In A House in the Lebanese Mountains: Recipes & Stories from Beit Trad (Thames & Hudson, 2026), Trad tells the story of Beit Trad and the family who shaped it, alongside recipes for the generous Lebanese food served around its tables. Part memoir, part cookbook, and part portrait of a remarkable house, the book captures interiors that mix Eastern and Western influences and reflect the layered identity of the Levant. 

The recipes range from Beit Trad’s elaborate breakfasts to vegetable dishes, stews, meats, fish, and sweets. Throughout, Trad explores hosting as both an art and a practice: making guests feel completely at home while recognizing the work and dedicated team required to make that sense of ease seem effortless. 

Sarah Trad joins New Books Network to discuss Levantine hospitality, her family’s house and its transformation into a guesthouse, and her mother’s influence on her understanding of hosting. She also talks about what it takes to run Beit Trad, the relationship between beauty and appetite, and recipes including Pasta B Laban – a decidedly non-Italian spaghetti dish with garlic and yogurt that is pure Lebanese comfort food – and a strawberry and orange salad that showcases the magic of orange blossom water. 

Interview by Laura Goldberg, longtime food blogger at VittlesVamp.com.

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Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.

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What is different about this work is that the author Claudia Verhoeven is an intellectual historian whose previous book was on a Russian terrorist who tried to assassinate Tsar Alexander II in 1866. Verhoerven unpacks the various frames through which the participants, the trial lawyers, and the public at large interpreted the seemingly senseless violence.

Manson was a charismatic ex-con whose lived on a ranch near LA with several dozen devoted followers, mostly teenage girls. After a drug deal gone wrong Manson arranged a series of grisly murders. The prosecution argued this was part of a crazy scheme, inspired by the Bible and the Beatles’ White Album, to start an apocalyptic race war. Skeptics argue Manson was just trying to cover up the drug murders.

Verhoeven, an associate professor of history at Cornell, taught a class where she used the Manson case to train her students how to conduct historical research and how to think about history.

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With vivid personal anecdotes, emotional tributes, and probing reflections, Remembering Roots: How an American Classic Transformed the World (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of Roots’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture.

As debates rage over which histories get told, Remembering Roots boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available here.

Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of Finding the Good and coauthor of Youth Change Agent. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana’s autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University’s Clive Davis Institute for Recorded Music.

Ashley Kahn’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement.

A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard.

Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville.

Erin Osmon’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Bumper music: Bumper music by John Deley.

Interested in the real events that inspired the film and how the film was made? Read Rachel Walther’s Born to Lose: The Misfits Who Made Dog Day Afternoon.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler’s Almanac.

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Professor Corrado Neri’s new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan’s social, historical and technological anxieties.

The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include:

1. Why horror? – how a once-marginal genre became an important part of Taiwanese cinema.

2. Taiwan as a ‘Ghost Nation’ – why ghosts offer powerful ways of thinking about Taiwan’s contested history and identity.

3. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention.

4. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources.

5. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting.

6. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities.

7. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms.

One of the book’s most compelling arguments is that the supernatural provides a productive language for exploring Taiwan’s relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media.

Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan’s cultural-content industries.

Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens.

The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself.

Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

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Professor Corrado Neri’s new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan’s social, historical and technological anxieties.

The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include:

1. Why horror? – how a once-marginal genre became an important part of Taiwanese cinema.

2. Taiwan as a ‘Ghost Nation’ – why ghosts offer powerful ways of thinking about Taiwan’s contested history and identity.

3. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention.

4. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources.

5. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting.

6. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities.

7. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms.

One of the book’s most compelling arguments is that the supernatural provides a productive language for exploring Taiwan’s relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media.

Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan’s cultural-content industries.

Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens.

The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself.

Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

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On May 25, 1977, a problem-plagued, budget-straining independent science-fiction film opened in a mere thirty-two American movie theaters. Conceived, written, and directed by a little-known filmmaker named George Lucas, the movie originally called The Star Wars quickly drew blocks-long lines, bursting box-office records and ushering in a new way for movies to be made, marketed, and merchandised. It is now one of the most adored–and successful–movie franchises of all time.

Now, the author of the bestselling biography Jim Henson delivers a revelatory look into the life and times of the man who created Luke Skywalker, Han Solo, and Indiana Jones in George Lucas: A Life (Little, Brown and Company, 2016)

If Star Wars wasn't game-changing enough, Lucas went on to create another blockbuster series with Indiana Jones, and he completely transformed the world of special effects and the way movies sound. His innovation and ambition forged Pixar and Lucasfilm, Industrial Light & Magic, and THX sound.

Lucas's colleagues and competitors offer tantalizing glimpses into his life. His entire career has been stimulated by innovators including Steven Spielberg and Francis Ford Coppola, actors such as Harrison Ford, and the very technologies that enabled the creation of his films-and allowed him to keep tinkering with them long after their original releases. Like his unforgettable characters and stories, his influence is unmatched.

Brian Jay Jones is the author of the New York Times bestseller Jim Henson: The Biography, as well as Becoming Dr. Seuss: Theodor Geisel and the Making of An American Imagination and Washington Irving: An American Original. His most recent book is The Capitol: The Surprising Biography of an American Building. He continues to believe that Han shot first.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.

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Walk into a McDonald's anywhere in the United States, and it will be identical to every other McDonald's in the country. Yet, that particular store is almost certainly owned and operated by an "independent" franchisee. While McDonald's presents an image of centralized uniformity to the consumer, it shows a different face to the small business owners operating its stores under its control and the workers preparing its product to its standards. How then does McDonald's—and its big business peers—manage to be two things at once?

In this revelatory work, economist Brian Callaci shows how franchisors have altered the legal treatment of corporations in their favor through a decades-long crusade of lobbying and litigation. Their efforts subsequently unleashed a slew of legal and economic sins upon the US economy and labor force, allowing multinational corporations to control continent-spanning empires while outsourcing employment and scapegoating legal responsibilities onto small businesses. The result: the unfettered growth of some of America's most recognizable businesses, at the aggregate expense of America's workers.

Remarkable in both its scale and synthesis, Callaci's story is the first chronicle of this business movement—initially resisted by US courts before experiencing a dramatic reversal of fortune after decades of campaigning by some of America's most established entrepreneurs. An urgent and erudite history, Chains of Command reveals how the US labor market was tamed one small business at a time.

Brian Callaci is Campaigns Director at the Strategic Organizing Center, and previously served as Chief Economist at the Open Markets Institute. He researches and writes about market structure, antitrust law, and their relationship to worker and employer power.

Anna Olteanu is a senior in the College of Social Studies at Wesleyan University, where she focuses on intellectual history. Her interests include political ecology, the history of economic thought, and literary criticism.

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Ed Park is the author of the novels Same Bed, Different Dreams, a finalist for the Pulitzer Prize and the winner of the Los Angeles Times Book Prize, and Personal Days, a finalist for the PEN/Hemingway Award, as well as the story collection An Oral History of Atlantis. He is a founding editor of The Believer, and his writing appears in The New Yorker, the New York Review of Books, Harper's, The Atlantic, and other publications. In 2025, he received the Arts and Letters Award from the American Academy of Arts and Letters and the Deborah Pease Prize from A Public Space

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Film Quarterly (FQ) is published four times a year by the University of California Press. For more information about the journal, including subscription and submission information, please visit FQ’s website.

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press’s Support Us page.

Articles mentioned:

1. Eileen G’Sell; Uncanny Intimacies, Abject Desires. Film Quarterly Fall 2026; 80 (1): 26-29. Link

2. Laura Westengard; The Radical Intimacy of Rot: Mulholland Drive's Queer Proliferations. Film Quarterly Fall 2026; 80 (1): 30-35. Link

3. Lori Jo Marso; Sweet Dreams (Are Made of This): David Lynch, Simone de Beauvoir, and “Feeling Like a Feminist”. Film Quarterly Fall 2026; 80 (1): 36-41. Link

4. Temperance Aghamohammadi; “That’s Not My Voice”: Telephonic Logics and Paranoid Listening in Mulholland Drive. Film Quarterly Fall 2026; 80 (1): 42-47. Link

5. Eileen G’Sell; “This Is the Girl”: Mulholland Drive, Naomi Watts, and the Double Abjection of the Hollywood Starlet(s). Film Quarterly Fall 2026; 80 (1): 48-56. Link

A complete list of University of California Press journals is available at UC Press Journals.

J. M. Tyree is the editor-in-chief of Film Quarterly and an associate professor in the Cinema Program at VCUarts.

A Rabkin winner for arts journalism, Eileen G'Sell is a film critic and teaching professor at Washington University in St. Louis.

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Guest: Amy Wilson is the author of the memoir When Did I Get Like This? and the co-host of the award-winning podcast What the Fresh Hell. She is also an actor who has appeared on Broadway, in sitcoms and in films. Happy to Help is her award-winning second book.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

• What's On Her Mind
• Recipes for very busy lives...
• Attention: How To Gain Productivity
• Breaking free from overworking and underliving
• The Burnout Workbook
• What Do You Want Out Of Life?
• My What-if Year
• Tell Me What You Want
• Managing Your Mental Health During Your Ph.D.
• The Good- Enough Life
• PhDing While Parenting
• Mindfulness

Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Dr. Haddad conceives of Dragon Ball as a “franchise toy,” a corporate media property that is constantly remixed by its fans in ways that its owners resist but also ultimately embrace: appropriation is essential to the franchise’s popularity. Over the past forty years, Dr. Haddad argues, Dragon Ball’s deployment of familiar tropes, cultural references, and narrative forms—from classical Chinese stories and the films of Bruce Lee and Jackie Chan to American franchises like Superman and Star Wars—has invited unique transcultural play. Through diverse examples of how fans use its characters as “playthings,” Dr. Haddad shows how Dragon Ball travels across international networked fandoms, highlighting the queer, gendered, and racialized dimensions of this play.

Parsing the dynamics of “sites of conflict” between authorized media and fan content, Next Time on Dragon Ball illuminates how fan engagement across the Americas changes the parameters of what a manga and anime franchise is and can be.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Bumper music: Gustav Mahler’s Symphony No. 5 - Trauermarsch by Jason Weinberger & WCF Symphony. Licensed under Creative Commons: By Attribution 3.0

If, like Lydia Tár, you’re fascinated by Mahler, check out Stephen Downes’ 2025 biography.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler’s Almanac.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

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Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition & Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for How We Stay Free: Notes on a Black Uprising (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.

After listening to this episode, head over to the Additions to the Archive Substack, where Chris and Sullivan talk further about community education and activism.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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With What’s So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don’t ask her about “Leviathan” by Thomas Hobbes.) “What’s So Great about the Great Books” is out now with Princeton University Press.

Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan’s eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect.

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In this episode, I interview two authors, M. Luísa Sousa and Kazem Afradi, from the teams of researchers that wrote Cycling Cities: The Lisbon Experience and Cycling Cities: The Tehran Experience.

These books uncover the histories of bicycles and their cyclists from Lisbon to Tehran, from the 19th century to the 21st century, and from royals to revolutionaries. As you’ll hear, while there are of course many differences between Lisbon and Tehran, there are also many commonalities in their cycling histories.

Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he’s currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day.

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Incredible bumper music by John Deley.

The War of the Worlds is based on H. G. Wells’s 1898 novel, which you can purchase here.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.

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In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City.

Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown.

Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience.

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Rock ‘N’ Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more

Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics.

Elijah Wald’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power.

Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

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Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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Though they worked in vastly different fields, Leonard Bernstein, Mel Brooks, Betty Friedan, and Norman Mailer shared a remarkable historical moment. Coming of age after World War II, they entered an America where Jewish opportunity was expanding and antisemitism was beginning to recede. Their Jewish heritage, energized by the freedoms of American life, fueled bold, unconventional careers that reshaped music, comedy, literature, feminism, and public debate.

Denby paints these figures in all their complexity: ambitious, difficult, generous, provocative, and endlessly creative. Rather than offering simple hero worship, he explores how their outsized personalities and relentless drive allowed them to challenge old assumptions about art, politics, gender, humor, and what it meant to be both fully Jewish and fully American.

Together, Denby and Katz explore why this particular generation produced so many cultural revolutionaries, how Jewish identity informed their work without defining it, and what their legacies reveal about the changing place of Jews in postwar America.

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In Thresholds of Digital Gameplay (MIT Press, 2025), Daniel Gardner demonstrates how a series of interfaces and other elements on the periphery of digital gameplay fundamentally alter the phenomena of gaming. This book examines non-gameplay-centered material or mechanical attachments that surround and enclose gameplay while directing or mediating our experience of it—for example, access controls, character configuration, and microtransactional storefronts.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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Suicide in Popular Media and Culture: Studies in Framing a Social Catastrophe (Bristol University Press, 2026) brings together scholars from across disciplines to examine how suicide is mythologized, politicized, and challenged across film, TV, young adult literature, digital platforms, online communities, and more. From news coverage of celebrity suicide to social media interventions with at-risk youth, this wide-ranging collection explores suicide’s intersections with class, gender, chronic illness, and cultural identity.

The book is co-edited by Mike F. Alvarez (Assistant Professor of Communication at the University of New Hampshire), Warren J. Bareiss (Professor of Communication at the University of South Carolina Upstate), and Jolane Flanigan (Professor of Communication Studies at Rocky Mountain College and a licensed mental health counselor).

Some Crisis Resources

*Note: some of these may utilize emergency services or law enforcement to conduct wellness/welfare checks or active rescues. Ask if these are possibilities at any point during your conversation.

988 Suicide & Crisis Lifeline

Website

Dial 988

The Trevor Project

Website

Provides support for LGBTQ+ youth facing crisis

1-866-488-7386

Text: 678678

Chat: Here

Crisis Text Line

Text HOME to 741-741

Trans Lifeline

1-877-565-8860 (U.S.)

1-877-330-6366 (Canada)

Warmline.org

Website

Contains links to warmlines in every state

Provides peer support

Find a Helpline

Website

For those not in the U.S. Search for links to crisis centers worldwide

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Everyone has encounters with glasses, passively or actively, from reading glasses to sunglasses. At times they are the main identifiers in a face (think John Lennon), and they signify extremes from nerdy and brainy to cool and sleazy. They are alternately the most mundane of things on our bodies and potentially the most glamorous.

In this edition of the Object Lessons series, Glasses (Bloomsbury, 2026) by Adam Geczy explores this most pervasive and accessible accessory and shows that it is both a conduit to and a barrier between ourselves and the world outside.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In Blow by Blow: The Jeff Beck Story (Da Capo, 2026)​, Brad Tolinski and Chris Gill return to chart the unexplored life of rock’s greatest and perhaps most enigmatic instrumentalist. Culled from approximately 30 hours of interviews with the late guitarist himself, numerous conversations with those closest to him, and extensive research, the book sheds new light on the genius that Jimmy Page once said, “shifted the whole sound and face of electric guitar music.”

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If you want to hear scholars and practitioners engaging in multidisciplinary conversations about Asian healing and mystical traditions, then subscribe to Black Beryl wherever you get your podcasts. Also check out our members area on Substack (blackberyl.substack.com), as each episode our guests share downloadable PDFs of articles, book chapters, and other materials for you.

One last thing: we are planning an “Ask Me Anything” episode coming up soon, so reach out via Substack or my website here, and let me know your questions. Ok, on with the show!

Resources mentioned in this episode:

• “What is Metamodern?” website
• “What is Metamodern? Conversations” on YouTube
• Bloomsbury Press series: Studies in Metamodernism, Theory and Criticism Across the Disciplines
• Vermeulen and van den Akker, “Notes on Metamodernism” (2010)
• Kersten, Polo, Wilbers, Glocal Metamodernisms: European Fiction After Postmodernism (2026)
• Disambiguation video
• Recorded lecture: “An Overview of the Academic Research on Metamodernism” (2023)
• Recorded panel: “A Bodhisattva Move: Popular Mysticism’s Influence on the Metamodern Turn?” (2021)

Subscribe on blackberyl.substack.com to unlock our members-only benefits, including these PDFs of Linda’s work:

• Metamodern Mysticisms (2018)
• “Toward a metamodern reading of Spiritual but Not Religious mysticisms” (2018)
• “The Metamodern Bend: Theorizations for Religious Studies” (2022)

Black Beryl’s host Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. See www.piercesalguero.com

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Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today’s global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life.

Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world’s screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century.

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The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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Babe Ruth, Ty Cobb, "Shoeless" Joe Jackson, Tris Speaker, Walter Johnson, Connie Mack, and more. One newspaper called it "the greatest baseball show on earth."

What unfolded that day was more than a benefit or a curiosity. It was a moment of recognition among players, fans, and the sport's leaders that baseball could be something more than competition. It could be a shared stage. A public trust. A civic ritual capable of carrying the weight of a nation. Listen to our interview about One Day in September: Baseball, Brotherhood, and the Birth of the All-Star Game (Compass Rose, 2026)

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

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We all have a relationship with chemistry. Bonds between molecules, forged and broken in the blink of an eye, underpin everything from the food we eat and the clothes we wear to the ways we treat illnesses and construct our homes. It’s a relationship we nurture, whether we know it or not, and for leading chemist Ijeoma Uchegbu, it was serious from the beginning.

In Chain Reaction: How Chemistry Shapes Us and Our World (HarperCollins, 2026) Uchegbu shows us the world through a chemist’s eyes, revealing the intricate science we take for granted: how our body’s most fundamental chemical structure, our DNA, is estimated to be two meters long, resting tightly within each of our cells; how egg yolks are held together by weak chemical bonds that make them primed for emulsifying our salad dressings; and how the chemical makeup of PFAs, or “forever chemicals,” makes them so good at sticking around.

Along the way, we travel from Uchegbu’s home in London to Nigeria, where cooking experiments go awry in her family kitchen, and to Italy, where the chemically inert compounds that make up stained glass keep medieval windows shining. The careful interplay of bonds and molecules brings a sense of order and wonder to the chaos of our lives, she shows, and we don’t have to wear a lab coat or study solutions in beakers to appreciate it.

For readers of Astrophysics for People in a Hurry and anyone who wanted to be like Elizabeth Zott in Lessons in Chemistry, Chain Reaction is a lively and intimate portrait of the wondrous and under-explored field that shapes our everyday lives.

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In Kindness & Salt: Recipes for the Care and Feeding of Your Friends and Neighbors (Grand Central Publishing, 2018), Crowell and Angulo share more than 100 recipes from both restaurants, along with the philosophy that has guided their work for decades. The title reflects the two principles they believe are essential to every great meal: kindness, expressed through genuine hospitality, and salt, the attention to flavor that brings food to life. Alongside signature dishes, the book offers advice on entertaining, cocktails, wine, and the art of making guests feel welcome.

Kindness & Salt stands out among restaurant cookbooks because it is as much about community as it is about cooking. Part cookbook and part neighborhood memoir, it captures the relationships among restaurateurs, staff, regulars, and the communities that grow around a dining room. At its heart, the book argues that hospitality is every bit as important as the food on the plate.

Doug Crowell joins New Books Network to discuss the origins of Kindness & Salt, the legacy of Buttermilk Channel, the continued success of French Louie, and what he has learned about restaurants, hospitality, and community over nearly two decades in Brooklyn dining.

Interview by Laura Goldberg, longtime food blogger at VittlesVamp.com, who enjoyed many wonderful meals at Buttermilk Channel and remains a regular at French Louie.

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How do these issues affect athletes, fans, and society?

Written equally for casual and hardcore fans, Foul or Fair? Ethical and Social Issues in Sports (McFarland, 2024) analyzes social and ethical issues in sports in a lively, journalistic manner, combining quotes from writers, broadcasters, athletes, coaches and others with the author's observations. It shows pros and cons of how sports affect our daily lives and society. While sports inspire and excite us and lead to social change like the civil rights movement, Title IX, and rights of disabled people, controversies surrounding sports can be divisive even as sports work as a uniting factor in society.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

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2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link

3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore

4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link

6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website.

David Famiano is the Journals Director at the University of California Press

Jessica Chesnutt is the Journals Manager at the University of California Press.

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What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters (Princeton University Press, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.

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Street Level, a special audio documentary episode of Soundscapes NYC, explores the intertwined histories of urban policy, housing, and popular culture in the years following HUD’s establishment. Through archival recordings, immersive sound design, and music drawn from the neighborhoods most affected by federal housing decisions, the documentary traces how government policies shaped city life—and how residents responded through creativity, resilience, and community.

Featuring insights from historian and author Bench Ansfield, author of the Pulitzer Prize-nominated Born In Flames, senior career HUD staff members Kent Watkins and John Finch, and public history scholar Kristin Sylvian, Street Level connects policy decisions to lived experience, revealing how federal housing initiatives shaped the urban landscape—and how music and culture helped sustain joy, identity, and perseverance when city life grew more difficult. Part history, part cultural exploration, and part sonic journey, Street Level offers a powerful new perspective on the forces that have shaped America’s cities.

HOST/PRODUCER: Ryan Purcell

WRITER/PRODUCER: Shelagh Little

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• Mindset shifts to start seeing play in the everyday
• Guidance to help you find your version of play
• Strategies to turn play into a regular practice
• Exercises to release expectations on your creativity
• Lessons in becoming your own hype pal

Through introspection and fun challenges, you’ll see that play is the solution toward overcoming our creative blocks, caring less about what people think of us, and showing ourselves that we do deserve to prioritize our creative ideas. Even when they don’t make money. Even if we’re not “good” at them. Even if they’re not a “traditional” creative outlet. Because we all deserve our version of our Big, Juicy Life!

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Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist.

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Incredible bumper music by John Deley.

Blue Jasmine is Allen’s 44th film; his memoir, Apropos of Nothing, details how he became a writer and director of fifty films.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.

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Aditya Deshbandhu is Senior Lecturer of Communications, Digital Media Sociology at the University of Exeter, UK. A researcher of video game studies, new media, and the digital divide, he examines how people engage with digital artefacts and seeks to understand how these interactions shape everyday lives. As someone who actively examines digital acts of leisure, his research in the last decade has examined social media and streaming platforms alongside video games and digital cultures. He is also the author of Gaming Culture(s) in India: Digital Play in Everyday Life and also serves as an editor for this book series.

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore.

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Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification.

Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.

Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria.

Ginger Dellenbaugh’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Adam Phillips, formerly a principal child psychotherapist at Charing Cross Hospital, London, is a practicing psychoanalyst and a visiting professor in the English department at the University of York. He is the author of numerous works of psychoanalysis and literary criticism, including Missing Out, Unforbidden Pleasures, In Writing, Attention Seeking, On Wanting to Change, On Getting Better, and On Giving Up. He is also the general editor of the Penguin Modern Classics Freud translations and a Fellow of the Royal Society of Literature.

Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).

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You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity.

Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world.

Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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That observation is part of Shefalee Vasudev’s recent book Stories We Wear: Status, Spectacle and The Politics of Appearance (Westland Non-Fiction, 2025), where she dives into how clothing, appearance, politics and social change are intertwined, covering topics like streaming dramas, influencers, and “the airport look.”

Shefalee Vasudev is a journalist, cultural commentator, and narrative psychotherapist. The editor-in-chief of The Voice of Fashion for the last nine years and the founding editor of Marie Claire India, she has spent three decades working across news and lifestyle media. Her first non-fiction work, Powder Room: The Untold Story of Indian Fashion, was published in 2012.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Stories We Wear. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Mark McGurl is a Professor of English at Stanford University.

Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. His companion Substack newsletter, America and Beyond,” offers commentary and insights on the podcast. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024).

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Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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As Winberg notes in our conversation, television as an entity is inherently conservative, since the functional model was about appealing to the lowest common denominator so that advertisers would be willing to pay for time during shows. In order to reach the most viewers, at least in the age of network television, the television series needed to appeal to the largest market possible, and not “turn off” viewers. What happens in the late 1960s and early 1970s with the television show All in the Family is that this dynamic shifts, and the case is made that it isn’t about reaching the most people, but about reaching the people who have the means and inclination to purchase what the advertisers are selling. This is part of the pitch that Norman Lear makes, that CBS executive Bob Wood finally decides to gamble on by greenlighting All in the Family. The dynamic inside the show itself is to focus on politics: to have the characters within the series discuss different political issues, and engage with the impacts of these issues, from women’s rights and reproductive health to homosexuality to racism and the anti-war movement. In designing All in the Family with Archie Bunker (played by Carroll O’Conner) clearly defined as a conservative and as a bigot, and with Archie’s daughter, Gloria Stivic (played by Sally Struthers) and son in law, Mike Stivic (played by Rob Reiner), as liberals and politically active, the show embedded politics within the narrative. Edith Bunker, played by Jean Stapleton, was an enthusiastic supporter of the Equal Rights Amendment, which was making its way through the ratification process while the series was airing, providing yet another avenue for political discussion within the show’s structure.

There were quite a few other shows that were developed at the same time as All in the Family that took up similarly political themes in iconic ways, from the Mary Tyler Moore Show to M*A*S*H to Maude. Political conversations were the fabric of these shows in much the same way as in All in the Family, where characters find themselves experiencing dimensions of politics in their lives and they discuss this with friends and family within the narrative construction. This also translated to Americans discussing these shows with each other at dinner, or at the “water cooler”, or at the beauty parlor or barbershop. Given the structure of television in the 1970s and 1980s, before cable and streaming services, options were more limited options, and many of these shows had great writers, actors, and showrunners. This was “appointment television” because there was no way to record or otherwise go back and watch the episode. Episodes were only available at their regularly scheduled time and day—which also meant that lots and lots of Americans were watching the same show at the same time.

In some sense, Archie Bunker for President: How One Television Show Remade American Politics is not only about how one television show remade American politics, but also about how All in the Family remade American television, opening up the networks to developing and airing television shows that integrate politics (of all kinds) into the narratives. There is still quite a lot of television, particularly network television, that is pitched to the broadest possible audience, but the narratives in police procedurals or hospital-centered series or sitcoms integrate different dimensions of politics into their storylines in ways that had not been done before All in the Family.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI.

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Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho.

Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration.

In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era.

Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. 

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Listen to this interview about The Mad Manchurian: From the Internment Camps of Tokyo to the Hardwood Courts of the NBA (Coffeetown Press, 2025).

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

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Incredible bumper music by John Deley.

The German title of the film is Every Man for Himself and God Against All, which is also the title of Werner Herzog’s 2024 memoir.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.

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Nayantara Srinivasan is a PhD researcher at the University of Münster. Her research examines debut literary fiction in contemporary American publishing. She has previously worked in publishing.

Karishma Koshal is a PhD researcher at the University of Exeter. 

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Joyful life lessons from the LGBTQ+ community to help you move through the world with more harmony, authenticity, and possibility.

Rainbow Wisdom is a companion for anyone who wants to live more fully. The LGBTQ+ experience can inspire us all. Regardless of sexuality or gender, every person is unique and unusual in some way. Drawing on firsthand research, global thought leaders, and personal reflections, renowned educator Mischa Oak presents 18 uplifting lessons from the LGBTQ+ community that will make anyone feel good. You will learn how to:

- Live authentically by asking Why Fit in a Box When You Can Break It Down?
- Raise the Bar by leaving behind exhausting debates and embracing conversations rooted in values and hope.
- Challenge Queer Fear by confronting misinformation and dismantling “flawgic” (aka flawed logic) with clarity.
- Celebrate your own difference with Congratulations! You’re You!, a lesson that helps you embrace and affirm your identity—whatever it may be—and walk proudly in your truth.

These and other lessons show you how to approach the world with more passion, flair, innovation, and liberty to be yourself, while you shift humanity forward. Whether you’re seeking deeper understanding, stronger allyship, or ways to live more freely, Oak invites you into a space of connection, where everyone can draw on LGBTQ+ experiences to live with more joy and make the world a better place.

With a rich glossary of LGBTQ+ terms and practical tools for building more welcoming conversations, spaces, and communities, this book will lift you up, push you forward, and remind you that different is powerful. Rainbow Wisdom is also your allyship guide—helping you grow into a more confident and informed ally, and supporting Queer people and their loved ones to feel valued.

This is what LGBTQ+ life lessons are all about: seeing yourself and the world in new ways, to be the best version of yourself possible.

About the author:

Mischa Oak founded LGBTQ Inclusion Training to improve the lives of 2SLGBTQ+ people and support meaningful diversity and inclusion within organizations. With over twenty years of experience as an educator and 2SLGBTQ+ advocate, Oak holds a Master of Education in Social Justice Curriculum, Teaching, and Learning. He gained international recognition as part of the first wave of legal same-sex marriages in the world, featured on the reality TV series My Fabulous Gay Wedding. His involvement in the Queer Liberation movement propelled his lifelong advocacy, including expanding transgender and Queer inclusion in Canadian schools during his seventeen-year teaching career. Today, Oak delivers transformative talks worldwide, guiding teams, communities, educators, care and service providers, and governments toward meaningful 2SLGBTQ+ inclusion. Oak is a Loran Scholar and an alumnus of Queen’s University, the University of Toronto, and Memorial University. He lives in Vancouver Island, Canada.

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• Article in First Things by Father Scott about the movie and his role in it, “Wake Up Dead Man Captures the Beauty of Priestly Ministry,” January 5, 2026.
• Article in Denver Catholic about Fr Scott and the movie, “A Denver Priest, a Hollywood Director and a Bowl of Fettuccine: Father Scott Bailey Advises on Catholic Life for New ‘Knives Out’ Film” by Jay Sorgi, November 22, 2025.
• Screenplay of Wake Up Dead Man by Rian Johnson, the director and writer, available on his website.
• Fr Scott Bailey at the Archdiocese of Denver.

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Conspirator in Chief: The Long Tradition of Conspiracy Theories in the American Presidency also mines the deep vein of conspiracy theories around moneyed and elite interests, since many presidents cast these interests as predatory and “out to get” the average citizen. This is another constant approach among the presidents from the early days of the republic through to our contemporary “conspirator in chief” Donald Trump. Part of the way that presidents use these kinds of conspiracies is to set up a dichotomy of those who are with the president and those who are against the president, and this latter group is, inevitably, also opposed to the country as a whole and the way of life in the United States. Knott explains that this was the kind of rhetoric that both FDR and Truman used in their implementation of this kind of conspiratorial rhetoric. This also leans on national security as a point of contention, and that those in opposition to the president or the president’s policies are also potential threats to the republic. This is another dimension that Trump builds on in his use of this kind of rhetoric and division.

In the final part of Conspirator in Chief, Knott sketches out those presidents who go far in standing against this kind of language and these kinds of attacks. Included in this grouping are John Quincy Adams, Abraham Lincoln, William Howard Taft, and John F. Kennedy, among others. These individuals leaned into reason more than rumormongering, examining their own biases, and also pointing to the conspiracies that others were advocating. While we learn a great deal about demagogic presidents who stirred up conspiracies based in racism, fear, antisemitism, and classism, we also learn about those who operated differently, who tried to protect the country from such divisive rhetoric.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

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Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney’s Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family.

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Lim’s dry commentary and insight introduces us to a world of striking juxtapositions, from expatriate French chefs preparing food for diners in Chippendale chairs to street hawkers who struggle to make a living wage, let alone one that would allow them to feel like full-fledged members of Singaporean society. He makes his grandmother’s recipe for lou arh, braised duck, in suburban Massachussets and questions why anyone would export Tabasco sauce to Southeast Asia, “home of the most nuanced and varied chilli-eating culture on the planet.” There are a few recipes, some traditional, some not at all, included to illustrate ideas rather than to command us to act. And although Lim makes no attempt to be systematic in his coverage, he still paints a vivid picture of the city-state’s culinary culture.

Little Perfections: Eating in Singapore (Kitchen Arts and Letters, 2026) is available to purchase exclusively at Kitchen Arts & Letters. 

This interview was conducted by Ernest Lee, PhD student at the University of Chicago. He researches the history of postcolonial energy through the lens of development, infrastructure and environment, with a focus on West Africa and Southeast Asia.

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Drawing on biology, psychology, and philosophy, in The Mattering Instinct: How Our Deepest Longing Drives Us and Divides Us (Liveright Publishing, 2026) Goldstein argues that this need to matter―and the various “mattering projects” it inspires―is the source of our greatest progress and our deepest conflicts: the very crux of the human experience.
Goldstein brings this profound idea to life through unforgettable stories of famous and not-so-famous people pursuing their unique mattering projects: the ragtime genius Scott Joplin, whose dedication to his ignored masterpiece, Treemonisha, ended in tragedy; the pioneering psychologist William James, who rose above the depression of his young adulthood to become perhaps the first great theorist of mattering; an impoverished Chinese woman who rescued abandoned newborns from the trash; and a neo-Nazi skinhead who as a young man dealt racial violence to feel he mattered but ultimately renounced that hateful past after realizing that mattering isn’t a zero-sum game. These portraits illuminate how our instinct for significance shapes identity, relationships, culture, and conflict―and they point the way to a future where we all might see that there is, fundamentally, enough mattering to go around.
Deeply revealing and insightful, and decades in the making, The Mattering Instinct is a must read for those curious about why we seek to matter to ourselves and others―and how this insatiable longing that drives us apart may be the key to finally understanding each other.

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Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions?

For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties.

"They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell?

Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world.

Nicholas on the University of Melbourne’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Growing up in Depression-era Texas, Mary Kathlyn Wagner is a dutiful daughter and diligent student with ambition aplenty and no place to use it. Married at sixteen, she is a grandmother at thirty-four. When she is not cooking or cleaning or taking care of the kids, she peddles cleaning products to other housewives. The work has no salary and no security but she sticks with it, sure that direct selling will make her dreams come true.

In 1963, after she has been divorced three times and widowed twice, she sets up her own company, selling second chance and self-invention for the price of a skin care showcase. Soon millions know her as the little lady in the big wig who gives away pink Cadillacs. From its unpromising start in a 500-square-foot Dallas storefront, Mary Kay Inc. grows into a global phenomenon with 3.5 million reps in over 35 countries. She becomes the most famous saleswoman in the world. Maybe the most famous ever.

Based on fifteen years of research, Selling Opportunity gives us a page-turning rags-to-riches story set against the background of direct selling in all its overstated, over-the-top glory. Here, for the first time, is the definitive history of a peculiarly American industry and a mid-century mindset that ennobled extreme self-reliance, sticking to your guns, and blind faith in the American dream.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Incredible bumper music by John Deley.

If you want to read a great in-depth book about the making of Chinatown, check out Sam Wasson’s The Big Goodbye.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.

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The Joshua Tree is the best-known example of U2's artistic immersion in the Golden State, but the band began drawing inspiration from California's landscape as early as 1981 during their first arrival in the U.S. for the Boy tour.

From deserts to beaches to urban streets, Southern California features dozens of sites that are both sacred and significant to U2 history. For the first time, these sites are documented and categorized in a single resource to inform and support the Southern California pilgrimages of U2 fans. I Go There With You (2026) provides the information U2 fans need before embarking on such a quest, whether individually or in groups. Each site has a story, and this book tells those stories-along with must-have details for trips that require extra planning and foresight.

In addition to essential information on each site's place in U2 history, author Brook W. Flagg aims to inspire U2's most devoted followers with anecdotes and scrapbooked images. Just as Bono, The Edge, Adam Clayton, and Larry Mullen Jr. traveled through Southern California along the road from innocence to experience, their fans can find catharsis and healing by going into the mystic portals of the past-places where, over the decades, U2 found pieces of what they were looking for.

Brook Flagg on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more.

Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order.

Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando’s pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin’s demons.

Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.

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These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South.

By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while.

This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program.

If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT.

You can find co-editor Constance Bailey at her website and on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

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Directed by the legendary Zhang Guoli, this production marks a cultural milestone in Chinese theater. Matti discusses his portrayal of the librarian, a tragic figure who represents the “saddest role” in a story otherwise defined by hope.

This episode dives into why Zhang Guoli insisted on foreign actors to avoid stereotypical and slightly fake portrayals of foreigners and how this choice may have helped the play navigate censorship. Matti also discusses the complexities of proactive self-censorship, securing government approvals for every city, and performing with a censor in the audience. Join us for a fascinating look at cross-cultural artistic collaboration and the evolving landscape of performance art in contemporary China.

Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland).

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

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Now, for the first time, the legendary Jerry West tells his story -- from his tough childhood in West Virginia, to his unbelievable college success at West Virginia University, his 40-year career with the Los Angeles Lakers, and his relationships with NBA legends like Bill Russell, Wilt Chamberlain, Kareem Abdul-Jabbar, Magic Johnson, Shaquille O'Neal, and Kobe Bryant. Unsparing in its self-assessment and honesty, West by West: My Charmed, Tormented Life (Little, Brown and Co, 2011) is far more than a sports memoir: it is a profound confession and a magnificent inspiration.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

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This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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At a time when organizations of all kinds crave innovation but complain their people lack creativity and initiative, the arts have never been so essential to our future. We may not all be artists, but we can learn to think like them. In Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World (Policy Press, 2025) Margaret Heffernan makes a compelling argument for the vital integration of art into all aspects of our lives and for artists to guide us with their stamina, freedom and endurance.

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Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.

In The Making of “Jew Clubs,” Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.

In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.

FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.

Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.

Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.

Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.

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First, we discuss the season premiere, “First Light.” We focus on the presentation of Mars as an alternative to the social and political system of Earth, and explore the degree to which a Martian rebellion seems likely. We look at the alternate history of the show's depiction of 2012, including the presidency of Al Gore and the analogy between Mars and Iraq.

Then, we tackle episode two, “The Hard Six.” We focus on the apparent discovery of extraterrestrial life and how that relates to the Fermi Paradox and the Great Filter hypothesis; rights and citizenship on Mars; "Craters": as refugees or undocumented migrants; Dev Ayessa's continued pursuit of utopia. We also offer a critical appraisal of the episode as a work of drama, and answer listener's questions.

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Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

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Through transformational programs and books, including the national bestseller All We Can Save, Wilkinson has inspired hundreds of thousands of climate journeys. In Climate Wayfinding: Healing Ourselves and the Planet We Call Home (Amber Lotus, 2026) she shares a proven process for looking inward with care, outward with curiosity, and forward with courage. Ultimately, readers chart a course toward playing their unique part in our collective healing.

With her singular blend of warmth and rigor, Wilkinson lights the way through stirring personal essays, interwoven with the wisdom of other climate leaders and the beauty of poetry, art, and song. A book to sit with and savor, Climate Wayfinding also invites engagement with journaling prompts, practical exercises, and guides for conversation.

Whether steeped in climate or newly curious, readers will discover something grounding and generative in these pages. The terrain ahead is calling—and we have everything we need to find our way. (Source: here)

Dr. Katharine Wilkinson is a climate leader named by Time magazine as one of 15 “women who will save the world.” Her publications include the New York Times bestseller, Project Drawdown, and the co-edited, All We Can Save, which is an anthology of writings on climate change named among the 10 best science books of 2020 by Smithsonian magazine. Dr. Wilkinson is the co-founder and executive director of the All We Can Save Project and Co-host of the podcast, A Matter of Degrees.

In this interview with Dr. Patricia Houser, Dr. Katharine Wilkinson discusses the unique organization of the Climate Wayfinding book--with its strategic juxtaposition of inspirational essays, poetry, music and reflective passages. This “quilt of components” says Wilkinson, was honed in a series of workshops designed to help people find meaningful and impactful roles as climate leaders/workers.

Selected subtopics and excerpts of the conversation can be found at the following timestamps:

0:04 mins. The podcast opens with the author explaining that people today are confronting a world where the earth’s features no longer resembles what is on a map—we are literally “map-less.” [Background instrumental music: folk_acoustic from Pixabay]

3:04 “Most books talk to you. These pages hope to walk with you.”

4:18 The Author explains, when she is asked “What can I do?” about the climate crisis, she feels that the answer is really, “something of a Russian doll:”

Wilkinson: We ask, what can I do? But sitting within that question are often other bigger wonderings about what it means to be alive at this time, what it means to contribute, where we belong, how are we going to cope?

5:12 Wilkinson: This is an unusual book in the sense that it grew out of this experiential learning and leadership development program and then found its way onto the page.

6:41 Explaining who the book is written for and who is it designed to help

10:41 How the reflective passages and invitations to meditate in this book help people prepare for climate work

15:08 The power of community building as part of a preparation for climate work, has its parallels in history.

17:15 The challenge of better engaging the 89% of people around the world who would like to see more climate action.

24:40 The website climatewayfinding.earth offers audio versions of specially designed meditations printed in the book.

26:45 Features of the website linked to the book.

30:00 Wilkinson: What I hope is that readers, that reading groups, that people who come through the program, they feel at the end of it more equipped for the ongoing work of orientation and navigation and finding our next steps.

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This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.
These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.
Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.
Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.
These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024.

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In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.

Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.

Daniel Rachel’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.
Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice (MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.
Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.

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The intersection of these two forces—increasing capitalization and moving toward inclusivity—creates a fundamental tension, and that is the subject of Beth Derderian's Art Capital: Museum Politics and the Making of the Louvre Abu Dhabi (Stanford UP, 2026). Focusing on the decade between the Louvre Abu Dhabi's announcement and its eventual opening, the book analyzes how major shifts away from the 19th- and 20th-century paradigm of culture-state representation play out in museums' and artists' everyday practices. Derderian traces the emergence of a new logic, wherein the ways that artists represent the state shift, as does the notion of what constitutes 'good art.' In addition, these intersecting forces spur preemptive erasures that neutralize and depoliticize difference for museum publics.

Drawing on ethnographic research with artists, curators, museum staff, gallerists, art teachers, and other arts professionals, this book analyzes the UAE art world as a microcosm of these massive, epistemic changes.

Beth Derderian is Assistant Professor of Modern Middle East Studies and Anthropology at the Crown Center for Middle East Studies at Brandeis University.

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“Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here.

Camille Bégin is the author of Taste of the Nation: The New Deal Search for America’s Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here

Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here

Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes.

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The show opens with a moving tribute to Ozzy Osbourne, formerly of Black Sabbath, who passed away on July 25, 2025. Friedman then turns to the reason for writing his book, co-authored with Jon Wiederhorn. He talks about the co-writing process and describes it as “putting his musical abilities into words.” His latest solo release, Drama, he calls his best and most romantic work to date — a largely orchestral album that stretches beyond his usual style.

He also reflects on the Japanese entertainment industry, the uniquely Japanese idea of heta-uma, idol music, and the role of “cuteness” in J-Pop. Producers such as Tsunku and Komuro Tetsuya play a key role in drawing out this unique appeal. J-Pop carries deeper cultural nuance than outsiders might assume. In addition, Friedman reflects on scandals, music managers ,and his first rehearsal with a J-Pop band.

Read our book review of Dreaming Japanese (Permuted Press, 2024) as reviewed by Stephen Mansfield. Subscribe to the Books on Asia podcast, and the Books on Asia newsletter featuring new releases, book reviews and the latest podcast episodes.

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Growing up in the heart of Louisiana, Robert Parish and his three younger siblings played baseball, football, and tennis―but never basketball. Still, by seventh grade, Parish stood 6'6" and couldn't escape the attention of Coleman Kidd, the junior high basketball coach who saw potential before Parish could see it in himself. And though he was the worst player on the team that first season―handed the last jersey left, No. 00―it would become the number that now hangs in the Boston Garden rafters.

In The Chief: The Story of the Boston Celtics’ Most Enigmatic Icon (Triumph, 2026), the famously reserved Parish opens up for the first time about the full scope of his life―from attending a predominantly white high school during the uneasy years of integration to becoming the anchor of one of the greatest teams in NBA history. With honesty, humility, and plenty of dry humor, Parish reflects on his start with the Golden State Warriors and his trade to Boston, the years alongside Larry Bird and Kevin McHale, the Celtics’ epic rivalries of the 1980s, and the later years with the Charlotte Hornets and Chicago Bulls, finally walking away from the game on his own terms.

Insightful, introspective, and powerful, The Chief is a rare look into the life of an NBA giant who always let his game do the talking―until now.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

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• Types of resilience: personal, social, urban, national
• Case studies: COVID-19, Winter War, Ladbroke Grove disaster
• The importance of community and social bonds in resilience
• The paradox of preparedness and resource redundancy
• Lessons from history: Shackleton, Finnish resilience, and more

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Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.

Lucas Tse is Examination Fellow at All Souls College, Oxford.

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Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives.

The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be.

Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.

Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature.

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Rose headed off for a week of shows: Chicago, New York City, and Boston. One more time. Maybe one last time. As someone whose writing career has focused on rock and roll in its live form, and who spent several years researching and writing a book about Patti Smith (Why Patti Smith Matters, University of Texas Press, 2022), she felt this anniversary outing needed to be captured for posterity. 

Rose didn’t want to write yet something else that would get lost on the World Wide Web, she didn’t want to be limited by word count, and she wanted something tangible. This is the end result. Less than a book, more than a zine.

Caryn Rose is a music journalist and writer.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and most recently From the Ashes: Grief and Revolution in A World on Fire. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.

My co-producer on this episode is Kelly Knight, a graduate student in the MA program in Communication at Oakland University.

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In Dreams and Songs to Sing, McDougall writes the history of Liverpool FC from Shankly to Klopp in a register that will appeal to both popular and scholarly readers. McDougall is a lifelong Liverpool supporter, and he is careful to point out where his connections to the club and its fandom might shade his examination, but he also shows how those same affective connections allow him to a unique entry point into issues only visible to fans and that supports can be even more critical than a detached observer. This is especially true in his investigation of Heysel and Hillsborough.

The book proceeds roughly chronologically. The book’s early chapters examine the club’s connection to Liverpool’s working-class district 4 and to their Anfield home ground. He pays special attention to the supporter’s end - the notorious Kop. Using oral history interviews, McDougall illustrates the exceptional pull of the stadium to both local and global fans.

The heart of the book is its engaging, thick description of the club’s history during the Shankly era. McDougall shows that not only was Shankly a very successful manager, and quite funny, but that he ran the club with a sense of Liverpool’s local identity. A man who arrived at the right time – he benefitted from Liverpool’s growing global reputation; Beatlemania gave the city a sound but players and fans rubbed shoulders with comics, musicians, and poets.

Shankly embodied the very local socialist, working-class attitudes of the majority of club supporters. His retirement shook the whole city. McDougall uses a family repository of letters to show how people from around the city, the country, and the world wrote to him to express sadness at him leaving and to wish him luck.

McDougall’s account might be from an insider, but his analysis does not shy away from shining a light on the difficult social politics that accompanied the club’s enormous success on the field. European Cup victories sit alongside the deadly hooligan violence at Heysel. Black players like Howard Gayle and John Barnes face racism from the club’s supporters. The club first ignores and then undervalues the rise of women’s football.

McDougall’s history ends in the Klopp era – perhaps a mercy to Liverpool fans! He shows how the contemporary club embodies the idea of a global club with a local heart. The international ownership of the club has successfully navigated the rise of the Premier League and the increasing commercialization of European football, but local supporters have been innovative at creating a culture of resistance to changes that could undermine the glocal identity of Liverpool. Klopp symbolized this new football club: cosmopolitan, emotional, forward, successful.

Compelling and hard to put down, McDougall’s Dreams and Songs to Sing will appeal to all readers of sports history. It will be of particular interest to Liverpool supporters and football fanatics.

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In its first thirty years, Asian Man Records released over 400 albums, all from the garage at Mike Park’s parents’ house. Founded when Park was in his early twenties, the label has started and supported the careers of musicians across many generations, all free from the pressures of the larger music industry. It seemed things could even stay that way forever, until an unexpected email arrived…

Spanning early releases by breakout artists like Less Than Jake and Alkaline Trio, to albums that went viral on TikTok, every record has its own story. All of them connect back to Mike Park, the record label founder, who went from struggling with racism as a Korean American in an overwhelmingly white town, to his current status as international underground inspiration.

Written by Mike Huguenor, a musician who has seen the label from inside and out, this music biography documents thirty years in the life of a record label unlike any other—the one and only Asian Man Records.

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Each chapter is a self-contained adventure into history, etymology, politics and more, but will also contribute to a general appreciation for how our alphabet developed, how it has changed and how it fits into a wider world of writing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The Epic History of Macaroni and Cheese: From Ancient Rome to Modern America (Columbia UP, 2026) by Dr. Karima Moyer-Nocchi is a delectable history of macaroni and cheese, tracing an extraordinary journey of cultural exchange and social change. Karima Moyer-Nocchi reveals the religious, political, and industrial forces that shaped its evolution alongside stories of the unsung figures who crafted the dish as we know it today: enslaved cooks who preserved and adapted traditions, immigrant chefs who introduced new variations, and practical homemakers looking to nourish their families with an affordable meal. She emphasizes the adaptability of macaroni and cheese, which in different times has served as both an indulgence on the elite table and sustenance to those struggling to survive, crossing borders, social classes, and cultural divides. Deeply researched and rich with enticing details, this book uncovers the creativity and resilience that brought a beloved food to our tables. The Epic History of Macaroni and Cheese also shares centuries of recipes—from ancient Roman authors to celebrity chefs, reworked for modern kitchens—that provide a hands-on way to experience the evolution of this iconic dish.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts

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We follow a single radio wave as it escapes Earth and travels outward – ricocheting off the Moon, tunnelling through Venus’s furnace-thick atmosphere, tracing ancient ice hidden in Mercury’s shadows and diving deep into the swirling arms of the Milky Way. Along the way, we meet black holes that roar louder than stars, pulsars more precise than atomic clocks and galaxies lit by the very first starlight. We explore volcanic pancake planets, death-defying neutron stars, the eerie possibility of alien broadcasts – and the fragile question of our own future in the cosmos.
A celebration of human ingenuity and cosmic curiosity, The Radio Universe reveals that the true frontier of space isn’t ‘out there’ – it’s humming quietly all around us, waiting to be heard.

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In The Joy of Solitude: How to Reconnect with Yourself in an Overconnected World (Simon and Schuster, 2025) Robert Coplan draws from diverse fields including psychology, neuroscience, literature, and sociology to guide readers through solitude’s many dimensions and its profound effects on mental health and well-being. In this enlightening book, you will discover: 

• The many different types of solitude, ranging from enjoyable to challenging, each influencing personal experiences in unique ways.
• Why choosing to spend even fifteen minutes alone each day can help stabilize your mood, recharge your battery, and spark creativity.
• A deeper understanding of extraverts and introverts and their (often misunderstood) relationship to solitude. -What alone time looks like in a world where social connection is always a click away. 
• Groundbreaking scientific insights into the effects of both loneliness and “aloneliness.”
• The surprising ways that time alone can enhance relationships with others.
• Practical strategies for harmonizing moments of social engagement and solitude, crucial for achieving optimal life satisfaction. 

The Joy of Solitude is a vital resource for those who wish to understand the complexities of solitude and its potential to enhance mental health, creativity, and self-discovery. Whether you seek affirmation for your love of solitude or strive to find balance within it, Coplan’s insights are indispensable tools for enriching your relationship with yourself and others.

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This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Incredible bumper music by John Deley.

If you’re interested in reading Dorothy Parker, Robert Carson, and Alan Campbell’s excellent screenplay, you can find it here. The collection Memo from David O. Selznick is an addictive edition of hundreds of memos, telegrams, and letters from the producer about the films he helped create, A Star Is Born among them.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.

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Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University).

This reading and discussion originally took place on May 18, 2011.

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Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before.

But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.

Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.

One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.

Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.

Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

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Carlin Wing is Associate Professor of Media Studies at Scripps College.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.

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The fall of the Berlin Wall. Lockerbie. Hillsborough. Dunblane. Mad Cow disease. 9/11. ‎
These are all events that have entered our national, and international, consciousness. Events so ‎momentous that we can all say where we were, what we were doing, when the Berlin Wall fell, or ‎when the planes hit the Twin Towers. Award-winning television news reporter and political ‎correspondent, Glen Oglaza, can say exactly where he was when these events happened. He was ‎there, he had a front-row seat as history unfolded. And in this informative and fascinating account of ‎those years, he allows the reader to be there too. From Thatcher and the miners' strike, to the Gulf ‎War, the Good Friday Agreement and Tony Blair at Number Ten, captivating national and global ‎events are all given an intriguing new inside angle. ‎

Glen Oglaza is an award-winning television news reporter and political correspondent with more than twenty-five years' experience with ITN and Sky News. At ITN, he covered many of the biggest stories of the 1980s and 1990s, and was part of the award-winning ITN teams covering the Fall of the Berlin Wall, the plight of the Kurds in the wake of the First Gulf War, and the massacre in Dunblane. He was BAFTA-nominated for his coverage of the London Poll Tax riot. As a political correspondent, he covered the governments of Tony Blair, Gordon Brown and David Cameron.

Glen is also an accomplished poet with several volumes of poetry published these Religion Fake News and Misdemeanors, No Words, always and his latest collection Spam and other poems.

In this podcast we discuss Glen's books When I Stories and More When I Stories (Pegasus, 2024), starting in local journalism in Television news with ITN and Sky News, and the great events he covered during his career.

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Join YIVO for a discussion with Sapoznik about this new book, led by Eddy Portnoy.

This discussion originally took place on October 23, 2025.

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In Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world.

Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Michael O. Johnston, Ph.D. is an Associate Professor of Sociology at William Penn University, where he specializes in the cultural and interpretive study of space, behavior, and identity. His scholarship examines how designed environments shape social interaction, connectedness, and moral life across diverse settings. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His current research projects include the study of escape rooms as emotion-structured environments, temporal urban environments in rural historical towns, student experiences of hanging out and being at home while at college and university, and a more recent study on the making of rodeo. To learn more about his work, visit his personal website, Google Scholar profile, or connect with him on Bluesky (@professorjohnst.bsky.social) or Twitter/X (@ProfessorJohnst). He can also be reached directly by email.

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Our guest is: Dr. Jonathan Hollins, who graduated from Emmanuel College, Cambridge, and has been a working vet for four decades. Since the mid-2000s, he has spent long periods as a senior vet overseas in the South Atlantic. He has written for the British national press and presented documentary features for BBC Radio 3 and Radio 4. He lives on St. Helena.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

• Doctors By Nature
• Just Like Family
• Living Night
• The Killer Whale Journals
• The Shark Scientist
• Endless Forms
• The Well-Gardened Mind
• Bugs: A Day in the Life
• My What-if Year
• The Climate Change Scientist
• At Every Depth

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Víctor Navarro-Remesal is a media scholar specializing in games working at TecnoCampus, Universitat Pompeu Fabra in Barcelona, Spain.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani’s music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani’s striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani’s lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals.

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Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.

Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.

The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. 

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Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression.

The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval."

Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it’s festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert.

Michael on Twitter and Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.

Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.

Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

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British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process.

Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain’s visual and cultural identity.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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