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      <title>A Library on Death Row</title>
      <description><![CDATA[<h2>Episode Notes</h2>
<p><a href="https://bighousebooksms.org/" rel="noopener noreferrer">Big House Books</a>.  Big House Books is a non-profit, volunteer organization that sends free books by request to prisoners in Mississippi correctional facilities in order to promote literacy and be a vehicle of change for prison reform.</p>
<p>Big House Books would appreciate your paperback books - westerns, fantasy novels  and science fiction are genres often requested.  Books can be shipped through media mail.  More information on the Big House Books website. </p>
<p><a href="https://showerpower.ms/" rel="noopener noreferrer">Shower Power. </a>Shower Power is more than a shower. They believe that through faith and serving others they can transform people and the world. They bring  hospitality to the streets by delivering hygiene services to people experiencing homelessness.  It's about taking time to show people you care and restoring their dignity by providing them with the resources they need for self care.  We love people back to life!  </p>
<p><a href="https://www.lemuriabooks.com/" rel="noopener noreferrer">Lemuria Bookstore</a>  This year celebrating their 50th anniversary, Lemuria has formed valuable relationships with authors and their readers.  Lemuria believes in the value of the physical book, whether you're a collector in search of a literary gem or you are looking for the latest bestseller. In a digital age, Lemuria is areal bookstore with floor-to-ceiling shelves, that quintessential book smell, and a little bit of Southern hospitality, you’ll feel right at home.  It is beloved in Jackson, Mississippi.  One of the many reasons to visit Jackson.<br><br><a href="https://www.shortfusepodcast.com/" target="_blank" rel="noopener noreferrer"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/" rel="noopener noreferrer">@elizh24</a> on Instagram</p>
<p><br><a href="https://linktr.ee/geraldkent" rel="noopener noreferrer"><strong>Gerald Kent</strong></a></p>
<p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p>
<p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p>
<p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
<p><a href="https://artsfuse.org/" rel="noopener noreferrer">The Arts Fuse </a></p>
<p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p>
<p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p>
<p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p>
<p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p>
<p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p>
<p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p>
<p><a href="https://substack.com/@williammarx" rel="noopener noreferrer">SUBSCRIBE </a>to the weekly e-newsletter</p>
<p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/" rel="noopener noreferrer">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse" rel="noopener noreferrer">Twitter</a></p>
<p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising" rel="noopener noreferrer">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p>
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      <pubDate>Wed, 25 Mar 2026 04:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Holly Smith, Nicolas Spradley, Carla Falkner, Elizabeth Howard, Gerald Kent)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<h2>Episode Notes</h2>
<p><a href="https://bighousebooksms.org/" rel="noopener noreferrer">Big House Books</a>.  Big House Books is a non-profit, volunteer organization that sends free books by request to prisoners in Mississippi correctional facilities in order to promote literacy and be a vehicle of change for prison reform.</p>
<p>Big House Books would appreciate your paperback books - westerns, fantasy novels  and science fiction are genres often requested.  Books can be shipped through media mail.  More information on the Big House Books website. </p>
<p><a href="https://showerpower.ms/" rel="noopener noreferrer">Shower Power. </a>Shower Power is more than a shower. They believe that through faith and serving others they can transform people and the world. They bring  hospitality to the streets by delivering hygiene services to people experiencing homelessness.  It's about taking time to show people you care and restoring their dignity by providing them with the resources they need for self care.  We love people back to life!  </p>
<p><a href="https://www.lemuriabooks.com/" rel="noopener noreferrer">Lemuria Bookstore</a>  This year celebrating their 50th anniversary, Lemuria has formed valuable relationships with authors and their readers.  Lemuria believes in the value of the physical book, whether you're a collector in search of a literary gem or you are looking for the latest bestseller. In a digital age, Lemuria is areal bookstore with floor-to-ceiling shelves, that quintessential book smell, and a little bit of Southern hospitality, you’ll feel right at home.  It is beloved in Jackson, Mississippi.  One of the many reasons to visit Jackson.<br><br><a href="https://www.shortfusepodcast.com/" target="_blank" rel="noopener noreferrer"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/" rel="noopener noreferrer">@elizh24</a> on Instagram</p>
<p><br><a href="https://linktr.ee/geraldkent" rel="noopener noreferrer"><strong>Gerald Kent</strong></a></p>
<p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p>
<p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p>
<p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
<p><a href="https://artsfuse.org/" rel="noopener noreferrer">The Arts Fuse </a></p>
<p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p>
<p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p>
<p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p>
<p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p>
<p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p>
<p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p>
<p><a href="https://substack.com/@williammarx" rel="noopener noreferrer">SUBSCRIBE </a>to the weekly e-newsletter</p>
<p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/" rel="noopener noreferrer">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse" rel="noopener noreferrer">Twitter</a></p>
<p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising" rel="noopener noreferrer">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p>
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      <itunes:title>A Library on Death Row</itunes:title>
      <itunes:author>Holly Smith, Nicolas Spradley, Carla Falkner, Elizabeth Howard, Gerald Kent</itunes:author>
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      <itunes:summary>On March 7th Elizabeth Howard, host of the Short Fuse, moderated a program at Lemuria Bookstore in Jackson, Mississippi entitled:  Turning Pages, Changing Lives. The conversation considered the importance of books, communities formed through reading groups and access to libraries and educational courses in Mississippi&apos;s carceral system. Panelists included:  Carla Falkner, Project Coordinator, Mississippi Humanities Council; Holly Smith, Board Member and Volunteer, Big House Books;  and Nicholas Spradley, Executive Director of Shower Power.  A video of the program, including the Q&amp;A can be found on the Short Fuse YouTube Channel. </itunes:summary>
      <itunes:subtitle>On March 7th Elizabeth Howard, host of the Short Fuse, moderated a program at Lemuria Bookstore in Jackson, Mississippi entitled:  Turning Pages, Changing Lives. The conversation considered the importance of books, communities formed through reading groups and access to libraries and educational courses in Mississippi&apos;s carceral system. Panelists included:  Carla Falkner, Project Coordinator, Mississippi Humanities Council; Holly Smith, Board Member and Volunteer, Big House Books;  and Nicholas Spradley, Executive Director of Shower Power.  A video of the program, including the Q&amp;A can be found on the Short Fuse YouTube Channel. </itunes:subtitle>
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      <title>Cinema Rodrigo: Talking Film</title>
      <description><![CDATA[<p><a href="https://www.studiorodrigo.com/" rel="noopener noreferrer">Aldo Juraidini Zorrilla</a> is a designer working across disciplines, with a focus on product, strategy, and brand. As Design Director at Studio Rodrigo, he guides multi-disciplinary teams on projects mainly for the digital world. Aldo also founded and curates Cinema Rodrigo, a film club where friends and fellow creatives come together across New York City's independent theaters once a month to watch a film, discuss it, and hang out.</p>
<p><a href="https://www.studiorodrigo.com/" rel="noopener noreferrer">Studio Rodrigo</a></p>
<p>A design, branding, identity and produce design consultancy designed to make life better. </p>
<p><a href="https://www.oscars.org/oscars/ceremonies/2026" rel="noopener noreferrer">Academy Awards 2026</a></p>
<p>The 98th Academy Awards ceremony is being held on Sunday, March 15, 2026.</p>
<p>In the conversation Elizabeth and Aldo discuss three of New York City's independent cinemas that offer  films that are curated and screened in intimate spaces.</p>
<p><a href="https://filmforum.org/about/general-information" rel="noopener noreferrer">Film Forum</a></p>
<p><a href="https://metrograph.com/" rel="noopener noreferrer">Metrograph</a><br><a href="https://quadcinema.com/" rel="noopener noreferrer">Quad Cinema</a></p>
<p><br><a href="https://www.shortfusepodcast.com/" target="_blank" rel="noopener noreferrer"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/" rel="noopener noreferrer">@elizh24</a> on Instagram</p>
<p><br><a href="https://linktr.ee/geraldkent" rel="noopener noreferrer"><strong>Gerald Kent </strong></a>is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p>
<p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p>
<p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
<p><a href="https://artsfuse.org/" rel="noopener noreferrer">The Arts Fuse </a></p>
<p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p>
<p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p>
<p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p>
<p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p>
<p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p>
<p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p>
<p><a href="https://substack.com/@williammarx" rel="noopener noreferrer">SUBSCRIBE </a>to the weekly e-newsletter</p>
<p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/" rel="noopener noreferrer">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse" rel="noopener noreferrer">Twitter</a></p>
<p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising" rel="noopener noreferrer">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p>
]]></description>
      <pubDate>Wed, 11 Mar 2026 04:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.studiorodrigo.com/" rel="noopener noreferrer">Aldo Juraidini Zorrilla</a> is a designer working across disciplines, with a focus on product, strategy, and brand. As Design Director at Studio Rodrigo, he guides multi-disciplinary teams on projects mainly for the digital world. Aldo also founded and curates Cinema Rodrigo, a film club where friends and fellow creatives come together across New York City's independent theaters once a month to watch a film, discuss it, and hang out.</p>
<p><a href="https://www.studiorodrigo.com/" rel="noopener noreferrer">Studio Rodrigo</a></p>
<p>A design, branding, identity and produce design consultancy designed to make life better. </p>
<p><a href="https://www.oscars.org/oscars/ceremonies/2026" rel="noopener noreferrer">Academy Awards 2026</a></p>
<p>The 98th Academy Awards ceremony is being held on Sunday, March 15, 2026.</p>
<p>In the conversation Elizabeth and Aldo discuss three of New York City's independent cinemas that offer  films that are curated and screened in intimate spaces.</p>
<p><a href="https://filmforum.org/about/general-information" rel="noopener noreferrer">Film Forum</a></p>
<p><a href="https://metrograph.com/" rel="noopener noreferrer">Metrograph</a><br><a href="https://quadcinema.com/" rel="noopener noreferrer">Quad Cinema</a></p>
<p><br><a href="https://www.shortfusepodcast.com/" target="_blank" rel="noopener noreferrer"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/" rel="noopener noreferrer">@elizh24</a> on Instagram</p>
<p><br><a href="https://linktr.ee/geraldkent" rel="noopener noreferrer"><strong>Gerald Kent </strong></a>is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p>
<p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p>
<p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
<p><a href="https://artsfuse.org/" rel="noopener noreferrer">The Arts Fuse </a></p>
<p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p>
<p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p>
<p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p>
<p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p>
<p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p>
<p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p>
<p><a href="https://substack.com/@williammarx" rel="noopener noreferrer">SUBSCRIBE </a>to the weekly e-newsletter</p>
<p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/" rel="noopener noreferrer">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse" rel="noopener noreferrer">Twitter</a></p>
<p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising" rel="noopener noreferrer">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p>
]]></content:encoded>
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      <itunes:title>Cinema Rodrigo: Talking Film</itunes:title>
      <itunes:author>Elizabeth Howard</itunes:author>
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      <itunes:duration>00:51:54</itunes:duration>
      <itunes:summary>On the cusp of the Academy Awards and the presentation of the Oscars, Short Fuse host Elizabeth Howard talks with Aldo Juraidini, design director at Studio Rodrigo, who also directs and curates films for Cinema Rodrigo, a monthly gathering of designers, readers, artists, architects, animators, musicians, graduate students, academics, and others interested in watching movies worth talking about—films that spark conversations long after the screenings. They discuss the role of AI, the popularity of intimate theater venues, the difficulty of securing funding for independent filmmaking, and the great dance scene in Sinners.





</itunes:summary>
      <itunes:subtitle>On the cusp of the Academy Awards and the presentation of the Oscars, Short Fuse host Elizabeth Howard talks with Aldo Juraidini, design director at Studio Rodrigo, who also directs and curates films for Cinema Rodrigo, a monthly gathering of designers, readers, artists, architects, animators, musicians, graduate students, academics, and others interested in watching movies worth talking about—films that spark conversations long after the screenings. They discuss the role of AI, the popularity of intimate theater venues, the difficulty of securing funding for independent filmmaking, and the great dance scene in Sinners.





</itunes:subtitle>
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      <itunes:episode>86</itunes:episode>
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      <title>Oarabile Ditsele: Reimagining Theater Through Gen Z</title>
      <description><![CDATA[<p><a href="https://www.studiotheatre.org/plays/play-detail/2018-2019-the-fall" rel="noopener noreferrer">Oarabile Ditsele</a></p>
<p> Oarabile Ditsele is a multidisciplinary creative force whose work spans writing, acting, producing, and socially driven arts Innovation.  He is a graduate of University of Cape Town, majoring in drama. Ditsele gained international attention in 2016 as a writer-performer of the award-winning theatre production, <i>The Fall,</i> produced by the Baxter Theatre. The play toured globally to critical acclaim, with notable runs at the Royal Court Theatre in London and St. Ann’s Warehouse in New York. Ditsele’s transition into film began in 2021 with <i>Blood Is Black</i>, a project he both wrote and produced. In 2022, he continued expanding his performance repertoire by starring in the internationally acclaimed In 2023, Ditsele produced, wrote, and performed in<i> Rapela: Speaking to the Unknown,</i> which enjoyed a sold-out run at the Jo' burg Theatre. By 2025, he appeared in Paul Slabolepszy’s <i>Bitter Winter </i>(directed by Lesedi Job) while simultaneously directing and producing the short-film adaptation of <i>Speaking to the Unknown</i>, slated for release in 2026. Beyond his creative work, Ditsele is a committed social entrepreneur who leverages the arts as a catalyst for employment and community development. He founded annual visual-arts initiatives in the Free State, creating sustainable opportunities for young artists in marginalized communities. Currently, Ditsele is expanding his impact across the continent by establishing a film distribution partnership with Uganda. His first export to the African diaspora will be <i>Some Mothers Son</i>, an award-winning film adapted from Mike Van Graan’s acclaimed play <i>Some Mothers Sons</i>. Ditsele has a growing body of internationally recognized work, a strong storytelling voice, and a deep sense of the arts of the arts is shaping our world.  </p>
<p><a href="https://markettheatre.co.za/" rel="noopener noreferrer">Market Theatre</a></p>
<p>The Market Theatre, founded in Johannesburg in 1976 by Mannie Manim and the late Barney Simon, was constructed out of Johannesburg’s Indian Fruit Market – built in 1913. The theatre went on to become internationally renowned as South Africa’s “Theatre of the Struggle”.</p>
<p>The Market Theatre challenged the apartheid regime, armed with little more than the conviction that culture can change society. The strength and truth of that conviction was acknowledged in 1995 when the theatre received the American Jujamcyn Award. In providing a voice to the voiceless, The Market Theatre did not forego artistic excellence, but, rather, made a point of it. Its twenty-one international and over three hundred South African theatre awards bears eloquent testimony to the courage and artistic quality of its work.</p>
<p><a href="https://en.wikipedia.org/wiki/Barney_Simon" rel="noopener noreferrer">Barney Simon</a></p>
<p>Barney Simon (13 April 1932 – 30 June 1995) was a South African writer, playwright and director.  He was the founder of the Market Theatre in Johannesburg</p>
<p><a href="https://en.wikipedia.org/wiki/Albie_Sachs" rel="noopener noreferrer">Albie Sachs </a></p>
<p>A South African lawyer, activist, writer, and former judge appointed to the first Constitutional Court of South Africa by Nelson Mandela. </p>
<p>On 7 April 1988, Sachs opened the door to his car and it exploded.Sachs lost his right arm and vision in his left eye, and a passerby was killed. He was stabilized in Mozambique, then flown to London to recover. There, he received a letter promising he would be avenged. Sachs decided to seek not revenge but "soft vengeance" which would take the form of getting freedom in a new non-racial and democratic South Africa based on human rights and the rule of law.</p>
<p> </p>
<p><br><a href="https://www.shortfusepodcast.com/" target="_blank" rel="noopener noreferrer"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/" rel="noopener noreferrer">@elizh24</a> on Instagram</p>
<p><br><a href="https://linktr.ee/geraldkent" rel="noopener noreferrer"><strong>Gerald Kent </strong></a>is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p>
<p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p>
<p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
<p><a href="https://artsfuse.org/" rel="noopener noreferrer">The Arts Fuse </a></p>
<p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p>
<p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p>
<p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p>
<p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p>
<p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p>
<p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p>
<p><a href="https://substack.com/@williammarx" rel="noopener noreferrer">SUBSCRIBE </a>to the weekly e-newsletter</p>
<p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/" rel="noopener noreferrer">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse" rel="noopener noreferrer">Twitter</a></p>
<p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising" rel="noopener noreferrer">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p>
<p> </p>
<p> </p>
<p> </p>
]]></description>
      <pubDate>Wed, 25 Feb 2026 05:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.studiotheatre.org/plays/play-detail/2018-2019-the-fall" rel="noopener noreferrer">Oarabile Ditsele</a></p>
<p> Oarabile Ditsele is a multidisciplinary creative force whose work spans writing, acting, producing, and socially driven arts Innovation.  He is a graduate of University of Cape Town, majoring in drama. Ditsele gained international attention in 2016 as a writer-performer of the award-winning theatre production, <i>The Fall,</i> produced by the Baxter Theatre. The play toured globally to critical acclaim, with notable runs at the Royal Court Theatre in London and St. Ann’s Warehouse in New York. Ditsele’s transition into film began in 2021 with <i>Blood Is Black</i>, a project he both wrote and produced. In 2022, he continued expanding his performance repertoire by starring in the internationally acclaimed In 2023, Ditsele produced, wrote, and performed in<i> Rapela: Speaking to the Unknown,</i> which enjoyed a sold-out run at the Jo' burg Theatre. By 2025, he appeared in Paul Slabolepszy’s <i>Bitter Winter </i>(directed by Lesedi Job) while simultaneously directing and producing the short-film adaptation of <i>Speaking to the Unknown</i>, slated for release in 2026. Beyond his creative work, Ditsele is a committed social entrepreneur who leverages the arts as a catalyst for employment and community development. He founded annual visual-arts initiatives in the Free State, creating sustainable opportunities for young artists in marginalized communities. Currently, Ditsele is expanding his impact across the continent by establishing a film distribution partnership with Uganda. His first export to the African diaspora will be <i>Some Mothers Son</i>, an award-winning film adapted from Mike Van Graan’s acclaimed play <i>Some Mothers Sons</i>. Ditsele has a growing body of internationally recognized work, a strong storytelling voice, and a deep sense of the arts of the arts is shaping our world.  </p>
<p><a href="https://markettheatre.co.za/" rel="noopener noreferrer">Market Theatre</a></p>
<p>The Market Theatre, founded in Johannesburg in 1976 by Mannie Manim and the late Barney Simon, was constructed out of Johannesburg’s Indian Fruit Market – built in 1913. The theatre went on to become internationally renowned as South Africa’s “Theatre of the Struggle”.</p>
<p>The Market Theatre challenged the apartheid regime, armed with little more than the conviction that culture can change society. The strength and truth of that conviction was acknowledged in 1995 when the theatre received the American Jujamcyn Award. In providing a voice to the voiceless, The Market Theatre did not forego artistic excellence, but, rather, made a point of it. Its twenty-one international and over three hundred South African theatre awards bears eloquent testimony to the courage and artistic quality of its work.</p>
<p><a href="https://en.wikipedia.org/wiki/Barney_Simon" rel="noopener noreferrer">Barney Simon</a></p>
<p>Barney Simon (13 April 1932 – 30 June 1995) was a South African writer, playwright and director.  He was the founder of the Market Theatre in Johannesburg</p>
<p><a href="https://en.wikipedia.org/wiki/Albie_Sachs" rel="noopener noreferrer">Albie Sachs </a></p>
<p>A South African lawyer, activist, writer, and former judge appointed to the first Constitutional Court of South Africa by Nelson Mandela. </p>
<p>On 7 April 1988, Sachs opened the door to his car and it exploded.Sachs lost his right arm and vision in his left eye, and a passerby was killed. He was stabilized in Mozambique, then flown to London to recover. There, he received a letter promising he would be avenged. Sachs decided to seek not revenge but "soft vengeance" which would take the form of getting freedom in a new non-racial and democratic South Africa based on human rights and the rule of law.</p>
<p> </p>
<p><br><a href="https://www.shortfusepodcast.com/" target="_blank" rel="noopener noreferrer"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/" rel="noopener noreferrer">@elizh24</a> on Instagram</p>
<p><br><a href="https://linktr.ee/geraldkent" rel="noopener noreferrer"><strong>Gerald Kent </strong></a>is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p>
<p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p>
<p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
<p><a href="https://artsfuse.org/" rel="noopener noreferrer">The Arts Fuse </a></p>
<p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p>
<p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p>
<p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p>
<p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p>
<p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p>
<p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p>
<p><a href="https://substack.com/@williammarx" rel="noopener noreferrer">SUBSCRIBE </a>to the weekly e-newsletter</p>
<p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/" rel="noopener noreferrer">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse" rel="noopener noreferrer">Twitter</a></p>
<p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising" rel="noopener noreferrer">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p>
<p> </p>
<p> </p>
<p> </p>
]]></content:encoded>
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      <itunes:title>Oarabile Ditsele: Reimagining Theater Through Gen Z</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:summary>In this Short Fuse episode Elizabeth Howard talks with Oarabile Ditsele, a South African actor, filmmaker and multidisciplinary creative artist and writer.  2026 marks the Market Theatre&apos;s 50 anniversary in Johannesburg, founded by Mannie Manim and the late Barney Simon, to amplify stories that gave a voice to the voiceless and made a point of achieving artistic excellence. 
In the conversation Oarabile traces South Africa&apos;s protest theatre tradition - from apartheid defiance to its vital present - and ponders how to channel today&apos;s upheavals into plays that ignite the interest of young audiences so they will be excited to come to the theatre and say   &quot;Dude, I&apos;m going to leave my house tonight and pay 250 rand and I&apos;m going to watch something I feel.&quot; 



</itunes:summary>
      <itunes:subtitle>In this Short Fuse episode Elizabeth Howard talks with Oarabile Ditsele, a South African actor, filmmaker and multidisciplinary creative artist and writer.  2026 marks the Market Theatre&apos;s 50 anniversary in Johannesburg, founded by Mannie Manim and the late Barney Simon, to amplify stories that gave a voice to the voiceless and made a point of achieving artistic excellence. 
In the conversation Oarabile traces South Africa&apos;s protest theatre tradition - from apartheid defiance to its vital present - and ponders how to channel today&apos;s upheavals into plays that ignite the interest of young audiences so they will be excited to come to the theatre and say   &quot;Dude, I&apos;m going to leave my house tonight and pay 250 rand and I&apos;m going to watch something I feel.&quot; 



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      <title>I Hope You Find What You&apos;re Looking For</title>
      <description><![CDATA[<p> </p><p>The music used in the intro of this episode is a classic Eritrean song called <a href="https://www.youtube.com/watch?v=acUex95QGYA&t=10s">"Milenu" by Tewolde Reda</a>.  In <i>I Hope You Find What You're Looking For</i> Zewdi mentions this singer in a flashback to her first love.</p><p><a href="https://bmezghebe.com/"><strong>Bsrat Mezghebe</strong></a> received an MFA in Creative Writing from New York University. Her writing has appeared in <i>Guernica, The Paris Review</i>, and the anthology <i>Well–Read Black Girl: Finding Our Stories, Discovering Ourselves</i>. She lives in the Washington, D.C. area.</p><p><a href="https://wwnorton.com/liveright">Liveright Books/WW Norton</a></p><p><br /><a href="Well-Read Black Girl">Well-Read Black Girl. </a></p><p>Glory Edim is the founder of The Well-Read Black Girl, a podcast and digital literacy platform that celebrates the uniqueness of Black literature and sisterhood. She edited the <i>Well-Read Black Girl </i>anthology, which was nominated for an NAACP Image Award and named a best book of the year by Library Journal. Her latest book <i>On Girlhood</i> is a collection of groundbreaking short stories that explore the thin yet imperative line between Black girlhood and womanhood. The winner of the Innovator's Award from the Los Angeles Times Book Prizes, Edim worked as a cultural practitioner for over ten years and serves on the board of Baldwin for the Arts. She resides in Washington D.C. with her son, Zikomo. </p><p><a href="https://centerforfiction.org/">Center for Fiction</a></p><p><strong>Our mission is to support readers and writers of all ages and histories, and to build community through fiction.</strong>From our vibrant home in Downtown Brooklyn, we offer a wide range of programming for local and national audiences. Through our <a href="https://centerforfiction.org/events/">Events</a>, <a href="https://centerforfiction.org/reading-groups/">Reading Groups</a>, <a href="https://centerforfiction.org/the-center/library/">Library</a>, and <a href="https://centerforfiction.org/visit/bookstore/">Bookstore</a>, we inspire readers to explore classic and contemporary literature. In our <a href="https://centerforfiction.org/writing-workshops/">Workshops</a> and <a href="https://centerforfiction.org/visit/writers-studio/">Writers Studio</a>, emerging and established writers hone their craft and develop new work. Our <a href="https://centerforfiction.org/grants-awards/">Fellowships and Awards</a> champion fresh talent and celebrate excellence in fiction. Through our <a href="https://centerforfiction.org/kidsread/">KidsRead</a> programs with New York City public schools, we foster a lifelong love of books for our youngest readers.</p><p> </p><p><br /><a href="https://www.shortfusepodcast.com/" target="_blank"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><br /><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><br /> </p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
]]></description>
      <pubDate>Wed, 11 Feb 2026 05:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Elizabeth Howard, Gerald Kent, Hannah Brueske)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p> </p><p>The music used in the intro of this episode is a classic Eritrean song called <a href="https://www.youtube.com/watch?v=acUex95QGYA&t=10s">"Milenu" by Tewolde Reda</a>.  In <i>I Hope You Find What You're Looking For</i> Zewdi mentions this singer in a flashback to her first love.</p><p><a href="https://bmezghebe.com/"><strong>Bsrat Mezghebe</strong></a> received an MFA in Creative Writing from New York University. Her writing has appeared in <i>Guernica, The Paris Review</i>, and the anthology <i>Well–Read Black Girl: Finding Our Stories, Discovering Ourselves</i>. She lives in the Washington, D.C. area.</p><p><a href="https://wwnorton.com/liveright">Liveright Books/WW Norton</a></p><p><br /><a href="Well-Read Black Girl">Well-Read Black Girl. </a></p><p>Glory Edim is the founder of The Well-Read Black Girl, a podcast and digital literacy platform that celebrates the uniqueness of Black literature and sisterhood. She edited the <i>Well-Read Black Girl </i>anthology, which was nominated for an NAACP Image Award and named a best book of the year by Library Journal. Her latest book <i>On Girlhood</i> is a collection of groundbreaking short stories that explore the thin yet imperative line between Black girlhood and womanhood. The winner of the Innovator's Award from the Los Angeles Times Book Prizes, Edim worked as a cultural practitioner for over ten years and serves on the board of Baldwin for the Arts. She resides in Washington D.C. with her son, Zikomo. </p><p><a href="https://centerforfiction.org/">Center for Fiction</a></p><p><strong>Our mission is to support readers and writers of all ages and histories, and to build community through fiction.</strong>From our vibrant home in Downtown Brooklyn, we offer a wide range of programming for local and national audiences. Through our <a href="https://centerforfiction.org/events/">Events</a>, <a href="https://centerforfiction.org/reading-groups/">Reading Groups</a>, <a href="https://centerforfiction.org/the-center/library/">Library</a>, and <a href="https://centerforfiction.org/visit/bookstore/">Bookstore</a>, we inspire readers to explore classic and contemporary literature. In our <a href="https://centerforfiction.org/writing-workshops/">Workshops</a> and <a href="https://centerforfiction.org/visit/writers-studio/">Writers Studio</a>, emerging and established writers hone their craft and develop new work. Our <a href="https://centerforfiction.org/grants-awards/">Fellowships and Awards</a> champion fresh talent and celebrate excellence in fiction. Through our <a href="https://centerforfiction.org/kidsread/">KidsRead</a> programs with New York City public schools, we foster a lifelong love of books for our youngest readers.</p><p> </p><p><br /><a href="https://www.shortfusepodcast.com/" target="_blank"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><br /><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><br /> </p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
]]></content:encoded>
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      <itunes:title>I Hope You Find What You&apos;re Looking For</itunes:title>
      <itunes:author>Elizabeth Howard, Gerald Kent, Hannah Brueske</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/a0437ba3-d25d-4337-a1e5-3d11f1651cc3/3000x3000/i-20hope-20you-20find-20what-20you-re-20looking-20for-20cover.jpg?aid=rss_feed"/>
      <itunes:duration>00:42:20</itunes:duration>
      <itunes:summary>In this episode Elizabeth Howard is conversation with Bsrat Mezghebe about her debut novel, I Hope You Find What You&apos;re Looking For (Liveright, WW Norton, 2026). The story is an exploration of family, identity, history and the complex meanings of home,  told through the lens of characters who have emigrated to the United States and are living in an Eritrean community in Washington, DC.  Bsrat talks about the craft of writing, the books and authors who influenced her and how she shaped the lives of the characters against the complicated history of Eritrea. </itunes:summary>
      <itunes:subtitle>In this episode Elizabeth Howard is conversation with Bsrat Mezghebe about her debut novel, I Hope You Find What You&apos;re Looking For (Liveright, WW Norton, 2026). The story is an exploration of family, identity, history and the complex meanings of home,  told through the lens of characters who have emigrated to the United States and are living in an Eritrean community in Washington, DC.  Bsrat talks about the craft of writing, the books and authors who influenced her and how she shaped the lives of the characters against the complicated history of Eritrea. </itunes:subtitle>
      <itunes:keywords>ww norton, center for fiction, table of contents, bsrat mezehebe, politics and prose, well read black girl, apple podcasts, richmond town literary festival, arts fuse, eritrea, liveright publishing corporation, brooklyn book festival, spotify, apple books</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
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      <title>Big House Books - When to Hold the line</title>
      <description><![CDATA[<p><a href="https://bighousebooksms.org/">Big House Books</a>.  Big House Books is a non-profit, volunteer organization that sends free books by request to prisoners in Mississippi correctional facilities in order to promote literacy and be a vehicle of change for prison reform.</p><p>Big House Books would appreciate your paperback books - westerns, fantasy novels  and science fiction are genres often requested.  Books can be shipped through media mail.  More information on the Big House Books website. <br /><br />Big House Books, </p><p><br /> </p><p><a href="https://www.lemuriabooks.com/">  Lemuria Bookstore</a>  With over 40 years in the book business Lemuria has formed valuable author relationships.  <br /> Lemuria believes in the value of the physical book, whether you're a collector in search of a literary gem or you are looking for the latest bestseller. In a digital age, Lemuria is areal bookstore with floor-to-ceiling shelves, that quintessential book smell, and a little bit of Southern hospitality, you’ll feel right at home.</p><p><br /><a href="https://www.shortfusepodcast.com/" target="_blank"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><br /><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><br /> </p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
]]></description>
      <pubDate>Wed, 28 Jan 2026 05:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Holly Smith, Hannah Brueske, Gerald Kent)</author>
      <link>https://www.shortfusepodcast.com/</link>
      <content:encoded><![CDATA[<p><a href="https://bighousebooksms.org/">Big House Books</a>.  Big House Books is a non-profit, volunteer organization that sends free books by request to prisoners in Mississippi correctional facilities in order to promote literacy and be a vehicle of change for prison reform.</p><p>Big House Books would appreciate your paperback books - westerns, fantasy novels  and science fiction are genres often requested.  Books can be shipped through media mail.  More information on the Big House Books website. <br /><br />Big House Books, </p><p><br /> </p><p><a href="https://www.lemuriabooks.com/">  Lemuria Bookstore</a>  With over 40 years in the book business Lemuria has formed valuable author relationships.  <br /> Lemuria believes in the value of the physical book, whether you're a collector in search of a literary gem or you are looking for the latest bestseller. In a digital age, Lemuria is areal bookstore with floor-to-ceiling shelves, that quintessential book smell, and a little bit of Southern hospitality, you’ll feel right at home.</p><p><br /><a href="https://www.shortfusepodcast.com/" target="_blank"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).    <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><br /><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><strong>Bill Marx,</strong> is the editor in chief of <i>The Arts Fuse.</i> For over four decades, he has written about arts and culture for print, broadcast, and online. He has regularly reviewed theater for National Public Radio Station WBUR and <i>The Boston Globe.﻿</i>He created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. In 2007 he created <i>The Arts Fuse</i>, an online magazine dedicated to covering arts and culture in Boston and throughout New England</p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p><p><strong>Hannah Brueske, </strong>manages social media and marketing for the Short Fuse. She is a senior journalism student at Emerson College, with a special interest in feature stories, arts reporting, and documentary filmmaking. She is active in campus publications as a reporter for <i>The Berkeley Beacon</i>, Emerson’s only independent student newspaper, and the editor in chief of <i>The Independent</i>, an arts magazine that covers independent art.</p><p><br /> </p><p><strong>Evelyn Rosenthal, </strong>copy edits the Short Fuse. She is a singer specializing in jazz and Brazilian music, a freelance editor, and the former editor in chief and head of publications at the Harvard Art Museums. She writes about music for the Arts Fuse and copy edits the magazine</p>
]]></content:encoded>
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      <itunes:title>Big House Books - When to Hold the line</itunes:title>
      <itunes:author>Holly Smith, Hannah Brueske, Gerald Kent</itunes:author>
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      <itunes:summary>In this Short Fuse episode, Holly Smith, a volunteer and board member at Big House Books in Jackson, Mississippi, is in conversation with Elizabeth Howard. They talk about the mission of Big House Books—to package and send books to individuals held in prison complexes throughout Mississippi. Smith believes that books and reading are a way “to hold the line,” a way to combat the hopelessness of life on the inside. America&apos;s carceral system is dedicated to constricting the physical body, to controlling every moment of an individual&apos;s daily routine. But prisons cannot confine the mind or kill the soul of the imagination. Throughout their conversation, Smith reads letters from people on the inside requesting books.

﻿</itunes:summary>
      <itunes:subtitle>In this Short Fuse episode, Holly Smith, a volunteer and board member at Big House Books in Jackson, Mississippi, is in conversation with Elizabeth Howard. They talk about the mission of Big House Books—to package and send books to individuals held in prison complexes throughout Mississippi. Smith believes that books and reading are a way “to hold the line,” a way to combat the hopelessness of life on the inside. America&apos;s carceral system is dedicated to constricting the physical body, to controlling every moment of an individual&apos;s daily routine. But prisons cannot confine the mind or kill the soul of the imagination. Throughout their conversation, Smith reads letters from people on the inside requesting books.

﻿</itunes:subtitle>
      <itunes:keywords>marshall project, big house books, ft weekend, apple podcasts, bbc news, lemuria books, mississippi department of corrections, arts fuse, mississippi humanities council, mississippi today, instagram, gov tate reeves, new yorker radio hour, jackson mississippi, spotify, bill marx, publication studio, innocence project, pen prison writing, los angeles review of books</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>83</itunes:episode>
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      <title>Bad Bad Girl</title>
      <description><![CDATA[<p><a href="https://www.gishjen.com/"><strong>Gish Jen</strong></a></p><p>Gish Jen's work has been included in <i>The Best American Short Stories</i> five times, including in <i>The Best American Short Stories of the Century</i>. A fellow of both the American Academy of Arts and Letters, and the American Academy of Arts and Sciences, she has received NEA, Guggenheim, and Radcliffe fellowships, a Lannan Literary Award, and a five-year Mildred and Harold Strauss Living Award. Her short work has appeared in <i>The New Yorker</i>, <i>The Atlantic Monthly</i>, <i>The New York Times, </i>and many anthologies; she has taught at Harvard University, NYU Shanghai, and other universities.</p><p><i>Bad Bad Girl </i>is her sixth novel; her other books include two collections of short stories and two works of non-fiction, including publication of her Massey Lectures in the History of American Civilization at Harvard University.</p><p><br /><a href="https://www.shortfusepodcast.com/" target="_blank"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with contemporary artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><br /><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p><br /> </p><p> </p>
]]></description>
      <pubDate>Tue, 9 Dec 2025 10:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.gishjen.com/"><strong>Gish Jen</strong></a></p><p>Gish Jen's work has been included in <i>The Best American Short Stories</i> five times, including in <i>The Best American Short Stories of the Century</i>. A fellow of both the American Academy of Arts and Letters, and the American Academy of Arts and Sciences, she has received NEA, Guggenheim, and Radcliffe fellowships, a Lannan Literary Award, and a five-year Mildred and Harold Strauss Living Award. Her short work has appeared in <i>The New Yorker</i>, <i>The Atlantic Monthly</i>, <i>The New York Times, </i>and many anthologies; she has taught at Harvard University, NYU Shanghai, and other universities.</p><p><i>Bad Bad Girl </i>is her sixth novel; her other books include two collections of short stories and two works of non-fiction, including publication of her Massey Lectures in the History of American Civilization at Harvard University.</p><p><br /><a href="https://www.shortfusepodcast.com/" target="_blank"><i><strong>The Short Fuse Podcast</strong></i></a><i><strong>  </strong></i>is hosted by <strong>Elizabeth Howard.</strong> She talks with contemporary artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change through their art, music, ideas, and performances. James Baldwin reminds us that "artists are here to disturb the peace."  Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><br /><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>Gerald Kent is the producer and editor of the Short Fuse. Based in Cape Town, South Africa. Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing through full-scale production. </p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p><br /> </p><p> </p>
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      <itunes:title>Bad Bad Girl</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>00:35:44</itunes:duration>
      <itunes:summary>Author Gish Jen talks with Elizabeth Howard about her most recent book, Bad, Bad Girl (Knopf), a critically acclaimed, genre-bending novel that probes the generational tensions between a mother and daughter as it explores the cultural differences and personal frictions that contribute to their conflicts. While the story contains elements of memoir, it is a work of fiction that has been expertly tailored to highlight the expectations, dreams, and history that shape a complex relationship. Jen&apos;s mother was brought up in a wealthy family in 1920s Shanghai before emigrating to the United States, and Gish Jen was raised in 1960s New York. Bad, Bad Girl is a fascinating look at how two brilliant, headstrong women spar as Gish grows up—and the sadness she feels when her mother dies.
</itunes:summary>
      <itunes:subtitle>Author Gish Jen talks with Elizabeth Howard about her most recent book, Bad, Bad Girl (Knopf), a critically acclaimed, genre-bending novel that probes the generational tensions between a mother and daughter as it explores the cultural differences and personal frictions that contribute to their conflicts. While the story contains elements of memoir, it is a work of fiction that has been expertly tailored to highlight the expectations, dreams, and history that shape a complex relationship. Jen&apos;s mother was brought up in a wealthy family in 1920s Shanghai before emigrating to the United States, and Gish Jen was raised in 1960s New York. Bad, Bad Girl is a fascinating look at how two brilliant, headstrong women spar as Gish grows up—and the sadness she feels when her mother dies.
</itunes:subtitle>
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      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>82</itunes:episode>
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      <title>Broadway, Bars &amp; Fortune</title>
      <description><![CDATA[<p><a href="https://fortunesociety.org/">Fortune Society</a></p><p><br />Founded in 1967, The Fortune Society’s vision is to foster a world where those who are incarcerated or formerly incarcerated will thrive as positive, contributing members of society. This is achieved through a holistic, one-stop model of service provision.</p><p>The Fortune Society's continuum of care is informed and implemented by professionals with cultural backgrounds and life experiences similar to those of the participants. They serve thousands of individuals annually through  New York locations: service centers in Long Island City, Queens and Morrisania, the Bronx, as well as several housing residences throughout the city. Their program models are recognized both nationally and internationally for their quality and innovation.</p><p><a href="https://www.shuvendusen.com">Dr. Shuvendu Sen </a></p><p>Recipient of the Lifetime Achievement Award from AmeriCorps and the Office of the President of the United States, Dr, Shuvendu Sen is an Award winning physician, community activist, Author, and Ffilm personality. He is the author of Amazon bestseller Why Buddha Never Had <i>Alzheimer’s: a Holistic Treatment Approach through Meditation, Yoga and the Arts,</i> which received the 2017 Nautilus Award. He recently directed and produced "Broadway Bars & Fortune," a 40-minute Documentary that unfolds the story of four incarcerated individuals and their triumphant return to life through arts and theater.</p><p><a href="https://www.shortfusepodcast.com/">Shortfuse Podcast </a></p><p><strong>The Short Fuse Podcasts,</strong> hosted by <strong>Elizabeth Howard</strong>, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.</p><p>“Artists are here to disturb the peace.” James Baldwin.</p><p>The Short Fuse is distributed through the <a href="https://artsfuse.org/" target="_blank">Arts Fuse</a>, a journal of arts criticism and commentary.</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Host</a></p><p>Elizabeth Howard is the host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p> Gerald Kent is the producer and editor of The Short Fuse. Based in Cape Town, South Africa, Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing to full-scale production. We’re thrilled to have Gerald on board and look forward to the journey ahead with him.</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p>
]]></description>
      <pubDate>Tue, 18 Nov 2025 10:21:35 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Dr. Shuvendu Sen, Halim Flowers, David Rothenberg, Elizabeth Howard, Gerald Kent, Tasha Shelby)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://fortunesociety.org/">Fortune Society</a></p><p><br />Founded in 1967, The Fortune Society’s vision is to foster a world where those who are incarcerated or formerly incarcerated will thrive as positive, contributing members of society. This is achieved through a holistic, one-stop model of service provision.</p><p>The Fortune Society's continuum of care is informed and implemented by professionals with cultural backgrounds and life experiences similar to those of the participants. They serve thousands of individuals annually through  New York locations: service centers in Long Island City, Queens and Morrisania, the Bronx, as well as several housing residences throughout the city. Their program models are recognized both nationally and internationally for their quality and innovation.</p><p><a href="https://www.shuvendusen.com">Dr. Shuvendu Sen </a></p><p>Recipient of the Lifetime Achievement Award from AmeriCorps and the Office of the President of the United States, Dr, Shuvendu Sen is an Award winning physician, community activist, Author, and Ffilm personality. He is the author of Amazon bestseller Why Buddha Never Had <i>Alzheimer’s: a Holistic Treatment Approach through Meditation, Yoga and the Arts,</i> which received the 2017 Nautilus Award. He recently directed and produced "Broadway Bars & Fortune," a 40-minute Documentary that unfolds the story of four incarcerated individuals and their triumphant return to life through arts and theater.</p><p><a href="https://www.shortfusepodcast.com/">Shortfuse Podcast </a></p><p><strong>The Short Fuse Podcasts,</strong> hosted by <strong>Elizabeth Howard</strong>, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.</p><p>“Artists are here to disturb the peace.” James Baldwin.</p><p>The Short Fuse is distributed through the <a href="https://artsfuse.org/" target="_blank">Arts Fuse</a>, a journal of arts criticism and commentary.</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Host</a></p><p>Elizabeth Howard is the host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016).  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p> Gerald Kent is the producer and editor of The Short Fuse. Based in Cape Town, South Africa, Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing to full-scale production. We’re thrilled to have Gerald on board and look forward to the journey ahead with him.</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p>
]]></content:encoded>
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      <itunes:title>Broadway, Bars &amp; Fortune</itunes:title>
      <itunes:author>Dr. Shuvendu Sen, Halim Flowers, David Rothenberg, Elizabeth Howard, Gerald Kent, Tasha Shelby</itunes:author>
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      <itunes:duration>00:45:01</itunes:duration>
      <itunes:summary>In this Short Fuse conversation, Elizabeth Howard talks with Dr. Shuvendu Sen, director and producer of Broadway, Bars, &amp; Fortune, the documentary that showcases how theater and the arts can serve as powerful tools for healing and redemption among formerly incarcerated individuals. The film focuses a lens on David Rothenberg,  the well-known Broadway theater producer and the organization he founded, the Fortune Society, one of the country&apos;s leading organizations working with the formerly incarcerated as they learn to adapt to a life beyond bars. An estimated two million individuals are incarcerated in federal and state prisons, and local jails in the United States.  The largest number in the world.  </itunes:summary>
      <itunes:subtitle>In this Short Fuse conversation, Elizabeth Howard talks with Dr. Shuvendu Sen, director and producer of Broadway, Bars, &amp; Fortune, the documentary that showcases how theater and the arts can serve as powerful tools for healing and redemption among formerly incarcerated individuals. The film focuses a lens on David Rothenberg,  the well-known Broadway theater producer and the organization he founded, the Fortune Society, one of the country&apos;s leading organizations working with the formerly incarcerated as they learn to adapt to a life beyond bars. An estimated two million individuals are incarcerated in federal and state prisons, and local jails in the United States.  The largest number in the world.  </itunes:subtitle>
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      <itunes:episode>81</itunes:episode>
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      <title>Shakespeare in South Africa: Now and Then</title>
      <description><![CDATA[<p><a href="https://www.christhurman.net/"><strong>Chris Thurman</strong></a></p><p>Chris Thurman is  Director of the Tsikinya-Chaka Centre at the University of the Witwatersrand. He is co-editor, with Sandra Young, of <i>Global Shakespeare and Social Injustice: Towards a Transformative Encounter </i>(2023). He is also editor of <i>South African Essays on ‘Universal’ Shakespeare </i>(2014), <i>Sport versus Art: A South African Contest </i>(2010) and sixteen volumes of the journal <i>Shakespeare in Southern Africa</i>. His other books are the monograph <i>Guy Butler: Reassessing a South African Literary Life </i>(2010); <i>Text Bites</i>, an anthology for high schools (2009); and two collections of arts journalism. He is president of the Shakespeare Society of Southern Africa and founder of Shakespeare ZA.  (<a href="mailto:christopher.thurman@wits.ac.za">christopher.thurman@wits.ac.za</a>) </p><p><a href="https://www.naturalhistorymag.com/author/laura-bohannan">Laura Bohannan</a></p><p>Link for "Hamlet in the Bush".</p><p> </p><p><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p> Gerald Kent is the producer and editor of The Short Fuse. Based in Cape Town, South Africa, Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing to full-scale production. We’re thrilled to have Gerald on board and look forward to the journey ahead with him.</p><p><a href="https://www.shortfusepodcast.com/">Elizabeth Howard, Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p><a href="https://dashboard.simplecast.com/accounts/022c5eb0-f90e-4d7e-be4b-67bba2ae3079/shows/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/89ce5f8a-d158-4c6a-99fc-d10257f39eb0/#">Show</a></p>
]]></description>
      <pubDate>Tue, 14 Oct 2025 11:11:44 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Christopher Thurman, Elizabeth Howard, Gerald Kent)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.christhurman.net/"><strong>Chris Thurman</strong></a></p><p>Chris Thurman is  Director of the Tsikinya-Chaka Centre at the University of the Witwatersrand. He is co-editor, with Sandra Young, of <i>Global Shakespeare and Social Injustice: Towards a Transformative Encounter </i>(2023). He is also editor of <i>South African Essays on ‘Universal’ Shakespeare </i>(2014), <i>Sport versus Art: A South African Contest </i>(2010) and sixteen volumes of the journal <i>Shakespeare in Southern Africa</i>. His other books are the monograph <i>Guy Butler: Reassessing a South African Literary Life </i>(2010); <i>Text Bites</i>, an anthology for high schools (2009); and two collections of arts journalism. He is president of the Shakespeare Society of Southern Africa and founder of Shakespeare ZA.  (<a href="mailto:christopher.thurman@wits.ac.za">christopher.thurman@wits.ac.za</a>) </p><p><a href="https://www.naturalhistorymag.com/author/laura-bohannan">Laura Bohannan</a></p><p>Link for "Hamlet in the Bush".</p><p> </p><p><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p> Gerald Kent is the producer and editor of The Short Fuse. Based in Cape Town, South Africa, Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing to full-scale production. We’re thrilled to have Gerald on board and look forward to the journey ahead with him.</p><p><a href="https://www.shortfusepodcast.com/">Elizabeth Howard, Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p><a href="https://dashboard.simplecast.com/accounts/022c5eb0-f90e-4d7e-be4b-67bba2ae3079/shows/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/89ce5f8a-d158-4c6a-99fc-d10257f39eb0/#">Show</a></p>
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      <itunes:title>Shakespeare in South Africa: Now and Then</itunes:title>
      <itunes:author>Christopher Thurman, Elizabeth Howard, Gerald Kent</itunes:author>
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      <itunes:duration>00:43:07</itunes:duration>
      <itunes:summary>
In this Short Fuse conversation, Chris Thurman, a Shakespeare scholar and professor at the University of the Witwatersrand, Johannesburg, South Africa, talks with Elizabeth Howard about Shakespeare. Were his plays part of the colonial apparatus to impose British culture in South Africa, or a means of liberation? How is Shakespeare considered, discussed, and performed in a post-colonial, post-apartheid country? Did you know that there are published translations of Shakespeare&apos;s plays into at least eight of the twelve official languages? 
</itunes:summary>
      <itunes:subtitle>
In this Short Fuse conversation, Chris Thurman, a Shakespeare scholar and professor at the University of the Witwatersrand, Johannesburg, South Africa, talks with Elizabeth Howard about Shakespeare. Were his plays part of the colonial apparatus to impose British culture in South Africa, or a means of liberation? How is Shakespeare considered, discussed, and performed in a post-colonial, post-apartheid country? Did you know that there are published translations of Shakespeare&apos;s plays into at least eight of the twelve official languages? 
</itunes:subtitle>
      <itunes:keywords>shakespeare, robben island bible, hamlet, apple podcasts, ottello, john kani, arts fuse, nelson mandela, theatre for a new audience, folger shakespeare theatre, malcolm purkey, wits university, market theatre, classical theatre of harlem, othello, new york review of books, spotify, paul robeson</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
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      <title>Mother Africa:  Celebrating African Jazz at Lincoln Center</title>
      <description><![CDATA[<p><strong>Seton Hawkins</strong></p><p><br />Seton Hawkins is the Director of Public Programs and Education Resources at Jazz at Lincoln Center. He leads the organization's Swing University teaching initiative.  In addition, he has worked as a producer, manager, publicist, radio DJ, and advocate in jazz for more than a decade.  He has written extensively for Hot House Jazz and for AllAboutJazz.com, with a particular emphasis on the jazz scene of South Africa. Outside of Jazz at Lincoln Center, Seton is a radio host for SiriusXM's Real Jazz Channel (hosting a weekly South African Jazz series); a professor at the Julliard School; and is the curator of the AfricArise South African Jazz record series for Ropeadope Records. He received his MBA from Babson College and his BA in Music from Columbia University. </p><p><a href="https://marcusprintup.net/">Marcus Printup</a></p><p>Marcus attended Georgia State University, then transferred to the University of North Florida on a music scholarship. It was during his studies at UNF that he competed and won the prestigious <a href="http://www.trumpetguild.org/" target="_blank"><i>International Trumpet Guild Jazz Trumpet Competition</i></a>.</p><p>In 1991, Mr. Printup's life would change when he met his mentor and friend-to-be, the incomparable pianist Marcus Roberts. Mr. Roberts introduced him to world renowned trumpeter, Wynton Marsalis which in time led to the invitation to join the <a href="http://jalc.org/"><i>Jazz At Lincoln Center Orchestra</i></a> in 1993. Since then, Marcus has established and held third chair in the trumpet section and contributes regularly to the orchestra as an arranger and composer.</p><p>Among many others, Mr. Printup has performed/recorded with Betty Carter (an inductee into Ms. Carter's first <a href="https://marcusprintup.net/s/A-Jazz-Singing-Legend-Guides-a-New-Generation-The-New-York-Times.pdf" target="_blank"><i>Jazz Ahead</i></a> class in 1994), Dianne Reeves, Eric Reed, Cyrus Chestnut, Wycliffe Gordon, and Marcus Roberts. </p><p>Mr. Printup has led multiple recordings on several major record jazz labels.</p><p><a href="https://jazz.org/concerts-events/25-26-season-concerts/?gclsrc=aw.ds&gad_source=1&gad_campaignid=20652633510&gbraid=0AAAAAqS">Mother Africa, Jazz at Lincoln Center </a></p><p>This episode explores the opening of Jazz at Lincoln Center’s 2025–26 season with <a href="https://jazz.org/concert/wynton-marsalis-afro-with-shenel-johns-and-weedie-braimahthe-jlco-with-wynton-marsalis/"><i>Afro!</i></a>, a new composition by Wynton Marsalis. Performed by the Jazz at Lincoln Center Orchestra with Marsalis directing, the work celebrates jazz’s deep ties to African music and features special guests vocalist Shenel Johns and percussionist Weedie Braimah.</p><p>As part of our conversation with Seton Hawkins, we highlight three South African jazz standards that will be featured in the performance and in this episode:</p><p><a href="https://southafrica-info.com/arts-culture/kippie-moeketsi-at-100-the-soul-stirring-story-of-a-south-african-jazz-legend/"><strong>Kippie Moeketsi</strong></a><strong> – </strong><i><strong>Scullery Department</strong></i>: A hard-swinging, bebop-rooted tune that captures the energy of Johannesburg’s 1950s jazz scene. An alto saxophonist central to the 1950s Johannesburg jazz scene and often dubbed the “Charlie Parker of South Africa.”</p><p><a href="https://sahistory.org.za/people/winston-monwabisi-ngozi"><strong>Winston Mankunku Ngozi</strong></a><strong> – </strong><i><strong>Yakhal’ Inkomo</strong></i>: Recorded in 1968, this tenor sax masterpiece became one of the most iconic South African jazz albums. Its title, meaning “the bellowing bull,” captures both deep personal expression and the wider struggle under apartheid.</p><p><a href="https://sisgwenjazz.wordpress.com/2025/06/24/fezile-feya-faku-6-june-1962-23-june-2025/"><strong>Feya Faku</strong></a><strong> – </strong><i><strong>Elegy for Bheki Mseleku</strong></i>: A leading trumpeter and composer of the modern era, Faku wrote this moving tribute to pianist Bheki Mseleku, one of South Africa’s most innovative and spiritual jazz voices.</p><p>Together, these works connect South Africa’s jazz legacy with Marsalis’s new composition, underscoring how the story of jazz is inseparable from its African roots.</p><p><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>We’re excited to welcome Gerald Kent as the producer and editor of The Short Fuse. Based in Cape Town, South Africa, Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing to full-scale production. We’re thrilled to have Gerald on board and look forward to the journey ahead with him.</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast</a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p>
]]></description>
      <pubDate>Fri, 19 Sep 2025 15:39:41 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Gerald Kent, Seton Hawkins, Marcus Printup, Kippie Moeketsi, Winston mankunku ngozi, Feya faku, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Seton Hawkins</strong></p><p><br />Seton Hawkins is the Director of Public Programs and Education Resources at Jazz at Lincoln Center. He leads the organization's Swing University teaching initiative.  In addition, he has worked as a producer, manager, publicist, radio DJ, and advocate in jazz for more than a decade.  He has written extensively for Hot House Jazz and for AllAboutJazz.com, with a particular emphasis on the jazz scene of South Africa. Outside of Jazz at Lincoln Center, Seton is a radio host for SiriusXM's Real Jazz Channel (hosting a weekly South African Jazz series); a professor at the Julliard School; and is the curator of the AfricArise South African Jazz record series for Ropeadope Records. He received his MBA from Babson College and his BA in Music from Columbia University. </p><p><a href="https://marcusprintup.net/">Marcus Printup</a></p><p>Marcus attended Georgia State University, then transferred to the University of North Florida on a music scholarship. It was during his studies at UNF that he competed and won the prestigious <a href="http://www.trumpetguild.org/" target="_blank"><i>International Trumpet Guild Jazz Trumpet Competition</i></a>.</p><p>In 1991, Mr. Printup's life would change when he met his mentor and friend-to-be, the incomparable pianist Marcus Roberts. Mr. Roberts introduced him to world renowned trumpeter, Wynton Marsalis which in time led to the invitation to join the <a href="http://jalc.org/"><i>Jazz At Lincoln Center Orchestra</i></a> in 1993. Since then, Marcus has established and held third chair in the trumpet section and contributes regularly to the orchestra as an arranger and composer.</p><p>Among many others, Mr. Printup has performed/recorded with Betty Carter (an inductee into Ms. Carter's first <a href="https://marcusprintup.net/s/A-Jazz-Singing-Legend-Guides-a-New-Generation-The-New-York-Times.pdf" target="_blank"><i>Jazz Ahead</i></a> class in 1994), Dianne Reeves, Eric Reed, Cyrus Chestnut, Wycliffe Gordon, and Marcus Roberts. </p><p>Mr. Printup has led multiple recordings on several major record jazz labels.</p><p><a href="https://jazz.org/concerts-events/25-26-season-concerts/?gclsrc=aw.ds&gad_source=1&gad_campaignid=20652633510&gbraid=0AAAAAqS">Mother Africa, Jazz at Lincoln Center </a></p><p>This episode explores the opening of Jazz at Lincoln Center’s 2025–26 season with <a href="https://jazz.org/concert/wynton-marsalis-afro-with-shenel-johns-and-weedie-braimahthe-jlco-with-wynton-marsalis/"><i>Afro!</i></a>, a new composition by Wynton Marsalis. Performed by the Jazz at Lincoln Center Orchestra with Marsalis directing, the work celebrates jazz’s deep ties to African music and features special guests vocalist Shenel Johns and percussionist Weedie Braimah.</p><p>As part of our conversation with Seton Hawkins, we highlight three South African jazz standards that will be featured in the performance and in this episode:</p><p><a href="https://southafrica-info.com/arts-culture/kippie-moeketsi-at-100-the-soul-stirring-story-of-a-south-african-jazz-legend/"><strong>Kippie Moeketsi</strong></a><strong> – </strong><i><strong>Scullery Department</strong></i>: A hard-swinging, bebop-rooted tune that captures the energy of Johannesburg’s 1950s jazz scene. An alto saxophonist central to the 1950s Johannesburg jazz scene and often dubbed the “Charlie Parker of South Africa.”</p><p><a href="https://sahistory.org.za/people/winston-monwabisi-ngozi"><strong>Winston Mankunku Ngozi</strong></a><strong> – </strong><i><strong>Yakhal’ Inkomo</strong></i>: Recorded in 1968, this tenor sax masterpiece became one of the most iconic South African jazz albums. Its title, meaning “the bellowing bull,” captures both deep personal expression and the wider struggle under apartheid.</p><p><a href="https://sisgwenjazz.wordpress.com/2025/06/24/fezile-feya-faku-6-june-1962-23-june-2025/"><strong>Feya Faku</strong></a><strong> – </strong><i><strong>Elegy for Bheki Mseleku</strong></i>: A leading trumpeter and composer of the modern era, Faku wrote this moving tribute to pianist Bheki Mseleku, one of South Africa’s most innovative and spiritual jazz voices.</p><p>Together, these works connect South Africa’s jazz legacy with Marsalis’s new composition, underscoring how the story of jazz is inseparable from its African roots.</p><p><a href="https://linktr.ee/geraldkent"><strong>Gerald Kent</strong></a></p><p>We’re excited to welcome Gerald Kent as the producer and editor of The Short Fuse. Based in Cape Town, South Africa, Gerald is a talented musician and audio engineer who has been releasing his own music independently since 2021. Alongside his artistry, he’s built up experience working with multiple clients in the podcasting space, from editing to full-scale production. We’re thrilled to have Gerald on board and look forward to the journey ahead with him.</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast</a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  <a href="https://www.instagram.com/elizh24/">@elizh24</a> on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p>
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      <itunes:title>Mother Africa:  Celebrating African Jazz at Lincoln Center</itunes:title>
      <itunes:author>Gerald Kent, Seton Hawkins, Marcus Printup, Kippie Moeketsi, Winston mankunku ngozi, Feya faku, Elizabeth Howard</itunes:author>
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      <itunes:duration>00:35:06</itunes:duration>
      <itunes:summary>This episode explores the opening of Mother Africa, Jazz at Lincoln Center’s 2025–26  season,  celebrating South African Jazz and the African diaspora that brought it to life.  Elizabeth Howard is in conversation with Seton Hawkins, the Director of Public Programs and Educational Resources at Jazz at Lincoln Center.  He is a  jazz advocate, educator, and producer  with a specific focus on South Africa. Seton is  joined by Marcus Printup, who plays trumpet in the Jazz at Lincoln Center Orchestra and contributes regularly to the orchestra as an arranger and composer.  He has recorded with many jazz legends. The story of jazz in Africa reflects the weight of resistance, identity, and hope and are expressions of the South African experience, resonating with themes of struggle, mourning and resilience.











</itunes:summary>
      <itunes:subtitle>This episode explores the opening of Mother Africa, Jazz at Lincoln Center’s 2025–26  season,  celebrating South African Jazz and the African diaspora that brought it to life.  Elizabeth Howard is in conversation with Seton Hawkins, the Director of Public Programs and Educational Resources at Jazz at Lincoln Center.  He is a  jazz advocate, educator, and producer  with a specific focus on South Africa. Seton is  joined by Marcus Printup, who plays trumpet in the Jazz at Lincoln Center Orchestra and contributes regularly to the orchestra as an arranger and composer.  He has recorded with many jazz legends. The story of jazz in Africa reflects the weight of resistance, identity, and hope and are expressions of the South African experience, resonating with themes of struggle, mourning and resilience.











</itunes:subtitle>
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      <title>Open Book:  Reading South Africa</title>
      <description><![CDATA[<p><a href="https://openbookfestival.co.za/">Open Book Festival</a></p><p>The Open Book Festival is a trusted space in which difficult conversations are possible.  The festival, at its core, recognizes the importance of books to explore the world. Writers and their work is at the center of the Festival, along with the audience. We believe that the meaningful conversation is impossible, without the representation of the audiences. </p><p><a href="https://booklounge.co.za/">Book Lounge</a></p><p>The Book Lounge is located at 71 Roeland Street in Cape Town.  </p><p><a href="https://karavanpress.com/karavan-press">Karavan Press</a></p><p>Karavan Press is an independent publisher based in Cape Town, South Africa, devoted to excellence and integrity.  They are passionate about the books they publish.</p><p><i>The Frightened</i> by Lethokuhle Msimana</p><p>  Published by Karavan Press</p><p>“In this lyrical, fragmented novella, Lethokuhle Msimang uses autobiographical and poetic interventions to lead the reader thorugh landscapes of loss and longing, traveling between France, China, Spain and South Africa, to explore the troubled terrain of leaving and findinghome. </p><p><i>The Bitterness of Olives </i>by Andrew Brown</p><p>  Published by Karavan Press</p><p>Avi Dahan, a retired detective mourning his beloved wife in tel Aviv and Khalid Mansour, a Palestinain doctor confront the precarious reality of living in Gaza City – and are still reeling from the policital fallout that jeopardies their delicate friendship.  </p><p><a href="https://modjajibooks.co.za/">Colleen Hicks. Modjagi Books</a><br /><br />Colleen Hicks is a writer and publisher.She founded the ground-breaking independent southern African press, Modiaji Books in 2007.Through her publishing company she occasionally offers workshops on how to get published in South Africa. She has edited four editions of <a href="https://modjajibooks.co.za/titles/2024-african-small-publishers-catalogue/">African Small Publishers Catalogue.  </a></p><p><a href="https://thebookery.org.za/our-story/">The Bookery</a></p><p>The Bookery was established in 2010 and since then has set up more than 98 school libraries in the Western Cape, Eastern Cape and Gauteng, South Africa.  Professional libraries assist in keeping the organized supplied with reference, non-fiction and fiction books.  The Bookery provides at least three books per learner, carefully selected, to meet their individual needs and interests. The Bookery also trains librarians.  They have distributed more than 375,000 books throughout South Africa.</p><p><a href="https://africanliterarycities.uct.ac.za/about-us">African Literary Cities Project</a></p><p>African Literary Cities Project – University of Cape Town </p><p>“As a form of urbanity, the literary city can be considered a narrative that (re)produces itself in both material and imaginative forms and can thus not be read solely with one single disciplinary lens. The African Literary Cities Project at the University of Cape Town proposes the notion of “literary urban ecologies” to make sense of the complex entanglements and (re)productions of cityness and literature. We are not concerned with creating an authoritative definition of the African Literary City. Rather, we are interested in mapping how literary cityness is locally produced in the contexts of dynamic African cities that are constantly “ making connections of all kinds through their literary.”</p><p><strong>Conversations with Mohale Mashigo</strong></p><p><a href="https://www.ottofoundation.org/about-us">Otto Foundation</a></p><p>The Otto Foundation is the philanthropic trust of the Otto Family. The Trust was established by Chris Otto and his daughter, Zephne Ladbrook, in 2016. The Otto Family and the board of trustees has mandated the Otto Foundation to contribute to social justice and positive change in South Africa through projects that improve early literacy. </p><p><a href="https://www.nickmulgrew.co.za/">Batis Books</a></p><p>Batis Books, based in Edinburgh  and publish beginning in early 2026. Batis will publish a handful of titles focusing on literary excellence and new talent from South Africa and Scotland. </p><p><a href="https://www.youtube.com/watch?v=qlG7rHAMUEU">On Publishing with Pan Macmillan</a></p><p><i>Patient 12A</i> by Lesedi Molefi – a candid and absorbing account of his time spent in a psychiatric clinic in 2016.</p><p><strong>Book mentioned</strong></p><p><i>Braids and Migranes</i> by Andile Cele  - </p><p><i>The Fragile Mental Health of Strong Women</i> By Michelle Myeko Kekana</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p><p> </p>
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      <pubDate>Tue, 19 Aug 2025 16:14:53 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Mervin Sloman, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://openbookfestival.co.za/">Open Book Festival</a></p><p>The Open Book Festival is a trusted space in which difficult conversations are possible.  The festival, at its core, recognizes the importance of books to explore the world. Writers and their work is at the center of the Festival, along with the audience. We believe that the meaningful conversation is impossible, without the representation of the audiences. </p><p><a href="https://booklounge.co.za/">Book Lounge</a></p><p>The Book Lounge is located at 71 Roeland Street in Cape Town.  </p><p><a href="https://karavanpress.com/karavan-press">Karavan Press</a></p><p>Karavan Press is an independent publisher based in Cape Town, South Africa, devoted to excellence and integrity.  They are passionate about the books they publish.</p><p><i>The Frightened</i> by Lethokuhle Msimana</p><p>  Published by Karavan Press</p><p>“In this lyrical, fragmented novella, Lethokuhle Msimang uses autobiographical and poetic interventions to lead the reader thorugh landscapes of loss and longing, traveling between France, China, Spain and South Africa, to explore the troubled terrain of leaving and findinghome. </p><p><i>The Bitterness of Olives </i>by Andrew Brown</p><p>  Published by Karavan Press</p><p>Avi Dahan, a retired detective mourning his beloved wife in tel Aviv and Khalid Mansour, a Palestinain doctor confront the precarious reality of living in Gaza City – and are still reeling from the policital fallout that jeopardies their delicate friendship.  </p><p><a href="https://modjajibooks.co.za/">Colleen Hicks. Modjagi Books</a><br /><br />Colleen Hicks is a writer and publisher.She founded the ground-breaking independent southern African press, Modiaji Books in 2007.Through her publishing company she occasionally offers workshops on how to get published in South Africa. She has edited four editions of <a href="https://modjajibooks.co.za/titles/2024-african-small-publishers-catalogue/">African Small Publishers Catalogue.  </a></p><p><a href="https://thebookery.org.za/our-story/">The Bookery</a></p><p>The Bookery was established in 2010 and since then has set up more than 98 school libraries in the Western Cape, Eastern Cape and Gauteng, South Africa.  Professional libraries assist in keeping the organized supplied with reference, non-fiction and fiction books.  The Bookery provides at least three books per learner, carefully selected, to meet their individual needs and interests. The Bookery also trains librarians.  They have distributed more than 375,000 books throughout South Africa.</p><p><a href="https://africanliterarycities.uct.ac.za/about-us">African Literary Cities Project</a></p><p>African Literary Cities Project – University of Cape Town </p><p>“As a form of urbanity, the literary city can be considered a narrative that (re)produces itself in both material and imaginative forms and can thus not be read solely with one single disciplinary lens. The African Literary Cities Project at the University of Cape Town proposes the notion of “literary urban ecologies” to make sense of the complex entanglements and (re)productions of cityness and literature. We are not concerned with creating an authoritative definition of the African Literary City. Rather, we are interested in mapping how literary cityness is locally produced in the contexts of dynamic African cities that are constantly “ making connections of all kinds through their literary.”</p><p><strong>Conversations with Mohale Mashigo</strong></p><p><a href="https://www.ottofoundation.org/about-us">Otto Foundation</a></p><p>The Otto Foundation is the philanthropic trust of the Otto Family. The Trust was established by Chris Otto and his daughter, Zephne Ladbrook, in 2016. The Otto Family and the board of trustees has mandated the Otto Foundation to contribute to social justice and positive change in South Africa through projects that improve early literacy. </p><p><a href="https://www.nickmulgrew.co.za/">Batis Books</a></p><p>Batis Books, based in Edinburgh  and publish beginning in early 2026. Batis will publish a handful of titles focusing on literary excellence and new talent from South Africa and Scotland. </p><p><a href="https://www.youtube.com/watch?v=qlG7rHAMUEU">On Publishing with Pan Macmillan</a></p><p><i>Patient 12A</i> by Lesedi Molefi – a candid and absorbing account of his time spent in a psychiatric clinic in 2016.</p><p><strong>Book mentioned</strong></p><p><i>Braids and Migranes</i> by Andile Cele  - </p><p><i>The Fragile Mental Health of Strong Women</i> By Michelle Myeko Kekana</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p><p> </p>
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      <itunes:title>Open Book:  Reading South Africa</itunes:title>
      <itunes:author>Mervin Sloman, Elizabeth Howard</itunes:author>
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      <itunes:duration>00:32:14</itunes:duration>
      <itunes:summary>In this episode, Mervin Sloman, founder of the beloved Book Lounge and the Open Book Festival in Cape Town, South Africa,  is in conversation with Elizabeth Howard around the unique challenges of managing an independent bookstore, while navigating the complicated, ever shifting environment.  What does it mean to manage an independent bookshop in South Africa? What are the challenges, the opportunities, and the importance of creating a space for writers and their readers to meet in community?  The Book Lounge opened in 2007 and the Open Book Festival was launched four years later in 2011.  It takes creativity, determination, resilience and a passion for books to survive and thrive.  During difficult moments:  &quot;I have a copious amount of salt from which to pinch.&quot;   Mervin Sloman </itunes:summary>
      <itunes:subtitle>In this episode, Mervin Sloman, founder of the beloved Book Lounge and the Open Book Festival in Cape Town, South Africa,  is in conversation with Elizabeth Howard around the unique challenges of managing an independent bookstore, while navigating the complicated, ever shifting environment.  What does it mean to manage an independent bookshop in South Africa? What are the challenges, the opportunities, and the importance of creating a space for writers and their readers to meet in community?  The Book Lounge opened in 2007 and the Open Book Festival was launched four years later in 2011.  It takes creativity, determination, resilience and a passion for books to survive and thrive.  During difficult moments:  &quot;I have a copious amount of salt from which to pinch.&quot;   Mervin Sloman </itunes:subtitle>
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      <itunes:episode>78</itunes:episode>
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      <title>Bearing Witness:  theatre in South Africa</title>
      <description><![CDATA[<p><strong>Malcolm D. Purkey </strong></p><p>Born to Cockney Jewish immigrant parents who were entertainers, Malcolm Purkey  is an actor, director, playwright, influential drama lecturer, and theatre administrator.  He holds a BA and Honours from University of Witwatersrand, Johannesburg, an MA in Theatre Studies from the State University New York,  is a Fulbright Scholar and  he is a Graduate of the British Film School. </p><p>His career and contribution to theatre is monumental. It started in the mad bohemian world of Adam Leslie. While still a student he designed and developed The Box and The Nunnery Theatres for Wits and then managed the influential Workshop 71. He surrounded himself with a group of artistic academic friends who met in a house in Junction Avenue, Parktown.  They formed the Junction Avenue Theatre Company that created politically conscious plays that had an influence on theatre in South Africa.</p><p>Malcolm took a post lecturing drama at Wits (University of Witwatersrand) becoming Head of Department and an associate Professor. He was asked to assist the Market Theatre through a diffiult period and  turned it around. Malcolm has been a force in the theatre community and has had an enormous impact on hundreds of students. </p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p>
]]></description>
      <pubDate>Wed, 13 Aug 2025 09:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Malcolm Purkey, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Malcolm D. Purkey </strong></p><p>Born to Cockney Jewish immigrant parents who were entertainers, Malcolm Purkey  is an actor, director, playwright, influential drama lecturer, and theatre administrator.  He holds a BA and Honours from University of Witwatersrand, Johannesburg, an MA in Theatre Studies from the State University New York,  is a Fulbright Scholar and  he is a Graduate of the British Film School. </p><p>His career and contribution to theatre is monumental. It started in the mad bohemian world of Adam Leslie. While still a student he designed and developed The Box and The Nunnery Theatres for Wits and then managed the influential Workshop 71. He surrounded himself with a group of artistic academic friends who met in a house in Junction Avenue, Parktown.  They formed the Junction Avenue Theatre Company that created politically conscious plays that had an influence on theatre in South Africa.</p><p>Malcolm took a post lecturing drama at Wits (University of Witwatersrand) becoming Head of Department and an associate Professor. He was asked to assist the Market Theatre through a diffiult period and  turned it around. Malcolm has been a force in the theatre community and has had an enormous impact on hundreds of students. </p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 10, 000 articles and receives 80,000+ visits a month. This year the magazine is celebrating its 18th birthday - a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Assist <i>Arts Fuse </i>in its mission:  keep arts and culture hale and hearty through dialogue, and not just marketing.  </p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p>
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      <itunes:title>Bearing Witness:  theatre in South Africa</itunes:title>
      <itunes:author>Malcolm Purkey, Elizabeth Howard</itunes:author>
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      <itunes:duration>00:18:04</itunes:duration>
      <itunes:summary>In this Short Fuse episode Elizabeth Howard is in conversation with actor, director, playwright, influential drama lecturer, and theatre administrator, Malcolm Purkey, who shares his personal journey through the world of theater during a time of political upheaval in South Africa.  How did artists navigate censorship, embrace improvisation, and use their craft as a powerful tool for resistance and change, from the vibrant musical evenings of his childhood to the transformative plays of Athol Fugard.  Malcolm raises the questions: &quot;Where is South Africa going? How do we decolonize in a way that&apos;s for real? What does that mean? Does it mean that the 11 official languages are even given equal weight across the board? Those are hard questions. And I&apos;m not sure if I can even yet understand.&quot;    


Elizabeth Howard is recording in South Africa, researching and listening to learn more about  how the legacy of apartheid continues to shape the artistic landscape today.  
</itunes:summary>
      <itunes:subtitle>In this Short Fuse episode Elizabeth Howard is in conversation with actor, director, playwright, influential drama lecturer, and theatre administrator, Malcolm Purkey, who shares his personal journey through the world of theater during a time of political upheaval in South Africa.  How did artists navigate censorship, embrace improvisation, and use their craft as a powerful tool for resistance and change, from the vibrant musical evenings of his childhood to the transformative plays of Athol Fugard.  Malcolm raises the questions: &quot;Where is South Africa going? How do we decolonize in a way that&apos;s for real? What does that mean? Does it mean that the 11 official languages are even given equal weight across the board? Those are hard questions. And I&apos;m not sure if I can even yet understand.&quot;    


Elizabeth Howard is recording in South Africa, researching and listening to learn more about  how the legacy of apartheid continues to shape the artistic landscape today.  
</itunes:subtitle>
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      <itunes:episode>77</itunes:episode>
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      <title>Reading the City with Tyler Wetherall</title>
      <description><![CDATA[<p><a href="https://readingthecity.substack.com/">SUBCRIBE TO READING THE CITY</a></p><p>Order Tyler Wetherall's novel <a href="https://bookshop.org/p/books/amphibian-tyler-wetherall/21195297?ean=9781632462077&next=t&affiliate=4974">Amphibian</a></p><p><strong>About Reading the City</strong></p><p> "Reading the City" is a weekly newsletter of bookish events in and around NYC, a weekly diary of upcoming New York literary life on a need-to-know basis. No long blurbs, no reviews, just book events of all stripes. "Reading the City" links to the author’s books, website, or social pages when possible. Tyler Wetherall, the founder and editor, is a believer in the  power of the literary community to raise each other up, champion one another, and help make the site an inclusive and welcoming space for all writers and readers. </p><p>Tyler Wetherall is a  Brooklyn-based writer, editor, and teacher, and the author of <a href="https://www.amazon.com/No-Way-Home-Memoir-Life/dp/1250112192"><i>No Way Home: A Memoir of Life on the Run</i></a><i> </i>(St. Martin’s Press) and <i>Amphibian </i>(forthcoming from Virago).   She arrived in New York from London in 2014, knowing just three people. She  carried with her a manuscript she had  written alone in a Victorian outhouse at the end of her mother’s garden in Devon. Her entire experience of the writerly life thus far was solitary—and pretty cold. She found herself in a  very special place called the Oracle Club (RIP) in Long Island City, and there  she met real life authors for the first time. After staying up late and  talking craft, drinking gin, and playing records, or reading poetry and howling into the night, she had  found her community, and through that community the practical and intellectual resources she needed to become an author myself. </p><p>Photo credit:  Sammy Deigh</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 7,000 articles and receives 60,000+ visits a month. This year they are celebrating their 5th birthday, a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Why <i>The Arts Fuse</i>? Its birth was a reaction to the <a href="https://artsfuse.org/409/cultural-commentary-crunch-time-for-arts-coverage-at-the-boston-globe/">declining arts coverage</a> in newspapers, magazines, radio, and television. When the number of news pages shrink in the mainstream media, attention is paid. But the continual whittling down of arts coverage has been passed over in silence. Editor-in-Chief <a href="https://artsfuse.org/about-us/en.wikipedia.org/wiki/Bill_Marx">Bill Marx</a> started the magazine to preserve the craft of professional arts criticism online, while also looking at new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists.</p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p>Assist <i>The Arts Fuse i</i>n their  mission: to keep arts and culture hale and hearty through dialogue rather than marketing.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p>
]]></description>
      <pubDate>Mon, 7 Apr 2025 12:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Tyler Wetherall, Mike LeClair, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://readingthecity.substack.com/">SUBCRIBE TO READING THE CITY</a></p><p>Order Tyler Wetherall's novel <a href="https://bookshop.org/p/books/amphibian-tyler-wetherall/21195297?ean=9781632462077&next=t&affiliate=4974">Amphibian</a></p><p><strong>About Reading the City</strong></p><p> "Reading the City" is a weekly newsletter of bookish events in and around NYC, a weekly diary of upcoming New York literary life on a need-to-know basis. No long blurbs, no reviews, just book events of all stripes. "Reading the City" links to the author’s books, website, or social pages when possible. Tyler Wetherall, the founder and editor, is a believer in the  power of the literary community to raise each other up, champion one another, and help make the site an inclusive and welcoming space for all writers and readers. </p><p>Tyler Wetherall is a  Brooklyn-based writer, editor, and teacher, and the author of <a href="https://www.amazon.com/No-Way-Home-Memoir-Life/dp/1250112192"><i>No Way Home: A Memoir of Life on the Run</i></a><i> </i>(St. Martin’s Press) and <i>Amphibian </i>(forthcoming from Virago).   She arrived in New York from London in 2014, knowing just three people. She  carried with her a manuscript she had  written alone in a Victorian outhouse at the end of her mother’s garden in Devon. Her entire experience of the writerly life thus far was solitary—and pretty cold. She found herself in a  very special place called the Oracle Club (RIP) in Long Island City, and there  she met real life authors for the first time. After staying up late and  talking craft, drinking gin, and playing records, or reading poetry and howling into the night, she had  found her community, and through that community the practical and intellectual resources she needed to become an author myself. </p><p>Photo credit:  Sammy Deigh</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p><a href="https://artsfuse.org/">The Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p>The goal of <i>The Arts Fuse </i>is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine’s motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” </p><p><i>The Arts Fuse</i> has published over 7,000 articles and receives 60,000+ visits a month. This year they are celebrating their 5th birthday, a milestone for a small, independent magazine dedicated to covering the arts.</p><p>Why <i>The Arts Fuse</i>? Its birth was a reaction to the <a href="https://artsfuse.org/409/cultural-commentary-crunch-time-for-arts-coverage-at-the-boston-globe/">declining arts coverage</a> in newspapers, magazines, radio, and television. When the number of news pages shrink in the mainstream media, attention is paid. But the continual whittling down of arts coverage has been passed over in silence. Editor-in-Chief <a href="https://artsfuse.org/about-us/en.wikipedia.org/wiki/Bill_Marx">Bill Marx</a> started the magazine to preserve the craft of professional arts criticism online, while also looking at new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists.</p><p>Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.</p><p>Assist <i>The Arts Fuse i</i>n their  mission: to keep arts and culture hale and hearty through dialogue rather than marketing.</p><p><a href="https://substack.com/@williammarx">SUBSCRIBE </a>to the weekly e-newsletter</p><p>LIKE The Arts Fuse on <a href="https://www.facebook.com/theartsfuse/">Facebook</a>, FOLLOW  on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>HELP  <i>The Arts Fuse</i> thrive by providing <a href="https://artsfuse.org/advertising">underwriting</a> for the magazine. <strong>Even better</strong> — make a tax deductible donation.</p><p> </p><p> </p>
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      <itunes:title>Reading the City with Tyler Wetherall</itunes:title>
      <itunes:author>Tyler Wetherall, Mike LeClair, Elizabeth Howard</itunes:author>
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      <itunes:duration>00:34:15</itunes:duration>
      <itunes:summary>In this conversation, Elizabeth Howard engages with Tyler Wetherall through her journey in connecting with the literary community in New York City through her newsletter, &quot;Reading the City.&quot; They discuss the evolution of bookstores, particularly in the wake of the pandemic, highlighting how they have transformed into community hubs that offer a third space. The conversation emphasizes the importance of bookstores in fostering community, social justice, and the changing landscape of reading culture and the vibrant landscape of reading venues and community reading series. In their conversation they point out the challenges of promoting books in a crowded market, the importance of community support among authors and the role of independent bookstores in fostering literary culture.</itunes:summary>
      <itunes:subtitle>In this conversation, Elizabeth Howard engages with Tyler Wetherall through her journey in connecting with the literary community in New York City through her newsletter, &quot;Reading the City.&quot; They discuss the evolution of bookstores, particularly in the wake of the pandemic, highlighting how they have transformed into community hubs that offer a third space. The conversation emphasizes the importance of bookstores in fostering community, social justice, and the changing landscape of reading culture and the vibrant landscape of reading venues and community reading series. In their conversation they point out the challenges of promoting books in a crowded market, the importance of community support among authors and the role of independent bookstores in fostering literary culture.</itunes:subtitle>
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      <title>Reading and Talking Film: Sonya Chung, Film Forum</title>
      <description><![CDATA[<p><strong> Sonya Chung</strong> is the author of the novels <a href="https://sonyachung.com/books/the-loved-ones/"><i>The Loved Ones</i></a> (Relegation Books, 2016) and <i>Long for This World</i> (Scribner, 2010). She is a staff writer for the <i>The Millions </i>and founding editor of <i>Bloom,</i> and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers’ Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya’s stories, reviews, & essays have appeared in <i>The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology,</i> and<i> This is The Place: Women Writing About Home</i>, among others<i>. </i>Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers’ Workshop. She is the Director of Film Forum. </p><p><a href="https://filmforum.org/about/general-information">Film Forum</a></p><p>Film Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum’s current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.</p><p>We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors’ retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. </p><p>Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ <a href="http://filmforum.org/support/more/membership">members</a> and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million <a href="https://filmforum.org/endowment-funders-listing">endowment</a>, begun in 2000 with a $1.25 million gift from the Ford Foundation.</p><p>Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.</p><p>As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum’s programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today’s world.</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard</a></p><p>Elizabeth Howard is the Host of the Short Fuse Podcast.</p><p><a href="https://artsfuse.org/">Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p> </p>
]]></description>
      <pubDate>Wed, 26 Feb 2025 20:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Sonya Chung, Mike LeClair)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong> Sonya Chung</strong> is the author of the novels <a href="https://sonyachung.com/books/the-loved-ones/"><i>The Loved Ones</i></a> (Relegation Books, 2016) and <i>Long for This World</i> (Scribner, 2010). She is a staff writer for the <i>The Millions </i>and founding editor of <i>Bloom,</i> and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers’ Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya’s stories, reviews, & essays have appeared in <i>The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology,</i> and<i> This is The Place: Women Writing About Home</i>, among others<i>. </i>Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers’ Workshop. She is the Director of Film Forum. </p><p><a href="https://filmforum.org/about/general-information">Film Forum</a></p><p>Film Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum’s current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.</p><p>We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors’ retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. </p><p>Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ <a href="http://filmforum.org/support/more/membership">members</a> and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million <a href="https://filmforum.org/endowment-funders-listing">endowment</a>, begun in 2000 with a $1.25 million gift from the Ford Foundation.</p><p>Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.</p><p>As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum’s programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today’s world.</p><p><a href="https://elizabethhoward.com/">Elizabeth Howard</a></p><p>Elizabeth Howard is the Host of the Short Fuse Podcast.</p><p><a href="https://artsfuse.org/">Arts Fuse </a></p><p><i>The Arts Fuse</i> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p> </p>
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      <itunes:title>Reading and Talking Film: Sonya Chung, Film Forum</itunes:title>
      <itunes:author>Sonya Chung, Mike LeClair</itunes:author>
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      <itunes:duration>00:36:46</itunes:duration>
      <itunes:summary>Summary

In this engaging conversation, Elizabeth Howard speaks with Sonya Chung, the director of Film Forum in New York, about the intersection of film and literature, the relevance of the Oscars, and the impact of independent films. They explore the evolution of Film Forum, the importance of documentaries, and how cinema can help audiences understand complex global issues. Sonya Chung shares insights on audience engagement and the legacy of risk-taking in independent cinema, emphasizing the power of film to convey human experiences.

</itunes:summary>
      <itunes:subtitle>Summary

In this engaging conversation, Elizabeth Howard speaks with Sonya Chung, the director of Film Forum in New York, about the intersection of film and literature, the relevance of the Oscars, and the impact of independent films. They explore the evolution of Film Forum, the importance of documentaries, and how cinema can help audiences understand complex global issues. Sonya Chung shares insights on audience engagement and the legacy of risk-taking in independent cinema, emphasizing the power of film to convey human experiences.

</itunes:subtitle>
      <itunes:keywords>david remnick, independent films, short fust podcast, the brutalist, new york times art, ft weekend, sundance, arts fuse, spotify podcast, new yorker, brooklyn rail, academy awards, sonya chung, karen cooper, oscars, film forum, new york times, the guardian, movies, new yorker radio hour, apple podcast, best film, spotify, elizabeth howard</itunes:keywords>
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      <itunes:episode>76</itunes:episode>
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      <title>The Museum of Other People</title>
      <description><![CDATA[<p><strong>Adam Kuper</strong></p><p>Professor Adam Kuper  is an anthropologist and public intellectual. He has held positions at a number of universities  and is a recipient of the Huxley Medal of the Royal Anthropological Institute. Kuper is the author or editor of 19 books and  has published over 100 journal articles focusing on anthropological theory, the history of anthropology in the US and Britain, and southern African societies and cultures. He has made numerous appearances on BBC TV and radio, and reviewed regularly for the <i>London Review of Books</i>, the <i>Times Literary Supplement</i>, and the <i>Wall Street Journal</i>. </p><p> </p><p><a href="https://www.penguinrandomhouse.com/books/725763/the-museum-of-other-people-by-adam-kuper/">The Museum of Other People</a></p><p>Published by Penguin Random House, in this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard’s Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World’s Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889.</p><p>Listen to an excerpt from The Museum of Other People </p><p> </p><p><a href="https://www.shortfusepodcast.com/">Elizabeth Howard</a>  </p><p><strong>The Short Fuse Podcasts,</strong> hosted and produced by <strong>Elizabeth Howard</strong>, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.</p><p>“Artists are here to disturb the peace.” James Baldwin.</p><p>The Short Fuse is distributed through the <a href="https://artsfuse.org/" target="_blank">Arts Fuse</a>, a journal of arts criticism and commentary.<br /> </p>
]]></description>
      <pubDate>Wed, 4 Sep 2024 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Adam Kuper</strong></p><p>Professor Adam Kuper  is an anthropologist and public intellectual. He has held positions at a number of universities  and is a recipient of the Huxley Medal of the Royal Anthropological Institute. Kuper is the author or editor of 19 books and  has published over 100 journal articles focusing on anthropological theory, the history of anthropology in the US and Britain, and southern African societies and cultures. He has made numerous appearances on BBC TV and radio, and reviewed regularly for the <i>London Review of Books</i>, the <i>Times Literary Supplement</i>, and the <i>Wall Street Journal</i>. </p><p> </p><p><a href="https://www.penguinrandomhouse.com/books/725763/the-museum-of-other-people-by-adam-kuper/">The Museum of Other People</a></p><p>Published by Penguin Random House, in this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard’s Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World’s Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889.</p><p>Listen to an excerpt from The Museum of Other People </p><p> </p><p><a href="https://www.shortfusepodcast.com/">Elizabeth Howard</a>  </p><p><strong>The Short Fuse Podcasts,</strong> hosted and produced by <strong>Elizabeth Howard</strong>, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.</p><p>“Artists are here to disturb the peace.” James Baldwin.</p><p>The Short Fuse is distributed through the <a href="https://artsfuse.org/" target="_blank">Arts Fuse</a>, a journal of arts criticism and commentary.<br /> </p>
]]></content:encoded>
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      <itunes:title>The Museum of Other People</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/87cfd47b-06d7-4a5b-923a-8bb73d66654a/3000x3000/adam-k-pic-1.jpg?aid=rss_feed"/>
      <itunes:duration>00:34:15</itunes:duration>
      <itunes:summary>In this conversation, Adam Kuper, a social anthropologist, and Elizabeth Howard, host of the Short Fuse, discuss his book &apos;The Museum of Other People from Colonial Acquisitions to Cosmopolitan Exhibitions.&apos;  Their talk ranges from the influence of African art on modern artists,  the role of museums in archival history, to the challenges of repatriation. Adam Kuper also explores the need for museums to reassess their role in a post-colonial world, suggests the importance of temporary exhibitions and collaborative projects and defines what could be, in his mind,  the &quot;new, new museum.&quot; </itunes:summary>
      <itunes:subtitle>In this conversation, Adam Kuper, a social anthropologist, and Elizabeth Howard, host of the Short Fuse, discuss his book &apos;The Museum of Other People from Colonial Acquisitions to Cosmopolitan Exhibitions.&apos;  Their talk ranges from the influence of African art on modern artists,  the role of museums in archival history, to the challenges of repatriation. Adam Kuper also explores the need for museums to reassess their role in a post-colonial world, suggests the importance of temporary exhibitions and collaborative projects and defines what could be, in his mind,  the &quot;new, new museum.&quot; </itunes:subtitle>
      <itunes:keywords>nyt book review, ft weekend, metropolitan museum of art, nyc, macmillian, british museum, financial times</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>74</itunes:episode>
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      <title>The Swans of Harlem</title>
      <description><![CDATA[<p><strong>The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and the Reclamation of Their Groundbreaking History </strong>  By:  Karen Valby</p><p>The forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now.</p><p>At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of <i>Dance </i>magazine, an <i>Essence </i>cover star, cast in <i>The Wiz</i>  and on Broadway with Bob Fosse. She performed in some of ballet’s most iconic works with her closest friends—founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton—for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond.</p><p><br />Some forty years later, when Lydia’s granddaughter wanted to show her own ballet class evidence of her grandmother’s success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves.</p><p>Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, <i>The Swans of Harlem</i>  is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long. During Covid, five ballerinas met weekly on Zoom and formed the <strong>152nd Street Black Ballet Legacy Council. </strong>Karen Valby joined them and wrote their story</p><p> </p><p>“Karen Valby’s <i>The Swans of Harlem</i> brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams.”<strong>Misty Copeland</strong></p><p>“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell’s founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It’s thrilling to watch as they join forces at last and claim their unique place in American ballet’s past, present and future.”—<strong>Margo Jefferson</strong></p><p><a href="https://152ndstblackballetlegacy.org/">152nd Street Black Ballet Legacy Foundation</a></p><p>The 152nd St. Black Ballet Legacy is an independent non-profit organization created by five trailblazing Black ballerinas.  Their professional careers began at the founding of Dance Theatre of Harlem, where their sisterhood was born.  They have enjoyed and nurtured their sisterhood for over 50 years and continue to thrive for the sake of preserving our their rich history.</p><p><strong>Lydia Abarca Mitchell</strong> is a founding member of the Dance Theatre of Harlem and their first prima ballerina. She danced leading roles in George Balanchine’s <i>Agon</i>, <i>Bugaku</i>, <i>Concerto Barocco</i>, <i>Allegro Brillante</i>, <i>Tchaikovsky Pas de Deux,</i> and <i>Swan Lake</i>, Jerome Robbins’ <i>Afternoon of a Faun</i>, Ruth Page’s <i>Carmen and Jose</i>, William Dollar’s <i>Le Combat</i>, and Arthur Mitchell’s <i>Ode to Otis, Holberg Suite</i>, and <i>Biosfera</i>. She was featured on the cover of <i>DanceMagazine</i>, in the movie <i>The Wiz</i>, and on Broadway in Bob Fosse’s <i>Dancin’.  </i>It was a stunning career on the world stage.</p><p><a href="https://www.karenvalby.com/">Karen Valby </a></p><p>Author of <i>Welcome to Utopia,</i> and contributor to <i>The New York Times; O, The Oprah Magazine; Glamour; Fast Company;</i> and <i>Entertainment Weekly</i></p><p><a href="https://www.dancetheatreofharlem.org">Dance Theater of Harlem</a><br />The Dance Theater of Harlem was founded in 1969, during the Civil Rights movement by Arthur Mitchell and Karel Shook.</p><p><a href="https://hsanyc.org">Harlem School of the Arts</a></p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p> </p><p><br /> </p><p><br /> </p><p><br /> </p><p> </p>
]]></description>
      <pubDate>Tue, 9 Jul 2024 14:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Elizabeth Howard - Host)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and the Reclamation of Their Groundbreaking History </strong>  By:  Karen Valby</p><p>The forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now.</p><p>At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of <i>Dance </i>magazine, an <i>Essence </i>cover star, cast in <i>The Wiz</i>  and on Broadway with Bob Fosse. She performed in some of ballet’s most iconic works with her closest friends—founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton—for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond.</p><p><br />Some forty years later, when Lydia’s granddaughter wanted to show her own ballet class evidence of her grandmother’s success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves.</p><p>Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, <i>The Swans of Harlem</i>  is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long. During Covid, five ballerinas met weekly on Zoom and formed the <strong>152nd Street Black Ballet Legacy Council. </strong>Karen Valby joined them and wrote their story</p><p> </p><p>“Karen Valby’s <i>The Swans of Harlem</i> brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams.”<strong>Misty Copeland</strong></p><p>“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell’s founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It’s thrilling to watch as they join forces at last and claim their unique place in American ballet’s past, present and future.”—<strong>Margo Jefferson</strong></p><p><a href="https://152ndstblackballetlegacy.org/">152nd Street Black Ballet Legacy Foundation</a></p><p>The 152nd St. Black Ballet Legacy is an independent non-profit organization created by five trailblazing Black ballerinas.  Their professional careers began at the founding of Dance Theatre of Harlem, where their sisterhood was born.  They have enjoyed and nurtured their sisterhood for over 50 years and continue to thrive for the sake of preserving our their rich history.</p><p><strong>Lydia Abarca Mitchell</strong> is a founding member of the Dance Theatre of Harlem and their first prima ballerina. She danced leading roles in George Balanchine’s <i>Agon</i>, <i>Bugaku</i>, <i>Concerto Barocco</i>, <i>Allegro Brillante</i>, <i>Tchaikovsky Pas de Deux,</i> and <i>Swan Lake</i>, Jerome Robbins’ <i>Afternoon of a Faun</i>, Ruth Page’s <i>Carmen and Jose</i>, William Dollar’s <i>Le Combat</i>, and Arthur Mitchell’s <i>Ode to Otis, Holberg Suite</i>, and <i>Biosfera</i>. She was featured on the cover of <i>DanceMagazine</i>, in the movie <i>The Wiz</i>, and on Broadway in Bob Fosse’s <i>Dancin’.  </i>It was a stunning career on the world stage.</p><p><a href="https://www.karenvalby.com/">Karen Valby </a></p><p>Author of <i>Welcome to Utopia,</i> and contributor to <i>The New York Times; O, The Oprah Magazine; Glamour; Fast Company;</i> and <i>Entertainment Weekly</i></p><p><a href="https://www.dancetheatreofharlem.org">Dance Theater of Harlem</a><br />The Dance Theater of Harlem was founded in 1969, during the Civil Rights movement by Arthur Mitchell and Karel Shook.</p><p><a href="https://hsanyc.org">Harlem School of the Arts</a></p><p><a href="https://elizabethhoward.com/">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p> </p><p><br /> </p><p><br /> </p><p><br /> </p><p> </p>
]]></content:encoded>
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      <itunes:title>The Swans of Harlem</itunes:title>
      <itunes:author>Elizabeth Howard - Host</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/e3417c21-c26c-4516-a578-f5f2c01997d4/3000x3000/cidb8019070-a6ab-40ad-ba59-41b320ce810e.jpg?aid=rss_feed"/>
      <itunes:duration>00:37:33</itunes:duration>
      <itunes:summary>The Swans of Harlem is the forgotten story of a pioneering group of five Black ballerinas:  Lydia Abarça, Gayle McKinney-Griffith, Sheila Rohan, Karlya Shelton and Marcia Sells, and their fifty-year sisterhood.  Karen Valby, the author of The Swans of Harlem, and  Lydia Abarca, a prima ballerina and one of the Swans, are in conversation with Elizabeth Howard to talk about their success on the stage, and the challenges they faced. Arthur Mitchell, the founder of The Dance Theater of Harlem, gave them the opportunity to perform. Their legacy had been erased.   Until now.
</itunes:summary>
      <itunes:subtitle>The Swans of Harlem is the forgotten story of a pioneering group of five Black ballerinas:  Lydia Abarça, Gayle McKinney-Griffith, Sheila Rohan, Karlya Shelton and Marcia Sells, and their fifty-year sisterhood.  Karen Valby, the author of The Swans of Harlem, and  Lydia Abarca, a prima ballerina and one of the Swans, are in conversation with Elizabeth Howard to talk about their success on the stage, and the challenges they faced. Arthur Mitchell, the founder of The Dance Theater of Harlem, gave them the opportunity to perform. Their legacy had been erased.   Until now.
</itunes:subtitle>
      <itunes:keywords>ballet, dance index, misty copeland, black lives matter, dance critic, met opera, margo jefferson, abt, pantheon, ft weekend, george balanchine, ny city center, dance theater of harlem, arts fuse, spotify podcast, harlem school of the arts, new york city ballet, nyt arts, schomburg, essence magazine, apple podcast, lincoln center, elizabeth howard, ballet school, dance magazine, arthur mitchell, short fuse podcast, agon</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>73</itunes:episode>
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      <title>Faulkner&apos;s Influence</title>
      <description><![CDATA[<p><a href="https://www.outreach.olemiss.edu/events/faulkner/">Yoknapatawpha and Faulkner Conference in Oxford, Mississippi </a></p><p>This is the longest continually running literary conference in the United States dedicated to the work of one author. This is the 50th Anniversary of the Conference, first held in 1974. </p><p><a href="https://www.squarebooks.com://www.squarebooks.com">Square Book Store, Oxford, Mississippi</a></p><p> Square Books is a general independent bookstore in three separate buildings (about 100 feet apart) on the historic town square of Oxford, Mississippi, home of the University of Mississippi and many great writers, including William Faulkner, Barry Hannah, Larry Brown, and, for a time, both Willie Morris and John Grisham. The main store, <strong>Square Books</strong>, is in a two-story building with a cafe and balcony on the second floor; <strong>Off Square Books</strong> is a few doors down from the main store and has lifestyle sections such as gardening and cookbooks; <strong>Square Books, Jr.</strong>, the children's bookstore, is in a building on the east side of the square; above it (in the site of the original bookstore) is the more recently opened <strong>Rare Square Books</strong>, which feature collectible, vintage, first edition books across a broad price range. Square Books is known for its strong selection of literary fiction, books on the American South and by Southern writers, a large inventory of reduced-price remainders, and its emphasis on books for children. The store hosts the popular Thacker Mountain radio show and over 150 author events a year.</p><p><a href="https://www.upress.state.ms.us/content/search?search_in%5B%5D=all&SearchText=Faulkner+Conference+books">University Press of Mississippi</a></p><p><br />University Press of Mississippi tells stories of scholarly and social importance that impact our state, region, nation, and world. We are committed to equality, inclusivity, and diversity. Working at the forefront of publishing and cultural trends, we publish books that enhance and extend the reputation of our state and its universities.</p><p><a href="https://english.olemiss.edu/jay-watson/">Dr. Jay Watson</a></p><p>Howry Professor of Faulkner Studies Jay Watson, a native of Athens, Georgia, received his B.A. degree from the University of Georgia (1983) and his M.A. and Ph.D. from Harvard University (1985, 1989). He joined the English department at the University of Mississippi in 1989, was promoted to Professor of English in 2007, and became UM’s second Howry Professor in 2010. During the 2002-2003 academic year he served as Visiting Fulbright Professor of American Studies at the University of Turku and Åbo Akademi University in Turku, Finland, and he has since been honored with the UM Faculty Achievement Award (2012), the UM Liberal Arts Professor of the Year award (2014), and the UM Humanities Teacher of the Year award (2014). In 2013 he was a finalist for the Southeastern Conference Professor of the Year Award, and in 2018 he was the fall convocation speaker at UM.</p><p> </p><p> </p><p><a href="https://elizabethhoward.com">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p> </p><p> </p>
]]></description>
      <pubDate>Thu, 9 May 2024 16:57:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.outreach.olemiss.edu/events/faulkner/">Yoknapatawpha and Faulkner Conference in Oxford, Mississippi </a></p><p>This is the longest continually running literary conference in the United States dedicated to the work of one author. This is the 50th Anniversary of the Conference, first held in 1974. </p><p><a href="https://www.squarebooks.com://www.squarebooks.com">Square Book Store, Oxford, Mississippi</a></p><p> Square Books is a general independent bookstore in three separate buildings (about 100 feet apart) on the historic town square of Oxford, Mississippi, home of the University of Mississippi and many great writers, including William Faulkner, Barry Hannah, Larry Brown, and, for a time, both Willie Morris and John Grisham. The main store, <strong>Square Books</strong>, is in a two-story building with a cafe and balcony on the second floor; <strong>Off Square Books</strong> is a few doors down from the main store and has lifestyle sections such as gardening and cookbooks; <strong>Square Books, Jr.</strong>, the children's bookstore, is in a building on the east side of the square; above it (in the site of the original bookstore) is the more recently opened <strong>Rare Square Books</strong>, which feature collectible, vintage, first edition books across a broad price range. Square Books is known for its strong selection of literary fiction, books on the American South and by Southern writers, a large inventory of reduced-price remainders, and its emphasis on books for children. The store hosts the popular Thacker Mountain radio show and over 150 author events a year.</p><p><a href="https://www.upress.state.ms.us/content/search?search_in%5B%5D=all&SearchText=Faulkner+Conference+books">University Press of Mississippi</a></p><p><br />University Press of Mississippi tells stories of scholarly and social importance that impact our state, region, nation, and world. We are committed to equality, inclusivity, and diversity. Working at the forefront of publishing and cultural trends, we publish books that enhance and extend the reputation of our state and its universities.</p><p><a href="https://english.olemiss.edu/jay-watson/">Dr. Jay Watson</a></p><p>Howry Professor of Faulkner Studies Jay Watson, a native of Athens, Georgia, received his B.A. degree from the University of Georgia (1983) and his M.A. and Ph.D. from Harvard University (1985, 1989). He joined the English department at the University of Mississippi in 1989, was promoted to Professor of English in 2007, and became UM’s second Howry Professor in 2010. During the 2002-2003 academic year he served as Visiting Fulbright Professor of American Studies at the University of Turku and Åbo Akademi University in Turku, Finland, and he has since been honored with the UM Faculty Achievement Award (2012), the UM Liberal Arts Professor of the Year award (2014), and the UM Humanities Teacher of the Year award (2014). In 2013 he was a finalist for the Southeastern Conference Professor of the Year Award, and in 2018 he was the fall convocation speaker at UM.</p><p> </p><p> </p><p><a href="https://elizabethhoward.com">Elizabeth Howard, Producer and Host of the Short Fuse Podcast </a></p><p>Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in <i>European Communications, Investor Relations</i>,<i> Law Firm Marketing & Profit Report</i>,<i> Communication World, The Strategist, </i>and the<i> New York Law Journal</i>, among others.  Her books include <i>Queen Anne’s Lace and Wild Blackberry Pie, (</i>Thornwillow Press, 2011),<i> A Day with Bonefish Joe</i> (David Godine, 2015) and <i>Ned O’Gorman:  A Glance Back (</i>Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram</p><p> </p><p> </p>
]]></content:encoded>
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      <itunes:title>Faulkner&apos;s Influence</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/659ec995-3362-4ae1-a205-1d00691eb5c5/3000x3000/unknown-3.jpg?aid=rss_feed"/>
      <itunes:duration>00:32:11</itunes:duration>
      <itunes:summary>In this Short Fuse episode Elizabeth Howard is in conversation with Jay Watson, a Faulkner scholar and chair of the Faulkner Yoknapatawpha  Conference at the University of Mississippi. This year is the 50th Anniversary of the Conference at the University of Mississippi.  Jay and Elizabeth explore the life and work of William Faulkner, with a focus on his home, Rowan Oak, his impact on Southern literature, Faulkner&apos;s early life and the historical context of his work. Jay discusses Faulkner&apos;s technique in representing marginalized lives, his influence on global literature, and the accessibility of his works through translation. </itunes:summary>
      <itunes:subtitle>In this Short Fuse episode Elizabeth Howard is in conversation with Jay Watson, a Faulkner scholar and chair of the Faulkner Yoknapatawpha  Conference at the University of Mississippi. This year is the 50th Anniversary of the Conference at the University of Mississippi.  Jay and Elizabeth explore the life and work of William Faulkner, with a focus on his home, Rowan Oak, his impact on Southern literature, Faulkner&apos;s early life and the historical context of his work. Jay discusses Faulkner&apos;s technique in representing marginalized lives, his influence on global literature, and the accessibility of his works through translation. </itunes:subtitle>
      <itunes:keywords>riverside, faulkner scholars, graduate hotel oxford, university of mississippi press, square books, oxford mississippi, arts fuse, sound and the fury, university of virginia, faulkner, apple, simplecast, constant contact, yoknapatawpha faulkner conference, spotify, bill marx, elizabeth howard, short fuse podcast</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>72</itunes:episode>
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      <title>&quot;Authentic&quot;</title>
      <description><![CDATA[<p><a href="https://elizabethhoward.com">Elizabeth Howard </a>began hosting and producing the Short Fuse during the pandemic years. Those days when we were shuttered in our rooms. Displaced. Disoriented. Since then she has hosted 33 conversations, created a YouTube channel for online Short Fuse reading groups, and held live events at P&T Knitwear in New York, the Harvard Bookstore in Cambridge, and at the Portsmouth Athenaeum in New Hampshire.  You can find all of the Short Fuse conversations  on the <a href="https://www.shortfusepodcast.com">Short Fuse website.</a></p><p><a href="https://www.dellariacaffe.com">Dell'Aria Cafe</a> is at 232 East 111th Street in East Harlem.  An authentic cafe with roasted Italian coffee ... and conversation.</p><p><a href="https://www.instagram.com/jasminericenyc/reels/">Jasmine Rice LaBeija</a> is a Drag Queen, who can often be found performing in New York City.</p><p><a href="https://www.episcopalchurch.org/presiding-bishop-michael-curry/">Rev. Michael Curry</a> is the Presiding Bishop of the Episcopal Church in the United States.  He spoke at the memorial held for Archbishop Desmond Tutu at the Cathedral of St. John the Divine in New York City.</p><p><a href="https://www.bookpostusa.com">Ann Kjellberg </a>is the founder of Book Post. </p><p><a href="https://artsfuse.org">Bill Marx</a> is the founder and Editor of the Arts Fuse, the online journal of arts commentary and criticism.</p><p><a href="https://www.kyledacuyan.com">Kyle Dacuyan</a> is a poet and the director of the Poetry Project at St. Mark's Church in the Bowery.</p><p><a href="https://academyforjustice.asu.edu/project/valena-beety-manifesting-justice/">Valena Beety </a>is the author of <i>Manifesting Justice</i> and works with <a href="https://freetashashelby.com">Tasha Shelby</a>.</p><p><a href="https://www.moma.org/artists/73872">Frank Young </a>is the artist who created the collage for this episode. </p><p> </p><p> </p>
]]></description>
      <pubDate>Tue, 19 Dec 2023 14:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://elizabethhoward.com">Elizabeth Howard </a>began hosting and producing the Short Fuse during the pandemic years. Those days when we were shuttered in our rooms. Displaced. Disoriented. Since then she has hosted 33 conversations, created a YouTube channel for online Short Fuse reading groups, and held live events at P&T Knitwear in New York, the Harvard Bookstore in Cambridge, and at the Portsmouth Athenaeum in New Hampshire.  You can find all of the Short Fuse conversations  on the <a href="https://www.shortfusepodcast.com">Short Fuse website.</a></p><p><a href="https://www.dellariacaffe.com">Dell'Aria Cafe</a> is at 232 East 111th Street in East Harlem.  An authentic cafe with roasted Italian coffee ... and conversation.</p><p><a href="https://www.instagram.com/jasminericenyc/reels/">Jasmine Rice LaBeija</a> is a Drag Queen, who can often be found performing in New York City.</p><p><a href="https://www.episcopalchurch.org/presiding-bishop-michael-curry/">Rev. Michael Curry</a> is the Presiding Bishop of the Episcopal Church in the United States.  He spoke at the memorial held for Archbishop Desmond Tutu at the Cathedral of St. John the Divine in New York City.</p><p><a href="https://www.bookpostusa.com">Ann Kjellberg </a>is the founder of Book Post. </p><p><a href="https://artsfuse.org">Bill Marx</a> is the founder and Editor of the Arts Fuse, the online journal of arts commentary and criticism.</p><p><a href="https://www.kyledacuyan.com">Kyle Dacuyan</a> is a poet and the director of the Poetry Project at St. Mark's Church in the Bowery.</p><p><a href="https://academyforjustice.asu.edu/project/valena-beety-manifesting-justice/">Valena Beety </a>is the author of <i>Manifesting Justice</i> and works with <a href="https://freetashashelby.com">Tasha Shelby</a>.</p><p><a href="https://www.moma.org/artists/73872">Frank Young </a>is the artist who created the collage for this episode. </p><p> </p><p> </p>
]]></content:encoded>
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      <itunes:title>&quot;Authentic&quot;</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/7b911279-cc38-44a6-8cb9-8566b45f3db0/3000x3000/img-7330-1.jpg?aid=rss_feed"/>
      <itunes:duration>00:25:34</itunes:duration>
      <itunes:summary>As we slide down into the final hours of 2023, Elizabeth Howard, host and producer of the Short Fuse, and Alex Waters, technical editor of the Short Fuse, reflect on the year in an informal conversation at the Dell&apos;Aria Cafe in East Harlem. They share a few of the moments from the conversations that seem particularly meaningful and &quot;authentic&quot; - the Merriam-Webster word of the year, in a year filled with  &quot;disruptions&quot;  - Elizabeth&apos;s word of the year.  And the color of 2023:  Pantone Viva Magenta.   















</itunes:summary>
      <itunes:subtitle>As we slide down into the final hours of 2023, Elizabeth Howard, host and producer of the Short Fuse, and Alex Waters, technical editor of the Short Fuse, reflect on the year in an informal conversation at the Dell&apos;Aria Cafe in East Harlem. They share a few of the moments from the conversations that seem particularly meaningful and &quot;authentic&quot; - the Merriam-Webster word of the year, in a year filled with  &quot;disruptions&quot;  - Elizabeth&apos;s word of the year.  And the color of 2023:  Pantone Viva Magenta.   















</itunes:subtitle>
      <itunes:keywords>jasmine rice labeija, kyle dacuyan, apple podcasts, poetry project, arts fuse, episcopal church, cathedral of st. john, book post, goso, rev. desmond tutu, east harlem, rev. michael curry, dell&apos;aria, spotify, elizabeth howard</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
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      <title>Arts Commentary and Criticism: The Canary in the Coal Mine</title>
      <description><![CDATA[<p><a href="https://artsfuse.org/">The Arts Fuse </a>is  an on-line magazine designed to preserve the craft of professional arts criticism,  while also looking for ways to explore new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists. Substantial criticism -- by sparking lively, contentious dialogue about the strengths, weaknesses, and contributions of the arts -- plays an indispensable role in the cultural ecology. Smaller, newer organizations are fostered by debate and evaluation. When they are ignored, as they are by the mainstream media, they fade away.</p><p><a href="https://artsfuse.us4.list-manage.com/subscribe?u=33d5b79bae46bd241c1c94d67&id=2d90953d96">SUBSCRIBE </a>to the Arts Fuse weekly e-newsletter</p><p>LIKE the Arts Fuse on  <a href="https://www.facebook.com/theartsfuse/">Facebook,</a> FOLLOW on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>.</p>
]]></description>
      <pubDate>Thu, 16 Nov 2023 10:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (William Marx, Alex Waters, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://artsfuse.org/">The Arts Fuse </a>is  an on-line magazine designed to preserve the craft of professional arts criticism,  while also looking for ways to explore new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists. Substantial criticism -- by sparking lively, contentious dialogue about the strengths, weaknesses, and contributions of the arts -- plays an indispensable role in the cultural ecology. Smaller, newer organizations are fostered by debate and evaluation. When they are ignored, as they are by the mainstream media, they fade away.</p><p><a href="https://artsfuse.us4.list-manage.com/subscribe?u=33d5b79bae46bd241c1c94d67&id=2d90953d96">SUBSCRIBE </a>to the Arts Fuse weekly e-newsletter</p><p>LIKE the Arts Fuse on  <a href="https://www.facebook.com/theartsfuse/">Facebook,</a> FOLLOW on <a href="https://twitter.com/theartsfuse">Twitter</a></p><p>.</p>
]]></content:encoded>
      <enclosure length="30943652" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/45715a3e-c838-41b4-95e2-9f30f6ee9df5/audio/fed5904b-2ce0-44f1-8c0d-e828bbcaaad8/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>Arts Commentary and Criticism: The Canary in the Coal Mine</itunes:title>
      <itunes:author>William Marx, Alex Waters, Elizabeth Howard</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/18e2584f-7a61-4ea5-8d70-ad067fe6fc91/3000x3000/marx.jpg?aid=rss_feed"/>
      <itunes:duration>00:32:13</itunes:duration>
      <itunes:summary>In this episode of the Short Fuse, host Elizabeth Howard and  Editor-in-Chief and founder of the Arts Fuse,  Bill Marx discuss the vital role arts commentary and criticism play in nurturing an open and democratic society. Bill Marx founded the Arts Fuse in 2007 as a reaction to the precipitous decline of commentary on the arts in newspapers, However the continual whittling down of independent arts coverage over the past three decades has been passed over in silence. The goal of the Arts Fuse is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The journal&apos;s  motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.”</itunes:summary>
      <itunes:subtitle>In this episode of the Short Fuse, host Elizabeth Howard and  Editor-in-Chief and founder of the Arts Fuse,  Bill Marx discuss the vital role arts commentary and criticism play in nurturing an open and democratic society. Bill Marx founded the Arts Fuse in 2007 as a reaction to the precipitous decline of commentary on the arts in newspapers, However the continual whittling down of independent arts coverage over the past three decades has been passed over in silence. The goal of the Arts Fuse is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The journal&apos;s  motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.”</itunes:subtitle>
      <itunes:keywords>literary criticism, ft weekend, arts fuse, book post, harper&apos;s, arts fuse facebook, elizabeth hardwick, arts fuse twitter, boston university, apple podcast, spotify</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
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      <title>Winnie and Nelson Mandela through the lens of time and history.</title>
      <description><![CDATA[<p>Justice Malala, is one of South Africa’s foremost political commentators and commentators and the author of the bestseller <i>We Have Now Begun Our Decent:  How to stop south Africa losing its way</i>.   He has been a columnist for the <i>Times </i>in SA, and written for the <i>Washington Post</i>, the <i>Wall Street Journal</i>, the <i>Guardian </i>and the <i>Financial Times</i>. He now lives in New York.<br /><br />Jonny Steinberg is the author of several books about everyday life in the wake of South Africa’s transition to democracy. He is a two-time winner of the Sunday Times Alan Paton Award, South Africa's premier literary prize, and an inaugural winner of the Donald Windham-Sandy M. Campbell Literature Prizes. Until 2020, he was professor of African studies at Oxford University. He currently teaches part-time at the Council on African Studies at Yale University's MacMillan Center for International and Area Studies and is visiting professor at the Wits Institute for Social and Economic Research (WISER) in Johannesburg.</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a><i><strong> </strong></i>is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including <i>The Living</i>.  He lives in Brooklyn can can be reached at<i><strong> </strong></i><a href="mailto:alexwatermusic12@gmail.com"><strong>alexwatersmusic12@gmail.com</strong></a><i><strong> </strong></i>with inquiries. </p>
]]></description>
      <pubDate>Fri, 3 Nov 2023 18:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Audio Engineer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Justice Malala, is one of South Africa’s foremost political commentators and commentators and the author of the bestseller <i>We Have Now Begun Our Decent:  How to stop south Africa losing its way</i>.   He has been a columnist for the <i>Times </i>in SA, and written for the <i>Washington Post</i>, the <i>Wall Street Journal</i>, the <i>Guardian </i>and the <i>Financial Times</i>. He now lives in New York.<br /><br />Jonny Steinberg is the author of several books about everyday life in the wake of South Africa’s transition to democracy. He is a two-time winner of the Sunday Times Alan Paton Award, South Africa's premier literary prize, and an inaugural winner of the Donald Windham-Sandy M. Campbell Literature Prizes. Until 2020, he was professor of African studies at Oxford University. He currently teaches part-time at the Council on African Studies at Yale University's MacMillan Center for International and Area Studies and is visiting professor at the Wits Institute for Social and Economic Research (WISER) in Johannesburg.</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a><i><strong> </strong></i>is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including <i>The Living</i>.  He lives in Brooklyn can can be reached at<i><strong> </strong></i><a href="mailto:alexwatermusic12@gmail.com"><strong>alexwatersmusic12@gmail.com</strong></a><i><strong> </strong></i>with inquiries. </p>
]]></content:encoded>
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      <itunes:title>Winnie and Nelson Mandela through the lens of time and history.</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Audio Engineer</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/9f2e280d-fdfe-415e-92f8-d2f2087041cd/3000x3000/img-3625.jpg?aid=rss_feed"/>
      <itunes:duration>01:01:01</itunes:duration>
      <itunes:summary>On Monday, 23 October, Elizabeth Howard was in conversation with Justice Malala, author of The Plot to Save South Africa, The Week Mandela Averted Civil war and Forged a New Nation, and Jonny Steinberg, author of Winne and Nelson: Portrait of a Marriage.  The event was held at Cafe Lafayette in New York City and this is a live, unedited recording. There is noise in the background.</itunes:summary>
      <itunes:subtitle>On Monday, 23 October, Elizabeth Howard was in conversation with Justice Malala, author of The Plot to Save South Africa, The Week Mandela Averted Civil war and Forged a New Nation, and Jonny Steinberg, author of Winne and Nelson: Portrait of a Marriage.  The event was held at Cafe Lafayette in New York City and this is a live, unedited recording. There is noise in the background.</itunes:subtitle>
      <itunes:keywords>ww norton, justice malala, ft weekend, apple podcasts, arts fuse, africa desk nyt, jonny steinberg, nelson mandela, winnie mandela, spotify, simon &amp; schuster, south africa, allafrica media, short fuse podcast</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>69</itunes:episode>
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      <title>The Book Post USA</title>
      <description><![CDATA[<p><strong>Ann Kjellberg</strong> founded <a href="https://books.substack.com/" target="_blank">Book Post</a>, a newsletter-based book review, in 2018. Book Post publishes short book reviews by distinguished figures in literature, history, science, social sciences, and the arts. Kjellberg also reports for Book Post on the book industry, journalism, and the state of writing and ideas. Her essays have appeared in <i>The New York Review of Books</i>, <i>The Observer</i>, <i>The Browser, </i>and <i>LitHub</i>. She was on the editorial staff of the <i>New York Review of Books</i> from 1988 to 2017, and from 1985 to 1987 she was an editor at Farrar, Straus & Giroux. She is the literary executor of the poet Joseph Brodsky and editor of several editions of his work. She  founded the literary magazine<i> Little Star </i>and has taught literary journalism at Bryn Mawr College.</p><p> </p><p><a href="https://www.shortfusepodcast.com">The Short Fuse Podcast</a>  hosted and produced by Elizabeth Howard, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.</p><p>“Artists are here to disturb the peace.” James Baldwin.</p><p>The Short Fuse is distributed through the <a href="https://artsfuse.org/" target="_blank">Arts Fuse</a>, a journal of arts criticism and commentary.</p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Thu, 19 Oct 2023 18:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Audio Engineer, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Ann Kjellberg</strong> founded <a href="https://books.substack.com/" target="_blank">Book Post</a>, a newsletter-based book review, in 2018. Book Post publishes short book reviews by distinguished figures in literature, history, science, social sciences, and the arts. Kjellberg also reports for Book Post on the book industry, journalism, and the state of writing and ideas. Her essays have appeared in <i>The New York Review of Books</i>, <i>The Observer</i>, <i>The Browser, </i>and <i>LitHub</i>. She was on the editorial staff of the <i>New York Review of Books</i> from 1988 to 2017, and from 1985 to 1987 she was an editor at Farrar, Straus & Giroux. She is the literary executor of the poet Joseph Brodsky and editor of several editions of his work. She  founded the literary magazine<i> Little Star </i>and has taught literary journalism at Bryn Mawr College.</p><p> </p><p><a href="https://www.shortfusepodcast.com">The Short Fuse Podcast</a>  hosted and produced by Elizabeth Howard, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.</p><p>“Artists are here to disturb the peace.” James Baldwin.</p><p>The Short Fuse is distributed through the <a href="https://artsfuse.org/" target="_blank">Arts Fuse</a>, a journal of arts criticism and commentary.</p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
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      <itunes:title>The Book Post USA</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Audio Engineer, Elizabeth Howard</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/9a63d036-49d7-4c5b-8a83-92e47751c85a/3000x3000/bookpost-logo.jpg?aid=rss_feed"/>
      <itunes:duration>00:31:18</itunes:duration>
      <itunes:summary>In this episode of the Short Fuse, Elizabeth Howard is in conversation with Ann Kjellberg around reading and the importance of literary criticism and commentary. Ann is the founder of  Book Post, a newsletter-based book review  that publishes short book reviews by distinguished figures in literature, history, science, social sciences, and the arts.  &quot;To me the importance of literary criticism is to have magnitude of thought, sustained reflection and a kind of demonstrable argument. This is why I&apos;m interested in book reviews, because commentary is a way of connecting written culture with something that is enduring.&quot; Ann Kjellberg

</itunes:summary>
      <itunes:subtitle>In this episode of the Short Fuse, Elizabeth Howard is in conversation with Ann Kjellberg around reading and the importance of literary criticism and commentary. Ann is the founder of  Book Post, a newsletter-based book review  that publishes short book reviews by distinguished figures in literature, history, science, social sciences, and the arts.  &quot;To me the importance of literary criticism is to have magnitude of thought, sustained reflection and a kind of demonstrable argument. This is why I&apos;m interested in book reviews, because commentary is a way of connecting written culture with something that is enduring.&quot; Ann Kjellberg

</itunes:subtitle>
      <itunes:keywords>rebecca west, harpers, spotify podcasts, pen, kindle, reading, lauren cerand, apple podcasts, bryn mawr college., arts fuse, indie bookstores, brooklyn rail, book post, book forum, corner book store, new york times book review, london review of books, robert silvers, the decline of literary criticism, elizabeth hardwick, new york review of books</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
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      <title>Jasmine Rice Labeija from Juilliard to performing as a Drag Queen</title>
      <description><![CDATA[<p><strong>Jasmine Rice LaBeija </strong> the International Godmother of the Royal House of LaBeija is  an iconic and respected entertainer. In 2017, she was one of the leading cast members in the documentary series Shade, Queens of New York City, on Fusion Network. She has been a  host of Dragged, which won a Shorty Award in Diversity and Inclusion for Verizon's network In the Know and she was the face of New York City's 2020 Pride. Jasmine is a graduate of the Juilliard School and made her opera debut at the Shell with the San Diego Symphony as a special guest soloist with Megan Hilty, Rob Fisher conducting. This year, she was invited back to the Guggenheim Museum for a solo recital and she appeared at Lincoln Center. </p><p><a href="https://www.guggenheim.org/event/event_series/works-process">Works & Process</a>    Described by <i>The New York Times</i> as “an exceptional opportunity to understand something of the creative process,” for 35 years as New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers.</p><p><a href="https://elizabethhoward.com">Elizabeth Howard,</a> host and producer of the Short Fuse Podcast. </p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for The Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Thu, 21 Sep 2023 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Jasmine Rice LaBeija </strong> the International Godmother of the Royal House of LaBeija is  an iconic and respected entertainer. In 2017, she was one of the leading cast members in the documentary series Shade, Queens of New York City, on Fusion Network. She has been a  host of Dragged, which won a Shorty Award in Diversity and Inclusion for Verizon's network In the Know and she was the face of New York City's 2020 Pride. Jasmine is a graduate of the Juilliard School and made her opera debut at the Shell with the San Diego Symphony as a special guest soloist with Megan Hilty, Rob Fisher conducting. This year, she was invited back to the Guggenheim Museum for a solo recital and she appeared at Lincoln Center. </p><p><a href="https://www.guggenheim.org/event/event_series/works-process">Works & Process</a>    Described by <i>The New York Times</i> as “an exceptional opportunity to understand something of the creative process,” for 35 years as New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers.</p><p><a href="https://elizabethhoward.com">Elizabeth Howard,</a> host and producer of the Short Fuse Podcast. </p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for The Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
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      <itunes:title>Jasmine Rice Labeija from Juilliard to performing as a Drag Queen</itunes:title>
      <itunes:author>Alex Waters</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/6edca3a0-99e4-4b2b-bff9-dbd714360480/3000x3000/img-2372.jpg?aid=rss_feed"/>
      <itunes:duration>00:32:18</itunes:duration>
      <itunes:summary>Jasmine Rice LaBeija the International  Godmother of the Royal House of LaBeija, is a graduate of the Juilliard School, where she majored in opera, before becoming a Drag Queen.  In this conversation she talks with Elizabeth Howard about what it means to perform in drag and why she is not on the opera stage. And, as drag has become emeshed in American culture, she questions why many lawmakers want to pass legislation to prohibit it.   A conversation that is provocative and amusing.  </itunes:summary>
      <itunes:subtitle>Jasmine Rice LaBeija the International  Godmother of the Royal House of LaBeija, is a graduate of the Juilliard School, where she majored in opera, before becoming a Drag Queen.  In this conversation she talks with Elizabeth Howard about what it means to perform in drag and why she is not on the opera stage. And, as drag has become emeshed in American culture, she questions why many lawmakers want to pass legislation to prohibit it.   A conversation that is provocative and amusing.  </itunes:subtitle>
      <itunes:keywords>drag queen, reveal, pride, san francisco opera, spot nightclub, house of labeija, opera, korea, juilliard school, spotify podcast, duke dang, guggenheim museum, works in process, elizah24, rupaul, apple podcast, lincoln center, metropoliatan opera</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>67</itunes:episode>
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      <title>The Plot to Save South Africa</title>
      <description><![CDATA[<p><strong>Justice Malala </strong>is one of South Africa’s foremost political commentators and the author of the #1 bestseller <i>We Have Now Begun Our Descent: How to Stop South Africa Losing its Way</i>. A longtime weekly columnist for <i>The Times </i>(South Africa), he has also written for <i>The Washington Post</i>, <i>The Wall Street Journal</i>, <i>The Guardian</i>, and<i> Financial Times</i>, among other outlets. The former publisher of <i>The Sowetan</i> and <i>Sunday World</i>, he now lives in New York.</p>
]]></description>
      <pubDate>Mon, 17 Jul 2023 17:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Elizabeth Howard - Host, Alex Waters - Technical Producer and Audio Engineer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Justice Malala </strong>is one of South Africa’s foremost political commentators and the author of the #1 bestseller <i>We Have Now Begun Our Descent: How to Stop South Africa Losing its Way</i>. A longtime weekly columnist for <i>The Times </i>(South Africa), he has also written for <i>The Washington Post</i>, <i>The Wall Street Journal</i>, <i>The Guardian</i>, and<i> Financial Times</i>, among other outlets. The former publisher of <i>The Sowetan</i> and <i>Sunday World</i>, he now lives in New York.</p>
]]></content:encoded>
      <enclosure length="54174241" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/59bf2841-b2f3-4d1d-8a92-0f52e95d1cfa/audio/081c8b3d-1451-4b24-8d53-6902d9e58927/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>The Plot to Save South Africa</itunes:title>
      <itunes:author>Elizabeth Howard - Host, Alex Waters - Technical Producer and Audio Engineer</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/52f128ff-631f-4cc4-9acb-f5299075e66e/3000x3000/72-percent-size.jpg?aid=rss_feed"/>
      <itunes:duration>00:56:25</itunes:duration>
      <itunes:summary>in this episode, Elizabeth Howard is in conversation with Justice Malala about the nine days in 1993 when South Africa was on the brink of civil war, following the assassination of Chris Hani, a beloved Black leader and Mandela Protege. In his new book, The Plot to Save South Africa, Malala shares his perspective, thirty years later, of what it was like as a twenty-two-year-old rookie journalist, who was one of the first on the scene after Hani&apos;s murder by a white supremacist. An insightful conversation with lessons for contemporary leaders.</itunes:summary>
      <itunes:subtitle>in this episode, Elizabeth Howard is in conversation with Justice Malala about the nine days in 1993 when South Africa was on the brink of civil war, following the assassination of Chris Hani, a beloved Black leader and Mandela Protege. In his new book, The Plot to Save South Africa, Malala shares his perspective, thirty years later, of what it was like as a twenty-two-year-old rookie journalist, who was one of the first on the scene after Hani&apos;s murder by a white supremacist. An insightful conversation with lessons for contemporary leaders.</itunes:subtitle>
      <itunes:keywords>spotifypodcasts, justicemalala, southafricanwriters, south africa consulate, nelsonmandelafoundation, nelson mandela day, applepodcasts, simonandschuster, chris hani, south africa chamber of commerce, theartsfuse</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>66</itunes:episode>
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      <title>Unfamiliar Terrain</title>
      <description><![CDATA[<p><strong>Kyle Dacuyan</strong> is a poet, performer, and translator. His poem have appeared in <i>DIAGRAM</i>, <i>Lambda Literary</i>, <i>Foundry</i>, and <i>Best New Poets</i>, among other places. He is the recipient of scholarships from Poets House, the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and the Academy of American Poets. Prior to joining The Poetry Project, he served as co-director of National Outreach and Membership at PEN America, where he led the launch of a nationwide community engagement fund for writers. Previously, he served as associate director at the Antiquarian Booksellers’ Association of America.</p><p><a href="https://www.poetryproject.org/">The Poetry Project</a></p><p><a href="https://poets.org/">American Academy of Poets</a></p><p><a href="https://stmarksbowery.org/">St. Mark's in the Bowery Church</a></p><p><a href="https://www.poetryfoundation.org/">Poetry Foundation</a></p><p><a href="https://www.theparisreview.org/">The Paris Review </a></p><p><a href="https://www.omiami.org/">O, Miami</a></p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Wed, 19 Apr 2023 10:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters  Alex Waters is a music producer and editor for the Short Fuse Podcast)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Kyle Dacuyan</strong> is a poet, performer, and translator. His poem have appeared in <i>DIAGRAM</i>, <i>Lambda Literary</i>, <i>Foundry</i>, and <i>Best New Poets</i>, among other places. He is the recipient of scholarships from Poets House, the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and the Academy of American Poets. Prior to joining The Poetry Project, he served as co-director of National Outreach and Membership at PEN America, where he led the launch of a nationwide community engagement fund for writers. Previously, he served as associate director at the Antiquarian Booksellers’ Association of America.</p><p><a href="https://www.poetryproject.org/">The Poetry Project</a></p><p><a href="https://poets.org/">American Academy of Poets</a></p><p><a href="https://stmarksbowery.org/">St. Mark's in the Bowery Church</a></p><p><a href="https://www.poetryfoundation.org/">Poetry Foundation</a></p><p><a href="https://www.theparisreview.org/">The Paris Review </a></p><p><a href="https://www.omiami.org/">O, Miami</a></p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
      <enclosure length="41489598" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/cd67a2cc-d86f-4dfa-b76e-3d5da8023db5/audio/392e170d-5780-44a1-a978-349b9b64e4b2/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>Unfamiliar Terrain</itunes:title>
      <itunes:author>Alex Waters  Alex Waters is a music producer and editor for the Short Fuse Podcast</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/6d84c763-a16c-42af-8334-a0ae3f2139ac/3000x3000/screen-shot-2012-01-26-at-6-11-51-pm.jpg?aid=rss_feed"/>
      <itunes:duration>00:43:13</itunes:duration>
      <itunes:summary>What is poetry for, who is a poet and how does one becomes a poet?  Kyle Dacuyan, who writes poems, makes performances and is the executive director of the Poetry Project at St. Mark&apos;s Church in the Bowery, reflects on these questions in a conversation with Elizabeth Howard. He reads two original poems: &quot;Doesn&apos;t It All Go to Vinegar Margaret?&quot; and &quot;Music for a Small Group of People.&quot;  This conversation was recorded in August, 2021 and celebrates National Poetry Month, launched by the Academy of American Poets in April, 1996.

</itunes:summary>
      <itunes:subtitle>What is poetry for, who is a poet and how does one becomes a poet?  Kyle Dacuyan, who writes poems, makes performances and is the executive director of the Poetry Project at St. Mark&apos;s Church in the Bowery, reflects on these questions in a conversation with Elizabeth Howard. He reads two original poems: &quot;Doesn&apos;t It All Go to Vinegar Margaret?&quot; and &quot;Music for a Small Group of People.&quot;  This conversation was recorded in August, 2021 and celebrates National Poetry Month, launched by the Academy of American Poets in April, 1996.

</itunes:subtitle>
      <itunes:keywords>poetry exchange, short fuse, art fuse, paris review, poetry unbound, poetry magazine, cooper canon press, national poetry month, st. mark&apos;s church, new yorker poetry, talon press, apple music, brooklyn rail, simplecast, american academy of poets, evergreen press, poem talk, new york review of books, spotify, poetry foundation</itunes:keywords>
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      <itunes:episode>65</itunes:episode>
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      <title>Reflections from Turtle Island</title>
      <description><![CDATA[<p><a href="https://www.joshuawhitehead.ca/about">Joshua Whitehead</a></p><p><strong>Joshua Whitehead</strong> is a Two-Spirit, Oji-nêhiyaw member of Peguis First Nation (Treaty 1). He holds a Ph.D. from the University of Calgary where he teaches Indigenous literatures and cultures with a focus on gender and sexuality.  His book of poetry, <i>full-metal indigiqueer </i>(Talonbooks 2017), was shortlisted for the inaugural Indigenous Voices Award and the Stephan G. Stephansson Award for Poetry.  His novel, J<i>onny Appleseed</i>  (Arsenal Pulp Press 2018), established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island.  <i>Jonny Appleseed</i> was long listed for the Giller Prize, shortlisted for the Indigenous Voices Award, the Governor General's Literary Award, the Amazon Canada First Novel Award, the Carol Shields Winnipeg Book Award, and won the Lambda Literary Award for Gay Fiction and the Georges Bugnet Award for Fiction. In <i>Making Love With the Land </i> (University of Minnesota, 2022), a book of essays, he writes in prose that is evocative and sensual, unabashedly queer and visceral, raw,  autobiographical, and emotionally compelling. Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.   His work is published widely in such venues as <i>Prairie Fire</i>, <i>CV2</i>, <i>EVENT</i>, <i>Arc Poetry Magazine</i>, <i>The Fiddlehead</i>, <i>Grain</i>, <i>CNQ</i>, <i>Write</i>, and <i>Red Rising Magazine</i>.</p><p> </p><p><a href="https://www.robinwallkimmerer.com">Robin Wall Kimmerer</a></p><p><a href="https://www.upress.umn.edu">University of Minnesota Press</a></p><p><a href="https://www.theglobeandmail.com/arts/books/reviews/article-review-jonny-appleseed-is-about-love-in-all-its-messy-forms/">Johnny Appleseed by Joshua Whitehead</a></p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast, Con Confianza and The Stand Unshaken Podcast. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries.</p>
]]></description>
      <pubDate>Wed, 5 Apr 2023 11:46:16 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Audio Engineer, Arsenal Pulp Press 2018)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.joshuawhitehead.ca/about">Joshua Whitehead</a></p><p><strong>Joshua Whitehead</strong> is a Two-Spirit, Oji-nêhiyaw member of Peguis First Nation (Treaty 1). He holds a Ph.D. from the University of Calgary where he teaches Indigenous literatures and cultures with a focus on gender and sexuality.  His book of poetry, <i>full-metal indigiqueer </i>(Talonbooks 2017), was shortlisted for the inaugural Indigenous Voices Award and the Stephan G. Stephansson Award for Poetry.  His novel, J<i>onny Appleseed</i>  (Arsenal Pulp Press 2018), established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island.  <i>Jonny Appleseed</i> was long listed for the Giller Prize, shortlisted for the Indigenous Voices Award, the Governor General's Literary Award, the Amazon Canada First Novel Award, the Carol Shields Winnipeg Book Award, and won the Lambda Literary Award for Gay Fiction and the Georges Bugnet Award for Fiction. In <i>Making Love With the Land </i> (University of Minnesota, 2022), a book of essays, he writes in prose that is evocative and sensual, unabashedly queer and visceral, raw,  autobiographical, and emotionally compelling. Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.   His work is published widely in such venues as <i>Prairie Fire</i>, <i>CV2</i>, <i>EVENT</i>, <i>Arc Poetry Magazine</i>, <i>The Fiddlehead</i>, <i>Grain</i>, <i>CNQ</i>, <i>Write</i>, and <i>Red Rising Magazine</i>.</p><p> </p><p><a href="https://www.robinwallkimmerer.com">Robin Wall Kimmerer</a></p><p><a href="https://www.upress.umn.edu">University of Minnesota Press</a></p><p><a href="https://www.theglobeandmail.com/arts/books/reviews/article-review-jonny-appleseed-is-about-love-in-all-its-messy-forms/">Johnny Appleseed by Joshua Whitehead</a></p><p><a href="https://soundcloud.com/user-329192999"><strong>Alex Waters</strong></a> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast, Con Confianza and The Stand Unshaken Podcast. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries.</p>
]]></content:encoded>
      <enclosure length="55169820" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/f324e080-cedb-48bc-a0a2-708d55c8333e/audio/53f5c988-dca6-472d-8415-1c6c49c6b904/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>Reflections from Turtle Island</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Audio Engineer, Arsenal Pulp Press 2018</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/5732e904-02c8-40d4-a434-291da2a479cc/3000x3000/joshua-whitehead-credit-tenille-campbell.jpg?aid=rss_feed"/>
      <itunes:duration>00:57:28</itunes:duration>
      <itunes:summary>Joshua Whitehead, a Two-Spirit, Oji-nêhiyaw member of Peguis First Nation (Treaty 1), is a poet, author and essayist. His prose has been described as evocative and sensual, unabashedly queer and visceral, raw and autobiographical. In this episode Elizabeth Howard reads from his essays in &quot;Making Love With the Land&quot; (University of Minnesota Press, 2022) as he reflects and illuminates the current moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.  He writes of his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.</itunes:summary>
      <itunes:subtitle>Joshua Whitehead, a Two-Spirit, Oji-nêhiyaw member of Peguis First Nation (Treaty 1), is a poet, author and essayist. His prose has been described as evocative and sensual, unabashedly queer and visceral, raw and autobiographical. In this episode Elizabeth Howard reads from his essays in &quot;Making Love With the Land&quot; (University of Minnesota Press, 2022) as he reflects and illuminates the current moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.  He writes of his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.</itunes:subtitle>
      <itunes:keywords>spotify podcasts, and bodies from time immemorial., krista tippet, talonbooks, braiding sweetgrass, linkedin, unabashedly queer and visceral, university of minnesota press, on being, grain, johnny appleseed, love after the end, turtle island, poetry project, arts fuse, arc poetry magazine, canada reads 2021, event, joshua whitehead writes of an indigenous body in pain, joshua whitehead, queer poetry, instagram, peguis first nation, red rising magazine, prairie fire, fiddlehead, cnq, cv2, university of calgary, full-metal indigiqueer, indigenous literature, lambda literary award, apple podcast, poetry foundation, raw and autobiographical, making love with the land, in prose that is evocative and sensual, histories, robin wall kimmerer, short fuse podcast, coping with trauma. intellectually audacious and emotionally compelling</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>64</itunes:episode>
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      <title>Free Tasha Shelby</title>
      <description><![CDATA[<p><a href="Free Tasha Shelby">Free Tasha Shelby </a>is the website where you can learn more about Tasha's case. </p><p><strong>To support Tasha:</strong></p><p><strong>Governor Tate Reeves</strong>: C  Governor’s office,  call <strong>601-359-3150/ </strong>email <a href="mailto:governor@govreeves.ms.gov"><strong>governor@govreeves.ms.gov</strong></a>.</p><p><strong>Lynn Fitch,</strong> Mississippi Attorney General:  <strong>601.359.3680</strong>/P.O. Box 220, Jackson MS 3920</p><p><strong>Valena Beety</strong> is a law professor, an innocence litigator, and a former federal prosecutor. She has exonerated wrongly convicted clients, founded the West Virginia Innocence Project, and obtained presidential grants of clemency for drug offenses. She served as an appointed commissioner on the West Virginia Governor's Indigent Defense Commission. She is currently a professor of law at Arizona State University's Sandra Day O' Connor College of Law and the deputy director of the Academy for Justice, a criminal justice center at the law school.V</p><p><strong>Tasha Mercedes Shelby</strong> is a writer and an advocate for incarcerated women. Tasha was wrongly convicted of a crime that did not occur on June 16, 2000 in Biloxi, Mississippi. In her twenty-two years of incarceration, she has earned her GED, taken classes at Millsaps College through the Prison to College Pipeline, and developed as a writer and as an artist. She continues to fight her wrongful conviction and you can learn more about her struggle at<a href="https://freetashashelby.com/" target="_blank"> <strong>Free Tasha Shelby</strong></a>.</p><p><strong>Alex Waters</strong> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Wed, 15 Feb 2023 14:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Valena Beety, Alex Waters, Tasha Shelby, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="Free Tasha Shelby">Free Tasha Shelby </a>is the website where you can learn more about Tasha's case. </p><p><strong>To support Tasha:</strong></p><p><strong>Governor Tate Reeves</strong>: C  Governor’s office,  call <strong>601-359-3150/ </strong>email <a href="mailto:governor@govreeves.ms.gov"><strong>governor@govreeves.ms.gov</strong></a>.</p><p><strong>Lynn Fitch,</strong> Mississippi Attorney General:  <strong>601.359.3680</strong>/P.O. Box 220, Jackson MS 3920</p><p><strong>Valena Beety</strong> is a law professor, an innocence litigator, and a former federal prosecutor. She has exonerated wrongly convicted clients, founded the West Virginia Innocence Project, and obtained presidential grants of clemency for drug offenses. She served as an appointed commissioner on the West Virginia Governor's Indigent Defense Commission. She is currently a professor of law at Arizona State University's Sandra Day O' Connor College of Law and the deputy director of the Academy for Justice, a criminal justice center at the law school.V</p><p><strong>Tasha Mercedes Shelby</strong> is a writer and an advocate for incarcerated women. Tasha was wrongly convicted of a crime that did not occur on June 16, 2000 in Biloxi, Mississippi. In her twenty-two years of incarceration, she has earned her GED, taken classes at Millsaps College through the Prison to College Pipeline, and developed as a writer and as an artist. She continues to fight her wrongful conviction and you can learn more about her struggle at<a href="https://freetashashelby.com/" target="_blank"> <strong>Free Tasha Shelby</strong></a>.</p><p><strong>Alex Waters</strong> is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
      <enclosure length="52634479" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/2e2c5c01-e4f1-40a5-9ade-fb0ff2c54380/audio/5465e914-d7d4-4660-9e60-adf1804bbe5e/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>Free Tasha Shelby</itunes:title>
      <itunes:author>Valena Beety, Alex Waters, Tasha Shelby, Elizabeth Howard</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/517c2690-f8e6-4c83-a166-72bb196db825/3000x3000/tasha-art-jpg-copy.jpg?aid=rss_feed"/>
      <itunes:duration>00:54:49</itunes:duration>
      <itunes:summary>
In October ELIZABETH HOWARD was in conversation with VALENA BEETY, lawyer and advocate for TASHA SHELBY who for decades has been proclaiming her innocence in the death of her two-and-a-half-year-old stepson who had a seizure and fell out of his bed. Mississippi State Medical Examiner Dr. Leroy Riddick testified at her trial, in 2000, that “the child was violently shaken to death – that is undisputed.” In 2017, Dr. Riddick issued a statement saying he had made a mistake.
Last week the Federal Magistrate Judge released a Report and Recommendation denying Tasha relief. The Judge said Tasha should have filed before her federal timeline expired in 2003 and dismissed Dr. Riddick’s findings as not strong enough to demonstrate actual innocence and get beyond the time bar. Tasha called us from the Mississippi Correctional Facility to talk about this news. She needs our help. 
</itunes:summary>
      <itunes:subtitle>
In October ELIZABETH HOWARD was in conversation with VALENA BEETY, lawyer and advocate for TASHA SHELBY who for decades has been proclaiming her innocence in the death of her two-and-a-half-year-old stepson who had a seizure and fell out of his bed. Mississippi State Medical Examiner Dr. Leroy Riddick testified at her trial, in 2000, that “the child was violently shaken to death – that is undisputed.” In 2017, Dr. Riddick issued a statement saying he had made a mistake.
Last week the Federal Magistrate Judge released a Report and Recommendation denying Tasha relief. The Judge said Tasha should have filed before her federal timeline expired in 2003 and dismissed Dr. Riddick’s findings as not strong enough to demonstrate actual innocence and get beyond the time bar. Tasha called us from the Mississippi Correctional Facility to talk about this news. She needs our help. 
</itunes:subtitle>
      <itunes:keywords>marshall project, bryan stephens, manifesting justice, apple podcasts, arts fuse, attorney general&apos;s office mississippi, goso, valena beety, mississippi correctional facility, simplecast, free tasha shelby, new york times, innocence project in mississippi, gov tate reeves, ft, spotify, pen america, innocence project, elizabeth howard, equal justice iniative</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
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      <title>Memory, Healing, Dialogue:  Bloomberg Philanthropies&apos; Public Art Challenge</title>
      <description><![CDATA[<p><a href="https://www.bloomberg.org/press/bloomberg-philanthropies-launches-2022-public-art-challenge-for-u-s-cities">Bloomberg Public Arts Challenge </a></p><p>Audio used in the episode has been contributed by Bloomberg Philanthropies' Public Art Challenge. </p><p>Artist David Best's <i>Temple of Time</i> brought the communities of Parkland and Coral Springs, Florida together on the one-year anniversary of the school shootings at Marjory Stoneman Douglas High School.</p><p>The Greenwood Art Project in Tulsa, Oklahoma commemorated the centennial anniversary of the 1921 massacre of a thriving Black community, known as Black Wall Street. The history of the massacre had been buried, and these art projects marked the community's resilience and recovery through installations by local artists who told the story of Black Wall Street's past, present, and future..</p><p>﻿Bloomberg Philanthropies believes in the power of arts and culture to inspire creativity and spark collaboration. The Arts program supports artists and cultural organizations and improves audience experience to strengthen the creative landscape and quality of life in cities around the world. These efforts include facilitating collaborations between artists and local governments to address civic issues, building capacity for small and mid-sized cultural institutions, and increasing and enhancing visitor engagement through the integration of digital technology.</p><p>Data on projects over the five most recent Public Challenge Projects underscores their impact, including catalyzing more than $100 million in economic benefits for local communities. Cities can apply for Public Art Challenge grants until February 15, 2023.</p><p> </p><p><strong>Stephanie Dockery </strong>brings more than 12 years of experience in arts management to her role as a member of the Arts Team at Bloomberg Philanthropies. Currently, Stephanie manages Bloomberg Philanthropies’ Public Art Challenge, a national competition supporting temporary public art projects that address significant civic issues and demonstrate an ability to generate public-private collaborations, celebrate creativity, and strengthen local economies. She also manages partnership teams on the Bloomberg Connects portfolio app, a free app with guides to 160 cultural organizations. </p><p><a href="https://elizabethhoward.com">Elizabeth Howard</a>  is the producer and host of the Short Fuse Podcast. </p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters </strong></a>is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com </a>with inquiries. </p><p> </p>
]]></description>
      <pubDate>Wed, 8 Feb 2023 10:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Audio Engineer, Elizabeth Howard)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.bloomberg.org/press/bloomberg-philanthropies-launches-2022-public-art-challenge-for-u-s-cities">Bloomberg Public Arts Challenge </a></p><p>Audio used in the episode has been contributed by Bloomberg Philanthropies' Public Art Challenge. </p><p>Artist David Best's <i>Temple of Time</i> brought the communities of Parkland and Coral Springs, Florida together on the one-year anniversary of the school shootings at Marjory Stoneman Douglas High School.</p><p>The Greenwood Art Project in Tulsa, Oklahoma commemorated the centennial anniversary of the 1921 massacre of a thriving Black community, known as Black Wall Street. The history of the massacre had been buried, and these art projects marked the community's resilience and recovery through installations by local artists who told the story of Black Wall Street's past, present, and future..</p><p>﻿Bloomberg Philanthropies believes in the power of arts and culture to inspire creativity and spark collaboration. The Arts program supports artists and cultural organizations and improves audience experience to strengthen the creative landscape and quality of life in cities around the world. These efforts include facilitating collaborations between artists and local governments to address civic issues, building capacity for small and mid-sized cultural institutions, and increasing and enhancing visitor engagement through the integration of digital technology.</p><p>Data on projects over the five most recent Public Challenge Projects underscores their impact, including catalyzing more than $100 million in economic benefits for local communities. Cities can apply for Public Art Challenge grants until February 15, 2023.</p><p> </p><p><strong>Stephanie Dockery </strong>brings more than 12 years of experience in arts management to her role as a member of the Arts Team at Bloomberg Philanthropies. Currently, Stephanie manages Bloomberg Philanthropies’ Public Art Challenge, a national competition supporting temporary public art projects that address significant civic issues and demonstrate an ability to generate public-private collaborations, celebrate creativity, and strengthen local economies. She also manages partnership teams on the Bloomberg Connects portfolio app, a free app with guides to 160 cultural organizations. </p><p><a href="https://elizabethhoward.com">Elizabeth Howard</a>  is the producer and host of the Short Fuse Podcast. </p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters </strong></a>is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com </a>with inquiries. </p><p> </p>
]]></content:encoded>
      <enclosure length="38792507" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/dde35abe-77f8-4861-b99a-5fec004aa2f6/audio/ca308380-fa42-4c39-84b2-b4e058be49de/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>Memory, Healing, Dialogue:  Bloomberg Philanthropies&apos; Public Art Challenge</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Audio Engineer, Elizabeth Howard</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/fd1437e5-35db-469b-b5a9-a301a380c390/3000x3000/2019-09-30-bbg-headshots-0391-edit-stephanie-dockery.jpg?aid=rss_feed"/>
      <itunes:duration>00:40:24</itunes:duration>
      <itunes:summary>How have cities across the country used public art projects to approach the challenges their citizens face?  In this episode of the Short Fuse, ELIZABETH HOWARD is in conversation with STEPHANIE DOCKERY about the power of Bloomberg Philanthropies&apos; Public Art Challenge, that provides cities with grants of up to $1 million for temporary public art projects that address civic issues and foster community connection, dialogue, and conversation. 


</itunes:summary>
      <itunes:subtitle>How have cities across the country used public art projects to approach the challenges their citizens face?  In this episode of the Short Fuse, ELIZABETH HOWARD is in conversation with STEPHANIE DOCKERY about the power of Bloomberg Philanthropies&apos; Public Art Challenge, that provides cities with grants of up to $1 million for temporary public art projects that address civic issues and foster community connection, dialogue, and conversation. 


</itunes:subtitle>
      <itunes:keywords>bloomberg phanthropies, apple podcasts, david best, black wall street, temple of time, finn pr, stephanie dockery, tulsa oklahoma, marjory stoneman douglas high school, camden nj, spotify, elizabeth howard</itunes:keywords>
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      <title>Line of Driftwood, the Ada Blackjack Story</title>
      <description><![CDATA[<p><a href="https://dianeglancy.com/" target="_blank">Diane Glancy </a>is a poet, novelist, essayist, playwright, and professor emeritus at Macalester College. Her works have won the Pablo Neruda Prize for Poetry. and the Arrell Gibson Lifetime Achievement Award from the Oklahoma Center the Book, among other awards. In 2018, <i>Publishers Weekly</i> named her book <i>Pushing the Bear: A Novel of the Trail of Tears </i>one of the ten essential Native American novels.</p><p><a href="https://www.turtlepointpress.com/">Turtle Point Press </a>introduces readers to outstanding literature by classic and contemporary writers from around the globe. We promote the work of emerging and neglected authors alongside those who are better known. The mix creates a publishing program that is both iconoclastic and challenging, revealing lives not usually seen in books that are playful, poignant, and poetic. Our writers work with some of the best editors in publishing and are treated to exquisitely designed and produced books. We are especially dedicated to supporting women, the LGBTQ community, and writers whose first language is not English. </p><p><a href="https://elizabethhoward.com">Elizabeth Howard </a>is the producer and host of Short Fuse Podcast.  She engages individuals in lively and provocative conversations around how the arts can affect social change.  As a creative director and communications consultant she is recognized for her creative approach in working with clients and assisting them in their messaging, branding and media, as they stride past boundaries in search of the new. Her portfolio includes authors, artists, and cultural organizations; business leaders, universities, nonprofit organizations; and professional service firms, including high-profile architectural and design firms, often with international practices.</p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters</strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Thu, 19 Jan 2023 18:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://dianeglancy.com/" target="_blank">Diane Glancy </a>is a poet, novelist, essayist, playwright, and professor emeritus at Macalester College. Her works have won the Pablo Neruda Prize for Poetry. and the Arrell Gibson Lifetime Achievement Award from the Oklahoma Center the Book, among other awards. In 2018, <i>Publishers Weekly</i> named her book <i>Pushing the Bear: A Novel of the Trail of Tears </i>one of the ten essential Native American novels.</p><p><a href="https://www.turtlepointpress.com/">Turtle Point Press </a>introduces readers to outstanding literature by classic and contemporary writers from around the globe. We promote the work of emerging and neglected authors alongside those who are better known. The mix creates a publishing program that is both iconoclastic and challenging, revealing lives not usually seen in books that are playful, poignant, and poetic. Our writers work with some of the best editors in publishing and are treated to exquisitely designed and produced books. We are especially dedicated to supporting women, the LGBTQ community, and writers whose first language is not English. </p><p><a href="https://elizabethhoward.com">Elizabeth Howard </a>is the producer and host of Short Fuse Podcast.  She engages individuals in lively and provocative conversations around how the arts can affect social change.  As a creative director and communications consultant she is recognized for her creative approach in working with clients and assisting them in their messaging, branding and media, as they stride past boundaries in search of the new. Her portfolio includes authors, artists, and cultural organizations; business leaders, universities, nonprofit organizations; and professional service firms, including high-profile architectural and design firms, often with international practices.</p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters</strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
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      <itunes:title>Line of Driftwood, the Ada Blackjack Story</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/872ecdc9-a9b5-408d-8f94-352b90303d2b/3000x3000/91ppvojcaos-ac-ul600-sr600-600.jpg?aid=rss_feed"/>
      <itunes:duration>00:39:01</itunes:duration>
      <itunes:summary>In September 1921 a young Inupiat woman named Ada Blackjack traveled to Wrangel Island, 200 miles off the Arctic Coast of Siberia, as a cook and seamstress, along with four professional explorers.  The expedition did not go as planned and when a rescue ship arrived in 1923, Ada Blackjack was the only survivor. Diane Glancy discovered Blackjack’s diary in the Rauner Special Collections Library at Dartmouth College and created a poetic narrative around her story. DIANE GLANCY reads from Ada&apos;s diary, and her own poetry, as she and ELIZABETH HOWARD engage in a conversation about how Ada Blackjack survived. 


</itunes:summary>
      <itunes:subtitle>In September 1921 a young Inupiat woman named Ada Blackjack traveled to Wrangel Island, 200 miles off the Arctic Coast of Siberia, as a cook and seamstress, along with four professional explorers.  The expedition did not go as planned and when a rescue ship arrived in 1923, Ada Blackjack was the only survivor. Diane Glancy discovered Blackjack’s diary in the Rauner Special Collections Library at Dartmouth College and created a poetic narrative around her story. DIANE GLANCY reads from Ada&apos;s diary, and her own poetry, as she and ELIZABETH HOWARD engage in a conversation about how Ada Blackjack survived. 


</itunes:subtitle>
      <itunes:keywords>dartmouth college, center for fiction, alex waters, wrangel island, ada blackjact, diane glancy, the arts fuse, p&amp;t knitwear, amazon music, portsmouth athenaeum, apple podcast, spotify, elizabeth howard, short fuse podcast</itunes:keywords>
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      <title>Breath, Suspended</title>
      <description><![CDATA[<p><strong>Diane Alters</strong></p><p>Diane Alters is a lecturer in journalism at Colorado College. She has worked as an editor or reporter for several publications, including<i> the</i> <i>Boston Globe, the Sacramento Bee </i>and the <i>Denver Post </i>and is co-author of <i>Media, Home and Family </i>(Routledge 2004). Her exquisite book of poetry, <i>Breath, Suspended, </i>(Finishing Line Press 2022.) was described by a critic as, “What it means to write at the aperture of grief.”<br /><br /><a href="https://www.edwardhirsch.com"><strong>Edward Hirsch</strong></a></p><p>Edward Hirsch is a beloved American poet. <i>Gabriel: A Poem</i>, published in 2014, is a book-length elegy for his son.  He has written 10 volumes of poetry and is the author of five prose books. His most recent book is <i>100 Poems to Break Your Heart</i>. Edward Hirsch has taught creative writing and is president of the John Simon Guggenheim Memorial Foundation, a position he has held since 2002.</p><p><strong>Sarah J. Purcell</strong></p><p>Author, <i>Spectacle of Grief, Public Funerals and Memory in the Civil War Era </i>and L. F. Parker Professor of History at Grinnell College.</p><p><br /><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters</strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Tue, 6 Dec 2022 10:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Diane Alters</strong></p><p>Diane Alters is a lecturer in journalism at Colorado College. She has worked as an editor or reporter for several publications, including<i> the</i> <i>Boston Globe, the Sacramento Bee </i>and the <i>Denver Post </i>and is co-author of <i>Media, Home and Family </i>(Routledge 2004). Her exquisite book of poetry, <i>Breath, Suspended, </i>(Finishing Line Press 2022.) was described by a critic as, “What it means to write at the aperture of grief.”<br /><br /><a href="https://www.edwardhirsch.com"><strong>Edward Hirsch</strong></a></p><p>Edward Hirsch is a beloved American poet. <i>Gabriel: A Poem</i>, published in 2014, is a book-length elegy for his son.  He has written 10 volumes of poetry and is the author of five prose books. His most recent book is <i>100 Poems to Break Your Heart</i>. Edward Hirsch has taught creative writing and is president of the John Simon Guggenheim Memorial Foundation, a position he has held since 2002.</p><p><strong>Sarah J. Purcell</strong></p><p>Author, <i>Spectacle of Grief, Public Funerals and Memory in the Civil War Era </i>and L. F. Parker Professor of History at Grinnell College.</p><p><br /><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters</strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
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      <itunes:title>Breath, Suspended</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/116bb1e5-6c88-4904-b2d7-1966b8ab519f/3000x3000/diane-alters-breath-suspended.jpg?aid=rss_feed"/>
      <itunes:duration>00:46:22</itunes:duration>
      <itunes:summary>In this Short Fuse Podcast, Elizabeth Howard is in conversation with poets Diane Alters and Edward Hirsch. Both used poetry to work through the death of their sons, Armando Alters Montaño and Gabriel Landay Hirsch.  Grief is an emotion we have all experienced, particularly over the last few years. We have grieved for children killed in school shootings, for George Floyd, Breonna Taylor, and Trayvon Martin, among many others whose murders resulted from the systemic racism that threads through our society. As COVID swept across the globe we all had difficulty comprehending the enormity of this virus. Similarly, we are confronted daily with images and sounds of wars, famines, and the refugees who are left to languish in border disputes. Anger among American citizens has led to violence, leaving us to grieve for our democracy. How do we think about grief, publicly and privately? 
</itunes:summary>
      <itunes:subtitle>In this Short Fuse Podcast, Elizabeth Howard is in conversation with poets Diane Alters and Edward Hirsch. Both used poetry to work through the death of their sons, Armando Alters Montaño and Gabriel Landay Hirsch.  Grief is an emotion we have all experienced, particularly over the last few years. We have grieved for children killed in school shootings, for George Floyd, Breonna Taylor, and Trayvon Martin, among many others whose murders resulted from the systemic racism that threads through our society. As COVID swept across the globe we all had difficulty comprehending the enormity of this virus. Similarly, we are confronted daily with images and sounds of wars, famines, and the refugees who are left to languish in border disputes. Anger among American citizens has led to violence, leaving us to grieve for our democracy. How do we think about grief, publicly and privately? 
</itunes:subtitle>
      <itunes:keywords>sandyhook, grinnell college, krista tippet, guggenheim foundation, trayvon martin, gabriel, associated press, beonna taylor, 1oo poems to break your heart, on being, poetry project, sarah j. purcell, the short fuse, anderson cooper, george floyd, the arts fuse, edward hirsch, grief, library of america, school shootings, houghton mifflin, covid, apple podcast, spotify, poetry foundation, spanish poets, poets house</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>60</itunes:episode>
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      <title>&quot;I made a mistake.&quot;</title>
      <description><![CDATA[<p><a href="https://valenabeety.com"><strong>Valena Beety</strong></a> is a law professor, an innocence litigator, and a former federal prosecutor. She has exonerated wrongly convicted clients, founded the West Virginia Innocence Project, and obtained presidential grants of clemency for drug offenses. She served as an appointed commissioner on the West Virginia Governor's Indigent Defense Commission. She is currently a professor of law at Arizona State University's Sandra Day O' Connor College of Law and the deputy director of the Academy for Justice, a criminal justice center at the law school.V</p><p><strong>Tasha Mercedes Shelby</strong> is a writer and an advocate for incarcerated women. Tasha was wrongly convicted of a crime that did not occur on June 16, 2000 in Biloxi, Mississippi. In her twenty-two years of incarceration, she has earned her GED, taken classes at Millsaps College through the Prison to College Pipeline, and developed as a writer and as an artist. She continues to fight her wrongful conviction and you can learn more about her struggle at<a href="https://freetashashelby.com/" target="_blank"> <strong>Free Tasha Shelby</strong></a>.</p><p> </p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters </strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></description>
      <pubDate>Thu, 27 Oct 2022 14:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Audio Engineer, Valenla Beety, Tasha Shelby, Elizabeth Howard - Host)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://valenabeety.com"><strong>Valena Beety</strong></a> is a law professor, an innocence litigator, and a former federal prosecutor. She has exonerated wrongly convicted clients, founded the West Virginia Innocence Project, and obtained presidential grants of clemency for drug offenses. She served as an appointed commissioner on the West Virginia Governor's Indigent Defense Commission. She is currently a professor of law at Arizona State University's Sandra Day O' Connor College of Law and the deputy director of the Academy for Justice, a criminal justice center at the law school.V</p><p><strong>Tasha Mercedes Shelby</strong> is a writer and an advocate for incarcerated women. Tasha was wrongly convicted of a crime that did not occur on June 16, 2000 in Biloxi, Mississippi. In her twenty-two years of incarceration, she has earned her GED, taken classes at Millsaps College through the Prison to College Pipeline, and developed as a writer and as an artist. She continues to fight her wrongful conviction and you can learn more about her struggle at<a href="https://freetashashelby.com/" target="_blank"> <strong>Free Tasha Shelby</strong></a>.</p><p> </p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters </strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  <a href="mailto:alexwatermusic12@gmail.com">alexwatersmusic12@gmail.com</a> with inquiries. </p>
]]></content:encoded>
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      <itunes:title>&quot;I made a mistake.&quot;</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Audio Engineer, Valenla Beety, Tasha Shelby, Elizabeth Howard - Host</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/71dc99fe-f171-40d1-a1cf-6a435e161881/3000x3000/manifesting-justice-book-cover-resized.jpg?aid=rss_feed"/>
      <itunes:duration>00:38:31</itunes:duration>
      <itunes:summary>
In this episode of the Short Fuse Podcast, Elizabeth Howard is in conversation with Valena Beety, author of Manifesting Justice: Wrongly Convicted Women Reclaim Their Rights  and Tasha Mercedes Shelby, calling in on a telephone from the Central Mississippi Correctional Facility, where she is serving a life sentence, without parole, for murder.  For decades, Tasha has been proclaiming her innocence in the death of her two-and-a-half-year-old stepson who fell out of his bed because of a seizure and died. Mississippi State Medical Examiner Dr. Leroy Riddick testified at her trial that  “the child was violently shaken to death – that is undisputed.” That was in 2000. In 2017, Dr. Riddick issued a statement:  &quot;I made a mistake.&quot; 
Yet, Shelby remains behind bars. The child&apos;s death certificate lists his death through natural causes.</itunes:summary>
      <itunes:subtitle>
In this episode of the Short Fuse Podcast, Elizabeth Howard is in conversation with Valena Beety, author of Manifesting Justice: Wrongly Convicted Women Reclaim Their Rights  and Tasha Mercedes Shelby, calling in on a telephone from the Central Mississippi Correctional Facility, where she is serving a life sentence, without parole, for murder.  For decades, Tasha has been proclaiming her innocence in the death of her two-and-a-half-year-old stepson who fell out of his bed because of a seizure and died. Mississippi State Medical Examiner Dr. Leroy Riddick testified at her trial that  “the child was violently shaken to death – that is undisputed.” That was in 2000. In 2017, Dr. Riddick issued a statement:  &quot;I made a mistake.&quot; 
Yet, Shelby remains behind bars. The child&apos;s death certificate lists his death through natural causes.</itunes:subtitle>
      <itunes:keywords>stonewall, survived and punished, center for gender and law, vera institute, black and pink, npr, apple podcasts, prison policy initiative, sentencing project, campaign for southern equality, valena beety, lambda legal, national center for lesbian rights, mississippi correctional facility, simplecast, the arts fuse, bard prison writing, books through bars, free tasha, the williams institute, spotify, innocence project</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
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      <title>Talking Appalachian after the floods</title>
      <description><![CDATA[<p><a href="https://www.uvawise.edu/directory/amy-d-clark"><strong>Amy D. Clark, </strong>PhD,</a></p><p>Amy Clark is a professor of Appalachian and Communication Studies at the University of Virginia’s College at Wise, where she is the founding co-director of the Center for Appalachian Studies, and founding Director of the Appalachian Writing Project. She is author and co-editor of <i>Talking Appalachian: Voice, Identity, and Community </i>(University Press of Kentucky). Her work on Appalachian dialects has appeared in the <i>New York Times</i> and NPR, among other publications. She co-hosts the podcast <a href="https://southernsalonpodcast.buzzsprout.com/" target="_blank"><i>Southern Salon: Culture and Communication Podcast  </i></a>which includes a new series on Talking Appalachia. </p><p><a href="https://www.jaynemoorewaldrop.com/bio"><strong>Jayne Moore Waldrop</strong></a></p><p>Jayne Moore Waldrop is a  western Kentucky native,   She is the author of <i>Retracing My Steps</i>, a finalist in the 2018 New Women's Voices Chapbook Contest, and <i>Pandemic Lent: A Season in Poems</i>. Waldrop's work has appeared in the <i>Anthology of Appalachian Writers, Still: The Journal, Appalachian Review, New Madrid Review, Deep South Magazine, New Limestone Review, Women Speak, </i>and other literary journals. She lives in Lexington, Kentucky.</p><p><a href="https://www.kentuckypress.com">University Press of Kentucky  </a></p><p>The University Press of Kentucky has a dual mission—the publication of academic books of high scholarly merit in a variety of fields and the publication of significant books about the history and culture of Kentucky, the Ohio Valley region, the Upper South, and Appalachia. The Press is the statewide nonprofit scholarly publisher for the Commonwealth of Kentucky, serving all Kentucky state-sponsored institutions of higher learning as well as six private colleges and Kentucky’s two major historical societies.</p><p><a href="https://www.shortfusepodcast.com">The Short Fuse Podcast</a></p><p>Hosted and produced by Elizabeth Howard.  Learn more at <a href="https://elizabethhoward.com">Elizabeth Howard.</a></p><p><a href="https://artsfuse.org">The Arts Fuse</a>  </p><p> The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p><a href="https://folkways.si.edu">  Courtesy of Smithsonian Folkways</a></p><p>Smithsonian Folkways Recordings is the <strong>nonprofit record label</strong> of the Smithsonian Institution, the national museum of the United States. We are dedicated to <strong>supporting cultural diversity</strong> and <strong>increased understanding among peoples</strong> through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of <strong>audio recordings and educational materials</strong> we seek to strengthen people's engagement with their own <strong>cultural heritage and</strong> to enhance their awareness and appreciation of the cultural heritage of others. Smithsonian Folkways is part of the <a href="https://folklife.si.edu/" target="_blank">Smithsonian Center for Folklife and Cultural Heritage</a>.</p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters </strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  alexwatersmusic12@gmail.com with inquiries. </p>
]]></description>
      <pubDate>Tue, 20 Sep 2022 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Audio Engineer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.uvawise.edu/directory/amy-d-clark"><strong>Amy D. Clark, </strong>PhD,</a></p><p>Amy Clark is a professor of Appalachian and Communication Studies at the University of Virginia’s College at Wise, where she is the founding co-director of the Center for Appalachian Studies, and founding Director of the Appalachian Writing Project. She is author and co-editor of <i>Talking Appalachian: Voice, Identity, and Community </i>(University Press of Kentucky). Her work on Appalachian dialects has appeared in the <i>New York Times</i> and NPR, among other publications. She co-hosts the podcast <a href="https://southernsalonpodcast.buzzsprout.com/" target="_blank"><i>Southern Salon: Culture and Communication Podcast  </i></a>which includes a new series on Talking Appalachia. </p><p><a href="https://www.jaynemoorewaldrop.com/bio"><strong>Jayne Moore Waldrop</strong></a></p><p>Jayne Moore Waldrop is a  western Kentucky native,   She is the author of <i>Retracing My Steps</i>, a finalist in the 2018 New Women's Voices Chapbook Contest, and <i>Pandemic Lent: A Season in Poems</i>. Waldrop's work has appeared in the <i>Anthology of Appalachian Writers, Still: The Journal, Appalachian Review, New Madrid Review, Deep South Magazine, New Limestone Review, Women Speak, </i>and other literary journals. She lives in Lexington, Kentucky.</p><p><a href="https://www.kentuckypress.com">University Press of Kentucky  </a></p><p>The University Press of Kentucky has a dual mission—the publication of academic books of high scholarly merit in a variety of fields and the publication of significant books about the history and culture of Kentucky, the Ohio Valley region, the Upper South, and Appalachia. The Press is the statewide nonprofit scholarly publisher for the Commonwealth of Kentucky, serving all Kentucky state-sponsored institutions of higher learning as well as six private colleges and Kentucky’s two major historical societies.</p><p><a href="https://www.shortfusepodcast.com">The Short Fuse Podcast</a></p><p>Hosted and produced by Elizabeth Howard.  Learn more at <a href="https://elizabethhoward.com">Elizabeth Howard.</a></p><p><a href="https://artsfuse.org">The Arts Fuse</a>  </p><p> The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.</p><p><a href="https://folkways.si.edu">  Courtesy of Smithsonian Folkways</a></p><p>Smithsonian Folkways Recordings is the <strong>nonprofit record label</strong> of the Smithsonian Institution, the national museum of the United States. We are dedicated to <strong>supporting cultural diversity</strong> and <strong>increased understanding among peoples</strong> through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of <strong>audio recordings and educational materials</strong> we seek to strengthen people's engagement with their own <strong>cultural heritage and</strong> to enhance their awareness and appreciation of the cultural heritage of others. Smithsonian Folkways is part of the <a href="https://folklife.si.edu/" target="_blank">Smithsonian Center for Folklife and Cultural Heritage</a>.</p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters </strong></a></p><p>Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  alexwatersmusic12@gmail.com with inquiries. </p>
]]></content:encoded>
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      <itunes:title>Talking Appalachian after the floods</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Audio Engineer</itunes:author>
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      <itunes:duration>00:33:15</itunes:duration>
      <itunes:summary>
In July heavy rains flooded Eastern Kentucky in Appalachia, displacing entire communities, located in the poorest counties in the United States.  Then the rain stopped.  The press coverage stopped.  In this episode of the Short Fuse podcast, Elizabeth Howard talks with Amy D. Clark Ph.D, and Jayne Moore Waldrop about Appalachia today through their lens as scholar and writer.  Amy is a co-editor with Nancy M. Hayward of Talking Appalachian, Voice, Identity, and Community, and Jayne Moore Waldrop, the author of the novel Drowned Town, both published by the University Press of Kentucky.  Rye Cove ballad courtesy of Smithsonian Folkways.</itunes:summary>
      <itunes:subtitle>
In July heavy rains flooded Eastern Kentucky in Appalachia, displacing entire communities, located in the poorest counties in the United States.  Then the rain stopped.  The press coverage stopped.  In this episode of the Short Fuse podcast, Elizabeth Howard talks with Amy D. Clark Ph.D, and Jayne Moore Waldrop about Appalachia today through their lens as scholar and writer.  Amy is a co-editor with Nancy M. Hayward of Talking Appalachian, Voice, Identity, and Community, and Jayne Moore Waldrop, the author of the novel Drowned Town, both published by the University Press of Kentucky.  Rye Cove ballad courtesy of Smithsonian Folkways.</itunes:subtitle>
      <itunes:keywords>university press of kentucky, amy d. clark, smithsonian folkways recordings is the nonprofit record label of the smithsonian institution, applachia, preservation, apple podcasts, arts fuse, rye cove, university of virginia at wise, june carter cash, simplecast, poverty in america, jayne moore waldrop, speed museum, frank x. walker, drowned town, carter family, james baldwin, louisville, spotify, foxfire books</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>58</itunes:episode>
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      <title>Meredith Hall</title>
      <description><![CDATA[<p> </p><p><a href="https://meredithhall.org/beneficence">Meredith Hall </a></p><p>Meredith Hall's memoir <i>Without a Map</i> was instantly recognized as a classic of the genre and became a <i>New York Times</i> bestseller. It was named a best book of the year by <i>Kirkus</i> and <i>BookSense</i>, and was an <i>Elle </i>magazine<i> </i>Reader’s Pick of the Year. Hall was a recipient of the 2004 Gift of Freedom Award from A Room of Her Own Foundation. Her work has appeared in <i>Five Points</i>, <i>The</i> <i>Gettysburg Review, The</i> <i>Kenyon Review, The</i> <i>Southern Review, The</i> <i>New York Times, </i>and many other publications. Hall divides her time between Maine and California.</p><p><a href="https://godine.com">Godine Publisher</a></p><p>Godine is an independent publisher located in Boston, Massachusetts. In 2020, with new titles that range from Shaun Bythell’s memoir, <i>Confessions of a Bookseller</i> to Thomas W. Gilbert’s groundbreaking history, <i>How Baseball Happened: Outrageous Lies Exposed! The True Story Revealed</i>.  Founded in 1970, Godine is home to the Black Sparrow Press, founded in 1966 and relaunched in Spring 2020 with titles including <i>Wicked Enchantment: Selected Poems</i> by Wanda Coleman, edited by Terrance Hayes, and <i>Summer Solstice: An Essay</i> by Nina MacLaughlin.</p><p> </p><p><a href="https://portsmouthathenaeum.org"><strong>The Portsmouth Athenaenum </strong></a></p><p>The Portsmouth Athenaenum<strong> </strong>is a library, gallery and museum founded in 1817 and located in Portsmouth, New Hampshire. Membership libraries were first created in the 18th century. While there were once hundreds of membership libraries across America and today there are fewer than 20. Today, the Portsmouth Athenæum maintains a library of over 40,000 volumes, an archive of manuscripts, photographs, objects, and ephemera relating to local history and sponsors exhibitions, concerts, lectures, and other educational and cultural programs.</p><p> </p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters</strong></a></p><p>Alex is the technical producer and editor for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  alexwatersmusic12@gmail.com with inquiries. <br /> </p><p> </p><p><br /><br /> </p>
]]></description>
      <pubDate>Tue, 14 Jun 2022 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Editor)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p> </p><p><a href="https://meredithhall.org/beneficence">Meredith Hall </a></p><p>Meredith Hall's memoir <i>Without a Map</i> was instantly recognized as a classic of the genre and became a <i>New York Times</i> bestseller. It was named a best book of the year by <i>Kirkus</i> and <i>BookSense</i>, and was an <i>Elle </i>magazine<i> </i>Reader’s Pick of the Year. Hall was a recipient of the 2004 Gift of Freedom Award from A Room of Her Own Foundation. Her work has appeared in <i>Five Points</i>, <i>The</i> <i>Gettysburg Review, The</i> <i>Kenyon Review, The</i> <i>Southern Review, The</i> <i>New York Times, </i>and many other publications. Hall divides her time between Maine and California.</p><p><a href="https://godine.com">Godine Publisher</a></p><p>Godine is an independent publisher located in Boston, Massachusetts. In 2020, with new titles that range from Shaun Bythell’s memoir, <i>Confessions of a Bookseller</i> to Thomas W. Gilbert’s groundbreaking history, <i>How Baseball Happened: Outrageous Lies Exposed! The True Story Revealed</i>.  Founded in 1970, Godine is home to the Black Sparrow Press, founded in 1966 and relaunched in Spring 2020 with titles including <i>Wicked Enchantment: Selected Poems</i> by Wanda Coleman, edited by Terrance Hayes, and <i>Summer Solstice: An Essay</i> by Nina MacLaughlin.</p><p> </p><p><a href="https://portsmouthathenaeum.org"><strong>The Portsmouth Athenaenum </strong></a></p><p>The Portsmouth Athenaenum<strong> </strong>is a library, gallery and museum founded in 1817 and located in Portsmouth, New Hampshire. Membership libraries were first created in the 18th century. While there were once hundreds of membership libraries across America and today there are fewer than 20. Today, the Portsmouth Athenæum maintains a library of over 40,000 volumes, an archive of manuscripts, photographs, objects, and ephemera relating to local history and sponsors exhibitions, concerts, lectures, and other educational and cultural programs.</p><p> </p><p><a href="https://soundcloud.com/user-329192999" target="_blank"><strong>Alex Waters</strong></a></p><p>Alex is the technical producer and editor for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  alexwatersmusic12@gmail.com with inquiries. <br /> </p><p> </p><p><br /><br /> </p>
]]></content:encoded>
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      <itunes:title>Meredith Hall</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Editor</itunes:author>
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      <itunes:duration>00:35:31</itunes:duration>
      <itunes:summary>Few writers know the human heart and the burden of grief as intimately as New York Times bestselling author Meredith Hall (Without a Map).  In this Short Fuse conversation Elizabeth Howard is in conversation with Meredith  around her novel, Beneficence. The novel is, at its essence, a book about the cycle of life: the death of a child by a gun, grief, a family ‘s relationship to home and how love eventually brings everyone back together. Critics have described Beneficence as luminous.
</itunes:summary>
      <itunes:subtitle>Few writers know the human heart and the burden of grief as intimately as New York Times bestselling author Meredith Hall (Without a Map).  In this Short Fuse conversation Elizabeth Howard is in conversation with Meredith  around her novel, Beneficence. The novel is, at its essence, a book about the cycle of life: the death of a child by a gun, grief, a family ‘s relationship to home and how love eventually brings everyone back together. Critics have described Beneficence as luminous.
</itunes:subtitle>
      <itunes:keywords>macdowell colony, apple podcasts, joyce maynard, arts fuse, godine, maine, writers on instagram, university of new hampshire, meredith hall, spotify, without a map, short fuse podcast</itunes:keywords>
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      <itunes:episode>57</itunes:episode>
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      <title>From Madison Avenue to Rikers Island</title>
      <description><![CDATA[<p> </p><p><a href="https://www.marklgoldsmith.com">Mark Goldsmith</a>, author of <i>From Madison Avenue to Rikers Island: The Making of a Social</i> <i>Entrepreneur,</i> is founder and CEO emeritus of Getting Out and Staying Out, a nonprofit that provides educational, vocational, job readiness, counseling, and other services to young men who have been incarcerated. Prior to his nonprofit work, Goldsmith was an executive in the cosmetics industry for more than 35 years, rising through the ranks at companies including Revlon, Yves St. Laurent, and Almay before starting his own company, Inventory Management Systems, specializing in trading excess inventories of well-known brand names for media time at similar values.</p><p><strong>John Gonzalez  </strong>was raised  and grew up in New York City (Washington Heights). He got involved with the wrong people, which changed the course of his life, and led him into the Criminal Justice System, from 1999-2005 on multiple occasions.  He met Mark Goldsmith in  2005 and got involved in Getting Out and Staying Out (GOSO) which changed his life.   </p><p>John went from Rikers, to 116th Street, where GOSO, was located. With Mark Goldsmith's support he was able to find employment, get married and begin a new life. He bought his first house at age 23 in Portland, PA. He is now  operations manager for a trucking company, in charge of 30 trucks in the Northeast, and has maintained his sobriety and a clean record since 2007.</p><p><a href="https://www.gosonyc.org/volunteer/">Getting Out and Staying Out (GOSO)</a>.    The vision of GOSO is  world where neither a person’s race nor contact with the legal system determines their future. The mission of GOSO is to partner with people impacted by arrest and incarceration on a journey of education, employment and emotional wellbeing and collaborates with NYC communities to support a culture of nonviolence.</p><p><strong>Alex Waters</strong> is a technical producer for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. Alex writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at:  alexwatersmusic12@gmail.com</p>
]]></description>
      <pubDate>Wed, 1 Jun 2022 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Editor, Rikers island, Artsfuse, Spotify, Applemusic, GOSO, Criminal justice system, Halim flowers, Bard Prison writing program, Sing Sing, Simplecast, corner bookstore, From madison avenue to rikers, prison reform, starbucks)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p> </p><p><a href="https://www.marklgoldsmith.com">Mark Goldsmith</a>, author of <i>From Madison Avenue to Rikers Island: The Making of a Social</i> <i>Entrepreneur,</i> is founder and CEO emeritus of Getting Out and Staying Out, a nonprofit that provides educational, vocational, job readiness, counseling, and other services to young men who have been incarcerated. Prior to his nonprofit work, Goldsmith was an executive in the cosmetics industry for more than 35 years, rising through the ranks at companies including Revlon, Yves St. Laurent, and Almay before starting his own company, Inventory Management Systems, specializing in trading excess inventories of well-known brand names for media time at similar values.</p><p><strong>John Gonzalez  </strong>was raised  and grew up in New York City (Washington Heights). He got involved with the wrong people, which changed the course of his life, and led him into the Criminal Justice System, from 1999-2005 on multiple occasions.  He met Mark Goldsmith in  2005 and got involved in Getting Out and Staying Out (GOSO) which changed his life.   </p><p>John went from Rikers, to 116th Street, where GOSO, was located. With Mark Goldsmith's support he was able to find employment, get married and begin a new life. He bought his first house at age 23 in Portland, PA. He is now  operations manager for a trucking company, in charge of 30 trucks in the Northeast, and has maintained his sobriety and a clean record since 2007.</p><p><a href="https://www.gosonyc.org/volunteer/">Getting Out and Staying Out (GOSO)</a>.    The vision of GOSO is  world where neither a person’s race nor contact with the legal system determines their future. The mission of GOSO is to partner with people impacted by arrest and incarceration on a journey of education, employment and emotional wellbeing and collaborates with NYC communities to support a culture of nonviolence.</p><p><strong>Alex Waters</strong> is a technical producer for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. Alex writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at:  alexwatersmusic12@gmail.com</p>
]]></content:encoded>
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      <itunes:title>From Madison Avenue to Rikers Island</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Editor, Rikers island, Artsfuse, Spotify, Applemusic, GOSO, Criminal justice system, Halim flowers, Bard Prison writing program, Sing Sing, Simplecast, corner bookstore, From madison avenue to rikers, prison reform, starbucks</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/b481d484-b752-431e-bd69-4548bd1139dc/3000x3000/19641a15-4d82-4d1b-b68a-94a5590d4ea9.jpg?aid=rss_feed"/>
      <itunes:duration>00:36:46</itunes:duration>
      <itunes:summary>In this episode of the Short Fuse podcast, Elizabeth Howard is in conversation with Mark Goldsmith, who spent 15 years as a volunteer on Rikers Island, after a 35-year career in the cosmetics industry, and John Gonzalez, who was an inmate when he met Mark and is now a successful businessman. John talks about what it was like on the inside and the threat of being sent “up top.” Mark talks about working with the men to leverage their skills when they were released, which led to the creation of a not-for-profit organization, Getting Out and Staying Out (GOSO).  GOSO has helped thousands of young men pursue their goals for education, employment, and emotional well-being to create a new life for themselves beyond the criminal justice system.



</itunes:summary>
      <itunes:subtitle>In this episode of the Short Fuse podcast, Elizabeth Howard is in conversation with Mark Goldsmith, who spent 15 years as a volunteer on Rikers Island, after a 35-year career in the cosmetics industry, and John Gonzalez, who was an inmate when he met Mark and is now a successful businessman. John talks about what it was like on the inside and the threat of being sent “up top.” Mark talks about working with the men to leverage their skills when they were released, which led to the creation of a not-for-profit organization, Getting Out and Staying Out (GOSO).  GOSO has helped thousands of young men pursue their goals for education, employment, and emotional well-being to create a new life for themselves beyond the criminal justice system.



</itunes:subtitle>
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      <itunes:episode>55</itunes:episode>
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      <title>Gwendolyn Brooks: A Poet&apos;s Work in the Community</title>
      <description><![CDATA[<p><strong>Gwendolyn Brooks: A Poet's Work in the Community</strong> opened at the <a href="themorgan.org/exhibitions/current">Morgan Library</a> on January 28 and will be on view through June 5, 2022.</p><p>Comprising more than forty manuscripts, broadsides, and first editions, the exhibition explores Brooks’s roles as a poet, teacher, mentor, and community leader. The exhibition traces the effect of the resulting relationships on her work and the work of other creatives, such as Dudley Randall, Sonia Sanchez, and Jeff Donaldson. It takes us through the story of Brooks as a young poet, her early published poetry and establishes her relationship with the Black arts and publishing communities of the 1960s and ’70s. We learn of her contributions as a mentor to future writers through her children’s books and self-published guides for young poets. Nic Caldwell's exhibition  comes at an important moment in our collective history, providing us with a blueprint for building community as an essential part of creative growth.</p><p><a href="https://www.poetryproject.org">The Poetry Project </a></p><p>Thank you to the Poetry Project for allowing us to use the recording of Gwendolyn Brooks reading at  <br />The Poetry Project in 1981. The  program included   Ntozake Shange, the American playwright and poet. best known for her play <a href="https://en.wikipedia.org/wiki/Obie_Award">  </a><a href="https://en.wikipedia.org/wiki/For_Colored_Girls_Who_Have_Considered_Suicide_/_When_the_Rainbow_Is_Enuf"><i>For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf</i></a>. The reading was just after the premiere. </p><p><a href="https://loa.org/subscribe?gclid=EAIaIQobChMIpo2O6_vQ9wIVlorICh0clwDQEAAYASAAEgJwHPD_BwE">Library of America</a></p><p>Edward Hirsch's essay on Gwendolyn Brooks can be found in <i>The Heart of American Poetry</i>, published by Library of America.  Elizabeth Alexander edited wrote the introduction to <i>The Essential Gwendolyn Brooks</i> also published by Library of America. </p><p><a href="https://www.dusablemuseum.org"> DuSable Museum of African American History</a></p><p><strong>Student readers</strong></p><p>Timia McCoade is a senior at the Ethical Culture Fieldston School. This recording was arranged through Alwin Jones, chair, the English Department and director of the Fieldston Summer Academic Program.  </p><p><strong>Alex Waters</strong> is a technical producer for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. Alex writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at:  alexwatersmusic12@gmail.com</p><p> </p>
]]></description>
      <pubDate>Tue, 10 May 2022 18:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Gwendolyn Brooks: A Poet's Work in the Community</strong> opened at the <a href="themorgan.org/exhibitions/current">Morgan Library</a> on January 28 and will be on view through June 5, 2022.</p><p>Comprising more than forty manuscripts, broadsides, and first editions, the exhibition explores Brooks’s roles as a poet, teacher, mentor, and community leader. The exhibition traces the effect of the resulting relationships on her work and the work of other creatives, such as Dudley Randall, Sonia Sanchez, and Jeff Donaldson. It takes us through the story of Brooks as a young poet, her early published poetry and establishes her relationship with the Black arts and publishing communities of the 1960s and ’70s. We learn of her contributions as a mentor to future writers through her children’s books and self-published guides for young poets. Nic Caldwell's exhibition  comes at an important moment in our collective history, providing us with a blueprint for building community as an essential part of creative growth.</p><p><a href="https://www.poetryproject.org">The Poetry Project </a></p><p>Thank you to the Poetry Project for allowing us to use the recording of Gwendolyn Brooks reading at  <br />The Poetry Project in 1981. The  program included   Ntozake Shange, the American playwright and poet. best known for her play <a href="https://en.wikipedia.org/wiki/Obie_Award">  </a><a href="https://en.wikipedia.org/wiki/For_Colored_Girls_Who_Have_Considered_Suicide_/_When_the_Rainbow_Is_Enuf"><i>For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf</i></a>. The reading was just after the premiere. </p><p><a href="https://loa.org/subscribe?gclid=EAIaIQobChMIpo2O6_vQ9wIVlorICh0clwDQEAAYASAAEgJwHPD_BwE">Library of America</a></p><p>Edward Hirsch's essay on Gwendolyn Brooks can be found in <i>The Heart of American Poetry</i>, published by Library of America.  Elizabeth Alexander edited wrote the introduction to <i>The Essential Gwendolyn Brooks</i> also published by Library of America. </p><p><a href="https://www.dusablemuseum.org"> DuSable Museum of African American History</a></p><p><strong>Student readers</strong></p><p>Timia McCoade is a senior at the Ethical Culture Fieldston School. This recording was arranged through Alwin Jones, chair, the English Department and director of the Fieldston Summer Academic Program.  </p><p><strong>Alex Waters</strong> is a technical producer for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. Alex writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at:  alexwatersmusic12@gmail.com</p><p> </p>
]]></content:encoded>
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      <itunes:title>Gwendolyn Brooks: A Poet&apos;s Work in the Community</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/f364d841-8915-4eb6-9295-032df7d837b8/3000x3000/nic-headshot-4-1.jpg?aid=rss_feed"/>
      <itunes:duration>00:32:20</itunes:duration>
      <itunes:summary>Nicholas Caldwell, the Bella da Costa Greene Curatorial fellow at the Morgan Library and Museum, talks with Elizabeth Howard about Gwendolyn Brooks, her work, the recent acquisition of her personal papers for the Morgan collection and the exhibition he curated entitled Gwendolyn Brooks: A Poet&apos;s Work in the Community.  Nic is a memory worker, literary scholar, and visual artist, and believes poetry allows us to connect with other people to share their stories and history.
</itunes:summary>
      <itunes:subtitle>Nicholas Caldwell, the Bella da Costa Greene Curatorial fellow at the Morgan Library and Museum, talks with Elizabeth Howard about Gwendolyn Brooks, her work, the recent acquisition of her personal papers for the Morgan collection and the exhibition he curated entitled Gwendolyn Brooks: A Poet&apos;s Work in the Community.  Nic is a memory worker, literary scholar, and visual artist, and believes poetry allows us to connect with other people to share their stories and history.
</itunes:subtitle>
      <itunes:keywords>poetry, dusable musem, nic caldwell, fieldston school, new yorker radio, apple podcasts, on being, chicago, poetry project, the short fuse, langston hughes, toni morrison, poetry foundadtion, the arts fuse, jpmorgan, bella da costa greene, library of america, james baldwin, spotify, morgan library, library of congress</itunes:keywords>
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      <itunes:episode>54</itunes:episode>
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      <title>On Pause: Three Months that Changed New York</title>
      <description><![CDATA[<p><strong>Charlie Bennet </strong>is a Swedish-born photographer based in New York City. He specializes in still life and lifestyle photography and has worked with editorial and advertising clients such as <i>The New York Times</i>, Nike and Wallpaper. Bennet has published five books prior to ON PAUSE and has exhibited his work both in the United States and Europe. </p><p><strong>Helena Gustavsson</strong> is a Swedish journalist based in New York. She reports mainly for Swedish media on politics, social issues, and arts and culture. Helena has covered two presidential elections and profiled a number of U.S.-based authors, including Salman Rushdie, Siri Hustvedt, and Colson Whitehead. She has written several pieces on how the Covid-19 pandemic has impacted America and has also interviewed “Sweden’s Dr. Fauci,” Anders Tegnell. Helena lives in Brooklyn, New York.</p><p><a href="https://www.onpausebook.com">https://www.onpausebook.com</a></p><p><strong>Alex Waters</strong> is a technical producer for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. Alex writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at:  </p>
]]></description>
      <pubDate>Tue, 12 Apr 2022 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Editor, Helena Gustavsson)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Charlie Bennet </strong>is a Swedish-born photographer based in New York City. He specializes in still life and lifestyle photography and has worked with editorial and advertising clients such as <i>The New York Times</i>, Nike and Wallpaper. Bennet has published five books prior to ON PAUSE and has exhibited his work both in the United States and Europe. </p><p><strong>Helena Gustavsson</strong> is a Swedish journalist based in New York. She reports mainly for Swedish media on politics, social issues, and arts and culture. Helena has covered two presidential elections and profiled a number of U.S.-based authors, including Salman Rushdie, Siri Hustvedt, and Colson Whitehead. She has written several pieces on how the Covid-19 pandemic has impacted America and has also interviewed “Sweden’s Dr. Fauci,” Anders Tegnell. Helena lives in Brooklyn, New York.</p><p><a href="https://www.onpausebook.com">https://www.onpausebook.com</a></p><p><strong>Alex Waters</strong> is a technical producer for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. Alex writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at:  </p>
]]></content:encoded>
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      <itunes:title>On Pause: Three Months that Changed New York</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Editor, Helena Gustavsson</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/dfb09139-e8fa-4bc8-bfe5-506a51336350/3000x3000/5th-ave-eh.jpg?aid=rss_feed"/>
      <itunes:duration>00:26:33</itunes:duration>
      <itunes:summary> In the book On Pause: Three Months That Changed New York, photographer Charlie Bennet and writer Helena Gustavsson combine epic images of New York&apos;s most famous landmarks devoid of people with thematic essays and in-depth interviews with New Yorkers. They chronicle a unique few months in the city that never sleeps. When COVID shut down New York City Governor Cuomo declared that New York was “on pause” and the city’s deserted avenues, bridges, and train stations became a global symbol for the ravages resulting from the pandemic and our attempts to escape it. </itunes:summary>
      <itunes:subtitle> In the book On Pause: Three Months That Changed New York, photographer Charlie Bennet and writer Helena Gustavsson combine epic images of New York&apos;s most famous landmarks devoid of people with thematic essays and in-depth interviews with New Yorkers. They chronicle a unique few months in the city that never sleeps. When COVID shut down New York City Governor Cuomo declared that New York was “on pause” and the city’s deserted avenues, bridges, and train stations became a global symbol for the ravages resulting from the pandemic and our attempts to escape it. </itunes:subtitle>
      <itunes:keywords>on pause, sweden, journalist, swedish consulate, the short fuse, photos around new york, photographers, the arts fuse, new york times, international center of photography, aperture, new york city</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>53</itunes:episode>
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      <title>Desmond Tutu:  Then and Now</title>
      <description><![CDATA[<p><strong>Sumaya Hisham</strong> is a freelance photojournalist based in Cape Town. She is passionate about capturing images of people in their daily lives.  She covers news and cultural events for a variety of clients, including news agencies such as Reuters, the European Press Photo Agency, and Getty Images. Her work has appeared in <i>Washington Post, LA Times, Times UK, Irish Times, Guardian,</i> and <i>Newsweek</i>.  She works with the Desmond and Leah Tutu Legacy Foundation to continue to share his legacy of compassion, forgiveness and resolving conflict through peaceful means.</p><p><strong>Eric Miller </strong>is a documentary photographer who has worked in South Africa and across Africa. He began his career during the struggle against Apartheid in the 1980's, working during that period for the progressive photo collective Afrapix, documenting Apartheid's oppression.  In the post-Apartheid period, he has worked across Africa on assignment for many publications in North America and Europe and has been widely  published in publications ranging from <i>Time</i> and <i>Newsweek</i> to newspapers including New<i> York Times,</i> <i>USA Today, Washington Post, Christian Science Monitor</i>, among many others.</p><p>The hymn used at the end of the conversation is "Thato ya hao."  We are told it was  Archbishop Desmond Tutu’s favorite hymn. You can find a video  featuring Imilonji Kantu Choral on  <a href="https://www.youtube.com/watch?v=Lm9PlOz3MOE">https://www.youtube.com/watch?v=Lm9PlOz3MOE</a>.</p><p> </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him  at <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></description>
      <pubDate>Tue, 29 Mar 2022 12:31:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Technical Producer and Editor)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Sumaya Hisham</strong> is a freelance photojournalist based in Cape Town. She is passionate about capturing images of people in their daily lives.  She covers news and cultural events for a variety of clients, including news agencies such as Reuters, the European Press Photo Agency, and Getty Images. Her work has appeared in <i>Washington Post, LA Times, Times UK, Irish Times, Guardian,</i> and <i>Newsweek</i>.  She works with the Desmond and Leah Tutu Legacy Foundation to continue to share his legacy of compassion, forgiveness and resolving conflict through peaceful means.</p><p><strong>Eric Miller </strong>is a documentary photographer who has worked in South Africa and across Africa. He began his career during the struggle against Apartheid in the 1980's, working during that period for the progressive photo collective Afrapix, documenting Apartheid's oppression.  In the post-Apartheid period, he has worked across Africa on assignment for many publications in North America and Europe and has been widely  published in publications ranging from <i>Time</i> and <i>Newsweek</i> to newspapers including New<i> York Times,</i> <i>USA Today, Washington Post, Christian Science Monitor</i>, among many others.</p><p>The hymn used at the end of the conversation is "Thato ya hao."  We are told it was  Archbishop Desmond Tutu’s favorite hymn. You can find a video  featuring Imilonji Kantu Choral on  <a href="https://www.youtube.com/watch?v=Lm9PlOz3MOE">https://www.youtube.com/watch?v=Lm9PlOz3MOE</a>.</p><p> </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him  at <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></content:encoded>
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      <itunes:title>Desmond Tutu:  Then and Now</itunes:title>
      <itunes:author>Alex Waters - Technical Producer and Editor</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/c675a9ae-e616-4ec7-b605-b432898f0621/3000x3000/133cc161-f15a-42e3-a0f5-f5f6fc660227.jpg?aid=rss_feed"/>
      <itunes:duration>00:49:21</itunes:duration>
      <itunes:summary>South African photojournalists Sumaya Hisham and Eric Miller talk with Elizabeth Howard about documenting and celebrating, through their photographs, the life and work of the late Archbishop and Noble Peace Prize Laureate, Desmond Tutu, who, with Nelson Mandela, led the struggle against Apartheid.  They describe their lasting friendship with the man they affectionately refer to as &quot;the  Arch.&quot;  He would say to us, they recall, &quot;If it wasn&apos;t for the photographers and journalists during the  Apartheid period they would say we were lying.&quot;   &quot;Desmond Tutu: Then and Now&quot;  was recently on view in galleries at the South African Cultural Center in New York.
</itunes:summary>
      <itunes:subtitle>South African photojournalists Sumaya Hisham and Eric Miller talk with Elizabeth Howard about documenting and celebrating, through their photographs, the life and work of the late Archbishop and Noble Peace Prize Laureate, Desmond Tutu, who, with Nelson Mandela, led the struggle against Apartheid.  They describe their lasting friendship with the man they affectionately refer to as &quot;the  Arch.&quot;  He would say to us, they recall, &quot;If it wasn&apos;t for the photographers and journalists during the  Apartheid period they would say we were lying.&quot;   &quot;Desmond Tutu: Then and Now&quot;  was recently on view in galleries at the South African Cultural Center in New York.
</itunes:subtitle>
      <itunes:keywords>apartheid, cathedral of st. john the divine, archbishop desmond tutu, most reverend bishop michael curry, desmond tutu: then and now, desmond and leah tutu legacy foundation, south africa mission to the un, eric miller, the short fuse, nelson mandela, the arts fuse, cultural center of south africa, south african consulate, sumaya hisham, afripix</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>52</itunes:episode>
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      <title>The power of music:  Living with Hope</title>
      <description><![CDATA[<p><a href="https://jeannineotis.com">Jeannine Otis</a> was born and raised in Detroit, and now lives in Staten Island, She has been a singular and substantial voice for four decades, drawing equally from jazz, classical, dance, gospel and pop genres.</p><p><i>New York Times c</i>ritic, Anthony Tomassini,  described Ms. Otis as a “show-stopper” in the role of Ella Worker in Downtown Music Production’s staging of <i>The Cradle Will Rock</i>.</p><p>She is a graduate of Wellesley College (Presser Music Scholar), the only African-American to win that award and she also holds a Masters Degree from Emerson College in Boston where she was a teaching fellow.</p><p>She has toured as a vocalist with many distinguished artists including Donald Byrd, Grover Washington Jr., Vishnu Wood, and Arthur Prysock, among many others.  She is the music director of St. Mark's in the Bowery Church in New York City.<br /><br />Jeannine Otis would like to recognize:</p><p><a href="https://www.churchpublishing.org">CHURCH PUBLISHING</a></p><p><a href="https://www.heavenlyrest.org">Church of the Heavenly Rest</a></p><p><a href="https://stmarksbowery.org">St. Mark's Church in the Bowery</a></p><p><strong>SUNDOG Theater Family.</strong></p><p><strong>The SOUNDTRACKS PROGRAM</strong></p><p><a href="https://www.sijcc.org">Jewish Community Center of Staten Island</a></p><p><a href="http://ruralmigrantministry.org">RURAL and MIGRANT MINISTRIES</a></p><p>Bruce Jones </p><p>Dr. Theddia Jones JJe</p><p> Susan Fenley, Victoria Collela, Ellen Petillo, and Poet Gold,( SUNDOG) and Ela Seeley ( JCC)<br /> </p><p><a href="https://elizabethhoward.com/" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries at <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></description>
      <pubDate>Tue, 8 Feb 2022 20:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Editor)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://jeannineotis.com">Jeannine Otis</a> was born and raised in Detroit, and now lives in Staten Island, She has been a singular and substantial voice for four decades, drawing equally from jazz, classical, dance, gospel and pop genres.</p><p><i>New York Times c</i>ritic, Anthony Tomassini,  described Ms. Otis as a “show-stopper” in the role of Ella Worker in Downtown Music Production’s staging of <i>The Cradle Will Rock</i>.</p><p>She is a graduate of Wellesley College (Presser Music Scholar), the only African-American to win that award and she also holds a Masters Degree from Emerson College in Boston where she was a teaching fellow.</p><p>She has toured as a vocalist with many distinguished artists including Donald Byrd, Grover Washington Jr., Vishnu Wood, and Arthur Prysock, among many others.  She is the music director of St. Mark's in the Bowery Church in New York City.<br /><br />Jeannine Otis would like to recognize:</p><p><a href="https://www.churchpublishing.org">CHURCH PUBLISHING</a></p><p><a href="https://www.heavenlyrest.org">Church of the Heavenly Rest</a></p><p><a href="https://stmarksbowery.org">St. Mark's Church in the Bowery</a></p><p><strong>SUNDOG Theater Family.</strong></p><p><strong>The SOUNDTRACKS PROGRAM</strong></p><p><a href="https://www.sijcc.org">Jewish Community Center of Staten Island</a></p><p><a href="http://ruralmigrantministry.org">RURAL and MIGRANT MINISTRIES</a></p><p>Bruce Jones </p><p>Dr. Theddia Jones JJe</p><p> Susan Fenley, Victoria Collela, Ellen Petillo, and Poet Gold,( SUNDOG) and Ela Seeley ( JCC)<br /> </p><p><a href="https://elizabethhoward.com/" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries at <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></content:encoded>
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      <itunes:title>The power of music:  Living with Hope</itunes:title>
      <itunes:author>Alex Waters - Editor</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/1d54a820-8c18-420a-942d-21bb38fc98fa/3000x3000/who-walks-that-road-with-you-1.jpg?aid=rss_feed"/>
      <itunes:duration>00:36:42</itunes:duration>
      <itunes:summary>For years, Jeannine Otis,  jazz pianist, vocalist, conductor, and educator, has used music and poetry to bring healing into communities in crisis, including prisons, community centers, and churches.  In this episode of the Short Fuse, Jeannine talks with Elizabeth Howard about her musical career and theater piece Living in Hope, developed from a writing workshop based on Otis&apos;s book, The Gathering: City Prayers, City Hopes.
 
Otis was born and raised in Detroit, and now lives in Staten Island, She has been a singular and substantial voice for four decades, drawing equally from jazz, classical, dance, gospel, and pop genres. New York Times critic Anthony Tomassini described Otis as a “show-stopper” in the role of Ella Worker in Downtown Music Production’s staging of The Cradle Will Rock.

She is a graduate of Wellesley College (Presser Music Scholar), the only African-American to win that award. She also holds a Masters Degree from Emerson College in Boston, where she was a teaching fellow. Jeannine has toured as a vocalist with many distinguished artists, including Donald Byrd, Grover Washington Jr., Vishnu Wood, and Arthur Prysock, among many others.  She is the music director of St. Mark&apos;s in the Bowery in New York City.

Also featuring a performance recorded at St. Mark&apos;s Church in the Bowery in 2020 of &quot;All Good Gifts&quot; performed by Rufus Muller, written by Matthias Claudius
From the Uniquely St. Mark&apos;s series; music director, Jeannine Otis.


</itunes:summary>
      <itunes:subtitle>For years, Jeannine Otis,  jazz pianist, vocalist, conductor, and educator, has used music and poetry to bring healing into communities in crisis, including prisons, community centers, and churches.  In this episode of the Short Fuse, Jeannine talks with Elizabeth Howard about her musical career and theater piece Living in Hope, developed from a writing workshop based on Otis&apos;s book, The Gathering: City Prayers, City Hopes.
 
Otis was born and raised in Detroit, and now lives in Staten Island, She has been a singular and substantial voice for four decades, drawing equally from jazz, classical, dance, gospel, and pop genres. New York Times critic Anthony Tomassini described Otis as a “show-stopper” in the role of Ella Worker in Downtown Music Production’s staging of The Cradle Will Rock.

She is a graduate of Wellesley College (Presser Music Scholar), the only African-American to win that award. She also holds a Masters Degree from Emerson College in Boston, where she was a teaching fellow. Jeannine has toured as a vocalist with many distinguished artists, including Donald Byrd, Grover Washington Jr., Vishnu Wood, and Arthur Prysock, among many others.  She is the music director of St. Mark&apos;s in the Bowery in New York City.

Also featuring a performance recorded at St. Mark&apos;s Church in the Bowery in 2020 of &quot;All Good Gifts&quot; performed by Rufus Muller, written by Matthias Claudius
From the Uniquely St. Mark&apos;s series; music director, Jeannine Otis.


</itunes:subtitle>
      <itunes:keywords>church of the heavenly rest, wellesley college, poetry project, emerson college, the gathering, jewish community center, st. marks in the bowery</itunes:keywords>
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      <title>Race for Tomorrow</title>
      <description><![CDATA[<p><a href="https://www.simonmundy.com/"><strong>Simon Mundy</strong></a> is a journalist with the <i>Financial Times</i>. He is  currently the  Moral Money Editor – covering the push for a cleaner and more sustainable world economy for the award-winning Moral Money platform.  His career began in  Johannesburg, covering Southern Africa for the<i> FT. </i>After a stint as a corporate reporter in London he spent seven years in Asia, heading the <i>FT</i> bureau in Seoul and  Mumbai.</p><p>Simon spent nearly two years traveling through six continents and visiting 26 countries to write <i>Race for Tomorrow</i>,  to tell the stories of the diverse cast of characters locked in this historic struggle – from communities hit by extreme physical shifts, to business leaders grappling with the implications for the world economy.  Race for Tomorrow is now on sale in 40 countries. <br /> </p><p>Follow Simon on Twitter: @simonmundy.com</p><p>On Instagram:   @simonmundyphotos</p><p>Books mentioned in this episode:</p><p><i>A Sand County Almanac</i> by Aldo Leopold</p><p><i>Silent Spring</i> by Rachel Carson</p><p><i>The Lost Gospel of the Earth</i> by Tom Hayden</p><p><i>The End of Nature</i> by Bill McKibben</p><p><i>A Life on Our Planet, My Witness Statement and A Vision for the Future</i> by David Attenborough</p><p><a href="https://elizabethhoward.com/" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p> </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries at <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></description>
      <pubDate>Tue, 18 Jan 2022 10:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Editor)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.simonmundy.com/"><strong>Simon Mundy</strong></a> is a journalist with the <i>Financial Times</i>. He is  currently the  Moral Money Editor – covering the push for a cleaner and more sustainable world economy for the award-winning Moral Money platform.  His career began in  Johannesburg, covering Southern Africa for the<i> FT. </i>After a stint as a corporate reporter in London he spent seven years in Asia, heading the <i>FT</i> bureau in Seoul and  Mumbai.</p><p>Simon spent nearly two years traveling through six continents and visiting 26 countries to write <i>Race for Tomorrow</i>,  to tell the stories of the diverse cast of characters locked in this historic struggle – from communities hit by extreme physical shifts, to business leaders grappling with the implications for the world economy.  Race for Tomorrow is now on sale in 40 countries. <br /> </p><p>Follow Simon on Twitter: @simonmundy.com</p><p>On Instagram:   @simonmundyphotos</p><p>Books mentioned in this episode:</p><p><i>A Sand County Almanac</i> by Aldo Leopold</p><p><i>Silent Spring</i> by Rachel Carson</p><p><i>The Lost Gospel of the Earth</i> by Tom Hayden</p><p><i>The End of Nature</i> by Bill McKibben</p><p><i>A Life on Our Planet, My Witness Statement and A Vision for the Future</i> by David Attenborough</p><p><a href="https://elizabethhoward.com/" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p> </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts including  The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries at <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></content:encoded>
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      <itunes:title>Race for Tomorrow</itunes:title>
      <itunes:author>Alex Waters - Editor</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/3f4d19e1-cd8b-4176-a370-1f139fe01370/3000x3000/513il6exgfl.jpg?aid=rss_feed"/>
      <itunes:duration>00:58:21</itunes:duration>
      <itunes:summary> Simon Mundy, a journalist for the Financial Times,  spent two years traveling to 26 countries on six continents to meet  with people who have been affected by extreme shifts in climate and to talk with villagers, community leaders, entrepreneurs and business leaders  grappling with the implications  for the world economy. As climate change ripples through the planet he recognized, and wanted to understand, &quot; the biggest and most important story that I, or any journalist of my generation, will have an opportunity to cover.    &quot;It&apos;s just the beginning.&quot;  Through this conversation we learn that we ignore climate change at our peril. Every one of us.</itunes:summary>
      <itunes:subtitle> Simon Mundy, a journalist for the Financial Times,  spent two years traveling to 26 countries on six continents to meet  with people who have been affected by extreme shifts in climate and to talk with villagers, community leaders, entrepreneurs and business leaders  grappling with the implications  for the world economy. As climate change ripples through the planet he recognized, and wanted to understand, &quot; the biggest and most important story that I, or any journalist of my generation, will have an opportunity to cover.    &quot;It&apos;s just the beginning.&quot;  Through this conversation we learn that we ignore climate change at our peril. Every one of us.</itunes:subtitle>
      <itunes:keywords>green energy, spotify podcasts, pen, cop26youth, chagoury brothers, wind turbines, mckinsey &amp; company  global energy, reporters without borders, paris climate accords, mohamed nasheed, lanzatech, world bank, un climate issues, gretel erlich, tim holme, elon musk, #fridayforfuture, new yorker radio, apple podcasts, washington post, weekendft, miguel torres, on being, bob mumgaard, vanessa nakate, kathy sullivan, wall street journal, climate change, race for tomorrow, paris accord, council on clean transportation, harper collins, brooklyn rail, simon mundy, extinction rebellion, greta thunberg, oecd, sierra club, barack obama, rolling stone, the arts fuse, the nature conservancy, national hurricane center, tom hayden, new york times, cop26, velvet queen, the world wildlife fund, victoria island, national centers for hurricane center, financial times, elilzabeth howard, new yorker magazine, quantumscape, covid, pope francis, eko atlantic, financial stability oversight board, un champion of the earth award, impossible foods, konrad steffin</itunes:keywords>
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      <itunes:episode>50</itunes:episode>
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      <title>Lessons Superpredators Teach Us</title>
      <description><![CDATA[<p><a href="https://www.dtrmodern.com/portfolio/halim-flowers/">DTR Modern Galleries</a></p><p><a href="https://www.halim-flowers.com"><strong>Halim Flowers</strong></a></p><p>Autodidact, Halim A. Flowers (b. 1980, Washington, DC) visual artist, spoken word performer, businessman, and author of eleven published non-fiction works, is married to L. Patrice McKinney, raising a family in Washington, DC. A Member of the Board of Directors of The Frederick Douglass Project for Justice and Cultural DC, he is an ardent advocate for human rights and is best known for his quote, “Love is the Antibody”. In the short time since the Incarceration Reduction Amendment Act of 2016 effectuated his 2019 release from prison, he has created a stunning spectrum of paintings and spoken word comprised of a benevolent mission forged and galvanized over decades in a pressure cooker.</p><p>In 1997, as a minor, Halim A. Flowers was arrested and wrongfully sentenced to two life sentences in Washington, DC. His experiences aired on HBO in the Emmy award-winning documentary “Thug Life in DC”. Released under a new juvenile lifer resentencing law, Flowers’ 2019 freedom was documented by Kim Kardashian-West’s “The Justice Project” film. Upon release, he was awarded the Halcyon Arts Lab and Echoing Green fellowship awards. In 2020, Flowers’ TEDx Talk, “Criminal Justice Reform”, and his prolific production and exhibition of his visual art, e.g., The Museum of Modern Art’s “Marking Time: Art in the Age of Mass Incarceration” exhibit, continue to advance his mission to promote love among all humans. A beneficiary of Georgetown University’s Prison and Justice Initiative, Flowers studied Government, Philosophy, Reparations: African-American Literature, and English 101 in a mentorship with academic advisor, Professor Marc Morjé Howard (2018-2019). More recently, as a grant recipient from the Art for Justice Fund, Flowers was featured as a “Justice Ambassador” in the film “Halim’s Hope” (2020).</p><p><a href="http://www.elizabethhoward.com">Elizabeth Howard</a> is the host and producer of the Short Fuse Podcast.  Elizabeth has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.   As the host and producer of the Short Fuse Podcast, she engages individuals in lively and provocative conversations around how the arts can affect social change.</p><p><strong>Music for the Short Fuse Podcast</strong></p><p><a href="https://jeannineotis.com/music-recordings/"><strong>Jeannine Otis</strong></a> recorded the music for this episode of the Short Fuse Podcast. <a href="https://open.spotify.com/artist/0wE7QGcgpfB9RGqwobRY4J?si=BdUBcvQSTfK8hlyInZ7n_w&dl_branch=1">Music</a> has always been a part of Jeannine's life.  Her mother was a musical director and her family  includes the Jones Brothers, Hank, Thad, and Elvin who formed the basis of exposure to music that began a career that started with Jeannine’s debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.</p><p>She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.</p><p>She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN’ at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.</p><p>She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production’s version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.</p><p>Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts.</p><p> </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></description>
      <pubDate>Tue, 7 Dec 2021 10:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Editor, Music:  Jeannine Otis)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.dtrmodern.com/portfolio/halim-flowers/">DTR Modern Galleries</a></p><p><a href="https://www.halim-flowers.com"><strong>Halim Flowers</strong></a></p><p>Autodidact, Halim A. Flowers (b. 1980, Washington, DC) visual artist, spoken word performer, businessman, and author of eleven published non-fiction works, is married to L. Patrice McKinney, raising a family in Washington, DC. A Member of the Board of Directors of The Frederick Douglass Project for Justice and Cultural DC, he is an ardent advocate for human rights and is best known for his quote, “Love is the Antibody”. In the short time since the Incarceration Reduction Amendment Act of 2016 effectuated his 2019 release from prison, he has created a stunning spectrum of paintings and spoken word comprised of a benevolent mission forged and galvanized over decades in a pressure cooker.</p><p>In 1997, as a minor, Halim A. Flowers was arrested and wrongfully sentenced to two life sentences in Washington, DC. His experiences aired on HBO in the Emmy award-winning documentary “Thug Life in DC”. Released under a new juvenile lifer resentencing law, Flowers’ 2019 freedom was documented by Kim Kardashian-West’s “The Justice Project” film. Upon release, he was awarded the Halcyon Arts Lab and Echoing Green fellowship awards. In 2020, Flowers’ TEDx Talk, “Criminal Justice Reform”, and his prolific production and exhibition of his visual art, e.g., The Museum of Modern Art’s “Marking Time: Art in the Age of Mass Incarceration” exhibit, continue to advance his mission to promote love among all humans. A beneficiary of Georgetown University’s Prison and Justice Initiative, Flowers studied Government, Philosophy, Reparations: African-American Literature, and English 101 in a mentorship with academic advisor, Professor Marc Morjé Howard (2018-2019). More recently, as a grant recipient from the Art for Justice Fund, Flowers was featured as a “Justice Ambassador” in the film “Halim’s Hope” (2020).</p><p><a href="http://www.elizabethhoward.com">Elizabeth Howard</a> is the host and producer of the Short Fuse Podcast.  Elizabeth has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.   As the host and producer of the Short Fuse Podcast, she engages individuals in lively and provocative conversations around how the arts can affect social change.</p><p><strong>Music for the Short Fuse Podcast</strong></p><p><a href="https://jeannineotis.com/music-recordings/"><strong>Jeannine Otis</strong></a> recorded the music for this episode of the Short Fuse Podcast. <a href="https://open.spotify.com/artist/0wE7QGcgpfB9RGqwobRY4J?si=BdUBcvQSTfK8hlyInZ7n_w&dl_branch=1">Music</a> has always been a part of Jeannine's life.  Her mother was a musical director and her family  includes the Jones Brothers, Hank, Thad, and Elvin who formed the basis of exposure to music that began a career that started with Jeannine’s debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.</p><p>She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.</p><p>She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN’ at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.</p><p>She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production’s version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.</p><p>Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts.</p><p> </p><p><strong>Alex Waters</strong> is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></content:encoded>
      <enclosure length="42386538" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/1b8a35c3-6d90-4a5e-9fa9-00c6a51a00c6/audio/e9ed0e2f-2197-4cac-9f05-9ebbf1b059fe/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>Lessons Superpredators Teach Us</itunes:title>
      <itunes:author>Alex Waters - Editor, Music:  Jeannine Otis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/af75b29c-9ea9-4943-8773-19914f849b8b/3000x3000/img-3608.jpg?aid=rss_feed"/>
      <itunes:duration>00:44:10</itunes:duration>
      <itunes:summary>In 1997, at the age of sixteen, Halim A. Flowers was arrested and received two life sentences. He proclaimed his innocence, yet  was labeled a superpredator and incarcerated in an adult prison.  He was released in 2019 after spending 22 years and 2 months in prison. Flowers has become an artist, writer, designer, and advocate for social justice. Elizabeth Howard and Halim engage in a provocative conversation around issues raised by art, the criminal justice system, and how it felt to be on the inside.
</itunes:summary>
      <itunes:subtitle>In 1997, at the age of sixteen, Halim A. Flowers was arrested and received two life sentences. He proclaimed his innocence, yet  was labeled a superpredator and incarcerated in an adult prison.  He was released in 2019 after spending 22 years and 2 months in prison. Flowers has become an artist, writer, designer, and advocate for social justice. Elizabeth Howard and Halim engage in a provocative conversation around issues raised by art, the criminal justice system, and how it felt to be on the inside.
</itunes:subtitle>
      <itunes:keywords>louisiana parole project, jean michel-michel basquiat, social justice, superpredator, bard prison program, halcyon arts lab, union theological seminary, pen prison writing program, marking time, echoing green fellowship, bryon stevenson, dtr modern, jz, the short fuse podcast, the frederick douglass project for justice and cultural dc, the arts fuse, halim flowers, georgetown university, national arts club, art for justice fund, john coltrane, james baldwin, professor marc horje howard, victor frankl, the justice project, st. marks in the bowery, elizabeth howard, pen prison writing, music on the inside</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
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      <title>The Greatest American Play?</title>
      <description><![CDATA[<p><strong>Bryan Halperin</strong> is a co-founder and Producer of Powerhouse Theatre Collaborative, a new program of The Belknap Mill in Laconia, NH and the resident theatre company of the Colonial Theatre in Laconia.  Previously he was co-founder of The Winnipesaukee Playhouse.  From 2004 through 2014 Bryan was Executive Director of the Playhouse and besides his managerial duties was involved with the Artistic Director in the selection of all plays performed in the professional summer stock and winter community and youth theatre productions.  Bryan directed productions at all levels, acted in several community theatre productions, and wrote several youth theatre productions.  Bryan has written several plays and musicals, some to be performed for or with children and others for adults.  His play <i>The Hairy Man </i>won the Pestalozzi Prize in 2019 at the Firehouse Center for the Arts, was a semi-finalist for the Premiere Play Festival in 2019, and in 2020 was a finalist and received a reading at the JetFest in 2020.  For three years he was the Executive Director of the New Hampshire Theatre Awards, and for the past eight years he has directed the local Middle/High School drama program.  As a director Bryan has won 6 NH Theatre Awards and been runner up numerous other times.  </p><p><a href="www.hesherman.com"><strong>Howard Sherman</strong></a> is the author of “Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century,” published by Methuen Drama. He has been executive director of the American Theatre Wing and the O’Neill Theatre Center, managing director of Geva Theatre, general manager of Goodspeed Musicals, and public relations director of Hartford Stage. He is the US columnist for The Stage newspaper in London and his writing has appeared in The Guardian, American Theatre magazine, Encore Monthly and LitHub, among many others. @hesherman on Twitter, Facebook and Insta. <a href="http://www.hesherman.com/">www.hesherman.com</a></p><p><a href="https://elizabethhoward.com" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p><a href="https://artsfuse.org">The Arts Fuse</a> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts.</p><p><strong>Alex Waters</strong> is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own, as well as writes music and records for independent artists such as The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></description>
      <pubDate>Tue, 2 Nov 2021 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Editor)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Bryan Halperin</strong> is a co-founder and Producer of Powerhouse Theatre Collaborative, a new program of The Belknap Mill in Laconia, NH and the resident theatre company of the Colonial Theatre in Laconia.  Previously he was co-founder of The Winnipesaukee Playhouse.  From 2004 through 2014 Bryan was Executive Director of the Playhouse and besides his managerial duties was involved with the Artistic Director in the selection of all plays performed in the professional summer stock and winter community and youth theatre productions.  Bryan directed productions at all levels, acted in several community theatre productions, and wrote several youth theatre productions.  Bryan has written several plays and musicals, some to be performed for or with children and others for adults.  His play <i>The Hairy Man </i>won the Pestalozzi Prize in 2019 at the Firehouse Center for the Arts, was a semi-finalist for the Premiere Play Festival in 2019, and in 2020 was a finalist and received a reading at the JetFest in 2020.  For three years he was the Executive Director of the New Hampshire Theatre Awards, and for the past eight years he has directed the local Middle/High School drama program.  As a director Bryan has won 6 NH Theatre Awards and been runner up numerous other times.  </p><p><a href="www.hesherman.com"><strong>Howard Sherman</strong></a> is the author of “Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century,” published by Methuen Drama. He has been executive director of the American Theatre Wing and the O’Neill Theatre Center, managing director of Geva Theatre, general manager of Goodspeed Musicals, and public relations director of Hartford Stage. He is the US columnist for The Stage newspaper in London and his writing has appeared in The Guardian, American Theatre magazine, Encore Monthly and LitHub, among many others. @hesherman on Twitter, Facebook and Insta. <a href="http://www.hesherman.com/">www.hesherman.com</a></p><p><a href="https://elizabethhoward.com" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p><a href="https://artsfuse.org">The Arts Fuse</a> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts.</p><p><strong>Alex Waters</strong> is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own, as well as writes music and records for independent artists such as The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></content:encoded>
      <enclosure length="37974393" type="audio/mpeg" url="https://chrt.fm/track/DGFE91/cdn.simplecast.com/audio/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/dc2c52d8-8e9f-4b21-9821-b95852bf7e06/audio/36232e0e-f8ce-40fa-9201-c413d1e29539/default_tc.mp3?aid=rss_feed&amp;feed=Jk7GN9q8"/>
      <itunes:title>The Greatest American Play?</itunes:title>
      <itunes:author>Alex Waters - Editor</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/c9c4d83c-b06b-462d-95a5-aa787e2bc07d/3000x3000/our-town-square.jpg?aid=rss_feed"/>
      <itunes:duration>00:39:33</itunes:duration>
      <itunes:summary>Why does Thornton Wilder’s Our Town — set in an “all-white, patriarchal, Protestant, semi-rural small town in New England” — fill theaters and engage audiences around the world more than 83 years on? That is the question Howard Sherman, theater manager and writer, explored in his 2021 book Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century.

Why is Our Town being performed in November at the recently restored Colonial Theater in Laconia, New Hampshire? Bryan Halperin, the co-producer and director of the Colonial Theatre’s production of Our Town, running November 19 through 21, explains why he selected the play, his casting choices, the renovation of the Colonial, and the role the arts are playing in bringing the community of Laconia together.

In this episode of the Short Fuse Podcast, Halperin and Sherman talk about the enduring power of Our Town with host Elizabeth Howard.</itunes:summary>
      <itunes:subtitle>Why does Thornton Wilder’s Our Town — set in an “all-white, patriarchal, Protestant, semi-rural small town in New England” — fill theaters and engage audiences around the world more than 83 years on? That is the question Howard Sherman, theater manager and writer, explored in his 2021 book Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century.

Why is Our Town being performed in November at the recently restored Colonial Theater in Laconia, New Hampshire? Bryan Halperin, the co-producer and director of the Colonial Theatre’s production of Our Town, running November 19 through 21, explains why he selected the play, his casting choices, the renovation of the Colonial, and the role the arts are playing in bringing the community of Laconia together.

In this episode of the Short Fuse Podcast, Halperin and Sherman talk about the enduring power of Our Town with host Elizabeth Howard.</itunes:subtitle>
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      <title>Zakes Mda&apos;s Washboards and MIrrors at the South African Cultural Center</title>
      <description><![CDATA[<p><strong>The South African Cultural Center, New York City</strong></p><p>The value of cultural diplomacy has long been acknowledged as a critical component in the projection of a nation's identity. On September 23, 2021, the South African Consulate General in New York opened a Cultural Center at 845 Third Avenue. The inaugural exhibition, celebrating South Africa's Heritage Day, was an exhibition in the  gallery of South African artist Zakes Mda's collection of collages, <i>Washboards and Mirrors</i>  </p><p><strong>Zakes Mda</strong> is the pen name of Zanemvula Kizito Gatyeni Mda. Born in South Africa, the writer, painter, and composer also has roots in Lesotho and Ohio. He holds an MFA (Theater) and an MA (Telecommunications) from Ohio University, and a Ph.D. from the University of Cape Town.</p><p>He has published 22 books, 10 of which are novels and the rest collections of plays, poetry, and a monograph on the theory and practice of theater-for-development. His novel <i>Cion</i>, set in southeast Ohio, was nominated for the NAACP Image Award. His memoir <i>Sometimes There Is a Void: Memoirs of an Outsider</i> was published by Farrar, Straus and Giroux and was a <i>New York Times</i> Notable Book for 2012.</p><p>Zakes Mda commutes between the US, where he is Professor Emeritus of English at Ohio University, and South Africa, where he is Extraordinary Professor of English at the University of the Western Cape; a beekeeper in the Eastern Cape (running a project he established in 2000 with rural women); and a director of NeoZane, a publishing house and animation film production company based in Johannesburg.</p><p><a href="https://elizabethhoward.com" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p><a href="https://artsfuse.org">The Arts Fuse</a> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts.</p><p><strong>Alex Waters</strong> is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own, as well as writes music and records for independent artists such as The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></description>
      <pubDate>Tue, 19 Oct 2021 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters - Editor)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>The South African Cultural Center, New York City</strong></p><p>The value of cultural diplomacy has long been acknowledged as a critical component in the projection of a nation's identity. On September 23, 2021, the South African Consulate General in New York opened a Cultural Center at 845 Third Avenue. The inaugural exhibition, celebrating South Africa's Heritage Day, was an exhibition in the  gallery of South African artist Zakes Mda's collection of collages, <i>Washboards and Mirrors</i>  </p><p><strong>Zakes Mda</strong> is the pen name of Zanemvula Kizito Gatyeni Mda. Born in South Africa, the writer, painter, and composer also has roots in Lesotho and Ohio. He holds an MFA (Theater) and an MA (Telecommunications) from Ohio University, and a Ph.D. from the University of Cape Town.</p><p>He has published 22 books, 10 of which are novels and the rest collections of plays, poetry, and a monograph on the theory and practice of theater-for-development. His novel <i>Cion</i>, set in southeast Ohio, was nominated for the NAACP Image Award. His memoir <i>Sometimes There Is a Void: Memoirs of an Outsider</i> was published by Farrar, Straus and Giroux and was a <i>New York Times</i> Notable Book for 2012.</p><p>Zakes Mda commutes between the US, where he is Professor Emeritus of English at Ohio University, and South Africa, where he is Extraordinary Professor of English at the University of the Western Cape; a beekeeper in the Eastern Cape (running a project he established in 2000 with rural women); and a director of NeoZane, a publishing house and animation film production company based in Johannesburg.</p><p><a href="https://elizabethhoward.com" target="_blank"><strong>Elizabeth Howard</strong> </a>is the host and the producer of the Short Fuse Podcast. She has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.  As the host of the Short Fuse she engages individuals in lively and provocative conversations around the arts: dance, theater, literature, music and film. </p><p><a href="https://artsfuse.org">The Arts Fuse</a> was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts.</p><p><strong>Alex Waters</strong> is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own, as well as writes music and records for independent artists such as The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing <a href="mailto:alexwatersmusic12@gmail.com">alexwatersmusic12@gmail.com</a>.</p>
]]></content:encoded>
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      <itunes:title>Zakes Mda&apos;s Washboards and MIrrors at the South African Cultural Center</itunes:title>
      <itunes:author>Alex Waters - Editor</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/30587745-54aa-444e-8d27-af46e66d542b/3000x3000/img-3331.jpg?aid=rss_feed"/>
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Washboards and Mirrors, the Collages of Zakes Mda was the inaugural exhibition in the South African Cultural Center in New York City in September, before traveling to Pretoria. Professor Mda was in New York to celebrate South Africa&apos;s National Heritage Day and to speak at the official launch of the South African Cultural Center. He talked with Elizabeth Howard about his paintings, his two books published during October in South Africa, and his play that just closed in London.

</itunes:summary>
      <itunes:subtitle>
Washboards and Mirrors, the Collages of Zakes Mda was the inaugural exhibition in the South African Cultural Center in New York City in September, before traveling to Pretoria. Professor Mda was in New York to celebrate South Africa&apos;s National Heritage Day and to speak at the official launch of the South African Cultural Center. He talked with Elizabeth Howard about his paintings, his two books published during October in South Africa, and his play that just closed in London.

</itunes:subtitle>
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      <title>Film About a Father Who</title>
      <description><![CDATA[<p> </p><p><a href="https://www.lynnesachs.com/"><strong>Lynne Sachs</strong> </a>is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.</p><p>Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including <i>Tip of My Tongue</i>, <i>Your Day is My Night</i>, <i>Investigation of a Flame, </i>and<i> Which Way is East</i>). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.</p><p>Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book <i>Year by Year Poems</i>. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  </p><p>Lynne's films are now available on the<a href="https://criterionchannel.com/"> Criterion Channel.</a><br /> </p><p><a href="https://www.stephenvitiello.com/ "><strong>STEPHEN VITIELLO (MUSIC)</strong></a><strong>:</strong></p><p>Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art. </p><p> </p><p><strong>ALEX WATERS (PRODUCER):</strong></p><p>Alex Waters is a media and music producer. He  has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.</p>
]]></description>
      <pubDate>Tue, 12 Oct 2021 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters: Producer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p> </p><p><a href="https://www.lynnesachs.com/"><strong>Lynne Sachs</strong> </a>is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.</p><p>Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including <i>Tip of My Tongue</i>, <i>Your Day is My Night</i>, <i>Investigation of a Flame, </i>and<i> Which Way is East</i>). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.</p><p>Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book <i>Year by Year Poems</i>. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  </p><p>Lynne's films are now available on the<a href="https://criterionchannel.com/"> Criterion Channel.</a><br /> </p><p><a href="https://www.stephenvitiello.com/ "><strong>STEPHEN VITIELLO (MUSIC)</strong></a><strong>:</strong></p><p>Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art. </p><p> </p><p><strong>ALEX WATERS (PRODUCER):</strong></p><p>Alex Waters is a media and music producer. He  has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.</p>
]]></content:encoded>
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      <itunes:title>Film About a Father Who</itunes:title>
      <itunes:author>Alex Waters: Producer</itunes:author>
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      <itunes:summary>Filmmaker, poet, and educator Lynne Sachs in conversation with host Elizabeth Howard about her work, particularly her Film About a Father Who. The documentary probes a fragmented family, both bound and roiled by a secretive father’s serial love affairs and marriages, and his children’s struggle to make sense of their lives, as well as their relationships with one another. Sachs’s films blend many forms  — essay, collage, performance, and documentary. Film About a Father Who is streaming as part of the Directed by Lynne Sachs series on the Criterion Channel.
</itunes:summary>
      <itunes:subtitle>Filmmaker, poet, and educator Lynne Sachs in conversation with host Elizabeth Howard about her work, particularly her Film About a Father Who. The documentary probes a fragmented family, both bound and roiled by a secretive father’s serial love affairs and marriages, and his children’s struggle to make sense of their lives, as well as their relationships with one another. Sachs’s films blend many forms  — essay, collage, performance, and documentary. Film About a Father Who is streaming as part of the Directed by Lynne Sachs series on the Criterion Channel.
</itunes:subtitle>
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      <title>Bloodlines, Punk Picks and Other Delights</title>
      <description><![CDATA[<p><a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjV2_-fspPzAhU6EVkFHduoBRAQ_Bd6BAhWEAQ&url=http%3A%2F%2Fpetron.io%2F&usg=AOvVaw2j5fTapChbmnDHqYGYrNSd"><strong>Stephen Petronio</strong></a> is a choreographer, dancer, and the artistic director of the Stephen Petronio Company. </p><p>Stephen has created over 35 works for his company and has been commissioned by some of the world’s most prestigious modern and ballet companies, including William Forsythe’s Ballet Frankfurt (1987), Deutsche Opera Berlin (1992), Lyon Opera Ballet (1994), Maggio Danza Florence (1996), Sydney Dance Company (2003, full evening), Norrdans (2006), the Washington Ballet (2007), The Scottish Ballet (2007), and two works for National Dance Company Wales (2010 and 2013). Over his career, Petronio has collaborated with a wide range of artists in many disciplines. Collaborators include some of the most talented and provocative artists in the world: composers Valgeir Sigurðsson, Nico Muhly, Rufus Wainwright, Lou Reed, Laurie Anderson, and Peter Gordon; visual artists Robert Longo, Cindy Sherman, Anish Kapoor, Donald Baechler, and Janine Antoni; fashion designers Narciso Rodriguez, John Bartlett, Benjamin Cho, and Leigh Bowery.</p><p>Stephen Petronio's  training originated with leading figures of the Judson era, performed Man Walking Down the Side of a Building in 2010 for Trisha Brown Company at the Whitney Museum, and performed his 2012 rendition of Steve Paxton’s Intravenous Lecture (1970) in New York, Portland, and at the TEDMED-2012 conference at the Kennedy Center Opera House in Washington, DC. Petronio received the distinction of being named the first Artist-in-Residence at The Joyce Theater from 2012 to 2014. He has been entangled with visual artist Janine Antoni in a number of discipline-blurring projects, including the video installation Honey Baby (2013), created in collaboration with composer Tom Laurie and filmmaker Kirsten Johnson, and most recently Ally, in collaboration with Anna Halprin and Adrian Heathfield, which premiered at The Fabric Workshop and Museum in Philadelphia in summer of 2016. Petronio and Antoni were the 2017 McCormack Artists in Residence at Skidmore college, where they showed their series of installations, Entangle. Most recently, he was commissioned by The Juilliard School to set a work, #PrayerForNow, on their fourth year students for the New Dances Edition 2019. Petronio’s memoir, Confessions of a Motion Addict, is available at <a href="https://www.amazon.com/Confessions-Motion-Addict-Stephen-Petronio/dp/1492736546">Amazon.com</a>. </p><p> </p><p><a href="https://www.movementwithoutborders.com/"><strong>Movement Without Borders Festival</strong></a> - October 2, 2021 - Ernesto Breton performing Rudy Perez's <i>Coverage Revisited. </i></p><p><a href="https://www.nycitycenter.org/pdps/FallforDance/"><strong>Fall For Dance</strong></a><strong> </strong>- October 15 & 16, 2021 - New York City Center - SPC performing <i>American Landscapes</i> (2019). </p><p><a href="https://www.broadwayworld.com/off-broadway/article/La-MaMa-Announces-2021-2022-Season-20010101"><strong>Petronio Punk Picks and Other Delights</strong></a> - November 18-21 - La MaMa - SPC revives a series of solos and duets from Stephen's formative days coming up in the East Village and invites Bloodlines(future) artist Johnnie Cruise Mercer to the stage.</p><p> </p><p><strong>Alex Waters:</strong></p><p>Alex Waters is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own music, as well as writing and recording for dependent artists such as The Living. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.</p>
]]></description>
      <pubDate>Tue, 28 Sep 2021 09:30:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Alex Waters: Producer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjV2_-fspPzAhU6EVkFHduoBRAQ_Bd6BAhWEAQ&url=http%3A%2F%2Fpetron.io%2F&usg=AOvVaw2j5fTapChbmnDHqYGYrNSd"><strong>Stephen Petronio</strong></a> is a choreographer, dancer, and the artistic director of the Stephen Petronio Company. </p><p>Stephen has created over 35 works for his company and has been commissioned by some of the world’s most prestigious modern and ballet companies, including William Forsythe’s Ballet Frankfurt (1987), Deutsche Opera Berlin (1992), Lyon Opera Ballet (1994), Maggio Danza Florence (1996), Sydney Dance Company (2003, full evening), Norrdans (2006), the Washington Ballet (2007), The Scottish Ballet (2007), and two works for National Dance Company Wales (2010 and 2013). Over his career, Petronio has collaborated with a wide range of artists in many disciplines. Collaborators include some of the most talented and provocative artists in the world: composers Valgeir Sigurðsson, Nico Muhly, Rufus Wainwright, Lou Reed, Laurie Anderson, and Peter Gordon; visual artists Robert Longo, Cindy Sherman, Anish Kapoor, Donald Baechler, and Janine Antoni; fashion designers Narciso Rodriguez, John Bartlett, Benjamin Cho, and Leigh Bowery.</p><p>Stephen Petronio's  training originated with leading figures of the Judson era, performed Man Walking Down the Side of a Building in 2010 for Trisha Brown Company at the Whitney Museum, and performed his 2012 rendition of Steve Paxton’s Intravenous Lecture (1970) in New York, Portland, and at the TEDMED-2012 conference at the Kennedy Center Opera House in Washington, DC. Petronio received the distinction of being named the first Artist-in-Residence at The Joyce Theater from 2012 to 2014. He has been entangled with visual artist Janine Antoni in a number of discipline-blurring projects, including the video installation Honey Baby (2013), created in collaboration with composer Tom Laurie and filmmaker Kirsten Johnson, and most recently Ally, in collaboration with Anna Halprin and Adrian Heathfield, which premiered at The Fabric Workshop and Museum in Philadelphia in summer of 2016. Petronio and Antoni were the 2017 McCormack Artists in Residence at Skidmore college, where they showed their series of installations, Entangle. Most recently, he was commissioned by The Juilliard School to set a work, #PrayerForNow, on their fourth year students for the New Dances Edition 2019. Petronio’s memoir, Confessions of a Motion Addict, is available at <a href="https://www.amazon.com/Confessions-Motion-Addict-Stephen-Petronio/dp/1492736546">Amazon.com</a>. </p><p> </p><p><a href="https://www.movementwithoutborders.com/"><strong>Movement Without Borders Festival</strong></a> - October 2, 2021 - Ernesto Breton performing Rudy Perez's <i>Coverage Revisited. </i></p><p><a href="https://www.nycitycenter.org/pdps/FallforDance/"><strong>Fall For Dance</strong></a><strong> </strong>- October 15 & 16, 2021 - New York City Center - SPC performing <i>American Landscapes</i> (2019). </p><p><a href="https://www.broadwayworld.com/off-broadway/article/La-MaMa-Announces-2021-2022-Season-20010101"><strong>Petronio Punk Picks and Other Delights</strong></a> - November 18-21 - La MaMa - SPC revives a series of solos and duets from Stephen's formative days coming up in the East Village and invites Bloodlines(future) artist Johnnie Cruise Mercer to the stage.</p><p> </p><p><strong>Alex Waters:</strong></p><p>Alex Waters is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own music, as well as writing and recording for dependent artists such as The Living. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.</p>
]]></content:encoded>
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      <itunes:title>Bloodlines, Punk Picks and Other Delights</itunes:title>
      <itunes:author>Alex Waters: Producer</itunes:author>
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      <itunes:summary>Stephen Petronio, choreographer, dancer and the artistic director of the Stephen Petronio Company, has honed a unique language of movement that speaks to the intuitive and complex possibilities of the body, informed by its shifting cultural context. As innovator in the dance community he has created Crows Nest, a residency for dancers and BLOODLINES, an initiative to honor an incomparable lineage of American postmodern dance masters. </itunes:summary>
      <itunes:subtitle>Stephen Petronio, choreographer, dancer and the artistic director of the Stephen Petronio Company, has honed a unique language of movement that speaks to the intuitive and complex possibilities of the body, informed by its shifting cultural context. As innovator in the dance community he has created Crows Nest, a residency for dancers and BLOODLINES, an initiative to honor an incomparable lineage of American postmodern dance masters. </itunes:subtitle>
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      <title>Poetry</title>
      <description><![CDATA[<p><strong>Kyle Dacuyan</strong> is a poet, performer, and translator. His poem have appeared in <i>DIAGRAM</i>, <i>Lambda Literary</i>, <i>Foundry</i>, and <i>Best New Poets</i>, among other places. He is the recipient of scholarships from Poets House, the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and the Academy of American Poets. Prior to joining The Poetry Project, he served as co-director of National Outreach and Membership at PEN America, where he led the launch of a nationwide community engagement fund for writers. Previously, he served as associate director at the Antiquarian Booksellers’ Association of America.</p><p><a href="https://www.poetryproject.org/">The Poetry Project</a></p><p><a href="https://poets.org/">American Academy of Poets</a></p><p><a href="https://stmarksbowery.org/">St. Mark's in the Bowery Church</a></p><p><a href="https://www.poetryfoundation.org/">Poetry Foundation</a></p><p><a href="https://www.theparisreview.org/">The Paris Review </a></p><p><a href="https://www.omiami.org/">O, Miami</a></p><p><a href="https://www.linkedin.com/in/kyle-lee-57139b6a/">Kyle Lee</a> is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as <a href="https://open.spotify.com/episode/1JHjPzSqQJz8NEcC6Letdi?si=_3M-NWKdQ1SAv401Eqs9Pg&dl_branch=1">The Daily Arrow</a>, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at <a href="https://www.instagram.com/kyleburtonlee/">@kyleburtonlee</a> on Instagram and Twitter.</p><p><a href="https://www.linkedin.com/in/gilda-geist-15169617a/" target="_blank">Gilda Geist</a> is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, <a href="https://dashboard.simplecast.com/accounts/022c5eb0-f90e-4d7e-be4b-67bba2ae3079/shows/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/9c932e4d-4d00-4d03-9c24-b97774b9e4f6/thejustice.org" target="_blank">The Justice</a>, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts. </p><p>The Short Fuse Podcast is produced by <a href="https://artsfuse.org/">the Arts Fuse</a>.</p>
]]></description>
      <pubDate>Tue, 17 Aug 2021 09:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Kyle Lee: Producer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Kyle Dacuyan</strong> is a poet, performer, and translator. His poem have appeared in <i>DIAGRAM</i>, <i>Lambda Literary</i>, <i>Foundry</i>, and <i>Best New Poets</i>, among other places. He is the recipient of scholarships from Poets House, the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and the Academy of American Poets. Prior to joining The Poetry Project, he served as co-director of National Outreach and Membership at PEN America, where he led the launch of a nationwide community engagement fund for writers. Previously, he served as associate director at the Antiquarian Booksellers’ Association of America.</p><p><a href="https://www.poetryproject.org/">The Poetry Project</a></p><p><a href="https://poets.org/">American Academy of Poets</a></p><p><a href="https://stmarksbowery.org/">St. Mark's in the Bowery Church</a></p><p><a href="https://www.poetryfoundation.org/">Poetry Foundation</a></p><p><a href="https://www.theparisreview.org/">The Paris Review </a></p><p><a href="https://www.omiami.org/">O, Miami</a></p><p><a href="https://www.linkedin.com/in/kyle-lee-57139b6a/">Kyle Lee</a> is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as <a href="https://open.spotify.com/episode/1JHjPzSqQJz8NEcC6Letdi?si=_3M-NWKdQ1SAv401Eqs9Pg&dl_branch=1">The Daily Arrow</a>, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at <a href="https://www.instagram.com/kyleburtonlee/">@kyleburtonlee</a> on Instagram and Twitter.</p><p><a href="https://www.linkedin.com/in/gilda-geist-15169617a/" target="_blank">Gilda Geist</a> is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, <a href="https://dashboard.simplecast.com/accounts/022c5eb0-f90e-4d7e-be4b-67bba2ae3079/shows/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/9c932e4d-4d00-4d03-9c24-b97774b9e4f6/thejustice.org" target="_blank">The Justice</a>, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts. </p><p>The Short Fuse Podcast is produced by <a href="https://artsfuse.org/">the Arts Fuse</a>.</p>
]]></content:encoded>
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      <itunes:title>Poetry</itunes:title>
      <itunes:author>Kyle Lee: Producer</itunes:author>
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      <itunes:summary>Kyle Ducayan writes poems, makes performances and is the executive director of the Poetry Project at St. Mark&apos;s Church in the Bowery. In this conversation with Elizabeth Howard, Kyle reflects on what poetry is for, who is a poet and how one becomes a poet. He reads two original poems: &quot;Doesn&apos;t It All Go to Vinegar Margaret?&quot; and &quot;Music for a Small Group of People.&quot;</itunes:summary>
      <itunes:subtitle>Kyle Ducayan writes poems, makes performances and is the executive director of the Poetry Project at St. Mark&apos;s Church in the Bowery. In this conversation with Elizabeth Howard, Kyle reflects on what poetry is for, who is a poet and how one becomes a poet. He reads two original poems: &quot;Doesn&apos;t It All Go to Vinegar Margaret?&quot; and &quot;Music for a Small Group of People.&quot;</itunes:subtitle>
      <itunes:keywords>poetry, poetry performance, the paris review, elizabeth bishop, poetry foundation of america, poetry underground, poetry podcast, poetry unbound, poems, arts, poetry in motion, literary criticism, st. mark&apos;s, ugly duckling press, the new yorker, on being, poets, poets on instagram, poetry project, brooklyn rail, sewanee, amanda gorman, t s eliot, the arts fuse, bowery poets, st. mark&apos;s church in the bowery, poets and writers magazine, turtle point press, library of america, poetry month, slam poetry, poets&apos; house, performance art, donald hall, poetry reading, danspace, pen america, elizabeth howard</itunes:keywords>
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      <itunes:episode>44</itunes:episode>
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      <title>Promise Witness Remembrance</title>
      <description><![CDATA[<p><a href="https://www.promisewitnessremembrance.org/about/"><i>Promise, Witness, Remembrance</i></a>  (on view from April 6 to June 11, 2021) at the <a href="https://www.speedmuseum.org/">Speed Art Museum</a> in Louisville, Kentucky, was curated by Allison Glenn and reflects on the life of Breonna Taylor, her killing in 2020, and the year of protests that followed. The exhibition is organized around the three words of its title, which emerged from a conversation between curator Allison Glenn and Tamika Palmer, mother of Breonna Taylor, during the exhibition’s planning.</p><p>In "Promise," artists explore ideologies of the United States  through the symbols that uphold it, reflecting on the nation’s founding, history, and the promises and realities, both implicit and explicit, contained within them. In "Witness," they address the contemporary moment, building upon the gap between what a nation promises and what it provides through artworks that explore ideas of resistance across time, form, and context. In "Remembrance," they address gun violence and police brutality, their victims, and their legacies.</p><p>The death of <a href="https://www.nytimes.com/2020/12/29/us/louisville-officer-fired-jaynes-breonna-taylor.html">Breonna Taylor</a>, a Black medical worker who was shot and killed by Louisville police officers in March 2020 during a botched raid on her apartment, has been one of the main drivers of wide-scale demonstrations that erupted in the spring and summer over policing and racial injustice in the United States.</p><p>A grand jury in September indicted <strong> </strong>a former Louisville detective involved in the raid, Brett Hankison, for wanton endangerment of neighbors whose apartment was hit when he fired without a clear line of sight into the sliding glass patio door and window of Ms. Taylor’s apartment. He pleaded not guilty. No charges were announced against the other two officers who fired shots, and no one was charged for causing Ms. Taylor’s death</p><p><strong>Stephen Reily</strong> served as the Director of the Speed Art Museum from April 2017 to June 2021. He is a successful entrepreneur, civic leader, lawyer, and supporter of the arts in building a stronger community. A longtime supporter of the Speed, he served on its Board for 10 years, including several years as Chair of both the Museum’s Long-Range Planning Committee and its Curatorial Committee. </p><p>For four years, Stephen served as Chair and Co-Chair of the Board of Directors of the Creative Capital Foundation, a national grant maker in the arts. He has served as the Chair of the Greater Louisville Project and is a member of the Boards of the Louisville Urban League and the J. Graham Brown Foundation. He also founded Seed Capital Kentucky, a non-profit focused on building a more sustainable future for Kentucky’s farmers.</p><p>As an entrepreneur Reily foundeD IMC, a global leader in brand licensing that has generated over $3 billion in consumer product sales for the Fortune 500 brands it represents. He is also the co-founder of ClickHer, a mobile app publisher, and SUM180,  a digital financial planning service purchased by FlexWage. a national provider of financial wellness solutions. After graduating from Stanford Law School, Stephen clerked for Justice John Paul Stevens on the U.S. Supreme Court.  A native of New Orleans, he is married to historian Emily Bingham and they have 3 children.</p><p><strong>Promise, Witness, Remembrance contributing artists:</strong></p><p>Terry Adkins</p><p>Noel W Anderson</p><p>Erik Branch</p><p>Xavier Burrell</p><p>María Magdalena Campos-Pons</p><p>Nick Cave</p><p>Jon P. Cherry</p><p>Bethany Collins</p><p>Theaster Gates</p><p>Tyler Gerth</p><p>Sam Gilliam</p><p>Jon-Sesrie Goff</p><p>Ed Hamilton</p><p>Kerry James Marshall</p><p>Rashid Johnson</p><p>Kahlil Joseph</p><p>Glenn Ligon</p><p>Amy Sherald</p><p>Lorna Simpson</p><p>Nari Ward</p><p>Hank Willis Thomas</p><p>Alisha Wormsley</p><p>T.A. Yero</p><p> </p><p><strong>Curator</strong></p><p><strong>Allison M. Glenn</strong> is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art. Glenn works across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Since joining Crystal Bridges in 2018, she has worked with artists at all stages of their careers around themes of history, temporality, language, site, and identity.</p><p> </p><p><strong>Community Engagement Strategist and Chair of the National Steering Committee for Promise, Witness, Remembrance</strong></p><p><strong>Toya Northington</strong> graduated with a Fine Art degree from Georgia State University and also holds a MSc in Social Work from the University of Louisville. She has exhibited in group and solo exhibitions in Georgia and Kentucky, and has recently been involved in a number of public art projects in Louisville. Working in mixed media and across disciplines, Toya speaks of her work as pushing back at societal expectations, as an act of resistance. As a feminist and social activist she states, “my work is an acknowledgment of traumas too often experienced by women and a means to foster healing and resilience from them.” Toya is the recipient of Art Meets Activism, Artist Enrichment, and The Special grants from the Kentucky Foundation for Women. In 2012 she founded artThrust a youth, art-based, mental health and social justice organization that empowers youth through art. She is currently the Community Engagement Strategist at the Speed Art Museum.</p><p> </p><p><strong>Music for the Short Fuse Podcast</strong></p><p><a href="https://jeannineotis.com/music-recordings/"><strong>Jeannine Otis</strong></a> recorded the music for this episode of the Short Fuse Podcast. <a href="https://open.spotify.com/artist/0wE7QGcgpfB9RGqwobRY4J?si=BdUBcvQSTfK8hlyInZ7n_w&dl_branch=1">Music</a> has been a part of Jeannine’s life since she was born. Having a mother who was a Musical Director and a family that includes the Jones Brothers Hank, Thad, and Elvin formed the basis of exposure to music that began a career that started with Jeannine’s debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.</p><p>She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.</p><p>She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN’ at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.</p><p>She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production’s version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.</p><p>Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts.</p><p> </p><p><strong>Behind the scenes of the Short Fuse Podcast</strong></p><p><a href="https://www.linkedin.com/in/kyle-lee-57139b6a/">Kyle Lee</a> is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as <a href="https://open.spotify.com/episode/1JHjPzSqQJz8NEcC6Letdi?si=_3M-NWKdQ1SAv401Eqs9Pg&dl_branch=1">The Daily Arrow</a>, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at <a href="https://www.instagram.com/kyleburtonlee/">@kyleburtonlee</a> on Instagram and Twitter.</p><p><a href="https://www.linkedin.com/in/gilda-geist-15169617a/" target="_blank">Gilda Geist</a> is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, <a href="https://dashboard.simplecast.com/accounts/022c5eb0-f90e-4d7e-be4b-67bba2ae3079/shows/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/9c932e4d-4d00-4d03-9c24-b97774b9e4f6/thejustice.org" target="_blank">The Justice</a>, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts. </p><p> </p><p><strong>What to listen to next</strong></p><p>If you liked this episode, you'll like our host Elizabeth Howard's conversation with Gioni Massimiliano, Artistic Director of the New Museum. They spoke about the New Museum's exhibit "Grief and Grievance, Art and Mourning in America", which  features the works of 37 Black artists and was conceived of by the late curator Okwui Enwezor. <a href="https://open.spotify.com/episode/6Khsla0rAo6i3PZn0exqce?si=95f84c336bb34bb1">Listen here</a>.</p>
]]></description>
      <pubDate>Tue, 13 Jul 2021 09:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Music:  Jeannine Otis)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.promisewitnessremembrance.org/about/"><i>Promise, Witness, Remembrance</i></a>  (on view from April 6 to June 11, 2021) at the <a href="https://www.speedmuseum.org/">Speed Art Museum</a> in Louisville, Kentucky, was curated by Allison Glenn and reflects on the life of Breonna Taylor, her killing in 2020, and the year of protests that followed. The exhibition is organized around the three words of its title, which emerged from a conversation between curator Allison Glenn and Tamika Palmer, mother of Breonna Taylor, during the exhibition’s planning.</p><p>In "Promise," artists explore ideologies of the United States  through the symbols that uphold it, reflecting on the nation’s founding, history, and the promises and realities, both implicit and explicit, contained within them. In "Witness," they address the contemporary moment, building upon the gap between what a nation promises and what it provides through artworks that explore ideas of resistance across time, form, and context. In "Remembrance," they address gun violence and police brutality, their victims, and their legacies.</p><p>The death of <a href="https://www.nytimes.com/2020/12/29/us/louisville-officer-fired-jaynes-breonna-taylor.html">Breonna Taylor</a>, a Black medical worker who was shot and killed by Louisville police officers in March 2020 during a botched raid on her apartment, has been one of the main drivers of wide-scale demonstrations that erupted in the spring and summer over policing and racial injustice in the United States.</p><p>A grand jury in September indicted <strong> </strong>a former Louisville detective involved in the raid, Brett Hankison, for wanton endangerment of neighbors whose apartment was hit when he fired without a clear line of sight into the sliding glass patio door and window of Ms. Taylor’s apartment. He pleaded not guilty. No charges were announced against the other two officers who fired shots, and no one was charged for causing Ms. Taylor’s death</p><p><strong>Stephen Reily</strong> served as the Director of the Speed Art Museum from April 2017 to June 2021. He is a successful entrepreneur, civic leader, lawyer, and supporter of the arts in building a stronger community. A longtime supporter of the Speed, he served on its Board for 10 years, including several years as Chair of both the Museum’s Long-Range Planning Committee and its Curatorial Committee. </p><p>For four years, Stephen served as Chair and Co-Chair of the Board of Directors of the Creative Capital Foundation, a national grant maker in the arts. He has served as the Chair of the Greater Louisville Project and is a member of the Boards of the Louisville Urban League and the J. Graham Brown Foundation. He also founded Seed Capital Kentucky, a non-profit focused on building a more sustainable future for Kentucky’s farmers.</p><p>As an entrepreneur Reily foundeD IMC, a global leader in brand licensing that has generated over $3 billion in consumer product sales for the Fortune 500 brands it represents. He is also the co-founder of ClickHer, a mobile app publisher, and SUM180,  a digital financial planning service purchased by FlexWage. a national provider of financial wellness solutions. After graduating from Stanford Law School, Stephen clerked for Justice John Paul Stevens on the U.S. Supreme Court.  A native of New Orleans, he is married to historian Emily Bingham and they have 3 children.</p><p><strong>Promise, Witness, Remembrance contributing artists:</strong></p><p>Terry Adkins</p><p>Noel W Anderson</p><p>Erik Branch</p><p>Xavier Burrell</p><p>María Magdalena Campos-Pons</p><p>Nick Cave</p><p>Jon P. Cherry</p><p>Bethany Collins</p><p>Theaster Gates</p><p>Tyler Gerth</p><p>Sam Gilliam</p><p>Jon-Sesrie Goff</p><p>Ed Hamilton</p><p>Kerry James Marshall</p><p>Rashid Johnson</p><p>Kahlil Joseph</p><p>Glenn Ligon</p><p>Amy Sherald</p><p>Lorna Simpson</p><p>Nari Ward</p><p>Hank Willis Thomas</p><p>Alisha Wormsley</p><p>T.A. Yero</p><p> </p><p><strong>Curator</strong></p><p><strong>Allison M. Glenn</strong> is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art. Glenn works across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Since joining Crystal Bridges in 2018, she has worked with artists at all stages of their careers around themes of history, temporality, language, site, and identity.</p><p> </p><p><strong>Community Engagement Strategist and Chair of the National Steering Committee for Promise, Witness, Remembrance</strong></p><p><strong>Toya Northington</strong> graduated with a Fine Art degree from Georgia State University and also holds a MSc in Social Work from the University of Louisville. She has exhibited in group and solo exhibitions in Georgia and Kentucky, and has recently been involved in a number of public art projects in Louisville. Working in mixed media and across disciplines, Toya speaks of her work as pushing back at societal expectations, as an act of resistance. As a feminist and social activist she states, “my work is an acknowledgment of traumas too often experienced by women and a means to foster healing and resilience from them.” Toya is the recipient of Art Meets Activism, Artist Enrichment, and The Special grants from the Kentucky Foundation for Women. In 2012 she founded artThrust a youth, art-based, mental health and social justice organization that empowers youth through art. She is currently the Community Engagement Strategist at the Speed Art Museum.</p><p> </p><p><strong>Music for the Short Fuse Podcast</strong></p><p><a href="https://jeannineotis.com/music-recordings/"><strong>Jeannine Otis</strong></a> recorded the music for this episode of the Short Fuse Podcast. <a href="https://open.spotify.com/artist/0wE7QGcgpfB9RGqwobRY4J?si=BdUBcvQSTfK8hlyInZ7n_w&dl_branch=1">Music</a> has been a part of Jeannine’s life since she was born. Having a mother who was a Musical Director and a family that includes the Jones Brothers Hank, Thad, and Elvin formed the basis of exposure to music that began a career that started with Jeannine’s debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.</p><p>She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.</p><p>She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN’ at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.</p><p>She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production’s version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.</p><p>Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts.</p><p> </p><p><strong>Behind the scenes of the Short Fuse Podcast</strong></p><p><a href="https://www.linkedin.com/in/kyle-lee-57139b6a/">Kyle Lee</a> is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as <a href="https://open.spotify.com/episode/1JHjPzSqQJz8NEcC6Letdi?si=_3M-NWKdQ1SAv401Eqs9Pg&dl_branch=1">The Daily Arrow</a>, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at <a href="https://www.instagram.com/kyleburtonlee/">@kyleburtonlee</a> on Instagram and Twitter.</p><p><a href="https://www.linkedin.com/in/gilda-geist-15169617a/" target="_blank">Gilda Geist</a> is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, <a href="https://dashboard.simplecast.com/accounts/022c5eb0-f90e-4d7e-be4b-67bba2ae3079/shows/439673f5-9ce4-4754-89ba-75d203e9b6f5/episodes/9c932e4d-4d00-4d03-9c24-b97774b9e4f6/thejustice.org" target="_blank">The Justice</a>, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts. </p><p> </p><p><strong>What to listen to next</strong></p><p>If you liked this episode, you'll like our host Elizabeth Howard's conversation with Gioni Massimiliano, Artistic Director of the New Museum. They spoke about the New Museum's exhibit "Grief and Grievance, Art and Mourning in America", which  features the works of 37 Black artists and was conceived of by the late curator Okwui Enwezor. <a href="https://open.spotify.com/episode/6Khsla0rAo6i3PZn0exqce?si=95f84c336bb34bb1">Listen here</a>.</p>
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      <itunes:title>Promise Witness Remembrance</itunes:title>
      <itunes:author>Music:  Jeannine Otis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/dcc86341-cb5c-415b-a9e3-fa54077a1f5e/3000x3000/img-2020.jpg?aid=rss_feed"/>
      <itunes:duration>00:36:41</itunes:duration>
      <itunes:summary>In the latest episode of the Short Fuse Podcast, host Elizabeth Howard is in conversation with Stephen Reily, Director of the Speed Art Museum in Louisville, Kentucky around the exhibition, &quot;Promise, Witness,  Remembrance.&quot;  The exhibition is a memorial to the life of Breonna Taylor and was created to engage the local community of Louisville and to reach out nationally to all of us to think about how to engage in dialogue and conversation around systemic racism, gun violence and police brutality.  

Amy Sherald
Breonna Taylor
2020
Oil on linen
137.2 x 109.2 cm / 54 x 43 inches
© Amy Sherald. 
Courtesy the artist and Hauser &amp; Wirth
Photo: Joseph Hyde</itunes:summary>
      <itunes:subtitle>In the latest episode of the Short Fuse Podcast, host Elizabeth Howard is in conversation with Stephen Reily, Director of the Speed Art Museum in Louisville, Kentucky around the exhibition, &quot;Promise, Witness,  Remembrance.&quot;  The exhibition is a memorial to the life of Breonna Taylor and was created to engage the local community of Louisville and to reach out nationally to all of us to think about how to engage in dialogue and conversation around systemic racism, gun violence and police brutality.  

Amy Sherald
Breonna Taylor
2020
Oil on linen
137.2 x 109.2 cm / 54 x 43 inches
© Amy Sherald. 
Courtesy the artist and Hauser &amp; Wirth
Photo: Joseph Hyde</itunes:subtitle>
      <itunes:keywords>sweet honey in the rocks, louisville kentucky, breonna taylor, speed art museum, crystal bridges museum, hauser and worth, stephen riley, allison m. glenn, 21c hotel/museum, promise witness remembrance, whitney young jr., amy sherald, jeannine otis, lyman johnson</itunes:keywords>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>43</itunes:episode>
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      <title>Finding home through song: A conversation with Naledi Masilo</title>
      <description><![CDATA[<p><a href="https://necmusic.edu">New England Conservatory of Music</a></p><p><a href="http://www.jasonmoran.com">Jason Maron</a></p><p><a href="https://necmusic.edu/faculty/nedelka-prescod">Nedelka F. Prescod</a></p><p><a href="https://www.instagram.com/the.unsilenced.voice.project/?hl=en">The Un-Silenced Voice Project</a></p><p><a href="https://ledistory.wixsite.com/dreaminggirls">Dreaming Girls Foundation</a></p><p><a href="https://saiia.org.za">South African Institute of International Affairs</a></p><p>Naledi Masilo is a vocalist, composer, educator and founder of the Dreaming Girls Foundation, a South African based non-profit. She grew up in Johannesburg  where she cultivated a love for music through backyard jam sessions and endless artistic curiosity. She graduated from the University of Cape Town with a Bachelor of Social Sciences  and received a degree in Jazz Performance from The New England Conservatory (June 2021). </p><p>Naledi has been a resident at the Kennedy Center in Washington, DC through Betty Carter’s Jazz Ahead Program, where she was mentored by individuals including Dee Dee Bridgewater and Jason Moran. She was elected as part of the prestigious South African Standard Bank National Youth Band. </p><p>Naledi moved to Boston to attend the New England Conservatory when she was awarded the Dean’s Scholarship. At the Conservatory she played an important role in bringing forward Black voices as the president of the Black Student Union. She cemented the legacy of alumna Coretta Scott-King, wife of the late Dr. Martin L. King through three annual concerts held in her honor; served on the Diversity, Equity and Inclusion Committee and earned various fellowships and grants from the conservatory.<br /><br />Naledi cultivated a strong relationship with The Boston City Singers (BCS), where she was their premier tour choir conductor and taught electives on vocal technique and South African music. She was also a program director at the YMCA youth center for a music and social justice program. Naledi currently teaches at BCS and Savannah Music Festival Jazz Academy. She also runs her own workshops on jazz, voice techniques and the history and music of South Africa.<br /><br />Naledi founded the Dreaming Girls  Foundation to help women and young girls become leaders and critically conscious members of society. In 2021, a generous grant by the New England Conservatory Entrepreneurial Musicianship Department allowed Dreaming Girls to expand their reach. They collaborated with Her Own Skin and The Unsilenced Voice Project to host a podcast series titled Wathint'abafazi that featured seven young women speaking on their experiences in the music industry. </p><p><a href="https://www.linkedin.com/in/kyle-lee-57139b6a/">Kyle Lee</a> is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as <a href="https://open.spotify.com/episode/1JHjPzSqQJz8NEcC6Letdi?si=_3M-NWKdQ1SAv401Eqs9Pg&dl_branch=1">The Daily Arrow</a>, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at <a href="https://www.instagram.com/kyleburtonlee/">@kyleburtonlee</a> on Instagram and Twitter.</p><p><a href="https://www.linkedin.com/in/gilda-geist-15169617a/" target="_blank">Gilda Geist</a> is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, <a href="thejustice.org" target="_blank">The Justice</a>, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts. </p>
]]></description>
      <pubDate>Tue, 22 Jun 2021 09:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://necmusic.edu">New England Conservatory of Music</a></p><p><a href="http://www.jasonmoran.com">Jason Maron</a></p><p><a href="https://necmusic.edu/faculty/nedelka-prescod">Nedelka F. Prescod</a></p><p><a href="https://www.instagram.com/the.unsilenced.voice.project/?hl=en">The Un-Silenced Voice Project</a></p><p><a href="https://ledistory.wixsite.com/dreaminggirls">Dreaming Girls Foundation</a></p><p><a href="https://saiia.org.za">South African Institute of International Affairs</a></p><p>Naledi Masilo is a vocalist, composer, educator and founder of the Dreaming Girls Foundation, a South African based non-profit. She grew up in Johannesburg  where she cultivated a love for music through backyard jam sessions and endless artistic curiosity. She graduated from the University of Cape Town with a Bachelor of Social Sciences  and received a degree in Jazz Performance from The New England Conservatory (June 2021). </p><p>Naledi has been a resident at the Kennedy Center in Washington, DC through Betty Carter’s Jazz Ahead Program, where she was mentored by individuals including Dee Dee Bridgewater and Jason Moran. She was elected as part of the prestigious South African Standard Bank National Youth Band. </p><p>Naledi moved to Boston to attend the New England Conservatory when she was awarded the Dean’s Scholarship. At the Conservatory she played an important role in bringing forward Black voices as the president of the Black Student Union. She cemented the legacy of alumna Coretta Scott-King, wife of the late Dr. Martin L. King through three annual concerts held in her honor; served on the Diversity, Equity and Inclusion Committee and earned various fellowships and grants from the conservatory.<br /><br />Naledi cultivated a strong relationship with The Boston City Singers (BCS), where she was their premier tour choir conductor and taught electives on vocal technique and South African music. She was also a program director at the YMCA youth center for a music and social justice program. Naledi currently teaches at BCS and Savannah Music Festival Jazz Academy. She also runs her own workshops on jazz, voice techniques and the history and music of South Africa.<br /><br />Naledi founded the Dreaming Girls  Foundation to help women and young girls become leaders and critically conscious members of society. In 2021, a generous grant by the New England Conservatory Entrepreneurial Musicianship Department allowed Dreaming Girls to expand their reach. They collaborated with Her Own Skin and The Unsilenced Voice Project to host a podcast series titled Wathint'abafazi that featured seven young women speaking on their experiences in the music industry. </p><p><a href="https://www.linkedin.com/in/kyle-lee-57139b6a/">Kyle Lee</a> is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as <a href="https://open.spotify.com/episode/1JHjPzSqQJz8NEcC6Letdi?si=_3M-NWKdQ1SAv401Eqs9Pg&dl_branch=1">The Daily Arrow</a>, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at <a href="https://www.instagram.com/kyleburtonlee/">@kyleburtonlee</a> on Instagram and Twitter.</p><p><a href="https://www.linkedin.com/in/gilda-geist-15169617a/" target="_blank">Gilda Geist</a> is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, <a href="thejustice.org" target="_blank">The Justice</a>, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts. </p>
]]></content:encoded>
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      <itunes:title>Finding home through song: A conversation with Naledi Masilo</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/6540d4ad-5403-42dc-92f3-400a38c0ecd7/3000x3000/singing.jpg?aid=rss_feed"/>
      <itunes:duration>00:30:15</itunes:duration>
      <itunes:summary> Naledi Masilo is a South African musician exploring the beauty and power of music and song to expand our sense of place. A recent graduate (June 2021) of Boston&apos;s New England Conservatory of Music, she is examining the concept of home through her family, through her heritage, and as a physical and psychological space. Listening to her music brings James Baldwin&apos;s words in Giovanni&apos;s Room to mind: “Perhaps home is not a place but simply an irrevocable condition.”

</itunes:summary>
      <itunes:subtitle> Naledi Masilo is a South African musician exploring the beauty and power of music and song to expand our sense of place. A recent graduate (June 2021) of Boston&apos;s New England Conservatory of Music, she is examining the concept of home through her family, through her heritage, and as a physical and psychological space. Listening to her music brings James Baldwin&apos;s words in Giovanni&apos;s Room to mind: “Perhaps home is not a place but simply an irrevocable condition.”

</itunes:subtitle>
      <itunes:keywords>naledi misilo, south african institute of international affairs, sarah vaughan, new england conservatory of music, dreaming girls foundation, south african consulate</itunes:keywords>
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      <title>Inviting Readers into a Brightly Lit Room</title>
      <description><![CDATA[<p><a href="https://www.turtlepointpress.com/">Turtle Point Press </a></p><p><a href="https://houseofanansi.com">House of Anansi</a></p><p><a href="https://brooklynbookfestival.org/">Brooklyn Book Festival</a></p><p><a href="https://www.litluz.org/ Lit & Luz Festival">Lit & Luz Festival</a></p><p><a href="http://www.writersbone.com/">Writers Bone </a></p><p><a href="https://otherppl.com/ Otherppl with Brad Listicles">Otherppl with Brad Listi</a></p><p><a href="https://www.dublab.com/djs/paul-holdengraber. ">Paul Holdengraber</a></p><p>Lauren Cerand is a  writer and  arts and literary publicist with twenty years of experience running her own thriving global communications consultancy, based in New York and driven by an intensive personal focus on each client’s needs and desires, a vast network of relationships, and unparalleled expertise and creative ingenuity.</p><p>Recent and current clients for strategic public relations campaigns and representation in 2021 include the authors <a href="https://www.dariengee.com/">Darien Hsu Gee</a>, <a href="https://www.germsatbaybook.com/">Charles Vidich</a>, <a href="https://www.jasminkaur.com/">Jasmin Kaur</a>, <a href="https://arisawhite.com/">Arisa White</a>, <a href="https://alltherestaurants.com/">John Donohue</a>, <a href="http://melissascholesyoung.com/">Melissa Scholes-Young</a>, <a href="http://www.kiacorthron-author.com/index.htm">Kia Corthron</a>, <a href="http://jai-chakrabarti.squarespace.com/">Jai Chakrabarti</a>, <a href="https://www.joycastro.com/">Joy Castro</a>, and the international independent publishers <a href="https://houseofanansi.com/">House of Anansi Press</a> and <a href="https://sandorfpassage.org/">Sandorf Passage.</a></p><p>In July 2019, Lauren took a sabbatical year to immerse herself in the study of jewelry design and creation full-time in Florence, Italy, and learn more about the Italian language and way of life. Her writing while there was published in April 2020 in <a href="https://dininginplace.com/essay/in-isolation-with-lauren-cerand/">Dining in Place</a>, the online food and culture magazine based in Melbourne, and shortlisted for the 2020 <a href="https://gardenmuseum.org.uk/winners-announced-for-the-mollie-salisbury-cup-memoir-competition-2020/">Mollie Salisbury Cup</a> memoir writing competition, administered by the Garden Museum in London. She also wrote about her life with Toscano for a December 2020 feature at <a href="https://www.girlsandtheircats.com/blog/lauren-cerand-and-toscano">Girls and Their Cats</a>.</p><p>You can listen to podcast interviews recorded since September 2020 with Tranquility du Jour (”<a href="https://kimberlywilson.com/podcasts/tranquility-du-jour-512-creative-leap/">A Creative Leap</a>”), Finding Favorites with Leah Jones (”<a href="https://findingfavorites.podbean.com/e/making-jewelry-in-italy-with-lauren-cerand/">Making Jewelry in Italy with Lauren Cerand</a>”), and Lost Ladies of Lit (”<a href="https://www.lostladiesoflit.com/podcast/23-marthe-bibesco-the-green-parrot-with-lauren-cerand">Princess Marthe Bibesco –– The Green Parrot</a>”).</p><p>In April 2021, she was interviewed by Publishers Weekly about “<a href="https://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/86110-how-bookishness-affects-the-book-biz.html">Bookishness</a>,” and was the inaugural guest on Rachel Syme’s Instagram Live show, <a href="https://www.instagram.com/tv/CN8iZQSnIms/?igshid=1po0cwomaemjx">Running on Fumes</a>. Her remembrance of her friend, publisher Giancarlo DiTrapano, was published <a href="https://lithub.com/well-always-have-the-best-day-of-our-lives-remembering-giancarlo-ditrapano/">online</a> at Literary Hub and in print in the spring/summer issue of <a href="https://nwreview.org/"><i>Northwest Review</i></a>. </p><p>Lauren serves on the advisory committee for <a href="https://filmforum.org/">Film Forum </a>and the advisory board for <a href="https://www.turtlepointpress.com/">Turtle Point Press</a> in New York, and is a member of the City University Club in London. She holds a bachelor’s degree in Industrial & Labor Relations from Cornell University, a certificate in Jewelry Design & Marketing from Pratt Institute, and completed the first year of the two-year BFA program at Alchimia Contemporary Jewellery School in Firenze.</p><p> </p><p>The music for this episode is from <strong>Karthik Nair</strong>.  He is a music producer attending the Massachusetts Institute of Technology and creating music under the alias “Ashgreen." Karthik produces electronic music that explores the idea of imagining a space or moment through music. In this piece named “Forest Plucks,” Karthik paints the sonic landscape of a surreal forest captured in the dead of night.</p><p> </p><p><i>Photo: Girls and Their Cats. Web design: Bud Parr. Music: Forest Plucks by Karthnik Nair. All Rights Reserved.</i></p><p> </p>
]]></description>
      <pubDate>Tue, 18 May 2021 12:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Kyle Lee: Producer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.turtlepointpress.com/">Turtle Point Press </a></p><p><a href="https://houseofanansi.com">House of Anansi</a></p><p><a href="https://brooklynbookfestival.org/">Brooklyn Book Festival</a></p><p><a href="https://www.litluz.org/ Lit & Luz Festival">Lit & Luz Festival</a></p><p><a href="http://www.writersbone.com/">Writers Bone </a></p><p><a href="https://otherppl.com/ Otherppl with Brad Listicles">Otherppl with Brad Listi</a></p><p><a href="https://www.dublab.com/djs/paul-holdengraber. ">Paul Holdengraber</a></p><p>Lauren Cerand is a  writer and  arts and literary publicist with twenty years of experience running her own thriving global communications consultancy, based in New York and driven by an intensive personal focus on each client’s needs and desires, a vast network of relationships, and unparalleled expertise and creative ingenuity.</p><p>Recent and current clients for strategic public relations campaigns and representation in 2021 include the authors <a href="https://www.dariengee.com/">Darien Hsu Gee</a>, <a href="https://www.germsatbaybook.com/">Charles Vidich</a>, <a href="https://www.jasminkaur.com/">Jasmin Kaur</a>, <a href="https://arisawhite.com/">Arisa White</a>, <a href="https://alltherestaurants.com/">John Donohue</a>, <a href="http://melissascholesyoung.com/">Melissa Scholes-Young</a>, <a href="http://www.kiacorthron-author.com/index.htm">Kia Corthron</a>, <a href="http://jai-chakrabarti.squarespace.com/">Jai Chakrabarti</a>, <a href="https://www.joycastro.com/">Joy Castro</a>, and the international independent publishers <a href="https://houseofanansi.com/">House of Anansi Press</a> and <a href="https://sandorfpassage.org/">Sandorf Passage.</a></p><p>In July 2019, Lauren took a sabbatical year to immerse herself in the study of jewelry design and creation full-time in Florence, Italy, and learn more about the Italian language and way of life. Her writing while there was published in April 2020 in <a href="https://dininginplace.com/essay/in-isolation-with-lauren-cerand/">Dining in Place</a>, the online food and culture magazine based in Melbourne, and shortlisted for the 2020 <a href="https://gardenmuseum.org.uk/winners-announced-for-the-mollie-salisbury-cup-memoir-competition-2020/">Mollie Salisbury Cup</a> memoir writing competition, administered by the Garden Museum in London. She also wrote about her life with Toscano for a December 2020 feature at <a href="https://www.girlsandtheircats.com/blog/lauren-cerand-and-toscano">Girls and Their Cats</a>.</p><p>You can listen to podcast interviews recorded since September 2020 with Tranquility du Jour (”<a href="https://kimberlywilson.com/podcasts/tranquility-du-jour-512-creative-leap/">A Creative Leap</a>”), Finding Favorites with Leah Jones (”<a href="https://findingfavorites.podbean.com/e/making-jewelry-in-italy-with-lauren-cerand/">Making Jewelry in Italy with Lauren Cerand</a>”), and Lost Ladies of Lit (”<a href="https://www.lostladiesoflit.com/podcast/23-marthe-bibesco-the-green-parrot-with-lauren-cerand">Princess Marthe Bibesco –– The Green Parrot</a>”).</p><p>In April 2021, she was interviewed by Publishers Weekly about “<a href="https://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/86110-how-bookishness-affects-the-book-biz.html">Bookishness</a>,” and was the inaugural guest on Rachel Syme’s Instagram Live show, <a href="https://www.instagram.com/tv/CN8iZQSnIms/?igshid=1po0cwomaemjx">Running on Fumes</a>. Her remembrance of her friend, publisher Giancarlo DiTrapano, was published <a href="https://lithub.com/well-always-have-the-best-day-of-our-lives-remembering-giancarlo-ditrapano/">online</a> at Literary Hub and in print in the spring/summer issue of <a href="https://nwreview.org/"><i>Northwest Review</i></a>. </p><p>Lauren serves on the advisory committee for <a href="https://filmforum.org/">Film Forum </a>and the advisory board for <a href="https://www.turtlepointpress.com/">Turtle Point Press</a> in New York, and is a member of the City University Club in London. She holds a bachelor’s degree in Industrial & Labor Relations from Cornell University, a certificate in Jewelry Design & Marketing from Pratt Institute, and completed the first year of the two-year BFA program at Alchimia Contemporary Jewellery School in Firenze.</p><p> </p><p>The music for this episode is from <strong>Karthik Nair</strong>.  He is a music producer attending the Massachusetts Institute of Technology and creating music under the alias “Ashgreen." Karthik produces electronic music that explores the idea of imagining a space or moment through music. In this piece named “Forest Plucks,” Karthik paints the sonic landscape of a surreal forest captured in the dead of night.</p><p> </p><p><i>Photo: Girls and Their Cats. Web design: Bud Parr. Music: Forest Plucks by Karthnik Nair. All Rights Reserved.</i></p><p> </p>
]]></content:encoded>
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      <itunes:title>Inviting Readers into a Brightly Lit Room</itunes:title>
      <itunes:author>Kyle Lee: Producer</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/b18020ec-4497-4b31-a6b1-1c0b72b86a2f/3000x3000/unknown-1.jpg?aid=rss_feed"/>
      <itunes:duration>00:41:59</itunes:duration>
      <itunes:summary>Lauren Cerand, a writer and celebrated arts and literary publicist, shares her insights into bringing readers into &quot;a brightly lit room.&quot;  Book sales are up, but indie bookstores are struggling. Lauren suggests ways to promote new titles, particularly those published by independent presses or written by emerging authors. She reflects on how bookstores, through bold new thinking, can become the cultural magnets in communities across the country.
</itunes:summary>
      <itunes:subtitle>Lauren Cerand, a writer and celebrated arts and literary publicist, shares her insights into bringing readers into &quot;a brightly lit room.&quot;  Book sales are up, but indie bookstores are struggling. Lauren suggests ways to promote new titles, particularly those published by independent presses or written by emerging authors. She reflects on how bookstores, through bold new thinking, can become the cultural magnets in communities across the country.
</itunes:subtitle>
      <itunes:keywords>darien hsuan gee, otherppl, writers bone, paul holdengraber, lauren cerand, a public space, house of anansi., lit &amp; luz festival, turtle point press, library of america, turner publishing, brooklyn book festival, arise white, legacy isle publishing</itunes:keywords>
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      <itunes:episode>41</itunes:episode>
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      <title>Seeing Silicon Valley: the Fraying of Life in America</title>
      <description><![CDATA[<p><a href="http://www.citylights.com/info/?fa=event&event_id=3788">City Lights Bookstore </a></p><p>Mary Beth Meehan and  Fred Turner launch <i>Seeing Silicon Valley, </i> Monday, May 3, 2021, 6:00 p.m. PT / 9:00 ET, through a virtual Zoom platform event hosted by City Lights Bookstore. </p><p><a href="https://members.griffinmuseum.org/events/EventDetails.aspx?id=1509428&group=">Griffin Museum of Photography,</a> Boston, Massachusetts </p><p>Event on May 13, 2021 at 7:00 ET</p><p><a href="https://www.marybethmeehan.com/portfolio/newnan-installation/">Mary Beth Meehan</a>, is a distinguished  photographer known for her large-scale community-based portraiture. </p><p><a href="https://comm.stanford.edu/faculty-turner/">Fred Turner </a>  is the Harry and Norman Chandler Professor of Communication at Stanford University and author of  <a href="http://fredturner.stanford.edu/books/from-counterculture-to-cyberculture/" target="_blank"><i>From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism</i></a> (Chicago, 2006) among other books.</p><p>Read <strong>Peter Walsh's </strong> review of <i>Seeing Silicon Valley </i>in the <a href="https://artsfuse.org/227474/visual-arts-review-seeing-silicon-valley-our-future-dystopia/">Arts Fuse.</a></p><p><a href="https://nathanmoody.bandcamp.com">Nathan Moody</a>  composed the music for this episode.  The song is  "Sonnenaufgang" from the album Future Rituals. <br />  <br /><a href="https://bookshop.org/books/seeing-silicon-valley-life-inside-a-fraying-america/9780226786483">Buy the book!</a></p>
]]></description>
      <pubDate>Thu, 29 Apr 2021 10:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Kyle Lee: Producer, &quot;Sonnenaufgang&quot; (from the album Future Rituals))</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="http://www.citylights.com/info/?fa=event&event_id=3788">City Lights Bookstore </a></p><p>Mary Beth Meehan and  Fred Turner launch <i>Seeing Silicon Valley, </i> Monday, May 3, 2021, 6:00 p.m. PT / 9:00 ET, through a virtual Zoom platform event hosted by City Lights Bookstore. </p><p><a href="https://members.griffinmuseum.org/events/EventDetails.aspx?id=1509428&group=">Griffin Museum of Photography,</a> Boston, Massachusetts </p><p>Event on May 13, 2021 at 7:00 ET</p><p><a href="https://www.marybethmeehan.com/portfolio/newnan-installation/">Mary Beth Meehan</a>, is a distinguished  photographer known for her large-scale community-based portraiture. </p><p><a href="https://comm.stanford.edu/faculty-turner/">Fred Turner </a>  is the Harry and Norman Chandler Professor of Communication at Stanford University and author of  <a href="http://fredturner.stanford.edu/books/from-counterculture-to-cyberculture/" target="_blank"><i>From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism</i></a> (Chicago, 2006) among other books.</p><p>Read <strong>Peter Walsh's </strong> review of <i>Seeing Silicon Valley </i>in the <a href="https://artsfuse.org/227474/visual-arts-review-seeing-silicon-valley-our-future-dystopia/">Arts Fuse.</a></p><p><a href="https://nathanmoody.bandcamp.com">Nathan Moody</a>  composed the music for this episode.  The song is  "Sonnenaufgang" from the album Future Rituals. <br />  <br /><a href="https://bookshop.org/books/seeing-silicon-valley-life-inside-a-fraying-america/9780226786483">Buy the book!</a></p>
]]></content:encoded>
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      <itunes:title>Seeing Silicon Valley: the Fraying of Life in America</itunes:title>
      <itunes:author>Kyle Lee: Producer, &quot;Sonnenaufgang&quot; (from the album Future Rituals)</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/1977f546-47e3-40e5-8ac2-07ea470e473b/2e6640a3-549d-4f21-b1d5-8317b1aaa868/3000x3000/cristobal.jpg?aid=rss_feed"/>
      <itunes:duration>00:28:27</itunes:duration>
      <itunes:summary>Perception vs. Reality. For many, the words &quot;Silicon Valley&quot; signify the egalitarian opportunities offered by America&apos;s cutting-edge tech industry. Stark reality reveals a much more complicated picture. Growing inequality and an ever rising cost of living are putting pressure on all of the area&apos;s workers: at least seven percent of families live in poverty without access to quality education, health care or housing. 

Fred Turner  and Mary Beth Meehan spotlight these realities in their new book, Seeing Silicon Valley: Life Inside a Fraying America. In a recent conversation with Elizabeth Howard, they talk about the situation they found there, and what it reveals about our country as a whole.</itunes:summary>
      <itunes:subtitle>Perception vs. Reality. For many, the words &quot;Silicon Valley&quot; signify the egalitarian opportunities offered by America&apos;s cutting-edge tech industry. Stark reality reveals a much more complicated picture. Growing inequality and an ever rising cost of living are putting pressure on all of the area&apos;s workers: at least seven percent of families live in poverty without access to quality education, health care or housing. 

Fred Turner  and Mary Beth Meehan spotlight these realities in their new book, Seeing Silicon Valley: Life Inside a Fraying America. In a recent conversation with Elizabeth Howard, they talk about the situation they found there, and what it reveals about our country as a whole.</itunes:subtitle>
      <itunes:keywords>stanford university, griffin museum, indie bookstores, fred turner, city lights bookstore, silicon valley, u of chicago press, elizabeth howard, mary beth meehan</itunes:keywords>
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      <itunes:episode>40</itunes:episode>
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      <title>Cultural Concierge Jesse Kornbluth&apos;s lens on the Oscars</title>
      <description><![CDATA[<p> </p><p>Jesse Kornbluth has written or collaborated on 14 books and a dozen screenplays. He has worked with Paul Newman, Robert De Niro, ABC, PBS, and Warner Bros.   After stints at <i>The New York Times Magazine, New York</i> and <i>Vanity Fair</i>, he discovered the Internet. In 1997, a few months after co-founding <a href="https://www.bookreporter.com/" target="_blank">bookreporter.com</a>, he became editorial director of America Online.   He launched <a href="http://www.headbutler.com/" target="_blank">Head Butler </a>in 2004 as a cultural concierge “for people with more taste than time.” He admits he  thought he would write a few reviews and move on, yet  2,000 reviews later he is still sharing his favorite books, music and products through the week. He is finishing a novel.  His  most recent novel is <i>JFK and</i> <i>Mary Meyer, A Love Story</i> (Skyhorse Publishing, 2020).</p><p> </p><p> </p>
]]></description>
      <pubDate>Mon, 19 Apr 2021 18:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p> </p><p>Jesse Kornbluth has written or collaborated on 14 books and a dozen screenplays. He has worked with Paul Newman, Robert De Niro, ABC, PBS, and Warner Bros.   After stints at <i>The New York Times Magazine, New York</i> and <i>Vanity Fair</i>, he discovered the Internet. In 1997, a few months after co-founding <a href="https://www.bookreporter.com/" target="_blank">bookreporter.com</a>, he became editorial director of America Online.   He launched <a href="http://www.headbutler.com/" target="_blank">Head Butler </a>in 2004 as a cultural concierge “for people with more taste than time.” He admits he  thought he would write a few reviews and move on, yet  2,000 reviews later he is still sharing his favorite books, music and products through the week. He is finishing a novel.  His  most recent novel is <i>JFK and</i> <i>Mary Meyer, A Love Story</i> (Skyhorse Publishing, 2020).</p><p> </p><p> </p>
]]></content:encoded>
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      <itunes:title>Cultural Concierge Jesse Kornbluth&apos;s lens on the Oscars</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>00:34:01</itunes:duration>
      <itunes:summary>Pop a bowl of popcorn, pour coke over a tall glass of ice and listen as Jesse Kornbluth, author of dozens of books and screenplays, in an irreverent and amusing conversation with Elizabeth Howard takes us from the red carpet, as Tina Brown’s date, to what streaming will mean for the Academy Awards. Who will receive the Oscar for best picture? Best actor? What documentary made Bill Gates cry? After 93 years are the Oscars still relevant?  What will people wear during this COVID season?</itunes:summary>
      <itunes:subtitle>Pop a bowl of popcorn, pour coke over a tall glass of ice and listen as Jesse Kornbluth, author of dozens of books and screenplays, in an irreverent and amusing conversation with Elizabeth Howard takes us from the red carpet, as Tina Brown’s date, to what streaming will mean for the Academy Awards. Who will receive the Oscar for best picture? Best actor? What documentary made Bill Gates cry? After 93 years are the Oscars still relevant?  What will people wear during this COVID season?</itunes:subtitle>
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      <title>Massimiliano Gioni, Artistic Director of the New Museum, in conversation around  &quot;Grief and Grievance&quot;</title>
      <description><![CDATA[<p><a href="https://artsfuse.org/224483/visual-arts-review-letter-from-new-york-goya-grief-and-grievance/"><strong>https://artsfuse.org/224483/visual-arts-review-letter-from-new-york-goya-grief-and-grievance/</strong></a></p><p><strong>https://www.newmuseum.org</strong></p><p><strong>Massimiliano Gioni  </strong>is the Edlis Neeson Artistic Director of the New Museum and the director of the Trussardi Foundation, a nomadic museum in Milan  which organizes exhibitions by contemporary artists in forgotten buildings, public monuments and abandoned palazzos across the city.  </p><p>He has curated numerous international exhibitions and biennials including the 55th Venice Biennale (2013), the 8th Gwangju Biennale (2010), the first New Museum Triennial (co-curated with Lauren Cornell and Laura Hoptman in 2009), the 4th Berlin Biennale (co-curated with Maurizio Cattelan and Ali Subotnick in 2006) and Manifesta 5 (co-curated with Marta Kuzma in 2004).</p><p>At the New Museum Massimiliano Gioni has curated  both solo  and group exhibitions. In 2018 in London at The Store X Gioni organized “Strange Days – Memories of the Future”, an anthology of video works originally presented at the New Museum. In 2019 he curated “The Warmth of Other Suns,” a collaboration between the New Museum and the Phillips Collection in Washington DC, and at Museo Jumex in Mexico City he curated “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even”, the first exhibition to bring in dialogue the works of Marcel Duchamp and Jeff Koons – with nearly 500,000 viewers, the exhibition was the most visited in the museum's history.  Since 2015 he has organized the presentations of the Tony and Elham Salame Collection at the Aishti Foundation in Beirut. </p><p>Gioni has contributed to many publications and magazines including <i>Artforum</i>, <i>Flash Art</i> (for which he served as US editor from 1999 to 2003), <i>Frieze</i>, <i>Parkett</i>, <i>Tate Etc.</i>, among others. He co-founded the “Wrong Gallery” with Maurizio Cattelan and Ali Subotnick, with whom he has directed the independent art magazines “The Wrong Times” and “Charley”. He is the commissioning editor of “2000 Words,” a series of monographic books published by the Dakis Joannou Collection/Deste Foundation, with which he has frequently collaborated, co-curating numerous exhibitions in Athens.  </p><p><br /> </p><p><br /> </p><p> </p><p> </p>
]]></description>
      <pubDate>Wed, 14 Apr 2021 12:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://artsfuse.org/224483/visual-arts-review-letter-from-new-york-goya-grief-and-grievance/"><strong>https://artsfuse.org/224483/visual-arts-review-letter-from-new-york-goya-grief-and-grievance/</strong></a></p><p><strong>https://www.newmuseum.org</strong></p><p><strong>Massimiliano Gioni  </strong>is the Edlis Neeson Artistic Director of the New Museum and the director of the Trussardi Foundation, a nomadic museum in Milan  which organizes exhibitions by contemporary artists in forgotten buildings, public monuments and abandoned palazzos across the city.  </p><p>He has curated numerous international exhibitions and biennials including the 55th Venice Biennale (2013), the 8th Gwangju Biennale (2010), the first New Museum Triennial (co-curated with Lauren Cornell and Laura Hoptman in 2009), the 4th Berlin Biennale (co-curated with Maurizio Cattelan and Ali Subotnick in 2006) and Manifesta 5 (co-curated with Marta Kuzma in 2004).</p><p>At the New Museum Massimiliano Gioni has curated  both solo  and group exhibitions. In 2018 in London at The Store X Gioni organized “Strange Days – Memories of the Future”, an anthology of video works originally presented at the New Museum. In 2019 he curated “The Warmth of Other Suns,” a collaboration between the New Museum and the Phillips Collection in Washington DC, and at Museo Jumex in Mexico City he curated “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even”, the first exhibition to bring in dialogue the works of Marcel Duchamp and Jeff Koons – with nearly 500,000 viewers, the exhibition was the most visited in the museum's history.  Since 2015 he has organized the presentations of the Tony and Elham Salame Collection at the Aishti Foundation in Beirut. </p><p>Gioni has contributed to many publications and magazines including <i>Artforum</i>, <i>Flash Art</i> (for which he served as US editor from 1999 to 2003), <i>Frieze</i>, <i>Parkett</i>, <i>Tate Etc.</i>, among others. He co-founded the “Wrong Gallery” with Maurizio Cattelan and Ali Subotnick, with whom he has directed the independent art magazines “The Wrong Times” and “Charley”. He is the commissioning editor of “2000 Words,” a series of monographic books published by the Dakis Joannou Collection/Deste Foundation, with which he has frequently collaborated, co-curating numerous exhibitions in Athens.  </p><p><br /> </p><p><br /> </p><p> </p><p> </p>
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      <itunes:title>Massimiliano Gioni, Artistic Director of the New Museum, in conversation around  &quot;Grief and Grievance&quot;</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>00:46:01</itunes:duration>
      <itunes:summary>Okwui Enwezor, one of the most important curators of our time, conceived the  exhibition &quot;Grief and Grievance:  Art and Mourning in America.&quot;   He died on March 15, 2019 and was unable to follow through with the final planning.  A group of curatorial advisors including Naomi Beckwith, Massimiliano Gioni, Glenn Ligon and Mark Nash collaborated to finalize the exhibition, currently at New York&apos;s New Museum.  </itunes:summary>
      <itunes:subtitle>Okwui Enwezor, one of the most important curators of our time, conceived the  exhibition &quot;Grief and Grievance:  Art and Mourning in America.&quot;   He died on March 15, 2019 and was unable to follow through with the final planning.  A group of curatorial advisors including Naomi Beckwith, Massimiliano Gioni, Glenn Ligon and Mark Nash collaborated to finalize the exhibition, currently at New York&apos;s New Museum.  </itunes:subtitle>
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      <title>Conversation with Neal Goren, conductor and artistic director, Catapult Opera</title>
      <description><![CDATA[<p><a href="https://www.catapultopera.org/vision">https://www.catapultopera.org/vision</a></p><p><strong>Neal Goren</strong> was the founder and artistic director of Gotham Chamber Opera, which popularized and legitimized the formerly ignored genre of chamber opera. Goren’s newest opera venture is Catapult Opera, a new company dedicated to communicating the power of opera through unique internet-based media and world-class live performance. As a recital accompanist, Goren has concertized extensively with Leontyne Price, among others. He is an associate professor at Mannes College, The New School for Music, and a frequent judge of national and international vocal competitions. His writings on opera and the arts have appeared in numerous books and periodicals.</p><p> </p><p>Beyond the Aria:  Artistic Self-Empowerment for the Classical Singer: Why You Want It, Why You Have Been Denied It, and How to Achieve.   (Rowman & Littlefield Publishing Group, Incorporated, 2020).  Beyond the Aria provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in scores. Neal Goren takes readers through a careful reading of clues provided by the librettist and composer, informed by performance practice, and empowers singers to make their own valid artistic choices.  Sample analyses of six standard arias and songs are provided as a guide of characterization.</p><p>   <a href="https://beyondthearia.com">https://beyondthearia.com</a></p><p> </p><img src="https://books.google.com/books/content?id=GINLzQEACAAJ&printsec=frontcover&img=1&zoom=1&imgtk=AFLRE70iCTyEvDdCSDBoJVmT4hAPJymaMNfxBMMnE05hC_Rd1SyZZZ9Lx_SgZ6SjTQTtoqUsRJfO8Hj2neYtsD_Hb59yH_Qp9NHWMUvjG0WiLHu81NB09bOE8alnmLaF_hyY_bEnYhGZ" alt="Front Cover" /><p> </p><p> </p><p> </p><p> </p>
]]></description>
      <pubDate>Wed, 31 Mar 2021 12:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><a href="https://www.catapultopera.org/vision">https://www.catapultopera.org/vision</a></p><p><strong>Neal Goren</strong> was the founder and artistic director of Gotham Chamber Opera, which popularized and legitimized the formerly ignored genre of chamber opera. Goren’s newest opera venture is Catapult Opera, a new company dedicated to communicating the power of opera through unique internet-based media and world-class live performance. As a recital accompanist, Goren has concertized extensively with Leontyne Price, among others. He is an associate professor at Mannes College, The New School for Music, and a frequent judge of national and international vocal competitions. His writings on opera and the arts have appeared in numerous books and periodicals.</p><p> </p><p>Beyond the Aria:  Artistic Self-Empowerment for the Classical Singer: Why You Want It, Why You Have Been Denied It, and How to Achieve.   (Rowman & Littlefield Publishing Group, Incorporated, 2020).  Beyond the Aria provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in scores. Neal Goren takes readers through a careful reading of clues provided by the librettist and composer, informed by performance practice, and empowers singers to make their own valid artistic choices.  Sample analyses of six standard arias and songs are provided as a guide of characterization.</p><p>   <a href="https://beyondthearia.com">https://beyondthearia.com</a></p><p> </p><img src="https://books.google.com/books/content?id=GINLzQEACAAJ&printsec=frontcover&img=1&zoom=1&imgtk=AFLRE70iCTyEvDdCSDBoJVmT4hAPJymaMNfxBMMnE05hC_Rd1SyZZZ9Lx_SgZ6SjTQTtoqUsRJfO8Hj2neYtsD_Hb59yH_Qp9NHWMUvjG0WiLHu81NB09bOE8alnmLaF_hyY_bEnYhGZ" alt="Front Cover" /><p> </p><p> </p><p> </p><p> </p>
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      <itunes:title>Conversation with Neal Goren, conductor and artistic director, Catapult Opera</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
      <itunes:duration>00:37:06</itunes:duration>
      <itunes:summary>Neal Goren, in conversation with Elizabeth Howard, reflects on contemporary opera:  the trends, attracting new audiences and how opera can be adapted for the internet. He shares his vision for Catapult,  the opera company he recently founded, how he became a conductor and shares with us what he tells music students about their future.  </itunes:summary>
      <itunes:subtitle>Neal Goren, in conversation with Elizabeth Howard, reflects on contemporary opera:  the trends, attracting new audiences and how opera can be adapted for the internet. He shares his vision for Catapult,  the opera company he recently founded, how he became a conductor and shares with us what he tells music students about their future.  </itunes:subtitle>
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      <title>S3 E9: An Interview with Merli V. Guerra</title>
      <description><![CDATA[<p>For more about Merli: </p><p><a href="https://www.merliguerra.com/">https://www.merliguerra.com/</a></p><p>Or check out the Luminarium Dance Co.: </p><p><a href="https://www.luminariumdance.org/">https://www.luminariumdance.org/</a></p><p>Just ICYMI, The 2020 Fusical:</p><p><a href="https://www.youtube.com/watch?v=8qdMBcEJtzo" target="_blank">https://www.youtube.com/watch?v=8qdMBcEJtzo</a></p><p>And, if you haven't had a chance to donate to this year's Winter Appeal, you can find that here: <a href="https://artsfuse.org/keep-the-fuse-lit/" target="_blank">https://artsfuse.org/keep-the-fuse-lit/</a></p><p>Stay healthy, safe, and have a Happy New Year!</p>
]]></description>
      <pubDate>Wed, 23 Dec 2020 23:41:27 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, Clifton Hicks, Merli V. Guerra, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>For more about Merli: </p><p><a href="https://www.merliguerra.com/">https://www.merliguerra.com/</a></p><p>Or check out the Luminarium Dance Co.: </p><p><a href="https://www.luminariumdance.org/">https://www.luminariumdance.org/</a></p><p>Just ICYMI, The 2020 Fusical:</p><p><a href="https://www.youtube.com/watch?v=8qdMBcEJtzo" target="_blank">https://www.youtube.com/watch?v=8qdMBcEJtzo</a></p><p>And, if you haven't had a chance to donate to this year's Winter Appeal, you can find that here: <a href="https://artsfuse.org/keep-the-fuse-lit/" target="_blank">https://artsfuse.org/keep-the-fuse-lit/</a></p><p>Stay healthy, safe, and have a Happy New Year!</p>
]]></content:encoded>
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      <itunes:title>S3 E9: An Interview with Merli V. Guerra</itunes:title>
      <itunes:author>Deanna Costa, Clifton Hicks, Merli V. Guerra, DYLIS</itunes:author>
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      <itunes:duration>00:34:51</itunes:duration>
      <itunes:summary>Short Fuse host Deanna Costa is zooming again -- this time with Merli V. Guerra! She&apos;s a multifaceted dancer and Arts Fuse critic, here to tell us about her MFA thesis project. It&apos;s one part art, one part history, and 100% fascinating!</itunes:summary>
      <itunes:subtitle>Short Fuse host Deanna Costa is zooming again -- this time with Merli V. Guerra! She&apos;s a multifaceted dancer and Arts Fuse critic, here to tell us about her MFA thesis project. It&apos;s one part art, one part history, and 100% fascinating!</itunes:subtitle>
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      <title>S3 E8: An Interview with Steve Provizer</title>
      <description><![CDATA[<p>The two critics discuss a pair of Steve's recent reviews, which can be found here: https://artsfuse.org/214258/film-review-toxicity-roulette-1969-2020-and-the-trial-of-the-chicago-7/ and here: https://artsfuse.org/216400/book-review-sittin-in-remembrance-of-jazz-clubs-past/. This episode also features an additional snippet from the 2020 Fusical; this time, musical guest Ryan Lee Crosby takes the stage.</p>
]]></description>
      <pubDate>Mon, 14 Dec 2020 21:45:07 +0000</pubDate>
      <author>theshortfusepod@gmail.com (DYLIS, Deanna Costa, Ryan Lee Crosby, Steve Provizer)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>The two critics discuss a pair of Steve's recent reviews, which can be found here: https://artsfuse.org/214258/film-review-toxicity-roulette-1969-2020-and-the-trial-of-the-chicago-7/ and here: https://artsfuse.org/216400/book-review-sittin-in-remembrance-of-jazz-clubs-past/. This episode also features an additional snippet from the 2020 Fusical; this time, musical guest Ryan Lee Crosby takes the stage.</p>
]]></content:encoded>
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      <itunes:title>S3 E8: An Interview with Steve Provizer</itunes:title>
      <itunes:author>DYLIS, Deanna Costa, Ryan Lee Crosby, Steve Provizer</itunes:author>
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      <itunes:duration>00:34:04</itunes:duration>
      <itunes:summary>Host Deanna Costa interviews another wonderful Fuse contributor, Steve Provizer, on his latest work with the magazine.</itunes:summary>
      <itunes:subtitle>Host Deanna Costa interviews another wonderful Fuse contributor, Steve Provizer, on his latest work with the magazine.</itunes:subtitle>
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      <title>S3 E7: Matt, Bill, and The 2020 Fusical</title>
      <description><![CDATA[<p>Click <a href="https://artsfuse.org/216857/keep-the-arts-fuse-lit-our-winter-appeal/" target="_blank">here</a> to donate to our Winter Appeal! And, click <a href="https://www.eventbrite.com/e/virtual-fusical-tickets-130177704017">here</a> to register for a free ticket to the Fusical on Friday, 12/4 at 7 PM!</p>
]]></description>
      <pubDate>Wed, 2 Dec 2020 23:00:13 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Click <a href="https://artsfuse.org/216857/keep-the-arts-fuse-lit-our-winter-appeal/" target="_blank">here</a> to donate to our Winter Appeal! And, click <a href="https://www.eventbrite.com/e/virtual-fusical-tickets-130177704017">here</a> to register for a free ticket to the Fusical on Friday, 12/4 at 7 PM!</p>
]]></content:encoded>
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      <itunes:title>S3 E7: Matt, Bill, and The 2020 Fusical</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:summary>Host Deanna Costa catches up with Fuse contributor Matt Hanson and our Editor-in-Chief, Bill Marx. The trio discuss this year&apos;s Winter Appeal, recent articles featured in the magazine, as well as the current state of Boston theatre. We also chat about our expanded fundraising efforts this year, including a virtual concert we call The Fusical.</itunes:summary>
      <itunes:subtitle>Host Deanna Costa catches up with Fuse contributor Matt Hanson and our Editor-in-Chief, Bill Marx. The trio discuss this year&apos;s Winter Appeal, recent articles featured in the magazine, as well as the current state of Boston theatre. We also chat about our expanded fundraising efforts this year, including a virtual concert we call The Fusical.</itunes:subtitle>
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      <title>S3 E6: An Interview with Teagan Stewart</title>
      <description><![CDATA[<p>Check out Teagan's music and merch here: https://www.teaganstewartofficial.com</p><p>Or catch up with her on social media: https://www.facebook.com/TeaganStewartMusic + https://twitter.com/teagan_stewart + https://www.youtube.com/user/StarryRoss + https://www.instagram.com/teaganstewartmusic</p><p><i>Taste of My Heartbreak is available now on all streaming platforms.</i></p>
]]></description>
      <pubDate>Mon, 16 Nov 2020 20:40:07 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, Teagan Stewart, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Check out Teagan's music and merch here: https://www.teaganstewartofficial.com</p><p>Or catch up with her on social media: https://www.facebook.com/TeaganStewartMusic + https://twitter.com/teagan_stewart + https://www.youtube.com/user/StarryRoss + https://www.instagram.com/teaganstewartmusic</p><p><i>Taste of My Heartbreak is available now on all streaming platforms.</i></p>
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      <itunes:title>S3 E6: An Interview with Teagan Stewart</itunes:title>
      <itunes:author>Deanna Costa, Teagan Stewart, DYLIS</itunes:author>
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      <itunes:summary>Host Deanna Costa virtually meets with country musician Teagan Stewart to chat about her latest EP and the artistic process involved in its recording. As the conversation continues, the pair get into thoughts on modern country music, an artist&apos;s life amidst a pandemic, surviving the Nashville Tornado, and much more!</itunes:summary>
      <itunes:subtitle>Host Deanna Costa virtually meets with country musician Teagan Stewart to chat about her latest EP and the artistic process involved in its recording. As the conversation continues, the pair get into thoughts on modern country music, an artist&apos;s life amidst a pandemic, surviving the Nashville Tornado, and much more!</itunes:subtitle>
      <itunes:keywords>teagan stewart, politics, singer songwriter, nashville, country, nashville tornado, music, taste of my heartbreak, the short fuse, boston arts, the arts fuse, upcoming singers, new artist, us presidential election, new england, arts podcast, live music, artist interview</itunes:keywords>
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      <title>S3 E5: The Show Must Go On(line)</title>
      <description><![CDATA[<p><strong>Music</strong></p><ul><li>Drive-in Concerts (<a href="https://www.billboard.com/articles/news/concerts/9379646/drive-in-concerts-list-coronavirus">https://www.billboard.com/articles/news/concerts/9379646/drive-in-concerts-list-coronavirus</a>)</li><li>Bubble Music Video (<a href="https://www.designboom.com/design/the-flaming-lips-huge-plastic-bubbles-concert-10-20-2020/">https://www.designboom.com/design/the-flaming-lips-huge-plastic-bubbles-concert-10-20-2020/</a>)</li><li>Livestream Concerts (<a href="https://www.billboard.com/articles/columns/pop/9335531/coronavirus-quarantine-music-events-online-streams">https://www.billboard.com/articles/columns/pop/9335531/coronavirus-quarantine-music-events-online-streams</a>)</li></ul><p><strong>Theatre</strong></p><ul><li><a href="https://www.playbill.com/article/schedule-of-upcoming-and-current-free-live-stream-broadcasts-com-322823">https://www.playbill.com/article/schedule-of-upcoming-and-current-free-live-stream-broadcasts-com-322823</a></li><li><a href="https://www.timeout.com/newyork/theater/the-best-theater-to-watch-online-today-october-22-to-october-28">https://www.timeout.com/newyork/theater/the-best-theater-to-watch-online-today-october-22-to-october-28</a></li></ul><p><strong>Film</strong></p><ul><li>Online Film Festivals/Markets (<a href="https://www.indiewire.com/2020/09/film-festival-market-2020-in-person-online-1202232252/">https://www.indiewire.com/2020/09/film-festival-market-2020-in-person-online-1202232252/</a>)</li></ul><p><strong>Dance</strong></p><ul><li>Dancing Alone Together (<a href="https://dancingalonetogether.org/watch/">https://dancingalonetogether.org/watch/</a>)</li></ul><p><strong>Visual Art</strong></p><ul><li>Virtual Tours (<a href="https://upgradedpoints.com/best-virtual-museum-tours/">https://upgradedpoints.com/best-virtual-museum-tours/</a>)</li></ul><p><strong>Lyrics to Obligated by Pretty Shanks</strong></p><p>Beaten down again, though I would prefer not. The options that are present, leave much to be desired. Still I have to take, what comes with these constraints. It's better to comply than to dwell about it, after all there must be consequences. Every action that you take, must be made with consciousness. It's so easy to just say, that it's you who's not to blame. But really who else would it be? Every time I think I couldn't possibly do wrong I go out of my way just to check myself, and I know that I don't, always catch every mistake. So much for thinking that I had control. It's up to you now, to yourself you are obliged. The choice is your's to make It always has been, why do you look so surprised? You have no room to talk when, there's been so many, opportunities. But you just sat idly by, thinking that there will always be a next time. Excuse after excuse, justifying, why I'm unable, to advance. It's so draining, admitting to yourself, that what you're doing, isn't working. As much as it pains me I can't keep erasing I can't keep evading. The fact that it's on me to adjust, if not now then when? Before any regrets, so I'll take my time. Just not any longer, just not any longer. Source: Musixmatch Songwriters: Vincent Tinsay Obligated Lyrics © Self Published Through Distrokid</p>
]]></description>
      <pubDate>Mon, 26 Oct 2020 22:04:07 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Pretty Shanks, Deanna Costa, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Music</strong></p><ul><li>Drive-in Concerts (<a href="https://www.billboard.com/articles/news/concerts/9379646/drive-in-concerts-list-coronavirus">https://www.billboard.com/articles/news/concerts/9379646/drive-in-concerts-list-coronavirus</a>)</li><li>Bubble Music Video (<a href="https://www.designboom.com/design/the-flaming-lips-huge-plastic-bubbles-concert-10-20-2020/">https://www.designboom.com/design/the-flaming-lips-huge-plastic-bubbles-concert-10-20-2020/</a>)</li><li>Livestream Concerts (<a href="https://www.billboard.com/articles/columns/pop/9335531/coronavirus-quarantine-music-events-online-streams">https://www.billboard.com/articles/columns/pop/9335531/coronavirus-quarantine-music-events-online-streams</a>)</li></ul><p><strong>Theatre</strong></p><ul><li><a href="https://www.playbill.com/article/schedule-of-upcoming-and-current-free-live-stream-broadcasts-com-322823">https://www.playbill.com/article/schedule-of-upcoming-and-current-free-live-stream-broadcasts-com-322823</a></li><li><a href="https://www.timeout.com/newyork/theater/the-best-theater-to-watch-online-today-october-22-to-october-28">https://www.timeout.com/newyork/theater/the-best-theater-to-watch-online-today-october-22-to-october-28</a></li></ul><p><strong>Film</strong></p><ul><li>Online Film Festivals/Markets (<a href="https://www.indiewire.com/2020/09/film-festival-market-2020-in-person-online-1202232252/">https://www.indiewire.com/2020/09/film-festival-market-2020-in-person-online-1202232252/</a>)</li></ul><p><strong>Dance</strong></p><ul><li>Dancing Alone Together (<a href="https://dancingalonetogether.org/watch/">https://dancingalonetogether.org/watch/</a>)</li></ul><p><strong>Visual Art</strong></p><ul><li>Virtual Tours (<a href="https://upgradedpoints.com/best-virtual-museum-tours/">https://upgradedpoints.com/best-virtual-museum-tours/</a>)</li></ul><p><strong>Lyrics to Obligated by Pretty Shanks</strong></p><p>Beaten down again, though I would prefer not. The options that are present, leave much to be desired. Still I have to take, what comes with these constraints. It's better to comply than to dwell about it, after all there must be consequences. Every action that you take, must be made with consciousness. It's so easy to just say, that it's you who's not to blame. But really who else would it be? Every time I think I couldn't possibly do wrong I go out of my way just to check myself, and I know that I don't, always catch every mistake. So much for thinking that I had control. It's up to you now, to yourself you are obliged. The choice is your's to make It always has been, why do you look so surprised? You have no room to talk when, there's been so many, opportunities. But you just sat idly by, thinking that there will always be a next time. Excuse after excuse, justifying, why I'm unable, to advance. It's so draining, admitting to yourself, that what you're doing, isn't working. As much as it pains me I can't keep erasing I can't keep evading. The fact that it's on me to adjust, if not now then when? Before any regrets, so I'll take my time. Just not any longer, just not any longer. Source: Musixmatch Songwriters: Vincent Tinsay Obligated Lyrics © Self Published Through Distrokid</p>
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      <itunes:title>S3 E5: The Show Must Go On(line)</itunes:title>
      <itunes:author>Pretty Shanks, Deanna Costa, DYLIS</itunes:author>
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      <itunes:duration>00:35:40</itunes:duration>
      <itunes:summary>This week&apos;s episode is all about creativity and curiosity in the age of Covid. Listen in for a round up highlighting some of the best online offerings for arts and culture.</itunes:summary>
      <itunes:subtitle>This week&apos;s episode is all about creativity and curiosity in the age of Covid. Listen in for a round up highlighting some of the best online offerings for arts and culture.</itunes:subtitle>
      <itunes:keywords>livestream suggestions, online arts streaming, podcast, recommendations, criticism, music, arts criticism, online, the short fuse, arts and culture, theatre, dance, film, the arts fuse, visual art, reviews, streaming</itunes:keywords>
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      <title>S3 E4: Matt &amp; Lucas, Abridged</title>
      <description><![CDATA[<p><strong>Read the full articles here:</strong></p><p>Matt’s Stooges Article- <a href="https://artsfuse.org/211157/rock-album-1970s-live-at-goose-lake-the-stooges-hitting-their-feral-stride/">Rock Album: 1970s Live at Goose Lake - The Stooges Hitting Their Feral Stride</a></p><p><br />Lucas’s Book Review- <a href="https://artsfuse.org/211701/book-review-murder-and-the-movies-so-cinematic-the-spectacle-of-death/">Book Review: “Murder and the Movies” — So Cinematic, the Spectacle of Death</a></p><p><br />Upcoming Events- <a href="https://artsfuse.org/212166/shelter-in-place-attractions-september-20-through-october-6-what-will-light-your-home-fires/">Shelter in Place Attractions: September 20 through October 6</a></p><p><br />Hear more by Whalesong on: <a href="https://whalesong.bandcamp.com">Bandcamp</a> and <a href="https://open.spotify.com/artist/4H9B51Gh5X9PEP5qgRHu6r?si=VIdDKPaBRXSx7nAWwWY9Fg">Spotify</a></p>
]]></description>
      <pubDate>Wed, 14 Oct 2020 17:41:02 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, Matt Hanson, Lucas Spiro, DYLIS, Whalesong)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p><strong>Read the full articles here:</strong></p><p>Matt’s Stooges Article- <a href="https://artsfuse.org/211157/rock-album-1970s-live-at-goose-lake-the-stooges-hitting-their-feral-stride/">Rock Album: 1970s Live at Goose Lake - The Stooges Hitting Their Feral Stride</a></p><p><br />Lucas’s Book Review- <a href="https://artsfuse.org/211701/book-review-murder-and-the-movies-so-cinematic-the-spectacle-of-death/">Book Review: “Murder and the Movies” — So Cinematic, the Spectacle of Death</a></p><p><br />Upcoming Events- <a href="https://artsfuse.org/212166/shelter-in-place-attractions-september-20-through-october-6-what-will-light-your-home-fires/">Shelter in Place Attractions: September 20 through October 6</a></p><p><br />Hear more by Whalesong on: <a href="https://whalesong.bandcamp.com">Bandcamp</a> and <a href="https://open.spotify.com/artist/4H9B51Gh5X9PEP5qgRHu6r?si=VIdDKPaBRXSx7nAWwWY9Fg">Spotify</a></p>
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      <itunes:title>S3 E4: Matt &amp; Lucas, Abridged</itunes:title>
      <itunes:author>Deanna Costa, Matt Hanson, Lucas Spiro, DYLIS, Whalesong</itunes:author>
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      <itunes:duration>00:34:00</itunes:duration>
      <itunes:summary>This episode should’ve been graced with the vocal stylings of our founding fathers, but the illusive Zoom gods would not allow the conversation to save. In an effort to save this week’s show, Deanna takes us through Matt Hanson and Lucas Spiro’s latest articles.</itunes:summary>
      <itunes:subtitle>This episode should’ve been graced with the vocal stylings of our founding fathers, but the illusive Zoom gods would not allow the conversation to save. In an effort to save this week’s show, Deanna takes us through Matt Hanson and Lucas Spiro’s latest articles.</itunes:subtitle>
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      <title>S3 E3: A Birthday Show, Recorded Before 2020 Really Sucked</title>
      <description><![CDATA[<p>This week, Deanna profiles seven famous singers who all have something to do with January 10 and 24. Five of them share the palindrome birthday with our host, who happened to celebrate her 24th with a lovely party just in time before the virus hit. The other two featured artists hit their stride and released masterpiece albums at the ripe old age of 24. Having been inspired by the aforementioned festivities, this episode was also recorded before the advent of the pandemic. After almost six months of living in varying states of quarantine, now feels like a good time to release a deep dive into nostalgic hits from the latter half of the 20th Century. Their number ones and stories to fame may surprise you! See below for links to the music mentioned in today's episode:</p><p><a href="https://www.youtube.com/watch?v=KbI_awR4CKE" target="_blank">Maggie May by Rod Stewart </a></p><p><a href="https://www.youtube.com/watch?v=nv4xarqtjhA" target="_blank">You Don't Mess Around With Jim by Jim Croce</a></p><p><a href="https://www.youtube.com/watch?v=AqZcYPEszN8" target="_blank">Business Time by Flight of the Conchords</a></p><p><a href="https://www.youtube.com/watch?v=VopgyAc-F9U" target="_blank">Hit Me With Your Best Shot by Pat Benatar</a></p><p><a href="https://www.youtube.com/watch?v=xlpkAOdSOu8" target="_blank">What a Difference a Day Makes by Frank Sinatra Jr.</a></p><p><a href="https://www.youtube.com/watch?v=4V90AmXnguw" target="_blank">Thriller (<i>Thriller, </i>1982) by Michael Jackson</a></p><p><a href="https://www.youtube.com/watch?v=MGxjIBEZvx0" target="_blank">Subterranean Homesick Blues (<i>Bringing It All Back Home, </i>1965) by Bob Dylan</a></p>
]]></description>
      <pubDate>Mon, 28 Sep 2020 19:13:09 +0000</pubDate>
      <author>theshortfusepod@gmail.com (DYLIS, Deanna Costa)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>This week, Deanna profiles seven famous singers who all have something to do with January 10 and 24. Five of them share the palindrome birthday with our host, who happened to celebrate her 24th with a lovely party just in time before the virus hit. The other two featured artists hit their stride and released masterpiece albums at the ripe old age of 24. Having been inspired by the aforementioned festivities, this episode was also recorded before the advent of the pandemic. After almost six months of living in varying states of quarantine, now feels like a good time to release a deep dive into nostalgic hits from the latter half of the 20th Century. Their number ones and stories to fame may surprise you! See below for links to the music mentioned in today's episode:</p><p><a href="https://www.youtube.com/watch?v=KbI_awR4CKE" target="_blank">Maggie May by Rod Stewart </a></p><p><a href="https://www.youtube.com/watch?v=nv4xarqtjhA" target="_blank">You Don't Mess Around With Jim by Jim Croce</a></p><p><a href="https://www.youtube.com/watch?v=AqZcYPEszN8" target="_blank">Business Time by Flight of the Conchords</a></p><p><a href="https://www.youtube.com/watch?v=VopgyAc-F9U" target="_blank">Hit Me With Your Best Shot by Pat Benatar</a></p><p><a href="https://www.youtube.com/watch?v=xlpkAOdSOu8" target="_blank">What a Difference a Day Makes by Frank Sinatra Jr.</a></p><p><a href="https://www.youtube.com/watch?v=4V90AmXnguw" target="_blank">Thriller (<i>Thriller, </i>1982) by Michael Jackson</a></p><p><a href="https://www.youtube.com/watch?v=MGxjIBEZvx0" target="_blank">Subterranean Homesick Blues (<i>Bringing It All Back Home, </i>1965) by Bob Dylan</a></p>
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      <itunes:title>S3 E3: A Birthday Show, Recorded Before 2020 Really Sucked</itunes:title>
      <itunes:author>DYLIS, Deanna Costa</itunes:author>
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      <itunes:summary>No matter where our lives were at just nine months ago, most of us are now longing for the pre-pandemic days to some degree. Jump into this week&apos;s jukebox of an episode for a trip back in time. </itunes:summary>
      <itunes:subtitle>No matter where our lives were at just nine months ago, most of us are now longing for the pre-pandemic days to some degree. Jump into this week&apos;s jukebox of an episode for a trip back in time. </itunes:subtitle>
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      <title>S3 E2: The 2020 MTV Video Music Awards</title>
      <description><![CDATA[<p>The pair have quite an exchange, often representing the opposing view on an artist or award winner as they chronicle the events of the evening. But! This episode is no standard award show recap. With Hailee's professional background in public health and cellar/molecular biology, the topic at hand strays from the performances to the realities of such a production during the Coronavirus crisis. This episode's featured song is "Crashing Down" by DYLIS, our theme music artist. In two weeks, we'll back with more oddities and observations from former hosts Matt and Lucas.</p>
]]></description>
      <pubDate>Thu, 17 Sep 2020 00:13:20 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, DYLIS, Hailee Edwards)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>The pair have quite an exchange, often representing the opposing view on an artist or award winner as they chronicle the events of the evening. But! This episode is no standard award show recap. With Hailee's professional background in public health and cellar/molecular biology, the topic at hand strays from the performances to the realities of such a production during the Coronavirus crisis. This episode's featured song is "Crashing Down" by DYLIS, our theme music artist. In two weeks, we'll back with more oddities and observations from former hosts Matt and Lucas.</p>
]]></content:encoded>
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      <itunes:title>S3 E2: The 2020 MTV Video Music Awards</itunes:title>
      <itunes:author>Deanna Costa, DYLIS, Hailee Edwards</itunes:author>
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      <itunes:duration>00:35:00</itunes:duration>
      <itunes:summary>Our intrepid host Deanna Costa is joined by a longtime pop music lover (who happens to be her oldest friend), Hailee Edwards on today&apos;s episode. Together, the ladies take on a virtual watch party for this year&apos;s MTV VMAs.</itunes:summary>
      <itunes:subtitle>Our intrepid host Deanna Costa is joined by a longtime pop music lover (who happens to be her oldest friend), Hailee Edwards on today&apos;s episode. Together, the ladies take on a virtual watch party for this year&apos;s MTV VMAs.</itunes:subtitle>
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      <title>S3 E1: An Interview with Felicia Angeja Viator</title>
      <description><![CDATA[<p>Before diving into current events, we're taking time in this episode to reflect on the health crises that were impacting the US during our absence. These issues will continue to weigh on all Americans to varying degrees, and we'll always do our best to respectfully take note of the reality of our current society. Music can provide a unique vehicle for self-expression, which is a power that Felicia Angeja Viator knows all about. Her diverse experiences and extensive knowledge come together to form a multifaceted view that is insightful and useful for all. This is part one of an interview that will be featured again later in the season. Our theme music guru DYLIS also returned to deliver a new full-length track, "Wonderland". Other upcoming episodes will include commentary on the 2020 MTV Video Music Awards, updates from former podcast hosts Matt Hanson & Lucas Spiro, a State of the Arts with Fuse Founder Bill Marx, and so much more!</p>
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      <pubDate>Mon, 31 Aug 2020 18:56:27 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Felicia Angeja Viator, Deanna Costa, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Before diving into current events, we're taking time in this episode to reflect on the health crises that were impacting the US during our absence. These issues will continue to weigh on all Americans to varying degrees, and we'll always do our best to respectfully take note of the reality of our current society. Music can provide a unique vehicle for self-expression, which is a power that Felicia Angeja Viator knows all about. Her diverse experiences and extensive knowledge come together to form a multifaceted view that is insightful and useful for all. This is part one of an interview that will be featured again later in the season. Our theme music guru DYLIS also returned to deliver a new full-length track, "Wonderland". Other upcoming episodes will include commentary on the 2020 MTV Video Music Awards, updates from former podcast hosts Matt Hanson & Lucas Spiro, a State of the Arts with Fuse Founder Bill Marx, and so much more!</p>
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      <itunes:title>S3 E1: An Interview with Felicia Angeja Viator</itunes:title>
      <itunes:author>Felicia Angeja Viator, Deanna Costa, DYLIS</itunes:author>
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      <itunes:duration>00:35:42</itunes:duration>
      <itunes:summary>After a much-needed summer break (pandemic style), Deanna Costa returns to hosting The Short Fuse Podcast. Season three opens with a revelatory conversation featuring professor and author Felicia Angeja Viator. The two discuss Viator&apos;s new book, To Live and Defy in LA: How Gangsta Rap Changed America (Harvard University Press, 2020). Unpacking her work leads to wise observations about American culture -- both past, present, and under the pandemic.</itunes:summary>
      <itunes:subtitle>After a much-needed summer break (pandemic style), Deanna Costa returns to hosting The Short Fuse Podcast. Season three opens with a revelatory conversation featuring professor and author Felicia Angeja Viator. The two discuss Viator&apos;s new book, To Live and Defy in LA: How Gangsta Rap Changed America (Harvard University Press, 2020). Unpacking her work leads to wise observations about American culture -- both past, present, and under the pandemic.</itunes:subtitle>
      <itunes:keywords>hip hop writing, la history, felicia angeja viator, music history, gangsta rap, dylis, the short fuse, arts and culture, the arts fuse, interview, author, hip hop, los angeles, arts podcast, new england art, deanna costa, boston music</itunes:keywords>
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      <title>S2 E9: Live Music with Aaron Halford &amp; Matty Michna</title>
      <description><![CDATA[<p>Recording entirely in dorms across Boston, Aaron Halford is an up and coming soul/R&B musician with an updated sound. The San Francisco native is influenced by artists such as Marvin Gaye, Anderson Paak and the Beach Boys. Halford’s debut release “Before It Starts” features the young artist on four instruments: vocals, guitar, keyboard and bass. With the help of his long-time collaborator and friend Matty Michna; Halford's lyrics explore love, city life, his recent past, and his inner psyche. Halford hopes that he can provide a window into modern relationships with music that will withstand the test of time. The pair cover these topics and much more in their interview, and top off the half hour with a few of their favorite hits.</p>
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      <pubDate>Wed, 1 Apr 2020 20:54:32 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Aaron Halford, Matty Michna, Deanna Costa, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Recording entirely in dorms across Boston, Aaron Halford is an up and coming soul/R&B musician with an updated sound. The San Francisco native is influenced by artists such as Marvin Gaye, Anderson Paak and the Beach Boys. Halford’s debut release “Before It Starts” features the young artist on four instruments: vocals, guitar, keyboard and bass. With the help of his long-time collaborator and friend Matty Michna; Halford's lyrics explore love, city life, his recent past, and his inner psyche. Halford hopes that he can provide a window into modern relationships with music that will withstand the test of time. The pair cover these topics and much more in their interview, and top off the half hour with a few of their favorite hits.</p>
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      <itunes:title>S2 E9: Live Music with Aaron Halford &amp; Matty Michna</itunes:title>
      <itunes:author>Aaron Halford, Matty Michna, Deanna Costa, DYLIS</itunes:author>
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      <itunes:duration>00:30:00</itunes:duration>
      <itunes:summary>In this previously recorded episode, local student musicians Aaron Halford and Matty Michna are welcomed onto the show. The duo describes their journeys to Boston and ponders their futures beyond The Hub. </itunes:summary>
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      <description><![CDATA[<p>In this episode, we discuss Silver's filmography, his upcoming projects, and general philosophy of directing. The accomplished artist also has years of experience in higher education and the business world, making for a unique set of interests for his creative work. Tim's perspective as a fellow director allows him to ask pointed questions, driving a lively conversation along. Three clips are featured; the first is an interview between actors from Silver's 2018 film, Second Wind. The second is a trailer of his trilogy movies: Radio Cape Cod, Surprise Engagement, and Second Wind. Lastly, we are treated to a short preview of Silver's recent documentary, Profiles of Early Childhood Educators. Aaron Halford lends his new single, "Before it Starts". You can find his music on Spotify, Apple Music and YouTube. Silver's complete filmography can be found here: https://vimeo.com/ondemand/whoandwhatshapesus</p>
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      <pubDate>Tue, 25 Feb 2020 11:20:33 +0000</pubDate>
      <author>theshortfusepod@gmail.com (DYLIS, Aaron Halford, Andrew Silver, Deanna Costa, Tim Jackson)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>In this episode, we discuss Silver's filmography, his upcoming projects, and general philosophy of directing. The accomplished artist also has years of experience in higher education and the business world, making for a unique set of interests for his creative work. Tim's perspective as a fellow director allows him to ask pointed questions, driving a lively conversation along. Three clips are featured; the first is an interview between actors from Silver's 2018 film, Second Wind. The second is a trailer of his trilogy movies: Radio Cape Cod, Surprise Engagement, and Second Wind. Lastly, we are treated to a short preview of Silver's recent documentary, Profiles of Early Childhood Educators. Aaron Halford lends his new single, "Before it Starts". You can find his music on Spotify, Apple Music and YouTube. Silver's complete filmography can be found here: https://vimeo.com/ondemand/whoandwhatshapesus</p>
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      <itunes:title>S2 E8: An Interview with Andrew Silver &amp; Tim Jackson</itunes:title>
      <itunes:author>DYLIS, Aaron Halford, Andrew Silver, Deanna Costa, Tim Jackson</itunes:author>
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      <itunes:duration>00:27:27</itunes:duration>
      <itunes:summary>Arts Fuse contributor (among many other things) Tim Jackson introduces us to his friend, Director Andrew Silver. </itunes:summary>
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      <title>S2 E7: Creative Couples</title>
      <description><![CDATA[<p>Michael A. Costa, Anna Dollar, and DYLIS (Anna's man/our theme composer) gather 'round Deanna's mics to talk relationships. Specifically, the group discusses the challenges and benefits of having an artistic partner. The diverse pairs represent nearly all forms of media, and have been lovers of the arts all their (albeit, relatively short) lives. The couples also represent two vastly different stages of romance; this Valentine's Day is Anna and Dylis's first anniversary. For Michael and Deanna, this the eighth dance with Cupid. Later in the episode, we're treated to Dylis's most recent single. Deanna also keeps us up to date on the Coming Attractions, which can be found here: https://artsfuse.org/195102/coming-attractions-february-9-through-25-what-will-light-your-fire/</p>
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      <pubDate>Fri, 14 Feb 2020 02:54:47 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, Anna Dollar, Michael A. Costa, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Michael A. Costa, Anna Dollar, and DYLIS (Anna's man/our theme composer) gather 'round Deanna's mics to talk relationships. Specifically, the group discusses the challenges and benefits of having an artistic partner. The diverse pairs represent nearly all forms of media, and have been lovers of the arts all their (albeit, relatively short) lives. The couples also represent two vastly different stages of romance; this Valentine's Day is Anna and Dylis's first anniversary. For Michael and Deanna, this the eighth dance with Cupid. Later in the episode, we're treated to Dylis's most recent single. Deanna also keeps us up to date on the Coming Attractions, which can be found here: https://artsfuse.org/195102/coming-attractions-february-9-through-25-what-will-light-your-fire/</p>
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      <itunes:title>S2 E7: Creative Couples</itunes:title>
      <itunes:author>Deanna Costa, Anna Dollar, Michael A. Costa, DYLIS</itunes:author>
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      <itunes:duration>00:28:10</itunes:duration>
      <itunes:summary>Deanna welcomes three very important guests onto the show, just in time for Valentine&apos;s Day. Her husband, her best friend of over 10 years, and her friend&apos;s boyfriend share their thoughts on life and love with a creative by their sides.</itunes:summary>
      <itunes:subtitle>Deanna welcomes three very important guests onto the show, just in time for Valentine&apos;s Day. Her husband, her best friend of over 10 years, and her friend&apos;s boyfriend share their thoughts on life and love with a creative by their sides.</itunes:subtitle>
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      <title>S2 E6: Hopes &amp; Gripes: The 2020 Grammys</title>
      <description><![CDATA[<p>As one of the Fuse's music reviewers, Deanna has a lot to say about this year's Grammys awards. Listen in for her thoughts on artists such as Ariana Grande, Billie Eilish, Lil Nas X and Lizzo. Later in the episode, Juniper graces us with their recent hit, "Regret". Find the full Coming Attractions listing here: https://artsfuse.org/193127/coming-attractions-january-12-through-28-what-will-light-your-fire/</p>
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      <pubDate>Mon, 27 Jan 2020 19:26:16 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, Juniper, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>As one of the Fuse's music reviewers, Deanna has a lot to say about this year's Grammys awards. Listen in for her thoughts on artists such as Ariana Grande, Billie Eilish, Lil Nas X and Lizzo. Later in the episode, Juniper graces us with their recent hit, "Regret". Find the full Coming Attractions listing here: https://artsfuse.org/193127/coming-attractions-january-12-through-28-what-will-light-your-fire/</p>
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      <itunes:title>S2 E6: Hopes &amp; Gripes: The 2020 Grammys</itunes:title>
      <itunes:author>Deanna Costa, Juniper, DYLIS</itunes:author>
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      <itunes:summary>Host Deanna Costa takes us on a wild ride through the 2020 Grammys nominees and gives her takes on the top contenders. This episode features musical guest Juniper, and more from the Coming Attractions.</itunes:summary>
      <itunes:subtitle>Host Deanna Costa takes us on a wild ride through the 2020 Grammys nominees and gives her takes on the top contenders. This episode features musical guest Juniper, and more from the Coming Attractions.</itunes:subtitle>
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      <title>S2 E5: 2020s Predictions &amp; 2010s Pitfalls</title>
      <description><![CDATA[<p>Bill Marx and Deanna have about 40 years between them, making for a robust conversation analyzing the years 2010-2029. The duo wonders how climate change will impact society in the coming years, as the issue should become a source of inspiration for great art. They discuss the political and economic challenges over the past decade, breaking down how technology has impacted the way we interact and create. We close out the show with Bill's explanation of our winter appeal. Looking to donate? See here: https://artsfuse.org/keep-the-fuse-lit/.</p>
]]></description>
      <pubDate>Wed, 1 Jan 2020 20:46:02 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Bill Marx and Deanna have about 40 years between them, making for a robust conversation analyzing the years 2010-2029. The duo wonders how climate change will impact society in the coming years, as the issue should become a source of inspiration for great art. They discuss the political and economic challenges over the past decade, breaking down how technology has impacted the way we interact and create. We close out the show with Bill's explanation of our winter appeal. Looking to donate? See here: https://artsfuse.org/keep-the-fuse-lit/.</p>
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      <itunes:title>S2 E5: 2020s Predictions &amp; 2010s Pitfalls</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>00:30:00</itunes:duration>
      <itunes:summary>This week, Deanna is joined by Arts Fuse&apos;s Founder &amp; Editor in Chief, Bill Marx. The two discuss the future of art in the upcoming decade as well as the one we&apos;re leaving behind. Bill also makes a case for the magazine&apos;s annual winter appeal.</itunes:summary>
      <itunes:subtitle>This week, Deanna is joined by Arts Fuse&apos;s Founder &amp; Editor in Chief, Bill Marx. The two discuss the future of art in the upcoming decade as well as the one we&apos;re leaving behind. Bill also makes a case for the magazine&apos;s annual winter appeal.</itunes:subtitle>
      <itunes:keywords>online magazine, environmental art, 2020, culture, winter appeal, climate change, independent media, predictions, arts criticism, boston art, new england art, analysis</itunes:keywords>
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      <title>S2 E4: Holiday Arts Events &amp; Shows of 2019</title>
      <description><![CDATA[<p>The Greater Boston Area is brimming with the holiday spirit, and so are we! Deanna categorizes and highlights the best of this year’s offerings. Look no further for recommendations of local Singalongs, Concerts, Movies and Plays. Ken Field gives us a music break from all that information with his original piece, “Canned Chicken”. We wrap up the show by highlighting Fuse contributor Susan Miron’s recent review. Miron covers two albums, Jordi Savall’s reworking of <i>Messiah </i>by Handel and <i>A Spanish Nativity </i>by Stile Antico. Her full article can be found here: <a href="https://artsfuse.org/191107/classical-cd-reviews-two-holiday-albums-that-strike-like-thunderbolts/">https://artsfuse.org/191107/classical-cd-reviews-two-holiday-albums-that-strike-like-thunderbolts/</a></p><p> </p><p> </p>
]]></description>
      <pubDate>Wed, 18 Dec 2019 20:33:41 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Deanna Costa, Susan Miron, Ken Field, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>The Greater Boston Area is brimming with the holiday spirit, and so are we! Deanna categorizes and highlights the best of this year’s offerings. Look no further for recommendations of local Singalongs, Concerts, Movies and Plays. Ken Field gives us a music break from all that information with his original piece, “Canned Chicken”. We wrap up the show by highlighting Fuse contributor Susan Miron’s recent review. Miron covers two albums, Jordi Savall’s reworking of <i>Messiah </i>by Handel and <i>A Spanish Nativity </i>by Stile Antico. Her full article can be found here: <a href="https://artsfuse.org/191107/classical-cd-reviews-two-holiday-albums-that-strike-like-thunderbolts/">https://artsfuse.org/191107/classical-cd-reviews-two-holiday-albums-that-strike-like-thunderbolts/</a></p><p> </p><p> </p>
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      <itunes:title>S2 E4: Holiday Arts Events &amp; Shows of 2019</itunes:title>
      <itunes:author>Deanna Costa, Susan Miron, Ken Field, DYLIS</itunes:author>
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      <itunes:duration>00:30:00</itunes:duration>
      <itunes:summary>Deanna gives a breakdown of Boston’s spectacular seasonal offerings, Jazz musician Ken Field graces us with an original song, and Susan Miron’s classical review discusses “two holiday albums that strike like thunderbolts”.</itunes:summary>
      <itunes:subtitle>Deanna gives a breakdown of Boston’s spectacular seasonal offerings, Jazz musician Ken Field graces us with an original song, and Susan Miron’s classical review discusses “two holiday albums that strike like thunderbolts”.</itunes:subtitle>
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      <title>S2: E3: Matt &amp; Lucas Return</title>
      <description><![CDATA[<p>Remember that walkie-talkie conversation from Episode 1? The boys are back again, musing on Matt's obituary for renowned scholar Harold Bloom. Steve Provizer's final Cultural Curmudgeon takes on New Orleans Jazz straight from Matt's new home. We round out the evening with a sampling of the latest Coming Attractions, including a quick lover letter to Dolly Parton. Find more upcoming New England arts events here: https://artsfuse.org/191581/coming-attractions-december-1-through-15-what-will-light-your-fire/.</p>
]]></description>
      <pubDate>Thu, 5 Dec 2019 15:01:23 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Matt Hanson, Deanna Costa, Lucas Spiro, Steve Provizer, DYLIS)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Remember that walkie-talkie conversation from Episode 1? The boys are back again, musing on Matt's obituary for renowned scholar Harold Bloom. Steve Provizer's final Cultural Curmudgeon takes on New Orleans Jazz straight from Matt's new home. We round out the evening with a sampling of the latest Coming Attractions, including a quick lover letter to Dolly Parton. Find more upcoming New England arts events here: https://artsfuse.org/191581/coming-attractions-december-1-through-15-what-will-light-your-fire/.</p>
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      <itunes:title>S2: E3: Matt &amp; Lucas Return</itunes:title>
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      <itunes:summary>We pick up where we left off with Lucas and Matt; this time we&apos;re discussing the late Harold Bloom. This episode also features our final Cultural Curmudgeon, and a bit more from the Coming Attractions.</itunes:summary>
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      <title>S2 E2: Glenn Rifkin &amp; Kanye Grumblin&apos;</title>
      <description><![CDATA[<p>We start the show in conversation with Glenn Rifkin, freelance journalist extraordinaire. You can find Glenn's book here: https://www.futureforwardbook.com. Searching his name on our site will pull up all of his archived articles. Check out the featured artist, Juniper, at: https://www.junipertheband.com/. On that note -- thanks again to DYLIS for our intro, outro, and transitions. This episode includes Coming Attractions taking place from November 17 - 30, 2019. Last, but not least, Deanna reads from her review of last month's new rap singles. Danny Brown, Frank Ocean, Travis Scott and Gang Starr get high praise; Kanye gets heavy criticism.</p>
]]></description>
      <pubDate>Tue, 19 Nov 2019 02:36:39 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Glenn Rifkin, DYLIS, Deanna Costa, Juniper)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>We start the show in conversation with Glenn Rifkin, freelance journalist extraordinaire. You can find Glenn's book here: https://www.futureforwardbook.com. Searching his name on our site will pull up all of his archived articles. Check out the featured artist, Juniper, at: https://www.junipertheband.com/. On that note -- thanks again to DYLIS for our intro, outro, and transitions. This episode includes Coming Attractions taking place from November 17 - 30, 2019. Last, but not least, Deanna reads from her review of last month's new rap singles. Danny Brown, Frank Ocean, Travis Scott and Gang Starr get high praise; Kanye gets heavy criticism.</p>
]]></content:encoded>
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      <itunes:title>S2 E2: Glenn Rifkin &amp; Kanye Grumblin&apos;</itunes:title>
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      <itunes:summary>Fellow Arts Fuse contributor Glenn Rifkin chats about his time with the magazine and his latest book, Future Forward. More from Coming Attractions, a new featured artist, and a recap of Deanna&apos;s October installment of her music column. </itunes:summary>
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      <title>S2 E1: The Dawn of Deanna&apos;s Takeover</title>
      <description><![CDATA[<p>We start this season with dispatches from the road, thanks to our pioneering co-hosts, Matt Hanson and Lucas Spiro. The audio quality of the interview is less than stellar, but we can only get better from here! Matt shares about his first few months in his new home, New Orleans, while Lucas regales us with tales from his extensive honeymoon trip along the American Roads. Later in the episode, Fuse contributor Steve Provizer stops by with his Cultural Curmudgeon feature. Tonight's journey is rounded out with highlights from the magazine's Coming Attractions, which can be found here: https://artsfuse.org/189709/coming-attractions-october-20-through-november-3-what-will-light-your-fire/.</p>
]]></description>
      <pubDate>Sun, 3 Nov 2019 21:50:48 +0000</pubDate>
      <author>theshortfusepod@gmail.com (Steve Provizer, Deanna Costa, Lucas Spiro, DYLIS, Matt Hanson)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>We start this season with dispatches from the road, thanks to our pioneering co-hosts, Matt Hanson and Lucas Spiro. The audio quality of the interview is less than stellar, but we can only get better from here! Matt shares about his first few months in his new home, New Orleans, while Lucas regales us with tales from his extensive honeymoon trip along the American Roads. Later in the episode, Fuse contributor Steve Provizer stops by with his Cultural Curmudgeon feature. Tonight's journey is rounded out with highlights from the magazine's Coming Attractions, which can be found here: https://artsfuse.org/189709/coming-attractions-october-20-through-november-3-what-will-light-your-fire/.</p>
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      <itunes:title>S2 E1: The Dawn of Deanna&apos;s Takeover</itunes:title>
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      <title>Ep 18 - The end of an era</title>
      <description><![CDATA[<p>It's the end of an era. This is the final episode of the first run of The Arts Fuse Podcast. Matt is moving to New Orleans, and Lucas is taking an extended hiatus and then moving back to Dublin, Ireland. For this episode, Matt and Lucas kick back and have a friendly chat between two good old boys, discussing the bizarre OJ Simpson Twitter feed, and how we're more easily bored these days.</p>
<p>The fellas then take a deep dive into Matt Hanson's review of Martin Scorsese's new Netflix documentary Rolling Thunder Revue: A Bob Dylan Story and let their obsessions drive the content.</p>
<p>From Matt's review:</p>
<p>&quot;Unsurprisingly, the main subject’s notorious elusiveness means that expectations of some ostensibly “real” or “intimate” look at Dylan’s inner life, both at the time the tour was being filmed and looking back via contemporary interviews, will be frustrated. He’s not some all-knowing wizard calculatedly pulling the strings; instead, he is content to be the relatively quiet eye of the hurricane of talent that came together for a strange, adventurous, and memorable trip around the country during a particularly uneasy time in its history.&quot;</p>
<p>It's a very chill episode, with two friends having fun talking about movies and music and more.</p>
<p>Thanks to all of you who have listened and supported the show during its first run. Matt and Lucas are eternally grateful.</p>
<p>Have no fear! The Arts Fuse Podcast will be returning soon in a new format, this time being led by Deanna Costa, so keep an eye out and keep listening and reading the best arts coverage in the Boston area from The Arts Fuse.</p>
<p>Thanks again.</p>
<p>https://artsfuse.org/185769/film-review-rolling-thunder-revue-a-bob-dylan-story-by-martin-scorsese/</p>
<p>https://www.patreon.com/theartsfuse</p>
<p>https://theartsfuse.simplecast.fm/</p>
<p>For anyone who is wondering, this is where we've been getting almost all of the music you hear on the show:  http://www.jazz-on-line.com/. Our closing theme has been &quot;Anything Goes&quot; by Patrick et son Orchestre de Danse.</p>
]]></description>
      <pubDate>Sat, 3 Aug 2019 20:00:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>It's the end of an era. This is the final episode of the first run of The Arts Fuse Podcast. Matt is moving to New Orleans, and Lucas is taking an extended hiatus and then moving back to Dublin, Ireland. For this episode, Matt and Lucas kick back and have a friendly chat between two good old boys, discussing the bizarre OJ Simpson Twitter feed, and how we're more easily bored these days.</p>
<p>The fellas then take a deep dive into Matt Hanson's review of Martin Scorsese's new Netflix documentary Rolling Thunder Revue: A Bob Dylan Story and let their obsessions drive the content.</p>
<p>From Matt's review:</p>
<p>&quot;Unsurprisingly, the main subject’s notorious elusiveness means that expectations of some ostensibly “real” or “intimate” look at Dylan’s inner life, both at the time the tour was being filmed and looking back via contemporary interviews, will be frustrated. He’s not some all-knowing wizard calculatedly pulling the strings; instead, he is content to be the relatively quiet eye of the hurricane of talent that came together for a strange, adventurous, and memorable trip around the country during a particularly uneasy time in its history.&quot;</p>
<p>It's a very chill episode, with two friends having fun talking about movies and music and more.</p>
<p>Thanks to all of you who have listened and supported the show during its first run. Matt and Lucas are eternally grateful.</p>
<p>Have no fear! The Arts Fuse Podcast will be returning soon in a new format, this time being led by Deanna Costa, so keep an eye out and keep listening and reading the best arts coverage in the Boston area from The Arts Fuse.</p>
<p>Thanks again.</p>
<p>https://artsfuse.org/185769/film-review-rolling-thunder-revue-a-bob-dylan-story-by-martin-scorsese/</p>
<p>https://www.patreon.com/theartsfuse</p>
<p>https://theartsfuse.simplecast.fm/</p>
<p>For anyone who is wondering, this is where we've been getting almost all of the music you hear on the show:  http://www.jazz-on-line.com/. Our closing theme has been &quot;Anything Goes&quot; by Patrick et son Orchestre de Danse.</p>
]]></content:encoded>
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      <itunes:title>Ep 18 - The end of an era</itunes:title>
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      <itunes:summary>This is the last episode of the first run of The Arts Fuse Podcast. Both Matt and Lucas are moving away, so they kick back and have a good old chat about Bob Dylan and the new Scorsese documentary, movies, music, and more. Thanks for listening.</itunes:summary>
      <itunes:subtitle>This is the last episode of the first run of The Arts Fuse Podcast. Both Matt and Lucas are moving away, so they kick back and have a good old chat about Bob Dylan and the new Scorsese documentary, movies, music, and more. Thanks for listening.</itunes:subtitle>
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      <title>Ep 17 - When the games are so unjust...</title>
      <description><![CDATA[<p>We have our first married couple on the show to talk video games, micro-transactions, and fear and loathing at PAX East. Local burgeoning writer, and newcomer to The Arts Fuse critics circle, Michael Costa joins the show to report on the Fuse's coverage of 2019's PAX East, a major video game convention that your host knows nothing about. He also happens to be Deanna's husband, but I won't say that's how he got the gig. We'll explore questions related to video games as art, the economics of gaming, and just what the heck those kids are up to.</p>
<p>Then we welcome community organizer and children's books writer Jacob Kramer to talk about breaking the rules. His work infuses a poetics of revolutionary thought with childlike wonder, encouraging readers of all ages to consider the possible, and challenge the cynics. His book More Bats, about the practical realities of what might happen if the &quot;maximize bats&quot; - more parks, better health care, education programs - was an insert in <a href="https://jacobinmag.com/">Jacobin's</a> &quot;<a href="https://jacobinmag.com/issue/childhood">Childhood</a>&quot; issue. His latest book is about a pasta loving elephant named Noodlephant, who stands up to the injustice of an oppressive kangaroo regime, conveying the timeless message of civil rights to a new generation.</p>
<p>You can read and order Jacob's work on his website, <a href="https://www.jacobakramer.com">jacobakramer.com</a>.</p>
<p>10% of proceeds from <a href="https://www.indiebound.org/book/9781592702664">Noodlephant</a> go to support the work of <a href="https://www.blackandpink.org/">Black and Pink</a>, a prison abolition organization. You can buy the book, donate directly, or both.</p>
<p>Michael's pieces on The Arts Fuse can be found <a href="https://artsfuse.org/185373/video-game-review-rage-2/">here</a> and <a href="http://">here</a>.</p>
]]></description>
      <pubDate>Tue, 2 Jul 2019 00:34:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>We have our first married couple on the show to talk video games, micro-transactions, and fear and loathing at PAX East. Local burgeoning writer, and newcomer to The Arts Fuse critics circle, Michael Costa joins the show to report on the Fuse's coverage of 2019's PAX East, a major video game convention that your host knows nothing about. He also happens to be Deanna's husband, but I won't say that's how he got the gig. We'll explore questions related to video games as art, the economics of gaming, and just what the heck those kids are up to.</p>
<p>Then we welcome community organizer and children's books writer Jacob Kramer to talk about breaking the rules. His work infuses a poetics of revolutionary thought with childlike wonder, encouraging readers of all ages to consider the possible, and challenge the cynics. His book More Bats, about the practical realities of what might happen if the &quot;maximize bats&quot; - more parks, better health care, education programs - was an insert in <a href="https://jacobinmag.com/">Jacobin's</a> &quot;<a href="https://jacobinmag.com/issue/childhood">Childhood</a>&quot; issue. His latest book is about a pasta loving elephant named Noodlephant, who stands up to the injustice of an oppressive kangaroo regime, conveying the timeless message of civil rights to a new generation.</p>
<p>You can read and order Jacob's work on his website, <a href="https://www.jacobakramer.com">jacobakramer.com</a>.</p>
<p>10% of proceeds from <a href="https://www.indiebound.org/book/9781592702664">Noodlephant</a> go to support the work of <a href="https://www.blackandpink.org/">Black and Pink</a>, a prison abolition organization. You can buy the book, donate directly, or both.</p>
<p>Michael's pieces on The Arts Fuse can be found <a href="https://artsfuse.org/185373/video-game-review-rage-2/">here</a> and <a href="http://">here</a>.</p>
]]></content:encoded>
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      <itunes:title>Ep 17 - When the games are so unjust...</itunes:title>
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      <itunes:duration>00:57:45</itunes:duration>
      <itunes:summary>We have our first married couple on the show to talk video games, micro-transactions, and fear and loathing at PAX East. Then we welcome community organizer and children&apos;s books writer Jacob Kramer to talk about breaking the rules. </itunes:summary>
      <itunes:subtitle>We have our first married couple on the show to talk video games, micro-transactions, and fear and loathing at PAX East. Then we welcome community organizer and children&apos;s books writer Jacob Kramer to talk about breaking the rules. </itunes:subtitle>
      <itunes:keywords>fiction, gaming, children&apos;s literature, boston, noodlephant, kid&apos;s books, socialist, enchanted lion, pax, jacob kramer, civil rights</itunes:keywords>
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      <title>Ep 16 - Encrypted telegraphs with Lt. Deanna</title>
      <description><![CDATA[<p>Don't forget to support The Arts Fuse during our winter appeal! Only a few more days left to donate and every dollar helps.</p>
<p>We've been ballin' on a budget for almost 12 years and don't want to stop now.</p>
<p>Contribute through <a href="http://artsfuse.org">The Arts Fuse</a> or on our facebook <a href="https://www.facebook.com/theartsfuse/">page</a>.</p>
<p>The gang talks Lil Nas X, HBO's Barry, and why the VA probably owes Deanna's ancestors a shit load of cash.</p>
<p>How seriously do we take country rap? Is it even a genre? We take a look at a few of the singles out there being classified as such, and opine on what it says about our obsession with genre and US pop culture. Then Matt does his service to the podcast and takes us through his review of HBO's Barry, starring SNL's Bill Hader. The conversation turns to what the show says about returning veterans, PTSD, and the kind of care they get after coming back. Apparently, like Lt. Dan, Deanna's had a family member fight (and maybe not die?) in every war since the Revolutionary War. Thank you for your service....</p>
]]></description>
      <pubDate>Fri, 24 May 2019 23:01:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Don't forget to support The Arts Fuse during our winter appeal! Only a few more days left to donate and every dollar helps.</p>
<p>We've been ballin' on a budget for almost 12 years and don't want to stop now.</p>
<p>Contribute through <a href="http://artsfuse.org">The Arts Fuse</a> or on our facebook <a href="https://www.facebook.com/theartsfuse/">page</a>.</p>
<p>The gang talks Lil Nas X, HBO's Barry, and why the VA probably owes Deanna's ancestors a shit load of cash.</p>
<p>How seriously do we take country rap? Is it even a genre? We take a look at a few of the singles out there being classified as such, and opine on what it says about our obsession with genre and US pop culture. Then Matt does his service to the podcast and takes us through his review of HBO's Barry, starring SNL's Bill Hader. The conversation turns to what the show says about returning veterans, PTSD, and the kind of care they get after coming back. Apparently, like Lt. Dan, Deanna's had a family member fight (and maybe not die?) in every war since the Revolutionary War. Thank you for your service....</p>
]]></content:encoded>
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      <title>Ep 15 - REE-AL-O-TEE!</title>
      <description><![CDATA[<p>The boys are joined once again by Arts Fuse editor-in-chief Bill Marx, who opines on the continued demise of Boston fringe theater, most recently embodied by the loss of a home for the Gold Dust Orphans and the buying up of The Machine in Boston's Fenway neighborhood by a developer. The crew then discusses Paula Vogel's play Indecent, now playing at the Huntington Theater. Vogel's play was the subject of a debate between two critics in the pages of The Arts Fuse, with one lauding the it as a success, the other calling the writing obvious, and, at times, verging on Holocaust porn. Finally, Matt tries, and fails, to convince Bill and Lucas to watch Game of Thrones.</p>
<p>The Arts Fuse turns 12 in June, and so we're  having our annual spring appeal. Please visit us online or on social media to help support our continued coverage of the arts. $100 dollars or more gets you a snazzy t-shirt.</p>
<p>https://artsfuse.org/</p>
<p>https://www.facebook.com/donate/449866119156075/10157037493503567/</p>
<p>https://www.mightycause.com/organization/Global-Narratives</p>
<p>Thanks for listening and supporting our work.</p>
]]></description>
      <pubDate>Tue, 14 May 2019 04:24:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>The boys are joined once again by Arts Fuse editor-in-chief Bill Marx, who opines on the continued demise of Boston fringe theater, most recently embodied by the loss of a home for the Gold Dust Orphans and the buying up of The Machine in Boston's Fenway neighborhood by a developer. The crew then discusses Paula Vogel's play Indecent, now playing at the Huntington Theater. Vogel's play was the subject of a debate between two critics in the pages of The Arts Fuse, with one lauding the it as a success, the other calling the writing obvious, and, at times, verging on Holocaust porn. Finally, Matt tries, and fails, to convince Bill and Lucas to watch Game of Thrones.</p>
<p>The Arts Fuse turns 12 in June, and so we're  having our annual spring appeal. Please visit us online or on social media to help support our continued coverage of the arts. $100 dollars or more gets you a snazzy t-shirt.</p>
<p>https://artsfuse.org/</p>
<p>https://www.facebook.com/donate/449866119156075/10157037493503567/</p>
<p>https://www.mightycause.com/organization/Global-Narratives</p>
<p>Thanks for listening and supporting our work.</p>
]]></content:encoded>
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      <title>Ep 14 - Dialectics of politicized art, or the intellectual history of white men in cars</title>
      <description><![CDATA[<p>The Arts Fuse welcomes a new character to their extended universe. Deanna Marie Costa, Arts Fuse critic and editor, joins Matt and Lucas to discuss a range of topics related to art, politics, and propaganda.</p>
<p>First, Deanna introduces herself and talks about what she covers for The Fuse. Then the panelists dive into Blake Maddux's review of Jennifer Ratner-Rosenhagen’s The Ideas That Made America. A discussion about the social and social implications of Sleeping Weazel's The Audacity: Women Speak, follows. The performance is a powerful show using real life stories of women who have gone through some truly gut-wrenching situations. Finally, AOC's new optimistic short film published by The Intercept gets put under the microscope. Her vision of a Green New Deal America, and the kind of art that might help make that vision a reality, raises new questions and new possibilities.</p>
<p><a href="https://theintercept.com/2019/04/17/green-new-deal-short-film-alexandria-ocasio-cortez/">A Message from the Future with Alexandria Ocasio-Cortez</a></p>
<p><a href="http://artsfuse.org/183377/book-review-the-ideas-that-made-america-not-made-in-america/">Book review - “The Ideas That Made America” — Not Made in America by Blake Maddux</a></p>
]]></description>
      <pubDate>Sun, 21 Apr 2019 21:44:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>The Arts Fuse welcomes a new character to their extended universe. Deanna Marie Costa, Arts Fuse critic and editor, joins Matt and Lucas to discuss a range of topics related to art, politics, and propaganda.</p>
<p>First, Deanna introduces herself and talks about what she covers for The Fuse. Then the panelists dive into Blake Maddux's review of Jennifer Ratner-Rosenhagen’s The Ideas That Made America. A discussion about the social and social implications of Sleeping Weazel's The Audacity: Women Speak, follows. The performance is a powerful show using real life stories of women who have gone through some truly gut-wrenching situations. Finally, AOC's new optimistic short film published by The Intercept gets put under the microscope. Her vision of a Green New Deal America, and the kind of art that might help make that vision a reality, raises new questions and new possibilities.</p>
<p><a href="https://theintercept.com/2019/04/17/green-new-deal-short-film-alexandria-ocasio-cortez/">A Message from the Future with Alexandria Ocasio-Cortez</a></p>
<p><a href="http://artsfuse.org/183377/book-review-the-ideas-that-made-america-not-made-in-america/">Book review - “The Ideas That Made America” — Not Made in America by Blake Maddux</a></p>
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      <itunes:title>Ep 14 - Dialectics of politicized art, or the intellectual history of white men in cars</itunes:title>
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      <title>Ep 13 - Everything you&apos;ve wanted to know about book reviews but were afraid to ask</title>
      <description><![CDATA[<p>If you thought the work of a critic was glamorous, Matt and Lucas prove you wrong. On this episode the boys tackle some of the behind the scenes stuff of writing reviews, particularly book reviews. They use as their source material the cover essay from this April's <em>Harper's</em> by Christian Lorentzen called <a href="https://harpers.org/archive/2019/04/like-this-or-die/">&quot;Like this or die: the fate of the book review in the age of the algorithm.&quot;</a></p>
<p>If you're a fan of the show, you know <em>The Arts Fuse</em> writers are sworn adversaries of the algorithm. While it may ultimately replace us, and, if done well, could lead to some good suggestions. But given the rather unimpressive nature of artificial intelligence, and the potentially dubious ambitions of corporations, no binge-watcher is safe from having your tastes manipulated by some nefarious code. So, basically, keep us around a while longer. If you feel like it.</p>
]]></description>
      <pubDate>Sun, 7 Apr 2019 01:26:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>If you thought the work of a critic was glamorous, Matt and Lucas prove you wrong. On this episode the boys tackle some of the behind the scenes stuff of writing reviews, particularly book reviews. They use as their source material the cover essay from this April's <em>Harper's</em> by Christian Lorentzen called <a href="https://harpers.org/archive/2019/04/like-this-or-die/">&quot;Like this or die: the fate of the book review in the age of the algorithm.&quot;</a></p>
<p>If you're a fan of the show, you know <em>The Arts Fuse</em> writers are sworn adversaries of the algorithm. While it may ultimately replace us, and, if done well, could lead to some good suggestions. But given the rather unimpressive nature of artificial intelligence, and the potentially dubious ambitions of corporations, no binge-watcher is safe from having your tastes manipulated by some nefarious code. So, basically, keep us around a while longer. If you feel like it.</p>
]]></content:encoded>
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      <title>Ep 12 - Howl at the loon</title>
      <description><![CDATA[<p>Lucas is all alone at the start of this one. He messed up the audio for out latest episode and put this together so you wouldn't have to go without that sweet, sweet content.</p>
<p>He highlights a few pieces in the magazine including Tim Jackson's review of the new Jordan Peele film <em>Us</em>, and Steve Provizer's review of Vic Hobson's book <em>Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony</em>.</p>
<p>Then we move on to some bonus content from our interview with Pulitzer prize winner Lloyd Schwartz. Lloyd reads a couple more of his poems and we share some stories.</p>
]]></description>
      <pubDate>Thu, 28 Mar 2019 13:52:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Lucas is all alone at the start of this one. He messed up the audio for out latest episode and put this together so you wouldn't have to go without that sweet, sweet content.</p>
<p>He highlights a few pieces in the magazine including Tim Jackson's review of the new Jordan Peele film <em>Us</em>, and Steve Provizer's review of Vic Hobson's book <em>Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony</em>.</p>
<p>Then we move on to some bonus content from our interview with Pulitzer prize winner Lloyd Schwartz. Lloyd reads a couple more of his poems and we share some stories.</p>
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      <title>Ep. 11 - Skinny Jerry Garcia and Nixon read poetry</title>
      <description><![CDATA[<p>We are overwhelmed with gratitude that we were able to spend this episode with Pulitzer prize winning critic, poet, and teacher Lloyd Schwartz. We talk about his life, his poetry, his teaching, and the many incredible writers, poets, and people he's met. Lloyd is a professor at UMass Boston and the poet laureate of Somerville, MA. We also cover a couple of pieces in the magazine about a blackface confession, and the latest season of True Detective.</p>
<p>Stick around for the poetry of Richard Milhous Nixon, too. Lloyd gives an excellent reading.</p>
]]></description>
      <pubDate>Thu, 28 Feb 2019 05:42:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>We are overwhelmed with gratitude that we were able to spend this episode with Pulitzer prize winning critic, poet, and teacher Lloyd Schwartz. We talk about his life, his poetry, his teaching, and the many incredible writers, poets, and people he's met. Lloyd is a professor at UMass Boston and the poet laureate of Somerville, MA. We also cover a couple of pieces in the magazine about a blackface confession, and the latest season of True Detective.</p>
<p>Stick around for the poetry of Richard Milhous Nixon, too. Lloyd gives an excellent reading.</p>
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      <title>Ep 10 - The audacity of art</title>
      <description><![CDATA[<p>On this episode Lucas and Matt once again bang their heads against the walls of some of art's big questions. First, Lucas schools Matt on Paul Verhoeven and why he's still important. Then the boys remember Mary Oliver and read the first of what, we hope, will be many more Madonna tweets. Matt talks about what he likes about William Giraldi's book of literary criticism <em>American Audacity</em>. Then, Lucas reads from his piece on the short films of Josh Begley, data artist and law teacher who also writes for The Intercept.</p>
<p>https://www.amazon.com/American-Audacity-Defense-Literary-Daring/dp/1631493906</p>
<p>https://theintercept.com/2016/10/26/best-of-luck-with-the-wall/</p>
<p>Music cred</p>
<p>Mal Hallett And His Orchestra for &quot;When My Ship Comes In&quot; [Banner 33234, 1934]</p>
<p>DJ /rupture (Jace Clayton) &amp; Matt Shadetek – Solar Life Raft (2009). Clayton also wrote an original piece for Begley's film &quot;Best of Luck with the Wall.&quot;<br />
http://www.negrophonic.com/dj-rupture-mixes-free-download/</p>
]]></description>
      <pubDate>Fri, 25 Jan 2019 05:47:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>On this episode Lucas and Matt once again bang their heads against the walls of some of art's big questions. First, Lucas schools Matt on Paul Verhoeven and why he's still important. Then the boys remember Mary Oliver and read the first of what, we hope, will be many more Madonna tweets. Matt talks about what he likes about William Giraldi's book of literary criticism <em>American Audacity</em>. Then, Lucas reads from his piece on the short films of Josh Begley, data artist and law teacher who also writes for The Intercept.</p>
<p>https://www.amazon.com/American-Audacity-Defense-Literary-Daring/dp/1631493906</p>
<p>https://theintercept.com/2016/10/26/best-of-luck-with-the-wall/</p>
<p>Music cred</p>
<p>Mal Hallett And His Orchestra for &quot;When My Ship Comes In&quot; [Banner 33234, 1934]</p>
<p>DJ /rupture (Jace Clayton) &amp; Matt Shadetek – Solar Life Raft (2009). Clayton also wrote an original piece for Begley's film &quot;Best of Luck with the Wall.&quot;<br />
http://www.negrophonic.com/dj-rupture-mixes-free-download/</p>
]]></content:encoded>
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      <itunes:title>Ep 10 - The audacity of art</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>01:09:19</itunes:duration>
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      <itunes:keywords>mary oliver, art, josh begley, politics, literature, dj rupture, giraldi, the intercept, writing</itunes:keywords>
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      <title>Ep 9 - Melted into air on the fringe, the David Miller interview</title>
      <description><![CDATA[<p>After nearly twenty years on the fringe, Boston’s Zeitgeist Stage Company is shutting its doors with its production of Jacques Lamarre’s Trigger Warning at the Boston Center for the Arts, April 12 through May 4.</p>
<p>Arts Fuse editor Bill Marx, along with Lucas Spiro and Matt Hanson, spend the hour talking with David Miller, the founding artistic director of the company. We discuss the challenging theater the small company was known for, current barriers of entry in the theater world, and the money behind it all. Mainstream theater, like so much else in our culture, is dominated by a small group of wealthy people who exert considerable power and influence over what is staged, and who gets to do it. Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?</p>
]]></description>
      <pubDate>Wed, 9 Jan 2019 14:42:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>After nearly twenty years on the fringe, Boston’s Zeitgeist Stage Company is shutting its doors with its production of Jacques Lamarre’s Trigger Warning at the Boston Center for the Arts, April 12 through May 4.</p>
<p>Arts Fuse editor Bill Marx, along with Lucas Spiro and Matt Hanson, spend the hour talking with David Miller, the founding artistic director of the company. We discuss the challenging theater the small company was known for, current barriers of entry in the theater world, and the money behind it all. Mainstream theater, like so much else in our culture, is dominated by a small group of wealthy people who exert considerable power and influence over what is staged, and who gets to do it. Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?</p>
]]></content:encoded>
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      <itunes:title>Ep 9 - Melted into air on the fringe, the David Miller interview</itunes:title>
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      <title>Ep. 8 - Good riddance, 2018...</title>
      <description><![CDATA[<p>A sickly Lucas Spiro is joined once more by Matt Hanson to give you a review of the year that was. And what a dumb year it's been. Not for The Fuse, though!</p>
<p>You'll have to forgive Lucas for, in addition to everything else, his severe head cold. And both of us for briefly discussing Kevin Spacey's unbearable, cringe-worthy monologue rejecting the premise of the horrendous accusations against him in the persona of Frank Underwood while cooking Christmas dinner. This pretty much sums up 2018 wherein we continuously found new ways to realize that parody is long dead.</p>
<p>It's not all bad. We've got a great review of William Barber's new book by Jeremy Ray Jewell, and then a bounty of top picks from throughout the year by our critics. Matt breaks down his best Criterion editions this year, which includes a noteworthy nod to Kevin Costner's emotive cheekbones, because, how could it not?</p>
<p>So pull up a chair and sit with us a while. We'll ring out this miserable year together and flip the calendar with, dare I say, some hope?</p>
<p>Thanks for listening and happy New Year from all of us at The Arts Fuse.</p>
]]></description>
      <pubDate>Mon, 31 Dec 2018 04:54:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>A sickly Lucas Spiro is joined once more by Matt Hanson to give you a review of the year that was. And what a dumb year it's been. Not for The Fuse, though!</p>
<p>You'll have to forgive Lucas for, in addition to everything else, his severe head cold. And both of us for briefly discussing Kevin Spacey's unbearable, cringe-worthy monologue rejecting the premise of the horrendous accusations against him in the persona of Frank Underwood while cooking Christmas dinner. This pretty much sums up 2018 wherein we continuously found new ways to realize that parody is long dead.</p>
<p>It's not all bad. We've got a great review of William Barber's new book by Jeremy Ray Jewell, and then a bounty of top picks from throughout the year by our critics. Matt breaks down his best Criterion editions this year, which includes a noteworthy nod to Kevin Costner's emotive cheekbones, because, how could it not?</p>
<p>So pull up a chair and sit with us a while. We'll ring out this miserable year together and flip the calendar with, dare I say, some hope?</p>
<p>Thanks for listening and happy New Year from all of us at The Arts Fuse.</p>
]]></content:encoded>
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      <itunes:title>Ep. 8 - Good riddance, 2018...</itunes:title>
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      <title>&quot;People are like ferrets!&quot;</title>
      <description><![CDATA[<p>Matt and Lucas talk with Arts Fuse critic Steve Provizer about one of our favorite subjects: just what is a critic for?</p>
<p>We base our discussion on the new Coen brothers film The Ballad of Buster Scruggs and discuss violence, politics, and the virtues of the noble ferret.</p>
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      <pubDate>Wed, 12 Dec 2018 07:45:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
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      <content:encoded><![CDATA[<p>Matt and Lucas talk with Arts Fuse critic Steve Provizer about one of our favorite subjects: just what is a critic for?</p>
<p>We base our discussion on the new Coen brothers film The Ballad of Buster Scruggs and discuss violence, politics, and the virtues of the noble ferret.</p>
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      <itunes:title>&quot;People are like ferrets!&quot;</itunes:title>
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      <title>Ep.6 - The Father, Son, and Ms. Boudreau</title>
      <description><![CDATA[<p>Give thanks, the Fuse is back with another podcast!</p>
<p>In this episode, Lucas and Matt review some of the recent pieces that have gone up on the Arts Fuse about theater, music, and more. A review of the new Jane Fonda documentary leads into a discussion about celebrity culture and politics. Recently, Matt interviewed writer and New Yorker book Critic James Wood about his novel Upstate and the challenges of writing fiction. Matt coins a phrase. Lucas supplies some sound effects.</p>
<p>Then we read from Jeremy Ray Jewell's review of Lonnie Holley's mind-blowing new album MITH.</p>
<p>For the giving season consider joining our trinity of donors to help pay our writers who bring you the best in arts criticism and commentary.</p>
<p>Music:</p>
<p>&quot;Just Blues (Meanest Kind of Blues)&quot; - The Memphis Jazzers, 1929 (VD 71739)<br />
http://www.jazz-on-line.com/a/2b17/HA509518.mp3</p>
<p>&quot;The Green Grass Grows All Around&quot; - Louis Jordan and His Tympany Five, 1941 (Decca 8605)<br />
http://www.jazz-on-line.com/a/2014/CL497249.mp3</p>
<p>&quot;Tangle Eye Blues&quot; - Walter &quot;Tangle Eye&quot; Jackson, 1947<br />
https://archive.org/details/82161/10+Walter+'Tangle+Eye'+Jackson+-+Tangle+Eye+Blues.mp3</p>
<p>&quot;I Snuck off the Slave Ship&quot; - Lonnie Holley, 2018 (Jagjaguwar)<br />
https://lonnieholley.bandcamp.com/track/i-snuck-off-the-slave-ship</p>
<p>https://jagjaguwar.com/release/JAG316/</p>
<p>https://www.lonnieholley.com/</p>
]]></description>
      <pubDate>Tue, 27 Nov 2018 14:39:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Give thanks, the Fuse is back with another podcast!</p>
<p>In this episode, Lucas and Matt review some of the recent pieces that have gone up on the Arts Fuse about theater, music, and more. A review of the new Jane Fonda documentary leads into a discussion about celebrity culture and politics. Recently, Matt interviewed writer and New Yorker book Critic James Wood about his novel Upstate and the challenges of writing fiction. Matt coins a phrase. Lucas supplies some sound effects.</p>
<p>Then we read from Jeremy Ray Jewell's review of Lonnie Holley's mind-blowing new album MITH.</p>
<p>For the giving season consider joining our trinity of donors to help pay our writers who bring you the best in arts criticism and commentary.</p>
<p>Music:</p>
<p>&quot;Just Blues (Meanest Kind of Blues)&quot; - The Memphis Jazzers, 1929 (VD 71739)<br />
http://www.jazz-on-line.com/a/2b17/HA509518.mp3</p>
<p>&quot;The Green Grass Grows All Around&quot; - Louis Jordan and His Tympany Five, 1941 (Decca 8605)<br />
http://www.jazz-on-line.com/a/2014/CL497249.mp3</p>
<p>&quot;Tangle Eye Blues&quot; - Walter &quot;Tangle Eye&quot; Jackson, 1947<br />
https://archive.org/details/82161/10+Walter+'Tangle+Eye'+Jackson+-+Tangle+Eye+Blues.mp3</p>
<p>&quot;I Snuck off the Slave Ship&quot; - Lonnie Holley, 2018 (Jagjaguwar)<br />
https://lonnieholley.bandcamp.com/track/i-snuck-off-the-slave-ship</p>
<p>https://jagjaguwar.com/release/JAG316/</p>
<p>https://www.lonnieholley.com/</p>
]]></content:encoded>
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      <itunes:title>Ep.6 - The Father, Son, and Ms. Boudreau</itunes:title>
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      <itunes:duration>01:04:44</itunes:duration>
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      <title>This is why we can&apos;t have nice things</title>
      <description><![CDATA[<p>Lucas and Matt discuss the demise of FilmStruck, a &quot;business decision&quot; made in the aftermath of the ATt&amp;T and Time Warner merger. The fat cats continue to swallow up all that sweet, premium content, limiting our imaginative and cultural possibilities. Then, we take a look at Monica Hileman's review of Michael Lewis's book The Fifth Risk, and talk about the importance and shortcomings of all that red tape. Matt then gives us a long read of Jay Atkinson's review of the thrilling documentary film Free Solo, about Alex Honnold's attempt to climb El Capitan with no ropes.</p>
]]></description>
      <pubDate>Mon, 5 Nov 2018 00:14:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Lucas and Matt discuss the demise of FilmStruck, a &quot;business decision&quot; made in the aftermath of the ATt&amp;T and Time Warner merger. The fat cats continue to swallow up all that sweet, premium content, limiting our imaginative and cultural possibilities. Then, we take a look at Monica Hileman's review of Michael Lewis's book The Fifth Risk, and talk about the importance and shortcomings of all that red tape. Matt then gives us a long read of Jay Atkinson's review of the thrilling documentary film Free Solo, about Alex Honnold's attempt to climb El Capitan with no ropes.</p>
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      <itunes:title>This is why we can&apos;t have nice things</itunes:title>
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      <itunes:duration>01:07:52</itunes:duration>
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      <title>The left is not fucking Aaron Sorkin</title>
      <description><![CDATA[<p>We get political AF on this one, folks. This is the AF podcast, after all. Bill Marx rejoins the crew for an in depth discussion of the Eleanor Burgess play &quot;The Niceties&quot; that just finished up its run at the Calderwood Pavilion in Boston's South End.</p>
<p>Lucas looses his mind. Matt tries to be diplomatic. And Bill remains the wise dispassionate critic who sets everyone else straight about the future of theater and the political left.</p>
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      <pubDate>Sun, 7 Oct 2018 23:04:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>We get political AF on this one, folks. This is the AF podcast, after all. Bill Marx rejoins the crew for an in depth discussion of the Eleanor Burgess play &quot;The Niceties&quot; that just finished up its run at the Calderwood Pavilion in Boston's South End.</p>
<p>Lucas looses his mind. Matt tries to be diplomatic. And Bill remains the wise dispassionate critic who sets everyone else straight about the future of theater and the political left.</p>
]]></content:encoded>
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      <itunes:title>The left is not fucking Aaron Sorkin</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>01:15:47</itunes:duration>
      <itunes:summary>Lucas looses his mind. Matt tries to be diplomatic. And Bill remains the wise dispassionate critic who sets everyone else straight about the future of theater and the political left. </itunes:summary>
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      <title>Bonus - Extended conversation with Bill Marx</title>
      <description><![CDATA[<p>Hear the extended conversation with Bill Marx from episode 1. Matt and I grill the Fuse's editor in chief about the state of arts criticism and why reading The Arts Fuse is a sure fire way of guaranteeing how young and hip you are. Then we do an in depth comparison of Spike Lee's film BlacKkKlansman and Boots Riley's film Sorry to Bother You.</p>
]]></description>
      <pubDate>Sun, 30 Sep 2018 22:53:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Hear the extended conversation with Bill Marx from episode 1. Matt and I grill the Fuse's editor in chief about the state of arts criticism and why reading The Arts Fuse is a sure fire way of guaranteeing how young and hip you are. Then we do an in depth comparison of Spike Lee's film BlacKkKlansman and Boots Riley's film Sorry to Bother You.</p>
]]></content:encoded>
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      <itunes:title>Bonus - Extended conversation with Bill Marx</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:duration>01:00:48</itunes:duration>
      <itunes:summary>Hear the extended conversation with Bill Marx from episode 1. Matt and I grill the Fuse&apos;s editor in chief about the state of arts criticism and why reading The Arts Fuse is a sure fire way of guaranteeing how young and hip you are. Then we do an in depth comparison of Spike Lee&apos;s film BlacKkKlansman and Boots Riley&apos;s film Sorry to Bother You.</itunes:summary>
      <itunes:subtitle>Hear the extended conversation with Bill Marx from episode 1. Matt and I grill the Fuse&apos;s editor in chief about the state of arts criticism and why reading The Arts Fuse is a sure fire way of guaranteeing how young and hip you are. Then we do an in depth comparison of Spike Lee&apos;s film BlacKkKlansman and Boots Riley&apos;s film Sorry to Bother You.</itunes:subtitle>
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      <title>Funny &apos;haha&apos; or funny peculiar? The Matt Christman Interview</title>
      <description><![CDATA[<p>We've made it to episode 2! And boy do we have a good one.</p>
<p>We are eternally grateful to Matt Christman (@cushbomb) from Chapo Trap House who humbled himself to talk with us about the new book The Chapo Guide to Revolution: A Manifesto Against Logic, Facts and Reason.</p>
<p>The book was co-written with other Chapo members Felix, Will, Virgil, and Brendan and has art from Eli Valley and John White.</p>
<p>Chapo will be live in Boston on Friday September 14 at the Wilbur and then going to Hamden, CT and Pawtucket, RI. Go check them out and buy the book.</p>
<p><em><strong>Warning</strong></em>*</p>
<p>Something went TERRIBLY wrong with the audio at the beginning. I could do little to fix it and I'm deeply sorry. Feel free to skip ahead to the interview at the 20 minute mark.</p>
<p>I promise to become a better person and better podcaster.</p>
]]></description>
      <pubDate>Thu, 13 Sep 2018 22:35:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>We've made it to episode 2! And boy do we have a good one.</p>
<p>We are eternally grateful to Matt Christman (@cushbomb) from Chapo Trap House who humbled himself to talk with us about the new book The Chapo Guide to Revolution: A Manifesto Against Logic, Facts and Reason.</p>
<p>The book was co-written with other Chapo members Felix, Will, Virgil, and Brendan and has art from Eli Valley and John White.</p>
<p>Chapo will be live in Boston on Friday September 14 at the Wilbur and then going to Hamden, CT and Pawtucket, RI. Go check them out and buy the book.</p>
<p><em><strong>Warning</strong></em>*</p>
<p>Something went TERRIBLY wrong with the audio at the beginning. I could do little to fix it and I'm deeply sorry. Feel free to skip ahead to the interview at the 20 minute mark.</p>
<p>I promise to become a better person and better podcaster.</p>
]]></content:encoded>
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      <itunes:title>Funny &apos;haha&apos; or funny peculiar? The Matt Christman Interview</itunes:title>
      <itunes:author>The Arts Fuse</itunes:author>
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      <itunes:summary>We&apos;ve made it to episode 2! And boy do we have a good one.

We are eternally grateful to Matt Christman (@cushbomb) from Chapo Trap House who humbled himself to talk with us about the new book The Chapo Guide to Revolution: A Manifesto Against Logic, Facts and Reason.

The book was co-written with other Chapo members Felix, Will, Virgil, and Brendan and has art from Eli Valley and John White.</itunes:summary>
      <itunes:subtitle>We&apos;ve made it to episode 2! And boy do we have a good one.

We are eternally grateful to Matt Christman (@cushbomb) from Chapo Trap House who humbled himself to talk with us about the new book The Chapo Guide to Revolution: A Manifesto Against Logic, Facts and Reason.

The book was co-written with other Chapo members Felix, Will, Virgil, and Brendan and has art from Eli Valley and John White.</itunes:subtitle>
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      <title>The theme of this show is a trainwreck</title>
      <description><![CDATA[<p>Welcome to the first episode of the Arts Fuse Podcast. The Arts Fuse is Boston's premier arts and culture magazine. In this episode, your hosts Lucas and Matt learn how to talk, take a deep dive into Boots Riley's revolutionary film Sorry to Bother you, and sit down with Arts Fuse editor in chief Bill Marx.</p>
<p>Check out the magazine: http://artsfuse.org/</p>
<p>Support us on Patreon: https://www.patreon.com/theartsfuse</p>
]]></description>
      <pubDate>Tue, 11 Sep 2018 22:14:00 +0000</pubDate>
      <author>theshortfusepod@gmail.com (The Arts Fuse)</author>
      <link>http://artsfuse.org</link>
      <content:encoded><![CDATA[<p>Welcome to the first episode of the Arts Fuse Podcast. The Arts Fuse is Boston's premier arts and culture magazine. In this episode, your hosts Lucas and Matt learn how to talk, take a deep dive into Boots Riley's revolutionary film Sorry to Bother you, and sit down with Arts Fuse editor in chief Bill Marx.</p>
<p>Check out the magazine: http://artsfuse.org/</p>
<p>Support us on Patreon: https://www.patreon.com/theartsfuse</p>
]]></content:encoded>
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      <itunes:title>The theme of this show is a trainwreck</itunes:title>
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      <itunes:duration>01:10:48</itunes:duration>
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