The episode is rich with vivid concert memories. Victor shares stories of seeing Levon Helm multiple times at the Beacon Theatre and Terminal 5, reflecting on how Helm's deep love for his audience was palpable, especially after his battle with throat cancer. Victor also recounts a bittersweet Conor Oberst show in 2008, where he got to hear a then-unreleased song that would later appear on the next album — the kind of "you were there first" moment that makes live music so irreplaceable. But perhaps the most memorable story is the infamous Jack White show at Radio City Music Hall in 2012. After losing their tickets outside the venue and spending an hour on hold with StubHub, Victor and his friend were gifted front-row seats by a compassionate employee — only to watch White cut the show short, apparently unhappy with the audience's energy. For Victor, a performer himself, the experience was deeply personal and left a lasting impression on how he thinks about the relationship between an artist and their crowd.

Victor's life as a performer and craftsman are equally compelling. After ordering a custom guitar from legendary New York luthier Rick Kelly — who famously builds instruments from the reclaimed wood of demolished Manhattan buildings — and waiting four and a half years for it to arrive, Victor taught himself to build guitars in the meantime, eventually winning Best Band in Brooklyn at NPR's Battle of the Boroughs in 2013 with an instrument he made himself. Since then, the band has performed at the Brooklyn Academy of Music and Carnegie Hall, where a mid-show equipment failure became the crowd's favorite moment of the night. Most recently, Victor released Gurbo and Company Live 2025, a live album recorded at NYC's Cafe Wha? featuring eight tracks, including covers of Bob Dylan's arrangement of "Rollin' & Tumblin'" and Johnny Cash's "Folsom Prison Blues." Victor can be found on all social platforms as Victor V. Gurbo, and his website has upcoming show dates and vinyl copies of his pandemic-era home recording project, Outrun the Invisible Man.

BANDS: Amos Lee, Arlo Guthrie, Beach Boys, Beatles, Bob Dylan, Bright Eyes, Conor Oberst, Jack White, Johnny Cash, John Prine, Levon Helm, Mad Meg, Merle Haggard, Neil Young, Phoebe Snow, Scotia Rose, The Cure, The Villalobos Brothers, Traveling Wilburys, U2, Weezer, White Stripes, Willie Nelson.

VENUES:

 Beacon Theater, Brooklyn Academy of Music (BAM), Cafe Wha?, Carnegie Hall, China Club, Governor's Ball, Highline Ballroom, Jones Beach, Mercury Lounge, NPR Green Space, Radio City Music Hall, Riot Fest, Terminal 5.

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The conversation traces the band's rise from humble beginnings posting cover songs on Facebook and YouTube in 2013 to becoming a viral sensation. After strategically building a fan base with acoustic covers of fifties and sixties rock classics, they released their debut EP of Portuguese-language originals in 2019, with the song "Ela Me Ligou" becoming their first viral hit in Brazil. The pandemic era saw them recording a live studio album just before lockdowns began, and by 2023, everything changed. Their original song "Charma De Amor" exploded on TikTok and Instagram, reaching audiences far beyond Brazil. This caught the attention of world-famous DJ Steve Aoki, who invited them to perform at Tomorrowland and encouraged them to record in English — leading to the international hit "She Calls Me Love."

Matheus and Thiago also discuss their exciting new chapter with Little Steven Van Zandt's Wicked Cool Records label. Through a connection with artist Kurt Baker, Steven heard their music, loved it, and signed them — even writing an original song for the band, set for release in July alongside their new album, Hey, Hey, We're Banda AL9. The brothers recount their whirlwind first trip to New York City, which included a live session at SiriusXM's Underground Garage, a free concert at the Cutting Room, and meeting Nickelodeon star Drake Bell. The episode wraps up with an acoustic performance of their latest single, "She Can Do It All," and talk of a potential U.S. tour later in the summer — with a stop in Chicago for fried chicken and deep-dish pizza high on their wish list.

BANDS: Banda AL9, The Beatles, Bruce Springsteen (E Street Band), Deep Purple, Little Richard, Queen.

VENUES: Allianz Parque, Cutting Room, Morumbi Stadium, SiriusXM, Tomorrowland.

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What followed was a months-long ordeal to secure Lily's passport in time for the show. After the initial application was denied due to an improperly notarized form — and then delayed a second time because the passport agency itself had sent an outdated version of the required document — the family found themselves scrambling with barely days to spare. Charles details the frantic calls to the passport agency, the last-ditch email to Illinois representative Sean Casten, and the miraculous late-night moment when Lily checked the passport status on her dad's phone and discovered it had shipped. They picked it up Monday morning and were on a flight to Portugal that afternoon, arriving just in time for the Tuesday night concert at the 60,000-capacity Passeio Marítimo de Algés.

The concert itself didn't disappoint. Lily and Charles describe the electric atmosphere, from 60,000 fans belting out Bohemian Rhapsody before the show to Harry's Alan Watts-inspired intro and the surprise appearance by Wet Leg. Lily shares her favorite moments, including an intimate acoustic performance of Matilda on the catwalk and a close encounter during Late Night Talking.

The episode wraps up with a look at Lily's growing concert resume — including Olivia Rodrigo at Lollapalooza 2025 (with a surprise Weezer cameo) and up-and-coming country artist Maddox Batson — plus the exciting news that the family has tickets to see Harry Styles again at Madison Square Garden on his upcoming Together, Together tour in support of his new album Kiss All the Time, Disco Occasionally.

BANDS: Harry Styles, Lainey Wilson, Maddox Batson, Muscadine Bloodline, Olivia Rodrigo, Queen, Weezer, Wet Leg.

VENUES: Allstate Arena, Grant Park (Lollapalooza), Madison Square Garden, Passeio Marítimo de Algés, Salt Shed, United Center.

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Eric's passion for live entertainment was shaped early—his mother took him to his first concert at age 14, seeing Aerosmith with Black Crows at the Saratoga Performing Arts Center. He also attended a massive Grateful Dead and Crosby, Stills & Nash show that drew 70,000 people. After high school, Eric moved to New York City in 1996, working at legendary nightclubs like the China Club and the Tunnel under mentor Michael James. During this time, he even worked alongside a young Mark Sinclair—now known as Vin Diesel—at an elite catering company. His nightclub experience ended when he broke his wrist breakdancing at the Tunnel, prompting him to move back upstate for college.

Eric's festival career began in 2001 when he volunteered at Sundance, eventually co-producing seven events there. A memorable highlight was sneaking into a Beastie Boys performance at the 2006 Sundance Film Festival. He recently launched the Vollweiler Agency, which provides comprehensive services to festivals including sponsorship acquisition, advertising, and social media strategy. Currently, he's working on the 11th annual Hip Hop Film Festival in New York City, which focuses on hip-hop culture through the lens of filmmaking. At the heart of his work is a commitment to filmmakers and providing opportunities for the next generation, guided by his philosophy: "Never ask the CEO for a job, but ask him to learn" and "the humbler you are, the better you'll be in life."

BANDS: Aerosmith, Beastie Boys, Betty Buckley, Black Crows, Crosby Stills and Nash, Grateful Dead, Jerry Garcia, Melba Moore, U2, Ziggy Marley

VENUES:  Buffalo Highmark Stadium, China Club, Egyptian Theater, Knickerbocker Arena, Life, Saratoga Performing Arts Center, Saratoga Race Course, Sundance Film Festival, The Tunnel

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Charles and Paul examine numerous examples of lineup changes with varying outcomes. They contrast successful transitions like AC/DC replacing Bon Scott with Brian Johnson and Iron Maiden swapping Paul Di'Anno for Bruce Dickinson, with more questionable situations like Grand Funk Railroad touring without Mark Farner, the Beach Boys performing with only Mike Love, and Queen continuing with Adam Lambert. The discussion reveals how fans often purchase tickets unaware of major personnel changes, raising questions about transparency and the power of brand names in the music industry.

Paul encourages listeners to research bands before attending concerts and seek experiences that offer more than nostalgia. He emphasizes the value of artists sharing stories and offering unique performances rather than simply recreating studio recordings, praising innovative approaches like Steely Dan performing entire albums in sequence and intimate acoustic sets from aging rockers. While lineup changes are inevitable, the key is transparency and delivering an experience that justifies the ticket price—whether through musical excellence, storytelling, unique venues, or discovering new bands at smaller, more intimate settings.

BANDS: AC/DC, Alan Parsons, Beach Boys, Beatles, Black Sabbath, BoDeans, Brian Auger, Doobie Brothers, Duke Tomato and the All Stars, Eagles, Emerson Lake and Palmer, Flaming Lips, Fleetwood Mac, Gov't Mule, Grand Funk Railroad, Grateful Dead, Heart, Iron Maiden, James Gang, Johnny Reno and the Sax Maniacs, Led Zeppelin, Led Zeppelin Two, Motley Crue, Pink Floyd, Queen, Rolling Stones, Scorpions, Steely Dan, Super Tramp, The Doors, The Who, Toto.

VENUES: Arcadia, Auditorium Theater, Candlestick Park, Chicago Stadium, City Winery, Empty Bottle, Fitzgerald's, Hollywood Bowl, House of Blues, Living Room, Riot Fest, Shea Stadium, The Sphere.

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Dawn shares highlights from her incredible 55-show year, including intimate performances by New York punk bands The Lousekateers and Typhoid Rosie at JJ's Tavern in Florence, Massachusetts, and her milestone 50th Soraia show at Music Fest in Bethlehem, Pennsylvania. The conversation takes an extraordinary turn when Dawn recounts her once-in-a-lifetime experience winning a contest in 2002 that put her on the Rolling Stones' private jet, where she met and chatted with Mick Jagger, Keith Richards, Ronnie Wood, and the late Charlie Watts. The band even played her favorite song, "Can't You Hear Me Knocking," at the Denver show the next night. Dawn also discusses her new role booking shows for Soraia, turning her passion for the band into a dream job that allows her to be part of their team.

Steve brings the star power with his account of seeing Lady Gaga at T-Mobile Arena in Las Vegas, which he ranks in his top 10 concerts of all time despite not being a superfan. He describes the show as mind-blowing, with incredible choreography, costume changes, and an intimate piano performance of "Die With a Smile" that transformed the energy of the 18,000-person venue. Steve also highlights seeing St. Vincent at the Tabernacle in Atlanta, praising her guitar skills and stage presence influenced by David Byrne, as well as catching Joan Jett with Alanis Morissette and being amazed at how Joan's voice hasn't changed over the decades. His Vegas weekend also included the Psychedelic Furs at House of Blues and Adele at Caesars Palace, making for an unforgettable concert trip.

Andy rounds out the episode with his diverse concert year, starting with the mesmerizing guitar work of Mdou Moctar at The Space and a spontaneous third-row experience seeing Los Lobos and Los Lonely Boys at Hard Rock Gary. His spring break trip to Vegas delivered a surprise highlight when he caught Joe Russo's Almost Dead at Brooklyn Bowl, calling it his surprise concert of the year with their incredible double guitar attack. Andy also shares his Bonnaroo experience, seeing Neil Young perform his new song "Crime in the White House" at Meigs Field (where they unknowingly appeared in the music video), and attending Riot Fest to see Jack White and the Beach Boys with John Stamos. The episode wraps with the group discussing their most anticipated 2026 shows, including Iron Maiden, Radiohead, Guns N' Roses with Public Enemy and Ice Cube, and the long-awaited Rush reunion.

BANDS: Adele, Alanis Morissette, Ashley Gavin (comedian), Beach Boys, The, Beaches, The, Billy Idol, Black Crows, The, Buddy Guy, Cocktail Slippers, The, Cure, The, Dead & Company, Dogs in a Pile, Florence and the Machine, Gary Numan, Grunge Worthy, Guns N' Roses, Ice Cube, Idiot Kids, The, Iron Maiden, Jesus and Mary Chain, Joan Jett and the Blackhearts, Joe Russo's Almost Dead, Lady Gaga, Lamp, Los Lobos, Los Lonely Boys, Lousekateers, The, Luke Combs, Marcus King, Mdou Moctar, Mighty Suicide Squirrels, The, Mogwai, Neil Young, Nine Inch Nails, Nirvana, Otis and the Elevators, Pretenders, The, Psychedelic Furs, The, Public Enemy, Radiohead, Rolling Stones, The, Rush, Rush Tribute Project, Soraia, Sonic Youth, St. Vincent, Talking Heads, Typhoid Rosie, Yeah Yeah Yeahs.

VENUES: 

Aragon Ballroom, Bonnaroo, Brooklyn Bowl, Caesars Palace, Crypto Center, Douglas Park, FM Kirby Center, Foxborough Stadium (Patriots Stadium), Garcia's, Hard Rock (Gary, Indiana), Hotel Figueroa, House of Blues (Las Vegas), JJ's Tavern (Florence, Massachusetts), Meigs Field, Metro, The, Music Fest (Bethlehem, Pennsylvania), Redwood Bar (Redwood Grill), Riot Fest, Salt Shed, The, Soldier Field, Space, The, Sphere, The, Tabernacle, The, T-Mobile Arena, United Center, Vic, The, World Music Theater, Zinzenplatz stage (at Music Fest).

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Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.

Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.

Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.

Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.

Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.

BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.

VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts).

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The interview touches upon their musical journey, personal concert experiences, and the influence they had on other bands and their fanbase. Bryan recounts a memorable story of loading in gear for the band MDC, while Scott shares his experience of seeing Bad Brains live in the late '80s. The band members also discuss some of their weirdest and most disappointing shows, including an incident involving a ceiling fan in Germany and a lackluster performance by Texas is the Reason.

The highlight of the interview is when Bryan describes the time, he had dinner with David Grohl of Foo Fighters and John Paul Jones of Led Zeppelin but missed an opportunity to start a conversation with John Paul Jones.

The conversation also highlights the impact of their music, with accounts of fans reaching out and young musicians covering their songs. They reflect on the longevity of their career, the experience of touring, and their continued passion for music. The episode concludes with the band expressing their gratitude to fans and mentioning that more information can be found by Googling 'Horace Pinker.'

BANDS: Agent Orange, All Systems Go, At the Drive-In, Bad Brains, Bad Religion, Blink-182, Bulimia Banquet, Butthole Surfers, Dag Nasty, Descendents, DI, Doughboys, Duran Duran, Firehose, Fugazi, GBH, Green Day, Guns N’ Roses, Horace Pinker, Hüsker Dü, Jawbreaker, Jimmy Eat World, KISS, Led Zeppelin, MDC, Meat Puppets, Metallica, Minutemen, Monster Magnet, NOFX, NRA, Queens of the Stone Age, Seven Seconds, SNFU, Texas Is the Reason, Them Crooked Vultures, The Cult, The Offspring, Yellowcard.

VENUES: Aragon, Boat on the Rhine River (festival performance in Cologne, Germany), Bobby’s Eastside, Burlington, Fireside Bowl, Fitzgerald’s, House of Blues, Living Room, Reggie's, Riot Fest, Riviera, Silver Dollar Club, UIC Pavilion.

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Upon arrival, Andy and Teddy set up their elaborate campsite, which included modern amenities like a solar generator and 42-inch TV. The first night involved acclimatizing to the youthful crowd and loud electronic dance music that played until the early hours. Things took a dramatic turn when Teddy experienced a sudden medical emergency and had to leave, promising to return later to pick Andy up. Later, a severe storm brought torrential rains and flooding, leading to the cancellation of the entire festival due to infrastructural failure. Despite disappointment, Andy encountered numerous acts of kindness from fellow festival-goers and eventually managed to get back home safely, albeit with a vivid, unforgettable experience.

BANDS: Dogs in a Pile, Eurythmics, Foster the People, Goose, Insane Clown Posse, King Gizzard and the Lizard Wizard, Lemon Twigs, Luke Combs, Marcus King, Miranda Lambert, Parisi.

VENUES:

 2025 Bonnaroo Music Festival.

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Jim shares stories about attending memorable concerts, including a terrifying but exhilarating Wings concert in 1976 where pyrotechnics blew him and his friend off their chairs. He also recalls sneaking into a sold-out George Harrison concert and the emotional tribute concert for George Harrison organized by Eric Clapton.

Berkenstadt discusses his book 'Mysteries in the Music: Case Closed,' which tackles complex topics such as the FBI's extensive and somewhat absurd investigation into alleged obscene lyrics in the song 'Louie Louie,' the CIA’s possible involvement in Bob Marley’s death, and the Beach Boys' interactions with Charles Manson.

Additionally, Berkenstadt's book 'The Beatle Who Vanished' narrates the incredible yet true story of Jimmy Nichol, a drummer who substituted for Ringo Starr during a Beatles tour, only to mysteriously disappear from the public eye. The discussion also covers Berkenstadt's involvement in music documentaries like 'George Harrison: Living in the Material World' and his upcoming work on Nirvana's Nevermind album. Through a combination of rock legends, government intrigue, True Crime, and lost histories, Jim Berkenstadt brings to life the dramatic and captivating interplay of True Crime and rock and roll.

BANDS: Billy Preston, Buddy Guy, Eric Clapton, Foo Fighters, Garbage, Green Day, Jeff Lynne, Monty Python's Flying Circus, Muddy Waters, Nirvana, Ravi Shankar, Ringo Starr, Smashing Pumpkins, The Beatles, The Euphorics, The Quarry Men, The Rainbows, The Rolling Stones, The Spotnicks, The Traveling Wilburys, Tom Petty, Traffic, Wings.

VENUES: Chicago Stadium, Edgewater Hotel, Royal Albert Hall, Soldier Field, Sunset Marquee, The Checkerboard Lounge.

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He also recounts the unexpected presence of Paula Abdul as choreographer and a juggler named Chris Bliss opening the Jackson 5 performances, adding intriguing details to his music journey. The discussion explores Carmichael's storied career, highlighting his time as the house photographer for various iconic Chicago venues and his ongoing contributions to the band Poi Dog Pondering. He narrates the captivating story of how he built and managed the band's first website in 1994, leading to a cherished relationship with its members, characterized by unique moments and extraordinary access to the band. 

Stories of notable concert photographs, nurturing artist relationships, and dealing with fame punctuate the narrative, demonstrating Carmichael's passion and dedication to his craft. A substantial part of the conversation shifts to Carmichael's memorable experiences photographing famous bands like the Rolling Stones, where the planned and professional approach of the band stands out in contrast to other gigs. He shares stories about his work featured in Swedish postage stamps and meeting various musicians over the years.

He details heart-pounding moments with Mooney Suzuki and Gogo Bordello, where bands took risky performances. Additionally, Matt discusses his long-standing website, RocknRoll.net and discusses his latest project—a book compiling fascinating stories of meeting and working with iconic musicians and heroes. His work combines his love for music, photography, and personal narratives to create a rich tapestry of rock history and personal growth.

BANDS: Blind Melon, Poi Dog Pondering, Sahara Hot Nights, The Rolling Stones,  Zoe Keating.

VENUES: The Vic (Chicago), Metro (Chicago), Grant Park (Chicago).

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Doug introduces listeners to a diverse array of guests, from Tom Fitzer, who recounts his wild antics at concerts, to Roger Merlot, a 70-year-old live music superfan who holds records for attending consecutive gigs. The episode takes an emotional turn with Dawn Fontaine's powerful story about how music, specifically from the band Soraia, helped her navigate the darkest period of her life following a personal loss.

Adding another layer of excitement, Doug reveals download statistics, showcasing the global reach of the podcast, with fans in over 30 countries. Additional clips feature tales like Rudy Childs' chaotic encounter with Sharon Osborne during an Ozzy Osborne concert, and Emma, an 8-year-old concert photographer capturing big acts like Joan Jett and Duran Duran. This anniversary special encapsulates the essence of 'Seeing Them Live,' celebrating the joy, chaos, and transformative power of live music experiences.

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BANDS: MEGG, Nirvana, The Used, U2

VENUES: Aragon Ballroom, Chicago

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Zach also recounts his career beginnings at Reach Records in Atlanta, working as a recording engineer, and how that shaped his musical journey. He reveals that he transitioned from attempting to rap to finding his true voice in singing, which he has been developing since. Zach mentions various collaborations with other artists and highlights how these partnerships have significantly influenced his career.

He discusses his recent release 'Hurricane,' a song that explores the idea of finding calm amidst life's chaos. Zach reflects on the different interpretations of the song by listeners, highlighting the subjective nature of music. Finally, Zach talks about his current tour, his upcoming debut album, and his plans to continue producing and releasing new music.

BANDS: Alive, Allen Stone, Benny, Chris Jameson, Crash Adams, Drake, Future, Jalen Sean, Kevin Chung, Migos, Roy Woods, Tadashi, WHATUPRG.

VENUES:  Clay's Park, Grog Shop, Hotel Cafe, Phillips Arena, Shuba's Tavern, Subterranean.

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BB reminisces about her first concert at age five, seeing Sean Cassidy at Navy Pier in Chicago, and shares memorable concert experiences with Mumford and Sons, contrasting them with a lackluster performance by Bob Dylan she attended in the early 90s. 

She discusses a formative experience in her music career when she and a friend were invited to join Arise Records after singing 'Amazing Grace' in a Chicago subway. This fortuitous event laid the groundwork for BB's extensive music journey, performing with various bands and writing a wide range of musical genres from blues, funk, soul, classic country, to jazz and rock. 

The episode also dives into BB’s musical projects, from her early involvement with hip hop group Schmoov and the Family to later bands like Super D, The Jesters, and Seeking Wonderland. BB elaborates on how she transitioned into learning the piano during the COVID-19 pandemic, which allowed her to contribute more dynamically to her current band. BB & The Honey recently released a new EP called 'Reckless Heart,' comprising four original songs. The interview touches on the practicalities of their live performances, noting the flexibility in band size depending on the venue. BB delves into the recording process of the EP, aiming to capture the live energy of their performances. The episode wraps up with BB talking about their upcoming release party, their ongoing music journey, and where fans can find their music and live performance updates.

BANDS: BB & the Honey, Bob Dylan, C&C Music Factory, Chicago, Full Moon Vixen, Groove X, Kris Kross, Lucinda Williams, Modern Day Romeos, Mumford and Sons, Poi Dog Pondering, Santana, Sean Cassidy, Seeking Wonderland, Stock Boy, Super D, The Dead, The Jesters, ZZ Top

VENUES: Abbey Pub, Alpine Valley, Bacon Fest, beer fest in Kenosha, Baker House, Crystal Lake, Dole Mansion, Double Door, Goose Island, Hard Rock Cafe, Lake Como, Lou's Lounge, Mars Resort, Naperville, Navy Pier, Riviera, Riviera in Chicago, Ryman, Ryman Theater, Ryman Theatre, Sean Cassidy concert, Subterranean, Tinley Park, Walworth County Fair

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The conversation begins with MEGG recalling her first concert experience, a Madonna show, attended with her parents and a friend, which left a lasting impression on her as a child. They discuss various best concerts she has attended, including performances by Beyonce, Alicia Keys, and Missy Elliot. This inspires MEGG to share how these experiences shaped her musical career, leading her to attend the Los Angeles County High School for the Arts and later the University of Southern California's Popular Music Performance Program.

MEGG recounts forming several bands along the way, including Runway MMC with her friends, supported by her mother's visionary clothing line idea, and Party for One, a pop-punk band she started with her buddies from USC. MEGG's career took significant turns with these projects, growing from performing at college parties to headline venues like Saint Rocke. MEGG delves further into pivotal moments such as playing the Musink Tattoo Music Festival, opening for The Used, and the journey to secure a spot at Warped Tour 2025. 

MEGG's experiences exhibit her resilience and dedication to her craft amidst various challenges and the evolving music industry landscape. Towards the end of the interview, MEGG discusses her musical influences, her recent single releases, and plans for upcoming projects, such as an EP to be released in the fall following her performances at Warped Tour. She emphasizes the importance of staying true to her musical style while being versatile across different genres. As an added treat, the interview includes a live acoustic rendition of MEGG’s 'The Hangover Song.'

BANDS: Blink 182, Every Time I Die, Fleetwood Mac, Guns N Roses, Hot Water Music, Mumford and Sons, Nirvana, No Doubt, Paramore, Pennywise, Pennywise, Spice Girls, Sum 41, Taking Back Sunday, The Used, Tomorrow's Bad Seeds, Tomorrow's Bad Seeds

VENUES:

 Break Room, Dodger Stadium, Forum, Musink Tattoo Music Festival, Redwood Bar, Saint Rocke, Staples Center, Warped Tour.

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The conversation then shifts towards Benny's musical project, Muted Circus, a deeply personal undertaking inspired by the death of his father. The project comprises 10 EPs with 50 songs, each featuring his father's visual artwork on the covers. Benny explains how creating this music helped him process his grief and reflect on his relationship with his father. He delves into the themes explored in his music, often revolving around the impact of his parents on his life. Benny shares the challenges and emotional journey of writing and recording these songs over several years. He also introspects on the nuances of live vs. recorded music and the emotional resonance that well-produced music can often deliver.

During the interview, Benny performs 'Disconnection,' a song from his final EP in the Muted Circus series. The song captures the sentiment of final phone calls with a loved one and reflects Benny's extensive relationship with his father through daily check-ins on the phone. The episode concludes with Benny discussing his future plans for more music releases under different projects and emphasizing the therapeutic power of music in processing complex emotions. Listeners can explore Benny's work on platforms like Bandcamp, Spotify, Apple Music, and YouTube.

BANDS: No Doubt, The Get Up Kids, Jimmy Eat World, Real Big Fish, Gwen and Eric Stefani, Megadeth, NSYNC, Metallica, Slayer, Marty Friedman, Dave Mustaine.

VENUES: Makuhari Messe (Japan), Koos Cafe, The Chain Reaction, Madison Square Garden.

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Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.

The conversation shifts to Jesse’s walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.

Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse’s mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.

BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.

VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap.

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He shares captivating anecdotes about sharing stages with trumpet legends like Doc Severinsen and Al Hirt, and his early inspirations such as Herb Alpert & The Tijuana Brass, and Bill Chase. One particularly memorable story includes a chance encounter with Chase the night before he left for Marine Corps basic training, which solidified his passion for high register trumpet playing. Jose also talks about the devastating impact of the plane crash in 1974 that tragically ended the lives of several members of the band Chase, and the emotional 40-year reunion concert that followed, filled with nostalgia and respect for the members who were lost. 

Jose reflects on his post-Marine Corps life and the formation of Five Guys Named Moe in 1988. The band quickly gained popularity with their unique style and vibrant performances, playing at numerous gigs across the Midwest every year. Jose's attention to professionalism and the importance of band dynamics and promotions are evident as he speaks about managing the band over the years. The impact of the Moe Heads, the band's loyal fans, is also a testament to their ongoing success. 

Jose underscores the hard work, dedication, and strategic planning required to sustain a band’s longevity in the competitive music industry. As an experienced musician, he offers valuable insights about balancing artistic integrity with crowd-pleasing performances and the reciprocal importance of venue support in promoting events. By mingling with fans and maintaining a professional band practice, Jose ensures that Five Guys Named Moe remains a staple of vibrant live music in the Midwest.

BANDS: Al Hirt, Bill Chase, Blood, Sweat, and Tears, Blues Brothers, Chicago, Chase, Doc Severinsen, Five Guys Named Moe, Herb Alpert & The Tijuana Brass, Lovecraft, The Kind, United States Marine Corps

VENUES: CD and Me, Cousins, North and Maple, Tailgaters, Ballydoyle, Buddy Pals, Q Bar, Poplar Creek, Superdome

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Jamie reflects on his early musical influences, growing up in Woodstock, Ontario, and his transition from aspiring hockey player to musician after a knee injury. He shares how he taught himself guitar on a damaged acoustic and recalls receiving his first real guitar as a Christmas gift in 1966. 

The conversation turns to Jamie’s formative concert experiences, including seeing Tommy James and the Shondells, Deep Purple, Sly and the Family Stone, The Who, and an early performance by Queen in a small London club. Jamie describes how these shows influenced his approach to live performance. 

He recounts his time in the 1970s rock scene, playing with various bands before joining the New Steppenwolf in 1977. After leaving the New Steppenwolf, Jamie formed The Kingbees, an ‘80s rockabilly trio that gained a cult following.

A favorable review in LA Weekly helped them gain popularity, attracting large crowds to their shows. He discusses their unique rockabilly-inspired style, which predated the Stray Cats and MTV, and his personal shift toward a Buddy Holly-influenced guitar approach. Jamie also shares anecdotes about the LA music scene, recalling interactions with The Blasters and Blackie Dammett, father of Anthony Kiedis, who became an informal emcee for The Kingbees. 

Additionally, he recounts signing with RSO Records in 1980, initially seeing little success until their song My Mistake gained radio traction in Detroit. This newfound exposure led to major performance opportunities, including a replacement slot at the Toledo Speedway Jam alongside ZZ Top, AC/DC, and Sammy Hagar; a wild gig that took an unexpected turn involving a whiskey bottle that injured an audience member.

After the Kingbees disbanded in 1981, Jamie pursued a solo career, but his EP failed to resonate with him. A chance encounter with actor Harry Dean Stanton at a July 4th gathering led to a close friendship and musical collaboration that lasted for years. Jamie formed a band with Stanton, regularly performing at The Lighthouse and The Mint. Later, he connected with actor Dennis Quaid, leading to the formation of The Sharks, a band that endured for nearly 20 years.

A severe health scare in 2020 prompted Jamie to recommit to songwriting, leading to the creation of new music during the Covid pandemic. Despite financial challenges, his bandmates were eventually drawn in by the strength of his songs, paving the way for his latest album, Ain’t No Big Thing (https://oglio.com/).

Jamie’s story is one of resilience, reinvention, and an enduring love for making music.

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Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastes

Giuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.

Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.

BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah Heep

VENUES:

 Club X, Radio 104 Fest

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He recalls the exciting early days of music exploration via the internet in the mid-90s, highlighting moments when he discovered influential music essays and participated in emerging online music communities. One of his notable memories includes attending his first concert, an NWA show in 1989, where he experienced both the thrill and cultural impact of live hip-hop music. He reminisces about various concert experiences, including attending Kings of Leon at Johnny Depp's Viper Room and the Troubadour in Los Angeles, and describes the unique atmosphere of historical music venues. He also recalls his experience attending the Tibetan Freedom Concert in 1996.

Dominguez also values personal interactions with musicians, sharing stories about his early online exchanges and meetings with avant-garde musicians Nels Cline and Joe Baiza. Despite the modern shift towards digital music consumption, Dominguez advocates for the irreplaceable magic of live performances and encourages music enthusiasts to support local independent shows. In wrapping up, he stresses how vital it is for fans to support smaller live music venues, highlighting how these spaces provide essential platforms for artists and memorable experiences for audiences. Dominguez's dedication to music culture and innovation through Songbird Collective exemplifies the evolving landscape of live music and virtual experiences.

BANDS: Aerosmith, Beastie Boys, Ben Steller, Creeper Lagoon, Dr. Dre, Fontaine's DC, Ice Cube, Jet, John Lee Hooker, Killers, Kings of Leon, Mud Honey, New Jack's Swing, No Doubt, NWA, Oasis, On the Speakers, Ornette Coleman, Pavement, Pixies, Porno for Pyros, Rage Against the Machine, Smashing Pumpkins, Sonic Youth, Stooges, Tribe Called Quest

VENUES: Celebrity Theater, Constellation Room, Castaic Lake, El Rancho Grande, Johnny Depp's Viper Room, Observatory, Rainbow, Roxy, Salt Shed, Troubadour, Mr. T's Bowl

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The Rock and Roll Chicago podcast provides a platform for bands and musicians from the Chicago area, delving into the history of rock and roll in Chicago and Illinois, the current scene, and the challenges and opportunities for musicians today. Mike and Ray share humorous anecdotes, such as Mike jokingly proposing 'The Procrastinators' as a name for his next punk band, and Mike mentioning his varied musical activities, including performing with bands like Cadillac Groove and Mike and the Stillmasters, and his solo work. Mike also uncovers a rich musical heritage after meeting a cousin who fronts a Zydeco band in Louisiana, leading him to discover his extended family’s significant contributions to various facets of the entertainment industry. 

Ray recounts his multifaceted career journey, involving roadie work, being a firefighter for 28 years, and later diving back into music and podcasting post-retirement. Personal anecdotes include Ray’s memories of his first concert, seeing Chicago Transit Authority, and his best concert experience with ZZ Top, where he enjoyed backstage access and partied with the band. 

Mike fondly recalls his first concert, a Billy Squire show with Def Leppard as the opener, and his best concert experience, which was a transformative Buddy Guy performance that inspired him to become a musician. The episode concludes with Ray and Mike previewing their plans for upcoming podcast episodes and discussing the Illinois Rock and Roll Museum’s ongoing development and various exhibits, including guitars from Buddy Guy, and its status as a non-profit organization reliant on donations and memberships for support.

BANDS: 4 Non-Blondes, Alison Krauss, Billy Joel, Billy Squire, Buddy Guy, Cadillac Groove, Def Leppard, Flat Cats, Iron Maiden, Joker, Led Zeppelin, Lynyrd Skynyrd, Mabel's, Mike and the Still Masters, Outlaws, Rage Against A Machine, REO Speedwagon, REM, Robert Plant, Stevie Ray Vaughan, Train, Vulgar Boatmen, Wrought Iron Soul, ZZ Top.

VENUES:  Alpine Valley, Chicago Theater, El Macomber, Illinois Rock and Roll Museum, Illinois Rock and Roll Museum on Route 66, International Amphitheater, Mabel's, Ravinia, Rialto Square Theater, Rosemount Horizon, Route 66, Taste of Westmont, The Amphitheater, The Flat Cats, The Forge, The Riviera Theater.

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Transitioning to his literary works, Ben discusses the events around his book Body Count, which covers Body Count's controversial debut album featuring the song Cop Killer. The song elicited backlash from police unions, the Senate, and even the President, leading to its removal from the album after only three months. Ben details the dichotomy of the intense reactions to Cop Killer and the larger issues of censorship and societal fears in the early 1990s.

Regarding his book on Metallica, Ben describes its comprehensive coverage, spanning the band's history, individual members, concerts, and broader cultural impact. He also delves into the influence of punk and metal within their music. Ben emphasizes the significance of word-of-mouth and live performances in Metallica's rise to popularity and reflects on how their approach to live shows continues to engage and expand their fan base. He concludes by expressing his enthusiasm for writing these books and outlining potential future projects, including collaborations and new biographies.

BANDS: AC/DC, Bob Dylan, Body Count, Fiona Apple, Fishbone, Iron Maiden, Living Color, Metallica, Patti Smith, Prince, Slayer, Suicidal Tendencies, The Grateful Dead, The Kinks, The Ramones, Ultimate Classic Rock, Velvet Underground.

VENUES:

RFK Stadium, Madison Square Garden, Alpine Valley, Navy Pier, Salt Shed, Lollapalooza.

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Eric discusses his rich year, including covering bands like Bim Skala Bim, the Dandy Warhols, and Foo Fighters. Summer shares her experiences of attending Lollapalooza and seeing Green Day at Wrigley Field among others. Jessica details her rain-soaked yet impactful experience at the Global Citizen Festival in Central Park and makes plans for 2025. Doug recounts his concert experience joining Charles and previous guest Art Gregg seeing a Led Zeppelin cover band, Led Zeppelin II, at the House of Blues in Chicago. Doug also describes a Soraia concert where Doug and Charles recorded podcast content. Steve recounts emotional concert memories, such as traveling to see Joan Jett and the Psychedelic Furs and plans for upcoming shows.

The episode also highlights special 'podcast moments', where Charles meets listeners and potential guests at concerts he attended.

BANDS: Afghan Whigs, Alanis Morissette, Benson Boone, Bim Skala Bim, Bridget Calls Me Baby, Cat Power, Doja Cat, Dua Lipa, Eye for an Eye, Foo Fighters, Foster the People, Friko, Green Day, Harry Styles, Infinity Song, Jack White, Jane's Addiction, Jelly Roll, Jesus and Mary Chain, Joan Jett, Kim Deal, Led Zeppelin, Life on the V, Love and Rockets, Matthew Sweet, Metallica, Nothing But Thieves, Pantera, Pearl Jam, Post Malone, Psychedelic Furs, Quicksand, Raul Alejandro, Ringo Starr, Rival Schools, Sleater Kinney, Smashing Pumpkins, St. Vincent, Stevie Nicks, The Breeders, The Cannons, The Church, The Cure, The Dandy Warhols, The Deftones, The Killers, The Pixies, The Smiths, The White Stripes, Thursday, Wussy

VENUES: Central Park, City Winery, Club Passim, Fenway Park, Gillette Stadium, Grant Park, House of Blues, Leader Bank Pavilion, Liars Club, Lollapalooza, Madison Square Garden, Northerly Island, Paradise Club, Park West, Rock and Roll Hall of Fame, Royale, Salt Shed, Soldier Field, South by Southwest, Staples Center, Summit Music Hall, The Tender Trap, Wilbur Theater

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Jim shares his appreciation for technically proficient artists like Mike Watt and Nels Cline, recounting a particularly electrifying performance that displayed exceptional guitar skills. His experiences underscore the importance of venue acoustics and crowd energy, such as how silence and attention at a Sigur Rós concert added to the immersive quality of the show. Conversely, he describes a disappointing Eagles concert during their 'When Hell Freezes Over' tour due to multiple breaks and inflated egos.

A standout anecdote involves Jim losing a shoe while crowd-surfing at a Nirvana concert, only to have Kurt Cobain toss it backstage, leaving him to navigate the chilly New England night unshod. Amid these personal stories, Jim also touches on the broader implications of concert experiences, including nostalgic reflections on hitchhiking back from a Sonic Youth concert with friends and the pure joy of witnessing an early White Stripes performance in a frat house setting.

In addition to sharing concert stories, Jim speaks about his podcast, 'Feel Free to Deviate,' which delves into people's career paths and their relationships with success. The podcast captures various personal and professional journeys, underscoring Jim's curiosity and communication skills.

BANDS: Afghan Wigs, Aerosmith, Beatles, Black Crows, Blackfoot, Breeders, Clarence Clemens, Deep Purple, Dire Straits, Dr. John, The Eagles, Joe Walsh, Led Zeppelin, Living Color, Lounge Acts, Mason Ruffner, Ministry, Minutemen, Nazareth, Nick Cave, Nils Lofgren, Otoboke Beaver, Porno for Pyros, Radiohead, Ringo Starr, Rolling Stones, Sigur Rós, Soundgarden, Stevie Ray Vaughan, Sonic Youth, Ten Years After, the Doors, U2, Walter Trout, White Stripes, Willie Preston.

VENUES: T. T. the Bears, Row Town, Lansdowne Street, Lake Compounce, University of Massachusetts, Panarchy, Orpheum, University of Vermont, Berklee Performance Center.

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Shelley highlights the unique aspects of virtual events, such as creating avatars, virtual merchandise, and NFTs to engage audiences globally. The conversation delves into the challenges and opportunities of Web3 and how it offers new ways for independent artists to monetize their work. Additionally, Shelley shares memorable moments from her virtual concerts, including a special Christmas event featuring Krampus and live interactions with fans from around the world.

BANDS: Aerosmith, Ash Orphan, Buffalo, Death Cab for Cutie, Deep Sea Diver, Ed Sheeran, Jessica Dobson, Kid Rock, Kings of Leon, Krampus, Mr. Swee, New Kids on the Block, Pans, Psychedelic Furs, Spottie WiFi, Stoney Eye, Tara Who, The Shins.

VENUES: Aragon Ballroom, Credit Union One Amphitheater, Decentraland, Filling Station, Kettle House Amphitheater, Liar's Club, New World Music Theater, Soldier Field, Troubadour, Tru Band Room.

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The podcast captures the dynamic energy of the concert and provides a vivid account of the live event, including attendee experiences, band interviews, and their impressions of the venue. Fans express their admiration for the bands performing that night, and discuss the club's excellent sound quality and inviting atmosphere.

BANDS: Ricky Liontones, Soraia, Tara Who?

VENUES: The Liar’s Club

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He humorously shares early concert anecdotes, including winning tickets through radio contests and memorable shows like the Aerosmith concert and a unique collaboration between David Bowie and Nine Inch Nails. The discussion reveals Ken's passion for live performances and his impact on the entertainment industry over two decades, underscoring his transition from music to comedy and podcasting. 

Prompted by a story Charles shares where Michael Stipe asked Charles for his Batman shirt after an REM show, Ken and Charles do a deep dive into the portrayal of Joker by Cesar Romero in the original Batman series. They explore Romero's unique take on the character, the impact it had on the show's success, and how it influenced perceptions of the Joker in pop culture.

The episode also dives into remarkable concert stories, such as The Descendants' comeback tour and intense punk shows at Boston's Rathskeller, portrayed through vivid recollections of chaotic and energetic performances. Additionally, the hosts and Ken discuss the evolving concert culture, contrasting the violent punk shows of the past with today's more positive festival atmosphere. This engaging narrative captures the spirit of live music and the raw energy of punk rock, while showcasing Ken Reid's journey from punk singer to a successful comedian and podcast host with over 700 episodes of 'TV Guidance Counselor.'

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Rudy also discusses the highs and lows of his journey, including curious anecdotes such as impersonating a Kerrang magazine writer for a band interview and his encounter with Sharon Osbourne when she threw him out of Ozzy’s dressing room. His passion for rock music is evident in his vivid recollections of concerts and the lengths he went to photograph and videotape these events, despite the challenges posed by his battles with drug use.

Beyond photography, Rudy describes his venture into filmmaking, with documentaries like 'The Dogmatics' and 'Tension,' exploring bands that shaped the punk and metal scenes. He details his creative process and the enthusiasm with which he pursued these projects, despite personal setbacks. His work has been celebrated, winning several awards and being featured in numerous publications.

Rudy concludes by sharing exciting updates and future plans, including a potential publication of his candid memoir 'Riff Raff and Rock and Roll,' which delves into his personal experiences with addiction and recovery. He also hints at a significant project involving a well-known band, showcasing his ongoing dedication to documenting the world of music.

BANDS: Aerosmith, Alice Cooper, Black Sabbath, Blue Oyster Cult, Cheap Trick, Chicago White Sox, David Bowie's band, Tin Machine, Elton John, Flock of Seagulls, Foreigner, J Giles, Judas Priest, Madonna, Megadeth, Men at Work, Metallica, Michael Stanley band, Motley Crue, Nantucket, Ozzie Osbourne, Pink Floyd, Quiet Riot, Rick Derringer, Scorpions, Stray Cats, Ted Nugent, The Kinks, The Outlaws, Thin Lizzy, Tom Petty, Van Halen

VENUES: Boston garden, Cape Cod Coliseum, Comiskey park, Four Seasons, Hammerjacks, Merriweather, Nassau Coliseum

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Eric and Scott delve into the details of the concert, describing both the high points of the performance and the troubling behavior exhibited by Perry Farrell, who appeared inebriated. They discuss the band's instrumental prowess and some standout moments from the night, juxtaposed with the unraveling tensions among the band members leading up to the on-stage altercation. The friends offer insights into the darker troubled history of Jane's Addiction, emphasizing the volatility that has characterized the band's trajectory.

Throughout the episode, the two guests also share their perspectives on the broader context of the band's enduring legacy, the personal significance of Jane's Addiction's music in their lives, and their mutual admiration for bassist Eric Avery's contributions to the band's sound. They recount the immediate aftermath of the event, how the altercation was reported by major media outlets, and their reactions to the incident.

The episode concludes with reflections on the meaningful moments of the night despite the dramatic turn of events. Eric and Scott mention their interest in future concert reviews and collaborations, encapsulating their deep bond and mutual passion for live music.

BANDS: Bruce Springsteen, Empire Records, Jane's Addiction, Lollapalooza, Lollapalooza, Love and Rockets, Nine Inch Nails, Pearl Jam, Red Hot Chili Peppers, Ringo Starr and His All-Star Band, The Beatles, The Monkees, Van Halen, Prince

VENUES: Aragon Ballroom, Fenway Park, Grant Park, Hammerstein Ballroom, Hanscom Middle School, Harbor Lights, Leader Bank Pavilion

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The episode delves into Scott's diverse music tastes, ranging from hip hop to industrial, and his favorite bands like Sonic Youth and the Dead Kennedys. He shares insightful stories about attending Lollapalooza in 1992 and how Ministry's intense performance left a lasting impression. Scott also talks about the local hardcore scene in Boston during the early 90s, highlighting shows by bands like Chillmark that gave him a sense of community. A particularly touching moment comes when Scott describes taking his daughter to her first concert to see Wussy, a band whose songs he used to sing to her as lullabies. This episode is a nostalgic journey through Scott's vibrant musical history, marked by memorable concerts and the unifying power of music.

BANDS: A Tribe Called Quest, Beastie Boys, Beastie Boys, Bob Dylan, Burn, Circle Jerks, Dead Kennedys, Descendants, Dinosaur Jr., Dirty Rotten Imbeciles, Gang Starr, Heroin, Ian Mackaye, Ice Cube, Jane's Addiction, Jello Biafra, King Gizzard and the Lizard Wizard, Kingpin, Lou Barlow, Lush, Megadeth, Metallica, Ministry, Mogwai, Nirvana, Palehead, Pearl Jam, Public Enemy, Red Hot Chili Peppers, REM, Ritchie Havens, Run D.M.C., Said and Done, Sebadoh, Sex Pistols, Sick of It All, Slayer, Smashing Pumpkins, Smiths, Sonic Youth, Suicidal Tendencies, The Alcoholics, The Cure, The Goats, The Pharcyde, The Smiths, The Who, Tribe, U2, Wrecking Crew

VENUES: 930 Club, Aragon Ballroom, First Baptist Church, Great Woods, Lollapalooza, Middle East, Smith College, The Rathskeller, Walter Brown Arena, Woods Hole

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The discussion also touches on other memorable shows, including Tina Turner's powerful performance as the opening act for Lionel Richie in 1984, where her high-energy stage presence captivated the audience. Jim also recalls seeing Elton John at Madison Square Garden during the Leather Jackets tour in 1986 and dispels a rumor about the singer allegedly assaulting a fan. He goes on to describe the experience of attending Billy Joel’s record-setting 12 Gardens residency at Madison Square Garden, which also happened to be his wife’s first concert, highlighting the shared joy of live music.

The conversation takes a humorous turn as Jim recounts some lighter concert memories, including a prank involving "pre-concert mooing" at a Joan Jett concert in 1983 and a surprising encounter at a Samantha Fox show in 1989. Charles and Doug also share their own concert anecdotes, with Doug emphasizing the consistent quality of Billy Joel’s performances and Charles recalling a chaotic food fight during a Joan Jett set at a Police concert. The episode is filled with entertaining stories and insights, reflecting the hosts' and guest’s deep appreciation for live music and the unforgettable moments that concerts create.

BANDS: Bare Naked Ladies, Billy Joel, Clint Black, Coolio, Elton John, Joan Jett, Lionel Richie, Prince, Samantha Fox, Sheila E, The Police, Tina Turner, Wynonna Judd.

VENUES:  Jones Beach, Madison Square Garden, Manchester Apollo, Orpheum Capitol Theater, The Marquee Club.

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BANDS: ACDC, Aerosmith, Beck, Ben Folds Five, Black Crows, Body Count, Brian Johnson, Butthole Surfers, Claypool Lennon Delirium, Cypress Hill, Debbie Gibson, Del Fuegos, Dinosaur Jr., Eagles, Eddie Van Halen, Elastica, Extreme, Foo Fighters, Garbage, George Harrison, Ghost of the Sabretooth Tiger, Green Day, Hole, Horde, Ice T, Jake Giles band, Jane's Addiction, John Bonham, John Lennon, Kiss, Letters to Cleo, Lilith Fair, Living Color, Lollapalooza, Metallica, Mighty Mighty Bosstones, Moby, Nine Inch Nails, Paul McCartney, Pavement, Pearl Jam, Primus, Ramones, Rancid, Ringo Starr, Rolling Stones, Rollins Band, Ruby, Screaming Trees, Sonic Youth, Sound Garden, The Beatles, The Cars, The Clash, Vans Warped, Yoko Ono

VENUES: Avalon, Boston Calling, Box Center, Citi Field, Fenway Park, Hat Shell, House of Blues, Madison Square Garden, Mansfield, Massachusetts, Orpheum Theater, Paradise, Wilbur Theater, Worcester Centrum

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Amy talks in depth about her unique experiences on Gothic music cruises, her encounters with bands like Combichrist and Empathy Test, and the close-knit community that forms on these trips. She also describes taking her mom to concerts, including a memorable 30 Seconds to Mars show in Lake Tahoe. Throughout, Amy emphasizes the unifying power of music, sharing personal stories that underline the joy and connections sparked by live performances.

BANDS: 30 Seconds to Mars, Aesthetic Perfection, Amy Hill, Anthrax, Bauhaus, Beyonce, Combichrist, Empathy Test, Freddie Mercury, God Module, Gothsicles, Jane's Addiction, Jonathan Van Ness, Luke Bryan, Ministry, Motley Crue, Nine Inch Nails, Pantera, Pearl Jam, Poison, Project Pitchfork, Queen, Sisters of Mercy, Skid Row, Skinny Puppy, Social Distortion, Steven Perkins, System Synning, Taylor Swift.

VENUES:  Alpine Valley, Bottom Lounge, Carnival (cruise line), Four Seasons Hotel, Lollapalooza, Mira Luna, MSC (cruise line), Norwegian (cruise line), Royal Caribbean (cruise line), Soldier Field, Vic Theater.

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BANDS: Alice In Chains, Bad Manners, Big Country, Billy Bob Thornton, Blondie, Bon Jovi, Cheap Trick, Crazy Town, Criss Cross, Dixie Chicks, Duran Duran, EMF, Fontaines D.C., Foo Fighters, Garbage, Guns and Roses, Guns N Roses, Henry Rollins, INXS, Joan Jett and the Blackhearts, Joey Ramone, L7, Lap Daddy, Madness, Marshmello, Morris Day and the Time, Motley Crue, Primus, Queen, Ratt, REM, Rick Springfield, Rod Stewart, Ronnie Spector, Soraia, Spin Doctors, Taylor Swift, Tears for Fears, The Boxmasters, The Dictators, The Independence, The Knuckle Sandwiches, The Meters, The Pristines, The Ramones, The Runaways, Twisted Sister, U2, Whitesnake, Whitney Houston, ZZ Top.

VENUES: Bowery Ballroom, Brownies, Continental Club, CBGB, Coast Coliseum, Coney Island High, Continental Club, Continental Club, Gulf Coast Coliseum, Hank's, Mississippi Gulf Coast Coliseum, Pussycat Lounge, Starplex Amphitheater, Starplex Amphitheater, Tramps, Westbeth Theater, Westbeth Theater.

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Charles and Paul discuss various concert experiences, including Paul’s attempt to attend Woodstock and the Kickapoo Creek Rock Concert, which ended in unexpected adventures and challenges. Paul humorously recalls falling asleep at a Deep Purple concert and shares an anecdote about receiving a cigarette pack from Paul McCartney at a Wings concert. They also delve into Paul’s memorable experience at Pink Floyd’s Dark Side of the Moon tour, highlighting the unique and powerful visual and auditory effects of the show.

Charles and Paul exchange stories of their favorite concerts, mentioning notable performances by artists such as Pink Floyd, REM, Jane’s Addiction, and The Lumineers. They reflect on the evolution of live concert experiences, noting improvements in acoustics and stage production over the years. Paul talks about his podcast, "An Avid Listener," where he connects musical dots by exploring the interconnected histories of albums and artists, providing listeners with fascinating insights and lesser-known backstories. The episode wraps up with a discussion on the value of sharing music and concert experiences, emphasizing the enduring joy and connection music brings to fans and audiophiles alike.

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Link to audio recording mentioned in this episode (U2 - Live In Chicago - March 22nd, 1985): https://www.youtube.com/watch?v=fJAcaN2SMBI

VENUES MENTIONED: UIC Pavilion (Chicago)

BANDS MENTIONED: U2

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Join Charles and Doug as we explore these and other topics with ZouZou:

- What was ZouZou’s first concert?

- What artist influenced ZouZou to change the course of her career?

- What happened when she and her band met Alice Cooper backstage at a Bruce Springsteen concert?

- What is it like to work with Steven Van Zandt?

- What is Soraia’s methodology for naming their albums?

- What influenced the naming of their “Bloom” album?

- Why is ZouZou attracted to the horror genre?

- Why does Soraia like to record cover songs?

- What is the Soraia “Vault”?

- Why does ZouZou love hot dogs?

The discussion charts ZouZou’s musical journey, beginning with her early concert experiences seeing Hall and Oates to a transformative Iggy Pop performance that reshaped her artistic approach. We delve into Soraia's unique blend of 90s influences and 60s garage rock, their evolution over three impactful albums produced under Little Steven Van Zandt's Wicked Cool Records, and the band’s dedicated fan base. ZouZou shares insights into her songwriting process, the raw, uninhibited spirit of rock and roll, and her penchant for horror-themed music videos. Fans can also look forward to Soraia's re-release of 'Shed the Skin' on vinyl and upcoming shows. The light-hearted conversation wraps up with a fun note on ZouZou's love of hot dogs, and where fans can find Soraia's music and merchandise online.

BANDS MENTIONED: Alice Cooper, Bee Gees, Billy Falcon, Brianna Sig, Bruce Springsteen, Clarence Clemons, Concrete Blonde, Daryl Hall, E Street Band, Elvis Presley, Hall and Oates, Iggy Pop, Joan Jett, Jon Bon Jovi, Nirvana, P. J. Harvey, The Pretenders, Prince, Soraia, Steven Van Zandt, Stooges, The Kills, Travis Smith, Tropical Fuckstorm, ZouZou Mansoor.

VENUES MENTIONED: CBGB (New York), Le Poisson Rouge (New York), Liar's Club (Chicago), Spectrum (Philadelphia)

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The discussion then shifts to the band’s concert experiences, highlighting an unusual and memorable performance at a women's correctional facility in Lithuania. Charles praises the energy of the live recording from this concert, drawing a comparison to Johnny Cash's iconic Folsom Prison performance. The band members reflect on the spontaneous nature of the prison show, which was organized in just a few days due to a canceled gig, and the exceptional audio quality captured by their sound engineer, Augustine.

The episode also delves into the band's live performance history in New York City, specifically their residency at New Blue 151, where they have built a strong local following. They talk about their 2022 album, Who Deserves Balloons and Medals, which was notable for having videos accompanying many of the songs. Ilya shares insights into the creative process behind these videos, emphasizing the importance of maintaining artistic control and integrating visual elements to expand the dimensions of their music.

The band’s creative versatility extends beyond their music to filmmaking. Ilya, a skilled filmmaker, directed several of Mad Meg’s music videos and completed a feature-length documentary about Jeffrey Lewis and the antifolk scene in New York. This film, which premiered at SlamDance Film Festival and was nominated for Best Documentary, showcases Ilya's multifaceted talents and the band's commitment to creative storytelling across different mediums.

Throughout the episode, the members of Mad Meg share anecdotes and behind-the-scenes stories, offering listeners a deep dive into their artistic journey and the dynamic synergy that fuels their innovative work. This conversation not only highlights the band's musical achievements but also their ability to merge music with compelling visual narratives, making for an engaging and multifaceted artistic experience.

BANDS MENTIONED: Adrian Baloo, Blonde Redhead, Frank Zappa, Genesis, Iron Maiden, Johnny Cash, King Crimson, Kino, Lounge Lizards, Mad Meg, Nine Inch Nails, Rolling Stones, Social Distortion, The Bears

VENUES MENTIONED: 930 Club (Washington, D.C.), Gramercy Theatre (New York City), Happy Ending (Lower East Side, New York City), New Blue 151 (New York City), Penevėžys Women's Correctional Facility (Lithuania)

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Emma’s adventure begins with a memorable experience at City Winery in Chicago on Father's Day, 2021. Emma brought her Polaroid camera along, capturing special moments and collecting souvenirs. At the concert, Emma received an autographed photo from the singer Tiffany, marking the start of her souvenir collection. Later, Barry surprised Emma with tickets to see Mike Campbell and the Dirty Knobs at Park West, where they enjoyed a front-row experience and received guitar picks as additional mementos.

The excitement continued as Emma attended an Olivia Rodrigo concert at the Aragon Ballroom, discovering the artist through a video game. Barry's surprise tickets to the concert delighted Emma, who received memorable souvenirs, including a guitar pick and flowers left on stage. Emma also attended her first Duran Duran concert at the United Center in Chicago, although she couldn't enter the pit due to technical constraints. Despite this, Emma enjoyed the show with Barry and their writer, adding a unique perspective to Barry's concert photography work.

Emma's presence during concerts added depth to Barry's work, capturing moments that might have been missed otherwise. Their adventures culminated in Emma's attendance at Lollapalooza, where she met band members backstage. Emma and Barry discuss other live music experiences, including Guns N' Roses at Wrigley Field and Al Jardine's performance at the Schaumburg September Fest. Emma shares her excitement about receiving a guitar pick from Duff McKagan at the Guns N' Roses concert after catching his attention with the rock and roll sign.

Transitioning to Al Jardine's performance, Barry highlights their special connection with the artist and their collaboration on photography. Emma, using a Canon digital single lens reflex camera, captured memorable shots of Al Jardine and his band, learning the importance of composition and technique. Barry emphasizes the significance of focusing on key band members and anticipating moments to capture compelling shots.

Their conversation also touches on Emma's evolving photography skills, from using a point-and-shoot Polaroid to a professional-grade camera, guided by her father's expertise. They discuss Emma's approach to concert photography, including her focus on the band and strategies for capturing dynamic moments. Additionally, they share insights into concert souvenirs, including t-shirts and vinyl records, and reflect on the unique experiences of attending concerts and red-carpet events together.

Overall, the episode showcases Emma and Barry's passion for live music and photography, their shared experiences, and the joy of creating lasting memories together.

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Among the live music experiences Rick delves into, he recounts the electric atmosphere of U2 concerts that deeply moved him, leaving a lasting impression. Rick's narrative brings to life the profound impact these live performances had on him. Additionally, Rick reflects on his near encounter with Bob Dylan, sharing a candid story that nearly brought him face-to-face with the music legend in an intimate backstage moment, further illustrating the unpredictability and excitement inherent to the music industry.

The conversation shifts to Rick's podcast, "Rock Talk Studio," where he shares his passion for rock music through book and documentary reviews. Rick explains his unique rating system to help listeners gauge the depth of content suitable for casual fans versus enthusiasts, underscoring his commitment to providing insightful and honest reviews. Through discussions on various topics, from music books to documentaries, Rick and Charles illustrate the vast landscapes of rock music culture and its enduring legacy, highlighting the storytelling aspect of Rick's work that captivates and educates his audience.

BANDS:

Alice Cooper, The Band, Billy Idol, Blind Melon, Bruce Springsteen, Dylan, Fleetwood Mac, Geddy Lee, Guns N Roses, Harry Styles, J Giles Band, James Brown, Kiss, Lindsey Buckingham, Little Richard, Prince, Stevie Wonder, Suicidal Tendencies, The Allman Brothers, The Immediate Family, The Violent Femmes, Tina Turner, Tommy Lee, U2, Yes, ZZ Top.

VENUES:

Aragon Ballroom, Athenium Center, Belly Up, Bushnell Theater, Chicago Theater, Greek Theater, LA Sports Arena, Solider Field, Springfield Civic Center, UIC Pavilion.

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The conversation shifts to their DJing days at a bar called the Tender Trap, where Steve and Charles spun records for an alternative night. They reminisce about attending concerts together, including a memorable encounter with L7 at Lounge Axe, arranged through Louie, who happened to be related to the drummer. Steve also recounts their experiences at House of Blues shows, including a chaotic Danzig concert where the crowd was rowdy, and a Monster Magnet show where Louie's connection secured them access to the Foundation Room.

They delve into their shared love for bands like The Psychedelic Furs and their numerous concert outings together, highlighting the influence of music on their lives and relationships. Reflecting on their concert experiences, they share anecdotes of meeting band members and navigating the vibrant Chicago music scene. Throughout the episode, Steve and Charles' passion for live music shines through, offering listeners a glimpse into their memorable concert journeys.

Steve also reminisces about a memorable encounter at the Foundation Room, where he found himself chatting with members of Stabbing Westward and Monster Magnet. The lively atmosphere of the venue, complete with private rooms for bands and a third-floor balcony offering prime seating, sets the stage for unexpected interactions. Steve recounts how Monster Magnet's Phil reached out to invite Lisa, his girlfriend, to their show, ultimately sending a limo to pick her up from a wedding reception. 

Reflecting on past concerts, Steve shares his disappointing experiences at shows by System of a Down and The Killers, citing crowd behavior and sound quality as factors. Charles joins the conversation, recalling their shared love for live music and their experiences attending concerts together, including memorable shows by the Psychedelic Furs. 

The discussion turns somber as they remember Mars Williams, the saxophonist for the Psychedelic Furs, who passed away after battling cancer. Despite the loss, they cherish the memories of his electrifying performances.

BANDS:

Adele, Alanis Morissette, Cypress Hill, Harry Styles, House of Pain, Ice Cube, Imagine Dragons, Jesus and Mary Chain, Joan Jett, Journey, Korn, L7, Led Zeppelin II, Liquid Soul, Lush, Metric, Ministry, Monster Magnet, Monster Magnet, Pearl Jam, Porno for Pyros, Psychedelic Furs, Rage Against the Machine, Red Hot Chili Peppers, REM, Smashing Pumpkins, Soundgarden, Stabbing Westward, Stabbing Westward, Stone Temple Pilots, System of a Down, Temple of the Dog, The Cult, The Cult, The Cure, The Cure, The Killers, The Psychedelic Furs, Two Ton Boa, U2, Wetleg.

VENUES:

Alpine Valley (East Troy, Wisconsin), Aragon Ballroom (Chicago, Illinois), Chastain Park (Atlanta, Georgia), House of Blues (Chicago, Illinois), Lounge Axe (Chicago, Illinois), The Congress (Chicago, Illinois), The Metro (Chicago, Illinois), The World Music Theatre (Tinley Park, Illinois).

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The conversation delves into Jessica's attendance at various concerts, including her experience at the KFest concert sponsored by radio station K104, where she enjoyed performances from a lineup of diverse artists. They also explore her memorable encounters at concerts, such as making eye contact with George Michael during a performance and discovering future soul band Mad Satta through a local concert series.

Charles then transitions to discussing surprising concert experiences, including a Lady Gaga concert at City Field, where unexpected rain made for a memorable and wet performance. Jessica also shares her experience attending the Global Citizen's concert, an event aimed at raising awareness of global issues through music, where she witnessed performances by a range of artists for free in Central Park.

As the conversation progresses, Charles and Jessica touch upon regretful missed opportunities, with Jessica expressing her desire to have attended a concert featuring the cast of the TV series Nashville. Finally, they discuss the origin of Jessica's podcast, Music Notes with Jess, which she started after being inspired by friends creating their own podcasts and her passion for sharing her insights and opinions on music. Charles also brings up a humorous anecdote regarding the interpretation of lyrics from an Iggy Pop song.

Overall, the episode provides listeners with a glimpse into Jessica's diverse concert experiences and her journey in the world of podcasting, showcasing her enthusiasm for music and storytelling.

ARTISTS MENTIONED: Aaron Fresh, Adam Lambert, Alicia Keys, Ayaz, B.O.B., Ben Platt, Carole King, Cherise, David Gray, French Montana, George Michael, H.E.R., Iggy Pop., John Baptiste, Kat DeLuna, Lady Gaga, Ludacris, NCT 127, OneRepublic, Orianthi, Pharrell Williams, Queen, Richie Sambora (from Bon Jovi), Taylor Hawkins (from Foo Fighters), Train, Tyle Cruz, Usher.

VENUES MENTIONED: Beacon Theatre, Citifield, Central Park, Dutchess Stadium, Madison Square Garden, Radio City Music Hall.

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However, it was Soraia's performance in 2022 that truly changed Dawn's life. Following a dark period after the loss of her partner, Dawn reluctantly attended the concert, only to find solace and renewal in the music. Soraia's electrifying performance provided a sense of healing and hope, inspiring Dawn to reconnect with her passion for live music and embark on a journey of self-discovery and healing. Her story emphasizes the therapeutic and life-changing power of live music.

PLEASE NOTE: This episode includes a frank discussion about depression and suicide. Listener discretion is advised. If you or someone you know is struggling or in crisis, help is available. Call or text 988 to reach the Suicide & Crisis Lifeline or chat 988lifeline.org.

BANDS MENTIONED:
Billy Idol, Bon Jovi, Cry Havoc, Dave Strong (referenced as a punk rocker from Portland, Maine), Green Day, Guns N' Roses, Hall and Oates, Jared Knapik, Joan Jett and the Blackhearts, Killer Queen (a Queen cover band), Kiss, Kurt Baker Band, Mitch Kramer, Nirvana, Peasant, Quiet Riot, Ryan Hamilton, Sheryl Crow, Soraia, Stephen Van Zandt, The Kurt Baker Band, The Last Survivors, The Offspring, The Pretenders, The Resistors, The Rolling Stones, The Sex Pistols, The Who, The Worst

VENUES MENTIONED:
Berlin Under A - A venue in New York City, where Soraia performed in November, attended by the speaker, where she also met Stephen Van Zandt.

Cafe Nine - Located in New Haven, Connecticut, where Craig Sala's band, The Worst, performed along with a band called The Resistors and another called Mitch Kramer.

Darryl's House - located in Pauling, New York, where Soraia performed in 2022.

Dingbats - A small bar/venue in Clifton, New Jersey, where Soraia performed one of their shows.

Liars Club - A venue in Chicago, Illinois.

Mohegan Sun Arena - where Dawn saw Joan Jett open for The Who in Uncasville, Connecticut, in 2015.

Orpheum Theater - where Dawn saw Billy Idol in Boston in 2015.

Palace Theater - where Dawn saw Soraia perform in Albany, New York, after the pandemic in 2022.

The Paramount Theater - Located on Long Island, New York, where Soraia performed, opening for a Queen cover band called Killer Queen.

Worcester Auditorium - Dawn's first concert, where she saw The Offspring in 1995.Worcester Centrum Center (now called the DCU Center) - where Dawn saw Kiss in 1996.

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The conversation then shifts to Pauline's journey through her music preferences, from the rock scene of middle school to the boy band era in high school, featuring her appreciation for BBMak. The podcast highlights Pauline's recent experience attending a BBMak concert in 2023, where she joyfully embraced the nostalgia of cheesy boy band music surrounded by fans of the same era. 

The show turns toward Pauline's role as a concert mom when she talks about taking her family to see Ed Sheeran. The discussion touches on concert logistics, including the importance of selecting suitable seating for younger attendees and the significance of acquiring concert shirts as mementos. Pauline shares her son's enthusiasm for Ed Sheeran, recounting the family's exciting experience at the concert, breaking attendance records and creating lasting memories. 

Charles concludes the episode by discussing future concert plans and how the podcast has reignited his and Pauline's passion for live music. The episode leaves listeners with a sense of the diverse and enriching experiences that concerts offer, whether as a fan meeting a childhood idol or as a parent creating cherished memories with family.

BANDS MENTIONED: Dave Matthews Band, Dave Matthews, BBMak, Ed Sheeran, Bush, Silverchair, Harry Styles, Led Zeppelin, Jimmy Page (referenced indirectly in the episode), Backstreet Boys (mentioned in the context of boy bands), *NSYNC (mentioned in the context of boy bands), New Kids on the Block (mentioned in the context of boy bands).

VENUES MENTIONED: Amphitheater, Aragon Ballroom, Soldier Field, House of Blues.

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Bands Mentioned: Almond Brothers, Bob Dylan, Bob Weir, Grateful Dead, Greg Kihn Band, Iggy Pop, Jane's Addiction, Jason and the Scorchers, Jerry Garcia Band, Jethro Tull, Joe Perry Project, King Gizzard and the Lizard Wizard, Neil Young, Phil Lesh, Ramones, REM, Santana, Slayer, Stevie Ray Vaughan, The Moody Blues, Vulgar Boatmen.

Venues Mentioned: Alpine Valley (mentioned in connection with Iron Maiden), Champaign (general reference), Chicago Fest, Chicago Theater, International Amphitheater (mentioned in connection with Iron Maiden and Judas Priest), Las Vegas (mentioned in connection with Bobby Weir), Mabel's (venue in Champaign, mentioned in connection with Otis and the Elevators), Salt Shed (King Gizzard and the Lizard Wizard concert), Soldier Field (mentioned in connection with Chicago Fest with Stevie Ray Vaughan), UIC Pavilion.

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Reflecting on his early music experiences, Roger shares memories of a Joan Baez concert in the 1960s, marking the beginning of his journey through London's rich music scene. The cultural and social aspects of live performances are explored, emphasizing the intimate connection between the audience and the artists. Roger's passion for live music goes beyond attendance; he meticulously documents gig timings and schedules in "The Book of Bands," showcasing his dedication to discovering new bands and genres.

The conversation delves into Roger's connection to the Mod Culture, influenced by bands like The Who and The Kinks, and explores his experiences in London's music scene during the 1970s. Notable bands from that era, including Canned Heat and Queen, are mentioned, while Roger reflects on the changing music landscape in the '70s.

Roger's transition to retirement in the early 2000s allowed for greater flexibility in attending gigs, leading to a revival of his interest in live music. Charles and Roger discuss the impact of Mod Culture, Roger's favorite band, The Kinks, and his experiences seeing iconic artists like Jimi Hendrix. Roger's signature look, the guard's jacket, is born out of his paper rounds, which he took on to finance his gigging passion during his early waking hours.

The episode delves into Roger's mad gigging phase, discussing his gigging routine, how he justified spending money on gigs through his paper round earnings, and the development of detailed schedules for nightly gig adventures. The conversation also touches on Roger's extensive guard's jacket collection and the experiences he had wearing them.

In 2014, Roger pushed the limits by attending six gigs in one night, facing challenges in managing multiple venues and early start times. The episode explores Roger's criteria for choosing gigs, post-pandemic changes in the gig scene, and the decline in fan attendance. Despite the challenges, Roger emphasizes the importance of enjoying a gig and shares his diverse taste in music, spanning genres from jazz to chamber rock.

BANDS: Adam Ant, Blindness, Blue Crime, Canned Heat, Color TV, Cream, Fleetwood Mac, Jimmy Hendrix, Joan Baez, Ogunquit, The Breeders, The Kinks, The Libertines, The Palpitations, The Who

VENUES: 100 Club, Camden (general reference to the area), Pure Groove, Rough Trade, Royal Festival Hall, Sculpture of St. James, The Clarendon Hotel, The Dublin Castle, The George Robey, The Hammersmith Odeon, The Hope and Anchor, The Kings Head, The Kursal, The Lock Tavern, The Marquee Club, The Monarch, The Old Blue Last, The Purple Turtle, The Roundhouse.

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BANDS MENTIONED: 21 Pilots, Alanis Morrissette, Alice in Chains, David Grohl, Foo Fighters, Gwen Stefani, Local H, Metallica, Nirvana, No Doubt, Pantheon, Rammstein, Stone Temple Pilots, Taylor Hawkins.

VENUES MENTIONED: Aragon Ballroom (Chicago), Shoreline Amphitheater (Mountain View, CA), New World Music Theater (Tinley Park, IL), Wrigley Field (Chicago).

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See and hear more at https://www.SeeingThemLive.com or https://www.SeeingThemLive.net

BANDS MENTIONED: 38 Special, ACDC, Alice Cooper, Bruce, and Lang, Cinderella, Climax Blues Band, Dockin, Emerson Lake and Palmer, Foghat, Foreigner, George Lynch, Jack Bruce, Kiss, Jay Giles, LA Guns, Led Zepplin, Leonard Skinner, Mahogany Rush, Michael Schenker, Mott the Hoople, Mr. Big, REO Speedwagon, Rick Derringer, Rush, West, Scorpions, Ted Nugent, UFO.

VENUES MENTIONED: Aragon Ballroom (Chicago), Chicago Amphitheater, Chicago Stadium, Comisky Park (Chicago), Desplains Theater, Riviera Theater (Chicago), World Music Theater (Chicago).

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FACEBOOK:
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PATREON:
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Bands Mentioned:  Beach Boys, Herman's Hermits, The Who, Led Zeppelin, Bob Marley, Lisa Marie Presley, Tom Petty, Ashley Lewis, Eagles, Linda Ronstadt, Willie Nelson, Neil Young, Eddie Murphy.

Venues Mentioned: Uptown Theatre, Riverfront Stadium, Washington Park Race Track, Arcada.

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Bands Mentioned: Aerosmith, The Rolling Stones, Steppenwolf, Black Crows, Jimmy Page, Doobie Brothers.

Venues Mentioned: Poplar Creek (Hoffman Estates, IL), Aragon Ballroom (Chicago, IL), Rosemont Horizon (Rosemont, IL), Alpine Valley (East Troy, WI).

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Video of the second half of our interview is available on YouTube: https://www.youtube.com/@dougflorzak7283/podcasts?sub_confirmation=1

Bands Mentioned: Aerosmith, The Rolling Stones, Steppenwolf, Black Crows, Jimmy Page, Doobie Brothers

Venues Mentioned: The World Theater (Tinely Park, IL), Eyes to the Skys Stage (Lisle, Il), Soldier Field (Chicago, Il), Taste of Chicago

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When I was 11, I went to my first concert with my mom to see the Eagles. From that point forward and into the next four decades, I’d seen lots of bands, and every now and then something beyond the typical concert experience would happen. Like with Mike Mills of REM asked if I would trade shirts with him after one of their concerts. Or when my friend’s date decided she would rather hang out with Monster Magnet after the show than with us.

Sometimes you get lucky, and you’re handed an Iron Maiden backstage Pass just for the hell of it. And other times you’re sitting at the bar with Rob Thomas, just months before matchbox 20 blows up. I love retelling these stories and sharing them with kindred spirits. Our musical tastes may differ, but the magic of live music is something all of us can relate to. Everyone has a concert story and hopefully, one day we’ll hear yours.

For more information, including how you can apply to be a guest on the show, visit www.seeingthemlive.com.

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