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    <title>Toronto Biennial of Art Podcast</title>
    <description>In expanding dialogues around the Toronto Biennial of Art, curators, artists, and practitioners discuss their work and processes through a series of interviews.</description>
    <copyright>2019, Toronto Biennial of Art</copyright>
    <language>en</language>
    <pubDate>Mon, 29 Aug 2022 19:15:00 +0000</pubDate>
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      <title>Toronto Biennial of Art Podcast</title>
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    <itunes:summary>In expanding dialogues around the Toronto Biennial of Art, curators, artists, and practitioners discuss their work and processes through a series of interviews.</itunes:summary>
    <itunes:author>Toronto Biennial of Art</itunes:author>
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    <itunes:keywords>art biennial, art event, art program, artist behind-the-scenes, artist interviews, artist stories, behind-the-art, contemporary art, toronto art, toronto biennial of art</itunes:keywords>
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      <itunes:name>Toronto Biennial of Art</itunes:name>
      <itunes:email>info@torontobiennial.org</itunes:email>
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    <itunes:category text="Arts">
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      <title>Derya Akay and Tairone Bastien</title>
      <description><![CDATA[<p><i>Tape/Talk: Acts of Engagement</i> is the 2022 Toronto Biennial of Art Podcast series. This three episode edition revisits the Biennial, which ran from March 26 to June 5, through curator-led engagements. Featuring three Exhibition artists working across different venues and mediums, the series approaches reflection, listening, and learning through an engaging and experiential lens. While in discussion with artists, exhibited works, processes, research, and philosophies are explored. Woven within are diegetic sounds that encourage collective listening—sounds around making, doing, and being. The series provides an opportunity for a wide-rage of audience to access the Biennial content, artists, and curators. </p><p>Tape/Talk: Acts of Engagement is produced by Roxanne Fernandes in collaboration with Katie Jensen and Ren Bangert of Vocal Fry Studios (@vocalfry). Music is by LAL (@lalforest).</p>
]]></description>
      <pubDate>Mon, 29 Aug 2022 19:15:00 +0000</pubDate>
      <author>info@torontobiennial.org (Derya Akay, Tairone Bastien, Roxanne Fernandes, Vocal Fry Studios)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/derya-akay-and-tairone-bastien-dyquu6Ve</link>
      <content:encoded><![CDATA[<p><i>Tape/Talk: Acts of Engagement</i> is the 2022 Toronto Biennial of Art Podcast series. This three episode edition revisits the Biennial, which ran from March 26 to June 5, through curator-led engagements. Featuring three Exhibition artists working across different venues and mediums, the series approaches reflection, listening, and learning through an engaging and experiential lens. While in discussion with artists, exhibited works, processes, research, and philosophies are explored. Woven within are diegetic sounds that encourage collective listening—sounds around making, doing, and being. The series provides an opportunity for a wide-rage of audience to access the Biennial content, artists, and curators. </p><p>Tape/Talk: Acts of Engagement is produced by Roxanne Fernandes in collaboration with Katie Jensen and Ren Bangert of Vocal Fry Studios (@vocalfry). Music is by LAL (@lalforest).</p>
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      <itunes:title>Derya Akay and Tairone Bastien</itunes:title>
      <itunes:author>Derya Akay, Tairone Bastien, Roxanne Fernandes, Vocal Fry Studios</itunes:author>
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      <itunes:duration>00:15:59</itunes:duration>
      <itunes:summary>In the third and last episode, artist Derya Akay is joined by curator Tairone Bastien come together to prepare a home-cooked Turkish meal (Sarımsaklı köft, börek and atom) and reflect the weaving together of personal memories and familial histories with larger cultural and geopolitical narratives that form “Queer Dowry”. </itunes:summary>
      <itunes:subtitle>In the third and last episode, artist Derya Akay is joined by curator Tairone Bastien come together to prepare a home-cooked Turkish meal (Sarımsaklı köft, börek and atom) and reflect the weaving together of personal memories and familial histories with larger cultural and geopolitical narratives that form “Queer Dowry”. </itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:season>2</itunes:season>
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      <title>Anne Zanele Mutema and Chiedza Pasipanodya</title>
      <description><![CDATA[<p>The Toronto Biennial of Art introduces the 2022 Podcast series as a curator-led engagement. Featuring three Exhibition artists working across different venues and mediums, the series approaches reflection, listening, and learning through an engaging and experiential lens. While in discussion with artists, exhibited works, processes, research, and philosophies are explored. Woven within are diegetic sounds that encourage collective listening—sounds around making, doing, and being. The series provides an opportunity for a wide-range of audiences to access the Biennial's content, artists, and curators. Named for – and with a structure inspired by – the radio storytelling format “tape talk”, each episode highlights and reflects upon a conversation between artist and curator engaging through action and place-based experiences.<br /><br />2022 Series: Tape/Talk: Acts of Engagement<br />Produced by Roxanne Fernandes in collaboration with Katie Jensen and Ren Bangert of <a href="https://www.vocalfrystudios.com/">Vocal Fry Studios.</a></p>
]]></description>
      <pubDate>Tue, 12 Jul 2022 16:00:00 +0000</pubDate>
      <author>info@torontobiennial.org (Anne Zanele Mutema, Chiedza Pasipanodya, Vocal Fry Studios, Roxanne Fernandes)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/anne-zanele-mutema-and-chiedza-pasipanodya-xpFhrK_H</link>
      <content:encoded><![CDATA[<p>The Toronto Biennial of Art introduces the 2022 Podcast series as a curator-led engagement. Featuring three Exhibition artists working across different venues and mediums, the series approaches reflection, listening, and learning through an engaging and experiential lens. While in discussion with artists, exhibited works, processes, research, and philosophies are explored. Woven within are diegetic sounds that encourage collective listening—sounds around making, doing, and being. The series provides an opportunity for a wide-range of audiences to access the Biennial's content, artists, and curators. Named for – and with a structure inspired by – the radio storytelling format “tape talk”, each episode highlights and reflects upon a conversation between artist and curator engaging through action and place-based experiences.<br /><br />2022 Series: Tape/Talk: Acts of Engagement<br />Produced by Roxanne Fernandes in collaboration with Katie Jensen and Ren Bangert of <a href="https://www.vocalfrystudios.com/">Vocal Fry Studios.</a></p>
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      <itunes:title>Anne Zanele Mutema and Chiedza Pasipanodya</itunes:title>
      <itunes:author>Anne Zanele Mutema, Chiedza Pasipanodya, Vocal Fry Studios, Roxanne Fernandes</itunes:author>
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      <itunes:duration>00:16:31</itunes:duration>
      <itunes:summary>In this episode, artist Anne Zanele Mutema invites us to consider alternative belief systems through the idea of an Event defined for her as a phenomenon located at a single point in time in the context of self, culture, and history. Mutema’s work “Systemic Necropolis” reflects on ideas of space, memory, and phenomenology. 

&quot;Ngozi: We Might Listen for the Shimmerings&quot; is organized by Chiedza Pasipanodya as a part of the 2022 Curatorial Fellowship program, made possible by the generous support of TD Bank Group through the TD Ready Commitment, and with support from the Toronto Arts Council and the Ontario Arts Council. Ngozi features the work of Anne Zanele Mutema, Buhlebezwe Siwani, and Timothy Yanick Hunter.</itunes:summary>
      <itunes:subtitle>In this episode, artist Anne Zanele Mutema invites us to consider alternative belief systems through the idea of an Event defined for her as a phenomenon located at a single point in time in the context of self, culture, and history. Mutema’s work “Systemic Necropolis” reflects on ideas of space, memory, and phenomenology. 

&quot;Ngozi: We Might Listen for the Shimmerings&quot; is organized by Chiedza Pasipanodya as a part of the 2022 Curatorial Fellowship program, made possible by the generous support of TD Bank Group through the TD Ready Commitment, and with support from the Toronto Arts Council and the Ontario Arts Council. Ngozi features the work of Anne Zanele Mutema, Buhlebezwe Siwani, and Timothy Yanick Hunter.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:season>2</itunes:season>
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      <title>Dana Prieto and Katie Lawson</title>
      <description><![CDATA[<p>The Toronto Biennial of Art introduces the 2022 Podcast series as a curator-led engagement. Featuring three Exhibition artists working across different venues and mediums, the series approaches reflection, listening, and learning through an engaging and experiential lens. While in discussion with artists, exhibited works, processes, research, and philosophies are explored. Woven within are diegetic sounds that encourage collective listening—sounds around making, doing, and being. The series provides an opportunity for a wide-range of audiences to access the Biennial's content, artists, and curators. Named for – and with a structure inspired by – the radio storytelling format “tape talk”, each episode highlights and reflects upon a conversation between artist and curator engaging through action and place-based experiences.<br /><br />2022 Series: Tape/Talk: Acts of Engagement<br />Produced by Roxanne Fernandes in collaboration with Katie Jensen and Ren Bangert of <a href="https://www.vocalfrystudios.com/">Vocal Fry Studios.</a></p>
]]></description>
      <pubDate>Tue, 28 Jun 2022 16:00:00 +0000</pubDate>
      <author>info@torontobiennial.org (Katie Lawson, Dana Prieto, Roxanne Fernandes, Vocal Fry Studios)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/dana-prieto-and-katie-lawson-GFXUVyDu</link>
      <content:encoded><![CDATA[<p>The Toronto Biennial of Art introduces the 2022 Podcast series as a curator-led engagement. Featuring three Exhibition artists working across different venues and mediums, the series approaches reflection, listening, and learning through an engaging and experiential lens. While in discussion with artists, exhibited works, processes, research, and philosophies are explored. Woven within are diegetic sounds that encourage collective listening—sounds around making, doing, and being. The series provides an opportunity for a wide-range of audiences to access the Biennial's content, artists, and curators. Named for – and with a structure inspired by – the radio storytelling format “tape talk”, each episode highlights and reflects upon a conversation between artist and curator engaging through action and place-based experiences.<br /><br />2022 Series: Tape/Talk: Acts of Engagement<br />Produced by Roxanne Fernandes in collaboration with Katie Jensen and Ren Bangert of <a href="https://www.vocalfrystudios.com/">Vocal Fry Studios.</a></p>
]]></content:encoded>
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      <itunes:title>Dana Prieto and Katie Lawson</itunes:title>
      <itunes:author>Katie Lawson, Dana Prieto, Roxanne Fernandes, Vocal Fry Studios</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/d5afaed1-c557-4473-9019-ef2bb8141294/3000x3000/episode-1-cover.jpg?aid=rss_feed"/>
      <itunes:duration>00:18:31</itunes:duration>
      <itunes:summary>Before the onset of the 2022 edition of the Toronto Biennial of Art, Curator Katie Lawson joined artist and educator Dana Prieto in her studio during the making of “Footnotes for an Arsenal”, her seminal work exhibited at the Small Arms Inspection Building. Together, they discuss the origins of Dana’s work as a ceramic artist through exploration of site, material origins, dirt, mess and porosity.</itunes:summary>
      <itunes:subtitle>Before the onset of the 2022 edition of the Toronto Biennial of Art, Curator Katie Lawson joined artist and educator Dana Prieto in her studio during the making of “Footnotes for an Arsenal”, her seminal work exhibited at the Small Arms Inspection Building. Together, they discuss the origins of Dana’s work as a ceramic artist through exploration of site, material origins, dirt, mess and porosity.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:season>2</itunes:season>
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      <title>Short Format: Jeneen Frei Njootli and Tsēmā Igharas</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Chad Crouch, <i>Feeding Flock (Instrumental)</i> , 2019</p><p>Photo: Jeneen Frei Njootli and Ts̱ēmā Igharas, <i>Sinuosity</i> , 2018-2019, image: Yuula Benevolski, courtesy Toronto Biennial of Art.  </p><p> </p>
]]></description>
      <pubDate>Mon, 28 Dec 2020 14:00:00 +0000</pubDate>
      <author>info@torontobiennial.org (Angela Shackel, Aliya Pabani, Jeneen Frei Njootli, Tsēmā Igharas)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-jeneen-frei-njootli-and-tsema-igharas-buMQN1Ez</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Chad Crouch, <i>Feeding Flock (Instrumental)</i> , 2019</p><p>Photo: Jeneen Frei Njootli and Ts̱ēmā Igharas, <i>Sinuosity</i> , 2018-2019, image: Yuula Benevolski, courtesy Toronto Biennial of Art.  </p><p> </p>
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      <itunes:title>Short Format: Jeneen Frei Njootli and Tsēmā Igharas</itunes:title>
      <itunes:author>Angela Shackel, Aliya Pabani, Jeneen Frei Njootli, Tsēmā Igharas</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/4a2731f0-4e5e-4eae-bda6-b769c01ba8e1/3000x3000/tellings-web-03823-copy.jpg?aid=rss_feed"/>
      <itunes:duration>00:05:42</itunes:duration>
      <itunes:summary>In this podcast, Jeneen Frei Njootli (Vuntut Gwitchin First Nation) and Ts̱ēmā Igharas (Tahltan First Nation) share how they collaborate with one another through growing friendship and their shared deep connections to the land. In their ongoing collaborative performance &quot;Sinuosity&quot; (2018-2019), the artists engage with ancestral memory, networks of kinship, and communal relations braids within communities and the land. The performance was part of &quot;TELLINGS: A Post-Human Vocal Concert&quot; (2019), co-curated by Maiko Tanaka and Myung-Sun Kim, where artists working experimentally with sound—live electronics, deep listening, sound art—performed compositions that challenge the conceptions of &quot;voice&quot; in terms of its origin and agency. &quot;TELLINGS&quot; was co-presented in partnership with Trinity Square Video and OCAD University Graduate studies. 

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>In this podcast, Jeneen Frei Njootli (Vuntut Gwitchin First Nation) and Ts̱ēmā Igharas (Tahltan First Nation) share how they collaborate with one another through growing friendship and their shared deep connections to the land. In their ongoing collaborative performance &quot;Sinuosity&quot; (2018-2019), the artists engage with ancestral memory, networks of kinship, and communal relations braids within communities and the land. The performance was part of &quot;TELLINGS: A Post-Human Vocal Concert&quot; (2019), co-curated by Maiko Tanaka and Myung-Sun Kim, where artists working experimentally with sound—live electronics, deep listening, sound art—performed compositions that challenge the conceptions of &quot;voice&quot; in terms of its origin and agency. &quot;TELLINGS&quot; was co-presented in partnership with Trinity Square Video and OCAD University Graduate studies. 

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Short Format: Life of A Craphead</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: LUCA.</p><p>Images:<br />Portrait: Life of a Craphead, photo by Yuula Benevolski<br />Work: <i>King Edward VII Statue Floating Down the Don River, </i>2017, photos courtesy of Life of a Craphead.</p>
]]></description>
      <pubDate>Mon, 21 Dec 2020 14:00:00 +0000</pubDate>
      <author>info@torontobiennial.org (Amy Lam, Aliya Pabani, Jon McCurley, Angela Shackel)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-life-of-a-craphead-o7hunV3N</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: LUCA.</p><p>Images:<br />Portrait: Life of a Craphead, photo by Yuula Benevolski<br />Work: <i>King Edward VII Statue Floating Down the Don River, </i>2017, photos courtesy of Life of a Craphead.</p>
]]></content:encoded>
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      <itunes:title>Short Format: Life of A Craphead</itunes:title>
      <itunes:author>Amy Lam, Aliya Pabani, Jon McCurley, Angela Shackel</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/2e869e28-43c1-4472-95e8-d59dd794e1b1/3000x3000/loac-3-web.jpg?aid=rss_feed"/>
      <itunes:duration>00:04:49</itunes:duration>
      <itunes:summary>Life of a Craphead is the collaboration of Amy Lam and Jon McCurley whose work spans performance art, film, and curation, using humour as a form of empathy. As the 2019 Toronto Biennial Artists in Residency, hosted by Ireland Park Foundation and in partnership with Trinity Square Video, they began work on &quot;Life of Life of a Craphead&quot; (2020), an auto-fictional comedy TV show, which was screened as part of their subsequent residency with the Delfina Foundation and will be shown as part of the Seoul Mediacity Biennale in 2021. Here, Life of a Craphead reflect on the 2019 event &quot;Doo-Red&quot;, organized during the time of their residency, and previous projects included in the making of the TV show such as &quot;King Edward VII Statue Floating Down the Don River,&quot; 2017.

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>Life of a Craphead is the collaboration of Amy Lam and Jon McCurley whose work spans performance art, film, and curation, using humour as a form of empathy. As the 2019 Toronto Biennial Artists in Residency, hosted by Ireland Park Foundation and in partnership with Trinity Square Video, they began work on &quot;Life of Life of a Craphead&quot; (2020), an auto-fictional comedy TV show, which was screened as part of their subsequent residency with the Delfina Foundation and will be shown as part of the Seoul Mediacity Biennale in 2021. Here, Life of a Craphead reflect on the 2019 event &quot;Doo-Red&quot;, organized during the time of their residency, and previous projects included in the making of the TV show such as &quot;King Edward VII Statue Floating Down the Don River,&quot; 2017.

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Short Format: Diane Borsato</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Blue Dot Sessions, <i>The Popular Grove</i> (2019); LUCA.</p><p>Images:<br />Portrait: Diane Borsato, photo by Yuula Benivolski<br />Work: <i>YOU ARE A GOOD APPLE</i> , 2019, photos by Yuula Benevolski, courtesy Toronto Biennial of Art. </p>
]]></description>
      <pubDate>Mon, 14 Dec 2020 14:00:00 +0000</pubDate>
      <author>info@torontobiennial.org (Aliya Pabani, Angela Shackel, Diane Borsato)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-diane-borsato-ojNHbigE</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Blue Dot Sessions, <i>The Popular Grove</i> (2019); LUCA.</p><p>Images:<br />Portrait: Diane Borsato, photo by Yuula Benivolski<br />Work: <i>YOU ARE A GOOD APPLE</i> , 2019, photos by Yuula Benevolski, courtesy Toronto Biennial of Art. </p>
]]></content:encoded>
      <enclosure length="4644885" type="audio/mpeg" url="https://cdn.simplecast.com/audio/bee71d/bee71db4-21c3-4e72-8351-cfda06a7302c/b2abdb93-b600-4f81-b2bc-f452e9c75e45/diane-borsato-final_tc.mp3?aid=rss_feed&amp;feed=BT5jWsXK"/>
      <itunes:title>Short Format: Diane Borsato</itunes:title>
      <itunes:author>Aliya Pabani, Angela Shackel, Diane Borsato</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/92e059c9-e9ae-4956-adb0-a2f6a461ca00/3000x3000/thumbnail-1004.jpg?aid=rss_feed"/>
      <itunes:duration>00:04:50</itunes:duration>
      <itunes:summary>Diane Borsato&apos;s &quot;ORCHARD&quot; is a living sculpture made up of old and eccentric varietals of apple trees, planted by Borsato at the Small Arms Inspection Building – a contemporary art and cultural space of the City of Mississauga. The work expands ideas of public art and seeks to foster enduring connectedness to land, plants, food, and one another. In this podcast, Borsato describes the tastes, textures, shapes and colours of these apple “artefacts”, reflecting on the ways in which they trace histories of migration and genealogies of flavour. On September 29, 2019, Borsato performed the apple-tasting event &quot;YOU ARE A GOOD APPLE&quot; to launch this public art sculpture. 

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>Diane Borsato&apos;s &quot;ORCHARD&quot; is a living sculpture made up of old and eccentric varietals of apple trees, planted by Borsato at the Small Arms Inspection Building – a contemporary art and cultural space of the City of Mississauga. The work expands ideas of public art and seeks to foster enduring connectedness to land, plants, food, and one another. In this podcast, Borsato describes the tastes, textures, shapes and colours of these apple “artefacts”, reflecting on the ways in which they trace histories of migration and genealogies of flavour. On September 29, 2019, Borsato performed the apple-tasting event &quot;YOU ARE A GOOD APPLE&quot; to launch this public art sculpture. 

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:season>1</itunes:season>
    </item>
    <item>
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      <title>Short Format: Lisa Steele and Kim Tomczak</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: LUCA; Daniel Birch & Ben Pegley, Slowly Open Your Eyes, 2017.</p><p>Images:  Lisa Steele and Kim Tomczak. Courtesy of the artists.</p><p> </p>
]]></description>
      <pubDate>Fri, 28 Feb 2020 19:20:13 +0000</pubDate>
      <author>info@torontobiennial.org (Kim Tomczak, Aliya Pabani, Angela Shackel, Lisa Steele)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-lisa-steel-and-kim-tomczak-4JQYQUfc</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: LUCA; Daniel Birch & Ben Pegley, Slowly Open Your Eyes, 2017.</p><p>Images:  Lisa Steele and Kim Tomczak. Courtesy of the artists.</p><p> </p>
]]></content:encoded>
      <enclosure length="8320424" type="audio/mpeg" url="https://cdn.simplecast.com/audio/bee71d/bee71db4-21c3-4e72-8351-cfda06a7302c/086dd4e5-0f78-4ab4-8ada-aada947e5f60/kim-and-lisa-final_tc.mp3?aid=rss_feed&amp;feed=BT5jWsXK"/>
      <itunes:title>Short Format: Lisa Steele and Kim Tomczak</itunes:title>
      <itunes:author>Kim Tomczak, Aliya Pabani, Angela Shackel, Lisa Steele</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/b4a2045f-8d39-42f0-954a-cf5eb11b946c/3000x3000/lisa-and-kim-headshot.jpg?aid=rss_feed"/>
      <itunes:duration>00:08:40</itunes:duration>
      <itunes:summary>Lisa Steele and Kim Tomczak have worked exclusively in collaboration since 1983, producing videotapes, performances, and photo/text works. Here they walk us through their trilogy… before I wake (2000–12). Produced over a twelve-year period, and mostly shot in the context of their domestic dwelling, the trilogy is a meditation on the body, aging, relationships, and the nature of the artists’ collaboration as partners in life and in art. In this podcast, Steele and Tomczak consider what decay looks like in analog and digital film, as well as what it means to prepare for the end of collaboration in this lifetime.

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>Lisa Steele and Kim Tomczak have worked exclusively in collaboration since 1983, producing videotapes, performances, and photo/text works. Here they walk us through their trilogy… before I wake (2000–12). Produced over a twelve-year period, and mostly shot in the context of their domestic dwelling, the trilogy is a meditation on the body, aging, relationships, and the nature of the artists’ collaboration as partners in life and in art. In this podcast, Steele and Tomczak consider what decay looks like in analog and digital film, as well as what it means to prepare for the end of collaboration in this lifetime.

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:season>1</itunes:season>
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    <item>
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      <title>Short Format: Zacharias Kunuk – ISUMA</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Antonio Bizarro, <i>Marina</i>, 2019; Nctrnm, <i>La Femme</i>, 2017. </p><p>Image: Michelle Siu, The Canadian Press.</p>
]]></description>
      <pubDate>Mon, 16 Dec 2019 13:00:19 +0000</pubDate>
      <author>info@torontobiennial.org (Isuma, Angela Shackel, Aliya Pabani, Zacharias Kunuk)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-zacharias-kunuk-isuma-JzgyPSJ_</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Antonio Bizarro, <i>Marina</i>, 2019; Nctrnm, <i>La Femme</i>, 2017. </p><p>Image: Michelle Siu, The Canadian Press.</p>
]]></content:encoded>
      <enclosure length="4039260" type="audio/mpeg" url="https://cdn.simplecast.com/audio/bee71d/bee71db4-21c3-4e72-8351-cfda06a7302c/ca014c14-fcbd-488e-9461-da656387f3bd/isuma-final_tc.mp3?aid=rss_feed&amp;feed=BT5jWsXK"/>
      <itunes:title>Short Format: Zacharias Kunuk – ISUMA</itunes:title>
      <itunes:author>Isuma, Angela Shackel, Aliya Pabani, Zacharias Kunuk</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/a6f60902-8f5b-415c-bc92-762984e7bf77/3000x3000/kunuk.jpg?aid=rss_feed"/>
      <itunes:duration>00:04:12</itunes:duration>
      <itunes:summary>Artist collective Isuma ᐃᓱᒪ was founded in 1990 by Zacharias Kunuk, Paul Apak Angilirq, and Norman Cohn, and is Canada’s first Inuit (75 percent) production company. As part of the Biennial, &quot;ᓄᐊᐱᐅᒑᑦᑑᑉᐅᓪᓗᕆᓚᐅᖅᑕᖓ One Day in the Life of Noah Piugattuk,&quot; 2019, features Noah Piugattuk’s encounter with a government agent sent to remove him and his family from their homeland. Here, the film’s director Zacharias Kunuk shares his approaches to storytelling and oral histories as a filmmaker, recreating the past for future learning. 

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>Artist collective Isuma ᐃᓱᒪ was founded in 1990 by Zacharias Kunuk, Paul Apak Angilirq, and Norman Cohn, and is Canada’s first Inuit (75 percent) production company. As part of the Biennial, &quot;ᓄᐊᐱᐅᒑᑦᑑᑉᐅᓪᓗᕆᓚᐅᖅᑕᖓ One Day in the Life of Noah Piugattuk,&quot; 2019, features Noah Piugattuk’s encounter with a government agent sent to remove him and his family from their homeland. Here, the film’s director Zacharias Kunuk shares his approaches to storytelling and oral histories as a filmmaker, recreating the past for future learning. 

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:keywords>film, bienniale, toronto art, toronto biennial of art, art biennial, canadian, canadian indigenous, inuit, c, indigenous, filmmaker, contemporary art, storytelling, toronto biennial, tiff</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:season>1</itunes:season>
    </item>
    <item>
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      <title>Short Format: Adrian Blackwell</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p><strong>Music</strong>: LUCA; Daniel Birch, <i>The Fugue</i>, 2019.</p><p><strong>Images</strong><br />Portrait: Adrian Blackwell, photo: Jane Hutton<br />Work: Adrian Blackwell, <i>Isonomia in Toronto? (harbour)</i>, 2019; photos courtesy of the artist, Toni Hafkenscheid, and Toronto Biennial of Art.</p><p> </p>
]]></description>
      <pubDate>Wed, 11 Dec 2019 17:33:49 +0000</pubDate>
      <author>info@torontobiennial.org (Angela Shackel, Aliya Pabani, Adrian Blackwell)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-adrian-blackwell-5TKDcOSh</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org/" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p><strong>Music</strong>: LUCA; Daniel Birch, <i>The Fugue</i>, 2019.</p><p><strong>Images</strong><br />Portrait: Adrian Blackwell, photo: Jane Hutton<br />Work: Adrian Blackwell, <i>Isonomia in Toronto? (harbour)</i>, 2019; photos courtesy of the artist, Toni Hafkenscheid, and Toronto Biennial of Art.</p><p> </p>
]]></content:encoded>
      <enclosure length="6147450" type="audio/mpeg" url="https://cdn.simplecast.com/audio/bee71d/bee71db4-21c3-4e72-8351-cfda06a7302c/f6f5b519-d13b-4ddb-ab8d-8cdef346da20/adrian-blackwell-final_tc.mp3?aid=rss_feed&amp;feed=BT5jWsXK"/>
      <itunes:title>Short Format: Adrian Blackwell</itunes:title>
      <itunes:author>Angela Shackel, Aliya Pabani, Adrian Blackwell</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/14900d1a-3881-422d-9e8d-d4f27ba1dfb7/3000x3000/adrian-blackwell-photo-by-jane-hutton.jpg?aid=rss_feed"/>
      <itunes:duration>00:06:24</itunes:duration>
      <itunes:summary>Within Adrian Blackwell&apos;s two installations, &quot;Isonomia in Toronto? (creek)&quot; and &quot;Isonomia in Toronto? (harbour),&quot; he considers what role biological, social, and political forces may play in how we gather and organize space. These newly-commissioned structures, which became meeting places throughout the inaugural Biennial, ultimately reflect the city’s shifting shoreline and changing relationships with the lake over time.

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>Within Adrian Blackwell&apos;s two installations, &quot;Isonomia in Toronto? (creek)&quot; and &quot;Isonomia in Toronto? (harbour),&quot; he considers what role biological, social, and political forces may play in how we gather and organize space. These newly-commissioned structures, which became meeting places throughout the inaugural Biennial, ultimately reflect the city’s shifting shoreline and changing relationships with the lake over time.

Short Format Series Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:keywords>biennial, toronto art, art biennial, architecture, art, meeting places, structure, contemporary art, structure design, toronto biennial</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:season>1</itunes:season>
    </item>
    <item>
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      <title>Short Format: Ayumi Goto</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Pictures of the Floating World, <i>Bumbling, </i>2019; LUCA; Blear Moon, <i>Recalling, </i>2019.</p><p>Image credit: <i>Rinrigaku, </i>2016. Documentation by Yuula Benivolski</p>
]]></description>
      <pubDate>Fri, 22 Nov 2019 18:02:47 +0000</pubDate>
      <author>info@torontobiennial.org (Angela Shackel, Aliya Pabani, Ayumi Goto)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-ayumi-goto-_BKq_64P</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Pictures of the Floating World, <i>Bumbling, </i>2019; LUCA; Blear Moon, <i>Recalling, </i>2019.</p><p>Image credit: <i>Rinrigaku, </i>2016. Documentation by Yuula Benivolski</p>
]]></content:encoded>
      <enclosure length="4882276" type="audio/mpeg" url="https://cdn.simplecast.com/audio/bee71d/bee71db4-21c3-4e72-8351-cfda06a7302c/3a0072ad-038b-44c3-9df1-42d16b66e9f0/ayumi-goto-nov-25_tc.mp3?aid=rss_feed&amp;feed=BT5jWsXK"/>
      <itunes:title>Short Format: Ayumi Goto</itunes:title>
      <itunes:author>Angela Shackel, Aliya Pabani, Ayumi Goto</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/2d7b47a5-3ddc-4868-8d90-0ac54c021419/3000x3000/ayumi-goto-updated.jpg?aid=rss_feed"/>
      <itunes:duration>00:05:05</itunes:duration>
      <itunes:summary>In her performance &apos;single use salmon plogging,&apos; Ayumi Goto runs the Toronto Waterfront Marathon as the half-human/half-salmon geisha gyrl, addressing labour, responsibility, and the impact of environmental disaster. The work is dedicated to the late Anishinaabe grandmother and Water Walker Josephine Mandamin, who circumnavigated the Great Lakes to raise awareness about water pollution, and David S. Buckel, a lawyer, environmental activist, and runner, who self-immolated to protest humanity’s addiction to fossil fuels.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>In her performance &apos;single use salmon plogging,&apos; Ayumi Goto runs the Toronto Waterfront Marathon as the half-human/half-salmon geisha gyrl, addressing labour, responsibility, and the impact of environmental disaster. The work is dedicated to the late Anishinaabe grandmother and Water Walker Josephine Mandamin, who circumnavigated the Great Lakes to raise awareness about water pollution, and David S. Buckel, a lawyer, environmental activist, and runner, who self-immolated to protest humanity’s addiction to fossil fuels.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:keywords>environment, bienniale, environmental activist, toronto art, toronto biennial of art, art biennial, water pollution, self-immolation, contemporary art, labour, performance art</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:season>1</itunes:season>
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    <item>
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      <title>Short Format: Syrus Marcus Ware</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Parvus Decree, <i>Cerebral Cortex Drone Mix</i>; Lee Rosevere, <i>Happy Little Clouds</i> (2015); Hawkin, <i>Woods </i>(2015); Kevin McLeod, <i>Bathed in the Light</i> (2014).</p><p>Image courtesy of Lisa Kannako.</p>
]]></description>
      <pubDate>Fri, 22 Nov 2019 17:57:28 +0000</pubDate>
      <author>info@torontobiennial.org (Syrus Marcus Ware, Angela Shackel, Aliya Pabani)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-syrus-marcus-ware-ZI8_iGMd</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Parvus Decree, <i>Cerebral Cortex Drone Mix</i>; Lee Rosevere, <i>Happy Little Clouds</i> (2015); Hawkin, <i>Woods </i>(2015); Kevin McLeod, <i>Bathed in the Light</i> (2014).</p><p>Image courtesy of Lisa Kannako.</p>
]]></content:encoded>
      <enclosure length="6328010" type="audio/mpeg" url="https://cdn.simplecast.com/audio/bee71d/bee71db4-21c3-4e72-8351-cfda06a7302c/8c370c59-f34d-497a-84d9-d701f37e627f/syrus-marcus-ware-final_tc.mp3?aid=rss_feed&amp;feed=BT5jWsXK"/>
      <itunes:title>Short Format: Syrus Marcus Ware</itunes:title>
      <itunes:author>Syrus Marcus Ware, Angela Shackel, Aliya Pabani</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/c6066700-114c-4669-83da-ec9ad611bb5a/3000x3000/syrus-marcus-ware-new-photo-lisa-kannakko.jpg?aid=rss_feed"/>
      <itunes:duration>00:06:35</itunes:duration>
      <itunes:summary>In Syrus Marcus Ware’s projects &apos;Ancestors, Can You Read Us? (Dispatches from the Future)&apos; and &apos;Antarctica,&apos; he imagines a world where racialized people have survived the catastrophic impacts of the Anthropocene and white supremacy. Ware discusses the shared language of speculative futurism and how combining art with activism has the power to create solidarities beyond borders.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>In Syrus Marcus Ware’s projects &apos;Ancestors, Can You Read Us? (Dispatches from the Future)&apos; and &apos;Antarctica,&apos; he imagines a world where racialized people have survived the catastrophic impacts of the Anthropocene and white supremacy. Ware discusses the shared language of speculative futurism and how combining art with activism has the power to create solidarities beyond borders.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:keywords>futurism, bienniale, toronto art, toronto biennial of art, art biennial, imagined futures, art activism, contemporary art, activism</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:season>1</itunes:season>
    </item>
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      <title>Short Format: Maria Thereza Alves</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Chris Zabriskie, <i>Remember Trees?, </i>2016; <i>We Were Never Meant to Live Here</i>, 2016.</p><p>Image: Portrait, Maria Thereza Alves</p>
]]></description>
      <pubDate>Thu, 21 Nov 2019 21:42:24 +0000</pubDate>
      <author>info@torontobiennial.org (Maria Thereza Alves, Aliya Pabani, Angela Shackel)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-maria-thereza-alves-tp1OYsfB</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music: Chris Zabriskie, <i>Remember Trees?, </i>2016; <i>We Were Never Meant to Live Here</i>, 2016.</p><p>Image: Portrait, Maria Thereza Alves</p>
]]></content:encoded>
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      <itunes:title>Short Format: Maria Thereza Alves</itunes:title>
      <itunes:author>Maria Thereza Alves, Aliya Pabani, Angela Shackel</itunes:author>
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      <itunes:duration>00:03:52</itunes:duration>
      <itunes:summary>In this episode, artist Maria Thereza Alves invites us to consider our implication in the histories of the land we stand on and the rivers hidden beneath. Alves&apos; works for the 2019 Toronto Biennial of Art, &apos;Phantom Pain&apos; and &apos;Garrison Creek,&apos; reflect on human and non-human relationships with land and water.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>In this episode, artist Maria Thereza Alves invites us to consider our implication in the histories of the land we stand on and the rivers hidden beneath. Alves&apos; works for the 2019 Toronto Biennial of Art, &apos;Phantom Pain&apos; and &apos;Garrison Creek,&apos; reflect on human and non-human relationships with land and water.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:keywords>bienniale, toronto art, rivers, interview, human relations, contemporary art, hidden rivers, art biennal, maria thereza alves</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Short Format: Caroline Monnet</title>
      <description><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music Credit: LUCA.</p><p>Images: Portrait, Caroline Monnet, photo by Ulysse Del Drago</p><p>For more information, visit: <a href="https://torontobiennial.org/">torontobiennial.org</a>, @torontobiennial, and #TObiennial19 on <a href="https://www.facebook.com/torontobiennial" target="_blank">Facebook</a>, <a href="https://twitter.com/torontobiennial" target="_blank">Twitter</a>, and <a href="https://www.instagram.com/torontobiennial" target="_blank">Instagram</a>.</p>
]]></description>
      <pubDate>Thu, 21 Nov 2019 21:36:20 +0000</pubDate>
      <author>info@torontobiennial.org (Angela Shackel, Caroline Monnet, Aliya Pabani)</author>
      <link>https://toronto-biennial-of-art-podcast.simplecast.com/episodes/short-format-caroline-monnet-_fnGHMXS</link>
      <content:encoded><![CDATA[<p>In expanding dialogues around the inaugural <a href="https://www.torontobiennial.org" target="_blank">Toronto Biennial of Art</a>, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.</p><p>Music Credit: LUCA.</p><p>Images: Portrait, Caroline Monnet, photo by Ulysse Del Drago</p><p>For more information, visit: <a href="https://torontobiennial.org/">torontobiennial.org</a>, @torontobiennial, and #TObiennial19 on <a href="https://www.facebook.com/torontobiennial" target="_blank">Facebook</a>, <a href="https://twitter.com/torontobiennial" target="_blank">Twitter</a>, and <a href="https://www.instagram.com/torontobiennial" target="_blank">Instagram</a>.</p>
]]></content:encoded>
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      <itunes:title>Short Format: Caroline Monnet</itunes:title>
      <itunes:author>Angela Shackel, Caroline Monnet, Aliya Pabani</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/72c708f0-2c73-4759-9f9f-b99321300568/70f6cd98-1c25-4071-8642-10c16b70e6d6/3000x3000/caroline-monnet-portrait-hr-photo-ulysse-del-drago-sm.jpg?aid=rss_feed"/>
      <itunes:duration>00:03:35</itunes:duration>
      <itunes:summary>In Caroline Monnet&apos;s work &apos;The Flow Between Hard Places,&apos; the undulating edges of this monumental sculpture represent the sound waves created in uttering the word pasapkedjinawong (“the river that passes between the rocks”) in Anishinaabemowin, as spoken by Anishnaabe Elder Rose Wawatie-Beaudoin. Monnet discusses the importance of different types of monuments, movements, and the power of travelling distances to be heard.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:summary>
      <itunes:subtitle>In Caroline Monnet&apos;s work &apos;The Flow Between Hard Places,&apos; the undulating edges of this monumental sculpture represent the sound waves created in uttering the word pasapkedjinawong (“the river that passes between the rocks”) in Anishinaabemowin, as spoken by Anishnaabe Elder Rose Wawatie-Beaudoin. Monnet discusses the importance of different types of monuments, movements, and the power of travelling distances to be heard.

Short Format Series Created &amp; Produced by Aliya Pabani and Angela Shackel.</itunes:subtitle>
      <itunes:keywords>sculpture, bienniale, toronto art, travel, art biennial, caroline monnet, monuments, contemporary art</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:season>1</itunes:season>
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