New Books in Literary Studies

Catherine A John, "Afroindigenization: A Theory of Grassroots Cultural Practice" (Duke UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 15 Sep 2026 08:00:00 +0000

In Afroindigenization: A Theory of Grassroots Cultural Practice (Duke University Press, 2026), Catherine A. John addresses the underbelly of spiritual resilience shaping a range of African diasporic institutions, traditions, and practices. John argues that repressed forms of indigenous African knowledge systems manifest in a myriad of culturally embodied ways in African diaspora spaces and places. From mermaid lore in rural Jamaica to hip-hop trance-induced dance in Los Angeles to the stories of two debaters-turned-social-media-influencers, John shows how the descendants of enslaved Africans express the signs and substance of their afroindigenous power through collective creativity. Drawing from scholars such as Vèvè Clark, Hortense Spillers, Dianne M. Stewart, and Sylvia Wynter, Afroindigenization exposes the cultural and spiritual ancestries that lie at the heart of modern Black identities and practices.

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Christopher Freeburg, "Soul: A Brief History of Black Cultural Life" (Yale UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 11 Sep 2026 08:00:00 +0000

Today’s guest, Christopher Freeburg, is the author of Soul: A Brief History of Black Cultural Life (Yale University Press, 2026). This book explores the US history of black cultural life as a history of soul – a spiritual lived practice rooted in communally fostered music, religion, and politics. It makes the case that soul is forged through black community connections and that it’s sustained by moral principles, or pillars, which define how it is lived. The book’s four chapters are organized around four of these pillars: resonance, revelation, resilience, and transcendence. A number of black individuals are foregrounded in these discussions: they include Phillis Wheatley, Gwendolyn Brooks, Nina Simone, Jewel Thais-Williams, Barack Obama, and others.

By telling their stories, and by honoring the weight of the trauma and violence that has long befallen the black community, Christopher Freeburg’s Soul invites its readers to commune with the soul power of people who brought about transformation in the face of seeming impossibility.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

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A Nation Wrestles With God: American Prophets, Philosophers, and Firebrands

caleb@newbooksnetwork.com (New Books Network) — Thu, 10 Sep 2026 08:00:00 +0000

Spanning more than 400 years of spiritual transformation and imagination, A Nation Wrestles With God (Restless Books, 2026) collects diverse writers—poets, novelists, theologians, scientists, musicians, politicians, comedians, artists, mavericks, naturalists, futurists, and more—whose daring texts incited change and continue to influence a growing nation. In this anthology, you will find the stories, poems, letters, speeches, sermons, essays, song lyrics, comic strips, newspaper columns, and commentaries that have awoken new generations to free religious thought, from the precolonial to the present day.

A landmark collection of the philosophers and firebrands that sparked a country’s journey through divinity—praising, challenging, and redefining the sacred.

Guest: Ilan Stavans is the publisher of Restless Books and the Lewis-Sebring Professor of Humanities and Latin American and Latino Culture at Amherst College. His books include On Borrowed Words, and A Critic’s Journey. He has edited The Norton Anthology of Latino Literature, among dozens of other volumes. He is the recipient of numerous honors, including a Guggenheim Fellowship, Chile’s Presidential Medal, the International Latino Book Award, and the Jewish Book Award. His work, translated into twenty languages, has been adapted to the stage and screen. A cofounder of the Great Books Summer Program at Amherst, Stanford, Chicago, Oxford, and Dublin, he is the host of the NPR podcast “In Contrast.”

Host: Dr. Christina Gessler holds a Ph.D. in history, which she uses to explore which stories we tell and what happens to those we never tell. She is the creator and producer of the Academic Life podcast and newsletter. She works as a writing coach and developmental editor for academics.

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Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

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Leonhard Emmerling, "The Idiots: The History of the Homo Nullus" (Seagull Books, 2026)

caleb@newbooksnetwork.com (New Books Network) — Wed, 9 Sep 2026 08:00:00 +0000

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026)

Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society’s norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world.

Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Lucas L. Johnson II, "Remembering Roots: How an American Classic Transformed the World" (Broadleaf Books, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 8 Sep 2026 08:00:00 +0000

As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel Roots (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen.

With vivid personal anecdotes, emotional tributes, and probing reflections, Remembering Roots: How an American Classic Transformed the World (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of Roots’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture.

As debates rage over which histories get told, Remembering Roots boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available here.

Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of Finding the Good and coauthor of Youth Change Agent. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his website.

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Jonathan Swift and David Womersley ed., "Gulliver's Travels: Cambridge Anniversary Edition" (Cambridge UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 7 Sep 2026 08:00:00 +0000

Gulliver's Travels is one of the landmarks of world literature. Gulliver's adventures with the tiny but spirited Lilliputians, the giant inhabitants of Brobdingnag, the flying island of Laputa, and the rational horses of Houyhnmhnmland have become globally famous for their satirical wit and visionary creativity. Early editions credited Gulliver himself as the author, and many readers believed him to be a real person. Later commentators have variously described the work as proto-science fiction, as inspired children's literature and as a forerunner of the modern novel. The editor's introduction to this celebratory anniversary edition contextualises Gulliver's Travels in Swift's life and work as a whole while exploring its rich and remarkable afterlife. All the original illustrations and maps are included, as are the frontispiece portraits. Generous annotation explains textual details which might now seem obscure, and appendices contain additional documents and images to enhance contemporary understanding and enjoyment.

David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons’s Decline and Fall of the Roman Empire, Boswell’s Life of Samuel Johnson and David Hume’s complete essays. He is a Fellow of the British Academy and of the Royal Historical Society.

YouTube Channel: here

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Agnes Mueller, "Holocaust Migration in German Jewish Literatures" (Cambridge UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 5 Sep 2026 08:00:00 +0000

In Holocaust Migration in German Jewish Literatures (Cambridge UP, 2026), analysing the past two decades of literature on Holocaust memory and migration stories, Agnes Mueller engages with writers such as W.G. Sebald, Thomas Bernhard, Edgar Hilsenrath, Benjamin Stein, Mirna Funk, Fred Wander, Barbara Honigmann, Julia Franck, Sasha Marianna Salzmann, Olga Grjasnowa, and Kat Kaufmann to explore current debates on Israel, the German Democratic Republic, gender, Jewish and Muslim identity, and antisemitism.

Her new readings of German-language texts by younger authors present robust challenges to entrenched ideas concerning the singularity of the Holocaust, multidirectional memory, and a range of other memory debates. Jewish identity and Muslim identity are shown in direct conversation with other migrants' experiences, and literature is revealed to be a brave space where Holocaust memory is newly imagined. Mueller's study invites a radically new way to think about the Holocaust and sheds new and valuable light on adjacent contemporary discourses.

Agnes Mueller (M.A., LMU Munich, Germany; Ph.D., Vanderbilt U), Professor of German and Comparative Literature at the University of South Carolina, is an expert on recent and contemporary German literature. She is core faculty in Jewish Studies and affiliated with Women's and Gender Studies. Her essay publications are on German American relations, contemporary literature, German Jewish studies, and Holocaust memory. Her 2004 anthology German Pop Culture: How "American" Is It? (U of Michigan P) is still widely used for teaching and research. Her 2015 monograph is entitled The Inability to Love: Jews, Gender, and America in Recent German Literature, (Northwestern UP), available in German translation as Die Unfähigkeit zu lieben (Königshausen & Neumann, 2017). With Katja Garloff she edited German Jewish Literature After 1990 (Camden House, 2018). In Spring of 2025 she was the Carol Kahn Strauss Fellow in Jewish Studies at the American Academy in Berlin. Her new book, Holocaust Migration in German Jewish Literatures (Cambridge UP, 2026) reveals how, in recent German Jewish literature, Jewish and Muslim migration stories converge to shape the future of Holocaust memory. She is currently at work on a new monograph entitled The Family’s Fight: Resisting State Control, where she investigates how families deal with loved ones who are or were political prisoners, and how that relationship reflects back on authoritarian regimes.

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The Political Philosophy of Mark Twain: On His Absurd, Noble Americans with Ivan Kenneally

caleb@newbooksnetwork.com (New Books Network) — Wed, 2 Sep 2026 08:00:00 +0000

While many know that Mark Twain created some of the most famous characters in literature—Tom Sawyer and Huckleberry Finn, Jim and Puddn’head Wilson—too few have understood that the Missouri author wasn’t only America’s greatest humorist, but also one of its most subtle political thinkers. But what was the political philosophy of the elusive and ironic Mark Twain for his new democratic America?

To help answer that question, as we continue Season 6, I have as our guest Ivan Kenneally. A contributor to The New Atlantis and First Things, among other publications, he wrote an essay for The Hedgehog Review on modern reactions to Twain’s Adventures of Huckleberry Finn (1884), titled: “Mark Twain’s Absurd, Noble America,” which we will be discussing today.

We also talk about the travels of the two runaways Huck and Jim, along with their many disguises and rouses, how Americans like Tom Sawyer read European literature too dogmatically, the conmen Twain depicts in the Duke and Dauphin, technical versus tacit knowledge in his memoir Life on the Mississippi, contemporary interest in Twain from Ron Chernow and Percival Everett, the nature of irony as well as the poverty of modern comedy, and what philosophers and comedians alike can learn from the Missouri author and philosopher.

Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes.

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Aonghus MacKechnie, "Edinburgh: City of Romanticism" (Lund Humphries, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 1 Sep 2026 08:00:00 +0000

Romanticism made Scotland famous. It critically shaped the course of Scottish culture, while impacting on cultures elsewhere and inaugurating the country’s still-flourishing and lucrative tourist industry. This book is about Edinburgh’s most emblematic architecture over the long 19th century: the castellated and stone built cityscape of national revivalist architecture. It reveals why Scotland had by the 1820s become one of Europe’s great centres of Romanticism, due both to the majestic Highlands, and to Edinburgh itself as city of Romanticism. Additionally, Edinburgh developed as the main centre and hub for travellers drawn to Romantic Scotland through the work of James ‘Ossian’ Macpherson and Sir Walter Scott: visitors including Schinkel, Mozart, Verne, Turner, Haydn, amongst innumerable others.

Edinburgh: City of Romanticism (Lund Humphries, 2026) by Dr. Aonghus MacKechnie also provides a long-overdue counterbalance to the contrastingly much-examined and much-published topic of Enlightenment Edinburgh, showing how this and Romantic Edinburgh have comfortably co-existed. It examines how Edinburgh’s Romanticism was similarly driven by intellectuals, amongst whom were Enlightenment figures and artistically talented individuals, and it discusses the legacy of those who contributed to the Romantic cityscape of today; an architecture that provides much of the character of the UNESCO-designated World Heritage Site and of the city that countless tourists come daily to see.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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María Angélica Thumala Olave, "The Love of Books: Attachment to a Changing Cultural Object" (Manchester UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sun, 30 Aug 2026 08:00:00 +0000

Why do people read? In The Love of Books: Attachment to a Changing Cultural Object (Manchester University Press, 2026) María Angélica Thumala Olave, a Senior Lecturer in Sociology at the University of Edinburgh’s School of Social and Political Science, explores people’s relationship to books and to reading, demonstrating the pleasure and importance books provide in contemporary life. Moving beyond a narrow focus on the social status offered by books and reading, the analysis shows the role of material objects, along with the emotional engagements and social bonds forged by the practices associated with books and reading.

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Courtney Weikle‑Mills, "Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement" (Johns Hopkins UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 29 Aug 2026 08:00:00 +0000

What if children’s literature was never as innocent as we imagine?

In Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement (Johns Hopkins University Press, 2026), the relationship between childhood reading and Atlantic slavery is brought into sharp focus. The book argues that children’s literature did not merely emerge alongside the plantation economy; it was deeply shaped by it. Sugar, sweetness, moral instruction, and domestic comfort were all tied to systems of enslavement and colonial trade, even as the violence behind them was softened or erased in stories for young readers.

The book also examines how ideas of white civility shaped childhood. White children, particularly girls, were cast as symbols of innocence, refinement, and moral feeling, while Black children were excluded from those same protections. Through analyses of persecuted-heroine narratives, missionary education, and colonial schooling, the study reveals how children’s literature helped normalise racial hierarchy across the British Empire.

Yet the project is equally attentive to resistance and alternative ethical traditions. Afro-Caribbean oral storytelling, including Anansi tales, songs, and folktales, emerges as a powerful counterarchive. These traditions preserved histories of survival, collective memory, and resistance that colonial print culture often attempted to suppress. The discussion of the “Queen Mary” Fireburn song, for instance, highlights how storytelling became a form of ethical education and cultural continuity across generations.

One of the book’s most striking contributions is its global scope. Children’s texts on slavery circulated far beyond Britain and the Caribbean, travelling to Africa, Asia, and the Middle East via missionary and imperial networks. In translation and adaptation, these works sometimes reinforced imperial ideologies, but they could also be reshaped in unexpected ways by ‘local’ readers and writers.

Sugarcoated Ethics asks readers to reconsider what children’s literature teaches us about morality, empathy, and history. It challenges the assumption that childhood stories are politically neutral and invites us to think more critically about the ethical worlds children’s books continue to create today.

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Stefan Collini, "Literature and Learning: A History of English Studies in Britain" (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 29 Aug 2026 08:00:00 +0000

Literature and Learning: A History of English Studies in Britain (Oxford University Press, 2025) by Stefan Collini

The study and teaching of English literature is generally regarded as one of the central disciplines in the modern university, yet for much of its history it struggled to gain academic legitimacy and was frequently derided as 'a soft option'. Its early professors responded by emphasizing its scholarly character, foregrounding philology and literary history in ways that marked the syllabus far into the twentieth century.

Stefan Collini provides here the first full account of the discipline's development from its late-eighteenth-century beginnings up to the early 1960s. Paying special attention to institutional settings, he challenges numerous assumptions about the character of universities in the nineteenth and early twentieth centuries. From the detailed exploration of syllabuses, exam papers, and other institutional records, the impact of literary criticism is revealed to be later and more partial than is commonly assumed. Rather than seeing the early teaching of English literature as 'a substitute for religion' or 'a means to soften class conflict', Collini emphasizes the role of ideals of learnedness and scholarship, as well as of external factors such as opportunities for employment in the civil service and secondary school-teaching. There are full discussions of the parts played by such figures as John Churton Collins, A.C. Bradley, George Saintsbury, and Walter Raleigh, together with sceptical analyses of the decisive significance usually attributed to Matthew Arnold, T.S. Eliot, I.A. Richards, and F.R. Leavis. Separate chapters are devoted to neglected aspects of the story such as the role of Classics, the importance of the subject for women's higher education, and the connections with English teaching in schools.

Drawing on extensive use of institutional archives and records as well as the writings of contemporary participants, the book offers a vivid and wide-ranging history of English-as-discipline and its centrality across academic, literary, cultural, and educational life over the past two year hundred years, as well as a resounding testament to its continued importance and relevance today.

Stefan Collini, Professor Emeritus of Intellectual History and English Literature, University of Cambridge. Stefan Collini was educated at Cambridge and Yale. Following a Research Fellowship at St John's College, Cambridge, he was Lecturer, then Reader, in Intellectual History at the University of Sussex 1974-86; Lecturer, then Reader, then Professor of Intellectual History and English Literature at the University of Cambridge 1986-2014. He is a Fellow of the British Academy, and a frequent contributor to the London Review of Books, Times Literary Supplement, and Guardian.

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Transcending Disciplinary Confinements With(in) Beckett Studies

caleb@newbooksnetwork.com (New Books Network) — Tue, 25 Aug 2026 08:00:00 +0000

This is Dr. Swati Joshi's inaugural episode on the New Books Network. In this episode, she interviews Dr. Lucy Jeffery about her monograph, Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process (ibidem Press, 2021). She is also co-editor and author of Replaying Communism: Trauma and Nostalgia in European Cultural Production, published by CEU Press and AUP in 2026. She is co-founder of the Replaying Communism project, which received funding from the AHRC SWW-DTP (2023) and the Visegrad Fund (2024). Dr. Jeffery's published research is on Samuel Beckett, Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szabó. Her monograph—Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process—was published by Ibidem in 2021, and, in 2022, she co-edited a special issue for Green Letters, entitled ‘A New Poetics of Space’.

This episode weaves together Beckett's transdisciplinary creative process with Dr. Jeffery's journey of research, and cogitation over challenges to preserve integrity and creativity of the author's works in the wake of rapidly developing AI tools. Furthermore, the colour blue occupies an integral role in Dr. Jeffery's monograph, so this episode entails analytical segments on pigments used in Beckett's works beyond the black, white, and grey. Dr. Jeffery and I also briefly discuss our ongoing special issue, "A Writer's Palette: Colour in Late Modernist Literature," for Textual Practice. Colleagues interested in sharing their proposal until 12th December, can write to us on latemodernists@gmail.com, for more details.

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Sabrina Inowlocki, "Ancient Apologetics and the Bibliographic Imagination" (Cambridge UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 24 Aug 2026 08:00:00 +0000

Ancient apologetics is usually treated as a literary genre or a branch of early theology. This Element offers a different account. It argues that many Jewish and Christian texts conventionally labeled 'apologetic' are better understood through a bibliographic and archival lens: They produce authority not only by defending doctrines, but by organizing books, constructing corpora, mobilizing archives, and regulating interpretation. Tracing a trajectory from the Letter of Aristeas to Jerome's De viris illustribus, this Element shows how citation, collection, cataloguing, and textual ordering made traditions appear authoritative. Examining Aristeas, Josephus, Tatian, Justin, Origen, Pamphilus, Eusebius, and Jerome, it argues that apologetics is best understood as a form of curatorial power through which ancient communities learned to think with books. This title is also available as open access on Cambridge Core.

New Books in Late Antiquity is presented by Ancient Jew Review.

Sabrina Inowlocki is a Senior Research Fellow Institute for Religion and Critical Inquiry (IRCI) at the Australian Catholic University.

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Patricia A. Billingsley, "Lorca in Vermont: The Spanish Poet and His American Lover" (High Road Books, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 24 Aug 2026 08:00:00 +0000

A groundbreaking reassessment of the relationship between Federico García Lorca and American poet Philip Cummings and its impact on the poems in Lorca's landmark collection, Poet in New York.
In August 1929, Spanish poet Federico García Lorca left New York City to spend ten days with his friend and lover Philip Cummings at a lakeside cottage in northern Vermont. Lorca in Vermont: The Spanish Poet and His American Lover (High Road Books, 2026) tells the story of two young men with mismatched goals and expectations: Lorca, already well established in his career, who sought a sustained romantic relationship with another man, and Cummings, a new college graduate eight years his junior, who had no interest in long-term commitment or in challenging social conventions. Based on over a decade of research, Lorca in Vermont explores the full course of Lorca’s relationship with Cummings, an affair that spanned three years and two continents. Combining unique access to primary sources, extensive original research, and a fresh analysis of published sources, the book describes not only the pair’s history as a couple but also the suppression of their relationship by Lorca scholars after the poet’s tragic death in 1936. Perhaps most importantly, it reveals previously unrecognized links between the disappointment and loss Lorca experienced in his relationship with Cummings and at least eight of the poems in his landmark collection Poet in New York, a work that has long intrigued and inspired other writers. The book brilliantly blends compelling new findings and an engaging narrative style in a page-turning tale that is a must read for anyone interested in Lorca and his legacy.

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Joseph Acquisto, "Baudelaire's Objects" (Bloomsbury, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 22 Aug 2026 08:00:00 +0000

Baudelaire's Objects (Bloomsbury, 2026) examines Baudelaire's multifaceted use of natural, domestic, urban, and esthetic objects in his verse and prose poetry, as well as the ways his poems reshape our understanding of objects and how those objects destabilize, yet preserve, the subject-object relation. Charles Baudelaire's representation of objects in the natural world establishes a relation that is neither one of identity between human subject and nature nor a relation of domination; he reveals both the natural world and the human subject to be characterized by an irreducible doubleness and nonidentity to itself. Likewise, everyday domestic objects in his poems overflow their boundaries as simple metaphors; their often uncanny aspect highlights their quasi-agency as they define and shape the subject who interacts with them.

Baudelaire's poems-as-objects also take on this kind of agency, acting upon readers in ways that both require and surpass attempts to grasp the poems conceptually as art objects for analysis. This reshaping of subjectivity and objectivity acquires increased intensity in his urban poetry, where city objects are at the intersection of the mythic, the historical, the esthetic, and the commercial.

Baudelaire's Objects shows how paying attention to objects differently, as Baudelaire's poems impel readers to do, is to reorient ourselves in the world by giving objects their due, recognizing the mediating qualities both of objects and of the language with which we represent or create them. We can thus reinvent our understanding of the limits and potential of human subjectivity as it is inextricably intertwined with the world around us.

Guest Joseph Acquisto is Professor of French and Director of the School of World Languages and Cultures at the University of Vermont. He writes on nineteenth- and twentieth-century literature with a particular focus on the intersections of literature with philosophy and music. In addition to Baudelaire's Objects, Dr. Acquisto’s books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry’s Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement.

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Emily Sibley, "The Poetics of Incivility: Satire and Subversion in Modern Arab Culture" (Cornell UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 20 Aug 2026 08:00:00 +0000

The Poetics of Incivility: Satire and Subversion in Modern Arab Culture (Cornell UP, 2026) explores impolite modes of expression—satire, crude humor, and rudeness—as a critical lens for both aesthetic innovation and sociopolitical critique. In the Arab world—from Cairo's Tahrir Square and the thoroughfares of Beirut to war-torn Gaza—political demands have been framed by satirical cartoons and graffiti or in subversive poetry and song. Emily Sibley shows that these forms of resistance are not new to Arab culture but return to mid-nineteenth-century debates over literary propriety.

In case studies concerning women's education in 1850s' Beirut, the satirical press in colonial Egypt, colloquial theater in the era of decolonization, street art and graphic novels during and after the 2011 Egyptian protests, Sibley follows the threads of an expressive culture that announces and celebrates its own impropriety. Concluding with analyses of Gaza poetry on the internet as a space where the stakes of incivility are acutely visible, The Poetics of Incivility offers a timely consideration of incivility as an aesthetic resource for authors and artists engaging with some of the most controversial issues of their times—and ours.

Emily Sibley is Senior Research Associate at Whitman College.

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Xiaofan Amy Li, "The Aesthetics of Risk in Franco-East Asian Literatures" (Cambridge UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 15 Aug 2026 08:00:00 +0000

The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature.

Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.

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Aarthi Vadde, "We the Platform: How the Internet Changed Twenty-First-Century Literature (Columbia UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 15 Aug 2026 08:00:00 +0000

We the Platform: How the Internet Changed Twenty-First-Century Literature (Columbia University Press 2026) by Aarthi Vadde is a groundbreaking account of mass writing in the twenty-first century, identifying rarely recognized forms of literary possibility amid the profound upheavals in traditional publishing. Aarthi Vadde examines the explosion of textuality across digital platforms: countless writers, diverse publishing formats, and vast communities of readers responding to stories publicly and instantly. Countering ubiquitous decline narratives, she offers powerful examples of literary innovation, adaptation, and survival. Among them are Jonathan Lethem and Lauren Oyler’s challenges to individualist ideas of authorship, the Twitter fiction of Jennifer Egan and Teju Cole, Margaret Atwood and Naomi Alderman’s collaborative writing on Wattpad, conceptual projects like Book from the Ground, and the experimental use of chatbots by authors including Sheila Heti. Through nuanced and illuminating readings, We the Platform shows how platform-based writing has altered cornerstone concepts of authorship, aesthetic form, and craft, delivering a bold new understanding of literature now.

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Caroline Bicks, "Monsters in the Archives: My Year of Fear with Stephen King" (Hogarth, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 14 Aug 2026 08:00:00 +0000

After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?
Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.
Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast.

Recommended Books:

Ben Lerner, Transcription
Libby Edwardson, We Sent Them Down Singing
Daniel Mason, Country People

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Lauren Delapenha, "Supermarketing" (Spring, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 14 Aug 2026 08:00:00 +0000

Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process and revision methods, her time at the Disquiet Literary Program in Lisbon, and how balancing both teaching and writing challenges her.

Lauren is a Jamaican poet and English teacher. She earned her master’s in creative writing from the University of Oxford, and her work has received an Oxbelly Fellowship, a Helen Zell and Jamaica Poet Laureate’s Young Writers Prize for Poetry, a Grindstone International Poetry Prize, and two Pushcart nominations. She currently lives and teaches in Connecticut.

Read Lauren’s poems in The Common here.

Learn more about her work here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese’s Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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Jarvis C. McInnis, "Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South" (Columbia UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 12 Aug 2026 08:00:00 +0000

Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by Booker T. Washington, offered agricultural and industrial education as a strategy for Black self-determination. There―and in many other communities in the U.S. South, the Caribbean, and Central America―Black people repurposed and regenerated what had been a place of enslavement into a site for imagining alternative futures.

Jarvis C. McInnis charts a new account of Black modernity by centering Tuskegee’svision of agrarian worldmaking. He traces the diasporic ties and networks of exchange that linked Black communities in the late nineteenth and early twentieth centuries. Although Washington is often regarded as an accommodationist, McInnis shows how artists, intellectuals, and political leaders―including George Washington Carver, Jean Price-Mars, Zora Neale Hurston, Claude McKay, and Marcus Garvey―adapted Tuskegee’s methods into dynamic strategies for liberation in places like Cuba, Puerto Rico, Haiti, and Jamaica. Even as the legacy of the plantation continued to circumscribe Black life, these thinkers found resources in its ruins to forge new theories and practices of progress, aesthetic innovation, and freedom that contributed to the New Negro Movement of the 1920s and 1930s.

In contrast to traditional understandings of Black modernity as urban and premised on northward migration, McInnis foregrounds rural settings and practices of place making, rootedness, and liberatory agriculture. Shedding new light on the transnational influence of a historically Black institution in the U.S. South, Afterlives of the Plantation remaps Black cultural, intellectual, and political histories down to the very soil.

Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South (Columbia University Press, 2025) is an award-winning monograph earning recognition as a winner of the 2026 S-USIH Annual Book Prize by the Society for U.S. Intellectual History, 2026 Pauli Murray Book Prize in Black Intellectual History by the African American Intellectual History Society, and the 2026 ASALH Book Prize by the Association for the Study of African American Life and History Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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Bridget Hourican on Frank Callanan's "James Joyce: A Political Life" (Princeton UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Wed, 12 Aug 2026 08:00:00 +0000

The young James Joyce (1882–1941) was forged in the smithy of Irish political controversies, and he took into his European exile a depth of political insight unrivalled among his fellow modernists. In this biography of Joyce in his youth and early exile James Joyce: A Political Life (Princeton UP, 2026), acclaimed Irish historian and biographer Frank Callanan reveals a Joyce who is markedly more politically conscious, informed and complex than the Joyce of Richard Ellmann’s classic account. Written in a sparkling style and rich with historical insights, Callanan’s deeply researched biography is the first sustained account of how Joyce’s Irish and European political and cultural context shaped his life, thought, and writings.
Joyce was eight years old in 1890 when the O’Shea divorce scandal tore Irish nationalism apart, leading to the split in the Irish Parliamentary Party, the death of nationalist leader Charles Stewart Parnell, and a long, bitter period dominated by the anti-Parnellites. This was the Ireland that Joyce grew up in and rebelled against, and which determined his literary direction. Callanan uncovers a Joyce who was a highly original and dissenting Irish nationalist, who refused to avow or vaunt his nationalism and whose understanding was refined by the experience of living in multicultural Trieste with its fraught ethnic politics and differing models of statehood. Callanan’s Joyce is as heroic as Ellmann’s defiantly modernistic artist but in a more interesting way—a writer who didn’t lack political conviction but whose views didn’t yield to the expectations of his time.
Energizing, witty, profound, and elegant, James Joyce: A Political Life is a magisterial biography that will transform how readers look at Joyce and his politics.

Frank Callanan (1956–2021) was an Irish barrister and historian. His books include The Parnell Split, 1890–91, a narrative of the last year of Parnell’s life, and T. M. Healy, a biography of Parnell’s principal adversary in the Split. He wrote the entries on Parnell, Healy, John Dillon and Conor Cruise O’Brien for the Dictionary of Irish Biography and edited The Literary and Historical Society 1955–2005, a history of the debating society of University College Dublin, to which James Joyce belonged. He also wrote and produced, with Ruán Magan, the 2022 documentary 100 Years of Ulysses.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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Michael R. Griffiths, "The Death of the Author and Anticolonial Thought" (Palgrave Macmillan, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 12 Aug 2026 08:00:00 +0000

The Death of the Author and Anticolonial Thought (Palgrave Macmillan, 2025) promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishized and also reviled of figures: the author.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.

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Caro Pirri, "Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement" (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 10 Aug 2026 08:00:00 +0000

Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

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Naomi Kanakia, "What's So Great About the Great Books?: Why You Should Read Classic Literature (Even Though It Might Destroy You) (Princeton UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 10 Aug 2026 08:00:00 +0000

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment.

With What’s So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don’t ask her about “Leviathan” by Thomas Hobbes.) “What’s So Great about the Great Books” is out now with Princeton University Press.

Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan’s eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect.

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Edlie Wong, "Empire, Race, and Print Culture in the Black Pacific" (Cambridge UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 7 Aug 2026 08:00:00 +0000

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism.

Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism.

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Emma Parker, "Life Writing and the End of Empire: Homecoming in Autobiographical Narratives" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 7 Aug 2026 08:00:00 +0000

Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center.

In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism.

Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022).

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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In The Scholar’s Workshop: Hidden Histories of Collaboration and Authorship

caleb@newbooksnetwork.com (New Books Network) — Thu, 6 Aug 2026 08:00:00 +0000

For centuries, many of the world’s most influential thinkers relied on helpers who performed tasks such as taking dictation, correcting, indexing, composing, and endless copying. In the Scholar’s Workshop: Hidden Histories of Collaboration and Authorship (Princeton UP, 2026) introduces readers to these unsung scribes, assistants, and collaborators, showing how the scholarly enterprise is rarely as solitary as we tend to think. Dr. Blair traces how the learned have relied on helpers since antiquity, discussing how and when these amanuenses became visible in manuscript and occasionally in print and explaining why they were uniquely positioned to shape the posthumous legacy of their principal.

Taking an in-depth look at the later Renaissance, she reconstructs the private lives and academic pursuits of leading figures from the period such as the renowned humanist Erasmus, the reformer Martin Bucer, and Paris professors Adrien Turnèbe and Petrus Ramus. Dr. Blair paints multifaceted portraits of the servants, students, and family members who assisted in their work, drawing on sources ranging from scholarly texts in both draft and published forms to correspondence, annotations, biographical accounts, and household rules. Panoramic in scope, In the Scholar’s Workshop challenges conventional views about authorship and attribution while affirming the enduring importance of collaboration in scholarly work today.

Guest: Dr. Ann Blair is the Carl H. Pforzheimer University Professor in the Department of History at Harvard University. Her books include Too Much to Know: Managing Scholarly Information Before the Modern Age and (with Paul Duguid, Anja-Silvia Goeing, and Anthony Grafton) Information: A Short History.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Sara Pappas, "Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century" (U Toronto Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 5 Aug 2026 08:00:00 +0000

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art.

Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley’s influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art.

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Paulina Banas, "Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century" (American University in Cairo Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 2 Aug 2026 08:00:00 +0000

Following Napoleon Bonaparte’s 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d’Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it.

Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East.

Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff.

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Abdelwahab Meddeb, "Returns to Marrakesh / Retour à Marrakech" (Syracuse UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 1 Aug 2026 08:00:00 +0000

Abdelwahab Meddeb’s Returns to Marrakesh, co-translated by Claudia Esposito and Laura Reeck and published by Syracuse University Press in 2026, chronicles Meddeb’s successive visits to the Red City from 1968 through the 1990s, tracing both his personal journey and Marrakesh’s transformation across three pivotal decades. Through his distinctive blend of poetic prose and attentive observation, Meddeb portrays the city as a historical crossroads shaped by Jewish and Muslim communities, different social classes, Sufi mystics, merchants, and travelers—a richly layered urban space in which cultures, histories, and spiritual traditions continually intersect. Presented in a bilingual edition featuring the original French alongside the English translation, the book introduces a wider readership to the work of one of North Africa’s most significant literary and intellectual voices.

In this episode, Ibrahim Fawzy sat down with Esposito and Reeck to discuss Meddeb’s distinctive literary and intellectual presence, his movement across languages, cultures, and spiritual traditions, and his intimate portrayal of Marrakesh. They also explore the collaborative process of translating his multilingual, layered prose and consider how translation can extend—and even renew—a writer’s literary afterlife.

Claudia Esposito is associate professor of French at the University of Massachusetts, Boston. She is author of The Narrative Mediterranean: Beyond France and the Maghreb.
Laura Reeck is an independent translator and scholar. She is the author of Writerly Identities in Beur Fiction and Beyond and coeditor of Post-Migratory Cultures in Postcolonial France.

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026).

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Mikhail Pelevin, "Love, Honour and God: Pashto Writings of Early Modern Times" (Brill, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 31 Jul 2026 08:00:00 +0000

In this episode of New Books Network, I speak with Mikhail Pelevin about his book Love, Honour and God: Pashto Writings of Early Modern Times (Iran and the Caucasus Monographs, vol. 5, Brill, 2025).

Love, Honour and God is a survey of three centuries of Pashto literary and educational writing, from roughly 1530 to 1830, the period Pelevin identifies as classical in the history of Pashto letters. Moving from the earliest, now-lost administrative "Daftar" of Shaykh Mali through the sectarian mystical poetry of Bayazid Ansari's Roshani movement, the Sunni traditionalist manuals of Akhund Darweza, and the towering figures of Khushhal Khan Khatak and ʿAbd al-Rahman Momand (Rahman Baba). This book reconstructs a written tradition that has been persistently marginal to both regional and Western scholarship. Pelevin frames this history through what he calls the dissolution of the Persophonie and the slow emergence of Pashto as a written language in the shadow of, and eventually alongside with the dominant Persian literary cosmopolis. Rather than reading this as a proto-nationalist story imposed retroactively, he traces a much older and more specific discourse of Pashtun self-identity — descent, language, custom, and religion, articulated by the authors themselves, long before any colonial or nationalist framework existed to name it.

What makes the book distinctive is its insistence on working from the Pashto texts as primary sources in their own right, rather than as illustrations for arguments made in Persian chronicles, in colonial-era administrative writing, or in the historiography of "Pashtun tribal society" that has tended to treat literary production as peripheral to political and military history. Pelevin is explicit about this reversal: he wants to shift attention from the political to the poetical.

Qaseem Ahmadzai holds a master's degree in intellectual history from Södertörn University, Sweden. His research focuses on postcolonial theory, historiography, and non-Western intellectual traditions, with particular attention to Afghanistan and the broader Pashto-Persephone worlds.

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The Letters of Emily Dickinson

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Jul 2026 08:00:00 +0000

Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter.

The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time.

Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.

Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson’s Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Kathleen W. Taylor Kollman, "The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024" (Bloomsbury Academic, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Jul 2026 08:00:00 +0000

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women’s Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged.

Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power.

Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

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Siri Carpenter on Why She Self-Published First — and How It Led to a Traditional Book Deal

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Jul 2026 08:00:00 +0000

What does it take to turn a self-published book into a traditional publishing deal? Science writer Siri Carpenter — executive director of The Open Notebook and author of The Craft of Science Writing — joins host Sarah Russo on The Publishing Playbook to break down her path from self-publishing to an expanded second edition with University of Chicago Press.

Siri shares how she landed an agent after self-publishing, why course adoption became the key to her book’s success, and the design decisions that helped it stand out. She also previews her newest project, The Best Science Stories and How They Work (also published by UCP), which features articles and annotations from Mary Roach, Ed Yong, and other leading science journalists.

Plus: Siri's take on empathy as a core writing skill, how science writers can combat misinformation, and what she’s currently reading, underwater!

In this episode:

Why Siri self-published The Craft of Science Writing before going the traditional route
How course adoption drove sales and caught a publisher’s attention
The behind-the-scenes story of landing a University of Chicago Press deal
What makes The Best Science Stories and How They Work different from a typical writing anthology
Why empathy is essential in all good writing

If you’re a writer, editor, or aspiring author weighing self-publishing vs. traditional publishing, this episode is for you. Subscribe to The Publishing Playbook for new episodes every week.

For more information on Siri’s work, please visit The Open Notebook

Books mentioned in this episode:

“The Craft of Science Writing,” edited by Siri Carpenter

“The Best Science Stories and How They Work,” edited by Siri Carpenter

“A Sand County Almanac: And Sketches Here and There,” by Aldo Leopold

“Why We Swim,” by Bonnie Tsui

“You Are Here: Poetry in the Natural World,” by Ada Limón

“The Sea Around Us,” by Rachel Carson

Key Moments

00:57 — Why Siri Started The Open Notebook 📓

Siri opens up about feeling isolated as a freelance science writer, and how a friendship with a fellow journalist sparked the side project that became a major nonprofit.

02:58 — The Real Reason Siri Self-Published Her First Book 📖

Agents wouldn't touch "The Craft of Science Writing,” so Siri went the self-publishing route instead, admitting just how naive she was about the workload ahead.

05:18 — From Self-Published to University of Chicago Press 🎓

Siri walks through how a self-published book still sold over 3,000 copies and eventually landed her an agent and a traditional book deal for a second edition.

10:32 — Designing a Book You Can Read in a Hammock 🌳

Siri describes the collaborative design process behind “The Best Science Stories and How They Work,” where original articles sit side-by-side with expert annotations in the margins.

15:39 — “Every Story Is a Science Story” — Even Traffic Reports 🚗

Siri unpacks The Open Notebook’s tagline with a hilarious real-life story about a stranger shouting “what’s a science story today?” out a truck window.

19:46 — Can Journalists Actually Fight Misinformation? 🔍

Siri gets real about the uphill battle science journalists face against well-funded disinformation campaigns, and the role storytelling still plays in helping readers think critically.

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Matthew Ritger, "Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England" (U Pennsylvania Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 27 Jul 2026 08:00:00 +0000

Today’s guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe’s first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell’s mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear.

Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book’s five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More’s Utopia, Shakespeare’s Henry VIII, Measure for Measure, and The Tempest, and Milton’s Of Educationand Samson Agonistes.

Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations.

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Leah Pope Parker, "Light of the Everlasting Life: Disability and Crip Eschatology in Old English Literature" (U Michigan Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 26 Jul 2026 08:00:00 +0000

From disability metaphors to narratives structured around bodies presented as aberrant, early medieval English thoughtworlds conveyed the promise of resurrection and the hope of salvation through crip and disabled bodies. Light of the Everlasting Life: Disability and Crip Eschatology in Old English Literature (U Michigan Press, 2025) argues that early medieval Christian eschatology, as manifested in Old English literary texts, was a crip eschatology: a theology of the afterlife that relied upon disabled bodies and concepts related to disability in order to convey promises of resurrection and salvation. In addition to demonstrating how literature manifested theological approaches to the afterlife, Leah Pope Parker articulates the ways of thinking about bodies and disability that were available to ordinary early medieval people, many of whom experienced their bodies in ways that resonate with what we call disability today, but who rarely appear in the historical record.

By analyzing Old English texts, including Alfredian translations, Ælfric's saints' lives, and poetry from the Exeter and Vercelli Books, Parker introduces novel ways of characterizing disability's effects in literature. "Spiritual prosthesis" reveals rhetorical, narrative, and theological reliance upon disability to convey the promise of a Christian afterlife. "Systems of aberrance" emerge as a result, in which bodies marked as deviant--including disabled, monstrous, heroic, saintly, and dead bodies--form a network of embodiments that reinforce the narratives they inhabit and that of Christian salvation history. Locating crip eschatology in early medieval literature, Light of the Everlasting Life rewrites standard histories of disability, of the body, and of medieval Christian eschatology.

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Ashton Lazarus, "Performing Transgression: Crowds and Bodies in Heian Japan" (Harvard UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 24 Jul 2026 08:00:00 +0000

What happens when performance defies social and political boundaries? Performing Transgression: Crowds and Bodies in Heian Japan (Harvard University Press, 2026) offers a new cultural history of non-elite spectacle in Heian Japan (794–1185), uncovering how performances on the margins—boisterous dengaku music and dance, daring sangaku acrobatics, and the infectious lyrics of imayō songs—challenged and fascinated the aristocracy.

Ashton Lazarus reveals how these unruly arts were documented by the very elites they unsettled, appearing in historical chronicles, diaries, prose, poetry, and illustrated scrolls. More than mere precursors to later forms like noh and kyōgen, these performances formed a dynamic cultural force with real political impact. By tracing their influence through literary studies, performance studies, and historiography, Lazarus rethinks the interplay between politics, class, and culture in Heian Japan.

Performing Transgression illuminates how acts of defiance and creative expression resonate across time, offering fresh insights into the ways performance bridges the vanished past and the present.

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Marie Léticée, "Camille's Lakou" (Vanderbilt UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 20 Jul 2026 08:00:00 +0000

Camille’s Lakou (Vanderbilt UP, 2025), a novel by Guadeloupean writer and educator Marie Léticée, tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromanefrom the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakoushifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.
In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

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Laura B. McGrath, "Middlemen: Literary Agents and the Making of American Fiction" (Princeton UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 18 Jul 2026 08:00:00 +0000

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic.

Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels.

Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac’s On the Road to Colson Whitehead’s The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature.

Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made.

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Ute Hüsken and Suganya Anandakichenin eds., "Pathika: Studies of South Asian Texts and Traditions" (HAS, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 16 Jul 2026 08:00:00 +0000

A conversation featuring the editors of the new Heidelberg Asian Studies Publishing series Pathika - Studies of South Asian Texts and Traditions (HAS, 2026)

Pathika – Sanskrit for "traveler" or "one who follows a path" – is a new series dedicated to the textual traditions of South Asia, engaging with the rich landscape of South Asian literary and religious traditions. The series encompasses critical editions, annotated translations, and in-depth studies of texts spanning the full breadth of South Asian traditions. From inscriptions to previously untranslated manuscripts, Pathika provides a venue to both established scholars and emerging researchers to publish their work on the textual traditions of South Asia. The volumes adhere to rigorous philological standards while making important texts and translations accessible to a wider academic audience. Pathika particularly welcomes interdisciplinary approaches that situate texts within their historical, religious, and cultural contexts. The series fully supports all South Asian scripts.

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Inside Science Fiction Studies

caleb@newbooksnetwork.com (New Books Network) — Wed, 15 Jul 2026 08:00:00 +0000

In this episode, the editors and managing editor of Science Fiction Studies offer an inside look at the journal, discussing its place in the field and revisiting notable articles that have contributed to the study of science fiction. Science Fiction Studies is published three times a year by University of California Press. For more information about the journal, including subscription and submission information, please visit online.ucpress.edu/sfs. If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation.

To learn more about the UC Press Foundation and how to contribute, please visit ucpress.edu/support-us.

Articles mentioned:

Istvan Csicsery-Ronay, Jr.; Antimancer: Cybernetics and Art in Gibson's 'Count Zero.' Science Fiction Studies March 1995; 22 (1): 63-86. Link.
John Rieder; On Defining SF, or Not. Science Fiction Studies July 2010; 37 (2): 191-201: Link.
Paul Kincaid; Review: H.G. Wells: Contemporary Perspectives, edited by Lourdes López-Ropero. Science Fiction Studies March 2026; 53 (1): 190-193: Link.
Veronica Hollinger; Introduction: Women in Science Fiction and Other Hopeful Monsters. Science Fiction Studies July 1990; 17 (2): 129-135: Link.
Darko Suvin; A, B, and C. The Significant Context of SF: A Dialogue of Comfort against Tribulation. Science Fiction Studies March 1973; 1 (1): 44-50: Link.
Special Issue on Science Fiction and Postmodernism. Science Fiction Studies Nov. 1991: Link.
A complete list of University of California Press journals is available at UC Press Journals

Phoenix Alexander is the Jay Kay and Doris Klein Librarian for Science Fiction and Fantasy at the University of California, Riverside, and Book Review Editor of Science Fiction Studies.

Stephen Darren Dougherty is Professor in the Department of Foreign Languages and Translation at the University of Agder and an Editor of Science Fiction Studies.

Colin Milburn is Distinguished Professor and Gary Snyder Chair in Science and the Humanities at the University of California, Davis, and an Editor of Science Fiction Studies.

Patrick Sharp is Professor of Liberal Studies at California State University, Los Angeles, and an Editor of Science Fiction Studies.

Elizabeth (Lisa) Swanstrom is an Associate Professor of English at the University of Utah and an Editor of Science Fiction Studies.

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Sarah Rosenson, "Fan Fiction on the Book of Genesis: A Guide to Close Reading of and Creative Writing on the Bible" (Cherry Orchard Books, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 14 Jul 2026 08:00:00 +0000

Can creative writing become a form of biblical interpretation?

That is the provocative question at the heart of my conversation with Sarah Rosenson about her new book, Fan Fiction on the Book of Genesis: A Guide to Close Reading of and Creative Writing on the Bible (Cherry Orchard Books, 2026).

The modern phenomenon of fan fiction involves readers writing creative pieces that answer questions left open in favorite works of literature. This also describes the ancient tradition of midrash, where readers write stories filling in gaps in the Bible. In Fan Fiction on the Book of Genesis Sarah Rosenson discusses the questions left open in the first book of the Bible, and every chapter includes questions for the characters in the stories, which can serve as prompts for conversations or creative writing.

Rosenson argues that careful reading reveals narrative gaps: characters whose motivations remain unexplained, conversations that never occur, ethical dilemmas left unresolved, and emotions that are only implied. Drawing on the long tradition of Jewish midrash, she proposes that readers can engage these silences through disciplined creative writing, using imagination not as a substitute for close reading but as an extension of it.

In our conversation, we discussed some of Genesis's most familiar stories from unexpected angles. What if Eve's pursuit of knowledge is more complex than simple disobedience? Why does Noah never challenge God's decision to destroy the world? What happens when Hagar's perspective becomes central rather than peripheral? Why does Abraham argue for the people of Sodom but remain silent when Isaac is placed on the altar? And how does the Joseph narrative negotiate the relationship between divine providence and human responsibility?

We also explore the broader methodological questions raised by the book. Does describing midrash as "fan fiction" make an ancient interpretive tradition more accessible, or does it risk misunderstanding it? How far can readers imaginatively expand biblical narratives while remaining faithful to the text? And what safeguards distinguish responsible interpretation from speculation?

Whether you are interested in biblical studies, literary criticism, Jewish interpretation, or creative writing, our conversation offers a thoughtful discussion of how ancient texts continue to invite new readings. More than providing answers, Rosenson's book encourages readers to ask better questions and, in doing so, to discover that Genesis remains as intellectually and ethically challenging today as it has been for centuries.

You can find more about Sarah and her work here.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.

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Krzysztof Rowiński, "Failure Narratives Beyond Redemption: Twentieth Century Literature and Film" (Routledge, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 7 Jul 2026 08:00:00 +0000

Today’s guest, Krzysztof Rowiński, is the author of Failure Narratives Beyond Redemption: Twentieth Century Literature and Film (Routledge, 2026). This book focuses on the concept of non- redemptive failure, a type of failure that is not part of a larger narrative of success or narrative redemption, with attention to how the concept functions between literature, critical theory, and other fields. Examining literature and film from mid- twentieth- century Poland, Italy, and the United States, it traces productive effects of failure which cannot survive into the future, yet have an important, transformative impact in the moment in which they occur. The book engages with the work of John Williams, Pier Paolo Pasolini, and Bruno Jasieński, proposing a theory of failure at the intersection of literary study, performance theory, and political thought. In discussing these examples, the book examines the place of failure in the broader context of modern and contemporary US American, Italian, and Polish literary and cultural traditions.

Because of its interdisciplinary potential, this study might appeal to readers in art history, philosophy, political theory, and other fields within the humanities and social sciences. Failure Narratives Beyond Redemption offers a framework that could not only spotlight the contribution of literary studies to the topic, in the form of narrative analysis but also become part of the theoretical apparatus for further research in these fields.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

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Katherine Krauss, "Exemplarity and Allusion in Macrobius' Saturnalia" (Oxford UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 6 Jul 2026 08:00:00 +0000

Exemplarity and Allusion in Macrobius' Saturnalia (Oxford UP, 2026) offers a new framework for interpreting interactions with classical source material in Macrobius’ Saturnalia. It argues that the Saturnalia, an educational dialogue from the fifth century ce, does not view its Greco-Roman models as hegemonic sources of authority but engages with these texts in dynamic and critical ways. In particular, Macrobius responds to both the literary and ethical agendas of his predecessors, a strategy which is termed ethical allusion. The book explores this intertwining of moral, social, and aesthetic commentary in the Saturnalia’s allusions to authors such as Aulus Gellius, Cicero, Plato, Plutarch, and Virgil. It also examines Macrobius’ ethical allusions alongside the aesthetic practices and moral thought of the late fourth and the fifth centuries, and sheds light on the Saturnalia’s role in pioneering a late antique intellectual culture at once less hierarchical and less engaged with civic life.

New Books in Late Antiquity is presented by Ancient Jew Review.

Katherine Krauss is Assistant Teaching Professor of Classics and Ancient Mediterranean Studies at Penn State.

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Rachel Silveri, "The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism" (U Chicago Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 4 Jul 2026 08:00:00 +0000

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”

Considering Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making.

Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons.

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Kevin Reilly, "Gregory Ghosts: Haunting Irishness" (Peter Lang, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 30 Jun 2026 08:00:00 +0000

Kevin P. Reilly is President Emeritus and Regent Professor with the University of Wisconsin System, having served as President from 2004-13. Kevin grew up in Manhattan and the Bronx, and went on to earn his B.A. at the University of Notre Dame, and his M.A. and Ph.D. from the University of Minnesota, all in English. He has published on higher education policy and accreditation, autobiography and biography, and in Irish Studies.

In this interview he discusses his most recent book, Gregory Ghosts: Haunting Irishness (Peter Lang, 2026), a creative non-fiction intervention into Irish literary studies.

This book is a kind of Irish ghost story. In it the ghosts of Lady Augusta Gregory (1852-1932) and eight of her family members and colleagues look back over their lives—and sometimes forward beyond them—to try to make sense of them, their times, and one another. Theirs were all turbulent lives played out on the western edge of Europe at a time of great change.
Lady Gregory helped shape that change at a pivotal moment in Ireland’s development into a modern nation state. The author’s fresh approach questions and complicates the image of her as a prim Victorian workhorse. Setting her in the midst of the personal chatter of her departed family, lovers, friends, and collaborators brings home how the historical Irish moment found her just when it needed her.

Gregory Ghosts: Haunting Irishness is published with Peter Lang, as part of their Re-imagining Ireland series

Aidan Beatty is a lecturer in the history department at Carnegie Mellon University and the President of the American Conference for Irish Studies

Transcript here

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In Praise: A Conversation with Texas Poet Laureate & Founder of Torch Literary Arts, Amanda Johnston

caleb@newbooksnetwork.com (New Books Network) — Tue, 30 Jun 2026 08:00:00 +0000

In 2006 poet Amanda Johnston went in search of community and, when she didn’t find what she was looking for, Amanda built her own. Today, Torch Literary Arts is a resource and a destination for Black women writers and readers across the diaspora. Fueled by wisdom and writings from poets, novelists, and screenwriters, the organization’s exceptional programming and award-winning magazine amplify Black women’s voices, and has featured work from poets like Patricia Smith, Yona Harvey, and Toi Derricotte, screenwriters and playwrights like Jonterri Gadson, Charla Lauriston, and Lisa B. Thompson, and novelists like Tayari Jones, Crystal Wilkinson, and Sapphire.

And at a time when Amanda is preparing for Torch’s 20th Anniversary celebration, “A Gathering of Flames,” she is also celebrating the publication of a new book in her capacity as the 61st Texas Poet Laureate, Praisesong for the People: Poems from the Heart and Soul of Texas (Host Publications, 2025), showcasing original praise poems commissioned from poets across the state, and seeking to uplift diverse and intersecting populations across age, gender, and BIPOC, LGBTQIA+, differently-abled, and immigrant communities.

You can find Amanda at her website, on Instagram, and on Threads. And check out Torch Literary Arts, Torch Magazine, and follow the organization on Instagram, Facebook, and Threads.

Want to hear more from Amanda about the journey to Torch’s 20th Anniversary? Check out our continued conversation on Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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“O Albany”: Novelist William Kennedy on His Great Cycle of the City

caleb@newbooksnetwork.com (New Books Network) — Sun, 28 Jun 2026 08:00:00 +0000

Monday, June 22—William Kennedy is to Albany what Joyce is to Dublin and Faulkner to Mississippi, a fictional alchemist who transforms his native place into novels at once deeply evocative of their setting and movingly universal in their human resonances. In The Albany Trilogy, just out from Library of America, three of Kennedy’s masterpieces—including his beloved novel Ironweed—take readers from the gutter to the statehouse in narratives of brokenness, resilience, and unexpected grace set against the backdrop of one of America’s most storied underdog cities.

Join Kennedy himself, one of only a handful of living authors in the LOA series, and his longtime friend Paul Grondahl, editor of the LOA edition, for a special, intimate, and wide-ranging conversation about craft, Albany as a protagonist, and what’s next for this titan of American letters, at work on his next book at ninety-eight years old.

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John K. Roth, "Saving the American Dream: Meditations for Dark Times" (Wipf and Stock, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 26 Jun 2026 08:00:00 +0000

The American Dream at its best is an ethical ideal and a moral compass. If respected and sustained, it can guide the United States through Trump 2.0. Anchored in the US Constitution, Saving the American Dream: Meditations for Dark Times (Wipf and Stock, 2026) features meditations for dark times. Meditations are intentional acts of focused attention.Its fundamental premise is that individuals moved to communal action by warned awareness and committed resistance are indispensable to meet challenges that grow by the day. Guidance from reliable American writers—philosophers, historians, novelists, poets, essayists, religious thinkers—maps the way.

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What Running Your Own Imprint for 15 Years Teaches You about Books, Readers, and Risk with Sarah Crichton

caleb@newbooksnetwork.com (New Books Network) — Wed, 24 Jun 2026 08:00:00 +0000

Great books don't happen by accident. Sarah Crichton, one of publishing's most respected voices and the founder of Sarah Crichton Books at FSG, joins host Sarah Russo for an unfiltered conversation about what it takes to acquire, edit, and launch books that last. They cover everything: crashing books in secret, fighting for the right jacket design, discovering A Long Way Gone by child soldier, Ismeal Beah, the differences between being a publisher and an editor, what to understand about hiring a developmental editor, and more. Whether you're an author, aspiring editor, or publishing professional, this episode is a masterclass.

For more information on Sarah Crichton’s work, visit her website: Sarah’s website or connect with her on LinkedIn

Books mentioned in this episode:

“Cyberwar” by Kathleen Hall Jamieson

“A Long Way Gone: Memoirs of a Boy Soldier” by Ishmael Beah

“What Is the What” by Dave Eggers

“A Mighty Heart” by Mariane Pearl, co-written with Sarah Crichton

“Portrait of a Marriage: A Memoir” by Judy Crichton and Jennifer Crichton

“Fierce Attachments” by Vivian Gornick

“The Odd Woman and the City” by Vivian Gornick

“M Train” by Patti Smith

Key Moments

00:44 — How Magazine Editors Think About Readers Sarah Crichton explains how her magazine background gave her a superpower most book editors lack: never forgetting the reader exists.

02:27 — What It Really Means to "Crash" a Book Sarah C. breaks down the secret, adrenaline-fueled process of rushing a book to publication in weeks instead of years.

05:09 — The Editor vs. Publisher Divide (And Why It's Disappearing) Hear about the traditional difference between an editor and a publisher — and why the line between them is blurring

07:22 — How She Turned a Rejected Manuscript into a National Phenomenon

Sarah C. tells the story of discovering “A Long Way Gone” by Ishmael Beah — a book passed over by every publisher — and how a deliberate cover strategy and the first-ever Starbucks book pick turned it into a classroom staple.

14:58 — What Sarah Looks for in a Manuscript (and Why a Great Title Matters More Than You Think)

Sarah reveals what makes her sit up when reading a submission, and the brutal reality of how critics decide what to review.

17:08 — Developmental Editors, Self-Publishing, and "Hitting the Lottery" Sarah gets candid about the economics of book doctoring, shares the story of self-publishing her late mother's memoir, and explains the role of a developmental editor.

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Christina Williams "Work of Fiction: Making a Living from Writing in the UK" (Palgrave MacMillan, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 23 Jun 2026 08:00:00 +0000

Just how difficult is a career as a writer? In Work of Fiction: Making a Living from Writing in the UK (Palgrave MacMillan, 2024) Christina Williams, a Lecturer in Media Communications at Bath Spa University examines contemporary writing as a paradoxical and precarious occupation. Foregrounding the experiences of a range of different writers, the book shows the range of work writers actually do to sustain their lives, along with the ideas and ideologies that help them to cope with the complexity and contradictions of their vocation. Rich with narratives of the love, luck and magic associated with the contemporary publishing industry, the book will be of interest across the arts, humanities and social sciences, as well as for anyone interested in reading about writing!

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Shelley Fisher Fishkin, "Jim: The Life and Afterlives of Huckleberry Finn’s Comrade" (Yale UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 21 Jun 2026 08:00:00 +0000

Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.
In Jim: The Life and Afterlives of Huckleberry Finn’s Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA.

YouTube Channel: here

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Alexander Vandewalle, "Characters and Characterization in Mythological Video Games" (Bloomsbury, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 18 Jun 2026 08:00:00 +0000

The first book-length study on mythology reception in video games, Characters and Characterization in Mythological Video Games (Bloomsbury, 2026) examines how video games characterize mythological characters from the perspectives of classical reception and game studies. Characters are vital to most stories, and many video games. They allow us to enter the fiction of a game, and facilitate our embodiment in the game world. Over time, what are initially blank slates transform into fictional existents with well-developed personalities and goals. In this context, narratology uses the term 'characterization' to refer to how character traits are ascribed to the entities we call 'characters'. How does characterization operate in games? How do players impact this process? How is mythology transformed by video games? What can games 'do' that other media cannot? After establishing a theoretical framework, this book moves to six case studies that each analyze mythological characters in a particular game: Smite, Assassin's Creed Odyssey, Immortals Fenyx Rising, God of War, Theseus and Asgard's Wrath 2. The scope of these studies is diverse, incorporating examples from mainstream, indie and virtual reality gaming. While the book's main focus lies with Greco-Roman mythology, it also includes games with Norse and Egyptian settings, or with playable characters from a wide range of international mythological traditions. Through these case studies, Alexander Vandewalle leads his readers to an understanding of different modalities or 'languages' of mythology reception in games. He argues for a striking diversity in mythological games and their characters, and illuminates how the relationship between games and antiquity is fundamentally one of continuous dialogue and play.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist.

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Michael D. Nichols, "Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films" (McFarland, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 18 Jun 2026 08:00:00 +0000

Fans of Batman are used to seeing the Caped Crusader associate with the likes of Superman and Wonder Woman, but what if one were to put the Dark Knight into the company of figures such as Beowulf, Robin Hood, Oedipus, and Sun Tzu, among others? Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films (McFarland, 2026) is the first book to compare famous Batman graphic novels, story arcs, and films to classic texts of literature and philosophy from around the world. Through this comparison we can see, for instance, how the epic warrior archetype of Beowulf or Roland persists in The Dark Knight Returns, or how the metaphor of the journey, found in such works as The Odyssey, occurs in the story arc Knightfall. By placing Batman stories into conversation with such classic texts, this book sheds light on the deeper meanings of key stories of the Dark Knight, as well as how long-lasting themes of literature and philosophy have persisted in the fiction of this popular character.

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173* Novel Dialogue Crossover: Aaron Gwyn goes West (Sean McCann, JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 18 Jun 2026 08:00:00 +0000

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne’s War, and, most recently, two wonderfully linked historical novels, All God’s Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English.

One way to grasp Gwyn’s achievement is to consider the contrast between his durably realist work and Cormac McCarthy’s 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy’s characters strike them as monstrous and incredible. How about Charles Portis’s True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn’s ties to Quantrill’s Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron’s favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here).

Mentioned in this episode:

Richard Slotkin’s notion of “the man who knows Indians” comes from Gunfighter Nation
Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889)
Herman Melville, Moby Dick
William Faulkner, Absalom, Absalom!
Toni Morrison, Beloved
Thomas Pynchon, Gravity’s Rainbow
John Williams, Stoner (but also Butcher’s Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth’s Chimera.
Larry McMurtry’s hard-to-get-into Lonesome Dove

Read transcript here.

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The Legacy of Chaim Grade

caleb@newbooksnetwork.com (New Books Network) — Sat, 13 Jun 2026 08:00:00 +0000

Chaim Grade was born in 1910 in Vilna, Poland. In his youth, Grade was a student of the Novaredok Musar Yeshiva and of Avraham Yeshaya Karelitz. He was also a founding member of the Yung-Vilne literary group, known for its leftist politics, secular Jewish thinking, and literary influence. After losing both his mother and wife during the Holocaust, he emerged as one of the most prolific and defining Yiddish voices in post-war literature. Besides publishing several volumes of poetry, he is best known for his two acclaimed novels, The Agunah and The Yeshiva.

In early 2023, YIVO and the National Library of Israel (NLI) completed the digitization of the Papers of Chaim Grade and Inna Hecker Grade. The collection helps to illustrate Grade’s literary development and impact on Yiddish literature, from his earliest poetic works written in Vilna and the Soviet Union to his prolific and accomplished prose work composed mainly in the United States.

Join YIVO and NLI for a panel discussion of Grade’s legacy with Ruth Wisse, Ofer Dynes, and Curt Leviant, led by scholar and translator Justin Cammy.

This panel discussion originally took place on November 15, 2023.

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Jeffrey R. Di Leo , "Theory as World Literature" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 12 Jun 2026 08:00:00 +0000

What does it mean for theory to be considered as a species of not just literature but world literature? Theory as World Literature (Bloomsbury, 2025), edited by Jeffrey De Leo, offers a wide range of accounts of how the “worlding” of literature both problematizes the national categorizing of theory (e.g., French theory), and brings new meanings and challenges to the coming together of theory and literature. In sum, it presents theory as world literature as a viable alternative to more commonplace approaches to theory.
Under such an approach to theory, what it means to be an African, American, or Asian “theorist” – let alone a French, German, or Spanish one – in the new millennium is as complicated (or simple) as what means to be “African,” “American,” or “Asian.” “Worlded” literature is not considered here as only the world literature of nations and nationalities. Rather, it is also the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. So too is it the worlded literature of the multinational corporate publishing industry wherein success in the global market is a major determinate of aesthetic and literary value.
Offering accounts of what it means to consider theory as world literature, the authors in this pioneering collection explore the ways in which we might regard theory as connected and reconnected through global literary networks of increasing complexity and precarity. By approaching theory from this perspective, Theory as World Literature demonstrates how and why theory is more worldly now than ever.

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Kristen Abbott Bennett, "Teaching Shakespeare's Theatre of the World" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 12 Jun 2026 08:00:00 +0000

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'?

It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order.

Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed.

Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello.

Each discussion features student centered 'Explorations'.

These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students.

These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own.

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Islam in English

caleb@newbooksnetwork.com (New Books Network) — Wed, 10 Jun 2026 08:00:00 +0000

In this episode of the Language on the Move Podcast, Tazin Abdullah speaks with Dr. Oludamini Oguannaike, Associate Professor of African Religious Thought and Democracy at the University of Virginia.

Tazin and Oludamini talk about his work into how languages, such as English, express concepts that originate from onto-epistemic perspectives that are not historically associated with the English language. They discuss his 2019 article “Islam in English,” which he co-authored with Dr. Mohammed Rustom and how this research is expressed in the literary genre in his book of poetry called The Book of Clouds.

The conversation considers how the distinctive philosophical and metaphysical concepts associated with Islam collide with the use of English as a result of the global dominance of English. Tazin and Oludamini discuss how he has used his research and knowledge of historical religious thought to express these concepts using English in poetry.

References

Ogunnaike, O. (2024). The Book of Clouds. Fons Vitae of Kentucky.
Ogunnaike, O., & Rustom, M. (2019). Islam in English. American Journal of Islamic Social Sciences, 36(2), 102-111.
For additional resources, show notes, and transcripts, go here.

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Christina Lord, "Reimagining the Human in Contemporary French Science Fiction" (Liverpool UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 7 Jun 2026 08:00:00 +0000

The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought’s entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF.

Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year’s Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve’s sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.

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Emmanuel Buzay, "Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal" (Palgrave Macmillan, 2022)

caleb@newbooksnetwork.com (New Books Network) — Fri, 5 Jun 2026 08:00:00 +0000

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers’ points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits.

Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies.

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Adam Phillips, "The Life You Want" (FSG, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 5 Jun 2026 08:00:00 +0000

Where do we get ideas about the lives we want? And, what do we do - and fail to do - about actually getting them? In The Life You Want Adam Phillips uses psychoanalytic and literary approaches to show that we are obsessed by the idea of our lives being ones we want and enjoy rather than merely endure, tolerate or make the most of. Through a series of interlinked essays, Phillips explores the difficulties we have around the whole idea of enjoying - and fashioning - our lives in cultures that insistently promote enjoyment while making it very difficult for so many people. Exploring the personal and political overlap in the issue of our lives, The Life You Want (FSG, 2026) is a profound examination of our ambivalence about enjoyment, and indeed, wanting.

Adam Phillips, formerly a principal child psychotherapist at Charing Cross Hospital, London, is a practicing psychoanalyst and a visiting professor in the English department at the University of York. He is the author of numerous works of psychoanalysis and literary criticism, including Missing Out, Unforbidden Pleasures, In Writing, Attention Seeking, On Wanting to Change, On Getting Better, and On Giving Up. He is also the general editor of the Penguin Modern Classics Freud translations and a Fellow of the Royal Society of Literature.

Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).

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Amrita Chowdhury and Ujaan Ghosh trans., "Baidehisha Bilasa: The Amorous Plays of Sita’s Husband" (Wide Open Window Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 4 Jun 2026 08:00:00 +0000

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita’s Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership.

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Kenna Neitch, "A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism" (SUNY Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 1 Jun 2026 08:00:00 +0000

A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism (SUNY Press, 2026) by Dr. Kenna Neitch establishes persistence as a framework for understanding methods of feminist activism in El Salvador, Guatemala, Honduras, and Nicaragua. Blending literary and ethnographic approaches, Dr. Neitch analyzes texts produced by activist movements from the 1980s to 2020—from collective testimonio to institutional publications (encuentros) to social media—and connects them to the movements' cultural impact and organizing practices, such as generative conflict, horizontal cross-border networks, and what she terms strategic adaptability. What these texts and practices have in common, Dr. Neitch argues, is feminist persistence—a balance of action, preservation, and creation adaptable across contexts.

A Praxis of Persistence provides one of the first scholarly accounts of #MeToo in Central America while remaining grounded in the region's lineage of activism against sexual violence. Through the framework of persistence, this book highlights the vitality of Central American women's activism and offers a repertoire of methods for reckoning with the realities of uneven progress in feminist struggle.

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Michael E. Sawyer, "The Door of No Return: Being-As-Black" (Temple UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 28 May 2026 08:00:00 +0000

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution.

Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison’s ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism.

Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh.

Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries.

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What AI Means for Fiction: A Discussion with Literary Critic Mark McGurl

caleb@newbooksnetwork.com (New Books Network) — Tue, 26 May 2026 08:00:00 +0000

How is the tool of Artificial Intelligence shaping the writing of fiction? Is AI emerging as more than just a potentially handy aid to an author—and, ominously, more like an actual author? I discuss these ripe questions and others with the literary critic Mark McGurl, professor of English at Stanford. He is the author of The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard University Press, 2009) and Everything and Less: The Novel in the Age of Amazon (Verso, 2021). As our conversation shows, McGurl is a nuanced, reasoned voice on an emotive subject that all too readily lends itself to apocalyptic or pollyannaish pronouncements.

Mark McGurl is a Professor of English at Stanford University.

Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. His companion Substack newsletter, America and Beyond,” offers commentary and insights on the podcast. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024).

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Petal Kimberly Samuel, "The Quiet Zone: Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance" (Rutgers UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 26 May 2026 08:00:00 +0000

A serene beach. The classroom of an elite private school. The still nights in an upscale residential neighborhood. An acclaimed poet with a quiet, dignified mode of address. The sonic etiquette and experience of quiet is integral to each of these scenes. The Quiet Zone: Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance (Rutgers UP, 2026) examines what the emergence of quiet as an elite aesthetic, privilege, and entitlement means for minoritized people who are often narrated as loud, disruptive, and disturbing, sonically, visually, and otherwise. Taking the Caribbean and its diasporas as its key sites of study, the book explores what we can learn from efforts to transform the region into the quintessential site of quiet leisure, in part, through the enactment of regimes of sonic discipline and surveillance directed against its majority Black population. Analyzing the work of Afro-Caribbean artists that catalog and critique sonic surveillance, the book questions the ways that quiet gets produced both as a regulatory ideal of racial, gender, sexual, national, and civilizational belonging and as a universal object of desire.

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chaun webster, "Without Terminus: untraining an archive" (Greywolf, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 26 May 2026 08:00:00 +0000

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.
webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors’ lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.
Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss.

You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack.

Follow chaun webster on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Timothy K. August, "The Refugee Aesthetic: Reimagining Southeast Asian America" (Temple UP, 2020)

caleb@newbooksnetwork.com (New Books Network) — Mon, 25 May 2026 08:00:00 +0000

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike.

On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more.

The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics.

Please note that this episode was recorded prior to the events of October 7, 2023.

Timothy August is an Associate Professor of English at Stony Brook University.

Jennifer Gayoung Lee is a writer and researcher based in New York City.

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Barry Devine and Ellen Scheible eds., "Teaching James Joyce in the Twenty-First Century" (UP of Florida, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 23 May 2026 08:00:00 +0000

A guide for today’s classrooms, this collection from leading Joyce scholars explores innovative pedagogical approaches to the works of this often-challenging writer

Teaching James Joyce in the Twenty-First Century (UP of Florida, 2025) presents examples of bold, innovative pedagogical techniques instructors have used to adapt the study of Joyce’s work for the contemporary classroom. Leading Joyce scholars share approaches that go beyond the traditional university lecture hall to include experiences teaching high school students, senior citizens, art students, book club members, and people in prisons.

The strategies in this inspirational volume range from class discussions to creating art and music to walking city streets. Works examined include the complex Finnegans Wake and the influential modernist milestones Ulysses and A Portrait of the Artist as a Young Man. While Joyce is often viewed as an essential and foundational author of Irish literature, contributors to this volume argue that the spirit of Joyce’s writing is global, and they offer suggestions for teaching these works in an international context.

Students are often daunted by the perceived difficulty and inaccessibility of Joyce, but this volume helps both new and experienced teachers of Joyce make the writer’s texts understandable, relatable, and even fun. These authors argue that reading Joyce helps develop skills in holding and interrogating opposing ideas, skills that are essential in navigating the modern academic and political landscape. In grappling with Joyce, students will recognize his writing as relevant and urgent.

Barry Devine is associate professor of English at Heidelberg University. Ellen Scheible is professor of English at Bridgewater State University. Scheible is the author or editor of many books, including Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.

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Elizabeth Bradfield's Books in Dark Times (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 21 May 2026 08:00:00 +0000

For the RtB Books in Dark Times series back in 2021, John spoke with Elizabeth Bradfield, editor of Broadsided Press, poet, professor of creative writing at Brandeis, naturalist, photographer.

Her books include Interpretive Work, Approaching Ice, Once Removed, and Toward Antarctica. She lives on Cape Cod, travels north every summer to guide people into Arctic climes, birdwatches.

Liz is in and of and for our whole natural world. Did poetry sustaining her through the darkest hours of the pandemic? What about other sources of inspiration?

Mentioned in the episode:

Eavand Boland, “Quarantine” (from Against Love Poetry; read her NY Times obituary here)

Maeve Binchy, “Circle of Friends“

Sherwood Anderson, Winesburg, Ohio

Edgar Lee Masters, Spoon River Anthology

Louise Gluck Averno and Wild Iris

Brian Teare, Doomstead Days

Derek Walcott, “Omeros“

W. S. Merwin, “The Folding Cliffs”

Natasha Trethewey, “Belloqc’s Ophelia“

Yeats, “We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.”

Nest, Eggs and Nestlings of North American Birds (Princeton Field Guides)

Trixie Belden

Shel Silverstein

Lois Lowry, “The Giver“

Liz equates poetry and Tetris

Leanne Simpson, “This Accident of Being Lost“

Elizabeth Bradfield, “We all want to see a mammal“

Listen and Read Here:

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The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)

caleb@newbooksnetwork.com (New Books Network) — Thu, 21 May 2026 08:00:00 +0000

“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event.

As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan’s choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan’s frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked.

Mentioned in this episode:

About Baghdad
The Baghdad Eucharist
Mahmoud Darwish, In the Presence of Absence
Darwish’s “Memory for Forgetfulness” (on nisyān)
The Book of Collateral Damage
Elias Khoury and the use of dialect in contemporary Arabic fiction
Quebecois literature
Breaking Bad
Um Kulthoum

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Matthew L. Reznicek, "Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale" (Liverpool UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 21 May 2026 08:00:00 +0000

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics.

Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine
and health.

Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies.

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Sumana Roy, "Plant Thinkers of Twentieth-Century Bengal" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 19 May 2026 08:00:00 +0000

Plant Thinkers of Twentieth-Century Bengal (Oxford UP, 2024) by Sumana Roy takes an unexpected cast of writers and artists and, in studying their work as ‘plant thinkers’, looks at how their stories and songs, art and films, and, of course, the idiomatic affected Bengali life and thought. Forest and garden, grass and root, weeds and magical plants—supported by a foliage of thought that allowed them to see beyond the botanical, Rabindranath Tagore, Bibhutibhushan Bandyopadhyay, Jibanananda Das, Shakti Chattopadhyay, Satyajit Ray, and others derived their worldview, their poetics and politics, from the plant world. Jagadish Chandra Bose’s scientific experiments, his research and the philosophy that propelled it, religions and rituals that involved an affective relationship with the natural world, a subterranean invocation of plant philosophy in actions and words, in living and in creative practice, and the political possibilities beyond the nation state that such thinking generated give this book its sap and flow. What might we take from these plant thinkers to rehabilitate our consciousness today?

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University

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Marissa Nicosia, "Shakespeare in the Kitchen" (Routledge, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 19 May 2026 08:00:00 +0000

Audiences and scholars alike have long remarked that Shakespeare’s poems and plays record the pleasures and perils of the table. Shakespeare in the Kitchen (Routledge, 2026) by Dr. Marissa Nicosia asks what Shakespeare’s works can tell us about Renaissance culinary recipes, and what these recipes can tell us about Shakespeare’s works.

Dr. Nicosia explores how Shakespeare’s works reveal tensions not only within early modern food culture about who should eat, what to eat or serve guests, and when to preserve foods, but also how to undertake the embodied processes of cooking, baking, and serving. The chapters include both analysis of plays and poems, as well as updated historical recipes ready for cooking. Nicosia prepares the recipes that permeate the canon—from Falstaff’s beloved capons to the cakes that invite festivity in Twelfth Night—demonstrating how the physical act of cooking can transform our understanding of once familiar texts, and asking what we can learn about food history by recreating historical recipes with twenty-first-century ingredients and tools.

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Benjamin Dalton, "Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity" (Edinburgh UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 18 May 2026 08:00:00 +0000

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge.

Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration.

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David Eisler, "Writing Wars: Authorship and American War Fiction, WWI to Present" (U Iowa Press, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sun, 17 May 2026 08:00:00 +0000

In Writing Wars: Authorship and American War Fiction, WWI to Present (U Iowa Press, 2022) David Eisler looks at how American literary fiction about war has changed as the nature of civil-military relations has changed. For much of the 20th century the people who wrote novels about war were men who went to war. And for some authors and critics, being a war veteran was a requirement for being authorized to write about war. But Eisler shows that after the end of conscription there was a "dispersal of authority" to write about wars which made room for more authors to write about war as well as more stories to be told about war. By examining the development of the war novel over the past century (1918-2018) Eisler shows how war writing, in particular notions of "authority" and "authenticity," reflect the social/political environments and changes in civil-military relations.

You can find a transcript of our interview here.

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Jue Liang, "Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshe Tsogyel" (Oxford UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Fri, 15 May 2026 08:00:00 +0000

Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshe Tsogyel (Oxford UP, 2026) is the first comprehensive study dedicated to the literary tradition surrounding Yeshe Tsogyel, revered as the foremost matron saint of Tibetan Buddhism. It traces the emergence and development of a rich body of narratives about Yeshe Tsogyel during the fourteenth and fifteenth centuries, focusing on the Tibetan Nyingma Buddhist tradition. Through careful textual analysis, the book constructs an emic (insider) Tibetan Buddhist theory of gender and female religious eminence, examining how Yeshe Tsogyel's multifaceted identities--as a devoted disciple, tantric consort, sky-goer (dakini), and spiritual mother--embody a dialectic that shifts back and forth between Tibetan women's social and cultural marginalization and a Buddhist discourse of soteriological inclusivity.

Jue Liang queries these texts for their social and religious functions, especially where ambivalence and contradictions abound. However, these ambivalences do not necessarily disadvantage women in Tibetan Buddhism. Operating with ambivalent, sometimes competing, discourses on womanhood, Nyingma Buddhist theorists in the fourteenth and fifteenth centuries created a space for a flexible treatment of gender, where they traverse between theological terms and embodied reality.

Ultimately, Conceiving the Mother of Tibet not only illuminates the unique position of Yeshe Tsogyel within Tibetan Buddhist literature but also offers a methodological framework for understanding localized theories of gender. This approach highlights alternative ways of being and acting in the world as embodied agents, providing valuable insights for the broader field of Buddhist studies.

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Caroline Bicks, "Monsters in the Archives: My Year of Fear with Stephen King" (Hogarth, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 14 May 2026 08:00:00 +0000

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?
Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.
Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

---------

Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; co- author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co- host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column of the New York Times, McSweeney’s Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family.

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Martin Munro and Eliana Vagalau eds., "Jean-Claude Charles: A Reader's Guide" (Liverpool UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Thu, 14 May 2026 08:00:00 +0000

Despite being a major figure of Haitian literature, Jean-Claude Charles (1949-2008) has received relatively little scholarly attention to date. Jean-Claude Charles: A Reader's Guide (Liverpool UP, 2022) seeks to serve as an introduction to the work and universe of this unique and capital writer to an English-language readership. The essays in the collection are organized along three major axes: contextual articles, placing Charles' work within the larger Haitian literary landscape, punctual articles, addressing specific themes in a selection of Charles' books, and author testimonials, attesting to Charles' work's importance both to his contemporaries and to a new generation of writers. With the ongoing republication of Charles' work by Mémoire d'encrier in Montreal, and the increasing interest in the author, the proposed volume is timely and necessary, and is in large part a critical accompaniment to the republishing programme. Described by Dany Laferrière as "most brilliant Haitian author of his generation," Charles has until recently remained largely unread and little understood. As the various chapters in the volume show, Charles is an author for now, and the collection will accompany readers seeking strikingly original insights on issues such as race, migration, and exile, and the role of the author and literature in times of crisis.

Guest Eliana Văgălău is Associate Professor and director of the French program at Loyola University Chicago. Her research on francophone Caribbean literature and contemporary philosophy focuses on the relationship between aesthetics and politics, as well as on questions of transnationalism, diaspora, and sexuality. In addition to co-editing this volume, she has published articles on the work of authors such as Maryse Condé, James Noël, and Jean-Claude Charles. As a founding member of the Collectif Jean-Claude Charles, she dedicates much of her work to making visible the work of this fundamental Haitian author. She has published translations of literary and philosophical texts and is currently completing an essay on contemporary French Caribbean fiction. By teaching a course on Black Paris, her extensive collaborations with contemporary Black artists and writers living in France today, as well as serving as co-organizer of the Black Europe Symposium in 2023 at Loyola University Chicago, she has developed a secondary research interest in the city of Paris as a
chief site of Black transnational encounters.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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Italo Calvino on the Written and the Unwritten Word

caleb@newbooksnetwork.com (New Books Network) — Sun, 10 May 2026 08:00:00 +0000

In this episode of the Vault, we revisit the Italian writer Italo Calvino’s James Lecture, presented at the New York Institute for the Humanities on March 30, 1983.

Italo Calvino was one of the most inventive and widely read Italian authors of the twentieth century. Born in Cuba in 1923 and raised in San Remo, Italy, he began his literary career as a journalist and fiction writer after World War II, publishing his debut novel, The Path to the Nest of Spiders, in 1947. He went on to write some of the most formally original works in postwar literature, including Our Ancestors, Cosmicomics, Invisible Cities, and If on a winter's night a traveler. His work moved fluidly between realism, fantasy, and structural experimentation, earning him a reputation as one of the foremost practitioners of what would come to be called postmodern fiction. He died in 1985, in Siena, Italy.

In this lecture, later published as “The Written and the Unwritten Word” in the New York Review of Books, Calvino reflects on writing, reading and what it means to live between the written world and the material world. He is introduced by NYIH fellow Susan Sontag.

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Patrick Noonan, "Age of Disaffection: The Aesthetic Critique of Politics in 1960s Japan" (Columbia UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 10 May 2026 08:00:00 +0000

The 1960s in Japan have long been understood as a period of radical political engagement. But as political movements from Old Left Communism to New Left revolts appeared to fail in their efforts to revolutionize Japanese society, artists and intellectuals came to reject the ideals of postwar politics. Instead, they advocated withdrawing from political participation and making self-transformation the grounds for social change.
This provocative book uncovers a paradox at the heart of the 1960s: how political disillusionment became the basis for a new form of politics—a politics of the self. Examining aesthetic criticism, popular literature, avant-garde art, cinema, and political theory, Patrick Noonan argues that cultural producers in 1960s Japan cultivated what he calls an “ethos of disaffection” toward revolutionary politics and postwar society. Departing from approaches that define politics as contestation, Age of Disaffection: The Aesthetic Critique of Politics in 1960s Japan (Columbia UP, 2025) foregrounds cultivation, or the production of ways of feeling and relating to the world in efforts to redefine the political. It presents an unorthodox account of the 1960s: withdrawal from political activity developed not as the decade ended but as it was unfolding. Noonan reveals how Japanese artists and intellectuals in this period confronted a crucial question that continues to vex efforts at radical change today: transform institutions or alter how people relate to themselves and others?

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Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)

caleb@newbooksnetwork.com (New Books Network) — Thu, 7 May 2026 08:00:00 +0000

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer’s relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan’s choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan’s training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer’s notebook, a habit that continues to be crucial to his practice today.

Mentioned in this episode:

The Folly
Double Negative
The Near North
Zoë Wicomb, You Can’t Get Lost in Cape Town
Georges Pérec
Gauteng
John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers
Marlene van Niekerk
Nadine Gordimer
The Goon Show

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Ana I. Oancea, "Dangerous Creations: The Inventor Novel in Fin-de-siècle France" (U Toronto Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 6 May 2026 08:00:00 +0000

Dangerous Creations: The Inventor Novel in Fin-de-siècle France (U Toronto Press, 2025) presents a master narrative of the inventor in fin-de-siècle French literature by analyzing the works of Jules Verne, Albert Robida, Émile Zola, and Villiers de l’Isle-Adam. Their writings challenge the role of science in shaping French national identity and aim to transform contemporary understandings of science and technology. The book reveals how Verne, Robida, Zola, and de l’Isle-Adam reimagine the figure of the inventor, reshaping the literary standards of their time. Universally male in these narratives, the inventor serves as a flawed exemplar of national heroism during the Age of Empire – a period marked by significant external threats and internal strife – while also embodying unrestrained creativity. Ultimately, the inventor novel reflects broader French anxieties surrounding scientific progress, empire, and gender. Ana Oancea explores the transmedia and transnational legacy of the fin-de-siècle inventor novel through vignettes that highlight similarly themed narratives in contemporary popular culture. These sections engage with films, television series, graphic narratives, and video games that reinterpret key aspects of the inventor narrative, shedding light on its power structures, racial and gender politics, and colonial aspirations.

Guest Ana Oancea is Associate Professor of French at the University of Delaware. Her research interests include the intersections of science and literature, adaptation studies, and visual culture. She has recently published articles in Forum for Modern Language Studies, Science Fiction Film and Television, and French Screen Studies.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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Frontier Films for America250: On the Western Genre and Beyond with Matthew J. Franck

caleb@newbooksnetwork.com (New Books Network) — Wed, 6 May 2026 08:00:00 +0000

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996).

Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country’s 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner’s essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones.

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Christopher Cusack et al. eds., "The Corpse in Modern Irish Literature" (Liverpool UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 5 May 2026 08:00:00 +0000

From the bodies rotting by the wayside in Famine fiction, Synge's sodden corpses and Joyce's dead, to Nuala Ní Dhomhnaill's talking corpses and the unburied and dissected remains of Celtic Tiger fiction, the figure of the corpse is ubiquitous in Irish writing. This collection examines the Irish corpse as a conceptually rich centrepoint with multiple differently signifying implications across this historical period as expressed in different social, political and creative contexts.

Taking Irish literature's obsession with death as its starting point, The Corpse in Modern Irish Literature (Liverpool UP, 2026) demonstrates the wide-ranging implications of this fixation, extending it through the contexts of the tragedies of the Irish past and the emergence of new identities in the wake of colonial modernity. In their range of authors and genres from the eighteenth to the twenty-first century, the chapters bring into focus patterns of change and continuity and extend current understanding of the Gothic mode, the national tale, the Irish modernist novel, Irish-language poetry, the elegiac mode, comic and tragic revivalist writings and the generic complexity of autofiction and contemporary fiction. In so doing, The Corpse in Modern Irish Literature makes a significant intervention in Irish studies, Gothic studies, death studies and medical and health humanities.

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Malcolm Sen, "Irish Anthropocene: Literature, Climate Change, Sovereignty" (Syracuse UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 4 May 2026 08:00:00 +0000

In Irish Anthropocene, Malcolm Sen traces the ways in which contemporary Irish literature responds to climate breakdown. Drawing upon concepts of sovereignty, precarity, and disaster, Sen examines Irish literary works to reveal how they engage with the entangled relations between ecology, economy, and politics. Irish writers not only critique the association of greenness with Ireland and the corporatization of sustainability discourses, they also illuminate the acute challenges that the climate crisis poses to political, social, and cultural forms in addition to ecosystems.

The Irish canon has historically played a crucial role in Irish nationalism. But contemporary works are written at a time when questions of statehood and citizenship are yielding to the cross-border, multi-generational pressures of climate breakdown. Writing in the shadow of modernity's rhetorical and carbon emissions, contemporary authors are skeptical of business-as-usual sustainability jargon emanating from institutions. Instead, they focus on the local variations of the planetary-level threats dominating the discourse of the Anthropocene, placing the country in a webwork of ecological and geo-political relations.

Cleverly written and groundbreaking in scope, Sen's analyses shows that Ireland's postcolonial identity can be especially helpful to analyze the cultural footprint of the climate crisis.

Malcolm Sen is the director of the Environmental Humanities Specialization and an associate professor at the University of Massachusetts, Amherst. He is the editor of A History of Irish Literature and the Environment and Race in Irish Literature and Culture.

Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).

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David Krolikoski, "Lyrical Translation: The Creation of Modern Poetry in Colonial Korea" (U Hawai'i Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 2 May 2026 08:00:00 +0000

Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition.

Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others.

Visit Dr. David Krolikoski’s University Profile here

Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu

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Andrea Horbinski, "Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989" (U California Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Apr 2026 08:00:00 +0000

Andrea Horbinski's Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989 (U California Press, 2025) centers the fans and creators who built Japanese comics into a massive global phenomenon. The book traces the history of manga from the art form's distinctly modern emergence in the early 1900s, one that first hybridized the artistic legacy of Japan with the world of Western political satire but very quickly expanded its scope. By the 1920s and 1930s, manga was already beginning to show some of the breadth of genre and style that has become a trademark of Japanese comics and their byproducts today. In the postwar, manga's embrace of new audiences and stylistic conventions, and the embrace of these new forms by audiences of amateur consumer-creators especially since the mid-1970s, led to an explosion in popularity that has made manga a global phenomenon.

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David Womersley, "Thinking Through Shakespeare" (Princeton UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 28 Apr 2026 08:00:00 +0000

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson’s view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare’s plays think through—and invite us to think through—deep human questions of lasting importance.
Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.
By revealing in new ways how Shakespeare’s plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work.

YouTube Channel: here

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Tiffany Jo Werth, "The Lithic Imagination from More to Milton" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 25 Apr 2026 08:00:00 +0000

The Lithic Imagination from More to Milton (Oxford University Press, 2024) by Dr. Tiffany Jo Werth explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.
The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers and stonemasons. Accordingly, the multimedia archive includes drama, lyric and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.

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Jonathan Gray and Daphne Gershon, "Reading Media: How to Do Textual Analysis" (NYU Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 25 Apr 2026 08:00:00 +0000

Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies’ most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.
The volume insists that the close study of meaning, form, and representation remains central to understanding media’s power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.
Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today’s media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life.

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Vin Nardizzi, "Marvellous Vegetables in the English Renaissance" (U Toronto Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 24 Apr 2026 08:00:00 +0000

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare’s Theatres and England’s Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012).

In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard’s The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare’s Merry Wives of Windsor, Ovid’s Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship.

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Monsters in the Archives: My Year of Fear with Stephen King

caleb@newbooksnetwork.com (New Books Network) — Thu, 23 Apr 2026 08:00:00 +0000

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells.

While tracking King’s margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast.

Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast.

Playlist for listeners:

Once Upon A Tome

The World She Edited: Katharine S. White at the New Yorker

Claire Myers Owens and the Banned Book

Before and After the Book Deal

Your Art Will Save Your Life

Becoming The Writer You Already Are

The Top 10 Struggles in Writing A Book Manuscript and What To Do About It

Do You Need A Developmental Editor?

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Francis Young, "Fairies: A History" (John Wiley & Sons, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 21 Apr 2026 08:00:00 +0000

Many people think they know what fairies are, what a fairy looks like, and how a fairy is expected to behave. Dr. Francis Young's Fairies: A History (Polity, 2026) demonstrates that the truth about belief in fairies is far stranger than clichéd images of tiny figures with wings and wands.
Before the rise of the 'small winged fairy' in the nineteenth century, the category of fairies included a vast range of supernatural human-like creatures, from the elves of Scandinavia and the aos sí of Ireland to the vilas of the Balkans and the fadas of Iberia. Dr. Young traces the ancient origins of belief in such creatures and how it adapted to the rise of Christianity and then flourished in medieval Europe, before being transformed – but not destroyed – by the upheavals of the Reformation, the Enlightenment, and even European colonial expansion, which made fairies a global phenomenon. He concludes this uniquely wide-ranging history by reflecting on the surprising ways in which fairy belief endures in our apparently disenchanted contemporary world.
No one who reads this brilliant tour through the enchanted pathways of fairyland will ever look at the winged creatures of contemporary popular culture – or the woods at the bottom of their garden – in the same way again.

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Generic

caleb@newbooksnetwork.com (New Books Network) — Mon, 20 Apr 2026 08:00:00 +0000

In this episode of High Theory, Kim talks to Ben Mangrum about Generic. A curious term that denotes both the conventions and rules of genre, and the impersonal or nameless quality of things like generic drugs or generic devices; the generic structures many of our cultural codes. Ben uses both senses to talk about the history of computing. He tells us about the surprising role the genre of comedy has played in our interactions with computers.

Ben suggested that we reference Spike Jones’s 2010 short film I’m Here as an example of computational comedy. In the episode Ben references Aziz Ansari and Eric Klinenberg’s Modern Romance (Penguin Books 2016), a book of comedy and social critique about online dating, as well as classics like Agatha Christie’s Muder on the Orient Express (Collins Crime Club 1934), William Gibson’s Neuromancer (Ace Books 1984), and the film You’ve Got Mail (1998). He also talks about David Schumway’s writing on screwball comedies, “Screwball Comedies: Constructing Romance, Mystifying Marriage” in Cinema Journal 30 no. 4 (Summer 1991): 7-23, doi: 0.2307/1224884, and Lauren Berlant’s on genre, “Genre Flailing” in Capacious: Journal for Emerging Affect Inquiry 1 no. 2 (2018).

If you want to learn more, check out Ben’s book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford 2025). In this cultural history of the computer, Ben shows that comedy has been central to how we've made sense of the technology's sweeping effects on public life and private experience. From the first Broadway play to include a computer in the 1950s to popular films and joke-telling digital assistants, many have used comedy to make the computer seem ordinary. Others have tried to stage the assimilation of computers within corporate life as a kind of comic drama. Mangrum describes these and many other ways in which comedy and computation have come together as a new genre of experience: the comedy of computation.

Ben Mangrum works as an Associate Professor of Literature at the Massachusetts Institute of Technology. His research examines topics ranging from the environmental humanities to twentieth-century “world literature” and the history of ideas and media underlying contemporary methods in the digital humanities. His first book, Land of Tomorrow: Postwar Fiction and the Crisis of American Liberalism, was published in 2019 by Oxford University Press.

The transcript of this episode lives here as a WordDoc and here as a PDF. The image for this episode shows a happy computer, drawn in a few pixels on a blue background. It was made for High Theory by Lili Epstein.

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Sasha Senderovich and Harriet Murav, "In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union" (Stanford UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 20 Apr 2026 08:00:00 +0000

In their anthology, In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union (Stanford University Press, 2026), Sasha Senderovitch and Harriet Murav provide an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union. In these works, Jewish authors from Ukraine, Lithuania, Russia, and Belarus, writing in Yiddish and Russian, tell the stories of ordinary people living on after the devastation of the Holocaust. Filled with memories, love, and loss, these narratives describe not only how people died, but also how they continued to live. Despite the official view in the Soviet Union that Jewish deaths should be subsumed under the larger tragedy of Nazi Germany's invasion, Jews in the USSR profoundly engaged with thinking about and memorializing the Holocaust, addressing it in a wide range of literary works.

Interviewees: Sasha Senderovich is Associate Professor of Slavic Languages & Literatures and of International Studies at the University of Washington. Harriet Murav is Center for Advanced Study Professor Emerita at the University of Illinois, Urbana-Champaign.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.

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Twelve Lives: Creating Literary Community with Raymond Williams, PhD

caleb@newbooksnetwork.com (New Books Network) — Sun, 19 Apr 2026 08:00:00 +0000

From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive.

Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world.

You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Decolonizing the Novum

caleb@newbooksnetwork.com (New Books Network) — Mon, 13 Apr 2026 08:00:00 +0000

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum.

In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency.

In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang.

The transcript lives here as a WordDoc and here as a PDF.

Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books.

Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure.

The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America)

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Ted Goossen on translating Hiromi Kawakami’s “Third Love”

caleb@newbooksnetwork.com (New Books Network) — Fri, 10 Apr 2026 08:00:00 +0000

Translator Ted Goossen talks about everything from first landing in Japan in 1968 to the differences between translating Haruki Murakami and Hiromi Kawakami, especially the complexities of Hiromi Kawakami’s latest book The Third Love.

Amy has a deep discussion with Ted Goossen about Japan, it’s emerging culture, it’s historically strong women and how Japanese literature and its themes are changing. In addition to talking about Hiromi Kawakami’s novel The Third Love, other prominent people mentioned in this podcast episode are feminist Chizuko Ueno, translator John Bester and authors Kanzaburo Oe, Tatsuhiko Shibusawa, Masuji Ibuse and Mieko Kawakami.

The Books on Asia website posts book reviews, podcast episodes and episode Show Notes. Subscribe to the BOA podcast from your favorite podcast service. Subscribe to the Books on Asia newsletter to receive news of the latest new book releases, reviews and podcast episodes.

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Ed Simon, "Writing During the Apocalypse: Reflections on the Great Unraveling" (Bloomsbury, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 9 Apr 2026 08:00:00 +0000

Rising authoritarianism. Covid. Inflation. Wealth disparity. War. Climate change. While every time period is marked by apocalyptic fears, it certainly seems like our current anxieties aren't ill placed. And yet, art and literature persist.
In captivating and culturally savvy prose, Ed Simon grapples with the notion that writers and their work ought to distract readers from the dire situation we face in these fetid days of the Anthropocene. In Writing During the Apocalypse: Reflections on the Great Unraveling (Bloomsbury, 2026) he also addresses the wider question of what it's like to write during what could be the last decades of human civilization, arguing that to craft imaginative spaces through the magic of words isn't superfluous. Instead it exists at the core of human experience – as it always has and always will.

Ed Simon is the Public Humanities Lecturer in the English Department of Carnegie Mellon University and the founding editor of The Pittsburgh Review of Books. He is a contributing editor to The Montreal Review, and a monthly columnist for both 3 Quarks Daily and LitHub. Simon has authored over a dozen books, including An Alternative History of Pittsburgh from Belt Publishing, Pandemonium: A Visual History of Demonology from Abrams, and Devil’s Contract: The History of the Faustian Bargain from Melville House.

Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. Email here @carrielynnland.bsky.social

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Fiction’s Lost Ambition with Writer Sam Kahn

caleb@newbooksnetwork.com (New Books Network) — Wed, 8 Apr 2026 08:00:00 +0000

Fiction has “lost its ambition,” and not only that, “its centrality to the culture,” Sam Kahn says in a recent piece on “Castalia,” his popular Substack newsletter. We explore that proposition in our wide-ranging conversation about contemporary fiction and its ailments. What’s especially sad about the diminished role that fiction plays in the culture is that, in our Age of Upheaval, circumstances beg for the sort of wide-angled treatment that novelists like Saul Bellow and Norman Mailer supplied in their day. What happened? Kahn is also an editor at the digital-magazine Persuasion and he edits “The Republic of Letters” on Substack.

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Namwali Serpell, "On Morrison" (Hogarth, 2026)

caleb@newbooksnetwork.com (New Books Network) — Wed, 8 Apr 2026 08:00:00 +0000

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form.

This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence.

Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times’s Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University.

Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her.

Recommended Books:

Maya Binyam, Hangmen
Akwaeke Emezi, Freshwater

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Michaela Hulstyn, "Unselfing: Global French Literature at the Limits of Consciousness" (U Toronto Press, 2022)

caleb@newbooksnetwork.com (New Books Network) — Tue, 7 Apr 2026 08:00:00 +0000

Altered states of consciousness – including experiences of deprivation, pain, hallucination, fear, desire, alienation, and spiritual transcendence – can transform the ordinary experience of selfhood.

Unselfing: Global French Literature at the Limits of Consciousness (U Toronto Press, 2022) explores the nature of disruptive self-experiences and the different shapes they have taken in literary writing. The book focuses on the tension between rival conceptions of unselfing as either a form of productive self-transcendence or a form of alienating self-loss.

Michaela Hulstyn explores the shapes and meanings of unselfing through the framework of the global French literary world, encompassing texts by modernist figures in France and Belgium alongside writers from Algeria, Rwanda, and Morocco. Together these diverse texts prompt a re-evaluation of the consequences of the loss or the transcendence of the self. Through a series of close readings, Hulstyn offers a new account of the ethical questions raised by altered states and shows how philosophies of empathy can be tested against and often challenged by literary works. Drawing on cognitive science and phenomenology, Unselfing provides a new methodology for approaching texts that give shape to the fringes of conscious experience.

Guest Dr. Michaela Hulstyn is Associate Director of the Structured Liberal Education Program at Stanford University. Her research interests include philosophy and Literature; 20c and 21c French and Francophone African thought, cognitive approaches to aesthetics; global phenomenology; intermediality; decolonization; narrative. In addition to her monograph, she has published articles related to a number of these topics in forums such as Modern Fiction Studies, Philosophy and Literature, and Contemporary French and Francophone Studies: Sites.
Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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Leslie Barnes, "Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film" (Edinburgh UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 7 Apr 2026 08:00:00 +0000

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.

Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.

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Eleanor Houghton, "Charlotte Brontë's Life in Clothes" (Bloomsbury 2026)

caleb@newbooksnetwork.com (New Books Network) — Sun, 5 Apr 2026 08:00:00 +0000

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.
These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.
Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.
Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.
These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024.

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Asif Iqbal, "Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation" (Routledge, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 2 Apr 2026 08:00:00 +0000

Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation (Routledge, 2025) illuminates individual and collective imaginings of postcolonial Bangladesh. It explores the emergence of Bangladesh as a nation from a variety of perspectives. The author studies the impact of Muslim nationalism on the subaltern life-worlds of East Bengal during the Partition, religious minorities and their insecurity in East Pakistan, East Pakistan’s political insurgencies, the victims of the 1971 Bangladesh Liberation War, the Indian stake in the 1971 War, and the cosmopolitan interpretations of the war. The literary and cultural texts that inform this project include contemporary Bengali novels, South Asian Anglophone literature, as well as selected visual media and digital sources. The project’s reading of these texts in conjunction with politics and history has interdisciplinary relevance.

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Jeanne-Marie Jackson, "The Letter of the Law in J. E. Casely Hayford's West Africa" (Princeton UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 31 Mar 2026 08:00:00 +0000

The African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In The Letter of the Law in J. E. Casely Hayford's West Africa (Princeton UP, 2026) Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.
Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure.

Jeanne-Marie Jackson is a Professor of English at Johns Hopkins University and the Director of the Alexander Grass Humanities Institute.

Elisa Prosperetti is an Assistant Professor of African and global history at NIE/NTU in Singapore.

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Pre-Reading

caleb@newbooksnetwork.com (New Books Network) — Mon, 30 Mar 2026 08:00:00 +0000

In this episode of High Theory, Milan Terlunen talks to Kim about Pre-Reading. There are many books we will never read and films we will never watch, but it turns out we know quite a bit about them in advance. A concept developed in his work on the plot twist, pre-reading names the epistemic practices by which we approach a text before we read it (if we ever do). The pre-reading environment is shared, social knowledge that shapes our expectations long before we open the cover or hit play.

This podcast episode forms part of the pre-reading environment for Milan’s article, "What We Can(’t) Know Before We Read: Towards a Theory of the Pre-Reading Environment" (Book History 27, no. 2 (2024): 346-374). The article proposes the Pre-Reading Environment as a new object of study for understanding how texts relate to communal knowledge. While easily overlooked by scholars, equipped with fuller knowledge derived from their own reading, Pre-Reading Environments are among the most widespread epistemic objects in book history. Turning to two literary texts, Agatha Christie’s The Murder of Roger Ackroyd (1926) and Hanya Yanagihara’s A Little Life (2015), the article examines how their respective Pre-Reading Environments, in newspapers and on Twitter, strategically concealed key plot points that might pre-emptively spoil the experience of potential readers.

The transcript of this episode lives here as a WordDoc and here as a PDF.

Milan Terlunen is a scholar of literature, with a focus on narrative and the history of reading practices. He works as a Researcher in Digital Humanities at the University of Sussex. While a PhD student at Columbia University he co-created and hosted two podcasts – How To Read and In Sacred Spaces – and co-founded the Humanities Podcast Network in 2021, where he met Kim and Saronik. He is also an editor of the Palgrave Handbook of Humanities Podcasting, a huge project that he ran along with Kim, Saronik, and Beth Kramer. A book about podcasting would not be complete without its own podcast. Keep your ears peeled for Podcasting the Humanities later this year.

The image for this episode is an illustration from Jean de Bosschère’s Weird Islands (1921), titled “Read Books on Practical Navigation.” It is a line drawing showing a reader swamped by piles of books. The image was found for High Theory by Lili Epstein on the Public Domain Image Archive.

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Ainehi Edoro, "Forest Imaginaries: How African Novels Think" (Columbia UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Mar 2026 08:00:00 +0000

Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.

Ainehi Edoro argues in Forest Imaginaries: How African Novels Think (Columbia UP, 2026) that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.

Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture.

YouTube Channel: here

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Megan Peiser, "British Women Novelists and the Review Periodical" (JHU Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sat, 28 Mar 2026 08:00:00 +0000

At the turn of the nineteenth century, British women novelists were publishing more fiction than their male counterparts, yet their place in literary history remains precarious. In British Women Novelists and the Review Periodical (Johns Hopkins University Press, 2026), Dr. Megan Peiser offers a compelling new perspective on this pivotal period by examining the overlooked power of the review periodical in shaping literary reception, authorial careers, and the novel as a genre.

Through a dynamic study of the Novels Reviewed Database, 1790–1820 (NRD)—the first dataset to systematically catalog novels reviewed as novels during the Romantic period—Dr. Peiser demonstrates how these reviews operated not as static judgments, but as an interconnected system of influence, circulation, and criticism. Periodicals functioned as central components of the literary marketplace, steering readers' tastes, framing authors' reputations, and reinforcing cultural notions of gender and genre. Examining the context of these reviews—such as Frances Burney's ambivalent negotiations with her critics and the rise and decline of Charlotte Smith's status among the "sister-queen" novelists—Dr. Peiser's analysis foregrounds the gendered dynamics of literary evaluation. By tracing the dialogue between reviewers and authors—especially in novel prefaces—she uncovers how women writers used, resisted, and responded to critical discourse. Peiser also confronts the limitations of traditional literary data by accounting for overlooked voices and diverse forms of authorship.

This fascinating literary history argues for feminist bibliographic intervention, restores the complexity of the eighteenth- and early nineteenth-century review ecosystem, and provides a vital scholarly tool to reframe how we understand women's novels and the systems that have shaped literary memory.

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Why Did Langston Hughes's "Troubled Lands" Go Unpublished for Nearly a Century?: A Conversation with Ricardo Wilson

caleb@newbooksnetwork.com (New Books Network) — Fri, 27 Mar 2026 08:00:00 +0000

Why did Langston Hughes's translations of Mexican and Cuban stories go unpublished for nearly a century?

A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes (Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. Troubled Lands features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. Troubled Lands provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba.

Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of The Outpost Foundation.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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John Kuhn, "Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England" (U Pennsylvania Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 27 Mar 2026 08:00:00 +0000

Today’s guest, John Kuhn, is the author of Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England (U Pennsylvania Press, 2024). Making Pagans argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era.
Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition.

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10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)

caleb@newbooksnetwork.com (New Books Network) — Thu, 26 Mar 2026 08:00:00 +0000

Can a novel with a singular voice also be a chorus? Can it reject the conventions of the novel and still be a novel? Poet, essayist, and novelist Billy-Ray Belcourt tells critic Matt Hooley how his desire to write a novel that “would sound like something else,” led him to produce A Minor Chorus, his experimental debut novel. Together they consider how Billy-Ray’s vulnerable, first-person narrator makes room for other voices, or more precisely, how it becomes “a voice that could focalize the desires of a community.” Billy-Ray discusses how his influences— queer theory, indigenous novelists, and contemporary autofiction—harmonize in his search for a new form. While author and critic trace the circuits of grief and melancholy that run from Roland Barthes to Billy-Ray, their conversation is joyful, reminding listeners that romance and intimacy sustain us and that beautiful sentences matter. His answer to this season’s signature question attests to the way that even the classroom can be refashioned, like the novel, into a chorus.

Mentioned in this episode

By Billy-Ray Belcourt:

Also mentioned:

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S. D. Ellison, "Hope for a New David in the Psalter's Narrative Impulse: Reading the Psalms as Utopian Literature" (Fortress Academic, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 25 Mar 2026 08:00:00 +0000

Does the Psalter have a unified theme or message? Davy Ellison says, “Yes!” In his new book Hope for a New David in the Psalter's Narrative Impulse: Reading the Psalms as Utopian Literature (Fortress Academic, 2025), he argues that the Psalter’s narrative impulse sustains expectations of a better future by assuring readers that one day Zion will be glorified, enemies vanquished, and the Davidic dynasty embodied in a new Davidic king.

Join us as we speak with Davy Ellison about his book, Hope for a New David in the Psalter’s Narrative Impulse.

Davy Ellison is director of training and lecturer in Old Testament at the Irish Baptist College in Northern Ireland.

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The Remarkable Life and Afterlife of Sholem Aleichem

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Mar 2026 08:00:00 +0000

Novelist, playwright, journalist, essayist, and editor, Sholem Aleichem was one of the founding giants of modern Yiddish literature. The creator of a pantheon of extraordinary characters, his literature provided readers with a window into the world of Eastern European Jews as they confronted the forces of modernity that tore through Russia at the end of the 19th century. But just as compelling as the fictional lives of his characters, was Sholem Aleichem's own life story. Born Sholem Rabinovitch in Ukraine in 1859, he endured an impoverished childhood, married into wealth, and then lost it all through bad luck and worse business sense. Turning to his pen to support himself, he switched from writing in Russian and Hebrew to Yiddish in order to create a living body of literature for the Jewish masses. Jonathan Brent, Executive Director at YIVO, Jeremy Dauber, author of the recently published book, The Worlds of Sholem Aleichem: The Remarkable Life and Afterlife of the Man Who Created Tevye, and Adam Kirsch joined each other on stage for a lively discussion about the fascinating life and work of the "Jewish Mark Twain.”

This discussion originally took place on October 17, 2013.

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Claire Goldstein, "Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France" (Northwestern UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Mar 2026 08:00:00 +0000

In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France (Northwestern University Press 2025) explores the relationship between sensory experience, state ideology, and artistic form, examining literature and art inspired by comets that unsettled the heliocentric order to which French politics and culture aspired.

Guest Claire Goldstein Professor of French and Director of the Humanities Program at UC Davis. Her research in ancien régime French-language literature and culture has explored subjects such as garden design, art and architecture; theater, ballet, and fête performances; astronomy; early modern fashion accessories; and early journalism. Claire’s current projects include Jesuit school ballets; female itinerant clothing resellers; and the innovative and enterprising publishing practices of Nicholas de Blégny, a best-selling and long forgotten multi-hyphenate physician-author. Her scholarship is motivated by her abiding interests in visual and material culture, her curiosity about how the things people see, and the objects and material practices that they engage with, create cultural meanings. She is the author of In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth Century France (Northwestern UP, 2025) and Vaux and Versailles: The Appropriations, Erasures, and Accidents That Made Modern France (U Penn Press, 2007).

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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Hsuan L Hsu, "Olfactory Worldmaking" (U Minnesota Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Mar 2026 08:00:00 +0000

Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.

Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.

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David Bather Woods, "Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist" (U Chicago Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 23 Mar 2026 08:00:00 +0000

Arthur Schopenhauer: The Life and Thought of Philosophy’s Greatest Pessimist by David Bather Woods

An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer’s pessimism.
Arthur Schopenhauer (1788–1860) almost wasn’t one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.
A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer’s pessimism in the context of his life experiences, revealing the philosopher’s relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer’s ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life’s most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.
Despite his pessimistic outlook on human existence, Schopenhauer didn’t give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer’s life informed his ideas and how they still resonate today.

David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer’s Moral Philosophy, and The Palgrave Schopenhauer Handbook.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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Prolepsis

caleb@newbooksnetwork.com (New Books Network) — Mon, 23 Mar 2026 08:00:00 +0000

In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.

In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango's Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF.

Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.

In her first book, Orhan Pamuk and the Good of World Literature (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.

In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a chemical spill, maybe, or untimely death at sea; incarceration, or a terrorist attack — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale. Look forward to seeing it in print!

The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the Public Domain Image Archive.

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Hiromi Ito, "The Thorn Puller" (Stone Bridge Press, 2022)

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Mar 2026 08:00:00 +0000

Hiromi Ito author of The Thorn Puller (originally published in Japanese as Toge-nuki Jizo: Shin Sugamo Jizo engi) came to national attention in Japan in the 1980s for her groundbreaking poetry about pregnancy, childbirth, and female sexuality. After relocating to the U.S. in the 1990s, she began to write about the immigrant experience and biculturalism. In recent years, she has focused on the ways that dying and death shape human experience.

Jeffrey Angles is a writer, translator and professor of Japanese at Western Michigan University. He is the first non-native poet writing in Japanese to win the Yomiuri Prize for Literature, a highly coveted prize for poetry. His translation of the modernist classic The Book of the Dead by Shinobu Orikuchi won both the Miyoshi Award and the Scaglione Prize for translation.

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Imagining Independence; or, Why Does Rip Van Winkle Sleep Through the Revolution?

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Mar 2026 08:00:00 +0000

Thursday, March 12—Inaugurating a series of programs to mark the 250th anniversary of the Declaration of Independence, authors and scholars Michael Gorra, Wendy S. Walters, and Brenda Wineapple discuss three classic short stories, each written within fifty years of the American Revolution, that imaginatively explore the meaning of that founding moment: Washington Irving’s “Rip Van Winkle,” William Austin’s “Peter Rugg, The Missing Man,” and Nathaniel Hawthorne’s “My Kinsman, Major Molineux.”

Drawing on the recently published two-volume anthology The American Short Story: The Nineteenth Century and Nathaniel Hawthorne: Tales and Sketches join us for an evening that will illuminate the surprising connections between the birth of our country and the dawning of our literature in ways that continue to resonate.

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Pedro Thiago Ramos Bassoe, "Supernatural Japan: Izumi Kyoka and the Global Fantastic" (U Michigan Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Wed, 18 Mar 2026 08:00:00 +0000

Supernatural Japan: Izumi Kyoka and the Global Fantastic (U Michigan Press, 2026)examines the role of Japanese writer Izumi Kyōka (1873–1939) in the formation of modern literature of the fantastic in Japan as a global literary genre. Kyōka wrote some of the most famous stories of ghosts, monsters, and the supernatural in modern Japanese literature, including The Holy Man of Mt. Kōya, The Grass Labyrinth, and The Castle Tower. Despite the clearly modernist elements and global influences of Kyōka’s fiction, his work has often been characterized as relying on traditional Japanese genres as inspiration for its themes and literary form. Pedro Bassoe considers how Kyōka’s stories have been produced by a meeting of global influences—including Apuleius, The Arabian Nights, Hans Christian Andersen, the Brothers Grimm, Prosper Mérimée, Guy de Maupassant, Gerhart Hauptmann, and Jules Verne—combined with traditional Japanese genres. Bassoe develops the notion of “the scholarly fantastic” to describe how a set of realistic epistemologies reinforce the fantastic in Kyōka’s writings. Supernatural Japan offers an up-to-date introduction to Izumi Kyōka and his writing for students, scholars, or fans of Japanese fantasy literature and media.

Pedro Thiago Ramos Bassoe is Assistant Professor of Japanese at Purdue University.

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E. and H. Heron, "Flaxman Low: Occult Detective" (MIT Press, 2026)

caleb@newbooksnetwork.com (New Books Network) — Sun, 15 Mar 2026 08:00:00 +0000

Flaxman Low, literature’s first professional, full-time “occult detective”—that is, an intrepid investigator who deploys the scientific method when tackling paranormal phenomena—appeared in a dozen stories first published from 1898–1899. Flaxman Low: Occult Detective (MIT Press, 2026), the latest edition to the Radium Age series from MIT Press, is introduced and discussed by Dr. Alexander B. Joy.

Flaxman Low’s creators, the mother-and-son team Kate O’Brien Ryall Prichard and Hesketh “Hex” Prichard (who published as “E. and H. Heron”), endowed the Oxford-trained psychologist with the bravery and acumen to tackle every sort of adversary from ghosts, mummies, and vampires to a mushroom mannequin. Both less credulous and less cynical than earlier fictional investigators of the spirit world, Low always triumphs in the end . . . but not before scientifically demonstrating that even the most outré incidents and situations can’t hold a candle to the bizarre capacities of the human mind.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Suzanne Bost, "Quiet Methodologies: Humility in the Humanities" (U Minnesota Press)

caleb@newbooksnetwork.com (New Books Network) — Sun, 15 Mar 2026 08:00:00 +0000

What would it mean to disentangle humanities scholarship from combative, extractive, and colonial ways of knowing and writing? This is the question that animates Quiet Methodologies: Humility in the Humanities (U Minnesota Press), the latest book by literary scholar and poet Suzanne Bost.

Quiet Methodologies isn’t a traditional work of literary scholarship. Instead, the book reaches toward alternative ways of thinking with and teaching literature, grounded in speculation and conversation. It models a quiet kind of humanities work, committed not to asserting answers but to asking questions, not to claiming mastery but to embracing uncertainty.

For all its quietness, then, Quiet Methodologies is a bold and challenging work. Speaking to a moment of crisis within and beyond the academy, its provocations and explorations will be of interest to scholars and students working across humanities disciplines.

In conversation with Alix Beeston, Bost shares about the literary archives and scholarly works that helped her to unlearn scholarly conventions. She sets out her vision for reimagining humanities labor in terms of ethical responsibility, receptiveness, care—and even, perhaps, love.

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William H. F. Altman, "Ascent to the Good: The Reading Order of Plato’s Dialogues from Symposium to Republic" (Lexington, 2018)

caleb@newbooksnetwork.com (New Books Network) — Sat, 14 Mar 2026 08:00:00 +0000

At the crisis of his Republic, Plato asks us to imagine what could possibly motivate a philosopher to return to the Cave voluntarily for the benefit of others and at the expense of her own personal happiness. This book shows how Plato has prepared us, his students, to recognize that the sun-like Idea of the Good is an infinitely greater object of serious philosophical concern than what is merely good for me, and thus why neither Plato nor his Socrates are eudaemonists, as Aristotle unquestionably was. With the transcendent Idea of Beauty having been made manifest through Socrates and Diotima, the dialogues between Symposium and Republic—Lysis, Euthydemus, Laches, Charmides, Gorgias, Theages, Meno, and Cleitophon— prepare the reader to make the final leap into Platonism, a soul-stirring idealism that presupposes the student’s inborn awareness that there is nothing just, noble, or beautiful about maximizing one’s own good. While perfectly capable of making the majority of his readers believe that he endorses the harmless claim that it is advantageous to be just and thus that we will always fare well by doing well, Plato trains his best students to recognize the deliberate fallacies and shortcuts that underwrite these claims, and thus to look beyond their own happiness by the time they reach the Allegory of the Cave, the culmination of a carefully prepared Ascent to the Good.

William H. F. Altman, having been persuaded by Plato's Republic that Justice requires the philosopher to go back down into the Cave, has devoted his professional life to the cause of public education. Since retiring in 2013, he has been working as an independent scholar on the continuation of Plato the Teacher (2012).

Joseph Liss is an independent scholar based in the Puget Sound region of Washington State. He can be reached at Joseph.Nathaniel.Liss@gmail.com.

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10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)

caleb@newbooksnetwork.com (New Books Network) — Fri, 13 Mar 2026 08:00:00 +0000

Aaron Gwyn is the author of four novels: The World Beneath, Wynn’s War, and, most recently, two wonderfully linked historical novels, All God’s Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue’s own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.
One way to grasp Gwyn’s achievement is to consider the contrast between his durably realist work and Cormac McCarthy’s 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy’s characters strike them as monstrous and incredible. How about Charles Portis’s True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn’s ties to Quantrill’s Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron’s favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here).

Mentioned in the episode:

Richard Slotkin’s notion of “the man who knows Indians” comes from Gunfighter Nation
Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889)
Herman Melville, Moby Dick
William Faulkner Absalom Absalom
Toni Morrison, Beloved
Thomas Pynchon, Gravity’s Rainbow.
John Williams, Stoner (but also Butcher’s Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth’s Chimera.
Larry McMurtry’s hard-to-get-into Lonesome Dove

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An Evening with Philip Roth: A Conversation with Bernard Avishai, Igor Webb, and Steven Zipperstein

caleb@newbooksnetwork.com (New Books Network) — Fri, 13 Mar 2026 08:00:00 +0000

The YIVO Institute was pleased to present a special evening with acclaimed novelist Philip Roth. Roth read excerpts from his new novel, Nemesis (2010), which tells the story of a terrifying polio epidemic raging in Newark, New Jersey in the summer of 1944 and its devastating effect on the closely knit, family-oriented community and its children. Through this story, Roth addresses profound questions of human existence: What types of choices fatally shape a life? How does the individual withstand circumstance?

Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University).

This reading and discussion originally took place on May 18, 2011.

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Cheng Li, "Contested Environmentalisms: Trees and the Making of Modern China" (Stanford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 12 Mar 2026 08:00:00 +0000

For decades, tree planting and forestry have been pivotal to Chinese environmentalism. During the Mao era, while forests were razed to fuel rapid increases in industrial production, the “Greening the Motherland” campaign promoted conservationist tree-planting nationwide. Contested Environmentalisms: Trees and the Making of Modern China (Stanford UP, 2025) explores the seemingly contradictory rhetoric and desires of Chinese conservation from the early twentieth century through to the present.

Drawing on literary, cinematic, scientific, archival, and digital media sources, Cheng Li investigates the emergence, evolution, and devolution of Chinese conservationist ideas. Combining literary, historical, and environmental studies approaches, he shows that these ideas acquired their value and assumed their power precisely because of their malleability and adaptability. Li historicizes authoritarian environmentalism and probes the global-local dynamics underlying conservationist ideas that energize environmental impulses in China. Examining ethnic borderlands, the Beijing political center, and China's growth on the world stage, this book demonstrates the strength of Chinese environmentalism to adapt and survive through tumultuous change lies in what seems to be a weakness: its inconsistency and contestation.

Cheng Li is an Assistant Professor of Chinese Studies at Carnegie Mellon University, specializing in modern Chinese environmental literature, film, science fiction, and history. He is a literary scholar and a cultural historian. His research focuses on cultural history, ecocriticism, and infrastructure.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.

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Dana A. Williams, "Toni at Random: The Iconic Writer's Legendary Editorship" (Amistad, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 10 Mar 2026 08:00:00 +0000

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer's Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.

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Charles Delgadillo and Jason Stacy, eds., "Heartland Utopia: William Allen White on the Ideal Midwestern Town" (UP of Kansas, 2026)

caleb@newbooksnetwork.com (New Books Network) — Mon, 9 Mar 2026 08:00:00 +0000

For William Allen White, the ideal Midwestern community was a utopian vision of what America could be: a prosperous, happy community built on equality, opportunity, and neighborly generosity. This anthology collects White’s famous and obscure writings and presents him as the iconic voice of the Midwestern small town.

William Allen White, the editor of The Emporia Gazette in Kansas, was an American institution. When he died in 1944, President Franklin Delano Roosevelt commented that America had lost one of its “wisest and most beloved editors.” White understood the value of his unique brand as “the voice of Main Street,” and would often preach his vision of the kind of nation the United States ought to be.

From his view in Emporia, White’s imagined Midwestern town was a dream for the nation to strive toward. He saw himself as a pioneer sowing the seeds of a great harvest to come, and he believed that the small-town civilization he venerated exemplified what was best in America.

In Heartland Utopia: William Allen White on the Ideal Midwestern Town (UP of Kansas, 2026), Charles Delgadillo and Jason Stacy have gathered nearly twenty-five years of White’s fiction and nonfiction focused on his idealized Midwestern community and how this utopian vision changed over time.

Charles Delgadillo is a lecturer in history at the California State University, Pomona, and the author of Crusader for Democracy: The Political Life of William Allen White, published by Kansas.

Jason Stacy is Distinguished Research Professor of history and social science pedagogy at Southern Illinois University, Edwardsville. His books include Spoon River America: Edgar Lee Masters and the Myth of the American Small Town and Walt Whitman's Selected Journalism. You can hear another interview with him about his Spoon River America here on the New Books Network.

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Damion Searls, "The Philosophy of Translation" (Yale UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Mar 2026 09:00:00 +0000

The Philosophy of Translation (Yale UP, 2024) is a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Damion Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. In this book, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.

In this episode, Ibrahim Fawzy sat down with Damion Searls to discuss The Philosophy of Translation, exploring what it truly means to read as a translator, how grammar shapes worldview, and where creativity lives in the space between languages.

Damion Searls studied philosophy at Harvard and is a prominent translator from German, Norwegian, French, and Dutch, including books by Nietzsche, Wittgenstein, Rilke, Proust, Kielland, Jelinek, Schwitters, Mann, Modiano, and Fosse. His own books include the novel Analog Days, the poetry volume The Mariner’s Mirror, and The Inkblots, a history of the Rorschach test and biography of its creator.

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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Eric Weiskott, "Cycle of Dreams" (U Pennsylvania Press, 2021) and "Piers Plowman: A New Annotated Edition of the A-Text" (U Exeter Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 4 Mar 2026 09:00:00 +0000

My guest today is Eric Weiskott, Professor of English at Boston College. Eric has previously published Meter and Modernity in English Verse, 1350-1650 (U Pennsylvania Press, 2021) and English Alliterative Verse: Poetic Tradition and Literary History (Cambridge University Press, 2016), as well as a chapbook titled Chanties: An American Dream (Bottlecap, 2023). Eric is also a co-editor for the Yearbook of Langland Studies.

Today, we are discussing two of Eric’s recent books that share a connection to the fourteenth-century English poem Piers Plowman. The first is Cycle of Dreams (Punctum, 2024), a poetry collection that uses motifs, literary devices, and themes of William Langland’s surreal poem as a springboard to meditate on the equally surreal experience of political and social life in the twenty-first century. Cycle of Dreams is published by Punctum Books. The second book we are discussing is a new edition of the A-version of Piers Plowman: A New Annotated Edition of the A-Text (U Exeter Press, 2025)

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Michèle Schaal, "Grrrl Writing: Virginie Despentes's Authorial Politics" (Peter Lang, 2026)

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Feb 2026 09:00:00 +0000

When Virginie Despentes (1969) published her provocative debut novel Baise-moi in 1994, no one could have anticipated how she would gradually become a literary, feminist, and punk icon. This book is the first holistic, interdisciplinary approach to Despentes's novels and evolution as an author. Using feminist, queer, literary, and punk theories, the book examines how Despentes has developed and refined her Grrrl writing in Baise-moi, Les Chiennes savantes, and Les Jolies choses. Michèle Schaal's Grrrl Writing: Virginie Despentes's Authorial Politics (Peter Lang, 2026) specifically illustrates how her unique authorial politics, infused with punk, genre- and genderbending praxes, have provided an acerbic critique of still largely heteropatriarchal French society. Despentes's Grrrl writing denounces how this system engenders and thrives on injustice and social inequities, but also how conventions at play in classic or populist literary genres can perpetuate oppression as well

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American Masterpiece: The Civil War Diaries of George Templeton Strong with Brenda Wineapple and Geoff Wisner

caleb@newbooksnetwork.com (New Books Network) — Mon, 23 Feb 2026 09:00:00 +0000

Wednesday, February 18—Called “the greatest American diary of the nineteenth century,” the journal of the patrician New York City lawyer George Templeton Strong stands as a remarkable documentary record of the Civil War and a captivating literary accomplishment in its own right. Unfolding like an epic historical novel, Strong’s precise and colorful account plunges readers into the midst of an unprecedented national crisis like nothing else in American letters.

Join historian Brenda Wineapple and Geoff Wisner, editor of the just-published Library of America edition of Strong’s Civil War Diaries, for a discussion of this extraordinary work, long out of print and now updated with never-before-published entries transcribed from the original manuscript at The New York Historical.

Max Rudin is President & Publisher of Library of America.

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Richard Schoch, "Shakespeare’s House: A Window onto his Life and Legacy" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 22 Feb 2026 09:00:00 +0000

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare’s House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself.

Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Helen Garner Hacking Away at the Adverbs: A Novel Dialogue Crossover Conversation

caleb@newbooksnetwork.com (New Books Network) — Thu, 19 Feb 2026 09:00:00 +0000

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen’s novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion’s Two Friends and Gillian Armstrong’s wonderfully Garneresque The Last Days of Chez Nous. After a reading from John’s favorite, The Children’s Bach, the trio discusses Garner’s capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father’s restlessness to her own life-total of houses inhabited (27). “Why wouldn’t I write about households?” asks Helen, “They’re just so endlessly interesting.”

Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That’s how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen’s writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There’s something about shaping a sentence, too, which can be musical.”

Mentioned in the Episode

Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home,
The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn’t bear fiction…)
Raymond Carver‘s minimalist fiction (his first collection)
Tess Gallagher (as writer and as Carver’s editor)
Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room)
Ernest Hemingway, A Moveable Feast
Sigmund Freud on “the day’s residue” (e.g. in The Interpretation of Dreams, 1900)
George Eliot, Quarry for Middlemarch

Listen to Episode

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Iria Seijas-Pérez, "Sapphic Adolescent Girls in Irish Young Adult Fiction: Queering Girlhood"(Routledge, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 14 Feb 2026 09:00:00 +0000

Sapphic Adolescent Girls in Irish Young Adult Fiction: Queering Girlhood (Routledge, 2025) is the first sustained critical analysis of the representation of sapphic adolescent protagonists in contemporary Irish Young Adult (YA) literature. Ten YA novels published between 2017 and 2023 by both well-established and emerging Irish female authors are examined, analysing sapphic characters to demonstrate how Irish YA literature can transform and re-imagine sapphic literary representations. This book offers a critical evaluation of how lesbianism and bisexuality have been introduced into Irish YA literature, while also addressing the significance of racism, religion, violence against women and girls, friendships, and parental abandonment in shaping queer identities. This study is ideal for postgraduates and academics in the fields of Irish Studies, Cultural Studies, Gender Studies, and Queer Studies, as well as students interested in YA literature, comparative literature, and contemporary literature.

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Sourit Bhattacharya, "Postcolonialism Now: Literature, Reading, Decolonising" (Orient BlackSwan, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 13 Feb 2026 09:00:00 +0000

Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.

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Hang Tu, "Sentimental Republic: Chinese Intellectuals and the Maoist Past" (Harvard UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 11 Feb 2026 09:00:00 +0000

How does emotion shape the landscape of public intellectual debate? In Sentimental Republic: Chinese Intellectuals and the Maoist Past (Harvard UP, 2025), Hang Tu proposes emotion as a new critical framework to approach a post-Mao cultural controversy. As it entered a period of market reform, China did not turn away from revolutionary sentiments. Rather, the post-Mao period experienced a surge of emotionally charged debates about red legacies, ranging from the anguished denunciations of Maoist violence to the elegiac remembrances of socialist egalitarianism.

Sentimental Republic chronicles forty years (1978–2018) of bitter cultural wars about the Maoist past. It analyzes how the four major intellectual clusters in contemporary China—liberals, the Left, cultural conservatives, and nationalists—debated Mao’s revolutionary legacies in light of the postsocialist transition. Should the Chinese condemn revolutionary violence and “bid farewell to socialism”? Or would a return to revolution foster alternative visions of China’s future path? Tu probes the nexus of literature, thought, and memory, bringing to light the dynamic moral sentiments and emotional excess at work in these post-Mao ideological contentions. By analyzing how rival intellectual camps stirred up melancholy, guilt, anger, and resentment, Tu argues that the polemics surrounding the country’s past cannot be properly understood without reading the emotional trajectories of the post-Mao intelligentsia.

Hang Tu is Assistant Professor of Chinese Studies at the National University of Singapore and Deputy Director of the CCKF–NUS Southeast Asia Center for Chinese Studies. A scholar of Chinese literature and thought, his research focuses on the cultural politics of emotion in modern and contemporary China. His work has appeared in Critical Inquiry, The Journal of Asian Studies, Modern Intellectual History, MCLC, and Prism.

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu.

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Nicholas Boggs, "Baldwin: A Love Story" (FSG, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 10 Feb 2026 09:00:00 +0000

Baldwin: A Love Story (FSG, 2025) the first major biography of James Baldwin in three decades, reveals how profoundly the writer’s personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin’s last great love is explored in these pages for the first time.

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Ann Komaromi, "Soviet Samizdat: Imagining a New Society" (Cornell UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sun, 8 Feb 2026 09:00:00 +0000

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi’s approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today.

Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Ian Smith, "Black Shakespeare: Reading and Misreading Race" (Cambridge UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sat, 7 Feb 2026 09:00:00 +0000

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).

Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.

John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

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Polina Dimova, "At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism" (Penn State UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 6 Feb 2026 09:00:00 +0000

Inspired by Richard Wagner’s idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova’s At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth.

Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle.

Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice.

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Kevin Hart, "Lands of Likeness: For a Poetics of Contemplation" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Feb 2026 09:00:00 +0000

In Lands of Likeness: For a Poetics of Contemplation (U Chicago Press, 2023), Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.
Kevin Hart is Jo Rae Wright University Distinguished Professor at the Duke Divinity School.
Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.

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Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 3 Feb 2026 09:00:00 +0000

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces.

Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.

Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.

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Peter Stansky, "The Socialist Patriot: George Orwell and War" (Stanford UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 31 Jan 2026 09:00:00 +0000

Few English writers wielded a pen so sharply as George Orwell, the quintessential political writer of the twentieth century. His literary output at once responded to and sought to influence the tumultuous times in which he lived—decades during which Europe and eventually the entire world would be torn apart by war, while ideologies like fascism, socialism, and communism changed the stakes of global politics. In this study, Stanford historian and lifelong Orwell scholar Peter Stansky incisively demonstrates how Orwell's body of work was defined by the four major conflicts that punctuated his life: World War I, the Spanish Civil War, World War II, and the Cold War.

Young Orwell came of age against the backdrop of the First World War, and published his final book, Nineteen Eighty-Four, nearly half a century later, at the outset of the Cold War. The intervening three decades of Orwell's life were marked by radical shifts in his personal politics: briefly a staunch pacifist, he was finally a fully committed socialist following his involvement in the Spanish Civil War. But just before the outbreak of World War II, he had adopted a strong anti-pacifist position, stating that to be a pacifist was equivalent to being pro-Fascist.

By carefully combing through Orwell's published works, notably "My Country Right or Left," The Lion and the Unicorn, Animal Farm, and his most dystopian and prescient novel Nineteen Eighty-Four, Stansky teases apart Orwell's often paradoxical views on patriotism and socialism. The Socialist Patriot: George Orwell and War (Stanford UP, 2023) is ultimately an attempt to reconcile the apparent contradictions between Orwell's commitment to socialist ideals and his sharp critique of totalitarianism by demonstrating the centrality of his wartime experiences, giving twenty-first century readers greater insight into the inner world of one of the most influential writers of the modern age.

Peter Stansky is the Frances and Charles Field Professor of History, Emeritus at Stanford University. He has published extensively on the cultural, political, and literary milieu of twentieth-century Britain, including (with William Abrahams) the Orwell biographies The Unknown Orwell (1972) and Orwell: The Transformation (1980), both finalists for the National Book Award.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Justin L. Mann, "Breaking the World: Black Insecurity and the Horizons of Speculation" (Duke UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Thu, 29 Jan 2026 09:00:00 +0000

Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.

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Natasha Heller, "Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan" (U Hawai'i Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 26 Jan 2026 09:00:00 +0000

In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan (U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers.

Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world.

Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults.

Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong’an commentary to explore the social and cultural dimensions of Chan Buddhism.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

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Christian Raffensperger, "Authorship, Worldview, and Identity in Medieval Europe" (Routledge, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sat, 24 Jan 2026 09:00:00 +0000

What did medieval authors know about their world? Were they parochial and focused on just their monastery, town, or kingdom? Or were they aware of the broader, medieval Europe that modern historians write about?

Christian Raffensperger's edited volume Authorship, Worldview, and Identity in Medieval Europe (Routledge, 2022) brings the focus back to medieval authors to see how they describe their world. While we see in these essays that each author certainly had their own biases, the vast majority of them did not view the world as constrained to their small piece of it. Instead, they talked about the wider world, and often they had informants or textual sources that informed them about the world, even if they did not visit those distant places themselves. This volume shows that they also used similar ideas to create space and identity – whether talking about the desert, the holy land, or food practices in their texts. By examining medieval authors and their own perceptions of their world, this collection offers a framework for discussions of medieval Europe in the 21st century. In this conversation we talk about how this volume goes about broadening both the geographical scope and methodological approaches to reading medieval sources.

Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow

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Alison Rowlands, "Witchcraft Narratives in Germany: Rothenburg, 1561-1652" (Manchester UP, 2026)

caleb@newbooksnetwork.com (New Books Network) — Wed, 21 Jan 2026 09:00:00 +0000

Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here.

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Anne Sokolsky ed., "Bold Breaks: Japanese Women and Literary Narratives of Divorce" (U Hawaii Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 20 Jan 2026 09:00:00 +0000

The various words for “divorce” in Japanese—rien, enkiri, fūfu wakare, rikon—reflect how the socially constructed institutions of marriage and family, along with their dissolutions, have been understood in Japanese history and jurisprudence. Employing a broad definition of divorce as the end of a romantic union sanctioned by law, social custom, or mutual agreement, Bold Breaks: Japanese Women and Literary Narratives of Divorce explores the shifting attitudes toward divorce in literature by women from the Heian (794–1185) to Heisei (1989–2019) periods.

The collection features writing by renowned authors Tamura Toshiko (1884–1945), Uno Chiyo (1897–1996), and Tsushima Yūko (1947–2016), who used divorce as a literary device to enable their female protagonists to take bold steps toward new lives. A coda explores more contemporary views on marriage, divorce, and romantic love in the work of novelists Itoyama Akiko (1966–) and Kawakami Mieko (1976–) and poet Saihate Tahi (1986–). A wide-ranging introduction provides an overview of the historical, legal, and literary significance of divorce in Japan. The translated texts, appearing in English for the first time, are accompanied by essays introducing the authors and offering brief analyses.

Bold Breaks will appeal to students and scholars of Japanese literature and culture, particularly those interested in gender issues and family social practices, and will enrich the growing conversation on marriage and divorce across cultures and eras.

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Sara Petrosillo, "Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture" (Ohio State UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 19 Jan 2026 09:00:00 +0000

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.

Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Catherine Clarke, "A History of England in 25 Poems" (Penguin, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 17 Jan 2026 09:00:00 +0000

This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation’s past, and the experiences, emotions and imaginations of those who lived it.

These poems open windows onto wildly different worlds – from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses. Their creators, witnesses to events from the Great Fire of London to the Miners’ Strike, range from the famous to the forgotten, yet each invites us into an immersive encounter with their own time.

A History of England in 25 Poems (Penguin, 2025) by Professor Catherine Clarke is a portal to the past; a constant companion, filled with vivid voices and surprising stories alongside familiar landmarks, and language that speaks in new ways on each reading. Professor Clarke’s knowledge and passion take us inside the words and the moments they capture, with thoughtful insights, humour and new perspectives on how the nation has dreamed itself into existence – and who gets to tell England’s story.

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Madhuri Deshmukh, "The Unraveling Heart: Women's Oral Poetics and Literary Vernacularization in Marathi" (Columbia UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 15 Jan 2026 09:00:00 +0000

In this interview we discuss The Unraveling Heart: Women's Oral Poetics and Literary Vernacularization in Marathi (Columbia UP, 2025). Women’s songs of the grind mill are among the oldest oral traditions in South Asia. They have been sung to accompany a daily household labor, making flour using a stone hand mill, for many centuries. Even today, grind mill songs are still well known in Maharashtra, testifying to the endurance of a remarkable genre. Yet these songs have long been understood through sociological or anthropological lenses, treated as entirely separate from literary culture.

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Zoë McGee, "Courting Disaster: Reading Between the Lines of the Regency Novel" (Manchester UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 15 Jan 2026 09:00:00 +0000

What do #MeToo and Jane Austen have in common? More than you might think.

Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture - and to reassure survivors they were not alone.

Courting Disaster: Reading Between the Lines of the Regency Novel (Manchester UP, 2025) takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent.

In an era that's clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway.

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Sarah Dowling, "Here Is a Figure: Grounding Literary Form" (Northwestern UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 13 Jan 2026 09:00:00 +0000

People who lie down are a fixture of contemporary literature, art, and life. Murder victims, protesters, invalids, depressives, sex workers, and more: these are the recumbent figures that populate Here Is a Figure: Grounding Literary Form (Northwestern UP, 2025) the latest book from literary critic and poet Sarah Dowling.

Out now from Northwestern University Press, this fascinating and ambitious study moves to the ground of mainstream and experimental literary and artistic work from the late twentieth century to the present. There Dowling traces a pattern of prone figures, like a chain of paper dolls strewn across the floor. These figures do a surprising amount of work from their horizontal position, challenging our notions of human subjectivity and political agency, and, at the same time, turning our attention to the ground against which they stretch.

In this rich and wide-ranging conversation with Alix Beeston, Dowling shares how researching and writing Here Is a Figure allowed her to work through unexpected and minor forms of feminist and anti-colonial action, the inextricability of literature and the other arts, and the groundedness—the historical and material conditions—of all artistic and scholarly labor. She issues a call for scholars of literature and art to shake off habits of mastery and detachment and instead to approach their work as a form of passionate advocacy for the enduring value of criticism.

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Alvin K. Wong, "Unruly Comparison: Queerness, Hong Kong, and the Sinophone" (Duke UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 13 Jan 2026 09:00:00 +0000

How do we compare across languages, media, and histories, all without flattening differences? And what might Hong Kong teach us about doing comparison differently?

Alvin K. Wong examines these and other questions in Unruly Comparison: Queerness, Hong Kong, and the Sinophone (Duke UP, 2025), a wide-ranging and thought-provoking study of queerness in Hong Kong. Bringing together Sinophone literature, independent and commercial cinema, documentary films, and visual art, the book asks how Hong Kong’s queer productions might help us rethink the work of comparison itself.

Rather than treating Hong Kong as a marginal or derivative space — a space defined by British colonialism, China-centrism, or global capitalism — this book approaches the city as a site of methodological possibilities. The key concept the book advances, “unruly comparison,” replacing neat equivalences and stable categories with incommensurability and transnational connections and linking Hong Kong to other places, times, and queer spaces across the Sinophone.

Theoretically deft, the book is filled with a wide range of fascinating material, including work by filmmakers including Wong Kar-wai, Scud, and Fruit Chan; transnational and transgender visual cultures; documentaries about Southeast Asian domestic workers and queer intimacies; and poetry about language and precarity.

This book will appeal to those interested in queer theory, Hong Kong studies, Sinophone studies, and comparative approaches. Listeners should also check out Alvin Wong's co-edited volume Keywords in Queer Sinophone Studies(Routledge, 2020) and the Society of Sinophone Studies webpage (of which Alvin is currently chair!).

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Scott W. Gregory, "Bandits in Print: The Water Margin and the Transformations of the Chinese Novel" (Cornell UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 12 Jan 2026 09:00:00 +0000

Bandits in Print: "The Water Margin" and the Transformations of the Chinese Novel (Cornell UP, 2023) uses the classic novel The Water Margin (Shuihu Zhuan) to examine the world of print in early modern China. Scott W. Gregory traces the way this beloved novel about outlaw heroes, honor, corruption, and brotherhood was adapted and changed by different editor-publishers. While in other contexts print and printing brought stability to texts, Scott shows how in the Ming print itself was an agent of textual change.

Bandits in Print is a refreshing take on this traditional novel, one that highlights how malleable Water Margin really was. This book is sure to appeal to those interested in Chinese literature, Ming history, and print culture, as well as those who want to know more about the interaction between manuscript and print in the early modern world.

In addition to being an Associate Professor at the University of Arizona, Scott is also co-director of the Center for East Asian Studies.

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T. R. Johnson, "New Orleans: A Writer's City" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 10 Jan 2026 09:00:00 +0000

New Orleans is an indispensable element of America's national identity. As one of the most fabled cities in the world, it figures in countless novels, short stories, poems, plays, and films, as well as in popular lore and song. T. R. Johnson's book New Orleans: A Writer's City (Cambridge UP, 2023) provides detailed discussions of all of the most significant writing that this city has ever inspired - from its origins in a flood-prone swamp to the rise of a creole culture at the edges of the European empires; from its emergence as a cosmopolitan, hemispheric crossroads and a primary hub of the slave trade to the days when, in its red light district, the children and grandchildren of the enslaved conjured a new kind of music that became America's greatest gift to the world; from the mid-twentieth-century masterpieces by William Faulkner, Tennessee Williams and Walker Percy to the realms of folklore, hip hop, vampire fiction, and the Asian and Latin American archives.

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Serk-Bae Suh, "Against the Chains of Utility: Sacrifice and Literature in 1970s and 1980s South Korea" (U Hawaii Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 9 Jan 2026 09:00:00 +0000

Against the Chains of Utility: Sacrifice and Literature in 1970s and 1980s South Korea (University of Hawaii Press, 2025) explores literary texts that countered the prevailing rhetoric of South Korea’s exploitative developmental state. These texts capture moments of anti-utilitarian sacrifice, and include Kim Hyŏn’s critical essays, Pak Sangnyung’s monumental novel A Study of Death (1975), and Ko Chŏnghǔi’s poems about the Passion of Jesus.

In Against the Chains of Utility, Serk-Bae Suh challenges the notion of utilitarian sacrifice, which continues to pervade every aspect of Korean society. He argues that any act of sacrifice for a higher cause is inherently utilitarian, regardless of whether its motives are morally sound or questionable. Such sacrifices establish a circuit of exchange, where sacrifice is valued solely based on its ability to achieve an end. To counter this instrumentalization, anti-utilitarian sacrifice must exist as a means without an end. Suh posits that literature’s relevance to society lies in this seemingly nihilistic sacrifice, viewing literature not as a proxy for politics but as the art of imagination in language.

Dr. Serk-Bae Suh is an associate professor in East Asian Studies at the University of California, Irvine. He primarily studies modern Korean literature, and the underlying concern that guides his research issues from the inescapable human condition of being with others. He is also the author of Treacherous Translation: Culture, Nationalism, and Colonialism in Korea and Japan from the 1910s to the 1960s. View his university profile at https://www.faculty.uci.edu/pr....

Buy Against the Chains of Utility: Sacrifice and Literature in 1970s and 1980s South Korea:

https://uhpress.hawaii.edu/tit...

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Barbara Jane Brickman, "Suffering Sappho! Lesbian Camp in American Popular Culture" (Rutgers UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 8 Jan 2026 09:00:00 +0000

An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.

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Mike Jay, "Psychonauts: Drugs and the Making of the Modern Mind" (Yale UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 8 Jan 2026 09:00:00 +0000

Mike Jay's Psychonauts: Drugs and the Making of the Modern Mind (Yale UP, 2023) is a provocative and original history of the scientists and writers, artists and philosophers who took drugs to explore the hidden regions of the mind.

Until the twentieth century, scientists investigating the effects of drugs on the mind did so by experimenting on themselves. Vivid descriptions of drug experiences sparked insights across the mind sciences, pharmacology, medicine, and philosophy. Accounts in journals and literary fiction inspired a fascinated public to make their own experiments--in scientific demonstrations, on exotic travels, at literary salons, and in occult rituals. But after 1900 drugs were increasingly viewed as a social problem, and the long tradition of self-experimentation began to disappear. From Sigmund Freud's experiments with cocaine to William James's epiphany on nitrous oxide, Mike Jay brilliantly recovers a lost intellectual tradition of drug-taking that fed the birth of psychology, the discovery of the unconscious, and the emergence of modernism. Today, as we embrace novel cognitive enhancers and psychedelics, the experiments of the original psychonauts reveal the deep influence of mind-altering drugs on Western science, philosophy, and culture.

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.

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Sheiba Kian Kaufman, "Persian Paradigms in Early Modern English Drama" (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 7 Jan 2026 09:00:00 +0000

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama.

English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground.

Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women.

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Miriam Udel, "Modern Jewish Worldmaking Through Yiddish Children's Literature" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 6 Jan 2026 09:00:00 +0000

As migration carried Yiddish to several continents during the long twentieth century, an increasingly global community of speakers and readers clung to Jewish heritage while striving to help their children make sense of their lives as Jews in the modern world. In her book, Modern Jewish Worldmaking Through Yiddish Children's Literature (Princeton University Press, 2025), Miriam Udel traces how the stories and poems written for these Yiddish-speaking children underpinned new formulations of secular Jewishness.

Udel provides the most comprehensive study to date of this corpus of nearly a thousand picture books, chapter books, story and poetry collections, and anthologies. Moving geographically from Europe to the Americas and chronologically through the twentieth century, she considers this emerging canon in relation to the deep Jewish past and imagined Jewish futures before reckoning with the tragedy of the Holocaust. Udel discusses how Yiddish children’s literature espoused political ideologies ranging from socialism to Zionism and constituted a project of Jewish cultural nationalism, one shaped equally by the utopianism of the Jewish left and important shifts in the Western understanding of children, childhood, and family life.

Modern Jewish Worldmaking Through Yiddish Children’s Literature shows how Yiddish authors, educators, and cultural leaders, confronting practical limits on their ability to forge a fully realized nation of their own, focused instead on making a symbolic and conceptual world for Jewish children to inhabit with dignity, justice, and joy.

Interviewee: Miriam Udel is associate professor of German Studies and Jewish Studies at Emory University.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.

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Thomas J. Mazanec, "Poet-Monks: The Invention of Buddhist Poetry in Late Medieval China" (Cornell UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 5 Jan 2026 10:00:00 +0000

Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the latter half of Tang-dynasty China, asserted a bold new vision of poetry that proclaimed the union of classical verse with Buddhist practices of repetition, incantation, and meditation.

Mazanec traces the historical development of the poet-monk as a distinct actor in the Chinese literary world, arguing for the importance of religious practice in medieval literature. As they witnessed the collapse of the world around them, these monks wove together the frayed threads of their traditions to establish an elite-style Chinese Buddhist poetry. Poet-Monks shows that during the transformative period of the Tang-Song transition, Buddhist monks were at the forefront of poetic innovation.

This book is open access, you can find the download link here. You can find the statistics and social network analysis in this book as well as links to Prof. Mazanec's codes in this book.

You can find the online bibliography of Chinese poetry in translation here.

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Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 5 Jan 2026 09:00:00 +0000

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.

Scott Feinberg has led The Hollywood Reporter’s awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.

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Susan McCready, "Commemorative Acts: French Theatre and the Memory of the Great War" (U Toronto Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 4 Jan 2026 09:00:00 +0000

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity.

In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers’ experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre’s potential to provide a more expansive and nuanced understanding of interwar memorial culture.

Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016’s Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007’s The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.

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Jeff Jarvis, "Magazine" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 3 Jan 2026 09:00:00 +0000

For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Magazine (Bloomsbury, 2023) by Jeff Jarvis, part of the Object Lessons series is a tribute to all that magazines were.

From their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age.

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D. J. Taylor, "Orwell: The New Life" (Pegasus Books, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 2 Jan 2026 09:00:00 +0000

A fascinating exploration of George Orwell--and his body of work--by an award-winning Orwellian biographer and scholar, presenting the author anew to twenty-first-century readers.

We find ourselves in an era when the moment is ripe for a reevaluation of the life and the works of one of the twentieth century's greatest authors. This is the first twenty-first-century biography on George Orwell, with special recognition to D. J. Taylor's stature as an award-winning biographer and Orwellian.

Using new sources that are now available for the first time, we are tantalizingly at the end of the lifespan of Orwell's last few contemporaries, whose final reflections are caught in this book. The way we look at a writer and his canon has changed even over the course of the last two decades; there is a post-millennial prism through which we must now look for such a biography to be fresh and relevant. This is what Orwell: The New Life (Pegasus Books, 2023) achieves.

Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.

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Tony Spawforth, "What the Greeks Did for Us" (Yale UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 1 Jan 2026 09:00:00 +0000

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks’ spell.

But how did ancient Greece spread its influence so far and wide? And how has this influence changed us?

In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it’s to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis’ obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world’s living legacy—considering to whom it matters, and why.

Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome.

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Gil Ben-Herut, "Stories of Shiva's Saints: Selections from Harihara's Ragales" (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 1 Jan 2026 09:00:00 +0000

The Kannada language boasts an ongoing literary tradition spanning more than a millennium, with a rich array of social positions and roles, religious traditions, and poetic styles that developed over the dramatic history of the region. Yet translations from premodern Kannada to English have been inconsistent, with only a handful of works that have endured. Stories of Shiva's Saints is the first English translation of selected stories from a thirteenth-century text by Hampeya Harihara that sheds light on the rapid spread of Shiva devotion in the region through edified biographies of figures who lived a few decades earlier, and the stories' historical significance is matched by their gripping plots and emotional expressivity.

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Richard Bradford, "Tough Guy: The Life of Norman Mailer" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 29 Dec 2025 09:00:00 +0000

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.

In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels.

Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).

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Daniel Pollack-Pelzner, "Lin-Manuel Miranda: The Education of an Artist" (Simon and Schuster, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 27 Dec 2025 09:00:00 +0000

Hello, this is Eric LeMay, a host on the New Books Network. Today, I speak with Daniel Pollack-Pelzner, author of the new artist’s biography Lin-Manuel Miranda: The Education of an Artist (Simon & Schuster, 2025). The book was recently named one of NPR’s Books We Loved for 2025. Pollack-Pelzner is a cultural historian, theater critic, and teacher at Portland State University, whose writing has appeared in The New Yorker, The Atlantic, and The New York Times.

Pollack-Pelzner’s biography offers a captivating exploration of Miranda’s artistic journey—from a sensitive child in Manhattan’s Washington Heights to the visionary creator of Hamilton whose voice has reshaped musical theater and popular culture. This book captures a living artist in motion, weaving together countless threads of collaboration, cultural synthesis, and personal revelation that define Miranda’s work.

In our conversation, we focus on the challenge of writing biography itself. How does a scholar and critic approach the story of someone whose art feels both deeply personal and expansively historical? How does one trace the education of an artist who learned not in isolation, but through community, heritage, and creative exchange? Pollack-Pelzner guides us through these questions with the grace of a storyteller and the precision of a historian, drawing on unparalleled access to Miranda’s inner circle and his own interviews with the artist.

This is a book about how an artist finds his voice, and a conversation about how a biographer finds the shape of a life. Join me for this engaging discussion with the delightful Daniel Pollack-Pelzner.

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Filip Kovacevic, "KGB Literati: Spy Fiction and State Security in the Soviet Union" (U Toronto Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 25 Dec 2025 09:00:00 +0000

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers.

Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond’s creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination.

Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state’s efforts to neutralize and counter Western cultural influences on the Soviet population.

Dr. Filip Kovacevic’s research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation.

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Liberation & the Literature of the Women’s Movement with Bess Wohl and Honor Moore

caleb@newbooksnetwork.com (New Books Network) — Tue, 23 Dec 2025 09:00:00 +0000

Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.
To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.
LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations.

Max Rudin is President & Publisher of Library of America.

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Patrick C. Fleming, "Animating the Victorians: Disney's Literary History" (UP of Mississippi, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 23 Dec 2025 09:00:00 +0000

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print.

But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age.

An audiobook will be available in January 2026.

Patrick C. Fleming is a scholar of Victorian studies and children's literature.

Peter C. Kunze is an assistant professor of communication at Tulane University.

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Zubeda Jalalzai, "Literary License and the West’s Romance with Afghanistan" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 22 Dec 2025 09:00:00 +0000

In this episode of New Books Network, I speak with Zubeda Jalalzai about her book Literary License and the West’s Romance with Afghanistan (Bloomsbury, 2023).

Literary License and the West’s Romance with Afghanistan, analyzes the role literature and poetic sensibility played in colonial British and American writings on Afghanistan from the nineteenth through the twenty-first centuries. The book also examines how literature and literariness themselves have shaped Western discourses framing Afghanistan. British Romantic Orientalists of the nineteenth century studied the region in depth and were drawn to what they perceived as an alien space—one in which they could remake themselves in print and in life. Writers who followed, including scholars, civil servants, and wives or professional women, were inspired by the region and at times crossed ethnic, national, and imaginative boundaries. The book explores the connections forged in print through both fantastic and familiar assumptions about Afghanistan and its people.

Qaseem Ahmadzai have studied Intellectual History in Sweden. His research focuses on postcolonial theory, historiography, and non-Western intellectual traditions, with particular attention to Afghanistan and the broader Pashto-Persianate and Islamic worlds.

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Judith Jesch, "The Saga of the Earls of Orkney" (Birlinn, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 21 Dec 2025 09:00:00 +0000

In The Saga of the Earls of Orkney (Birlinn, 2025), Professor Judith Jesch presents a fascinating history of the Earldom of Orkney, which was established in the Viking Age, records the adventures, feuds and battles of powerful Norsemen during its first three centuries. The medieval earls of Orkney owed allegiance to the kings of Norway but their influence ranged from Britain and Ireland to Sweden and Russia, and they travelled as far as Narbonne, Crete and Jerusalem. Advised by bishops and formidable women, they and their henchmen jockeyed for power with each other and with neighbouring rulers in Scotland, often with murderous outcomes. In between the high politics and violence, the world of the earls was one of piety, poetry and feasting.

The Saga also provides rare glimpses of culture and everyday life in northern Scotland when it was central to the Viking diaspora. Set in a recognisable landscape, it mentions features, sites and even buildings that can still be seen today.

This new translation of the manuscripts of the Saga uses an innovative approach to presenting medieval sources to non-specialist audiences, highlighting textual variations that affect its interpretation. It also reflects saga style and language more closely than previous translations and is ideal for both research and reading aloud. This is an essential, detailed and up-to-date resource for academics and general readers who wish to know more about Viking and Norse Scotland.

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Arthur Bahr, "Chasing the Pearl-Manuscript: Speculation, Shapes, Delight" (U Chicago Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 20 Dec 2025 09:00:00 +0000

A unique study of the only physical manuscript containing Sir Gawain and the Green Knight as both a material and literary object.
In this book, Arthur Bahr takes a fresh look at the four poems and twelve illustrations of the so-called “Pearl-Manuscript,” the only surviving medieval copy of two of the best-known Middle English poems: Pearl and Sir Gawain and the Green Knight. In Chasing the Pearl-Manuscript, Bahr explores how the physical manuscript itself enhances our perception of the poetry, drawing on recent technological advances (such as spectroscopic analysis) to show the Pearl-Manuscript to be a more complex piece of material, visual, and textual art than previously understood. By connecting the manuscript’s construction to the intricate language in the texts, Bahr suggests new ways to understand both what poetry is and what poetry can do.

Arthur Bahr is professor of literature and MacVicar Faculty Fellow at the Massachusetts Institute of Technology. He is the author of Fragments and Assemblages: Forming Compilations of Medieval London, also published by the University of Chicago Press.

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Veronica House, "Local Organic: Food Rhetorics and Community Writing for Impact" (Utah State UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 20 Dec 2025 09:00:00 +0000

This episode features a conversation with the inspiring Dr. Veronica House, whose book Local Organic: Food Rhetorics and Community Writing for Impact (Utah State University Press, 2025) explores how writing takes shape within community networks. House brings a generous scholarly voice to questions of writing, community partnership, and meaningful collaboration, and this episode offers a chance to hear how her ideas grew from years of work alongside the people who shaped the project.

From Dr. House’s faculty bio:

Veronica House is Associate Professor of the Practice and Director of the Writing Center at Boston College. She is the author of Local Organic: Food Rhetorics and Community Writing for Impact (2025) and Medea's Chorus: Myth and 20th Century Women's Poetry Since 1950 (2014). Veronica's recent teaching, community work, and scholarship focus on food movements, community-engaged writing, and writing as a force for social change.

Veronica is Founding Director of the Conference on Community Writing and Founding Executive Director of the Coalition for Community Writing. She consults with faculty at colleges and universities across the country to design community-engaged courses and programs. Veronica is recipient of Campus Compact's Engaged Scholar Award; University of Colorado's Women Who Make A Difference Award; and numerous teaching awards. She serves as Consulting Editor of the Community Literacy Journal.

ABOUT THE BOOK: In Local Organic, Veronica House explores ways to collaboratively build resilient local food systems and coalitions across disciplines and communities. Framed by a study of language, power, and food both nationally and in Boulder, Colorado, the book offers teachers, organizers, activists, and scholars ideas and examples for building interdisciplinary and intercommunity coalitional ecologies through writing in a methodology for engagement that the author calls ecological community writing. Based on more than a decade of research, teaching, writing, and project-building with undergraduate writing students and project partners, House theorizes how work to encourage local community-based writing becomes an ecological thread connecting things, ideas, and people. Local Organic is a book about collaboratively building community-derived definitions for resilient local food systems and how faculty and students can work to ethically partner with local communities using distributed definition building.
Local Organic offers writing and rhetoric faculty and graduate students an ecological methodology to produce, teach, and theorize writing to help communities engage with a wide array of social issues and to work toward individual and community-level impacts.

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Gian Piero Persiani, "Poets, Patrons, and the Public: Poetry as Cultural Phenomenon in Courtly Japan" (Brill, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 19 Dec 2025 09:00:00 +0000

Waka poetry was all the rage in tenth-century, courtly Japan. Every educated person composed it, emperors and consorts sponsored it, and societal interest in it was at an all-time high. Poets, Patrons, and the Public: Poetry as Cultural Phenomenon in Courtly Japan (Brill, 2025) offers an unprecedentedly broad and vivid portrayal of this season of literary flourishing, revealing the multitude of factors that contributed to it, as well as the social, political, and cultural reasons behind waka’s rise.
Deftly combining sociological theory and social and intellectual history with insightful readings of a wealth of primary texts—some never before discussed in English—the book is both a history of waka in the Heian period and a study of Heian court society through the lens of waka.

Gian Piero Persiani is Assistant Professor at University of Illinois Urbana-Champaign.

Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing.

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Shiben Banerji, "Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy" (U Texas Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 18 Dec 2025 09:00:00 +0000

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate.

Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects.

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Aubrey Gabel, "The Politics of Play: Oulipo and the Legacy of French Literary Ludics" (Northwestern UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 15 Dec 2025 09:00:00 +0000

Showing the political importance of play in postwar French literature In postwar France, authors approached writing ludically, placing rules and conditions on language and on the context of composition itself. They eliminated "e's" and feminized texts; they traveled according to strict rules and invented outright silly public personas. The Politics of Play: Oulipo and the Legacy of French Literary Ludics (2025, Northwestern University Press) is a comprehensive examination of how and why French authors turned to these ludic methods to grapple with their political moment. These writers were responding to a range of historical upheavals, from the rise and fall of French feminist and Third-Worldist groups to the aftermath of international socialism both at home, in the former Parisian Belt and in France more broadly, and abroad, in post-Yugoslavia Balkan states and elsewhere. Juxtaposing an array of case studies and drawing on cross-disciplinary methodologies, Aubrey Gabel reads three generations of the formalist literary group Oulipo, including Raymond Queneau, Georges Perec, and Jacques Jouet, alongside writers not traditionally deemed ludic--or sometimes not even conventionally known as novelists--such as the lesbian activist-writer Monique Wittig and the editor François Maspero. Gabel argues that literary ludics serve as both an authorial strategy and a political form: playful methods allow writers not only to represent history in code but also to intervene creatively--as political actors--in the fraught social fields of postwar France.

Author Aubrey Gabel is Assistant Professor of French at Columbia University, as well as an affiliate with the Institute for the Study of Sexuality and Gender (ISSG) and the Institute for Comparative Literature and Society (ICLS), and currently a fellow with the Institute for Ideas & Imagination. She has also published a number of articles and chapters in edited volumes on literary play and constraints, but also on bande dessinée and other comic genres.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.

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Tullia d'Aragona, "The Wretch, Otherwise Known As Guerrino" (Iter Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 15 Dec 2025 09:00:00 +0000

This is an unabridged bilingual, fully annotated edition of Tullia d’Aragona’s epic poem The Wretch. This mid-century epic reflects the many historical and religious changes taking place in the first half of the sixteenth century in Europe and the burgeoning literary debates following the publication of another Italian epic poem, Ariosto’s Orlando Furioso. The Wretch recounts the adventures of Guerrino, a nobleman captured by pirates as an infant and sold into slavery. His famous quest in search of his parents and his identity involves abductions, same-sex seductions, and skirmishes with fantastical beasts as he travels through Europe, Turkey, Africa, India, Arabia, and the Purgatory of St. Patrick. The poem occupies an important position in the development of the prestigious epic genre, the highest step on the ladder to literary recognition and fame, and Tullia’s work paved the way for the epics of other women writers in subsequent decades.

Edited by Julia L. Hairston, with an Introduction by Julia L. Hairston, translated by John C. McLucas

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Her monograph, Tasso and Women Readers: Literary Hospitality in Early Modern Italy (forthcoming with Cambridge University Press) won the 28th annual Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies.

Email: kate.driscoll@duke.edu.

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Jonathan Eburne, "Exploded Views: Speculative Form and the Labor of Inquiry" (U Minnesota Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 9 Dec 2025 09:00:00 +0000

Exploded Views: Speculative Form and the Labor of Inquiry (U Minnesota Press, 2025) is the latest book by scholar Jonathan P. Eburne, J. H. Hexter Professor in the Humanities at Washington University in St. Louis. An experiment in returning to incomplete scholarly projects to renovate and reimagine them, the book stages a series of encounters with essays “suspended in process”: essays that Jonathan began writing but that didn’t materialize in their intended form.

Fascinating, witty, and original, Exploded Views is a record of Jonathan’s intellectual curiosity in its rich idiosyncrasy—from the parasitical deformations of insect galls to the speculative science of “orgone energy,” from Leonora Carrington’s surrealist art and literature to methamphetamine addiction in the time of late capitalism, and more. It’s also a challenge for scholars to account for the many kinds of labor that make and unmake scholarship, and, just as importantly, an unabashed defence of "nerding out" as the humanities scholar's prerogative.

This conversation brings together Exploded Views with the work of NBN host Alix Beeston, whose interest in abandoned and interrupted scholarly and creative works informs her recent co-edited book Incomplete. Like Exploded Views itself, Jonathan and Alix’s frank and wide-ranging discussion brings to the foreground the kinds of scholarly activity that usually sit in the background of scholarly writing, not least the communities, relationships, and environments that define intellectual labor.

What does it mean, Jonathan and Alix ask, to be doing the kind of work we do as scholars? What does it feel like to do this work? What does it require or cost? And what might be the value of cultural criticism as an inventive, creative practice—or even, perhaps, a form of relational labor akin to friendship?

The non-profit bookstore Jonathan helped to found is The Print Factory in Bellafonte, Pennsylvania—check it out if you’re in the area! Exploded Views is available now from the University of Minnesota Press.

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Claire Parnell, "Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era" (U Massachusetts Press, 2025

caleb@newbooksnetwork.com (New Books Network) — Sun, 7 Dec 2025 09:00:00 +0000

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures.

At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors.

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Carlo Rotella, "What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics" (U California Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 7 Dec 2025 09:00:00 +0000

I’m excited to talk to Carlo Rotella today. Carlo is Professor of English at Boston College. His books include The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood (University of Chicago Press, 2019); Playing in Time: Essays, Profiles, and Other True Stories (University of Chicago Press, 2012); Cut Time: An Education at the Fights (Houghton Mifflin, 2003); and October Cities (University of California Press, 1998). He has written for the New York Times, The Boston Globe, The New Yorker, and Harper's.

Today, we discuss Carlo’s new book, What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025). The book does two things. It directly reports what happened in a class Carlo taught in the spring of 2020. Carlo interviews students in the semesters after the class ended, learning what students were going through while they were taking your class, and also what stood out in their memories years later. The second thing the book does is offer hands-on lessons from a life of teaching. Throughout the book, Carlo discusses how to deal with a class that hates the novel that you assigned, how to reach out to a student who falls silent, and how to introduce the multitude of ways of being enthusiastic about literature to skeptical students.

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Anna Shadrina, "The Babushka Phenomenon: Older Women and the Political Sociology of Ageing in Russia" (UCL Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 4 Dec 2025 09:00:00 +0000

The Babushka Phenomenon: Older Women and the Political Sociology of Ageing in Russia (UCL Press, 2025) by Dr. Anna Shadrina examines the social production of ageing in post-Soviet Russia, highlighting the role of grandmothers as primary caregivers due to men’s traditional estrangement from family life. This expectation places grandmothers, or babushkas, in a position where they prioritise childcare and housework over their careers, making them unpaid family carers reliant on the state and their children.

Dr. Shadrina situates older Russian women’s experiences within the post-Soviet redefinition of the nation, analysing their portrayal in popular media and biographical narratives of women aged 60 and over in Russia and the UK. It addresses class and racial disparities, noting how some women outsource family duties to less qualified women, and emphasises age as a significant but overlooked axis of social inequality. From a feminist perspective, the book explores citizenship as both a status and a practice of inclusion and exclusion. By focusing on older women’s rights to participate in private and public spheres, it discusses the new social inequalities that emerged after the USSR’s collapse. Despite prioritising others’ interests, older Russian women actively engage in economic citizenship, though their struggles for recognition are often excluded from formal economy and politics.

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Reading the Bible with AI?: A Conversation with John Kaag, Philosopher and Co-Founder of Rebind AI

caleb@newbooksnetwork.com (New Books Network) — Wed, 3 Dec 2025 09:00:00 +0000

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I’m thrilled today to have John Kaag on the podcast.

For a free 7-day trial, visit this link

John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing.

Caleb Zakarin is editor of the New Books Network.

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Sarah F. Derbew, "Untangling Blackness in Greek Antiquity" (Cambridge UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Mon, 1 Dec 2025 09:00:00 +0000

Sarah Derbew’s new book Untangling Blackness in Greek Antiquity (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.

Get 20% off a copy of Untangling Blackness in Greek Antiquity using promo code UBGA2022 at Cambridge University Press (valid until February 2023).

Keep up with Sarah’s work on Twitter @BlackAntiquity and on her website.

@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.

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Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sun, 30 Nov 2025 09:00:00 +0000

In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.

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Sarah Ruden, "Vergil: The Poet's Life" (Yale UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 28 Nov 2025 09:00:00 +0000

The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend.

But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed.

In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil’s work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.

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Marion Turner, "The Wife of Bath: A Biography" (Princeton UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 27 Nov 2025 09:00:00 +0000

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.

A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.

Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.

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Ilan Kelman, "Antarcticness: Inspirations and Imaginaries" (UCL Press, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sun, 23 Nov 2025 09:00:00 +0000

Antarcticness: Inspirations and Imaginaries (UCL Press, 2022)

edited by Ilan Kelman

Antarcticness joins disciplines, communication approaches, and ideas to explore meanings and depictions of Antarctica. Personal and professional words in poetry and prose, plus images, present and represent Antarctica, as presumed and as imagined, alongside what is experienced around the continent and by those watching from afar. These understandings explain how the Antarctic is viewed and managed while identifying aspects that should be more prominent in policy and practice.

The authors and artists place Antarctica, and the perceptions and knowledge through Antarcticness, within inspirations and imaginations, without losing sight of the multiple interests pushing the continent’s governance as it goes through rapid political and environmental changes. Given the diversity and disparity of the influences and changes, the book’s contributions connect to provide a more coherent and encompassing perspective of how society views Antarctica, scientifically and artistically, and what the continent provides and could provide politically, culturally, and environmentally.

Offering original research, art, and interpretations of different experiences and explorations of Antarctica, explanations meld with narratives while academic analyses overlap with first-hand experiences of what Antarctica does and does not – could and could not – bring to the world.

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Mary Edwards, "Sartre’s Existential Psychoanalysis: Knowing Others" (Bloomsbury, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sun, 23 Nov 2025 09:00:00 +0000

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.

This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre’s Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.

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Carlo Rotella, "What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics" (U California Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 18 Nov 2025 09:00:00 +0000

At a time when college students and their parents often question the "return on investment" from humanities courses, accomplished feature writer and English professor Carlo Rotella invites us into the minds of a group of skeptical first-year students who are ultimately transformed by a required literature class.

In What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025) he follows thirty-three students through his class to provide an intimate look at teaching and learning from their perspectives as well as his own. The students' reluctance--"How does this get me a job?"--transforms into insight as they wrestle with challenging books, share ideas, discover how to think critically, and form a community. In all these ways, they learn how to extract meaning from the world around them, an essential life skill. Confronting skeptics of higher education, this compassionate and inspiring book reveals the truth of what students actually experience in college.

Carlo Rotella is Professor of English at Boston College.

Caleb Zakarin is editor of the New Books Network.

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Jemma Deer, "Radical Animism: Reading for the End of the World" (Bloomsbury, 2020)

caleb@newbooksnetwork.com (New Books Network) — Sun, 16 Nov 2025 09:00:00 +0000

Jemma Deer’s Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.

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Andrea Kitta, "The Kiss of Death: Contagion, Contamination, and Folklore" (Utah State UP, 2019)

caleb@newbooksnetwork.com (New Books Network) — Sat, 8 Nov 2025 09:00:00 +0000

Disease is a social issue and not just a medical one. This is the central tenet underlying The Kiss of Death: Contagion, Contamination, and Folklore (Utah State University Press 2019) by Andrea Kitta, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, The Kiss of Death also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Jenny C. Mann, "The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime" (Princeton UP, 2021)

caleb@newbooksnetwork.com (New Books Network) — Sat, 8 Nov 2025 09:00:00 +0000

Today’s guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University’s English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare’s England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York.

John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.

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James Scorer, "Latin American Comics in the Twenty-First Century: Transgressing the Frame" (U Texas Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 4 Nov 2025 09:00:00 +0000

How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America

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Jessica Campbell, "The Brontës and the Fairy Tale" (Ohio UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 1 Nov 2025 08:00:00 +0000

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës’ engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës’ works as plot and character models, commentaries on gender, and signifiers of national identity.
Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.
The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell’s book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës’ works but also the status of fairy tales in the Victorian period.

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Aria Fani, "Reading Across Borders: Afghans, Iranians, and Literary Nationalism" (U Texas Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 31 Oct 2025 08:00:00 +0000

The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.

Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature.

Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today.

Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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Cosima Clara Gillhammer, "Light on Darkness: The Untold Story of the Liturgy" (Reaktion Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Oct 2025 08:00:00 +0000

With implications for the history of religion and art alike, an exploration of the lasting influence of Christian liturgy across a range of media.

Light on Darkness: The Untold Story of the Liturgy (Reaktion Books, 2025) offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music, and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions.

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John Blair, "Killing the Dead: Vampire Epidemics from Mesopotamia to the New World" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Oct 2025 08:00:00 +0000

Killing the Dead: Vampire Epidemics from Mesopotamia to the New World (Princeton UP, 2025) by Professor John Blair provides the first in-depth, global account of one of the world’s most widespread yet misunderstood forms of mass hysteria—the vampire epidemic. In a spellbinding narrative, Dr. Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society’s inexplicable terrors and anxieties.
In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history—in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yoginīs of India.
Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals.

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159 Glenn Patterson: You Can Choose Who You Are (JP, DC)

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Oct 2025 08:00:00 +0000

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There’s Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation’s main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here’s Me Here (2016).

Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"?

But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps.

Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia.

Mentioned in the Episode

“Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s.
Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989).
Eoin Macnamie's work includes Resurrection Man (1994).
“The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities."
Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants?
The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman,
Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70’s bombing campaigns lines up with the actions of the Red Army Faction in Germany.

Recallable Books

Glennn says his inspiration to write on partition comes from reading Salman Rushdie’s Shame and Midnight’s Children. He also praises John Dos Passos USA trilogy.
David interested in the long tail of a conflict and aingles out Glenn Patterson’s own novel, The Northern Bank Job as well as Eoin McNamee The Bureau.
Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City.

Read the episode here.

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Theresa Muñoz, "Archivum" (Pavillion Poetry at Liverpool UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 29 Oct 2025 08:00:00 +0000

Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems.

The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief.

With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer.

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Tim Beasley-Murray, "Critical Games: On Play and Seriousness in Academia, Literature and Life" (Manchester UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 25 Oct 2025 08:00:00 +0000

Which parts of life are serious, and which are a game? In Critical Games: On Play and Seriousness in Academia, Literature and Life (Manchester UP, 2025) Tim Beasley-Murray, an Associate Professor of European Thought and Culture and Vice-Dean (Innovation and Enterprise) for the Faculty of Arts and Humanities at University College London, offers a series of reflections on literature, culture, universities and society as both playful and serious. The book combines close reading of key figures in contemporary literature such as Emmanuel Carrère, set alongside playful and serious reflections on literary criticism, media, and academic careers and practice. A fascinating and eclectic text, the book is essential reading for literature and culture scholars, as well as for anyone seeking a defence of contemporary arts and humanities.

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Michael B. Cosmopoulos, "The World of Homer: Archaeology, Social Memory, and the Emergence of Greek Epic Poetry" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 24 Oct 2025 08:00:00 +0000

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems.

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Arnab Roy and Paul Ugor eds., "The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions" (U Alberta Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 22 Oct 2025 08:00:00 +0000

Offering a fresh comparative lens, The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (U Alberta Press, 2025) demonstrates how postcolonial writers have transformed the Bildungsroman from an eighteenth-century European genre meant to express local concerns around childhood development into one of the most cosmopolitan literary mediums for communicating overlapping concerns about global modernity. If literature is the crucial site where people find the language to convey their social experiences, this book reveals how the Bildungsroman now functions in the global world of letters to capture and bear witness to young people's varied interactions and responses to both local and global forces enveloping and shaping their lives. Chapters explore identity, sexuality, human rights, the climate crisis, neoliberal globalization, and a host of other issues in work from a wide range of postcolonial locations across Asia, Europe, Africa, the Americas, Australia, and New Zealand. Forging productive scholarly engagements between narratology and genre theory, the volume documents the aesthetic and thematic shifts that have accompanied the Bildungsroman in the past two centuries, particularly in the context of anticolonial, liberationist, and self-determination struggles from the mid-twentieth century onwards in the global south. With a very diverse array of essays from multiple continents, The Postcolonial Bildungsroman makes a crucial intervention to the existing scholarship on this influential genre and a unique contribution to the study of world literature. Contributors: David Babcock, Sarah Brouillette, Gregory Byala, Deena Dinat, Prathim-Maya Dora-Laskey, José-Santiago Fernández-Vázquez, Ericka A. Hoagland, Elizabeth Jackson, Feroza Jussawala, Andrew David King, Aruna Krishnamurthy, Simone Puleo, Peter Ribic, Arnab Dutta Roy, Craig Smith, Antonette Talaue-Arogo, Paul Ugor, Julieann, Veronica Ulin, Rachel Ann Walsh, Maria Su Wang, Bethany Williamson, Helena Wu, Julia Wurr.

Arnab Dutta Roy is an Assistant Professor of English at Florida Gulf Coast University. His research lies at the intersection of postcolonialism, human rights theory, and modern South Asian literature, and his work has appeared or is forthcoming in journals such as Journal of Global Postcolonial Studies, South Asian Review, Comparatist, Genre, New Literary History, and others. He is the co-editor of two books on the postcolonial Bildungsroman: The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (University of Alberta Press, 2025) and The Postcolonial Bildungsroman and the Character of Place (forthcoming with University of Nebraska Press, January 2026). In addition, he has co-edited a special issue of the Journal of World Literature titled Constructing the Other: Narrative Empathy and the Ethics of Border-Crossing in World Literature. He is currently working on a monograph titled Universalisms in South Asian Literature that draws on interdisciplinary work in postcolonial theory and human rights to analyze literary responses to colonialism from South Asia. At FGCU, he teaches both graduate and undergraduate courses on world literature and postcolonial theory.

Gargi Binju is a PhD scholar at the University of Tuebingen.

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Kathryn Robson, "Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film" (Liverpool UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 22 Oct 2025 08:00:00 +0000

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms.

Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing.

Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.

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Megan Walsh, "The Subplot: What China Is Reading and Why It Matters" (Columbia Global Reports, 2022)

caleb@newbooksnetwork.com (New Books Network) — Tue, 21 Oct 2025 08:00:00 +0000

What does contemporary China’s diverse and exciting fiction tell us about its culture, and the relationship between art and politics?

The Subplot: What China Is Reading and Why It Matters (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world.

Fueled by her passionate engagement with the arts and ideas of China’s people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. The Subplot vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself.

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Carl Rollyson, "The Making of Sylvia Plath (UP Mississippi, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 21 Oct 2025 08:00:00 +0000

Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.
Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.

Jane Scimeca, Professor of History at Brookdale Community College Website here

@janescimeca.bsky.social

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Elliott Rabin, "The Biblical Hero: Portraits in Nobility and Fallibility" (Jewish Publication Society, 2020)

caleb@newbooksnetwork.com (New Books Network) — Mon, 20 Oct 2025 08:00:00 +0000

Today I talked to Elliott Rabin about his book The Biblical Hero: Portraits in Nobility and Fallibility (Jewish Publication Society, 2020).

Approaching the Bible in an original way—comparing biblical heroes to heroes in world literature—Rabin addresses a core biblical question: What is the Bible telling us about what it means to be a hero?

Focusing on the lives of six major biblical characters—Moses, Samson, David, Esther, Abraham, and Jacob—Rabin examines their resemblance to hero types found in (and perhaps drawn from) other literatures and analyzes why the Bible depicts its heroes less gloriously than do the texts of other cultures.

Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.

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Bill V. Mullen, "James Baldwin: Living in Fire" (Pluto Press, 2019)

caleb@newbooksnetwork.com (New Books Network) — Sun, 19 Oct 2025 08:00:00 +0000

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.

Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.

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Utopia is Boring with Evie Kendal

caleb@newbooksnetwork.com (New Books Network) — Tue, 14 Oct 2025 08:00:00 +0000

In this episode Pat speaks with Dr Evie Kendal.

Dr Evie Kendal is a bioethicist and public health scientist whose work focuses on emerging technologies.

They discuss nostalgia TV, ectogenesis, and the uses and misuses of science fiction.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Cassandra S. Tully de Lope, "Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 14 Oct 2025 08:00:00 +0000

Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers (Routledge, 2024) addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts’ full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters’ performance of identity.

This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses.

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Walter Scott Peterson, "[M]y ‘case’ to work up’: William Carlos Williams’s Paterson" (William Carlos Williams Review, Vol 41, No. 2, 2024),

caleb@newbooksnetwork.com (New Books Network) — Sat, 11 Oct 2025 08:00:00 +0000

In “[M]y ‘case’ to work up’: William Carlos Williams’s Paterson” (William Carlos Williams Review, Volume 41, Number 2, 2024), Walter Scott Peterson argues that as a physician-poet Dr. Williams approaches his poetic material very much as he approaches his patients, and that the form of Paterson in particular is intentionally and actually reminiscent of the various forms taken by the medical case narrative, or “work-up.”

This episode concerns the poet and physician William Carlos Williams, whose mother, Raquel Hélène Rose Hoheb Williams, was born and raised in Mayagüez, Puerto Rico. This conversation is part of the STEM to STEAM initiative, sponsored by the Teagle Foundation, that links medicine, science, technology and engineering to the sensibilities honed in the humanities—rethinking ways to blend and combine studies in literature, poetry, history, philosophy, and the arts as more central dimensions of technical preparation.

The discussion explores the profound connection between medical humanities and poetry, highlighting how their combination enriches our understanding of patient care, fosters empathy, and humanizes the medical experience. Medical humanities is an interdisciplinary field combining arts, literature, philosophy and cultural approaches to the human condition—considering each of these as insights into the emotional and ethical dimensions of healthcare. Poetry can serve as a powerful tool for expressing the complex feelings and narratives that often go unspoken in clinical settings. Blending poetry and the science of healthcare reminds us that medicine is not just a science but also an art, emphasizing compassion, understanding, and the shared human experience at the heart of healing.

In this episode are:

Walter Scott Peterson is a retired ophthalmologist and William Carlos Williams scholar; he is the author of the first book-length study of William Carlos Williams’s epic poem Paterson, titled An Approach to Paterson (Yale, 1967).
Vamsi Koneru is a Professor in the Department of Psychiatry in the University of Connecticut School of Medicine.
Jeffrey Herlihy-Mera, Professor of Humanities at the University of Puerto Rico-Mayagüez.

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Matthias Egeler, "Elves and Fairies: A Short History of the Otherworld" (Yale UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 11 Oct 2025 08:00:00 +0000

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture.

In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s A Midsummer Night’s Dream, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction.

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Ragini Tharoor Srinivasan, "Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone" (Columbia UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 8 Oct 2025 08:00:00 +0000

Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.

Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee’s rejection of “ethnic” Americanness; Chetan Bhagat’s “bad English”; Amit Chaudhuri’s autofictional literary project; and Jhumpa Lahiri’s decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West.

Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues.

YouTube Channel: here

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Virginia Woolf, "The Life of Violet: Three Early Stories" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 7 Oct 2025 08:00:00 +0000

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf’s friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.
In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one’s own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women’s friendships and laughter.
A major literary discovery that heralds Woolf’s ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context.

Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World’s Classics edition of Virginia Woolf’s Jacob’s Room, and a contributor to the Los Angeles Review of Books.

YouTube Channel: here

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Amanda Belantara and Emily Drabinski, "Ways of Knowing: Oral Histories on the Worlds Words Create" (Litwin Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 5 Oct 2025 08:00:00 +0000

Ways of Knowing: Oral Histories on the Worlds Words Create (Litwin Books, 2025) sits at the heart of the library project, shaping how materials are described and organized and how they can be retrieved. The field has long understood that normative systems like Dewey Decimal and Library of Congress do this inadequately and worse, deploying language and categories that are rooted in white supremacy, patriarchy, and U.S. imperialism. In Ways of Knowing, Emily Drabinski and Amanda Belantara present unique and timely oral histories of alternative thesauri created in response to the inadequacies and biases embedded within widely adopted standards in libraries. The oral histories tell the stories behind the thesauri through the narratives of the people who created them, revealing aspects of thesauri work that ordinarily are overlooked or uncovered.

The set of oral histories included in the volume document the Chicano Thesaurus, A Women’s Thesaurus, and Homosaurus. Drabinski and Belantara recorded hour-long oral histories with two representatives from each project, documenting the origins of each thesaurus, the political and social context from which they emerged, and the processes involved in their development and implementation. Introductory essays provide a context for each thesaurus in the history of information and activism in libraries. The book and accompanying digital files constitute the first primary source of its kind and a unique contribution to the history of metadata work in libraries. Capturing these stories through sound recording offers new ways of understanding the field of critical cataloging and classification as we hear the joy, frustration, urgency, and seriousness of critical metadata work.

Find the Ways of Knowing project online at https://waysofknowing.org/. This interview also makes reference to Sorting Things Out: Classification and Its Consequences by Geoffrey C. Bowker and Susan Leigh Star, available open access from MIT Press. Amanda mentioned her online exhibit about the Chicano Studies Library, available at https://bibliopolitica.org/.

Amanda Belantara is Assistant Curator at New York University Libraries. Emily Drabinski is Associate Professor and librarian at the City University of New York.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

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Uncanny E.T.A. Hoffmann with Peter Wortsman

caleb@newbooksnetwork.com (New Books Network) — Thu, 2 Oct 2025 08:00:00 +0000

Step into the unsettling world of E.T.A. Hoffmann with translator Peter Wortsman to explore “The Sandman”—a tale that haunted Freud enough to spark his famous psychoanalytic analysis of “The Uncanny,” examining familiar things that unsettle and disturb us for no clear reason. What makes this bizarre story so deeply disturbing, even today? And how does Hoffmann’s genius, in all of his writing, continue to shape the way we think about the unfamiliar, and the blurry line between human and machine? Our guest for this show is New York-born Peter Wortsman, a renowned translator of Kafka, Kleist, Musil and others, playwright, and author, whose travel memoir Ghost Dance in Berlin won the Independent Publishers Book Award.

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157 Mangrum's Comical Computation (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 2 Oct 2025 08:00:00 +0000

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.”

Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway’s 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels.

John asks about double-edged nature of Ben’s claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)?

Mentioned in the episode:

The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple?
Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine.
WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”?
Black Mirror as the 2020’s version of the same dark satire as the 1950’s Twilight Zone.
John asks about Stanislaw Lem’s Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam’s Hitchhiker’s Guide to the Galaxy (1979).
Leo Marx, The Machine in the Garden (1964).
Dave Eggers: the joke structure as critique in The Circle and The Every.
John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994.
Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life"

Recallable Books:

Elif Batuman The Idiot (2017)
Richard Powers, Plowing the Dark (2000)
Sally Rooney, Conversations with Friends (2017)

Listen and Read here.

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Eibhear Walshe and Eleanor Fitzsimons, "Speranza: Poems by Jane Wilde" (Liverpool UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 1 Oct 2025 08:00:00 +0000

Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education.

This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time.

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Nick Katsiadas and Carl Sell eds., "Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 30 Sep 2025 08:00:00 +0000

The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium.

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Todd McGowan, "The Cambridge Introduction to Jacques Lacan" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 29 Sep 2025 08:00:00 +0000

The difficulty of Jacques Lacan's thought is notorious. The Cambridge Introduction to Jacques Lacan cuts through this difficulty to provide a clear, jargon-free approach to understanding it. The book describes Lacan's life, the context from which he emerged, and the reception of his theory. Readers will come away with an understanding of concepts such as jouissance, the objet a, and the big Other. The book frames Lacan's thought in the history of philosophy and explains it through jokes, films, and popular culture. In this light, Lacan becomes a thinker of philosophical importance in his own right, on a par with Jean-Paul Sartre and Simone de Beauvoir. Lacan's great contribution is the introduction of the unconscious into subjectivity, which results in a challenge to both the psychoanalytic establishment and to philosophers. The Cambridge Introduction to Jacques Lacan provides readers with a way of understanding the nature of Lacan's contribution.

Todd McGowan teaches theory and film at the University of Vermont. He is the author of Embracing Alienation, The Racist Fantasy, Emancipation After Hegel, Capitalism and Desire, and Only a Joke Can Save Us, among other books. He is also the cohost of the Why Theory podcast with Ryan Engley.

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Vanessa Warne, "By Touch Alone: Blindness and Reading in Nineteenth-Century Culture" (U Michigan Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 27 Sep 2025 08:00:00 +0000

By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers’ preferences and needs.

While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne’s exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading.

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Carol Atack, "Plato: A Civic Life" (Reaktion, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 27 Sep 2025 08:00:00 +0000

Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Born during a war that would lead to Athens’ decline, Plato lived in turbulent times. In Plato: A Civic Life (Reaktion, 2025), Carol Atack explores how Plato’s life in Athens influenced his thought, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching the big questions about our lives, then and now.

Carol Atack teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently Anachronism and Antiquity.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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Natacha Chetcuti-Osorovitz and Sara Garbagnoli "La Pensée Wittig: Une Introduction" (Payot, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 26 Sep 2025 08:00:00 +0000

How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape.

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Robert Waxler and David Beckman, "You Say, I Say: Staying Alive with Literature, Language, and Friendship" (Rivertown Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 25 Sep 2025 08:00:00 +0000

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.

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Julia Rensing, "Troubling Archives: History and Memory in Namibian Literature and Art" (Transcript Publishing, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 25 Sep 2025 08:00:00 +0000

Namibia’s colonial history casts a long shadow over the country’s present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.

In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures.

This book is available open access. Download a free PDF from the publisher's website.

Some of the artists and artworks discussed in this book and interview include:

Ulla Dentlinger's Where are you from? ‘Playing White’ under Apartheid
Tshiwa Trudie Amulungu's Taming My Elephant
Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved
Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference
André Brink’s novel The Other Side of Silence

Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland.

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Constance Bailey, "Conversations with Kiese Laymon" (UP of Mississippi, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 24 Sep 2025 08:00:00 +0000

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.

Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words.

And the same can be said of this episode.

You can find Dr. Constance Bailey at her website, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

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Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)

caleb@newbooksnetwork.com (New Books Network) — Mon, 22 Sep 2025 08:00:00 +0000

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.

In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.

Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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Wendell Marsh, "Textual Life: Islam, Africa, and the Fate of the Humanities" (Columbia UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 22 Sep 2025 08:00:00 +0000

Textual Life: Islam, Africa, and the Fate of the Humanities (Columbia University Press, 2025), is a groundbreaking book that recasts the role of knowledge in the making of a colonial and postcolonial nation. It makes a case for a new literary and intellectual-historical approach to Islam in Africa.

The Senegalese Muslim scholar Shaykh Musa Kamara (1864–1945) wrote History of the Blacks, a monumental history of West Africa, in a time when colonial discourses asserted that Africans lacked both writing and history. He sought to publish a bilingual Arabic and French edition of the book by working with humanists in colonial institutions, but the project was ultimately undermined by the disregard of the French state.

Textual Life considers Kamara’s story as a parable about the fate of the humanities amid epistemic and technological change. Wendell H. Marsh argues that Kamara’s scholarship reflected what he calls the textual attitude, an orientation to the world mediated by reading. Colonial humanists shared this attitude even while upholding racial and religious hierarchies, and they took an interest in African texts and traditions. The bureaucrats and technocrats who succeeded them, however, disdained such dialogue—for reasons that bear a striking resemblance to the algorithmic antihumanism that is ascendant today.

Drawing on Kamara’s body of work, colonial archival documents, and postcolonial knowledge production within Senegal, Textual Life offers a decolonial vision of the humanities. By engaging with African and Muslim intellectual resources, Marsh shows how thinkers like Kamara who were subjected to colonialism can help us find a future after empire.

Wendell Marsh is Associate Professor of African Literature and Philosophy at Mohammed VI Polytechnic University.

Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University.

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Yu Zhang, "Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965" (U Michigan Press, 2020)

caleb@newbooksnetwork.com (New Books Network) — Sat, 20 Sep 2025 08:00:00 +0000

Since the beginning of the twentieth century, modern Chinese intellectuals, reformers, revolutionaries, leftist journalists, and idealistic youth often crossed the increasing gap between the city and the countryside, which made the act of "going to the countryside" a distinctively modern experience and a continuous practice in China. Such a spatial crossing eventually culminated in the socialist state program of "down to the villages" movements during the 1960s and 1970s. What then was the special significance of "going to the countryside" before that era? Yu Zhang explores the cultural representations and practices of this practice between 1915 and 1965, focusing on individual homecoming, rural reconstruction, revolutionary journeys, the revolutionary "going down to the people" as well as going to the frontiers and rural hometowns for socialist construction. As part of the larger discourses of enlightenment, revolution, and socialist industrialization, the act of going to the countryside entailed new ways of looking at the world and ordinary people, brought about new experiences of space and time, initiated new means of human communication and interaction, and generated new forms of cultural production. Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965 (U of Michigan Press, 2020) argues that this new body of cultural productions did not merely turn the rural into a constantly changing representational space; most importantly, the rural has been constructed as a distinct modern experiential and aesthetic realm characterized by revolutionary changes in human conceptions and sentiments. Through her close examinations of the practice, Yu Zhang shows a fundamental epistemic shift in modern China and ultimately how it creates a new aesthetic, social, and political landscape.

Jing Li teaches Chinese language and modern Chinese literature and film. Her research focuses on rural China and independent cinema. She is developing a public humanities project on Chinese rural cinema, and serves as guest editor for the Chinese Independent Film Archive (CIFA).

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Bradley A. Gorski, "Cultural Capitalism: Literature and the Market After Socialism" (Northern Illinois UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 19 Sep 2025 08:00:00 +0000

Bradley Gorski, a literary and culture scholar, examines the breakneck commercialization of Russian book publishing and of Russian literature more broadly – in the wake of the collapse of the Soviet Union. In the early 1990s, thousands of new publishers emerged, up from a mere two hundred at the Soviet Union’s end. The notion of the “bestseller” quickly came to dominate the new market, fueling he rise of immensely popular genres such as detective novels, including its zhenskii variety (detective novels written by women and featuring female sleuths. Gorski artfully weaves together the evolution of the book market - from the chaos of the early post-Communist years to the near-monopoly in the 2000s - with literary analysis of some of the most prominent post-Soviet authors. At early stages, post-Soviet literature often reflected a degree of optimism about the Western ideal of personal liberty and embraced what sociologist Boris Dubin called a Russian version of the “American success story”. In recent years, however, the Russian literary market has taken a distinctly illiberal turn, exemplified by the writer Zakhar Prilepin, a bestselling author turned jingoistic patriot who fought in the Donbas region of Ukraine and inspired many of his admirers to join the front.

Cultural Capitalism: Literature and the Market after Socialism (Northern Illinois University Press, 2025)

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Eleanor Conlon and Martin Vaux, "The Three Ravens Folk Tales: New Tellings of Half-forgotten Stories from England's 39 Historic Counties" (The History Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 18 Sep 2025 08:00:00 +0000

Do you know the legends of the giants who ruled England before the first human kings? What about the demon dog Black Shuck who terrorized sixteenth-century Norfolk? Or the many times the Devil has tried to get his way before being outwitted by everyday people?

England’s historic counties are overflowing with folklore, and this collection of 39 stories from the hit podcast Three Ravens reimagines dozens of classic tales in surprising, spooky, and often hilarious ways. Filled with tales of ghosts, mermaids, half-forgotten heroes, bloody legends and more, The Three Ravens Folk Tales: New tellings of half-forgotten stories from England's 39 Historic Counties (The History Press, 2025) by Eleanor Conlon and Martin Vaux spans centuries, styles, tones and narrators, making it perfect for bedtimes, reading by torchlight, or curling up on the sofa to enjoy with a mug of something hot.

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156 Recall This B-Side #1: Merve Emre on Natalia Ginzburg’s “The Dry Heart”

caleb@newbooksnetwork.com (New Books Network) — Thu, 18 Sep 2025 08:00:00 +0000

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won’t be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon).

Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg’s The Dry Heart will have you thinking again.

Merve Emre, Ginzburg fan and B-Side author

Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?”

Mentioned in This Episode

J. W. Goethe, Sorrows of Young Werther (1774)
Michael Warner, “Uncritical Reading”
Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…)
Elena Ferrante, The Neapolitan Novels
Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives
Rachel Ingals Mrs. Caliban (1982)

Read transcript here

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Dominic Davies and Candida Rifkind, "Graphic Refuge: Visuality and Mobility in Refugee Comics" (Wilfrid Laurier UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 17 Sep 2025 08:00:00 +0000

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.

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Mark Seligman, "AI and Ada: Artificial Translation and Creation of Literature" (First Hill Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 16 Sep 2025 08:00:00 +0000

Taking recent spectacular progress in AI fully into account, Mark Seligman's AI and Ada: Artificial Translation and Creation of Literature (Anthem Press, 2025) explores prospects for artificial literary translation and composition, with frequent reference to the hyperconscious literary art of Vladimir Nabokov. The exploration balances reader-friendly explanation (“What are transformers?”) and original insights (“What is intelligence? What is language?”) with personal and playful notes, and culminates in an assortment of striking demos

The book’s Preface places the current AI explosion in the context of other technological cataclysms and recounts the author’s personal (and not always deadly serious) AI journey. Chapter One (“Extracting the Essence”) assesses the potential of machine translation of literature, exploiting Nabokov’s hyperconscious literary art as a reference point. Chapter Two (“Toward an Artificial Nabokov”) goes on to speculate on possibilities for actual artificial creation of literature. Chapter Three (“Large Literary Models? Intelligence and Language in the LLM Era”) explains recent spectacular progress in Generative Artificial Intelligence (GenAI), as exemplified by Large Language Models like ChatGPT. On the way, the chapter ventures to tackle perennial questions (“What is intelligence?” “What is language?”) and culminates in an assortment of striking demos.
In this episode, Ibrahim Fawzy sat with Mark Seligman to talk about how the current AI revolution fits into the long arc of cultural and technological shifts, Seligman's framing of the “Great Transition” between Humanity 1.0 and 2.0, Nabokov’s style as a lens for thinking about artificial creativity, the possibilities and limits of machine translation and literary artistry, and the philosophical stakes of whether AI-generated works can ever truly be considered art.
Ibrahim Fawzy is an Egyptian literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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Mark Goble, "Downtime: The Twentieth Century in Slow Motion" (Columbia UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 15 Sep 2025 08:00:00 +0000

Slow motion is everywhere in contemporary film and media, but it wasn't always so ubiquitous. How did slow motion ascend to the dubious honor of becoming our culture's least "special" effect? And what does slow motion — a trick secured paradoxically through the camera's ever-racing speeds of capture — tell us about the temporalities and trajectories of modernity?

Mark Goble, Professor of English at the University of California, Berkeley, takes up these questions in his latest book Downtime: The Twentieth Century in Slow Motio n (Columbia UP, 2025), out now from Columbia University Press. In this conversation with Alix Beeston, Mark shares from his fascinating account of slow motion across film, art, and literature in the twentieth- and twenty-first centuries. For Mark, slow motion is a key index of a period of capitalist, ecological, political, and cultural crisis that we're still enduring — but that we hope will one day, however slowly, come to an end.

Tracking bodies and things as they move fast and slow at once also prompts new reflections on the value of the time that academic labor takes, the nature of its uneven rhythms and contingencies, and why dad jokes, witty asides, and extended bits on the impotence of Clyde in the classic 1968 film Bonnie and Clyde might turn out to be essential to scholarly writing.

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Amir Moosavi, "Dust That Never Settles: Literary Afterlives of the Iran-Iraq War" (Stanford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 14 Sep 2025 08:00:00 +0000

Lasting from September 1980 to August 1988, the Iran-Iraq War was the longest conventional war fought between two states in the twentieth century. It marked a period that began just after a revolutionary government in Iran became an Islamic Republic and Saddam Hussein consolidated power in Iraq. It ended with both wartime governments still in power, borders unchanged, yet hundreds of thousands of people dead. Neither side emerged as a clear victor, but both sides would eventually claim victory in some form.

Dust That Never Settles: Literary Afterlives of the Iran-Iraq War (Stanford UP, 2025) considers how Iraqi and Iranian writers have wrestled with representing the Iran-Iraq War and its legacy, from wartime to the present. It demonstrates how writers from both countries have transformed once militarized, officially sanctioned war literatures into literatures of mourning, and eventually, into vehicles of protest that presented powerful counternarratives to the official state narratives. In writing the first comparative study of the literary output of this war, Amir Moosavi presents a new paradigm for the study of modern Middle Eastern literatures. He brings Persian and Arabic fiction into conversation with debates on the political importance of cultural production across the Middle East and North Africa, and he puts an important new canon of works in conversation with comparative literary and cultural studies within the Global South.

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Matthew Benjamin Cole, "Fear the Future: Dystopia and Political Imagination in the Twentieth Century" (U of Michigan Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 13 Sep 2025 08:00:00 +0000

Are we already living in some kind of fascist or technocratic dystopia? How do we avert the AI dystopia? These are the types of things that you'll see thrown about in op-eds and analysis pieces all over the net and the press. Dystopia is doing some kind of work in our political vocabulary that goes beyond a reference to those iconic dystopian novels or their sort of contemporary successors. … Sometimes politics seems to be so absorbed in the train of fantasy and the imaginary that it becomes worrying. But like it or not, or like specific expressions of the political imagination or not, the political arena is an arena of the imagination. Habermas once said that people don't fight for abstractions, but they do battle with images.

– Matthew Benjamin Cole, NBN interview 2025

After centuries of contemplating utopias, late nineteenth- and early twentieth-century writers began to warn of dystopian futures. Yet these fears extended beyond the canonical texts of dystopian fiction into post-war discourses on totalitarianism, mass society, and technology, as well as subsequent political theories of freedom and domination. Fear the Future: Dystopia and Political Imagination in the Twentieth Century (U of Michigan Press, 2025) demonstrates the centrality of dystopian thinking to twentieth century political thought, showing the pervasiveness of dystopian images, themes, and anxieties. Offering a novel reading of major themes and thinkers, Fear the Future explores visions of the future from literary figures such as Yevgeny Zamyatin, Aldous Huxley, and George Orwell; political theorists such as Max Weber, Hannah Arendt, Herbert Marcuse, Jürgen Habermas, and Michel Foucault; and mid-century social scientists such as Erich Fromm, Max Horkheimer, Theodor Adorno, David Reisman, C. Wright Mills, and Jacques Ellul. It offers a comparative analysis of distinct intellectual and literary traditions, including modern utopianism and anti-utopianism, mid-century social science, Frankfurt School critical theory, and continental political philosophy. With detailed case studies of key thinkers from the Enlightenment to the late twentieth century, the book synthesizes secondary literature and research from a range of disciplinary areas, including in political theory, intellectual history, literary studies, and utopian studies. This wide-ranging reconstruction shows that while dystopian thinking has illustrated the dangers of domination and dehumanization, it has also illuminated new possibilities for freedom.

Professor Cole published his book with the University of Michigan Press as Open Access: find the detailed insights and arguments that Matthew discusses in our interview here as an online publication with downloadable options.

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Rose Casey, "Aesthetic Impropriety: Property Law and Postcolonial Style" (Fordham UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 12 Sep 2025 08:00:00 +0000

Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law’s colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine.

Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy’s challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.
Aesthetic Impropriety makes a convincing case for literature’s generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.

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Darcie Deangelo et al., "Demilitarizing the Future" (Anthem Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 10 Sep 2025 08:00:00 +0000

Demilitarizing the Future (Anthem Press, 2025) draws from art, anthropology, and activism to investigate the entrenchment of militarism in everyday lives and consider novel imaginaries of its dissolution--of peacemaking, community, and shared equitable futures. This book will be published in October of 2025.

In this episode, Rebecca Kastleman, Darcie DeAngelo, Joshua Reno, and Leah Zani join Elena Sobrino to talk about their collaboration editing this anthology. They discuss the ways ecology and infrastructure are central to understanding demilitarization, the importance of interdisciplinary approaches, and the value of creative methods for this work.

"To demilitarize the future, then, requires a radical shift in what we believe is possible. It requires a turning away from the logics of dominance, extraction, and surveillance. It requires recovering forms of life and relations that have long been buried under the ruins of empire, as well as honoring forms of life, arduously crafting different modes of material being and becoming to survive genocide. It demands the nurturing of practices that affirm rest, care, memory, and transformation." Jasbir Puar, Afterword

Guests:

Rebecca Kastleman works in Columbia University's department of English and Comparative Literature, specializing in modern drama, theory, and performance.

Darcie DeAngelo is a medical and visual anthropologist working at the University of Alberta.

Joshua Reno is a socio-cultural anthropologist working at Binghamton University.

Leah Zani is a public anthropologist, author, and poet based in Oakland, California.

Host:

Elena Sobrino is an anthropologist studying the emotions and politics of environmental crises, and currently teaching in the Science and Technology Studies program at Tufts University.

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Kevin J. Hayes, "Understanding Hunter S. Thompson" (U South Carolina Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 7 Sep 2025 08:00:00 +0000

Hunter S. Thompson (1937-2005) pushed the boundaries of storytelling. While the writer is most recognized for the genre-bending work Fear and Loathing in Las Vegas (1972), in Understanding Hunter S. Thompson (University of South Carolina Press, 2025), Kevin J. Hayes provides a broad and nuanced analysis of Thompson's multifaceted career and unique literary voice. Following a biographical introduction, Hayes examines the different roles Thompson played throughout his literary career, resulting in a view of his work unlike any previously published biographical or critical study. The ensuing chapters analyze Thompson's work in his capacities as a foreign correspondent, literary critic, New Journalist, gonzo journalist, campaign writer, anthologist, letter writer, and novelist. Hayes draws on previously unrecorded articles, correspondence, and interviews to inform his insightful analysis. Written in an engaging and propulsive style, Understanding Hunter S. Thompson is essential reading for scholars and fans.

Kevin J. Hayes is professor emeritus of English, University of Central Oklahoma.

Caleb Zakarin is editor of the New Books Network.

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Brian Duff, "Restaurant" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 6 Sep 2025 08:00:00 +0000

In the last few decades, restaurants and food culture have achieved extraordinary cultural presence. Chefs are heroes and thought leaders, well-executed entrées go viral, dining out has become theater, plating has become art and ubiquitous Instagram content. But in recent years restaurants have faced crisis upon crisis.

Restaurant (Bloomsbury, 2025) by Dr. Brian Duff, part of the Object Lessons series, takes a deep dive into the drives, desires, and anxieties we bring to dining out at this time of uncertainty. It explores the meaning we find in good food and warm hospitality. It shows why the restaurant offers unique opportunities to change the quality of our engagement with others and to create shared meaning across the table.

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Bénédicte Meillon, "Ecopoetics of Reenchantment: Liminal Realism and Poetic Echoes of the Earth" (Bloomsbury, 2022)

caleb@newbooksnetwork.com (New Books Network) — Fri, 5 Sep 2025 08:00:00 +0000

Ecopoetics of Reenchantment: Liminal Realism and Poetic Echoes of the Earth (Bloomsbury, 2022) tackles the reenchantment process at work in a part of contemporary ecoliterature that is marked by the resurfacing of the song of the earth topos and of Gaia images. Focusing on the postmodernist braiding of various indigenous and ecofeminist ontologies, close readings of the animistic and totemic dimensions of the stories at hand lead to the theorizing of liminal realism—a mode that shares much with magical realism but that is approached through an ecopoetic lens, specifically working an interspecies kind of magic, situating readers in-between human and other-than-human worlds. This book promotes a worldview based on relationships of reciprocity and symbiosis. It restores our capacity for wonder together with our sensitive intelligence. Liminal realism adopts a stance in-between scientific, mythical, and poetic worldviews as it calls attention to the soundscapes, odorscapes, feelscapes, and landscapes of the world. This monograph offers an original transdisciplinary and cross-Atlantic take on ecopoetics as it straddles the two academic worlds and sparks a conversation between artworks, theories, and studies emerging from the English-speaking world as well as from Francophone contexts. Entangling the materiality of language back within the flesh of the world, this book and the texts under study provide insight into the fundamentally sympoietic dimension of ecopoiesis. People interested in ecopoetics can check out the website run by Béné Meillon here.

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Leon J. Hilton, "Counter-Cartographies: Neurodivergence and the Errancies of Performance" (U Minnesota Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 3 Sep 2025 08:00:00 +0000

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence.

Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing.

Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world.

Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island.

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Flannery Burke, "Back East: How Westerners Invented a Region" (U Washington Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 3 Sep 2025 08:00:00 +0000

Just as easterners imagined the American West, westerners imagined the American East, reshaping American culture. Back East: How Westerners Invented a Region (University of Washington Press, 2025) by Dr. Flannery Burke flips the script of American regional narratives.
In novels, travel narratives, popular histories, and dude ranch brochures, twentieth-century western US writers saw the East through the lens of their experiences and ambitions. Farmers following the railroad saw capitalists exploiting their labor, while cowboys viewed urban easterners as soft and effete. Westerners of different racial backgrounds, including African Americans and Asian Americans, projected their hopes and critiques onto an East that embodied urbanity, power, and opportunity.
This interplay between “Out West” and “Back East” influenced income inequality, land use, cultural identities, and national government. It fueled myths that reshaped public lands, higher education, and the publishing industry. The cultural exchange was not one-sided; it contributed to modern social sciences and amplified marginalized voices from Chicane poets to Native artists.
By examining how westerners imagined the American East, Back East provides a fresh perspective on the American cultural landscape, offering a deeper understanding of the myths that continue to shape it.

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Susana M. Morris, "Positive Obsession: The Life and Times of Octavia E. Butler" (Amistad Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 2 Sep 2025 08:00:00 +0000

A magnificent cultural biography, Positive Obsession: The Life and Times of Octavia E. Butler (Amistad, 2025) charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion.

In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.

Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”

Susana M. Morris is the Associate Professor of Literature, Media & Communication at the Georgia Institute of Technology. You can find Susana at her website, at Instagram; on Threads; and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Susana went after the show to explore the question What Would Octavia Do? in our present moment.

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Aliyah Khan, "Far From Mecca: Globalizing the Muslim Caribbean" (Rutgers UP, 2020)

caleb@newbooksnetwork.com (New Books Network) — Tue, 2 Sep 2025 08:00:00 +0000

Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.

Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.

The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.

Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.

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Ḥannā Diyāb, "The Book of Travels" (NYU Press, 2022): A Conversation with Johannes Stephan

caleb@newbooksnetwork.com (New Books Network) — Mon, 1 Sep 2025 08:00:00 +0000

The Book of Travels Ḥannā Diyāb: A Conversation with Johannes Stephan
The Book of Travels is Ḥannā Diyāb’s remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights.
Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV’s Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences.
Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.

Johannes Stephan is a postdoctoral researcher in the ERC-funded project Kalīlah and Dimnah—AnonymClassic at the Freie Universität Berlin. He studied Islamic and Middle Eastern Studies in Halle an der Saale, Damascus, and Bern.

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Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)

caleb@newbooksnetwork.com (New Books Network) — Sun, 31 Aug 2025 08:00:00 +0000

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books.

A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Victoria Young, "Translation and the Borders of Contemporary Japanese Literature: Inciting Difference" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 28 Aug 2025 08:00:00 +0000

Translation and the Borders of Contemporary Japanese Literature: Inciting Difference (Routledge, 2024) examines contemporary debates on such concepts as national literature, world literature, and the relationship each of these to translation, from the perspective of modern Japanese fiction.

By reading between the gaps and revealing tensions and blind spots in the image that Japanese literature presents to the world, the author brings together a series of essays and works of fiction that are normally kept separate in distinct subgenres, such as Okinawan literature, zainichi literature written by ethnic Koreans, and other "trans-border" works. The act of translation is reimagined in figurative, expanded, and even disruptive ways with a focus on marginal spaces and trans-border movements. The result decentres the common image of Japanese literature while creating connections to wider questions of multilingualism, decolonisation, historical revisionism, and trauma that are so central to contemporary literary studies.

This book will be of interest to all those who study modern Japan and Japanese literature, as well as those working in the wider field of translation studies, as it subjects the concept of world literature to searching analysis.

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Anders M. Greene-Crow, "Austerity Measures: The Poetics of Food Insecurity in Early Modern English Literature" (U Pennsylvania Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 27 Aug 2025 08:00:00 +0000

My guest today is Anders M. Greene-Crow. Anders teaches at the Woods College of Advancing Studies and is a former Professor of English at Boston College. More recently, Anders has been preparing for the New York state bar exam, while also co-hosting the podcast “Say Podcast and Die!,” about R.L. Stine’s book series, Goosebumps. Today, we are discussing Anders’s first book, Austerity Measures: The Poetics of Food Insecurity in Early Modern English Literature (U of Pennsylvania Press, 2025).

Austerity Measures is a brilliant intervention in how we read early modern poetry. Crow looks at a range of lyric poets and writers in the sixteenth and seventeenth centuries, including Thomas Tusser, George Herbert, Robert Herrick, Anne Bradstreet, and Thomas Tryon. Austerity Measures argues that early modern poets used literary form to model solutions addressed to pressing concerns about food insecurity and food ethics.

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Aaron Hammes, "TransGenre" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 26 Aug 2025 08:00:00 +0000

TransGenre (Cambridge UP, 2025) is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, TransGenre proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves.

Aaron Hammes holds a PhD in English from the CUNY Graduate Center, and was most recently the Virginia and Walter Nord Postdoctoral Fellow in the Humanities at Case Western Reserve University. Dr. Hammes has published on sex work, transgender literature, and prison abolition in South Atlantic Review, Women’s Studies Quarterly, the Routledge Handbook of Transgender Literature, Journal of Feminist Scholarship, and GLQ. Their first monograph, TransGenre, (Cambridge, 2025) is an exploration of genre theory and contemporary transgender minor literature.

Atalia Israeli-Nevo is an anthropology PhD student at the University of Texas at Austin.

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Omid Safi, “Radical Love: Teachings from the Islamic Mystical Tradition” (Yale UP, 2018)

caleb@newbooksnetwork.com (New Books Network) — Sun, 24 Aug 2025 08:00:00 +0000

It's often touted that Rumi is one of the best-selling poets in the United States. That may be the case but popular renderings of the writings of this 13th-century Muslim have largely detached him from the Islamic tradition, and specifically Sufi mysticism. In Radical Love: Teachings from the Islamic Mystical Tradition (Yale University Press, 2018), Omid Safi, Professor of Islamic Studies at Duke University, places Jalal al-Din alongside luminaries within the rich archive of Islamic Sufi poetry. In this anthology of newly translated poetry Safi focuses on love, especially ‘ishq/eshq, what he renders as “radical love.” The volume organizes translations of Qur’an and Hadith, Sufi mystics and poets into four thematic sections: God of Love, Path of Love, Lover & Beloved, and Beloved Community. Radical Love does an excellent job of introducing readers to key ideas from Islamic mysticism that are rooted in first hand knowledge of Arabic and Persian texts. This book is valuable to both the scholar and the student because of Safi’s informed nuance in both the careful selection of source passages and the subtle lyricism of his translations. In our conversation we discussed the translation of Sufi poetry in English, strategies to translation work, love in the Islamic tradition, the reception of Rumi, Ahmed Ghazali’s first book in Persian on love, Qawwali singers, contemporary sheikhs, and several key Sufis authors.

Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.

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Alejandro Puyana, "Freedom Is a Feast" (Little, Brown, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 23 Aug 2025 08:00:00 +0000

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.
Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it’s too late.
With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered a wise and moving debut about sticking to one’s beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time.

Alejandro Puyana moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas.

Recommended Books:

John Hickey, Big Chief
Ibrahim Nasrallah, Time of White Horses
Julio Cortázar, Literature Class

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Gill Plain, "Agatha Christie: A Very Short Introduction" (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 22 Aug 2025 08:00:00 +0000

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context.

Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time.

Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013).

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Nan Z. Da, The Chinese Tragedy of King Lear (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 21 Aug 2025 08:00:00 +0000

I’m Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.
King Lear, one of Shakespeare’s most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia’s honesty is rewarded with exile.

That opening–and the other developments in Lear’s tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare’s play as a way to grapple with China’s history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)
Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018)

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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José Vergara, "All Future Plunges to the Past: James Joyce in Russian Literature" (Cornell UP, 2021)

caleb@newbooksnetwork.com (New Books Network) — Sun, 17 Aug 2025 08:00:00 +0000

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses.

The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history.

All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment.

José Vergara is Assistant Professor of Russian at Bryn Mawr College.

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Harriet Jacobs, "Incidents in the Life of a Slave Girl" (Norton, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 16 Aug 2025 08:00:00 +0000

Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.

Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.

In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.

Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

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Matthew R. Sparks and Olivia Sizemore, "Haint Country: Dark Folktales from the Hills and Hollers" (UP of Kentucky, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 12 Aug 2025 08:00:00 +0000

Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.

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Alan M. Wald, "Bohemian Bolsheviks: Dispatches from the Culture and History of the Left" (Brill, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 11 Aug 2025 08:00:00 +0000

For several decades now, Alan Wald has been thoroughly documenting the history of the literature and cultural output of the American left. While his numerous books and essays cover a lot of territory, much of his work is united by an interest in commitment, particularly when it comes to radical politics. What does it mean to commit ones life to a radical political cause, one which may not see anything beyond minor and marginal fractions of success in your lifetime? This question has animated his voluminous writing. On this episode, he joined us to discuss his newest book, Bohemian Bolsheviks: Dispatches from the Culture and History of the Left from the Historical Materialism book series. Clocking in at over 600 pages, this volume collects essays, reviews and reflections published over almost two decades, and offers readers a glimpse into Wald’s attempts to map the lefts literary intelligentsia, all the while raising questions about the tensions and ambiguities of its many members and fellow travelers.

Published in hardback by Brill, with a Haymarket paperback scheduled later.

Alan M. Wald is the H. Chandler Davis Collegiate Professer Emeritus at University of Michigan. His numerous books include The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s, Trinity of Passion: The Literary Left and the Antifascist Crusade and American Night: The Literary Left in the Era of the Cold War.

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Nathan Wainstein, "Grant Us Eyes: The Art of Paradox in Bloodborne" (2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 8 Aug 2025 08:00:00 +0000

Grant Us Eyes is a book-length close reading of Bloodborne by literary critic Nathan Wainstein (LA Review of Books, Cartridge Lit, American Book Review). Grant Us Eyes situates the game’s oft-discussed difficulty in relation to a much longer tradition of difficult art – surrealist painting, the modernist novel, etc. Wainstein probes the difficulty of Bloodborne’s fragmented narrative, the difficulty of its graphical and aural glitches, the difficulty of the philosophical problems it poses, and the difficulty of performing close analysis itself within a medium that still doesn’t have established, agreed-upon methods of interpretation in the way literature and film do.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

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154 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson

caleb@newbooksnetwork.com (New Books Network) — Thu, 7 Aug 2025 08:00:00 +0000

With influential series on California, on the terraforming of Mars, and on human civilization as reshaped by rising tides, Kim Stanley Robinson has established a conceptual space as dedicated to sustainability as his own beloved Village Homes in Davis, California.

All of that, though, only prepared the ground for Ministry for the Future, his 2020 vision of a sustained governmental and scientific rethinking of humanity’s fossil-burning, earth-warming ways. Flanked by RTB’s JP, KSR’s friend and ally Elizabeth Carolyn Miller (celebrated eco-critic and UC Davis professor) asked him to reflect on the book’s impact in this conversation with our sister podcast, Novel Dialogue.
KSR, Stan to his friends, brushes aside the doom and gloom of tech bros forecasting the death of our planet and hence the necessity of a flight to Mars: humans are not one of the species doomed to extinction by our reckless combustion of the biosphere. However, survival is not the same as thriving. The way we are headed now, “the crash of civilization is very bad. And ignoring it…is not going to work.”

Mentioned in this episode:

Pact for the Future
COP 26 (2021 United Nations Climate Change Conference)
COP 30 (where KSR will be a UN rep….)
Planetary boundaries J. Rockstrom (et. al.)
Charles MacKay, Extraordinary Popular Delusions and the Madness of Crowds
Paris Agreement
Don’t Look Up
Tobias Menely, The Animal Claim: Sensibility and the Creaturely Voice
Mary Shelley, Frankenstein; or, The Modern Prometheus (1818)

Listen and Read.

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Megan Cummins, "Atomic Hearts" (Ballentine Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 5 Aug 2025 08:00:00 +0000

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they’re together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.
After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she’s caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she’s writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.
Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.
Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination.

Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship.

Recommended Books:

Miriam Toews, All My Puny Sorrows
Denne Michelle Norris, When the Harvest Comes
Nick Fuller Goggins, The Frequency of Living Things

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Isabel Toral and Beatrice Gruendler, "An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions" (Brill, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 4 Aug 2025 08:00:00 +0000

The collection of wisdom fables known as Kalila and Dimna began its long literary life in Sanskrit more than two millennia ago, and was subsequently translated to numerous languages. But it is the Arabic version, adapted from Middle Persian by the eighth-century scholar Ibn al-Muqaffa, that has left the most substantial literary footprint. A foundational text of classical Arabic prose and the basis for translations into Hebrew, Syriac, Castilian, Latin, Persian, and more, versions of Kalila and Dimna exists in hundreds of manuscript copies held in libraries around the world.
Kalila and Dimna is the focus of Isabel Toral and Beatrice Gruendler's new work An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions (Brill: 2024). In this collected volume, members of the Kalila and Dimna project discuss, from different perspectives, a core aspect of their work with this textual tradition: the study of variation and mutability. The aim is to shed light on Kalila and Dimna’s so-called mouvance and establish typologies of textual mobility and instability across linguistic traditions and historical periods, as well as to develop analytical tools to describe, classify, represent, and interpret these dynamics. As will be shown, the progressive digitalization of philology in the last decades has offered the unique opportunity of putting the concept of mouvance into practice. Contributors include Theodore S. Beers, Jan J. van Ginkel, Khouloud Khalfallah, Mahmoud Kozae, Rima Redwan, and Johannes Stephan.

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Jan Dost, "Safe Corridor" (DarArab, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 4 Aug 2025 04:00:00 +0000

A bold, unforgettable novel of war, imagination, and survival. Thirteen-year-old Kamiran is fleeing the collapse of Syria when his body begins to harden literally—turning to chalk. As his transformation unfolds, he pours his memories, secrets, and darkly funny confessions into a piece of chalk he stole at school. Through the eyes of this precocious, resilient boy, Safe Corridor explores what it means to survive the unthinkable—with tenderness, fury, and imagination.

Written by acclaimed Kurdish-Syrian novelist Jan Dost and translated by Marilyn Booth—winner of the 2019 International Booker Prize—Safe Corridor is a searing, surreal journey through displacement, coming of age, and the cost of war.

Winner of the 2024 Bait AlGhasham DarArab International Translation Prize.

Jan Dost, born in 1966, is a native of Kobani in the Aleppo region of Syria. A student of natural sciences at the University of Aleppo (1985-89), he embarked on a career in journalism in the roles of reporter and editor, currently for the Kurdistan Chronicle (published in English in Erbil, Iraq) He is editor-in-chief of the Arabic-language magazine Kurdistan.

Marilyn Booth is professor emerita, Faculty of Asian and Middle Eastern Studies and Magdalen College, Oxford University.

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William Marx, "Libraries of the Mind" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 3 Aug 2025 08:00:00 +0000

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach’s—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.
Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.

William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books.

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Chris Washington, "Nonbinary Jane Austen" (U Minnesota Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 2 Aug 2025 08:00:00 +0000

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility.

Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy.

Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022)

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Amy Stuber, "Sad Grownups" (Stillhouse Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 1 Aug 2025 08:00:00 +0000

A neighborhood of picturesque content-creation houses perched on too-green lawns in a California desert; a meandering stampede of unleashed dogs on the streets of San Francisco; a skein of snow geese alighting in a state park in Missouri; an uncanny fundraising auction at an upscale suburban-DC prep school. Inhabiting these worlds of disconnection and dislocation are the "sad grownups" a middle-aged queer couple arguing over whether to have children, a college professor dying from cancer, two recent high school graduates plotting a robbery, a sixty-year-old counselor at a boys' summer camp sheltering herself from the realities of life-all connected more closely to the landscapes around them than to other people, searching fervently for liberation, understanding, and even happiness, wherever and however they might be found.

Amy Stuber’s writing has appeared in the New England Review, Flash Fiction America, Ploughshares, The Idaho Review, Cincinnati Review, Triquarterly, American Short Fiction, Joyland, and elsewhere. She’s the recipient of the Missouri Review’s 2023 William Peden Prize in fiction, winner of the 2021 Northwest Review Fiction Prize, and runner-up for the 2022 CRAFT Short Fiction Prize. Her work received a special mention in Pushcart Prize XLIV, appeared on the Wigleaf Top 50 in 2021, has been nominated for Best of the Net, and appears in Best Small Fictions 2020 and 2023. She has a PhD in English, has taught college writing, and worked in online education for many years.

Recommended Books:

Rebecca Lee, Bobcat
Joy Williams, The Quick and the Dead
Sonya Walger, Lion

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Mark Vernon, "Awake!: William Blake and the Power of the Imagination" (Hurst & Co., 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 31 Jul 2025 08:00:00 +0000

In the 200 years since Blake's death, the visionary artist, poet and writer has become a household name, often beloved. Yet many struggle to comprehend his kaleidoscopic ideas; how they speak to human longings and the challenges of living in anxious times.

Philosopher and psychotherapist Mark Vernon provides a fresh route into Blake, taking him at his word. Exploring this brilliant thinker's passionate writings, arresting artworks and fascinating life, Vernon illuminates Blake's vivid worldview. Like us, he lived in a tumultuous era of war, discontent, rapid technological change, and human estrangement from nature. He exposed the dark sides of political fervour and social moralising, while unashamedly celebrating love and liberty. But he also conversed with prophets and angels, and was powerfully, if unconventionally, religious. If we take this seriously--not easy, in secular times--then Blake can help us to unlock the transformative power of imagination.

Written for both longstanding fans and unfamiliar readers, Awake!: William Blake and the Power of the Imagination (Hurst & Co., 2025) reveals Blake as an invigorating and hopeful guide for our modern age.

Mark Vernon is a London-based psychotherapist, writer and former Anglican priest. A keen podcaster and a columnist with The Idler, he speaks regularly at festivals and on the BBC. He has a PhD in Philosophy, and degrees in Theology and Physics.

Caleb Zakarin is editor of the New Books Network.

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Benoit Berthelier and Immanuel Kim, "Hidden Heros: Anthology of North Korean FIction" (Anthem, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 29 Jul 2025 08:00:00 +0000

Hidden Heroes (Anthem Press, 2025) offers a rare and intimate glimpse into the lives of ordinary North Koreans through a collection of short stories by renowned DPRK authors. Spanning from the 1980s to the present, these works explore the theme of the “hidden hero,” a popular moniker in the DPRK to describe the average citizen who navigates the complexities of daily life with quiet dedication for their work and country.

In this interview, Dr. Kim and Dr. Berthelier discuss the appeal of North Korean literature, their approach to translating the collection, and how sharing stories reminds readers of our shared humanity.

Dr. Benoit Berthelier is a senior lecturer in Korean Studies at the University of Sydney. His research interests include North Korea’s cultural industries and digital technologies. View his university profile here.

Dr. Immanuel Kim is The Korea Foundation and Kim-Renaud Professor of Korean Literature and Culture Studies at George Washington University. His research focuses on the changes and development, particularly in the representations of women, sexuality, and memory, of North Korean literature from the 1960s to present day. View his university profile here.

Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu

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John Givens, "The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak" (Northern Illinois UP, 2018)

caleb@newbooksnetwork.com (New Books Network) — Sun, 27 Jul 2025 09:00:00 +0000

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy’s Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens’ book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon.

Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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Ilana Rosen, "Israeli Documentary Poetry: Coming of Age with the State" (Academic Studies Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 24 Jul 2025 08:00:00 +0000

Israeli Documentary Poetry: Coming of Age with the State introduces and explores documentary poetry written by Israeli poets who came of age during the first two decades of the state and who, since the 1970s and 1980s, have recorded their experiences of that period. This study offers a literary-cultural analysis of forty-two poems by thirty Israeli poets of various backgrounds, divided into themes such as: memories of the Holocaust and portraits of survivors and their offspring; transit locations and situations both en route to and within Israel; displacement as a shared fate of Jews and Arabs; school and classroom experiences; Mizraḥi women between Levantine patriarchy and Western liberalism; and languages of the diaspora versus Hebrew.

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Katie Mitchell, "Prose to the People: A Celebration of Black Bookstores" (Random House, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 22 Jul 2025 08:00:00 +0000

Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

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Gabriel Ertsgaard, "A Fiction Writer’s Guide to Peace: Crafting Nonviolent Heroism" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 21 Jul 2025 08:00:00 +0000

Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer’s Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence.

With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels.

A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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John McGahern, "The Dark: A Critical Edition" (Syracuse UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 14 Jul 2025 08:00:00 +0000

Bringing John McGahern's 1965 masterpiece back into print in the United States after years of inaccessibility, this new sixtieth-anniversary critical edition includes an introduction aimed at first-time readers, explanatory footnotes, McGahern's own glossary, and four scholarly essays aimed at guiding readers through the novel's famously controversial history. While the text was initially banned in Ireland for obscenity, this edition demonstrates that McGahern's novel of adolescence is not obscene, but revelatory, exposing the corruption underlying authority structures in mid-century Ireland--from the family to the church, to the government's willingness to ignore national and communal trauma. The Dark follows a promising young boy's struggles to break free from the economic and social forces trapping him in a lifestyle that is both familiar and suffocating. At the heart of the novel is the boy's complex and stormy relationship with his abusive, widowed father, who is left to raise a family with little outside aid. The Dark is a story of alarming brutality, surprising tenderness, and poetic lyricism; a reflection of Irish society that maintains historical significance as contemporary Ireland continues to build its national identity.

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Joseph Valente, "Irish Shame: A Literary Reckoning" (Edinburgh UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 11 Jul 2025 04:00:00 +0000

The first edited collection dedicated to the historical specifics of Irish shame

Offers an anatomy of Irish shame as a cultural predicament
Combines theoretical reading with historical and institutional context
Includes essays by some of Ireland’s leading researchers on trauma and sexuality studies

Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life.

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Ilanit Loewy Shacham, "Empire Inside Out: Religion, Conquest, and Community in Kṛṣṇadevarāya's Āmuktamālyada" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 10 Jul 2025 08:00:00 +0000

Examining the interplay of religion, history, and literature through a case study of King Krsnadevaraya's celebrated Telugu poem Āmuktamālyada, Ilanit Loewy Shacham showcases the groundbreaking worldview that this often-overlooked poem embodies. Krsnadevaraya (r.1509-1529) ruled over the Vijayanagara Empire during its heyday, and his monumental poem situates all power and authority not in the imperial center, but in the villages and temples at the empire's outskirts; not in the royal court, but in a religious community - a worldview radically different from how literary and political histories portray the king and his empire.

Empire Inside Out: Religion, Conquest, and Community in Kṛṣṇadevarāya's Āmuktamālyada explores the Āmuktamālyada as a reflection of one of South Asia's most culturally complex periods, highlighting its rich religious, political, historical and ethnographic detail. Moreover, Loewy Shacham examines the Āmuktamālyada as the work of a king imparting personal insights on empire, kingship, and individuality - specifically, that it is possible to be unbounded by the institution of kingship that he himself embodies. This book demonstrates that Krsnadevaraya's text connects the imperial domain to the village and temple settings, and to the south Indian community of Srivaisnava devotees-and indeed that it situates the source of authority and power not in the royal court but in the margins, where Srivaisnavism originated, giving the far Tamil south a central role in its imperial vision.

Employing close textual analysis of the Āmuktamālyada, supplemented by a rich corpus of texts in different languages and genres, Empire Inside Out illuminates a piece of literature that has been fairly neglected, owing to the particularized linguistic and literary training required. The core of the book is based in the historical context of sixteenth-century Vijayanagara, from which it moves to the various pasts that helped shape the Āmuktamālyada, and to our contemporary times and the use of the text in constructing (at times rewriting) history.

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Jyotsna G. Singh, "Shakespeare and Postcolonial Theory" (Bloomsbury, 2019)

caleb@newbooksnetwork.com (New Books Network) — Wed, 9 Jul 2025 08:00:00 +0000

My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare’s works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues.

Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history.

Singh’s book shows how our reading of Shakespeare’s plays such as ‘The Tempest,’ ‘Hamlet,’ and ‘Othello’ has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh’s book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field.

Author of the article on The Tempest mentioned at around 35:40 is as follows:

Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980).

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Nan Z. Da, "The Chinese Tragedy of King Lear" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 8 Jul 2025 08:00:00 +0000

At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling.

Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind.

Nan Z. Da is associate professor of English at Johns Hopkins University.

Caleb Zakarin is the Editor of the New Books Network.

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Tom Lutz, "1925: A Literary Encyclopedia" (Rare Bird Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 6 Jul 2025 08:00:00 +0000

The year 1925 was arguably the peak of literature's centrality. There were more magazines, more journals, more reviews, more book news, and more book gossip than ever before or since. Literature's rivals for cultural attention were on the rise-film was becoming a more significant part of people's media diet, radio was just taking off, television technologies were advancing--but literature was still king. Even mediocre books got dozens of reviews, and the reviews were (most often) thoughtful and intellectually engaged. The belief that literary writing was an essential and consequential business was nearly universal. Modernist ferment continued to excite discussion while the pulp revolution in genre fiction--detective stories, science fiction, Westerns, romance--was booming. These popular books, even if sometimes condescended to, were also given thoughtful review attention.

This encyclopedia was written as we approached the 100th anniversary of the annus mirabilis. In what follows, we can see the seeds of virtually every aspect of our cultural life, from art, literature, theater, and music to physics, philosophy, social science, and political discourse. The fear of environmental degradation, the corruption in our politics, the competing claims of utopianism and dystopia, the bitterly divided views on science, mass media, art, nature, justice, generations, community, freedom, sexuality, race, immigration--all can be seen in their budding or full-blown gore and glory in 1925. We have come far and not very far at all.

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Julie Singer, "Out of the Mouths of Babes: Infant Voices in Medieval French Literature" (U Chicago Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 5 Jul 2025 08:00:00 +0000

A wide-ranging study of the rich questions raised by speaking infants in medieval French literature.
Medieval literature is full of strange moments when infants (even fetuses) speak. In Out of the Mouths of Babes: Infant Voices in Medieval French Literature, (U Chicago Press, 2025) Julie Singer explores the unsettling questions raised by these events, including What is a person? Is speech fundamental to our humanity? And what does it mean, or what does it matter, to speak truth to power?
Singer contends that descriptions of baby talk in medieval French literature are far from trivial. Through treatises, manuals, poetry, and devotional texts, Singer charts how writers imagined infants to speak with an authority untainted by human experience. What their children say, then, offers unique insight into medieval hopes for universal answers to life’s deepest wonderings.

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Alex Vernon, "Peace Is a Shy Thing: The Life and Art of Tim O'Brien" (St. Martin's Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 5 Jul 2025 08:00:00 +0000

The first literary biography of Tim O'Brien, the preeminent American writer of the war in Vietnam and one of the best writers of his generation, drawing on never-before-seen materials and original interviews.

"Vietnam made me a writer." —Tim O'Brien

Featuring over one hundred interviews with family, friends, peers, and others—not to mention countless exchanges with Tim O'Brien himself—Peace is a Shy Thing: The Life and Art of Tim O'Brien (St. Martin's Press, 2025) provides a nearly day-by-day, gripping account of O'Brien's thirteen months as an infantryman in Vietnam and gives equal diligence to reconstructing O'Brien's writing process.

This meticulously researched biography explores the life and journey that turned O’Brien into a literary icon and a household name. It includes an unpublished short story about O'Brien from a college girlfriend, documentation of his comical involvement with the Washington Post's coverage of Watergate, and a 1989 attic exchange between American and Vietnamese writers on the eve of the publication of O'Brien's most beloved book, The Things They Carried, years before the two countries normalized relations.

Peace is a Shy Thing is as much a history of the era as it is a story of O'Brien's life, from his small-town midwestern mid-century childhood, to winning the National Book Award and his status as literary elder statesman. A story which Vernon, a combat veteran of the Persian Gulf War and a literary scholar trained by officers and professors of the Vietnam era, is uniquely suited to tell.

Guest: Alex Vernon (he/him) graduated from the U.S. Military Academy at West Point (the only literature major in his class of over a thousand), served in combat as a tank platoon leader in the Persian Gulf War, and earned a Ph.D. from the University of North Carolina-Chapel Hill. The recipient of an Army Historical Foundation Distinguished Book Award and a National Endowment of the Humanities Fellowship, he is the M.E. & Ima Graves Peace Distinguished Professor of English at Hendrix College in Conway, Arkansas.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman

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Craig E. Bertolet and Susan Nakley eds., "The Routledge Companion to Global Chaucer" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 2 Jul 2025 08:00:00 +0000

The Routledge Companion to Global Chaucer (Routledge, 2024) offers 40 chapters by leading scholars working with contemporary, theoretical, and textual approaches to the poetry and prose of Geoffrey Chaucer (c. 1340–1400) in a global context. This volume provides post-pandemic, twenty-first century readers a way to teach, learn, and write about Chaucer’s works complete with awareness of their reach, their limitations, and occlusions on a global field of culture.

Interviewees:

Craig E. Bertolet is Hollifield Professor of English at Auburn University.

Susan Nakley is Professor and Associate Chair of English at St. Joseph’s University, New York.

Shoshana Adler is Assistant Professor of English at Vanderbilt University.

Shazia Jagot is Senior Lecturer in Medieval and Global Literature at the University of York.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.

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Jennifer Kabat, "Nightshining" (Milkweed, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 1 Jul 2025 08:00:00 +0000

Nightshining (Milkweed, 2025)

Jennifer Kabat is the author of The Eighth Moon, her writing has also appeared in Frieze, Harper’s, McSweeney’s, and The Believer. She teaches at the school of Visual Arts and the New School. An Apprentice herbalist, she lives in rural Upstate New York and serves on her volunteer fire department.

Recommended Books:

Hélène Bessette, Lily is Crying

Jean Craighead George, My Side of the Mountain

Majula Martin, Last Fire Season

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Tochi Onyebuchi, "Harmattan Season: A Novel" (Tor Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Jun 2025 08:00:00 +0000

Tochi Onyebuchi’s novel Harmattan Season: A Novel (Tor Books, 2025) follows Boubacar, a veteran and private eye living in French occupied West Africa, as he begins a reluctant journey to discover what happened to the bleeding woman who stumbled onto his doorway and vanished soon after. That mystery quickly drags Bouba into exactly the kind of violence and political intrigue he had been working so hard to avoid.

In this interview, Onyebuchi describes finding Boubacar’s voice and the different noir tropes he was most excited about. We discuss fiction as a way to examine colonialism, magic as a tool for social exploration as well as engaging set pieces, and the joy of fast-paced novels. We also talk depictions of violence, world-wise urchin kids, and experimentation and growth throughout a writing career.

Harmattan Season is a compelling and thoughtful adventure and it was so much fun discussing it with the author.

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Jade Elizabeth French, "Modernist Poetics of Ageing: The Late Lives and Late Styles of Mina Loy, Djuna Barnes, and H.D." (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Jun 2025 08:00:00 +0000

What happens when the 'modern woman' ages? Modernist Poetics of Ageing (Oxford University Press, 2025) answers this question by being the first book-length study of three late modernist women's writers. Drawing on their place within wider modernist networks, this monograph is primarily framed around work by Mina Loy, H.D. and Djuna Barnes, who are often thought of as the quintessentially youthful 'modern woman' of the 1920s. Taking a literary, ageing studies and cultural criticism approach, this monograph focuses on lived experience, as well as thematic representations of ageing in their work, to examine how each author grew older in the years 1940-1982. By surveying literary texts, visual art, photography, life writing and archival material, this book explores the intersection of old age as lived and as well as written to argue that modernist late writing embodies the realities of ageing and transforms them through avant-garde aesthetics. As an interdisciplinary study, this work pairs ageing studies and modernist studies to innovatively consider experimental works written about and in later life. The book suggests that a focus on older age complicates the very avant-garde or modernist aesthetics that each author was interested in: what happens when the scene of the 'new' is populated by older people? How does an embodied experience of illness inform an aesthetics of 'late style'? After fulfilling their role as the youthful 'modern woman' of the 1920s, how did each artist continue to create rich, avant-garde works that go well beyond the paradigms of 'late modernism'? Modernist Poetics of Ageing argues that the late lives of some of modernism's most prominent and networked women writers are overlooked - despite being rich, vital, and contemporary in their continuing commitment to modernist experiment. By reframing these older modernist women writers as engaged in continuing, creative experiments, Modernist Poetics of Ageing reveals that the 'new' does not always have to be 'young'.

About the author: Jade Elizabeth French works on ageing, care, and intergenerationality in modern and contemporary literature. She is currently a Leverhulme Early Career Fellow at Loughborough University, developing a project on emotions, ageing, and care homes in post-war British novels since 1948. In 2021-2022, she was a Research Associate as part of the ESRC-funded project Reimagining the Future in Older Age. Jade is also the co-founder of the interdisciplinary arts project Decorating Dissidence, which explores the conceptual, aesthetic, and political qualities of craft from the twentieth century to today.

About the host: Julyan Oldham is a Post-Award Member of the University of Oxford, where he recently completed a PhD on virginity in the early twentieth-century British novel. Julyan’s work has been published or is forthcoming in Studies in the Novel and the Journal of Modern Literature.

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Pria Anand "The Elephant's Child" The Common Magazine (Spring, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 27 Jun 2025 08:00:00 +0000

Pria Anand speaks to managing editor Emily Everett about her story “The Elephant’s Child,” which appears in The Common’s spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir.

Pria Anand is a neurologist and the author of The Mind Electric, out from Simon & Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center.

Read Prias’s story “The Elephant’s Child” in The Common at thecommononline.org/the-elephants-child.

Order The Mind Electric in all formats via Simon & Schuster at simonandschuster.com/books/The-Mind-Electric/.

Learn more about Pria at www.priaanand.com.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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Tie Ning, Annelise Finegan trans., "My Sister's Red Shirt" (Sinoist Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 25 Jun 2025 08:00:00 +0000

Growing up in a glittering new decade of possibility, Anran is radically different to her sister. Outspoken and idealistic, she relishes in challenging hypocrisy, unlike the older Anjing, whose memories of a turbulent past remind her of the perils of going against the grain.

When Anran is gifted a stylish red shirt that becomes the talk of their sleepy hometown, adolescent delight is construed by her cynical teachers as another act of defiance. As they decide the young firebrand’s future, certain lessons can’t be avoided. Should Anjing shield her sibling from life’s hard truths, or will she let her blaze her own path?

First published in China in 1984, Tie Ning’s bestselling coming-of-age novella My Sister's Red Shirt (Sinoist Books, 2025), translated into English by Dr. Annelise Finegan, depicts the loss of innocence and the challenges of being true to yourself in an era of unpredictable transformation.

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Yasmine Motawy, "Children’s Picture Books and Contemporary Egyptian Society" (AUC Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 22 Jun 2025 08:00:00 +0000

Children’s picture books are some of the most transparently ideological materials available to parents and educators, and as cultural objects they are an expression of the zeitgeist of a particular era. They reveal much about the hopes, values, and aspirations of the society that produces them, as well as that society’s vision of its place in the wider world at large.
Children’s Picture Books and Contemporary Egyptian Society (AUC Press, 2025) by Dr. Yasmine Motawy examines a new wave of Egyptian picture books that was published in the current century to see how these books responded to larger societal trends and transformations in Egypt, as well as to explore the ideologies that lie behind them. Dr. Motawy argues that a host of factors, including the growth of gated communities and international schooling, the proliferation of lucrative literary awards, returning Gulf migrants, television dramas, and nationwide reading advocacy initiatives helped give rise to a new kind of children’s picture book in Egypt.
Dr. Motawy focuses on three clusters of selected picture books to investigate the extent to which these books reproduce hegemonic discourses or, alternatively, open up new horizons of childhood agency and societal transformation. The first cluster includes books that directly socialize the child by showing them ‘how things are done,’ in both the domestic sphere and the increasing globalized spaces that children frequent with their families. The second cluster aims at reframing cultural notions around femininity through the retelling of folk and fairy tales, while the third cluster addresses children's abilities to assess the impact of their actions on their environment, and invites them to examine their personal suitability to positions of power and stewardship.

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Bernd Roeck, "The World at First Light: A New History of the Renaissance" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 22 Jun 2025 08:00:00 +0000

Today I’m speaking with Bernd Roeck about his book, The World at First Light: A New History of the Renaissance (Princeton University Press, 2025). Bernd is professor of modern history at the University of Zurich and director of the German Centre for Venetian Studies in Venice. Translated by Patrick Baker, The World at First Light is a truly magisterial work. Much ink and paint has been spilled illuminating and interpreting the cultural flourishing known as Europe’s rebirth. The Renaissance was chiefly marked by a revival in classical literature and philosophy, artistic and scientific innovations embodied by polymaths like Leonardo da Vinci, Galileo Galilei, and William Shakespeare. In exploring this historical period, Bernd offers the most authoritative and up-to-date treatment of the Renaissance.

Caleb Zakarin is editor of the New Books Network.

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Eva De Clercq, Heleen De Jonckheere, and Simon Winant eds., "Literary Transcreation as a Jain Practice" (Ergon-Verlag, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 21 Jun 2025 08:00:00 +0000

A vast corpus of Jain texts lies unexamined in manuscript libraries, several of them new versions of earlier works. Though the prevalence of literary transcreation in Jain communities is striking, it is by no means a practice exclusive to them. The field of South Asian Studies has increasingly dealt with the creative engagement of authors with an authoritative literary object. Although these studies have brought to the fore important conclusions, the Jains as a literary community have remained absent from these discussions. This volume addresses this gap, highlighting the influential role of Jain authors in the multilingual literary world of South Asia.

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Omneya Ayad, "Love in Sufi Literature: Ibn ‘Ajiba’s Understanding of the Divine Word" (Routledge, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 21 Jun 2025 08:00:00 +0000

Love in Sufi Literature: Ibn ‘Ajiba’s Understanding of the Divine Word (Routledge, 2023) explores the role of divine love in the Quranic commentary of the Moroccan Sufi scholar Aḥmad Ibn ʿAjība (d. 1224/1809). Through close textual analysis of Ibn ʿAjība’s exegesis al-Baḥr al-madīd—The Abundant Ocean—and drawing on his other Sufi writings the book illuminates the scholar’s theory of divine love, drawn from his scholarly antecedents, to elucidate its role and the scholar’s impact on the wider field of Quranic scholarship. This close analysis is supplemented by a comparative approach focusing on several other eminent and influential Sufi commentaries.

What is displayed is that Ibn ʿAjība’s exegesis connected theoretical works on the concept of divine love to their practical application, a breakthrough in Sufi literature. The study situates Ibn ‘Ajība’s thought in theological and historical perspective, engaging with his mystical approach which integrates his theory of divine love with other Sufi doctrines in an accessible manner. As such, the Moroccan scholar’s work left an indelible impact on future generations of Quranic exegetes within North Africa and across the Islamic world.

Love in Sufi Literature makes important contributions to the study of Sufism, Islam in North Africa, and late pre-modern Islamic intellectual history.

Omneya Ayad is Assistant Professor of Sufi Studies at Üsküdar University in Istanbul, Türkiye.

Yaseen Christian Andrewsen is a DPhil Candidate at the University of Oxford specialising in Islamic intellectual history in West Africa, focused on issues in Sufism, theology, and authority. Yaseen is a co-host for the New Books in Islamic Studies podcast.

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Honorée Fanonne Jeffers, "Misbehaving at the Crossroads: Essays and Writings" (Harper, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Jun 2025 08:00:00 +0000

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.

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Dominik Zechner, "The Violence of Reading: Literature and Philosophy at the Threshold of Pain" (Palgrave Macmillan, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Jun 2025 08:00:00 +0000

The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).

Dominik Zechner is currently an Assistant Professor at Rutgers University.

Caleb Zakarin is editor of the New Books Network.

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Emily Hauser, "Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It" (Univ of Chicago Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 19 Jun 2025 08:00:00 +0000

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long.

In Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean.

Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world.

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Carolin Duttlinger, "Attention and Distraction in Modern German Literature, Thought, and Culture" (Oxford UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Tue, 17 Jun 2025 08:00:00 +0000

Carolin Duttlinger is Professor of German Literature and Culture at the University of Oxford (UK) and Co-Director of the Oxford Kafka Research Centre, where she is currently leading a three-year UKRI-funded research project,Kafka's Transformative Communities. She has published widely on German literature from the eighteenth century to the present; on Walter Benjamin and the Frankfurt School; the history of psychology; and on photography and visual culture. Selected publications: Kafka and Photography (Oxford University Press, 2007); ed., with Ben Morgan and Anthony Phelan, Walter Benjamins anthropologisches Denken (Rombach, 2012); The Cambridge Introduction to Franz Kafka (Cambridge University Press, 2013); ed., Franz Kafka in Context (Cambridge University Press, 2017); Attention and Distraction in German Literature, Thought, and Culture (Oxford University Press 2022). She is also the editor of the book series Visual Culture with Legenda.

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Surindar Nath Pandita, "डान् क्विक्षोटः Don Quixote" (Pune, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 9 Jun 2025 08:00:00 +0000

The present book contains a facsimile edition of a unique modern Kashmiri translation of five chapters from Cervantes’s famous Don Quijote. In this book the Kashmiri translation and the corresponding parts of Jarvis’s English version are presented on facing pages. The Kashmiri text is reproduced as a facsimile of the autograph prepared by Pandit Jagaddhar Zadoo, one of the two Kashmiri translators. The Kashmiri text in the present volume was written on modern paper in easily legible Devanagari characters by using only a few more additional diacritic symbols. This publication contains an introduction written by Surindar Nath Pandita, a grandson of Pandit Nityanand Shastri. The book can be regarded as a conjoined twin of the partial Sanskrit translation of Don Quijote published as volume III of the Pune Indological Series in 2019.

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Amie Souza Reilly, "Human/Animal: A Bestiary in Essays" (Wilfrid Laurier UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Mon, 9 Jun 2025 08:00:00 +0000

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate.

Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University.

Caleb Zakarin is editor of the New Books Network.

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Sladja Blažan, "Ghosts and Their Hosts: The Colonization of the Invisible World in Early America" (University of Virginia Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 8 Jun 2025 08:00:00 +0000

In Ghosts and Their Hosts: The Colonization of the Invisible World in Early America (University of Virginia Press, 2025), Dr. Sladja Blažan explains the foundational role of ghost stories in fostering the cultural imaginary, offering a medium for framing political ideologies, philosophical thought, racial anxieties, and social concerns. Ghosts and Their Hosts analyzes American ghost stories, considering their role as a settler colonial tool that emerged to help justify land appropriation and human labor exploitation. Dr. Blažan breaks with the long tradition of reading ghosts as harbingers of justice, arguing that early American ghost stories worked instead to suppress the presence of non-Europeans through fantasies of European transcultural incorporation. Images of sentient forests and nature possessed by spirits helped develop fixed racial, gendered, and sexualized categories, while authors used ghosts to affirm existing hierarchies and establish new ones. Focusing on the cultural exchanges between Germany, England, France, and the United States around the turn of the nineteenth century, Dr. Blažan deploys a groundbreaking ecocritical and comparative approach to shed light on this haunting subject.

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Paola De Santo and Caterina Mongiat Farina, (eds. and trans.) Isabella Andreini, "Letters" (Iter Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 7 Jun 2025 08:00:00 +0000

Isabella Andreini, Letters, ed. and trans. Paola De Santo and Caterina Mongiat Farina. The Other Voice in Early Modern Europe. Iter Press of the University of Toronto, 2023.

Winner of the Josephine Roberts Award for a Scholarly Edition (2024) from the Society for the Study of Early Modern Women and Gender Welcome! My guest is Professor Paola Da Santo, Associate Professor of Italian at the University of Georgia, who has some fascinating things to say about Isabella Andreini (1562–1604), an actress, poet, and playwright renowned for her literary and theatrical skill.

Acclaimed as "la divina Isabella," Andreini toured Italy and France as part of the Compagnia dei Comici Gelosi. Letters (Iter Press, 2023) is a collection of epistles she wrote written in fictional, anonymous, male, and female voices, a “hermaphroditic” alternation of gender unlike any that had been seen in letter writing to that time. Andreini remade the humanistic epistolary genre into a distinctive fusion of literary and dramatic performance. The guise of epistolary intimacy cedes to a knowing artificiality, which allows for the emergence of Andreini’s modern critique of the gendered self as a uniform entity. The collection centers on love and examines—from surprising perspectives—pertinent issues such as death, the birth of a girl, prostitution, patriarchal marital practices, love in old age, courtiership, country and city life, human nature, and defenses and critiques of both sexes.

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152 Why I Paneled: A Backwards Glance by Kristin Mahoney and Nasser Mufti (JP)

caleb@newbooksnetwork.com (New Books Network) — Sat, 7 Jun 2025 08:00:00 +0000

In RTB 151, you heard the Kristin, Nasser and John discussing what might happen before their Northeastern Victorian Studies Association conference actually took place. This episode, recorded a few weeks later, looks back at what actually occurred and see how it aligned with or defied the panelists' prior expectations.

The three discuss what it means to have an emergent and residual shticks; differences between how you prepare to talk to undergraduates and your peers matter, and the three agree that going in without any expectations of your audience makes for a weaker presentation. Imaginary interlocution makes for better pre-gaming.

Kristin Mahoney 's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain’s nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. (RTB listeners don't need to hear about John or his Arendt obsession).

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Kevin Potter, "Poetics of the Migrant: Migrant Literature and the Politics of Motion" (Edinburgh UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 6 Jun 2025 08:00:00 +0000

Since the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring reflections on class, race, gender, nations, and mobility. But, beyond depicting migration, is it possible for migrant literature to be a force of movement itself? Poetics of the Migrant: Migrant Literature and the Politics of Motion calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. Poetics of the Migrant understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable.

About Kevin Potter:

Kevin Potter is a postdoctoral researcher in the Department of English & American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first book, Poetics of the Migrant was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (https://www.kcl.ac.uk/people/p...). He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (https://manchesteruniversitypr...).

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151 Why I Panel, Part One: Kristin Mahoney, Nasser Mufti (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Jun 2025 08:00:00 +0000

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why?

To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary.

Mentioned in the episode

Theosophical Society in Chennai

Annie Besant

Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant.

Eric Williams, British Historians and the West Indies on hte grid theorizations of race by folks like Acton

C L R James

Adorno’s Minima Moralia provides Naser with an important reminder o the importance of “hating tradition properly.”

H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust’s Remembrance of Things Past and in Ford Madox Ford’s The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel.

The three discuss Foucault’s notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of post colonialism that replaced it,

Paul Saint Amour’s chapter on Ford Madox Ford is in Tense Future.

John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books.

The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked Isaiah Berlin’s celebrated essay of the same name.

Pamela Fletcher the Victorian Painting of Modern Life

Listen and Read here.

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Andy Oler, "Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature" (LSU Press, 2019)

caleb@newbooksnetwork.com (New Books Network) — Mon, 2 Jun 2025 08:00:00 +0000

In light of recent conversations about the crisis of masculinity, let's revisit Dr. Andy Oler's book Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature. I sat down with Dr. Oler to discuss the persistent anxiety about masculinity, the role of regional literature in American modernism, and the need for an expansive definition of the Midwest. We also talked about literary representation of futuristic equipment such as the cabbage transplanter. And for our scholar friends, Dr. Oler offers tips on how to secure texts that are not available in libraries or archives.

Andy Oler is a professor in the Department of Humanities and Communication at Embry-Riddle Aeronautical University, Daytona Beach.

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Pooja Rangan, Akshya Saxena, Ragini Tharoor Srinivasan, Pavitra Sundar eds., "Thinking with an Accent: Toward a New Object, Method, and Practice" (UC Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 2 Jun 2025 08:00:00 +0000

Everyone speaks with an accent, but what is an accent? Thinking with an Accent: Toward a New Object, Method, and Practice (UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.

Thinking with an Accent won the American Comparative Literature Association’s 2024 Rene Wellek Prize for Best Edited Collection.

Editors: Pooja Rangan, Ragini Tharoor Srinivasan, Akshya Saxena, and Pavitra Sundar

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Jon L. Pitt, "Botanical Imagination: Rethinking Plants in Modern Japan" (Cornell UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 31 May 2025 08:00:00 +0000

Botanical Imagination: Rethinking Plants in Modern Japan (Cornell University Press, 2025) explores the complicated legacy and enduring lure of plant life in modern Japanese literature and media. Using critical plant studies, Jon L. Pitt examines an unlikely group of writers and filmmakers in modern Japan, finding in their works a desire to "become botanical" in both content and form. For nearly one hundred years, a botanical imagination grew in response to moments of crisis in Japan's modern history.

Pitt shows how artists were inspired to seek out botanical knowledge in order to construct new forms of subjectivity and attempt to resist certain forms of state violence. As he follows plants through the tangled histories of imperialism and state control, Pitt also uncovers the ways plants were used in the same violence that drove artists to turn to the botanical as a model of resistance in the first place. Botanical Imagination calls on us to rethink plants as significant but ambivalent actors and to turn to the botanical realm as a site of potentiality.

This book is free for download through open access.

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Jonas Elbousty and Roger Allen, "Reading Mohamed Choukri's Narratives: Hunger in Eden" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 30 May 2025 08:00:00 +0000

Reading Mohamed Choukri’s Narratives: Hunger in Eden (Routledge, 2024) presents an intricate exploration into the life and literary universe of Mohamed Choukri, a towering figure in 20th-century Moroccan literature. Known primarily for his groundbreaking autobiographical work “al-Khubz al-Ḥāfī” (For Bread Alone), Choukri’s literary influence extends well beyond this single work. Reading Mohamed Choukri’s Narratives seeks to cast a light on his broader body of work, examining the cultural, societal, and personal influences that shaped his unique storytelling style. Through a deep analysis of his narratives, this book aims to unfold how Choukri portrayed the harsh realities he and others encountered, giving voice to the marginalized individuals and communities in Morocco.

In this episode, Jonas Elbousty guides us into the profound world of Moroccan writer Mohamed Choukri. Together, we explore Choukri’s intimate portrayal of Tangier’s marginalized voices and the intricate process of translating his evocative prose into English. Elbousty sheds light on Choukri’s lesser-known works, revealing the enduring impact of his storytelling. This conversation offers a deep dive into the complexities of language, identity, and the transformative power of literature.

Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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Jane Elizabeth Dougherty, "Narrating Irish Female Development, 1916-2018" (Edinburgh UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 28 May 2025 08:00:00 +0000

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story of the Irish republic itself, which took as its avatar the Irish woman, whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing of Irish women as seriously as other critics have taken Joyce’s work.

Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel
Examines the form, narration, and content of fictional, non-fictional, and national narratives
Develops a feminist psychoanalytic narratology
Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development

Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale.

Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).

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Laura Otis, "Banned Emotions: How Metaphors Can Shape What People Feel" (Oxford UP, 2019)

caleb@newbooksnetwork.com (New Books Network) — Tue, 27 May 2025 08:00:00 +0000

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots.

Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how.

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Christopher Hanscom, "Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film" (Columbia UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 25 May 2025 08:00:00 +0000

How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged.

Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly.

Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here.

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Hannah Jeans, "Reading, Gender and Identity in Seventeenth-Century England" (U London Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 24 May 2025 08:00:00 +0000

In Reading, Gender and Identity in Seventeenth-Century England (University of London Press, 2025), Hannah Jeans explores the reading habits of early modern women and the ways in which their reading became a site of identity formation and promotion. Jeans studies both contemporary prescriptions around women's reading, particularly their consumption of religious and romance texts, as well the actual activity of women. Additionally, Reading, Gender and Identity covers some less-well known genres with which women engaged, such as news media and scientific texts. Drawing on a range of sources, like annotations, inscriptions, commonplace books, and self-writing, Jeans presents a fascinating account of the broad range of readings that early modern women participated in, and the multifaceted identities they crafted from these activities. It is an excellent read for anyone interested in the history of reading, print and manuscript culture, self-fashioning, or gender in early modern England.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.

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Dan Sperrin, "State of Ridicule: A History of Satire in English Literature" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 23 May 2025 08:00:00 +0000

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime’s perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire’s many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.
Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire’s family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author’s anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature.

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Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)

caleb@newbooksnetwork.com (New Books Network) — Thu, 22 May 2025 08:00:00 +0000

In an essay about her recent book Searches (Pantheon, 2025), a genre-bending chronicle of the deeply personal ways we use the internet and the uncanny ways it uses us, Vauhini Vara admits that several reviewers seemed to mistake her engagement with ChatGPT as an uncritical embrace of large language models. Enter Aarthi Vadde to talk with Vauhini about the power and the danger of digital tech and discuss to what it means to co-create with AI. Vauhini tells Aarthi and host Sarah Wasserman that at the heart of all her work is a desire to communicate—that “language,” as she says, “is the main tool we have to bridge the divide.” She explains that the motivation in Searches as in her journalism is to test out tools that promise new forms of communication—or even tools that promise to be able to communicate themselves. Amidst all her interest in new tech, Vauhini is first and foremost a writer: she and Aarthi discuss what it means to put ChatGPT on the printed page, what genre means in today’s media ecosystem, and whether generative AI will steal writers’ paychecks.

Considering generative AI models as tools that “don’t have a perspective,” makes for an episode that diagnoses the future of writing with much less doomsaying than authors and critics often bring to the topic. And if all of this writing with robots sounds too “out there,” stay tuned for Vauhini’s down-to-earth answer to our signature question.

Mentioned in this episode:

Vauhini Vara, Searches (2025), The Immortal King Rao (2022), “My
Decade in Google Searches” (2019)
Michel de Montaigne, The Complete Essays (1580)
Tom Comitta, The Nature Book (2023)
Sheila Heti, Alphabetical Diaries (2024), “According to Alice” (2023)
Audre Lorde, “The Master’s Tools will never Dismantle the Master’s
House” (1979)

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Dagrún Ósk Jónsdóttir, "Ghosts, Trolls, and the Hidden People: An Anthology of Icelandic Folk Legends" (Reaktion, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 21 May 2025 08:00:00 +0000

Dagrún Ósk Jónsdóttir joins Jana Byars to talk about her new book, Ghosts, Trolls, and Hidden People: An Anthology of Icelandic Folk Legends (Reaktion, 2025). This unique and enchanting book opens the door to a captivating world of Icelandic folk legends. The six chapters of this anthology are each based on a different setting: farm, wilderness, darkness, church, ocean and shore. It provides translated tales from the nineteenth and twentieth centuries, as well as introductions by the editor which place these often-supernatural happenings in the context of Icelandic society. The legends include stories of hidden people, trolls, ghosts, sea monsters and even polar bears, exploring themes of love, revenge and conflict. The book highlights the tension between Christianity and paganism, past and present, nature and humanity, and divides within society. Drawing from a wide variety of Icelandic sources, this book makes these colourful, entertaining, lively folk legends available to non-Icelandic speakers, many for the first time.

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Carrie Helms Tippen, "Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks" (UP of Mississippi, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 20 May 2025 08:00:00 +0000

The cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs.

In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (UP of Mississippi, 2025), author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation.

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Pāṇḍitya: Mapping Sanskrit Texts Online

caleb@newbooksnetwork.com (New Books Network) — Mon, 19 May 2025 08:00:00 +0000

Tyler Neill discusses the new platform Pāṇḍitya, an online graph visualization tool illustrating connections between works and authors in the Pandit Prosopographical Database of Indic Texts. It also facilitates exploration of the Sanskrit E-Text Inventory (SETI) as an overlay on the Pandit network.

Tyler's blog "Sanskrit and Tech with Tyler" is here.

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Noel Rubinton, "Looking for a Story: A Complete Guide to the Writings of John McPhee" (Princeton UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 18 May 2025 09:00:00 +0000

John McPhee has been a staff writer for The New Yorker since 1965 and has written more than thirty acclaimed books that began on the magazine's pages. But few readers know or fully appreciate the true breadth of his writing. Looking for a Story: A Complete Guide to the Writings of John McPhee (Princeton University Press, 2025) leads readers through McPhee's vast published work, documenting much rarely seen or connected with McPhee, including remarkable early writing for Time magazine published without his name.

In chronicling McPhee's career where he broke ground applying devices long associated with fiction to the literature of fact, Noel Rubinton gives insights into McPhee's techniques, choice of subjects, and research methods, shedding light on how McPhee turns complicated subjects like geology into compelling stories. Beyond detailing more than seventy years of McPhee's writing, Rubinton recounts McPhee's half century as a Princeton University writing professor, a little known part of his legacy. McPhee inspired generations of students who wrote hundreds of books of their own, also catalogued here.

With an incisive foreword by New Yorker staff writer and former McPhee student Peter Hessler, Looking for a Story also includes extensive annotated listings of articles about McPhee, reviews of his books, and interviews, readings, and speeches. Whether you are already an admirer of McPhee or new to his writings, this book provides an invaluable road map to his rich body of work.

Noel Rubinton is a journalist and strategic communications consultant whose writing has appeared in leading publications such as the New York Times and the Washington Post.

Caleb Zakarin is editor at the New Books Network.

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Steve McCauley on Barbara Pym: The Comic Novel Explored and Adored (JP)

caleb@newbooksnetwork.com (New Books Network) — Sat, 17 May 2025 08:00:00 +0000

Back in 2019, John spoke with the celebrated comic novelist Stephen McCauley. Nobody knows more about the comic novel than Steve--his latest is You Only Call When You're in Trouble, but John still holds a candle for his 1987 debut, Object of My Affection, made into a charming Jennifer Aniston Paul Rudd movie. And there is no comic novelist Steve loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties with A Quartet in Autumn. Steve and John’s friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way.

In the episode, they talk about some of these favorite sentences from Pym, and then turn to the comic novel as a genre. They talk about the difference between humorous and comic writing, the earthiness of comedy, whether comic novels should have happy or sad endings, and whether the comic novel is a precursor to, or an amoral relief from, the sitcom. They also discuss some of Steve’s fiction, including his Rain Mitchell yoga novels. In Recallable Books John recommends Pictures from an Institution by Randall Jarrell and Steve recommends After Claude by Iris Owens.

Discussed in this episode:

The Life and Opinions of Tristram Shandy, Gentleman, Laurence Sterne
Vanity Fair, William Makepeace Thackeray
Jane Eyre, Charlotte Bronte
The Adventures of Huckleberry Finn, Mark Twain
Jude the Obscure, Thomas Hardy
“The Beast in the Jungle,” Henry James
The Thurber Carnival, James Thurber
The Group, Mary McCarthy
After Claude, Iris Owens
Pictures from an Institution, Randall Jarrell
An Unsuitable Attachment, Barbara Pym
Less than Angels, Barbara Pym
The Sweet Dove Died, Barbara Pym
Portnoy’s Complaint, Philip Roth
The Sellout, Paul Beatty
My Ex-Life, Stephen McCauley

You can listen here or read here.

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James B. Haile III, "The Dark Delight of Being Strange: Black Stories of Freedom" (Columbia UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 16 May 2025 08:00:00 +0000

An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.
In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.
Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN America Open Book Award

James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.

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Daniel Behar, "Syrian Poets and Vernacular Modernity" (Edinburgh UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 15 May 2025 08:00:00 +0000

Syrian Poets and Vernacular Modernity (Edinburgh UP, 2025) examines a poetic movement that rose from under official state discourse in 1970s Syria

Closely examines a wealth of unknown primary poetic texts from Syria that make up a new poetics which challenges received ideas about modern Arabic poetry
Rereads along transnational lines the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ
Offers a substantial rethinking of key terms in comparative literary studies — translation, translatability, vernacular —as seen through the lens of everyday poetics
Describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works
Expands the scope of postcolonial poetry in the globalised age by factoring in relationships between first-, second-, and third-world literary cultures

This book distinguishes a Syrian style of qaṣīdat nathr (prose poem) as a piece of collaborative performance called shafawiyya, vernacularised poetic speech. It describes the poetic lineages, stretching from early Syrian independence to the 21st century, whose task it was to bring poetic expression closer to everyday life.  These poets are shown cultivating genres and translational practices rooted in a plebeian civilian identity that counters both heroised images of the prophet-poet and stern authoritarian rule. A comparative analysis is provided to understand shafawiyya poetics as a transnational mode of creative engagement. This analysis includes aesthetic affinities and instances of transmission between Arabic poetry and poetries written in formerly Soviet countries (Poland, Czechoslovakia, Romania, Bulgaria). From this vantage point, matters of perennial debate in comparative literature - vernacular, translatability, postcolonial poetry - are shown from a new perspective.  The book closely examines a wealth of unknown primary poetic texts from Syria that make up the new poetics and challenge received ideas about modern Arabic poetry. It describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works. Behar rereads the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ along transnational lines, offering a substantial rethinking of the key terms in comparative literary studies as seen through the lens of everyday poetics.

Daniel Behar is Assistant Professor of Modern Arabic Literature in the Department of Arabic Language and Literature at the Hebrew University of Jerusalem. He is interested in comparative analysis of modern Arabic poetry, theories of translation, and socialist literary imaginaries in Syria.

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Myka Tucker-Abramson, "Cartographies of Empire: The Road Novel and American Hegemony" (Stanford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 14 May 2025 08:00:00 +0000

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely?

In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure.

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Anna Wainwright, "Widow City: Gender, Emotion, and Community in the Italian Renaissance" (U Delaware Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 13 May 2025 08:00:00 +0000

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance.

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Mike Miley, "David Lynch’s American Dreamscape: Music, Literature, Cinema" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 11 May 2025 08:00:00 +0000

How are David Lynch's films as much in dialogue with literary and musical traditions as they are cinematic ones?

By interrogating this question, David Lynch’s American Dreamscape: Music, Literature, Cinema (Bloomsbury, 2025) broadens the interpretive horizons of Lynch's filmography, calling for a new approach to Lynch's films that goes beyond cinema and visual art to explore how Lynch's work engages with literary and musical works that have shaped the American imagination. As much as Lynch stands as a singular artistic voice, his work arises from and taps into the cultural zeitgeist in a way that illuminates not only his approach to creativity but also the way works interact with each other in an age of mass media. From children's literature to teen tragedy ballads, Nathanael West and Cormac McCarthy to folk music and mixtapes, David Lynch's American Dreamscape investigates the cultural frequencies Lynch's films tune into and positions Lynch's work as a conduit for American popular culture, a medium or channel through which the subconscious of American life finds its way into full view.

The book expands upon this approach by discussing how artists such as David Foster Wallace and Lana Del Rey graft Lynch's affiliative, cinematic sensibility onto their own projects. Reading their work as intertextual engagements with Lynch's films further illustrates the versatile interactions among creators and audiences to generate more works, readers, and readings.

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Seulghee Lee, "Other Lovings: An Afroasian American Theory of Life" (Ohio State UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 10 May 2025 08:00:00 +0000

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.

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“That In Between Time,” Fernanda Trías and Heather Cleary (MAT)

caleb@newbooksnetwork.com (New Books Network) — Fri, 9 May 2025 08:00:00 +0000

Fernanda Trías’s Pink Slime (Scribner, 2024) was first published in Spanish in October 2020, several months into a global pandemic that had bent our world into something uncannily similar to the one imagined in the Uruguayan writer’s fourth novel. Here, an environmental disaster that begins as red algae bloom in the oceans has produced a toxic wind that kills most living creatures. As the plague spreads, the protagonist chooses to remain in her coastal city, caring for a boy with a rare genetic disorder. Published in an English translation by Heather Cleary as the pandemic waned, Pink Slime continues to push against the limits of genre categories, balancing on that delicate edge between science fiction and literary realism.

In dialogue with Cleary—a prolific translator of contemporary Latin American fiction who is also a critic and scholar of translation—Trías unfolds the many different ideas explored in Pink Slime, including the ethical complexities of writing about illness and disability, the difficult intimacies of mothers and daughters (and other potentially toxic relationships), how it is that we experience time and memory, and what it means to live with the looming threat of ecological collapse. Pink Slime, like Trías’s other novels, is also interested in the narrative potential of confined spaces, which constrain the movement of plot and allow for new possibilities in building characters’ psychological depth. The conversation also gets into the question of time and narrative tense when it comes to narrating the experience of disaster—a question that was crucial for the novelist as much as the translator. Together, Trías and Cleary also get into the intricacies of translation, including word choice, sound, rhythm, breath, and how to make jokes work across languages.

Mentioned in this episode:

The Translator’s Visibility: Scenes from Contemporary Latin American Fiction

Prader-Wilis syndrome

Vivian Gornick, Fierce Attachments: A Memoir

N. Pino Luna

The other pink slime

Trías, El monte de las furias

Plumsock Endowed Residency, Yaddo Artist’s Community (the residency that Trías briefly names toward the end of the conversation)

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Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 8 May 2025 08:00:00 +0000

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril.

In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.
The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol’s Campbell's Soup Cans, and Jackson Pollock’s drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.
The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim.

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Nothingism

caleb@newbooksnetwork.com (New Books Network) — Tue, 6 May 2025 08:00:00 +0000

In this episode of High Theory, Jason Schneiderman talks about Nothingism. A term of his own coinage, a tongue-in-cheek manifesto, nothingism is an invitation to refuse the values of digital culture in favor of the values of print.

You can read more about poetry at the end of print culture in Jason’s new book, entitled Nothingism (Michigan UP, 2025).

In the episode Jaason refers to M.B. Parkes’s book Pause and Effect An Introduction to the History of Punctuation in the West and the poetry of his teacher Agha Shahid Ali.

Jason Schneiderman is a poet and teacher. He is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024). He also edited an anthology of queer theory for first year writing courses called Queer: A Reader for Writers (Oxford, 2016). He works as a Professor of English at CUNY’s BMCC and in the MFA Program for Writers at Warren Wilson College.

The image for this episode was made by Saronik Bosu. It shows a blue blur on a pink floral print background.

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Robin Miles: Talking Books

caleb@newbooksnetwork.com (New Books Network) — Mon, 5 May 2025 08:00:00 +0000

Today we bring you a masterclass in audiobook narration and acting with acclaimed actor, casting director, audiobook narrator and audiobook director, Robin Miles. Miles has narrated over 500 audiobooks, collecting numerous industry awards and, in 2017, was added to the Audible Narrator Hall of Fame. She’s the most recognizable voice in literary Afrofuturism, having interpreted books by Octavia E. Butler, Nalo Hopkinson, N.K. Jemisin, and Nnedi Okorafor. Miles holds a BA and an MFA from Yale. She has taught young actors and narrators at conservatories across the country and she has an amazing talent for doing accents—something we really dig deep into on this podcast. In this conversation we talk about technique, the audiobook industry, and the politics of vocal representation. How do we avoid the misrepresentation of marginalized people on the one hand and vocal typecasting on the other?

For our Patrons we have almost an hour of additional content, including our What’s Good segment where Robin unsurprisingly makes some really great book recommendations! If you want hear all the bonus content, just go to patreon.com/phantompower. Membership starts at just three dollars a month and helps pay the expenses of producing the show.

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Charlie English, "The CIA Book Club: The Best-Kept Secret of the Cold War" (Random House, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 4 May 2025 08:00:00 +0000

For nearly five decades after the Second World War, the Iron Curtain divided Europe, forming the longest and most heavily guarded border on earth. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the war was fought psychologically. It was a battle for hearts, minds, and intellects. Few understood this more clearly than George Minden, head of a covert intelligence operation known as the “CIA book program,” which aimed to undermine Soviet censorship and inspire revolt by offering different visions of thought and culture.
From its Manhattan headquarters, Minden’s “book club” secretly sent ten million banned titles into the East. Volumes were smuggled aboard trucks and yachts, dropped from balloons, hidden aboard trains, and stowed in travelers’ luggage. Nowhere were the books welcomed more warmly than in Poland, where the texts would circulate covertly among circles of like-minded readers, quietly making the case against Soviet communism. Such was the demand for Minden’s books that dissidents began to reproduce these works in the underground. By the late 1980s, illicit literature was so pervasive in Poland that censorship broke down: the Iron Curtain soon followed.
Charlie English narrates this tale of Cold War spycraft, smuggling, and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who fought for intellectual freedom—people like Mirosław Chojecki, who suffered beatings, imprisonment, and exile in pursuit of his clandestine mission. The CIA Book Club: The Best-Kept Secret of the Cold War (Random House, 2025) is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

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Paul Chrystal, "Miracula: Weird and Wonderful Stories of Ancient Greece and Rome" (Reaktion, 2025)

caleb@newbooksnetwork.com (New Books Network) — Fri, 2 May 2025 08:00:00 +0000

Both humorous and shocking, Miracula: Weird and Wonderful Stories of Ancient Greece and Rome (Reaktion, 2025) by Paul Crystal is filled with astonishing facts and stories drawn from ancient Greece and Rome that have rarely been retold in English. It explores ‘the incredible’ as presented by little-known classical writers like Callimachus and Phlegon of Tralles. However, it offers much more: familiar authors such as Herodotus and Cicero often couldn’t resist relating sensational, tabloid-worthy tales. The book also tackles ancient examples of topics still relevant today, such as racism, slavery and misogyny. The pieces are by turns absorbing, enchanting, curious, unbelievable, comical, astonishing, disturbing, and occasionally just plain daft.

An entertaining and sometimes lurid collection, this book is perfect for all those fascinated by the stranger aspects of the classical world, history enthusiasts, and anyone interested in classical history, society and culture.

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Monika Amsler, "The Babylonian Talmud and Late Antique Book Culture" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 30 Apr 2025 08:00:00 +0000

The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler’s work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler’s book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes.

Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern.

Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College.

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Tithi Bhattacharya, "Ghostly Past, Capitalist Presence: A Social History of Fear in Colonial Bengal" (Duke UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 29 Apr 2025 08:00:00 +0000

In Ghostly Past, Capitalist Presence: A Social History of Fear in Colonial Bengal (Duke UP, 2024), Tithi Bhattacharya maps the role that Bengali ghosts and ghost stories played in constituting the modern Indian nation, and the religious ideas seeded therein, as it emerged in dialogue with European science. Bhattacharya introduces readers to the multifarious habits and personalities of Bengal’s traditional ghosts and investigates and mourns their eventual extermination. For Bhattacharya, British colonization marked a transition from the older, multifaith folk world of traditional ghosts to newer and more frightening specters. These "modern" Bengali ghosts, borne out of a new rationality, were homogeneous specters amenable to "scientific" speculation and invoked at séance sessions in elite drawing rooms. Reading literature alongside the colonial archive, Bhattacharya uncovers a new reordering of science and faith from the middle of the nineteenth century. She argues that these shifts cemented the authority of a rising upper-caste colonial elite who expelled the older ghosts in order to recast Hinduism as the conscience of the Indian nation. In so doing, Bhattacharya reveals how capitalism necessarily reshaped Bengal as part of the global colonial project.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.

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Shailendra Kumar Singh, "Between Resistance and Conformity: Premchand’s Fiction in Colonial North India" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 27 Apr 2025 08:00:00 +0000

Shailendra Kumar Singh’s Between Resistance and Conformity: Premchand’s Fiction in Colonial North India (Routledge, 2024) examines the questions of conformity and resistance with respect to Premchand’s literary corpus. Mapping the various complexities, challenges, and contradictions of interwar India, it demonstrates how the passive peasant protagonists of the writer’s fictional works present a diametrically opposed definition of dharma as compared to their dissident nationalist counterparts. Through a relatively similar logic of comparative assessment, it further foregrounds the fundamental asymmetry that exists between Premchand’s literary representations of women as compliant domestic subjects and those that portray them as rebel patriots of colonial North India. Juxtaposing several genres, including novels, short stories, letters, and journalistic writings to offer a reconsideration of Premchand's work, this book will interest scholars of peasant narratives, nationalist fiction, and gender studies.

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Polly Jones, "Gulag Fiction: Labour Camp Literature from Stalin to Putin" (Bloombury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 26 Apr 2025 08:00:00 +0000

Gulag Fiction: Labour Camp Literature from Stalin to Putin (Bloombury, 2024) is a unique exploration of Russian prose fiction about the Soviet labour camp system since the Stalin era compares representations of identity, ethics and memory across the corpus.

The Soviet labour camp system, or Gulag, was a highly complex network of different types of penal institutions, scattered across the vast Soviet territory and affecting millions of Soviet citizens directly and indirectly. As Gulag Fiction shows, its legacies remain palpable today, though survivors of the camps are now increasingly scarce, and successive Soviet and post-Soviet leaders have been reluctant to authorise a full working through of the Gulag past. This is the first book to compare Soviet, samizdat and post-Soviet literary prose about the Gulag as penal system, carceral experience and traumatic memory. Polly Jones analyses prose texts from across the 20th and 21st centuries through the prism of key themes in contemporary Soviet historiography and Holocaust literature scholarship: selfhood and survival; perpetration and responsibility; memory and post-memory.

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Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 24 Apr 2025 08:00:00 +0000

In Season 9, Novel Dialogue set out to find the Venn diagram intersection of tech and fiction—only to realize that Kim Stanley Robinson had staked his claim on the territory decades ago. With influential series on California, on the terraforming of Mars, and on human civilization as reshaped by rising tides, KSR has established a conceptual space as dedicated to sustainability as his own beloved Village Homes in Davis, California.

All of that, though, only prepared the ground for Ministry for the Future (Orbit, 2020), his vision of a sustained governmental and scientific rethinking of humanity’s fossil-burning, earth-warming ways. In only five years, it may have become the most influential work of climate fiction ever—perhaps right up there with Uncle Tom’s Cabin in its thoroughly shocking ability to jump into the political fray.

Flanked by Novel Dialogue’s John Plotz, KSR’s friend and ally Elizabeth Carolyn Miller (celebrated eco-critic and UC Davis professor) asks him to reflect on the book’s impact. He brushes aside the doom and gloom of tech bros forecasting the death of our planet and hence the necessity of a flight to Mars: humans are not one of the species doomed to extinction by our reckless combustion of the biosphere. However, survival is not the same as thriving. The way we are headed now, “the crash of civilization is very bad. And ignoring it…is not going to work.”

Mentioned in the Episode:

--Pact for the Future

--COP 26 (2021 United Nations Climate Change Conference)

--COP 30 (where KSR will be a UN rep….)

--Planetary boundaries J. Rockstrom (et. al.)

--Charles MacKay, Extraordinary Popular Delusions and the Madness of Crowds

--Paris Agreement

--Don’t Look Up

--Tobias Menely, The Animal Claim: Sensibility and the Creaturely Voice

--Mary Shelley, Frankenstein; or, The Modern Prometheus (1818)

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Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)

caleb@newbooksnetwork.com (New Books Network) — Wed, 23 Apr 2025 08:00:00 +0000

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.

Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.

By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Alexandra Popoff, "Vasily Grossman and the Soviet Century" (Yale UP, 2019)

caleb@newbooksnetwork.com (New Books Network) — Wed, 23 Apr 2025 08:00:00 +0000

Memory and truth are malleable and nowhere more so than in the Soviet Union. To be a writer in that country was to face an ongoing dilemma: conform to State-mandated topics and themes, or consign oneself to obscurity, writing only for “the desk drawer” or “without permission.”

Vasily Grossman challenged that binary choice, creating some of the most compelling and uncompromising fiction and journalism of the century, but also enduring heartbreaking censorship. Her excellent new biography, Vasily Grossman and the Soviet Century (Yale University Press, 2019) brings the life and work of this often-overlooked writer into brilliant focus. Biography of a writer — particularly one with Grossman’s output — can be tricky to pull off, but Popoff’s extensive research is elegantly arranged into a very readable narrative, in which we follow Grossman through the harrowing experiences of witnessing first hand, famine in the 1920s, the Terror of the 1930s, the carnage of World War II, and the dull ache of censorship in the post-war Soviet Union.

Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.

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Geoffrey Roberts, "Stalin's Library: A Dictator and His Books" (Yale UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Tue, 22 Apr 2025 08:00:00 +0000

In this engaging life of the twentieth century’s most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words, and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, Stalin's Library: A Dictator and His Books (Yale UP, 2022) explores all aspects of Stalin’s tumultuous life and politics.

Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated, revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin’s personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more.

Geoffrey Roberts is emeritus professor of history at University College Cork and a member of the Royal Irish Academy. A leading Soviet history expert, his many books include an award-winning biography of Zhukov, Stalin’s General, and the acclaimed Stalin’s Wars: From World War to Cold War.

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Ignat Solzhenitsyn, ed., "We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn" (U Notre Dame Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 20 Apr 2025 08:00:00 +0000

We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn’s most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997.

Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity’s possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit.

These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn’s sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn’s life.

Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father’s works in English.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics.

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Book Talk 65 Emily Dickinson, with Sharon Cameron

caleb@newbooksnetwork.com (New Books Network) — Fri, 18 Apr 2025 08:00:00 +0000

We need Emily Dickinson’s startling originality today more than ever. This is why I sat down with Sharon Cameron, one of the greatest commentators on Dickinson’s poetry, to explore some of Dickinson’s poems in an extra-long podcast. “It’s astonishing that after forty years of reading Dickinson, I am still ‘awed beyond my errand’ by how Dickinson’s poems let us experience something viscerally, at the edge of comprehension,” Cameron remarks in this conversation that forgoes clichés and favors critical acumen. By closely considering a few poems, Cameron explains how Dickinson speaks from placeless places and from within experiences outside of language, how her poems create wonder, and how her poems link without merging the mundane, the erotic, and other incommensurate dimensions of life. Sharon Cameron’s book include: Lyric Time: Dickinson and the Limits of Genre; Choosing Not Choosing: Dickinson’s Fascicles; and, most recently, The Likeness of Things Unlike: A Poetics of Incommensurability (Chicago University Press, 2024), on Emily Dickinson, Walt Whitman, Willa Cather, and Wallace Stevens.

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Yellowlees Douglas, "Writing for the Reader's Brain: A Science-Based Guide" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 16 Apr 2025 08:00:00 +0000

What makes one sentence easy to read and another a slog that demands re-reading? Where do you put information you want readers to recall? Drawing on cognitive neuroscience, psychology and psycholinguistics, Writing for the Reader’s Brain (Cambridge University Press, 2025) provides a practical, how-to guide on how to write for your reader. It introduces the five 'Cs' of writing - clarity, continuity, coherence, concision, and cadence - and demonstrates how to use these to bring your writing to life.

Dr. Yellowlees Douglas is the founder of ReadersBrain Academy and has spent over twenty-five years teaching writing to everyone from professors to freshmen.

This interview was conducted by Renee Hale, who holds a Ph.D. in Chemical Engineering and works in R&D for the food and beverage industry. She is the author of The Nightstorm Files, a voracious reader, and enjoys sharing the joy of new perspectives with listeners.

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Reading Parties: A Discussion with Ben Bradbury, Founder of "Reading Rhythms"

caleb@newbooksnetwork.com (New Books Network) — Mon, 14 Apr 2025 04:00:00 +0000

In this podcast interview, Richard Lucas hosts Ben Bradbury, founder of Reading Rhythms, to discuss the back story leading to founding Ben's his unique reading-themed events. Ben sharing his entrepreneurial journey, including early influences and the inspiration behind Reading Rhythms, which aims to reduce loneliness through shared reading experiences. We learn about the early role model and nudges Ben had from his mother and uncle, his first steps in entrepreneurship and work as a teenager. We hear about the positive and importantly negative lessons he learned from those experiences. We hear how Reading Rhythms emerged from Ben solving a problem he had in his own life, of finding time to read, and making connections with other readers in New York, and their “breakthrough moment when the New York Times published an article about what Reading Rhythms/

Richard and Ben explore the operational aspects of the business, highlighting its growth, revenue model, and the implementation of a management structure to address coordination challenges across multiple chapters, and work on efficiency and processes. We learn about their use of the Clifton Strengths assessment process, their rigorous and demanding approach to taking on and supporting new Group leaders and Ambassadors, and discuss similarities between Reading Rhythms, the TED-TEDx network and the NBN.

The NBN as an organisation and Richard as the host of this channel, and very aligned with what RR is doing, and their enthusiasm is clear for the tone of the podcast

Links:

3 steps to turn everyday get-togethers into transformative gatherings - Priya Parker
Mark McKergow
Host Leadership - book
Host Leadership - why "hosting" is an important type of leadership | Mark McKergow
How Village-in-the-City builds micro-local communities worldwide | Mark McKergow

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Nora Gold, "18: Jewish Stories Translated from 18 Languages" (Cherry Orchard, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 13 Apr 2025 08:00:00 +0000

18: Jewish Stories Translated from 18 Languages (Cherry Orchard, 2023) is the first anthology of translated multilingual Jewish fiction in 25 years: a collection of 18 splendid stories, each translated into English from a different language: Albanian, Croatian, Czech, Danish, French, German, Greek, Hebrew, Hungarian, Italian, Ladino, Polish, Portuguese, Romanian, Russian, Spanish, Turkish, and Yiddish. These compelling, humorous, and moving stories, written by eminent authors that include Shmuel Yosef Agnon, Isaac Babel, and Lili Berger, reflect both the diversities and the commonalities within Jewish culture, and will make you laugh, cry, and think. This beautiful book is easily accessible and enjoyable not only for Jewish readers, but for story-lovers of all backgrounds.

Authors (in the order they appear in the book) include: Elie Wiesel, Varda Fiszbein, S. Y. Agnon, Gábor T. Szántó, Jasminka Domaš, Augusto Segre, Lili Berger, Peter Sichrovsky, Maciej Płaza, Entela Kasi, Norman Manea, Luize Valente, Eliya Karmona, Birte Kont, Michel Fais, Irena Dousková, Mario Levi, and Isaac Babel.

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Jina B. Kim, "Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing" (Duke UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 12 Apr 2025 08:00:00 +0000

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.

Duke University Press Scholars of Color First Book Award

Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature.

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The Great Gatsby is an American Dystopia

caleb@newbooksnetwork.com (New Books Network) — Fri, 11 Apr 2025 08:00:00 +0000

It’s the UConn Popcast, and on the 100th anniversary of F. Scott Fitzgerald’s classic novel, we explore what The Great Gatsby means in America today.

In this deep-dive we ask:

What did Gatsby mean in 1925, and how have those meanings changed in 2025?
What mythologies of America does Gatsby circulate, and challenge?
How does Gatsby read to a Brit who never read it in high school, and to an American who only encountered it as an adult?
Is Nick Carraway right that Gatsby is the only pure soul in the story?
Can we rescue utopian imaginings from this dystopic picture of America?
Is there a hidden story of race submerged beneath Gatsby’s overt story of class?

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Christian Sheppard, "The Ancient Wisdom of Baseball: Lessons for Life from Homer's Odyssey to the World Series" (Greenleaf, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 10 Apr 2025 08:00:00 +0000

Who are you, how are you supposed to live, and what about happiness? Answers to age-old questions are offered in classic myths about heroes, gods, and monsters, and at the ballgame.

In The Ancient Wisdom of Baseball (Greenleaf, 2025), author Christian Sheppard interweaves Homer’s epics with glorious stories from the green fields of America’s pastime, celebrating Achilles’ courage and Odysseus’ cunning along with the virtues of Hall of Fame players such as Jackie Robinson and Babe Ruth and of great teams such as the 2004 Red Sox and the 2016 Cubs. Along the way, Sheppard humorously recollects trying to raise his baby daughter true to the teachings of ancient myth and his beloved game. The result is an endearing, insightful, and inspiring guide to cultivating virtue and becoming the hero of your own life’s odyssey.

Christian Sheppard holds a PhD in Religion and Literature from the University of Chicago where he taught the “Great Books” for over a decade. He is presently a professor of liberal arts at the School of the Art Institute of Chicago.

Caleb Zakarin is editor at the New Books Network.

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9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper

caleb@newbooksnetwork.com (New Books Network) — Thu, 10 Apr 2025 08:00:00 +0000

What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentation—can it be a generative source of imaginative chaos? Few are as qualified to address these questions as Lauren Beukes, whose simultaneous embrace of genres from science fiction to crime to horror and refusal to abide within their borders—what she calls her “Big Fuck You Energy”—has rendered her, by her own account, “basically un-shelve-able.” Beukes is joined by crime fiction scholar (and novelist) Andrew Pepper of Queen’s University Belfast for a conversation that dances across her oeuvre’s many genres. They delve into how Beukes first encountered genre through the allegories that writers used to navigate the apartheid state of South Africa; how Beukes’ experiences of femicidal violence and police apathy inspired her work in genre-bent crime (“At least in novels I get to have justice,” she tells us); the inflection of dystopia from different global perspectives; and the role of speculative fiction in helping clarify political enemies in an age of obfuscation. Pepper and Beukes also think about genre in more practical terms, from the logistics of keeping track of plotlines when crafting time travel or multiverse novels to what it means to be a “high concept” author in a market designed for distracted audiences.

Mentioned in this Episode

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Roland Mayer, "The Ruins of Rome: A Cultural History" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 8 Apr 2025 08:00:00 +0000

The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal.

Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment.

ROLAND MAYER is Emeritus Professor of Classics at King's College London.

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Elana Wolff, "Faithfully Seeking Franz" (Guernica Editions, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 7 Apr 2025 08:00:00 +0000

The itinerary of Faithfully Seeking Franz comprises an irregular quest for dead mentor, modernist author Franz Kafka--in places he lived, worked, vacationed and convalesced, and in the body of work he left: fiction, diaries, notebooks, and correspondence. The search for the man inside the writer is both a personal journey and a joint venture of two in the field: E. and M. in pursuit of K. The story might even be said to unfold as a love note to triangulation.

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Joseph J. Diorio, "A Few Words about Words" (Beaufort Books, 2021)

caleb@newbooksnetwork.com (New Books Network) — Sun, 6 Apr 2025 08:00:00 +0000

Written by a self-taught grammarian, A Few Words About Words (Beaufort Books, 2021) offers an accessible and engaging guide to mastering the English language. A simple mistake, like writing your instead of you’re or there instead of they’re, can make the difference between winning or losing an opportunity. A missing comma can spark a PR disaster, while a well-crafted sentence can be remembered for generations. However, even native English speakers often struggle with the language. Based on Joe Diorio’s widely circulated and beloved newsletter of the same title, A Few Words About Words distills over 30 years of witty, insightful observations on the common—and not-so-common—grammar mistakes we all make. If you’ve ever wondered whether also should come before or after a verb, debated preventive vs. preventative, or questioned the true importance of the Oxford comma, this book offers clarity and reassurance.

In this episode, Ibrahim Fawzy interviews Joe Diorio about writing and grammar.

Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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Xiaolu Ma, "Transpatial Modernity: Chinese Cultural Encounters with Russia Via Japan (1880-1930)" (Harvard UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 5 Apr 2025 08:00:00 +0000

Transpatial Modernity: Chinese Cultural Encounters with Russia Via Japan (1880-1930) (Harvard Asia Center, 2024) offers the first detailed account of the complex cultural, literary and intellectual relationships between Russia, Japan and China in the modern era. In this wide-ranging interview, author Xiaolu Ma reflects on the remarkable process of Russian culture reaching China through the prism of Japan and Japanese. What happens when translation takes place through an intermediary language? How did Russian literature and ideas get reimagined in the two-step exchange to Japanese and Chinese?

This interview begins with the Professor Ma’s personal reflections on the experience of studying Russian literature in China, before turning to a broad overview of China’s encounter with Russia via Japan. The interview then zooms in on a few of the examples explored in Transpatial Modernity, bringing to life a network of cultural exchange, including such celebrated names as Pushkin, Lu Xun, and the Russian nihilists.

Transpatial Modernity is recommended for anyone interested in processes of cultural exchange and translation, as well as for those with interest in China, Japan and Russia during the extraordinary half-century between the 1880s and 1930s.

Mark Baker is lecturer (assistant professor) in East Asian history at the University of Manchester, UK.

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Katherine Hallemeier, "African Literature and US Empire: Postcolonial Optimism in Nigerian and South African Writing" (Edinburgh UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 4 Apr 2025 08:00:00 +0000

African Literature and US Empire Postcolonial Optimism in Nigerian and South African Writing (Edinburgh UP, 2024) demonstrates how African literature grapples with the enforced optimism of US empire that circulates in postcolonial nations:

Unsettles chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries
Brings together African literary studies, affect studies, and U.S. empire studies
Diagnoses and critiques how U.S. empire is sustained through cycles of optimism and disappointment
Includes chapters on both classic postcolonial fiction by writers such as Buchi Emecheta and Miriam Tlali and recent anglophone African novels by Chimamanda Ngozi Adichie and Ekow Duker

Postcolonialism has long been associated with post-nationalism. Yet, the persistence of nation-oriented literatures from within the African postcolony and its diasporas registers how dreams of national becoming endure. In this fascinating new study, Hallemeier brings together African literary studies, affect studies and US empire studies, to challenge chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries. The Nigerian and South African writings in African Literature and US Empire, while often attuned to the trans- and extra- national, repeatedly scrutinize why visions of national exceptionalism, signified by a ‘pan-African’ Nigeria and ‘new’ South Africa, remain stubbornly affecting, despite decades of disillusionment with national governments beholden to a neocolonial global order. In these fictions, optimistic forms of nationalism cannot be reduced to easily critiqued state-sanctioned discourses of renewal and development. They are also circulated through experiences of embodied need, quotidian aspiration and transnational, pan-African relationship.

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Miriam Haughton, "The Theatre of Louise Lowe" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 2 Apr 2025 08:00:00 +0000

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.

The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

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Dorothea Heiser and Stuart Taberner, eds., "My Shadow in Dachau: Poems" (Camden House, 2014)

caleb@newbooksnetwork.com (New Books Network) — Wed, 2 Apr 2025 08:00:00 +0000

Poems by and biographies of inmates of the Dachau Concentration Camp, testimonies to the persistence of the humanity and creativity of the individual in the face of extreme suffering.

The concentration camp at Dachau was the first established by the Nazis, opened shortly after Hitler came to power in 1933. It first held political prisoners, but later also forced laborers, Soviet POWs, Jews, and other "undesirables." More than 30,000 deaths were documented there, with many more unrecorded. In the midst of the horror, some inmates turned to poetry to provide comfort, to preserve their sense of humanity, or to document their experiences. Some were or would later become established poets; others were prominent politicians or theologians; still others were ordinary men and women.

My Shadow in Dachau: Poems (Camden House, 2014) contains 68 poems by 32 inmates of Dachau, in 10 different original languages and facing-page English translation, along with short biographies. A foreword by Walter Jens and an introduction by Dorothea Heiser from the original German edition are joined here by a foreword by Stuart Taberner of theUniversity of Leeds. All the poems, having arisen in the experience or memory of extreme human suffering, are testimonies to the persistence of the humanity and creativity of the individual. They are also a warning not to forget the darkest chapter of history and a challenge to the future not to allow it to be repeated.

Dorothea Heiser holds an MA from the University of Freiburg. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds.

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Vidyan Ravinthiran, "Asian/Other: Life, Poems, and the Problem of Memoir" (Icon Books, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 1 Apr 2025 08:00:00 +0000

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few.

Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop’s Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize.

This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art.

X: @mody_zana

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Letizia Osti, "History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature" (I. B. Tauris, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 31 Mar 2025 08:00:00 +0000

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.

In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context.

Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court.

Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad’s 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021).

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Hannan Hever, "Hasidism, Haskalah, Zionism: Chapters in Literary Politics" (U Pennsylvania Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 30 Mar 2025 08:00:00 +0000

Hasidism, Haskalah, Zionism (U Pennsylvania Press, 2023) reveals how political and literary dialogues and conflicts between the Hebrew literature of the Hasidism, the Jewish Enlightenment, and Zionism interacted with each other in the nineteenth century. Hannan Hever uses postcolonial theories and theories of nationality to analyze how Jews used literature to make sense of hostility directed toward Jews from their European “host” countries and to set forth their own ideas and preferences regarding their status, control, and treatment. In doing so, Hever theorizes the Enlightenment’s intellectual aims and cultural influences, tracking how the models of integration crucial to Haskalah gave way to Jewish nationalism in the twentieth century.

The readings in this book are theoretically informed, setting forward novel claims based on detailed textual analyses of hasidic tales, Haskalah satires, and Zionist narratives. Thus, this book tackles a major interpretative problem visible at the core of modern Hebrew literature—its radical difficulty in distinguishing between the theological components of modern Jewish discourse and its national identity.

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Julia Jarcho, "Throw Yourself Away: Writing and Masochism" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 29 Mar 2025 08:00:00 +0000

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay.

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Surekha Davies, "Humans: A Monstrous History" (U California Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 27 Mar 2025 08:00:00 +0000

Monsters are central to how we think about the human condition. Join award-winning historian of science in Humans: A Monstrous History (University of California Press, 2025) by Dr. Surekha Davies as she reveals how people have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way. With rich, evocative storytelling that braids together ancient gods and generative AI, Frankenstein's monster and E.T., Humans: A Monstrous History shows how monster-making is about control: it defines who gets to count as normal.

In an age when corporations increasingly see people as obstacles to profits, this book traces the long, volatile history of monster-making and charts a better path for the future. The result is a profound, effervescent, empowering retelling of the history of the world for anyone who wants to reverse rising inequality and polarization. This is not a history of monsters, but a history through monsters.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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9.1 Novels are Like Elephants: Ken Liu and Rose Casey (SW)

caleb@newbooksnetwork.com (New Books Network) — Thu, 27 Mar 2025 08:00:00 +0000

It’s a bit surprising to hear a writer known for building worlds that incorporate deep historical research and elaborate technological details extol the virtues of play, but Ken Liu tells critic Rose Casey and host Sarah Wasserman that if “your idea of heaven doesn’t include play, then I’m not sure it’s a heaven people want to go to.” It turns out that Ken—acclaimed translator and author of the “silkpunk” epic fantasy series Dandelion Dynasty and the award-winning short story collection The Paper Menagerie—is deeply serious about play. Speaking about play as the key to technological progress, Ken and Rose discuss the importance of whimsy and the inextricable relationship between imagination and usefulness. For Ken, whose Dandelion Dynasty makes heroes of engineers instead of wizards or knights, precise machinery and innovative gadgets are born, like novels, of imagination. Ken himself might be best described as a meticulous, dedicated tinkerer—a writer playing with the materials and stories of the past to help us encounter new worlds in the present. So even if trying to explain his craft is “like asking fish how they swim,” Ken jumps in and discusses how he writes at such different lengths (hint: the longer the book, the more elephantine) and what he makes of different genre labels, from fantasy to historical fiction. We also learn why Ken is a fan of Brat Summer and still thinking about the Roman Empire.

Mentioned in this episode:

Ken Liu, Speaking Bones (2022), The Veiled Throne (2021), The Wall of Storms (2017),
The Grace of Kings (2016), The Paper Menagerie and Other Stories (2016)
Cixin Liu, The Three-Body Problem (2014)
Rose Casey, Jessica Wilkerson, Johanna Winant, “An Open Letter from Faculty at
West Virginia University” (2023)
Rose Casey, “In Defense of Higher Education” (2024)
Ursula K. LeGuin, “The Ones Who Walk Away from Omelas” (1973)
Homer, The Odyssey
Virgil, The Aeneid
John Milton, Paradise Lost
A.M. Turing, “Computing Machinery and Intelligence” (1950)
Brat Summer

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"Imprisoning a Revolution: Writings from Egypt's Incarcerated" (U California Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 26 Mar 2025 08:00:00 +0000

Imprisoning a Revolution: Writings from Egypt’s Incarcerated (U California Press, 2025), edited by Collective Antigone, is a groundbreaking collection of writings by political prisoners in Egypt. It offers a unique lens on the global rise of authoritarianism during the last decade. This book contains letters, poetry, and art produced by Egypt’s incarcerated from the eruption of the January 25, 2011, uprising. Some are by journalists, lawyers, activists, and artists imprisoned for expressing their opposition to Egypt’s authoritarian order; others are by ordinary citizens caught up in the zeal to silence any hint of challenge to state power, including bystanders whose only crime was to be near a police sweep. Together, the contributors raise profound questions about the nature of politics in both authoritarian regimes and their “democratic” allies, who continue to enable and support such violence. This collection offers few answers and even less consolation, but it does offer voices from behind the prison walls that remind readers of our collective obligation not to look away or remain silent. With a foreword by acclaimed Egyptian novelist Ahmed Naji and an afterword with Kenyan literary giant Ngũgĩ wa Thiong’o, Imprisoning a Revolution holds a mirror not just to Egypt but to the world today, urging us to stop the rampant abuse and denial of fundamental human rights around the globe.

In this episode, Ibrahim Fawzy interviews Mark LeVine and Lucia Sorbera about the genesis of the book, the challenges of curating it, struggle against tyranny, resistance, writing, and more.

Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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Clive Bloom, "London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 25 Mar 2025 08:00:00 +0000

From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies.

From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive.

Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet.

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The Audiobook's Century-Long Overnight Success

caleb@newbooksnetwork.com (New Books Network) — Mon, 24 Mar 2025 08:00:00 +0000

Today we present the first episode of a miniseries on audiobooks by getting into the history and theory of the medium. Audiobooks are having a moment—and it only took them over a century to get here. Dr. Matthew Rubery, a Harvard PhD and Professor of Modern Literature at Queen Mary University of London, pioneered the study of the audiobook, its history, and its affordances.

Among his other works, Dr. Rubery is the author of The Untold Story of the Talking Book (2016, Harvard University Press). He’s also the editor of Audiobooks, Literature, and Sound Studies (2011, Routledge). Matt’s latest book is titled Reader’s Block: A History of Reading Differences (2022, Stanford University Press).

In this fascinating conversation, we discuss the long history of recorded literature; the weird shame around audiobook reading and its cultural roots; the interplay between disability, neurodivergence, and alternate forms of reading; and what an audiobook criticism might look like.

And for our patrons, we’ll have our What’s Good segment at the end of the show, where Matt will tell us something good to read, something good to listen to. Something good to do. You can become a patron of the show at patreon.com/phantompower.

Today’s show was edited by Mack Hagood. Transcription by Katelyn Phan. Music by Graeme Gibson

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Book Chat: "A Taiwanese Eco-Literature Reader" with Ian Rowen

caleb@newbooksnetwork.com (New Books Network) — Sun, 23 Mar 2025 08:00:00 +0000

In this episode, our host, Ti-han, invited one of her co-editors, Dr Ian Rowen, to talk about their forthcoming book publication, A Taiwanese Eco-literature Reader, soon to be published by Columbia University Press. This anthology brings together translations of nine compelling stories from Taiwan, examining Taiwan’s most vibrant literary genre and its resonance to the theme of HOME. While this podcast series has featured interviews with some of the anthology’s authors, Ian speaks from the perspective as an editor, showing why it is critical to work on translating Taiwanese eco-literature for global readers. On a personal note, Ian also reflects his own sense of belonging, and the evolving sense of HOME, and how Taiwan has played a key role in that journey.

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Amanda M. Greenwell, "The Child Gaze: Narrating Resistance in American Literature" (UP of Mississippi, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 22 Mar 2025 08:00:00 +0000

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s Little Man, Little Man, Mildred D. Taylor’s Roll of Thunder, Hear My Cry, Toni Morrison’s The Bluest Eye, Gene Luen Yang’s American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms.

Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood.

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Writing Against the System

caleb@newbooksnetwork.com (New Books Network) — Fri, 21 Mar 2025 08:00:00 +0000

We kick off Season 9: TECH by talking with our very own Aarthi Vadde, the E. Blake Byrne Associate Professor of English at Duke University. Hosts and co-producers Chris Holmes and Emily Hyde ask Aarthi about the role of the novel in relation to the mass writing platforms that dominate our digital lives. Aarthi is at work on a book called We the Platform: Contemporary Literature after Web 2.0, and she explains how the novel can mark the invisible infrastructures of the internet, defamiliarize the “computational surround” of everyday life, and give us new angles on writing with and against bots. Join us to hear about the novelists and critics appearing in Season 9 of Novel Dialogue and to find out what Aarthi's students say when asked: "What would you never automate even if you could?"

Mentions

-Jennifer Egan: “Black Box”

-Teju Cole: Small Fates, Tremor

-Lauren Oyler: Fake Accounts

-Stewart Home

-Tom McCarthy: Satin Island

-Yxta Maya Murray: Art Is Everything

-Fred Benenson

-Xu Bing: Book from the Ground

-Rachel Cusk: Transit

Naomi Alderman

-R.F. Kuang: Yellowface

-Sally Rooney: Beautiful World, Where Are You

-Sheila Heti, “According to Alice”

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Ofra Amihay, "The People of the Book and the Camera: Photography in the Hebrew Novel" (Syracuse UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Thu, 20 Mar 2025 08:00:00 +0000

In The People of the Book and the Camera: Photography in the Hebrew Novel (Syracuse UP, 2022), Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography--both as a textual element and through the inclusion of actual images-- Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans.

Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature.

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Colby Gordon, "Glorious Bodies: Trans Theology and Renaissance Literature" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 19 Mar 2025 08:00:00 +0000

Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds.

In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology.

Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.

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Chance E. Bonar, "The Author in Early Christian Literature" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Tue, 18 Mar 2025 08:00:00 +0000

While scholars of ancient Mediterranean literature have focused their efforts heavily on explaining why authors would write pseudonymously or anonymously, less time has been spent exploring why an author would write orthonymously (that is, under their own name).

The Author in Early Christian Literature (Cambridge UP, 2025) explores how early Christian writers began to care deeply about 'correct' attribution of both Christian and non-Christian literature for their own apologetic purposes, as well as how scholars have overlooked the function that orthonymity plays in some early Christian texts. Orthonymity was not only a decision made by a writer regarding how to attribute one's own writings, but also how to classify other writers' texts based on proper or improper attribution. This Element urges us to examine forms of authorship that are often treated as an unexamined default, as well as to more robustly consider when, how, for whom, and for what purposes an instance of authorial attribution is deemed 'correct.

New Books in Late Antiquity is Presented by Ancient Jew Review

Chance Bonar is a postdoc at Tufts University.

Michael Motia teaches in the classics and religious studies department at UMass Boston

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Action Without Hope

caleb@newbooksnetwork.com (New Books Network) — Mon, 17 Mar 2025 08:00:00 +0000

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible?

In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital.

Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland.

Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art.

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Ellen Scheible, "Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland'" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 16 Mar 2025 08:00:00 +0000

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland.

Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century.

Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction.

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Douglas Field, "Walking in the Dark: James Baldwin, My Father and I" (Manchester UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 15 Mar 2025 08:00:00 +0000

A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism.

Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestos of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance.

Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the Dark: James Baldwin, My Father and I (Manchester UP, 2024), he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death.

Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.

Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is All Those Strangers: The Art and Lives of James Baldwin (2015). His work has been published in Beat Scene, the Big Issue, the Guardian and the Times Literary Supplement, where he has been a regular contributor for twenty years. He is a founding editor of James Baldwin Review.

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Karl Berglund, "Reading Audio Readers: Book Consumption in the Streaming Age" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 14 Mar 2025 08:00:00 +0000

What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading!

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Melissa Vise, "The Unruly Tongue: Speech and Violence in Medieval Italy" (U Pennsylvania Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 13 Mar 2025 08:00:00 +0000

The Unruly Tongue: Speech and Violence in Medieval Italy (University of Pennsylvania Press, 2025) by Dr. Melissa Vise, offers a new account of how the power of words changed in Western thought. Despite the association of freedom of speech with the political revolutions of the eighteenth century that ushered in the era of modern democracies, Dr. Vise locates the history of the repression of speech not in Europe’s monarchies but rather in Italy’s republics. Exploring the cultural process through which science and medicine, politics, law, literature, and theology together informed a new political ethics of speech, Dr. Vise uncovers the formation of a moral code where the regulation of the tongue became an integral component of republican values in medieval Europe.

The medieval citizens of Italy’s republics understood themselves to be wholly subject to the power of words not because they lived in an age of persecution or doctrinal rigidity, but because words had furnished the grounds for their political freedom. Speech-making was the means for speaking the republic itself into existence against the opposition of aristocracy, empire, and papacy. But because words had power, they could also be deployed as weapons. Speech contained the potential for violence and presented a threat to political and social order, and thus needed to be controlled. Dr. Vise shows how the laws that governed and curtailed speech in medieval Italy represented broader cultural understandings of human susceptibility to speech. Tracing anthropologies of speech from religious to political discourse, from civic courts to ecclesiastical courts, from medical texts to the works of Dante and Boccaccio, The Unruly Tongue demonstrates that the thirteenth century marked a major shift in how people perceived the power, and the threat, of speech: a change in thinking about “what words do.”

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Tahrir Hamdi, "Imagining Palestine: Cultures of Exile and National Identity" (Bloomsbury, 2022)

caleb@newbooksnetwork.com (New Books Network) — Wed, 12 Mar 2025 08:00:00 +0000

Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning Imagining Palestine and serves as an assistant editor of Arab Studies Quarterly.

National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. Imagining Palestine: Cultures of Exile and National Identity (Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa.

Drawing on decolonial and resistance concepts—particularly Palestinian sumud—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian struggle. This interdisciplinary study, rooted in critical theory, postcolonial and decolonial studies, and literary analysis, offers valuable insights for students and scholars of Palestine, Middle East studies, and Arabic literature.

Imagining Palestine received the Counter Current Award at the 2023 Palestine Book Awards.

Bryant Scott is a professor of English and film studies at Hamad Bin Khalifa University and Texas A&M University at Qatar.

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Ken Frieden, "Travels in Translation: Sea Tales at the Source of Jewish Fiction" (Syracuse UP, 2016)

caleb@newbooksnetwork.com (New Books Network) — Wed, 12 Mar 2025 08:00:00 +0000

For centuries before its "rebirth" as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world.

In Travels in Translation: Sea Tales at the Source of Jewish Fiction (Syracuse UP, 2016), Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages—with their nautical terms, wide horizons, and exotic occurrences—made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language.

As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing.

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Jennifer L. Freeman Marshall, "Ain't I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon" (U Illinois Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Tue, 11 Mar 2025 08:00:00 +0000

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.

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Madalina Armie and Veronica Membrive, "Trauma, Memory and Silence of the Irish Woman in Contemporary Literature" (Routledge, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 9 Mar 2025 08:00:00 +0000

Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.

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Rachelle Bergstein, "The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us" (Atria, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 7 Mar 2025 09:00:00 +0000

Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref

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Tamizdat under Putin: A Discussion with Publisher Feliks Sandalov

caleb@newbooksnetwork.com (New Books Network) — Wed, 5 Mar 2025 09:00:00 +0000

Russia has a long history of publishers operating from abroad, producing books and periodicals for a Russian-speaking audience. One notable example is The Bell (Kolokol), published by Alexander Herzen, the Russian writer and thinker who emigrated in the mid-19th century.

The waves of Russian emigration in the 20th century—beginning with those fleeing the 1917 Bolshevik Revolution—led to the creation of numerous Russian-language publishing ventures, ranging from short-lived projects to long-standing institutions. Among the most well-remembered are the YMCA Press in Paris, Posev and Grani in Germany, and Ardis Publishing, founded in the early 1970s—not by Russians, but by American literary scholars.

Exiled Russian publishers not only printed the works of fellow émigré authors but also played a crucial role in tamizdat—smuggling manuscripts deemed ideologically unacceptable by the Soviet regime out of the USSR, publishing them abroad, and then covertly reintroducing them into the country for clandestine distribution.

After Russia invaded Ukraine three years ago, prompting the exodus of hundreds of thousands of Russians, it was only a matter of time before new émigré publishing houses emerged.

In this conversation, we speak with Feliks Sandalov, co-founder and director of StraightForward, one of the newly established Russian publishing initiatives in exile, about his work and the evolving landscape of Russian publishing abroad.

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Rebecca Janzen, "Unlawful Violence: Mexican Law and Cultural Production" (Vanderbilt UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Wed, 5 Mar 2025 09:00:00 +0000

Violence has only increased in Mexico since 2000: 23,000 murders were recorded in 2016, and 29,168 in 2017.

The abundance of laws and constitutional amendments that have cropped up in response are mirrored in Mexico's fragmented cultural production of the same period. Contemporary Mexican literature grapples with this splintered reality through non-linear stories from multiple perspectives, often told through shifts in time. The novels, such as Jorge Volpi's Una novela criminal [A Novel Crime] (2018) and Julián Herbert's La casa del dolor ajeno [The House of the Pain of Others] (2015) take multiple perspectives and follow non-linear plotlines; other examples, such as the very short stories in ¡Basta! 100 mujeres contra la violencia de género [Enough! 100 Women against Gender-Based Violence] (2013), present perspectives from multiple authors.

Few scholars compare cultural production and legal texts in situations like Mexico, where extreme violence coexists with a high number of human rights laws. Unlawful Violence: Mexican Law and Cultural Production (Vanderbilt UP, 2022) measures fictional accounts of human rights against new laws that include constitutional amendments to reform legal proceedings, laws that protect children, laws that condemn violence against women, and laws that protect migrants and Indigenous peoples. It also explores debates about these laws in the Mexican house of representatives and senate, as well as interactions between the law and the Mexican public.

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Michael Visontay, "Noble Fragments: The Gripping Story of the Antiquarian Bookseller Who Broke Up a Gutenberg Bible" (Scribe, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 4 Mar 2025 09:00:00 +0000

One hundred years ago, Gabriel Wells, a New York bookseller, committed a crime against history. He broke up the world’s greatest book, the Gutenberg Bible, and sold it off in individual pages. In 1921, Wells’ audacity scandalized the rare-book world. The Gutenberg was the first substantial book in Europe to have been printed on a printing press. It represented the democratization of knowledge and was the Holy Grail of rare books. In Noble Fragments: The Gripping Story of the Antiquarian Bookseller Who Broke Up a Gutenberg Bible (Scribe, 2024), Michael Visontay describes how Wells’s gamble set off a chain of events that changed his family’s destiny.

Interviewee: Michael Visontay is the Commissioning Editor of The Jewish Independent, and has worked as a journalist and senior editor at The Sydney Morning Herald and The Australian.

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Waiyee Loh, "Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy" (SUNY Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 3 Mar 2025 09:00:00 +0000

Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy (SUNY Press, 2024) by Dr. Waiyee Loh brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire.

Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Dr. Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.

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Kathrin Bartha-Mitchell, "Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 28 Feb 2025 09:00:00 +0000

Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene (Routledge, 2024) presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis.

The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of 'cosmos'--the order of the world--to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers 'cosmological readings' of a diverse range of authors--Indigenous and non-Indigenous--as a challenge to the Anthropocene's decline-narrative. As a result, it reactivates 'cosmos' as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era.

This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.

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Wan-Chuan Kao, "White before Whiteness in the Late Middle Ages" (Manchester UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 28 Feb 2025 09:00:00 +0000

White before Whiteness in the Late Middle Ages (Manchester University Press, 2024) by Dr. Wan-Chuan Kao analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations.

The book argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The 'before' of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation - one that simultaneously looks backward and faces forward - than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemic edge of life and nonlife.

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Gregory Castle et al., "The Irish Bildungsroman" (Syracuse UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 26 Feb 2025 09:00:00 +0000

The classical Bildungsroman charted an idealized path of human development—the harmonization of individual desires with societal norms in the formation of a well-rounded, liberal subject. But what happens when this Enlightenment blueprint for self-cultivation runs up against the particularities of a colonial society riven by nationalism, revolution, and uneven modernization?

The Irish Bildungsroman (Syracuse UP, 2025) provides the first comprehensive study of how this quintessentially bourgeois and European genre was transformed and reinvented by Irish writers from the Act of Union to the present day. Through incisive readings of over two centuries of Irish novels, the volume’s contributors illuminate the diverse narrative strategies Irish authors have employed to depict personal formation within a colonial/postcolonial nation fractured by religion, class, gender, and ethnic divisions.

Carefully periodized into three major sections, the book maps the evolution of the Irish Bildungsroman across key historical junctures: the rise of cultural nationalism in the nineteenth century, the revolutionary period and emergence of the postcolonial state in the early twentieth century, and more recent waves of globalization and the reconfiguration of Irish identity. From Maria Edgeworth’s post-Union novels to Sally Rooney’s millennial fictions, The Irish Bildungsroman excavates a rich vein of self-reflexive writing that creatively reworked this genre to expose the fault lines of liberal humanism and imagine new modes of selfhood.

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Linh Thuy Nguyen, "Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production" (Temple UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 26 Feb 2025 09:00:00 +0000

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization.

Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn’s analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss.

Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.

She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/.

Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women’s, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com.

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu.

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Blanche Bendahan, "Mazaltob: A Novel" (Brandeis UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 24 Feb 2025 09:00:00 +0000

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization.

Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes.

Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930.

Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco.

Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education.

Azagury and Malino were finalists of the 74th National Jewish Book Awards in the category of Sephardic Culture.

Mentioned in the podcast:

• Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5.

• Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996)

• Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In

French Mediterraneans, edited by P. Lorcin and T. Shepard (2016)

• Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927)

• Edward W. Said, Orientalism, 25th anniversary edition (1994)

• Female teachers of the Alliance israélite universelle

• Jewish figures in the literature of The Tharaud Brothers

• Archives of the Alliance israélite universelle (AIU)

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Mary Flannery, "Geoffrey Chaucer: Unveiling the Merry Bard" (Reaktion Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 22 Feb 2025 09:00:00 +0000

For over six centuries, Chaucer has epitomized poetic greatness, though more recent treatments of The Canterbury Tales’ lively and often risqué style have made his name more synonymous with bawdy humor. But beyond his poetic achievements, Chaucer assumed various roles including those of royal attendant, soldier, customs official, justice of the peace, and more. In this book, Mary Flannery chronicles Chaucer’s life during one of the most turbulent periods of English history, illuminating how he came to be known not only as the father of English poetry but also as England’s “merry bard.”

Mary Flannery is the Swiss National Science Foundation Eccellenza Professorial Fellow at the University of Bern. A regular contributor to the Times Literary Supplement, her publications include Practising Shame: Female Honour in Later Medieval England.

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Shay A. Pilnik, "The Ravine of Memory: Babyn Yar Between the Holocaust and the Great Patriotic War" (Purdue UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sat, 22 Feb 2025 09:00:00 +0000

The Nazis and their collaborators buried over 100,000 victims at Babyn Yar, a ravine in modern-day Ukraine. Most of the individuals were Jewish, making this area one of the most infamous mass murder sites in history. The Ravine of Memory: Babyn Yar Between the Holocaust and the Great Patriotic War (Purdue UP, 2025) starts when the travesty ends, telling the story of the ravine’s memory and forgetting in Soviet literature and culture—in Russian as well as in Yiddish. This book challenges the prevailing binary conceptions of Babyn Yar as exclusively a Holocaust or a “Great Patriotic War” story. It is neither the exclusive product of Soviet censorship nor individual dissidents. Babyn Yar is more than a physical space where untold horrors took place. Symbolically, it is the ultimate meeting point of so many disparate threads of Soviet culture: the state and the artist, the Jew and the non-Jew, and the Holocaust and the Great Patriotic War. Ultimately, it is a place that reveals the frailty and courage of those who bear witness to atrocity.

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Tabish Khair, "Literature Against Fundamentalism" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 22 Feb 2025 09:00:00 +0000

Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.

Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism (Oxford UP, 2024) argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.

Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in 'a call to arms'.

Tabish Khair is an Indian writer, academic and journalist, born (1966) and educated in the small town of Gaya in Bihar, India. After finishing his MA from Gaya, he completed a PhD at Copenhagen University and a DPhil at Aarhus University, Denmark, where he is now an Associate Professor. He has been a visiting professor or research fellow at various universities and has received Carlsberg, Leverhulme, and other academic grants. Khair is also an internationally published novelist.

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Peter Ramey, "The Word-Hoard Beowulf: A Translation with Commentary" (Angelico Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 22 Feb 2025 09:00:00 +0000

Beowulf is the product of a profoundly religious imagination, but the significance of the poem’s Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien’s theory of language as the repository of myth—opens the hood to track the poem’s inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien’s, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien’s ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem’s religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic.

Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames.

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Preetha Mani, "The Idea of Indian Literature: Gender, Genre, and Comparative Method" (Northwestern UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Fri, 21 Feb 2025 09:00:00 +0000

Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature. In this episode, we discuss Mani’s 2022 publication, The Idea of Indian Literature: Gender, Genre, and Comparative Method, which won the MLA Aldo and Jeanne Scaglione Prize for South Asian Studies, received the ACLA René Wellek Prize Honourable Mention for best overall book in comparative literature, and was shortlisted for the MSA First Book Prize.

In The Idea of Indian Literature : Gender, Genre, and Comparative Method, Mani examines the paradox that a single canon, here being Indian literature, could be written in multiple languages. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. The homogenising term ‘Indian Literature’ is re-visited via an in-depth historical and literary investigation of multilingualism in pre- and post-Independent India.

Dr. Preetha Mani is an Associate Professor of South Asian Literatures at Rutgers University, where she specialises in modern Hindi, Tamil, and Indian literatures. Her research interests include translation studies, feminist and postcolonial theory, and world literature. At Rutgers, Preetha is an active member of the South Asian Studies Program and Critical Translation Studies Initiative, and serves on the executive committees of the Centre for Cultural Analysis and the Institute for Research on Women.

This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana

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Poetry

caleb@newbooksnetwork.com (New Books Network) — Thu, 20 Feb 2025 09:00:00 +0000

In this episode of High Theory, Ryan Ruby talks to us about Poetry. Our standard definition of poetry today is an institutional one, much like contemporary art: if art is what artists and museums and collectors call art, poetry is what poets and professors and publishers say is poetry. Ruby argues that this indefinable thing humans have been doing well nigh forever is better understood as a medium than a form. Poetry is a way of storing and transmitting information, a mechanism of entertainment and authority, and a speech act that attends to changes of state.

In the episode, Ryan references Eric Havelock, author of The Muse Learns to Write (Yale UP, 1986), who described the Homeric poems as the encyclopedia of Bronze age Greece. He also cites Marcel Detienne’s book The Masters of Truth in Archaic Greece (trans. Janet Lloyd, Zone Books, 1996) who describes poetry as a form of “magico-religious speech.”

Ryan Ruby is a writer, most recently of the book length poem Context Collapse: A Poem Containing the History of Poetry (Seven Stories Press, 2024). It got reviewed in The New York Times. He has also written a novel, titled The Zero and the One (Twelve Books, 2017), and book reviews and essays for all the fancy places: The New Yorker, Harper’s, The New York Review of Books, The New York Times, Bookforum, New Left Review, etc. He is currently at work on a nonfiction narrative book about Berlin called Ringbahn for Farrar Straus, and Giroux.

The image for this episode is a still from an animation of a supercomputer simulation of a pair of neutron stars colliding, merging and forming a black hole, created at the NASA Goddard Space Flight Center. Image courtesy of the NASA Goddard Photo and Video Flickr account. This image is in the public domain.

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Peter Boxall, "The Possibility of Literature: The Novel and the Politics of Form" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 19 Feb 2025 09:00:00 +0000

The Possibility of Literature: The Novel and the Politics of Form (Cambridge University Press, 2024) is a collection of Peter Boxall's essays over twenty years, the earliest from 1996. These essays cover a vast timespan, from the 17th century to contemporary times; a multiplicity of authors ranging from canonical, such as Cervantes, to underappreciated, such as Kelman; and various traditions, from realism to 'deathwriting'. Despite the richness of material, Boxall's penetrating and refreshing vision never loses sight of two central questions: what makes literature possible and what does literature generate? The essays are clustered into three sections, 'On Writers', 'On Literary Tradition', and 'On the Contemporary'. Exploring questions such as 'The Idea of Beauty', the nature of 'Mere Being', or the possibilities of Rereading, the author anatomises the myriad forces that shape the literary imagination. At the same time, he gives vivid critical expression to the imaginative possibilities of literature itself – those unique forms of communal life that literature makes possible in a dramatically changing world, and that lead us towards a new shared future.

Peter Boxall is the Goldsmiths' Professor of English Literature at New College, University of Oxford. His publications include Don DeLillo: The Possibility of Fiction (2002), Since Beckett: Contemporary Writing in the Wake of Modernism (2009) and The Prosthetic Imagination: A History of the Novel as Artificial Life (2020).

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The World She Edited: Katharine S. White at the New Yorker

caleb@newbooksnetwork.com (New Books Network) — Wed, 19 Feb 2025 09:00:00 +0000

Our book is: The World She Edited: Katharine S. White at the New Yorker (Mariner Books, 2024) by Dr. Amy Reading, which is a lively and intimate biography of trailblazing and era-defining New Yorker editor Katharine S. White. White helped build the magazine’s prestigious legacy and transform the 20th century literary landscape for women. In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.

This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words. White’s biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker—Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer’s work but also their life. Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor—through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White—and reveals how she transformed our understanding of literary culture and community.

Our guest is: Dr. Amy Reading. Her book, The World She Edited: Katharine S. White at The New Yorker, is a finalist for the National Book Critics Circle Award for Biography. She is also the author of The Mark Inside: A Perfect Swindle, a Cunning Revenge, and a Small History of the Big Con. Her work has been supported by fellowships from the National Endowment of the Humanities and the New York Public Library, among others. She lives in upstate New York, where she serves on the board of her local independent bookstore, Buffalo Street Books.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. She uses her PhD in history to explore what stories we tell, and what happens to those we never tell.

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Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!

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Xian Wang, "Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs" (U Michigan Press, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 19 Feb 2025 09:00:00 +0000

Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.

This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture.

Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame.

Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College.

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Ruby Lowe on John Milton’s Definition of Free Speech

caleb@newbooksnetwork.com (New Books Network) — Mon, 17 Feb 2025 09:00:00 +0000

British poet John Milton published one of the earliest and still tremendously important defenses of free speech for our modern world. From his famous pamphlet Areopagitca (1644) to Paradise Lost (1667), Milton participated in debates regarding censorship and the right of the public to access the inner workings of Parliamentary politics. I spoke with Ruby Lowe about how today’s conception of free of speech emerged during the English Civil Wars, the intimacies between political adversaries in these debates, and how Milton’s crucial role in this media revolution informs his most seductive literary characters, including the devil, God, Adam, and Eve.

Dr. Ruby Lowe is a Lecturer in the History of Ideas at Trinity College, the University of Melbourne and the John Emmerson Research Fellow at the State Library of Victoria, in Australia. Her forthcoming book is The Speech Without Doors: John Milton and the Tradition of Print Oratory.

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Marcel Elias, "English Literature and the Crusades: Anxieties of Holy War, 1291-1453" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 16 Feb 2025 09:00:00 +0000

The period from the Mamlūk reconquest of Acre (1291) to the Ottoman siege of Constantinople (1453) witnessed the production of a substantial corpus of Middle English crusade romances. In English Literature and the Crusades: Anxieties of Holy War, 1291–1453 (Cambridge University Press, 2024) Dr. Marcel Elias places these romances in dialogue with multifarious European writings to offer a novel account of late medieval crusade culture: as ambivalent and self-critical, animated by tensions and debates, and fraught with anxiety. These romances uphold ideals of holy war while expressing anxieties about issues as diverse as God's endorsement of the crusading enterprise, the conversion of Christians to Islam, the sinfulness of crusaders, and the morality of violence.

Reinvigorating debates in medieval postcolonialism, drawing on emotion studies, and excavating a rich multilingual archive, this book is a major contribution to the cultural history of the crusades. This title is part of the Flip it Open programme and may also be available open access. Check our website Cambridge Core for details.

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Jacqueline M. Burek, "Literary Variety and the Writing of History in Britain's Long Twelfth Century" (York Medieval Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 16 Feb 2025 09:00:00 +0000

Histories of Britain composed during the "twelfth-century renaissance" display a remarkable amount of literary variety (Latin varietas). Furthermore, British historians writing after the Norman Conquest often draw attention to the differing forms of their texts. But why would historians of this period associate literary variety with the work of history-writing?

Drawing on theories of literary variety found in classical and medieval rhetoric, Literary Variety and the Writing of History in Britain's Long Twelfth Century (York Medieval Press, 2023) by Dr. Jacqueline Burek traces how British writers came to believe that varietas could help them construct comprehensive, continuous accounts of Britain's past. It shows how Latin prose historians, such as William of Malmesbury, Henry of Huntingdon, and Geoffrey of Monmouth, filled their texts with a diverse array of literary forms, which they carefully selected and ordered in accordance with their broader historiographical aims. The pronounced literary variety of these influential histories inspired some Middle English verse chroniclers, including Laȝamon and Robert Mannyng, to adopt similar principles in their vernacular poetry. By uncovering the rhetorical and historiographical theories beneath their literary variety, this book provides a new framework for interpreting the stylistic and organizational choices of medieval historians.

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Pamela Allen Brown, "The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata" (Oxford UP, 2021)

caleb@newbooksnetwork.com (New Books Network) — Fri, 14 Feb 2025 09:00:00 +0000

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.

By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.

Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways.

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Failed Passing

caleb@newbooksnetwork.com (New Books Network) — Wed, 12 Feb 2025 09:00:00 +0000

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan.

Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez.

Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery

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Bruce Robbins, "Atrocity: A Literary History" (Stanford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 9 Feb 2025 09:00:00 +0000

Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?

In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been.

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Michael Rembis, "Writing Mad Lives in the Age of the Asylum" (Oxford UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 9 Feb 2025 09:00:00 +0000

The asylum--at once a place of refuge, incarceration, and abuse--touched the lives of many Americans living between 1830 and 1950. What began as a few scattered institutions in the mid-eighteenth century grew to 579 public and private asylums by the 1940s. About one out of every 280 Americans was an inmate in an asylum at an annual cost to taxpayers of approximately $200 million.

Using the writing of former asylum inmates, as well as other sources, Writing Mad Lives in the Age of the Asylum (Oxford UP, 2025) reveals a history of madness and the asylum that has remained hidden by a focus on doctors, diagnoses, and other interventions into mad people's lives. Although those details are present in this story, its focus is the hundreds of inmates who spoke out or published pamphlets, memorials, memoirs, and articles about their experiences. They recalled physical beatings and prolonged restraint and isolation. They described what it felt like to be gawked at like animals by visitors and the hardships they faced re-entering the community. Many inmates argued that asylums were more akin to prisons than medical facilities and testified before state legislatures and the US Congress, lobbying for reforms to what became popularly known as "lunacy laws."

Michael Rembis demonstrates how their stories influenced popular, legal, and medical conceptualizations of madness and the asylum at a time when most Americans seemed to be groping toward a more modern understanding of the many different forms of "insanity." The result is a clearer sense of the role of mad people and their allies in shaping one of the largest state expenditures in the nineteenth and early twentieth centuries--and, at the same time, a recovery of the social and political agency of these vibrant and dynamic "mad writers."

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Martin D. Brown et al., "The Bondian Cold War: The Transnational Legacy of a Cultural Icon" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 8 Feb 2025 09:00:00 +0000

James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways.

That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens.

The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse.

The Bondian Cold War: The Transnational Legacy of a Cultural Icon (Routledge, 2024) is suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.

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Andrew Campana, "Expanding Verse: Japanese Poetry at the Edge of Media" (U California Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 6 Feb 2025 09:00:00 +0000

Cinepoems, tape recorder poems, protest performance poems, music video poems, internet sign language poems, and augmented reality poems: these poems might exist at the margins of conventional poetic practice, but they take center stage in Expanding Verse: Japanese Poetry at the Edge of Media (University of California Press, 2024) by Andrew Campana. Expanding Verse explores the role of experimental poetic practice in Japan from the 1920s to the present, investigating how such poems engaged in the media cultures in which they were made and how poetry allowed poets to rethinking what media was.

Expanding Media is expansive, engaging, and a delight to read, even if you don’t (yet) know what a cinepoem is. This book engages with the fields of literary, media, and disability studies, all while serving as an accessible introduction to the outer edge of contemporary Japanese literature. Expanding Media should appeal to readers interested in Japanese literature, poetry more broadly, and media studies, as well as those looking for a book that will send them down rabbit holes searching for "augmented reality roses" and "pop star lobster princess."

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D. C. Helmuth, "Hidden Libraries: The World's Most Unusual Book Depositories" (Lonely Planet, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 4 Feb 2025 09:00:00 +0000

In Hidden Libraries: The World’s Most Unusual Book Depositories (Lonely Planet, 2024) by Diana Helmuth, discover 50 of the world's most magnificent hidden libraries - each with a unique and uplifting story to tell - featuring a foreword by librarian, bestselling author, and literary critic Nancy Pearl.

Book swap your latest read in a cool 1950s style fridge in New Zealand or hike through the ethereal woodlands of Eas Mor in Scotland where a hidden library in a small log cabin awaits. Each entry shares the library's mission and impact on the local community and offers fascinating stories from its resident caretaker. From the rare to the romantic, this extraordinary guide explores our planet's hidden libraries. Nothing brings people together quite like a good book

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Ann Schmiesing, "The Brothers Grimm: A Biography" (Yale UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 4 Feb 2025 09:00:00 +0000

Ann Schmiesing, Ph.D. is Professor of German and Scandinavian Studies at the University of Colorado-Boulder, with research interests spanning 18th and 19th-century German and Norwegian literature and culture. In our interview we discuss her new book, The Brothers Grimm: A Biography (Yale UP, 2024), their first biography in over half a century. We talk about what led her to Germanic studies and fairy tales in particular. We discuss the revelations in her book dealing with their lives and work, their antisemitism as reflected in their correspondence and the stories they published and its long-ranging consequences. We talk about some of her favorite fairy tales and what makes them special.

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Alexis Wolf, "Transnational Women Writers in the Wilmot Coterie, 1798-1840" (Boydell Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 3 Feb 2025 09:00:00 +0000

What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research.

Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded.

Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore.

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Sara Burdorff, "Maternity, Monstrosity, and Heroic (Im)mortality from Homer to Shakespeare" (Amsterdam UP, 2025)

caleb@newbooksnetwork.com (New Books Network) — Sun, 2 Feb 2025 09:00:00 +0000

Sara Burdorff joins Jana Byars to talk about her new book, Maternity, Monstrosity and Heroic (Im)mortality from Homer to Shakespeare (Amsterdam University Press, 2025). This work uses an adaptation of monster theory to rethink the foundations of epic-heroic immortality. Rather than focusing on a specific monster or monsters, the author identifies the "belly-monstrous" as a crucial point of intersection between mothers and warriors in traditional narratives of the Trojan War. Identifying the gestating/digesting belly as the center of the Iliadic world, this groundbreaking approach disrupts androcentric readings of the Iliadic warrior and his ethos, emphasizing the crucial role of female suffering in the generation and preservation of immortal legacy. The author reconsiders ancient Greek depictions of the Trojan War and its aftermath, including Homeric epic and the tragedies of Aeschylus and Euripides, and illuminates the cohesive patterning of Shakespeare's "mother-warrior" plays, which place inherited Iliadic-belly-monstrous motifs in conversation with cultural anxieties of late Elizabethan England. With meticulous scholarship and captivating analysis, Maternity, Monstrosity, and Heroic (Im)mortality from Homer to Shakespeare redefines the relationship between mothers and warriors in the Iliadic-heroic ideal, paving the way for new interpretations of war, grief, and immortal glory in a broad range of literary and cultural contexts.

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Amanda Lagji, "Postcolonial Fiction and Colonial Time: Waiting for Now" (Edinburgh UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 1 Feb 2025 09:00:00 +0000

Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development.

The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world.

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Tolkien, Philosopher of War: A Conversation with Graham McAleer

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Jan 2025 09:00:00 +0000

In this episode, we explore the profound philosophical and theological dimensions of J.R.R. Tolkien's work, particularly his views on war. In his book Tolkien, Philosopher of War (Catholic University of America Press, 2024), McAleer uncovers Tolkien's critique of Enlightenment thought and his deep concern with the apocalyptic politics of his time. He argues that Tolkien’s metaphysical, political, and aesthetic views—shaped by a rejection of gnosticism, a defense of monarchy, and a resistance to Futurism—offer a unique perspective on the dangers of progressivism and total war. We explore Tolkien’s personal experience which inform his writings and the processes by which he was able to sculpt these great works and systems of thought. This conversation sheds light on Tolkien's modern critique of political ideologies and offers new insights for readers of Catholic studies, war philosophy, and Tolkien Studies alike.

Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.

Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.

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About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain

caleb@newbooksnetwork.com (New Books Network) — Thu, 30 Jan 2025 09:00:00 +0000

Today I talked to Ben Baer and Smaran Dayal about About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain.

Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain wrote speculative fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. Alongside Rokeya’s pathbreaking feminist science fiction story “Sultana’s Dream,” this volume features fresh and exciting new translations of her key Bengali writings and a superbly informative introduction to her life and work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms.

ROKEYA SAKHAWAT HOSSAIN (1880–1932) was born in present-day Bangladesh, then part of colonial India. Despite being deprived of formal education, she became a prominent writer, activist, and educator. The web of her life spanned from the minutiae of running a girls’ school in Kolkata to struggles for women’s emancipation on the national and world stage.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.

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Lennard J. Davis, "Poor Things: How Those with Money Depict Those Without It" (Duke UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 29 Jan 2025 09:00:00 +0000

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.

In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized.

The Endo/Exo Writers Project.

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

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The Cambridge Centennial Edition of The Great Gatsby

caleb@newbooksnetwork.com (New Books Network) — Sat, 25 Jan 2025 09:00:00 +0000

The Great Gatsby is often called the great American novel. Emblematic of an entire era, F. Scott Fitzgerald's classic tale of illicit desire, grand illusions, and lost dreams is rendered in a lyrical prose that revives a vanished world of glittering parties and vibrant jazz, where money and deceit walk hand in hand. Rich in humor, sharply observant of status and class, the book tells the story of Jay Gatsby's efforts to keep his faith - in money, in love, in all the promises of America - amid the chaos and conflict of life on Long Island's Gold Coast during the Roaring Twenties.

The Cambridge Centennial Edition of The Great Gatsby (Cambridge UP, 2025) presents the established version of the text in a collector's volume replete with social, cultural, and historical context, and numerous illustrations. The authoritative introduction examines persistent myths about Fitzgerald, his greatest work, and the age he embodies, while offering fresh ways of reading this iconic work.

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Andrew Smith, "Class and the Uses of Poetry: Symbolic Enclosures" (Palgrave Macmillan, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 24 Jan 2025 09:00:00 +0000

Sociologists have had surprisingly little to say about poetry as a topic while sometimes also making grandiose claims that sociology is/should be like poetry. These are the prompts which begin Andrew Smith’s Class and the Uses of Poetry: Symbolic Enclosures (2024, Palgrave Macmillan). Drawing upon discussions with working class readers of poetry, and interviews with unpublished poets, Smith draws our attention to the ways in which poetry has been enclosed, or fenced off, from working class readers. Influenced by, though offering some criticisms, of, Bourdieu’s approach to the sociology of culture, he shows us how readers become aware of this enclosure but nevertheless engage in collective understanding of the poems they are presented with. In doing do, Smith reminds us of the need to emphasise the aesthetic elements of poetry, and culture more generally, including its creative and expressive affordances. A reader of his book realises that a critical sociology of poetry needs to attest not just to the symbolic capital in who is seen as ‘legitimate’ readers and producers of poetry but also how those shut off from it lose out on the uses of poetry.

Our discussion covers what led Smith to pursue this work, how sociology has, and might in future confront poetry, his experiences of running these reading groups and suggests why, perhaps, we should also perhaps reject the ‘society of the segue way’ and savour some of the finitude which poetry might offer.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.

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David Mckinney, "Samuel Beckett and Recent Irish Fiction: A Comparative Study" (Routledge, 2025)

caleb@newbooksnetwork.com (New Books Network) — Thu, 23 Jan 2025 09:00:00 +0000

Samuel Beckett and Recent Irish Fiction: A Comparative Study (Routledge, 2025) considers Samuel Beckett's fiction and drama as major aesthetic and thematic influences on the work of Irish authors Eimear McBride, Keith Ridgway, Emma Donoghue, and Kevin Barry in the post-crash period of 2009-2015. Through cross-comparisons between the aesthetics and form of Beckett's Trilogy, Mercier and Camier, Footfalls and Not I, and those of a range of post-crash Irish novels including Beatlebone, Hawthorn and Child, Room, and A Girl Is A Half-Formed Thing, this book establishes Beckett's continuing influence on Irish fiction. With particular reference to these newer authors' treatment of scarcity, trauma, indeterminism, gender and sexuality, and confinement in the context of major societal changes and traumas in Irish society since 2009, topics include the imposition of austerity, collapse of faith in institutions, and the increasing recognition of LGBTQIA+ and reproductive rights.

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Ryan Tan Wander, "Settler Tenses: Queer Time and Literatures of the American West" (Texas Tech UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 23 Jan 2025 09:00:00 +0000

In today’s cultural and political climate of relative LGBTQ+ inclusion, Settler Tenses: Queer Time and Literatures of the American West (Texas Tech University Press, 2024) by Dr. Ryan Tan Wander provides a literary history that rewrites our understanding of when and how queerness began to align with US nationalism and settler colonialism, tracing the discursive production of masculinities in late nineteenth and early twentieth-century literatures of the American West.

Current scholarly understandings often equate turn-of-the-century representations of the US frontier with hypermasculinity and heteronormativity. Simultaneously, scholars tend to view queer inclusion—that is, the civil and political inclusion of those who make up the “-Q+” of the initialism LGBTQ+—as a phenomenon of post–Civil Rights era activism. Settler Tenses provides a deeper history of queerness in US history by showing that literature created frontier masculinities that representationally yoked a range of queer bodies and subjectivities to national identity as the US consolidated its sovereignty in the late nineteenth and early twentieth centuries.

Reframing and explaining anew the provenance and significance of the links between queerness and US nationalism and settler colonialism, Settler Tenses will appeal to an audience of advanced undergraduates as well as researchers and scholars in American literary studies, gender, queer, and sexuality studies, settler colonial studies, and critical race and ethnic studies.

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"Kazuo Ishiguro is Not Writing World Literature"

caleb@newbooksnetwork.com (New Books Network) — Thu, 23 Jan 2025 09:00:00 +0000

How has a writer known principally for his contained domestic novels come to represent the most dynamic elements of world literature? In Kazuo Ishiguro Against World Literature (Bloomsbury, 2025), Chris Holmes expands our understanding of how world literature engages with the most pressing crises of the 20th and 21st centuries by examining Ishiguro's fascination with characters who are profoundly constrained in their ability to understand global systems to which they are subject. Rather than following the established pattern of so-called global novels, which crisscross the planet exhibiting a knowing cosmopolitanism, Ishiguro's fictional engagement with the world comes principally in the form of characters who are cut off from the global systems that abuse them.

By examining the ways in which Ishiguro foregrounds the in-process thinking of those who fail to comprehend their place in the flow of politics, culture, and ideas, Holmes positions Ishiguro as the great chronicler of everyday lives, and as such, prepares a mode of reading world literature that questions the assumptions for how we live and think with others when each of us is deeply limited.

Chris Holmes is Associate Professor and Chair of Literatures in English at Ithaca College. He is the host of the literary interview podcast, Burned by Books, and he is host and co-producer on Novel Dialogue, the podcast of the Society of Novel Studies, both of which are New Books Network partners. His most recent essays appear in NOVEL, MFS, Critique, and Public Books.

Caroline Levine is David and Kathleen Ryan Professor of the Humanities at Cornell University. She is the author most recently of The Activist Humanist: Form and Method in the Climate Crisis, and Forms: Whole, Rhythm, Hierarchy, Network.

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Andrew Lipstein, "Something Rotten" (FSG, 2025)

caleb@newbooksnetwork.com (New Books Network) — Wed, 22 Jan 2025 09:00:00 +0000

Andrew’s debut novel Last Resort was published in 2022 by Farrar, Straus & Giroux in the US, and Weidenfeld & Nicolson in the UK. You can hear our interview about that amazing literary hoax on burned by books at the website or anywhere you find your podcasts. His second novel The Vegan was published in July 2023. He lives in Brooklyn with his wife and three sons.

Recommended Books:

Nicholson Baker, The Mezzanine
Marilyn Robinson, Reading Genesis

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Catherine Butler, "British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 20 Jan 2025 09:00:00 +0000

Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses (Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture.

Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.

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Melanie Dennis Unrau, "The Rough Poets: Reading Oil-Worker Poetry" (McGill-Queen's UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 19 Jan 2025 09:00:00 +0000

Oil workers are often typecast as rough: embodying the toxic masculinity, racism, consumerist excess, and willful ignorance of the extractive industries and petrostates they work for. But their poetry troubles these assumptions, revealing the fear, confusion, betrayal, and indignation hidden beneath tough personas.

The Rough Poets: Reading Oil-Worker Poetry (McGill-Queen's University Press, 2024) by Dr. Melanie Dennis Unrau presents poetry by workers in the Canadian oil and gas industry, collecting and closely reading texts published between 1938 and 2019: S.C. Ells’s Northland Trails, Peter Christensen’s Rig Talk, Dymphny Dronyk’s Contrary Infatuations, Mathew Henderson’s The Lease, Naden Parkin’s A Relationship with Truth, Lesley Battler’s Endangered Hydrocarbons, and Lindsay Bird’s Boom Time. These writers are uniquely positioned, Melanie Dennis Unrau argues, both as petropoets who write poetry about oil and as theorists of petropoetics with unique knowledge about how to make and unmake worlds that depend on fossil fuels. Their ambivalent, playful, crude, and honest petropoetry shows that oil workers grieve the environmental and social impacts of their work, worry about climate change and the futures of their communities, and desire jobs and ways of life that are good, safe, and just.

How does it feel to be a worker in the oil and gas industry in a climate emergency, facing an energy transition that threatens your way of life? Unrau takes up this question with the respect, care, and imagination necessary to be an environmentalist reader in solidarity with oil workers.

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Robin Visser, "Questioning Borders: Ecoliteratures of China and Taiwan" (Columbia UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 18 Jan 2025 09:00:00 +0000

Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.

Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.

By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.

Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).

Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

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Valentina N. Glajar, "The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance" (Camden House, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 17 Jan 2025 09:00:00 +0000

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain.

The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself.

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Javaria Farooqui, "Romance Fandom in 21st-Century Pakistan: Reading the Regency" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 16 Jan 2025 09:00:00 +0000

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts.

Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour.

About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui’s research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women’s writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation’s literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan.

Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha

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Roger R. Jackson, "Saraha: Poet of Blissful Awareness" (Shambhala, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 16 Jan 2025 09:00:00 +0000

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.

Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha’s poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works.

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Yehudah Cohn, trans., "Mine Is The Golden Tongue: The Hebrew Sonnets Of Immanuel Of Rome" (Centro Primo Levi, 2023)

caleb@newbooksnetwork.com (New Books Network) — Tue, 14 Jan 2025 09:00:00 +0000

Mine Is The Golden Tongue: The Hebrew Sonnets Of Immanuel Of Rome (Centro Primo Levi, 2023) contains the first known sonnets written in Hebrew. Their author is Immanuel of Rome, an intensely studied yet little-known 14th-century poet, who adapted the quantitative meter of Arabic and Hebrew poetry from al-Andalous to the syllabic meter of romance poetry. These poems are part of Immanuel’s most studied book, Maḥbarot, a collection of poetic tales conceived between satire and allegory, which combine the Arabic maqama with the stilnovistic poetic form immortalized by Dante. Widely published during its author’s lifetime and in the following centuries, the Maḥbarot as a whole has never been translated into any language.

Immanuel lived in the Papal city during a period of great turmoil between the communal experience and the Papal exile to Avignon. He moved with ease in the Roman Jewish and non-Jewish worlds that were actively involved in translation. Writing in a milieu where Hebrew, Latin, Arabic, Greek, and the vernaculars were concurrent languages, Immanuel left us brilliant verses in Hebrew and vernacular. He was an admired biblical commentator whose references spanned from the Talmud and Maimonides to Aristotelian and neo-Platonic philosophy.

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Bernard J. Dobski, "Mark Twain’s Joan of Arc: Political Wisdom, Divine Justice, and the Origins of Modernity" (Palgrave MacMillan, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 13 Jan 2025 09:00:00 +0000

Political Theorist B.J. (Bernard J.) Dobski has a new book focusing on Mark Twain’s final published novel, Personal Reflections of Joan of Arc. As Dobski notes in his work and in our conversation, this is one of the more obscure texts by Twain, but Twain considered it his best work. Dobski’s book is a close reading of Twain’s Joan of Arc and an analysis of how this particular work, focusing on Joan of Arc’s life through the narration of Sieur Louis De Conte (Joan’s childhood friend and her secretary during her military undertakings), is part of Twain’s larger efforts to understand the turn towards modernity, and all that entails. Mark Twain’s Joan of Arc: Political Wisdom, Divine Justice, and the Origins of Modernity is part of series at Palgrave/MacMillan focusing on recovering political philosophy, and this book fits into that series particularly well.

Mark Twain had a lifelong fascination with Joan of Arc. Twain’s Joan serves, in the novel, as a kind of path out of the Middle Ages, and, in this way, is being positioned as a Machiavellian “princess”— embodying a political science more effectively than can the Church at the time. Dobski’s interpretation explores the ways in which Joan of Arc, according to Twain, refounded and reformed France, taking many of Machiavelli’s teachings into account. Another dimension of Twain’s Joan of Arc is seen in context of the “historical maid” Joan of Arc and how both renderings are positioning a woman serving in a man’s role. Dobski explains the controversy over Joan’s attire—wearing men’s clothing as a woman, which was one of the charges brought against her—and how these laws were designed to foreground the Church’s teaching on modesty and decency and a means to regulate sexual ethics. This also reflects the maleness of Christ, which is not incidental to preserving the moral teachings that are rooted in the distinction between the sexes. But Joan is very much a woman in a man’s world, and her success in the man’s world challenges the Church’s basis for these distinctions between female and male. Many of these entanglements are the focus of Twain’s novel, and thus of Dobski’s analysis of Personal Reflections of Joan of Arc.

Ultimately, Personal Reflections of Joan of Arc: Political Wisdom, Divine Justice, and the Origins of Modernity digs into overarching and universal concerns, including the theological-philosophical conundrum, the claim of divine right by monarchs, and how to live a good life. B.J. Dobski skillfully follows Twain’s curvy path through Joan of Arc’s life and reputation to unpack Twain’s own thinking about these perennial questions.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

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Eleanor Baker, "Book Curses" (Bodleian Library, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 13 Jan 2025 09:00:00 +0000

Have you ever wanted to protect your books from forgetful borrowers, merciless page-folders or outright thieves? Perhaps you have even wished harm on those who have damaged your books, but would you threaten them with hellfire, hanging or the plague?

Book Curses (Bodleian, 2024) by Dr. Eleanor Baker contains a collection of some of the most ferocious and humorous book curses ever inscribed, from fearsome threats discovered emblazoned on stone monuments from the ancient Near East, to elaborate manuscript maledictions and chilling warnings scribbled in printed books. Book curses are entertaining writings in themselves, but they also offer a tantalising insight into how passionately texts and books have been valued by their owners and readers over the centuries. Here you will find an engaging introduction to the history and development of the book curse and perhaps some inspiration to pen a few of your own.

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Dayne C. Riley, "Consuming Anxieties: Alcohol, Tobacco, and Trade in British Satire, 1660-1751" (Bucknell UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 9 Jan 2025 09:00:00 +0000

Writers of the late seventeenth and early eighteenth centuries—a period of vast economic change—recognized that the global trade in alcohol and tobacco promised a brighter financial future for England, even as overindulgence at home posed serious moral pitfalls.

Consuming Anxieties: Alcohol, Tobacco, and Trade in British Satire, 1660-1751 (Bucknell University Press, 2024) by Dr. Dayne Riley is an engaging and original study that explores how literary satirists represented these consumables—and related anxieties about the changing nature of Britishness—in their work. Dr. Riley traces the satirical treatment of wine, beer, ale, gin, pipe tobacco, and snuff from the beginning of Charles II’s reign, through the boom in tobacco’s popularity, to the end of the Gin Craze in libertine poems and plays, anonymous verse, ballad operas, and the satire of canonical writers such as Gay, Pope, and Swift. Focusing on social concerns about class, race, and gender, Consuming Anxieties examines how satirists championed Britain’s economic strength on the world stage while critiquing the effects of consumable luxuries on the British body and consciousness.

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S4E20 Cosmic Connections: A Conversation with Charles Taylor

caleb@newbooksnetwork.com (New Books Network) — Wed, 8 Jan 2025 09:00:00 +0000

This week on Madison’s Notes, we sit down with philosopher and author Charles Taylor to discuss his latest work, Cosmic Connections: Poetry in the Age of Disenchantment (Belknap Press, 2024) . Taylor dives into the profound role of poetry in reconnecting us to a sense of wonder and meaning in a world often characterized by disillusionment. Drawing on his vast expertise in philosophy, Taylor explores how poetry serves as a bridge between the mundane and the transcendent, offering a counterpoint to the rational, scientific worldview that dominates modern life. This conversation offers a deep dive into the power of language, imagination, and the poetic tradition in addressing the spiritual and existential challenges of our time. Join us for a reflective exploration of how poetry can restore enchantment in an age of disenchantment.

Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.

Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.

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Jennie Lightweis-Goff, "Captive City: Meditations on Slavery in the Urban South" (U Pennsylvania Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 7 Jan 2025 09:00:00 +0000

Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson’s anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts.

Captive City: Meditations on Slavery in the Urban South (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.

Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments.

Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher's Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was "born in the back of the house."

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Alastair Gornall, "Rewriting Buddhism: Pali Literature and Monastic Reform in Sri Lanka, 1157–1270" (UCL Press, 2020)

caleb@newbooksnetwork.com (New Books Network) — Mon, 6 Jan 2025 09:00:00 +0000

Rewriting Buddhism: Pali Literature and Monastic Reform in Sri Lanka, 1157–1270 (UCL Press, 2020) is the first intellectual history of premodern Sri Lanka’s most culturally productive period. This era of reform (1157–1270) shaped the nature of Theravada Buddhism both in Sri Lanka and also Southeast Asia and even today continues to define monastic intellectual life in the region.

Alastair Gornall argues that the long century’s literary productivity was not born of political stability, as is often thought, but rather of the social, economic and political chaos brought about by invasions and civil wars. Faced with unprecedented uncertainty, the monastic community sought greater political autonomy, styled itself as royal court, and undertook a series of reforms, most notably, a purification and unification in 1165 during the reign of Parakramabahu I. He describes how central to the process of reform was the production of new forms of Pali literature, which helped create a new conceptual and social coherence within the reformed community; one that served to preserve and protect their religious tradition while also expanding its reach among the more fragmented and localized elites of the period.

Rewriting Buddhism is available for free open-access download at uclpress.com/buddhism.

Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, kingship and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley.

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Adam Zucker, "Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 3 Jan 2025 09:00:00 +0000

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.

Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures.

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Carl Rollyson, "The Life of William Faulkner: The Past Is Never Dead, 1897-1934" (UVA Press, 2020)

caleb@newbooksnetwork.com (New Books Network) — Thu, 2 Jan 2025 09:00:00 +0000

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner’s wide-ranging literary output to assess the author’s life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family’s tales and the larger history of the region to which it was tied. Yet it took Faulkner’s journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.

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I. Augustus Durham, "Stay Black and Die: On Melancholy and Genius" (Duke UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 2 Jan 2025 09:00:00 +0000

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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James Baldwin’s Use of Mechanisms of Defense in this Story “Going to Meet the Man”

caleb@newbooksnetwork.com (New Books Network) — Tue, 31 Dec 2024 09:00:00 +0000

James Baldwin’s “Going to Meet the Man” is a powerful short story that describes the life of Jesse, a 42-year-old white police officer whose experiences alternate between his present-day struggles with impotence and his memories of racial violence. As the narrative unfolds a pivotal childhood memory of a lynching, sets the tone and comes to represent the fundamental weakness of white supremacy. His need for racist violence to regain potency suggests that the system of white supremacy requires constant reinforcement to maintain itself. Projective identification, a powerful mechanism of defense, also plays a significant role in exploring the complex psychological dynamics of racism and its impact on both the oppressor and the oppressed.

Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.

Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).

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Nicholas R. Jones, "Cervantine Blackness" (Penn State UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 30 Dec 2024 09:00:00 +0000

There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa.

In Cervantine Blackness (Penn State UP, 2024), Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.

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Sara Lodge, "The Mysterious Case of the Victorian Female Detective" (Yale UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Dec 2024 09:00:00 +0000

In The Mysterious Case of the Victorian Female Detective (Yale UP, 2024), Sara Lodge tells stories of women who brought 19th century criminals to justice, in real life and popular culture, as unacknowledged crime-fighters and feminist icons.

On stage and in fiction, women detectives were sensational figures who fascinated the public with cross-dressing, fist-swinging heroines who captured thieves, flushed out cheats, and solved murders.

Few people realize that these characters were based on real women who were active as detectives in private agencies and in the Victorian police force. Far from the mythology of an all-male world, women were a daily presence in police activity, although often underpaid and overlooked. They did important and dangerous work in a variety of roles both openly and as undercover agents.

While the fictional characters were heroic figures who always saved the day, these morally ambiguous real women were sometimes paid to betray, deceive, or entrap in the murky underworld of Victorian society.

Related resources:

The interest in Victorian women detectives continues into the present with dozens of contemporary novels, film, and tv featuring Victorian female detectives.

Miss Scarlet on PBS is an original series by Rachael New. The Enola Holmes and Enola Holmes 2 films on Netflix are based on the original Enola Holmes books written by Nancy Springer.

More Sherlock Holmes adjacent charaters are Mary Russell by Laurie R. King and Lady Sherlock by Sherry Thomas.

While many actual female detectives were working class, fictional portrayals often feature upper class heroines as private detectives such as Lady Darby by Anna Lee Huber, Lady Emily by Tasha Alexander, and both Veronica Speedwell and Lady Julia Grey by Deanna Raybourn.

Author recommended reading

A Flat Place by Noreen Masud

Hosted by Meghan Cochran

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Robert Darnton, "Pirating and Publishing: The Book Trade in the Age of Enlightenment" (Oxford UP, 2021)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Dec 2024 09:00:00 +0000

In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild.

Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.

Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.

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Emily Herring, "Herald of a Restless World: How Henri Bergson Brought Philosophy to the People" (Basic Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Dec 2024 09:00:00 +0000

Herald of a Restless World: How Henri Bergson Brought Philosophy to the People (Basic Books, 2024) is the first English-language biography of Henri Bergson, the philosopher who defined individual creativity and transformed twentieth century thought.

At the dawn of the twentieth century, Henri Bergson became the most famous philosopher on earth. Where prior thinkers sketched out a predictable universe, he asserted the transformative power of consciousness and creativity. An international celebrity, he made headlines around the world debating luminaries like Bertrand Russell and Albert Einstein about free will and time. The vision of creative evolution and freedom he presented was so disruptive that the New York Times branded him "the most dangerous man in the world."

In the first English-language biography of Bergson, Emily Herring traces how his celebration of the time-bending uniqueness of individual experience struck a chord with those shaken by modern technological and social change. Bergson captivated a society in flux like no other. Long after he faded from public view, his insights into memory, time, joy and creativity continue to shape our perceptions to this day. Herald of a Restless World is an electrifying portrait of a singular intellect.

Emily Herring is a writer based in Paris. She studied philosophy at the Sorbonne and received her PhD in the history and philosophy of science from the University of Leeds. Her work has appeared in the TLS and Aeon.

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Susanna Ashton, "A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin" (New Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Dec 2024 09:00:00 +0000

In December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write Uncle Tom’s Cabin, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States.

A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom’s Cabin (New Press, 2024) unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang.

In the spirit of Tiya Miles’s prizewinning All That She Carried and Erica Armstrong Dunbar’s Never Caught, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.

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James Welker, "Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans" (U Hawaii Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 28 Dec 2024 09:00:00 +0000

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo

manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.

Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.

Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.

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Peter Salmon, "An Event, Perhaps: A Biography of Jacques Derrida" (Verso, 2020)

caleb@newbooksnetwork.com (New Books Network) — Sat, 28 Dec 2024 09:00:00 +0000

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times.

Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century.

Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing.

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Once Upon a Tome: The Misadventures of a Rare Bookseller

caleb@newbooksnetwork.com (New Books Network) — Thu, 26 Dec 2024 09:00:00 +0000

Welcome to Sotheran’s, one of the oldest bookshops in the world, with its weird and wonderful clientele, suspicious cupboards, unlabeled keys, poisoned books, and some things that aren’t even books, presided over by one deeply eccentric apprentice.

Today’s book is: Once Upon A Tome: The Misadventures of a Rare Bookseller (Norton, 2024), by Oliver Darkshire, a memoir which recounts how some years ago he stepped into the hushed interior of Henry Sotheran Ltd (est. 1761) to apply for a job. Allured by the smell of old books and the temptation of a management-approved afternoon nap, Oliver was soon unteetering stacks of first editions and placating the store’s resident ghost (the late Mr. Sotheran, hit by a tram). A novice in this ancient and potentially haunted establishment, Oliver describes Sotheran’s brushes with history (Dickens, the Titanic), its joyous disorganization, and the unspoken rules of its gleefully old-fashioned staff. As Oliver gains confidence and experience, he explores the strange space that books occupy in our lives—where old books often have strong sentimental value, but rarely a commercial one. Once Upon a Tome is the colorful story of life in one of the world’s oldest bookshops and a love letter to the benign, unruly world of antiquarian bookselling, where to be uncommon or strange is the best possible compliment.

Our guest is: Oliver Darkshire, who is the author of Once Upon a Tome, his memoir about being an antiquarian bookseller at Henry Sotheran Ltd. He lives in Manchester, England, with his husband and his neglectfully curated collection of books.

Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!

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Jennifer C. Nash, "How We Write Now: Living with Black Feminist Theory" (Duke UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 25 Dec 2024 09:00:00 +0000

In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

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Vincent Haddad, "The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023" (Lever Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Dec 2024 09:00:00 +0000

Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.

The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.

Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.

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Jess A. Goldberg, "Abolition Time: Grammars of Law, Poetics of Justice" (U Minnesota Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Dec 2024 09:00:00 +0000

How can Black Atlantic literature challenge conventions and redefine literary scholarship?

Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.

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Christine M. Larson, "Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success" (Princeton UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 24 Dec 2024 09:00:00 +0000

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy.

In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing’s most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia’s historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning.

Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors’ plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices.

Romancelandia’s experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia’s rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members.

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Priyasha Mukhopadhyay, "Required Reading: The Life of Everyday Texts in the British Empire" (Princeton UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 23 Dec 2024 09:00:00 +0000

In Required Reading: The Life of Everyday Texts in the British Empire (Princeton UP, 2024), Priyasha Mukhopadhyay offers a new and provocative history of reading that centers archives of everyday writing from the British empire. Mukhopadhyay rummages in the drawers of bureaucratic offices and the cupboards of publishers in search of how historical readers in colonial South Asia responded to texts ranging from licenses to manuals, how they made sense of them, and what this can tell us about their experiences living in the shadow of a vast imperial power. Taking these engagements seriously, she argues, is the first step to challenging conventional notions of what it means to read.

Mukhopadhyay's account is populated by a cast of characters that spans the ranks of colonial society, from bored soldiers to frustrated bureaucrats. These readers formed close, even intimate relationships with everyday texts. She presents four case studies: a soldier's manual, a cache of bureaucratic documents, a collection of astrological almanacs, and a women's literary magazine. Tracking moments in which readers refused to read, were unable to read, and read in part, she uncovers the dizzying array of material, textual, and aural practices these texts elicited. Even selectively read almanacs and impenetrable account books, she finds, were springboards for personal, world-shaping readerly relationships.

Untethered from the constraints of conventional literacy, Required Reading reimagines how texts work in the world and how we understand the very idea of reading.

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Jeremy Dauber, "American Scary: A History of Horror, from Salem to Stephen King and Beyond" (Algonquin Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 22 Dec 2024 09:00:00 +0000

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele

America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories.

In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.

With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.

Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames.

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Daniel Joseph Majchrowicz, "The World in Words: Travel Writing and the Global Imagination in Muslim South Asia" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Dec 2024 09:00:00 +0000

This episode features Daniel Majchrowicz, Associate Professor of South Asian Literature & Culture at Northwestern University, discussing his new book, The World in Words: Travel Writing and the Global Imagination in Muslim South Asia published in 2023 by Cambridge University Press. It is a study of South Asia’s global imagination as it was expressed in Urdu-language travel writing from 1840 to the present. The book argues that travel writing in South Asia was a broadly ecumenical genre that let Indian travelers not just describe the world as they found it, but to imagine it as they wished for it to be.

Opening this vast South Asian travel atlas, The World in Words introduces a new literary genre, unlocks new forms of literary subjectivity from long-ignored voices, and reveals new modes of circulation, mobility, and connection between India, Asia, and Africa, while also revealing how class, language, gender, race and power formed in colonial and post-colonial South Asia. While this is an academic book that could be used in South Asian studies courses and Islamic Studies courses, it also reads in part like a travelogue as Majchrowicz shares his own journeys discovering texts, libraries, and splendid private collections, sometimes with unexpected but fruitful leads. This text helps to decenter Western colonial travleogues and narratives, and allows for South Asian writers from Khanums' to princes' voices to be heard and studied, while also tracing the development of Urdu as a dominant regional language.

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Booksellers’ Best 2024

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Dec 2024 09:00:00 +0000

Lisa Swayze has been the General Manager at Buffalo Street Books for 7 years and will transition to becoming the Executive Director of the bookstore’s new literary nonprofit in 2025. Lisa is on the board of directors of the American Booksellers Association and the Downtown Ithaca Alliance.

Jessica Stockton-Bagnulo is the owner and co-founder of Greenlight Bookstore in Brooklyn, New York, where she also currently serves as the Events & Marketing Manager (because she loves hosting parties). She has worked in independent bookstores in New York City since 2000, has served on the board of NAIBA and various other book industry boards and committees, and is currently on the board of the American Booksellers Association (along with lovely colleagues Lisa and Jake). She lives with her husband and daughter (both avid readers, thankfully) in Brooklyn.

Lisa's Favorites:

James - Percival Everett
The Sapling Cage - Margaret Killjoy
Not for the Faint of Heart - Lex Croucher (YA)
Swift River - Essie Chambers
American Daughters - Maurice Carlos Ruffin
God of the Woods - Liz Moore
Where They Last Saw Her - Marcie Rendon
Anita de Monte Laughs Last - Xochitil Gonzalez
Blue Light Hours - Bruna Dantas Lobato
Catalina - Karla Cornejo Villavicencio
The Pairing - Casey Mcquiston
Shred Sisters - Betsy Lerner
A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy - Nathan Thrall

Jessica's favorites:

The Book of Love by Kelly Link — Best Literary Novel Featuring Complex Magic Systems, Diverse Love Stories, Unexpected Beauty, and Karaoke
Hum by Helen Phillips — Best Near-Future Dystopia that is Also About Parenting
Help Wanted to Adelle Waldman — Best Novel About Capitalism
The Light Eaters by Zoe Schlanger — Best Science Writing / Best Book About Plant Intelligence and Scientist Drama
The Bright Sword by Lev Grossman — Best Doorstop Literary/Historical Fantasy (With Philosophical Caveats)
In Universes by Emet North — Best Queer Multiverse Novel
Playground by Richard Powers — Best Nature Writing as Fiction
Far Sector by N. K. Jemisin — Best Socially Aware Superhero Graphic Novel
Orbital by Samantha Harvey — Best Sentences About Earth
non-frontlist / rereads:
Space Crone by Ursula LeGuin — Best Essays by Best Essayist
The Privilege of a Happy Ending by Kij Johnson — Best Quest Narrative
Berlin: City of Stones, City of Smoke, City of Light — Best Epic of Quotidian Life Before the Abyss

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“I love a dialectical reader, and best is a dialectical reader who cries”

caleb@newbooksnetwork.com (New Books Network) — Thu, 19 Dec 2024 09:00:00 +0000

Eighteenth century prison break artist and folk hero Jack Sheppard is among history’s most frequently adapted rogues: his exploits have inspired Daniel Defoe, John Gay, Bertolt Brecht, and most recently, Jordy Rosenberg, whose first novel, Confessions of the Fox (2018), rewrites Sheppard as a trans man and Sheppard’s partner Bess as a South Asian lascar and part of the resistance movement in the Fens. Rosenberg embeds the manuscript tracing their love story within a satirical frame narrative of a professor whose discovery of it gets him caught up in an absurd and increasingly alarming tussle with neoliberal academic bureaucracy and corporate malfeasance. Jordy is joined here by Annie McClanahan, a scholar of contemporary literature and culture who describes herself as an unruly interloper in the 18th century.

Like Jordy’s novel, their conversation limns the 18th and 21st centuries, taking up 18th century historical concerns and the messy early history of the novel alongside other textual and vernacular forms, but also inviting us to rethink resistance and utopian possibility today through the lens of this earlier moment. Jordy and Annie leapfrog across centuries, reading the 17th century ballad “The Powtes Complaint” in relation to extractivism and environmental justice, theorizing the “riotous, anarchic, queer language of the dispossessed” that characterizes Confessions of the Fox as a kind of historically informed cognitive estrangement for the present, and considering the work theory does (and does not) do in literary works and in academic institutions.

Mentioned in this Episode

Peter Linebaugh, The London Hanged
John Bender, Imagining the Penitentiary
Dean Spade
Samuel Delany’s Return to Nevèrÿon series (Tales of Nevèrÿon, Neveryóna, Flight from Nevèrÿon, Return to Nevèrÿon)
Samuel Richardson’s Pamela
Sal Nicolazzo
Greta LaFleur
“The Powtes Complaint,” first printed in William Dugdale’s The history of imbanking and drayning of divers fenns and marshes, both in forein parts and in this kingdom, and of the improvements thereby extracted from records, manuscripts, and other authentick testimonies (1662)
Fred Moten
Saidiya Hartman
Jordy Rosenberg, “Gender Trouble on Mother’s Day” and “The Daddy Dialectic”
Amy De’Ath, “Hidden Abodes and Inner Bonds,” in After Marx, edited by Colleen Lye and Christopher Nealon
Aziz Yafi, “Digging Tunnels with Pens”
Jasbir Puar

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Nergis Ertürk, "Writing in Red: Literature and Revolution Across Turkey and the Soviet Union" (Columbia UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 18 Dec 2024 09:00:00 +0000

Writing in Red: Literature and Revolution Across Turkey and the Soviet Union (Columbia UP, 2024) examines political relations and literary translations between Turkey and the Soviet Union from the mid-1920s through to the 1960s. By drawing on a wide range of texts – from erotic comedy, historical fiction and film, to socialist realist novels and theatre – Ertürk argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of letters, and the global literary archive of world revolution. A unique textual exploration, Writing in Red offers a new account of global revolutionary literary culture.

Nergis Ertürk is Associate Professor of comparative literature at Pennsylvania State University. She is the author of Grammatology and Literary Modernity in Turkey (2011), which received the Modern Language Association Prize for a First Book, and editor of the Comparative Literature Studies journal.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Tom Jenks, "James Baldwin's Sonny's Blues" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 17 Dec 2024 09:00:00 +0000

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.

Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art.

Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.

Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.

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Margaret Ziolkowski, "Mega-Dams in World Literature: Literary Responses to Twentieth-Century Dam Building" (U of Wyoming Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 15 Dec 2024 09:00:00 +0000

Margaret Ziolkowski’s Mega-Dams in World Literature: Literary Responses to Twentieth-Century Dam Building (University of Wyoming Press, 2022) reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject.

Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad international and cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses, paying particular attention to issues engendered by high modernism and settler colonialism.

In this episode, Ibrahim Fawzy interviews Margaret Ziolkowski about the symbolism of mega-dams, the environmental and social consequences of dam building, as well as the role of literature in critiquing those consequences.

Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature

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Angela Kim Harkins, "Reading with an "I" to the Heavens: Looking at the Qumran Hodayot Through the Lens of Visionary Traditions" (de Gruyter, 2018)

caleb@newbooksnetwork.com (New Books Network) — Fri, 13 Dec 2024 09:00:00 +0000

Reading with an "I" to the Heavens: Looking at the Qumran Hodayot Through the Lens of Visionary Traditions (de Gruyter, 2018) examines the collection of prayers known as the Qumran Hodayot (= Thanksgiving Hymns) in light of ancient visionary traditions, new developments in neuropsychology, and post-structuralist understandings of the embodied subject. The thesis of this book is that the ritualized reading of reports describing visionary experiences written in the first person "I" had the potential to create within the ancient reader the subjectivity of a visionary which can then predispose him to have a religious experience. This study examines how references to the body and the strategic arousal of emotions could have functioned within a practice of performative reading to engender a religious experience of ascent. In so doing, this book offers new interdisciplinary insights into meditative ritual reading as a religious practice for transformation in antiquity.

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Renée Bergland, "Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science" (Princeton UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 13 Dec 2024 09:00:00 +0000

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton University Press, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin’s work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson’s poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world.

Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.

Renée Bergland is professor of literature and creative writing at Simmons University. She is the author of Maria Mitchell and the Sexing of Science: An Astronomer among the American Romantics and The National Uncanny: Indian Ghosts and American Subjects.

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Beth Kaplan, "Finding the Jewish Shakespeare: The Life and Legacy of Jacob Gordin" (Syracuse UP, 2007)

caleb@newbooksnetwork.com (New Books Network) — Thu, 12 Dec 2024 09:00:00 +0000

Born of an Anglican mother and a Jewish father who disdained religion, Kaplan knew little of her Judaic roots and less about her famed great-grandfather until beginning her research, more than twenty years ago.

In Finding the Jewish Shakespeare: The Life and Legacy of Jacob Gordin (Syracuse UP, 2007), Kaplan describes the commune he founded and led in Russia, his meteoric rise among Jewish New York's literati, the birth of such masterworks as Mirele Efros and The Jewish King Lear, and his seething feud with Abraham Cahan, powerful editor of the Daily Forward. Writing in a graceful and engaging style, she recaptures the Golden Age and colorful actors of Yiddish Theater from 1891-1910. Most significantly she discovers the emotional truth about the man himself, a tireless reformer who left a vital legacy to the theater and Jewish life worldwide.

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Samuel Hodgkin, "Persianate Verse and the Poetics of Eastern Internationalism" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 12 Dec 2024 09:00:00 +0000

At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature.

Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale.

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Marissa Greenberg and Rachel Trubowitz, "Milton's Moving Bodies" (Northwestern UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 10 Dec 2024 09:00:00 +0000

Today, I am excited to talk to Marissa Greenberg and Rachel Trubowitz about the new collection of essays they have edited. Milton’s Moving Bodies (Northwestern University Press, 2024) gathers essays from Erin Webster, John Rumrich, Reginald Wilburn, Stephen Fallon, Achsah Guibbory, and Angelica Duran, among others. As our conversation will indicate, each essay has a unique and compelling approach to each of the title’s prompt “Milton’s” and “Moving” and “Bodies.”

Marissa Greenberg is Associate Professor of English at the University of New Mexico. She is the author of Metropolitan Tragedy: Genre, Justice, and the City in Early Modern England (University of Toronto Press, 2015). She has served as a Fellow at UNM’s Division for Equity and Inclusion, where she advocates for academic communities of practice for faculty with disabilities.

Rachel Trubowtiz is Professor of English at the University of New Hampshire. She is the author of Nation and Nurture in Seventeenth-Century English Literature (Oxford University Press, 2012), as well as the principal investigator in the NEH-funded “Milton and Mathematics” project.

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Cristina Vatulescu, "Reading the Archival Revolution: Declassified Stories and Their Challenges" (Stanford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 8 Dec 2024 09:00:00 +0000

The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives.

This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution.

Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010).

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Shannon Gayk, "Apocalyptic Ecologies: From Creation to Doom in Middle English Literature" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 6 Dec 2024 09:00:00 +0000

Shannon Gayk joins Jana Byars to discuss her new book. Apocalyptic Ecologies: From Creation to Doom in Medieval English Literature (University of Chicago Press, 2024) is a meditative reflection on what medieval disaster writing can teach us about how to respond to the climate emergency. When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge.

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That Librarian: The Fight Against Book Banning in America

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Dec 2024 09:00:00 +0000

Today’s book is: That Librarian: The Fight Against Book Banning in America (Bloomsbury, 2024) by Amanda Jones, which offers her story of life as a small-town librarian. One of the things she values most about books is how they can affirm a young person's sense of self. So in 2022, when she caught wind of a local public hearing that would discuss “book content,” she knew what was at stake. Schools and libraries nationwide have been bombarded by demands for books with LGTBQ+ references, discussions of racism, and more to be purged from the shelves. She spoke out that night at the meeting. Days later, she woke up to a nightmare that is still ongoing. Her decision to support a collection of books with diverse perspectives made her a target for extremists using book banning campaigns-funded by dark money organizations and advanced by hard right politicians-in a crusade to make America more white, straight, and "Christian." But she wouldn't give up without a fight: she sued her harassers for defamation and urged others to join her in the resistance. Mapping the book banning crisis occurring all across the nation, That Librarian draws the battle lines in the war against equity and inclusion, calling book lovers everywhere to rise in defense of our readers.

Our guest is: Amanda Jones, who is the school librarian at the same school she attended as a child. She is the author of That Librarian: Fighting Book Banners in Today’s America. She was the 2021 School Library Journal Co-Librarian of the Year, a 2021 Library Journal Mover and Shaker, and the 2020 Louisiana Librarian of the Year. She presents nationally and internationally on the importance of certified school librarians, book joy, and why every child deserves to see themselves reflected in the books on library shelves. Amanda has received intellectual freedom awards from the American Library Association, American Association of School Librarians, and Louisiana Library Association. She is the Executive Director of the Livingston Parish Library Alliance, and a co-founding member of Louisiana Citizens Against Censorship. She lives in Louisiana with her husband, daughter, and their cat.

Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.

Listeners may enjoy this playlist:

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And Soon: Lydia Millet and Emily Hyde

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Dec 2024 09:00:00 +0000

During a desert thunderstorm outside Tucson, Lydia Millet joined the Novel Dialogue conversation with hosts John Plotz and Emily Hyde, with Emily playing the role of critic. Lydia—author more than a dozen novels and story collections and recently the nonfictional We Loved it All (Norton, 2024)—also works at the Center for Biological Diversity. Wild creatures gambol, flap, swim, and crawl their way through her writing and her conversation: we begin in the Garden of Eden but quickly learn that for Lydia human exceptionalism is the original sin, one that continues to bedevil us in “the nuclear era” (or did she say error?). As thunder cracks overhead, she muses on salvation in an exhausted world and the busy lives of Gambel’s Quail. In her recent novels, Lydia has worked to balance the intensely personal with our more communal aspirations: without gossip, she wonders, how do you avoid polemic and the maudlin? Emily praises Lydia’s humor and asks us to consider how a joke—the earnest set-up followed by a sudden deflation—can reconcile our fears and hopes for the future, the daily here-and-now with the magnificent unknowability of the world. Is it humor, comedy, satire, wit? Lydia is “just trying make myself laugh.” She worries, in her life as well as in her writing, about the BS impulse to pretend everything’s ok inside “this emergency, this critical life support dilemma.” We also learn that Lydia will never write historical fiction, despite having a tantalizing family connection to Mark Twain.

Mentions:

Lydia Millet, We Loved it All (2024), A Children’s Bible (2020), Mermaids in Paradise (2014), Oh Pure and Radiant Heart (2005)
Center for Biological Diversity
Gambel’s quail
Oppenheimer, Fermi, Szilard: the three nuclear scientists who vanish from 1945 only to appear in 2003 in Millet’s novel Oh Pure and Radiant Heart
Rachel Carson
Elizabeth Kolbert
Charles Darwin, The Expression of the Emotions in Man and Animals (1872)
Oscar Wilde
Mark Twain
Francis Millet and Archibald Butts

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Recall This Story: Ivan Kreilkamp on Sylvia Townsend Warner's "Foxcastle" (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Dec 2024 09:00:00 +0000

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin.

Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story?

David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner’s taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I’m tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it.

Literature cited:

Ivan has a piece in praise of STW’s 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954).
When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black.
Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion.
Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!")

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Jane Austen's Darkness: A Conversation with Julia Yost

caleb@newbooksnetwork.com (New Books Network) — Wed, 4 Dec 2024 09:00:00 +0000

In this episode of Madison's Notes, we sit down with Julia Yost, senior editor at First Things and author of the new book Jane Austen's Darkness (Wiseblood Books, 2024). Yost offers a fresh and provocative perspective on the beloved novelist, exploring the moral complexities, spiritual struggles, and often-overlooked shadows in Austen’s works. From the subtle critiques of social conventions to the darker undercurrents of human nature woven into her stories, Yost invites us to see Austen not just as a romantic but as a profound moral thinker. Join us for a rich conversation that will deepen your appreciation of Jane Austen’s timeless genius and challenge how we understand her legacy.

Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.

Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.

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Book Chat: Home & Queer Writing – "Ghost Town," with Kevin Chen

caleb@newbooksnetwork.com (New Books Network) — Tue, 3 Dec 2024 09:00:00 +0000

In this episode, our host, Ti-han, invited Taiwanese Queer author, Kevin Chen, to talk about his LGBTQ novel, Ghost Town (Europa Editions, 2022) 鬼地方 and its fever worldwide. In our conversation, Kevin shared with us how he first “come out” as a gay writer in Taiwan in the 90s, and how his writings was influenced by key Taiwanese LGBTQ authors and continue to be shaped by his migratory experiences in Berlin. He also told us how he thinks translation and the transability of a literary work can be useful in terms of authors’ impacts on society. If you’re a fan of Kevin’s writing, you certainly can’t miss this episode!

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Keith Gandal, "Firsthand: How I Solved a Literary Mystery and Learned to Play Kickass Tennis While Coming to Grips with the Disorder of Things" (U Michigan Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 1 Dec 2024 09:00:00 +0000

Firsthand: How I Solved a Literary Mystery and Learned to Play Kickass Tennis While Coming to Grips with the Disorder of Things (U Michigan Press, 2024) is an exploration—both suspenseful and comic—of the creative process in research writing. The book takes the reader through the ins and outs of a specific research journey, from combing through libraries and archives to the intellectual challenges involved with processing information that contradicts established ideas. More fundamentally, it addresses the somewhat mysterious portion of the intellectual process: the creative and serendipitous aspects involved in arriving at a fruitful research question in the first place.

Keith Gandal is Professor of English with a Joint Appointment in American Studies and Creative Writing at The City College of New York. Keith combines this scholarly detective story with a comic personal narrative about how a midlife crisis accidentally sent him on a journey to write a research monograph that many in his profession—including at times himself—were dubious about. While researching how Hemingway, Fitzgerald, and Faulkner faced their forgotten crises of masculinity, Gandal discovers that his own crisis is instrumental to his creative process. Incorporating stories from Gandal’s comic romp through the hyper-competitive world of middle-aged men’s tennis, adopting pitbulls, and discussing Michel Foucault, Firsthand gives readers an inside look at how to acquire accurate knowledge—about the world, about history, and about oneself.

Order Firsthand at the University of Michigan Press website using the discount code HOLIDAY24 to get 50% off for the rest of 2024.

This interview was conducted by Shreya Urvashi, a doctoral researcher of sociology and education based in Toronto, Canada.

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Karen Lystra, "Love and the Working Class: The Inner Worlds of Nineteenth Century Americans" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 30 Nov 2024 09:00:00 +0000

Love and the Working Class: The Inner Worlds of Nineteenth Century Americans (Oxford University Press, 2024) by Dr. Karen Lystra is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the “anonymous corners” of these people's lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends.

As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history.

Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Dr. Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Denys Turner, "Dante the Theologian" (Cambridge UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Wed, 27 Nov 2024 09:00:00 +0000

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.

That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.'

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Sam Sax, "Yr Dead" (McSweeney’s Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 26 Nov 2024 09:00:00 +0000

Sam Sax is a queer, jewish, writer and educator. They're the author of Yr Dead (McSweeney's Books, 2024), longlisted for The National Book Award and PIG named one of the best books of 2023 by New York Magazine and Electric Lit. They're also the author of Madness, winner of The National Poetry Series and Bury It winner of the James Laughlin Award from the Academy of American Poets. They're the two time Bay Area Grand Slam Champion with poems published in The New York Times, The Atlantic, Poetry Magazine, Granta and elsewhere. Sam's received fellowships from The National Endowment for the Arts, The Poetry Foundation, Yaddo, Lambda Lit, MacDowell, and is currently serving as an ITALIC Lecturer at Stanford University.

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Liliana M. Naydan, "Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America" (U Georgia Press, 2021)

caleb@newbooksnetwork.com (New Books Network) — Sat, 23 Nov 2024 09:00:00 +0000

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality.

Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future.

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Ken Krimstein, "Einstein in Kafkaland: How Albert Fell Down the Rabbit Hole and Came Up with the Universe" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 23 Nov 2024 09:00:00 +0000

Between 1911 and 1912, Prague was home to Albert Einstein and Franz Kafka, two of the twentieth-century’s most influential minds. During this brief but remarkable period, their lives intertwined in surprising ways, driven by a shared intellectual restlessness and a desire to confront life’s most profound questions. Einstein in Kafkaland: How Albert Fell Down the Rabbit Hole and Came Up with the Universe (Bloomsbury, 2024) brings to life the overlapping journeys of these two men, exploring how their intellectual pursuits, one rooted in science and the other in literature, unfolded against Prague’s backdrop.

Through a careful examination of Einstein’s letters, lectures, papers from the period, and Kafka’s meticulous diary entries, Ken Krimstein vividly traces Einstein’s year in the city marked by frustration and failure. Ultimately, with the help of Kafka, Einstein is led to groundbreaking insight that reshapes our understanding of the universe. This “lost year” becomes a bridge between months of struggle and the moment of breakthrough many consider “the greatest scientific discovery of all time.”

Ken Krimstein is an award-winning cartoonist, author, and educator whose work has appeared in The New Yorker, The Wall Street Journal, The New York Times, and The Chicago Tribune. He teaches at DePaul University and the School of the Art Institute of Chicago.

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Jordan S. Carroll, "Speculative Whiteness: Science Fiction and the Alt-Right" (U Minnesota Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 22 Nov 2024 09:00:00 +0000

Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. Speculative Whiteness: Science Fiction and the Alt-Right (University of Minnesota Press, 2024) traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future.

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Leila K. Norako, "Monstrous Fantasies: England's Crusading Imaginary and the Romance of Recovery, 1300-1500" (Cornell UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 22 Nov 2024 09:00:00 +0000

Monstrous Fantasies: England's Crusading Imaginary and the Romance of Recovery, 1300-1500 (Cornell University Press, 2024) by Dr. Leila Norako asks why medieval romances reimagining the crusades ending in a Christian victory circulated in England with such abundance after the 1291 Muslim reconquest of Acre, the last of the Latin crusader states in the Holy Land, and what these texts reveal about the cultural anxieties of late medieval England. Dr. Norako highlights the impact that the Ottoman victory and subsequent massacre of Christian prisoners at the battle of Nicopolis in 1396 had on intensifying the popularity of what she calls recovery romance.

These two episodes inspired a sense of urgency over the fate of the Holy Land and of Latin Christendom itself, resulting in the proliferation of romances in which crusading English kings like Richard I and anachronistic legends like King Arthur not only reconquered Jerusalem but committed genocidal violence against the Muslims. These romances, which—as Norako argues—also influenced Geoffrey Chaucer's Canterbury Tales, conjure fantasies of an ascendant global Christendom by rehearsing acts of conquest and cultural annihilation that were impossible to realize in the late Middle Ages. Emphasizing the tension in these texts between nostalgia and anticipation that fuels their narrative momentum, Monstrous Fantasies also explores how the cultural desires for European and Christian hegemony that recovery romances versified were revived in the wake of the so-called wars on terror in the twenty-first century in such films as Kingdom of Heaven and American Sniper.

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Mimi Okabe, "Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 22 Nov 2024 09:00:00 +0000

Little is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society?

Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation (Bloomsbury, 2023) answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as Detective Conan, The Case Files of Young Kindaichi, Death Note and Moriarty the Patriot. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.

Mimi Okabe is an assistant professor of Japanese Language, Literature and Culture at Baruch College.

Amanda Kennell is an Assistant Professor at the University of Notre Dame. Her first book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (2023), is out now.

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All of Our Stories Were War Stories: Jamil Jan Kochai and Kalyan Nadiminti (AV)

caleb@newbooksnetwork.com (New Books Network) — Thu, 21 Nov 2024 09:00:00 +0000

Imagine growing up between Sacramento, California and Logar, Afghanistan; you hear stories about war, watch coverage of the United States’ War on Terror on television, and then visit your family in the very places that the U.S. army invaded and occupied. These experiences shape the work of novelist Jamil Jan Kochai, author of 99 Nights in Logar and The Haunting of Hajji Hotak and Other Stories, which was a finalist for The National Book Award. Jamil joins Northwestern prof. Kalyan Nadiminti and host Aarthi Vadde for a wide-ranging conversation about narrative form and the cycles of war.

We begin by discussing the second person, a technique Jamil uses throughout Hajji Hotak. He describes it as the most “dangerous perspective” for a fiction writer to take because it brings readers to the edge of the immersive world fiction is supposed to create. The second person in The Haunting of Hajji Hotak, from which Jamil reads, forces readers to grapple with our own complicity in the surveillance of Afghan families in the United States and to consider the paradoxical affection that develops between people on opposing sides of war. From there, Jamil, Kalyan, and Aarthi discuss the relationship between video games as mass media and the novel as literary form. Jamil is a huge fan of Final Fantasy 7 (who isn’t?) and talks about how games like Call of Duty (a game he played more ambivalently) perform a recruitment function for the U.S. army. He rewrites that vision of war in more complex terms in his own story “Playing Metal Gear Solid V: The Phantom Pain." Kalyan reflects on how the category of the post-9/11 writer intersects with the War on Terror, and the three of us consider the symbolic function of 9/11 in contemporary fiction written from inside and outside the United States.

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Julian Hanna, "Island" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 21 Nov 2024 09:00:00 +0000

Darwin called the Galápagos archipelago “a little world within itself,” unaffected by humans and set on its own evolutionary path – strange, diverse, and unique. Islands are repositories of unique cultures and ways of living, seed banks built up in relative isolation. Island is an archipelago of ideas, drawing from research and first-hand experience living, working, and travelling to islands as far afield as Madeira and Cape Verde, Orkney and Svalbard, the Aran Islands and the Gulf Islands, Hong Kong and Manhattan.

Islands have long been viewed as both paradise and prison – we project onto them our deepest desires for freedom and escape, but also our greatest fears of forced isolation. This book asks: what can islands teach us about living sustainably, being alone or coexisting with others, coping with uncertainty, and making do?

Island (Bloomsbury, 2024) by Dr. Julian Hanna, part of the Object Lessons series, explores these and other questions and ideas, but is constructed above all from the stories and experiences gathered during a lifetime of island hopping.

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Ramie Targoff, "Shakespeare's Sisters: Four Women Who Wrote the Renaissance" (Knopf, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 20 Nov 2024 09:00:00 +0000

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare

In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles.

These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

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Lena-Sofia Tiemeyer, "In Search of Jonathan: Jonathan Between the Bible and Modern Fiction" (Oxford UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 17 Nov 2024 09:00:00 +0000

In both modern fiction and the biblical texts of 1 Samuel 13-2 Samuel 1, the character of Jonathan serves as a key literary and theological figure. Throughout In Search of Jonathan: Jonathan Between the Bible and Modern Fiction (Oxford UP, 2023), Lena-Sofia Tiemeyer interprets Jonathan's portrayal in traditional biblical literature and modern fiction. Each chapter provides first an analysis of Jonathan's characterization in 1-2 Samuel, followed by an examination of the depictions of Jonathan in modern fiction. Together, biblical and modern literature demonstrate how fictional retellings deepen and challenge the ways that scholars interpret Jonathan's character.

Throughout the volume, Tiemeyer offers an interpretation of Jonathan as a plausible and psychologically consistent character while grappling with questions posed by his actions in the text. Tiemeyer asks, what kind of man is Jonathan who shows initiative and daring leadership ability, but who is also willing to lay down his crown before the usurper David's feet in humble submission? What kind of son is Jonathan who rebels against his father and takes David's part in the conflict between him and Saul, yet remains loyal to Saul until the bitter end on Mount Gilboa?

To answer these questions, Tiemeyer considers depictions of Jonathan in modern fiction. Modern approaches, as Tiemeyer discusses, illuminate dormant yet integral aspects of the biblical texts. These modern retellings highlight, transform, and subvert the biblical portrayal of Jonathan. Posing these questions to the reader and other biblical scholars, Tiemeyer challenges the ways that scholars perceive Jonathan and his portrayals across biblical and modern literature.

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Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 16 Nov 2024 09:00:00 +0000

In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.

Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.

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Hannah Pollin-Galay, "Occupied Words: What the Holocaust Did to Yiddish" (U Pennsylvania Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 15 Nov 2024 09:00:00 +0000

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanisation of the Shoah, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harboured profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyse these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish (University of Pennsylvania Press, 2024), Dr. Hannah Pollin-Galay explores Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions.

Occupied Words: What the Holocaust Did to Yiddish (U Pennsylvania Press, 2024) investigates Khurbn Yiddish through the lenses of cultural history, philology, and literary interpretation. Analysing fragments of language consciousness left behind from the camps and ghettos alongside the postwar journeys of three intellectuals—Nachman Blumental, Israel Kaplan and Elye Spivak—Dr. Pollin-Galay seeks to understand why people chose Yiddish lexicography as a means of witnessing the Holocaust. She then turns to the Khurbn Yiddish words themselves, focusing on terms related to theft, the German-Yiddish encounter and the erotic female body. Here, the author unearths new perspectives on how Jews experienced daily life under Nazi occupation, while raising questions about language and victimhood. Lastly, the book explores how writers turned ghetto and camp slang into art—highlighting the poetry and fiction of K. Tzetnik (Yehiel Di-Nur) and Chava Rosenfarb. Ultimately, Occupied Words speaks to broader debates about cultural genocide, asking how we might rethink the concept of genocide through the framework of language.

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Tyler W. Williams, "If All the World Were Paper: A History of Writing in Hindi" (Columbia UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 14 Nov 2024 09:00:00 +0000

In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures.

To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy of a sacred scripture - in order to pose and then apply the questions about writing, textuality, and performance that the chapter addresses. By combining distant and close reading that is mindful of the materiality of these manuscripts, Tyler reveals literary, intellectual, and religious practices that we would otherwise be unable to see.

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Vaughn Scribner, "Merpeople: A Human History" (Reaktion Books, 2020)

caleb@newbooksnetwork.com (New Books Network) — Wed, 13 Nov 2024 09:00:00 +0000

Vaughn Scribner joins Jana Byars on the occasion of the paperback edition of Merpeople: A Human History (Reaktion, 2024) People have been fascinated by merpeople and merfolk since ancient times. From the sirens of Homer’s Odyssey to Hans Christian Andersen’s The Little Mermaid and the film Splash, myths, stories, and legends of half-human, half-fish creatures abound. In modern times “mermaiding” has gained popularity among cosplayers throughout the world. In Merpeople: A Human History, Vaughn Scribner traces the long history of mermaids and mermen, taking in a wide variety of sources and using 117 striking images. From film to philosophy, church halls to coffee houses, ancient myth to modern science, Scribner shows that mermaids and tritons are—and always have been—everywhere.

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Mary Lindemann and Deanna Shemek, "Redreaming the Renaissance: Essays on History and Literature in Honor of Guido Ruggiero" (U Delaware Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 10 Nov 2024 09:00:00 +0000

Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.

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Sharonah Esther Fredrick, "An Unholy Rebellion, Killing the Gods: Political Ideology and Insurrection in the Mayan Popul Vuh and the Andean Huarochiri Manuscript" (U Nebraska Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 10 Nov 2024 09:00:00 +0000

An Unholy Rebellion, Killing the Gods: Political Ideology and Insurrection in the Mayan Popul Vuh and the Andean Huarochiri Manuscript (University of Nebraska Press, 2024) is the first comprehensive comparison of two of the greatest epics of the Indigenous peoples of Latin America: the Popul Vuh of the Quiché Maya of Guatemala and the Huarochiri Manuscript of Peru's lower Andean regions. The rebellious tone of both epics illuminates a heretofore overlooked aspect in Latin American Indigenous colonial writing: the sense of political injustice and spiritual sedition directed equally at European-imposed religious practice and at aspects of Indigenous belief. The link between spirituality and political upheaval in Native colonial writing has not been sufficiently explored until this work.

Sharonah Esther Fredrick applies a multidisciplinary approach that utilizes history, literature, archaeology, and anthropology in equal measure to situate the Mayan and Andean narratives within the paradigms of their developing civilizations. An Unholy Rebellion, Killing the Gods decolonizes readers' perspective by setting Mayan and Andean authorship center stage and illustrates the schisms and shifts in Native civilizations and literatures of Latin America in a way that other literary studies, which relegate Native literature as a prelude to Spanish-language literature, have not yet done. By demonstrating the power of Native American philosophy within the context of the conquest of Latin America, Fredrick illuminates the profound spiritual dissension and radically conflicting ideologies of the Mesoamerican and Andean worlds before and after the Spanish Conquest.

Books mentioned:

Breaking the Maya Code by Michael Coe
The Huarochiri Manuscript translated by Frank Salomon
Popol Vuh translated by Dennis Tedlock

Sharonah Esther Fredrick teaches in the College of Charleston's Department of Hispanic Studies. She is the Colonial Americas editor for Routledge Resources Online--The Renaissance World.

Caleb Zakarin is editor of the New Books Network.

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Non-literary Fiction

caleb@newbooksnetwork.com (New Books Network) — Sat, 9 Nov 2024 09:00:00 +0000

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022).

In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch’s book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice.

Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008).

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Texas Book Festival 2024: November 16-17

caleb@newbooksnetwork.com (New Books Network) — Fri, 8 Nov 2024 09:00:00 +0000

I spoke with Hannah Gabel, Literary Director of the Texas Book Festival. The Festival first began in 1995, and has since donated over $3.5 million to Texas public libraries and hundreds of thousands of books to students across the state. This year, more than 250 authors will speak and 40,000 people are expected to attend. The festival takes place in downtown Austin, Texas on November 16th and 17th this year and is free and open to all who wish to attend. I’m excited today to speak with Hannah about what people can expect from this incredible event.

Books mentioned in this intervew:

Bone of the Bone by Sarah Smarsh
Trippy by Ernesto Londoño
We Are Home by Ray Suarez
Our Hidden Conversations by Michele Norris
The God of the Woods by Liz Moore
Real Americans by Rachel Khong
Five-Star Stranger by Kat Tang
The Alchemist by Paulo Coelho
Martyr! by Kaveh Akbar
Greenlights by Matthew McConaughey

Hannah Gabel is the Literary Director of Texas Book Festival. She also runs the book blog, Bookmarkparty.

Caleb Zakarin is Editor of the New Books Network.

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Roni Henig, "On Revival: Hebrew Literature Between Life and Death" (U Pennsylvania Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 7 Nov 2024 09:00:00 +0000

On Revival: Hebrew Literature Between Life and Death (U Pennsylvania Press, 2024) is a critique of one of the most important tenets of Zionist thinking: "Hebrew revival," or the idea that Hebrew--a largely unspoken language before the twentieth century--was revitalized as part of a broader national "revival" which ultimately led to the establishment of the Israeli nation-state. This story of language revival has been commemorated in Israeli popular memory and in Jewish historiography as a triumphant transformation narrative that marks the success of the Zionist revolution. But a closer look at the work of early twentieth-century Hebrew writers reveals different sentiments.

Roni Henig explores the loaded, figurative discourse of revival in the work of Hebrew authors and thinkers working roughly between 1890 and 1920. For these authors, the language once known as "the holy tongue" became a vernacular in the making. Rather than embracing "revival" as a neutral, descriptive term, Henig takes a critical approach, employing close readings of canonical texts to analyze the primary tropes used to articulate this aesthetic and political project of "reviving" Hebrew. She shows that for many writers, the national mission of language revival was entwined with a sense of mourning and loss. These writers perceived--and simultaneously produced--the language as neither dead nor fully alive. Henig argues that it is this figure of the living-dead that lies at the heart of the revival discourse and which is constitutive of Jewish nationalism.

On Revival contributes to current debates in comparative literary studies by addressing the limitations of the national language paradigm and thinking beyond concepts of origin, nativity, and possession in language. Informed by critical literary theory, including feminist and postcolonial critiques, the book challenges Zionism's monolingual lens and the auto-Orientalism involved in the project of revival, questioning charged ideological concepts such as "native speaker" and "mother tongue."

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8.3 Aspire to Magic but End Up With Madness: Adam Ehrlich Sachs speaks with Sunny Yudkoff (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 7 Nov 2024 09:00:00 +0000

What happens when a novelist wants “nonsense and joy” but his characters are destined for a Central European sanatorium? How does the abecedarian form (i.e. organized not chronologically or sequentially but alphabetically) insist on order, yet also embrace absurdity? Here to ponder such questions with host John Plotz are University of Wisconsin–Madison’s Sunny Yudkoff (last heard on ND speaking with Sheila Heti) and Adam Ehrlich Sachs, author of Inherited Disorders, The Organs of Sense, and the recently published Gretel and the Great War.

Sachs has fallen under the spell of late Habsburg Vienna, where the polymath Ludwig Wittgenstein struggled to make sense of Boltzmann’s physics, Arnold Schoenberg read the acerbic journalist Karl Kraus, and everyone, Sachs suspects, was reading Grimms’ Fairy Tales, searching for the feeling of inevitability only narrative closure can provide. Beneath his OULIPO-like attachment to arbitrary orders and word-games, though, Sachs admits to a desire for chaos.

Thomas Bernhard, later 20th century Austrian experimental novelist
Heinrich von Kleist, “Michael Kohlhass” Romantic-era German writer
Italo Calvino,If on a Winter’s Night a Traveler
OULIPO Home of French literary experimentalists like Perec and Raymond Queneau
Georges Perec’s most famous experiment is Life: A User’s Manual (although John is devoted to “W: or the Memory of Childhood”)
Dr. Seuss, On Beyond Zebra! (ignore John calling the author Dr Scarry, which was a scary mistake.,..)
Marcel Proust: was he a worldbuilder and fantasist, as Nabokov says or, as Doris Lessing claims, principally an anatomist of French social structures, a second Zola?
Franz Kafka is unafraid of turning his character into a bug in a story’s first sentence.
Virginia Woolf in Mrs. Dalloway offers the reader a mad (Septimus) and a sane (Mrs Dalloway herself) version of stream of consciousness: how different are they?
Cezanne, for example The Fisherman (Fantastic Scene)
The Pointillism of painters like Georges Seurat

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Roberto Morales-Harley, "The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater” (Open Book, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 7 Nov 2024 09:00:00 +0000

The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater (Open Book, 2024) presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors.

This book draws on a wide variety of sources, including Iliad, Phoenix, Rhesus and Cyclops (Greco-Roman) as well as Mahābhārata, The Embassy, The Five Nights and The Middle One (Sanskrit). The result is a well-supported argument which presents us with the possibility of cultural exchange between the Greco-Roman world and India – a possibility which, though hypothetical, is worth acknowledging.

This book is available open access here.

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Doyle D. Calhoun, "The Suicide Archive: Reading Resistance in the Wake of French Empire" (Duke UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 6 Nov 2024 09:00:00 +0000

A note about content:

This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.

This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press.

“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.

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Filippo Gianferrari, "Dante's Education: Latin Schoolbooks and Vernacular Poetics" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 6 Nov 2024 09:00:00 +0000

In fourteenth-century Italy, literacy became accessible to a significantly larger portion of the lay population (allegedly between 60 and 80 percent in Florence) and provided a crucial means for the vernacularization and secularization of learning, and for the democratization of citizenship.

In Dante's Education: Latin Schoolbooks and Vernacular Poetics (Oxford University Press, 2024), Filippo Gianferrari demonstrate that Dante Alighieri's education and oeuvre sit squarely at the heart of this historical and cultural transition and provide an ideal case study for investigating the impact of Latin education on the consolidation of autonomous vernacular literature in the Middle Ages, a fascinating and still largely unexamined phenomenon. On the basis of manuscript and archival evidence, Gianferrari reconstructs the contents, practice, and readings of Latin instruction in the urban schools of fourteenth-century Florence. It also shows Dante's continuous engagement with this culture of teaching in his poetics, thus revealing his contribution to the expansion of vernacular literacy and education. The book argues that to achieve his unprecedented position of authority as a vernacular intellectual, Dante conceived his poetic works as an alternative educational program for laypeople, who could read and write in the vernacular but had little or no proficiency in Latin. By reconstructing the culture of literacy shared by Dante and his lay readers, Dante's Education shifts critical attention from his legacy as Italy's national poet, and a "great books" author in the Western canon, to his experience as a marginal intellectual engaged in advancing a marginal culture.

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Hannah Weaver, "Experimental Histories: Interpolation and the Medieval British Past" (Cornell UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 4 Nov 2024 09:00:00 +0000

In Experimental Histories: Interpolation and the Medieval British Past (Cornell University Press, 2024), Dr. Hannah Weaver examines the mediaeval practice of interpolation—inserting material from one text into another—which is often categorised as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of mediaeval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in mediaeval historiography can be found in these altered narratives of the past.

For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analysing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in mediaeval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.

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Thinking Machines: The First AI Takeover Story

caleb@newbooksnetwork.com (New Books Network) — Sat, 2 Nov 2024 08:00:00 +0000

It’s the UConn Popcast, and in the second of our series on Thinking Machines we consider Karel Čapek’s “Rossum’s Universal Robots” (1920). Čapek’s play invented the word “robot” and pioneered the genre of the AI uprising. The play - a clear influence on works such as 2001, Blade Runner, The Terminator, and Battlestar Galactica – is a deep rumination on the boundary between the natural and artificial, the mechanical and the ineffable, and the sacred and the profane.

We react to this seminal work in popular thinking about artificial intelligence, written more than a century ago yet retaining deep resonance today.

Music by Aiva.

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Jonathan A. Allan, "Uncut: A Cultural Analysis of the Foreskin" (U Regina Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 2 Nov 2024 08:00:00 +0000

The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.

Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.

Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?

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Angel Daniel Matos, "The Reparative Impulse of Queer Young Adult Literature" (Routledge, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 1 Nov 2024 08:00:00 +0000

The Reparative Impulse of Queer Young Adult Literature (Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts.

The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.

The Open Access version of this book, available here, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Peter C. Kunze is an assistant professor of communication at Tulane University.

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Ghosts In Our Fields

caleb@newbooksnetwork.com (New Books Network) — Fri, 1 Nov 2024 08:00:00 +0000

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare!

This episode features (in order of appearance)

Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa.
Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN.
Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life.
Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal.
Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace.
Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference.
Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party.
Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics.
John Linstrom on Liberty Hyde Bailey’s Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere.

The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu.

Boo!

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Georgia Henley, "Reimagining the Past in the Borderlands of Medieval England and Wales" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 1 Nov 2024 08:00:00 +0000

Challenging the standard view that England emerged as a dominant power and Wales faded into obscurity after Edward I's conquest in 1282, Reimagining the Past in the Borderlands of Medieval England and Wales (Oxford University Press, 2024) by Dr. Georgia Henley considers how Welsh (and British) history became an enduringly potent instrument of political power in the late Middle Ages.

Brought into the broader stream of political consciousness by major baronial families from the March (the borderlands between England and Wales), this inventive history generated a new brand of literature interested in succession, land rights, and the origins of imperial power, as imagined by Geoffrey of Monmouth. These marcher families leveraged their ancestral, political, and ideological ties to Wales in order to strengthen their political power, both regionally and nationally, through the patronage of historical and genealogical texts that reimagined the Welsh past on their terms. In doing so, they brought ideas of Welsh history to a wider audience than previously recognized and came to have a profound effect on late medieval thought about empire, monarchy, and succession.

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Alistaire Tallent, "Fictions of Pleasure: The Putain Memoirs of Prerevolutionary France" (U Delaware Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 31 Oct 2024 08:00:00 +0000

Alistaire Tallent joins Jana Byars to talk about her new book, Fictions of Pleasure: The Putain Memoirs of Prerevolutionary France (University of Delaware Press, 2024). Out of the libertine literary tradition of eighteenth-century France emerged over a dozen memoir novels of female libertines who eagerly take up sex work as a means of escape from the patriarchal control of fathers and husbands to pursue pleasure, wealth, and personal independence outside the private, domestic sphere. In these anonymously published novels, the heroines proudly declare themselves prostitutes, or putains, and use the desire they arouse, the professional skills they develop, and the network of female friends they create to exploit, humiliate, and financially ruin wealthy and powerful men. In pursuing their desires, the putains challenge contemporary notions of womanhood and expose the injustices of ancien-régime France. Until the French Revolution spelled the end of the genre, these novels proposed not only an appealing libertine utopia in which libertine women enjoy the same benefits as their male counterparts but also entirely new ways of looking at systems of power, gender, and sexuality.

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Lennard J. Davis, "Poor Things: How Those with Money Depict Those Without It" (Duke UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 30 Oct 2024 08:00:00 +0000

In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized.

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Bihani Sarkar, "Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India" (I. B. Tauris, 2021)

caleb@newbooksnetwork.com (New Books Network) — Wed, 30 Oct 2024 08:00:00 +0000

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries.

Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.

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Sarah Dimick, "Unseasonable: Climate Change in Global Literatures" (Columbia UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 29 Oct 2024 08:00:00 +0000

As climate change alters seasons around the globe, literature registers and responds to shifting environmental time. A writer and a fisher track the distribution of beach trash in Chennai, chronicling disruptions in seasonal winds and currents along the Bay of Bengal. An essayist in the northeastern United States observes that maple sap flows earlier now, prompting him to reflect on gender and seasons of transition. Poets affiliated with small island nations arrive in Paris for the United Nations climate summit, revamping the occasional poem to attest to intensifying storm seasons across the Pacific.

In Unseasonable: Climate Change in Global Literatures (Columbia UP, 2024), Sarah Dimick links these accounts of shifting seasons across the globe, tracing how knowledge of climate change is constructed, conveyed, and amplified via literature. She documents how the unseasonable reverberates through environmentally privileged and environmentally precarious communities. In chapters ranging from Henry David Thoreau’s journals to Alexis Wright’s depiction of Australia’s catastrophic bushfires, from classical Tamil poetry to repeat photography, Dimick illustrates how seasonal rhythms determine what flourishes and what perishes. She contends that climate injustice is an increasingly temporal issue, unfolding not only along the axes of who and where but also in relation to when. Amid misaligned and broken rhythms, attending to the shared but disparate experience of the unseasonable can realign or sharpen solidarities within the climate crisis.

Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.

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Kristopher Jansma, "Our Narrow Hiding Places" (Ecco, 2024), "Revisionaries" (Quirk Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 28 Oct 2024 08:00:00 +0000

Kristopher grew up in Lincroft, New Jersey. He received his B.A. in The Writing Seminars from Johns Hopkins University and an M.F.A. in Fiction from Columbia University. He is the author of the critically-acclaimed novels, OUR NARROW HIDING PLACES (Ecco/2024) WHY WE CAME TO THE CITY (Viking/2016) and THE UNCHANGEABLE SPOTS OF LEOPARDS, (Viking/2013). His book of essays on the creative process is REVISIONARIES: WHAT WE CAN LEARN FROM THE LOST, UNFINISHED, AND JUST PLAIN BAD WORK OF GREAT WRITERS. And Kristopher is the director of the creative program and SUNY New Paltz.

Recommended Books:

E. Lily Yu Break Blow Burn and Make
Kate Hamilton, Mad Wife

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Dennis Wuerthner, "Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo" (U Hawaii Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 28 Oct 2024 08:00:00 +0000

Dr. Dennis Wuerthner’s Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo (U Hawaii Press, 2024) is the first complete English translation of one of the oldest extant Korean source materials. The scholar, Yi Illo (1152–1220), filled this collection with poetry by himself and diverse writers, ranging from Chinese master poets and Koryŏ-era kings, to long-forgotten lower-level officials and rural scholars. The verse compositions are embedded in short narratives by Yi that provide context for the poems, a combination called sihwa.

The book contains a comprehensive introduction that explores the lives of Yi Illo and his contemporaries, and the political landscape at the time this collection came into being. The translation itself is richly annotated to provide context to the allusions and to explore possible meanings.

The publication is an excellent resource for readers interested in the political and social environment of the Koryŏ Dynasty (918–1392) and for anyone with a love for poetry and prose.

Dr. Dennis Wuerthner is assistant professor of East Asian literature in the Department of World Languages and Literatures, at Boston University. He holds a PhD from Ruhr University in Bochum and his main field of research is Korean literature, history and culture in a broader East Asian context.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.

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Eve Dunbar, "Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation" (U Minnesota Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 27 Oct 2024 08:00:00 +0000

Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.

Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal.

While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion.

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To Gallop Again and Again into Failure: Kaveh Akbar and Pardis Dabashi (SW)

caleb@newbooksnetwork.com (New Books Network) — Fri, 25 Oct 2024 08:00:00 +0000

An unforgettable horse gallops through the pages of Kaveh Akbar’s best-selling novel Martyr! (2024), but it is a figurative hastening toward failure and the limitations of language that Akbar discusses with critic Pardis Dabashi. In their conversation, Kaveh considers writing both as an escape from the confines of the self and as a vehicle for expressing its contradictions. Together they explore which forms might best capture the ambivalence and polyphony of the human mind, the contours of Iranian American identity, and the spiritual beauty of everyday existence. Whether discussing neurolinguistics or the affordances of poetry, Kaveh contemplates the limits of language: how can we write what we think, when we struggle to know what—or how—we think? This conversation goes deep into the psyche in order to reach far beyond it. Even Kaveh’s deeply personal response to the signature question demonstrates that the places farthest away from us may also be found within.

Mentioned in this episode

By Kaveh Akbar:

Also mentioned:

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Seth Kimmel, "The Librarian's Atlas: The Shape of Knowledge in Early Modern Spain" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 23 Oct 2024 08:00:00 +0000

In The Librarian's Atlas: The Shape of Knowledge in Early Modern Spain (U Chicago Press, 2024) Seth Kimmel explores the material history of libraries to challenge debates about the practice and politics of information management in early modern Europe. Ancient bibliographers and medieval scholastics, Kimmel reminds us, imagined the library as a microcosm of the world, but for early modern scholars, the world was likewise a projection of the library. This notion, at first glance, may seem counterintuitive, especially as reports from late fifteenth- and sixteenth-century explorers in the New World slowly refined-but also destabilized-the Old World's cosmographic and historical consensus.

Yet the mapping and ethnographic projects commissioned by early modern rulers, like Spain's Charles V and Philip I, anxious to comprehend and inventory their far-flung territorial possessions in the Americas, nevertheless relied heavily on methods of information management honed in the library. Kimmel focuses on the period that marked the birth of both print and transatlantic exploration. Through close readings of a wide array of materials-library catalogues, marginal glosses, book indexes, biblical commentaries, dictionaries and thesauruses, natural histories, and maps-Kimmel shows how the book-lover's dream of total knowledge in an era of "too much information" helped to shape the early modern period's expanded sense of the world itself. The book should find its audience among scholars of early modern European history, specialists in the early modern cultures of the Mediterranean and Iberia, and a range of students interested in the history of the book and of maps.

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Benjamin Bergholtz, "Swallowing a World: Globalization and the Maximalist Novel" (U Nebraska Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 21 Oct 2024 08:00:00 +0000

Swallowing a World: Globalization and the Maximalist Novel (U Nebraska Press, 2024) offers a new theorization of the maximalist novel. Though it’s typically cast as a (white, male) genre of U.S. fiction, maximalism, Benjamin Bergholtz argues, is an aesthetic response to globalization and a global phenomenon in its own right.

Bergholtz considers a selection of massive and meandering novels that crisscross from London and Lusaka to Kingston, Kabul, and Kashmir and that represent, formally reproduce, and ultimately invite reflection on the effects of globalization. Each chapter takes up a maximalist novel that simultaneously maps and formally mimics a cornerstone of globalization, such as the postcolonial culture industry (Salman Rushdie’s Midnight’s Children), the rebirth of fundamentalism (Zadie Smith’s White Teeth), the transnational commodification of violence (Marlon James’s A Brief History of Seven Killings), the obstruction of knowledge by narrative (Zia Haider Rahman’s In the Light of What We Know), and globalization’s gendered, asymmetrical growth (Namwali Serpell’s The Old Drift).

By reframing analysis of maximalism around globalization, Swallowing a World not only reimagines one of the most perplexing genres of the late twentieth and early twenty-first centuries but also sheds light on some of the most perplexing political problems of our precarious present.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.

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Sonja Stojanovic, "Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French" (Liverpool UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 20 Oct 2024 08:00:00 +0000

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.

The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers’ investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature’s power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted.

Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University

Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024).

Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019)

Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016)

LINKED IN.

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Amy Reading, "The World She Edited: Katharine S. White at The New Yorker" (Mariner Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 18 Oct 2024 08:00:00 +0000

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.

The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.

White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life.

Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community.

Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018.

Recommended Books:

Catherine Lacey, Biography of X
Clara Bingham, The Movement
Maggie Dougherty, The Equivalents

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Christopher Smith, "Samurai with Telephones: Anachronism in Japanese Literature" (U Michigan Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 18 Oct 2024 08:00:00 +0000

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects.

From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives.

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Suganya Anandakichenin, "The Monsoon Cloud: Poet Kāḷamēkam and His Irreverent Poetry" (Primus, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 17 Oct 2024 08:00:00 +0000

A wordsmith, an extempore poet and a satirist, Kāḷamēkam (also known as Kāḷamēka Pulavar; fifteenth century) is widely known for his taṉippāṭals or 'self-contained verses', on a panoply of topics. These splendid but notoriously provocative verses were composed during a transitional phase of Tamil literature, by now in deep conversation with Sanskrit poetics and poetic language, thereby yielding an incredibly rich and innovative poetry. Kāḷamēkam sings of courtesans, fellow humans, of gods, of animals, praises them, derides them, and insults them, using sarcasm, dry wit, and criticism, combined with śleṣas and yamakas, samasyās and nindāstutis.

The Monsoon Cloud: Poet Kāḷamēkam and His Irreverent Poetry (Primus, 2024) seeks to introduce this brilliant poet and his timeless and influential poetry, while analysing his humour, worldview, personal values, and devotion.

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Beth Blum on Self-Help, Dale Carnegie to Today (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 17 Oct 2024 08:00:00 +0000

Beth Blum, Assistant Professor of English at Harvard, is the author of The Self-Help Compulsion (Columbia University Press 2019). In 2020, she spoke with John about how self-help went from its Victorian roots (worship greatness!) to the ingratiating unctuous style prescribed by the other-directed Dale Carnegie (everyone loves the sound of their own name) before arriving at the “neo-stoical” self-help gurus of today, who preach male and female versions of “stop apologizing!” You’ll laugh, you’ll cry, you’ll either help yourself or learn how to stop caring.

Mentioned

Dale Carnegie, How to Win Friends and Influence People (1936)
Rachel Hollis, Girl, Stop Apologizing (2019)
Mark Manson, The Subtle Art of Not Giving a F**k (2016)
Richard Carlson, Don’t Sweat the Small Stuff…. (1997)
Alain de Botton, How Proust Can Change Your Life (2012)
New Thought (philosophy? religious movement?)
Samuel Smiles, Self-Help; with Illustrations of Character and Conduct (1859)
Orison Swett Marden, How to Succeed (1896)
David Riesman et al. The Lonely Crowd (1950)
Dale Carnegie, How to Stop Worrying and Start Living (1945)
Helen Gurley Brown, Having It All (1982)
Micki McGee, Self-Help Inc. (2007; concept of”self-belabourment”)
Tiffany Dufu, Drop the Ball: Achieving More by Doing Less
Jenny Odell, How to Do Nothing (2019)
Sarah Knight, The Life-Changing Magic Art of Not Giving a Fuck (2015)

Recallable books

Epictetus, Handbook (125 C.E.)
Sheil Heti, How Should a Person Be (2012)
Adam Smith, Theory of Moral Sentiments (1759)
Joseph Conrad Nostromo (1904)

Read Here:

38 Beth Blum on Self-Help from Carnegie to Today

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Psychoanalytic Defense Mechanisms in James Baldwin’s "Tell Me How Long the Train's Been Gone"

caleb@newbooksnetwork.com (New Books Network) — Wed, 16 Oct 2024 08:00:00 +0000

This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.

Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.

Tell Me How Long the Train's Been Gone is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.

It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, Where Do We Go From Here: Chaos or Community?

Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.

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P. Djèlí Clark on Why He Writes

caleb@newbooksnetwork.com (New Books Network) — Mon, 14 Oct 2024 08:00:00 +0000

P. Djèlí Clark is the author of acclaimed and award-winning speculative fiction, including the much-loved Dead Djinn universe books, Ring Shout, and his most recent, The Dead Cat Tail Assassins.

We speak with him about why he writes, how he sees speculative fiction as a genre, whether we can expect to see more Dead Djinn books, the origins of his acclaimed novella Ring Shout, his new book The Dead Cat Tail Assassins (Tordotcom, 2024), and much more.

For our conversation about the author’s academic work in history, see our previous episode: “Dexter Gabriel: Slavery and Film, Creativity and Academia, and Is Slavery a Good Metaphor for AI?”

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V. Domontovych, "On Shaky Ground" (CEU Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 14 Oct 2024 08:00:00 +0000

In this episode host, Andrea Talabér (CEU Press) sits down with Oksana Rosenblum, the translator of the new addition to our CEU Press Classics series, On Shaky Ground by V. Domontovych. We talk about Domontovych’s background, the process of translation, and about Oksana’s own memories of reading the book for the first time in the early 1990s.

On Shaky Ground is a modernist novel written in the late 1930s and early 1940s and was originally published in Nazi occupied Kharkiv in 1942. The novel is one of the best examples of Ukrainian intellectual fiction of the time.

The translation and publication of this book was supported by the European Union under the House of Europe programme.

You can purchase a paperback copy here.

The book is also available on Kindle

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.

Interested in CEU Press’s publications? Click here to find out more.

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Helena Taylor, "Women Writing Antiquity: Gender and Learning in Early Modern France" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 13 Oct 2024 04:00:00 +0000

Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers.

Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.

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Cami D. Agan, "Cities and Strongholds of Middle-earth: Essays on the Habitations of Tolkien's Legendarium" (Mythopoeic Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 12 Oct 2024 08:00:00 +0000

The 13 essays collected in Cities and Strongholds of Middle-earth: Essays on the Habitations of Tolkien's Legendarium (Mythopoeic Press, 2024) foreground processes of making and constructing Arda -- either within the Secondary world or for readers/viewers -- and thus continually assert that the habitations form a vital part of the tales within that world. Because they assume a complex arrangement complete with social, familial, artistic, and political relations, cities and strongholds often define their inhabitants as crafting boundaries between themselves and the outside, the visitor, and the unknown. These essays reveal that all cities and strongholds of the legendarium function as makers of meaning, containers of relations, outposts of history, and evocations of the Past.

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Eunsong Kim, "The Politics of Collecting: Race and the Aestheticization of Property" (Duke UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 12 Oct 2024 08:00:00 +0000

In The Politics of Collecting: Race and the Aestheticization of Property (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.

Eunsong Kim is Associate Professor of English at Northeastern University.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Kanupriya Dhingra, "Old Delhi's Parallel Book Bazaar" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 11 Oct 2024 08:00:00 +0000

Old Delhi's Parallel Book Bazaar (Cambridge UP, 2024) looks at Old Delhi's Daryaganj Sunday Book Market, popularly known as Daryaganj Sunday Patri Kitab Bazaar, as a parallel location for books and a site of resilience and possibilities. The first section studies the bazaar's spatiality - its location, relocation, and spatialization. Three actors play a major role in creating and organising this spatiality: the sellers, the buyers, and the civic authorities. The second section narrativizes the biographies of the booksellers of Daryaganj to offer a map of the hidden social and material networks that support the informal modes of bookselling. Amidst order and chaos, using their specialised knowledge, Daryaganj booksellers create distinctive mechanisms to serve the diverse reading public of Delhi. Using ethnography, oral interviews, and rhythmanalysis, this Element tells a story of urban aspirations, state-citizen relations, official and unofficial cultural economies, and imaginations of other viable worlds of being and believing.

Dr Kanupriya Dhingra is an Assistant Professor and Assistant Dean at the Jindal School of Languages and Literature, O.P. Jindal Global University (India). She researches the History of the Book and Print Cultures, focusing on Delhi (India), from an ethnographic perspective. She earned her doctorate under the Felix Scholarship Fund from SOAS, University of London in 2021, on her dissertation titled “Daryaganj’s Parallel Book History”, which became this Element. She has also published in journals such as The Caravan, Himal SouthAsian and Seminar Magazine. She is also deeply interested in Hindi, Punjabi, and Urdu poetry, especially that of Amrita Pritam, and continues to research and translate it. Her creative writing and translations have appeared in Indian Literature (A Sahitya Akademi imprint), Scroll, Indian Writers Forum, Guftgu, Aainanagar, and Antiserious. Currently, she is working on translations of Krishna Sobti and Amrita Pritam.

SM Khalid is a doctoral student at the University of Oxford, working comparatively on postcolonial satire in South Asia in Hindi, Urdu and English.

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Satoru Hashimoto, "Afterlives of Letters: The Transnational Origins of Modern Literature in China, Japan, and Korea" (Columbia UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 11 Oct 2024 08:00:00 +0000

When East Asia opened itself to the world in the nineteenth century, Chinese, Japanese, and Korean intellectuals had shared notions of literature because of the centuries-long cultural exchanges in the region. As modernization profoundly destabilized cultural norms, they ventured to create new literature for the new era.

Satoru Hashimoto offers a novel way of understanding the origins of modern literature in a transregional context, drawing on Chinese-, Japanese-, and Korean-language texts in both classical and vernacular forms. He argues that modern literature came into being in East Asia through writerly attempts at reconstructing the present’s historical relationship to the past across the cultural transformations caused by modernization. Hashimoto examines writers’ anachronistic engagement with past cultures that were deemed obsolete or antithetical to new systems of values, showing that this transnational process was integral to the emergence of modern literature.

A groundbreaking cross-cultural excavation of the origins of modern literature in East Asia featuring remarkable linguistic scope, Afterlives of Letters: The Transnational Origins of Modern Literature in China, Japan, and Korea (Columbia UP, 2023) bridges Asian studies and comparative literature and delivers a remapping of world literature.

Satoru Hashimoto is assistant professor of comparative thought and literature at the Johns Hopkins University. He has published in English, Japanese, Chinese, and French on topics in comparative literature, aesthetics, and thought engaging East Asian and European traditions. He is on the editorial board of the Journal of World Literature.

Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

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Dirt Bag Novels: Lydia Kiesling in Conversation with Megan Ward (CH)

caleb@newbooksnetwork.com (New Books Network) — Thu, 10 Oct 2024 08:00:00 +0000

What does it mean for a novel to think globally? And can a global novel concerned with the macro movements of capital and labor still exist in the form of a bildungsroman? This conversation between Lydia Kiesling and Megan Ward takes up questions of form and political consciousness in the novel, globality and rootedness, capitalism and the yearning for things, optimization and wellness culture, and so much more. Lydia Kiesling’s first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree. Her second novel, Mobility, is the first book in a new imprint with Crooked Media. Lydia and Megan discuss seeing the world from a foreign service perspective, the damage wrought by cultures of individuality, and why more novels aren’t set in Azerbaijan. Lydia talks about how the close reading skills that she gained from an English major provide a way reading the world that is underappreciated by our contemporary culture of utilitarianism. From wet bun hair styles to how we want novels to speak about progressive politics, this wide-ranging conversation wraps up with Lydia’s excellent answer to Season 8’s signature question.

Mentions:

Of Human Bondage, Somerset Maugham
Oil!, Upton Sinclair
Timothy Morton
How to Blow Up a Pipeline, Andreas Malm

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Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)

caleb@newbooksnetwork.com (New Books Network) — Tue, 8 Oct 2024 08:00:00 +0000

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.

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Iris Jamahl Dunkle, "Riding Like the Wind: The Life of Sanora Babb" (U California Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 6 Oct 2024 08:00:00 +0000

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb.

Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history.

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Recall This Story: Part 2 of Linda Schlossberg on Alice Munro's "Miles City, Montana" (JP)

caleb@newbooksnetwork.com (New Books Network) — Fri, 4 Oct 2024 08:00:00 +0000

You will want to start with Part 1 of episode 135; it can be found right here.

Linda Schlossberg, author of Life in Miniature, who teaches at Harvard, joins RTB to read and explore one of her favorite Alice Munro stories, "Miles City, Montana" in our new series, Recall This Story. The discussion ranges widely.

This story first appeared in The New Yorker (1/6/1985) and was reprinted in The Progress of Love (1986) one Munro's many many short story collections. In 2013 Munro became not just the first Canadian Nobel laureate for literature, but also the only person ever to win the prize for short fiction.

When her name comes up in 2024, most of us don't think first about the Nobel. In a July 8 article in The Toronto Star, Munro's daughter Andrea Robin Skinner revealed that during her childhood she was abused by her stepfather Gerard Fremlin, Munro's second husband. She also reported that Munro herself ignored or minimized the enormity of those crimes. Those facts will inevitably shape how future readers think about Munro's work. Linda and John, though, recorded this conversation in June, 2024, before the news broke.

Mentioned in the episode

Edgar Allen Poe had an account (in a review of Nathaniel Hawthorne's short works) of short stories as compact and singular in their focus; also of his notion of "the imp of the perverse."
The 19th-century Scottish novelist and short-storyist James Hogg, "The Ettrick Shepherd" is one of Munro's Scottish ancestors: John has written about him.
Munro's Books is the thriving bookstore Alice Munro co-founded.
"When He Cometh" (hymn sung at funeral)
Here's what it meant to look chic like Jackie O in 1962

Want to hear the rest of the story, and the rest of John and Linda's discussion?

Head on over to Part 1 of episode 135.

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Recall This Story: Part 1 of Linda Schlossberg on Alice Munro's "Miles City Montana" (JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 3 Oct 2024 08:00:00 +0000

Mentioned in the episode

Edgar Allen Poe had an account (in a review of Nathaniel Hawthorne's short works) of short stories as compact and singular in their focus; also fo his notion of "the imp of the perverse."
The 19th-century Scottish novelist and short-storyist James Hogg, "The Ettrick Shepherd" is one of Munro's Scottish ancestors: John has written about him.
Munro's Books is the thriving bookstore Alice Munro co-founded.
"When He Cometh" (hymn sung at funeral)
Here's what it meant to look chic like Jackie O in 1962

Want to hear the rest of the story, and the rest of John and Linda's discussion?

Head on over to Part 2 of episode 135.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

William Cook Miller, "The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture" (Cornell UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 3 Oct 2024 08:00:00 +0000

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations.

Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes.

By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new.

William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology.

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Julia Caterina Hartley, "Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France" (Bloomsbury. 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 2 Oct 2024 08:00:00 +0000

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023).

New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.

This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.

Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen’s College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies.

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Naomi Seidman, "In the Freud Closet: Psychoanalysis and Jewish Languages" (Stanford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 2 Oct 2024 08:00:00 +0000

There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought.

In Translating the Jewish Freud: Psychoanalysis in Hebrew and Yiddish (Stanford University Press, 2024), Naomi Seidman takes a different approach, turning her gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna.

Interviewee: Naomi Seidman is the Chancellor Jackman Professor of the Arts at the University of Toronto, a National Jewish Book Award winner, and a 2016 Guggenheim Fellow.

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Leonard Cassuto, "Academic Writing as if Readers Matter" (Princeton UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sun, 29 Sep 2024 08:00:00 +0000

Academic writing isn’t known for its clarity. While graduate students might see reading and writing turgid academic prose as a badge of honor—a sign of membership in an exclusive community of experts—many readers are left feeling utterly defeated.

In his latest book, Academic Writing as if Readers Matter (Princeton University Press, 2024), Fordham University Professor Leonard Cassuto prompts us to think more about the reader. For Cassuto, the key to better academic prose is to anticipate and respect the needs of the reader. Throughout the volume, Cassuto offers a range of advice on how to structure arguments, use metaphor, and integrate narrative. He also provides a thoughtful reflection on the value of academic knowledge for the broader public and how to square a rules-based approach to teaching writing with the inevitable evolution of language. This book will be of interest to graduate students, writing instructors, editors, and anyone who wants to learn how to make their writing clearer and more sympathetic to the needs of the reader.

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Konrad Bercovici, "The Algonquin Round Table: 25 Years with the Legends Who Lunch" (SUNY Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 28 Sep 2024 08:00:00 +0000

Konrad Bercovici's The Algonquin Round Table: 25 Years With the Legends Who Lunch (SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle.

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Jennifer Mooney, "Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction" (Routledge, 2022)

caleb@newbooksnetwork.com (New Books Network) — Sat, 28 Sep 2024 08:00:00 +0000

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.

This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality.

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Inger Sigrun Bredkjær Brodey, "Jane Austen and the Price of Happiness" (Johns Hopkins UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 28 Sep 2024 08:00:00 +0000

How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance?

In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance.

Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels.

Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond.

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Francis Stevens, "The Heads of Cerberus and Other Stories" (MIT Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 23 Sep 2024 08:00:00 +0000

When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.

Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.

Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.

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Hannan Hever, "Hebrew Literature and the 1948 War: Essays on Philology and Responsibility" (Brill, 2019)

caleb@newbooksnetwork.com (New Books Network) — Sun, 22 Sep 2024 08:00:00 +0000

Hebrew Literature and the 1948 War: Essays on Philology and Responsibility (Brill, 2019) is the first book-length study that examines the conspicuous absence of the Palestinian Nakba in modern Hebrew literature. Through a rigorous reading of canonical Hebrew literary texts, the author addresses the general failure of Hebrew literature to take responsibility for the Nakba. The book illustrates how the language of modern Hebrew poetry and fiction reflects symptoms of Israeli national violence, in which the literary language produces a picture of Palestine as an arena where the violent clash between the perpetrators and the victims takes place. In doing so, the author develops a new and critical paradigm for reflecting on the moral responsibility of literature and the ethics of reading. The book includes close readings of the works of Avot Yeshurun, S. Yizhar, Nathan Alterman, Yehuda Amichai, Yitzhak Laor, and Amos Oz, among others.

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Lisa Fletcher and Elizabeth Leane, "Space, Place, and Bestsellers: Moving Books" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 20 Sep 2024 08:00:00 +0000

From airport bookstores to deckchairs, as audiobooks downloaded by commuters, and on Kindles and other portable devices, twenty-first century bestsellers move in old and new ways. In Space, Place, and Bestsellers: Moving Books (Cambridge University Press Elements in Publishing and Book Culture series, 2024), Lisa Fletcher and Elizabeth Leane examine the locations and mobilities of the contemporary bestseller as a multi-format commercial object. It employs paratextual, textual, and site-based analysis of the spatiality of bestsellers and considers the centrality of geography to the commercial promise of these books. Space, Place, and Bestsellers provides analysis of the spatial logic of bestseller lists, evidence-rich accounts of the physical and digital retail sites through which bestsellers flow, and new interpretations of how affixing the label 'bestseller' individual authors and titles generates industrial, social, and textual effects. Through its multi-layered analysis, this book offers a new model for studying the spatiality of popular fiction.

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Alexis Pauline Gumbs, "Survival Is a Promise: The Eternal Life of Audre Lorde" (FSG, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 19 Sep 2024 08:00:00 +0000

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

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Etherized: Anne Enright in a Novel Dialogue Conversation (Paige Reynolds, JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 19 Sep 2024 08:00:00 +0000

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don’t yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.”

Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren’t working class, they’re “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.”

Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne’s Now We Are Six.

Mentioned in this Episode:

By Anne Enright:

The Gathering (2007; Booker Prize)
The Forgotten Waltz (2011)
The Green Road (2015)
The Portable Virgin
Taking Pictures
Yesterday’s Weather
Granta Book of the Irish Short Story
Making Babies: Stumbling into Motherhood
No Authority

Also mentioned:

Patricia Lockwood, No One is Talking about This

Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends

Christopher Hitchens, “Booze and Fags:”

Transcript.

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Zrinka Stahuljak, "Fixers: Agency, Translation, and the Early Global History of Literature" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 18 Sep 2024 08:00:00 +0000

In Fixers: Agency, Translation, and the Early Global History of Literature (University of Chicago Press, 2024), Dr. Zrinka Stahuljak challenges scholars in both mediaeval and translation studies to rethink how ideas and texts circulated in the mediaeval world. Whereas many view translators as mere conduits of authorial intention, Dr. Stahuljak proposes a new perspective rooted in a term from journalism: the fixer. With this language, Dr. Stahuljak captures the diverse, active roles mediaeval translators and interpreters played as mediators of entire cultures—insider informants, local guides, knowledge brokers, art distributors, and political players. Fixers offers nothing less than a new history of literature, art, translation, and social exchange from the perspective not of the author or state but of the fixer.

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Rachel Kushner, "Creation Lake" (Scribner, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 16 Sep 2024 08:00:00 +0000

Creation Lake (Scribner, 2024) is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France.

"Sadie Smith" is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by "cold bump"--making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more.

In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past.

Just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story.

Written in short, vaulting sections, Rachel Kushner's rendition of "noir" is taut and dazzling. Creation Lake is Kushner's finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure.

Rachel Kushner is the author of the novels CREATION LAKE, THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, a book of short stories, THE STRANGE CASE OF RACHEL K, and THE HARD CROWD: ESSAYS 2000-2020. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and is now three times a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters.

Recommended Books:

Cormac McCarthy, Child of God
Vladimir Nabokov, Pale Fire

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Wendy Ugolini, "Wales in England, 1914-1945: A Social, Cultural, and Military History" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 16 Sep 2024 08:00:00 +0000

At the beginning of the twentieth century, for many English men and women of Welsh origin the idea of being in some part 'Welsh' reaffirmed their own understanding of what it meant to 'be British'. Wales in England, 1914-1945 (Oxford University Press, 2024) by Dr. Wendy Ugolini is the first cultural history of this English Welsh duality - an identification with two constituent nations at once - and explores how 'Welshness' was imagined, performed, and mobilised in England during and between the two world wars. In so doing, and making use of individual English Welsh case studies from the worlds of politics, art, literature, and soldiering, the book provides a wholly new perspective on the social, cultural, and military history of Britain at war. It shows English-Welsh duality to have been an important strand of pluralistic Britishness in wartime, and that this diasporic construction of Welshness held a wide urban appeal with significant implications for military enlistment, cultural production, and commemorative practices in England.

Working at the intersection of war studies, British studies, and diaspora studies, Wales in England makes a significant contribution to 'four nations' history and the history of British society at war.

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Marilynne Robinson, "Reading Genesis" (FSG, 2024)

caleb@newbooksnetwork.com (New Books Network) — Thu, 12 Sep 2024 08:00:00 +0000

For generations, the book of Genesis has been treated by scholars as a collection of documents by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true.

Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture.

Marilynne Robinson’s Reading Genesis (FSG, 2024), which includes the full text of the King James Version of the book, is a powerful consideration of the profound meanings and promise of God’s enduring covenant with humanity. This magisterial book radiates gratitude for the constancy and benevolence of God’s abiding faith in Creation.

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Lesbian Poetry in the Philippines

caleb@newbooksnetwork.com (New Books Network) — Thu, 12 Sep 2024 08:00:00 +0000

Lesbian poetry as a form of socio-political praxis in the Philippine context. This episode’s guest argues that lesbian writing – by lesbians and about lesbians – is a form of activism and decolonial praxis, as well as an important form of political identity.

Dr Naomi Cammayo’s academic/literary interests are within the fields of poetry, Philippine Studies, lesbian feminism and queer feminism. She is currently a tutor at the University of Sydney’s School of Art, Communication and English and the School of Languages and Cultures.

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Before and After the Book Deal

caleb@newbooksnetwork.com (New Books Network) — Thu, 12 Sep 2024 08:00:00 +0000

Everything you’ve ever wanted to know about publishing but were too afraid to ask.

Before and After the Book Deal: A Writer’s Guide to Finishing, Publishing, Promoting, and Surviving Your First Book (Catapult, 2020) by Courtney Maum is a funny, candid guide about breaking into the marketplace. Cutting through the noise, dispelling rumors and remaining positive, Before and After the Book Deal answers questions like: are MFA programs worth the time and money, and how do people actually sit down and finish a novel? Should you expect a good advance, and why aren’t your friends saying anything about your book? Before and After the Book Deal has over 150 contributors from all walks of the industry, including international bestselling authors, agents, editors, film scouts, translators, disability and minority activists, offering advice and sharing anecdotes about even the most taboo topics in the industry. Their wisdom will help aspiring authors find a foothold in the publishing world and navigate the challenges of life before and after publication with sanity and grace. Covering questions ranging from the logistical to the existential, Before and After the Book Deal is the definitive guide for anyone who has ever wanted to know what it’s really like to be an author.

Our guest is: Courtney Maum, who is the author of five books, including Before and After the Book Deal, which Vanity Fair named one of the ten best books for writers, and The Year of the Horses, chosen by The Today Show as the best read for mental health awareness. A writing coach, director of the writing workshop “Turning Points,” and educator, her mission is to help people hold on to the joy of art-making in a culture obsessed with turning artists into brands. Passionate about literary citizenship, she sits on the advisory councils of The Authors Guild and The Rumpus.

Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? Find them all here.

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Morgane Cadieu, "On Both Sides of the Tracks: Social Mobility in Contemporary French Literature" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 10 Sep 2024 08:00:00 +0000

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes.

Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation.

Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem.

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Michael Gavin, "Literary Mathematics: Quantitative Theory for Textual Studies" (Stanford UP, 2022)

caleb@newbooksnetwork.com (New Books Network) — Mon, 9 Sep 2024 08:00:00 +0000

Across the humanities and social sciences, scholars increasingly use quantitative methods to study textual data. Considered together, this research represents an extraordinary event in the long history of textuality. More or less all at once, the corpus has emerged as a major genre of cultural and scientific knowledge. In Literary Mathematics: Quantitative Theory for Textual Studies (Stanford UP, 2022), Michael Gavin grapples with this development, describing how quantitative methods for the study of textual data offer powerful tools for historical inquiry and sometimes unexpected perspectives on theoretical issues of concern to literary studies.

Student-friendly and accessible, the book advances this argument through case studies drawn from the Early English Books Online corpus. Gavin shows how a copublication network of printers and authors reveals an uncannily accurate picture of historical periodization; that a vector-space semantic model parses historical concepts in incredibly fine detail; and that a geospatial analysis of early modern discourse offers a surprising panoramic glimpse into the period's notion of world geography. Across these case studies, Gavin challenges readers to consider why corpus-based methods work so effectively and asks whether the successes of formal modeling ought to inspire humanists to reconsider fundamental theoretical assumptions about textuality and meaning. As Gavin reveals, by embracing the expressive power of mathematics, scholars can add new dimensions to digital humanities research and find new connections with the social sciences.

Michael Gavin is Associate Professor of English at the University of South Carolina and author of The Invention of English Criticism, 1650-1760 (2015)

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Sara E. Johnson, "Encyclopédie Noire: The Making of Moreau de Saint-Méry's Intellectual World" (Omohundro Institute and UNC Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 7 Sep 2024 08:00:00 +0000

If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were predicated upon the work of enslaved people and free people of color. Their labor afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. Every beautiful book Moreau produced contains an embedded story of hidden violence.

In Encyclopédie Noire: The Making of Moreau de Saint-Méry's Intellectual World (Omohundro Institute and UNC Press, 2023), Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau’s world.

Sara E. Johnson is professor of literature of the Americas at University of California, San Diego.

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Magdalena J. Zaborowska, "Me and My House: James Baldwin's Last Decade in France" (Duke UP, 2018)

caleb@newbooksnetwork.com (New Books Network) — Fri, 6 Sep 2024 08:00:00 +0000

The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House: James Baldwin's Last Decade in France (Duke UP, 2018), Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.

Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan

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Beri Marusic on Grief and other Expiring Emotions (Katie Elliott, JP)

caleb@newbooksnetwork.com (New Books Network) — Thu, 5 Sep 2024 08:00:00 +0000

Why is that when a loved one dies, grief seems inescapable--and then diminishes? The brilliant Edinburgh philosopher Berislav Marusic's "Do Reasons Expire? An Essay on Grief" begins with his grief for the unexpected and early loss of his mother: "I stopped grieving or at least the grief diminished, yet the reason didn't really change. It's not like that my mother stopped mattering to me or that I stopped loving her, but still this change in grief somehow seemed reasonable." What are philosophers and the rest of us to make of this durable insight?

John is lucky to be joined in this discussion of Beri's thoughts on grief by by his new Brandeis philosophy colleague, Katie Elliott. She is not afraid to complicate things further, proposing to Beri that we distinguish between the immediate affective intensity of the initial loss and persistent negative emotions towards the fact of the loss, even when that initial affective heat of loss has faded. Beri reponds that emotions are "thinking with feeling" and we maybe want to be skeptical about splitting the two.

Beri sees two aspects of grief: "On the one hand, the vision of loss that is constituted by grief and on the other hand, a vision of grief from a empirical or as some philosophers, like to say, a creature construction perspective." It is wrong to make a pragmatist case for the sheerly functional advantages of getting over grief, and also a mistake to see (like Sigmund Freud) grief as a kind of work, a task, to detach oneself from the mourned object.

John asks what it means that he personalizes his sensation of grief, focussing not on the lost beloved, but on the way the beloved, or the lost beloved, remains present to him, a loss felt inside himself. Beri invokes Iris Murdoch's warning against the "fat relentless ego" (The Sovereignty of Good, 1970, p 50) intruding itself--when what really should be at stake is the lost object of one's grief. Beri closes by suggesting that grief doesn't happen to us in the way digestion happens (purely involuntary). Sure, grief is not strictly controllable, and yet because it is reasons responsive rather than simply somatic, it is me.

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Julia Kindt, "The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 4 Sep 2024 08:00:00 +0000

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.

The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are.

Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines.

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Jordan Magnuson, "Game Poems: Videogame Design as Lyric Practice" (Amherst College Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 4 Sep 2024 08:00:00 +0000

Scholars, critics, and creators describe certain videogames as being “poetic,” yet what that means or why it matters is rarely discussed. In Game Poems: Videogame Design as Lyric Practice (Amherst College Press, 2023), independent game designer Jordan Magnuson explores the convergences between game making and lyric poetry and makes the surprising proposition that videogames can operate as a kind of poetry apart from any reliance on linguistic signs or symbols.

This rigorous and accessible short book first examines characteristics of lyric poetry and explores how certain videogames can be appreciated more fully when read in light of the lyric tradition—that is, when read as “game poems.” Magnuson then lays groundwork for those wishing to make game poems in practice, providing practical tips and pointers along with tools and resources. Rather than propose a monolithic framework or draw a sharp line between videogame poems and poets and their nonpoetic counterparts, Game Poems brings to light new insights for videogames and for poetry by promoting creative dialogue between disparate fields. The result is a lively account of poetic game-making praxis.

Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.

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Andrea Moudarres, "The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso" (U Virginia Press, 2019)

caleb@newbooksnetwork.com (New Books Network) — Tue, 3 Sep 2024 08:00:00 +0000

In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies.

Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center.

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Chris Richardson, "Batman and the Joker: Contested Sexuality in Popular Culture" (Routledge, 2020)

caleb@newbooksnetwork.com (New Books Network) — Tue, 3 Sep 2024 08:00:00 +0000

In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests.

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Beth Driscoll, "What Readers Do: Aesthetic and Moral Practices of a Post-Digital Age" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 31 Aug 2024 08:00:00 +0000

What is reading? In What Readers Do: Aesthetic and Moral Practices of a Post-Digital Age (Bloomsbury, 2024) Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne, explores this question by situating reading in a variety of contemporary social contexts. The book’s analysis engages with a range of academic fields to understand the study of reading, and offers a unique theoretical framework to understand the practices and meanings associated with reading in a variety of settings. The book also draws on a range of online and physical world case studies, from the aesthetics of ‘bookstagram’ through to behaviours and networks at book groups and literary festivals. The book is an essential read for a huge range of academics from the social sciences and humanities, as well as for anyone interested in reading!

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Ronnie Grinberg, "Write like a Man: Jewish Masculinity and the New York Intellectuals" (Princeton UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 30 Aug 2024 08:00:00 +0000

In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. Write like a Man: Jewish Masculinity and the New York Intellectuals (Princeton University Press, 2024) examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation.

Dr. Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Dr. Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism.

A spellbinding chronicle of mid-century America, Write like a Man shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.

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Ludovico Silva, "Marx's Literary Style" (Verso, 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 28 Aug 2024 08:00:00 +0000

In Marx’s Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx’s work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx’s oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva’s unique sensitivity to Marx’s literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx’s most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva’s book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once.

Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva’s works in English, features an introduction by Alberto Toscano.

Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett

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Sara Farrington, "A Trojan Woman Adapted from Euripides" (Broadway Play Publishing, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 27 Aug 2024 08:00:00 +0000

In a flash of modern warfare (Ukraine? Afghanistan? Vietnam? Poland? Hiroshima? Israel? Gaza?), a mother loses her child. She becomes "A Trojan Woman," compelled to embody every iconic character in Euripides’ classic play.

Sara Farrington (Playwright) NYC & NJ based playwright, screenwriter, co-founder of Foxy Films, her theater company w/ Reid Farrington.

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Sumana Roy, "Provincials: Postcards from the Peripheries" (Yale UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 24 Aug 2024 08:00:00 +0000

Who is a provincial? In Provincials: Postcards from the Peripheries (Yale UP, 2024), Sumana Roy assembles a striking cast of writers, artists, filmmakers, cricketers, tourist guides, English teachers, lovers and letter writers, private tutors and secret-keepers whose lives and work provide varied answers to that question. Combining memoir with the literary, sensory, and emotional history of an ignored people, she challenges the metropolitan’s dominance to reclaim the joyous dignity of provincial life, its tics and taunts, enthusiasms and tragicomedies.

In a wide-ranging series of “postcards” from the peripheries of India, Europe, America, and the Middle East, Roy brings us deep into the imaginative world of those who have carried their provinciality like a birthmark. Ranging from Rabindranath Tagore to William Shakespeare, John Clare to the Bhakti poets, T. S. Eliot to J. M. Coetzee, V. S. Naipaul to the Brontës, and Kishore Kumar to Annie Ernaux, she celebrates the provincials’ humor and hilarity, playfulness and irony, belatedness and instinct for carefree accidents and freedom. Her unprecedented account of provincial life offers an alternative portrait of our modern world.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.

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Cassio de Oliveira, "Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938" (McGill-Queen's UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 24 Aug 2024 08:00:00 +0000

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them.

In Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938 (McGill-Queen's UP, 2023) Cassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov’s wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself.

Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens’ fears and aspirations as it recorded the country’s transformation into the first communist state.

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Literatures beyond the West

caleb@newbooksnetwork.com (New Books Network) — Thu, 22 Aug 2024 08:00:00 +0000

In this episode Salman Sayyid talks to Ian Almond about his work in world literature, including his 2021 book World Literature Decentered which looks at literature beyond the idea of the West. Ian is professor of World Literature at Georgetown University, whose work asks what it would mean to do literary study that embraces the non-West not as a residual category, but as the majority of the world. The interview connects up this work with Ian’s earlier work on dismantling Eurocentrism, and asks big questions about what is at stake in the idea of the global.

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Cyrus Ali Zargar, "Religion of Love: Sufism and Self-Transformation in the Poetic Imagination of ʿaṭṭār" (SUNY Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Wed, 21 Aug 2024 08:00:00 +0000

Farid al-Din ‘Attar’s writings have greatly influenced Persian Sufism, but what do we know of him as a thinker? Engaging his diverse writings from poetry to stories, Cyrus Ali Zargar’s Religion of Live: Sufism and Self-Transformation in the Poetic Imagination of ‘Attar (SUNY Press, 2024) captures for us some of ‘Attar’s worldviews, especially as it is rooted in a Persian and Muslim historical context. The book gives us insights to ‘Attar’s take on moral psychology, ethics, and intellectual debates he was responding to, such as with philosophers and legal scholars. Zargar captures ‘Attar’s religion of love, which takes us to the edge of infidelity and at times even crosses its threshold only to better understand the experience of union with the Beloved (Divine) that mystics have discussed across traditions. This book will be of interest to listeners who are curious about Persian literature, Sufism, Islamic philosophy and mysticism generally.

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Dalpat Rajpurohit, "Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry" (Rajkamal, 2022)

caleb@newbooksnetwork.com (New Books Network) — Mon, 19 Aug 2024 08:00:00 +0000

Dalpat Rajpurohit's book Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry (Rajkamal, 2022) explores the making and lifespan of a religious community in early modern India. Demonstrating fresh perspectives on how to speak historically about the Hindi literary past it questions the categorization of Hindi literature into the binaries of ‘spontaneous’ devotional (bhakti) versus ‘mannerist’ courtly (riti) tropes which have remained prevalent in Hindi historiographies since the nationalist period. The book studies the devotional and literate community of the sixteenth-century poet-saint Dadu Dayal who flourished in north-western India during the heydays of the Mughal-Rajput multicultural milieu. Building networks with imperial and sub-imperial courts the community of Dadu Dayal grew in the towns located on the major trade routes in Mughal India. Dadu Dayal’s disciples got patronage from traders flourishing in Mughal trade and admitted saints of merchant castes backgrounds into their community. In such a socio-historical context emerged the poet-saint Sundardas who composed in the polished literary idiom of Hindi and whose life span covered almost the entire seventeenth century.

By studying the large corpus of Sundardas, published and unpublished, the book demonstrates how Sundardas sought to create a new community of taste by participating in the literary innovations happening in the courtly circles. Sundardas was one of the early poet-saints who equated devotion (bhakti) with non-duelist thought, thus vernacularized the philosophical system which would later become the chief scholastic stance of modern Hinduism.

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Laura S. Lieber, "Staging the Sacred: Performance in Late Ancient Liturgical Poetry" (Oxford UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Mon, 19 Aug 2024 08:00:00 +0000

Staging the Sacred: Performance in Late Ancient Liturgical Poetry (Oxford UP, 2023) examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches.

To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime.

A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, Staging the Sacred proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context.

New Books in Late Antiquity is presented by Ancient Jew Review.

Laura S. Lieber is the inaugural chair and Professor of the Transregional History of Religion at the University of Regensburg in Germany.

Michael Motia in a Lecturer in Classics and Religious Studies at UMass Boston

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Crystal Wilkinson, "Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks" (Clarkson Potter, 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 14 Aug 2024 08:00:00 +0000

Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.

Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.

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Noah Heringman, "Deep Time: A Literary History" (Princeton UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 14 Aug 2024 08:00:00 +0000

In Deep Time: A Literary History (Princeton UP, 2023), Noah Heringman, Curators’ Professor of English at the University of Missouri, presents a “counter-history” of deep time. This counter-history acknowledges and investigates the literary and imaginary origins of the idea of deep time, from eighteen-century narratives of voyages around the world to William Blake’s ballads and writings by Charles Darwin. This approach to the idea of deep time and the history of its formation engages with contemporary debates over the concept of an “Anthropocene” and the more general problem of sequencing and understanding the Earth’s time.

The book’s main contribution is to show that the idea of deep time is not exclusively a scientific and geologic concept. In order to be properly understood and responsibly used, this idea needs to be approached as “a field of imagination,” which has been shaped by the entangled histories of exploration, colonialism, natural sciences, archeology, and literary forms. Deep Time is both a surprising exploration of the forms that “the fantasy of a legible earth history” took between the eighteen and the nineteenth centuries and an invitation to reflect on how these forms might have left their marks on our current attempts at framing the depth and strangeness of the Earth’s time.

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Heather Murray, "Asylum Ways of Seeing: Psychiatric Patients, American Thought and Culture" (U Pennsylvania Press, 2022)

caleb@newbooksnetwork.com (New Books Network) — Tue, 13 Aug 2024 08:00:00 +0000

Asylum Ways of Seeing: Psychiatric Patients, American Thought and Culture (University of Pennsylvania Press, 2021) by Dr. Heather Murray is a cultural and intellectual history of people with mental illnesses in the twentieth-century United States. While acknowledging the fraught, and often violent, histories of American psychiatric hospitals, Heather Murray also suggests that it is in these hospitals that patients became more intense observers: they gave more conscious consideration to institutional and broader kinds of citizenship, to the nature and needs of communities versus those of individuals, to scientific modernity, and to human rights and solidarities among the suffering. All of these ideas have animated twentieth-century America, and, as Dr. Murray shows, have not just flowed into psychiatric hospitals but outward from them as well. These themes are especially clear within patients' intimate, creative, and political correspondence, writings, and drawings, as well as in hospital publications and films.

This way of thinking and imagining contrasts with more common images of the patient—as passive, resigned, and absented from the world in the cloistered setting of the hospital—that have animated psychiatry over the course of the twentieth century. Asylum Ways of Seeing traces how it is that patient resignation went from being interpreted as wisdom in the early twentieth century, to being understood as a capitulation in scientific and political sources by mid-century, to being seen as a profound violation of selfhood and individual rights by the century's end. In so doing, it makes a call to reconsider the philosophical possibilities within resignation.

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Nancy E. Berg and Naomi B. Sokoloff, "Since 1948: Israeli Literature in the Making" (SUNY Press, 2020)

caleb@newbooksnetwork.com (New Books Network) — Mon, 12 Aug 2024 08:00:00 +0000

Toward the end of the twentieth century, an unprecedented surge of writing altered the Israeli literary scene in profound ways. As fresh creative voices and multiple languages vied for recognition, diversity replaced consensus. Genres once accorded lower status—such as the graphic novel and science fiction—gained readership and positive critical notice. These trends ushered in not only the discovery and recovery of literary works but also a major rethinking of literary history.

In Since 1948: Israeli Literature in the Making (SUNY Press, 2020), scholars consider how recent voices have succeeded older ones and reverberated in concert with them; how linguistic and geographical boundaries have blurred; how genres have shifted; and how canon and competition have shaped Israeli culture. Charting surprising trajectories of a vibrant, challenging, and dynamic literature, the contributors analyze texts composed in Hebrew, Yiddish, and Arabic; by Jews and non-Jews; and by Israelis abroad as well as writers in Israel. What emerges is a portrait of Israeli literature as neither minor nor regional, but rather as transnational, multilingual, and worthy of international attention.

Nancy E. Berg is Professor of Hebrew and Comparative Literature at Washington University in St. Louis. Her previous books include Exile from Exile: Israeli Writers from Iraq,, also published by SUNY Press. Naomi B. Sokoloff is Professor of Near Eastern Languages and Civilization at the University of Washington. Her previous books include Imagining the Child in Modern Jewish Fiction. Together, Berg and Sokoloff are the coeditors of What We Talk about When We Talk about Hebrew (and What It Means to Americans), winner of the National Jewish Book Award for anthologies and collections.

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Sara J. Charles, "The Medieval Scriptorium: Making Books in the Middle Ages" (Reaktion Books, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 12 Aug 2024 08:00:00 +0000

The Medieval Scriptorium: Making Books in the Middle Ages (Reaktion, 2024) by Sara J. Charles takes the reader on an immersive journey through mediaeval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a mediaeval narrator – including a parchment-maker, scribe and illuminator – introducing various aspects of manuscript production.

Charles poses the question ‘What actually is a scriptorium?’, and explores the development of the mediaeval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press. With the written word at the very heart of the Christian monastic movement, we see the immense amount of labour, planning and networks needed to produce each individual manuscript. By tapping into these processes and procedures, we can experience mediaeval life through the lens of a manuscript maker.

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Marissa Nicosia, "Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660" (Oxford UP, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 11 Aug 2024 08:00:00 +0000

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past.

Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events.

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Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sun, 11 Aug 2024 08:00:00 +0000

In an era where the financial stability of many arts organizations is increasingly precarious, arts philanthropy stands at a critical juncture. The recent COVID-19 pandemic of 2020-21 laid bare the vulnerabilities in existing funding structures, highlighting just how fragile these lifelines can be. Coupled with a surge in social initiatives that demand attention and resources, the way the arts are funded is undergoing scrutiny and transformation.

A new wave of philanthropists—individuals with fresh motivations and evolving priorities—has emerged. These next-gen donors continue the legacy of their predecessors, while actively reshaping it, bringing forth new perspectives and expectations. Their influence is profound but necessitates a balance of caution and optimism as the arts sector navigates this changing landscape.

This is where Philanthropy in the Arts: A Game of Give and Take (Lund Humphries, 2023) steps in, offering a sprawling yet incisive exploration of philanthropy in the arts. The book examines the interests and behaviors of donors and recipients, suggesting ways in which their practices can be better intertwined. Through open and wide-ranging discussions, it explores the intricacies of giving and receiving in the arts, shedding light on the unique challenges and opportunities that define this relationship.

For collectors, philanthropists, and patrons, this book is more than just analysis—it’s a handy guide that equips them with the knowledge to navigate the peculiarities of arts philanthropy. For art market and museum professionals, it provides insights into the evolving dynamics of donor relationships, helping them adapt to the rapidly changing environment. Amidst the increasing financial instability of numerous arts organizations, arts philanthropy finds itself at a critical juncture.

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Marc Redfield, "Shibboleth: Judges, Derrida, Celan" (Fordham UP, 2020)

caleb@newbooksnetwork.com (New Books Network) — Sat, 10 Aug 2024 08:00:00 +0000

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.

At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation.

Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.

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Na'ou Liu, "Urban Scenes" (Cambria Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Wed, 7 Aug 2024 08:00:00 +0000

"In this tango palace everything was swaying rhythmically to and fro, bodies of men and women, beams of colored light, brilliant wine glasses, red and green liquids, slender fingers, pomegranate-colored lips, and feverish eyes. Tables and chairs, together with the crowd of people, cast their reflections on the center of the shiny floor. Everyone was under a powerful magical spell and lost in this enchanted palace."

Enigmatic, mesmerizing, and frenetic, Urban Scenes (Cambria, 2023) takes readers into the dazzling world of Shanghai in the 1920s. This collection of short fiction by Liu Na’ou (1905–1940) — a Taiwanese-born modernist writer — contains stories that take place in cinemas, art studios, and nightclubs. Touching on issues of modernity, social change, and shifting ideas of love, romance, and beauty, these tantalizing stories are accompanied by a thoughtful Introduction and helpful notes by the translators, Yaohua Shi and Judith Amory.

This collection is sure to appeal to those interested in modernist literature and Sinophone fiction, as well as anyone who is looking for stories that feature perplexing narrators to analyze with their students. Interested readers should also check out the other titles in the Cambria Sinophone Translation Series.

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Edward Shanks, "The People of the Ruins" (MIT Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 6 Aug 2024 08:00:00 +0000

In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction.

One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul March-Russell explains in the book's introduction, that the political system was already corrupt before the story began, and that Bolshevism and anarchism—and the resulting civil wars—merely accelerated the world's inevitable decline.

A satire of Wellsian techno-utopian novels, The People of the Ruins is a bold, entertaining, and moving postapocalyptic novel contemporary readers won't soon forget.

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Alexandra Popoff, "Ayn Rand: Writing a Gospel of Success" (Yale UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 6 Aug 2024 08:00:00 +0000

Ayn Rand is a provocative and polarizing figure. Strongly pro-capitalist and anti-communist, Rand was a dogmatic preacher of her moral philosophy. Based on what she called "rational self-interest", Rand believed in prosperity-seeking individualism above all.

Alexandra Popoff's deeply researched biography traces Rand's journey from her early life as a privileged secular Jew in pre-revolution St. Petersburg, through the deprivations of life in Crimea during the Russian Civil War, and across the world to a new life in the United States in the 1920s. These early experiences influenced Rand's views, which she expressed in her sharp critique of Soviet Russia in her first major novel, We The Living.

In Ayn Rand: Writing a Gospel of Success (Yale UP, 2024) We follow Rand's extraordinary career in early Hollywood as an apprentice scriptwriter with Cecil DeMille and her evolution into an accomplished novelist of tightly plotted, intellectual stories. Her strong promotion of laissez-fair capitalism and creative, high achieving "supermen" willing to risk everything to achieve their goals came through in her two best selling novels, The Fountainhead and Atlas Shrugged.

Following her literary career Rand focused on her philosophical theory of Objectivism and became a cult-like figure to many of her devoted followers.

Video: Mike Wallace interview with Ayn Rand from 1959.

Gregory A. Daddis, "Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines" (Cambridge UP, 2020)

caleb@newbooksnetwork.com (New Books Network) — Mon, 5 Aug 2024 08:00:00 +0000

In his compelling evaluation of Cold War popular culture, Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines (Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like Man's Conquest, Battle Cry, and Adventure Life - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'normal' male behavior, Daddis convincingly argues that how we construct popular tales of masculinity matters in both peace and war.

Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

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Goth Diss

caleb@newbooksnetwork.com (New Books Network) — Mon, 5 Aug 2024 08:00:00 +0000

With My Gothic Dissertation, University of Iowa PhD Anna M. Williams has transformed the dreary diss into a This American Life-style podcast. Williams’ witty writing and compelling audio production allow her the double move of making a critical intervention into the study of the gothic novel, while also making an entertaining and thought-provoking series for non-experts. Williams uses famed novels by authors such as Anne Radcliffe and Mary Shelly as an entry point for a critique of graduate school itself—a Medieval institution of shadowy corners, arcane rituals, and a feudal power structure. The result is a first-of-its-kind work that serves as a model for doing literary scholarship in sound.

This episode of Phantom Power offers you an exclusive preview of My Gothic Dissertation. First, Mack Hagood interviews Williams about creating the project, then we listen to a full chapter—a unique reading of Frankenstein that explores how the university tradition can restrict access to knowledge even as it tries to produce knowledge.

You can learn more about Anna M. Williams and her work at her website.

This episode features music from Neil Parsons’ 8-Bit Bach Reloaded.

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Kate Hext, "Wilde in the Dream Factory: Decadence and the American Movies" (Oxford UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 3 Aug 2024 08:00:00 +0000

Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century.

It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir.

Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings.

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Iman Mersal, "Traces of Enayat" (Transit Books, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 3 Aug 2024 08:00:00 +0000

Traces of Enayat (Transit Books, 2023) is a work of creative nonfiction tracing the mysterious life and erasure of Egyptian literature’s tragic heroine. It begins in Cairo, 1963. Four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. For the next three decades, it’s as if Enayat never existed at all. Years later, when celebrated Egyptian poet Iman Mersal stumbles upon Enayat’s long-forgotten Love and Silence in a Cairo book stall, she embarks on a journey of reflection and rediscovery that leads her ever closer to the world and work of Enayat al-Zayyat.

In this biographical detective story, Mersal retraces Enayat's life and afterlife though interviews with family members and friend, even tracking down the apartments, schools, and sanatoriums where Enayat spent her days. As Mersal maps two simultaneous psychogeographies--from the glamor of golden-age Egyptian cinema to the Cairo of Mersal’s own past--a remarkable portrait emerges of two women striving to live on their own terms. With Traces of Enayat, Iman Mersal embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject. First published in Arabic in 2019, this English edition was translated by Robin Moger and published by Transit Books in 2024.

Iman Mersal is the author of five books of poems and a collection of essays, How to Mend: Motherhood and Its Ghosts. In English translation, her poems have appeared in The Paris Review, The New York Review of Books, The Nation, and other publications. Her most recent prose work, Traces of Enayat, received the Sheikh Zayed Book Award for Literature in 2021. She is a professor of Arabic language and literature at the University of Alberta, Canada.

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Laura Beers. "Orwell’s Ghosts Wisdom and Warnings for the 21st Century" (Norton, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 3 Aug 2024 08:00:00 +0000

Is Orwell still relevant today?

In Orwell’s Ghosts Wisdom and Warnings for the 21st Century (Norton, 2024), Laura Beers, a Professor of History at American University examines the life and writing of Orwell to offer lessons for contemporary politics and society. The book examines the influences that shaped Eric Blair’s nom de plume, as well as showing how his ideas offer vital insights for the project of equality and social justice today. The book is even handed in its analysis, placing Orwell as a writer and thinker of his time and place, as much as he is relevant today. Moreover, the book offers an important critical perspective on his views about gender and feminism, reminding the reader of the importance of a nuanced perspective even for this hugely significant figure. A fascinating read as well as a vital political intervention, the book will be essential reading across humanities, social science and for anyone interested in politics too.

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Laura van den Berg, "State of Paradise" (FSG, 2024)

caleb@newbooksnetwork.com (New Books Network) — Fri, 2 Aug 2024 08:00:00 +0000

It's another summer in a small Florida town. After an illness that vanishes as mysteriously as it arrived, everything appears to be getting back to normal: soul-crushing heat, torrential downpours, sinkholes swallowing the earth, ominous cats, a world-bending virtual reality device being handed out by a company called ELECTRA, and an increasing number of posters dotting the streets with the faces of missing citizens. Living in her mother's home, a ghostwriter for a famous thriller author tracks the eerie changes. On top of everything else, she's contending with family secrets, spotty memories of her troubled youth, a burgeoning cult in the living room, and the alarming expansion of her own belly button.

Then, during a violent rainstorm, her sister goes missing. She returns a few days later, sprawled on their mother's lawn and speaking of another dimension. Now the ghostwriter must investigate not only what happened to her sister and the other missing people but also the uncanny connections between ELECTRA, the famous author she works for, and reality itself.

A sticky, rain-soaked reckoning with the elusive nature of selfhood and storytelling, Laura van den Berg's State of Paradise (FSG, 2024) is an intricate and page-turning whirlwind. With inimitable control and thrilling style, van den Berg reaches deep into the void and returns with a story far stranger than either reality or fiction.

Laura van den Berg was born and raised in Florida. She is the author of five works of fiction, including The Third Hotel (Farrar, Straus and Giroux, 2018), a finalist for the New York Public Library Young Lions Fiction Award, and I Hold a Wolf by the Ears (Farrar, Straus and Giroux, 2020), which was one of Time Magazine’s 10 Best Fiction Books of 2020. She is the recent recipient of a Guggenheim Fellowship, a Strauss Living Award from the American Academy of Arts & Letters, and a literature fellowship from the National Endowment for the Arts. Her next novel, Ring of Night, is forthcoming from FSG in 2026.

Recommended Books:

Mariana Enriquez, Our Share of Night
Octavia Butler, Bloodchild

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Tisha Brooks, "Spirit Deep: Recovering the Sacred in Black Women’s Travel" (U Virginia Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Fri, 2 Aug 2024 08:00:00 +0000

What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously?

With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.

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Aysegül Savas, "The Anthropologists" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 30 Jul 2024 08:00:00 +0000

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family?

As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park."

Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release?

Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with Aysegül Savas' distinctive elegance, warmth, and humor.

Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in the New Yorker, the Paris Review, Granta, and elsewhere. She lives in Paris.

Recommended Books:

Hugh Raffles, The Book of Unconformities
Alisa Gabbert, Any Person is the Only Self

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Steven E. Lindquist, "The Literary Life of Yājñavalkya" (SUNY Press, 2024)

caleb@newbooksnetwork.com (New Books Network) — Tue, 30 Jul 2024 08:00:00 +0000

In The Literary Life of Yājñavalkya (SUNY Press, 2024), Steven E. Lindquist investigates the intersections between historical context and literary production in the "life" of Yājñavalkya, the most important ancient Indian literary figure prior to the Buddha. Known for his sharp tongue and deep thought, Yājñavalkya is associated with a number of "firsts" in Indian religious literary history: the first person to discuss brahman and ātman thoroughly; the first to put forth a theory of karma and reincarnation; the first to renounce his household life; and the first to dispute with women in religious debate.

Throughout early Indian history, he was seen as a priestly bearer of ritual authority, a sage of mystical knowledge, and an innovative propagator of philosophical ideas and religious law. Drawing on history, literary studies, ritual studies, Sanskrit philology, narrative studies, and philosophy, Lindquist traces Yājñavalkya's literary life--from his earliest mentions in ritual texts, through his developing biography in the Upaniṣads, and finally to his role as a hoary sage in narrative literature--offering the first detailed monograph on this central figure in early Indian religious and literary history.

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Christopher T. Fan, "Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility" (Columbia UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Mon, 29 Jul 2024 08:00:00 +0000

After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers.

In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers’ works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers’ attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.”

Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine.

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Miriam Eve Mora, "Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century" (Wayne State UP, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 27 Jul 2024 08:00:00 +0000

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.

Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.

Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

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Fella Benabed, "Applied Global Health Humanities: Readings in the Global Anglophone Novel" (de Gruyter, 2024)

caleb@newbooksnetwork.com (New Books Network) — Sat, 27 Jul 2024 08:00:00 +0000

Fella Benabed's book Applied Global Health Humanities: Readings in the Global Anglophone Novel (de Gruyter, 2024) highlights the importance of global Anglophone literature in global health humanities, shaping perceptions of health issues in the Global South and among minorities in the Global North. Using twelve novels, it explores the historical, political, sociocultural, ethical, and environmental aspects of health by analyzing the experiences of characters who suffer from infectious diseases, mental disorders, or disabilities, and who seek holistic healing practices.

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Christina Yi et al., "Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire" (U Hawaii Press, 2023)

caleb@newbooksnetwork.com (New Books Network) — Sat, 27 Jul 2024 08:00:00 +0000

Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity.

The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.

Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi’s first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018.

Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole.

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Steven Powell, "Love Me Fierce In Danger: The Life of James Ellroy" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (New Books Network) — Thu, 25 Jul 2024 08:00:00 +0000

Love Me Fierce In Danger: The Life of James Ellroy (Bloomsbury, 2023) is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success.

When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential.

Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.

Steven Powell is an Honorary Fellow in the English Department at the University of Liverpool, UK. He is the editor of Conversations with James Ellroy (2012) and 100 American Crime Writers (2012). His most recent work is James Ellroy: Demon Dog of Crime Fiction (2016).

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames.

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Muslimness in Books for Young Readers: A Chat with A. M. Dassu

caleb@newbooksnetwork.com (New Books Network) — Thu, 25 Jul 2024 08:00:00 +0000

Persevering with our literary theme this season, in this episode Claudia Radiven and Chella Ward chat to A. M. Dassu about her books for young readers. Az is a children’s author of fiction and non-fiction, whose books include Fight Back (Tu Books, 2022) and Boy, Everywhere (Tu Books, 2021). Her books engage young readers with themes of migration, activism and political solidarity, and she often writes Muslim characters whose Muslimness is more than simply an aspect of their culture or heritage but plays an important role in their characterisation. We talked to her about her work for different age groups, about what it means to write Muslim characters with their own agency, and about the contexts in which children encounter Islamophobia and other racisms.

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