First Economic World-System</em> (1980)</li>
</ul><p><br /></p><p><strong>Listen and Read Here: </strong><a href="https://recallthisbook.org/wp-content/uploads/2020/06/vincent-brown-transcript.pdf">34 The Caribbean and Vectors of Warfare: Vincent Brown</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 6 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year’s War, though it isn’t usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published <a href="https://bookshop.org/a/12343/9780674260290"><em>Tacky’s Revolt: The Story of an Atlantic Slave War</em></a> (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war.</p><p>Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history’s most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways.</p><p>Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD.</p><p>The idea of the vector shaped his first book as well. Vince’s “cartographic narrative” <a href="http://revolt.axismaps.com/map/">“A Slave Revolt in Jamaica: 1760-1761” </a>and the film he produced with director Llewellyn Smith, <a href="http://newsreel.org/video/HERSKOVITS-HEART-BLACKNESS">Herskovits at the Heart of Blackness</a> (which traces African studies and anthropology’s understanding of cultural movements from between Africa and the Americas) also explore these burning questions.</p><p>Along the way, Vince discusses C.L.R. James’ notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with <a href="https://recallthisbook.org/category/ajantha-subramanian/">Ajantha Subramanian</a>) and those bumper stickers from the early 1980s in which the Taliban were the good guys.</p><p><strong>Mentioned in this episode:</strong></p><ul>
<li>
<a href="https://www.imdb.com/title/tt0095956/">Rambo III</a> (1988)</li>
<li>
<a href="https://docsouth.unc.edu/neh/equiano1/equiano1.html"><em>The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself</em></a> (1789)</li>
<li>Aphra Behn,<a href="https://www.bl.uk/collection-items/aphra-behns-oroonoko-1688"> <em>Oroonoko</em></a><a href="https://docsouth.unc.edu/neh/equiano1/equiano1.html"> </a>(1688)</li>
<li>Catherine Hall, <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo3644017.html"><em>Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867</em></a> (2002)</li>
<li>C. L. R. James, <a href="https://www.penguinrandomhouse.com/books/86417/the-black-jacobins-by-c-l-r-james/"><em>The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution</em></a> (1938)</li>
<li>John Thornton,<a href="https://www.cambridge.org/core/books/africa-and-africans-in-the-making-of-the-atlantic-world-14001800/7454C6576723129F517E68BBF164E1F1"> <em>Africa and Africans in the making of the Atlantic World-1400-1800</em></a> (1992)</li>
<li>
<a href="http://web3.jamaica-gleaner.com/article/news/20191014/st-mary-man-walk-jamaica-10-days-derrick-%E2%80%98black-x%E2%80%99-robinson-intensifies-bid">Derrick ‘Black X’ Robinson</a> on his advocacy to make Tacky a national hero in Jamaica</li>
<li><em>Black X walks barefoot across Jamaica to make Tacky a national hero</em></li>
</ul><p><em>﻿</em></p><p><strong>Recallable Books:</strong></p><ul>
<li>Marlon James, <a href="https://www.penguinrandomhouse.com/books/302841/the-book-of-night-women-by-marlon-james/"><em>The Book of Night Women</em></a> (2009)</li>
<li>John Tutino, <a href="https://www.dukeupress.edu/making-a-new-world"><em>Making a New World</em> </a>(2011)</li>
<li>Angel Palerm,<em> The First Economic World-System</em> (1980)</li>
</ul><p><br /></p><p><strong>Listen and Read Here: </strong><a href="https://recallthisbook.org/wp-content/uploads/2020/06/vincent-brown-transcript.pdf">34 The Caribbean and Vectors of Warfare: Vincent Brown</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40435998" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b511f873-0bb1-47e2-b465-09b5b12fed21/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b511f873-0bb1-47e2-b465-09b5b12fed21&amp;feed=KodC6fj_"/>
      <itunes:title>Vince Brown, Caribbean Vectors (EF, JP)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:06</itunes:duration>
      <itunes:summary>The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year’s War, though it isn’t usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky’s Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war.
Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history’s most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways.
Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD.
The idea of the vector shaped his first book as well. Vince’s “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology’s understanding of cultural movements from between Africa and the Americas) also explore these burning questions.
Along the way, Vince discusses C.L.R. James’ notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys.
Mentioned in this episode:


Rambo III (1988)


The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789)

Aphra Behn, Oroonoko (1688)

Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002)

C. L. R. James, The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution (1938)

John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992)


Derrick ‘Black X’ Robinson on his advocacy to make Tacky a national hero in Jamaica

Black X walks barefoot across Jamaica to make Tacky a national hero

﻿
Recallable Books:

Marlon James, The Book of Night Women (2009)

John Tutino, Making a New World (2011)

Angel Palerm, The First Economic World-System (1980)


Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year’s War, though it isn’t usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky’s Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war.
Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history’s most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways.
Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD.
The idea of the vector shaped his first book as well. Vince’s “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology’s understanding of cultural movements from between Africa and the Americas) also explore these burning questions.
Along the way, Vince discusses C.L.R. James’ notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys.
Mentioned in this episode:


Rambo III (1988)


The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789)

Aphra Behn, Oroonoko (1688)

Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002)

C. L. R. James, The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution (1938)

John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992)


Derrick ‘Black X’ Robinson on his advocacy to make Tacky a national hero in Jamaica

Black X walks barefoot across Jamaica to make Tacky a national hero

﻿
Recallable Books:

Marlon James, The Book of Night Women (2009)

John Tutino, Making a New World (2011)

Angel Palerm, The First Economic World-System (1980)


Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d6b186b0-229b-11ef-979f-3f3dac596ae6</guid>
      <title>Matthew D. Morrison, &quot;Blacksound: Making Race and Popular Music in the United States&quot; (U California Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520390591"><em>Blacksound: Making Race and Popular Music in the United States</em></a><em> </em>(U California Press, 2024) explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.</p><p>Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, <em>Blacksound</em> highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.</p><p><a href="https://yalemusic.yale.edu/people/nathan-smith"><em>Nathan Smith</em></a><em> is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 5 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520390591"><em>Blacksound: Making Race and Popular Music in the United States</em></a><em> </em>(U California Press, 2024) explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.</p><p>Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, <em>Blacksound</em> highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.</p><p><a href="https://yalemusic.yale.edu/people/nathan-smith"><em>Nathan Smith</em></a><em> is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="74339967" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b97fa041-21ae-43e2-8136-eb9758178d3c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b97fa041-21ae-43e2-8136-eb9758178d3c&amp;feed=KodC6fj_"/>
      <itunes:title>Matthew D. Morrison, &quot;Blacksound: Making Race and Popular Music in the United States&quot; (U California Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:17:26</itunes:duration>
      <itunes:summary>Blacksound: Making Race and Popular Music in the United States (U California Press, 2024) explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of &quot;Blacksound&quot; to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.
Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.
Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Blacksound: Making Race and Popular Music in the United States (U California Press, 2024) explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of &quot;Blacksound&quot; to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.
Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.
Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">94a7ca88-1f74-11ef-92c1-0baa0a63a1d1</guid>
      <title>Richard E. Ocejo, &quot;Sixty Miles Upriver: Gentrification and Race in a Small American City&quot; (Princeton UP, 2024)</title>
      <description><![CDATA[<p>Newburgh is a small postindustrial city of some twenty-eight thousand people located sixty miles north of New York City in the Hudson River Valley. Like many other similarly sized cities across America, it has been beset with poverty and crime after decades of decline, with few opportunities for its predominantly minority residents. </p><p><a href="https://bookshop.org/a/12343/9780691211329"><em>Sixty Miles Upriver: Gentrification and Race in a Small American City</em></a><em> </em>(Princeton UP, 2024) tells the story of how Newburgh started gentrifying, describing what happens when White creative professionals seek out racially diverse and working-class communities and revealing how gentrification is increasingly happening outside large city centers in places where it unfolds in new ways.</p><p>As New York City’s housing market becomes too expensive for even the middle class, many urbanites are bypassing the suburbs and moving to smaller cities like Newburgh, where housing is affordable and historic. Richard Ocejo takes readers into the lives of these newcomers, examining the different ways they navigate racial difference and inequality among Newburgh’s much less privileged local residents, and showing how stakeholders in the city’s revitalization reframe themselves and gentrification to cast the displacement they cause to minority groups in a positive light.</p><p>An intimate exploration of the moral dilemma at the heart of gentrification, Sixty Miles Upriver explains how progressive White gentrifiers justify controversial urban changes as morally good, and how their actions carry profound and lasting consequences for vulnerable residents of color.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 2 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Newburgh is a small postindustrial city of some twenty-eight thousand people located sixty miles north of New York City in the Hudson River Valley. Like many other similarly sized cities across America, it has been beset with poverty and crime after decades of decline, with few opportunities for its predominantly minority residents. </p><p><a href="https://bookshop.org/a/12343/9780691211329"><em>Sixty Miles Upriver: Gentrification and Race in a Small American City</em></a><em> </em>(Princeton UP, 2024) tells the story of how Newburgh started gentrifying, describing what happens when White creative professionals seek out racially diverse and working-class communities and revealing how gentrification is increasingly happening outside large city centers in places where it unfolds in new ways.</p><p>As New York City’s housing market becomes too expensive for even the middle class, many urbanites are bypassing the suburbs and moving to smaller cities like Newburgh, where housing is affordable and historic. Richard Ocejo takes readers into the lives of these newcomers, examining the different ways they navigate racial difference and inequality among Newburgh’s much less privileged local residents, and showing how stakeholders in the city’s revitalization reframe themselves and gentrification to cast the displacement they cause to minority groups in a positive light.</p><p>An intimate exploration of the moral dilemma at the heart of gentrification, Sixty Miles Upriver explains how progressive White gentrifiers justify controversial urban changes as morally good, and how their actions carry profound and lasting consequences for vulnerable residents of color.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54645152" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ee6d9820-113b-4a27-8c3a-992ab5430126/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ee6d9820-113b-4a27-8c3a-992ab5430126&amp;feed=KodC6fj_"/>
      <itunes:title>Richard E. Ocejo, &quot;Sixty Miles Upriver: Gentrification and Race in a Small American City&quot; (Princeton UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:55</itunes:duration>
      <itunes:summary>Newburgh is a small postindustrial city of some twenty-eight thousand people located sixty miles north of New York City in the Hudson River Valley. Like many other similarly sized cities across America, it has been beset with poverty and crime after decades of decline, with few opportunities for its predominantly minority residents. 
Sixty Miles Upriver: Gentrification and Race in a Small American City (Princeton UP, 2024) tells the story of how Newburgh started gentrifying, describing what happens when White creative professionals seek out racially diverse and working-class communities and revealing how gentrification is increasingly happening outside large city centers in places where it unfolds in new ways.
As New York City’s housing market becomes too expensive for even the middle class, many urbanites are bypassing the suburbs and moving to smaller cities like Newburgh, where housing is affordable and historic. Richard Ocejo takes readers into the lives of these newcomers, examining the different ways they navigate racial difference and inequality among Newburgh’s much less privileged local residents, and showing how stakeholders in the city’s revitalization reframe themselves and gentrification to cast the displacement they cause to minority groups in a positive light.
An intimate exploration of the moral dilemma at the heart of gentrification, Sixty Miles Upriver explains how progressive White gentrifiers justify controversial urban changes as morally good, and how their actions carry profound and lasting consequences for vulnerable residents of color.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Newburgh is a small postindustrial city of some twenty-eight thousand people located sixty miles north of New York City in the Hudson River Valley. Like many other similarly sized cities across America, it has been beset with poverty and crime after decades of decline, with few opportunities for its predominantly minority residents. 
Sixty Miles Upriver: Gentrification and Race in a Small American City (Princeton UP, 2024) tells the story of how Newburgh started gentrifying, describing what happens when White creative professionals seek out racially diverse and working-class communities and revealing how gentrification is increasingly happening outside large city centers in places where it unfolds in new ways.
As New York City’s housing market becomes too expensive for even the middle class, many urbanites are bypassing the suburbs and moving to smaller cities like Newburgh, where housing is affordable and historic. Richard Ocejo takes readers into the lives of these newcomers, examining the different ways they navigate racial difference and inequality among Newburgh’s much less privileged local residents, and showing how stakeholders in the city’s revitalization reframe themselves and gentrification to cast the displacement they cause to minority groups in a positive light.
An intimate exploration of the moral dilemma at the heart of gentrification, Sixty Miles Upriver explains how progressive White gentrifiers justify controversial urban changes as morally good, and how their actions carry profound and lasting consequences for vulnerable residents of color.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>363</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6ede32e4-1f90-11ef-99fe-affa01e69880</guid>
      <title>Kyle Barnett, &quot;Record Cultures: The Transformation of the U.S. Recording Industry&quot; (U Michigan Press, 2020)</title>
      <description><![CDATA[<p>In <a href="https://www.press.umich.edu/9901441/record_cultures"><em>Record Cultures: The Transformation of the U.S. Recording Industry</em></a> (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.</p><p>Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.</p><p><a href="https://www.bellarmine.edu/communication/faculty/">Kyle Barnett</a> is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.</p><p><a href="https://kimberlymack.com/"><em>Kimberly Mack</em></a><em> holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “</em><a href="https://longreads.com/2019/02/22/johnny-rotten-my-mom-and-me/"><em>Johnny Rotten, My Mom, and Me</em></a><em>.”</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 2 Jun 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://www.press.umich.edu/9901441/record_cultures"><em>Record Cultures: The Transformation of the U.S. Recording Industry</em></a> (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.</p><p>Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.</p><p><a href="https://www.bellarmine.edu/communication/faculty/">Kyle Barnett</a> is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.</p><p><a href="https://kimberlymack.com/"><em>Kimberly Mack</em></a><em> holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “</em><a href="https://longreads.com/2019/02/22/johnny-rotten-my-mom-and-me/"><em>Johnny Rotten, My Mom, and Me</em></a><em>.”</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65007297" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2d118068-cb91-46a6-8bec-ddc01501b0fc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2d118068-cb91-46a6-8bec-ddc01501b0fc&amp;feed=KodC6fj_"/>
      <itunes:title>Kyle Barnett, &quot;Record Cultures: The Transformation of the U.S. Recording Industry&quot; (U Michigan Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:42</itunes:duration>
      <itunes:summary>In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.
Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.
Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.
Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.
Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e5d29ff0-106a-11ef-9531-6731b136fcf0</guid>
      <title>Ears Racing</title>
      <description><![CDATA[<p>This episode, we talk with <a href="https://jenniferstoever.com/"><strong>Jennifer Lynn Stoever</strong></a>–editor of the influential sound studies blog <a href="https://soundstudiesblog.com/"><strong>Sounding Out!</strong></a>–about her new book, <a href="https://nyupress.org/books/9781479889341/"><strong><em>The Sonic Color Line: Race and the Cultural Politics of Listening </em></strong></a>(NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”</p><p>Works discussed include Richard Wright’s <a href="https://en.wikipedia.org/wiki/Native_Son"><strong><em>Native Son</em></strong><em> </em></a>and music by <a href="https://en.wikipedia.org/wiki/Lead_Belly"><strong>Huddie Ledbetter</strong></a> (Lead Belly), <a href="http://fishbone.net/"><strong>Fishbone</strong></a>, and <a href="https://en.wikipedia.org/wiki/Lena_Horne"><strong>Lena Horne</strong></a>.</p><p>Additional music by Graeme Gibson and <a href="https://soundcloud.com/blue-the-fifth"><strong>Blue the Fifth</strong></a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 27 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This episode, we talk with <a href="https://jenniferstoever.com/"><strong>Jennifer Lynn Stoever</strong></a>–editor of the influential sound studies blog <a href="https://soundstudiesblog.com/"><strong>Sounding Out!</strong></a>–about her new book, <a href="https://nyupress.org/books/9781479889341/"><strong><em>The Sonic Color Line: Race and the Cultural Politics of Listening </em></strong></a>(NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”</p><p>Works discussed include Richard Wright’s <a href="https://en.wikipedia.org/wiki/Native_Son"><strong><em>Native Son</em></strong><em> </em></a>and music by <a href="https://en.wikipedia.org/wiki/Lead_Belly"><strong>Huddie Ledbetter</strong></a> (Lead Belly), <a href="http://fishbone.net/"><strong>Fishbone</strong></a>, and <a href="https://en.wikipedia.org/wiki/Lena_Horne"><strong>Lena Horne</strong></a>.</p><p>Additional music by Graeme Gibson and <a href="https://soundcloud.com/blue-the-fifth"><strong>Blue the Fifth</strong></a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52427526" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/43d2e647-bd8c-4481-95e2-80dd0c90d53a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=43d2e647-bd8c-4481-95e2-80dd0c90d53a&amp;feed=KodC6fj_"/>
      <itunes:title>Ears Racing</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:36</itunes:duration>
      <itunes:summary>This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”
Works discussed include Richard Wright’s Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne.
Additional music by Graeme Gibson and Blue the Fifth.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”
Works discussed include Richard Wright’s Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne.
Additional music by Graeme Gibson and Blue the Fifth.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">871669da-1ac2-11ef-8f12-7bc529792789</guid>
      <title>Larry Roeder and Barry Harrelson, &quot;Dirt Don&apos;t Burn: A Black Community&apos;s Struggle for Educational Equality Under Segregation&quot; (Georgetown UP, 2023)</title>
      <description><![CDATA[<p>The system of educational apartheid that existed in the United States until the Brown v. Board of Education decision and its aftermath has affected every aspect of life for Black Americans.</p><p>Larry Roeder and Barry Harrelson's book <a href="https://bookshop.org/a/12343/9781647123635"><em>Dirt Don't Burn: A Black Community's Struggle for Educational Equality Under Segregation</em></a><em> </em>(Georgetown UP, 2023) is the riveting narrative of an extraordinary community that overcame the cultural and legal hurdles of systematic racism. <em>Dirt Don't Burn</em> describes how Loudoun County, Virginia, which once denied educational opportunity to Black Americans, gradually increased the equality of education for all children in the area. The book includes powerful stories of the largely unknown individuals and organizations that brought change to enduring habits of exclusion and prejudice toward African Americans.</p><p><em>Dirt Don't Burn</em> sheds new light on the history of segregation and inequity in American history. It provides new historical details and insights into African American experiences based on original research through thousands of previously lost records, archival NAACP files, and records of educational philanthropies. This book will appeal to readers interested in American history, African American history, and regional history, as well as educational policy and social justice.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 27 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The system of educational apartheid that existed in the United States until the Brown v. Board of Education decision and its aftermath has affected every aspect of life for Black Americans.</p><p>Larry Roeder and Barry Harrelson's book <a href="https://bookshop.org/a/12343/9781647123635"><em>Dirt Don't Burn: A Black Community's Struggle for Educational Equality Under Segregation</em></a><em> </em>(Georgetown UP, 2023) is the riveting narrative of an extraordinary community that overcame the cultural and legal hurdles of systematic racism. <em>Dirt Don't Burn</em> describes how Loudoun County, Virginia, which once denied educational opportunity to Black Americans, gradually increased the equality of education for all children in the area. The book includes powerful stories of the largely unknown individuals and organizations that brought change to enduring habits of exclusion and prejudice toward African Americans.</p><p><em>Dirt Don't Burn</em> sheds new light on the history of segregation and inequity in American history. It provides new historical details and insights into African American experiences based on original research through thousands of previously lost records, archival NAACP files, and records of educational philanthropies. This book will appeal to readers interested in American history, African American history, and regional history, as well as educational policy and social justice.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53038742" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2419eb5f-a4c8-4b71-b0b6-5f6ec5cfb7fd/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2419eb5f-a4c8-4b71-b0b6-5f6ec5cfb7fd&amp;feed=KodC6fj_"/>
      <itunes:title>Larry Roeder and Barry Harrelson, &quot;Dirt Don&apos;t Burn: A Black Community&apos;s Struggle for Educational Equality Under Segregation&quot; (Georgetown UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:14</itunes:duration>
      <itunes:summary>The system of educational apartheid that existed in the United States until the Brown v. Board of Education decision and its aftermath has affected every aspect of life for Black Americans.
Larry Roeder and Barry Harrelson&apos;s book Dirt Don&apos;t Burn: A Black Community&apos;s Struggle for Educational Equality Under Segregation (Georgetown UP, 2023) is the riveting narrative of an extraordinary community that overcame the cultural and legal hurdles of systematic racism. Dirt Don&apos;t Burn describes how Loudoun County, Virginia, which once denied educational opportunity to Black Americans, gradually increased the equality of education for all children in the area. The book includes powerful stories of the largely unknown individuals and organizations that brought change to enduring habits of exclusion and prejudice toward African Americans.
Dirt Don&apos;t Burn sheds new light on the history of segregation and inequity in American history. It provides new historical details and insights into African American experiences based on original research through thousands of previously lost records, archival NAACP files, and records of educational philanthropies. This book will appeal to readers interested in American history, African American history, and regional history, as well as educational policy and social justice.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The system of educational apartheid that existed in the United States until the Brown v. Board of Education decision and its aftermath has affected every aspect of life for Black Americans.
Larry Roeder and Barry Harrelson&apos;s book Dirt Don&apos;t Burn: A Black Community&apos;s Struggle for Educational Equality Under Segregation (Georgetown UP, 2023) is the riveting narrative of an extraordinary community that overcame the cultural and legal hurdles of systematic racism. Dirt Don&apos;t Burn describes how Loudoun County, Virginia, which once denied educational opportunity to Black Americans, gradually increased the equality of education for all children in the area. The book includes powerful stories of the largely unknown individuals and organizations that brought change to enduring habits of exclusion and prejudice toward African Americans.
Dirt Don&apos;t Burn sheds new light on the history of segregation and inequity in American history. It provides new historical details and insights into African American experiences based on original research through thousands of previously lost records, archival NAACP files, and records of educational philanthropies. This book will appeal to readers interested in American history, African American history, and regional history, as well as educational policy and social justice.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>461</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5d9f2224-1a98-11ef-9815-6fb5c9effa3b</guid>
      <title>Jesse McCarthy, &quot;The Blue Period: Black Writing in the Early Cold War&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p><em>‘The result is that, at the present time, the world is at an impasse.’</em></p><p>In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy’s <a href="https://bookshop.org/a/12343/9780226832173"><em>The Blue Period: Black Writing in the Early Cold War</em></a><em> </em>(U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief’s <em>The Age of the Crisis of Man </em>(2015) and Amanda Anderson’s <em>Bleak Liberalism </em>(2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers’ efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin’s words, find ‘the power that will free us from ourselves.’</p><p>Jesse McCarthy is an essayist, novelist, editor at <em>Point </em>Magazine, and an assistant professor in English and African-American Studies at Harvard University.</p><p>Damian Maher is a fellow by examination at All Souls College, University of Oxford.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 26 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><em>‘The result is that, at the present time, the world is at an impasse.’</em></p><p>In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy’s <a href="https://bookshop.org/a/12343/9780226832173"><em>The Blue Period: Black Writing in the Early Cold War</em></a><em> </em>(U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief’s <em>The Age of the Crisis of Man </em>(2015) and Amanda Anderson’s <em>Bleak Liberalism </em>(2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers’ efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin’s words, find ‘the power that will free us from ourselves.’</p><p>Jesse McCarthy is an essayist, novelist, editor at <em>Point </em>Magazine, and an assistant professor in English and African-American Studies at Harvard University.</p><p>Damian Maher is a fellow by examination at All Souls College, University of Oxford.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70408947" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d954c31c-22a2-46bb-9cdb-51c554e0ff4d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d954c31c-22a2-46bb-9cdb-51c554e0ff4d&amp;feed=KodC6fj_"/>
      <itunes:title>Jesse McCarthy, &quot;The Blue Period: Black Writing in the Early Cold War&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:13:20</itunes:duration>
      <itunes:summary>‘The result is that, at the present time, the world is at an impasse.’
In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy’s The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief’s The Age of the Crisis of Man (2015) and Amanda Anderson’s Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers’ efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin’s words, find ‘the power that will free us from ourselves.’
Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University.
Damian Maher is a fellow by examination at All Souls College, University of Oxford.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>‘The result is that, at the present time, the world is at an impasse.’
In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy’s The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief’s The Age of the Crisis of Man (2015) and Amanda Anderson’s Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers’ efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin’s words, find ‘the power that will free us from ourselves.’
Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University.
Damian Maher is a fellow by examination at All Souls College, University of Oxford.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>301</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8fe49a4c-17a6-11ef-9e7b-e32257de974f</guid>
      <title>Benjamin Bryce and David M. K. Sheinin, &quot;Race and Transnationalism in the Americas&quot; (U Pittsburgh Press, 2021)</title>
      <description><![CDATA[<p>Edited by Benjamin Bryce and David Sheinin, <a href="https://bookshop.org/a/12343/9780822946717"><em>Race and Transnationalism in the Americas</em></a> (University of Pittsburgh Press, 2021), highlights the importance of transnational forces in shaping the concept of race and understanding of national belonging across the Americas, from the late nineteenth century to the present times. The book also examines how race and its categories have functioned as mechanisms of exclusion and inclusion across cultural, political, and social dimensions. The authors across the different chapters examine phenomena such as immigration policies, indigenous decolonization efforts, and governmental colonization endeavors to discuss the intersections between race and both transnational and national elements. New ways to think about what it means to be a citizen, to belong, and to be of a particular race are offered, which prove useful and refreshing in our day and age, marked by considerable migration across borders in the Americas and the politization of racial identities.</p><p>Benjamin Bryce is a Professor of History at the University of British Columbia.</p><p>David Sheinin is a Professor of History at Trent University.</p><p>Ariadna Obregon is a PhD student at the School of Media and Communication at the University of Leeds. On Twitter/X: @AriadnaObregn1</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 22 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Edited by Benjamin Bryce and David Sheinin, <a href="https://bookshop.org/a/12343/9780822946717"><em>Race and Transnationalism in the Americas</em></a> (University of Pittsburgh Press, 2021), highlights the importance of transnational forces in shaping the concept of race and understanding of national belonging across the Americas, from the late nineteenth century to the present times. The book also examines how race and its categories have functioned as mechanisms of exclusion and inclusion across cultural, political, and social dimensions. The authors across the different chapters examine phenomena such as immigration policies, indigenous decolonization efforts, and governmental colonization endeavors to discuss the intersections between race and both transnational and national elements. New ways to think about what it means to be a citizen, to belong, and to be of a particular race are offered, which prove useful and refreshing in our day and age, marked by considerable migration across borders in the Americas and the politization of racial identities.</p><p>Benjamin Bryce is a Professor of History at the University of British Columbia.</p><p>David Sheinin is a Professor of History at Trent University.</p><p>Ariadna Obregon is a PhD student at the School of Media and Communication at the University of Leeds. On Twitter/X: @AriadnaObregn1</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37292871" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/dd1f9c54-e0c6-4fa8-9b29-7aff39dfb287/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=dd1f9c54-e0c6-4fa8-9b29-7aff39dfb287&amp;feed=KodC6fj_"/>
      <itunes:title>Benjamin Bryce and David M. K. Sheinin, &quot;Race and Transnationalism in the Americas&quot; (U Pittsburgh Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:50</itunes:duration>
      <itunes:summary>Edited by Benjamin Bryce and David Sheinin, Race and Transnationalism in the Americas (University of Pittsburgh Press, 2021), highlights the importance of transnational forces in shaping the concept of race and understanding of national belonging across the Americas, from the late nineteenth century to the present times. The book also examines how race and its categories have functioned as mechanisms of exclusion and inclusion across cultural, political, and social dimensions. The authors across the different chapters examine phenomena such as immigration policies, indigenous decolonization efforts, and governmental colonization endeavors to discuss the intersections between race and both transnational and national elements. New ways to think about what it means to be a citizen, to belong, and to be of a particular race are offered, which prove useful and refreshing in our day and age, marked by considerable migration across borders in the Americas and the politization of racial identities.
Benjamin Bryce is a Professor of History at the University of British Columbia.
David Sheinin is a Professor of History at Trent University.
Ariadna Obregon is a PhD student at the School of Media and Communication at the University of Leeds. On Twitter/X: @AriadnaObregn1

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Edited by Benjamin Bryce and David Sheinin, Race and Transnationalism in the Americas (University of Pittsburgh Press, 2021), highlights the importance of transnational forces in shaping the concept of race and understanding of national belonging across the Americas, from the late nineteenth century to the present times. The book also examines how race and its categories have functioned as mechanisms of exclusion and inclusion across cultural, political, and social dimensions. The authors across the different chapters examine phenomena such as immigration policies, indigenous decolonization efforts, and governmental colonization endeavors to discuss the intersections between race and both transnational and national elements. New ways to think about what it means to be a citizen, to belong, and to be of a particular race are offered, which prove useful and refreshing in our day and age, marked by considerable migration across borders in the Americas and the politization of racial identities.
Benjamin Bryce is a Professor of History at the University of British Columbia.
David Sheinin is a Professor of History at Trent University.
Ariadna Obregon is a PhD student at the School of Media and Communication at the University of Leeds. On Twitter/X: @AriadnaObregn1

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>219</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6715ad3a-1789-11ef-af14-eb9bccbb275d</guid>
      <title>Danielle R. Olden, &quot;Racial Uncertainties: Mexican Americans, School Desegregation, and the Making of Race in Post–Civil Rights America&quot; (U California Press, 2022)</title>
      <description><![CDATA[<p>Mexican Americans have often fit uncertainly into the white/non-white binary that has goverens much of American history. After Colorado, and much of the rest of the American West, became American claimed territory after the Mexican-Americna War in 1848, thousands of formerly Mexican citizens became American citizens. Flash foward a century to post-war Denver. In the spring of 1969, Mexican American students staged a walk out in protest of poor quality education, racist teachers, and school segregation - they were met by police in riot gear, to beat and arrested dozens of peaceful protestors. Denver thus became ground zero for debates over race in the American West, a city as important to conceptions of whiteness, "minority" status, and colorblindness as any place in the South.</p><p>In the award winning book,<a href="https://bookshop.org/a/12343/9780520343351"> <em>Racial Uncertainties: Mexican Americans, School Desegregation, and the Making of Race in Post-Civil Rights America</em> </a>(U California Press, 2022), University of Utah historian Danielle Olden tracks the history of Chicano, Latinx, and Mexican American identities through Denver's history, focusing on the lead up to the 1973 Supreme Court case, Keyes v. Denver School District No. 1. Olden tracks the remarkable and complicated story of that city's Chicano, Black, and white communities through the halting process of school desegregation, and in doing so provides an explemary lesson in the social mutability of the concept of race.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 22 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Mexican Americans have often fit uncertainly into the white/non-white binary that has goverens much of American history. After Colorado, and much of the rest of the American West, became American claimed territory after the Mexican-Americna War in 1848, thousands of formerly Mexican citizens became American citizens. Flash foward a century to post-war Denver. In the spring of 1969, Mexican American students staged a walk out in protest of poor quality education, racist teachers, and school segregation - they were met by police in riot gear, to beat and arrested dozens of peaceful protestors. Denver thus became ground zero for debates over race in the American West, a city as important to conceptions of whiteness, "minority" status, and colorblindness as any place in the South.</p><p>In the award winning book,<a href="https://bookshop.org/a/12343/9780520343351"> <em>Racial Uncertainties: Mexican Americans, School Desegregation, and the Making of Race in Post-Civil Rights America</em> </a>(U California Press, 2022), University of Utah historian Danielle Olden tracks the history of Chicano, Latinx, and Mexican American identities through Denver's history, focusing on the lead up to the 1973 Supreme Court case, Keyes v. Denver School District No. 1. Olden tracks the remarkable and complicated story of that city's Chicano, Black, and white communities through the halting process of school desegregation, and in doing so provides an explemary lesson in the social mutability of the concept of race.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="75077404" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/038479d9-6730-4acd-a6b1-11776476e878/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=038479d9-6730-4acd-a6b1-11776476e878&amp;feed=KodC6fj_"/>
      <itunes:title>Danielle R. Olden, &quot;Racial Uncertainties: Mexican Americans, School Desegregation, and the Making of Race in Post–Civil Rights America&quot; (U California Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:18:12</itunes:duration>
      <itunes:summary>Mexican Americans have often fit uncertainly into the white/non-white binary that has goverens much of American history. After Colorado, and much of the rest of the American West, became American claimed territory after the Mexican-Americna War in 1848, thousands of formerly Mexican citizens became American citizens. Flash foward a century to post-war Denver. In the spring of 1969, Mexican American students staged a walk out in protest of poor quality education, racist teachers, and school segregation - they were met by police in riot gear, to beat and arrested dozens of peaceful protestors. Denver thus became ground zero for debates over race in the American West, a city as important to conceptions of whiteness, &quot;minority&quot; status, and colorblindness as any place in the South.
In the award winning book, Racial Uncertainties: Mexican Americans, School Desegregation, and the Making of Race in Post-Civil Rights America (U California Press, 2022), University of Utah historian Danielle Olden tracks the history of Chicano, Latinx, and Mexican American identities through Denver&apos;s history, focusing on the lead up to the 1973 Supreme Court case, Keyes v. Denver School District No. 1. Olden tracks the remarkable and complicated story of that city&apos;s Chicano, Black, and white communities through the halting process of school desegregation, and in doing so provides an explemary lesson in the social mutability of the concept of race.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Mexican Americans have often fit uncertainly into the white/non-white binary that has goverens much of American history. After Colorado, and much of the rest of the American West, became American claimed territory after the Mexican-Americna War in 1848, thousands of formerly Mexican citizens became American citizens. Flash foward a century to post-war Denver. In the spring of 1969, Mexican American students staged a walk out in protest of poor quality education, racist teachers, and school segregation - they were met by police in riot gear, to beat and arrested dozens of peaceful protestors. Denver thus became ground zero for debates over race in the American West, a city as important to conceptions of whiteness, &quot;minority&quot; status, and colorblindness as any place in the South.
In the award winning book, Racial Uncertainties: Mexican Americans, School Desegregation, and the Making of Race in Post-Civil Rights America (U California Press, 2022), University of Utah historian Danielle Olden tracks the history of Chicano, Latinx, and Mexican American identities through Denver&apos;s history, focusing on the lead up to the 1973 Supreme Court case, Keyes v. Denver School District No. 1. Olden tracks the remarkable and complicated story of that city&apos;s Chicano, Black, and white communities through the halting process of school desegregation, and in doing so provides an explemary lesson in the social mutability of the concept of race.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3de29298-178e-11ef-a9c3-5b954122b812</guid>
      <title>Laura Helton, &quot;Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History&quot; (Columbia UP, 2024)</title>
      <description><![CDATA[<p>During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.</p><p>In <a href="https://bookshop.org/a/12343/9780231212755"><em>Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History</em></a><em> </em>(Columbia UP, 2024), Laura E. Helton tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, <em>Scattered and Fugitive Things</em> reveals Black collecting as a radical critical tradition that reimagines past, present, and future.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 22 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.</p><p>In <a href="https://bookshop.org/a/12343/9780231212755"><em>Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History</em></a><em> </em>(Columbia UP, 2024), Laura E. Helton tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, <em>Scattered and Fugitive Things</em> reveals Black collecting as a radical critical tradition that reimagines past, present, and future.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52782134" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/68121773-424d-4509-a98f-e169757d6b7b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=68121773-424d-4509-a98f-e169757d6b7b&amp;feed=KodC6fj_"/>
      <itunes:title>Laura Helton, &quot;Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History&quot; (Columbia UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:58</itunes:duration>
      <itunes:summary>During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.
In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History (Columbia UP, 2024), Laura E. Helton tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.
In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History (Columbia UP, 2024), Laura E. Helton tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8bbb28a4-150e-11ef-800b-0715c4053b87</guid>
      <title>Ryan Reft, &quot;Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973&quot; (2024)</title>
      <description><![CDATA[<p><a href="https://blogs.loc.gov/manuscripts/author/rref/">Ryan Reft</a> is a historian in the Manuscript Division at the Library of Congress, where he oversees collections pertaining to 20th and 21st century domestic politics and policies. He received his PhD in U.S. urban history from the University of California San Diego in 2014, and his writing has appeared all over the place, from edited volumes to academic journals, to the Washington Post and Zocalo Public Square. He’s also currently the senior co-editor of the Urban History Association’s blog <a href="https://themetropole.blog/">The Metropole</a>, where he recently authored a great article called “<a href="https://themetropole.blog/2024/01/24/heroin-and-chocolate-city-black-community-responses-to-drug-addiction-in-the-nations-capital-1967-1973/">Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973</a>.” While it’s not a book, “Heroin and Chocolate City” is a deeply-researched article that offers compelling new insights into how Washington, D.C., responded to heroin use in the late 60s and early 70s, when both D.C., and heroin, were really unique.</p><p>*Note to listeners: Ryan realized later he connected Julius Hobson with SNCC. Hobson was actually associated with CORE.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of</em><a href="https://bookshop.org/a/12343/9780465096169"><em> Grass Roots: The Rise and Fall and Rise of Marijuana in America </em></a><em>(Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 20 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://blogs.loc.gov/manuscripts/author/rref/">Ryan Reft</a> is a historian in the Manuscript Division at the Library of Congress, where he oversees collections pertaining to 20th and 21st century domestic politics and policies. He received his PhD in U.S. urban history from the University of California San Diego in 2014, and his writing has appeared all over the place, from edited volumes to academic journals, to the Washington Post and Zocalo Public Square. He’s also currently the senior co-editor of the Urban History Association’s blog <a href="https://themetropole.blog/">The Metropole</a>, where he recently authored a great article called “<a href="https://themetropole.blog/2024/01/24/heroin-and-chocolate-city-black-community-responses-to-drug-addiction-in-the-nations-capital-1967-1973/">Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973</a>.” While it’s not a book, “Heroin and Chocolate City” is a deeply-researched article that offers compelling new insights into how Washington, D.C., responded to heroin use in the late 60s and early 70s, when both D.C., and heroin, were really unique.</p><p>*Note to listeners: Ryan realized later he connected Julius Hobson with SNCC. Hobson was actually associated with CORE.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of</em><a href="https://bookshop.org/a/12343/9780465096169"><em> Grass Roots: The Rise and Fall and Rise of Marijuana in America </em></a><em>(Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49222634" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1ad9c6ec-64aa-4a93-92ca-1f06f05b1762/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1ad9c6ec-64aa-4a93-92ca-1f06f05b1762&amp;feed=KodC6fj_"/>
      <itunes:title>Ryan Reft, &quot;Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973&quot; (2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:16</itunes:duration>
      <itunes:summary>Ryan Reft is a historian in the Manuscript Division at the Library of Congress, where he oversees collections pertaining to 20th and 21st century domestic politics and policies. He received his PhD in U.S. urban history from the University of California San Diego in 2014, and his writing has appeared all over the place, from edited volumes to academic journals, to the Washington Post and Zocalo Public Square. He’s also currently the senior co-editor of the Urban History Association’s blog The Metropole, where he recently authored a great article called “Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973.” While it’s not a book, “Heroin and Chocolate City” is a deeply-researched article that offers compelling new insights into how Washington, D.C., responded to heroin use in the late 60s and early 70s, when both D.C., and heroin, were really unique.
*Note to listeners: Ryan realized later he connected Julius Hobson with SNCC. Hobson was actually associated with CORE.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ryan Reft is a historian in the Manuscript Division at the Library of Congress, where he oversees collections pertaining to 20th and 21st century domestic politics and policies. He received his PhD in U.S. urban history from the University of California San Diego in 2014, and his writing has appeared all over the place, from edited volumes to academic journals, to the Washington Post and Zocalo Public Square. He’s also currently the senior co-editor of the Urban History Association’s blog The Metropole, where he recently authored a great article called “Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973.” While it’s not a book, “Heroin and Chocolate City” is a deeply-researched article that offers compelling new insights into how Washington, D.C., responded to heroin use in the late 60s and early 70s, when both D.C., and heroin, were really unique.
*Note to listeners: Ryan realized later he connected Julius Hobson with SNCC. Hobson was actually associated with CORE.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">da642188-1471-11ef-90a7-7bbe91329855</guid>
      <title>Raven Simone Maragh-Lloyd, &quot;Black Networked Resistance: Strategic Rearticulations in the Digital Age&quot; (U California Press, 2024)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520390034"><em>Black Networked Resistance: Strategic Rearticulations in the Digital Age</em></a><em> </em>(U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. </p><p>Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. </p><p>Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, <em>Black Networked Resistance</em> encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 19 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520390034"><em>Black Networked Resistance: Strategic Rearticulations in the Digital Age</em></a><em> </em>(U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. </p><p>Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. </p><p>Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, <em>Black Networked Resistance</em> encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56268378" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cfb0f040-bcb9-4927-9285-5653f0184c32/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cfb0f040-bcb9-4927-9285-5653f0184c32&amp;feed=KodC6fj_"/>
      <itunes:title>Raven Simone Maragh-Lloyd, &quot;Black Networked Resistance: Strategic Rearticulations in the Digital Age&quot; (U California Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:36</itunes:duration>
      <itunes:summary>Black Networked Resistance: Strategic Rearticulations in the Digital Age (U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. 
Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. 
Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Networked Resistance: Strategic Rearticulations in the Digital Age (U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. 
Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. 
Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ea5028f0-1393-11ef-8b4f-930210db8df7</guid>
      <title>Adriana Chira, &quot;Patchwork Freedoms: Law, Slavery, and Race beyond Cuba&apos;s Plantations&quot; (Cambridge UP, 2022)</title>
      <description><![CDATA[<p>In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, <a href="https://bookshop.org/a/12343/9781108730808"><em>Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations</em></a> (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.</p><p><em>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: </em><a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1"><em>From Rights to Lives: The Evolution of the Black Freedom Struggle</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 17 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, <a href="https://bookshop.org/a/12343/9781108730808"><em>Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations</em></a> (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.</p><p><em>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: </em><a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1"><em>From Rights to Lives: The Evolution of the Black Freedom Struggle</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40346700" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e9ab08f6-f9d5-4a63-a63c-efc7f0d033c5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e9ab08f6-f9d5-4a63-a63c-efc7f0d033c5&amp;feed=KodC6fj_"/>
      <itunes:title>Adriana Chira, &quot;Patchwork Freedoms: Law, Slavery, and Race beyond Cuba&apos;s Plantations&quot; (Cambridge UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:01</itunes:duration>
      <itunes:summary>In nineteenth-century Santiago de Cuba, the island of Cuba&apos;s radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba&apos;s Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba&apos;s Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba&apos;s intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago&apos;s Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In nineteenth-century Santiago de Cuba, the island of Cuba&apos;s radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba&apos;s Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba&apos;s Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba&apos;s intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago&apos;s Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8da02044-1201-11ef-92c4-8f357e3693f8</guid>
      <title>Christopher Tounsel, &quot;Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity&quot; (Cornell UP, 2024)</title>
      <description><![CDATA[<p>Christopher Tounsel's book <a href="https://bookshop.org/a/12343/9781501775628"><em>Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity</em></a> (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora.</p><p><em>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: </em><a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1"><em>From Rights to Lives: The Evolution of the Black Freedom Struggle</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 15 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Christopher Tounsel's book <a href="https://bookshop.org/a/12343/9781501775628"><em>Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity</em></a> (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora.</p><p><em>Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: </em><a href="https://www.amazon.com/Rights-Lives-Evolution-Struggle-Liberation/dp/0826506658/ref=sr_1_1?crid=294FH7OWIM8UU&amp;dib=eyJ2IjoiMSJ9.5O9HuYnUNAjxobLe7Dufmta_qn-XIMKvhehoaymQxOHYTDG5VCIy2Kzh8wylCyZtMuUItxd468KUk75RCdz13yMPnRi-bwcLMNyjUFF9DbrmKJChilzJCL44LvHk0sjzznFUMCoGef7M3bzhMbRk-xs5v9DeOOs214IGx_qyyhLfZz5GLqaNZkpCYku6AsPsmSi1HE95-Us-ZRrNjnyPfE1Mo7iFobz9mzLM-KHz_fI.lDLnV0b05AgDclfLPGhrqnSmOFY_VxQOqN14ce58cBs&amp;dib_tag=se&amp;keywords=from+rights+to+lives+book&amp;qid=1711049289&amp;sprefix=from+rights+to+lives+boo%2Caps%2C117&amp;sr=8-1"><em>From Rights to Lives: The Evolution of the Black Freedom Struggle</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50511333" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c36a7c01-d88a-45c1-a39c-75eb6c9a6f05/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c36a7c01-d88a-45c1-a39c-75eb6c9a6f05&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher Tounsel, &quot;Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity&quot; (Cornell UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:36</itunes:duration>
      <itunes:summary>Christopher Tounsel&apos;s book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America&apos;s intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of &quot;Arab Africa,&quot; rather than &quot;Black Africa,&quot; is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Christopher Tounsel&apos;s book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America&apos;s intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of &quot;Arab Africa,&quot; rather than &quot;Black Africa,&quot; is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ebc00c06-0726-11ef-8d3b-f3a8262ba6e0</guid>
      <title>Courtney Thorsson, &quot;The Sisterhood: How a Network of Black Women Writers Changed American Culture&quot; (Columbia UP, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780231204729"><em>The Sisterhood: How a Network of Black Women Writers Changed American Culture</em></a> (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 13 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780231204729"><em>The Sisterhood: How a Network of Black Women Writers Changed American Culture</em></a> (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58591119" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c998f9d8-7253-44c7-92cb-84fab1773465/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c998f9d8-7253-44c7-92cb-84fab1773465&amp;feed=KodC6fj_"/>
      <itunes:title>Courtney Thorsson, &quot;The Sisterhood: How a Network of Black Women Writers Changed American Culture&quot; (Columbia UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:01</itunes:duration>
      <itunes:summary>The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>457</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">24035ca0-105d-11ef-b46e-ef3cd0449acc</guid>
      <title>Kevin Woodson, &quot;The Black Ceiling: How Race Still Matters in the Elite Workplace&quot; (U Chicago Press, 2023)</title>
      <description><![CDATA[<p>America's elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don't advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a "Black ceiling."</p><p>Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn't explicit bias but <em>racial discomfort</em>, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: <em>social alienation</em>, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and <em>stigma anxiety</em>, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America's segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.</p><p>Offering a new perspective on a pressing social issue, <a href="https://bookshop.org/a/12343/9780226828725"><em>The Black Ceiling: How Race Still Matters in the Elite Workplace</em></a> (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 13 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>America's elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don't advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a "Black ceiling."</p><p>Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn't explicit bias but <em>racial discomfort</em>, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: <em>social alienation</em>, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and <em>stigma anxiety</em>, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America's segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.</p><p>Offering a new perspective on a pressing social issue, <a href="https://bookshop.org/a/12343/9780226828725"><em>The Black Ceiling: How Race Still Matters in the Elite Workplace</em></a> (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37588091" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1ccf5946-e2b0-4866-8434-0a1237c8f6ee/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1ccf5946-e2b0-4866-8434-0a1237c8f6ee&amp;feed=KodC6fj_"/>
      <itunes:title>Kevin Woodson, &quot;The Black Ceiling: How Race Still Matters in the Elite Workplace&quot; (U Chicago Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:09</itunes:duration>
      <itunes:summary>America&apos;s elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don&apos;t advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a &quot;Black ceiling.&quot;
Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn&apos;t explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: social alienation, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and stigma anxiety, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America&apos;s segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.
Offering a new perspective on a pressing social issue, The Black Ceiling: How Race Still Matters in the Elite Workplace (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>America&apos;s elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don&apos;t advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a &quot;Black ceiling.&quot;
Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn&apos;t explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: social alienation, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and stigma anxiety, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America&apos;s segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.
Offering a new perspective on a pressing social issue, The Black Ceiling: How Race Still Matters in the Elite Workplace (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>460</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">da308226-0fba-11ef-9a71-63b246cc471a</guid>
      <title>Rachelle Winkle-Wagner, &quot;The Chosen We: Black Women&apos;s Empowerment in Higher Education&quot; (SUNY Press, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781438495422"><em>The Chosen We: Black Women's Empowerment in Higher Education</em></a> (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.</p><p>Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of <em>Diversity and Inclusion on Campus: Supporting Students of Color in College</em>, and the author of <em>The Unchosen We: Black Women and Identity in Higher Education</em>, among other books.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 12 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781438495422"><em>The Chosen We: Black Women's Empowerment in Higher Education</em></a> (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.</p><p>Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of <em>Diversity and Inclusion on Campus: Supporting Students of Color in College</em>, and the author of <em>The Unchosen We: Black Women and Identity in Higher Education</em>, among other books.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37744943" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/59c10303-b4aa-4cb7-9975-3eab68b7a890/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=59c10303-b4aa-4cb7-9975-3eab68b7a890&amp;feed=KodC6fj_"/>
      <itunes:title>Rachelle Winkle-Wagner, &quot;The Chosen We: Black Women&apos;s Empowerment in Higher Education&quot; (SUNY Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:18</itunes:duration>
      <itunes:summary>The Chosen We: Black Women&apos;s Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women&apos;s experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women&apos;s oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.
Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Chosen We: Black Women&apos;s Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women&apos;s experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women&apos;s oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.
Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>459</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">eafb519e-0e39-11ef-a598-2b4072da3aad</guid>
      <title>Kendra Y. Hamilton, &quot;Romancing the Gullah in the Age of Porgy and Bess&quot; (U Georgia Press, 2024)</title>
      <description><![CDATA[<p>Dr. Kendra Y. Hamilton’s <a href="https://bookshop.org/a/12343/9780820362885"><em>Romancing the Gullah in the Age of Porgy and Bess</em></a> (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. </p><p>This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.</p><p>Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 10 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dr. Kendra Y. Hamilton’s <a href="https://bookshop.org/a/12343/9780820362885"><em>Romancing the Gullah in the Age of Porgy and Bess</em></a> (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. </p><p>This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.</p><p>Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63605550" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0c0ee409-cda7-4f20-864f-f3467d4546e4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0c0ee409-cda7-4f20-864f-f3467d4546e4&amp;feed=KodC6fj_"/>
      <itunes:title>Kendra Y. Hamilton, &quot;Romancing the Gullah in the Age of Porgy and Bess&quot; (U Georgia Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:15</itunes:duration>
      <itunes:summary>Dr. Kendra Y. Hamilton’s Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. 
This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.
Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dr. Kendra Y. Hamilton’s Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. 
This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.
Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">35f38046-0e2a-11ef-a32f-effe19bbd952</guid>
      <title>Robert K. D. Colby, &quot;An Unholy Traffic: Slave Trading in the Civil War South&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.</p><p><a href="https://bookshop.org/a/12343/9780197578261"><em>An Unholy Traffic: Slave Trading in the Civil War South</em></a> (Oxford UP, 2024) shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people's journeys toward liberty while inspiring others to make the risky decision to escape.</p><p>Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA's war effort, and its impact on those attempting to seize their freedom.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 10 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.</p><p><a href="https://bookshop.org/a/12343/9780197578261"><em>An Unholy Traffic: Slave Trading in the Civil War South</em></a> (Oxford UP, 2024) shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people's journeys toward liberty while inspiring others to make the risky decision to escape.</p><p>Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA's war effort, and its impact on those attempting to seize their freedom.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42791883" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/481d409f-55a0-4c02-ac06-c81f22f18375/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=481d409f-55a0-4c02-ac06-c81f22f18375&amp;feed=KodC6fj_"/>
      <itunes:title>Robert K. D. Colby, &quot;An Unholy Traffic: Slave Trading in the Civil War South&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:34</itunes:duration>
      <itunes:summary>The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.
An Unholy Traffic: Slave Trading in the Civil War South (Oxford UP, 2024) shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people&apos;s journeys toward liberty while inspiring others to make the risky decision to escape.
Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA&apos;s war effort, and its impact on those attempting to seize their freedom.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.
An Unholy Traffic: Slave Trading in the Civil War South (Oxford UP, 2024) shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people&apos;s journeys toward liberty while inspiring others to make the risky decision to escape.
Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA&apos;s war effort, and its impact on those attempting to seize their freedom.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>458</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">206cec06-fa90-11ee-af57-03652bbc7168</guid>
      <title>Luis H. H. Favela, &quot;The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment&quot; (Routledge, 2024)</title>
      <description><![CDATA[<p>Ecological psychology holds that perception and action are best explained in terms of dynamic interactions between brain, body, and environment, not in classical cognitivist terms of the manipulation of representations in the head. This anti-representationalist stance, argues Luis Favela, makes ecological psychology deeply at odds with dominant trends in some parts of neuroscience. </p><p>In <a href="https://bookshop.org/a/12343/9780367444723"><em>The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment</em></a> (Routledge, 2024), Favela lays out the seemingly irreconciliable theoretical commitments of ecological psychology and neuroscience, and then defends a framework for reconciling them: the NeuroEcological Nexus Theory (NExT). According to Favela, who is an associate professor of philosophy and cognitive sciences at the University of Central Florida, complexity science provides the conceptual tools that can help integrate these frameworks, such as by articulating the key notion of affordances in ecological psychology as a kind of dimensional reduction in complexity science.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 10 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Ecological psychology holds that perception and action are best explained in terms of dynamic interactions between brain, body, and environment, not in classical cognitivist terms of the manipulation of representations in the head. This anti-representationalist stance, argues Luis Favela, makes ecological psychology deeply at odds with dominant trends in some parts of neuroscience. </p><p>In <a href="https://bookshop.org/a/12343/9780367444723"><em>The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment</em></a> (Routledge, 2024), Favela lays out the seemingly irreconciliable theoretical commitments of ecological psychology and neuroscience, and then defends a framework for reconciling them: the NeuroEcological Nexus Theory (NExT). According to Favela, who is an associate professor of philosophy and cognitive sciences at the University of Central Florida, complexity science provides the conceptual tools that can help integrate these frameworks, such as by articulating the key notion of affordances in ecological psychology as a kind of dimensional reduction in complexity science.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53578792" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/499d7e2e-6129-465b-a073-9f978cbea011/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=499d7e2e-6129-465b-a073-9f978cbea011&amp;feed=KodC6fj_"/>
      <itunes:title>Luis H. H. Favela, &quot;The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment&quot; (Routledge, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:48</itunes:duration>
      <itunes:summary>Ecological psychology holds that perception and action are best explained in terms of dynamic interactions between brain, body, and environment, not in classical cognitivist terms of the manipulation of representations in the head. This anti-representationalist stance, argues Luis Favela, makes ecological psychology deeply at odds with dominant trends in some parts of neuroscience. 
In The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment (Routledge, 2024), Favela lays out the seemingly irreconciliable theoretical commitments of ecological psychology and neuroscience, and then defends a framework for reconciling them: the NeuroEcological Nexus Theory (NExT). According to Favela, who is an associate professor of philosophy and cognitive sciences at the University of Central Florida, complexity science provides the conceptual tools that can help integrate these frameworks, such as by articulating the key notion of affordances in ecological psychology as a kind of dimensional reduction in complexity science.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ecological psychology holds that perception and action are best explained in terms of dynamic interactions between brain, body, and environment, not in classical cognitivist terms of the manipulation of representations in the head. This anti-representationalist stance, argues Luis Favela, makes ecological psychology deeply at odds with dominant trends in some parts of neuroscience. 
In The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment (Routledge, 2024), Favela lays out the seemingly irreconciliable theoretical commitments of ecological psychology and neuroscience, and then defends a framework for reconciling them: the NeuroEcological Nexus Theory (NExT). According to Favela, who is an associate professor of philosophy and cognitive sciences at the University of Central Florida, complexity science provides the conceptual tools that can help integrate these frameworks, such as by articulating the key notion of affordances in ecological psychology as a kind of dimensional reduction in complexity science.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>339</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">53ae80f4-0bc3-11ef-8dce-7b3007b9e608</guid>
      <title>Eziaku Atuama Nwokocha, &quot;Vodou en Vogue: Fashioning Black Divinities in Haiti and the United States&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in <a href="https://bookshop.org/a/12343/9781469674018"><em>Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States</em></a> (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.</p><p>Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in <a href="https://bookshop.org/a/12343/9781469674018"><em>Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States</em></a> (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.</p><p>Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="79946150" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3329a41c-41f8-43fb-a9dd-ff477689a8c8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3329a41c-41f8-43fb-a9dd-ff477689a8c8&amp;feed=KodC6fj_"/>
      <itunes:title>Eziaku Atuama Nwokocha, &quot;Vodou en Vogue: Fashioning Black Divinities in Haiti and the United States&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:23:16</itunes:duration>
      <itunes:summary>In Haitian Vodou, spirits impact Black practitioners&apos; everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude&apos;s use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.
Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Haitian Vodou, spirits impact Black practitioners&apos; everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude&apos;s use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.
Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>299</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7ec22bf6-08c1-11ef-bae6-1f847f02418e</guid>
      <title>James Wolfinger, &quot;If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia&quot; (Temple UP, 2022)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781439919279"><em>If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia</em> </a>(Temple UP, 2022) provides an in-depth historical analysis of Philadelphia politics from the days of the Great Migration to the present. Philadelphia has long been a crucial site for the development of Black politics across the nation and this volume emphasizes how Black activists have long protested against police abuse, pushed for education reform, challenged job and housing discrimination, and put presidents in the White House. <em>If There Is No Struggle There Is No Progress</em> demonstrates that “Philadelphia must be central to any analysis of African American political history.”</p><p>But politics means more than elected office and the book highlights political strategies such as the "Don't Buy Where You Can't Work" movement and the Double V campaign. It demonstrates how Black activism helped shift Philadelphia from the Republican machine to Democratic leaders in the 1950s and highlights the election of politicians like Robert N. C. Nix, Sr., the first African American representative from Philadelphia. The book highlights grassroots movements and the intersection of race, gender, class, and politics in the 1960s and shows how African Americans from the 1970s to the present challenged (white) Mayor Frank Rizzo and helped elect (Black) Mayors Wilson Goode, John Street, and Michael Nutter.</p><p>Dean James Wolfinger (he/him/his) serves as dean of the School of Education at St. John’s University in Queens, New York.</p><p><a href="https://www.niu.edu/clas/history/about/faculty/arnold.shtml">Dr. Stanley Arnold</a> (he/him/his) is an Associate Professor of American History at Northern Illinois University.</p><p><a href="https://sites.google.com/allegheny.edu/alyssaribeiro/home">Dr. Alyssa Ribeiro</a> (she/her/hers) is the Henry A Logan, Sr, Professor of American History at Allegheny College in Meadville, Pennsylvania.</p><p> Ms. Daniela Lavergne at Saint Joseph’s University served as the editorial assistant for this podcast.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 6 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781439919279"><em>If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia</em> </a>(Temple UP, 2022) provides an in-depth historical analysis of Philadelphia politics from the days of the Great Migration to the present. Philadelphia has long been a crucial site for the development of Black politics across the nation and this volume emphasizes how Black activists have long protested against police abuse, pushed for education reform, challenged job and housing discrimination, and put presidents in the White House. <em>If There Is No Struggle There Is No Progress</em> demonstrates that “Philadelphia must be central to any analysis of African American political history.”</p><p>But politics means more than elected office and the book highlights political strategies such as the "Don't Buy Where You Can't Work" movement and the Double V campaign. It demonstrates how Black activism helped shift Philadelphia from the Republican machine to Democratic leaders in the 1950s and highlights the election of politicians like Robert N. C. Nix, Sr., the first African American representative from Philadelphia. The book highlights grassroots movements and the intersection of race, gender, class, and politics in the 1960s and shows how African Americans from the 1970s to the present challenged (white) Mayor Frank Rizzo and helped elect (Black) Mayors Wilson Goode, John Street, and Michael Nutter.</p><p>Dean James Wolfinger (he/him/his) serves as dean of the School of Education at St. John’s University in Queens, New York.</p><p><a href="https://www.niu.edu/clas/history/about/faculty/arnold.shtml">Dr. Stanley Arnold</a> (he/him/his) is an Associate Professor of American History at Northern Illinois University.</p><p><a href="https://sites.google.com/allegheny.edu/alyssaribeiro/home">Dr. Alyssa Ribeiro</a> (she/her/hers) is the Henry A Logan, Sr, Professor of American History at Allegheny College in Meadville, Pennsylvania.</p><p> Ms. Daniela Lavergne at Saint Joseph’s University served as the editorial assistant for this podcast.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53525958" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/58fece9f-e1c9-45ef-9e32-3eb02d2029ac/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=58fece9f-e1c9-45ef-9e32-3eb02d2029ac&amp;feed=KodC6fj_"/>
      <itunes:title>James Wolfinger, &quot;If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia&quot; (Temple UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:45</itunes:duration>
      <itunes:summary>If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia (Temple UP, 2022) provides an in-depth historical analysis of Philadelphia politics from the days of the Great Migration to the present. Philadelphia has long been a crucial site for the development of Black politics across the nation and this volume emphasizes how Black activists have long protested against police abuse, pushed for education reform, challenged job and housing discrimination, and put presidents in the White House. If There Is No Struggle There Is No Progress demonstrates that “Philadelphia must be central to any analysis of African American political history.”
But politics means more than elected office and the book highlights political strategies such as the &quot;Don&apos;t Buy Where You Can&apos;t Work&quot; movement and the Double V campaign. It demonstrates how Black activism helped shift Philadelphia from the Republican machine to Democratic leaders in the 1950s and highlights the election of politicians like Robert N. C. Nix, Sr., the first African American representative from Philadelphia. The book highlights grassroots movements and the intersection of race, gender, class, and politics in the 1960s and shows how African Americans from the 1970s to the present challenged (white) Mayor Frank Rizzo and helped elect (Black) Mayors Wilson Goode, John Street, and Michael Nutter.
Dean James Wolfinger (he/him/his) serves as dean of the School of Education at St. John’s University in Queens, New York.
Dr. Stanley Arnold (he/him/his) is an Associate Professor of American History at Northern Illinois University.
Dr. Alyssa Ribeiro (she/her/hers) is the Henry A Logan, Sr, Professor of American History at Allegheny College in Meadville, Pennsylvania.
 Ms. Daniela Lavergne at Saint Joseph’s University served as the editorial assistant for this podcast.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia (Temple UP, 2022) provides an in-depth historical analysis of Philadelphia politics from the days of the Great Migration to the present. Philadelphia has long been a crucial site for the development of Black politics across the nation and this volume emphasizes how Black activists have long protested against police abuse, pushed for education reform, challenged job and housing discrimination, and put presidents in the White House. If There Is No Struggle There Is No Progress demonstrates that “Philadelphia must be central to any analysis of African American political history.”
But politics means more than elected office and the book highlights political strategies such as the &quot;Don&apos;t Buy Where You Can&apos;t Work&quot; movement and the Double V campaign. It demonstrates how Black activism helped shift Philadelphia from the Republican machine to Democratic leaders in the 1950s and highlights the election of politicians like Robert N. C. Nix, Sr., the first African American representative from Philadelphia. The book highlights grassroots movements and the intersection of race, gender, class, and politics in the 1960s and shows how African Americans from the 1970s to the present challenged (white) Mayor Frank Rizzo and helped elect (Black) Mayors Wilson Goode, John Street, and Michael Nutter.
Dean James Wolfinger (he/him/his) serves as dean of the School of Education at St. John’s University in Queens, New York.
Dr. Stanley Arnold (he/him/his) is an Associate Professor of American History at Northern Illinois University.
Dr. Alyssa Ribeiro (she/her/hers) is the Henry A Logan, Sr, Professor of American History at Allegheny College in Meadville, Pennsylvania.
 Ms. Daniela Lavergne at Saint Joseph’s University served as the editorial assistant for this podcast.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>714</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3088da9e-07da-11ef-ac54-1bf18df97fac</guid>
      <title>Crystal Wilkinson, &quot;Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks&quot; (Clarkson Potter, 2023)</title>
      <description><![CDATA[<p>Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine.</p><p>An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, <a href="https://bookshop.org/a/12343/9780593236512"><em>Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks</em></a><em> </em>(Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia.</p><p>As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in <em>Praisesong for the Kitchen Ghosts. </em>She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, <em>Praisesong for the Kitchen Ghosts</em> weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 2 May 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine.</p><p>An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, <a href="https://bookshop.org/a/12343/9780593236512"><em>Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks</em></a><em> </em>(Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia.</p><p>As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in <em>Praisesong for the Kitchen Ghosts. </em>She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, <em>Praisesong for the Kitchen Ghosts</em> weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45908100" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e892501e-2d4d-49dd-936f-3416cbdb1872/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e892501e-2d4d-49dd-936f-3416cbdb1872&amp;feed=KodC6fj_"/>
      <itunes:title>Crystal Wilkinson, &quot;Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks&quot; (Clarkson Potter, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:49</itunes:duration>
      <itunes:summary>Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine.
An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia.
As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine.
An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia.
As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">330d1b88-0652-11ef-b84d-1701322016ea</guid>
      <title>Adia Harvey Wingfield, &quot;Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It&quot; (Amistad Press, 2023)</title>
      <description><![CDATA[<p>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.</p><p>Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In <a href="https://bookshop.org/a/12343/9780063079816"><em>Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It</em></a> (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.</p><p>In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.</p><p>It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 30 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.</p><p>Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In <a href="https://bookshop.org/a/12343/9780063079816"><em>Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It</em></a> (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.</p><p>In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.</p><p>It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40948741" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c86369e9-d487-416d-9e65-9318f0e08578/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c86369e9-d487-416d-9e65-9318f0e08578&amp;feed=KodC6fj_"/>
      <itunes:title>Adia Harvey Wingfield, &quot;Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It&quot; (Amistad Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:39</itunes:duration>
      <itunes:summary>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.
Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.
In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.
It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.
Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.
In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.
It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>352</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4e8a95d6-0560-11ef-8a98-e71aa508be7f</guid>
      <title>Christopher Cameron, &quot;Black Freethinkers: A History of African American Secularism&quot; (Northwestern UP, 2019)</title>
      <description><![CDATA[<p><a href="http://www.amazon.com/dp/0810140780/?tag=newbooinhis-20"><em>Black Freethinkers: A History of African American Secularism</em></a> (Northwestern University Press, 2019) by <a href="https://history.uncc.edu/people/dr-christopher-cameron">Christopher Cameron</a>, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, <em>Black Freethinkers</em> is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron’s work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society.</p><p>Cameron’s work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject.</p><p><em>Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include </em>Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History<em> (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, </em>Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union<em> (University Press of Mississippi 2014). You can learn more about her work </em><a href="http://hettiewilliams.com/"><em>here</em></a><em> or follow her on twitter (@DrHettie2017). </em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 29 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="http://www.amazon.com/dp/0810140780/?tag=newbooinhis-20"><em>Black Freethinkers: A History of African American Secularism</em></a> (Northwestern University Press, 2019) by <a href="https://history.uncc.edu/people/dr-christopher-cameron">Christopher Cameron</a>, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, <em>Black Freethinkers</em> is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron’s work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society.</p><p>Cameron’s work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject.</p><p><em>Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include </em>Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History<em> (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, </em>Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union<em> (University Press of Mississippi 2014). You can learn more about her work </em><a href="http://hettiewilliams.com/"><em>here</em></a><em> or follow her on twitter (@DrHettie2017). </em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43395548" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/98eaaf54-07af-441e-8267-9091dc06b8e4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=98eaaf54-07af-441e-8267-9091dc06b8e4&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher Cameron, &quot;Black Freethinkers: A History of African American Secularism&quot; (Northwestern UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:11</itunes:duration>
      <itunes:summary>Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019) by Christopher Cameron, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, Black Freethinkers is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron’s work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society.
Cameron’s work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject.
Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can learn more about her work here or follow her on twitter (@DrHettie2017). 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019) by Christopher Cameron, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, Black Freethinkers is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron’s work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society.
Cameron’s work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject.
Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can learn more about her work here or follow her on twitter (@DrHettie2017). 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8cfbdf26-040e-11ef-b543-d72da16d0a58</guid>
      <title>John H. Cable, &quot;Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi&quot; (UP of Kansas, 2023)</title>
      <description><![CDATA[<p>Historians of the American South have come to consider the mechanization and consolidation of cotton farming—the “Southern enclosure movement”—to be a watershed event in the region’s history. In the decades after World War II, this transition pushed innumerable sharecroppers, tenant farmers, and smallholders off the land, redistributing territory and resources upward to a handful of large, mainly white operators. By disproportionately displacing Black farmers, enclosure also slowed the progress of the civil rights movement and limited its impact.</p><p>Dr. John Cable’s <a href="https://bookshop.org/a/12343/9780700635832"><em>Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi</em></a> (University Press of Kansas, 2023) is among the first studies to explore that process through the interpretive lens of settler colonialism. Focusing on east-central Mississippi, home of the Mississippi Band of Choctaw Indians, Dr. Cable situates enclosure in the long history of dispossession that began with Indian Removal. The book follows elite white landowners and Black and Choctaw farmers from World War II to 1960—the period when the old, labor-intensive farm structure collapsed. By acknowledging that this process occurred on taken land, Dr. Cable demonstrates that the records of agricultural agents, segregationist politicians, and the Bureau of Indian Affairs (BIA) are traces of ongoing colonization.</p><p>The settler colonial framework, rarely associated with the postwar South, sheds important light on the shifting categories of race and class. It also prompts comparisons with other settler societies (states in southern and eastern Africa, for instance) whose timelines, racial regimes, and agrarian transitions were similar to those of the South. This postwar history of the South suggests ways in which the BIA’s termination policy dovetailed with Southern segregationism and, at the same time, points to some of the shortcomings of the burgeoning field of settler colonial studies.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 28 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Historians of the American South have come to consider the mechanization and consolidation of cotton farming—the “Southern enclosure movement”—to be a watershed event in the region’s history. In the decades after World War II, this transition pushed innumerable sharecroppers, tenant farmers, and smallholders off the land, redistributing territory and resources upward to a handful of large, mainly white operators. By disproportionately displacing Black farmers, enclosure also slowed the progress of the civil rights movement and limited its impact.</p><p>Dr. John Cable’s <a href="https://bookshop.org/a/12343/9780700635832"><em>Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi</em></a> (University Press of Kansas, 2023) is among the first studies to explore that process through the interpretive lens of settler colonialism. Focusing on east-central Mississippi, home of the Mississippi Band of Choctaw Indians, Dr. Cable situates enclosure in the long history of dispossession that began with Indian Removal. The book follows elite white landowners and Black and Choctaw farmers from World War II to 1960—the period when the old, labor-intensive farm structure collapsed. By acknowledging that this process occurred on taken land, Dr. Cable demonstrates that the records of agricultural agents, segregationist politicians, and the Bureau of Indian Affairs (BIA) are traces of ongoing colonization.</p><p>The settler colonial framework, rarely associated with the postwar South, sheds important light on the shifting categories of race and class. It also prompts comparisons with other settler societies (states in southern and eastern Africa, for instance) whose timelines, racial regimes, and agrarian transitions were similar to those of the South. This postwar history of the South suggests ways in which the BIA’s termination policy dovetailed with Southern segregationism and, at the same time, points to some of the shortcomings of the burgeoning field of settler colonial studies.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61227957" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0c1c6587-6415-4dfe-915a-ceacd8481cbc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0c1c6587-6415-4dfe-915a-ceacd8481cbc&amp;feed=KodC6fj_"/>
      <itunes:title>John H. Cable, &quot;Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi&quot; (UP of Kansas, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:46</itunes:duration>
      <itunes:summary>Historians of the American South have come to consider the mechanization and consolidation of cotton farming—the “Southern enclosure movement”—to be a watershed event in the region’s history. In the decades after World War II, this transition pushed innumerable sharecroppers, tenant farmers, and smallholders off the land, redistributing territory and resources upward to a handful of large, mainly white operators. By disproportionately displacing Black farmers, enclosure also slowed the progress of the civil rights movement and limited its impact.
Dr. John Cable’s Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi (University Press of Kansas, 2023) is among the first studies to explore that process through the interpretive lens of settler colonialism. Focusing on east-central Mississippi, home of the Mississippi Band of Choctaw Indians, Dr. Cable situates enclosure in the long history of dispossession that began with Indian Removal. The book follows elite white landowners and Black and Choctaw farmers from World War II to 1960—the period when the old, labor-intensive farm structure collapsed. By acknowledging that this process occurred on taken land, Dr. Cable demonstrates that the records of agricultural agents, segregationist politicians, and the Bureau of Indian Affairs (BIA) are traces of ongoing colonization.
The settler colonial framework, rarely associated with the postwar South, sheds important light on the shifting categories of race and class. It also prompts comparisons with other settler societies (states in southern and eastern Africa, for instance) whose timelines, racial regimes, and agrarian transitions were similar to those of the South. This postwar history of the South suggests ways in which the BIA’s termination policy dovetailed with Southern segregationism and, at the same time, points to some of the shortcomings of the burgeoning field of settler colonial studies.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Historians of the American South have come to consider the mechanization and consolidation of cotton farming—the “Southern enclosure movement”—to be a watershed event in the region’s history. In the decades after World War II, this transition pushed innumerable sharecroppers, tenant farmers, and smallholders off the land, redistributing territory and resources upward to a handful of large, mainly white operators. By disproportionately displacing Black farmers, enclosure also slowed the progress of the civil rights movement and limited its impact.
Dr. John Cable’s Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi (University Press of Kansas, 2023) is among the first studies to explore that process through the interpretive lens of settler colonialism. Focusing on east-central Mississippi, home of the Mississippi Band of Choctaw Indians, Dr. Cable situates enclosure in the long history of dispossession that began with Indian Removal. The book follows elite white landowners and Black and Choctaw farmers from World War II to 1960—the period when the old, labor-intensive farm structure collapsed. By acknowledging that this process occurred on taken land, Dr. Cable demonstrates that the records of agricultural agents, segregationist politicians, and the Bureau of Indian Affairs (BIA) are traces of ongoing colonization.
The settler colonial framework, rarely associated with the postwar South, sheds important light on the shifting categories of race and class. It also prompts comparisons with other settler societies (states in southern and eastern Africa, for instance) whose timelines, racial regimes, and agrarian transitions were similar to those of the South. This postwar history of the South suggests ways in which the BIA’s termination policy dovetailed with Southern segregationism and, at the same time, points to some of the shortcomings of the burgeoning field of settler colonial studies.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">21e3a9ec-0258-11ef-941f-bf21df3568ab</guid>
      <title>Adam J. Criblez, &quot;Kings of the Garden: The New York Knicks and Their City&quot; (Three Hills, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501773938"><em>Kings of the Garden: The New York Knicks and Their City</em></a><em> </em>(Three Hills, 2024), Adam J. Criblez traces the fall and rise of the New York Knicks between the 1973, the year they won their last NBA championship, and 1985, when the organization drafted Patrick Ewing and gave their fans hope after a decade of frustrations.</p><p>During these years, the teams led by Walt Frazier, Earl Monroe, Bob McAdoo, Spencer Haywood, and Bernard King never achieved tremendous on-court success, and their struggles mirrored those facing New York City over the same span. In the mid-seventies, as the Knicks lost more games than they won and played before smaller and smaller crowds, the city they represented was on the brink of bankruptcy, while urban disinvestment, growing income inequality, and street gangs created a feeling of urban despair.</p><p><em>Kings of the Garden </em>details how the Knicks' fortunes and those of New York City were inextricably linked. As the team's Black superstars enjoyed national fame, Black musicians, DJs, and B-boys in the South Bronx were creating a new culture expression―hip-hop―that like the NBA would become a global phenomenon. Criblez's fascinating account of the era shows that even though the team's efforts to build a dynasty ultimately failed, the Knicks, like the city they played in, scrappily and spectacularly symbolized all that was right―and wrong―with the NBA and the nation during this turbulent, creative, and momentous time.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 26 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501773938"><em>Kings of the Garden: The New York Knicks and Their City</em></a><em> </em>(Three Hills, 2024), Adam J. Criblez traces the fall and rise of the New York Knicks between the 1973, the year they won their last NBA championship, and 1985, when the organization drafted Patrick Ewing and gave their fans hope after a decade of frustrations.</p><p>During these years, the teams led by Walt Frazier, Earl Monroe, Bob McAdoo, Spencer Haywood, and Bernard King never achieved tremendous on-court success, and their struggles mirrored those facing New York City over the same span. In the mid-seventies, as the Knicks lost more games than they won and played before smaller and smaller crowds, the city they represented was on the brink of bankruptcy, while urban disinvestment, growing income inequality, and street gangs created a feeling of urban despair.</p><p><em>Kings of the Garden </em>details how the Knicks' fortunes and those of New York City were inextricably linked. As the team's Black superstars enjoyed national fame, Black musicians, DJs, and B-boys in the South Bronx were creating a new culture expression―hip-hop―that like the NBA would become a global phenomenon. Criblez's fascinating account of the era shows that even though the team's efforts to build a dynasty ultimately failed, the Knicks, like the city they played in, scrappily and spectacularly symbolized all that was right―and wrong―with the NBA and the nation during this turbulent, creative, and momentous time.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="44117316" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b4059e4b-7fb6-4307-b930-45bc6b83bcf0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b4059e4b-7fb6-4307-b930-45bc6b83bcf0&amp;feed=KodC6fj_"/>
      <itunes:title>Adam J. Criblez, &quot;Kings of the Garden: The New York Knicks and Their City&quot; (Three Hills, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:57</itunes:duration>
      <itunes:summary>In Kings of the Garden: The New York Knicks and Their City (Three Hills, 2024), Adam J. Criblez traces the fall and rise of the New York Knicks between the 1973, the year they won their last NBA championship, and 1985, when the organization drafted Patrick Ewing and gave their fans hope after a decade of frustrations.
During these years, the teams led by Walt Frazier, Earl Monroe, Bob McAdoo, Spencer Haywood, and Bernard King never achieved tremendous on-court success, and their struggles mirrored those facing New York City over the same span. In the mid-seventies, as the Knicks lost more games than they won and played before smaller and smaller crowds, the city they represented was on the brink of bankruptcy, while urban disinvestment, growing income inequality, and street gangs created a feeling of urban despair.
Kings of the Garden details how the Knicks&apos; fortunes and those of New York City were inextricably linked. As the team&apos;s Black superstars enjoyed national fame, Black musicians, DJs, and B-boys in the South Bronx were creating a new culture expression―hip-hop―that like the NBA would become a global phenomenon. Criblez&apos;s fascinating account of the era shows that even though the team&apos;s efforts to build a dynasty ultimately failed, the Knicks, like the city they played in, scrappily and spectacularly symbolized all that was right―and wrong―with the NBA and the nation during this turbulent, creative, and momentous time.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Kings of the Garden: The New York Knicks and Their City (Three Hills, 2024), Adam J. Criblez traces the fall and rise of the New York Knicks between the 1973, the year they won their last NBA championship, and 1985, when the organization drafted Patrick Ewing and gave their fans hope after a decade of frustrations.
During these years, the teams led by Walt Frazier, Earl Monroe, Bob McAdoo, Spencer Haywood, and Bernard King never achieved tremendous on-court success, and their struggles mirrored those facing New York City over the same span. In the mid-seventies, as the Knicks lost more games than they won and played before smaller and smaller crowds, the city they represented was on the brink of bankruptcy, while urban disinvestment, growing income inequality, and street gangs created a feeling of urban despair.
Kings of the Garden details how the Knicks&apos; fortunes and those of New York City were inextricably linked. As the team&apos;s Black superstars enjoyed national fame, Black musicians, DJs, and B-boys in the South Bronx were creating a new culture expression―hip-hop―that like the NBA would become a global phenomenon. Criblez&apos;s fascinating account of the era shows that even though the team&apos;s efforts to build a dynasty ultimately failed, the Knicks, like the city they played in, scrappily and spectacularly symbolized all that was right―and wrong―with the NBA and the nation during this turbulent, creative, and momentous time.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>273</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d1978472-ff2d-11ee-9f2e-0be23cc4bca8</guid>
      <title>Rogers M. Smith and Desmond King, &quot;America’s New Racial Battle Lines: Protect Versus Repair&quot; (U Chicago Press, 2024)</title>
      <description><![CDATA[<p>What is happening to the politics of race in America? </p><p>In <a href="https://bookshop.org/a/12343/9780226834047"><em>America’s New Racial Battle Lines: Protect Versus Repair</em></a><em> </em>(U Chicago Press, 2024), Rogers Smith and Desmond King argue that the nation has entered a new, more severely polarized era of racial policy disputes, displacing older debates over color-blind versus race-targeted measures. Drawing on primary sources, interviews, and studies of federal, state, and local initiatives linked to global developments, the authors map the memberships and the goals of two rival racial policy alliances, comprised of grassroots activists, NGOs, government agencies, and wealthy funders on both sides. Today's conservatives promise to "protect" traditionalist Americans against assaults from what they see as a radical American Left. Today's progressives seek to "repair" all American institutions and practices that embody systemic racism. Though these sides have some common ground, they advance sharply opposed visions of America that threaten to make profound racial policy conflicts, sometimes erupting into violence, all too pervasive in the nation's present and future.</p><p>Professor Rogers Smith is Christopher H. Browne Distinguished Emeritus Professor of Political Science at the University of Pennsylvania.</p><p>Professor Desmond King is Andrew W. Mellon professor of American Government at Nuffield College, University of Oxford.</p><p><em>Host Dr Ursula Hackett is a Reader in Politics at Royal Holloway, University of London. She is the author of </em><a href="https://bookshop.org/a/12343/9781108812054"><em>America’s Voucher Politics: How Elites Learned to Hide the State</em></a><em> (Cambridge University Press, 2020).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 21 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>What is happening to the politics of race in America? </p><p>In <a href="https://bookshop.org/a/12343/9780226834047"><em>America’s New Racial Battle Lines: Protect Versus Repair</em></a><em> </em>(U Chicago Press, 2024), Rogers Smith and Desmond King argue that the nation has entered a new, more severely polarized era of racial policy disputes, displacing older debates over color-blind versus race-targeted measures. Drawing on primary sources, interviews, and studies of federal, state, and local initiatives linked to global developments, the authors map the memberships and the goals of two rival racial policy alliances, comprised of grassroots activists, NGOs, government agencies, and wealthy funders on both sides. Today's conservatives promise to "protect" traditionalist Americans against assaults from what they see as a radical American Left. Today's progressives seek to "repair" all American institutions and practices that embody systemic racism. Though these sides have some common ground, they advance sharply opposed visions of America that threaten to make profound racial policy conflicts, sometimes erupting into violence, all too pervasive in the nation's present and future.</p><p>Professor Rogers Smith is Christopher H. Browne Distinguished Emeritus Professor of Political Science at the University of Pennsylvania.</p><p>Professor Desmond King is Andrew W. Mellon professor of American Government at Nuffield College, University of Oxford.</p><p><em>Host Dr Ursula Hackett is a Reader in Politics at Royal Holloway, University of London. She is the author of </em><a href="https://bookshop.org/a/12343/9781108812054"><em>America’s Voucher Politics: How Elites Learned to Hide the State</em></a><em> (Cambridge University Press, 2020).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64859775" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0c1a4e04-9329-490b-8874-1e9e4d146092/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0c1a4e04-9329-490b-8874-1e9e4d146092&amp;feed=KodC6fj_"/>
      <itunes:title>Rogers M. Smith and Desmond King, &quot;America’s New Racial Battle Lines: Protect Versus Repair&quot; (U Chicago Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:33</itunes:duration>
      <itunes:summary>What is happening to the politics of race in America? 
In America’s New Racial Battle Lines: Protect Versus Repair (U Chicago Press, 2024), Rogers Smith and Desmond King argue that the nation has entered a new, more severely polarized era of racial policy disputes, displacing older debates over color-blind versus race-targeted measures. Drawing on primary sources, interviews, and studies of federal, state, and local initiatives linked to global developments, the authors map the memberships and the goals of two rival racial policy alliances, comprised of grassroots activists, NGOs, government agencies, and wealthy funders on both sides. Today&apos;s conservatives promise to &quot;protect&quot; traditionalist Americans against assaults from what they see as a radical American Left. Today&apos;s progressives seek to &quot;repair&quot; all American institutions and practices that embody systemic racism. Though these sides have some common ground, they advance sharply opposed visions of America that threaten to make profound racial policy conflicts, sometimes erupting into violence, all too pervasive in the nation&apos;s present and future.
Professor Rogers Smith is Christopher H. Browne Distinguished Emeritus Professor of Political Science at the University of Pennsylvania.
Professor Desmond King is Andrew W. Mellon professor of American Government at Nuffield College, University of Oxford.
Host Dr Ursula Hackett is a Reader in Politics at Royal Holloway, University of London. She is the author of America’s Voucher Politics: How Elites Learned to Hide the State (Cambridge University Press, 2020).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>What is happening to the politics of race in America? 
In America’s New Racial Battle Lines: Protect Versus Repair (U Chicago Press, 2024), Rogers Smith and Desmond King argue that the nation has entered a new, more severely polarized era of racial policy disputes, displacing older debates over color-blind versus race-targeted measures. Drawing on primary sources, interviews, and studies of federal, state, and local initiatives linked to global developments, the authors map the memberships and the goals of two rival racial policy alliances, comprised of grassroots activists, NGOs, government agencies, and wealthy funders on both sides. Today&apos;s conservatives promise to &quot;protect&quot; traditionalist Americans against assaults from what they see as a radical American Left. Today&apos;s progressives seek to &quot;repair&quot; all American institutions and practices that embody systemic racism. Though these sides have some common ground, they advance sharply opposed visions of America that threaten to make profound racial policy conflicts, sometimes erupting into violence, all too pervasive in the nation&apos;s present and future.
Professor Rogers Smith is Christopher H. Browne Distinguished Emeritus Professor of Political Science at the University of Pennsylvania.
Professor Desmond King is Andrew W. Mellon professor of American Government at Nuffield College, University of Oxford.
Host Dr Ursula Hackett is a Reader in Politics at Royal Holloway, University of London. She is the author of America’s Voucher Politics: How Elites Learned to Hide the State (Cambridge University Press, 2020).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">51e147b6-ff1b-11ee-b510-17e80ef1f0bb</guid>
      <title>Fumilayo Showers, &quot;Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care&quot; (Rutgers UP, 2023)</title>
      <description><![CDATA[<p>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. </p><p><a href="https://bookshop.org/a/12343/9781978828988"><em>Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care</em></a> (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.</p><p>This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.</p><p>Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 21 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. </p><p><a href="https://bookshop.org/a/12343/9781978828988"><em>Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care</em></a> (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.</p><p>This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.</p><p>Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.</p><p><br /></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56843588" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5729d755-889b-44e2-9c2d-1fd85d6d7894/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5729d755-889b-44e2-9c2d-1fd85d6d7894&amp;feed=KodC6fj_"/>
      <itunes:title>Fumilayo Showers, &quot;Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care&quot; (Rutgers UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:12</itunes:duration>
      <itunes:summary>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. 
Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.
This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.
Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. 
Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.
This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.
Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">551584ba-fcc8-11ee-a2b9-676a21f03ea9</guid>
      <title>Tanisha Ford, &quot;Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement&quot; (Amistad Press, 2024)</title>
      <description><![CDATA[<p>An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white.</p><p><a href="https://bookshop.org/a/12343/9780063115729"><em>Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement</em></a><em> </em>(Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller.</p><p>No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country.</p><p>Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews.</p><p><em>Our Secret Society</em> ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 19 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white.</p><p><a href="https://bookshop.org/a/12343/9780063115729"><em>Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement</em></a><em> </em>(Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller.</p><p>No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country.</p><p>Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews.</p><p><em>Our Secret Society</em> ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33434195" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bc742b0c-84ee-497f-ba08-4af88e0a9306/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bc742b0c-84ee-497f-ba08-4af88e0a9306&amp;feed=KodC6fj_"/>
      <itunes:title>Tanisha Ford, &quot;Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement&quot; (Amistad Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:49</itunes:duration>
      <itunes:summary>An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering &quot;Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white.
Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller.
No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country.
Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews.
Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering &quot;Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white.
Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller.
No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country.
Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews.
Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>456</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">09356ae8-f907-11ee-b722-5bbd03e3382c</guid>
      <title>Melvin L. Rogers, &quot;The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. <a href="https://bookshop.org/a/12343/9780691219134"><em>The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought</em> </a>(Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are <em>we</em>?” in the understanding of “<em>we</em> the people” or in the <em>we</em> of “<em>we</em> hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who <em>we</em> are and who <em>we</em> might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.</p><p><em>The Darkened Light of Faith</em> is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. <a href="https://press.princeton.edu/books/hardcover/9780691219134/the-darkened-light-of-faith"><em>The Darkened Light of Faith</em></a> explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of <em>Strange Fruit</em>, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. <a href="https://bookshop.org/a/12343/9780691219134"><em>The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought</em> </a>(Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are <em>we</em>?” in the understanding of “<em>we</em> the people” or in the <em>we</em> of “<em>we</em> hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who <em>we</em> are and who <em>we</em> might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.</p><p><em>The Darkened Light of Faith</em> is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. <a href="https://press.princeton.edu/books/hardcover/9780691219134/the-darkened-light-of-faith"><em>The Darkened Light of Faith</em></a> explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of <em>Strange Fruit</em>, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48879741" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cdf12711-2aad-495c-ad76-c57c91140db1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cdf12711-2aad-495c-ad76-c57c91140db1&amp;feed=KodC6fj_"/>
      <itunes:title>Melvin L. Rogers, &quot;The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:54</itunes:duration>
      <itunes:summary>Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.
The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of Strange Fruit, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.
The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of Strange Fruit, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>713</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f62dd3d2-f8dd-11ee-abaa-5bc208973b30</guid>
      <title>Jeremy Black, &quot;The Atlantic Slave Trade in World History&quot; (Routledge, 2015)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032599847"><em>The Atlantic Slave Trade in World Histor</em></a><em>y</em> (Routledge, 2015), Jeremy Black presents a compact yet comprehensive survey of slavery and its impact on the world, primarily centered on the Atlantic trade. Opening with a clear discussion of the problems of defining slavery, the book goes on to investigate the Atlantic slave trade from its origins to abolition, including comparisons to other systems of slavery outside the Atlantic region and the persistence of modern-day slavery. Crucially, the book does not ask readers to abandon their emotional ties to the subject, but puts events in context so that it becomes clear how such an institution not only arose, but flourished.</p><p>Black shows that slavery and the slave trade were not merely add-ons to the development of Western civilization, but intimately linked to it. In a vital and accessible narrative, <em>The Atlantic Slave Trade in World History</em> enables students to understand this terrible element of human history and how it shaped the modern world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 14 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032599847"><em>The Atlantic Slave Trade in World Histor</em></a><em>y</em> (Routledge, 2015), Jeremy Black presents a compact yet comprehensive survey of slavery and its impact on the world, primarily centered on the Atlantic trade. Opening with a clear discussion of the problems of defining slavery, the book goes on to investigate the Atlantic slave trade from its origins to abolition, including comparisons to other systems of slavery outside the Atlantic region and the persistence of modern-day slavery. Crucially, the book does not ask readers to abandon their emotional ties to the subject, but puts events in context so that it becomes clear how such an institution not only arose, but flourished.</p><p>Black shows that slavery and the slave trade were not merely add-ons to the development of Western civilization, but intimately linked to it. In a vital and accessible narrative, <em>The Atlantic Slave Trade in World History</em> enables students to understand this terrible element of human history and how it shaped the modern world.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36636751" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f6b221e5-e28c-47a7-b3b3-de3691aadff6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f6b221e5-e28c-47a7-b3b3-de3691aadff6&amp;feed=KodC6fj_"/>
      <itunes:title>Jeremy Black, &quot;The Atlantic Slave Trade in World History&quot; (Routledge, 2015)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:38:09</itunes:duration>
      <itunes:summary>In The Atlantic Slave Trade in World History (Routledge, 2015), Jeremy Black presents a compact yet comprehensive survey of slavery and its impact on the world, primarily centered on the Atlantic trade. Opening with a clear discussion of the problems of defining slavery, the book goes on to investigate the Atlantic slave trade from its origins to abolition, including comparisons to other systems of slavery outside the Atlantic region and the persistence of modern-day slavery. Crucially, the book does not ask readers to abandon their emotional ties to the subject, but puts events in context so that it becomes clear how such an institution not only arose, but flourished.
Black shows that slavery and the slave trade were not merely add-ons to the development of Western civilization, but intimately linked to it. In a vital and accessible narrative, The Atlantic Slave Trade in World History enables students to understand this terrible element of human history and how it shaped the modern world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Atlantic Slave Trade in World History (Routledge, 2015), Jeremy Black presents a compact yet comprehensive survey of slavery and its impact on the world, primarily centered on the Atlantic trade. Opening with a clear discussion of the problems of defining slavery, the book goes on to investigate the Atlantic slave trade from its origins to abolition, including comparisons to other systems of slavery outside the Atlantic region and the persistence of modern-day slavery. Crucially, the book does not ask readers to abandon their emotional ties to the subject, but puts events in context so that it becomes clear how such an institution not only arose, but flourished.
Black shows that slavery and the slave trade were not merely add-ons to the development of Western civilization, but intimately linked to it. In a vital and accessible narrative, The Atlantic Slave Trade in World History enables students to understand this terrible element of human history and how it shaped the modern world.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1434</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f48112c4-f8fb-11ee-8ba4-13d077a99fff</guid>
      <title>Joseph H. Holland, &quot;Make Your Own History: Timeless Truths from Black American Trailblazers&quot; (Dafina, 2023)</title>
      <description><![CDATA[<p>One hundred and twenty Black leaders, innovators, and entrepreneurs share their wisdom and experience across the centuries in <a href="https://bookshop.org/a/12343/9781496743251"><em>Make Your Own History: Timeless Truths from Black American Trailblazers</em></a><em> </em>(Dafina, 2023), an inspiring collection of exemplary Black voices--past and present, familiar and unsung--which have the power to guide us today.</p><p>Celebrating the vast breadth and scope of Black excellence, <em>Make Your Own History </em>spotlights the principles of success exemplified by the lives of 120 Black role models - from unsung heroes to renowned leaders - who have blazed trails throughout American history.</p><p><em>Make Your Own History </em>gathers together motivational quotes, historical contexts, and enlightening precepts from Black trailblazers spanning the eighteenth century to the present. These insights encompass twelve central themes: courage, self-discipline, compassion, perseverance, teamwork, integrity, industriousness, self-reliance, optimism, purposefulness, civility, and faith. These vigorous virtues will:</p><p>*Deepen your courage through journalist Ida B. Wells' strategic activism in the face of professional and personal peril . . .</p><p>*Fuel your perseverance through tennis superstar Serena Williams' journey to 23 Grand Slam singles titles . . .</p><p>*Spark optimism through poet Langston Hughes' work as an artistic and intellectual catalyst for the Harlem Renaissance . . .</p><p>Through these perspectives and so many more, <em>Make Your Own History</em> serves not only as an uplifting historical resource, but also as a spiritual road map for the life-long journey of purposefully setting and meeting personal goals. These pioneers are more than historic examples of Black excellence; their unique lives highlight universal truths that will inspire all readers to achieve great success and make their own history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 14 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>One hundred and twenty Black leaders, innovators, and entrepreneurs share their wisdom and experience across the centuries in <a href="https://bookshop.org/a/12343/9781496743251"><em>Make Your Own History: Timeless Truths from Black American Trailblazers</em></a><em> </em>(Dafina, 2023), an inspiring collection of exemplary Black voices--past and present, familiar and unsung--which have the power to guide us today.</p><p>Celebrating the vast breadth and scope of Black excellence, <em>Make Your Own History </em>spotlights the principles of success exemplified by the lives of 120 Black role models - from unsung heroes to renowned leaders - who have blazed trails throughout American history.</p><p><em>Make Your Own History </em>gathers together motivational quotes, historical contexts, and enlightening precepts from Black trailblazers spanning the eighteenth century to the present. These insights encompass twelve central themes: courage, self-discipline, compassion, perseverance, teamwork, integrity, industriousness, self-reliance, optimism, purposefulness, civility, and faith. These vigorous virtues will:</p><p>*Deepen your courage through journalist Ida B. Wells' strategic activism in the face of professional and personal peril . . .</p><p>*Fuel your perseverance through tennis superstar Serena Williams' journey to 23 Grand Slam singles titles . . .</p><p>*Spark optimism through poet Langston Hughes' work as an artistic and intellectual catalyst for the Harlem Renaissance . . .</p><p>Through these perspectives and so many more, <em>Make Your Own History</em> serves not only as an uplifting historical resource, but also as a spiritual road map for the life-long journey of purposefully setting and meeting personal goals. These pioneers are more than historic examples of Black excellence; their unique lives highlight universal truths that will inspire all readers to achieve great success and make their own history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61003424" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2f674c57-e7a8-4ef3-92a1-396ecac8207d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2f674c57-e7a8-4ef3-92a1-396ecac8207d&amp;feed=KodC6fj_"/>
      <itunes:title>Joseph H. Holland, &quot;Make Your Own History: Timeless Truths from Black American Trailblazers&quot; (Dafina, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:32</itunes:duration>
      <itunes:summary>One hundred and twenty Black leaders, innovators, and entrepreneurs share their wisdom and experience across the centuries in Make Your Own History: Timeless Truths from Black American Trailblazers (Dafina, 2023), an inspiring collection of exemplary Black voices--past and present, familiar and unsung--which have the power to guide us today.
Celebrating the vast breadth and scope of Black excellence, Make Your Own History spotlights the principles of success exemplified by the lives of 120 Black role models - from unsung heroes to renowned leaders - who have blazed trails throughout American history.
Make Your Own History gathers together motivational quotes, historical contexts, and enlightening precepts from Black trailblazers spanning the eighteenth century to the present. These insights encompass twelve central themes: courage, self-discipline, compassion, perseverance, teamwork, integrity, industriousness, self-reliance, optimism, purposefulness, civility, and faith. These vigorous virtues will:
*Deepen your courage through journalist Ida B. Wells&apos; strategic activism in the face of professional and personal peril . . .
*Fuel your perseverance through tennis superstar Serena Williams&apos; journey to 23 Grand Slam singles titles . . .
*Spark optimism through poet Langston Hughes&apos; work as an artistic and intellectual catalyst for the Harlem Renaissance . . .
Through these perspectives and so many more, Make Your Own History serves not only as an uplifting historical resource, but also as a spiritual road map for the life-long journey of purposefully setting and meeting personal goals. These pioneers are more than historic examples of Black excellence; their unique lives highlight universal truths that will inspire all readers to achieve great success and make their own history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>One hundred and twenty Black leaders, innovators, and entrepreneurs share their wisdom and experience across the centuries in Make Your Own History: Timeless Truths from Black American Trailblazers (Dafina, 2023), an inspiring collection of exemplary Black voices--past and present, familiar and unsung--which have the power to guide us today.
Celebrating the vast breadth and scope of Black excellence, Make Your Own History spotlights the principles of success exemplified by the lives of 120 Black role models - from unsung heroes to renowned leaders - who have blazed trails throughout American history.
Make Your Own History gathers together motivational quotes, historical contexts, and enlightening precepts from Black trailblazers spanning the eighteenth century to the present. These insights encompass twelve central themes: courage, self-discipline, compassion, perseverance, teamwork, integrity, industriousness, self-reliance, optimism, purposefulness, civility, and faith. These vigorous virtues will:
*Deepen your courage through journalist Ida B. Wells&apos; strategic activism in the face of professional and personal peril . . .
*Fuel your perseverance through tennis superstar Serena Williams&apos; journey to 23 Grand Slam singles titles . . .
*Spark optimism through poet Langston Hughes&apos; work as an artistic and intellectual catalyst for the Harlem Renaissance . . .
Through these perspectives and so many more, Make Your Own History serves not only as an uplifting historical resource, but also as a spiritual road map for the life-long journey of purposefully setting and meeting personal goals. These pioneers are more than historic examples of Black excellence; their unique lives highlight universal truths that will inspire all readers to achieve great success and make their own history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>455</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b279705e-f77c-11ee-bbda-2b3a84b98e82</guid>
      <title>R. J. Boutelle, &quot;The Race for America: Black Internationalism in the Age of Manifest Destiny&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? </p><p>In <a href="https://bookshop.org/a/12343/9781469676630"><em>The Race for America: Black Internationalism in the Age of Manifest Destiny</em></a><em> </em>(UNC Press, 2023), R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice Black internationalism. He uncovers how their strategies for challenging Manifest Destiny's white nationalist ideology and expansionist political agenda constituted a form of disidentification—a deconstructing and reassembling of this discourse that marshals Black experiences as racialized subjects to imagine novel geopolitical mythologies and projects to compete with Manifest Destiny.</p><p>Employing Black internationalist, hemispheric, and diasporic frameworks to examine the emigrationist and solidarity projects that African Americans proposed as alternatives to Manifest Destiny, Boutelle attends to sites integral to US aspirations of hemispheric dominion: Liberia, Nicaragua, Canada, and Cuba. In doing so, Boutelle offers a searing history of how internalized fantasies of American exceptionalism burdened the Black geopolitical imagination that encouraged settler-colonial and imperialist projects in the Americas and West Africa.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 13 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? </p><p>In <a href="https://bookshop.org/a/12343/9781469676630"><em>The Race for America: Black Internationalism in the Age of Manifest Destiny</em></a><em> </em>(UNC Press, 2023), R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice Black internationalism. He uncovers how their strategies for challenging Manifest Destiny's white nationalist ideology and expansionist political agenda constituted a form of disidentification—a deconstructing and reassembling of this discourse that marshals Black experiences as racialized subjects to imagine novel geopolitical mythologies and projects to compete with Manifest Destiny.</p><p>Employing Black internationalist, hemispheric, and diasporic frameworks to examine the emigrationist and solidarity projects that African Americans proposed as alternatives to Manifest Destiny, Boutelle attends to sites integral to US aspirations of hemispheric dominion: Liberia, Nicaragua, Canada, and Cuba. In doing so, Boutelle offers a searing history of how internalized fantasies of American exceptionalism burdened the Black geopolitical imagination that encouraged settler-colonial and imperialist projects in the Americas and West Africa.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="66775286" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/60292d6f-9962-4081-8d0e-c179d9623d73/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=60292d6f-9962-4081-8d0e-c179d9623d73&amp;feed=KodC6fj_"/>
      <itunes:title>R. J. Boutelle, &quot;The Race for America: Black Internationalism in the Age of Manifest Destiny&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:09:33</itunes:duration>
      <itunes:summary>As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? 
In The Race for America: Black Internationalism in the Age of Manifest Destiny (UNC Press, 2023), R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice Black internationalism. He uncovers how their strategies for challenging Manifest Destiny&apos;s white nationalist ideology and expansionist political agenda constituted a form of disidentification—a deconstructing and reassembling of this discourse that marshals Black experiences as racialized subjects to imagine novel geopolitical mythologies and projects to compete with Manifest Destiny.
Employing Black internationalist, hemispheric, and diasporic frameworks to examine the emigrationist and solidarity projects that African Americans proposed as alternatives to Manifest Destiny, Boutelle attends to sites integral to US aspirations of hemispheric dominion: Liberia, Nicaragua, Canada, and Cuba. In doing so, Boutelle offers a searing history of how internalized fantasies of American exceptionalism burdened the Black geopolitical imagination that encouraged settler-colonial and imperialist projects in the Americas and West Africa.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? 
In The Race for America: Black Internationalism in the Age of Manifest Destiny (UNC Press, 2023), R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice Black internationalism. He uncovers how their strategies for challenging Manifest Destiny&apos;s white nationalist ideology and expansionist political agenda constituted a form of disidentification—a deconstructing and reassembling of this discourse that marshals Black experiences as racialized subjects to imagine novel geopolitical mythologies and projects to compete with Manifest Destiny.
Employing Black internationalist, hemispheric, and diasporic frameworks to examine the emigrationist and solidarity projects that African Americans proposed as alternatives to Manifest Destiny, Boutelle attends to sites integral to US aspirations of hemispheric dominion: Liberia, Nicaragua, Canada, and Cuba. In doing so, Boutelle offers a searing history of how internalized fantasies of American exceptionalism burdened the Black geopolitical imagination that encouraged settler-colonial and imperialist projects in the Americas and West Africa.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>453</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">56c5c55c-f82e-11ee-b601-abe7af88fe38</guid>
      <title>JJ Johnson and Danica Novgorodoff, &quot;The Simple Art of Rice: Recipes from Around the World for the Heart of Your Table&quot; (Flatiron Books, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781250809100"><em>The Simple Art of Rice: Recipes from Around the World for the Heart of Your Table</em></a> (Flatiron Books, 2023) is a cookbook celebrating the versatility of this grain. Its recipes are rooted in many cultures from around the globe, including Asia, Europe, Africa, and the Americas. Award-winning author Chef JJ Johnson, along with Danica Novgorodoff, produces rice recipes for every meal and event. <em>The Simple Art of Rice</em> also provides valuable information on fool-proof methods and rice cooking that will help every person master the art of rice cooking.</p><p><em>Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 13 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781250809100"><em>The Simple Art of Rice: Recipes from Around the World for the Heart of Your Table</em></a> (Flatiron Books, 2023) is a cookbook celebrating the versatility of this grain. Its recipes are rooted in many cultures from around the globe, including Asia, Europe, Africa, and the Americas. Award-winning author Chef JJ Johnson, along with Danica Novgorodoff, produces rice recipes for every meal and event. <em>The Simple Art of Rice</em> also provides valuable information on fool-proof methods and rice cooking that will help every person master the art of rice cooking.</p><p><em>Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32592775" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/45297e1e-5bc3-494f-b8e4-19a3f80d8221/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=45297e1e-5bc3-494f-b8e4-19a3f80d8221&amp;feed=KodC6fj_"/>
      <itunes:title>JJ Johnson and Danica Novgorodoff, &quot;The Simple Art of Rice: Recipes from Around the World for the Heart of Your Table&quot; (Flatiron Books, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:56</itunes:duration>
      <itunes:summary>The Simple Art of Rice: Recipes from Around the World for the Heart of Your Table (Flatiron Books, 2023) is a cookbook celebrating the versatility of this grain. Its recipes are rooted in many cultures from around the globe, including Asia, Europe, Africa, and the Americas. Award-winning author Chef JJ Johnson, along with Danica Novgorodoff, produces rice recipes for every meal and event. The Simple Art of Rice also provides valuable information on fool-proof methods and rice cooking that will help every person master the art of rice cooking.
Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Simple Art of Rice: Recipes from Around the World for the Heart of Your Table (Flatiron Books, 2023) is a cookbook celebrating the versatility of this grain. Its recipes are rooted in many cultures from around the globe, including Asia, Europe, Africa, and the Americas. Award-winning author Chef JJ Johnson, along with Danica Novgorodoff, produces rice recipes for every meal and event. The Simple Art of Rice also provides valuable information on fool-proof methods and rice cooking that will help every person master the art of rice cooking.
Dr. N’Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>454</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">19fc8568-f74b-11ee-a6a8-433f31813cd0</guid>
      <title>Elyse Ambrose, &quot;A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive&quot; (T&amp;T Clark, 2024)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780567707925"><em>A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive</em></a> (T&amp;T Clark, 2024), Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920's Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 11 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780567707925"><em>A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive</em></a> (T&amp;T Clark, 2024), Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920's Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="30442428" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/653d1a30-d42f-4951-94f7-100b03a54a2a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=653d1a30-d42f-4951-94f7-100b03a54a2a&amp;feed=KodC6fj_"/>
      <itunes:title>Elyse Ambrose, &quot;A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive&quot; (T&amp;T Clark, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:31:42</itunes:duration>
      <itunes:summary>In A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive (T&amp;T Clark, 2024), Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920&apos;s Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive (T&amp;T Clark, 2024), Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920&apos;s Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fde6e540-f51e-11ee-a12e-dfac2995beb8</guid>
      <title>Shardé M. Davis, &quot;Being Black in the Ivory: Truth-Telling about Racism in Higher Education&quot; (UNC Press, 2024)</title>
      <description><![CDATA[<p>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag<em>, </em>BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.</p><p><a href="https://bookshop.org/a/12343/9781469678269"><em>Being Black in the Ivory: Truth-Telling about Racism in Higher Education</em></a> (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 9 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag<em>, </em>BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.</p><p><a href="https://bookshop.org/a/12343/9781469678269"><em>Being Black in the Ivory: Truth-Telling about Racism in Higher Education</em></a> (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45116975" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ca65840f-1556-4fed-ad56-0c3b453bb2c7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ca65840f-1556-4fed-ad56-0c3b453bb2c7&amp;feed=KodC6fj_"/>
      <itunes:title>Shardé M. Davis, &quot;Being Black in the Ivory: Truth-Telling about Racism in Higher Education&quot; (UNC Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:46:59</itunes:duration>
      <itunes:summary>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag, BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.
Being Black in the Ivory: Truth-Telling about Racism in Higher Education (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag, BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.
Being Black in the Ivory: Truth-Telling about Racism in Higher Education (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dedefd0e-f4fb-11ee-8f3e-bff2299ece1a</guid>
      <title>Christopher Michael Blakley, &quot;Empire of Brutality: Enslaved People and Animals in the British Atlantic World&quot; (Louisiana State UP, 2023)</title>
      <description><![CDATA[<p>Historians of early America, slavery, early African American history, the history of science, and environmental history have interrogated the complex ways in which enslaved people were thought about and treated as human but also dehumanized to be understood as private property or chattel. The comparison of enslaved people to animals, particularly dogs, cattle, or horses, was a common device deployed by enslavers. The letters, memoirs, and philosophical treatises of the enslaved and formerly enslaved reveal the complex ways in which enslaved people analyzed and fought these comparisons. Dr. Chris Blakely focuses on human-animal relationships to unpack “how, where, and when did such decisions regarding the chattel nature of human captives take place?” </p><p>In <a href="https://bookshop.org/a/12343/9780807178867"><em>Empire of Brutality: Enslaved People and Animals in the British Atlantic World</em></a><em> </em>(LSU Press, 2023), they argue that slaving and slavery relied on and generated complex human-animal networks and relations. Exploring these groupings leads to a deeper understanding of how enslavers worked out the process of turning people into chattel and laid the foundations of slavery by mingling enslaved people with nonhuman animals.</p><p>Efforts to remake people into property akin to animals involved exchange and trade, scientific fieldwork that exploited curiosity, and forms of labor. Using the correspondence of the Royal African Company, specimen catalogs and scientific papers of the Royal Society, plantation inventories and manuals, and diaries kept by slaveholders, Dr. Blakley describes human-animal networks spanning from Britain's slave castles and outposts throughout western Africa to plantations in the Caribbean and the American Southeast. They combine approaches from environmental history, history of science, and philosophy to examine slavery from the ground up and from the perspectives of the enslaved.</p><p>Dr. <a href="https://oxy.academia.edu/ChristopherBlakley">Chris Blakley</a> is a visiting assistant professor in the Core Program at Occidental College and a historian interested in more-than-human relationships with a focus on racialization and empire-building. <em>Empire of Brutality: Enslaved People and Animals in the British Atlantic World</em> is their first book and they are just beginning a second project on science, race, and the senses in the nineteenth century. </p><p>Daniela Lavergne served as the editorial assistant for this podcast.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Historians of early America, slavery, early African American history, the history of science, and environmental history have interrogated the complex ways in which enslaved people were thought about and treated as human but also dehumanized to be understood as private property or chattel. The comparison of enslaved people to animals, particularly dogs, cattle, or horses, was a common device deployed by enslavers. The letters, memoirs, and philosophical treatises of the enslaved and formerly enslaved reveal the complex ways in which enslaved people analyzed and fought these comparisons. Dr. Chris Blakely focuses on human-animal relationships to unpack “how, where, and when did such decisions regarding the chattel nature of human captives take place?” </p><p>In <a href="https://bookshop.org/a/12343/9780807178867"><em>Empire of Brutality: Enslaved People and Animals in the British Atlantic World</em></a><em> </em>(LSU Press, 2023), they argue that slaving and slavery relied on and generated complex human-animal networks and relations. Exploring these groupings leads to a deeper understanding of how enslavers worked out the process of turning people into chattel and laid the foundations of slavery by mingling enslaved people with nonhuman animals.</p><p>Efforts to remake people into property akin to animals involved exchange and trade, scientific fieldwork that exploited curiosity, and forms of labor. Using the correspondence of the Royal African Company, specimen catalogs and scientific papers of the Royal Society, plantation inventories and manuals, and diaries kept by slaveholders, Dr. Blakley describes human-animal networks spanning from Britain's slave castles and outposts throughout western Africa to plantations in the Caribbean and the American Southeast. They combine approaches from environmental history, history of science, and philosophy to examine slavery from the ground up and from the perspectives of the enslaved.</p><p>Dr. <a href="https://oxy.academia.edu/ChristopherBlakley">Chris Blakley</a> is a visiting assistant professor in the Core Program at Occidental College and a historian interested in more-than-human relationships with a focus on racialization and empire-building. <em>Empire of Brutality: Enslaved People and Animals in the British Atlantic World</em> is their first book and they are just beginning a second project on science, race, and the senses in the nineteenth century. </p><p>Daniela Lavergne served as the editorial assistant for this podcast.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52832093" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cb777f7b-d04b-49b6-a6eb-78d8ab938074/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cb777f7b-d04b-49b6-a6eb-78d8ab938074&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher Michael Blakley, &quot;Empire of Brutality: Enslaved People and Animals in the British Atlantic World&quot; (Louisiana State UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:01</itunes:duration>
      <itunes:summary>Historians of early America, slavery, early African American history, the history of science, and environmental history have interrogated the complex ways in which enslaved people were thought about and treated as human but also dehumanized to be understood as private property or chattel. The comparison of enslaved people to animals, particularly dogs, cattle, or horses, was a common device deployed by enslavers. The letters, memoirs, and philosophical treatises of the enslaved and formerly enslaved reveal the complex ways in which enslaved people analyzed and fought these comparisons. Dr. Chris Blakely focuses on human-animal relationships to unpack “how, where, and when did such decisions regarding the chattel nature of human captives take place?” 
In Empire of Brutality: Enslaved People and Animals in the British Atlantic World (LSU Press, 2023), they argue that slaving and slavery relied on and generated complex human-animal networks and relations. Exploring these groupings leads to a deeper understanding of how enslavers worked out the process of turning people into chattel and laid the foundations of slavery by mingling enslaved people with nonhuman animals.
Efforts to remake people into property akin to animals involved exchange and trade, scientific fieldwork that exploited curiosity, and forms of labor. Using the correspondence of the Royal African Company, specimen catalogs and scientific papers of the Royal Society, plantation inventories and manuals, and diaries kept by slaveholders, Dr. Blakley describes human-animal networks spanning from Britain&apos;s slave castles and outposts throughout western Africa to plantations in the Caribbean and the American Southeast. They combine approaches from environmental history, history of science, and philosophy to examine slavery from the ground up and from the perspectives of the enslaved.
Dr. Chris Blakley is a visiting assistant professor in the Core Program at Occidental College and a historian interested in more-than-human relationships with a focus on racialization and empire-building. Empire of Brutality: Enslaved People and Animals in the British Atlantic World is their first book and they are just beginning a second project on science, race, and the senses in the nineteenth century. 
Daniela Lavergne served as the editorial assistant for this podcast.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Historians of early America, slavery, early African American history, the history of science, and environmental history have interrogated the complex ways in which enslaved people were thought about and treated as human but also dehumanized to be understood as private property or chattel. The comparison of enslaved people to animals, particularly dogs, cattle, or horses, was a common device deployed by enslavers. The letters, memoirs, and philosophical treatises of the enslaved and formerly enslaved reveal the complex ways in which enslaved people analyzed and fought these comparisons. Dr. Chris Blakely focuses on human-animal relationships to unpack “how, where, and when did such decisions regarding the chattel nature of human captives take place?” 
In Empire of Brutality: Enslaved People and Animals in the British Atlantic World (LSU Press, 2023), they argue that slaving and slavery relied on and generated complex human-animal networks and relations. Exploring these groupings leads to a deeper understanding of how enslavers worked out the process of turning people into chattel and laid the foundations of slavery by mingling enslaved people with nonhuman animals.
Efforts to remake people into property akin to animals involved exchange and trade, scientific fieldwork that exploited curiosity, and forms of labor. Using the correspondence of the Royal African Company, specimen catalogs and scientific papers of the Royal Society, plantation inventories and manuals, and diaries kept by slaveholders, Dr. Blakley describes human-animal networks spanning from Britain&apos;s slave castles and outposts throughout western Africa to plantations in the Caribbean and the American Southeast. They combine approaches from environmental history, history of science, and philosophy to examine slavery from the ground up and from the perspectives of the enslaved.
Dr. Chris Blakley is a visiting assistant professor in the Core Program at Occidental College and a historian interested in more-than-human relationships with a focus on racialization and empire-building. Empire of Brutality: Enslaved People and Animals in the British Atlantic World is their first book and they are just beginning a second project on science, race, and the senses in the nineteenth century. 
Daniela Lavergne served as the editorial assistant for this podcast.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>712</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2cf0cea8-ef90-11ee-b479-a7b6a6f25f13</guid>
      <title>Greg Jarrell, &quot;Our Trespasses: White Churches and the Taking of American Neighborhoods&quot; (Fortress Press, 2024)</title>
      <description><![CDATA[<p>Greg Jarrell's book <a href="https://bookshop.org/a/12343/9781506494920"><em>Our Trespasses: White Churches and the Taking of American Neighborhoods</em> </a>(Fortress Press, 2024) uncovers how race, geography, policy, and religion have created haunted landscapes in Charlotte, North Carolina, and throughout the United States. How do we value our lands, livelihoods, and communities? How does our theology inform our capacity--or lack thereof--for memory? What responsibilities do we bear toward those who have been harmed, not just by individuals but by our structures and collective ways of being in the world?</p><p>Abram and Annie North, both born enslaved, purchased a home in the historically Black neighborhood of Brooklyn in the years following the Civil War. Today, the site of that home stands tucked beneath a corner of the First Baptist Church property on a site purchased under the favorable terms of Urban Renewal campaigns in the mid-1960s. How did FBC wind up in what used to be Brooklyn--a neighborhood that no longer exists? What happened to the Norths? How might we heal these hauntings? This is an American story with implications far beyond Brooklyn, Charlotte, or even the South. By carefully tracing the intertwined fortunes of First Baptist Church and the formerly enslaved North family, Jarrell opens our eyes to uncomfortable truths with which we all must reckon.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 3 Apr 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Greg Jarrell's book <a href="https://bookshop.org/a/12343/9781506494920"><em>Our Trespasses: White Churches and the Taking of American Neighborhoods</em> </a>(Fortress Press, 2024) uncovers how race, geography, policy, and religion have created haunted landscapes in Charlotte, North Carolina, and throughout the United States. How do we value our lands, livelihoods, and communities? How does our theology inform our capacity--or lack thereof--for memory? What responsibilities do we bear toward those who have been harmed, not just by individuals but by our structures and collective ways of being in the world?</p><p>Abram and Annie North, both born enslaved, purchased a home in the historically Black neighborhood of Brooklyn in the years following the Civil War. Today, the site of that home stands tucked beneath a corner of the First Baptist Church property on a site purchased under the favorable terms of Urban Renewal campaigns in the mid-1960s. How did FBC wind up in what used to be Brooklyn--a neighborhood that no longer exists? What happened to the Norths? How might we heal these hauntings? This is an American story with implications far beyond Brooklyn, Charlotte, or even the South. By carefully tracing the intertwined fortunes of First Baptist Church and the formerly enslaved North family, Jarrell opens our eyes to uncomfortable truths with which we all must reckon.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48151030" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/efda5826-6ef1-434e-b1eb-186eb9a61e81/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=efda5826-6ef1-434e-b1eb-186eb9a61e81&amp;feed=KodC6fj_"/>
      <itunes:title>Greg Jarrell, &quot;Our Trespasses: White Churches and the Taking of American Neighborhoods&quot; (Fortress Press, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:09</itunes:duration>
      <itunes:summary>Greg Jarrell&apos;s book Our Trespasses: White Churches and the Taking of American Neighborhoods (Fortress Press, 2024) uncovers how race, geography, policy, and religion have created haunted landscapes in Charlotte, North Carolina, and throughout the United States. How do we value our lands, livelihoods, and communities? How does our theology inform our capacity--or lack thereof--for memory? What responsibilities do we bear toward those who have been harmed, not just by individuals but by our structures and collective ways of being in the world?
Abram and Annie North, both born enslaved, purchased a home in the historically Black neighborhood of Brooklyn in the years following the Civil War. Today, the site of that home stands tucked beneath a corner of the First Baptist Church property on a site purchased under the favorable terms of Urban Renewal campaigns in the mid-1960s. How did FBC wind up in what used to be Brooklyn--a neighborhood that no longer exists? What happened to the Norths? How might we heal these hauntings? This is an American story with implications far beyond Brooklyn, Charlotte, or even the South. By carefully tracing the intertwined fortunes of First Baptist Church and the formerly enslaved North family, Jarrell opens our eyes to uncomfortable truths with which we all must reckon.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Greg Jarrell&apos;s book Our Trespasses: White Churches and the Taking of American Neighborhoods (Fortress Press, 2024) uncovers how race, geography, policy, and religion have created haunted landscapes in Charlotte, North Carolina, and throughout the United States. How do we value our lands, livelihoods, and communities? How does our theology inform our capacity--or lack thereof--for memory? What responsibilities do we bear toward those who have been harmed, not just by individuals but by our structures and collective ways of being in the world?
Abram and Annie North, both born enslaved, purchased a home in the historically Black neighborhood of Brooklyn in the years following the Civil War. Today, the site of that home stands tucked beneath a corner of the First Baptist Church property on a site purchased under the favorable terms of Urban Renewal campaigns in the mid-1960s. How did FBC wind up in what used to be Brooklyn--a neighborhood that no longer exists? What happened to the Norths? How might we heal these hauntings? This is an American story with implications far beyond Brooklyn, Charlotte, or even the South. By carefully tracing the intertwined fortunes of First Baptist Church and the formerly enslaved North family, Jarrell opens our eyes to uncomfortable truths with which we all must reckon.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>258</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">18a41660-ec7c-11ee-b011-1be7ca78d8b2</guid>
      <title>David J. Dennis Jr. and David J. Dennis Sr., &quot;The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride&quot; (Harper, 2022)</title>
      <description><![CDATA[<p>"<em>The Movement Made Us</em> takes literature to a momentous Southern Black space to which I honestly never thought a book could take us. This is literally the Movement that made us and both Davids love us whole here with a creation that is as ingenious as it is soulfully sincere. Stunning."--Kiese Laymon, author of <em>Heavy.</em></p><p>A dynamic family exchange that pivots between the voices of a father and son,<em> </em><a href="https://bookshop.org/a/12343/9780063011427"><em>The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride</em></a> (Harper, 2022) is a unique work of oral history and memoir, chronicling the extraordinary story of the Civil Rights Movement of the 1960s and its living legacy embodied in Black Lives Matter. David Dennis Sr, a core architect of the movement, speaks out for the first time, swapping recollections both harrowing and joyful with David Jr, a journalist working on the front lines of change today. Taken together, their stories paint a critical portrait of America, casting one nation's image through the lens of two individual Black men and their unique relationship. Playful and searching, anxious and restorative, fearless and driving, this intimate memoir features scenes from across David Sr's life, as he becomes involved in the movement, tries to move beyond it, and ultimately returns to it to find final solace and new sense of self--revealing a survivor who travels eternally with a cabal of ghosts. A crucial addition to Civil Rights history, The Movement Made Us is the story of a nation reckoning with change and the hopes, struggles, setbacks, and triumphs of modern Black life. This is it: the extant chronicle of why we live, why we move, and for what we are made.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 30 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>"<em>The Movement Made Us</em> takes literature to a momentous Southern Black space to which I honestly never thought a book could take us. This is literally the Movement that made us and both Davids love us whole here with a creation that is as ingenious as it is soulfully sincere. Stunning."--Kiese Laymon, author of <em>Heavy.</em></p><p>A dynamic family exchange that pivots between the voices of a father and son,<em> </em><a href="https://bookshop.org/a/12343/9780063011427"><em>The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride</em></a> (Harper, 2022) is a unique work of oral history and memoir, chronicling the extraordinary story of the Civil Rights Movement of the 1960s and its living legacy embodied in Black Lives Matter. David Dennis Sr, a core architect of the movement, speaks out for the first time, swapping recollections both harrowing and joyful with David Jr, a journalist working on the front lines of change today. Taken together, their stories paint a critical portrait of America, casting one nation's image through the lens of two individual Black men and their unique relationship. Playful and searching, anxious and restorative, fearless and driving, this intimate memoir features scenes from across David Sr's life, as he becomes involved in the movement, tries to move beyond it, and ultimately returns to it to find final solace and new sense of self--revealing a survivor who travels eternally with a cabal of ghosts. A crucial addition to Civil Rights history, The Movement Made Us is the story of a nation reckoning with change and the hopes, struggles, setbacks, and triumphs of modern Black life. This is it: the extant chronicle of why we live, why we move, and for what we are made.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="20558177" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a0cca7f7-ace9-40de-af07-695cd7534e7b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a0cca7f7-ace9-40de-af07-695cd7534e7b&amp;feed=KodC6fj_"/>
      <itunes:title>David J. Dennis Jr. and David J. Dennis Sr., &quot;The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride&quot; (Harper, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:21:24</itunes:duration>
      <itunes:summary>&quot;The Movement Made Us takes literature to a momentous Southern Black space to which I honestly never thought a book could take us. This is literally the Movement that made us and both Davids love us whole here with a creation that is as ingenious as it is soulfully sincere. Stunning.&quot;--Kiese Laymon, author of Heavy.
A dynamic family exchange that pivots between the voices of a father and son, The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride (Harper, 2022) is a unique work of oral history and memoir, chronicling the extraordinary story of the Civil Rights Movement of the 1960s and its living legacy embodied in Black Lives Matter. David Dennis Sr, a core architect of the movement, speaks out for the first time, swapping recollections both harrowing and joyful with David Jr, a journalist working on the front lines of change today. Taken together, their stories paint a critical portrait of America, casting one nation&apos;s image through the lens of two individual Black men and their unique relationship. Playful and searching, anxious and restorative, fearless and driving, this intimate memoir features scenes from across David Sr&apos;s life, as he becomes involved in the movement, tries to move beyond it, and ultimately returns to it to find final solace and new sense of self--revealing a survivor who travels eternally with a cabal of ghosts. A crucial addition to Civil Rights history, The Movement Made Us is the story of a nation reckoning with change and the hopes, struggles, setbacks, and triumphs of modern Black life. This is it: the extant chronicle of why we live, why we move, and for what we are made.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>&quot;The Movement Made Us takes literature to a momentous Southern Black space to which I honestly never thought a book could take us. This is literally the Movement that made us and both Davids love us whole here with a creation that is as ingenious as it is soulfully sincere. Stunning.&quot;--Kiese Laymon, author of Heavy.
A dynamic family exchange that pivots between the voices of a father and son, The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride (Harper, 2022) is a unique work of oral history and memoir, chronicling the extraordinary story of the Civil Rights Movement of the 1960s and its living legacy embodied in Black Lives Matter. David Dennis Sr, a core architect of the movement, speaks out for the first time, swapping recollections both harrowing and joyful with David Jr, a journalist working on the front lines of change today. Taken together, their stories paint a critical portrait of America, casting one nation&apos;s image through the lens of two individual Black men and their unique relationship. Playful and searching, anxious and restorative, fearless and driving, this intimate memoir features scenes from across David Sr&apos;s life, as he becomes involved in the movement, tries to move beyond it, and ultimately returns to it to find final solace and new sense of self--revealing a survivor who travels eternally with a cabal of ghosts. A crucial addition to Civil Rights history, The Movement Made Us is the story of a nation reckoning with change and the hopes, struggles, setbacks, and triumphs of modern Black life. This is it: the extant chronicle of why we live, why we move, and for what we are made.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>451</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f7022d36-ec52-11ee-af21-b3f455b49488</guid>
      <title>Jeanelle K. Hope and Bill V. Mullen, &quot;The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition&quot; (Haymarket Books, 2024)</title>
      <description><![CDATA[<p>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.</p><p>At once a history for understanding fascism and a handbook for organizing against, <a href="https://bookshop.org/a/12343/9798888900949"><em>The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition</em></a><em> </em>(Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. </p><p>In <em>The Black Antifascist Tradition</em>, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.</p><p>In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.</p><p>Jeanelle Hope is Director &amp; Associate Professor of African American Studies</p><p>Bill V. Mullen is Professor of English and American Studies at Purdue University.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.</p><p>At once a history for understanding fascism and a handbook for organizing against, <a href="https://bookshop.org/a/12343/9798888900949"><em>The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition</em></a><em> </em>(Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. </p><p>In <em>The Black Antifascist Tradition</em>, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.</p><p>In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.</p><p>Jeanelle Hope is Director &amp; Associate Professor of African American Studies</p><p>Bill V. Mullen is Professor of English and American Studies at Purdue University.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67841571" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9c3a5952-f86c-4351-844a-15130380429e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9c3a5952-f86c-4351-844a-15130380429e&amp;feed=KodC6fj_"/>
      <itunes:title>Jeanelle K. Hope and Bill V. Mullen, &quot;The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition&quot; (Haymarket Books, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:39</itunes:duration>
      <itunes:summary>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.
At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. 
In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.
In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.
Jeanelle Hope is Director &amp; Associate Professor of African American Studies
Bill V. Mullen is Professor of English and American Studies at Purdue University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.
At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. 
In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.
In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.
Jeanelle Hope is Director &amp; Associate Professor of African American Studies
Bill V. Mullen is Professor of English and American Studies at Purdue University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>450</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b31e060c-ed1b-11ee-a0a5-8b2a27ba419c</guid>
      <title>Françoise N. Hamlin and Charles W. McKinney, &quot;From Rights to Lives: The Evolution of the Black Freedom Struggle&quot; (Vanderbilt UP, 2024)</title>
      <description><![CDATA[<p>Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity.</p><p><a href="https://bookshop.org/a/12343/9780826506665"><em>From Rights to Lives: The Evolution of the Black Freedom Struggle</em></a> (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book’s contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity.</p><p><a href="https://bookshop.org/a/12343/9780826506665"><em>From Rights to Lives: The Evolution of the Black Freedom Struggle</em></a> (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book’s contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38887656" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0b871c3b-47a8-438d-808f-25c8aeddfcc3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0b871c3b-47a8-438d-808f-25c8aeddfcc3&amp;feed=KodC6fj_"/>
      <itunes:title>Françoise N. Hamlin and Charles W. McKinney, &quot;From Rights to Lives: The Evolution of the Black Freedom Struggle&quot; (Vanderbilt UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:30</itunes:duration>
      <itunes:summary>Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity.
From Rights to Lives: The Evolution of the Black Freedom Struggle (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book’s contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity.
From Rights to Lives: The Evolution of the Black Freedom Struggle (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book’s contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>452</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a4a6059e-e6cb-11ee-a3b9-3796c5e6c4ea</guid>
      <title>Tonia Sutherland, &quot;Resurrecting the Black Body: Race and the Digital Afterlife&quot; (U California Press, 2023)</title>
      <description><![CDATA[<p>The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death.</p><p>In <a href="https://bookshop.org/a/12343/9780520383876"><em>Resurrecting the Black Body: Race and the Digital Afterlife</em></a> (U California Press, 2023), Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten.</p><p>From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, <em>Resurrecting the Black Body</em> asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 22 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death.</p><p>In <a href="https://bookshop.org/a/12343/9780520383876"><em>Resurrecting the Black Body: Race and the Digital Afterlife</em></a> (U California Press, 2023), Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten.</p><p>From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, <em>Resurrecting the Black Body</em> asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58224424" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a77a9062-d6d9-4ce3-a9fd-a60fcd46d216/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a77a9062-d6d9-4ce3-a9fd-a60fcd46d216&amp;feed=KodC6fj_"/>
      <itunes:title>Tonia Sutherland, &quot;Resurrecting the Black Body: Race and the Digital Afterlife&quot; (U California Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:38</itunes:duration>
      <itunes:summary>The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death.
In Resurrecting the Black Body: Race and the Digital Afterlife (U California Press, 2023), Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten.
From the popular image of Gordon (also known as &quot;Whipped Peter&quot;) to photographs of the lynching of Jesse Washington to the video of George Floyd&apos;s murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.
Peter C. Kunze is an assistant professor of communication at Tulane University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death.
In Resurrecting the Black Body: Race and the Digital Afterlife (U California Press, 2023), Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten.
From the popular image of Gordon (also known as &quot;Whipped Peter&quot;) to photographs of the lynching of Jesse Washington to the video of George Floyd&apos;s murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.
Peter C. Kunze is an assistant professor of communication at Tulane University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">71c9acf6-e3cf-11ee-9527-57dc5c5ca685</guid>
      <title>Coretta M. Pittman, &quot;Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries&quot; (UP of Mississippi, 2022)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496843043">Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries</a> by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934. </p><p>Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 19 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781496843043">Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries</a> by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934. </p><p>Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48060275" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a4f0083f-59ab-4065-a3fe-41728ee793c7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a4f0083f-59ab-4065-a3fe-41728ee793c7&amp;feed=KodC6fj_"/>
      <itunes:title>Coretta M. Pittman, &quot;Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries&quot; (UP of Mississippi, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:03</itunes:duration>
      <itunes:summary>Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934. 
Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934. 
Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">56fcbbe8-e23f-11ee-b2a4-17da4f7dd6e3</guid>
      <title>Jonathan W. White, &quot;Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade&quot; (Rowman &amp; Littlefield, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781538175019"><em>Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade</em></a> (Rowman &amp; Littlefield, 2023), historian Jonathan W. White tells the riveting story of Appleton Oaksmith, a swashbuckling sea captain whose life intersected with some of the most important moments, movements, and individuals of the mid-19th century, from the California Gold Rush, filibustering schemes in Nicaragua, Cuban liberation, and the Civil War and Reconstruction. Most importantly, the book depicts the extraordinary lengths the Lincoln Administration went to destroy the illegal trans-Atlantic slave trade. </p><p>Using Oaksmith’s case as a lens, White takes readers into the murky underworld of New York City, where federal marshals plied the docks in lower Manhattan in search of evidence of slave trading. Once they suspected Oaksmith, federal authorities had him arrested and convicted, but in 1862 he escaped from jail and became a Confederate blockade-runner in Havana. The Lincoln Administration tried to have him kidnapped in violation of international law, but the attempt was foiled. Always claiming innocence, Oaksmith spent the next decade in exile until he received a presidential pardon from U.S. Grant, at which point he moved to North Carolina and became an anti-Klan politician. Through a remarkable, fast-paced story, this book will give readers a new perspective on slavery and shifting political alliances during the turbulent Civil War Era.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 15 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781538175019"><em>Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade</em></a> (Rowman &amp; Littlefield, 2023), historian Jonathan W. White tells the riveting story of Appleton Oaksmith, a swashbuckling sea captain whose life intersected with some of the most important moments, movements, and individuals of the mid-19th century, from the California Gold Rush, filibustering schemes in Nicaragua, Cuban liberation, and the Civil War and Reconstruction. Most importantly, the book depicts the extraordinary lengths the Lincoln Administration went to destroy the illegal trans-Atlantic slave trade. </p><p>Using Oaksmith’s case as a lens, White takes readers into the murky underworld of New York City, where federal marshals plied the docks in lower Manhattan in search of evidence of slave trading. Once they suspected Oaksmith, federal authorities had him arrested and convicted, but in 1862 he escaped from jail and became a Confederate blockade-runner in Havana. The Lincoln Administration tried to have him kidnapped in violation of international law, but the attempt was foiled. Always claiming innocence, Oaksmith spent the next decade in exile until he received a presidential pardon from U.S. Grant, at which point he moved to North Carolina and became an anti-Klan politician. Through a remarkable, fast-paced story, this book will give readers a new perspective on slavery and shifting political alliances during the turbulent Civil War Era.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38214051" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d5f21157-66c7-4e80-ab1f-f9e7f674ef0d/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d5f21157-66c7-4e80-ab1f-f9e7f674ef0d&amp;feed=KodC6fj_"/>
      <itunes:title>Jonathan W. White, &quot;Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade&quot; (Rowman &amp; Littlefield, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:48</itunes:duration>
      <itunes:summary>In Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade (Rowman &amp; Littlefield, 2023), historian Jonathan W. White tells the riveting story of Appleton Oaksmith, a swashbuckling sea captain whose life intersected with some of the most important moments, movements, and individuals of the mid-19th century, from the California Gold Rush, filibustering schemes in Nicaragua, Cuban liberation, and the Civil War and Reconstruction. Most importantly, the book depicts the extraordinary lengths the Lincoln Administration went to destroy the illegal trans-Atlantic slave trade. 
Using Oaksmith’s case as a lens, White takes readers into the murky underworld of New York City, where federal marshals plied the docks in lower Manhattan in search of evidence of slave trading. Once they suspected Oaksmith, federal authorities had him arrested and convicted, but in 1862 he escaped from jail and became a Confederate blockade-runner in Havana. The Lincoln Administration tried to have him kidnapped in violation of international law, but the attempt was foiled. Always claiming innocence, Oaksmith spent the next decade in exile until he received a presidential pardon from U.S. Grant, at which point he moved to North Carolina and became an anti-Klan politician. Through a remarkable, fast-paced story, this book will give readers a new perspective on slavery and shifting political alliances during the turbulent Civil War Era.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade (Rowman &amp; Littlefield, 2023), historian Jonathan W. White tells the riveting story of Appleton Oaksmith, a swashbuckling sea captain whose life intersected with some of the most important moments, movements, and individuals of the mid-19th century, from the California Gold Rush, filibustering schemes in Nicaragua, Cuban liberation, and the Civil War and Reconstruction. Most importantly, the book depicts the extraordinary lengths the Lincoln Administration went to destroy the illegal trans-Atlantic slave trade. 
Using Oaksmith’s case as a lens, White takes readers into the murky underworld of New York City, where federal marshals plied the docks in lower Manhattan in search of evidence of slave trading. Once they suspected Oaksmith, federal authorities had him arrested and convicted, but in 1862 he escaped from jail and became a Confederate blockade-runner in Havana. The Lincoln Administration tried to have him kidnapped in violation of international law, but the attempt was foiled. Always claiming innocence, Oaksmith spent the next decade in exile until he received a presidential pardon from U.S. Grant, at which point he moved to North Carolina and became an anti-Klan politician. Through a remarkable, fast-paced story, this book will give readers a new perspective on slavery and shifting political alliances during the turbulent Civil War Era.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>449</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">54805a7a-e175-11ee-884c-37def9c529d2</guid>
      <title>Whitney Nell Stewart, &quot;This Is Our Home: Slavery and Struggle on Southern Plantations&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white.</p><p>Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. </p><p>In <a href="https://bookshop.org/a/12343/9781469675671"><em>This Is Our Home: Slavery and Struggle on Southern Plantations</em></a><em> </em>(UNC Press, 2023), Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 15 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white.</p><p>Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. </p><p>In <a href="https://bookshop.org/a/12343/9781469675671"><em>This Is Our Home: Slavery and Struggle on Southern Plantations</em></a><em> </em>(UNC Press, 2023), Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="87435768" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/44338b5b-2d75-426d-b265-9f585d3703b2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=44338b5b-2d75-426d-b265-9f585d3703b2&amp;feed=KodC6fj_"/>
      <itunes:title>Whitney Nell Stewart, &quot;This Is Our Home: Slavery and Struggle on Southern Plantations&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:31:04</itunes:duration>
      <itunes:summary>The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white.
Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners&apos; papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. 
In This Is Our Home: Slavery and Struggle on Southern Plantations (UNC Press, 2023), Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white.
Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners&apos; papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. 
In This Is Our Home: Slavery and Struggle on Southern Plantations (UNC Press, 2023), Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>447</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5386b39a-e228-11ee-b087-03d2de739836</guid>
      <title>Myisha Cherry, &quot;Failures of Forgiveness: What We Get Wrong and How to Do Better&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>From religion to popular culture, institutions and people have shaped how we conceive forgiveness. Myisha Cherry, associate professor of philosophy, argues that these understandings have been limiting or even narrow. Those ideas, in turn, have been harmful to society. In<a href="https://bookshop.org/a/12343/9780691223193"> <em>Failures of Forgiveness: What We Get Wrong and How to Do Better</em></a><em> </em>(Princeton University Press 2023), Cherry offers a new conceptualization of forgiveness rooted in a holistic approach.</p><p><em>﻿Dr. N'Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies from Brown University. Find him on Twitter at DrNKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 15 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From religion to popular culture, institutions and people have shaped how we conceive forgiveness. Myisha Cherry, associate professor of philosophy, argues that these understandings have been limiting or even narrow. Those ideas, in turn, have been harmful to society. In<a href="https://bookshop.org/a/12343/9780691223193"> <em>Failures of Forgiveness: What We Get Wrong and How to Do Better</em></a><em> </em>(Princeton University Press 2023), Cherry offers a new conceptualization of forgiveness rooted in a holistic approach.</p><p><em>﻿Dr. N'Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies from Brown University. Find him on Twitter at DrNKosiOates.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41413674" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/65c2f33e-acf0-4edb-9326-bdfb187ec65b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=65c2f33e-acf0-4edb-9326-bdfb187ec65b&amp;feed=KodC6fj_"/>
      <itunes:title>Myisha Cherry, &quot;Failures of Forgiveness: What We Get Wrong and How to Do Better&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:08</itunes:duration>
      <itunes:summary>From religion to popular culture, institutions and people have shaped how we conceive forgiveness. Myisha Cherry, associate professor of philosophy, argues that these understandings have been limiting or even narrow. Those ideas, in turn, have been harmful to society. In Failures of Forgiveness: What We Get Wrong and How to Do Better (Princeton University Press 2023), Cherry offers a new conceptualization of forgiveness rooted in a holistic approach.
﻿Dr. N&apos;Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies from Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From religion to popular culture, institutions and people have shaped how we conceive forgiveness. Myisha Cherry, associate professor of philosophy, argues that these understandings have been limiting or even narrow. Those ideas, in turn, have been harmful to society. In Failures of Forgiveness: What We Get Wrong and How to Do Better (Princeton University Press 2023), Cherry offers a new conceptualization of forgiveness rooted in a holistic approach.
﻿Dr. N&apos;Kosi Oates is a curator and assistant professor. He earned his Ph.D. in Africana Studies from Brown University. Find him on Twitter at DrNKosiOates.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>448</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bff2a2fe-e080-11ee-b487-cfceb34914e5</guid>
      <title>Victoria Perry, &quot;A Bittersweet Heritage: Slavery, Architecture and the British Landscape&quot; (Hurst, 2022)</title>
      <description><![CDATA[<p>The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.</p><p>Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their "reimagining" as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of "natural scenery"--viewing mountains, rivers and rocks as landscape art--and then exported the concept of "sublime and picturesque" landscapes across the Atlantic.</p><p><a href="https://bookshop.org/a/12343/9781787386969"><em>A Bittersweet Heritage: Slavery, Architecture and the British Landscape</em></a><em> </em>(Hurst, 2022) unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 14 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.</p><p>Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their "reimagining" as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of "natural scenery"--viewing mountains, rivers and rocks as landscape art--and then exported the concept of "sublime and picturesque" landscapes across the Atlantic.</p><p><a href="https://bookshop.org/a/12343/9781787386969"><em>A Bittersweet Heritage: Slavery, Architecture and the British Landscape</em></a><em> </em>(Hurst, 2022) unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52763332" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/78bb435c-bf4b-4294-8489-f8d4b4dfbd93/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=78bb435c-bf4b-4294-8489-f8d4b4dfbd93&amp;feed=KodC6fj_"/>
      <itunes:title>Victoria Perry, &quot;A Bittersweet Heritage: Slavery, Architecture and the British Landscape&quot; (Hurst, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:57</itunes:duration>
      <itunes:summary>The 2020 toppling of slave-trader Edward Colston&apos;s statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain&apos;s role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.
Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their &quot;reimagining&quot; as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of &quot;natural scenery&quot;--viewing mountains, rivers and rocks as landscape art--and then exported the concept of &quot;sublime and picturesque&quot; landscapes across the Atlantic.
A Bittersweet Heritage: Slavery, Architecture and the British Landscape (Hurst, 2022) unearths the slavery-tainted history of Britain&apos;s manors, ports, roads and countryside, and powerfully explains what this legacy means today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The 2020 toppling of slave-trader Edward Colston&apos;s statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain&apos;s role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.
Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their &quot;reimagining&quot; as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of &quot;natural scenery&quot;--viewing mountains, rivers and rocks as landscape art--and then exported the concept of &quot;sublime and picturesque&quot; landscapes across the Atlantic.
A Bittersweet Heritage: Slavery, Architecture and the British Landscape (Hurst, 2022) unearths the slavery-tainted history of Britain&apos;s manors, ports, roads and countryside, and powerfully explains what this legacy means today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>446</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">637e7b74-dfea-11ee-b5f1-03dfb86c2b39</guid>
      <title>Korey Garibaldi, &quot;Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9780691211909"><em>Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America</em></a> (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process.</p><p><em>Impermanent Blackness</em> explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children’s literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture.</p><p>By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States.</p><p>Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 13 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9780691211909"><em>Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America</em></a> (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process.</p><p><em>Impermanent Blackness</em> explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children’s literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture.</p><p>By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States.</p><p>Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73046044" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/787e3c3f-5bac-473b-b12c-5321608677f8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=787e3c3f-5bac-473b-b12c-5321608677f8&amp;feed=KodC6fj_"/>
      <itunes:title>Korey Garibaldi, &quot;Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:05</itunes:duration>
      <itunes:summary>In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process.
Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children’s literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture.
By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States.
Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process.
Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children’s literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture.
By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States.
Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>445</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5be35a34-dfa3-11ee-bad4-1f50f71d3fbe</guid>
      <title>Thomas Mareite, &quot;Conditional Freedom: Free Soil and Fugitive Slaves from the U.S. South to Mexico&apos;s Northeast, 1803-1861&quot; (Brill, 2024)</title>
      <description><![CDATA[<p>While the literature on slave flight in nineteenth-century North America has commonly focused on fugitive slaves escaping to the U.S. North and Canada, <a href="https://bookshop.org/a/12343/9789004693647"><em>Conditional Freedom: Free Soil and Fugitive Slaves from the U.S. South to Mexico's Northeast, 1803-1861</em></a><em> </em>(Brill, 2024) provides new insights on the social and political geography of freedom and slavery in nineteenth-century North America by exploring the development of southern routes of escape from slavery in the U.S. South and the experiences of self-emancipated slaves in the U.S.–Mexico borderlands. In <em>Conditional Freedom</em>, Thomas Mareite offers a social history of U.S. refugees from slavery, and provides a political history of the clash between Mexican free soil and the spread of slavery west of the Mississippi valley during the nineteenth-century.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 13 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>While the literature on slave flight in nineteenth-century North America has commonly focused on fugitive slaves escaping to the U.S. North and Canada, <a href="https://bookshop.org/a/12343/9789004693647"><em>Conditional Freedom: Free Soil and Fugitive Slaves from the U.S. South to Mexico's Northeast, 1803-1861</em></a><em> </em>(Brill, 2024) provides new insights on the social and political geography of freedom and slavery in nineteenth-century North America by exploring the development of southern routes of escape from slavery in the U.S. South and the experiences of self-emancipated slaves in the U.S.–Mexico borderlands. In <em>Conditional Freedom</em>, Thomas Mareite offers a social history of U.S. refugees from slavery, and provides a political history of the clash between Mexican free soil and the spread of slavery west of the Mississippi valley during the nineteenth-century.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56606721" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/903b367f-a984-4bb7-8b23-15318f795c7b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=903b367f-a984-4bb7-8b23-15318f795c7b&amp;feed=KodC6fj_"/>
      <itunes:title>Thomas Mareite, &quot;Conditional Freedom: Free Soil and Fugitive Slaves from the U.S. South to Mexico&apos;s Northeast, 1803-1861&quot; (Brill, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:57</itunes:duration>
      <itunes:summary>While the literature on slave flight in nineteenth-century North America has commonly focused on fugitive slaves escaping to the U.S. North and Canada, Conditional Freedom: Free Soil and Fugitive Slaves from the U.S. South to Mexico&apos;s Northeast, 1803-1861 (Brill, 2024) provides new insights on the social and political geography of freedom and slavery in nineteenth-century North America by exploring the development of southern routes of escape from slavery in the U.S. South and the experiences of self-emancipated slaves in the U.S.–Mexico borderlands. In Conditional Freedom, Thomas Mareite offers a social history of U.S. refugees from slavery, and provides a political history of the clash between Mexican free soil and the spread of slavery west of the Mississippi valley during the nineteenth-century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>While the literature on slave flight in nineteenth-century North America has commonly focused on fugitive slaves escaping to the U.S. North and Canada, Conditional Freedom: Free Soil and Fugitive Slaves from the U.S. South to Mexico&apos;s Northeast, 1803-1861 (Brill, 2024) provides new insights on the social and political geography of freedom and slavery in nineteenth-century North America by exploring the development of southern routes of escape from slavery in the U.S. South and the experiences of self-emancipated slaves in the U.S.–Mexico borderlands. In Conditional Freedom, Thomas Mareite offers a social history of U.S. refugees from slavery, and provides a political history of the clash between Mexican free soil and the spread of slavery west of the Mississippi valley during the nineteenth-century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>444</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">18def176-df17-11ee-8b12-bf2fe7e07674</guid>
      <title>Surya Parekh, &quot;Black Enlightenment&quot; (Duke UP, 2023)</title>
      <description><![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9781478020264"><em>Black Enlightenment</em></a> (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. <em>Black Enlightenment</em> points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9781478020264"><em>Black Enlightenment</em></a> (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. <em>Black Enlightenment</em> points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67245055" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9ab6da92-b322-4924-8258-c7ac434deb17/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9ab6da92-b322-4924-8258-c7ac434deb17&amp;feed=KodC6fj_"/>
      <itunes:title>Surya Parekh, &quot;Black Enlightenment&quot; (Duke UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:02</itunes:duration>
      <itunes:summary>In Black Enlightenment (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. Black Enlightenment points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Black Enlightenment (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. Black Enlightenment points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>443</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1165dd66-df11-11ee-8248-0fe0689f9e20</guid>
      <title>Judith Tick, &quot;Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song&quot; (Norton, 2023)</title>
      <description><![CDATA[<p>Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, <a href="https://bookshop.org/a/12343/9780393241051"><em>Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song</em></a><em> </em>(Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, <a href="https://bookshop.org/a/12343/9780393241051"><em>Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song</em></a><em> </em>(Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="53229724" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f13b5c6e-d2f4-4a7c-9894-118899489a35/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f13b5c6e-d2f4-4a7c-9894-118899489a35&amp;feed=KodC6fj_"/>
      <itunes:title>Judith Tick, &quot;Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song&quot; (Norton, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:55:26</itunes:duration>
      <itunes:summary>Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song (Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song (Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">827b2cca-de55-11ee-887a-bf262b1b85ca</guid>
      <title>Sharon D. Wright Austin, &quot;Political Black Girl Magic: The Elections and Governance of Black Female Mayors&quot; (Temple UP, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781439920275"><em>Political Black Girl Magic: The Elections and Governance of Black Female Mayors </em></a>(Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.</p><p>Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, <em>Political Black Girl Magic</em> identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 11 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781439920275"><em>Political Black Girl Magic: The Elections and Governance of Black Female Mayors </em></a>(Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.</p><p>Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, <em>Political Black Girl Magic</em> identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46151819" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0073d0cf-baa9-46ea-ba59-94b39cbc09a6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0073d0cf-baa9-46ea-ba59-94b39cbc09a6&amp;feed=KodC6fj_"/>
      <itunes:title>Sharon D. Wright Austin, &quot;Political Black Girl Magic: The Elections and Governance of Black Female Mayors&quot; (Temple UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:04</itunes:duration>
      <itunes:summary>Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women&apos;s experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.
Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official&apos;s political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women&apos;s experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.
Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official&apos;s political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>442</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7ba38a52-de21-11ee-8b06-9325e4b4fc42</guid>
      <title>Rachel Jamison Webster, &quot;Benjamin Banneker and Us: Eleven Generations of an American Family&quot; (Henry Holt, 2023)</title>
      <description><![CDATA[<p>In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative.</p><p>In <em>﻿</em><a href="https://bookshop.org/a/12343/9781250827302"><em>Benjamin Banneker and Us: Eleven Generations of an American Family</em></a> (Henry Holt, 2023), Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker’s grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 11 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative.</p><p>In <em>﻿</em><a href="https://bookshop.org/a/12343/9781250827302"><em>Benjamin Banneker and Us: Eleven Generations of an American Family</em></a> (Henry Holt, 2023), Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker’s grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33345965" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1ed95cd2-9b49-4709-8c67-f0e7b03db36e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1ed95cd2-9b49-4709-8c67-f0e7b03db36e&amp;feed=KodC6fj_"/>
      <itunes:title>Rachel Jamison Webster, &quot;Benjamin Banneker and Us: Eleven Generations of an American Family&quot; (Henry Holt, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:44</itunes:duration>
      <itunes:summary>In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative.
In ﻿Benjamin Banneker and Us: Eleven Generations of an American Family (Henry Holt, 2023), Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker’s grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative.
In ﻿Benjamin Banneker and Us: Eleven Generations of an American Family (Henry Holt, 2023), Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker’s grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>441</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bdf206fc-dd92-11ee-85dc-7fa09fd0ac11</guid>
      <title>Sean M. Kelley, &quot;American Slavers: Merchants, Mariners, and the Transatlantic Commerce in Captives, 1644-1865&quot; (Yale UP, 2023)</title>
      <description><![CDATA[<p>A total of 305,000 enslaved Africans arrived in the New World aboard American vessels over a span of two hundred years as American merchants and mariners sailed to Africa and to the Caribbean to acquire and sell captives. Using exhaustive archival research, including many collections that have never been used before, historian Sean M. Kelley argues that slave trading needs to be seen as integral to the larger story of American slavery.</p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780300263596"><em>American Slavers: Merchants, Mariners, and the Transatlantic Commerce in Captives, 1644-1865</em></a> (Yale UP, 2023), Kelley examines the experience of captivity, drawing on more than a hundred African narratives to offer a portrait of enslavement in the regions of Africa frequented by American ships. Kelley also provides a social history of the two American ports where slave trading was most intensive, Newport and Bristol, Rhode Island.</p><p>In telling this tragic, brutal, and largely unknown story, Kelley corrects many misconceptions while leaving no doubt that Americans were a nation of slave traders.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 10 Mar 2024 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A total of 305,000 enslaved Africans arrived in the New World aboard American vessels over a span of two hundred years as American merchants and mariners sailed to Africa and to the Caribbean to acquire and sell captives. Using exhaustive archival research, including many collections that have never been used before, historian Sean M. Kelley argues that slave trading needs to be seen as integral to the larger story of American slavery.</p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780300263596"><em>American Slavers: Merchants, Mariners, and the Transatlantic Commerce in Captives, 1644-1865</em></a> (Yale UP, 2023), Kelley examines the experience of captivity, drawing on more than a hundred African narratives to offer a portrait of enslavement in the regions of Africa frequented by American ships. Kelley also provides a social history of the two American ports where slave trading was most intensive, Newport and Bristol, Rhode Island.</p><p>In telling this tragic, brutal, and largely unknown story, Kelley corrects many misconceptions while leaving no doubt that Americans were a nation of slave traders.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63521659" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/91b968ac-2ac8-4302-a4a1-4ccddc3a130a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=91b968ac-2ac8-4302-a4a1-4ccddc3a130a&amp;feed=KodC6fj_"/>
      <itunes:title>Sean M. Kelley, &quot;American Slavers: Merchants, Mariners, and the Transatlantic Commerce in Captives, 1644-1865&quot; (Yale UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:09</itunes:duration>
      <itunes:summary>A total of 305,000 enslaved Africans arrived in the New World aboard American vessels over a span of two hundred years as American merchants and mariners sailed to Africa and to the Caribbean to acquire and sell captives. Using exhaustive archival research, including many collections that have never been used before, historian Sean M. Kelley argues that slave trading needs to be seen as integral to the larger story of American slavery.
In American Slavers: Merchants, Mariners, and the Transatlantic Commerce in Captives, 1644-1865 (Yale UP, 2023), Kelley examines the experience of captivity, drawing on more than a hundred African narratives to offer a portrait of enslavement in the regions of Africa frequented by American ships. Kelley also provides a social history of the two American ports where slave trading was most intensive, Newport and Bristol, Rhode Island.
In telling this tragic, brutal, and largely unknown story, Kelley corrects many misconceptions while leaving no doubt that Americans were a nation of slave traders.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A total of 305,000 enslaved Africans arrived in the New World aboard American vessels over a span of two hundred years as American merchants and mariners sailed to Africa and to the Caribbean to acquire and sell captives. Using exhaustive archival research, including many collections that have never been used before, historian Sean M. Kelley argues that slave trading needs to be seen as integral to the larger story of American slavery.
In American Slavers: Merchants, Mariners, and the Transatlantic Commerce in Captives, 1644-1865 (Yale UP, 2023), Kelley examines the experience of captivity, drawing on more than a hundred African narratives to offer a portrait of enslavement in the regions of Africa frequented by American ships. Kelley also provides a social history of the two American ports where slave trading was most intensive, Newport and Bristol, Rhode Island.
In telling this tragic, brutal, and largely unknown story, Kelley corrects many misconceptions while leaving no doubt that Americans were a nation of slave traders.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>440</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">39db8ec2-dd58-11ee-9a36-9f207b14ad32</guid>
      <title>Ilyon Woo, &quot;Master Slave Husband Wife: An Epic Journey from Slavery to Freedom&quot; (Simon and Schuster, 2023)</title>
      <description><![CDATA[<p>Ilyon Woo's <a href="https://bookshop.org/a/12343/9781501191053"><em>Master Slave Husband Wife: An Epic Journey from Slavery to Freedom</em></a> (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave.</p><p>In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.</p><p>Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.</p><p>But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.</p><p><br /></p><p>With three epic journeys compressed into one monumental bid for freedom, <em>Master Slave Husband Wife</em> is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 9 Mar 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Ilyon Woo's <a href="https://bookshop.org/a/12343/9781501191053"><em>Master Slave Husband Wife: An Epic Journey from Slavery to Freedom</em></a> (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave.</p><p>In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.</p><p>Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.</p><p>But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.</p><p><br /></p><p>With three epic journeys compressed into one monumental bid for freedom, <em>Master Slave Husband Wife</em> is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50795317" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0dcc0e3a-2784-4ec0-98a4-a4b4f63eba3f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0dcc0e3a-2784-4ec0-98a4-a4b4f63eba3f&amp;feed=KodC6fj_"/>
      <itunes:title>Ilyon Woo, &quot;Master Slave Husband Wife: An Epic Journey from Slavery to Freedom&quot; (Simon and Schuster, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:54</itunes:duration>
      <itunes:summary>Ilyon Woo&apos;s Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave.
In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.
Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.
But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.

With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Ilyon Woo&apos;s Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave.
In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.
Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.
But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.

With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>439</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c070a7c4-dc9a-11ee-8828-735534678bbc</guid>
      <title>Carmen Fracchia, &quot;&apos;Black But Human&apos;: Slavery and Visual Arts in Hapsburg Spain, 1480-1700&quot; (Oxford UP, 2019)</title>
      <description><![CDATA[<p>Carmen Fracchia's book <a href="https://bookshop.org/a/12343/9780198767978"><em>Black But Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700</em> </a>(Oxford UP, 2019) is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves.</p><p>The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón, and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 8 Mar 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Carmen Fracchia's book <a href="https://bookshop.org/a/12343/9780198767978"><em>Black But Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700</em> </a>(Oxford UP, 2019) is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves.</p><p>The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón, and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="78185954" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e9839d1e-98a7-48d9-a428-e005e9b013cb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e9839d1e-98a7-48d9-a428-e005e9b013cb&amp;feed=KodC6fj_"/>
      <itunes:title>Carmen Fracchia, &quot;&apos;Black But Human&apos;: Slavery and Visual Arts in Hapsburg Spain, 1480-1700&quot; (Oxford UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:21:26</itunes:duration>
      <itunes:summary>Carmen Fracchia&apos;s book Black But Human&apos;: Slavery and Visual Arts in Hapsburg Spain, 1480-1700 (Oxford UP, 2019) is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb &apos;Black but Human&apos; is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves.
The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón, and Portugal. The &apos;Black but Human&apos; topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a &apos;black nation&apos; forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Carmen Fracchia&apos;s book Black But Human&apos;: Slavery and Visual Arts in Hapsburg Spain, 1480-1700 (Oxford UP, 2019) is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb &apos;Black but Human&apos; is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves.
The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón, and Portugal. The &apos;Black but Human&apos; topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a &apos;black nation&apos; forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>438</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c29148b6-dbea-11ee-9f1d-4b615a0584b1</guid>
      <title>Edda Fields-Black, &quot;Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p>Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.</p><p>In <a href="https://bookshop.org/a/12343/9780197552797">﻿Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War </a>(Oxford UP, 2023)﻿, Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.</p><p>Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.</p><p>After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 7 Mar 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.</p><p>In <a href="https://bookshop.org/a/12343/9780197552797">﻿Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War </a>(Oxford UP, 2023)﻿, Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.</p><p>Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.</p><p>After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="92599276" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/365fdcd1-1b5f-412d-9185-2a6610e25bd5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=365fdcd1-1b5f-412d-9185-2a6610e25bd5&amp;feed=KodC6fj_"/>
      <itunes:title>Edda Fields-Black, &quot;Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:36:27</itunes:duration>
      <itunes:summary>Most Americans know of Harriet Tubman&apos;s legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children&apos;s books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.
In ﻿Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War (Oxford UP, 2023)﻿, Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina&apos;s Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina&apos;s Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.
Using previous unexamined documents, including Tubman&apos;s US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters&apos; families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina&apos;s deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.
After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman&apos;s Combahee River Raid.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Most Americans know of Harriet Tubman&apos;s legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children&apos;s books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.
In ﻿Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War (Oxford UP, 2023)﻿, Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina&apos;s Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina&apos;s Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.
Using previous unexamined documents, including Tubman&apos;s US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters&apos; families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina&apos;s deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.
After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman&apos;s Combahee River Raid.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>437</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9201e0c8-db2e-11ee-b09b-0b484f92feb9</guid>
      <title>Amy Coddington, &quot;How Hip Hop Became Hit Pop: Radio, Rap, and Race&quot; (U California Press, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520383920"><em>How Hip Hop Became Hit Pop: Radio, Rap, and Race</em></a><em> </em>(U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 6 Mar 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520383920"><em>How Hip Hop Became Hit Pop: Radio, Rap, and Race</em></a><em> </em>(U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49830471" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9cdfbcd6-1b8c-48fe-a681-4445a9502bdc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9cdfbcd6-1b8c-48fe-a681-4445a9502bdc&amp;feed=KodC6fj_"/>
      <itunes:title>Amy Coddington, &quot;How Hip Hop Became Hit Pop: Radio, Rap, and Race&quot; (U California Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:54</itunes:duration>
      <itunes:summary>How Hip Hop Became Hit Pop: Radio, Rap, and Race (U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop&apos;s introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre&apos;s diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre&apos;s growing popularity transformed ideas about who constitutes the mainstream.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How Hip Hop Became Hit Pop: Radio, Rap, and Race (U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop&apos;s introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre&apos;s diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre&apos;s growing popularity transformed ideas about who constitutes the mainstream.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>436</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">24f01ae6-d975-11ee-9af4-379dbad4a624</guid>
      <title>Derron Wallace, &quot;The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth&quot; (Oxford UP, 2023)</title>
      <description><![CDATA[<p>How does race matter in schools? In <a href="https://bookshop.org/a/12343/9780197531471"><em>The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth</em></a><em> </em>(Oxford UP, 2023)<em>,</em> <a href="https://twitter.com/derronwallace">Derron Wallace</a>, the <a href="https://www.brandeis.edu/sociology/people/faculty/wallace.html">Jacob S. Potofsky Chair in Sociology</a> <a href="https://www.derronwallace.com/">at Brandeis University</a>, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 4 Mar 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How does race matter in schools? In <a href="https://bookshop.org/a/12343/9780197531471"><em>The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth</em></a><em> </em>(Oxford UP, 2023)<em>,</em> <a href="https://twitter.com/derronwallace">Derron Wallace</a>, the <a href="https://www.brandeis.edu/sociology/people/faculty/wallace.html">Jacob S. Potofsky Chair in Sociology</a> <a href="https://www.derronwallace.com/">at Brandeis University</a>, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52624340" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e420991b-8499-4e71-a496-1f883be6801f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e420991b-8499-4e71-a496-1f883be6801f&amp;feed=KodC6fj_"/>
      <itunes:title>Derron Wallace, &quot;The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth&quot; (Oxford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:48</itunes:duration>
      <itunes:summary>How does race matter in schools? In The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth (Oxford UP, 2023), Derron Wallace, the Jacob S. Potofsky Chair in Sociology at Brandeis University, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How does race matter in schools? In The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth (Oxford UP, 2023), Derron Wallace, the Jacob S. Potofsky Chair in Sociology at Brandeis University, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>438</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f9ac121e-d4c3-11ee-9ff6-efcb765b2835</guid>
      <title>Horace J. Maxile, Jr. and Kristen M. Turner, &quot;Race and Gender in the Western Music History Survey: A Teacher&apos;s Guide&quot; (Routledge, 2022)</title>
      <description><![CDATA[<p><a href="https://www.taylorfrancis.com/books/mono/10.4324/9781003044635/race-gender-western-music-history-survey-horace-maxile-jr-kristen-turner"><em>Race and Gender in the Western Music History Survey: A Teacher’s Guide</em></a> provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.</p><p><a href="https://music.baylor.edu/horacejmaxilejr">Dr. Horace J. Maxile, Jr. </a>is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as <em>Perspectives of New Music, American Music, </em>the <em>Journal of the Society for American Music, </em>and <em>Black Music Research Journal.</em></p><p><a href="https://performingartstech.dasa.ncsu.edu/people/kristen-turner/">Dr. Kristen M. Turner</a> is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the <em>Journal of the American Musicological Society, </em>the <em>Journal of the Society for American Music, American Studies, </em>and <em>Musical Quarterly.</em></p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 27 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://www.taylorfrancis.com/books/mono/10.4324/9781003044635/race-gender-western-music-history-survey-horace-maxile-jr-kristen-turner"><em>Race and Gender in the Western Music History Survey: A Teacher’s Guide</em></a> provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.</p><p><a href="https://music.baylor.edu/horacejmaxilejr">Dr. Horace J. Maxile, Jr. </a>is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as <em>Perspectives of New Music, American Music, </em>the <em>Journal of the Society for American Music, </em>and <em>Black Music Research Journal.</em></p><p><a href="https://performingartstech.dasa.ncsu.edu/people/kristen-turner/">Dr. Kristen M. Turner</a> is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the <em>Journal of the American Musicological Society, </em>the <em>Journal of the Society for American Music, American Studies, </em>and <em>Musical Quarterly.</em></p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31594080" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f8938995-8ea8-4867-8063-0b0b14ecb200/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f8938995-8ea8-4867-8063-0b0b14ecb200&amp;feed=KodC6fj_"/>
      <itunes:title>Horace J. Maxile, Jr. and Kristen M. Turner, &quot;Race and Gender in the Western Music History Survey: A Teacher&apos;s Guide&quot; (Routledge, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:32:54</itunes:duration>
      <itunes:summary>Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.
Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.
Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.
Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.
Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">81d007b8-d294-11ee-93be-ef51d17c8615</guid>
      <title>Matthew Fox-Amato, &quot;Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America&quot; (Oxford UP, 2019)</title>
      <description><![CDATA[<p>Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. <a href="https://www.uidaho.edu/class/history/faculty-staff/fox-amato">Matthew Fox-Amato</a>, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, <a href="http://www.amazon.com/dp/0190663936/?tag=newbooinhis-20"><em>Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in Americ</em>a</a> (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium.</p><p>In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity.</p><p><em>Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at </em><a href="mailto:clamberson@angelo.edu"><em>clamberson@angelo.edu</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 24 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. <a href="https://www.uidaho.edu/class/history/faculty-staff/fox-amato">Matthew Fox-Amato</a>, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, <a href="http://www.amazon.com/dp/0190663936/?tag=newbooinhis-20"><em>Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in Americ</em>a</a> (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium.</p><p>In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity.</p><p><em>Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at </em><a href="mailto:clamberson@angelo.edu"><em>clamberson@angelo.edu</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47487242" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4e59dcf4-91a7-4c03-b57b-336d42151ff5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4e59dcf4-91a7-4c03-b57b-336d42151ff5&amp;feed=KodC6fj_"/>
      <itunes:title>Matthew Fox-Amato, &quot;Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America&quot; (Oxford UP, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:27</itunes:duration>
      <itunes:summary>Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. Matthew Fox-Amato, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium.
In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity.
Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. Matthew Fox-Amato, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium.
In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity.
Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>493</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6e54ba12-d1c7-11ee-9729-0fa3cce1b494</guid>
      <title>Imani D. Owens, &quot;Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean&quot; (Columbia UP, 2023)</title>
      <description><![CDATA[<p>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.</p><p><a href="https://bookshop.org/a/12343/9780231208895"><em>Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean</em></a><em> </em>(Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 23 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.</p><p><a href="https://bookshop.org/a/12343/9780231208895"><em>Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean</em></a><em> </em>(Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64401105" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ff7a21e1-0db6-4418-9534-f74592cbd45a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ff7a21e1-0db6-4418-9534-f74592cbd45a&amp;feed=KodC6fj_"/>
      <itunes:title>Imani D. Owens, &quot;Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean&quot; (Columbia UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:04</itunes:duration>
      <itunes:summary>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.
Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.
Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>435</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">70010684-d02f-11ee-b0eb-cb8f5ef3db47</guid>
      <title>Laurence Ralph, &quot;Sito: An American Teenager and the City That Failed Him&quot; (Grand Central Publishing, 2023)</title>
      <description><![CDATA[<p>In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito’s. The two murders merited a few local news stories, and then the rest of the world moved on.</p><p>But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito’s half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito’s murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way.</p><p>Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, <a href="https://bookshop.org/a/12343/9781538740323"><em>SITO: An American Teenager and the City that Failed Him</em></a> (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace.</p><p>Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of <em>Renegade Dreams: Living Through Injury in Gangland Chicago</em> (2014) and <em>The Torture Letters: Reckoning With Police Violence</em> (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 21 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito’s. The two murders merited a few local news stories, and then the rest of the world moved on.</p><p>But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito’s half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito’s murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way.</p><p>Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, <a href="https://bookshop.org/a/12343/9781538740323"><em>SITO: An American Teenager and the City that Failed Him</em></a> (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace.</p><p>Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of <em>Renegade Dreams: Living Through Injury in Gangland Chicago</em> (2014) and <em>The Torture Letters: Reckoning With Police Violence</em> (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43287954" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ba49506a-cb6f-469b-bed5-5adf89c705a8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ba49506a-cb6f-469b-bed5-5adf89c705a8&amp;feed=KodC6fj_"/>
      <itunes:title>Laurence Ralph, &quot;Sito: An American Teenager and the City That Failed Him&quot; (Grand Central Publishing, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:45:05</itunes:duration>
      <itunes:summary>In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito’s. The two murders merited a few local news stories, and then the rest of the world moved on.
But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito’s half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito’s murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way.
Written from Ralph&apos;s perspective as both a person enmeshed in Sito&apos;s family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace.
Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito’s. The two murders merited a few local news stories, and then the rest of the world moved on.
But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito’s half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito’s murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way.
Written from Ralph&apos;s perspective as both a person enmeshed in Sito&apos;s family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace.
Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>285</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6710ee66-cd07-11ee-8a1e-7b9851d96aa3</guid>
      <title>Norman Hill and Velma Murphy Hill, &quot;Climbing the Rough Side of the Mountain: The Extraordinary Story of Love, Civil Rights, and Labor Activism&quot; (Regalo Press, 2023)</title>
      <description><![CDATA[<p>The remarkable story of a couple who came together during the civil rights movement and made fighting for equality and civil and workers' rights their purpose for more than sixty years, overcoming adversity--with the strength of their love and commitment--to bring about meaningful change,</p><p>When Velma Murphy was knocked unconscious by a brick thrown by a man from an angry white mob and was carried away by Norman Hill, it was the beginning of a six-decade-long love story and the turmoil, excitement, and struggle for civil rights and labor movements. In <a href="https://bookshop.org/a/12343/9798888452820"><em>Climbing the Rough Side of the Mountain: The Extraordinary Story of Love, Civil Rights, and Labor Activism</em></a><em> </em>(Regalo Press, 2023), the Hills reflect upon their more than half a century of fighting to make America realize the best of itself.</p><p>Through profound conversations between the two, Velma and Norman Hill share their earliest memories of facing racial segregation in the 1960s, working with Martin Luther King Jr., Bayard Rustin, and A. Philip Randolph, crossing paths with Malcolm X and Stokely Carmichael. They also reveal how they kept white supremacists like David Duke from taking office, organized workers into unions, met with Presidents Bill Clinton and Barack Obama, and continued to work tirelessly, fighting the good fight and successfully challenging power with truth.</p><p>Norman Hill was the national program director of the Congress of Racial Equality (CORE), staff coordinator for the 1963 March on Washington for Jobs and Freedom, staff representative of the Industrial Union Department of the AFL-CIO, and president of the A. Philip Randolph Institute from 1980 to 2004, the longest tenure in the organization’s history. He remains its president emeritus.</p><p>Velma Murphy Hill, a graduate of the Harvard Graduate School of Education, was a leader of the Chicago Wade-In to integrate Rainbow Beach, East Coast field secretary for CORE, and assistant to the president of the United Federation of Teachers, where she unionized 10,000 paraprofessionals, mostly Black and Hispanic, working in New York public schools. She was vice president of the American Federation of Teachers and International Affairs and civil rights director of the Service Employees International Union.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 17 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The remarkable story of a couple who came together during the civil rights movement and made fighting for equality and civil and workers' rights their purpose for more than sixty years, overcoming adversity--with the strength of their love and commitment--to bring about meaningful change,</p><p>When Velma Murphy was knocked unconscious by a brick thrown by a man from an angry white mob and was carried away by Norman Hill, it was the beginning of a six-decade-long love story and the turmoil, excitement, and struggle for civil rights and labor movements. In <a href="https://bookshop.org/a/12343/9798888452820"><em>Climbing the Rough Side of the Mountain: The Extraordinary Story of Love, Civil Rights, and Labor Activism</em></a><em> </em>(Regalo Press, 2023), the Hills reflect upon their more than half a century of fighting to make America realize the best of itself.</p><p>Through profound conversations between the two, Velma and Norman Hill share their earliest memories of facing racial segregation in the 1960s, working with Martin Luther King Jr., Bayard Rustin, and A. Philip Randolph, crossing paths with Malcolm X and Stokely Carmichael. They also reveal how they kept white supremacists like David Duke from taking office, organized workers into unions, met with Presidents Bill Clinton and Barack Obama, and continued to work tirelessly, fighting the good fight and successfully challenging power with truth.</p><p>Norman Hill was the national program director of the Congress of Racial Equality (CORE), staff coordinator for the 1963 March on Washington for Jobs and Freedom, staff representative of the Industrial Union Department of the AFL-CIO, and president of the A. Philip Randolph Institute from 1980 to 2004, the longest tenure in the organization’s history. He remains its president emeritus.</p><p>Velma Murphy Hill, a graduate of the Harvard Graduate School of Education, was a leader of the Chicago Wade-In to integrate Rainbow Beach, East Coast field secretary for CORE, and assistant to the president of the United Federation of Teachers, where she unionized 10,000 paraprofessionals, mostly Black and Hispanic, working in New York public schools. She was vice president of the American Federation of Teachers and International Affairs and civil rights director of the Service Employees International Union.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63364495" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1388fc27-7914-4fc1-8e28-6e926c9dc388/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1388fc27-7914-4fc1-8e28-6e926c9dc388&amp;feed=KodC6fj_"/>
      <itunes:title>Norman Hill and Velma Murphy Hill, &quot;Climbing the Rough Side of the Mountain: The Extraordinary Story of Love, Civil Rights, and Labor Activism&quot; (Regalo Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:00</itunes:duration>
      <itunes:summary>The remarkable story of a couple who came together during the civil rights movement and made fighting for equality and civil and workers&apos; rights their purpose for more than sixty years, overcoming adversity--with the strength of their love and commitment--to bring about meaningful change,
When Velma Murphy was knocked unconscious by a brick thrown by a man from an angry white mob and was carried away by Norman Hill, it was the beginning of a six-decade-long love story and the turmoil, excitement, and struggle for civil rights and labor movements. In Climbing the Rough Side of the Mountain: The Extraordinary Story of Love, Civil Rights, and Labor Activism (Regalo Press, 2023), the Hills reflect upon their more than half a century of fighting to make America realize the best of itself.
Through profound conversations between the two, Velma and Norman Hill share their earliest memories of facing racial segregation in the 1960s, working with Martin Luther King Jr., Bayard Rustin, and A. Philip Randolph, crossing paths with Malcolm X and Stokely Carmichael. They also reveal how they kept white supremacists like David Duke from taking office, organized workers into unions, met with Presidents Bill Clinton and Barack Obama, and continued to work tirelessly, fighting the good fight and successfully challenging power with truth.
Norman Hill was the national program director of the Congress of Racial Equality (CORE), staff coordinator for the 1963 March on Washington for Jobs and Freedom, staff representative of the Industrial Union Department of the AFL-CIO, and president of the A. Philip Randolph Institute from 1980 to 2004, the longest tenure in the organization’s history. He remains its president emeritus.
Velma Murphy Hill, a graduate of the Harvard Graduate School of Education, was a leader of the Chicago Wade-In to integrate Rainbow Beach, East Coast field secretary for CORE, and assistant to the president of the United Federation of Teachers, where she unionized 10,000 paraprofessionals, mostly Black and Hispanic, working in New York public schools. She was vice president of the American Federation of Teachers and International Affairs and civil rights director of the Service Employees International Union.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The remarkable story of a couple who came together during the civil rights movement and made fighting for equality and civil and workers&apos; rights their purpose for more than sixty years, overcoming adversity--with the strength of their love and commitment--to bring about meaningful change,
When Velma Murphy was knocked unconscious by a brick thrown by a man from an angry white mob and was carried away by Norman Hill, it was the beginning of a six-decade-long love story and the turmoil, excitement, and struggle for civil rights and labor movements. In Climbing the Rough Side of the Mountain: The Extraordinary Story of Love, Civil Rights, and Labor Activism (Regalo Press, 2023), the Hills reflect upon their more than half a century of fighting to make America realize the best of itself.
Through profound conversations between the two, Velma and Norman Hill share their earliest memories of facing racial segregation in the 1960s, working with Martin Luther King Jr., Bayard Rustin, and A. Philip Randolph, crossing paths with Malcolm X and Stokely Carmichael. They also reveal how they kept white supremacists like David Duke from taking office, organized workers into unions, met with Presidents Bill Clinton and Barack Obama, and continued to work tirelessly, fighting the good fight and successfully challenging power with truth.
Norman Hill was the national program director of the Congress of Racial Equality (CORE), staff coordinator for the 1963 March on Washington for Jobs and Freedom, staff representative of the Industrial Union Department of the AFL-CIO, and president of the A. Philip Randolph Institute from 1980 to 2004, the longest tenure in the organization’s history. He remains its president emeritus.
Velma Murphy Hill, a graduate of the Harvard Graduate School of Education, was a leader of the Chicago Wade-In to integrate Rainbow Beach, East Coast field secretary for CORE, and assistant to the president of the United Federation of Teachers, where she unionized 10,000 paraprofessionals, mostly Black and Hispanic, working in New York public schools. She was vice president of the American Federation of Teachers and International Affairs and civil rights director of the Service Employees International Union.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">1d4b4f3e-c91e-11ee-b45d-3fa8c46af0a3</guid>
      <title>Jeanne Theoharis, &quot;The Strange Careers of the Jim Crow North: Segregation and Struggle outside of the South&quot; (NYU Press, 2019)</title>
      <description><![CDATA[<p>In this New Books Network/Gotham Center for NYC History podcast, guest host Beth Harpaz, editor of the City University of New York website <a href="https://sum.cuny.edu/">SUM</a>, interviews <a href="http://www.brooklyn.cuny.edu/web/academics/faculty/faculty_profile.jsp?faculty=510">Jeanne Theoharis</a>, distinguished professor of political science at Brooklyn College. Their topic is a new book just out from NYU Press, co-edited by Theoharis, called <a href="http://www.amazon.com/dp/1479820334/?tag=newbooinhis-20"><em>The Strange Careers of the Jim Crow North: Segregation and Struggle outside of the South </em></a>(NYU Press, 2019).</p><p>The book looks at the history of institutionalized racism around the U.S., showing that laws, policies, and entitlements in every region of the country not only created segregated communities, but also promoted affluence and opportunities for white Americans while keeping African Americans out of the middle class.</p><p>“There did not need to be a ‘no coloreds’ sign for hotels, restaurants, pools, parks, housing complexes, schools, and jobs to be segregated across the North as well,” wrote Theoharis and her co-editor Professor <a href="https://www.bowdoin.edu/profiles/faculty/bpurnell/">Brian Purnell</a> of Bowdoin College.</p><p>In the podcast, Theoharis shows how African-Americans have faced discrimination in everything from pre-Civil War legal codes in New York, to 20th-century government programs like Social Security and the G.I. bill. She and Harpaz also discuss the ways in which the legacy of these racist policies persist today in public education, the criminal justice system, and other aspects of American society.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 12 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this New Books Network/Gotham Center for NYC History podcast, guest host Beth Harpaz, editor of the City University of New York website <a href="https://sum.cuny.edu/">SUM</a>, interviews <a href="http://www.brooklyn.cuny.edu/web/academics/faculty/faculty_profile.jsp?faculty=510">Jeanne Theoharis</a>, distinguished professor of political science at Brooklyn College. Their topic is a new book just out from NYU Press, co-edited by Theoharis, called <a href="http://www.amazon.com/dp/1479820334/?tag=newbooinhis-20"><em>The Strange Careers of the Jim Crow North: Segregation and Struggle outside of the South </em></a>(NYU Press, 2019).</p><p>The book looks at the history of institutionalized racism around the U.S., showing that laws, policies, and entitlements in every region of the country not only created segregated communities, but also promoted affluence and opportunities for white Americans while keeping African Americans out of the middle class.</p><p>“There did not need to be a ‘no coloreds’ sign for hotels, restaurants, pools, parks, housing complexes, schools, and jobs to be segregated across the North as well,” wrote Theoharis and her co-editor Professor <a href="https://www.bowdoin.edu/profiles/faculty/bpurnell/">Brian Purnell</a> of Bowdoin College.</p><p>In the podcast, Theoharis shows how African-Americans have faced discrimination in everything from pre-Civil War legal codes in New York, to 20th-century government programs like Social Security and the G.I. bill. She and Harpaz also discuss the ways in which the legacy of these racist policies persist today in public education, the criminal justice system, and other aspects of American society.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38666591" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/958599f8-251e-4637-a0e1-507c4bc88e5a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=958599f8-251e-4637-a0e1-507c4bc88e5a&amp;feed=KodC6fj_"/>
      <itunes:title>Jeanne Theoharis, &quot;The Strange Careers of the Jim Crow North: Segregation and Struggle outside of the South&quot; (NYU Press, 2019)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:16</itunes:duration>
      <itunes:summary>In this New Books Network/Gotham Center for NYC History podcast, guest host Beth Harpaz, editor of the City University of New York website SUM, interviews Jeanne Theoharis, distinguished professor of political science at Brooklyn College. Their topic is a new book just out from NYU Press, co-edited by Theoharis, called The Strange Careers of the Jim Crow North: Segregation and Struggle outside of the South (NYU Press, 2019).
The book looks at the history of institutionalized racism around the U.S., showing that laws, policies, and entitlements in every region of the country not only created segregated communities, but also promoted affluence and opportunities for white Americans while keeping African Americans out of the middle class.
“There did not need to be a ‘no coloreds’ sign for hotels, restaurants, pools, parks, housing complexes, schools, and jobs to be segregated across the North as well,” wrote Theoharis and her co-editor Professor Brian Purnell of Bowdoin College.
In the podcast, Theoharis shows how African-Americans have faced discrimination in everything from pre-Civil War legal codes in New York, to 20th-century government programs like Social Security and the G.I. bill. She and Harpaz also discuss the ways in which the legacy of these racist policies persist today in public education, the criminal justice system, and other aspects of American society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this New Books Network/Gotham Center for NYC History podcast, guest host Beth Harpaz, editor of the City University of New York website SUM, interviews Jeanne Theoharis, distinguished professor of political science at Brooklyn College. Their topic is a new book just out from NYU Press, co-edited by Theoharis, called The Strange Careers of the Jim Crow North: Segregation and Struggle outside of the South (NYU Press, 2019).
The book looks at the history of institutionalized racism around the U.S., showing that laws, policies, and entitlements in every region of the country not only created segregated communities, but also promoted affluence and opportunities for white Americans while keeping African Americans out of the middle class.
“There did not need to be a ‘no coloreds’ sign for hotels, restaurants, pools, parks, housing complexes, schools, and jobs to be segregated across the North as well,” wrote Theoharis and her co-editor Professor Brian Purnell of Bowdoin College.
In the podcast, Theoharis shows how African-Americans have faced discrimination in everything from pre-Civil War legal codes in New York, to 20th-century government programs like Social Security and the G.I. bill. She and Harpaz also discuss the ways in which the legacy of these racist policies persist today in public education, the criminal justice system, and other aspects of American society.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>497</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bdd69cca-c760-11ee-86ba-bf4ccc734ef8</guid>
      <title>Brian H. Williams, &quot;The Bodies Keep Coming: Dispatches from a Black Trauma Surgeon on Racism, Violence, and How We Heal&quot; (Broadleaf Books, 2023)</title>
      <description><![CDATA[<p>Trauma surgeon and professor Dr. Brian H. Williams has seen it all: gunshot wounds, stabbings, and traumatic brain injuries. In <a href="https://bookshop.org/a/12343/9781506483122"><em>The Bodies Keep Coming: Dispatches from a Black Trauma Surgeon on Racism, Violence, and How We Heal</em></a><em> </em>(Broadleaf Books, 2023), Williams ushers us into the trauma bay, where the wounds of a national emergency amass.</p><p>As a Harvard-trained physician, Williams learned to keep his head down and his scalpel ready. As a Black man, he learned to swallow the rage when patients told him to take out the trash. Just days after the tragic police shootings of two Black men, Williams tried to save the lives of police officers shot in Dallas in the deadliest incident for US law enforcement since 9/11. Thrust into the spotlight in a nation that loves feel-good stories about heroism more than hard truths about racism, Williams came to rethink everything he thought he knew about medicine, injustice, and what true healing looks like.</p><p>Now, in raw and intimate detail, Williams narrates not only the events of that night in 2016, but the grief and anger of a Black doctor on the front lines of trauma care. Working in the physician-writer tradition of Atul Gawande and Damon Tweedy, Williams diagnoses the roots of the violence that plagues us. He draws a through line between white supremacy, gun violence, and the bodies he tries to revive, and he trains his surgeon's gaze on the structural ills that manifest themselves in the bodies of his patients. What if racism is a feature of our healthcare system, not a bug? What if profiting from racial inequality is exactly what it was designed to do?</p><p>Black and brown bodies will continue to be wracked by all types of violence, Williams argues, until something changes. Until we transform policy and law with compassion and care, the bodies will keep coming.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 10 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Trauma surgeon and professor Dr. Brian H. Williams has seen it all: gunshot wounds, stabbings, and traumatic brain injuries. In <a href="https://bookshop.org/a/12343/9781506483122"><em>The Bodies Keep Coming: Dispatches from a Black Trauma Surgeon on Racism, Violence, and How We Heal</em></a><em> </em>(Broadleaf Books, 2023), Williams ushers us into the trauma bay, where the wounds of a national emergency amass.</p><p>As a Harvard-trained physician, Williams learned to keep his head down and his scalpel ready. As a Black man, he learned to swallow the rage when patients told him to take out the trash. Just days after the tragic police shootings of two Black men, Williams tried to save the lives of police officers shot in Dallas in the deadliest incident for US law enforcement since 9/11. Thrust into the spotlight in a nation that loves feel-good stories about heroism more than hard truths about racism, Williams came to rethink everything he thought he knew about medicine, injustice, and what true healing looks like.</p><p>Now, in raw and intimate detail, Williams narrates not only the events of that night in 2016, but the grief and anger of a Black doctor on the front lines of trauma care. Working in the physician-writer tradition of Atul Gawande and Damon Tweedy, Williams diagnoses the roots of the violence that plagues us. He draws a through line between white supremacy, gun violence, and the bodies he tries to revive, and he trains his surgeon's gaze on the structural ills that manifest themselves in the bodies of his patients. What if racism is a feature of our healthcare system, not a bug? What if profiting from racial inequality is exactly what it was designed to do?</p><p>Black and brown bodies will continue to be wracked by all types of violence, Williams argues, until something changes. Until we transform policy and law with compassion and care, the bodies will keep coming.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33545583" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a008654f-ccfe-48c3-8d20-388e28e7d975/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a008654f-ccfe-48c3-8d20-388e28e7d975&amp;feed=KodC6fj_"/>
      <itunes:title>Brian H. Williams, &quot;The Bodies Keep Coming: Dispatches from a Black Trauma Surgeon on Racism, Violence, and How We Heal&quot; (Broadleaf Books, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:56</itunes:duration>
      <itunes:summary>Trauma surgeon and professor Dr. Brian H. Williams has seen it all: gunshot wounds, stabbings, and traumatic brain injuries. In The Bodies Keep Coming: Dispatches from a Black Trauma Surgeon on Racism, Violence, and How We Heal (Broadleaf Books, 2023), Williams ushers us into the trauma bay, where the wounds of a national emergency amass.
As a Harvard-trained physician, Williams learned to keep his head down and his scalpel ready. As a Black man, he learned to swallow the rage when patients told him to take out the trash. Just days after the tragic police shootings of two Black men, Williams tried to save the lives of police officers shot in Dallas in the deadliest incident for US law enforcement since 9/11. Thrust into the spotlight in a nation that loves feel-good stories about heroism more than hard truths about racism, Williams came to rethink everything he thought he knew about medicine, injustice, and what true healing looks like.
Now, in raw and intimate detail, Williams narrates not only the events of that night in 2016, but the grief and anger of a Black doctor on the front lines of trauma care. Working in the physician-writer tradition of Atul Gawande and Damon Tweedy, Williams diagnoses the roots of the violence that plagues us. He draws a through line between white supremacy, gun violence, and the bodies he tries to revive, and he trains his surgeon&apos;s gaze on the structural ills that manifest themselves in the bodies of his patients. What if racism is a feature of our healthcare system, not a bug? What if profiting from racial inequality is exactly what it was designed to do?
Black and brown bodies will continue to be wracked by all types of violence, Williams argues, until something changes. Until we transform policy and law with compassion and care, the bodies will keep coming.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Trauma surgeon and professor Dr. Brian H. Williams has seen it all: gunshot wounds, stabbings, and traumatic brain injuries. In The Bodies Keep Coming: Dispatches from a Black Trauma Surgeon on Racism, Violence, and How We Heal (Broadleaf Books, 2023), Williams ushers us into the trauma bay, where the wounds of a national emergency amass.
As a Harvard-trained physician, Williams learned to keep his head down and his scalpel ready. As a Black man, he learned to swallow the rage when patients told him to take out the trash. Just days after the tragic police shootings of two Black men, Williams tried to save the lives of police officers shot in Dallas in the deadliest incident for US law enforcement since 9/11. Thrust into the spotlight in a nation that loves feel-good stories about heroism more than hard truths about racism, Williams came to rethink everything he thought he knew about medicine, injustice, and what true healing looks like.
Now, in raw and intimate detail, Williams narrates not only the events of that night in 2016, but the grief and anger of a Black doctor on the front lines of trauma care. Working in the physician-writer tradition of Atul Gawande and Damon Tweedy, Williams diagnoses the roots of the violence that plagues us. He draws a through line between white supremacy, gun violence, and the bodies he tries to revive, and he trains his surgeon&apos;s gaze on the structural ills that manifest themselves in the bodies of his patients. What if racism is a feature of our healthcare system, not a bug? What if profiting from racial inequality is exactly what it was designed to do?
Black and brown bodies will continue to be wracked by all types of violence, Williams argues, until something changes. Until we transform policy and law with compassion and care, the bodies will keep coming.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d2c6d472-c6a4-11ee-92e0-c7d0d875cef9</guid>
      <title>Jennifer Sdunzik, &quot;The Geography of Hate: The Great Migration through Small-Town America&quot; (U Illinois Press, 2023)</title>
      <description><![CDATA[<p>During the Great Migration, Black Americans sought new lives in midwestern small towns only to confront the pervasive efforts of white residents determined to maintain their area’s preferred cultural and racial identity. Jennifer Sdunzik explores this widespread phenomenon by examining how it played out in one midwestern community. Sdunzik merges state and communal histories, interviews and analyses of population data, and spatial and ethnographic materials to create a rich public history that reclaims Black contributions and history. She also explores the conscious and unconscious white actions that all but erased Black Americans--and the terror and exclusion used against them--from the history of many midwestern communities.</p><p>An innovative challenge to myth and perceived wisdom, <a href="https://bookshop.org/a/12343/9780252087547"><em>The Geography of Hate: The Great Migration through Small-Town America</em></a><em> </em>(U Illinois Press, 2023) reveals the socioeconomic, political, and cultural forces that prevailed in midwestern towns and helps explain the systemic racism and endemic nativism that remain entrenched in American life.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 9 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the Great Migration, Black Americans sought new lives in midwestern small towns only to confront the pervasive efforts of white residents determined to maintain their area’s preferred cultural and racial identity. Jennifer Sdunzik explores this widespread phenomenon by examining how it played out in one midwestern community. Sdunzik merges state and communal histories, interviews and analyses of population data, and spatial and ethnographic materials to create a rich public history that reclaims Black contributions and history. She also explores the conscious and unconscious white actions that all but erased Black Americans--and the terror and exclusion used against them--from the history of many midwestern communities.</p><p>An innovative challenge to myth and perceived wisdom, <a href="https://bookshop.org/a/12343/9780252087547"><em>The Geography of Hate: The Great Migration through Small-Town America</em></a><em> </em>(U Illinois Press, 2023) reveals the socioeconomic, political, and cultural forces that prevailed in midwestern towns and helps explain the systemic racism and endemic nativism that remain entrenched in American life.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41143107" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3eefcf38-4e83-41af-9aa9-eea7103ea0c6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3eefcf38-4e83-41af-9aa9-eea7103ea0c6&amp;feed=KodC6fj_"/>
      <itunes:title>Jennifer Sdunzik, &quot;The Geography of Hate: The Great Migration through Small-Town America&quot; (U Illinois Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:51</itunes:duration>
      <itunes:summary>During the Great Migration, Black Americans sought new lives in midwestern small towns only to confront the pervasive efforts of white residents determined to maintain their area’s preferred cultural and racial identity. Jennifer Sdunzik explores this widespread phenomenon by examining how it played out in one midwestern community. Sdunzik merges state and communal histories, interviews and analyses of population data, and spatial and ethnographic materials to create a rich public history that reclaims Black contributions and history. She also explores the conscious and unconscious white actions that all but erased Black Americans--and the terror and exclusion used against them--from the history of many midwestern communities.
An innovative challenge to myth and perceived wisdom, The Geography of Hate: The Great Migration through Small-Town America (U Illinois Press, 2023) reveals the socioeconomic, political, and cultural forces that prevailed in midwestern towns and helps explain the systemic racism and endemic nativism that remain entrenched in American life.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the Great Migration, Black Americans sought new lives in midwestern small towns only to confront the pervasive efforts of white residents determined to maintain their area’s preferred cultural and racial identity. Jennifer Sdunzik explores this widespread phenomenon by examining how it played out in one midwestern community. Sdunzik merges state and communal histories, interviews and analyses of population data, and spatial and ethnographic materials to create a rich public history that reclaims Black contributions and history. She also explores the conscious and unconscious white actions that all but erased Black Americans--and the terror and exclusion used against them--from the history of many midwestern communities.
An innovative challenge to myth and perceived wisdom, The Geography of Hate: The Great Migration through Small-Town America (U Illinois Press, 2023) reveals the socioeconomic, political, and cultural forces that prevailed in midwestern towns and helps explain the systemic racism and endemic nativism that remain entrenched in American life.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>434</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d834e2e2-c531-11ee-8e63-4bd716707ea6</guid>
      <title>Steven High, &quot;Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class&quot; (McGill-Queen&apos;s UP, 2022)</title>
      <description><![CDATA[<p>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. </p><p>In <a href="https://bookshop.org/a/12343/9780228010753"><em>Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class</em></a> (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.</p><p>Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 7 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. </p><p>In <a href="https://bookshop.org/a/12343/9780228010753"><em>Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class</em></a> (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.</p><p>Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61536370" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6782aff7-560d-4999-8a10-4b6026aa19fe/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6782aff7-560d-4999-8a10-4b6026aa19fe&amp;feed=KodC6fj_"/>
      <itunes:title>Steven High, &quot;Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class&quot; (McGill-Queen&apos;s UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:05</itunes:duration>
      <itunes:summary>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. 
In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen&apos;s UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. 
In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen&apos;s UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9ac75cce-c53a-11ee-baeb-1f42e04c5711</guid>
      <title>Bryce Henson, &quot;Emergent Quilombos: Black Life and Hip-Hop in Brazil&quot; (U Texas Press, 2023)</title>
      <description><![CDATA[<p>Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.</p><p>Based on years of ethnographic research, <a href="https://bookshop.org/a/12343/9781477328101"><em>Emergent Quilombos: Black Life and Hip-Hop in Brazil</em></a><em> </em>(University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the <em>quilombo</em>, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.</p><p>Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&amp;M University.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 7 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.</p><p>Based on years of ethnographic research, <a href="https://bookshop.org/a/12343/9781477328101"><em>Emergent Quilombos: Black Life and Hip-Hop in Brazil</em></a><em> </em>(University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the <em>quilombo</em>, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.</p><p>Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&amp;M University.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65312679" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f345ad98-b1ca-4412-b9aa-83402a6be4ad/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f345ad98-b1ca-4412-b9aa-83402a6be4ad&amp;feed=KodC6fj_"/>
      <itunes:title>Bryce Henson, &quot;Emergent Quilombos: Black Life and Hip-Hop in Brazil&quot; (U Texas Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:01</itunes:duration>
      <itunes:summary>Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population&apos;s African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.
Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.
Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&amp;M University.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population&apos;s African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.
Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.
Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&amp;M University.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7b160324-c52d-11ee-b3e6-1b91abaeaa82</guid>
      <title>Calvin John Smiley, &quot;Purgatory Citizenship: Reentry, Race, and Abolition&quot; (U California Press, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520385986"><em>Purgatory Citizenship: Reentry, Race, and Abolition</em></a> (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.</p><p>Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.</p><p><em>Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 7 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520385986"><em>Purgatory Citizenship: Reentry, Race, and Abolition</em></a> (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.</p><p>Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.</p><p><em>Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63098439" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/00c2369b-1854-4812-9228-839a151d1a32/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=00c2369b-1854-4812-9228-839a151d1a32&amp;feed=KodC6fj_"/>
      <itunes:title>Calvin John Smiley, &quot;Purgatory Citizenship: Reentry, Race, and Abolition&quot; (U California Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:43</itunes:duration>
      <itunes:summary>In Purgatory Citizenship: Reentry, Race, and Abolition (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.
Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Purgatory Citizenship: Reentry, Race, and Abolition (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.
Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8d0971d4-c2d9-11ee-bb7f-ef768fc2ca9c</guid>
      <title>Todd Mildfelt and David D. Schafer, &quot;Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery&quot; (U Oklahoma Press, 2023)</title>
      <description><![CDATA[<p>A controversial character largely known (as depicted in the movie <em>Glory</em>) as a Union colonel who led Black soldiers in the Civil War, James Montgomery (1814-71) waged a far more personal and radical war against slavery than popular history suggests. It is the true story of this militant abolitionist that Todd Mildfelt and David D. Schafer tell in <a href="https://bookshop.org/a/12343/9780806192901"><em>Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery</em></a><em> </em>(U Oklahoma Press, 2023), summoning a life fiercely lived in struggle against the expansion of slavery into the West and during the Civil War.</p><p>This book follows a harrowing path through the turbulent world of the 1850s and 1860s as Montgomery, with the fervor of an Old Testament prophet, inflicts destructive retribution on Southern slaveholders wherever he finds them, crossing paths with notable abolitionists John Brown and Harriet Tubman along the way. During the tumultuous years of "Bleeding Kansas," he became a guerilla chieftain of the antislavery vigilantes known as Jayhawkers. When the war broke out in 1861, Montgomery led a regiment of white troops who helped hundreds of enslaved people in Missouri reach freedom in Kansas. Drawing on regimental records in the National Archives, the authors provide new insights into the experiences of African American men who served in Montgomery's next regiment, the Thirty-Fourth United States Colored Troops (formerly Second South Carolina Infantry).</p><p>Montgomery helped enslaved men and women escape via one of the least-explored underground railways in the nation, from Arkansas and Missouri through Kansas and Nebraska. With support of abolitionists in Massachusetts, he spearheaded resistance to the Fugitive Slave Act in Kansas. And, when war came, he led Black soldiers in striking at the very heart of the Confederacy. His full story thus illuminates the actions of both militant abolitionists and the enslaved people fighting to destroy the peculiar institution.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 5 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A controversial character largely known (as depicted in the movie <em>Glory</em>) as a Union colonel who led Black soldiers in the Civil War, James Montgomery (1814-71) waged a far more personal and radical war against slavery than popular history suggests. It is the true story of this militant abolitionist that Todd Mildfelt and David D. Schafer tell in <a href="https://bookshop.org/a/12343/9780806192901"><em>Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery</em></a><em> </em>(U Oklahoma Press, 2023), summoning a life fiercely lived in struggle against the expansion of slavery into the West and during the Civil War.</p><p>This book follows a harrowing path through the turbulent world of the 1850s and 1860s as Montgomery, with the fervor of an Old Testament prophet, inflicts destructive retribution on Southern slaveholders wherever he finds them, crossing paths with notable abolitionists John Brown and Harriet Tubman along the way. During the tumultuous years of "Bleeding Kansas," he became a guerilla chieftain of the antislavery vigilantes known as Jayhawkers. When the war broke out in 1861, Montgomery led a regiment of white troops who helped hundreds of enslaved people in Missouri reach freedom in Kansas. Drawing on regimental records in the National Archives, the authors provide new insights into the experiences of African American men who served in Montgomery's next regiment, the Thirty-Fourth United States Colored Troops (formerly Second South Carolina Infantry).</p><p>Montgomery helped enslaved men and women escape via one of the least-explored underground railways in the nation, from Arkansas and Missouri through Kansas and Nebraska. With support of abolitionists in Massachusetts, he spearheaded resistance to the Fugitive Slave Act in Kansas. And, when war came, he led Black soldiers in striking at the very heart of the Confederacy. His full story thus illuminates the actions of both militant abolitionists and the enslaved people fighting to destroy the peculiar institution.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69929499" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/183ed764-165a-4f92-9191-29a84bd04a78/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=183ed764-165a-4f92-9191-29a84bd04a78&amp;feed=KodC6fj_"/>
      <itunes:title>Todd Mildfelt and David D. Schafer, &quot;Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery&quot; (U Oklahoma Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:50</itunes:duration>
      <itunes:summary>A controversial character largely known (as depicted in the movie Glory) as a Union colonel who led Black soldiers in the Civil War, James Montgomery (1814-71) waged a far more personal and radical war against slavery than popular history suggests. It is the true story of this militant abolitionist that Todd Mildfelt and David D. Schafer tell in Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery (U Oklahoma Press, 2023), summoning a life fiercely lived in struggle against the expansion of slavery into the West and during the Civil War.
This book follows a harrowing path through the turbulent world of the 1850s and 1860s as Montgomery, with the fervor of an Old Testament prophet, inflicts destructive retribution on Southern slaveholders wherever he finds them, crossing paths with notable abolitionists John Brown and Harriet Tubman along the way. During the tumultuous years of &quot;Bleeding Kansas,&quot; he became a guerilla chieftain of the antislavery vigilantes known as Jayhawkers. When the war broke out in 1861, Montgomery led a regiment of white troops who helped hundreds of enslaved people in Missouri reach freedom in Kansas. Drawing on regimental records in the National Archives, the authors provide new insights into the experiences of African American men who served in Montgomery&apos;s next regiment, the Thirty-Fourth United States Colored Troops (formerly Second South Carolina Infantry).
Montgomery helped enslaved men and women escape via one of the least-explored underground railways in the nation, from Arkansas and Missouri through Kansas and Nebraska. With support of abolitionists in Massachusetts, he spearheaded resistance to the Fugitive Slave Act in Kansas. And, when war came, he led Black soldiers in striking at the very heart of the Confederacy. His full story thus illuminates the actions of both militant abolitionists and the enslaved people fighting to destroy the peculiar institution.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A controversial character largely known (as depicted in the movie Glory) as a Union colonel who led Black soldiers in the Civil War, James Montgomery (1814-71) waged a far more personal and radical war against slavery than popular history suggests. It is the true story of this militant abolitionist that Todd Mildfelt and David D. Schafer tell in Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery (U Oklahoma Press, 2023), summoning a life fiercely lived in struggle against the expansion of slavery into the West and during the Civil War.
This book follows a harrowing path through the turbulent world of the 1850s and 1860s as Montgomery, with the fervor of an Old Testament prophet, inflicts destructive retribution on Southern slaveholders wherever he finds them, crossing paths with notable abolitionists John Brown and Harriet Tubman along the way. During the tumultuous years of &quot;Bleeding Kansas,&quot; he became a guerilla chieftain of the antislavery vigilantes known as Jayhawkers. When the war broke out in 1861, Montgomery led a regiment of white troops who helped hundreds of enslaved people in Missouri reach freedom in Kansas. Drawing on regimental records in the National Archives, the authors provide new insights into the experiences of African American men who served in Montgomery&apos;s next regiment, the Thirty-Fourth United States Colored Troops (formerly Second South Carolina Infantry).
Montgomery helped enslaved men and women escape via one of the least-explored underground railways in the nation, from Arkansas and Missouri through Kansas and Nebraska. With support of abolitionists in Massachusetts, he spearheaded resistance to the Fugitive Slave Act in Kansas. And, when war came, he led Black soldiers in striking at the very heart of the Confederacy. His full story thus illuminates the actions of both militant abolitionists and the enslaved people fighting to destroy the peculiar institution.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2a498538-c208-11ee-accc-0f9128919225</guid>
      <title>Murray Forman and Mark V. Campbell, &quot;Hip Hop Archives: The Politics and Poetics of Knowledge Production&quot; (Intellect, 2023)</title>
      <description><![CDATA[<p>Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. <a href="https://bookshop.org/a/12343/9781789388428"><em>Hip-Hop Archives: The Politics and Poetics of Knowledge Production</em></a> (Intellect, 2023), edited by Mark V. Campbell and Murray Forman, focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.</p><p><em>Links Mentioned in the Episode</em></p><ul>
<li>
<a href="https://oaggao.ca/whats-on/exhibitions/83-til-infinity/">83 'til Infinity: 40 Years of Hip-Hop in the Ottawa–Gatineau Region</a> exhibit at Ottawa Art Gallery</li>
<li><a href="https://www.liverpool.ac.uk/institute-of-popular-music/">Institute of Popular Music, University of Liverpool</a></li>
<li>
<a href="https://scholar.google.com/citations?user=zHipW30AAAAJ&amp;hl=en">Sarah Baker</a> (Google Scholar profile)</li>
<li>
<a href="https://www.liverpool.ac.uk/music/staff/marion-leonard/">Marion Leonard</a> (university profile)</li>
<li>
<a href="https://www.liverpool.ac.uk/communication-and-media/staff/les-roberts/">Les Roberts</a> (university profile)</li>
<li>
<a href="https://www.liverpool.ac.uk/music/staff/sara-cohen/">Sara Cohen </a>(university profile)</li>
</ul><p><br /></p><p><a href="https://www.hallelyadin.net/"><em>Hallel Yadin</em></a><em> is an archivist and special projects manager at the YIVO Institute for Jewish Research.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 4 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. <a href="https://bookshop.org/a/12343/9781789388428"><em>Hip-Hop Archives: The Politics and Poetics of Knowledge Production</em></a> (Intellect, 2023), edited by Mark V. Campbell and Murray Forman, focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.</p><p><em>Links Mentioned in the Episode</em></p><ul>
<li>
<a href="https://oaggao.ca/whats-on/exhibitions/83-til-infinity/">83 'til Infinity: 40 Years of Hip-Hop in the Ottawa–Gatineau Region</a> exhibit at Ottawa Art Gallery</li>
<li><a href="https://www.liverpool.ac.uk/institute-of-popular-music/">Institute of Popular Music, University of Liverpool</a></li>
<li>
<a href="https://scholar.google.com/citations?user=zHipW30AAAAJ&amp;hl=en">Sarah Baker</a> (Google Scholar profile)</li>
<li>
<a href="https://www.liverpool.ac.uk/music/staff/marion-leonard/">Marion Leonard</a> (university profile)</li>
<li>
<a href="https://www.liverpool.ac.uk/communication-and-media/staff/les-roberts/">Les Roberts</a> (university profile)</li>
<li>
<a href="https://www.liverpool.ac.uk/music/staff/sara-cohen/">Sara Cohen </a>(university profile)</li>
</ul><p><br /></p><p><a href="https://www.hallelyadin.net/"><em>Hallel Yadin</em></a><em> is an archivist and special projects manager at the YIVO Institute for Jewish Research.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58343458" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/29807aef-9a16-4bd0-b6be-5a7082097786/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=29807aef-9a16-4bd0-b6be-5a7082097786&amp;feed=KodC6fj_"/>
      <itunes:title>Murray Forman and Mark V. Campbell, &quot;Hip Hop Archives: The Politics and Poetics of Knowledge Production&quot; (Intellect, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:46</itunes:duration>
      <itunes:summary>Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. Hip-Hop Archives: The Politics and Poetics of Knowledge Production (Intellect, 2023), edited by Mark V. Campbell and Murray Forman, focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.
Links Mentioned in the Episode


83 &apos;til Infinity: 40 Years of Hip-Hop in the Ottawa–Gatineau Region exhibit at Ottawa Art Gallery

Institute of Popular Music, University of Liverpool


Sarah Baker (Google Scholar profile)


Marion Leonard (university profile)


Les Roberts (university profile)


Sara Cohen (university profile)


Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. Hip-Hop Archives: The Politics and Poetics of Knowledge Production (Intellect, 2023), edited by Mark V. Campbell and Murray Forman, focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.
Links Mentioned in the Episode


83 &apos;til Infinity: 40 Years of Hip-Hop in the Ottawa–Gatineau Region exhibit at Ottawa Art Gallery

Institute of Popular Music, University of Liverpool


Sarah Baker (Google Scholar profile)


Marion Leonard (university profile)


Les Roberts (university profile)


Sara Cohen (university profile)


Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">28305240-c136-11ee-aa4b-f3a7e59b7917</guid>
      <title>George Fisher, &quot;Beware Euphoria: The Moral Roots and Racial Myths of America&apos;s War on Drugs&quot; (Oxford UP, 2024)</title>
      <description><![CDATA[<p>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book <a href="https://global.oup.com/academic/product/beware-euphoria-9780197688489"><em>Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War</em></a>, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. <em>Beware Euphoria </em>is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of</em><a href="https://bookshop.org/a/12343/9780465096169"><em> Grass Roots: The Rise and Fall and Rise of Marijuana in America </em></a><em>(Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 3 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book <a href="https://global.oup.com/academic/product/beware-euphoria-9780197688489"><em>Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War</em></a>, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. <em>Beware Euphoria </em>is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of</em><a href="https://bookshop.org/a/12343/9780465096169"><em> Grass Roots: The Rise and Fall and Rise of Marijuana in America </em></a><em>(Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56988798" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/dd49637e-02c3-44f0-914a-6a6f7e4a61c1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=dd49637e-02c3-44f0-914a-6a6f7e4a61c1&amp;feed=KodC6fj_"/>
      <itunes:title>George Fisher, &quot;Beware Euphoria: The Moral Roots and Racial Myths of America&apos;s War on Drugs&quot; (Oxford UP, 2024)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:21</itunes:duration>
      <itunes:summary>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">97a3747e-c07b-11ee-bc85-2ff05d90ec18</guid>
      <title>Marc Arsell Robinson, &quot;Washington State Rising: Black Power on Campus in the Pacific Northwest&quot; (NYU Press, 2023)</title>
      <description><![CDATA[<p>In the late 1960s, as the United States was wracked by protests, assassinations, and political unrest, students in Washington State seized the moment. </p><p>In <a href="https://bookshop.org/a/12343/9781479810406"><em>Washington State Rising: Black Power on Campus in the Pacific Northwest</em></a><em> </em>(NYU Press, 2023), California State University, Bernardino, history professor Marc Robinson tells the story of African American students at Washington State University and the University of Washington, and how their activism transformed their campuses in from 1967 thru the early 1970s. By founding Black Student Unions and engaging in various forms of direct action, student Black Power activists at these two campuses confronted racism and inequality both on campus and in the surrounding cities of Seattle and Pullman. Robinson also describes how the very different contexts of the two campuses - one in a city with a politically active Black community, the other in an overwhelmingly white, rural, small town - shaped activist strategies and outcomes. While many histories of student activism in the 1960s focus on Berkeley and Columbia, <em>Washington State Rising</em> makes a strong case for looking at less well studied college protests to understand both Black history in the West and as a window into a tumultuous era in American history.</p><p><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 2 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the late 1960s, as the United States was wracked by protests, assassinations, and political unrest, students in Washington State seized the moment. </p><p>In <a href="https://bookshop.org/a/12343/9781479810406"><em>Washington State Rising: Black Power on Campus in the Pacific Northwest</em></a><em> </em>(NYU Press, 2023), California State University, Bernardino, history professor Marc Robinson tells the story of African American students at Washington State University and the University of Washington, and how their activism transformed their campuses in from 1967 thru the early 1970s. By founding Black Student Unions and engaging in various forms of direct action, student Black Power activists at these two campuses confronted racism and inequality both on campus and in the surrounding cities of Seattle and Pullman. Robinson also describes how the very different contexts of the two campuses - one in a city with a politically active Black community, the other in an overwhelmingly white, rural, small town - shaped activist strategies and outcomes. While many histories of student activism in the 1960s focus on Berkeley and Columbia, <em>Washington State Rising</em> makes a strong case for looking at less well studied college protests to understand both Black history in the West and as a window into a tumultuous era in American history.</p><p><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="79476089" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fa9a4b50-cf41-409e-bd5d-ecb9ee71cbf4/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fa9a4b50-cf41-409e-bd5d-ecb9ee71cbf4&amp;feed=KodC6fj_"/>
      <itunes:title>Marc Arsell Robinson, &quot;Washington State Rising: Black Power on Campus in the Pacific Northwest&quot; (NYU Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:22:47</itunes:duration>
      <itunes:summary>In the late 1960s, as the United States was wracked by protests, assassinations, and political unrest, students in Washington State seized the moment. 
In Washington State Rising: Black Power on Campus in the Pacific Northwest (NYU Press, 2023), California State University, Bernardino, history professor Marc Robinson tells the story of African American students at Washington State University and the University of Washington, and how their activism transformed their campuses in from 1967 thru the early 1970s. By founding Black Student Unions and engaging in various forms of direct action, student Black Power activists at these two campuses confronted racism and inequality both on campus and in the surrounding cities of Seattle and Pullman. Robinson also describes how the very different contexts of the two campuses - one in a city with a politically active Black community, the other in an overwhelmingly white, rural, small town - shaped activist strategies and outcomes. While many histories of student activism in the 1960s focus on Berkeley and Columbia, Washington State Rising makes a strong case for looking at less well studied college protests to understand both Black history in the West and as a window into a tumultuous era in American history.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the late 1960s, as the United States was wracked by protests, assassinations, and political unrest, students in Washington State seized the moment. 
In Washington State Rising: Black Power on Campus in the Pacific Northwest (NYU Press, 2023), California State University, Bernardino, history professor Marc Robinson tells the story of African American students at Washington State University and the University of Washington, and how their activism transformed their campuses in from 1967 thru the early 1970s. By founding Black Student Unions and engaging in various forms of direct action, student Black Power activists at these two campuses confronted racism and inequality both on campus and in the surrounding cities of Seattle and Pullman. Robinson also describes how the very different contexts of the two campuses - one in a city with a politically active Black community, the other in an overwhelmingly white, rural, small town - shaped activist strategies and outcomes. While many histories of student activism in the 1960s focus on Berkeley and Columbia, Washington State Rising makes a strong case for looking at less well studied college protests to understand both Black history in the West and as a window into a tumultuous era in American history.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ec0fb230-c061-11ee-a09a-1b48bb287da0</guid>
      <title>The Culture Trap, with Sociologist Derron Wallace (EF, JP)</title>
      <description><![CDATA[<p>In this episode, Elizabeth and John talk with <a href="https://www.brandeis.edu/sociology/people/faculty/wallace.html">Derron Wallace</a>, sociologist of education and Brandeis colleague, about his new book <a href="https://global.oup.com/academic/product/the-culture-trap-9780197531464"><em>The Culture Trap</em></a>, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries.</p><p>Mentioned in the episode:</p><ul>
<li>
<a href="https://assets.publishing.service.gov.uk/media/6062ddb1d3bf7f5ce1060aa4/20210331_-_CRED_Report_-_FINAL_-_Web_Accessible.pdf">The Commission on Race and Ethnic Disparities Report [the Sewell Report]</a> (2021)</li>
<li>
<a href="https://en.wikipedia.org/wiki/The_Negro_Family:_The_Case_For_National_Action">The Moynihan Report</a> (1965)</li>
<li>Georg Lukacs, "<a href="https://www.marxists.org/archive/lukacs/works/history/hcc05.htm">Reification and the Consciousness of the Proletariat</a>" (1923)</li>
<li>Diane Reay, <a href="https://www.tandfonline.com/doi/abs/10.1080/02680939.2012.710015">"What Would a Socially Just Educational System Look Like?"</a> (2012)</li>
<li>Bernard Coard,<a href="https://en.wikipedia.org/wiki/How_the_West_Indian_Child_Is_Made_Educationally_Sub-normal_in_the_British_School_System"> How the Caribbean Child is made Educationally Subnormal</a><em> in the British School System</em>
</li>
<li>Steve McQueen, Small Axe, <a href="https://www.imdb.com/title/tt10551106/">"Education," </a>(2020)</li>
<li>Bernardine Evaristo, <a href="https://bevaristo.com/girl-woman-other/">Girl, Woman, Other</a> (2019)</li>
<li>B. Brian Forster,<a href="https://uncpress.org/book/9781469660424/i-dont-like-the-blues/"> I Don't Like the Blues</a>: Race, Place, and the Backbeat of Black Life (2020)</li>
<li>Michel-Rolph Trouillot, <a href="https://link.springer.com/chapter/10.1007/978-1-137-04144-9_6">"Adieu Culture: A New Duty Arises"</a> (2003)</li>
<li>David Simon's TV show <a href="https://en.wikipedia.org/wiki/The_Wire"><em>The Wire</em></a> (and also <em>Lean on Me,</em> and <em>To Sir, with Love</em> and with major props from Derron, <em>Top Boy</em>)</li>
<li>Stuart Hall, <a href="https://www.hup.harvard.edu/books/9780674976528"><em>The Fateful Triangle </em></a>(1994)</li>
</ul><p><br /></p><p>Listen and <a href="https://recallthisbookorg.files.wordpress.com/2024/01/rtb-122-transcript-wallace-1.pdf">Read</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 1 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this episode, Elizabeth and John talk with <a href="https://www.brandeis.edu/sociology/people/faculty/wallace.html">Derron Wallace</a>, sociologist of education and Brandeis colleague, about his new book <a href="https://global.oup.com/academic/product/the-culture-trap-9780197531464"><em>The Culture Trap</em></a>, which explores "ethnic expectations" for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as "high-achieving," in London, they have been, conversely thought to be "chronically underachieving." Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of "ethnic expectations" and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries.</p><p>Mentioned in the episode:</p><ul>
<li>
<a href="https://assets.publishing.service.gov.uk/media/6062ddb1d3bf7f5ce1060aa4/20210331_-_CRED_Report_-_FINAL_-_Web_Accessible.pdf">The Commission on Race and Ethnic Disparities Report [the Sewell Report]</a> (2021)</li>
<li>
<a href="https://en.wikipedia.org/wiki/The_Negro_Family:_The_Case_For_National_Action">The Moynihan Report</a> (1965)</li>
<li>Georg Lukacs, "<a href="https://www.marxists.org/archive/lukacs/works/history/hcc05.htm">Reification and the Consciousness of the Proletariat</a>" (1923)</li>
<li>Diane Reay, <a href="https://www.tandfonline.com/doi/abs/10.1080/02680939.2012.710015">"What Would a Socially Just Educational System Look Like?"</a> (2012)</li>
<li>Bernard Coard,<a href="https://en.wikipedia.org/wiki/How_the_West_Indian_Child_Is_Made_Educationally_Sub-normal_in_the_British_School_System"> How the Caribbean Child is made Educationally Subnormal</a><em> in the British School System</em>
</li>
<li>Steve McQueen, Small Axe, <a href="https://www.imdb.com/title/tt10551106/">"Education," </a>(2020)</li>
<li>Bernardine Evaristo, <a href="https://bevaristo.com/girl-woman-other/">Girl, Woman, Other</a> (2019)</li>
<li>B. Brian Forster,<a href="https://uncpress.org/book/9781469660424/i-dont-like-the-blues/"> I Don't Like the Blues</a>: Race, Place, and the Backbeat of Black Life (2020)</li>
<li>Michel-Rolph Trouillot, <a href="https://link.springer.com/chapter/10.1007/978-1-137-04144-9_6">"Adieu Culture: A New Duty Arises"</a> (2003)</li>
<li>David Simon's TV show <a href="https://en.wikipedia.org/wiki/The_Wire"><em>The Wire</em></a> (and also <em>Lean on Me,</em> and <em>To Sir, with Love</em> and with major props from Derron, <em>Top Boy</em>)</li>
<li>Stuart Hall, <a href="https://www.hup.harvard.edu/books/9780674976528"><em>The Fateful Triangle </em></a>(1994)</li>
</ul><p><br /></p><p>Listen and <a href="https://recallthisbookorg.files.wordpress.com/2024/01/rtb-122-transcript-wallace-1.pdf">Read</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42009012" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/95c1ea28-a121-460d-9822-5e48cff9f67c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=95c1ea28-a121-460d-9822-5e48cff9f67c&amp;feed=KodC6fj_"/>
      <itunes:title>The Culture Trap, with Sociologist Derron Wallace (EF, JP)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:45</itunes:duration>
      <itunes:summary>In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores &quot;ethnic expectations&quot; for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as &quot;high-achieving,&quot; in London, they have been, conversely thought to be &quot;chronically underachieving.&quot; Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of &quot;ethnic expectations&quot; and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries.
Mentioned in the episode:


The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021)


The Moynihan Report (1965)

Georg Lukacs, &quot;Reification and the Consciousness of the Proletariat&quot; (1923)

Diane Reay, &quot;What Would a Socially Just Educational System Look Like?&quot; (2012)

Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System


Steve McQueen, Small Axe, &quot;Education,&quot; (2020)

Bernardine Evaristo, Girl, Woman, Other (2019)

B. Brian Forster, I Don&apos;t Like the Blues: Race, Place, and the Backbeat of Black Life (2020)

Michel-Rolph Trouillot, &quot;Adieu Culture: A New Duty Arises&quot; (2003)

David Simon&apos;s TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy)

Stuart Hall, The Fateful Triangle (1994)


Listen and Read

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this episode, Elizabeth and John talk with Derron Wallace, sociologist of education and Brandeis colleague, about his new book The Culture Trap, which explores &quot;ethnic expectations&quot; for Caribbean schoolchildren in New York and London. His work starts with the basic puzzle that while black Caribbean schoolchildren in New York are often considered as &quot;high-achieving,&quot; in London, they have been, conversely thought to be &quot;chronically underachieving.&quot; Yet in each case the main cause -- of high achievement in New York and low achievement in London -- is said to be cultural. We discuss the concept of &quot;ethnic expectations&quot; and the ways it can have negative effects even when the expectations themselves are positive, and the dense intertwining of race, class, nation, colonial status, and gender, and the travels of the concept of culture in the 20th and 21st centuries.
Mentioned in the episode:


The Commission on Race and Ethnic Disparities Report [the Sewell Report] (2021)


The Moynihan Report (1965)

Georg Lukacs, &quot;Reification and the Consciousness of the Proletariat&quot; (1923)

Diane Reay, &quot;What Would a Socially Just Educational System Look Like?&quot; (2012)

Bernard Coard, How the Caribbean Child is made Educationally Subnormal in the British School System


Steve McQueen, Small Axe, &quot;Education,&quot; (2020)

Bernardine Evaristo, Girl, Woman, Other (2019)

B. Brian Forster, I Don&apos;t Like the Blues: Race, Place, and the Backbeat of Black Life (2020)

Michel-Rolph Trouillot, &quot;Adieu Culture: A New Duty Arises&quot; (2003)

David Simon&apos;s TV show The Wire (and also Lean on Me, and To Sir, with Love and with major props from Derron, Top Boy)

Stuart Hall, The Fateful Triangle (1994)


Listen and Read

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">997ecce4-bfa9-11ee-9c16-b3dfc2c97e80</guid>
      <title>Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education</title>
      <description><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781506489834"><em>Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education</em></a> (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. <em>Black Women, Ivory</em> <em>Tower </em>explores why.</p><p>Our guest is: <a href="https://newbooksnetwork.com/admin/entries/episodes/Dr.%20Jasmine%20L.%20Harris">Dr. Jasmine L. Harris</a>, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the <em>Washington Post</em>, <em>Chicago Tribune</em>, <em>Houston Chronicle</em>, <em>Boston Globe</em>, <em>Baltimore Sun</em>, <em>Women's Studies Quarterly</em>, and the <em>Journal of Economics, Race, and Policy</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.broadleafbooks.com%2Fmedia%2Fdownloads%2FBlack_Women_Ivory_Tower_Discussion_Guide.pdf&amp;data=05%7C01%7CMeyerL%401517.media%7C3d51e2d6044d46f4e98208dbc0ec098d%7Cc38896fb36a144c0bd568f74f7816d23%7C1%7C0%7C638315892233119066%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=7Pk6SlKLB8f3UrjSaERpSyfvkPLKusiPOF81kxNQYoQ%3D&amp;reserved=0"><em>Black Women, Ivory Tower </em>discussion guide</a></li>
<li><a href="https://newbooksnetwork.com/admin/entries/episodes/Microaggressions%20in%20the%20Classroom">Microaggressions in the Classroom</a></li>
<li><a href="https://newbooksnetwork.com/how-to-deal-with-structural-inequality#entry:39410@1:url">The Academic Life discussion of the book Presumed Incompetent Two</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 1 Feb 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781506489834"><em>Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education</em></a> (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. <em>Black Women, Ivory</em> <em>Tower </em>explores why.</p><p>Our guest is: <a href="https://newbooksnetwork.com/admin/entries/episodes/Dr.%20Jasmine%20L.%20Harris">Dr. Jasmine L. Harris</a>, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the <em>Washington Post</em>, <em>Chicago Tribune</em>, <em>Houston Chronicle</em>, <em>Boston Globe</em>, <em>Baltimore Sun</em>, <em>Women's Studies Quarterly</em>, and the <em>Journal of Economics, Race, and Policy</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.broadleafbooks.com%2Fmedia%2Fdownloads%2FBlack_Women_Ivory_Tower_Discussion_Guide.pdf&amp;data=05%7C01%7CMeyerL%401517.media%7C3d51e2d6044d46f4e98208dbc0ec098d%7Cc38896fb36a144c0bd568f74f7816d23%7C1%7C0%7C638315892233119066%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=7Pk6SlKLB8f3UrjSaERpSyfvkPLKusiPOF81kxNQYoQ%3D&amp;reserved=0"><em>Black Women, Ivory Tower </em>discussion guide</a></li>
<li><a href="https://newbooksnetwork.com/admin/entries/episodes/Microaggressions%20in%20the%20Classroom">Microaggressions in the Classroom</a></li>
<li><a href="https://newbooksnetwork.com/how-to-deal-with-structural-inequality#entry:39410@1:url">The Academic Life discussion of the book Presumed Incompetent Two</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54143553" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/20a28a4c-c6e3-4dc6-b431-e12c9765cdc5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=20a28a4c-c6e3-4dc6-b431-e12c9765cdc5&amp;feed=KodC6fj_"/>
      <itunes:title>Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:23</itunes:duration>
      <itunes:summary>Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author&apos;s story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.
Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris&apos;s research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women&apos;s Studies Quarterly, and the Journal of Economics, Race, and Policy.
Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

Black Women, Ivory Tower discussion guide

Microaggressions in the Classroom

The Academic Life discussion of the book Presumed Incompetent Two


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author&apos;s story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.
Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris&apos;s research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women&apos;s Studies Quarterly, and the Journal of Economics, Race, and Policy.
Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

Black Women, Ivory Tower discussion guide

Microaggressions in the Classroom

The Academic Life discussion of the book Presumed Incompetent Two


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f18e8c66-bf9b-11ee-ba3e-8b839e123129</guid>
      <title>Maryam Kashani, &quot;Medina by the Bay: Scenes of Muslim Study and Survival&quot; (Duke UP, 2023)</title>
      <description><![CDATA[<p>From the Black Power movement and state surveillance to Silicon Valley and gentrification, <a href="https://www.dukeupress.edu/medina-by-the-bay"><em>Medina by the Bay: Scenes of Muslim Study and Survival</em></a><em> </em>(Duke UP, 2023) examines how multiracial Muslim communities in the San Francisco Bay Area survive and flourish within and against racial capitalist, carceral, and imperial logics. Weaving expansive histories, peoples, and geographies together in an ethnographic screenplay of cinematic scenes, Maryam Kashani demonstrates how sociopolitical forces and geopolitical agendas shape Muslim ways of knowing and being. Throughout, Kashani argues that contemporary Islam emerges from the specificities of the Bay Area, from its landscapes and infrastructures to its Muslim liberal arts college, mosques, and prison courtyards. Theorizing the Medina by the Bay as a microcosm of socioeconomic, demographic, and political transformations in the twentieth- and twenty-first centuries, Kashani resituates Islam as liberatory and abolitionist theory, theology, and praxis for all those engaged in struggle.</p><p><a href="https://gws.illinois.edu/directory/profile/mkashani">Maryam Kashani</a> is a filmmaker and associate professor in Gender and Women’s Studies and Asian American Studies at the University of Illinois at Urbana-Champaign and is an affiliate with Anthropology, Media and Cinema Studies, the Center for South Asian and Middle Eastern Studies, and the Unit for Criticism and Interpretive Theory. Her <a href="http://www.maryamkashani.com/">films and video installations</a> have been shown at film festivals, universities, and museums internationally and include <em>things</em> <em>lovely and dangerous still</em> (2003), <em>Best in the West</em> (2006), <em>las callecitas y la cañada</em> (2009), and <em>Signs of Remarkable History </em>(2016); she is currently working on two film duets with composer/musician Wadada Leo Smith that examine the ongoing relationships between the struggles for Black freedom, creative music, and spirituality. Kashani is also in the leadership collective of <a href="http://www.believersbailout.org/">Believers Bail Out</a>, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.</p><p><a href="https://www.bu.edu/wgs/profile/najwa-mayer/"><em>Najwa Mayer</em></a><em> is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 31 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From the Black Power movement and state surveillance to Silicon Valley and gentrification, <a href="https://www.dukeupress.edu/medina-by-the-bay"><em>Medina by the Bay: Scenes of Muslim Study and Survival</em></a><em> </em>(Duke UP, 2023) examines how multiracial Muslim communities in the San Francisco Bay Area survive and flourish within and against racial capitalist, carceral, and imperial logics. Weaving expansive histories, peoples, and geographies together in an ethnographic screenplay of cinematic scenes, Maryam Kashani demonstrates how sociopolitical forces and geopolitical agendas shape Muslim ways of knowing and being. Throughout, Kashani argues that contemporary Islam emerges from the specificities of the Bay Area, from its landscapes and infrastructures to its Muslim liberal arts college, mosques, and prison courtyards. Theorizing the Medina by the Bay as a microcosm of socioeconomic, demographic, and political transformations in the twentieth- and twenty-first centuries, Kashani resituates Islam as liberatory and abolitionist theory, theology, and praxis for all those engaged in struggle.</p><p><a href="https://gws.illinois.edu/directory/profile/mkashani">Maryam Kashani</a> is a filmmaker and associate professor in Gender and Women’s Studies and Asian American Studies at the University of Illinois at Urbana-Champaign and is an affiliate with Anthropology, Media and Cinema Studies, the Center for South Asian and Middle Eastern Studies, and the Unit for Criticism and Interpretive Theory. Her <a href="http://www.maryamkashani.com/">films and video installations</a> have been shown at film festivals, universities, and museums internationally and include <em>things</em> <em>lovely and dangerous still</em> (2003), <em>Best in the West</em> (2006), <em>las callecitas y la cañada</em> (2009), and <em>Signs of Remarkable History </em>(2016); she is currently working on two film duets with composer/musician Wadada Leo Smith that examine the ongoing relationships between the struggles for Black freedom, creative music, and spirituality. Kashani is also in the leadership collective of <a href="http://www.believersbailout.org/">Believers Bail Out</a>, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.</p><p><a href="https://www.bu.edu/wgs/profile/najwa-mayer/"><em>Najwa Mayer</em></a><em> is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62909591" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/135a8d05-8575-4e6b-b0bd-31929657f634/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=135a8d05-8575-4e6b-b0bd-31929657f634&amp;feed=KodC6fj_"/>
      <itunes:title>Maryam Kashani, &quot;Medina by the Bay: Scenes of Muslim Study and Survival&quot; (Duke UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:31</itunes:duration>
      <itunes:summary>From the Black Power movement and state surveillance to Silicon Valley and gentrification, Medina by the Bay: Scenes of Muslim Study and Survival (Duke UP, 2023) examines how multiracial Muslim communities in the San Francisco Bay Area survive and flourish within and against racial capitalist, carceral, and imperial logics. Weaving expansive histories, peoples, and geographies together in an ethnographic screenplay of cinematic scenes, Maryam Kashani demonstrates how sociopolitical forces and geopolitical agendas shape Muslim ways of knowing and being. Throughout, Kashani argues that contemporary Islam emerges from the specificities of the Bay Area, from its landscapes and infrastructures to its Muslim liberal arts college, mosques, and prison courtyards. Theorizing the Medina by the Bay as a microcosm of socioeconomic, demographic, and political transformations in the twentieth- and twenty-first centuries, Kashani resituates Islam as liberatory and abolitionist theory, theology, and praxis for all those engaged in struggle.
Maryam Kashani is a filmmaker and associate professor in Gender and Women’s Studies and Asian American Studies at the University of Illinois at Urbana-Champaign and is an affiliate with Anthropology, Media and Cinema Studies, the Center for South Asian and Middle Eastern Studies, and the Unit for Criticism and Interpretive Theory. Her films and video installations have been shown at film festivals, universities, and museums internationally and include things lovely and dangerous still (2003), Best in the West (2006), las callecitas y la cañada (2009), and Signs of Remarkable History (2016); she is currently working on two film duets with composer/musician Wadada Leo Smith that examine the ongoing relationships between the struggles for Black freedom, creative music, and spirituality. Kashani is also in the leadership collective of Believers Bail Out, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From the Black Power movement and state surveillance to Silicon Valley and gentrification, Medina by the Bay: Scenes of Muslim Study and Survival (Duke UP, 2023) examines how multiracial Muslim communities in the San Francisco Bay Area survive and flourish within and against racial capitalist, carceral, and imperial logics. Weaving expansive histories, peoples, and geographies together in an ethnographic screenplay of cinematic scenes, Maryam Kashani demonstrates how sociopolitical forces and geopolitical agendas shape Muslim ways of knowing and being. Throughout, Kashani argues that contemporary Islam emerges from the specificities of the Bay Area, from its landscapes and infrastructures to its Muslim liberal arts college, mosques, and prison courtyards. Theorizing the Medina by the Bay as a microcosm of socioeconomic, demographic, and political transformations in the twentieth- and twenty-first centuries, Kashani resituates Islam as liberatory and abolitionist theory, theology, and praxis for all those engaged in struggle.
Maryam Kashani is a filmmaker and associate professor in Gender and Women’s Studies and Asian American Studies at the University of Illinois at Urbana-Champaign and is an affiliate with Anthropology, Media and Cinema Studies, the Center for South Asian and Middle Eastern Studies, and the Unit for Criticism and Interpretive Theory. Her films and video installations have been shown at film festivals, universities, and museums internationally and include things lovely and dangerous still (2003), Best in the West (2006), las callecitas y la cañada (2009), and Signs of Remarkable History (2016); she is currently working on two film duets with composer/musician Wadada Leo Smith that examine the ongoing relationships between the struggles for Black freedom, creative music, and spirituality. Kashani is also in the leadership collective of Believers Bail Out, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">df2fe17a-bf80-11ee-b041-435ee6134b63</guid>
      <title>Colorblindness and the Classics: A Conversation with Andre Archie</title>
      <description><![CDATA[<p>Why has Martin Luther King Jr.'s vision of a color-blind society suffered so many recent setbacks? Classical philosopher Andre Archie argues that we need to bring back King's vision, and points to the ways the Classical ideas of virtues can inform our modern understanding of virtue as separate from race. Along the way, the conversation covers recent events such as Claudine Gay's dismissal from Harvard, diversity training and DEI, and the ways in which the Black tradition is an integral part of the Western Tradition.</p><p><a href="https://www.libarts.colostate.edu/people/amarchie/">Dr. Andre Archie</a> is an associate Professor of Ancient Greek Philosophy at Colorado State University, who specializes in the History of Ancient Greek Philosophy and Ancient Greek Political Philosophy. He is the author of <a href="https://bookshop.org/a/12343/9781684513093"><em>The Virtue of Color-Blindness</em></a> (Regnery Publishing, 2024). His op-eds include "<a href="https://nypost.com/2024/01/07/opinion/we-should-fight-for-a-color-blind-society-not-one-separated-by-race/">We should fight for a color-blind society — not one separated by race</a>" and "<a href="https://www.nationalreview.com/2021/02/what-makes-the-classics-worth-studying/">What Makes the Classics Worth Studying</a>," referenced at the end of the episode as responding to concerns about ridding the Classics of 'white-ness.'</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 30 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Why has Martin Luther King Jr.'s vision of a color-blind society suffered so many recent setbacks? Classical philosopher Andre Archie argues that we need to bring back King's vision, and points to the ways the Classical ideas of virtues can inform our modern understanding of virtue as separate from race. Along the way, the conversation covers recent events such as Claudine Gay's dismissal from Harvard, diversity training and DEI, and the ways in which the Black tradition is an integral part of the Western Tradition.</p><p><a href="https://www.libarts.colostate.edu/people/amarchie/">Dr. Andre Archie</a> is an associate Professor of Ancient Greek Philosophy at Colorado State University, who specializes in the History of Ancient Greek Philosophy and Ancient Greek Political Philosophy. He is the author of <a href="https://bookshop.org/a/12343/9781684513093"><em>The Virtue of Color-Blindness</em></a> (Regnery Publishing, 2024). His op-eds include "<a href="https://nypost.com/2024/01/07/opinion/we-should-fight-for-a-color-blind-society-not-one-separated-by-race/">We should fight for a color-blind society — not one separated by race</a>" and "<a href="https://www.nationalreview.com/2021/02/what-makes-the-classics-worth-studying/">What Makes the Classics Worth Studying</a>," referenced at the end of the episode as responding to concerns about ridding the Classics of 'white-ness.'</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47851274" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/00635b3f-c387-4191-a4bf-1c88b0f6f5e6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=00635b3f-c387-4191-a4bf-1c88b0f6f5e6&amp;feed=KodC6fj_"/>
      <itunes:title>Colorblindness and the Classics: A Conversation with Andre Archie</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:50</itunes:duration>
      <itunes:summary>Why has Martin Luther King Jr.&apos;s vision of a color-blind society suffered so many recent setbacks? Classical philosopher Andre Archie argues that we need to bring back King&apos;s vision, and points to the ways the Classical ideas of virtues can inform our modern understanding of virtue as separate from race. Along the way, the conversation covers recent events such as Claudine Gay&apos;s dismissal from Harvard, diversity training and DEI, and the ways in which the Black tradition is an integral part of the Western Tradition.
Dr. Andre Archie is an associate Professor of Ancient Greek Philosophy at Colorado State University, who specializes in the History of Ancient Greek Philosophy and Ancient Greek Political Philosophy. He is the author of The Virtue of Color-Blindness (Regnery Publishing, 2024). His op-eds include &quot;We should fight for a color-blind society — not one separated by race&quot; and &quot;What Makes the Classics Worth Studying,&quot; referenced at the end of the episode as responding to concerns about ridding the Classics of &apos;white-ness.&apos;

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Why has Martin Luther King Jr.&apos;s vision of a color-blind society suffered so many recent setbacks? Classical philosopher Andre Archie argues that we need to bring back King&apos;s vision, and points to the ways the Classical ideas of virtues can inform our modern understanding of virtue as separate from race. Along the way, the conversation covers recent events such as Claudine Gay&apos;s dismissal from Harvard, diversity training and DEI, and the ways in which the Black tradition is an integral part of the Western Tradition.
Dr. Andre Archie is an associate Professor of Ancient Greek Philosophy at Colorado State University, who specializes in the History of Ancient Greek Philosophy and Ancient Greek Political Philosophy. He is the author of The Virtue of Color-Blindness (Regnery Publishing, 2024). His op-eds include &quot;We should fight for a color-blind society — not one separated by race&quot; and &quot;What Makes the Classics Worth Studying,&quot; referenced at the end of the episode as responding to concerns about ridding the Classics of &apos;white-ness.&apos;

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">be4001ca-bd5f-11ee-af80-fbcb8dddc17b</guid>
      <title>Hajar Yazdiha, &quot;The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. <a href="https://bookshop.org/a/12343/9780691246475"><em>The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement</em> </a>(Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.</p><p>In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.</p><p>Powerful and persuasive, <em>The Struggle for the People's King</em> demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.</p><p>Hajar Yazdiha is an Assistant Professor of Sociology and faculty affiliate of the Equity Research Institute at the University of Southern California. She is also a faculty affiliate of the Center for Security, Race, and Rights at Rutgers University. Her research examines the mechanisms underlying the politics of inclusion and exclusion as they shape intergroup boundaries, ethno-racial identities, and intergroup relations. This work crosses subfields of race and ethnicity, migration, social movements, culture, and law using mixed methods including interview, survey, historical, and computational text analysis.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 30 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. <a href="https://bookshop.org/a/12343/9780691246475"><em>The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement</em> </a>(Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.</p><p>In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.</p><p>Powerful and persuasive, <em>The Struggle for the People's King</em> demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.</p><p>Hajar Yazdiha is an Assistant Professor of Sociology and faculty affiliate of the Equity Research Institute at the University of Southern California. She is also a faculty affiliate of the Center for Security, Race, and Rights at Rutgers University. Her research examines the mechanisms underlying the politics of inclusion and exclusion as they shape intergroup boundaries, ethno-racial identities, and intergroup relations. This work crosses subfields of race and ethnicity, migration, social movements, culture, and law using mixed methods including interview, survey, historical, and computational text analysis.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41570445" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/94a2dad3-31da-430c-a85c-5a2af77200cb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=94a2dad3-31da-430c-a85c-5a2af77200cb&amp;feed=KodC6fj_"/>
      <itunes:title>Hajar Yazdiha, &quot;The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:17</itunes:duration>
      <itunes:summary>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women&apos;s rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.
In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King&apos;s Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.
Powerful and persuasive, The Struggle for the People&apos;s King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.
Hajar Yazdiha is an Assistant Professor of Sociology and faculty affiliate of the Equity Research Institute at the University of Southern California. She is also a faculty affiliate of the Center for Security, Race, and Rights at Rutgers University. Her research examines the mechanisms underlying the politics of inclusion and exclusion as they shape intergroup boundaries, ethno-racial identities, and intergroup relations. This work crosses subfields of race and ethnicity, migration, social movements, culture, and law using mixed methods including interview, survey, historical, and computational text analysis.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women&apos;s rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.
In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King&apos;s Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.
Powerful and persuasive, The Struggle for the People&apos;s King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.
Hajar Yazdiha is an Assistant Professor of Sociology and faculty affiliate of the Equity Research Institute at the University of Southern California. She is also a faculty affiliate of the Center for Security, Race, and Rights at Rutgers University. Her research examines the mechanisms underlying the politics of inclusion and exclusion as they shape intergroup boundaries, ethno-racial identities, and intergroup relations. This work crosses subfields of race and ethnicity, migration, social movements, culture, and law using mixed methods including interview, survey, historical, and computational text analysis.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3df818ba-bc95-11ee-be7b-234d6ba46aac</guid>
      <title>Damien Sojoyner, &quot;Against the Carceral Archive: The Art of Black Liberatory Practice&quot; (Fordham UP, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9781531503772"><em>Against the Carceral Archive: The Art of Black Liberatory Practice</em></a><em> </em>(Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the <a href="https://www.socallib.org/">Southern California Library</a> (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.</p><p>Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.</p><p>Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 28 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9781531503772"><em>Against the Carceral Archive: The Art of Black Liberatory Practice</em></a><em> </em>(Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the <a href="https://www.socallib.org/">Southern California Library</a> (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.</p><p>Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.</p><p>Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42501370" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1c10237e-75d3-4ee4-9af8-b2ebab9403ab/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1c10237e-75d3-4ee4-9af8-b2ebab9403ab&amp;feed=KodC6fj_"/>
      <itunes:title>Damien Sojoyner, &quot;Against the Carceral Archive: The Art of Black Liberatory Practice&quot; (Fordham UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:16</itunes:duration>
      <itunes:summary>Against the Carceral Archive: The Art of Black Liberatory Practice (Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.
Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.
Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Against the Carceral Archive: The Art of Black Liberatory Practice (Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.
Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.
Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">52489b50-bb00-11ee-814b-0ff41eea6458</guid>
      <title>Ethel Morgan Smith, &quot;Path to Grace: Reimagining the Civil Rights Movement&quot; (UP of Mississippi, 2023)</title>
      <description><![CDATA[<p>The civil rights movement is often defined narrowly, relegated to the 1950s and 1960s, and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In <a href="https://bookshop.org/a/12343/9781496846419"><em>Path to Grace: Reimagining the Civil Rights Movement </em></a>(UP of Mississippi, 2023), Ethel Morgan Smith shines a light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities.</p><p>Through eleven original interviews with teachers, parents hosting fundraisers for civil rights workers, volunteers helping with voter registration, and more, Smith highlights the contributions these figures made to the civil rights movement. Some of these brave warriors worked at the elbows of icons while others were clearing new paths, all passing through history without wide recognition. <em>Path to Grace</em> introduces readers to new witnesses and largely neglected voices. Also included are interviews with such esteemed but less studied figures as writer Gloria Naylor, poet Nikki Giovanni, fashion designer Ann Lowe, and educator Constance Curry.</p><p>This work of social change situates these narratives in both the past and present. Indeed, many of Smith’s subjects, such as Emma Bruce, John Canty, Andrea Lee, Ann Lowe, and Blanche Virginia Franklin Moore, can trace their ancestry back to enslavement, which provides a direct chain of narrators and firmly plants the roots of the civil rights movement in the country’s foundation. Through historical contextualization and an analysis of contemporary sociopolitical events, <em>Path to Grace</em> celebrates the contributions of some of the nameless individuals, generation after generation, who worked to make the United States better for all its citizens.</p><p><em>Omari Averette-Phillips is a Doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 26 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The civil rights movement is often defined narrowly, relegated to the 1950s and 1960s, and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In <a href="https://bookshop.org/a/12343/9781496846419"><em>Path to Grace: Reimagining the Civil Rights Movement </em></a>(UP of Mississippi, 2023), Ethel Morgan Smith shines a light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities.</p><p>Through eleven original interviews with teachers, parents hosting fundraisers for civil rights workers, volunteers helping with voter registration, and more, Smith highlights the contributions these figures made to the civil rights movement. Some of these brave warriors worked at the elbows of icons while others were clearing new paths, all passing through history without wide recognition. <em>Path to Grace</em> introduces readers to new witnesses and largely neglected voices. Also included are interviews with such esteemed but less studied figures as writer Gloria Naylor, poet Nikki Giovanni, fashion designer Ann Lowe, and educator Constance Curry.</p><p>This work of social change situates these narratives in both the past and present. Indeed, many of Smith’s subjects, such as Emma Bruce, John Canty, Andrea Lee, Ann Lowe, and Blanche Virginia Franklin Moore, can trace their ancestry back to enslavement, which provides a direct chain of narrators and firmly plants the roots of the civil rights movement in the country’s foundation. Through historical contextualization and an analysis of contemporary sociopolitical events, <em>Path to Grace</em> celebrates the contributions of some of the nameless individuals, generation after generation, who worked to make the United States better for all its citizens.</p><p><em>Omari Averette-Phillips is a Doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32019380" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d2555a5c-bf38-44bd-b060-17d21ea3ca62/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d2555a5c-bf38-44bd-b060-17d21ea3ca62&amp;feed=KodC6fj_"/>
      <itunes:title>Ethel Morgan Smith, &quot;Path to Grace: Reimagining the Civil Rights Movement&quot; (UP of Mississippi, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:33:21</itunes:duration>
      <itunes:summary>The civil rights movement is often defined narrowly, relegated to the 1950s and 1960s, and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In Path to Grace: Reimagining the Civil Rights Movement (UP of Mississippi, 2023), Ethel Morgan Smith shines a light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities.
Through eleven original interviews with teachers, parents hosting fundraisers for civil rights workers, volunteers helping with voter registration, and more, Smith highlights the contributions these figures made to the civil rights movement. Some of these brave warriors worked at the elbows of icons while others were clearing new paths, all passing through history without wide recognition. Path to Grace introduces readers to new witnesses and largely neglected voices. Also included are interviews with such esteemed but less studied figures as writer Gloria Naylor, poet Nikki Giovanni, fashion designer Ann Lowe, and educator Constance Curry.
This work of social change situates these narratives in both the past and present. Indeed, many of Smith’s subjects, such as Emma Bruce, John Canty, Andrea Lee, Ann Lowe, and Blanche Virginia Franklin Moore, can trace their ancestry back to enslavement, which provides a direct chain of narrators and firmly plants the roots of the civil rights movement in the country’s foundation. Through historical contextualization and an analysis of contemporary sociopolitical events, Path to Grace celebrates the contributions of some of the nameless individuals, generation after generation, who worked to make the United States better for all its citizens.
Omari Averette-Phillips is a Doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The civil rights movement is often defined narrowly, relegated to the 1950s and 1960s, and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In Path to Grace: Reimagining the Civil Rights Movement (UP of Mississippi, 2023), Ethel Morgan Smith shines a light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities.
Through eleven original interviews with teachers, parents hosting fundraisers for civil rights workers, volunteers helping with voter registration, and more, Smith highlights the contributions these figures made to the civil rights movement. Some of these brave warriors worked at the elbows of icons while others were clearing new paths, all passing through history without wide recognition. Path to Grace introduces readers to new witnesses and largely neglected voices. Also included are interviews with such esteemed but less studied figures as writer Gloria Naylor, poet Nikki Giovanni, fashion designer Ann Lowe, and educator Constance Curry.
This work of social change situates these narratives in both the past and present. Indeed, many of Smith’s subjects, such as Emma Bruce, John Canty, Andrea Lee, Ann Lowe, and Blanche Virginia Franklin Moore, can trace their ancestry back to enslavement, which provides a direct chain of narrators and firmly plants the roots of the civil rights movement in the country’s foundation. Through historical contextualization and an analysis of contemporary sociopolitical events, Path to Grace celebrates the contributions of some of the nameless individuals, generation after generation, who worked to make the United States better for all its citizens.
Omari Averette-Phillips is a Doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>433</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0d67089a-ba07-11ee-a796-5797153016cb</guid>
      <title>Nicholas Radburn, &quot;Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade&quot; (Yale UP, 2023)</title>
      <description><![CDATA[<p>During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year.</p><p>In <a href="https://bookshop.org/a/12343/9780300257618"><em>Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade</em></a> (Yale UP, 2023), Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade’s terrible vortex.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 24 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year.</p><p>In <a href="https://bookshop.org/a/12343/9780300257618"><em>Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade</em></a> (Yale UP, 2023), Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade’s terrible vortex.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="71545436" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/afbdf35c-aa9a-4630-8926-efa5cac345ec/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=afbdf35c-aa9a-4630-8926-efa5cac345ec&amp;feed=KodC6fj_"/>
      <itunes:title>Nicholas Radburn, &quot;Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade&quot; (Yale UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:14:31</itunes:duration>
      <itunes:summary>During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year.
In Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade (Yale UP, 2023), Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade’s terrible vortex.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year.
In Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade (Yale UP, 2023), Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade’s terrible vortex.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>432</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6c12dc22-b7c1-11ee-86e2-9bac813440ca</guid>
      <title>Kareem R. Muhammad, &quot;The Fight for Black Empowerment in the USA: America’s Last Hope&quot; (Routledge, 2023)</title>
      <description><![CDATA[<p>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.</p><p><a href="https://bookshop.org/a/12343/9781032208442"><em>The Fight for Black Empowerment in the USA: America’s Last Hope</em></a> (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. </p><p><a href="https://bookshop.org/a/12343/9781032208442"><em>The Fight for Black Empowerment in the USA: America’s Last Hope</em></a> is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 22 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.</p><p><a href="https://bookshop.org/a/12343/9781032208442"><em>The Fight for Black Empowerment in the USA: America’s Last Hope</em></a> (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. </p><p><a href="https://bookshop.org/a/12343/9781032208442"><em>The Fight for Black Empowerment in the USA: America’s Last Hope</em></a> is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52453047" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6460f730-8e68-43ec-8c3b-509a03d9ddb8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6460f730-8e68-43ec-8c3b-509a03d9ddb8&amp;feed=KodC6fj_"/>
      <itunes:title>Kareem R. Muhammad, &quot;The Fight for Black Empowerment in the USA: America’s Last Hope&quot; (Routledge, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:38</itunes:duration>
      <itunes:summary>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.
The Fight for Black Empowerment in the USA: America’s Last Hope (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. 
The Fight for Black Empowerment in the USA: America’s Last Hope is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.
The Fight for Black Empowerment in the USA: America’s Last Hope (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. 
The Fight for Black Empowerment in the USA: America’s Last Hope is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>697</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3e795e1e-b710-11ee-b8c9-c3fadd029522</guid>
      <title>Cassander L. Smith, &quot;Race and Respectability in an Early Black Atlantic&quot; (LSU Press, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780807179796"><em>Race and Respectability in an Early Black Atlantic</em></a><em> </em>(LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers.</p><p>To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone.</p><p>Through these early Black texts, <em>Race and Respectability in an Early Black Atlantic</em> considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 21 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780807179796"><em>Race and Respectability in an Early Black Atlantic</em></a><em> </em>(LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers.</p><p>To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone.</p><p>Through these early Black texts, <em>Race and Respectability in an Early Black Atlantic</em> considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="39462096" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d251b973-16e5-4524-a761-261b30400f85/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d251b973-16e5-4524-a761-261b30400f85&amp;feed=KodC6fj_"/>
      <itunes:title>Cassander L. Smith, &quot;Race and Respectability in an Early Black Atlantic&quot; (LSU Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:06</itunes:duration>
      <itunes:summary>Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers.
To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone.
Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers.
To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone.
Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>431</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">84663d98-a42d-11ee-a549-7b2adbd33ebe</guid>
      <title>Scott Gac, &quot;Born in Blood: Violence and the Making of America&quot; (Cambridge UP, 2023)</title>
      <description><![CDATA[<p>Scott Gac's <a href="https://bookshop.org/a/12343/9781316511886"><em>Born in Blood: Violence and the Making of America</em></a> (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 18 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Scott Gac's <a href="https://bookshop.org/a/12343/9781316511886"><em>Born in Blood: Violence and the Making of America</em></a> (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37468447" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0ca53fc9-222e-4f14-a196-23df9c0b1f21/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0ca53fc9-222e-4f14-a196-23df9c0b1f21&amp;feed=KodC6fj_"/>
      <itunes:title>Scott Gac, &quot;Born in Blood: Violence and the Making of America&quot; (Cambridge UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:01</itunes:duration>
      <itunes:summary>Scott Gac&apos;s Born in Blood: Violence and the Making of America (Cambridge UP, 2023) investigates one of history&apos;s most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Scott Gac&apos;s Born in Blood: Violence and the Making of America (Cambridge UP, 2023) investigates one of history&apos;s most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5cc51750-b4b3-11ee-bd5b-c70843daba6f</guid>
      <title>Black and Queer on Campus</title>
      <description><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781479803910"><em>Black and Queer on Campus </em></a>(NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. <em>Black and Queer on Campus</em> sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.</p><p>Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of <em>Behind the Laughs: Community and Inequality in Comedy</em>; <em>Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop</em>; and <em>Black and Queer on Campus. </em>He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li><a href="https://newbooksnetwork.com/jonathan-coley#entry:188028@1:url">This discussion of the book Gay on God's Campus</a></li>
<li><a href="https://newbooksnetwork.com/writing-beyond-a-limited-narrative#entry:154535@1:url">This discussion of the book Black Boy Out of Time</a></li>
<li><a href="https://newbooksnetwork.com/brown-and-gay-in-la-a-discussion-with-anthony-christian-ocampo#entry:275609@1:url">This conversation about writing the book Brown and Gay in LA</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 18 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781479803910"><em>Black and Queer on Campus </em></a>(NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. <em>Black and Queer on Campus</em> sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.</p><p>Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of <em>Behind the Laughs: Community and Inequality in Comedy</em>; <em>Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop</em>; and <em>Black and Queer on Campus. </em>He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li><a href="https://newbooksnetwork.com/jonathan-coley#entry:188028@1:url">This discussion of the book Gay on God's Campus</a></li>
<li><a href="https://newbooksnetwork.com/writing-beyond-a-limited-narrative#entry:154535@1:url">This discussion of the book Black Boy Out of Time</a></li>
<li><a href="https://newbooksnetwork.com/brown-and-gay-in-la-a-discussion-with-anthony-christian-ocampo#entry:275609@1:url">This conversation about writing the book Brown and Gay in LA</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46004401" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b699038b-1c57-4487-b306-64e9ebb181ae/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b699038b-1c57-4487-b306-64e9ebb181ae&amp;feed=KodC6fj_"/>
      <itunes:title>Black and Queer on Campus</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:55</itunes:duration>
      <itunes:summary>Today’s book is: Black and Queer on Campus (NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.
Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of Behind the Laughs: Community and Inequality in Comedy; Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop; and Black and Queer on Campus. He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.
Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

This discussion of the book Gay on God&apos;s Campus

This discussion of the book Black Boy Out of Time

This conversation about writing the book Brown and Gay in LA


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today’s book is: Black and Queer on Campus (NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.
Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of Behind the Laughs: Community and Inequality in Comedy; Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop; and Black and Queer on Campus. He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.
Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

This discussion of the book Gay on God&apos;s Campus

This discussion of the book Black Boy Out of Time

This conversation about writing the book Brown and Gay in LA


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">58086d40-b24f-11ee-a53b-475418939b3b</guid>
      <title>Miles P. Grier, &quot;Inkface: Othello and White Authority in the Era of Atlantic Slavery&quot; (U Virginia Press, 2023)</title>
      <description><![CDATA[<p>In his new book <a href="https://bookshop.org/a/12343/9780813950372"><em>Inkface: Othello and White Authority in the Era of Atlantic Slavery</em></a> (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.”</p><p>Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in <em>The William and Mary Quarterly</em>, <em>The Journal of Popular Music Studies</em>, and <em>Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance</em>. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited <em>Early Modern Black Diaspora Studies: A Critical Anthology</em> (Palgrave, 2018). <em>Inkface </em>is his first monograph.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In his new book <a href="https://bookshop.org/a/12343/9780813950372"><em>Inkface: Othello and White Authority in the Era of Atlantic Slavery</em></a> (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.”</p><p>Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in <em>The William and Mary Quarterly</em>, <em>The Journal of Popular Music Studies</em>, and <em>Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance</em>. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited <em>Early Modern Black Diaspora Studies: A Critical Anthology</em> (Palgrave, 2018). <em>Inkface </em>is his first monograph.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="80439625" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e2d76347-180a-42a8-a79c-c9bb2b8c34d7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e2d76347-180a-42a8-a79c-c9bb2b8c34d7&amp;feed=KodC6fj_"/>
      <itunes:title>Miles P. Grier, &quot;Inkface: Othello and White Authority in the Era of Atlantic Slavery&quot; (U Virginia Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:23:47</itunes:duration>
      <itunes:summary>In his new book Inkface: Othello and White Authority in the Era of Atlantic Slavery (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.”
Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in The William and Mary Quarterly, The Journal of Popular Music Studies, and Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited Early Modern Black Diaspora Studies: A Critical Anthology (Palgrave, 2018). Inkface is his first monograph.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare&apos;s The Tempest, Aphra Behn&apos;s Oroonoko, and John Milton&apos;s Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In his new book Inkface: Othello and White Authority in the Era of Atlantic Slavery (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.”
Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in The William and Mary Quarterly, The Journal of Popular Music Studies, and Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited Early Modern Black Diaspora Studies: A Critical Anthology (Palgrave, 2018). Inkface is his first monograph.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare&apos;s The Tempest, Aphra Behn&apos;s Oroonoko, and John Milton&apos;s Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>272</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a78bc0de-b22b-11ee-929e-d37c10faddc4</guid>
      <title>Kathryn Mathers, &quot;White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation&quot; (Routledge, 2022)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032112275"><em>White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation</em></a><em> </em>(Routledge, 2022)<em>, </em>Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.</p><p>Through close readings of multiple mediated sites where Americans imagine Africa, <em>White Saviorism and Popular Culture</em> examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to <em>Black Panther</em> and <em>Black is King</em>, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.</p><p>This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.</p><p><em>Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 14 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032112275"><em>White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation</em></a><em> </em>(Routledge, 2022)<em>, </em>Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.</p><p>Through close readings of multiple mediated sites where Americans imagine Africa, <em>White Saviorism and Popular Culture</em> examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to <em>Black Panther</em> and <em>Black is King</em>, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.</p><p>This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.</p><p><em>Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="77179925" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/78278777-ef2d-4383-988f-ca93ef6e62ca/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=78278777-ef2d-4383-988f-ca93ef6e62ca&amp;feed=KodC6fj_"/>
      <itunes:title>Kathryn Mathers, &quot;White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation&quot; (Routledge, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:20:23</itunes:duration>
      <itunes:summary>In White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation (Routledge, 2022), Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.
Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.
This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation (Routledge, 2022), Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.
Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.
This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>430</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0044bcf2-b17e-11ee-a891-138ec1983cee</guid>
      <title>Emily Brooks, &quot;Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>Throughout the late nineteenth and early twentieth centuries, members of the NYPD had worked to enforce partisan political power rather than focus on crime. That changed when La Guardia took office in 1934 and shifted the city's priorities toward liberal reform. La Guardia's approach to low-level policing anticipated later trends in law enforcement, including "broken windows" theory and "stop and frisk" policy. Police officers worked to preserve urban order by controlling vice, including juvenile delinquency, prostitution, gambling, and the "disorderly" establishments that officials believed housed these activities.</p><p>This mode of policing was central to La Guardia's influential vision of urban governance, but it was met with resistance from the Black New Yorkers, youth, and working-class women it primarily targeted. The mobilization for World War II introduced new opportunities for the NYPD to intensify policing and criminalize these groups with federal support. In the 1930s these communities were framed as perils to urban order; during the militarized war years, they became a supposed threat to national security itself. </p><p>In <a href="https://bookshop.org/a/12343/9781469676593"><em>Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City</em> </a>(UNC Press, 2023), Emily M. Brooks recasts the evolution of urban policing by revealing that the rise of law-and-order liberalism was inseparable from the surveillance, militarism, and nationalism of war.</p><p><em>Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 13 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Throughout the late nineteenth and early twentieth centuries, members of the NYPD had worked to enforce partisan political power rather than focus on crime. That changed when La Guardia took office in 1934 and shifted the city's priorities toward liberal reform. La Guardia's approach to low-level policing anticipated later trends in law enforcement, including "broken windows" theory and "stop and frisk" policy. Police officers worked to preserve urban order by controlling vice, including juvenile delinquency, prostitution, gambling, and the "disorderly" establishments that officials believed housed these activities.</p><p>This mode of policing was central to La Guardia's influential vision of urban governance, but it was met with resistance from the Black New Yorkers, youth, and working-class women it primarily targeted. The mobilization for World War II introduced new opportunities for the NYPD to intensify policing and criminalize these groups with federal support. In the 1930s these communities were framed as perils to urban order; during the militarized war years, they became a supposed threat to national security itself. </p><p>In <a href="https://bookshop.org/a/12343/9781469676593"><em>Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City</em> </a>(UNC Press, 2023), Emily M. Brooks recasts the evolution of urban policing by revealing that the rise of law-and-order liberalism was inseparable from the surveillance, militarism, and nationalism of war.</p><p><em>Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65741337" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6313c4a9-4e7b-4bd0-8a54-c0a86feab46e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6313c4a9-4e7b-4bd0-8a54-c0a86feab46e&amp;feed=KodC6fj_"/>
      <itunes:title>Emily Brooks, &quot;Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:28</itunes:duration>
      <itunes:summary>Throughout the late nineteenth and early twentieth centuries, members of the NYPD had worked to enforce partisan political power rather than focus on crime. That changed when La Guardia took office in 1934 and shifted the city&apos;s priorities toward liberal reform. La Guardia&apos;s approach to low-level policing anticipated later trends in law enforcement, including &quot;broken windows&quot; theory and &quot;stop and frisk&quot; policy. Police officers worked to preserve urban order by controlling vice, including juvenile delinquency, prostitution, gambling, and the &quot;disorderly&quot; establishments that officials believed housed these activities.
This mode of policing was central to La Guardia&apos;s influential vision of urban governance, but it was met with resistance from the Black New Yorkers, youth, and working-class women it primarily targeted. The mobilization for World War II introduced new opportunities for the NYPD to intensify policing and criminalize these groups with federal support. In the 1930s these communities were framed as perils to urban order; during the militarized war years, they became a supposed threat to national security itself. 
In Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City (UNC Press, 2023), Emily M. Brooks recasts the evolution of urban policing by revealing that the rise of law-and-order liberalism was inseparable from the surveillance, militarism, and nationalism of war.
Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Throughout the late nineteenth and early twentieth centuries, members of the NYPD had worked to enforce partisan political power rather than focus on crime. That changed when La Guardia took office in 1934 and shifted the city&apos;s priorities toward liberal reform. La Guardia&apos;s approach to low-level policing anticipated later trends in law enforcement, including &quot;broken windows&quot; theory and &quot;stop and frisk&quot; policy. Police officers worked to preserve urban order by controlling vice, including juvenile delinquency, prostitution, gambling, and the &quot;disorderly&quot; establishments that officials believed housed these activities.
This mode of policing was central to La Guardia&apos;s influential vision of urban governance, but it was met with resistance from the Black New Yorkers, youth, and working-class women it primarily targeted. The mobilization for World War II introduced new opportunities for the NYPD to intensify policing and criminalize these groups with federal support. In the 1930s these communities were framed as perils to urban order; during the militarized war years, they became a supposed threat to national security itself. 
In Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City (UNC Press, 2023), Emily M. Brooks recasts the evolution of urban policing by revealing that the rise of law-and-order liberalism was inseparable from the surveillance, militarism, and nationalism of war.
Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7e36f0ba-b0b3-11ee-b319-4beb1a84f9dd</guid>
      <title>Hajar Yazdiha, &quot;The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. <a href="https://bookshop.org/a/12343/9780691246475"><em>The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement</em></a><em> </em>(Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.</p><p>In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.</p><p>Powerful and persuasive, <em>The Struggle for the People's King</em> demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 12 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. <a href="https://bookshop.org/a/12343/9780691246475"><em>The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement</em></a><em> </em>(Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.</p><p>In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.</p><p>Powerful and persuasive, <em>The Struggle for the People's King</em> demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="29318616" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3425690c-b67a-491c-a80d-e045c15b4486/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3425690c-b67a-491c-a80d-e045c15b4486&amp;feed=KodC6fj_"/>
      <itunes:title>Hajar Yazdiha, &quot;The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:30:32</itunes:duration>
      <itunes:summary>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women&apos;s rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.
In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King&apos;s Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.
Powerful and persuasive, The Struggle for the People&apos;s King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women&apos;s rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.
In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King&apos;s Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.
Powerful and persuasive, The Struggle for the People&apos;s King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a795fe1a-aff5-11ee-a430-7f279fe1291c</guid>
      <title>Kami Fletcher and Ashley Towle, &quot;Grave History: Death, Race, and Gender in Southern Cemeteries&quot; (U Georgia Press, 2023)</title>
      <description><![CDATA[<p>Kami Fletcher and Ashley Towle’s edited collection<a href="https://bookshop.org/a/12343/9780820365800"> <em>Grave History: Death, Race and Gender in Southern Cemeteries</em></a><em> </em>(University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.</p><p>The book includes workshop guidance for teachers, for use with students at all stages in the education process.</p><p><a href="https://www.york.ac.uk/chp/people/rugg/"><em>Dr Julie Rugg</em></a><em> is Director of the </em><a href="https://www.cemeteryresearch.org/"><em>Cemetery Research Group</em></a><em>, University of York, UK.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 11 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Kami Fletcher and Ashley Towle’s edited collection<a href="https://bookshop.org/a/12343/9780820365800"> <em>Grave History: Death, Race and Gender in Southern Cemeteries</em></a><em> </em>(University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.</p><p>The book includes workshop guidance for teachers, for use with students at all stages in the education process.</p><p><a href="https://www.york.ac.uk/chp/people/rugg/"><em>Dr Julie Rugg</em></a><em> is Director of the </em><a href="https://www.cemeteryresearch.org/"><em>Cemetery Research Group</em></a><em>, University of York, UK.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40938975" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/13470b6b-8dc1-4f3e-94ac-f8e77c25c692/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=13470b6b-8dc1-4f3e-94ac-f8e77c25c692&amp;feed=KodC6fj_"/>
      <itunes:title>Kami Fletcher and Ashley Towle, &quot;Grave History: Death, Race, and Gender in Southern Cemeteries&quot; (U Georgia Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:38</itunes:duration>
      <itunes:summary>Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.
The book includes workshop guidance for teachers, for use with students at all stages in the education process.
Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.
The book includes workshop guidance for teachers, for use with students at all stages in the education process.
Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>334</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">8150395e-b000-11ee-a969-bbeac75d105d</guid>
      <title>Patrick R. O&apos;Malley, &quot;The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century&quot; (U Virginia Press, 2023)</title>
      <description><![CDATA[<p>Patrick R. O'Malley's book <a href="https://bookshop.org/a/12343/9780813950563"><em>The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century</em></a> (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.</p><p>Patrick R. O'Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: <em>Catholicism, Sexual Deviance, and Victorian Gothic Culture</em>, which was published by Cambridge University Press in 2006, and <em>Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland</em>, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies.</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 11 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Patrick R. O'Malley's book <a href="https://bookshop.org/a/12343/9780813950563"><em>The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century</em></a> (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.</p><p>Patrick R. O'Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: <em>Catholicism, Sexual Deviance, and Victorian Gothic Culture</em>, which was published by Cambridge University Press in 2006, and <em>Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland</em>, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies.</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55014025" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b3664d3b-90d8-474e-ab44-f760dca54c7f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b3664d3b-90d8-474e-ab44-f760dca54c7f&amp;feed=KodC6fj_"/>
      <itunes:title>Patrick R. O&apos;Malley, &quot;The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century&quot; (U Virginia Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:18</itunes:duration>
      <itunes:summary>Patrick R. O&apos;Malley&apos;s book The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.
Patrick R. O&apos;Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: Catholicism, Sexual Deviance, and Victorian Gothic Culture, which was published by Cambridge University Press in 2006, and Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Patrick R. O&apos;Malley&apos;s book The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.
Patrick R. O&apos;Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: Catholicism, Sexual Deviance, and Victorian Gothic Culture, which was published by Cambridge University Press in 2006, and Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">4186e43e-aff2-11ee-8d62-b3bbf5a8d37d</guid>
      <title>Darnise C. Martin, &quot;Beyond Christianity: African Americans in a New Thought Church&quot; (NYU Press, 2005)</title>
      <description><![CDATA[<p>Darnise C. Martin's <a href="https://bookshop.org/a/12343/9780814756935"><em>Beyond Christianity: African Americans in a New Thought Church </em></a>(NYU Press, 2005) draws on rich ethnographic work in a Religious Science church in Oakland, California, to illuminate the ways a group of African Americans has adapted a religion typically thought of as white to fit their needs and circumstances. This predominantly African American congregation is an anomalous phenomenon for both Religious Science and African American religious studies. It stands at the intersection of New Thought doctrine, characterized by personal empowerment teachings,and a culturally familiar liturgical style reminiscent of Black Pentecostals and Black Spiritualists. This group challenges oversimplified concepts of the Black church experience and broadens the concept of Black religion outside the boundaries of Christianity—raising questions about what it means to be an African American congregation, and about the nature of blackness itself. Beyond Christianity adds a new dimension to the scholarship on Black religion.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 11 Jan 2024 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Darnise C. Martin's <a href="https://bookshop.org/a/12343/9780814756935"><em>Beyond Christianity: African Americans in a New Thought Church </em></a>(NYU Press, 2005) draws on rich ethnographic work in a Religious Science church in Oakland, California, to illuminate the ways a group of African Americans has adapted a religion typically thought of as white to fit their needs and circumstances. This predominantly African American congregation is an anomalous phenomenon for both Religious Science and African American religious studies. It stands at the intersection of New Thought doctrine, characterized by personal empowerment teachings,and a culturally familiar liturgical style reminiscent of Black Pentecostals and Black Spiritualists. This group challenges oversimplified concepts of the Black church experience and broadens the concept of Black religion outside the boundaries of Christianity—raising questions about what it means to be an African American congregation, and about the nature of blackness itself. Beyond Christianity adds a new dimension to the scholarship on Black religion.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42550902" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d0208c79-8b8d-405e-8eac-4d635a1c3475/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d0208c79-8b8d-405e-8eac-4d635a1c3475&amp;feed=KodC6fj_"/>
      <itunes:title>Darnise C. Martin, &quot;Beyond Christianity: African Americans in a New Thought Church&quot; (NYU Press, 2005)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:19</itunes:duration>
      <itunes:summary>Darnise C. Martin&apos;s Beyond Christianity: African Americans in a New Thought Church (NYU Press, 2005) draws on rich ethnographic work in a Religious Science church in Oakland, California, to illuminate the ways a group of African Americans has adapted a religion typically thought of as white to fit their needs and circumstances. This predominantly African American congregation is an anomalous phenomenon for both Religious Science and African American religious studies. It stands at the intersection of New Thought doctrine, characterized by personal empowerment teachings,and a culturally familiar liturgical style reminiscent of Black Pentecostals and Black Spiritualists. This group challenges oversimplified concepts of the Black church experience and broadens the concept of Black religion outside the boundaries of Christianity—raising questions about what it means to be an African American congregation, and about the nature of blackness itself. Beyond Christianity adds a new dimension to the scholarship on Black religion.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Darnise C. Martin&apos;s Beyond Christianity: African Americans in a New Thought Church (NYU Press, 2005) draws on rich ethnographic work in a Religious Science church in Oakland, California, to illuminate the ways a group of African Americans has adapted a religion typically thought of as white to fit their needs and circumstances. This predominantly African American congregation is an anomalous phenomenon for both Religious Science and African American religious studies. It stands at the intersection of New Thought doctrine, characterized by personal empowerment teachings,and a culturally familiar liturgical style reminiscent of Black Pentecostals and Black Spiritualists. This group challenges oversimplified concepts of the Black church experience and broadens the concept of Black religion outside the boundaries of Christianity—raising questions about what it means to be an African American congregation, and about the nature of blackness itself. Beyond Christianity adds a new dimension to the scholarship on Black religion.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>256</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7163c298-aa7b-11ee-bd15-27c8272929db</guid>
      <title>Jack Glazier, &quot;Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race&quot; (MSU Press, 2020)</title>
      <description><![CDATA[<p>Paul Radin was one of the founding generation of American cultural anthropologists: A student of Franz Boas,  and famed ethnographer of the Winnebago. Yet little is known about Radin's life. A leftist who was persecuted by the FBI and who lived for several years outside of the United States, and a bohemian who couldn't keep an academic job, there are many chapters in Radin's life which have not been told. </p><p>In <a href="https://bookshop.org/a/12343/9781611863505"><em>Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race</em></a><em> </em>(Michigan State University Press, 2020), Jack Glazier tells the story of Radin's work at Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk Watson collected autobiographies and religious conversion narratives from elderly African Americans. That innovative, subject-centered research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. In this book, Glazier describes Radin's commitment to documenting people's own stories as they told them and his respect for them as people as a form of 'radical humanism' and sets Paul Radin's findings within the broader context of Boasian anti-racism, African American culture, and his career-defining work among the Winnebago.</p><p>In this episode of the podcast Jack Glazier talks to host Alex Golub about Radin and the Boasians, the influence of Charles S. Johnson at Fisk, and how contemporary activists might view the strengths and limitations of Radin's radical humanism. </p><p><a href="https://anthropology.manoa.hawaii.edu/alex-golub/"><em>Alex Golub</em></a><em> is an associate professor of anthropology at the University of Hawai‘i at Mānoa.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 4 Jan 2024 04:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Paul Radin was one of the founding generation of American cultural anthropologists: A student of Franz Boas,  and famed ethnographer of the Winnebago. Yet little is known about Radin's life. A leftist who was persecuted by the FBI and who lived for several years outside of the United States, and a bohemian who couldn't keep an academic job, there are many chapters in Radin's life which have not been told. </p><p>In <a href="https://bookshop.org/a/12343/9781611863505"><em>Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race</em></a><em> </em>(Michigan State University Press, 2020), Jack Glazier tells the story of Radin's work at Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk Watson collected autobiographies and religious conversion narratives from elderly African Americans. That innovative, subject-centered research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. In this book, Glazier describes Radin's commitment to documenting people's own stories as they told them and his respect for them as people as a form of 'radical humanism' and sets Paul Radin's findings within the broader context of Boasian anti-racism, African American culture, and his career-defining work among the Winnebago.</p><p>In this episode of the podcast Jack Glazier talks to host Alex Golub about Radin and the Boasians, the influence of Charles S. Johnson at Fisk, and how contemporary activists might view the strengths and limitations of Radin's radical humanism. </p><p><a href="https://anthropology.manoa.hawaii.edu/alex-golub/"><em>Alex Golub</em></a><em> is an associate professor of anthropology at the University of Hawai‘i at Mānoa.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58299823" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/782ee3c3-6909-441a-817e-ded9eed8ff7e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=782ee3c3-6909-441a-817e-ded9eed8ff7e&amp;feed=KodC6fj_"/>
      <itunes:title>Jack Glazier, &quot;Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race&quot; (MSU Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:42</itunes:duration>
      <itunes:summary>Paul Radin was one of the founding generation of American cultural anthropologists: A student of Franz Boas,  and famed ethnographer of the Winnebago. Yet little is known about Radin&apos;s life. A leftist who was persecuted by the FBI and who lived for several years outside of the United States, and a bohemian who couldn&apos;t keep an academic job, there are many chapters in Radin&apos;s life which have not been told. 
In Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race (Michigan State University Press, 2020), Jack Glazier tells the story of Radin&apos;s work at Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk Watson collected autobiographies and religious conversion narratives from elderly African Americans. That innovative, subject-centered research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. In this book, Glazier describes Radin&apos;s commitment to documenting people&apos;s own stories as they told them and his respect for them as people as a form of &apos;radical humanism&apos; and sets Paul Radin&apos;s findings within the broader context of Boasian anti-racism, African American culture, and his career-defining work among the Winnebago.
In this episode of the podcast Jack Glazier talks to host Alex Golub about Radin and the Boasians, the influence of Charles S. Johnson at Fisk, and how contemporary activists might view the strengths and limitations of Radin&apos;s radical humanism. 
Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Paul Radin was one of the founding generation of American cultural anthropologists: A student of Franz Boas,  and famed ethnographer of the Winnebago. Yet little is known about Radin&apos;s life. A leftist who was persecuted by the FBI and who lived for several years outside of the United States, and a bohemian who couldn&apos;t keep an academic job, there are many chapters in Radin&apos;s life which have not been told. 
In Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race (Michigan State University Press, 2020), Jack Glazier tells the story of Radin&apos;s work at Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk Watson collected autobiographies and religious conversion narratives from elderly African Americans. That innovative, subject-centered research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. In this book, Glazier describes Radin&apos;s commitment to documenting people&apos;s own stories as they told them and his respect for them as people as a form of &apos;radical humanism&apos; and sets Paul Radin&apos;s findings within the broader context of Boasian anti-racism, African American culture, and his career-defining work among the Winnebago.
In this episode of the podcast Jack Glazier talks to host Alex Golub about Radin and the Boasians, the influence of Charles S. Johnson at Fisk, and how contemporary activists might view the strengths and limitations of Radin&apos;s radical humanism. 
Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">eaa34890-a73d-11ee-987c-8377a6b07fd1</guid>
      <title>Laura Briggs, &quot;Taking Children: A History of American Terror&quot; (U California Press, 2020)</title>
      <description><![CDATA[<p>Laura Briggs’s <a href="https://bookshop.org/a/12343/9780520343672"><em>Taking Children: A History of American Terror</em></a> (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.</p><p>Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.</p><p>Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 31 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Laura Briggs’s <a href="https://bookshop.org/a/12343/9780520343672"><em>Taking Children: A History of American Terror</em></a> (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.</p><p>Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.</p><p>Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="73469627" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7e550396-3696-4e7b-8220-ec874b8bfdd9/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7e550396-3696-4e7b-8220-ec874b8bfdd9&amp;feed=KodC6fj_"/>
      <itunes:title>Laura Briggs, &quot;Taking Children: A History of American Terror&quot; (U California Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:16:31</itunes:duration>
      <itunes:summary>Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.
Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.
Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.
Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.
Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">41c31f5c-9df1-11ee-b4e3-c7be3229211a</guid>
      <title>Ralph H. Craig, &quot;Dancing in My Dreams: A Spiritual Biography of Tina Turner&quot; (Eerdmans, 2023)</title>
      <description><![CDATA[<p>When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.</p><p>Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find <a href="https://bookshop.org/a/12343/9780802878632"><em>Dancing in My Dreams: A Spiritual Biography of Tina Turner</em></a><em> </em>(Eerdmans, 2023) as enlightening as the iconic singer herself.</p><p>When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.</p><p>Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find <a href="https://bookshop.org/a/12343/9780802878632"><em>Dancing in My Dreams: A Spiritual Biography of Tina Turner</em></a><em> </em>(Eerdmans, 2023) as enlightening as the iconic singer herself.</p><p>When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57794085" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/42831d21-522a-436f-8dcf-83dbdbd73d98/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=42831d21-522a-436f-8dcf-83dbdbd73d98&amp;feed=KodC6fj_"/>
      <itunes:title>Ralph H. Craig, &quot;Dancing in My Dreams: A Spiritual Biography of Tina Turner&quot; (Eerdmans, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:11</itunes:duration>
      <itunes:summary>When Tina Turner reclaimed her throne as the Queen of Rock &apos;n&apos; Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina&apos;s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.
Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina&apos;s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in &apos;60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers&apos; disciplinary and mystical sensibilities. Through critical engagement with Tina&apos;s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.
When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>When Tina Turner reclaimed her throne as the Queen of Rock &apos;n&apos; Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina&apos;s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.
Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina&apos;s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in &apos;60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers&apos; disciplinary and mystical sensibilities. Through critical engagement with Tina&apos;s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.
When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>316</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">34f8b4c6-a5a3-11ee-93af-2fb894152ce8</guid>
      <title>Claudia Smith Brinson, &quot;Stories of Struggle: The Clash over Civil Rights in South Carolina&quot; (U South Carolina Press, 2020)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781643364629"><em>Stories of Struggle: The Clash over Civil Rights in South Carolina</em></a> (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.</p><p>Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants' use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.</p><p>These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton's Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.</p><p>Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers' strike.</p><p>These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians' often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com</p><p><em>Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on </em><a href="https://twitter.com/matthewfsimmons"><em>X</em></a><em> @matthewfsimmons.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781643364629"><em>Stories of Struggle: The Clash over Civil Rights in South Carolina</em></a> (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.</p><p>Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants' use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.</p><p>These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton's Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.</p><p>Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers' strike.</p><p>These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians' often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com</p><p><em>Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on </em><a href="https://twitter.com/matthewfsimmons"><em>X</em></a><em> @matthewfsimmons.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60974527" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9866bf06-6948-4bc6-8e9d-8e0900eb268b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9866bf06-6948-4bc6-8e9d-8e0900eb268b&amp;feed=KodC6fj_"/>
      <itunes:title>Claudia Smith Brinson, &quot;Stories of Struggle: The Clash over Civil Rights in South Carolina&quot; (U South Carolina Press, 2020)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:30</itunes:duration>
      <itunes:summary>In Stories of Struggle: The Clash over Civil Rights in South Carolina (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.
Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants&apos; use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.
These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton&apos;s Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.
Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers&apos; strike.
These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians&apos; often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com
Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Stories of Struggle: The Clash over Civil Rights in South Carolina (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.
Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants&apos; use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.
These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton&apos;s Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.
Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers&apos; strike.
These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians&apos; often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com
Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a49d080e-4ccf-11e9-9446-ab14fb0d201c</guid>
      <title>Joseph Vogel, &quot;James Baldwin and the 1980s: Witnessing the Reagan Era&quot; (U Illinois Press, 2018)</title>
      <description><![CDATA[<p>By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book <a href="https://bookshop.org/a/12343/9780252041747"><em>James Baldwin and the 1980s: Witnessing the Reagan Era</em></a><em> </em>(University of Illinois Press, 2018), <a href="https://www.merrimack.edu/live/profiles/524-joseph-vogel/_p/f">Joseph Vogel</a> offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic <em>The Evidence of Things Not Seen</em>, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book <a href="https://bookshop.org/a/12343/9780252041747"><em>James Baldwin and the 1980s: Witnessing the Reagan Era</em></a><em> </em>(University of Illinois Press, 2018), <a href="https://www.merrimack.edu/live/profiles/524-joseph-vogel/_p/f">Joseph Vogel</a> offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic <em>The Evidence of Things Not Seen</em>, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="41528671" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/cc23833d-20d3-4aa9-b58b-a27fd810c57b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=cc23833d-20d3-4aa9-b58b-a27fd810c57b&amp;feed=KodC6fj_"/>
      <itunes:title>Joseph Vogel, &quot;James Baldwin and the 1980s: Witnessing the Reagan Era&quot; (U Illinois Press, 2018)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:43:15</itunes:duration>
      <itunes:summary>By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin&apos;s dynamic final decade of work. Delving into the writer&apos;s creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin&apos;s sustained grappling with &quot;the great transforming energy&quot; of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women&apos;s and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin&apos;s dynamic final decade of work. Delving into the writer&apos;s creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin&apos;s sustained grappling with &quot;the great transforming energy&quot; of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women&apos;s and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">543db974-a28f-11ee-9f77-8befd6c55ef4</guid>
      <title>D. B. Maroon, &quot;Black Lives, American Love: Essays on Race and Resilience&quot; (Lawrence Hill Books, 2023)</title>
      <description><![CDATA[<p>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.</p><p>From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.</p><p>Intersectional, personal, and ultimately centered on truth, love, and perseverance, <a href="https://bookshop.org/a/12343/9781641609326"><em>Black Lives, American Love: Essays on Race and Resilience</em></a> (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.</p><p>D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in <em>The Themed Space: Locating Culture, Nation, and Self </em>and <em>Spirited: Affirming the Soul and Black Gay/Lesbian Identity</em>. A committed public scholar, she's appeared in <em>Bustle</em>, <em>Shape</em>, Healthline, and <em>Women's Health</em>. She holds a PhD in anthropology from UC Santa Cruz.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.</p><p>From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.</p><p>Intersectional, personal, and ultimately centered on truth, love, and perseverance, <a href="https://bookshop.org/a/12343/9781641609326"><em>Black Lives, American Love: Essays on Race and Resilience</em></a> (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.</p><p>D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in <em>The Themed Space: Locating Culture, Nation, and Self </em>and <em>Spirited: Affirming the Soul and Black Gay/Lesbian Identity</em>. A committed public scholar, she's appeared in <em>Bustle</em>, <em>Shape</em>, Healthline, and <em>Women's Health</em>. She holds a PhD in anthropology from UC Santa Cruz.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63056095" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6695622d-6ffc-4c46-961a-97f43470f688/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6695622d-6ffc-4c46-961a-97f43470f688&amp;feed=KodC6fj_"/>
      <itunes:title>D. B. Maroon, &quot;Black Lives, American Love: Essays on Race and Resilience&quot; (Lawrence Hill Books, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:40</itunes:duration>
      <itunes:summary>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.
From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.
Intersectional, personal, and ultimately centered on truth, love, and perseverance, Black Lives, American Love: Essays on Race and Resilience (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.
D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in The Themed Space: Locating Culture, Nation, and Self and Spirited: Affirming the Soul and Black Gay/Lesbian Identity. A committed public scholar, she&apos;s appeared in Bustle, Shape, Healthline, and Women&apos;s Health. She holds a PhD in anthropology from UC Santa Cruz.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.
From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.
Intersectional, personal, and ultimately centered on truth, love, and perseverance, Black Lives, American Love: Essays on Race and Resilience (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.
D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in The Themed Space: Locating Culture, Nation, and Self and Spirited: Affirming the Soul and Black Gay/Lesbian Identity. A committed public scholar, she&apos;s appeared in Bustle, Shape, Healthline, and Women&apos;s Health. She holds a PhD in anthropology from UC Santa Cruz.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>430</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">15f7abaa-a435-11ee-9f61-8f8294f4e392</guid>
      <title>Elena Schneider, &quot;The Occupation of Havana: War, Trade and Slavery in the Atlantic World&quot; (UNC Press, 2018)</title>
      <description><![CDATA[<p>Histories of the British occupation of Havana in 1762 have focused on imperial rivalries and the actions and decisions of European planters, colonial officials, and military officers. In her stunning revision, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QqZC2W8gKNXPoZxnwwyQH5UAAAFpyZBfxgEAAAFKAYcQRMQ/https://www.amazon.com/dp/1469645351/?creativeASIN=1469645351&amp;linkCode=w61&amp;imprToken=Q1eI8bjz7GeP7Mks5-nxMg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Occupation of Havana: War, Trade and Slavery in the Atlantic World</em></a> (University of North Carolina Press, 2018), <a href="https://history.berkeley.edu/elena-schneider">Elena Schneider</a> restores the central roles of enslaved Africans in all stages of the story. The relevance of the slave trade and the multiple and essential roles of African and African descended people in battle and in urban life emerge in this beautifully written account. In the aftermath, their valor and loyalty were omitted from contemporary accounts and the ensuing historiography. This book draws from a wide range of sources and multiple archives in a careful narrative that connects the Atlantic worlds of Spain, London, Havana, Kingston and the colonial United States, and zooms in on the enslaved individuals that made that world possible.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 27 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Histories of the British occupation of Havana in 1762 have focused on imperial rivalries and the actions and decisions of European planters, colonial officials, and military officers. In her stunning revision, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QqZC2W8gKNXPoZxnwwyQH5UAAAFpyZBfxgEAAAFKAYcQRMQ/https://www.amazon.com/dp/1469645351/?creativeASIN=1469645351&amp;linkCode=w61&amp;imprToken=Q1eI8bjz7GeP7Mks5-nxMg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Occupation of Havana: War, Trade and Slavery in the Atlantic World</em></a> (University of North Carolina Press, 2018), <a href="https://history.berkeley.edu/elena-schneider">Elena Schneider</a> restores the central roles of enslaved Africans in all stages of the story. The relevance of the slave trade and the multiple and essential roles of African and African descended people in battle and in urban life emerge in this beautifully written account. In the aftermath, their valor and loyalty were omitted from contemporary accounts and the ensuing historiography. This book draws from a wide range of sources and multiple archives in a careful narrative that connects the Atlantic worlds of Spain, London, Havana, Kingston and the colonial United States, and zooms in on the enslaved individuals that made that world possible.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47209279" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a4f72f39-ace8-4ea9-b655-f26536eb32fb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a4f72f39-ace8-4ea9-b655-f26536eb32fb&amp;feed=KodC6fj_"/>
      <itunes:title>Elena Schneider, &quot;The Occupation of Havana: War, Trade and Slavery in the Atlantic World&quot; (UNC Press, 2018)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:10</itunes:duration>
      <itunes:summary>Histories of the British occupation of Havana in 1762 have focused on imperial rivalries and the actions and decisions of European planters, colonial officials, and military officers. In her stunning revision, The Occupation of Havana: War, Trade and Slavery in the Atlantic World (University of North Carolina Press, 2018), Elena Schneider restores the central roles of enslaved Africans in all stages of the story. The relevance of the slave trade and the multiple and essential roles of African and African descended people in battle and in urban life emerge in this beautifully written account. In the aftermath, their valor and loyalty were omitted from contemporary accounts and the ensuing historiography. This book draws from a wide range of sources and multiple archives in a careful narrative that connects the Atlantic worlds of Spain, London, Havana, Kingston and the colonial United States, and zooms in on the enslaved individuals that made that world possible.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Histories of the British occupation of Havana in 1762 have focused on imperial rivalries and the actions and decisions of European planters, colonial officials, and military officers. In her stunning revision, The Occupation of Havana: War, Trade and Slavery in the Atlantic World (University of North Carolina Press, 2018), Elena Schneider restores the central roles of enslaved Africans in all stages of the story. The relevance of the slave trade and the multiple and essential roles of African and African descended people in battle and in urban life emerge in this beautifully written account. In the aftermath, their valor and loyalty were omitted from contemporary accounts and the ensuing historiography. This book draws from a wide range of sources and multiple archives in a careful narrative that connects the Atlantic worlds of Spain, London, Havana, Kingston and the colonial United States, and zooms in on the enslaved individuals that made that world possible.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cb259418-a284-11ee-9e89-1ff3bb3e5c36</guid>
      <title>Jordana M. Saggese, &quot;The Jean-Michel Basquiat Reader&quot; (U California Press, 2021)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520305151"><em>The Jean-Michel Basquiat Reader</em></a> (University of California Press, 2021), Jordana Moore Saggese provides the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Jean-Michel Basquiat (1960–1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s.</p><p>Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.</p><p><a href="http://www.allison-leigh.com/"><em>Allison Leigh</em></a><em> is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 26 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520305151"><em>The Jean-Michel Basquiat Reader</em></a> (University of California Press, 2021), Jordana Moore Saggese provides the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Jean-Michel Basquiat (1960–1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s.</p><p>Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.</p><p><a href="http://www.allison-leigh.com/"><em>Allison Leigh</em></a><em> is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59259034" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/287b0380-fe65-4ace-8068-5f652bde3b86/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=287b0380-fe65-4ace-8068-5f652bde3b86&amp;feed=KodC6fj_"/>
      <itunes:title>Jordana M. Saggese, &quot;The Jean-Michel Basquiat Reader&quot; (U California Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:42</itunes:duration>
      <itunes:summary>In The Jean-Michel Basquiat Reader (University of California Press, 2021), Jordana Moore Saggese provides the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Jean-Michel Basquiat (1960–1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat&apos;s artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s.
Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist&apos;s lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist&apos;s work, this collection provides a full picture of the artist&apos;s views on art and culture, his working process, and the critical significance of his work both then and now.
Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Jean-Michel Basquiat Reader (University of California Press, 2021), Jordana Moore Saggese provides the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Jean-Michel Basquiat (1960–1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat&apos;s artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s.
Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist&apos;s lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist&apos;s work, this collection provides a full picture of the artist&apos;s views on art and culture, his working process, and the critical significance of his work both then and now.
Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">89117aa8-a273-11ee-a2e4-dbfb016a60be</guid>
      <title>Bryan McCann, &quot;The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era&quot; (U Alabama Press, 2017)</title>
      <description><![CDATA[<p>On this episode, Dr. <a href="https://www.geneseo.edu/communication/lee-pierce">Lee Pierce</a> (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews <a href="https://www.lsu.edu/hss/cmst/people/faculty/BMccann.php">Bryan McCann</a> (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism <a href="http://www.amazon.com/dp/0817319484/?tag=newbooinhis-20"><em>The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era</em></a> (University of Alabama Press, 2017). <em>The Mark of Criminality </em>positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 26 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On this episode, Dr. <a href="https://www.geneseo.edu/communication/lee-pierce">Lee Pierce</a> (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews <a href="https://www.lsu.edu/hss/cmst/people/faculty/BMccann.php">Bryan McCann</a> (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism <a href="http://www.amazon.com/dp/0817319484/?tag=newbooinhis-20"><em>The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era</em></a> (University of Alabama Press, 2017). <em>The Mark of Criminality </em>positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57688309" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/50f09910-00ec-46df-9384-b69fa741a8b3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=50f09910-00ec-46df-9384-b69fa741a8b3&amp;feed=KodC6fj_"/>
      <itunes:title>Bryan McCann, &quot;The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era&quot; (U Alabama Press, 2017)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:05</itunes:duration>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e97ffc26-d82f-11ec-8e29-af77f830d304</guid>
      <title>Jafari S. Allen, &quot;There&apos;s a Disco Ball Between Us: A Theory of Black Gay Life&quot; (Duke UP, 2022)</title>
      <description><![CDATA[<p>In <a href="https://www.dukeupress.edu/theres-a-disco-ball-between-us"><em>There's a Disco Ball Between Us: A Theory of Black Gay Life</em></a><em> </em>(Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.</p><p><em>﻿</em><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 25 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://www.dukeupress.edu/theres-a-disco-ball-between-us"><em>There's a Disco Ball Between Us: A Theory of Black Gay Life</em></a><em> </em>(Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.</p><p><em>﻿</em><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64352234" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c87287e0-59f9-4c9f-a46b-ec7e63e75e0a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c87287e0-59f9-4c9f-a46b-ec7e63e75e0a&amp;feed=KodC6fj_"/>
      <itunes:title>Jafari S. Allen, &quot;There&apos;s a Disco Ball Between Us: A Theory of Black Gay Life&quot; (Duke UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:01</itunes:duration>
      <itunes:summary>In There&apos;s a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In There&apos;s a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>299</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ad04077a-a1d6-11ee-a67e-affc35673762</guid>
      <title>Walter Greason and Tim Fielder, &quot;The Graphic History of Hip Hop&quot; (NYC Department of Education, 2023)</title>
      <description><![CDATA[<p>Hip Hop turned 50 this year. It has been five decades since DJ Cool Herc played a party in the Bronx that gave birth to a global cultural revolution. To honor this anniversary and teach this history, the New York City Department of Education has published <a href="https://www.weteachnyc.org/media2016/filer_public/0e/30/0e3008c7-550e-4fbd-8e81-5c681d0b7412/graphic_history_of_hip_hop_v9_web.pdf"><em>The Graphic History of Hip Hop</em></a>. Dr. Walter Greason wrote the text, which is beautifully illustrated by Afrofuturist graphic artist Tim Fielder. </p><p>As the first in a series of collaborative graphic novels, <em>The Graphic History of Hip Hop</em> brings together a powerful blend of music, art, and history drawn from over sixty years of research by hundreds of professional historians and other scholars from the humanities and social sciences. The book is designed to engage students as they will see, hear and experience how the world of Hip Hop evolved in response to the rapidly changing political and environments from the 1970s through the 2000s. This work is an essential resource to enhance modern urban and world history curriculums and create a unique and engaging classroom settings for students. This shorter version is<a href="https://www.weteachnyc.org/media2016/filer_public/0e/30/0e3008c7-550e-4fbd-8e81-5c681d0b7412/graphic_history_of_hip_hop_v9_web.pdf"> free to download as PDF</a> and a longer hardcover version will be published soon.</p><p>Also see the project website, <a href="https://graphichistoryofhiphop.com/">here</a>. </p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 25 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Hip Hop turned 50 this year. It has been five decades since DJ Cool Herc played a party in the Bronx that gave birth to a global cultural revolution. To honor this anniversary and teach this history, the New York City Department of Education has published <a href="https://www.weteachnyc.org/media2016/filer_public/0e/30/0e3008c7-550e-4fbd-8e81-5c681d0b7412/graphic_history_of_hip_hop_v9_web.pdf"><em>The Graphic History of Hip Hop</em></a>. Dr. Walter Greason wrote the text, which is beautifully illustrated by Afrofuturist graphic artist Tim Fielder. </p><p>As the first in a series of collaborative graphic novels, <em>The Graphic History of Hip Hop</em> brings together a powerful blend of music, art, and history drawn from over sixty years of research by hundreds of professional historians and other scholars from the humanities and social sciences. The book is designed to engage students as they will see, hear and experience how the world of Hip Hop evolved in response to the rapidly changing political and environments from the 1970s through the 2000s. This work is an essential resource to enhance modern urban and world history curriculums and create a unique and engaging classroom settings for students. This shorter version is<a href="https://www.weteachnyc.org/media2016/filer_public/0e/30/0e3008c7-550e-4fbd-8e81-5c681d0b7412/graphic_history_of_hip_hop_v9_web.pdf"> free to download as PDF</a> and a longer hardcover version will be published soon.</p><p>Also see the project website, <a href="https://graphichistoryofhiphop.com/">here</a>. </p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60316930" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0743ca57-5c36-4867-b9e0-fd0512df8514/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0743ca57-5c36-4867-b9e0-fd0512df8514&amp;feed=KodC6fj_"/>
      <itunes:title>Walter Greason and Tim Fielder, &quot;The Graphic History of Hip Hop&quot; (NYC Department of Education, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:49</itunes:duration>
      <itunes:summary>Hip Hop turned 50 this year. It has been five decades since DJ Cool Herc played a party in the Bronx that gave birth to a global cultural revolution. To honor this anniversary and teach this history, the New York City Department of Education has published The Graphic History of Hip Hop. Dr. Walter Greason wrote the text, which is beautifully illustrated by Afrofuturist graphic artist Tim Fielder. 
As the first in a series of collaborative graphic novels, The Graphic History of Hip Hop brings together a powerful blend of music, art, and history drawn from over sixty years of research by hundreds of professional historians and other scholars from the humanities and social sciences. The book is designed to engage students as they will see, hear and experience how the world of Hip Hop evolved in response to the rapidly changing political and environments from the 1970s through the 2000s. This work is an essential resource to enhance modern urban and world history curriculums and create a unique and engaging classroom settings for students. This shorter version is free to download as PDF and a longer hardcover version will be published soon.
Also see the project website, here. 
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Hip Hop turned 50 this year. It has been five decades since DJ Cool Herc played a party in the Bronx that gave birth to a global cultural revolution. To honor this anniversary and teach this history, the New York City Department of Education has published The Graphic History of Hip Hop. Dr. Walter Greason wrote the text, which is beautifully illustrated by Afrofuturist graphic artist Tim Fielder. 
As the first in a series of collaborative graphic novels, The Graphic History of Hip Hop brings together a powerful blend of music, art, and history drawn from over sixty years of research by hundreds of professional historians and other scholars from the humanities and social sciences. The book is designed to engage students as they will see, hear and experience how the world of Hip Hop evolved in response to the rapidly changing political and environments from the 1970s through the 2000s. This work is an essential resource to enhance modern urban and world history curriculums and create a unique and engaging classroom settings for students. This shorter version is free to download as PDF and a longer hardcover version will be published soon.
Also see the project website, here. 
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1397</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ef8c1078-a1aa-11ee-92f7-8f372e6173d1</guid>
      <title>Nessette Falu, &quot;Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil&quot; (Duke UP, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025184"><em>Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil</em> </a>(Duke University Press, 2023) Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil’s deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu’s informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings.</p><p>Nessette Falu is Assistant Professor of African and African Diaspora Studies at the University of Texas at Austin.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 24 Dec 2023 10:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025184"><em>Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil</em> </a>(Duke University Press, 2023) Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil’s deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu’s informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings.</p><p>Nessette Falu is Assistant Professor of African and African Diaspora Studies at the University of Texas at Austin.</p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="52786257" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/42c020f3-4048-4758-88fb-2d0d52884ae8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=42c020f3-4048-4758-88fb-2d0d52884ae8&amp;feed=KodC6fj_"/>
      <itunes:title>Nessette Falu, &quot;Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil&quot; (Duke UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:54:58</itunes:duration>
      <itunes:summary>In Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil (Duke University Press, 2023) Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil’s deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu’s informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings.
Nessette Falu is Assistant Professor of African and African Diaspora Studies at the University of Texas at Austin.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil (Duke University Press, 2023) Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil’s deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu’s informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings.
Nessette Falu is Assistant Professor of African and African Diaspora Studies at the University of Texas at Austin.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>276</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b1f1a870-a116-11ee-a8c6-af1bed6b9186</guid>
      <title>Michelle J. Manno, &quot;Denied: Women, Sports, and the Contradictions of Identity&quot; (NYU Press, 2023)</title>
      <description><![CDATA[<p>Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.</p><p>A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.</p><p>A riveting portrait of an elite basketball program, <a href="https://bookshop.org/a/12343/9781479885381"><em>Denied: Women, Sports, and the Contradictions of Identity</em></a> (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.</p><p><a href="https://www.janescimeca.com/"><em>Jane Scimeca</em></a><em> is Professor of History at Brookdale Community College. @JaneScimeca1</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 23 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.</p><p>A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.</p><p>A riveting portrait of an elite basketball program, <a href="https://bookshop.org/a/12343/9781479885381"><em>Denied: Women, Sports, and the Contradictions of Identity</em></a> (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.</p><p><a href="https://www.janescimeca.com/"><em>Jane Scimeca</em></a><em> is Professor of History at Brookdale Community College. @JaneScimeca1</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40170653" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/61cb0630-e645-4259-afe6-fcc784fd3c1e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=61cb0630-e645-4259-afe6-fcc784fd3c1e&amp;feed=KodC6fj_"/>
      <itunes:title>Michelle J. Manno, &quot;Denied: Women, Sports, and the Contradictions of Identity&quot; (NYU Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:50</itunes:duration>
      <itunes:summary>Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.
A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.
A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.
A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.
A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">dd5dc98e-9f78-11ee-a074-df328596b126</guid>
      <title>Trent Masiki, &quot;The Afro-Latino Memoir: Race, Ethnicity, and Literary Interculturalism&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. In <a href="https://bookshop.org/a/12343/9781469675275"><em>The Afro-Latino Memoir: Race, Ethnicity and Literary Interculturalism</em></a> (University of North Carolina Press, 2023) Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. </p><p>Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States.</p><p>Trent Masiki is assistant professor of Africana Studies at Worchester Polytechnic Institute. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 21 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. In <a href="https://bookshop.org/a/12343/9781469675275"><em>The Afro-Latino Memoir: Race, Ethnicity and Literary Interculturalism</em></a> (University of North Carolina Press, 2023) Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. </p><p>Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States.</p><p>Trent Masiki is assistant professor of Africana Studies at Worchester Polytechnic Institute. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31063914" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e97cebca-fd31-4df5-afee-4363e6551281/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e97cebca-fd31-4df5-afee-4363e6551281&amp;feed=KodC6fj_"/>
      <itunes:title>Trent Masiki, &quot;The Afro-Latino Memoir: Race, Ethnicity, and Literary Interculturalism&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:32:21</itunes:duration>
      <itunes:summary>Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. In The Afro-Latino Memoir: Race, Ethnicity and Literary Interculturalism (University of North Carolina Press, 2023) Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. 
Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States.
Trent Masiki is assistant professor of Africana Studies at Worchester Polytechnic Institute. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. In The Afro-Latino Memoir: Race, Ethnicity and Literary Interculturalism (University of North Carolina Press, 2023) Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. 
Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States.
Trent Masiki is assistant professor of Africana Studies at Worchester Polytechnic Institute. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>275</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e7c08edc-9ceb-11ee-b920-3b26625d33b8</guid>
      <title>Jack D. Noe, &quot;Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South&quot; (LSU Press, 2021)</title>
      <description><![CDATA[<p>Examining identity and nationalism in the Reconstruction-era South, Jack Noe’s <a href="https://bookshop.org/a/12343/9780807175583"><em>Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South</em></a> (Louisiana State University Press, 2021) investigates debates concerning the One Hundredth Anniversary of American Independence. This commemoration, which came only seven years after the conclusion of the Civil War, provided a crucible for whites, Blacks, northerners, and southerners to reflect on their identity as Americans and their memories of the recent conflict.</p><p>Using a rich archive, including a variety of newspapers, <em>Contesting Commemoration</em> illustrates how the Centennial became embroiled in the fierce political and racial debates of Reconstruction. African Americans celebrated this opportunity to assert their Americanness, while White Southerners approached the celebration with a profound pragmatism and flexibility, only partially re-embracing American nationalism as they attempted to maintain Southern distinctiveness.</p><p><em>Contesting Commemoration</em> follows events in Philadelphia, where ten million visitors came to celebrate the Centennial, and in communities across the South. It is a searching interrogation of the powers of American memory, the bitter debates of Reconstruction, and continued contestations over Southern distinctiveness.</p><p>Jack Noe is a Teaching Fellow at Queen Mary, University of London and also lectures at Durham University. A native of Birmingham, Alabama, but a long-time resident of the United Kingdom, he earned his PhD from the University of Leeds in 2018.</p><p><a href="https://www.ucl.ac.uk/americas/research/research-students/thomas-cryer"><em>Thomas Cryer</em></a><em> is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 18 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Examining identity and nationalism in the Reconstruction-era South, Jack Noe’s <a href="https://bookshop.org/a/12343/9780807175583"><em>Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South</em></a> (Louisiana State University Press, 2021) investigates debates concerning the One Hundredth Anniversary of American Independence. This commemoration, which came only seven years after the conclusion of the Civil War, provided a crucible for whites, Blacks, northerners, and southerners to reflect on their identity as Americans and their memories of the recent conflict.</p><p>Using a rich archive, including a variety of newspapers, <em>Contesting Commemoration</em> illustrates how the Centennial became embroiled in the fierce political and racial debates of Reconstruction. African Americans celebrated this opportunity to assert their Americanness, while White Southerners approached the celebration with a profound pragmatism and flexibility, only partially re-embracing American nationalism as they attempted to maintain Southern distinctiveness.</p><p><em>Contesting Commemoration</em> follows events in Philadelphia, where ten million visitors came to celebrate the Centennial, and in communities across the South. It is a searching interrogation of the powers of American memory, the bitter debates of Reconstruction, and continued contestations over Southern distinctiveness.</p><p>Jack Noe is a Teaching Fellow at Queen Mary, University of London and also lectures at Durham University. A native of Birmingham, Alabama, but a long-time resident of the United Kingdom, he earned his PhD from the University of Leeds in 2018.</p><p><a href="https://www.ucl.ac.uk/americas/research/research-students/thomas-cryer"><em>Thomas Cryer</em></a><em> is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="28505067" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ac80fc96-2290-430e-9627-de1ba62e55ab/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ac80fc96-2290-430e-9627-de1ba62e55ab&amp;feed=KodC6fj_"/>
      <itunes:title>Jack D. Noe, &quot;Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South&quot; (LSU Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:29:41</itunes:duration>
      <itunes:summary>Examining identity and nationalism in the Reconstruction-era South, Jack Noe’s Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South (Louisiana State University Press, 2021) investigates debates concerning the One Hundredth Anniversary of American Independence. This commemoration, which came only seven years after the conclusion of the Civil War, provided a crucible for whites, Blacks, northerners, and southerners to reflect on their identity as Americans and their memories of the recent conflict.
Using a rich archive, including a variety of newspapers, Contesting Commemoration illustrates how the Centennial became embroiled in the fierce political and racial debates of Reconstruction. African Americans celebrated this opportunity to assert their Americanness, while White Southerners approached the celebration with a profound pragmatism and flexibility, only partially re-embracing American nationalism as they attempted to maintain Southern distinctiveness.
Contesting Commemoration follows events in Philadelphia, where ten million visitors came to celebrate the Centennial, and in communities across the South. It is a searching interrogation of the powers of American memory, the bitter debates of Reconstruction, and continued contestations over Southern distinctiveness.
Jack Noe is a Teaching Fellow at Queen Mary, University of London and also lectures at Durham University. A native of Birmingham, Alabama, but a long-time resident of the United Kingdom, he earned his PhD from the University of Leeds in 2018.
Thomas Cryer is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Examining identity and nationalism in the Reconstruction-era South, Jack Noe’s Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South (Louisiana State University Press, 2021) investigates debates concerning the One Hundredth Anniversary of American Independence. This commemoration, which came only seven years after the conclusion of the Civil War, provided a crucible for whites, Blacks, northerners, and southerners to reflect on their identity as Americans and their memories of the recent conflict.
Using a rich archive, including a variety of newspapers, Contesting Commemoration illustrates how the Centennial became embroiled in the fierce political and racial debates of Reconstruction. African Americans celebrated this opportunity to assert their Americanness, while White Southerners approached the celebration with a profound pragmatism and flexibility, only partially re-embracing American nationalism as they attempted to maintain Southern distinctiveness.
Contesting Commemoration follows events in Philadelphia, where ten million visitors came to celebrate the Centennial, and in communities across the South. It is a searching interrogation of the powers of American memory, the bitter debates of Reconstruction, and continued contestations over Southern distinctiveness.
Jack Noe is a Teaching Fellow at Queen Mary, University of London and also lectures at Durham University. A native of Birmingham, Alabama, but a long-time resident of the United Kingdom, he earned his PhD from the University of Leeds in 2018.
Thomas Cryer is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c5e957c6-9c5a-11ee-b7d5-3bb8f21a5754</guid>
      <title>Michelle R. Scott, &quot;T.O.B.A. Time: Black Vaudeville and the Theater Owners&apos; Booking Association in Jazz-Age America&quot; (U Illinois Press, 2023)</title>
      <description><![CDATA[<p>Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. <a href="https://bookshop.org/a/12343/9780252086984"><em>T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America</em></a> by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.’s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and its effect on the lives and careers of thousands of Black performers.</p><p><em>﻿</em><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 18 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. <a href="https://bookshop.org/a/12343/9780252086984"><em>T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America</em></a> by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.’s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and its effect on the lives and careers of thousands of Black performers.</p><p><em>﻿</em><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="56520777" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4acba86d-aac8-4a29-b25e-f8d53fb1f971/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4acba86d-aac8-4a29-b25e-f8d53fb1f971&amp;feed=KodC6fj_"/>
      <itunes:title>Michelle R. Scott, &quot;T.O.B.A. Time: Black Vaudeville and the Theater Owners&apos; Booking Association in Jazz-Age America&quot; (U Illinois Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:52</itunes:duration>
      <itunes:summary>Black vaudevillians and entertainers joked that T.O.B.A. stood for &quot;tough on black artists.&quot; But the Theater Owner&apos;s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.’s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and its effect on the lives and careers of thousands of Black performers.
﻿Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black vaudevillians and entertainers joked that T.O.B.A. stood for &quot;tough on black artists.&quot; But the Theater Owner&apos;s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.’s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and its effect on the lives and careers of thousands of Black performers.
﻿Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a724c2e6-9870-11ee-8467-9f0852616e03</guid>
      <title>David Steele, &quot;It Was Always a Choice: Picking Up the Baton of Athlete Activism&quot; (Temple UP, 2022)</title>
      <description><![CDATA[<p>Today we are joined by the sports journalist David Steele, who has written for the <em>Sporting News, </em>AOL, the <em>Baltimore Sun </em>and the <em>San Francisco Chronicle</em>, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of <a href="https://bookshop.org/a/12343/9781439921739"><em>It Was Always a Choice: Picking up the Baton of Athlete Activism</em></a><em> </em>(Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world.</p><p>In <em>It Was Always A Choice, </em>Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick’s kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement.</p><p>The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen’s case – they later stood up against the more radical protests of the 1960s.</p><p>Steele was influenced by Kaepernick’s protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick’s protest. He also notes early flag protests such as Eroseanna “Rose” Robinson’s refusal to stand for the US National Anthem during the 1959 Pan America Games.</p><p>His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick’s protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream’s players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate.</p><p><em>It Was Always A Choice </em>raises interesting questions about the nature of athlete protests. Steele’s chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them.</p><p>Steele’s work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport.</p><p><a href="https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/mhpir/staff/staff/dr_keith_rathbone/"><em>Keith Rathbone</em></a><em> is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 12 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Today we are joined by the sports journalist David Steele, who has written for the <em>Sporting News, </em>AOL, the <em>Baltimore Sun </em>and the <em>San Francisco Chronicle</em>, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of <a href="https://bookshop.org/a/12343/9781439921739"><em>It Was Always a Choice: Picking up the Baton of Athlete Activism</em></a><em> </em>(Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world.</p><p>In <em>It Was Always A Choice, </em>Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick’s kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement.</p><p>The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen’s case – they later stood up against the more radical protests of the 1960s.</p><p>Steele was influenced by Kaepernick’s protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick’s protest. He also notes early flag protests such as Eroseanna “Rose” Robinson’s refusal to stand for the US National Anthem during the 1959 Pan America Games.</p><p>His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick’s protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream’s players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate.</p><p><em>It Was Always A Choice </em>raises interesting questions about the nature of athlete protests. Steele’s chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them.</p><p>Steele’s work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport.</p><p><a href="https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/mhpir/staff/staff/dr_keith_rathbone/"><em>Keith Rathbone</em></a><em> is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="62815097" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/48aa53bb-dad9-4845-aaee-8acf68329306/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=48aa53bb-dad9-4845-aaee-8acf68329306&amp;feed=KodC6fj_"/>
      <itunes:title>David Steele, &quot;It Was Always a Choice: Picking Up the Baton of Athlete Activism&quot; (Temple UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:25</itunes:duration>
      <itunes:summary>Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world.
In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick’s kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement.
The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen’s case – they later stood up against the more radical protests of the 1960s.
Steele was influenced by Kaepernick’s protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick’s protest. He also notes early flag protests such as Eroseanna “Rose” Robinson’s refusal to stand for the US National Anthem during the 1959 Pan America Games.
His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick’s protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream’s players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate.
It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele’s chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them.
Steele’s work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world.
In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick’s kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement.
The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen’s case – they later stood up against the more radical protests of the 1960s.
Steele was influenced by Kaepernick’s protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick’s protest. He also notes early flag protests such as Eroseanna “Rose” Robinson’s refusal to stand for the US National Anthem during the 1959 Pan America Games.
His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick’s protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream’s players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate.
It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele’s chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them.
Steele’s work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7e4b6f94-943a-11ee-8d89-8bbb133638dc</guid>
      <title>Genealogies of Modernity Episode 3: What Is Genealogy</title>
      <description><![CDATA[<p>Genealogy, in Charles Darwin’s terms, is the study of “descent with modification.” Taken as an analogy for the study of history, genealogy can guard against the potential dangers of claiming modernity. Against the effort to erase the past, genealogy asserts that our ancestry will always be with us. Against the effort to master the past, genealogy reminds us that our descendants have the freedom to create new futures. Sociologist Alondra Nelson tells the story of how African Americans have used DNA-informed genealogy to recover African identity despite slavery’s erasure of family history. Genealogical thinking can help us shape a disposition to the past that recognizes the legacy of injustice while also fostering human flourishing in the future.</p><p><br /></p><p><strong>Researcher, writer, and episode producer:</strong> <a href="https://genealogiesofmodernity.org/people">Ryan McDermott</a>, Associate Professor of English, University of Pittsburgh; Senior Research Fellow, Beatrice Institute</p><p><br /></p><p><strong>Featured Scholars: </strong></p><p><a href="http://www.alondranelson.com">Alondra Nelson</a>, Harold F. Linder Professor of Social Science, Institute for Advanced Study</p><p><a href="https://www.english.pitt.edu/people/caro-pirri">Caro Pirri</a>, Assistant Professor of English, University of Pittsburgh</p><p><a href="https://scholar.harvard.edu/puett">Michael Puett</a>, Professor of Chinese History and Anthropology, Harvard University</p><p><br /></p><p><strong>Special thanks to: </strong>Eduard Fiedler, Christopher Firestone, Thomas A. Lewis, Thomalind Martin Polite, Sara Trevisan</p><p>For transcript, teaching aids, and other resources, click <a href="https://genealogiesofmodernity.org/season-ii">here</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 7 Dec 2023 11:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Genealogy, in Charles Darwin’s terms, is the study of “descent with modification.” Taken as an analogy for the study of history, genealogy can guard against the potential dangers of claiming modernity. Against the effort to erase the past, genealogy asserts that our ancestry will always be with us. Against the effort to master the past, genealogy reminds us that our descendants have the freedom to create new futures. Sociologist Alondra Nelson tells the story of how African Americans have used DNA-informed genealogy to recover African identity despite slavery’s erasure of family history. Genealogical thinking can help us shape a disposition to the past that recognizes the legacy of injustice while also fostering human flourishing in the future.</p><p><br /></p><p><strong>Researcher, writer, and episode producer:</strong> <a href="https://genealogiesofmodernity.org/people">Ryan McDermott</a>, Associate Professor of English, University of Pittsburgh; Senior Research Fellow, Beatrice Institute</p><p><br /></p><p><strong>Featured Scholars: </strong></p><p><a href="http://www.alondranelson.com">Alondra Nelson</a>, Harold F. Linder Professor of Social Science, Institute for Advanced Study</p><p><a href="https://www.english.pitt.edu/people/caro-pirri">Caro Pirri</a>, Assistant Professor of English, University of Pittsburgh</p><p><a href="https://scholar.harvard.edu/puett">Michael Puett</a>, Professor of Chinese History and Anthropology, Harvard University</p><p><br /></p><p><strong>Special thanks to: </strong>Eduard Fiedler, Christopher Firestone, Thomas A. Lewis, Thomalind Martin Polite, Sara Trevisan</p><p>For transcript, teaching aids, and other resources, click <a href="https://genealogiesofmodernity.org/season-ii">here</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="43977256" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/47214561-ed18-49c7-b83a-f0ef6e9b33d1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=47214561-ed18-49c7-b83a-f0ef6e9b33d1&amp;feed=KodC6fj_"/>
      <itunes:title>Genealogies of Modernity Episode 3: What Is Genealogy</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/47214561-ed18-49c7-b83a-f0ef6e9b33d1/3000x3000/2f2cfd.png?aid=rss_feed"/>
      <itunes:duration>00:45:48</itunes:duration>
      <itunes:summary>Genealogy, in Charles Darwin’s terms, is the study of “descent with modification.” Taken as an analogy for the study of history, genealogy can guard against the potential dangers of claiming modernity. Against the effort to erase the past, genealogy asserts that our ancestry will always be with us. Against the effort to master the past, genealogy reminds us that our descendants have the freedom to create new futures. Sociologist Alondra Nelson tells the story of how African Americans have used DNA-informed genealogy to recover African identity despite slavery’s erasure of family history. Genealogical thinking can help us shape a disposition to the past that recognizes the legacy of injustice while also fostering human flourishing in the future.

Researcher, writer, and episode producer: Ryan McDermott, Associate Professor of English, University of Pittsburgh; Senior Research Fellow, Beatrice Institute

Featured Scholars: 
Alondra Nelson, Harold F. Linder Professor of Social Science, Institute for Advanced Study
Caro Pirri, Assistant Professor of English, University of Pittsburgh
Michael Puett, Professor of Chinese History and Anthropology, Harvard University

Special thanks to: Eduard Fiedler, Christopher Firestone, Thomas A. Lewis, Thomalind Martin Polite, Sara Trevisan
For transcript, teaching aids, and other resources, click here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Genealogy, in Charles Darwin’s terms, is the study of “descent with modification.” Taken as an analogy for the study of history, genealogy can guard against the potential dangers of claiming modernity. Against the effort to erase the past, genealogy asserts that our ancestry will always be with us. Against the effort to master the past, genealogy reminds us that our descendants have the freedom to create new futures. Sociologist Alondra Nelson tells the story of how African Americans have used DNA-informed genealogy to recover African identity despite slavery’s erasure of family history. Genealogical thinking can help us shape a disposition to the past that recognizes the legacy of injustice while also fostering human flourishing in the future.

Researcher, writer, and episode producer: Ryan McDermott, Associate Professor of English, University of Pittsburgh; Senior Research Fellow, Beatrice Institute

Featured Scholars: 
Alondra Nelson, Harold F. Linder Professor of Social Science, Institute for Advanced Study
Caro Pirri, Assistant Professor of English, University of Pittsburgh
Michael Puett, Professor of Chinese History and Anthropology, Harvard University

Special thanks to: Eduard Fiedler, Christopher Firestone, Thomas A. Lewis, Thomalind Martin Polite, Sara Trevisan
For transcript, teaching aids, and other resources, click here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5a71df18-7595-11ee-83f4-2375f1db0aba</guid>
      <title>Hidden No More: A Conversation with Space Suit Technician Sharon McDougle</title>
      <description><![CDATA[<p>Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.</p><p>Our guest is: <a href="https://www.sharoncaplesmcdougle.com/">Sharon Caples McDougle</a>, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of <em>Suit Up for Launch with Shay</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li>
<em>Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race</em>, by Margot Lee Shetterly</li>
<li>
<em>The 100 Year Starship, </em>by Mae Jemison and Dana Meachen Rau</li>
<li>
<em>Suit Up for Launch with Shay</em>, by Sharon Caples McDougle</li>
<li><a href="https://www.nasa.gov/">NASA.gov</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 7 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.</p><p>Our guest is: <a href="https://www.sharoncaplesmcdougle.com/">Sharon Caples McDougle</a>, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of <em>Suit Up for Launch with Shay</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li>
<em>Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race</em>, by Margot Lee Shetterly</li>
<li>
<em>The 100 Year Starship, </em>by Mae Jemison and Dana Meachen Rau</li>
<li>
<em>Suit Up for Launch with Shay</em>, by Sharon Caples McDougle</li>
<li><a href="https://www.nasa.gov/">NASA.gov</a></li>
</ul><p><br /></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42387160" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c2dadf54-f389-4571-9b09-ee0b16d479dc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c2dadf54-f389-4571-9b09-ee0b16d479dc&amp;feed=KodC6fj_"/>
      <itunes:title>Hidden No More: A Conversation with Space Suit Technician Sharon McDougle</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:09</itunes:duration>
      <itunes:summary>Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.
Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay.
Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:


Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly


The 100 Year Starship, by Mae Jemison and Dana Meachen Rau


Suit Up for Launch with Shay, by Sharon Caples McDougle

NASA.gov


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.
Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay.
Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:


Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly


The 100 Year Starship, by Mae Jemison and Dana Meachen Rau


Suit Up for Launch with Shay, by Sharon Caples McDougle

NASA.gov


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">94a7842c-9204-11ee-8254-6fcdd777abb3</guid>
      <title>Monica Huerta, &quot;The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism&quot; (NYU Press, 2023)</title>
      <description><![CDATA[<p>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. <a href="https://bookshop.org/a/12343/9781479812424"><em>The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism</em></a><em> </em>(NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.</p><p>The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.</p><p><em>The Unintended</em> proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 4 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. <a href="https://bookshop.org/a/12343/9781479812424"><em>The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism</em></a><em> </em>(NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.</p><p>The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.</p><p><em>The Unintended</em> proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="71244999" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3b851b29-5a17-4369-9c11-0a80032ed07e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3b851b29-5a17-4369-9c11-0a80032ed07e&amp;feed=KodC6fj_"/>
      <itunes:title>Monica Huerta, &quot;The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism&quot; (NYU Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:14:12</itunes:duration>
      <itunes:summary>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.
The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.
The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.
The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.
The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>358</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">547ef7c8-8c68-11ee-a368-4fe1d55ad9d1</guid>
      <title>Ramsey Lewis and Aaron Cohen, &quot;Gentleman of Jazz: A Life in Music&quot; (Blackstone, 2023)</title>
      <description><![CDATA[<p>This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio.</p><p>This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance.</p><p><a href="https://bookshop.org/a/12343/9798200951727"><em>Gentleman of Jazz: A Life in Music</em></a> (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene.</p><p>Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&amp;B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago.</p><p>Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of <em>Aretha Franklin's "Amazing Grace"</em> and <em>Move on Up: Chicago Soul Music and Black Cultural Power</em>.</p><p>Aaron Cohen on <a href="https://twitter.com/aaroncohenwords">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 4 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio.</p><p>This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance.</p><p><a href="https://bookshop.org/a/12343/9798200951727"><em>Gentleman of Jazz: A Life in Music</em></a> (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene.</p><p>Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&amp;B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago.</p><p>Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of <em>Aretha Franklin's "Amazing Grace"</em> and <em>Move on Up: Chicago Soul Music and Black Cultural Power</em>.</p><p>Aaron Cohen on <a href="https://twitter.com/aaroncohenwords">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47667740" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/589ee3c7-3526-45e0-87af-42c82ffc8838/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=589ee3c7-3526-45e0-87af-42c82ffc8838&amp;feed=KodC6fj_"/>
      <itunes:title>Ramsey Lewis and Aaron Cohen, &quot;Gentleman of Jazz: A Life in Music&quot; (Blackstone, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:39</itunes:duration>
      <itunes:summary>This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago&apos;s Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents&apos; church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the &apos;50s, to eventually establishing the Ramsey Lewis Trio.
This memoir provides an evocative tour of Lewis&apos;s life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance.
Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene.
Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&amp;B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago.
Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin&apos;s &quot;Amazing Grace&quot; and Move on Up: Chicago Soul Music and Black Cultural Power.
Aaron Cohen on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2&apos;s The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago&apos;s Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents&apos; church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the &apos;50s, to eventually establishing the Ramsey Lewis Trio.
This memoir provides an evocative tour of Lewis&apos;s life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance.
Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene.
Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&amp;B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago.
Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin&apos;s &quot;Amazing Grace&quot; and Move on Up: Chicago Soul Music and Black Cultural Power.
Aaron Cohen on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2&apos;s The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7d262f70-9122-11ee-8e7c-93c024efd3f1</guid>
      <title>Barbara D. Savage, &quot;Merze Tate: The Global Odyssey of a Black Woman Scholar&quot; (Yale UP, 2023)</title>
      <description><![CDATA[<p>Born in rural Michigan during the Jim Crow era, the bold and irrepressible Merze Tate (1905–1996) refused to limit her intellectual ambitions, despite living in what she called a “sex and race discriminating world.” Against all odds, the brilliant and hardworking Tate earned degrees in international relations from Oxford University in 1935 and a doctorate in government from Harvard in 1941. She then joined the faculty of Howard University, where she taught for three decades of her long life spanning the tumultuous twentieth century.</p><p><a href="https://bookshop.org/a/12343/9780300270273"><em>Merze Tate: The Global Odyssey of a Black Woman Scholar</em></a><em> </em>(Yale UP, 2023) revives and critiques Tate’s prolific and prescient body of scholarship, with topics ranging from nuclear arms limitations to race and imperialism in India, Asia, the Pacific, and Africa. Tate credited her success to other women, Black and white, who helped her realize her dream of becoming a scholar. Her quest for research and adventure took her around the world twice, traveling solo with her cameras.</p><p>Barbara Savage’s skilled rendering of Tate’s story is built on more than a decade of research. Tate’s life and work challenge provincial approaches to African American and American history, women’s history, the history of education, diplomatic history, and international thought.</p><p><em>Omari Averette-Phillips is a History educator based in Southern California. He can be reached at omariaverette@gmail.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 3 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Born in rural Michigan during the Jim Crow era, the bold and irrepressible Merze Tate (1905–1996) refused to limit her intellectual ambitions, despite living in what she called a “sex and race discriminating world.” Against all odds, the brilliant and hardworking Tate earned degrees in international relations from Oxford University in 1935 and a doctorate in government from Harvard in 1941. She then joined the faculty of Howard University, where she taught for three decades of her long life spanning the tumultuous twentieth century.</p><p><a href="https://bookshop.org/a/12343/9780300270273"><em>Merze Tate: The Global Odyssey of a Black Woman Scholar</em></a><em> </em>(Yale UP, 2023) revives and critiques Tate’s prolific and prescient body of scholarship, with topics ranging from nuclear arms limitations to race and imperialism in India, Asia, the Pacific, and Africa. Tate credited her success to other women, Black and white, who helped her realize her dream of becoming a scholar. Her quest for research and adventure took her around the world twice, traveling solo with her cameras.</p><p>Barbara Savage’s skilled rendering of Tate’s story is built on more than a decade of research. Tate’s life and work challenge provincial approaches to African American and American history, women’s history, the history of education, diplomatic history, and international thought.</p><p><em>Omari Averette-Phillips is a History educator based in Southern California. He can be reached at omariaverette@gmail.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="33660106" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/78d691fe-ae8f-4465-81fc-962c58f77a88/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=78d691fe-ae8f-4465-81fc-962c58f77a88&amp;feed=KodC6fj_"/>
      <itunes:title>Barbara D. Savage, &quot;Merze Tate: The Global Odyssey of a Black Woman Scholar&quot; (Yale UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:35:03</itunes:duration>
      <itunes:summary>Born in rural Michigan during the Jim Crow era, the bold and irrepressible Merze Tate (1905–1996) refused to limit her intellectual ambitions, despite living in what she called a “sex and race discriminating world.” Against all odds, the brilliant and hardworking Tate earned degrees in international relations from Oxford University in 1935 and a doctorate in government from Harvard in 1941. She then joined the faculty of Howard University, where she taught for three decades of her long life spanning the tumultuous twentieth century.
Merze Tate: The Global Odyssey of a Black Woman Scholar (Yale UP, 2023) revives and critiques Tate’s prolific and prescient body of scholarship, with topics ranging from nuclear arms limitations to race and imperialism in India, Asia, the Pacific, and Africa. Tate credited her success to other women, Black and white, who helped her realize her dream of becoming a scholar. Her quest for research and adventure took her around the world twice, traveling solo with her cameras.
Barbara Savage’s skilled rendering of Tate’s story is built on more than a decade of research. Tate’s life and work challenge provincial approaches to African American and American history, women’s history, the history of education, diplomatic history, and international thought.
Omari Averette-Phillips is a History educator based in Southern California. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Born in rural Michigan during the Jim Crow era, the bold and irrepressible Merze Tate (1905–1996) refused to limit her intellectual ambitions, despite living in what she called a “sex and race discriminating world.” Against all odds, the brilliant and hardworking Tate earned degrees in international relations from Oxford University in 1935 and a doctorate in government from Harvard in 1941. She then joined the faculty of Howard University, where she taught for three decades of her long life spanning the tumultuous twentieth century.
Merze Tate: The Global Odyssey of a Black Woman Scholar (Yale UP, 2023) revives and critiques Tate’s prolific and prescient body of scholarship, with topics ranging from nuclear arms limitations to race and imperialism in India, Asia, the Pacific, and Africa. Tate credited her success to other women, Black and white, who helped her realize her dream of becoming a scholar. Her quest for research and adventure took her around the world twice, traveling solo with her cameras.
Barbara Savage’s skilled rendering of Tate’s story is built on more than a decade of research. Tate’s life and work challenge provincial approaches to African American and American history, women’s history, the history of education, diplomatic history, and international thought.
Omari Averette-Phillips is a History educator based in Southern California. He can be reached at omariaverette@gmail.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>429</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">adc9005a-9094-11ee-a95f-ef0eb93fb548</guid>
      <title>Chhaya Kolavalli, &quot;Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City&quot; (U Georgia Press, 2023)</title>
      <description><![CDATA[<p>Chhaya Kolavalli's book <a href="https://bookshop.org/a/12343/9780820364094"><em>Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City</em></a> (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.</p><p>Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.</p><p><em>Well-Intentioned Whiteness</em> shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 2 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Chhaya Kolavalli's book <a href="https://bookshop.org/a/12343/9780820364094"><em>Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City</em></a> (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.</p><p>Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.</p><p><em>Well-Intentioned Whiteness</em> shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="28314055" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0462b87d-33e6-4163-9fba-1e8bb11e2fce/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0462b87d-33e6-4163-9fba-1e8bb11e2fce&amp;feed=KodC6fj_"/>
      <itunes:title>Chhaya Kolavalli, &quot;Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City&quot; (U Georgia Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:29:29</itunes:duration>
      <itunes:summary>Chhaya Kolavalli&apos;s book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city&apos;s approach to green urbanism--are conceived and implemented and how they are perceived by residents of &quot;food deserts,&quot; those intended to benefit from these projects.
Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.
Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban &quot;problems,&quot; ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Chhaya Kolavalli&apos;s book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city&apos;s approach to green urbanism--are conceived and implemented and how they are perceived by residents of &quot;food deserts,&quot; those intended to benefit from these projects.
Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.
Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban &quot;problems,&quot; ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9309d33c-8d71-11ee-b0f9-c7bef36c0705</guid>
      <title>Rachel Stephens, &quot;Hidden in Plain Sight: Concealing Enslavement in American Visual Culture&quot; (U Arkansas Press, 2023)</title>
      <description><![CDATA[<p>In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life.</p><p>In <a href="https://bookshop.org/a/12343/9781682262337"><em>Hidden in Plain Sight: Concealing Enslavement in American Visual Culture</em></a><em> </em>(University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives.</p><p>Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery,<em> Hidden in Plain Sight</em> complicates the existing narratives of American art and history.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 1 Dec 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life.</p><p>In <a href="https://bookshop.org/a/12343/9781682262337"><em>Hidden in Plain Sight: Concealing Enslavement in American Visual Culture</em></a><em> </em>(University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives.</p><p>Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery,<em> Hidden in Plain Sight</em> complicates the existing narratives of American art and history.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49629187" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/35fac314-8dc9-48a3-88cf-2b567c4de599/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=35fac314-8dc9-48a3-88cf-2b567c4de599&amp;feed=KodC6fj_"/>
      <itunes:title>Rachel Stephens, &quot;Hidden in Plain Sight: Concealing Enslavement in American Visual Culture&quot; (U Arkansas Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:41</itunes:duration>
      <itunes:summary>In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life.
In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives.
Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life.
In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives.
Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">79975aa0-8e34-11ee-90f3-f73505d62f8a</guid>
      <title>Russ Castronovo, &quot;American Insecurity and the Origins of Vulnerability&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.</p><p>For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. <a href="https://bookshop.org/a/12343/9780691249841"><em>American Insecurity and the Origins of Vulnerability</em></a> (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. </p><p>Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. </p><p>Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, <em>American Insecurity and the Origins of Vulnerability</em> sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 30 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.</p><p>For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. <a href="https://bookshop.org/a/12343/9780691249841"><em>American Insecurity and the Origins of Vulnerability</em></a> (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. </p><p>Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. </p><p>Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, <em>American Insecurity and the Origins of Vulnerability</em> sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="71799350" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/743f8d2a-f130-475d-9404-95839ca3049e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=743f8d2a-f130-475d-9404-95839ca3049e&amp;feed=KodC6fj_"/>
      <itunes:title>Russ Castronovo, &quot;American Insecurity and the Origins of Vulnerability&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:14:47</itunes:duration>
      <itunes:summary>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.
For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. 
Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. 
Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.
For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. 
Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. 
Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bd15954a-8c8f-11ee-b670-23b056740f50</guid>
      <title>Salim Yaqub, &quot;Winds of Hope, Storms of Discord: The United States since 1945&quot; (Cambridge UP, 2022)</title>
      <description><![CDATA[<p>Salim Yaqub's <a href="https://bookshop.org/a/12343/9781108721882"><em>Winds of Hope, Storms of Discord: The United States since 1945</em></a> (Cambridge UP, 2022) explores how Americans from all walks of life – political leaders, businesspeople, public intellectuals, workers, students, activists, migrants, and others – struggled to define the nation's political, economic, geopolitical, demographic, and social character. It chronicles the nation's ceaseless ferment, from the rocky conversion to peacetime in the early aftermath of World War II; to the frightening emergence of the Cold War and repeated US military adventures abroad; to the struggles of African Americans and other minorities to claim a share of the American Dream; to the striking transformations in social attitudes catalyzed by the women's movement and struggles for gay and lesbian liberation; to the dynamic force of political, economic, and social conservatism. Carrying the story to the spring of 2022, Winds of Hope also shows how dizzying technological changes at times threatened to upend the nation's civic and political life.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 28 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Salim Yaqub's <a href="https://bookshop.org/a/12343/9781108721882"><em>Winds of Hope, Storms of Discord: The United States since 1945</em></a> (Cambridge UP, 2022) explores how Americans from all walks of life – political leaders, businesspeople, public intellectuals, workers, students, activists, migrants, and others – struggled to define the nation's political, economic, geopolitical, demographic, and social character. It chronicles the nation's ceaseless ferment, from the rocky conversion to peacetime in the early aftermath of World War II; to the frightening emergence of the Cold War and repeated US military adventures abroad; to the struggles of African Americans and other minorities to claim a share of the American Dream; to the striking transformations in social attitudes catalyzed by the women's movement and struggles for gay and lesbian liberation; to the dynamic force of political, economic, and social conservatism. Carrying the story to the spring of 2022, Winds of Hope also shows how dizzying technological changes at times threatened to upend the nation's civic and political life.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60193396" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7d2a8473-3771-493f-a3c3-8dc1a5f2fbf5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7d2a8473-3771-493f-a3c3-8dc1a5f2fbf5&amp;feed=KodC6fj_"/>
      <itunes:title>Salim Yaqub, &quot;Winds of Hope, Storms of Discord: The United States since 1945&quot; (Cambridge UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:41</itunes:duration>
      <itunes:summary>Salim Yaqub&apos;s Winds of Hope, Storms of Discord: The United States since 1945 (Cambridge UP, 2022) explores how Americans from all walks of life – political leaders, businesspeople, public intellectuals, workers, students, activists, migrants, and others – struggled to define the nation&apos;s political, economic, geopolitical, demographic, and social character. It chronicles the nation&apos;s ceaseless ferment, from the rocky conversion to peacetime in the early aftermath of World War II; to the frightening emergence of the Cold War and repeated US military adventures abroad; to the struggles of African Americans and other minorities to claim a share of the American Dream; to the striking transformations in social attitudes catalyzed by the women&apos;s movement and struggles for gay and lesbian liberation; to the dynamic force of political, economic, and social conservatism. Carrying the story to the spring of 2022, Winds of Hope also shows how dizzying technological changes at times threatened to upend the nation&apos;s civic and political life.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Salim Yaqub&apos;s Winds of Hope, Storms of Discord: The United States since 1945 (Cambridge UP, 2022) explores how Americans from all walks of life – political leaders, businesspeople, public intellectuals, workers, students, activists, migrants, and others – struggled to define the nation&apos;s political, economic, geopolitical, demographic, and social character. It chronicles the nation&apos;s ceaseless ferment, from the rocky conversion to peacetime in the early aftermath of World War II; to the frightening emergence of the Cold War and repeated US military adventures abroad; to the struggles of African Americans and other minorities to claim a share of the American Dream; to the striking transformations in social attitudes catalyzed by the women&apos;s movement and struggles for gay and lesbian liberation; to the dynamic force of political, economic, and social conservatism. Carrying the story to the spring of 2022, Winds of Hope also shows how dizzying technological changes at times threatened to upend the nation&apos;s civic and political life.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ab33fe26-8973-11ee-8ab7-87f8e751e999</guid>
      <title>Edward L. Ayers, &quot;American Visions: The United States, 1800-1860&quot; (Norton, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780393881264"><em>American Visions: The United States, 1800-1860</em></a> (Norton, 2023) is a revealing history of the formative period when voices of dissent and innovation defied power and created visions of America still resonant today. </p><p>With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. </p><p>Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?" Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 25 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780393881264"><em>American Visions: The United States, 1800-1860</em></a> (Norton, 2023) is a revealing history of the formative period when voices of dissent and innovation defied power and created visions of America still resonant today. </p><p>With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. </p><p>Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?" Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64895408" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/2d30415e-f2bb-4488-8ac6-8c24ed092210/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=2d30415e-f2bb-4488-8ac6-8c24ed092210&amp;feed=KodC6fj_"/>
      <itunes:title>Edward L. Ayers, &quot;American Visions: The United States, 1800-1860&quot; (Norton, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:35</itunes:duration>
      <itunes:summary>American Visions: The United States, 1800-1860 (Norton, 2023) is a revealing history of the formative period when voices of dissent and innovation defied power and created visions of America still resonant today. 
With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. 
Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd &quot;Is it not possible that an individual may be right and a government wrong?&quot; Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>American Visions: The United States, 1800-1860 (Norton, 2023) is a revealing history of the formative period when voices of dissent and innovation defied power and created visions of America still resonant today. 
With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. 
Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd &quot;Is it not possible that an individual may be right and a government wrong?&quot; Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fe12937a-8886-11ee-9182-fb553c490dcd</guid>
      <title>Ian Smith, &quot;Black Shakespeare: Reading and Misreading Race&quot; (Cambridge UP, 2022)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781009224086"><em>Black Shakespeare: Reading and Misreading Race </em></a>(Cambridge University Press, 2022), Ian Smith urges readers of <em>Othello</em>, <em>The Merchant of Venice</em>, and <em>Hamlet</em> to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, <em>Black Shakespeare</em> is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).</p><p>Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, <em>Race and Rhetoric in the Renaissance: Barbarian Errors</em> (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 24 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781009224086"><em>Black Shakespeare: Reading and Misreading Race </em></a>(Cambridge University Press, 2022), Ian Smith urges readers of <em>Othello</em>, <em>The Merchant of Venice</em>, and <em>Hamlet</em> to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, <em>Black Shakespeare</em> is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).</p><p>Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, <em>Race and Rhetoric in the Renaissance: Barbarian Errors</em> (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="67777348" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0f31e11d-23dc-4109-9984-43e5a51d06a2/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0f31e11d-23dc-4109-9984-43e5a51d06a2&amp;feed=KodC6fj_"/>
      <itunes:title>Ian Smith, &quot;Black Shakespeare: Reading and Misreading Race&quot; (Cambridge UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:10:35</itunes:duration>
      <itunes:summary>In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare&apos;s The Tempest, Aphra Behn&apos;s Oroonoko, and John Milton&apos;s Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare&apos;s The Tempest, Aphra Behn&apos;s Oroonoko, and John Milton&apos;s Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">86a95c98-895c-11ee-89a8-d7248755bc4d</guid>
      <title>Mia Mask, &quot;Black Rodeo: A History of the African American Western&quot; (U Illinois Press, 2023)</title>
      <description><![CDATA[<p>Did you know Sidney Poitier was a western icon? In a genre best known for John Wayne and Clint Eastwood, African American actors and directors have played an important role in both shaping, and subverting, Hollywood westerns. In <a href="https://bookshop.org/a/12343/9780252044878"><em>Black Rodeo: A History of the African American Western</em></a> (U Illinois Press, 2023), Vassar College film professor Mia Mask unravels the history of Black westerns dating back to 1910s and 1920s rodeo films, all the way through modern iterations such as <em>Django Unchained </em>(2012). Mask explains the eras in film history that changed the genre, including the infusion of pro athletes into Hollywood in the 1940s, New Hollywood in the 1960s, and the rise of Blaxploitation in the 1970s. Through this history, Mask explains how African Americans were central to the development and lasting appeal of westerns as a global film genre, and how genre conventions from westerns are in the very DNA of American popular culture today.</p><p><em>﻿</em><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 24 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Did you know Sidney Poitier was a western icon? In a genre best known for John Wayne and Clint Eastwood, African American actors and directors have played an important role in both shaping, and subverting, Hollywood westerns. In <a href="https://bookshop.org/a/12343/9780252044878"><em>Black Rodeo: A History of the African American Western</em></a> (U Illinois Press, 2023), Vassar College film professor Mia Mask unravels the history of Black westerns dating back to 1910s and 1920s rodeo films, all the way through modern iterations such as <em>Django Unchained </em>(2012). Mask explains the eras in film history that changed the genre, including the infusion of pro athletes into Hollywood in the 1940s, New Hollywood in the 1960s, and the rise of Blaxploitation in the 1970s. Through this history, Mask explains how African Americans were central to the development and lasting appeal of westerns as a global film genre, and how genre conventions from westerns are in the very DNA of American popular culture today.</p><p><em>﻿</em><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51133082" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9237627f-7871-4fa0-b7b0-07f9d1dde519/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9237627f-7871-4fa0-b7b0-07f9d1dde519&amp;feed=KodC6fj_"/>
      <itunes:title>Mia Mask, &quot;Black Rodeo: A History of the African American Western&quot; (U Illinois Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:15</itunes:duration>
      <itunes:summary>Did you know Sidney Poitier was a western icon? In a genre best known for John Wayne and Clint Eastwood, African American actors and directors have played an important role in both shaping, and subverting, Hollywood westerns. In Black Rodeo: A History of the African American Western (U Illinois Press, 2023), Vassar College film professor Mia Mask unravels the history of Black westerns dating back to 1910s and 1920s rodeo films, all the way through modern iterations such as Django Unchained (2012). Mask explains the eras in film history that changed the genre, including the infusion of pro athletes into Hollywood in the 1940s, New Hollywood in the 1960s, and the rise of Blaxploitation in the 1970s. Through this history, Mask explains how African Americans were central to the development and lasting appeal of westerns as a global film genre, and how genre conventions from westerns are in the very DNA of American popular culture today.
﻿Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Did you know Sidney Poitier was a western icon? In a genre best known for John Wayne and Clint Eastwood, African American actors and directors have played an important role in both shaping, and subverting, Hollywood westerns. In Black Rodeo: A History of the African American Western (U Illinois Press, 2023), Vassar College film professor Mia Mask unravels the history of Black westerns dating back to 1910s and 1920s rodeo films, all the way through modern iterations such as Django Unchained (2012). Mask explains the eras in film history that changed the genre, including the infusion of pro athletes into Hollywood in the 1940s, New Hollywood in the 1960s, and the rise of Blaxploitation in the 1970s. Through this history, Mask explains how African Americans were central to the development and lasting appeal of westerns as a global film genre, and how genre conventions from westerns are in the very DNA of American popular culture today.
﻿Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a7d341a8-88b3-11ee-a7d3-4f08e31def6e</guid>
      <title>Robin Phylisia Chapdelaine et al., &quot;When Will the Joy Come?: Black Women in the Ivory Tower&quot; (U Massachusetts Press, 2023)</title>
      <description><![CDATA[<p>How do Black women in higher education create, experience, and understand joy? What sustains them? While scholars have long documented sexism, racism, and classism in the academy, one topic has been conspicuously absent from the literature--how Black women academics have found joy in the midst of adversity. Moving beyond questions of resilience, labor for others, and coping, Robin Phylisia Chapdelaine, Abena Ampofoa Asare, and Michelle Dionne Thompson's book <a href="https://bookshop.org/a/12343/9781625347367"><em>When Will the Joy Come?: Black Women in the Ivory Tower</em></a> (U Massachusetts Press, 2023) focuses on the journeys of over thirty Black women at various stages of their careers.</p><p>Joy is a mixture of well-being, pleasure, alignment, and purpose that can be elusive for Black women scholars. With racial reckoning and a global pandemic as context, this volume brings together honest and vital essays that ponder how Black women balance fatigue and frustrations in the halls of the ivory tower, and explore where, when, and if joy enters their lives. By carefully contemplating the emotional, physical, and material consequences of their labor, this collection demonstrates that joy is a tactical and strategic component of Black women's struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 23 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How do Black women in higher education create, experience, and understand joy? What sustains them? While scholars have long documented sexism, racism, and classism in the academy, one topic has been conspicuously absent from the literature--how Black women academics have found joy in the midst of adversity. Moving beyond questions of resilience, labor for others, and coping, Robin Phylisia Chapdelaine, Abena Ampofoa Asare, and Michelle Dionne Thompson's book <a href="https://bookshop.org/a/12343/9781625347367"><em>When Will the Joy Come?: Black Women in the Ivory Tower</em></a> (U Massachusetts Press, 2023) focuses on the journeys of over thirty Black women at various stages of their careers.</p><p>Joy is a mixture of well-being, pleasure, alignment, and purpose that can be elusive for Black women scholars. With racial reckoning and a global pandemic as context, this volume brings together honest and vital essays that ponder how Black women balance fatigue and frustrations in the halls of the ivory tower, and explore where, when, and if joy enters their lives. By carefully contemplating the emotional, physical, and material consequences of their labor, this collection demonstrates that joy is a tactical and strategic component of Black women's struggle.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="39635879" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/0e6462b1-4824-4753-8d9d-05642b1077b8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=0e6462b1-4824-4753-8d9d-05642b1077b8&amp;feed=KodC6fj_"/>
      <itunes:title>Robin Phylisia Chapdelaine et al., &quot;When Will the Joy Come?: Black Women in the Ivory Tower&quot; (U Massachusetts Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:17</itunes:duration>
      <itunes:summary>How do Black women in higher education create, experience, and understand joy? What sustains them? While scholars have long documented sexism, racism, and classism in the academy, one topic has been conspicuously absent from the literature--how Black women academics have found joy in the midst of adversity. Moving beyond questions of resilience, labor for others, and coping, Robin Phylisia Chapdelaine, Abena Ampofoa Asare, and Michelle Dionne Thompson&apos;s book When Will the Joy Come?: Black Women in the Ivory Tower (U Massachusetts Press, 2023) focuses on the journeys of over thirty Black women at various stages of their careers.
Joy is a mixture of well-being, pleasure, alignment, and purpose that can be elusive for Black women scholars. With racial reckoning and a global pandemic as context, this volume brings together honest and vital essays that ponder how Black women balance fatigue and frustrations in the halls of the ivory tower, and explore where, when, and if joy enters their lives. By carefully contemplating the emotional, physical, and material consequences of their labor, this collection demonstrates that joy is a tactical and strategic component of Black women&apos;s struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How do Black women in higher education create, experience, and understand joy? What sustains them? While scholars have long documented sexism, racism, and classism in the academy, one topic has been conspicuously absent from the literature--how Black women academics have found joy in the midst of adversity. Moving beyond questions of resilience, labor for others, and coping, Robin Phylisia Chapdelaine, Abena Ampofoa Asare, and Michelle Dionne Thompson&apos;s book When Will the Joy Come?: Black Women in the Ivory Tower (U Massachusetts Press, 2023) focuses on the journeys of over thirty Black women at various stages of their careers.
Joy is a mixture of well-being, pleasure, alignment, and purpose that can be elusive for Black women scholars. With racial reckoning and a global pandemic as context, this volume brings together honest and vital essays that ponder how Black women balance fatigue and frustrations in the halls of the ivory tower, and explore where, when, and if joy enters their lives. By carefully contemplating the emotional, physical, and material consequences of their labor, this collection demonstrates that joy is a tactical and strategic component of Black women&apos;s struggle.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3932ebac-8883-11ee-9cdd-0b353595168c</guid>
      <title>Biko Mandela Gray and Ryan J. Johnson, &quot;Phenomenology of Black Spirit&quot; (Edinburgh UP, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781399510974"><em>Phenomenology of Black Spirit</em></a> (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's <em>Phenomenology of Spirit</em> and Black Thought from Frederick Douglass to Angela Davis.</p><p>This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.</p><p>While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, <em>the whiteness, </em>both explicit and implicit, of<em> Hegelianism itself</em> is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.</p><p><em>﻿</em><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 22 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781399510974"><em>Phenomenology of Black Spirit</em></a> (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's <em>Phenomenology of Spirit</em> and Black Thought from Frederick Douglass to Angela Davis.</p><p>This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.</p><p>While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, <em>the whiteness, </em>both explicit and implicit, of<em> Hegelianism itself</em> is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.</p><p><em>﻿</em><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="51609980" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c9e111d3-d692-4b5b-becc-f1ded5e233a7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c9e111d3-d692-4b5b-becc-f1ded5e233a7&amp;feed=KodC6fj_"/>
      <itunes:title>Biko Mandela Gray and Ryan J. Johnson, &quot;Phenomenology of Black Spirit&quot; (Edinburgh UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:45</itunes:duration>
      <itunes:summary>In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel&apos;s Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis.
This staging of an elongated dialectical parallelism between Hegel&apos;s classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel&apos;s abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.
While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel&apos;s Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis.
This staging of an elongated dialectical parallelism between Hegel&apos;s classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel&apos;s abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.
While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>428</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">82b73bd8-825d-11ee-8bba-23c80b12c5a6</guid>
      <title>Lama Rod Owens, &quot;The New Saints: From Broken Hearts to Spiritual Warriors&quot; (Sounds True, 2023)</title>
      <description><![CDATA[<p>Lama Rod Owens is an author, activist, and authorized lama in the Karma Kagyu School of Tibetan Buddhism. In his new book,<a href="https://bookshop.org/a/12343/9781649630001"> <em>The New Saints: From Broken Hearts to Spiritual Warriors</em></a><em> </em>(Sounds True, 2023), he draws from the bodhisattva tradition to rethink the relationship between social liberation and ultimate freedom, putting forth the notion of the New Saint. In the process, he pulls from the wisdom of the Old Saints of Tibetan Buddhism and the legacy of Black liberation movements.</p><p>In <a href="https://tricycle.org/podcast/lama-rod-owens/">this episode of <em>Tricycle Talks</em></a>, <em>Tricycle</em>’s editor-in-chief, James Shaheen, sits down with Owens to discuss why he believes that the apocalypse is an opportunity for awakening, the power of connecting with our ancestors and unseen beings, why the New Saint is not necessarily a good person, and how fierceness can be a form of awakened care.</p><p><em>Tricycle Talks</em> is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes <a href="https://tricycle.org/podcast/">here</a>.</p><p><a href="https://tricycle.org/"><em>Tricycle: The Buddhist Review </em></a><em>provides a unique and independent public forum for exploring Buddhism, establishing a dialogue between Buddhism and the broader culture, and introducing Buddhist thinking to Western disciplines. This approach has enabled Tricycle to successfully attract readers from all walks of life, many of whom desire to enrich their lives through a deeper knowledge of Buddhist traditions.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 19 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Lama Rod Owens is an author, activist, and authorized lama in the Karma Kagyu School of Tibetan Buddhism. In his new book,<a href="https://bookshop.org/a/12343/9781649630001"> <em>The New Saints: From Broken Hearts to Spiritual Warriors</em></a><em> </em>(Sounds True, 2023), he draws from the bodhisattva tradition to rethink the relationship between social liberation and ultimate freedom, putting forth the notion of the New Saint. In the process, he pulls from the wisdom of the Old Saints of Tibetan Buddhism and the legacy of Black liberation movements.</p><p>In <a href="https://tricycle.org/podcast/lama-rod-owens/">this episode of <em>Tricycle Talks</em></a>, <em>Tricycle</em>’s editor-in-chief, James Shaheen, sits down with Owens to discuss why he believes that the apocalypse is an opportunity for awakening, the power of connecting with our ancestors and unseen beings, why the New Saint is not necessarily a good person, and how fierceness can be a form of awakened care.</p><p><em>Tricycle Talks</em> is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes <a href="https://tricycle.org/podcast/">here</a>.</p><p><a href="https://tricycle.org/"><em>Tricycle: The Buddhist Review </em></a><em>provides a unique and independent public forum for exploring Buddhism, establishing a dialogue between Buddhism and the broader culture, and introducing Buddhist thinking to Western disciplines. This approach has enabled Tricycle to successfully attract readers from all walks of life, many of whom desire to enrich their lives through a deeper knowledge of Buddhist traditions.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58452304" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a08f54ca-cfa8-44d2-94f9-39667b8e7064/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a08f54ca-cfa8-44d2-94f9-39667b8e7064&amp;feed=KodC6fj_"/>
      <itunes:title>Lama Rod Owens, &quot;The New Saints: From Broken Hearts to Spiritual Warriors&quot; (Sounds True, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:53</itunes:duration>
      <itunes:summary>Lama Rod Owens is an author, activist, and authorized lama in the Karma Kagyu School of Tibetan Buddhism. In his new book, The New Saints: From Broken Hearts to Spiritual Warriors (Sounds True, 2023), he draws from the bodhisattva tradition to rethink the relationship between social liberation and ultimate freedom, putting forth the notion of the New Saint. In the process, he pulls from the wisdom of the Old Saints of Tibetan Buddhism and the legacy of Black liberation movements.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Owens to discuss why he believes that the apocalypse is an opportunity for awakening, the power of connecting with our ancestors and unseen beings, why the New Saint is not necessarily a good person, and how fierceness can be a form of awakened care.
Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here.
Tricycle: The Buddhist Review provides a unique and independent public forum for exploring Buddhism, establishing a dialogue between Buddhism and the broader culture, and introducing Buddhist thinking to Western disciplines. This approach has enabled Tricycle to successfully attract readers from all walks of life, many of whom desire to enrich their lives through a deeper knowledge of Buddhist traditions.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Lama Rod Owens is an author, activist, and authorized lama in the Karma Kagyu School of Tibetan Buddhism. In his new book, The New Saints: From Broken Hearts to Spiritual Warriors (Sounds True, 2023), he draws from the bodhisattva tradition to rethink the relationship between social liberation and ultimate freedom, putting forth the notion of the New Saint. In the process, he pulls from the wisdom of the Old Saints of Tibetan Buddhism and the legacy of Black liberation movements.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Owens to discuss why he believes that the apocalypse is an opportunity for awakening, the power of connecting with our ancestors and unseen beings, why the New Saint is not necessarily a good person, and how fierceness can be a form of awakened care.
Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here.
Tricycle: The Buddhist Review provides a unique and independent public forum for exploring Buddhism, establishing a dialogue between Buddhism and the broader culture, and introducing Buddhist thinking to Western disciplines. This approach has enabled Tricycle to successfully attract readers from all walks of life, many of whom desire to enrich their lives through a deeper knowledge of Buddhist traditions.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cca70b14-84a7-11ee-bbb1-a3b916b1dbe8</guid>
      <title>Charisse Burden-Stelly, &quot;Black Scare/Red Scare: Theorizing Capitalist Racism in the United States&quot; (U Chicago Press, 2023)</title>
      <description><![CDATA[<p>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In <a href="https://bookshop.org/a/12343/9780226830155"><em>Black Scare / Red Scare: Theorizing Capitalist Racism in the United States</em></a><em> </em>(U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.</p><p>Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.</p><p><em>Black Scare / Red Scare</em> illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.</p><p><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 17 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In <a href="https://bookshop.org/a/12343/9780226830155"><em>Black Scare / Red Scare: Theorizing Capitalist Racism in the United States</em></a><em> </em>(U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.</p><p>Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.</p><p><em>Black Scare / Red Scare</em> illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.</p><p><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="47270511" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/c9627115-c16d-4072-8a9b-ef77de0c3edb/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=c9627115-c16d-4072-8a9b-ef77de0c3edb&amp;feed=KodC6fj_"/>
      <itunes:title>Charisse Burden-Stelly, &quot;Black Scare/Red Scare: Theorizing Capitalist Racism in the United States&quot; (U Chicago Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:49:14</itunes:duration>
      <itunes:summary>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare: Theorizing Capitalist Racism in the United States (U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.
Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.
Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.
@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare: Theorizing Capitalist Racism in the United States (U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.
Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.
Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.
@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>427</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e552b64a-8326-11ee-a9ed-c776580cbcfa</guid>
      <title>Beatriz Nascimento, &quot;The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. <a href="https://bookshop.org/a/12343/9780691241203"><em>The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento</em></a><em> </em>(Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.</p><p><em>The Dialectic Is in the Sea</em> traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.</p><p>This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 15 Nov 2023 05:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. <a href="https://bookshop.org/a/12343/9780691241203"><em>The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento</em></a><em> </em>(Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.</p><p><em>The Dialectic Is in the Sea</em> traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.</p><p>This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="46509776" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b742fe58-c908-404f-aa7e-93e44ddc1752/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b742fe58-c908-404f-aa7e-93e44ddc1752&amp;feed=KodC6fj_"/>
      <itunes:title>Beatriz Nascimento, &quot;The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:48:26</itunes:duration>
      <itunes:summary>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil&apos;s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.
The Dialectic Is in the Sea traces the development of Nascimento&apos;s thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento&apos;s work. This engaging collection includes an essay by Bethânia Gomes, Nascimento&apos;s only daughter, who shares illuminating and uniquely personal insights into her mother&apos;s life and career.
This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil&apos;s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.
The Dialectic Is in the Sea traces the development of Nascimento&apos;s thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento&apos;s work. This engaging collection includes an essay by Bethânia Gomes, Nascimento&apos;s only daughter, who shares illuminating and uniquely personal insights into her mother&apos;s life and career.
This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">56a95b4e-80b3-11ee-a158-fbdb6ceba7f6</guid>
      <title>Jeffrey Scholes, &quot;Christianity, Race, and Sport&quot; (Routledge, 2021)</title>
      <description><![CDATA[<p>This book provides a rigorously researched introduction to the relationship between Christianity, race, and sport in the United States.<em> </em><a href="https://bookshop.org/a/12343/9780367313302"><em>Christianity, Race, and Sport</em> </a>(Routledge, 2021) examines how Protestant Christianity and race have interacted, often to the detriment of Black bodies, throughout the sporting world over the last century. Important sporting figures and case studies discussed include: the sanctification of baseball player Jackie Robinson; the domestication of Muhammad Ali and George Foreman; religious expressions of athletes in the NFL; treatment of African American tennis player Serena Williams; Colin Kaepernick and his prophetic voice. This accessible and conversational book is essential reading for undergraduate students approaching religion and race or religion and sport for the first time, as well as those working within the sociology of sport, sport studies, history of sport, or philosophy of sport.</p><p>Jeffrey Scholes is associate professor of religious studies in the Department of Philosophy and the Director of the Center for Religious Diversity and Public Life at the University of Colorado, Colorado Springs, USA.</p><p><em>This episode’s host, </em><a href="https://twitter.com/jakebarrett25"><em>Jacob Barrett</em></a><em>, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website </em><a href="https://thereluctantamericanist.com/"><em>thereluctantamericanist.com</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 14 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>This book provides a rigorously researched introduction to the relationship between Christianity, race, and sport in the United States.<em> </em><a href="https://bookshop.org/a/12343/9780367313302"><em>Christianity, Race, and Sport</em> </a>(Routledge, 2021) examines how Protestant Christianity and race have interacted, often to the detriment of Black bodies, throughout the sporting world over the last century. Important sporting figures and case studies discussed include: the sanctification of baseball player Jackie Robinson; the domestication of Muhammad Ali and George Foreman; religious expressions of athletes in the NFL; treatment of African American tennis player Serena Williams; Colin Kaepernick and his prophetic voice. This accessible and conversational book is essential reading for undergraduate students approaching religion and race or religion and sport for the first time, as well as those working within the sociology of sport, sport studies, history of sport, or philosophy of sport.</p><p>Jeffrey Scholes is associate professor of religious studies in the Department of Philosophy and the Director of the Center for Religious Diversity and Public Life at the University of Colorado, Colorado Springs, USA.</p><p><em>This episode’s host, </em><a href="https://twitter.com/jakebarrett25"><em>Jacob Barrett</em></a><em>, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website </em><a href="https://thereluctantamericanist.com/"><em>thereluctantamericanist.com</em></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="31466709" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/60a0b7a9-a55a-4385-97dc-639d281b2fc1/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=60a0b7a9-a55a-4385-97dc-639d281b2fc1&amp;feed=KodC6fj_"/>
      <itunes:title>Jeffrey Scholes, &quot;Christianity, Race, and Sport&quot; (Routledge, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:32:46</itunes:duration>
      <itunes:summary>This book provides a rigorously researched introduction to the relationship between Christianity, race, and sport in the United States. Christianity, Race, and Sport (Routledge, 2021) examines how Protestant Christianity and race have interacted, often to the detriment of Black bodies, throughout the sporting world over the last century. Important sporting figures and case studies discussed include: the sanctification of baseball player Jackie Robinson; the domestication of Muhammad Ali and George Foreman; religious expressions of athletes in the NFL; treatment of African American tennis player Serena Williams; Colin Kaepernick and his prophetic voice. This accessible and conversational book is essential reading for undergraduate students approaching religion and race or religion and sport for the first time, as well as those working within the sociology of sport, sport studies, history of sport, or philosophy of sport.
Jeffrey Scholes is associate professor of religious studies in the Department of Philosophy and the Director of the Center for Religious Diversity and Public Life at the University of Colorado, Colorado Springs, USA.
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>This book provides a rigorously researched introduction to the relationship between Christianity, race, and sport in the United States. Christianity, Race, and Sport (Routledge, 2021) examines how Protestant Christianity and race have interacted, often to the detriment of Black bodies, throughout the sporting world over the last century. Important sporting figures and case studies discussed include: the sanctification of baseball player Jackie Robinson; the domestication of Muhammad Ali and George Foreman; religious expressions of athletes in the NFL; treatment of African American tennis player Serena Williams; Colin Kaepernick and his prophetic voice. This accessible and conversational book is essential reading for undergraduate students approaching religion and race or religion and sport for the first time, as well as those working within the sociology of sport, sport studies, history of sport, or philosophy of sport.
Jeffrey Scholes is associate professor of religious studies in the Department of Philosophy and the Director of the Center for Religious Diversity and Public Life at the University of Colorado, Colorado Springs, USA.
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c4944fb0-7f41-11ee-8489-27e24c600a96</guid>
      <title>Musab Younis, &quot;On the Scale of the World: The Formation of Black Anticolonial Thought&quot; (U California Press, 2022)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520389168"><em>On the Scale of the World: The Formation of Black Anticolonial Thought</em></a><em> </em>(U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.</p><p>Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of 'assimilation, ' and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, <em>On the Scale of the World </em>shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.</p><p><em>﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at </em><a href="http://elisaprosperetti.net/"><em>here</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 13 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520389168"><em>On the Scale of the World: The Formation of Black Anticolonial Thought</em></a><em> </em>(U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.</p><p>Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of 'assimilation, ' and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, <em>On the Scale of the World </em>shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.</p><p><em>﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at </em><a href="http://elisaprosperetti.net/"><em>here</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="49344697" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d3a90d44-def5-4d70-9cdc-0815a336d2b8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d3a90d44-def5-4d70-9cdc-0815a336d2b8&amp;feed=KodC6fj_"/>
      <itunes:title>Musab Younis, &quot;On the Scale of the World: The Formation of Black Anticolonial Thought&quot; (U California Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:51:23</itunes:duration>
      <itunes:summary>On the Scale of the World: The Formation of Black Anticolonial Thought (U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.
Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of &apos;assimilation, &apos; and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, On the Scale of the World shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.
﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On the Scale of the World: The Formation of Black Anticolonial Thought (U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.
Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of &apos;assimilation, &apos; and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, On the Scale of the World shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.
﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">812a6170-80a3-11ee-8f9e-1bee481b22b0</guid>
      <title>Juliet Hooker, &quot;Black Grief/White Grievance: The Politics of Loss&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>In democracies, citizens must accept loss; we can't always be on the winning side. But in the United States, the fundamental civic capacity of being able to lose is not distributed equally. Propped up by white supremacy, whites (as a group) are accustomed to winning; they have generally been able to exercise political rule without having to accept sharing it. Black citizens, on the other hand, are expected to be political heroes whose civic suffering enables progress toward racial justice. </p><p>In <a href="https://bookshop.org/a/12343/9780691243030"><em>Black Grief/White Grievance: The Politics of Loss</em></a> (Princeton UP, 2023), Juliet Hooker, a leading thinker on democracy and race, argues that the two most important forces driving racial politics in the United States today are Black grief and white grievance. Black grief is exemplified by current protests against police violence--the latest in a tradition of violent death and subsequent public mourning spurring Black political mobilization. The potent politics of white grievance, meanwhile, which is also not new, imagines the United States as a white country under siege.</p><p>Drawing on African American political thought, Hooker examines key moments in US racial politics that illuminate the problem of loss in democracy. She connects today's Black Lives Matter protests to the use of lynching photographs to arouse public outrage over post-Reconstruction era racial terror, and she discusses Emmett Till's funeral as a catalyst for the civil rights struggles of the 1950s and 1960s. She also traces the political weaponization of white victimhood during the Obama and Trump presidencies. Calling for an expansion of Black and white political imaginations, Hooker argues that both must learn to sit with loss, for different reasons and to different ends.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 13 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In democracies, citizens must accept loss; we can't always be on the winning side. But in the United States, the fundamental civic capacity of being able to lose is not distributed equally. Propped up by white supremacy, whites (as a group) are accustomed to winning; they have generally been able to exercise political rule without having to accept sharing it. Black citizens, on the other hand, are expected to be political heroes whose civic suffering enables progress toward racial justice. </p><p>In <a href="https://bookshop.org/a/12343/9780691243030"><em>Black Grief/White Grievance: The Politics of Loss</em></a> (Princeton UP, 2023), Juliet Hooker, a leading thinker on democracy and race, argues that the two most important forces driving racial politics in the United States today are Black grief and white grievance. Black grief is exemplified by current protests against police violence--the latest in a tradition of violent death and subsequent public mourning spurring Black political mobilization. The potent politics of white grievance, meanwhile, which is also not new, imagines the United States as a white country under siege.</p><p>Drawing on African American political thought, Hooker examines key moments in US racial politics that illuminate the problem of loss in democracy. She connects today's Black Lives Matter protests to the use of lynching photographs to arouse public outrage over post-Reconstruction era racial terror, and she discusses Emmett Till's funeral as a catalyst for the civil rights struggles of the 1950s and 1960s. She also traces the political weaponization of white victimhood during the Obama and Trump presidencies. Calling for an expansion of Black and white political imaginations, Hooker argues that both must learn to sit with loss, for different reasons and to different ends.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54095673" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ba2e7a7d-e032-4d14-944c-8ae096e7b558/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ba2e7a7d-e032-4d14-944c-8ae096e7b558&amp;feed=KodC6fj_"/>
      <itunes:title>Juliet Hooker, &quot;Black Grief/White Grievance: The Politics of Loss&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:20</itunes:duration>
      <itunes:summary>In democracies, citizens must accept loss; we can&apos;t always be on the winning side. But in the United States, the fundamental civic capacity of being able to lose is not distributed equally. Propped up by white supremacy, whites (as a group) are accustomed to winning; they have generally been able to exercise political rule without having to accept sharing it. Black citizens, on the other hand, are expected to be political heroes whose civic suffering enables progress toward racial justice. 
In Black Grief/White Grievance: The Politics of Loss (Princeton UP, 2023), Juliet Hooker, a leading thinker on democracy and race, argues that the two most important forces driving racial politics in the United States today are Black grief and white grievance. Black grief is exemplified by current protests against police violence--the latest in a tradition of violent death and subsequent public mourning spurring Black political mobilization. The potent politics of white grievance, meanwhile, which is also not new, imagines the United States as a white country under siege.
Drawing on African American political thought, Hooker examines key moments in US racial politics that illuminate the problem of loss in democracy. She connects today&apos;s Black Lives Matter protests to the use of lynching photographs to arouse public outrage over post-Reconstruction era racial terror, and she discusses Emmett Till&apos;s funeral as a catalyst for the civil rights struggles of the 1950s and 1960s. She also traces the political weaponization of white victimhood during the Obama and Trump presidencies. Calling for an expansion of Black and white political imaginations, Hooker argues that both must learn to sit with loss, for different reasons and to different ends.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In democracies, citizens must accept loss; we can&apos;t always be on the winning side. But in the United States, the fundamental civic capacity of being able to lose is not distributed equally. Propped up by white supremacy, whites (as a group) are accustomed to winning; they have generally been able to exercise political rule without having to accept sharing it. Black citizens, on the other hand, are expected to be political heroes whose civic suffering enables progress toward racial justice. 
In Black Grief/White Grievance: The Politics of Loss (Princeton UP, 2023), Juliet Hooker, a leading thinker on democracy and race, argues that the two most important forces driving racial politics in the United States today are Black grief and white grievance. Black grief is exemplified by current protests against police violence--the latest in a tradition of violent death and subsequent public mourning spurring Black political mobilization. The potent politics of white grievance, meanwhile, which is also not new, imagines the United States as a white country under siege.
Drawing on African American political thought, Hooker examines key moments in US racial politics that illuminate the problem of loss in democracy. She connects today&apos;s Black Lives Matter protests to the use of lynching photographs to arouse public outrage over post-Reconstruction era racial terror, and she discusses Emmett Till&apos;s funeral as a catalyst for the civil rights struggles of the 1950s and 1960s. She also traces the political weaponization of white victimhood during the Obama and Trump presidencies. Calling for an expansion of Black and white political imaginations, Hooker argues that both must learn to sit with loss, for different reasons and to different ends.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>426</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">22291bcc-7f49-11ee-a538-a3196f7732c8</guid>
      <title>Jennifer E. Brooks, &quot;Resident Strangers: Immigrant Laborers in New South Alabama&quot; (LSU Press, 2022)</title>
      <description><![CDATA[<p>Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants' hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently.</p><p>Jennifer E. Brooks's <a href="https://bookshop.org/a/12343/9780807176658"><em>Resident Strangers: Immigrant Laborers in New South Alabama</em></a><em> </em>(LSU Press, 2022) restores immigrant laborers to their place in the history of the New South, considering especially how various immigrant groups and individuals experienced their time in New South Alabama. Brooks utilizes convict records, censuses, regional and national newspapers, government documents, and oral histories to construct the story of immigrants in New South Alabama. The immigrant groups she focuses on appeared most often as laborers in the records, including the Chinese, southern Italians, and the diverse nationals of the Austro-Hungarian Empire, along with a sprinkling of others. Although recruitment crusades by Alabama's employers and New South boosters typically failed to bring in the vast numbers of immigrants they had envisioned, significant populations from around the world arrived in industries and communities across the state, especially in the coal- and ore-mining district of Birmingham.</p><p><em>Resident Strangers</em> reveals that immigrant laborers' presence and individual agency complicated racial categorization, disrupted labor relations, and diversified southern communities. It also presents a New South that was far from isolated from the forces at work across the nation or in the rest of the world. Immigrant laborers brought home to New South Alabama the turbulent world of empire building, deeply embedding the region in national and global networks of finance, trade, and labor migration.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 12 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants' hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently.</p><p>Jennifer E. Brooks's <a href="https://bookshop.org/a/12343/9780807176658"><em>Resident Strangers: Immigrant Laborers in New South Alabama</em></a><em> </em>(LSU Press, 2022) restores immigrant laborers to their place in the history of the New South, considering especially how various immigrant groups and individuals experienced their time in New South Alabama. Brooks utilizes convict records, censuses, regional and national newspapers, government documents, and oral histories to construct the story of immigrants in New South Alabama. The immigrant groups she focuses on appeared most often as laborers in the records, including the Chinese, southern Italians, and the diverse nationals of the Austro-Hungarian Empire, along with a sprinkling of others. Although recruitment crusades by Alabama's employers and New South boosters typically failed to bring in the vast numbers of immigrants they had envisioned, significant populations from around the world arrived in industries and communities across the state, especially in the coal- and ore-mining district of Birmingham.</p><p><em>Resident Strangers</em> reveals that immigrant laborers' presence and individual agency complicated racial categorization, disrupted labor relations, and diversified southern communities. It also presents a New South that was far from isolated from the forces at work across the nation or in the rest of the world. Immigrant laborers brought home to New South Alabama the turbulent world of empire building, deeply embedding the region in national and global networks of finance, trade, and labor migration.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55168036" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/6257eb12-f65e-47f8-914a-304ec1b14e99/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=6257eb12-f65e-47f8-914a-304ec1b14e99&amp;feed=KodC6fj_"/>
      <itunes:title>Jennifer E. Brooks, &quot;Resident Strangers: Immigrant Laborers in New South Alabama&quot; (LSU Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:57:27</itunes:duration>
      <itunes:summary>Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants&apos; hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently.
Jennifer E. Brooks&apos;s Resident Strangers: Immigrant Laborers in New South Alabama (LSU Press, 2022) restores immigrant laborers to their place in the history of the New South, considering especially how various immigrant groups and individuals experienced their time in New South Alabama. Brooks utilizes convict records, censuses, regional and national newspapers, government documents, and oral histories to construct the story of immigrants in New South Alabama. The immigrant groups she focuses on appeared most often as laborers in the records, including the Chinese, southern Italians, and the diverse nationals of the Austro-Hungarian Empire, along with a sprinkling of others. Although recruitment crusades by Alabama&apos;s employers and New South boosters typically failed to bring in the vast numbers of immigrants they had envisioned, significant populations from around the world arrived in industries and communities across the state, especially in the coal- and ore-mining district of Birmingham.
Resident Strangers reveals that immigrant laborers&apos; presence and individual agency complicated racial categorization, disrupted labor relations, and diversified southern communities. It also presents a New South that was far from isolated from the forces at work across the nation or in the rest of the world. Immigrant laborers brought home to New South Alabama the turbulent world of empire building, deeply embedding the region in national and global networks of finance, trade, and labor migration.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants&apos; hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently.
Jennifer E. Brooks&apos;s Resident Strangers: Immigrant Laborers in New South Alabama (LSU Press, 2022) restores immigrant laborers to their place in the history of the New South, considering especially how various immigrant groups and individuals experienced their time in New South Alabama. Brooks utilizes convict records, censuses, regional and national newspapers, government documents, and oral histories to construct the story of immigrants in New South Alabama. The immigrant groups she focuses on appeared most often as laborers in the records, including the Chinese, southern Italians, and the diverse nationals of the Austro-Hungarian Empire, along with a sprinkling of others. Although recruitment crusades by Alabama&apos;s employers and New South boosters typically failed to bring in the vast numbers of immigrants they had envisioned, significant populations from around the world arrived in industries and communities across the state, especially in the coal- and ore-mining district of Birmingham.
Resident Strangers reveals that immigrant laborers&apos; presence and individual agency complicated racial categorization, disrupted labor relations, and diversified southern communities. It also presents a New South that was far from isolated from the forces at work across the nation or in the rest of the world. Immigrant laborers brought home to New South Alabama the turbulent world of empire building, deeply embedding the region in national and global networks of finance, trade, and labor migration.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2099249e-80db-11ee-9b6f-43950ce7f751</guid>
      <title>Adrien Sebro, &quot;Scratchin&apos; and Survivin&apos;: Hustle Economics and the Black Sitcoms of Tandem Productions&quot; (Rutgers UP, 2023)</title>
      <description><![CDATA[<p>The 1970s was a golden age for representations of African American life on TV sitcoms: <em>Sanford &amp; Son</em>, <em>Good Times</em>, <em>The Jeffersons</em>. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind <em>All in the Family</em>, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.</p><p><a href="https://bookshop.org/a/12343/9781978834835"><em>Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions</em></a><em> </em>(Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom <em>Diff’rent Strokes</em>, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.</p><p>Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 12 Nov 2023 05:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The 1970s was a golden age for representations of African American life on TV sitcoms: <em>Sanford &amp; Son</em>, <em>Good Times</em>, <em>The Jeffersons</em>. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind <em>All in the Family</em>, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.</p><p><a href="https://bookshop.org/a/12343/9781978834835"><em>Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions</em></a><em> </em>(Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom <em>Diff’rent Strokes</em>, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.</p><p>Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="78946870" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b24cb942-9372-4366-b9bb-2c1f54ee7e16/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b24cb942-9372-4366-b9bb-2c1f54ee7e16&amp;feed=KodC6fj_"/>
      <itunes:title>Adrien Sebro, &quot;Scratchin&apos; and Survivin&apos;: Hustle Economics and the Black Sitcoms of Tandem Productions&quot; (Rutgers UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:22:14</itunes:duration>
      <itunes:summary>The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford &amp; Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.
Scratchin&apos; and Survivin&apos;: Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.
Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford &amp; Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.
Scratchin&apos; and Survivin&apos;: Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.
Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">80baa29a-7d9c-11ee-84ed-57af59a63345</guid>
      <title>Ralph H. Craig III, &quot;Dancing in My Dreams: A Spiritual Biography of Tina Turner&quot; (Eerdmans, 2023)</title>
      <description><![CDATA[<p>If you don’t know Tina Turner’s spirituality, you don’t know Tina.</p><p>When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.</p><p>Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina’s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in ’60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers’ disciplinary and mystical sensibilities. Through critical engagement with Tina’s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find <a href="https://bookshop.org/a/12343/9780802878632"><em>Dancing in My Dreams: A Spiritual Biography of Tina Turne</em>r</a> (Eerdmans, 2023) as enlightening as the iconic singer herself.</p><p>For those of you interested in the stories and poems of the first Buddhist nuns mentioned in the interview yet not included in the book's footnotes (hey, it's a trade book, so space for footnotes is limited), collected in Therīgāthā, you can find the stories here: <a href="https://suttacentral.net/thig10.1/en/sujato?lang=en&amp;layout=sidebyside&amp;reference=none%C2%ACes=asterisk&amp;highlight=false&amp;script=latin">Kisāgotamī</a>; <a href="https://suttacentral.net/thig13.1/en/sujato?lang=en&amp;layout=sidebyside&amp;reference=none%C2%ACes=asterisk&amp;highlight=false&amp;script=latin">Ambapālī</a>; <a href="https://suttacentral.net/thig15.1/en/sujato?lang=en&amp;layout=sidebyside&amp;reference=none%C2%ACes=asterisk&amp;highlight=false&amp;script=latin">Isidāsī</a>. You can also find a modern recreation of Ambapālī's song <a href="https://tricycle.org/magazine/ambapali-buddhist-song/">here</a>.</p><p>For a trustworthy, philologically solid, yet still readable translation of Therīgāthā, see <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674427730">here</a>. I also find this translation most useful because of its high-quality but manageable footnotes.</p><p><em>﻿</em><a href="https://dornsife.usc.edu/cf/faculty-and-staff/faculty.cfm?pid=1097323"><em>Jessica Zu</em></a><em> is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 10 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>If you don’t know Tina Turner’s spirituality, you don’t know Tina.</p><p>When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.</p><p>Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina’s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in ’60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers’ disciplinary and mystical sensibilities. Through critical engagement with Tina’s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find <a href="https://bookshop.org/a/12343/9780802878632"><em>Dancing in My Dreams: A Spiritual Biography of Tina Turne</em>r</a> (Eerdmans, 2023) as enlightening as the iconic singer herself.</p><p>For those of you interested in the stories and poems of the first Buddhist nuns mentioned in the interview yet not included in the book's footnotes (hey, it's a trade book, so space for footnotes is limited), collected in Therīgāthā, you can find the stories here: <a href="https://suttacentral.net/thig10.1/en/sujato?lang=en&amp;layout=sidebyside&amp;reference=none%C2%ACes=asterisk&amp;highlight=false&amp;script=latin">Kisāgotamī</a>; <a href="https://suttacentral.net/thig13.1/en/sujato?lang=en&amp;layout=sidebyside&amp;reference=none%C2%ACes=asterisk&amp;highlight=false&amp;script=latin">Ambapālī</a>; <a href="https://suttacentral.net/thig15.1/en/sujato?lang=en&amp;layout=sidebyside&amp;reference=none%C2%ACes=asterisk&amp;highlight=false&amp;script=latin">Isidāsī</a>. You can also find a modern recreation of Ambapālī's song <a href="https://tricycle.org/magazine/ambapali-buddhist-song/">here</a>.</p><p>For a trustworthy, philologically solid, yet still readable translation of Therīgāthā, see <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674427730">here</a>. I also find this translation most useful because of its high-quality but manageable footnotes.</p><p><em>﻿</em><a href="https://dornsife.usc.edu/cf/faculty-and-staff/faculty.cfm?pid=1097323"><em>Jessica Zu</em></a><em> is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="76923503" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f033eaeb-1d58-4b63-b276-4d39b9c5d52e/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f033eaeb-1d58-4b63-b276-4d39b9c5d52e&amp;feed=KodC6fj_"/>
      <itunes:title>Ralph H. Craig III, &quot;Dancing in My Dreams: A Spiritual Biography of Tina Turner&quot; (Eerdmans, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:20:07</itunes:duration>
      <itunes:summary>If you don’t know Tina Turner’s spirituality, you don’t know Tina.
When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.
Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina’s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in ’60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers’ disciplinary and mystical sensibilities. Through critical engagement with Tina’s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.
For those of you interested in the stories and poems of the first Buddhist nuns mentioned in the interview yet not included in the book&apos;s footnotes (hey, it&apos;s a trade book, so space for footnotes is limited), collected in Therīgāthā, you can find the stories here: Kisāgotamī; Ambapālī; Isidāsī. You can also find a modern recreation of Ambapālī&apos;s song here.
For a trustworthy, philologically solid, yet still readable translation of Therīgāthā, see here. I also find this translation most useful because of its high-quality but manageable footnotes.
﻿Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>If you don’t know Tina Turner’s spirituality, you don’t know Tina.
When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.
Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina’s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in ’60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers’ disciplinary and mystical sensibilities. Through critical engagement with Tina’s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.
For those of you interested in the stories and poems of the first Buddhist nuns mentioned in the interview yet not included in the book&apos;s footnotes (hey, it&apos;s a trade book, so space for footnotes is limited), collected in Therīgāthā, you can find the stories here: Kisāgotamī; Ambapālī; Isidāsī. You can also find a modern recreation of Ambapālī&apos;s song here.
For a trustworthy, philologically solid, yet still readable translation of Therīgāthā, see here. I also find this translation most useful because of its high-quality but manageable footnotes.
﻿Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">24836bfc-7b11-11ee-845d-1bdbbb959e83</guid>
      <title>Matthew J. Clavin, &quot;Symbols of Freedom: Slavery and Resistance Before the Civil War&quot; (NYU Press, 2023)</title>
      <description><![CDATA[<p>In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable.</p><p>For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery.</p><p><a href="https://bookshop.org/a/12343/9781479823246"><em>Symbols of Freedom: Slavery and Resistance Before the Civil War</em></a><em> </em>(NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic’s promise by waging war against slavery.</p><p>In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the</p><p>Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 7 Nov 2023 09:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable.</p><p>For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery.</p><p><a href="https://bookshop.org/a/12343/9781479823246"><em>Symbols of Freedom: Slavery and Resistance Before the Civil War</em></a><em> </em>(NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic’s promise by waging war against slavery.</p><p>In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the</p><p>Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="32869068" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/187b4d21-287c-43f5-9dfd-b53c39ede2ae/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=187b4d21-287c-43f5-9dfd-b53c39ede2ae&amp;feed=KodC6fj_"/>
      <itunes:title>Matthew J. Clavin, &quot;Symbols of Freedom: Slavery and Resistance Before the Civil War&quot; (NYU Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:34:14</itunes:duration>
      <itunes:summary>In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable.
For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery.
Symbols of Freedom: Slavery and Resistance Before the Civil War (NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic’s promise by waging war against slavery.
In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the
Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable.
For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery.
Symbols of Freedom: Slavery and Resistance Before the Civil War (NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic’s promise by waging war against slavery.
In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the
Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f4cd8f5c-78bb-11ee-aafc-37540fd9f94b</guid>
      <title>Drew A. Swanson, &quot;A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>Five years after the Civil War, North Carolina Republican state senator John W. Stephens was found murdered inside the Caswell County Courthouse. Stephens fought for the rights of freedpeople, and his killing by the Ku Klux Klan ultimately led to insurrection, Governor William W. Holden's impeachment, and the early unwinding of Reconstruction in North Carolina. In <a href="https://bookshop.org/a/12343/9781469674711"><em>A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction</em></a> (UNC Press, 2023), Drew A. Swanson tells a story of race, politics, and social power shaped by violence and profit. The struggle for dominance in Reconstruction-era rural North Carolina, Swanson argues, was an economic and ecological transformation. Arson, beating, and murder became tools to control people and landscapes, and the ramifications of this violence continued long afterward. The failure to prosecute anyone for decades after John Stephens's assassination left behind a vacuum, as each side shaped its own memory of Stephens and his murder.</p><p>The malleability of and contested storytelling around Stephens's legacy presents a window into the struggle to control the future of the South.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 4 Nov 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Five years after the Civil War, North Carolina Republican state senator John W. Stephens was found murdered inside the Caswell County Courthouse. Stephens fought for the rights of freedpeople, and his killing by the Ku Klux Klan ultimately led to insurrection, Governor William W. Holden's impeachment, and the early unwinding of Reconstruction in North Carolina. In <a href="https://bookshop.org/a/12343/9781469674711"><em>A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction</em></a> (UNC Press, 2023), Drew A. Swanson tells a story of race, politics, and social power shaped by violence and profit. The struggle for dominance in Reconstruction-era rural North Carolina, Swanson argues, was an economic and ecological transformation. Arson, beating, and murder became tools to control people and landscapes, and the ramifications of this violence continued long afterward. The failure to prosecute anyone for decades after John Stephens's assassination left behind a vacuum, as each side shaped its own memory of Stephens and his murder.</p><p>The malleability of and contested storytelling around Stephens's legacy presents a window into the struggle to control the future of the South.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="55937513" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/d0362676-6784-47f0-aa94-c86edae367ba/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=d0362676-6784-47f0-aa94-c86edae367ba&amp;feed=KodC6fj_"/>
      <itunes:title>Drew A. Swanson, &quot;A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:58:15</itunes:duration>
      <itunes:summary>Five years after the Civil War, North Carolina Republican state senator John W. Stephens was found murdered inside the Caswell County Courthouse. Stephens fought for the rights of freedpeople, and his killing by the Ku Klux Klan ultimately led to insurrection, Governor William W. Holden&apos;s impeachment, and the early unwinding of Reconstruction in North Carolina. In A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction (UNC Press, 2023), Drew A. Swanson tells a story of race, politics, and social power shaped by violence and profit. The struggle for dominance in Reconstruction-era rural North Carolina, Swanson argues, was an economic and ecological transformation. Arson, beating, and murder became tools to control people and landscapes, and the ramifications of this violence continued long afterward. The failure to prosecute anyone for decades after John Stephens&apos;s assassination left behind a vacuum, as each side shaped its own memory of Stephens and his murder.
The malleability of and contested storytelling around Stephens&apos;s legacy presents a window into the struggle to control the future of the South.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Five years after the Civil War, North Carolina Republican state senator John W. Stephens was found murdered inside the Caswell County Courthouse. Stephens fought for the rights of freedpeople, and his killing by the Ku Klux Klan ultimately led to insurrection, Governor William W. Holden&apos;s impeachment, and the early unwinding of Reconstruction in North Carolina. In A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction (UNC Press, 2023), Drew A. Swanson tells a story of race, politics, and social power shaped by violence and profit. The struggle for dominance in Reconstruction-era rural North Carolina, Swanson argues, was an economic and ecological transformation. Arson, beating, and murder became tools to control people and landscapes, and the ramifications of this violence continued long afterward. The failure to prosecute anyone for decades after John Stephens&apos;s assassination left behind a vacuum, as each side shaped its own memory of Stephens and his murder.
The malleability of and contested storytelling around Stephens&apos;s legacy presents a window into the struggle to control the future of the South.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e1f8021c-781c-11ee-ba45-df83f2f7fe9b</guid>
      <title>Melvin L. Rogers, &quot;The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought&quot; (Princeton UP, 2023)</title>
      <description><![CDATA[<p>Frederick Douglass’s 1852 speech “What to the Slave is the Fourth of July” is notoriously fiery. No doubt part of what’s gripping about it is its internal tension. Douglass begins by sincerely praising the founders and their philosophical principles, and then turns to a devastating critique of the hypocrisy of the United States. Underlying Douglass’s argument is a commitment to the democratic project in the United States that one imagines could be sustained only with extraordinary effort. What prevented Douglass from embracing the understandable, warranted pessimism that the democratic experiment in the United States had failed – or perhaps had never really been taken up?</p><p>In <a href="https://bookshop.org/a/12343/9780691219134"><em>The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought</em></a> (Princeton University Press, 2023), <a href="https://polisci.brown.edu/people/melvin-rogers">Melvin Rogers</a> takes his reader on a journey through the efforts of African American philosophers, social critics, and artists to make sense of the United States.</p><p><a href="https://as.vanderbilt.edu/philosophy/bio/robertb-talisse"><em>Robert Talisse</em></a><em> is the W. Alton Jones Professor of Philosophy at Vanderbilt University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 1 Nov 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Frederick Douglass’s 1852 speech “What to the Slave is the Fourth of July” is notoriously fiery. No doubt part of what’s gripping about it is its internal tension. Douglass begins by sincerely praising the founders and their philosophical principles, and then turns to a devastating critique of the hypocrisy of the United States. Underlying Douglass’s argument is a commitment to the democratic project in the United States that one imagines could be sustained only with extraordinary effort. What prevented Douglass from embracing the understandable, warranted pessimism that the democratic experiment in the United States had failed – or perhaps had never really been taken up?</p><p>In <a href="https://bookshop.org/a/12343/9780691219134"><em>The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought</em></a> (Princeton University Press, 2023), <a href="https://polisci.brown.edu/people/melvin-rogers">Melvin Rogers</a> takes his reader on a journey through the efforts of African American philosophers, social critics, and artists to make sense of the United States.</p><p><a href="https://as.vanderbilt.edu/philosophy/bio/robertb-talisse"><em>Robert Talisse</em></a><em> is the W. Alton Jones Professor of Philosophy at Vanderbilt University.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63206277" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/566634e5-b7bb-44c2-a6dc-aa16508420f8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=566634e5-b7bb-44c2-a6dc-aa16508420f8&amp;feed=KodC6fj_"/>
      <itunes:title>Melvin L. Rogers, &quot;The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought&quot; (Princeton UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:05:50</itunes:duration>
      <itunes:summary>Frederick Douglass’s 1852 speech “What to the Slave is the Fourth of July” is notoriously fiery. No doubt part of what’s gripping about it is its internal tension. Douglass begins by sincerely praising the founders and their philosophical principles, and then turns to a devastating critique of the hypocrisy of the United States. Underlying Douglass’s argument is a commitment to the democratic project in the United States that one imagines could be sustained only with extraordinary effort. What prevented Douglass from embracing the understandable, warranted pessimism that the democratic experiment in the United States had failed – or perhaps had never really been taken up?
In The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton University Press, 2023), Melvin Rogers takes his reader on a journey through the efforts of African American philosophers, social critics, and artists to make sense of the United States.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Frederick Douglass’s 1852 speech “What to the Slave is the Fourth of July” is notoriously fiery. No doubt part of what’s gripping about it is its internal tension. Douglass begins by sincerely praising the founders and their philosophical principles, and then turns to a devastating critique of the hypocrisy of the United States. Underlying Douglass’s argument is a commitment to the democratic project in the United States that one imagines could be sustained only with extraordinary effort. What prevented Douglass from embracing the understandable, warranted pessimism that the democratic experiment in the United States had failed – or perhaps had never really been taken up?
In The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton University Press, 2023), Melvin Rogers takes his reader on a journey through the efforts of African American philosophers, social critics, and artists to make sense of the United States.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>327</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">543b64c2-7598-11ee-871c-8b9b99b16c24</guid>
      <title>Sharony Green, &quot;The Chase and Ruins: Zora Neale Hurston in Honduras&quot; (Johns Hopkins UP, 2023)</title>
      <description><![CDATA[<p>Zora Neale Hurston, an anthropologist and writer best known for her classic novel <em>Their Eyes Were Watching God</em>, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In <a href="https://bookshop.org/a/12343/9781421446660"><em>The Chase and Ruins: Zora Neale Hurston in Honduras</em></a> (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s.</p><p>On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote <em>Seraph on the Suwanee</em>, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself.</p><p>Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. <em>The Chase and Ruins </em>encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions.</p><p>Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 1 Nov 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Zora Neale Hurston, an anthropologist and writer best known for her classic novel <em>Their Eyes Were Watching God</em>, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In <a href="https://bookshop.org/a/12343/9781421446660"><em>The Chase and Ruins: Zora Neale Hurston in Honduras</em></a> (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s.</p><p>On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote <em>Seraph on the Suwanee</em>, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself.</p><p>Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. <em>The Chase and Ruins </em>encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions.</p><p>Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="65485090" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4cd804e2-ac16-43cc-852d-644b8a996a74/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4cd804e2-ac16-43cc-852d-644b8a996a74&amp;feed=KodC6fj_"/>
      <itunes:title>Sharony Green, &quot;The Chase and Ruins: Zora Neale Hurston in Honduras&quot; (Johns Hopkins UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:08:12</itunes:duration>
      <itunes:summary>Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston&apos;s life: her stay in Honduras in the late 1940s.
On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood&apos;s growing appetite for &quot;crackerphilia&quot; (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself.
Hurston&apos;s experience in Honduras has much to teach us about Black women&apos;s lives and the thorny politics of postwar America as well as America&apos;s long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman&apos;s conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston&apos;s fascinating life in all of its complexity and contradictions.
Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston&apos;s life: her stay in Honduras in the late 1940s.
On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood&apos;s growing appetite for &quot;crackerphilia&quot; (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself.
Hurston&apos;s experience in Honduras has much to teach us about Black women&apos;s lives and the thorny politics of postwar America as well as America&apos;s long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman&apos;s conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston&apos;s fascinating life in all of its complexity and contradictions.
Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>263</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d8ac3792-7424-11ee-8224-4be914798d81</guid>
      <title>Frederick V. Engram, &quot;Black Liberation Through Action and Resistance: MOVE&quot; (Rowman &amp; Littlefield, 2023)</title>
      <description><![CDATA[<p><a href="https://rowman.com/ISBN/9780761874164/Black-Liberation-through-Action-and-Resistance-MOVE"><em>Black Liberation through Action and Resistance: MOVE</em></a> (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.</p><p>Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 30 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://rowman.com/ISBN/9780761874164/Black-Liberation-through-Action-and-Resistance-MOVE"><em>Black Liberation through Action and Resistance: MOVE</em></a> (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.</p><p>Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="36295845" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/3c5b5375-8ca0-41b5-abbf-b9aab9db7319/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=3c5b5375-8ca0-41b5-abbf-b9aab9db7319&amp;feed=KodC6fj_"/>
      <itunes:title>Frederick V. Engram, &quot;Black Liberation Through Action and Resistance: MOVE&quot; (Rowman &amp; Littlefield, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:37:48</itunes:duration>
      <itunes:summary>Black Liberation through Action and Resistance: MOVE (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.
Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.
Latoya Johnson is an editor, writer, and bibliophile with a master&apos;s in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women&apos;s fiction, and women in Greco-Roman mythology.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Black Liberation through Action and Resistance: MOVE (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.
Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.
Latoya Johnson is an editor, writer, and bibliophile with a master&apos;s in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women&apos;s fiction, and women in Greco-Roman mythology.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>425</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0bfd700e-727a-11ee-84ff-ef41efa8ce64</guid>
      <title>Claire Jean Kim, &quot;Asian Americans in an Anti-Black World&quot; (Cambridge UP, 2023)</title>
      <description><![CDATA[<p>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.</p><p>In <a href="https://bookshop.org/a/12343/9781009222259"><em>Asian Americans in an Anti-Black World</em></a> (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as <em>not-white, but above all not-Black</em>” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?</p><p>Dr. <a href="https://www.faculty.uci.edu/profile/?facultyId=2453">Claire Jean Kim</a> is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, <em>Bitter Fruit: The Politics of Black-Korean Conflict in New York City</em> (Yale University Press, 2000) and <em>Dangerous Crossings: Race, Species, and Nature in a Multicultural Age</em> (Cambridge University Press, 2015).</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is a Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 30 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.</p><p>In <a href="https://bookshop.org/a/12343/9781009222259"><em>Asian Americans in an Anti-Black World</em></a> (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as <em>not-white, but above all not-Black</em>” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?</p><p>Dr. <a href="https://www.faculty.uci.edu/profile/?facultyId=2453">Claire Jean Kim</a> is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, <em>Bitter Fruit: The Politics of Black-Korean Conflict in New York City</em> (Yale University Press, 2000) and <em>Dangerous Crossings: Race, Species, and Nature in a Multicultural Age</em> (Cambridge University Press, 2015).</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is a Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="60230895" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/541ab54c-46c2-4d9a-87d1-77f3e1c9cd2b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=541ab54c-46c2-4d9a-87d1-77f3e1c9cd2b&amp;feed=KodC6fj_"/>
      <itunes:title>Claire Jean Kim, &quot;Asian Americans in an Anti-Black World&quot; (Cambridge UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:44</itunes:duration>
      <itunes:summary>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.
In Asian Americans in an Anti-Black World (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as not-white, but above all not-Black” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?
Dr. Claire Jean Kim is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, Bitter Fruit: The Politics of Black-Korean Conflict in New York City (Yale University Press, 2000) and Dangerous Crossings: Race, Species, and Nature in a Multicultural Age (Cambridge University Press, 2015).
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.
In Asian Americans in an Anti-Black World (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as not-white, but above all not-Black” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?
Dr. Claire Jean Kim is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, Bitter Fruit: The Politics of Black-Korean Conflict in New York City (Yale University Press, 2000) and Dangerous Crossings: Race, Species, and Nature in a Multicultural Age (Cambridge University Press, 2015).
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>682</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2f869a14-741e-11ee-82d1-0ba6db7fbaf9</guid>
      <title>Sarah Mayorga, &quot;Urban Specters: The Everyday Harms of Racial Capitalism&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. </p><p>In <a href="https://bookshop.org/a/12343/9781469674933">Urban Specters: The Everyday Harms of Racial Capitalism</a> (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.</p><p><a href="https://www.linkedin.com/in/richard-e-ocejo-42187a120/"><em>Richard E. Ocejo</em></a><em> is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 29 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. </p><p>In <a href="https://bookshop.org/a/12343/9781469674933">Urban Specters: The Everyday Harms of Racial Capitalism</a> (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.</p><p><a href="https://www.linkedin.com/in/richard-e-ocejo-42187a120/"><em>Richard E. Ocejo</em></a><em> is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40110047" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/402734c6-89d3-4291-ae97-4ace4f1a4245/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=402734c6-89d3-4291-ae97-4ace4f1a4245&amp;feed=KodC6fj_"/>
      <itunes:title>Sarah Mayorga, &quot;Urban Specters: The Everyday Harms of Racial Capitalism&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:46</itunes:duration>
      <itunes:summary>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents&apos; interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. 
In Urban Specters: The Everyday Harms of Racial Capitalism (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.
Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents&apos; interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. 
In Urban Specters: The Everyday Harms of Racial Capitalism (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.
Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>320</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ad727a5a-7334-11ee-8fc0-07dd5dda8567</guid>
      <title>Nikki M. Taylor, &quot;Brooding over Bloody Revenge: Enslaved Women&apos;s Lethal Resistance&quot; (Cambridge UP, 2023)</title>
      <description><![CDATA[<p>From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, <a href="https://bookshop.org/a/12343/9781009276849"><em>Brooding over Bloody Revenge: Enslaved Women's Lethal Resistance</em></a> (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.</p><p>Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, <em>Brooding Over Bloody Revenge</em> presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, <a href="https://bookshop.org/a/12343/9781009276849"><em>Brooding over Bloody Revenge: Enslaved Women's Lethal Resistance</em></a> (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.</p><p>Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, <em>Brooding Over Bloody Revenge</em> presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61500901" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/ac00ce6c-a723-4944-acec-3f0c7d548175/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=ac00ce6c-a723-4944-acec-3f0c7d548175&amp;feed=KodC6fj_"/>
      <itunes:title>Nikki M. Taylor, &quot;Brooding over Bloody Revenge: Enslaved Women&apos;s Lethal Resistance&quot; (Cambridge UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:03</itunes:duration>
      <itunes:summary>From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge: Enslaved Women&apos;s Lethal Resistance (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.
Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge: Enslaved Women&apos;s Lethal Resistance (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.
Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>424</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5a88a30a-71b8-11ee-bc34-8fe68e3a3a33</guid>
      <title>James V. Fenelon, &quot;Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790&quot; (Routledge, 2023)</title>
      <description><![CDATA[<p>In this interview James Fenelon discusses his new book entitled <a href="https://bookshop.org/a/12343/9781032324487"><em>Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790</em></a>, recently published with Routledge (2023).</p><p>The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. </p><p>Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. <em>Indian, Black and Irish</em> makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.</p><p>James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include <em>Redskins? Sports Mascots, Indian Nations and White Racism</em>, <em>Indigenous Peoples and Globalization </em>(with Thomas D. Hall), and <em>Culturicide, Resistance and Survival of the Lakota (Sioux Nation)</em>.</p><p><em>Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790</em>, is published with Routledge</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this interview James Fenelon discusses his new book entitled <a href="https://bookshop.org/a/12343/9781032324487"><em>Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790</em></a>, recently published with Routledge (2023).</p><p>The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. </p><p>Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. <em>Indian, Black and Irish</em> makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.</p><p>James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include <em>Redskins? Sports Mascots, Indian Nations and White Racism</em>, <em>Indigenous Peoples and Globalization </em>(with Thomas D. Hall), and <em>Culturicide, Resistance and Survival of the Lakota (Sioux Nation)</em>.</p><p><em>Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790</em>, is published with Routledge</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40369663" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bf7f9c56-0663-459f-9a23-3a14480b1a85/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bf7f9c56-0663-459f-9a23-3a14480b1a85&amp;feed=KodC6fj_"/>
      <itunes:title>James V. Fenelon, &quot;Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790&quot; (Routledge, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:02</itunes:duration>
      <itunes:summary>In this interview James Fenelon discusses his new book entitled Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, recently published with Routledge (2023).
The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. 
Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. Indian, Black and Irish makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.
James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include Redskins? Sports Mascots, Indian Nations and White Racism, Indigenous Peoples and Globalization (with Thomas D. Hall), and Culturicide, Resistance and Survival of the Lakota (Sioux Nation).
Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, is published with Routledge
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this interview James Fenelon discusses his new book entitled Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, recently published with Routledge (2023).
The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. 
Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. Indian, Black and Irish makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.
James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include Redskins? Sports Mascots, Indian Nations and White Racism, Indigenous Peoples and Globalization (with Thomas D. Hall), and Culturicide, Resistance and Survival of the Lakota (Sioux Nation).
Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, is published with Routledge
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">d66f46a0-701d-11ee-8b13-677ca042c0df</guid>
      <title>Marisel C. Moreno, &quot;Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art&quot; (U Texas Press, 2022)</title>
      <description><![CDATA[<p>Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, <a href="https://bookshop.org/a/12343/9781477325599"><em>Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art </em></a>(U Texas Press, 2022) relates a journey that remains silenced and largely unknown.</p><p>Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.</p><p>An untold story filled with beauty, possibility, and sorrow, <em>Crossing Waters</em> encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.</p><p>Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 27 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, <a href="https://bookshop.org/a/12343/9781477325599"><em>Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art </em></a>(U Texas Press, 2022) relates a journey that remains silenced and largely unknown.</p><p>Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.</p><p>An untold story filled with beauty, possibility, and sorrow, <em>Crossing Waters</em> encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.</p><p>Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="69966790" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b2bf3ba9-1de7-40d9-b30c-c01ede88c5df/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b2bf3ba9-1de7-40d9-b30c-c01ede88c5df&amp;feed=KodC6fj_"/>
      <itunes:title>Marisel C. Moreno, &quot;Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art&quot; (U Texas Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:52</itunes:duration>
      <itunes:summary>Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown.
Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.
An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.
Marisel C. Moreno is the Rev. John O&apos;Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown.
Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.
An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.
Marisel C. Moreno is the Rev. John O&apos;Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6a57e910-70de-11ee-9aed-77b0adb45e4e</guid>
      <title>Christopher P. Barton, &quot;The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey&quot; (UP of Florida, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780813080222"><em>The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey</em></a><em> </em>(UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class.</p><p>Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression.</p><p>Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism.</p><p><br /></p><p>Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of <em>Trowels in the Trenches: Archaeology as Social Activism.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 25 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780813080222"><em>The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey</em></a><em> </em>(UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class.</p><p>Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression.</p><p>Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism.</p><p><br /></p><p>Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of <em>Trowels in the Trenches: Archaeology as Social Activism.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40624906" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/67efd7d5-e383-401a-889c-d4be1de681cf/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=67efd7d5-e383-401a-889c-d4be1de681cf&amp;feed=KodC6fj_"/>
      <itunes:title>Christopher P. Barton, &quot;The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey&quot; (UP of Florida, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:42:18</itunes:duration>
      <itunes:summary>The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey (UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class.
Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression.
Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism.

Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of Trowels in the Trenches: Archaeology as Social Activism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey (UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class.
Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression.
Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism.

Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of Trowels in the Trenches: Archaeology as Social Activism.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>423</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">694862d0-70fb-11ee-bd85-5bbf696d81bf</guid>
      <title>Decolonizing Praxis</title>
      <description><![CDATA[<p>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.</p><p>In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, <a href="https://www.dukeupress.edu/the-queer-art-of-failure"><em>The Queer Art of Failure</em></a> (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674000780"><em>Theory of Justice</em></a> (Harvard UP, 1971), Hugo Bedau, “<a href="https://www.jstor.org/stable/2023542">On Civil Disobedience</a>” (<em>Journal of Philosophy </em>58, no. 21 (1961): 653-665) and Carl Cohen, <a href="https://dp.la/item/820603a37a1cb66a64e671113cca4da1"><em>Civil Disobedience: Conscience, Tactics, and the Law</em></a> (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.</p><p><a href="https://www.smith.edu/people/erin-pineda">Erin Pineda</a> is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called <a href="https://bookshop.org/a/12343/9780197526439"><em>Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement</em></a> (Oxford UP, 2021).</p><p>The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from <a href="https://commons.wikimedia.org/wiki/File:Elizabeth_Eckford.jpg">wikimedia commons</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 23 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.</p><p>In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, <a href="https://www.dukeupress.edu/the-queer-art-of-failure"><em>The Queer Art of Failure</em></a> (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674000780"><em>Theory of Justice</em></a> (Harvard UP, 1971), Hugo Bedau, “<a href="https://www.jstor.org/stable/2023542">On Civil Disobedience</a>” (<em>Journal of Philosophy </em>58, no. 21 (1961): 653-665) and Carl Cohen, <a href="https://dp.la/item/820603a37a1cb66a64e671113cca4da1"><em>Civil Disobedience: Conscience, Tactics, and the Law</em></a> (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.</p><p><a href="https://www.smith.edu/people/erin-pineda">Erin Pineda</a> is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called <a href="https://bookshop.org/a/12343/9780197526439"><em>Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement</em></a> (Oxford UP, 2021).</p><p>The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from <a href="https://commons.wikimedia.org/wiki/File:Elizabeth_Eckford.jpg">wikimedia commons</a>.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="21188051" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9ace07cd-0da1-43aa-bf6b-ee616ce9c7c5/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9ace07cd-0da1-43aa-bf6b-ee616ce9c7c5&amp;feed=KodC6fj_"/>
      <itunes:title>Decolonizing Praxis</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/475a8a/475a8a11-c9ac-434e-9ff9-5a0118116964/9ace07cd-0da1-43aa-bf6b-ee616ce9c7c5/3000x3000/b7422a.jpg?aid=rss_feed"/>
      <itunes:duration>00:22:04</itunes:duration>
      <itunes:summary>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.
In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, The Queer Art of Failure (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls Theory of Justice (Harvard UP, 1971), Hugo Bedau, “On Civil Disobedience” (Journal of Philosophy 58, no. 21 (1961): 653-665) and Carl Cohen, Civil Disobedience: Conscience, Tactics, and the Law (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.
Erin Pineda is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021).
The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from wikimedia commons.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.
In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, The Queer Art of Failure (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls Theory of Justice (Harvard UP, 1971), Hugo Bedau, “On Civil Disobedience” (Journal of Philosophy 58, no. 21 (1961): 653-665) and Carl Cohen, Civil Disobedience: Conscience, Tactics, and the Law (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.
Erin Pineda is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021).
The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from wikimedia commons.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2ba20e62-6ebd-11ee-8f10-fbd1703685c4</guid>
      <title>Matthew Guariglia, &quot;Police and the Empire City: Race and the Origins of Modern Policing in New York&quot; (Duke UP, 2023)</title>
      <description><![CDATA[<p>During the years between the Civil War and World War II, police in New York City struggled with how to control a diverse metropolis. In <a href="https://www.amazon.com/Police-Empire-City-Origins-Policing/dp/1478020628"><em>Police and the Empire City: Race and the Origins of Modern Policing in New York</em></a><em> </em>(Duke UP, 2023), Matthew Guariglia tells the history of the New York Police Department to show how its origins were built upon and inseparably entwined with the history of race, ethnicity, and whiteness in the United States. </p><p>Guariglia explores the New York City Police Department through its periods of experimentation and violence as police experts imported tactics from the US occupation of the Philippines and Cuba, devised modern bureaucratic techniques to better suppress Black communities, and infiltrated supposedly unknowable immigrant neighborhoods. Innovations ranging from recruiting Chinese, Italian, and German police to form “ethnic squads” to the use of deportation and federal immigration restrictions to control local crime—even the introduction of fingerprinting—were motivated by attempts to govern a multiracial city. Campaigns to remake the police department created an urban landscape where power, gender, sexuality, race, ethnicity, crime, and bodies collided and provided a foundation for the supposedly color-blind, technocratic, federally backed, and surveillance-based policing of today.</p><p><em>﻿Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 21 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>During the years between the Civil War and World War II, police in New York City struggled with how to control a diverse metropolis. In <a href="https://www.amazon.com/Police-Empire-City-Origins-Policing/dp/1478020628"><em>Police and the Empire City: Race and the Origins of Modern Policing in New York</em></a><em> </em>(Duke UP, 2023), Matthew Guariglia tells the history of the New York Police Department to show how its origins were built upon and inseparably entwined with the history of race, ethnicity, and whiteness in the United States. </p><p>Guariglia explores the New York City Police Department through its periods of experimentation and violence as police experts imported tactics from the US occupation of the Philippines and Cuba, devised modern bureaucratic techniques to better suppress Black communities, and infiltrated supposedly unknowable immigrant neighborhoods. Innovations ranging from recruiting Chinese, Italian, and German police to form “ethnic squads” to the use of deportation and federal immigration restrictions to control local crime—even the introduction of fingerprinting—were motivated by attempts to govern a multiracial city. Campaigns to remake the police department created an urban landscape where power, gender, sexuality, race, ethnicity, crime, and bodies collided and provided a foundation for the supposedly color-blind, technocratic, federally backed, and surveillance-based policing of today.</p><p><em>﻿Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59043429" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/67e34658-4bb8-4ea9-9a22-7ec344be926c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=67e34658-4bb8-4ea9-9a22-7ec344be926c&amp;feed=KodC6fj_"/>
      <itunes:title>Matthew Guariglia, &quot;Police and the Empire City: Race and the Origins of Modern Policing in New York&quot; (Duke UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:30</itunes:duration>
      <itunes:summary>During the years between the Civil War and World War II, police in New York City struggled with how to control a diverse metropolis. In Police and the Empire City: Race and the Origins of Modern Policing in New York (Duke UP, 2023), Matthew Guariglia tells the history of the New York Police Department to show how its origins were built upon and inseparably entwined with the history of race, ethnicity, and whiteness in the United States. 
Guariglia explores the New York City Police Department through its periods of experimentation and violence as police experts imported tactics from the US occupation of the Philippines and Cuba, devised modern bureaucratic techniques to better suppress Black communities, and infiltrated supposedly unknowable immigrant neighborhoods. Innovations ranging from recruiting Chinese, Italian, and German police to form “ethnic squads” to the use of deportation and federal immigration restrictions to control local crime—even the introduction of fingerprinting—were motivated by attempts to govern a multiracial city. Campaigns to remake the police department created an urban landscape where power, gender, sexuality, race, ethnicity, crime, and bodies collided and provided a foundation for the supposedly color-blind, technocratic, federally backed, and surveillance-based policing of today.
﻿Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>During the years between the Civil War and World War II, police in New York City struggled with how to control a diverse metropolis. In Police and the Empire City: Race and the Origins of Modern Policing in New York (Duke UP, 2023), Matthew Guariglia tells the history of the New York Police Department to show how its origins were built upon and inseparably entwined with the history of race, ethnicity, and whiteness in the United States. 
Guariglia explores the New York City Police Department through its periods of experimentation and violence as police experts imported tactics from the US occupation of the Philippines and Cuba, devised modern bureaucratic techniques to better suppress Black communities, and infiltrated supposedly unknowable immigrant neighborhoods. Innovations ranging from recruiting Chinese, Italian, and German police to form “ethnic squads” to the use of deportation and federal immigration restrictions to control local crime—even the introduction of fingerprinting—were motivated by attempts to govern a multiracial city. Campaigns to remake the police department created an urban landscape where power, gender, sexuality, race, ethnicity, crime, and bodies collided and provided a foundation for the supposedly color-blind, technocratic, federally backed, and surveillance-based policing of today.
﻿Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f9c7d1d2-6611-11ee-8c9e-47544393064b</guid>
      <title>Philip Dray, &quot;A Lynching at Port Jervis: Race and Reckoning in the Gilded Age&quot; (FSG, 2022)</title>
      <description><![CDATA[<p>On June 2, 1892, in the small, idyllic village of Port Jervis, New York, a young Black man named Robert Lewis was lynched by a violent mob. The twenty-eight-year-old victim had been accused of sexually assaulting Lena McMahon, the daughter of one of the town's well-liked Irish American families. The incident was infamous at once, for it was seen as a portent that lynching, a Southern scourge, surging uncontrollably below the Mason-Dixon Line, was about to extend its tendrils northward. What factors prompted such a spasm of racial violence in a relatively prosperous, industrious upstate New York town, attracting the scrutiny of the Black journalist Ida B. Wells, just then beginning her courageous anti-lynching crusade? What meaning did the country assign to it? And what did the incident portend?</p><p>Today, it’s a terrible truth that the assault on the lives of Black Americans is neither a regional nor a temporary feature, but a national crisis. There are regular reports of a Black person killed by police, and Jim Crow has found new purpose in describing the harsh conditions of life for the formerly incarcerated, as well as in large-scale efforts to make voting inaccessible to Black people and other minority citizens. The “mobocratic spirit” that drove the 2021 attack on the U.S. Capitol―a phrase Abraham Lincoln used as early as 1838 to describe vigilantism’s corrosive effect on America―frightfully insinuates that mob violence is a viable means of effecting political change. These issues remain as deserving of our concern now as they did a hundred and thirty years ago, when America turned its gaze to Port Jervis.</p><p>An alleged crime, a lynching, a misbegotten attempt at an official inquiry, and a past unresolved. In <a href="https://bookshop.org/a/12343/9780374194413"><em>A Lynching at Port Jervis: Race and Reckoning in the Gilded Age</em></a><em> </em>(FSG, 2022), the acclaimed historian Philip Dray revisits this time and place to consider its significance in our communal history and to show how justice cannot be achieved without an honest reckoning.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 19 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>On June 2, 1892, in the small, idyllic village of Port Jervis, New York, a young Black man named Robert Lewis was lynched by a violent mob. The twenty-eight-year-old victim had been accused of sexually assaulting Lena McMahon, the daughter of one of the town's well-liked Irish American families. The incident was infamous at once, for it was seen as a portent that lynching, a Southern scourge, surging uncontrollably below the Mason-Dixon Line, was about to extend its tendrils northward. What factors prompted such a spasm of racial violence in a relatively prosperous, industrious upstate New York town, attracting the scrutiny of the Black journalist Ida B. Wells, just then beginning her courageous anti-lynching crusade? What meaning did the country assign to it? And what did the incident portend?</p><p>Today, it’s a terrible truth that the assault on the lives of Black Americans is neither a regional nor a temporary feature, but a national crisis. There are regular reports of a Black person killed by police, and Jim Crow has found new purpose in describing the harsh conditions of life for the formerly incarcerated, as well as in large-scale efforts to make voting inaccessible to Black people and other minority citizens. The “mobocratic spirit” that drove the 2021 attack on the U.S. Capitol―a phrase Abraham Lincoln used as early as 1838 to describe vigilantism’s corrosive effect on America―frightfully insinuates that mob violence is a viable means of effecting political change. These issues remain as deserving of our concern now as they did a hundred and thirty years ago, when America turned its gaze to Port Jervis.</p><p>An alleged crime, a lynching, a misbegotten attempt at an official inquiry, and a past unresolved. In <a href="https://bookshop.org/a/12343/9780374194413"><em>A Lynching at Port Jervis: Race and Reckoning in the Gilded Age</em></a><em> </em>(FSG, 2022), the acclaimed historian Philip Dray revisits this time and place to consider its significance in our communal history and to show how justice cannot be achieved without an honest reckoning.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64554118" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b956c9c7-cc5b-402f-ad31-6bc48b47d465/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b956c9c7-cc5b-402f-ad31-6bc48b47d465&amp;feed=KodC6fj_"/>
      <itunes:title>Philip Dray, &quot;A Lynching at Port Jervis: Race and Reckoning in the Gilded Age&quot; (FSG, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:07:14</itunes:duration>
      <itunes:summary>On June 2, 1892, in the small, idyllic village of Port Jervis, New York, a young Black man named Robert Lewis was lynched by a violent mob. The twenty-eight-year-old victim had been accused of sexually assaulting Lena McMahon, the daughter of one of the town&apos;s well-liked Irish American families. The incident was infamous at once, for it was seen as a portent that lynching, a Southern scourge, surging uncontrollably below the Mason-Dixon Line, was about to extend its tendrils northward. What factors prompted such a spasm of racial violence in a relatively prosperous, industrious upstate New York town, attracting the scrutiny of the Black journalist Ida B. Wells, just then beginning her courageous anti-lynching crusade? What meaning did the country assign to it? And what did the incident portend?
Today, it’s a terrible truth that the assault on the lives of Black Americans is neither a regional nor a temporary feature, but a national crisis. There are regular reports of a Black person killed by police, and Jim Crow has found new purpose in describing the harsh conditions of life for the formerly incarcerated, as well as in large-scale efforts to make voting inaccessible to Black people and other minority citizens. The “mobocratic spirit” that drove the 2021 attack on the U.S. Capitol―a phrase Abraham Lincoln used as early as 1838 to describe vigilantism’s corrosive effect on America―frightfully insinuates that mob violence is a viable means of effecting political change. These issues remain as deserving of our concern now as they did a hundred and thirty years ago, when America turned its gaze to Port Jervis.
An alleged crime, a lynching, a misbegotten attempt at an official inquiry, and a past unresolved. In A Lynching at Port Jervis: Race and Reckoning in the Gilded Age (FSG, 2022), the acclaimed historian Philip Dray revisits this time and place to consider its significance in our communal history and to show how justice cannot be achieved without an honest reckoning.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>On June 2, 1892, in the small, idyllic village of Port Jervis, New York, a young Black man named Robert Lewis was lynched by a violent mob. The twenty-eight-year-old victim had been accused of sexually assaulting Lena McMahon, the daughter of one of the town&apos;s well-liked Irish American families. The incident was infamous at once, for it was seen as a portent that lynching, a Southern scourge, surging uncontrollably below the Mason-Dixon Line, was about to extend its tendrils northward. What factors prompted such a spasm of racial violence in a relatively prosperous, industrious upstate New York town, attracting the scrutiny of the Black journalist Ida B. Wells, just then beginning her courageous anti-lynching crusade? What meaning did the country assign to it? And what did the incident portend?
Today, it’s a terrible truth that the assault on the lives of Black Americans is neither a regional nor a temporary feature, but a national crisis. There are regular reports of a Black person killed by police, and Jim Crow has found new purpose in describing the harsh conditions of life for the formerly incarcerated, as well as in large-scale efforts to make voting inaccessible to Black people and other minority citizens. The “mobocratic spirit” that drove the 2021 attack on the U.S. Capitol―a phrase Abraham Lincoln used as early as 1838 to describe vigilantism’s corrosive effect on America―frightfully insinuates that mob violence is a viable means of effecting political change. These issues remain as deserving of our concern now as they did a hundred and thirty years ago, when America turned its gaze to Port Jervis.
An alleged crime, a lynching, a misbegotten attempt at an official inquiry, and a past unresolved. In A Lynching at Port Jervis: Race and Reckoning in the Gilded Age (FSG, 2022), the acclaimed historian Philip Dray revisits this time and place to consider its significance in our communal history and to show how justice cannot be achieved without an honest reckoning.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>421</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bd78c72e-6b6e-11ee-99fa-ebac587e10b0</guid>
      <title>Katherine Jensen, &quot;The Color of Asylum: The Racial Politics of Safe Haven in Brazil&quot; (U Chicago Press, 2023)</title>
      <description><![CDATA[<p>In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil—in contrast to much of the international community—offer asylum to any Syrian who would come? And how do Syrians differ from other refugee populations seeking status in Brazil?</p><p>In <a href="https://bookshop.org/a/12343/9780226828428"><em>The Color of Asylum: The Racial Politics of Safe Haven in Brazil</em></a><em> </em>(U Chicago Press, 2023), Katherine Jensen offers an ethnographic look at the process of asylum seeking in Brazil, uncovering the different ways asylum seekers are treated and the racial logic behind their treatment. She focuses on two of the largest and most successful groups of asylum seekers: Syrian and Congolese refugees. While the groups obtain asylum status in Brazil at roughly equivalent rates, their journey to that status could not be more different, with Congolese refugees enduring significantly greater difficulties at each stage, from arrival through to their treatment by Brazilian officials. As Jensen shows, Syrians, meanwhile, receive better treatment because the Brazilian state recognizes them as white, in a nation that has historically privileged white immigration. Ultimately, however, Jensen reaches an unexpected conclusion: Regardless of their country of origin, even migrants who do secure asylum status find their lives remain extremely difficult, marked by struggle and discrimination.</p><p>Katherine Jensen is assistant professor of sociology and international studies at the University of Wisconsin-Madison.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter </em><a href="https://twitter.com/alizearican"><em>@alizearican</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 18 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil—in contrast to much of the international community—offer asylum to any Syrian who would come? And how do Syrians differ from other refugee populations seeking status in Brazil?</p><p>In <a href="https://bookshop.org/a/12343/9780226828428"><em>The Color of Asylum: The Racial Politics of Safe Haven in Brazil</em></a><em> </em>(U Chicago Press, 2023), Katherine Jensen offers an ethnographic look at the process of asylum seeking in Brazil, uncovering the different ways asylum seekers are treated and the racial logic behind their treatment. She focuses on two of the largest and most successful groups of asylum seekers: Syrian and Congolese refugees. While the groups obtain asylum status in Brazil at roughly equivalent rates, their journey to that status could not be more different, with Congolese refugees enduring significantly greater difficulties at each stage, from arrival through to their treatment by Brazilian officials. As Jensen shows, Syrians, meanwhile, receive better treatment because the Brazilian state recognizes them as white, in a nation that has historically privileged white immigration. Ultimately, however, Jensen reaches an unexpected conclusion: Regardless of their country of origin, even migrants who do secure asylum status find their lives remain extremely difficult, marked by struggle and discrimination.</p><p>Katherine Jensen is assistant professor of sociology and international studies at the University of Wisconsin-Madison.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter </em><a href="https://twitter.com/alizearican"><em>@alizearican</em></a><em>.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42651331" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/fbe23ce2-6c96-48d2-8baf-d4283fa7834f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=fbe23ce2-6c96-48d2-8baf-d4283fa7834f&amp;feed=KodC6fj_"/>
      <itunes:title>Katherine Jensen, &quot;The Color of Asylum: The Racial Politics of Safe Haven in Brazil&quot; (U Chicago Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:44:25</itunes:duration>
      <itunes:summary>In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil—in contrast to much of the international community—offer asylum to any Syrian who would come? And how do Syrians differ from other refugee populations seeking status in Brazil?
In The Color of Asylum: The Racial Politics of Safe Haven in Brazil (U Chicago Press, 2023), Katherine Jensen offers an ethnographic look at the process of asylum seeking in Brazil, uncovering the different ways asylum seekers are treated and the racial logic behind their treatment. She focuses on two of the largest and most successful groups of asylum seekers: Syrian and Congolese refugees. While the groups obtain asylum status in Brazil at roughly equivalent rates, their journey to that status could not be more different, with Congolese refugees enduring significantly greater difficulties at each stage, from arrival through to their treatment by Brazilian officials. As Jensen shows, Syrians, meanwhile, receive better treatment because the Brazilian state recognizes them as white, in a nation that has historically privileged white immigration. Ultimately, however, Jensen reaches an unexpected conclusion: Regardless of their country of origin, even migrants who do secure asylum status find their lives remain extremely difficult, marked by struggle and discrimination.
Katherine Jensen is assistant professor of sociology and international studies at the University of Wisconsin-Madison.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil—in contrast to much of the international community—offer asylum to any Syrian who would come? And how do Syrians differ from other refugee populations seeking status in Brazil?
In The Color of Asylum: The Racial Politics of Safe Haven in Brazil (U Chicago Press, 2023), Katherine Jensen offers an ethnographic look at the process of asylum seeking in Brazil, uncovering the different ways asylum seekers are treated and the racial logic behind their treatment. She focuses on two of the largest and most successful groups of asylum seekers: Syrian and Congolese refugees. While the groups obtain asylum status in Brazil at roughly equivalent rates, their journey to that status could not be more different, with Congolese refugees enduring significantly greater difficulties at each stage, from arrival through to their treatment by Brazilian officials. As Jensen shows, Syrians, meanwhile, receive better treatment because the Brazilian state recognizes them as white, in a nation that has historically privileged white immigration. Ultimately, however, Jensen reaches an unexpected conclusion: Regardless of their country of origin, even migrants who do secure asylum status find their lives remain extremely difficult, marked by struggle and discrimination.
Katherine Jensen is assistant professor of sociology and international studies at the University of Wisconsin-Madison.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">19e44426-660f-11ee-838f-6b2776ee088a</guid>
      <title>Paul Clammer, &quot;Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean&apos;s Forgotten Kingdom&quot; (Hurst, 2023)</title>
      <description><![CDATA[<p>How did a Caribbean child, born into plantation slavery, come to defeat Napoleon's armies in battle and crown himself king of the first free black nation in the Americas? <a href="https://bookshop.org/a/12343/9781787387799"><em>Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean's Forgotten Kingdom</em></a><em> </em>(Hurst, 2023) is the story of Henry Christophe: one of the most remarkable, yet least known, figures from the Age of Revolution.</p><p>Christophe fought as a child soldier in the American War of Independence, before rising to prominence during the Haitian Revolution as one of Toussaint Louverture's top generals, commanding troops against Bonaparte's invasion. Following Haitian independence, Christophe's ambition for rule helped plunge the country into civil war. He crowned himself King Henry I of Haiti, and his attempts to build a modern black state won the support of leading British abolitionists.</p><p>Christophe saw himself as an Enlightenment ruler, and his kingdom produced great literary works, epic fortresses and opulent palaces. But while he was a proud anti-imperialist and fought off French plots against him, the Haitian people chafed under his rule. After ten years on the throne, he committed suicide rather than face being overthrown. Christophe's mountaintop Citadelle still stands, as Haiti's sole World Heritage site-a monument to a revolutionary black monarchy, in a world of empire and slavery.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 18 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>How did a Caribbean child, born into plantation slavery, come to defeat Napoleon's armies in battle and crown himself king of the first free black nation in the Americas? <a href="https://bookshop.org/a/12343/9781787387799"><em>Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean's Forgotten Kingdom</em></a><em> </em>(Hurst, 2023) is the story of Henry Christophe: one of the most remarkable, yet least known, figures from the Age of Revolution.</p><p>Christophe fought as a child soldier in the American War of Independence, before rising to prominence during the Haitian Revolution as one of Toussaint Louverture's top generals, commanding troops against Bonaparte's invasion. Following Haitian independence, Christophe's ambition for rule helped plunge the country into civil war. He crowned himself King Henry I of Haiti, and his attempts to build a modern black state won the support of leading British abolitionists.</p><p>Christophe saw himself as an Enlightenment ruler, and his kingdom produced great literary works, epic fortresses and opulent palaces. But while he was a proud anti-imperialist and fought off French plots against him, the Haitian people chafed under his rule. After ten years on the throne, he committed suicide rather than face being overthrown. Christophe's mountaintop Citadelle still stands, as Haiti's sole World Heritage site-a monument to a revolutionary black monarchy, in a world of empire and slavery.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="54088319" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/f54b143e-82b9-4812-a68e-c7b7e6f684b7/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=f54b143e-82b9-4812-a68e-c7b7e6f684b7&amp;feed=KodC6fj_"/>
      <itunes:title>Paul Clammer, &quot;Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean&apos;s Forgotten Kingdom&quot; (Hurst, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:56:20</itunes:duration>
      <itunes:summary>How did a Caribbean child, born into plantation slavery, come to defeat Napoleon&apos;s armies in battle and crown himself king of the first free black nation in the Americas? Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean&apos;s Forgotten Kingdom (Hurst, 2023) is the story of Henry Christophe: one of the most remarkable, yet least known, figures from the Age of Revolution.
Christophe fought as a child soldier in the American War of Independence, before rising to prominence during the Haitian Revolution as one of Toussaint Louverture&apos;s top generals, commanding troops against Bonaparte&apos;s invasion. Following Haitian independence, Christophe&apos;s ambition for rule helped plunge the country into civil war. He crowned himself King Henry I of Haiti, and his attempts to build a modern black state won the support of leading British abolitionists.
Christophe saw himself as an Enlightenment ruler, and his kingdom produced great literary works, epic fortresses and opulent palaces. But while he was a proud anti-imperialist and fought off French plots against him, the Haitian people chafed under his rule. After ten years on the throne, he committed suicide rather than face being overthrown. Christophe&apos;s mountaintop Citadelle still stands, as Haiti&apos;s sole World Heritage site-a monument to a revolutionary black monarchy, in a world of empire and slavery.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>How did a Caribbean child, born into plantation slavery, come to defeat Napoleon&apos;s armies in battle and crown himself king of the first free black nation in the Americas? Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean&apos;s Forgotten Kingdom (Hurst, 2023) is the story of Henry Christophe: one of the most remarkable, yet least known, figures from the Age of Revolution.
Christophe fought as a child soldier in the American War of Independence, before rising to prominence during the Haitian Revolution as one of Toussaint Louverture&apos;s top generals, commanding troops against Bonaparte&apos;s invasion. Following Haitian independence, Christophe&apos;s ambition for rule helped plunge the country into civil war. He crowned himself King Henry I of Haiti, and his attempts to build a modern black state won the support of leading British abolitionists.
Christophe saw himself as an Enlightenment ruler, and his kingdom produced great literary works, epic fortresses and opulent palaces. But while he was a proud anti-imperialist and fought off French plots against him, the Haitian people chafed under his rule. After ten years on the throne, he committed suicide rather than face being overthrown. Christophe&apos;s mountaintop Citadelle still stands, as Haiti&apos;s sole World Heritage site-a monument to a revolutionary black monarchy, in a world of empire and slavery.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>420</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">192d7f3a-6b86-11ee-a064-576c9416cdea</guid>
      <title>The Future of Incarceration: A Discussion with Colleen P. Eren</title>
      <description><![CDATA[<p>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book <a href="https://bookshop.org/a/12343/9781503636736"><em>Reform Nation: The First Step Act and the Movement to End Mass Incarceration</em></a> (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 18 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book <a href="https://bookshop.org/a/12343/9781503636736"><em>Reform Nation: The First Step Act and the Movement to End Mass Incarceration</em></a> (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="38940674" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/1db685b8-9a97-4564-8754-ded5f818d5d3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=1db685b8-9a97-4564-8754-ded5f818d5d3&amp;feed=KodC6fj_"/>
      <itunes:title>The Future of Incarceration: A Discussion with Colleen P. Eren</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:40:33</itunes:duration>
      <itunes:summary>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book Reform Nation: The First Step Act and the Movement to End Mass Incarceration (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book Reform Nation: The First Step Act and the Movement to End Mass Incarceration (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">81d3d888-6b5c-11ee-886d-2b4c0eaa45bc</guid>
      <title>Orisanmi Burton, &quot;Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt&quot; (U California Press, 2023)</title>
      <description><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520396319"><em>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt</em></a> (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.</p><p>Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.</p><p><em>This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 17 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p><a href="https://bookshop.org/a/12343/9780520396319"><em>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt</em></a> (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.</p><p>Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.</p><p><em>This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50904035" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/78616de3-b130-4f52-ba21-b688f2d2206f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=78616de3-b130-4f52-ba21-b688f2d2206f&amp;feed=KodC6fj_"/>
      <itunes:title>Orisanmi Burton, &quot;Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt&quot; (U California Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:53:01</itunes:duration>
      <itunes:summary>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.
Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.
This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.
Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.
This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>416</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6835a8b6-6607-11ee-a2ab-ab6151fb1d2a</guid>
      <title>Nick Tabor, &quot;Africatown: America&apos;s Last Slave Ship and the Community It Created&quot; (St. Martin&apos;s Press, 2023)</title>
      <description><![CDATA[<p>An evocative and epic story, Nick Tabor's <a href="https://bookshop.org/a/12343/9781250766540"><em>Africatown: America's Last Slave Ship and the Community It Created</em></a><em> </em>(St. Martin's Press, 2023) charts the fraught history of America from those who were brought here as slaves but nevertheless established a home for themselves and their descendants, a community which often thrived despite persistent racism and environmental pollution.</p><p>In 1860, a ship called the <em>Clotilda</em> was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the U.S. from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders, a story chronicled in Zora Neale Hurston’s <em>Barracoon</em>.</p><p>That community, Africatown, has endured to the present day, and many of the community residents are the shipmates’ direct descendants. After many decades of neglect and a Jim Crow legal system that targeted the area for industrialization, the community is struggling to survive. Many community members believe the pollution from the heavy industry surrounding their homes has caused a cancer epidemic among residents, and companies are eyeing even more land for development.</p><p>At the same time, after the discovery of the remains of the <em>Clotilda</em> in the riverbed nearby, a renewed effort is underway to create a living memorial to the community and the lives of the slaves who founded it.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 16 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>An evocative and epic story, Nick Tabor's <a href="https://bookshop.org/a/12343/9781250766540"><em>Africatown: America's Last Slave Ship and the Community It Created</em></a><em> </em>(St. Martin's Press, 2023) charts the fraught history of America from those who were brought here as slaves but nevertheless established a home for themselves and their descendants, a community which often thrived despite persistent racism and environmental pollution.</p><p>In 1860, a ship called the <em>Clotilda</em> was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the U.S. from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders, a story chronicled in Zora Neale Hurston’s <em>Barracoon</em>.</p><p>That community, Africatown, has endured to the present day, and many of the community residents are the shipmates’ direct descendants. After many decades of neglect and a Jim Crow legal system that targeted the area for industrialization, the community is struggling to survive. Many community members believe the pollution from the heavy industry surrounding their homes has caused a cancer epidemic among residents, and companies are eyeing even more land for development.</p><p>At the same time, after the discovery of the remains of the <em>Clotilda</em> in the riverbed nearby, a renewed effort is underway to create a living memorial to the community and the lives of the slaves who founded it.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59055079" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b471f8cd-60fb-4de5-a064-bd99919a608c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b471f8cd-60fb-4de5-a064-bd99919a608c&amp;feed=KodC6fj_"/>
      <itunes:title>Nick Tabor, &quot;Africatown: America&apos;s Last Slave Ship and the Community It Created&quot; (St. Martin&apos;s Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:30</itunes:duration>
      <itunes:summary>An evocative and epic story, Nick Tabor&apos;s Africatown: America&apos;s Last Slave Ship and the Community It Created (St. Martin&apos;s Press, 2023) charts the fraught history of America from those who were brought here as slaves but nevertheless established a home for themselves and their descendants, a community which often thrived despite persistent racism and environmental pollution.
In 1860, a ship called the Clotilda was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the U.S. from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders, a story chronicled in Zora Neale Hurston’s Barracoon.
That community, Africatown, has endured to the present day, and many of the community residents are the shipmates’ direct descendants. After many decades of neglect and a Jim Crow legal system that targeted the area for industrialization, the community is struggling to survive. Many community members believe the pollution from the heavy industry surrounding their homes has caused a cancer epidemic among residents, and companies are eyeing even more land for development.
At the same time, after the discovery of the remains of the Clotilda in the riverbed nearby, a renewed effort is underway to create a living memorial to the community and the lives of the slaves who founded it.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>An evocative and epic story, Nick Tabor&apos;s Africatown: America&apos;s Last Slave Ship and the Community It Created (St. Martin&apos;s Press, 2023) charts the fraught history of America from those who were brought here as slaves but nevertheless established a home for themselves and their descendants, a community which often thrived despite persistent racism and environmental pollution.
In 1860, a ship called the Clotilda was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the U.S. from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders, a story chronicled in Zora Neale Hurston’s Barracoon.
That community, Africatown, has endured to the present day, and many of the community residents are the shipmates’ direct descendants. After many decades of neglect and a Jim Crow legal system that targeted the area for industrialization, the community is struggling to survive. Many community members believe the pollution from the heavy industry surrounding their homes has caused a cancer epidemic among residents, and companies are eyeing even more land for development.
At the same time, after the discovery of the remains of the Clotilda in the riverbed nearby, a renewed effort is underway to create a living memorial to the community and the lives of the slaves who founded it.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>419</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">a3ec672a-687b-11ee-b564-3b82906a4753</guid>
      <title>John D. Garrigus, &quot;A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution&quot; (Harvard UP, 2023)</title>
      <description><![CDATA[<p>A bold rethinking of the Haitian Revolution reveals the roots of the only successful slave uprising in the modern world.</p><p>Unearthing the progenitors of the Haitian Revolution has been a historical project of two hundred years. In <a href="https://bookshop.org/a/12343/9780674272828"><em>A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution</em></a> (Harvard UP, 2023), John D. Garrigus introduces two dozen Black men and women and their communities whose decades of resistance to deadly environmental and political threats preceded and shaped the 1791 revolt.</p><p>In the twenty-five miles surrounding the revolt’s first fires, enslaved people of diverse origins lived in a crucible of forces that arose from the French colonial project. When a combination of drought, trade blockade, and deadly anthrax bacteria caused waves of death among the enslaved in the 1750s, poison investigations spiraled across plantations. Planters accused, tortured, and killed enslaved healers, survivors, and community leaders for deaths the French regime had caused. Facing inquisition, exploitation, starvation, and disease, enslaved people devised resistance strategies that they practiced for decades. Enslaved men and women organized labor stoppages and allied with free Blacks to force the French into negotiations. They sought enforcement of freedom promises and legal protection from abuse. Some killed their abusers.</p><p>Through remarkable archival discoveries and creative interpretations of the worlds endured by the enslaved, <em>A Secret Among the Blacks </em>reveals the range of complex, long-term political visions pursued by enslaved people who organized across plantations located in the seedbed of the Haitian Revolution. When the call to rebellion came, these men and women were prepared to answer.</p><p><em>Brigid Wallace is a Graduate Student in the History Department at Lehigh University. (Twitter: @faithismine51)</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 15 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A bold rethinking of the Haitian Revolution reveals the roots of the only successful slave uprising in the modern world.</p><p>Unearthing the progenitors of the Haitian Revolution has been a historical project of two hundred years. In <a href="https://bookshop.org/a/12343/9780674272828"><em>A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution</em></a> (Harvard UP, 2023), John D. Garrigus introduces two dozen Black men and women and their communities whose decades of resistance to deadly environmental and political threats preceded and shaped the 1791 revolt.</p><p>In the twenty-five miles surrounding the revolt’s first fires, enslaved people of diverse origins lived in a crucible of forces that arose from the French colonial project. When a combination of drought, trade blockade, and deadly anthrax bacteria caused waves of death among the enslaved in the 1750s, poison investigations spiraled across plantations. Planters accused, tortured, and killed enslaved healers, survivors, and community leaders for deaths the French regime had caused. Facing inquisition, exploitation, starvation, and disease, enslaved people devised resistance strategies that they practiced for decades. Enslaved men and women organized labor stoppages and allied with free Blacks to force the French into negotiations. They sought enforcement of freedom promises and legal protection from abuse. Some killed their abusers.</p><p>Through remarkable archival discoveries and creative interpretations of the worlds endured by the enslaved, <em>A Secret Among the Blacks </em>reveals the range of complex, long-term political visions pursued by enslaved people who organized across plantations located in the seedbed of the Haitian Revolution. When the call to rebellion came, these men and women were prepared to answer.</p><p><em>Brigid Wallace is a Graduate Student in the History Department at Lehigh University. (Twitter: @faithismine51)</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57061237" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/4739c11b-feca-4558-8525-f3fe660372f8/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=4739c11b-feca-4558-8525-f3fe660372f8&amp;feed=KodC6fj_"/>
      <itunes:title>John D. Garrigus, &quot;A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution&quot; (Harvard UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:59:26</itunes:duration>
      <itunes:summary>A bold rethinking of the Haitian Revolution reveals the roots of the only successful slave uprising in the modern world.
Unearthing the progenitors of the Haitian Revolution has been a historical project of two hundred years. In A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution (Harvard UP, 2023), John D. Garrigus introduces two dozen Black men and women and their communities whose decades of resistance to deadly environmental and political threats preceded and shaped the 1791 revolt.
In the twenty-five miles surrounding the revolt’s first fires, enslaved people of diverse origins lived in a crucible of forces that arose from the French colonial project. When a combination of drought, trade blockade, and deadly anthrax bacteria caused waves of death among the enslaved in the 1750s, poison investigations spiraled across plantations. Planters accused, tortured, and killed enslaved healers, survivors, and community leaders for deaths the French regime had caused. Facing inquisition, exploitation, starvation, and disease, enslaved people devised resistance strategies that they practiced for decades. Enslaved men and women organized labor stoppages and allied with free Blacks to force the French into negotiations. They sought enforcement of freedom promises and legal protection from abuse. Some killed their abusers.
Through remarkable archival discoveries and creative interpretations of the worlds endured by the enslaved, A Secret Among the Blacks reveals the range of complex, long-term political visions pursued by enslaved people who organized across plantations located in the seedbed of the Haitian Revolution. When the call to rebellion came, these men and women were prepared to answer.
Brigid Wallace is a Graduate Student in the History Department at Lehigh University. (Twitter: @faithismine51)

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A bold rethinking of the Haitian Revolution reveals the roots of the only successful slave uprising in the modern world.
Unearthing the progenitors of the Haitian Revolution has been a historical project of two hundred years. In A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution (Harvard UP, 2023), John D. Garrigus introduces two dozen Black men and women and their communities whose decades of resistance to deadly environmental and political threats preceded and shaped the 1791 revolt.
In the twenty-five miles surrounding the revolt’s first fires, enslaved people of diverse origins lived in a crucible of forces that arose from the French colonial project. When a combination of drought, trade blockade, and deadly anthrax bacteria caused waves of death among the enslaved in the 1750s, poison investigations spiraled across plantations. Planters accused, tortured, and killed enslaved healers, survivors, and community leaders for deaths the French regime had caused. Facing inquisition, exploitation, starvation, and disease, enslaved people devised resistance strategies that they practiced for decades. Enslaved men and women organized labor stoppages and allied with free Blacks to force the French into negotiations. They sought enforcement of freedom promises and legal protection from abuse. Some killed their abusers.
Through remarkable archival discoveries and creative interpretations of the worlds endured by the enslaved, A Secret Among the Blacks reveals the range of complex, long-term political visions pursued by enslaved people who organized across plantations located in the seedbed of the Haitian Revolution. When the call to rebellion came, these men and women were prepared to answer.
Brigid Wallace is a Graduate Student in the History Department at Lehigh University. (Twitter: @faithismine51)

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">343816d8-6603-11ee-9166-d752de0dac15</guid>
      <title>Michael Taylor, &quot;The Interest: How the British Establishment Resisted the Abolition of Slavery&quot; (Bodley Head, 2021)</title>
      <description><![CDATA[<p>In 1807, Parliament outlawed the slave trade in the British Empire, but for the next quarter of a century, despite heroic and bloody rebellions, more than 700,000 people in the British colonies remained enslaved. And when a renewed abolitionist campaign was mounted, making slave ownership the defining political and moral issue of the day, emancipation was fiercely resisted by the powerful 'West India Interest'. Supported by nearly every leading figure of the British establishment - including Canning, Peel and Gladstone, <em>The Times</em> and <em>Spectator</em> - the Interest ensured that slavery survived until 1833 and that when abolition came at last, compensation worth billions in today's money was given not to the enslaved but to the slaveholders, entrenching the power of their families to shape modern Britain to this day.</p><p>Drawing on major new research, Michael Taylor's <a href="https://www.amazon.com/The-Interest/dp/1847925715"><em>The Interest: How the British Establishment Resisted the Abolition of Slavery</em></a> (Bodley Head, 2021) provides a gripping narrative account of the tumultuous and often violent battle that divided and scarred the nation during these years of upheaval. <em>The Interest</em> reveals the lengths to which British leaders went to defend the indefensible in the name of profit, showing that the ultimate triumph of abolition came at a bitter cost and was one of the darkest and most dramatic episodes in British history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 15 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In 1807, Parliament outlawed the slave trade in the British Empire, but for the next quarter of a century, despite heroic and bloody rebellions, more than 700,000 people in the British colonies remained enslaved. And when a renewed abolitionist campaign was mounted, making slave ownership the defining political and moral issue of the day, emancipation was fiercely resisted by the powerful 'West India Interest'. Supported by nearly every leading figure of the British establishment - including Canning, Peel and Gladstone, <em>The Times</em> and <em>Spectator</em> - the Interest ensured that slavery survived until 1833 and that when abolition came at last, compensation worth billions in today's money was given not to the enslaved but to the slaveholders, entrenching the power of their families to shape modern Britain to this day.</p><p>Drawing on major new research, Michael Taylor's <a href="https://www.amazon.com/The-Interest/dp/1847925715"><em>The Interest: How the British Establishment Resisted the Abolition of Slavery</em></a> (Bodley Head, 2021) provides a gripping narrative account of the tumultuous and often violent battle that divided and scarred the nation during these years of upheaval. <em>The Interest</em> reveals the lengths to which British leaders went to defend the indefensible in the name of profit, showing that the ultimate triumph of abolition came at a bitter cost and was one of the darkest and most dramatic episodes in British history.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="76006864" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/a5ba30d4-202a-49ba-bc77-e492d73955c3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=a5ba30d4-202a-49ba-bc77-e492d73955c3&amp;feed=KodC6fj_"/>
      <itunes:title>Michael Taylor, &quot;The Interest: How the British Establishment Resisted the Abolition of Slavery&quot; (Bodley Head, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:19:10</itunes:duration>
      <itunes:summary>In 1807, Parliament outlawed the slave trade in the British Empire, but for the next quarter of a century, despite heroic and bloody rebellions, more than 700,000 people in the British colonies remained enslaved. And when a renewed abolitionist campaign was mounted, making slave ownership the defining political and moral issue of the day, emancipation was fiercely resisted by the powerful &apos;West India Interest&apos;. Supported by nearly every leading figure of the British establishment - including Canning, Peel and Gladstone, The Times and Spectator - the Interest ensured that slavery survived until 1833 and that when abolition came at last, compensation worth billions in today&apos;s money was given not to the enslaved but to the slaveholders, entrenching the power of their families to shape modern Britain to this day.
Drawing on major new research, Michael Taylor&apos;s The Interest: How the British Establishment Resisted the Abolition of Slavery (Bodley Head, 2021) provides a gripping narrative account of the tumultuous and often violent battle that divided and scarred the nation during these years of upheaval. The Interest reveals the lengths to which British leaders went to defend the indefensible in the name of profit, showing that the ultimate triumph of abolition came at a bitter cost and was one of the darkest and most dramatic episodes in British history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In 1807, Parliament outlawed the slave trade in the British Empire, but for the next quarter of a century, despite heroic and bloody rebellions, more than 700,000 people in the British colonies remained enslaved. And when a renewed abolitionist campaign was mounted, making slave ownership the defining political and moral issue of the day, emancipation was fiercely resisted by the powerful &apos;West India Interest&apos;. Supported by nearly every leading figure of the British establishment - including Canning, Peel and Gladstone, The Times and Spectator - the Interest ensured that slavery survived until 1833 and that when abolition came at last, compensation worth billions in today&apos;s money was given not to the enslaved but to the slaveholders, entrenching the power of their families to shape modern Britain to this day.
Drawing on major new research, Michael Taylor&apos;s The Interest: How the British Establishment Resisted the Abolition of Slavery (Bodley Head, 2021) provides a gripping narrative account of the tumultuous and often violent battle that divided and scarred the nation during these years of upheaval. The Interest reveals the lengths to which British leaders went to defend the indefensible in the name of profit, showing that the ultimate triumph of abolition came at a bitter cost and was one of the darkest and most dramatic episodes in British history.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>418</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2d98a4d6-65ff-11ee-ba66-e3781fba36b5</guid>
      <title>Kristen Green, &quot;The Devil&apos;s Half Acre: The Untold Story of How One Woman Liberated the South&apos;s Most Notorious Slave Jail&quot; (Seal Press, 2022)</title>
      <description><![CDATA[<p>The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs. In <a href="https://bookshop.org/a/12343/9781541675636"><em>The Devil's Half Acre: The Untold Story of How One Woman Liberated the South's Most Notorious Slave Jail</em></a> (Seal Press, 2022), New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.”</p><p>When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities. A sweeping narrative of a life in the margins of the American slave trade, <em>The Devil’s Half Acre</em> brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 14 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs. In <a href="https://bookshop.org/a/12343/9781541675636"><em>The Devil's Half Acre: The Untold Story of How One Woman Liberated the South's Most Notorious Slave Jail</em></a> (Seal Press, 2022), New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.”</p><p>When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities. A sweeping narrative of a life in the margins of the American slave trade, <em>The Devil’s Half Acre</em> brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61007884" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/163da170-9d8a-45cd-a223-7aa1158f0a4c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=163da170-9d8a-45cd-a223-7aa1158f0a4c&amp;feed=KodC6fj_"/>
      <itunes:title>Kristen Green, &quot;The Devil&apos;s Half Acre: The Untold Story of How One Woman Liberated the South&apos;s Most Notorious Slave Jail&quot; (Seal Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:03:32</itunes:duration>
      <itunes:summary>The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs. In The Devil&apos;s Half Acre: The Untold Story of How One Woman Liberated the South&apos;s Most Notorious Slave Jail (Seal Press, 2022), New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.”
When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities. A sweeping narrative of a life in the margins of the American slave trade, The Devil’s Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs. In The Devil&apos;s Half Acre: The Untold Story of How One Woman Liberated the South&apos;s Most Notorious Slave Jail (Seal Press, 2022), New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.”
When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities. A sweeping narrative of a life in the margins of the American slave trade, The Devil’s Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>417</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f735bfa8-65e7-11ee-ae3a-f3948e5a0717</guid>
      <title>Robert Greene and Tyler D. Parry, &quot;Invisible No More: The African American Experience at the University of South Carolina&quot; (U South Carolina Press, 2021)</title>
      <description><![CDATA[<p>Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume<a href="https://bookshop.org/a/12343/9781643362540"> <em>Invisible No More: The African American Experience at the University of South Carolina </em></a>(U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university.</p><p>Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both.</p><p>Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. <em>Invisible No More </em>represents another contribution to this long struggle.</p><p>A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 13 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume<a href="https://bookshop.org/a/12343/9781643362540"> <em>Invisible No More: The African American Experience at the University of South Carolina </em></a>(U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university.</p><p>Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both.</p><p>Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. <em>Invisible No More </em>represents another contribution to this long struggle.</p><p>A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="48390393" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8e0e80a5-dfcb-4a43-8a78-2cf9df3d1063/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8e0e80a5-dfcb-4a43-8a78-2cf9df3d1063&amp;feed=KodC6fj_"/>
      <itunes:title>Robert Greene and Tyler D. Parry, &quot;Invisible No More: The African American Experience at the University of South Carolina&quot; (U South Carolina Press, 2021)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:50:24</itunes:duration>
      <itunes:summary>Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry&apos;s edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university&apos;s history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university.
Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university&apos;s history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both.
Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This &quot;first desegregation,&quot; which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the &quot;second desegregation&quot; ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle.
A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry&apos;s edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university&apos;s history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university.
Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university&apos;s history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both.
Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This &quot;first desegregation,&quot; which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the &quot;second desegregation&quot; ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle.
A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>414</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">9bd313d4-6792-11ee-91b2-e7a64b35a0db</guid>
      <title>Alejandra Dubcovsky, &quot;Talking Back: Native Women and the Making of the Early South&quot; (Yale UP, 2023)</title>
      <description><![CDATA[<p>Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative.</p><p>In <a href="https://bookshop.org/a/12343/9780300266122"><em>Talking Back: Native Women and the Making of the Early South</em></a> (Yale UP, 2023), Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.</p><p><a href="http://www.brandontjett.com/"><em>Brandon T. Jett</em></a><em>, professor of history at Florida SouthWestern State College, creator of the </em><a href="http://www.lynchinginlabelle.com/"><em>Lynching in LaBelle</em></a><em> Digital History Project, and author of </em><a href="https://bookshop.org/a/12343/9780807175071"><em>Race, Crime, and Policing in the Jim Crow South</em></a><em> (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 13 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative.</p><p>In <a href="https://bookshop.org/a/12343/9780300266122"><em>Talking Back: Native Women and the Making of the Early South</em></a> (Yale UP, 2023), Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.</p><p><a href="http://www.brandontjett.com/"><em>Brandon T. Jett</em></a><em>, professor of history at Florida SouthWestern State College, creator of the </em><a href="http://www.lynchinginlabelle.com/"><em>Lynching in LaBelle</em></a><em> Digital History Project, and author of </em><a href="https://bookshop.org/a/12343/9780807175071"><em>Race, Crime, and Policing in the Jim Crow South</em></a><em> (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="57604295" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/b9c910f5-d6df-4a6b-aa10-3f9b9b3cee5f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=b9c910f5-d6df-4a6b-aa10-3f9b9b3cee5f&amp;feed=KodC6fj_"/>
      <itunes:title>Alejandra Dubcovsky, &quot;Talking Back: Native Women and the Making of the Early South&quot; (Yale UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:00:00</itunes:duration>
      <itunes:summary>Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative.
In Talking Back: Native Women and the Making of the Early South (Yale UP, 2023), Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative.
In Talking Back: Native Women and the Making of the Early South (Yale UP, 2023), Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">16546eba-65f8-11ee-8bc8-9bad88562ec0</guid>
      <title>Helen Rappaport, &quot;In Search of Mary Seacole: The Making of a Black Cultural Icon&quot; (Pegasus Books, 2022)</title>
      <description><![CDATA[<p>Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain.</p><p>She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten.</p><p>More recently, her profile has been revived and her reputation lionized, with a statue of her standing outside St Thomas's Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. <em>In Search of Mary Seacole</em> is the fruit of almost twenty years of research and reveals the truth about Seacole's personal life, her "rivalry" with Florence Nightingale, and other misconceptions.</p><p>Vivid and moving, <a href="https://bookshop.org/a/12343/9781639362745"><em>In Search of Mary Seacole: The Making of a Black Cultural Icon</em></a> (Pegasus Books, 2022) shows that reality is often more remarkable and more dramatic than the legend.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 13 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain.</p><p>She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten.</p><p>More recently, her profile has been revived and her reputation lionized, with a statue of her standing outside St Thomas's Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. <em>In Search of Mary Seacole</em> is the fruit of almost twenty years of research and reveals the truth about Seacole's personal life, her "rivalry" with Florence Nightingale, and other misconceptions.</p><p>Vivid and moving, <a href="https://bookshop.org/a/12343/9781639362745"><em>In Search of Mary Seacole: The Making of a Black Cultural Icon</em></a> (Pegasus Books, 2022) shows that reality is often more remarkable and more dramatic than the legend.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="70068092" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/563e8fe5-aa20-4fb7-a42c-df22ee268d3c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=563e8fe5-aa20-4fb7-a42c-df22ee268d3c&amp;feed=KodC6fj_"/>
      <itunes:title>Helen Rappaport, &quot;In Search of Mary Seacole: The Making of a Black Cultural Icon&quot; (Pegasus Books, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:12:59</itunes:duration>
      <itunes:summary>Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain.
She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten.
More recently, her profile has been revived and her reputation lionized, with a statue of her standing outside St Thomas&apos;s Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. In Search of Mary Seacole is the fruit of almost twenty years of research and reveals the truth about Seacole&apos;s personal life, her &quot;rivalry&quot; with Florence Nightingale, and other misconceptions.
Vivid and moving, In Search of Mary Seacole: The Making of a Black Cultural Icon (Pegasus Books, 2022) shows that reality is often more remarkable and more dramatic than the legend.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain.
She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten.
More recently, her profile has been revived and her reputation lionized, with a statue of her standing outside St Thomas&apos;s Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. In Search of Mary Seacole is the fruit of almost twenty years of research and reveals the truth about Seacole&apos;s personal life, her &quot;rivalry&quot; with Florence Nightingale, and other misconceptions.
Vivid and moving, In Search of Mary Seacole: The Making of a Black Cultural Icon (Pegasus Books, 2022) shows that reality is often more remarkable and more dramatic than the legend.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>416</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">06b40348-6531-11ee-bb83-c71cad5e3dd7</guid>
      <title>Paraska Tolan-Szkilnik, &quot;Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future&quot; (Stanford UP, 2023)</title>
      <description><![CDATA[<p>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the <em>Journées Cinématographiques de Carthage</em>; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.</p><p>Paraska Tolan-Szkilnik's book <a href="https://bookshop.org/a/12343/9781503634824"><em>Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future</em></a> (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.</p><p>Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.</p><p><em>Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 11 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the <em>Journées Cinématographiques de Carthage</em>; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.</p><p>Paraska Tolan-Szkilnik's book <a href="https://bookshop.org/a/12343/9781503634824"><em>Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future</em></a> (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.</p><p>Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.</p><p><em>Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="37919670" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/9afebfd9-4745-47b5-84d4-8d6a9f79acee/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=9afebfd9-4745-47b5-84d4-8d6a9f79acee&amp;feed=KodC6fj_"/>
      <itunes:title>Paraska Tolan-Szkilnik, &quot;Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future&quot; (Stanford UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:39:29</itunes:duration>
      <itunes:summary>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.
Paraska Tolan-Szkilnik&apos;s book Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.
Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.
Paraska Tolan-Szkilnik&apos;s book Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.
Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b16c7db6-65f3-11ee-8360-478df6b5c669</guid>
      <title>Amrita Chakrabarti Myers, &quot;The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn&quot; (UNC Press, 2023)</title>
      <description><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469675237"><em>The Vice President's Black Wife: The Untold Life of Julia Chinn</em></a> (UNC Press, 2023), award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted.</p><p>What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career and Myers compellingly demonstrates that it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 10 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469675237"><em>The Vice President's Black Wife: The Untold Life of Julia Chinn</em></a> (UNC Press, 2023), award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted.</p><p>What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career and Myers compellingly demonstrates that it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="63898369" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e978da67-8090-46fe-ba26-fd23168248fa/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e978da67-8090-46fe-ba26-fd23168248fa&amp;feed=KodC6fj_"/>
      <itunes:title>Amrita Chakrabarti Myers, &quot;The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn&quot; (UNC Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:33</itunes:duration>
      <itunes:summary>In The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn (UNC Press, 2023), award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring&apos;s slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple&apos;s world. Chinn&apos;s relationship with Johnson was unlikely to have been consensual since she was never manumitted.
What makes Chinn&apos;s life exceptional is the power that Johnson invested in her, the opportunities the couple&apos;s relationship afforded her and her daughters, and their community&apos;s tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career and Myers compellingly demonstrates that it wasn&apos;t interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In The Vice President&apos;s Black Wife: The Untold Life of Julia Chinn (UNC Press, 2023), award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring&apos;s slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple&apos;s world. Chinn&apos;s relationship with Johnson was unlikely to have been consensual since she was never manumitted.
What makes Chinn&apos;s life exceptional is the power that Johnson invested in her, the opportunities the couple&apos;s relationship afforded her and her daughters, and their community&apos;s tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career and Myers compellingly demonstrates that it wasn&apos;t interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>415</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cab003e0-615e-11ee-8ae8-d35d2ee43f78</guid>
      <title>John Arena, &quot;Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark&quot; (U Minnesota Press, 2023)</title>
      <description><![CDATA[<p>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. </p><p>John Arena's book <a href="https://bookshop.org/a/12343/9781517913687"><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></a><em> </em>(U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, <em>Expelling Public Schools</em> is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.</p><p><a href="https://www.rhodes.edu/bio/laura-kelly"><em>Laura Beth Kelly</em></a><em> is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 9 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. </p><p>John Arena's book <a href="https://bookshop.org/a/12343/9781517913687"><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></a><em> </em>(U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, <em>Expelling Public Schools</em> is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.</p><p><a href="https://www.rhodes.edu/bio/laura-kelly"><em>Laura Beth Kelly</em></a><em> is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45212952" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/53eeb611-4dfc-4b92-8be2-65a5f30c7f04/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=53eeb611-4dfc-4b92-8be2-65a5f30c7f04&amp;feed=KodC6fj_"/>
      <itunes:title>John Arena, &quot;Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark&quot; (U Minnesota Press, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:05</itunes:duration>
      <itunes:summary>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. 
John Arena&apos;s book Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark (U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, Expelling Public Schools is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.
Laura Beth Kelly is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. 
John Arena&apos;s book Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark (U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, Expelling Public Schools is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.
Laura Beth Kelly is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">2ce7a24e-6168-11ee-affb-b7350fe0bd63</guid>
      <title>Sharon Patricia Holland, &quot;an other: a black feminist consideration of animal life&quot; (Duke UP, 2023)</title>
      <description><![CDATA[<p>In <a href="https://www.dukeupress.edu/an-other"><em>an other: a black feminist examination of animal life</em></a> (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.</p><p><a href="https://americanstudies.unc.edu/sharon-p-holland/">Sharon P. Holland</a> (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.</p><p><em>Callie Smith, PhD. is a museum educator and poet based in Louisiana.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 7 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In <a href="https://www.dukeupress.edu/an-other"><em>an other: a black feminist examination of animal life</em></a> (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.</p><p><a href="https://americanstudies.unc.edu/sharon-p-holland/">Sharon P. Holland</a> (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.</p><p><em>Callie Smith, PhD. is a museum educator and poet based in Louisiana.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="64203468" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/dc584eb9-04de-4297-8b94-90eb62bbb424/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=dc584eb9-04de-4297-8b94-90eb62bbb424&amp;feed=KodC6fj_"/>
      <itunes:title>Sharon Patricia Holland, &quot;an other: a black feminist consideration of animal life&quot; (Duke UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:06:52</itunes:duration>
      <itunes:summary>In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE&apos;s incarnation as an animal liberation group; uses sovereignty in Morrison&apos;s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett&apos;s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.
Callie Smith, PhD. is a museum educator and poet based in Louisiana.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE&apos;s incarnation as an animal liberation group; uses sovereignty in Morrison&apos;s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett&apos;s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.
Callie Smith, PhD. is a museum educator and poet based in Louisiana.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7da3844c-5ec4-11ee-8904-83dfe340d5cf</guid>
      <title>Maxine Berg and Pat Hudson, &quot;Slavery, Capitalism and the Industrial Revolution&quot; (Polity, 2023)</title>
      <description><![CDATA[<p>In their remarkable new book <a href="https://bookshop.org/a/12343/9781509552689"><em>Slavery, Capitalism, and the Industrial Revolution</em></a> (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.</p><p>In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.</p><p>The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 4 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In their remarkable new book <a href="https://bookshop.org/a/12343/9781509552689"><em>Slavery, Capitalism, and the Industrial Revolution</em></a> (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.</p><p>In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.</p><p>The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="92038024" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/24b06f1b-d4c1-4bed-b76f-3dc8a52008ab/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=24b06f1b-d4c1-4bed-b76f-3dc8a52008ab&amp;feed=KodC6fj_"/>
      <itunes:title>Maxine Berg and Pat Hudson, &quot;Slavery, Capitalism and the Industrial Revolution&quot; (Polity, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:35:52</itunes:duration>
      <itunes:summary>In their remarkable new book Slavery, Capitalism, and the Industrial Revolution (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.
In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.
The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In their remarkable new book Slavery, Capitalism, and the Industrial Revolution (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.
In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.
The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1368</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">cbfe785e-5af5-11ee-b7ae-7774a0109817</guid>
      <title>Rebecca J. Fraser, &quot;Black Female Intellectuals in 19th Century America: Born to Bloom Unseen?&quot; (Routledge, 2022)</title>
      <description><![CDATA[<p>Drawing on letters, personal testimony, works of art, novels, and historic Black newspapers, this book is an interdisciplinary exploration of Black women’s contributions to the intellectual life of nineteenth-century America.</p><p>Rebecca J Fraser's book <a href="https://bookshop.org/a/12343/9781032220444"><em>Black Female Intellectuals in 19th Century America: Born to Bloom Unseen? </em></a>(Routledge, 2022) reconceptualizes the idea of what the term "intellectual" means through its discussions of both familiar and often forgotten Black women, including Edmonia Lewis, Harriet Powers, Sojourner Truth, and Harriet Tubman, amongst others. This re-envisioning brings those who have previously been excluded from the scholarship of Black intellectualism more generally, and Black female intellectuals specifically, into the center of the debate. Importantly, it also situates the histories of Black women participating in the intellectual cultures of the United States much earlier than most previous scholarship.</p><p>This book will be of interest to both undergraduate and postgraduate specialists and students in the fields of African American history, women’s and gender history, and American studies, as well as general readers interested in historical and biographical works.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 1 Oct 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Drawing on letters, personal testimony, works of art, novels, and historic Black newspapers, this book is an interdisciplinary exploration of Black women’s contributions to the intellectual life of nineteenth-century America.</p><p>Rebecca J Fraser's book <a href="https://bookshop.org/a/12343/9781032220444"><em>Black Female Intellectuals in 19th Century America: Born to Bloom Unseen? </em></a>(Routledge, 2022) reconceptualizes the idea of what the term "intellectual" means through its discussions of both familiar and often forgotten Black women, including Edmonia Lewis, Harriet Powers, Sojourner Truth, and Harriet Tubman, amongst others. This re-envisioning brings those who have previously been excluded from the scholarship of Black intellectualism more generally, and Black female intellectuals specifically, into the center of the debate. Importantly, it also situates the histories of Black women participating in the intellectual cultures of the United States much earlier than most previous scholarship.</p><p>This book will be of interest to both undergraduate and postgraduate specialists and students in the fields of African American history, women’s and gender history, and American studies, as well as general readers interested in historical and biographical works.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="85949084" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/de96cb8f-943c-4a2b-9023-bb570cafca65/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=de96cb8f-943c-4a2b-9023-bb570cafca65&amp;feed=KodC6fj_"/>
      <itunes:title>Rebecca J. Fraser, &quot;Black Female Intellectuals in 19th Century America: Born to Bloom Unseen?&quot; (Routledge, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:29:31</itunes:duration>
      <itunes:summary>Drawing on letters, personal testimony, works of art, novels, and historic Black newspapers, this book is an interdisciplinary exploration of Black women’s contributions to the intellectual life of nineteenth-century America.
Rebecca J Fraser&apos;s book Black Female Intellectuals in 19th Century America: Born to Bloom Unseen? (Routledge, 2022) reconceptualizes the idea of what the term &quot;intellectual&quot; means through its discussions of both familiar and often forgotten Black women, including Edmonia Lewis, Harriet Powers, Sojourner Truth, and Harriet Tubman, amongst others. This re-envisioning brings those who have previously been excluded from the scholarship of Black intellectualism more generally, and Black female intellectuals specifically, into the center of the debate. Importantly, it also situates the histories of Black women participating in the intellectual cultures of the United States much earlier than most previous scholarship.
This book will be of interest to both undergraduate and postgraduate specialists and students in the fields of African American history, women’s and gender history, and American studies, as well as general readers interested in historical and biographical works.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Drawing on letters, personal testimony, works of art, novels, and historic Black newspapers, this book is an interdisciplinary exploration of Black women’s contributions to the intellectual life of nineteenth-century America.
Rebecca J Fraser&apos;s book Black Female Intellectuals in 19th Century America: Born to Bloom Unseen? (Routledge, 2022) reconceptualizes the idea of what the term &quot;intellectual&quot; means through its discussions of both familiar and often forgotten Black women, including Edmonia Lewis, Harriet Powers, Sojourner Truth, and Harriet Tubman, amongst others. This re-envisioning brings those who have previously been excluded from the scholarship of Black intellectualism more generally, and Black female intellectuals specifically, into the center of the debate. Importantly, it also situates the histories of Black women participating in the intellectual cultures of the United States much earlier than most previous scholarship.
This book will be of interest to both undergraduate and postgraduate specialists and students in the fields of African American history, women’s and gender history, and American studies, as well as general readers interested in historical and biographical works.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>413</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f06ee07e-5af1-11ee-afa0-437c2c7c577f</guid>
      <title>Kiana Fitzgerald, &quot;Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music&quot; (Running Press Adult, 2023)</title>
      <description><![CDATA[<p>From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. <em>Ode to Hip-Hop </em>chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking <em>As Nasty As They Wanna Be</em> in 1989 to Cardi B's similarly provocative <em>Invasion of Privacy</em> almost thirty years later, and more<em>,</em> Kiana Fitzgerald's book <a href="https://bookshop.org/a/12343/9780762482979"><em>Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music</em></a><em> </em>(Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 30 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. <em>Ode to Hip-Hop </em>chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking <em>As Nasty As They Wanna Be</em> in 1989 to Cardi B's similarly provocative <em>Invasion of Privacy</em> almost thirty years later, and more<em>,</em> Kiana Fitzgerald's book <a href="https://bookshop.org/a/12343/9780762482979"><em>Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music</em></a><em> </em>(Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="45897635" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8b9444ed-ebd8-471c-b212-e822bdfead7b/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8b9444ed-ebd8-471c-b212-e822bdfead7b&amp;feed=KodC6fj_"/>
      <itunes:title>Kiana Fitzgerald, &quot;Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music&quot; (Running Press Adult, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:47:48</itunes:duration>
      <itunes:summary>From underground roots to mainstream popularity, hip-hop&apos;s influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew&apos;s groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B&apos;s similarly provocative Invasion of Privacy almost thirty years later, and more, Kiana Fitzgerald&apos;s book Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music (Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>From underground roots to mainstream popularity, hip-hop&apos;s influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew&apos;s groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B&apos;s similarly provocative Invasion of Privacy almost thirty years later, and more, Kiana Fitzgerald&apos;s book Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music (Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>412</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ac2670bc-5b0a-11ee-92e9-5b8906af220f</guid>
      <title>Sara Marcus, &quot;Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis&quot; (Harvard UP, 2023)</title>
      <description><![CDATA[<p>Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity.</p><p>Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities.</p><p><a href="https://bookshop.org/a/12343/9780674248656"><em>Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis</em></a> (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world.</p><p>Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 30 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity.</p><p>Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities.</p><p><a href="https://bookshop.org/a/12343/9780674248656"><em>Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis</em></a> (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world.</p><p>Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="40115181" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/daa78a11-c69b-496d-b8ef-b96cf103a867/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=daa78a11-c69b-496d-b8ef-b96cf103a867&amp;feed=KodC6fj_"/>
      <itunes:title>Sara Marcus, &quot;Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis&quot; (Harvard UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:41:47</itunes:duration>
      <itunes:summary>Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity.
Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities.
Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world.
Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus&apos;s unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity.
Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities.
Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world.
Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus&apos;s unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1365</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b3cc4a50-5aea-11ee-956a-574c28c1d374</guid>
      <title>Peter Reed, &quot;Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance&quot; (Cambridge UP, 2022)</title>
      <description><![CDATA[<p>American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In <a href="https://bookshop.org/a/12343/9781009100526"><em>Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance</em></a><em> </em>(Cambridge UP, 2022), Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 28 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In <a href="https://bookshop.org/a/12343/9781009100526"><em>Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance</em></a><em> </em>(Cambridge UP, 2022), Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="72750796" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/8cb8b2c6-1d38-4628-899a-b82466840b9c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=8cb8b2c6-1d38-4628-899a-b82466840b9c&amp;feed=KodC6fj_"/>
      <itunes:title>Peter Reed, &quot;Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance&quot; (Cambridge UP, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:15:46</itunes:duration>
      <itunes:summary>American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance (Cambridge UP, 2022), Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti&apos;s slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti&apos;s example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti&apos;s revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America&apos;s understandings of race, power, freedom, and violence in ways that still reverberate today.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance (Cambridge UP, 2022), Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti&apos;s slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti&apos;s example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti&apos;s revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America&apos;s understandings of race, power, freedom, and violence in ways that still reverberate today.
Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>411</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">5302a83e-5ac4-11ee-986f-b3928312348b</guid>
      <title>Sirpa Salenius, &quot;An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe&quot; (U Massachusetts Press, 2016)</title>
      <description><![CDATA[<p>Sarah Parker Remond (1826–1894) left the free black community of Salem, Massachusetts, where she was born, to become one of the first women to travel on extensive lecture tours across the United Kingdom. Remond eventually moved to Florence, Italy, where she earned a degree at one of Europe's most prestigious medical schools. Her language skills enabled her to join elite salons in Florence and Rome, where she entertained high society with musical soirees even while maintaining connections to European emancipation movements.</p><p>Remond's extensive travels and diverse acquaintances demonstrate that the nineteenth-century grand tour of Europe was not exclusively the privilege of white intellectuals but included African American travelers, among them women. Sirpa Salenius' book <a href="https://bookshop.org/a/12343/9781625342461"><em>An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe</em></a> (U Massachusetts Press, 2016), based on international archival research, tells the fascinating story of how Remond forged a radical path, establishing relationships with fellow activists, artists, and intellectuals across Europe.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 27 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Sarah Parker Remond (1826–1894) left the free black community of Salem, Massachusetts, where she was born, to become one of the first women to travel on extensive lecture tours across the United Kingdom. Remond eventually moved to Florence, Italy, where she earned a degree at one of Europe's most prestigious medical schools. Her language skills enabled her to join elite salons in Florence and Rome, where she entertained high society with musical soirees even while maintaining connections to European emancipation movements.</p><p>Remond's extensive travels and diverse acquaintances demonstrate that the nineteenth-century grand tour of Europe was not exclusively the privilege of white intellectuals but included African American travelers, among them women. Sirpa Salenius' book <a href="https://bookshop.org/a/12343/9781625342461"><em>An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe</em></a> (U Massachusetts Press, 2016), based on international archival research, tells the fascinating story of how Remond forged a radical path, establishing relationships with fellow activists, artists, and intellectuals across Europe.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="50703697" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/bf4df297-ddfe-4461-9f08-5b2e7e29bab3/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=bf4df297-ddfe-4461-9f08-5b2e7e29bab3&amp;feed=KodC6fj_"/>
      <itunes:title>Sirpa Salenius, &quot;An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe&quot; (U Massachusetts Press, 2016)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:52:48</itunes:duration>
      <itunes:summary>Sarah Parker Remond (1826–1894) left the free black community of Salem, Massachusetts, where she was born, to become one of the first women to travel on extensive lecture tours across the United Kingdom. Remond eventually moved to Florence, Italy, where she earned a degree at one of Europe&apos;s most prestigious medical schools. Her language skills enabled her to join elite salons in Florence and Rome, where she entertained high society with musical soirees even while maintaining connections to European emancipation movements.
Remond&apos;s extensive travels and diverse acquaintances demonstrate that the nineteenth-century grand tour of Europe was not exclusively the privilege of white intellectuals but included African American travelers, among them women. Sirpa Salenius&apos; book An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe (U Massachusetts Press, 2016), based on international archival research, tells the fascinating story of how Remond forged a radical path, establishing relationships with fellow activists, artists, and intellectuals across Europe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Sarah Parker Remond (1826–1894) left the free black community of Salem, Massachusetts, where she was born, to become one of the first women to travel on extensive lecture tours across the United Kingdom. Remond eventually moved to Florence, Italy, where she earned a degree at one of Europe&apos;s most prestigious medical schools. Her language skills enabled her to join elite salons in Florence and Rome, where she entertained high society with musical soirees even while maintaining connections to European emancipation movements.
Remond&apos;s extensive travels and diverse acquaintances demonstrate that the nineteenth-century grand tour of Europe was not exclusively the privilege of white intellectuals but included African American travelers, among them women. Sirpa Salenius&apos; book An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe (U Massachusetts Press, 2016), based on international archival research, tells the fascinating story of how Remond forged a radical path, establishing relationships with fellow activists, artists, and intellectuals across Europe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>410</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f8b40fa0-5b11-11ee-b92e-1bbec14e2394</guid>
      <title>Jonathan Mael, &quot;Harlem World: How Hip Hop&apos;s Super Showdown Changed Music Forever&quot; (Johns Hopkins UP, 2023)</title>
      <description><![CDATA[<p>July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best?</p><p>In <a href="https://bookshop.org/a/12343/9781421446882"><em>Harlem World: How Hip Hop's Super Showdown Changed Music Forever</em></a><em> </em>(Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene.</p><p>The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 26 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best?</p><p>In <a href="https://bookshop.org/a/12343/9781421446882"><em>Harlem World: How Hip Hop's Super Showdown Changed Music Forever</em></a><em> </em>(Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene.</p><p>The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="61767425" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/dddba6e0-69c8-400c-b4fd-923e5850b8de/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=dddba6e0-69c8-400c-b4fd-923e5850b8de&amp;feed=KodC6fj_"/>
      <itunes:title>Jonathan Mael, &quot;Harlem World: How Hip Hop&apos;s Super Showdown Changed Music Forever&quot; (Johns Hopkins UP, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:04:20</itunes:duration>
      <itunes:summary>July 3, 1981, was a pivotal night for the future of America&apos;s newest art form: hip hop. In New York&apos;s Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who&apos;s the best?
In Harlem World: How Hip Hop&apos;s Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York&apos;s top two crews strove to claim the ultimate spot atop the city&apos;s hip hop scene.
The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and &apos;80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic&apos;s rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre&apos;s formative years to its massive role in American society today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>July 3, 1981, was a pivotal night for the future of America&apos;s newest art form: hip hop. In New York&apos;s Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who&apos;s the best?
In Harlem World: How Hip Hop&apos;s Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York&apos;s top two crews strove to claim the ultimate spot atop the city&apos;s hip hop scene.
The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and &apos;80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic&apos;s rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre&apos;s formative years to its massive role in American society today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>203</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">be2088e0-5a09-11ee-98dc-0357d7042b99</guid>
      <title>Dylan C. Penningroth, &quot;Before the Movement: The Hidden History of Black Civil Rights&quot; (Liveright, 2023)</title>
      <description><![CDATA[<p>A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.</p><p>The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement.</p><p>In <a href="https://bookshop.org/a/12343/9781324093107"><em>Before the Movement: The Hidden History of Black Civil Rights</em></a> (Liveright, 2023), acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today.</p><p>Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. <em>Before the Movement</em> is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Tue, 26 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.</p><p>The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement.</p><p>In <a href="https://bookshop.org/a/12343/9781324093107"><em>Before the Movement: The Hidden History of Black Civil Rights</em></a> (Liveright, 2023), acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today.</p><p>Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. <em>Before the Movement</em> is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="103476617" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/040f53bb-fa42-4cd9-ba8a-170d6be02aa0/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=040f53bb-fa42-4cd9-ba8a-170d6be02aa0&amp;feed=KodC6fj_"/>
      <itunes:title>Dylan C. Penningroth, &quot;Before the Movement: The Hidden History of Black Civil Rights&quot; (Liveright, 2023)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:47:47</itunes:duration>
      <itunes:summary>A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.
The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement.
In Before the Movement: The Hidden History of Black Civil Rights (Liveright, 2023), acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today.
Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. Before the Movement is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.
The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement.
In Before the Movement: The Hidden History of Black Civil Rights (Liveright, 2023), acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today.
Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. Before the Movement is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>409</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">892eb0d6-5873-11ee-a9d8-6f4fb721ebb0</guid>
      <title>Laura F. Edwards, &quot;The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South&quot; (UNC Press, 2009)</title>
      <description><![CDATA[<p>Do individuals have the right to “keep and bear” arms? Do “the people” have any collective rights to public safety? Now that the United States Supreme Court requires each side to argue based on the “history” and “tradition” of 1791 and 1868, what do scholars tell us about legal practices and public understanding in those times? Dr. Laura F. Edwards argues that Americans in the South transformed their understanding of inequality during the half century following the Revolutionary War. Drawing on extensive archival research in North and South Caroline, she outlines the changes in the legal system, highlighting the importance of localized legal practices that favored maintaining the "peace”: a concept intended to protect the social order and its patriarchal hierarchies. Ordinary people, rather than legal professionals and political leaders, were central to its workings. People without rights – even those enslaved – “had influence within the system because of their positions of subordination, not in spite of them.” Edwards documents how, by the 1830s, state leaders secured support for a more centralized system that excluded people who were not specifically granted individual rights, including women, African Americans, and the poor. <a href="https://bookshop.org/a/12343/9780807859322"><em>The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South</em></a><em> </em>(UNC Press, 2009) concludes that the emphasis on rights affirmed and restructured existing patriarchal inequalities, giving them new life within state law with implications that affected all Americans.</p><p>This award-winning 2009 book is now central to a new Supreme Court case (<em>United States v. Rahimi</em>) dealing with domestic violence and guns – and has been cited in the legal briefs.</p><p><a href="https://history.princeton.edu/people/laura-f-edwards"><em>Dr. Laura F. Edwards</em></a><em> is the Class of 1921 Bicentennial Professor in the History of American Law and Liberty at Princeton University and the award-winning author of four books. Most recently, she wrote Only the Clothes on Her Back: Textiles, Law, and Commerce in the Nineteenth-Century United States published by Oxford in 2022.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 25 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Do individuals have the right to “keep and bear” arms? Do “the people” have any collective rights to public safety? Now that the United States Supreme Court requires each side to argue based on the “history” and “tradition” of 1791 and 1868, what do scholars tell us about legal practices and public understanding in those times? Dr. Laura F. Edwards argues that Americans in the South transformed their understanding of inequality during the half century following the Revolutionary War. Drawing on extensive archival research in North and South Caroline, she outlines the changes in the legal system, highlighting the importance of localized legal practices that favored maintaining the "peace”: a concept intended to protect the social order and its patriarchal hierarchies. Ordinary people, rather than legal professionals and political leaders, were central to its workings. People without rights – even those enslaved – “had influence within the system because of their positions of subordination, not in spite of them.” Edwards documents how, by the 1830s, state leaders secured support for a more centralized system that excluded people who were not specifically granted individual rights, including women, African Americans, and the poor. <a href="https://bookshop.org/a/12343/9780807859322"><em>The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South</em></a><em> </em>(UNC Press, 2009) concludes that the emphasis on rights affirmed and restructured existing patriarchal inequalities, giving them new life within state law with implications that affected all Americans.</p><p>This award-winning 2009 book is now central to a new Supreme Court case (<em>United States v. Rahimi</em>) dealing with domestic violence and guns – and has been cited in the legal briefs.</p><p><a href="https://history.princeton.edu/people/laura-f-edwards"><em>Dr. Laura F. Edwards</em></a><em> is the Class of 1921 Bicentennial Professor in the History of American Law and Liberty at Princeton University and the award-winning author of four books. Most recently, she wrote Only the Clothes on Her Back: Textiles, Law, and Commerce in the Nineteenth-Century United States published by Oxford in 2022.</em></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="58779826" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/7a287146-f82e-42f6-8b21-63f9b3330c5f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=7a287146-f82e-42f6-8b21-63f9b3330c5f&amp;feed=KodC6fj_"/>
      <itunes:title>Laura F. Edwards, &quot;The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South&quot; (UNC Press, 2009)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:01:13</itunes:duration>
      <itunes:summary>Do individuals have the right to “keep and bear” arms? Do “the people” have any collective rights to public safety? Now that the United States Supreme Court requires each side to argue based on the “history” and “tradition” of 1791 and 1868, what do scholars tell us about legal practices and public understanding in those times? Dr. Laura F. Edwards argues that Americans in the South transformed their understanding of inequality during the half century following the Revolutionary War. Drawing on extensive archival research in North and South Caroline, she outlines the changes in the legal system, highlighting the importance of localized legal practices that favored maintaining the &quot;peace”: a concept intended to protect the social order and its patriarchal hierarchies. Ordinary people, rather than legal professionals and political leaders, were central to its workings. People without rights – even those enslaved – “had influence within the system because of their positions of subordination, not in spite of them.” Edwards documents how, by the 1830s, state leaders secured support for a more centralized system that excluded people who were not specifically granted individual rights, including women, African Americans, and the poor. The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South (UNC Press, 2009) concludes that the emphasis on rights affirmed and restructured existing patriarchal inequalities, giving them new life within state law with implications that affected all Americans.
This award-winning 2009 book is now central to a new Supreme Court case (United States v. Rahimi) dealing with domestic violence and guns – and has been cited in the legal briefs.
Dr. Laura F. Edwards is the Class of 1921 Bicentennial Professor in the History of American Law and Liberty at Princeton University and the award-winning author of four books. Most recently, she wrote Only the Clothes on Her Back: Textiles, Law, and Commerce in the Nineteenth-Century United States published by Oxford in 2022.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Do individuals have the right to “keep and bear” arms? Do “the people” have any collective rights to public safety? Now that the United States Supreme Court requires each side to argue based on the “history” and “tradition” of 1791 and 1868, what do scholars tell us about legal practices and public understanding in those times? Dr. Laura F. Edwards argues that Americans in the South transformed their understanding of inequality during the half century following the Revolutionary War. Drawing on extensive archival research in North and South Caroline, she outlines the changes in the legal system, highlighting the importance of localized legal practices that favored maintaining the &quot;peace”: a concept intended to protect the social order and its patriarchal hierarchies. Ordinary people, rather than legal professionals and political leaders, were central to its workings. People without rights – even those enslaved – “had influence within the system because of their positions of subordination, not in spite of them.” Edwards documents how, by the 1830s, state leaders secured support for a more centralized system that excluded people who were not specifically granted individual rights, including women, African Americans, and the poor. The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South (UNC Press, 2009) concludes that the emphasis on rights affirmed and restructured existing patriarchal inequalities, giving them new life within state law with implications that affected all Americans.
This award-winning 2009 book is now central to a new Supreme Court case (United States v. Rahimi) dealing with domestic violence and guns – and has been cited in the legal briefs.
Dr. Laura F. Edwards is the Class of 1921 Bicentennial Professor in the History of American Law and Liberty at Princeton University and the award-winning author of four books. Most recently, she wrote Only the Clothes on Her Back: Textiles, Law, and Commerce in the Nineteenth-Century United States published by Oxford in 2022.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>674</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f22cac14-571f-11ee-b779-cb31dd2a897b</guid>
      <title>Zebulon Vance Miletsky, &quot;Before Busing: A History of Boston&apos;s Long Black Freedom Struggle&quot; (UNC Press, 2022)</title>
      <description><![CDATA[<p>In many histories of Boston, African Americans have remained almost invisible. Partly as a result, when the 1972 crisis over school desegregation and busing erupted, many observers professed shock at the overt racism on display in the "cradle of liberty." Yet the city has long been divided over matters of race, and it was also home to a far older Black organizing tradition than many realize. A community of Black activists had fought segregated education since the origins of public schooling and racial inequality since the end of northern slavery. </p><p><a href="https://bookshop.org/a/12343/9781469662770"><em>Before Busing: A History of Boston's Long Black Freedom Struggle</em></a> (UNC Press, 2022) tells the story of the men and women who struggled and demonstrated to make school desegregation a reality in Boston. It reveals the legal efforts and battles over tactics that played out locally and influenced the national Black freedom struggle. And the book gives credit to the Black organizers, parents, and children who fought long and hard battles for justice that have been left out of the standard narratives of the civil rights movement. What emerges is a clear picture of the long and hard-fought campaigns to break the back of Jim Crow education in the North and make Boston into a better, more democratic city—a fight that continues to this day.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 22 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>In many histories of Boston, African Americans have remained almost invisible. Partly as a result, when the 1972 crisis over school desegregation and busing erupted, many observers professed shock at the overt racism on display in the "cradle of liberty." Yet the city has long been divided over matters of race, and it was also home to a far older Black organizing tradition than many realize. A community of Black activists had fought segregated education since the origins of public schooling and racial inequality since the end of northern slavery. </p><p><a href="https://bookshop.org/a/12343/9781469662770"><em>Before Busing: A History of Boston's Long Black Freedom Struggle</em></a> (UNC Press, 2022) tells the story of the men and women who struggled and demonstrated to make school desegregation a reality in Boston. It reveals the legal efforts and battles over tactics that played out locally and influenced the national Black freedom struggle. And the book gives credit to the Black organizers, parents, and children who fought long and hard battles for justice that have been left out of the standard narratives of the civil rights movement. What emerges is a clear picture of the long and hard-fought campaigns to break the back of Jim Crow education in the North and make Boston into a better, more democratic city—a fight that continues to this day.</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59834654" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/e5114b26-c9e3-426c-8cc8-a019738b5d9a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=e5114b26-c9e3-426c-8cc8-a019738b5d9a&amp;feed=KodC6fj_"/>
      <itunes:title>Zebulon Vance Miletsky, &quot;Before Busing: A History of Boston&apos;s Long Black Freedom Struggle&quot; (UNC Press, 2022)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>01:02:19</itunes:duration>
      <itunes:summary>In many histories of Boston, African Americans have remained almost invisible. Partly as a result, when the 1972 crisis over school desegregation and busing erupted, many observers professed shock at the overt racism on display in the &quot;cradle of liberty.&quot; Yet the city has long been divided over matters of race, and it was also home to a far older Black organizing tradition than many realize. A community of Black activists had fought segregated education since the origins of public schooling and racial inequality since the end of northern slavery. 
Before Busing: A History of Boston&apos;s Long Black Freedom Struggle (UNC Press, 2022) tells the story of the men and women who struggled and demonstrated to make school desegregation a reality in Boston. It reveals the legal efforts and battles over tactics that played out locally and influenced the national Black freedom struggle. And the book gives credit to the Black organizers, parents, and children who fought long and hard battles for justice that have been left out of the standard narratives of the civil rights movement. What emerges is a clear picture of the long and hard-fought campaigns to break the back of Jim Crow education in the North and make Boston into a better, more democratic city—a fight that continues to this day.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>In many histories of Boston, African Americans have remained almost invisible. Partly as a result, when the 1972 crisis over school desegregation and busing erupted, many observers professed shock at the overt racism on display in the &quot;cradle of liberty.&quot; Yet the city has long been divided over matters of race, and it was also home to a far older Black organizing tradition than many realize. A community of Black activists had fought segregated education since the origins of public schooling and racial inequality since the end of northern slavery. 
Before Busing: A History of Boston&apos;s Long Black Freedom Struggle (UNC Press, 2022) tells the story of the men and women who struggled and demonstrated to make school desegregation a reality in Boston. It reveals the legal efforts and battles over tactics that played out locally and influenced the national Black freedom struggle. And the book gives credit to the Black organizers, parents, and children who fought long and hard battles for justice that have been left out of the standard narratives of the civil rights movement. What emerges is a clear picture of the long and hard-fought campaigns to break the back of Jim Crow education in the North and make Boston into a better, more democratic city—a fight that continues to this day.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>408</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">962cb6f6-57ca-11ee-b19e-475df99ce7f6</guid>
      <title>David Cunningham, January 6th and Asymmetrical Policing (JP, EF)</title>
      <description><![CDATA[<p>Recall This Book first heard from the sociologist of American racism <a href="https://sites.wustl.edu/cunningham/">David Cunningham</a> in <a href="https://recallthisbook.org/2020/06/17/36-policing-and-white-power-ef-jp-global-policing-series/">Episode 36 Policing and White Power</a>. Less than a week after the horrors of January 6th, 2021, he came back for this conversation about “asymmetrical policing” of the political right and left–and of White and Black Americans. His very first book (<a href="https://www.ucpress.edu/book/9780520246652/theres-something-happening-here"><em>There’s Something Happening Here,</em> 2004</a>) studied the contrast between the FBI’s work in the 1960’s to wipe out left-wing and Black protests and its efforts to control and tame right-wing and white supremacist movements. That gives him a valuable perspective on the run-up to January 6th–and what may happen next.</p><p><strong>Mentioned in the Episode</strong></p><ul>
<li>David Cunningham collaborated on<a href="https://www.lawfareblog.com/see-no-evil-hear-no-evil-police-no-evil"> this article</a> about the “<em>common pattern of underestimating the threat from right-wing extremists</em>.”</li>
<li><a href="https://en.wikipedia.org/wiki/Ulster_Defence_Association">Ulster Defence Association</a></li>
<li>Kathleen Belew, <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674237698"><em>Bring the War Home: The White Power Movement and Paramilitary America</em></a>
</li>
<li><a href="https://en.wikipedia.org/wiki/Ulster_Defence_Association">Ulster Defence Association</a></li>
<li>Timothy McVeigh and the <a href="https://en.wikipedia.org/wiki/Oklahoma_City_bombing">Oklahoma City Bombing:</a> <a href="https://www.fbi.gov/history/famous-cases/oklahoma-city-bombing">FBI perspective</a> and <a href="https://www.amazon.com/American-Terrorist-Timothy-McVeigh-Oklahoma/dp/0060394072">reported book</a>
</li>
<li>Two of the “after-action” reports on Charlottesville that David discusses are:</li>
<li>“<a href="https://www.huntonak.com/images/content/3/4/v2/34613/final-report-ada-compliant-ready.pdf">Independent Review of the 2017 Protest Events in Charlottesville, Virginia</a>” (Hunton and Williams 2017)</li>
<li>“<a href="https://www.pshs.virginia.gov/media/governorvirginiagov/secretary-of-public-safety-and-homeland-security/pdf/iacp-after-action-review.pdf">Virginia’s Response to the Unite the Right Rally: After-Action Review</a>” (International Association of Chiefs of Police, December 2017)</li>
<li>Lessons Charlottesville (should have) taught us: “<a href="https://www.law.georgetown.edu/icap/wp-content/uploads/sites/32/2018/04/Prohibiting-Private-Armies-at-Public-Rallies.pdf"><em>Prohibiting Private Armies at Public Rallies</em></a>” (Georgetown Law School, Institute for Constitutional Advocacy and protection, September 2020).</li>
</ul><p><br /></p><p><strong>Listen and </strong><a href="https://recallthisbookorg.files.wordpress.com/2021/01/rtb-49-cunningham-transcript-jp-ef.pdf"><strong>Read</strong></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 21 Sep 2023 08:00:00 +0000</pubDate>
      <author>caleb@newbooksnetwork.com (New Books Network)</author>
      <link>https://newbooksnetwork.com</link>
      <content:encoded><![CDATA[<p>Recall This Book first heard from the sociologist of American racism <a href="https://sites.wustl.edu/cunningham/">David Cunningham</a> in <a href="https://recallthisbook.org/2020/06/17/36-policing-and-white-power-ef-jp-global-policing-series/">Episode 36 Policing and White Power</a>. Less than a week after the horrors of January 6th, 2021, he came back for this conversation about “asymmetrical policing” of the political right and left–and of White and Black Americans. His very first book (<a href="https://www.ucpress.edu/book/9780520246652/theres-something-happening-here"><em>There’s Something Happening Here,</em> 2004</a>) studied the contrast between the FBI’s work in the 1960’s to wipe out left-wing and Black protests and its efforts to control and tame right-wing and white supremacist movements. That gives him a valuable perspective on the run-up to January 6th–and what may happen next.</p><p><strong>Mentioned in the Episode</strong></p><ul>
<li>David Cunningham collaborated on<a href="https://www.lawfareblog.com/see-no-evil-hear-no-evil-police-no-evil"> this article</a> about the “<em>common pattern of underestimating the threat from right-wing extremists</em>.”</li>
<li><a href="https://en.wikipedia.org/wiki/Ulster_Defence_Association">Ulster Defence Association</a></li>
<li>Kathleen Belew, <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674237698"><em>Bring the War Home: The White Power Movement and Paramilitary America</em></a>
</li>
<li><a href="https://en.wikipedia.org/wiki/Ulster_Defence_Association">Ulster Defence Association</a></li>
<li>Timothy McVeigh and the <a href="https://en.wikipedia.org/wiki/Oklahoma_City_bombing">Oklahoma City Bombing:</a> <a href="https://www.fbi.gov/history/famous-cases/oklahoma-city-bombing">FBI perspective</a> and <a href="https://www.amazon.com/American-Terrorist-Timothy-McVeigh-Oklahoma/dp/0060394072">reported book</a>
</li>
<li>Two of the “after-action” reports on Charlottesville that David discusses are:</li>
<li>“<a href="https://www.huntonak.com/images/content/3/4/v2/34613/final-report-ada-compliant-ready.pdf">Independent Review of the 2017 Protest Events in Charlottesville, Virginia</a>” (Hunton and Williams 2017)</li>
<li>“<a href="https://www.pshs.virginia.gov/media/governorvirginiagov/secretary-of-public-safety-and-homeland-security/pdf/iacp-after-action-review.pdf">Virginia’s Response to the Unite the Right Rally: After-Action Review</a>” (International Association of Chiefs of Police, December 2017)</li>
<li>Lessons Charlottesville (should have) taught us: “<a href="https://www.law.georgetown.edu/icap/wp-content/uploads/sites/32/2018/04/Prohibiting-Private-Armies-at-Public-Rallies.pdf"><em>Prohibiting Private Armies at Public Rallies</em></a>” (Georgetown Law School, Institute for Constitutional Advocacy and protection, September 2020).</li>
</ul><p><br /></p><p><strong>Listen and </strong><a href="https://recallthisbookorg.files.wordpress.com/2021/01/rtb-49-cunningham-transcript-jp-ef.pdf"><strong>Read</strong></a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/african-american-studies">https://newbooksnetwork.supportingcast.fm/african-american-studies</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="27862367" type="audio/mpeg" url="https://injector.simplecastaudio.com/475a8a11-c9ac-434e-9ff9-5a0118116964/episodes/5fa94c56-37da-4abe-a021-2c34103ece2f/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=475a8a11-c9ac-434e-9ff9-5a0118116964&amp;awEpisodeId=5fa94c56-37da-4abe-a021-2c34103ece2f&amp;feed=KodC6fj_"/>
      <itunes:title>David Cunningham, January 6th and Asymmetrical Policing (JP, EF)</itunes:title>
      <itunes:author>New Books Network</itunes:author>
      <itunes:duration>00:29:01</itunes:duration>
      <itunes:summary>Recall This Book first heard from the sociologist of American racism David Cunningham in Episode 36 Policing and White Power. Less than a week after the horrors of January 6th, 2021, he came back for this conversation about “asymmetrical policing” of the political right and left–and of White and Black Americans. His very first book (There’s Something Happening Here, 2004) studied the contrast between the FBI’s work in the 1960’s to wipe out left-wing and Black protests and its efforts to control and tame right-wing and white supremacist movements. That gives him a valuable perspective on the run-up to January 6th–and what may happen next.
Mentioned in the Episode

David Cunningham collaborated on this article about the “common pattern of underestimating the threat from right-wing extremists.”

Ulster Defence Association

Kathleen Belew, Bring the War Home: The White Power Movement and Paramilitary America


Ulster Defence Association

Timothy McVeigh and the Oklahoma City Bombing: FBI perspective and reported book


Two of the “after-action” reports on Charlottesville that David discusses are:

“Independent Review of the 2017 Protest Events in Charlottesville, Virginia” (Hunton and Williams 2017)

“Virginia’s Response to the Unite the Right Rally: After-Action Review” (International Association of Chiefs of Police, December 2017)

Lessons Charlottesville (should have) taught us: “Prohibiting Private Armies at Public Rallies” (Georgetown Law School, Institute for Constitutional Advocacy and protection, September 2020).


Listen and Read

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:summary>
      <itunes:subtitle>Recall This Book first heard from the sociologist of American racism David Cunningham in Episode 36 Policing and White Power. Less than a week after the horrors of January 6th, 2021, he came back for this conversation about “asymmetrical policing” of the political right and left–and of White and Black Americans. His very first book (There’s Something Happening Here, 2004) studied the contrast between the FBI’s work in the 1960’s to wipe out left-wing and Black protests and its efforts to control and tame right-wing and white supremacist movements. That gives him a valuable perspective on the run-up to January 6th–and what may happen next.
Mentioned in the Episode

David Cunningham collaborated on this article about the “common pattern of underestimating the threat from right-wing extremists.”

Ulster Defence Association

Kathleen Belew, Bring the War Home: The White Power Movement and Paramilitary America


Ulster Defence Association

Timothy McVeigh and the Oklahoma City Bombing: FBI perspective and reported book


Two of the “after-action” reports on Charlottesville that David discusses are:

“Independent Review of the 2017 Protest Events in Charlottesville, Virginia” (Hunton and Williams 2017)

“Virginia’s Response to the Unite the Right Rally: After-Action Review” (International Association of Chiefs of Police, December 2017)

Lessons Charlottesville (should have) taught us: “Prohibiting Private Armies at Public Rallies” (Georgetown Law School, Institute for Constitutional Advocacy and protection, September 2020).


Listen and Read

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
    </item>
  </channel>
</rss>