Adventures in Movies!

Episode 360: Faces of Death (2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 Apr 2026 12:00:00 +0000

There is no doubting Scream’s place in horror history. Still, it is somewhat surprising what the latest installment has done. Part of the success of the sequels is due to Jenna Ortega. There was a time when she was white hot and seemed poised to take over Hollywood. Has that window already closed?

Horror heads of a certain age will remember Faces of Death. These memories go beyond just seeing the mondo “documentary”. They extend to the first time they heard about it, the stories surrounding, and how they felt watching it. Each new month brings us another remake, but it was safe to say we weren’t going to see Faces of Death redone.

This week’s feature presentation is the surprising remake of the cult classic. Obviously, there was no way they could do a one to one reboot. The original was even a real movie. What they end up doing will surprise everyone familiar with the source material.

The modern version of Faces of Death is a slasher. And it is a very well done one. The casting is spot on and the story does not overstay its welcome. It brings laughs and gore and is a strong addition to the franchise.

Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.

Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.

Music in the background from https://www.FesliyanStudios.com

Episode 359: The Yeti (2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 3 Apr 2026 12:00:00 +0000

There are always upcoming sequels to talk about. Tubi has been kicking ass and taking names. But for all the awesome older content on the channel, people tend to forget that it does have original programming. Last year’s R.L. Stine’s Pumpkinhead was successful enough to have warranted a sequel. Did Tubi stumble on a Halloween franchise?

Jennifer’s Body is one of the most interesting movies of the 21st century. Released during the height of Megan Fox’s popularity, the marketing centered around her and a possible lebsian plotline. Naturally, this did not attract a female audience who discovered the movie after the fact. Now regarded as a feminist cult classic, a sequel seems to be on the way.
It has been a while since we have talked about cryptids. The fact of the matter is, they just are not as popular as they used to be. So, we were excited to watch a movie called The Yeti. The fantastic opening got us even more excited. Unfortunately, the film was not able to follow through.

The Yeti is filled with flamboyant personalities, some good gore, and decent creature effects. But in between all of this, there is a lot of talking. It is not bad, but it is as if the movie is trying to be way more serious than it needs to be. Is that enough reason to pass on it, though?

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Episode 358: 'The Serpent's Skin' (2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 27 Mar 2026 19:36:18 +0000

The 1980s were the best decade for larger than life action heroes. There were so many characters and moments to come out of the decade. We talk about the sudden passing of one of the greatest. Chuck Norris became a meme after the birth of the internet, but he never stopped being a bad ass. Plus, it seems like they are finally going through with a Conan sequel with possibly the biggest action star of them all. We throw around what direction it may decide to go.

Another trademark of the 1980s was pumping out content. The straight to video market was booming leading to some awesome childhood memories. This also led to a number of names becoming familiar through the sheer volume of their work.

You just don’t see that anymore which is one of the things that made The Serpent’s Skin so interesting to us. At only 21 years old, this is director Alice Maio Mackay’s sixth film. An impressive feat that is a throwback to old school DIY exploitation guerilla filmmaking.

Unfortunately, this also leads to some glaring flaws. Cringey dialogue and poor pacing take away from its grounded storytelling and Buffy-esque plot. The Serpent’s Skin is filled with promise, and there is a lot to like. It just feels like it needs more seasoning.

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Episode 357: 'Oddity' (2024)/ 'Bodycam' (2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 13 Mar 2026 13:15:29 +0000

Growing up, we were fans of The X-Files. Reboots have been a mixed bag, however. That does not stop us from being excited about Ryan Coogler’s upcoming take on the series. As we speculated last week, The Last Drive-In aired its final episode. According to those in the know, there will be more to come.

The first movie this show throws a lot at the wall. It is a supernatural horror movie with a haunted house, ghosts, and cursed objects. Plus, there are twins, a blind medium, and a monster. Oddity makes it work thanks to patient writing and some of the best placed scares we have ever seen.

We have covered lots of found footage on our show. Bodycam is the first one to make one of us feel physically ill. And it had nothing to do with what is in the movie. Its chaotic pacing and extra shaky shaky cam will make this a difficult watch for anyone with a weak stomach.

It does try to do something different by having a semblance of a plot. This works until it doesn’t. After a great set-up, Bodycam runs out of ideas. The first and biggest issue happens almost immediately. There is no reason for anything in the movie to be happening. As things progress, it becomes more convoluted and less enjoyable. Maybe it is better for found footage movies to have no plot.

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Episode 356: 'Corey Feldman vs the World'(2026)/'Dolly'(2026

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 6 Mar 2026 21:11:26 +0000

The horror community continues to be rocked with sad news. Bruce Campbell’s announcement is one of the most painful. The latest installment of the Scream franchise has polarized audiences, but has not stopped it from being a success. Will the Maniac Cop reboot do as well?

There is no doubt that Corey Feldman was one of the biggest stars of the 1980s. What has been lost in all the nonsense that has plagued his life since then is what an amazing actor he was. We jumped at the chance to review Corey Feldman vs the World.

In a documentary filled with shocking moments, the biggest may be that it has little to do with his acting heyday and is still a riveting watch. It can be described as a cautionary tale, a trashy reality show, and a story about a villain who is also a victim. With unprecedented access and an interesting approach to documentary filmmaking, it is a must-watch.

There was a time when exploitation movies did not care about story. It was all about characters and moments and pushing things to the extreme. It did not always work out, but the results were pretty amazing when it did. Still, with the changing times came a decrease in these types of films.

Dolly is a throwback to those simpler times. It is a battle for survival that is all about gore and attrition. It will end up being one of the most disgusting things released this year. The protagonist/antagonist dynamic is fantastic and the grainy look adds to the tense atmosphere.

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Episode 355: 'The Last Sacrifice' (2026)/ 'The Dreadful' (2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 20 Feb 2026 16:38:15 +0000

We have more Mike Flanagan news this week. With the release date of his Carrie series we discuss what we would like to see from the show. Predator: Badlands recently released on Hulu and did record numbers. We talk about what this means for the franchise.

We have been lucky to cover some fantastic true crime documentaries on our humble little podcast. We have also seen some great folk horror. We never thought the two would come together. The Last Sacrifice does just that in a surprising documentary.

There have been plenty of movies that have been moving along nicely when they suddenly lose the plot. Things become a mess at that point and it is pretty much impossible to get things back on track. A strong argument can be made that The Last Sacrifice loses its way. But it is one of the most fascinating tangents you will ever see. And it ultimately does tie into the greater mystery.

The Dreadful will draw lots of attention for its casting of Kit Harrington and Sophie Turner. But it is a performance from another actor that steals the show. The film covers some deep themes and is bolstered by its fantastic setting.

But one missed opportunity prevents it from being something truly special. A character driven psychological horror, The Dreadful does not necessarily need a Big Bad, but when it introduces one, it is hard not to expect more from it. And to be supremely disappointed when nothing comes of it.

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Episode 354: 'The Haunted Forest' (2026)/ 'The Mortuary Assistant' (2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 14 Feb 2026 00:40:04 +0000

The genesis of our show can be found in the Alamo Drafthouse. We may not go to it as often as we used to, but we did not want to see it close its doors in El Paso. We have not had too many good things to say about The Texas Chainsaw Massacre franchise recently. Maybe the latest update will have us singing a different tune. Plus, a lot of Mike Flannagan news.

Unsurprisingly, we love Halloween. The costumes, the movies, the parties, we enjoy it all. Still, a Halloween movie at the beginning of the year is a little weird. But what if that movie dresses up as a Halloween movie but has nothing to do with it?

Even putting aside the fact that it is a Halloween movie that has no costumes, no decorations, and no pumpkins, The Haunted Forest is a strange film. The protagonist is surrounded by death, but is more concerned about whether he should go to work. A woman on her way to college grooms a high school kid. Two haunts with similar names become involved in a blood feud. It also includes the hardest cut possible ever seen in movie history.

Movies based on video games are nothing new. One of the biggest stories of this young year is how a small indie horror based on a little game has been a box office success. It is hard to believe that within a matter of weeks, two indie horrors based on indie games have dropped, however.

The Mortuary Assistant has the expected thrills, chills, and spills. It does a nice job of changing up the formula by having the vessel for possession have much more agency. There are also some spooky visuals in it. If only the damn story did not get in the way.

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Episode 353: Back to high school ('Teacher's Pet'(2026)/'Whistle'(2026)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 6 Feb 2026 22:39:37 +0000

It was an interesting weekend at the box office. The big discourse was all around Melania, but we don’t really care about that. What was interesting to us was the battle for the top spot between an old favorite and a YouTuber. We also talk about an exorcism movie in the White House and an upcoming movie we reviewed years ago.

Teacher’s Pet sounds like it is an erotic thriller. The story centers around a new high school teacher who notices and wants to help a student in his class. Naturally, things are not what they seem. Instead of a sultry suspense, the film is much more frightening.

Horror taught us long ago that a great villain can take a movie a long way. Think of all the fan favorite killers that lead very popular franchises. Teacher’s Pet has a strong villain that carries its basic plot. (The story may be paint-by-numbers, but it is very well written.) There are some noticeable flaws, but it is worth watching.

Whistle has one of the strongest casts seen in an indie horror movie. Dafnee Keen and Nick Frost are the big names, but it also includes stars from Yellowjackets, Rebel Moon, and the upcoming Hunger Games movies. Even better, no one phones in their performances. There may not be much to the characters, but they are fun.

The film is a typical high school slasher filled with corny lines, unrequited love, and infighting. The kills are amazing and how the killer commits their acts is a cool idea. But after a very strong first two acts, the story relies on a very familiar crutch and almost ruins everything.

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Episode 352: We belong to the night ('Grizzly Night'(2025)/'Night Nurse'(2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 30 Jan 2026 14:18:32 +0000

Before we get to our first review, what may possibly be the strangest reboot of the year. As cool as that news is to us, the latest from The Conjuring universe has us more confused than excited. Of course, we talk about the Oscars and a new movie that is taking its cues from one of the greatest Frankenstein adaptations ever.

A few weeks back we discussed how divisive Jaws is. Specifically, we talked about how some people do not think it is a horror movie. This discussion has been going on since it was first released, and we will not be revisiting that today. But, there is no arguing that it is one of the most influential movies of all time.

One look at the poster for Grizzly Night will let you know what movie they had in mind when they made it. The trailer also looks like something from the animal attacks sub-genre. The film surprises by being a more character-focused affair. There are some missteps along the way, leaving us both with different opinions.

Our feature presentation is a psychosexual thriller from the Sundance Film Festival. Despite its provocative name, we knew that Night Nurse was not going to be a throwback to the erotic thrillers of the 1990s. We were shocked by what we did get, however.

There are some uncomfortable moments and great ideas, but Night Nurse is more confusing than anything else. And not in the way that promotes discussion. It simply does not make sense. There are no clear motivations, scenes begin in the middle, and the ending falls flat. It may all be intentional, but none of it works.

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Episode 351: Favorite movies of 2025

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 16 Jan 2026 13:54:59 +0000

It is hard to believe how much happened in 2025. We saw close to one hundred movies, and even the ones we saw in the past couple of months seem like a long time ago. So going back a few twelve months seems like an epic journey. And we do go back to the very beginning of the year.

There are some movies that we said at the time that we would be talking about in our year end review. The major releases that caught everyone’s attention. The twisted take on Cinderella that is head and shoulders above everything else in the public domain subgenre. The haunted house movie with the four legged star.

Then, there were the ones that even surprised us. The killer clown movie that was not a gore fest starring a clown named Art. The tense thriller that had one of the best performances of the year. The remakes that were so good not because they were novel but because they did what they should have done.

There are a lot of horror movies out there and with so many viewing options, it can be overwhelming to pick one. This show will help you make those decisions. Every single movie on here is an absolute must see that you should go out of your way to watch.

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Episode 350: Least favorite movies of 2025

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 9 Jan 2026 22:24:49 +0000

We love horror and genre. It has been the focus of our show for years. And it is because we like these types of films so much that we notice the ones that are really bad. Of course, when you cover close to one hundred movies a year, there are going to be some bad ones. But this year was particularly rough.

Was it the worst year ever? Not on our end. We brought the same passion and dedication we do to every show. There were some long ugly stretches of reviews. This is true every year, but 2025 was particularly bad. This includes big budget theatrical releases, small indies, and multiple festival offerings.

There are some big names on our least favorite list. We talk about Stephen King, a Chalamet, and AI. We also talk about how one of our favorite genre film festivals disappointed us. Plus, some surprises and a few firsts. All the vitriol is born out of love. We are not hating on anything just to hate. (That’s what we have social media accounts for.) We also want to help our audience make decisions. On the fence about a particular movie? Listen to this week’s show and you will finally be able to make that decision.

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Episode 349: Welcome to Derry

nathaniel@aiptcomics.com (regina chavez/nathaniel muir/Blake Heath) — Fri, 19 Dec 2025 13:22:48 +0000

The last show of the year is upon us. We are doing something we have never done before. We have covered limited series before. To end the year we also have the return of one of our most asked about guest hosts. It is all killer, no filler this episode as we end things on a strong note.

A few weeks back we started following Welcome to Derry. The first two episodes were horrible. Thankfully, the third one improved to just merely bad. We figured that was a good time to take a break from the show. We also knew we would come back to close the whole thing out.

It seemed like things would be okay for a couple of shows. They had found their stride. Sure, the CGI was still awful. Yes, the opening credits sucked. Yeah, they kept introducing numerous new subplots every episode. But at least Welcome to Derry was remaining at a consistent level of bad.

Then we came to the last three episodes.

Everything became progressively worse. Seemingly important characters would disappear then just reappear to progress the story. Important plot points were dropped until the finale. The writing felt like things were being done as the show progressed. And nothing made sense.

Don’t believe us? That’s fair. We spent the whole time talking the show down. The show is made for a newer audience than us. But listen to the people who love the show. Not the ones who just heap praise upon the surface level qualities. The ones who are tying themselves in knots trying to explain what happened in the show.

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Episode 348: Christmas surprises!

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sun, 14 Dec 2025 04:08:48 +0000

We have purposely avoided doing anything involving The Last Drive-In. Why would we want to review a movie when Joe Bob has already done it? There is no way we would be able to top what he had already done. We start our latest show with something directly from Shudder’s most popular show.

We may be a little biased, but we have always though the horror community is one of the strongest. There is little to no gatekeeping, a willingness to talk, and just a lot of good people. We hate to put labels on anyone who says they are a horror fan. But what if you like films? We have ten statements that will make them mad.

Our humble little podcast started seven years ago and during that time there have been a lot of surprises. Some movies have amazed us how good they are. Others have shocked us with how bad they ended up being. We figured that this would be he perfect time of year to talk about them.

But the surprises are more about good and bad. We talk about the fall of Jordan Peele and the rise of Tubi. We talk about the movie that made us think we had come across something that had too much nudity and the film that everyone seems to love except us. And we look back painfully at the movie that we are most embarrassed about.

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Episode 347: 'Keeper' Special Edition

Fri, 5 Dec 2025 20:06:31 +0000

SPOILER ALERT!!! AS WITH ALL SPECIAL EDITIONS WE DISCUSS ANYTHING AND EVERYTHING

Osgood Perkins is one of the best horror directors going today. He has an eye for horror and knows how to deliver scares and an engaging story. Keeper is no different as its character driven plot builds to some of the best jump scares of the year. The mood will draw you in and the setting is perfect for its tale.

Which is not to say that the storytelling is not without its problems. The pacing may be an issue for some as it takes a while for the plot to actually develop. It is not a long movie, but the first third of Keeper is a little too methodical. But it is the ending that is a bigger issue. The exposition dumps and vagueness will definitely turn some off.

One thing that we had no problem with was the performance of Tatiana Maslany. She has done some amazing work in genre cinema and is the heartbeat of Keeper. So much so that if the same story is told without her, it would be nowhere near as good. The movie does a lot right, but she is the highlight.

The end result is a whole lot of good with some very noticeable bad. What does that mean for the entire film? We talk about the direction of Perkins, its patient and frustrating storytelling, the acting of the small cast, the over the top ending, and more as we try to make sense of Keeper.

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Episode 346: 'The Devil All the Time' (2020)/'Welcome to Derry Ep 3'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sun, 16 Nov 2025 22:56:36 +0000

As much as we like Osgood Perkins, even we were surprised to hear that Nicole Kidman will be starring in his next movie following Keeper. We also talk about the strange Orphan franchise and the pros and cons of the holiday season. Plus, a bigger budget rip off of Skinamarink?

It is hard to pin down a good Southern gothic movie. There are plenty of films that have tried their hand at it, but few manage to succeed at getting the tone right. By accident, we came across The Devil All the Time. The names will grab all the attention - Tom Holland, Sebastian Stan, Bill Skarsgard, Robert Pattinson - but it is the story that is the real standout.

Set in the Midwest during the late 1940s to the late 60s, the plot deals with a very specific part of America. It tackles difficult themes in a manner that is both frightening and funny. It skewers religion without being a total takedown while also talking about how important family is and how it can hold you back. Its dark tone is balanced by great pacing that will keep audiences engaged.

Welcome to Derry is pretty much the opposite. It is over the top, lacks strong characters, and has nothing serious to say. To be fair, the last point should not be held too much against it. After all, Stephen King himself once asked why can’t a story just be a story? The flip side is the HBO prequel really wants to say something meaningful.

That being said, it has improved with each episode, with the latest being the best one yet. The problem is that it has the albatross of the first two episodes to overcome. Those were so bad, that unless the show is amazing, it will never break past the ceiling of “meh”. This is kind of a shame, since it makes it more difficult to appreciate its improvements. Still, the stuff that remains bad, is very bad.

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Episode 345: All Kings: 'Welcome to Derry Ep 2' (2025)/ 'Abraham's Boys' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 8 Nov 2025 01:57:20 +0000

There are some movies that stay with you. Gremlins is a huge part of our childhood. And though some of our memories may be muddled, we look back on it fondly. A more recent favorite is The Mummy, which has some of the best on-screen chemistry we have ever seen. We discuss our excitement for the upcoming sequels.

Welcome to Derry has been a hit for HBO. The premiere was the third most watched in the history of the streaming service. There are some major caveats, but it is an accomplishment. Along those same lines is how the second episode was better than the first. It is noteworthy, but how much does it actually say about the show?

Spoiler alert: nothing good. The debut was such a mess that if it did not improve in even the smallest way, Welcome to Derry would be a leading candidate for Worst Show of the Year. (As it is, it is still in the running.) Episode two has given us a clear road map of what is to come. We will be getting too much of everything. If you like over the top nonsensical storytelling, then this should be right up your alley.

There is nothing wrong with putting your own spin on the Dracula mythos. Over the century plus since the seminal book was first published, many authors, actors, and filmmakers have put their own spin on Bram Stoker’s tale. But one thing you should probably never try to do is completely re-write what happened.

Yet, that is exactly what Joe Hill does with Abraham’s Boys. Not a retelling from a different point of view or through a modern lens. A sequel that decides to make wild changes to the original. There is some promise with the general idea, but it is executed in a poor manner that ends up being the worst thing possible: boring.

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Episode 344: Lore Hounds: 'It: Welcome to Derry' (2025)/ 'Hell House LLC: Lineage' (2025)

Fri, 31 Oct 2025 20:08:05 +0000

Is the first week of November the slowest time of the movie year? It is if you are a genre fan. We do have a little bit of news. Osgood Perkins excites us while John Carpenter disappoints us. There is also an important change to your Halloween viewing schedule. Plus, a new horror streaming channel that seems to be catering to fans.

Before the first episode premiered, Welcome to Derry had taken us on a wild ride. When we first heard about it, we were incredibly excited. There are so many excellent stories in the sourced material that would make for great television. And who knows what original ideas the writers could come up with?

Then we saw the first trailer.

We went into the show fearing the worst. Welcome to Derry may not have been as bad as we feared, but it definitely was not very good. From bad CGI to completely ignoring what the source material is about, we talk about our (many) gripes. Even the things that were done right had a ring or wrong around them.

Hell House LLC was a straightforward found footage horror movie. It did not do anything revolutionary, but it was a good time. Its sequels have expanded on the lore in ways that were not needed. The latest installment puts on full display how the original movie was never intended to be a series.

Hell House LLC: Lineage is not for newcomers. It is not for casual fans. It is not even for people who have seen all of the installments and enjoyed them. This movie is strictly for those who know the series in and out. You need to have an intimate working knowledge of these movies to get anything out of the latest one. But at least the change from first person to traditional narrative was a good idea. Right?

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Episode 343: 'Rats: Night of Terror' (1984)/'The Salem Chronicles' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 24 Oct 2025 15:58:45 +0000

How do we talk about the marketing of movies so much? Probably because it often feels uninspired. Character posters all look alike, trailers give away everything, and press junkets seem to be more about looking for viral moments. There have been some noticeable exceptions, but we think we have found the one that is the best of them all. Plus, the latest comedic talent to try their hand at horror.

We love exploitation flicks, and with so many streaming channels, they are fairly easy to find. Tubi has done a magnificent job, providing us with some absolute gems. Bruno Mattei is an exploitation master who has one everything from Nazisploitation, to women in prison movies, to one of the greatest Jaws rip offs of all time.

He also gave us Rats: Night of Terror.

This is another one of those Italian exploitation movies that takes place in a dystopian future with lots of motorcycles, crazy outfits, an lots of gore. The effects are disgusting, the shallow characters draw you in, an the rats are frightening. It is fun stuff, if a little standard. Then you witness one of the greatest endings you will ever see.

The Salem Chronicles also keeps things familiar. Its says it is a modern twist on the Salem witch trials, but there is nothing new to see here. (There is also nothing on the poster that has anything to do with the film.) It would be a fine, it derivative, watch if the crew cared about it. This is a poorly done mess that will make you laugh without ever being fun.

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Episode 342: 'The Weedhacker Massacre' (2025)/ 'Other' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 17 Oct 2025 21:28:08 +0000

Before we get to the scary stuff we discuss a cool double feature coming in November. It's just a question of whether our bodies could hold up to it. We then talk about a horror legend who is surprisingly overlooked. Someone who deserves a biopic and may possibly be getting one soon.

Low budget horror is supposed to be gross and fun. Especially when you have a title like The Weedhacker Massacre. Anything besides the laughs and gore are a bonus. The Weedhacker Massacre attempts at humor rarely work. And it has little in the way of gore. This means it has to focus on story and acting. It goes about as well as expected.

Other is saved by its amazing lead performance. This includes a main character who gives you plenty of reason to get behind her but does everything to push you away. It is one of the strangest written characters we have ever seen. The film is also strange. It is tense and scary but not noticeably so. It has an interesting premise, but nothing stands out. It also has a poorly done twist and a hilarious reveal.

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Episode 341: 'Ash' (2025)/ 'Good Boy' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 Oct 2025 13:03:11 +0000

Quentin Tarantino has been releasing movies since we were teenagers, so he holds a special place for us. This is especially true of the Kill Bill movies since we were a little older, plus they became a part of mainstream culture. Watching The Whole Bloody Affair is a tall order, however. The news about Scary Movie 6 has us much more excited.

After watching the trailer for Ash, it is hard not to wonder if they used all the good shots for it. After seeing the actual movie, you realized that they could have picked any part of the film and it would have looked great. It also features some top notch performances and an engaging mystery.

So why do so many people hate it? It probably has to do with the climax, which ruins all the good will Ash had built up. The over the top nature is subjective and some people will enjoy it. But its decision to completely rip off Alien is hard to ignore.

Good Boy does not hide the fact that it is a gimmick. It is a haunted house story in which its main character is a dog. But not only is Indy the main character, he is pretty much the only one. The story and camera are completely different focused on him.

Does it move past this and become something that audiences can become attached to? Well, if you have ever had a pet, you will love Good Boy. And if you have not had one, it will make you want to get one. Oh yeah. It is also scary, has great storytelling, and features one of the most emotionally impactful movies we have seen all year.

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Episode 340: 'Bone Lake' (2025)/ 'V/H/S Halloween' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 3 Oct 2025 23:15:12 +0000

We do not talk about Jeremy Irons enough on this show. He is an actor’s actor who we do not see in genre often. His involvement in the remake of a 1980s cult classic changes that and has us excited. We also revisit our conversation about how comedians have positively affected horror. Plus, bad pedophiles vs good ones.

We like when PR companies go the extra mile and the marketing for Bone Lake has been inspired. From suggestively placing the R rating to some cool posters, the film’s promotion has been eye-catching. The over the top opening adds to this with lots of nudity and a gruesome kill.

When it turns things down, it is to an almost shocking degree that may cause people to turn out. Which is a shame, since Bone Lake becomes an excellent psychological thriller that does an excellent job of toying with audience expectations. It also boasts one of the strongest performances of the year.

Since returning in 2021, the V/H/S series has put out some great releases. They have taken things to he past along with trying out new things like sci-fi horror. This year the franchise tackles something that John Carpenter was never able to do. V/H/S Halloween sees the found footage anthology turn its eye towards a particular holiday in October.

There have been some fun segments, but this is the most fun V/H/S has been as an overall product in years. It perfectly captures the Halloween spirit and presents stories that range from scary to funny. And all of them are gross. This is one of the movies that will become a regular tradition.

But there is a major caveat. V/H/S Halloween also has the darkest segment in the history of the franchise. It will be a polarizing watch that many people may skip. Others will think it is great extreme horror. One thing is for sure; the segment is one of the best seen in the V/H/S series, but it feels out of place in this year's edition.

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Episode 339: 'Blood Hook' (1986)/"Night of the Reaper' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 27 Sep 2025 16:10:20 +0000

During our Weapons special edition we discussed a possible sequel. It turns out we were not far off the mark. We are surprisingly uninterested, but we think we may have a good reason. We also talk about an interesting option for those you enjoy doing 31 Days of Halloween.

The 1980s were arguably the Golden Era of cheesy B-horror movies. There was so much good stuff to come out of the decade. Many of these straight to video offerings became cult classics and shaped the future horror community. By the time the 1990s rolled around it seemed like there was nothing new to add.

Blood Hook from 1986 is a great example. Slashers were still all the rage, and this movie includes many familiar tropes. But its killer is completely unique. The villain is a fisherman. Not a guy wearing a mask and carrying a hook. A straight up fisher with a hook, line, and sinker. And yes, he does reel in his victims.

When we talked about the trailer for Night of the Reaper last week we were impressed. We were not quite sure what the movie was about, but it had an aesthetic that appealed to us. It looked like a throwback to 80s slashers, which is exactly how it starts. It is one of the best openings we have seen all year.

Unfortunately, everything goes off the rails from there. The story goes in odd directions, working with two different plots. This ends up watering both down and makes for a very tedious watch. It feels like two separate movies were forced together. It all culminates in a twisty ending that is nonsensical and frustrating to watch.

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Episode 338: 'Werewolf in a Women's Prison' (2006)/ 'Drop' (2017)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 20 Sep 2025 17:55:39 +0000

We start with a look at this weekend's box office. We start with the power of anime, before moving on to the Warrens. But the main topic is Stephen King. The renowned author is no stranger to box office flops. So why is everyone blaming the performance of The Long Walk recent comments he made. It is not like he has every been quiet about his political views? Also, who is responsible for more Insidious sequels?

We have some some crazy things on our humble little podcast. There have been plenty of films that have given zero fucks about who they offend and what lines they cross. But we have never seen anything like 2006's Werewolf in a Women's Prison. For those thinking the title is a metaphor for a much deeper story, you will be disappointed. This is very much a case of what you see is what you get.

And what you see is a lot of naked women. How much? For the first time, it was enough for one of us to say it was too much. Not on any moral grounds; it was just more bare breasts than a person wants to see in one movie. Between all the bare flesh, there are some awesome kills, questionable music choices, a werewolf that is simultaneously cool and awful looking, and Patton Oswalt's wife.

It has been a rough year for Blumhouse. It once seemed like they could release anything and people would go see it. This year has been one box office failure after another, including this week's feature presentation, Drop. The premise is a neat one. A woman on a blind date starts receiving mysterious air drops that command her to do horrible things or in son will die. The execution, not so much.

It is a message movie that makes its message unimportant, a character study that leaves you not caring about its main character, and a thriller that is not so thrilling. There are some odd directorial choices, with some that are really good. But the ones that do not land make the movie look cheap. And the ending brings closure, but is not satisfying.

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Episode 337: 'Your Host' (2025)/ 'Until Dawn' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 5 Sep 2025 13:24:07 +0000

A few months back, Rian Johnson said he hopes the next Knives Out movie is in theaters for as long as possible. Netflix released that number this week and it probably is not what Johnson was hoping for. The Long Walk comes out this month and they have a real cool marketing idea. It is too bad that it is a little too much for public consumption.

Your Host has one of those guilty pleasure premises that is impossible to resist. Four friends go to sleep (not by choice) and wake up to find themselves chained to a wall. A mysterious person stands in front of them and lets them know they are about to play a game for their lives. What follows is a series of deadly challenges in which it becomes clear there can only be one winner.

There is not much more to it than that. It gets gory, eyes get stabbed, people die. And then after about an hour of this, Your Host decides it is time to deliver a message. And it is not just any old statement. They tackle one of the biggies. It is one of the clumsiest and most confusing things we have seen this year.

Until Dawn is an awesome video game. It is scary, engaging, and most importantly, fun. We have been interested in seeing the adaptation. And unlike a lot of other gamers, we were not turned away from the fact it tells an original story. If anything, that makes it even more attractive.

When we say “original story”, we do not mean it does things never done before. As a matter of fact, one of the things Until Dawn does is play with familiar horror tropes. It is a mixed bag that does a lot more right than wrong. Great kills, but not the best writing, for example. The end result is a flawed movie that is a lot of fun.

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Episode 336: 'Red Sonja' (2025)/ 'The Toxic Avenger' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 29 Aug 2025 12:44:43 +0000

Highlander is a weird franchise. It seemed like a big deal in the 80s. Big enough to warrant a couple of sequels and a TV series that lasted a few seasons. It also has one of the most quotable lines in cinema history. Yet, it is also incredibly underrated. Which makes some sense considering all that came out of that decade. We also talk about directors who have their heads up their asses.

Arnold Schwarzenegger – whose credits include Junior and The Expendables 3 – has called Red Sonja the worst film he has ever made. That is a matter of personal opinion, but there is no denying the Brigette Nielsen vehicle is pretty bad. Add in the fact that this adaptation has been languishing in developmental hell for over a decade, and it seems like a huge risk.

The 2025 version of Red Sonja manages to work because it knows its audience. It is a straightforward sword and sorcery flick that is sexy enough to play to that audience, but modern enough to not exploit Matilda Lutz. The performances are fantastic and the production looks great. There are some missteps along the way, but it is a very good Red Sonja adaptation.

How do you make a re-imagining for The Toxic Avenger? The original idea was to go the family friendly route? But is that what fans really want to see? You also don't want to go the make jokes out of sexually assaulting a blind woman direction either since nobody wants to see that. Is there a middle ground when it comes to Troma?

Thankfully, the 2025 version of The Toxic Avenger manages to figure it out. It is crude and disgusting fun that manages to offend without taking thinks too far. Sure, there is a lot of violence, and it definitely will not be for everyone, but fans of the source material will love what they did with the latest installment.

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Episode 335: 'Weapons' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 15 Aug 2025 13:31:15 +0000

SPOILER ALERT!!! AS WITH ALL SPECIAL EDITIONS WE HAVE A LOT TO SAY AND SAY IT ALL

Horror movies have ramped up their marketing efforts in recent years. Weapons is the latest example. The movie created a website, released two hour security cam footage, along with traditional tactics like an awesome poster and excellent trailer. The end result? It exceeded box office expectations.

Where does Zach Cregger stand among current horror directors? There is a very strong argument that he is the best at mixing horror and humor. And this includes the Winters and Osgood Perkins. Along with being satisfying, the ending of Weapons is one of the funniest of the year.

The major twist comes well before the final moments. How much people enjoy the twist will also determine how much they like the film. More so than any other movie in recent memory. It will be the point of return for everyone who watches it. For some, Weapons will not be able to do any wrong; for others it will be a complete turnoff.

Non-linear storytelling is very tricky to pull off. Not only can it disorient the audience, but it can open things up to plot holes. We talk about one possible issue with Weapons and another nitpick. We also debate how effectively Weapons told its story.

Whatever a person’s final opinion on Weapons, there is no denying the amazing performances. There has been a shift the past few years, but horror tends to get ignored around awards season. It may not end up getting nominated for anything, but it would be surprising if some names from Cregger’s release are not thrown around. One character will definitely be an inspiration for Halloween.

What does the success of another original movie IP mean for horror movies in the future? Obviously, franchises and Stephen King adaptations are not going to end; they are the lifeblood of the genre. But will studios be willing to take more risks on new properties?

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Episode 334: 'The School Duel' (2025)/ 'Animale' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 8 Aug 2025 12:44:03 +0000

There is a lot of news surrounding the real Annabelle doll in recent weeks. We weigh in on what we feel is true, what is fake, and what lies in between. You may be surprised to hear what we think about the supposedly cursed doll. We also talk about being attractive in the 1980s and the latest comedic reboot of a serious property.

We thought The School Duel would be a much rougher watch. It does deal with school shootings and the depiction of a bullied teenager will affect some audiences, but it did not have the out and out carnage we were worried about. Instead, it is a well told character study that sucks the audience in.

So, why didn’t we care that much for it? The last third of the film feels like it is spinning its wheels. The part that should be the most exciting feels tacked on and pointless. It gets a little too much like a video game. And the ending undermines all the good the earlier parts of The School Duel had carefully built.

Animale is a confusing French horror movie. The storytelling is straightforward and there is a lot of good here. It is atmospheric, dark, and has one of the most unique settings we have ever seen. The plot is very engaging and the writing does an excellent job of providing character depth.

The final moments feature some amazing imagery that will stay with anyone who sees it. It is disturbing and will make anyone who sees feel something. The delicate subject matter is treated with sensitivity and ties everything together. It is what happens after that left us unsure how to feel.

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Episode 333: Fantasia World Premieres

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 1 Aug 2025 12:42:48 +0000

How long has Todd McFarlane been teasing a new Spawn movie? It seems like it has been at least a decade. Do his latest comments mean anything? Sticking with comic books, we discuss the adaption of the controversial Garth Ennis book, Crossed. Is the name being attached to it the perfect match or overkill? Plus, Predator: Killer of Killers new.

One of the wildest films we have ever covered on our humble little podcast is All Jacked Up and Full of Worms. We were not exactly sure of what to think once it was over, but we knew we liked it. We also could not wait to see what writer-director Alex Phillips was going to do next.

Anything That Moves is a psychosexual dark comedy about a bike courier sex worker who is living his best life until a serial killer begins killing the people he loves. It sounds straightforward, but it is a bonkers all over the place experience. It is a stylish watch that will definitely not be for everyone.

Our feature presentation has a great set up. Lena wakes up in a moving trailer. She has no idea how she got there or where she is going. A voice comes over a speaker and lets her know that she has been infected and they are taking her to get cured. It starts with a sense of mystery.

Like sports, movies are not about how you start, but you how finish. It is unfortunate that Hellcat is unable to take advantage of this premise. There is too much going on, but somehow the movie still has nothing to say. The twists are nonsensical and the characters are not as compelling as they need to be. And that ending…

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Episode 332: Screening at Fantasia

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 25 Jul 2025 12:36:21 +0000

Video games and movies seem like a perfect fit. For whatever reasons, adaptations done in either direction do not seem to work so well. Over the past few years, there have been a number of familiar horror franchises turned into games. They have been multiplayer affairs with limited shelf life. What makes the Hellraiser video game different?

We really enjoyed In a Violent Nature. It was unique, had some great kills, and had an excellent big bad. It left itself open for a sequel, but is that a good thing? Can a movie shot in this style sustain a franchise or should it be left alone? We talk about the next installment and talk about our reservations.

Shaw Studios is responsible for some of the most influential and well-regarded kung-fu movies of all time. Even those who have never seen any of their films are likely familiar with names like Five Deadly Venoms and The 36th Chamber of Shaolin. The Battle Wizard definitely belongs on that list.

Awesome martial arts fights. A villain with extending metal legs that can break rock. Limb cutting lasers. A protagonist that eats exotic animals. The Battle Wizard has it all and then some. And in between all the wackiness it has a surprisingly well written will they/won’t they love story that will gross you out until it warms your heart.

Terrestrial has a lot going for it. Its director helmed Hot Tub Time Machine and co-wrote Grosse Pointe Blank and High Fidelity. The cast includes Jermaine Fowler and Pauline Chalamet. The premise is a fan favorite that has been used in screwball comedies and sitcoms. So, what happened?

The writing is surprisingly dodgy. There is a science fiction aspect that does nothing to the story but seems like it is supposed to be something very important. Even worse, the characters are very poorly done. Most tellingly, Terrestrial goes out of its way to turn the main character into an awful person that is impossible to get behind. Which makes the movie impossible to enjoy.

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Episode 331: Undercover witches

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 18 Jul 2025 19:57:10 +0000

We have really enjoyed what we have seen from Zach Creggers. Barbarian was fantastic and Weapons looks like it is going to be great. But what could he do with a video game movie? Especially one with as passionate of a fan base as Resident Evil. Well, as long as he sticks the lore he should be alright.

Another long running horror property is the Amityville series. It lost the plot a long time ago - there have been comedies, stories about government conspiracies, and even a dildo movie. But it is still chugging along. The news that Johnathan and Vanessa Winters are taking a stab at an original Amityville is the most exciting thing to happen to the franchise in decades. But is it more exciting than the announcement surrounding the next Robert Eggers movie?

Film fests give up a chance to cover short films. On this show, we talk about Shrimp Fried Rice, the story of a renowned chef who is about to face his biggest nemesis. It is an outrageous tale that is a reminder of everything we love about genre movies. It is laugh out loud funny and a nice change of pace.

Baba Yaga from 1973 is much more serious. Arguably, it is too serious. But, it is also self-aware which makes it much more palatable. The film is unabashedly arthouse, name dropping Fellini while mixing animation and psychedelia. There also seems to be a message about consumerism and why supposed intellectuals are not as smart as they think they are. It is also a straight up horror movie with a witch, creepy S&M doll, and a whole lot of nudity. It is an intriguing, if not always entertaining, watch. It is a strange mix that is confusing, but also hard to turn away from. As if it is casting a spell on you…

A surprisingly short lived trend was social media horror. Even to this day, there are plenty of movies made about it, but nothing has seemed to catch fire in a big way. So while Friend Request is not covering new ground, it also does not feel derivative. It is also really good; so why isn’t it more popular?

For everything it does right, the writing constantly does things to hold it back. It is inconsistent and overly complicated. It feels like they kept every idea they had. The end result is scary and surprisingly effective, but there are also many moments that just feel off. It also has one of the worst types of endings.

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Episode 330: 'M3GAN 2.0' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 11 Jul 2025 12:25:00 +0000

It is hard to talk about this follow up without asking what happened. The first was a surprise hit that was popular among audiences of all ages. M3GAN also took the internet by storm which is always a big win. It was not long before a sequel and spinoff were announced. Everyone seemed excited about the prospect of a M3GAN universe.

We talk about how the marketing failed the movie. Was the trailer too campy? Maybe, it is not like the original was super serious. It definitely gave people the wrong impression. What made the first so appealing was how it mixed camp, sass, and creepiness. The camp and sass were in the trailer, but all of the horror was removed.

Which is a shame, since M3GAN 2.0 is a pretty fun watch. It is laugh out loud funny, has some great action scenes, and did a better job of developing its main characters. It did all the right things; it just was for the wrong movie. This will have many leaving the theater feeling confused.

What does the future hold for the franchise? While there has been no announcement regarding a third movie, Soulm8te is still set to be released in January 2026. Is it already time to reboot the mainline franchise? Or can they salvage something from what they already have? Was M3GAN just a matter of right place, right time?

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Episode 329: 'Kracker Jack'd' (2003)/ 'Unnatural' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 27 Jun 2025 13:09:40 +0000

We were so excited to see 28 Years Later and based off of the box office, we were not the only ones. And much like many of those who went to see it, we have mixed opinions on it (most of it not good.) We are a little surprised that there is another adaptation of Stephen King’s The Stand. We understand that there will always be retellings of King’s works - and retellings of those retellings.

But this one caught us off guard since it is so soon since the recent miniseries based on his book. Even stranger is how it will reportedly all be done in one movie. It sounds like a recipe for disaster, but it is in good hands. Much like Weapons, whose marketing continues to impress.

It is strange how the silliest things will make you think of the most serious issues. Kracker Jack’d (or CrackerJack: The Movie) is an inconsequential comedy horror movie from the early 2000s that somehow got us really worked up. This shouldn’t be a surprise being that it is written and directed by a white man who calls himself an “honorary soul brother”.

Putting the racial insensitivity aside - which is pretty much impossible since it uses stereotypes that range from modern Black life to ugly myths created during slavery - it just isn’t a very good movie. Along with being tone deaf , it is poorly edited and nonsensical. There is a good joke to be found, but this is a bad movie. On the plus side, it provides the best line ever heard on this show.

It is a low bar when it comes to the best performance by a wrestler. Pro wrestlers usually play themselves. And when they are given a character a part, it is basically the same thing. Sure there are exceptions like Roddy Piper and Bautista, but the norm is Hulk Hogan and The Rock. Al Snow may not be the biggest name in pro grapes, but his performance in 2024’s Unnatural is one of the best we have ever seen from a wrestler.

It is too bad that the rest of the movie could not keep up with him. It is way too long. You could have shaved close to an hour off of this and gotten a much better film. The dialogue is also really bad. But the Snowman succeeds in making it watchable. He has great screen presence, is funny, and is the only consistent character. We definitely want to see more of him in the future.

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Episode 328: Mid year recap

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 20 Jun 2025 12:54:01 +0000

We love Mel Brooks. He is responsible for some of the funniest movies of all time. Young Frankenstein is also one of the best adaptations the Mary Shelley classic ever made. So, we were both excited to hear about the sequel to Spaceballs. We rank our favorite movies from Brooks and why Spaceballs once disappointed us.

We are also huge fans of Fright Night. While there was a great remake in the early 2010s, you just do not hear enough about it. Despite having one of horror's most iconic lines, it does not get that much love. This week, we have two bits of news; one is concrete; one is its rumored connection to one of the most infamous murders of all time.

This year for Pride Month we are discussing The Last Thing Mary Saw. It is a great bit of folk horror that is frightening, atmospheric, and filled with great characters. The mystery is engaging and the performances are top notch. It also treats its queer subject matter with a sensitivity that is not seen enough.

The first six months just whooshed by and we have a lot to discuss. We cover a wide range of topics. Why do we sometimes consider no longer reviewing documentaries? The good and bad of AI in film. More folk horror, a slasher, and a reverse exorcism all enter our conversation about 2025’s first six months.

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Episode: 327: 'Bleeding' (2025)/ 'Gonzo Girl' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 13 Jun 2025 13:01:05 +0000

Jennifer’s Body is a cult classic. And like most cult classics, there are lots of rumors around it. We think it is okay, but there are fans out there who absolutely love the 2009 film. Every few years, talk of a sequel heats up before going away. This time, there seems to be more truth to the rumors.

We have mixed opinions about Robert Eggers working on A Christmas Carol. On one hand we enjoy both. Eggers is a master at his craft and the Charles Dickens work is the seminal Christmas ghost story. But we are tired of seeing remakes. There are plenty of A Christmas Carol adaptations. And while most of them are awesome, do we really need another?

You do not have to watch too many vampire movies before you come across one that deals with addiction. It is up there with “vampire who does not want to kill” and “vampire hunter who is part vampire” when it comes to topics. Bleeding may not tread new ground, but it still manages to be captivating.

It can be a difficult watch, but what movie about addiction isn’t? Strong performances overcome the flawed writing and the idea of what is happening is an interesting one. It would have been nice if the lore was examined more, however. And what’s the deal with introducing the villain an hour into the film?

We have covered Tribeca the past few years and have been lucky enough to see some great horror movies. This year, we are doing something different. Gonzo Girl is the film adaptation of a book about an assistant who spends a summer with the father of Gonzo journalism.

It instead becomes a story about an aspiring writer pulled into the orbit of a bigger than life figure. In the process the story about the young assistant is mishandled. But maybe that is the point? Gonzo Girl is a fun movie, but it could have been so much more.

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Episode 326: Zombies, sharksploitation, and serial killers

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 6 Jun 2025 12:50:59 +0000

Mike Flanagan is one of the best horror directors out there. This week we have a lot to say about him - and not all of it is good. We talk about the upcoming Carrie series and what it means for his Exorcist movie. We also talk about how we do not care about the upcoming The Life of Chuck. We are interested to see what Blumhouse wants to do with the Saw franchise though.

It has been a while since we have covered a horror movie out of Mexico. Yeah, we do not want to have anything to do with pandemic movies. And zombie flicks are not our favorite movies. And the two hour runtime for Parvulos had us both worried. Thankfully, it not only proved our fears wrong; it may well be one of the best films we have covered this year.

There are a lot of familiar tropes here, but it weaves them all together with strong writing and great characters. It hits all of the emotional beats it aims for, has some good gore, and is even able to overcome a gratuitous dog violence moment. This is a must watch for any fan of horror or strong storytelling.

Dangerous Animals is also successful, though it does things completely differently. It is over the top, ridiculous, and terrifying. A sharksploitation serial killer movie sounds like it would be played for laughs, but this movie is dead serious - and better for it. One of the most exciting horror movies we have covered in a long time.

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Episode 325: Between a 'Companion' and 'A Hard Place'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 30 May 2025 13:30:23 +0000

The success of the latest Final Destination movie is one of the biggest surprises of the first part of the year. Even more shocking is a reported incident from Argentina that is one of the truest cases of life imitating art ever seen. Deadly truth, false internet reporting, or best marketing ever?

We finally saw our first look at the It prequel series Welcome to Derry and neither of us were particularly impressed. Of course, we will be watching the HBO Max show, but the trailer was very disappointing. It as a little too familiar. That being said, we have high hopes for the show’s potential.

We have championed indie horror on our humble little podcast for years. And since we have watched so many small budget films, we understand some of the constraints that come with them. Production values are lower, actors are not as well known, and there is less access to resources. Knowing this, we adjust our expectations and are willing to give the benefit of the doubt.

One thing we will not forgive is poor writing. A Hard Place is a decent enough idea. Criminals are caught in the middle of a war between two monster factions. There is just so much going on that nothing leaves an impact. Add in the fact that none of the many characters are developed and the end result is a film that feels pointless.

For years, people have complained about the number of remakes and superhero movies. “We want new stuff!” they all scream. This is not limited to a vocal minority. Critics include it in reviews, film fans discuss it while trying to figure out their best Wes Anderson movie, and even the average person on the street has strong feelings about the topic.

And then a movie like Companion comes along. Topical, cast filled with young stars, and a director working on his first feature film. And nobody went to see it. But maybe it wasn’t that good? We talk about the performances, themes, and tone while trying to figure out why no one went out to see a movie that was exactly what they wanted.

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Episode 324: Awful neighbors and brining back the dead

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 23 May 2025 12:45:39 +0000

We have had many discussions about The Texas Chainsaw Massacre on our humble little podcast. In recent months, we have also talked a lot about Osgood Perkins. We never thought the two of them would come together. The rumor is that may be happening. The question becomes, is that a good thing?

We are big enough to admit when we are wrong. Last week, we correctly predicted that the new Final Destinations movie would be number one a the box office. In doing so, we were very dismissive of the franchise. We referred to it as second rate and its box office success would be due to there being little competition. As it turns out, Bloodlines is not only the most successful installment in the series; it is the top grossing horror movie of the year. That being said, we have still have yet to hear anyone say it is their favorite horror franchise.

Bad neighbors suck. Yes, there are some things that you learn to put up with it and being to not even care all that much about. But when you have those neighbors that seem to have a complete disregard for you, it can make coming home hell. And if you happen to be the one causing the problems, dealing with police, the people you upset, and retaliation can also be a pill.

Restless is a British psychological thriller that sees a woman unravel due to one such neighbor. A mix of great sound design, surprising moments of humor, and great storytelling will catch audiences off guard. It is a basic and relatable story that makes for an enjoyable watch.

The Surrender may not be as relatable, but it also boasts strong performances and writing. The tale is one as old as horror. A family conducts a ritual to bring a recently deceased love one back to life. Naturally, it is not as simple as it sounds. And even though the plot may be familiar, it is also not as simple as it sounds.

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Episode 323: A movie made entirely from AI?!?

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 16 May 2025 13:01:42 +0000

A few months back we had a chance to see Clown in a Cornfield. On last week’s show we reminded everyone that it was coming to theaters. Its box office performance was still surprising to us. We also talk about how well the new Final Destination movie will probably do- even though it probably shouldn’t.

We have had a great time with the last two releases from Osgood Perkins. His next film looks like it is going to be awesome. Just check out the hour long promo that was recently revealed. Something frightening is definitely going on there. Plus, what is happening to all the live service horror games?

Haunted house stories have long been a part of horror. One of the most popular takes on the sub-genre is whether the haunting is real or a trick. It is probably most well known from Scooby-Doo, but it goes back much further. The Ruse may be a little too on the nose with its title, but it does do some things right.

The problem is, with this type of story, you pretty much have to do everything right. Even the smallest mistake can be immersion breaking and ruin the whole thing. And there is a lot of that here. Some of it is so bad it actually becomes funny. Unfortunately, most of it is just plain bad.

A Breed Apart is a weird movie. The premise is cut and dry. A group of influencers go to a private island and end up in a battle for survival against a pack of wild dogs. But everything around it is just odd. It is not the fact that the movie never explains exactly what is going on. And it is not because it does not truly find itself until the final ten minutes. It is not even because of the really strange dialogue.

What makes it so interesting is the fact that the majority of it may have been done through AI. How can you tell the difference between CGI and AI? How did it impact A Breed Apart? Was the script done with AI? We try to answer these questions and more in our latest show.

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Episode 322: Strange sci-fi and stranger martial arts

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 9 May 2025 13:00:15 +0000

There has been a lot of talk around Sinners. Good, bad, or ugly, everyone seems to have an opinion about it. Is it really the best movie of the young year? Is it grossly overrated? Something else entirely? Whatever the case, audiences are going out to see it in drovers. What is being overlooked by many is the biggest irony surrounding it.

We spend a lot of time talking lovingly of the theater experience. It was a big part of growing up and still remains fun even as adults. So it sucks to hear when the CEO of Netflix says theaters are outdated. It is not so much his opinion that matters, but the fact that he actually has the power to make movie theaters obsolete.

Which makes it all the better when someone like Rian Johnson talks about how he wants Knives Out 3 in as many movie theaters as possible for as long as it can. Since he has a deal with Netflix, we all know where the movie will eventually end up. The fact that he wants a run that is longer than a week or two is nice to hear.

The detective noir is a genre that does not get the love it used to. A part of this may be due to burnout. The 1930s - 1950s saw a huge number of them released. Many of them are considered classics. There has not been a good one in quite a while so when one bills itself as a triumphant return, we were all in.

Exaggeration is a part of marketing. We get that. But Dark My Light has no film noir elements, at all. There are exactly zero moments. Instead, it is a science fiction movie that wants to be about a character. The question is not why did they market as something it is not. It is not even whether what they ended up doing worked. The real question is did this movie even have a script?

Karate tournament movies were all the rage back in the day. Jean-Claude Van Damme was able to build a career off of them while the legacy of The Karate Kid still lives on. We could not wait to see Absolute Dominion. Sure, the idea may be the flimsiest excuse ever to have a globe spanning battle for supremacy, but nostalgia is a powerful draw.

Regrettably, Absolute Dominion lacks any of the charm of the movies from our childhood. It is way more confusing than it has to be, ignores its most interesting subplot, and lacks any of the tension these types of films need. We also try to figure out who Alex Winter owes money to.

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Episode 321: Rare Asian vampires & twisted fairy tales

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 2 May 2025 12:53:03 +0000

There are not many weeks that go by that we end up discussing news of a horror reboot. This show we talk about the Urban Legends reboot. There is not much news as of yet, but it is definitely coming. We talk about our memories of the movie, why it tends to be overlooked, and whether we are looking forward to it.

During our last show, we talked about the awesome marketing behind Weapons. The advertising blitz for the film continues. This week a two hour YouTube video was released of security camera footage. There was also a bonkers trailer. The question becomes, when can you have too much of a good thing?

Horror movies tend to be based around folklore. So it is not that surprising that there are not that many vampire films from Asia. Daydreamers is one of the first vampire movies to come out of Vietnam. Understandably, the story is a predictable one about a group of bloodsuckers who are fighting the urge to kill humans.

There is no doubting how stylish Daydreamers is. And since there are so few vampire stories from that part of the world, it is easy to forgive many of the missteps. However, there is only so much you can overlook. Poor writing and pacing ruing what would be a flawed, but passable watch.

Taking popular children’s stories and putting a horror spin on them is nothing new. We talk about the recent glut of these types of movies and why people do not really care about them anymore. This leads to our feature presentation, the body horror retelling of Cinderella, The Ugly Stepsister.

The plot is basically the same story everyone knows, but told from the point of view of one of the cruel stepsisters. Still, The Ugly Stepsister is its own tale. Though it covers many of the themes of the source material, the fact that it is told from a different perspective gives everything a different meaning. It is filled with surprises and is disgusting in all the best ways.

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Episode 320: Mental Health Horror: 'The Killgrin' (2025)/ 'Frewaka' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 25 Apr 2025 13:17:10 +0000

We have made no secret that we do not take the Oscars seriously. Like everybody else, we enjoy making predictions and second guessing the winners, but we also know they are a joke. We had no idea just how far that joke went. This week, the Academy made a shocking change that was impossible for us to ignore. We also talk about the recent cast announcements for the Ready or Not sequel.

For as long as people have shared scary stories, trauma has been a part of them. There is nothing more terrifying than real life horrors, after all. The Killgrin is an addition to mental health horror that follows a woman who is trying to cope with a horrible tragedy. After visiting a spiritual healer, she learns she is being followed by an entity that feeds on misery.

It is not the most original premise, but it is one that can work if done correctly. And The Killgrin does do a lot right. There are some gnarly kills, cool creature design, and some decent characters. But a confusing ending and strange decisions negatively impact the film. But is it really fair to call it Temu Smile?

Folk horror has followed an interesting trajectory. What began as stories about people dealing with strange rituals and mysterious happenings has somehow become more about atmosphere and less about characters. Frewaka is something of a throwback. It may be vague and creepy, but it always goes back to its protagonists.

There is a lot to unpack in what is a very straightforward story. Frewaka is an atmospheric film filled with powerful imagery that interweaves slice of life moments. The setting and look of the film are perfect and the fact that most of it is spoken in Irish further immerses the audience. Blake also talks about the most important quality to make a good folk horror movie.

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Episode 319: Game show scandals & cosmic folk horror

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 18 Apr 2025 13:19:02 +0000

How much did we love Barbarian? Go back and listen to the episode and check it out. You can probably guess that we are very interested in the new movie from its writer-director. And if we already weren’t, the creepy website would easily suck us in. The Hell House LLC franchise is an underrated series that are excellent examples of found footage horror. The news that the final installment comes out later this year is certainly excit- wait. It’s not going to be found footage?

Anyone who has ever spent any amount of time on YouTube has eventually stumbled across a video about the greatest game show scandals of all time. And the Press Your Luck incident is one of the most infamous. After memorizing the board, the former ice cream truck driver went on a record breaking run.

The Luckiest Man in America chronicles the episode and everything surrounding it. It is a character driven story that is more about the people involved than the actual scandal itself. The film uses great performances, aesthetics, and an overall tone to tell its story. If only it had more Whammys and less Johnny Knoxville.

Call of the Void sets itself up to be a crazy ride from its awesome opening. It is an atmosphere that lasts the entire runtime. It is a shame the filmmakers decided to go all in with being creepy and totally decided to ignore the writing. It is a great example of what happens when being vague and weird is more important than actually telling a story.

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Episode 318: 'Heart Eyes' (2025)/ 'Shadow of God' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 11 Apr 2025 13:14:25 +0000

Any time we have mentioned Death Stranding on our humble little podcast, it has lead to chuckles. The news that it is been adapted to film by A24 just has us dumbfounded. We also talk about the awesomely named Evil Dead Burn. There are some things that we were happy to hear, though there is some cause for worry.

Heart Eyes is the perfect date movie for the horror fan in your life. It is charming, funny, sweet, and scary. It is filled with strong performances and has some very effective kills. It is also the rare slasher which will have you rooting for the protagonists. At times, the rom com elements outshine the actual horror.

Which isn't to say that it is a bad scary movie. Josh Ruben has proven he knows how to put together a good horror movie. Heart Eyes is another example of how he is criminally overlooked. We also talk about the Heart Eyes Killer and the potential for a franchise. Plus, a really creative use of a grape press.

Shadow of God starts off like any other exorcism movie. It begins in a run down part of Mexico, a violent exorcism is taking place, and it is an introduction to the demon that will be the film's main villain. It is also the only part that will look familiar. This is one of the strangest things we have ever reviewed on this show.

The big twist should be that the possessor is God, but the marketing reveals that. It then becomes a question of what they are going to do with it. Perhaps unsurprisingly, not very much. After all, what can you do when the Almighty is an integral part of the plot? Filled with inconsistencies, arthouse tendencies, and a clear lack of direction, Shadow of God ends up being a off putting yet fascinating mix.

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Episode 317: 'Demonoid' (1981)/ '825 Forest Road' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 4 Apr 2025 13:22:50 +0000

Val Kilmer was an excellent actor who could do it all. Whether he was the lead, a supporting character, or Batman himself, Kilmer always left his mark. Most people know him from Tombstone - and rightfully so! We talk about our fondest memories of one of the best actors of this generation.

People already know there is no way a whole year will go by without a Stephen King adaptation. 2025 is testing how many King works movie going audiences will go out and see. We already talked about The Monkey, so what is next? We also do something different this week. Anyone up for a speed run?

Demonoid from 1981 has an awesome poster. Why there are scantily clad babes clinging to a demon a la Conan the Barbarian is something the film never answers. The vampire in the background also remains a mystery. Still, it is an awesome poster that horror movie fans should check out.

Regrettably, the film is nowhere near as good. It is a confusing mess that does not bother to explain much. No one has any definable motivation and the twist ending seems to go against what seems to be the hand’s ultimate plan. It seems like the filmmakers did not know whether Demonoid was heading to theaters or network television and the score is straight out of the 1970s. There is a weird charm to it, but is it enough?

The Hell House LLC franchise is a cult favorite that often gets overlooked. When it was announced the writer/director Stephen Cognetti would be releasing a straight forward haunted house story, we were excited. His work in found footage was excellent and we wanted to see how it would translate to a more narrative form of storytelling.

Unsurprisingly, the scares were the best part of 825 Forest Road. It is in the actual storytelling where the film loses a little of its luster. While there is nothing that is outright bad, there are some very noticeable flaws. The attempts at family drama fall flat and there is very little character development. The ending would have been fine for found footage, but for an actuall movie…?

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Episode 316: 'The L.A. Aids Jabber' (1994)/ 'A Cursed Man' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 28 Mar 2025 13:12:33 +0000

Last year there was talk of the new Strangers trilogy all being released in the same year. Perhaps wisely, that never happened. Instead, it is replacing a popular franchise on this year’s release schedule. Friday the 13th is one of the most well-known horror franchises of all time. We were excited to hear that a prequel series would be coming. Years ago, Crystal Lake went quiet and we pretty much forgot about it. Out of nowhere, a recent casting announcement was made, and it’s a good one that has got us eager again.

When a movie is called L.A. Aids Jabber, it is hard not to worry. Especially when it is a shot on video from the early 1990s. SOV movies are very hit and miss and adding in a frightening disease as a scare tactic is a sure recipe for disaster. We were prepared for the worst. As it turns out, the film may be the nicest Aidsploitation movie ever made. There is none of the expected homophobia, jokes about sick people, or misconceptions about AIDS. Instead it focuses on its tale of murder, madness, and jabbin’. Over the top performances, subplots that go nowhere, and a nonsensical twist ending made this an absolute treat.

At the other end of the spectrum, is A Cursed Man. It is a great idea. In order to discover if dark magic is real, a filmmaker decides to have a curse put on himself. It is similar to horror movies when someone does not believe in a talisman, urban legend, or ritual and decides to tempt fate. It does not take long for the documentary to go completely off the rails.

The director admits to having no clear plan or direction, everyone laughs off what has decided to do, and worst of all, the subject is one of the most insufferable people ever captured on film. Even his own wife does not seem to take him seriously. The whole thing comes off as a carny act that is as frustrating as it is disappointing.

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Episode 315: From the Boston Underground Film Festival

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 21 Mar 2025 13:18:49 +0000

Single White Female from 1992 is an interesting movie. It seemed to be a big deal at the time, but neither of us remember anything about it. The rumors of Jenna Ortega starring in a remake are certainly interesting, however. The Saw franchise brings back a lot of pleasant memories. Sure, the vast majority of them are tied to the first, but the same can be said about most long running movie series. Naturally, we have opinions about the cancellation of Saw XI and its future.

Though we do not have the opportunity to cover them as much as we would like to, we enjoy short films. In this episode we get to talk about three shorts from the Boston Underground Festival. A gory anthology, the truth about banjo strings, and a really cool stop motion flick all caught our attention.

Another movie from BUFF that interested us was Chain Reactions. That it was about The Texas Chainsaw Massacre was cool enough. Chainsaw is one of the most important horror movies of all time and has a special place in our childhoods. That Stephen King is also prominently featured made it impossible for us to ignore.

Alexandre O. Phillipe is a great filmmaker who has made tremendous documentaries about David Lynch, Alien, and The Exorcist. His signature style is on full display here as Chain Reactions is a perfect mix of nostalgia, theory, and opinion on Tobe Hooper’s classic. It is a must watch.

It has literally been years since we have reviewed a documentary about a cult. So, we were very excited to watch AUM: The Cult at the End of the World. We knew it would be interesting, but we had no idea what to expect. One of us was so dumbfounded by what they saw that they could only use one word to describe it.

Aum is unlike any other cult. (Somehow, it is still in existence - kinda.) At its peak, it could legitimately claim worldwide membership that was in the tens of thousands. The existed in full view of the public, Worst of all, they had a relationship with the media that can only be described as friendly. It is a truly wild documentary.

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Episode 314: Some picks from SXSW

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 14 Mar 2025 13:15:30 +0000

Horror is all about its franchises. Audiences love their old favorites so much that there is always a steady stream of news about the next possible legacy sequel. A Quiet Place is a new addition that has released two installments and a prequel. Each has done well but is a third one pushing their luck?

There will never be a dearth of Stephen King adaptations to watch. He has an endless well of work for filmmakers to pull from. Even better, there is no need to make new movies when you can constantly remake the things that have already been done. Kind of like Netflix and Cujo.

Over the years we have had the chance to cover some great stuff from SXSW. Just last year, Dead Mail ended up being one of our picks for our favorite movies of 2024. So it should come as no surprise that we were really looking forward to what the fest had to offer this year. And we got two good ones.

Redux Redux is a revenge tale that takes place throughout the parallel universes. It sounds kinda goofy, but it works thanks to a grounded approach that avoids going too deep into the science fiction aspects. The character driven approach focuses pretty much exclusively on its two protagonists - for better and for worse.

You never realize how poorly teenagers are written in movies until you see someone do a great job of it. Clown in the Cornfield has some of the best teenagers seen in movies in years. Thanks to a combination of great writing and strong performances, everything just seems natural. And even in the best movies surrounding younger characters, this is not always the case.

The cast of Clown in the Cornfield stand out without overshadowing its story. But it is not the only thing the film has going for it. The plot is as wacky as the title suggests. There are over the top kills, lots of blood, and of course, a killer clown. Its predictability is part of its charm and it is an all around fun slasher.

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Episode 313: 'Bloat' (2025)/ 'The Rule of Jenny Pen' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 7 Mar 2025 14:14:52 +0000

Will screenlife movies become the found footage of the next generation? Though there have been some noticeable outliers, the genre has not really taken off with audiences. But what if you do one that is also a creature feature plus has family drama. We also review an uncomfortable psychological thriller starring Geoffrey Rush and John Lithgow.

This year Blake watched the Oscars while Nathaniel could care less about them. We talk about Demi Moore not winning for The Substance, Quentin Tarantino's amazing casting track record, and record long speeches. The Ready or Not sequel has added a notable name to its cast. Are we ready for it?

There is something about screenlife movies that just does not work for us. Host was great and Dashcam was fun, but they usually end up being more frustrating than anything else. Bloat was no different as the filmmaking took us out of it on a number of levels. We could not even imagine why it was done in this style to being with.

If the movie were shot in a more traditional style it probably would have been better, but that does not mean it would have been good. The writing is awful presenting the audience with characters that are shallow at best. There is no payoff for the monster and the ending is downright confusing. Maybe we should stick to found footage.

The Rule of Jenny Pen was discomforting for different reasons. When you have Rush and Lithgow leading the way, you now acting is not going to be a problem. The atmosphere is a bleak one that only gets darker as the plot progresses. Before long, things have escalated to levels that are almost impossible to watch.

But you do not want to look away. That is what makes it such a great film. It is touch to watch and filled with a sense of sadness and hopelessness. It also has two compelling leads and a riveting story. The Rule of Jenny Pen will is an unforgettable watch - for better and for worse.

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Episode 312: 'The Monkey' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 28 Feb 2025 20:58:39 +0000

The Monkey has had a creative marketing run. Rejection emails, funny posters, and an interesting Super Bowl halftime show were all a part of it. This also meant that the actual movie had a lot to live up to. Tonally, it is exactly what some might have expected. But what about those who didn’t know what they were getting into?

The trailers focus on the most outrageous aspects of the plot, but how it came across on screen may be surprising to some. Dark humor and graphic violence are combined with a story about family. It is over the top while also having a lighthearted quality. The marketing also include a Super Bowl halftime show and church screenings. It was all very creative, but how well did it work?

There is plenty of gore in the movie, but there was also an attempt at a heartfelt story. The message came across - and in many ways it is a very dark one - but this is also the weakest part of The Monkey. The willingness of Osgood Perkins to lean into the wackier parts of the story along with some incredible performances really end up making the difference.

It may be too soon to say Perkins is the best modern horror director, but it is definitely time to take him into consideration. We talk about how he stacks up next to his contemporaries and what sets him apart. We also review where this adaptation sits next to all the other King stories of the 21st century.

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Episode 311: Nuns, industrial music, and Zombies

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 21 Feb 2025 14:12:46 +0000

A few weeks back we lamented on the lack of fantasy movies. They were a part of our childhoods that we love and missed. As if on cue, we talk about the news regarding the new Red Sonja movie - another childhood favorite. We also revisit Dead Mail before it debuts on Shudder in April.

The 1970s were the peak of nunsploitation. It would not last long, but a number of memorable nun horror films were released. While it has not returned to that level, there has been an increase in genre films centered around nuns. Perhaps even more surprising is that they have often been pretty good.

The Baby in the Basket has a lot going for it. It looks like a Gothic horror movie straight out of the 70s. It also leans into its wacky premise. From the demonic baby to some graphic sexual content, this movie does not play around. It is unfortunate that as much effort was not put into the writing.

Rob Zombie is a polarizing figure in the horror community. While some love the shock value of his movies, others wonder if he really likes horror movies or is just trying to turn everyone against them. So when we heard that his brother Spider One had written and directed a horror movie we were interested. Especially after we saw the trailer which hinted that Little Bites was about a monster that is slowly eating a person alive.

Yes, it is early in the year and yes, Nosferatu was an incredibly creepy villain, but did we come across the best Big Bad of 2025? Agyar is definitely a frightening creature. Every scene he is in will make your skin crawl. You cannot wait for him to get off the screen. And this is meant as a compliment.

There are some noticeable missteps along the way. For the most part, they can be chalked up to Spider One’s feature film inexperience. That being said, they do stick out in and leave a negative aftertaste. But how much do they affect Little Bites? And what does Cher have to do with everything?

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Episode 310: 'The Brood' (1979)/'Inhabitants' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 14 Feb 2025 14:02:50 +0000

The most recent season of True Detective was the most divisive in the show’s history. The first one was universally praised, while the second caught a lot of heat. For whatever reason, the third season flew under the radar. We talk about our opinions of season four and the news surrounding the show’s future.

Hammer Studios is an important part of horror history. It introduced aspects to vampire lore that is still seen today and its use of gothic sexuality and romance would inspire many filmmakers. They have been quiet for decades so the recent announcement has us both excited.

David Cronenberg may not have invented body horror, but he is the same most associated with it. His early movies made with the help of the Canadian government are especially interesting. The DIY quality and balls to the wall attitude make them some of the most fun entries in his impressive catalogue.

Still, it is fair to say that The Brood is not the best movie he has ever made. A disjointed affair that has trouble sticking the landing, the film is carried by some impressive performances. We may have been confused by what we saw, but did that prevent us from enjoying it?

It seems like we have been working off of a list this year. We started with a vampire movie, moved on to alien invasions and have talked about a zombie apocalypse. So it only makes sense that we would review a haunted house flick. Especially one that has heavy religious themes.

It is a shame that Inhabitants could not stick to a formula. The team behind it were more concerned with using a plot device they clearly had no knowledge about instead of actually writing a coherent film. The end result is a lead that seems aloof and unloving, a villain that seems justified in its actions, and a whole lot of nonsense.

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Episode 309: 'A Knight's War' (2025)/ 'Didn't Die' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 7 Feb 2025 13:52:43 +0000

Recent indie horror releases have benefitted from creative marketing. The upcoming Super Bowl halftime show for The Monkey is a great example. We also talk about the return of Buffy the Vampire Slayer and the surprising reason one of us did not want anything to do with it the first time around.

They do not make as many fantasy movies as they used to. A Knight’s War is a welcome addition that checks off all the boxes. Armor clad knights, seductive witches, and magical battles are all found here. It does such a good job of being a fantasy adventure that it took one of us some time to get into it.

But the film makes it very easy to get into its story. Strong world building and characters will draw audiences in. Still, when you are doing a sword and sorcery story, it is best to go with less. We discuss how A Knight’s War went too far, and why it still worked for us.

For the second week in a row, our feature presentation is from the Sundance Film Festival. Didn’t Die is pretty much the exact opposite of what we talked about on our last show. From its more grounded story (as grounded as a zombie movie can be) to its use of black and white, the film wants to bring audiences into a world they can relate with.

This was especially easy for us since the plot focuses on a podcaster trying to maintain her audience, but the fantastic characters also drew us in. There were some flaws along the way - particularly with the beginning and the ending - but it is a strong entry to the zombie sub-genre.

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Episode 308: 'Always Shine' (2016)/ 'Touch Me' (2025)

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 31 Jan 2025 14:07:01 +0000

Labyrinth is a cult classic. But how did things get to this point? We have contrasting memories of its initial popularity. And we both agree it is not the best work from any of the major players involved. Now that Robert Eggers is involved with the sequel, what does the future hold?

What does it mean when a film is described as Lynchian? From what we can tell, the definition has changed over the years. The only reason we are even covering 2016’s Always Shine is because the word often used to describe it is “Lynchian”. It does fit one definition of the term. Unfortunately, that is not necessarily a good thing.

At a very base level, it sounds like Mulholland Drive. But this is more than a movie about two actresses in Los Angeles. In a way, it is almost the exact opposite of Lynch’s film. We talk about the odd way it tries to build mystery and tension, the characters, and its abrupt ending.

It is no surprise that we are covering a movie from the Sundance Film Festival. It will be shocking to some that we are reviewing a movie that features alien tentacle sex. Of course, if you are a long time listener, you know we have been down this path before. Will this time be as good as the first time around?

Touch Me has a lot going on. Along with inter-species sex, there are themes of codependency, friendship, and trust. It is filled with funny moments and has some great performances. But when it gets dark, it gets really ugly. Do the jarring tonal changes make it impossible to enjoy it?

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Episode 307: The Day of the Triffids (1962)/ 'Grafted' (2025)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 24 Jan 2025 13:50:38 +0000

David Lynch is one of the most important names in genre cinema. He is a creative artist who has given the world some of the most beautiful and confounding films and television ever. His impact on cinema cannot be overstated. We reflect on what he means to us.

We started off this year covering Nosferatu from Robert Eggers. One of the things we talked about was how we just seems to understand horror. Check out the episode to hear our full thoughts, but the cliff notes version is that we loved it. The recent news about his next project has us excited.

We have been wanting to cover The Day of the Triffids for a while now. As the title suggests, it is a science fiction horror movie from the early 1960s (and it is based on a book from the 1950s). The story is about a mysterious event that leaves a majority of the world blind and some aggressive plants even deadlier.

In a decade filled with invading Martians, teenage werewolves, and all sorts of drive in creature features, the triffids manage to stand out. But are they the best from the era? There are so many differences from the book, the movie can be referred to as a spin off or triffid tale. We talk about the pros and cons of going in this direction.

The deserved success of The Substance will lead to more body horror movies. (At the very least, there will be more films willing to call themselves body horror.) This week we cover a film that covers much of the same ground, but in a more focused manner. Grafted may be the perfect movie for us to cover as we return to form.

That does not mean it is not without its issues. Pacing, tone, and character development are just some of the things we were not impressed with So, what else is left? The performances were fine and there were some gross moments. But it would be fair to say that it lacks…substance.

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Episode 306: Our favorite movies of 2024

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 17 Jan 2025 17:10:10 +0000

Chances are that nothing from the Poohniverse will be in our favorite movies of any year. But that will not stop us from talking about it every chance we get. Blood and Honey may have burned us so badly we have not even considered watching another entry, but maybe the combined powers of the twisted versions of Peter Pan, Tigger, and Mary Poppins will be enough to save the burgeoning franchise.

Until Dawn is the flip side. It is a creative video game that brings audiences into its world better than some of the horror movies it is influenced by. The only surprise is that it took this long to turn it into a movie. Early test screenings have been positive. Unless you ever played the video game.

There were a lot of great genre releases in 2024. The Substance has rightfully received the lion’s share of attention. Along with the fantastic performances from Moore and Margaret Qualley, it has a great story and fantastic gore. It is not just one of the best horror movies of the year; it can stand up to anything that can out during the year.

Independent horror had a record setting year. Late Night With the Devil became the biggest release in the history of IFC. It is a unique take on found footage and has some of the most memorable moments of the year. Thanks in part to its clever marketing campaign, Longlegs became a surprise box office hit. We talk about why it still resonates with us and what it means to genre cinema in general.

Some of the best horror films of the year flew under the radar. Stopmotion featured some of the best storytelling of the year, Realm of Satan is a unique look at Satanists, and Falling Stars is a modern folk horror tale that is relatable and creepy. We have a lot to talk about on this week’s show.

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Episode 305: Our least favorite movies of 2024

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 Jan 2025 15:43:23 +0000

We covered over fifty movies that were released in 2024. Naturally, some were better than others. Unfortunately, when you cover as much stuff as we did, some things end up being bad. As in, REALLY bad. Over the next two weeks, we are going to talk about the films from 2024 that stood out the most to us. First things first, we are messing with the worst.

It’s not often that movies make us mad. Bored or frustrated, but actual anger? That just does not happen. Especially when you deal with indie cinema as much as we do. We understand that budgets will not be as high, there are not as many resources, and creativity is not limited to the script. Indie films get a pass from us when it comes to special effects, limited locations, and at times, the acting.

But there are times when a movie will leave us with a very bad impression. (Blake is still fuming over Soft & Quiet.) This year, we covered two of the most infuriating films we have ever seen. One of them seemed like it was an intentional slap to the faces of anyone who has ever claimed to like horror movies. It made a point of making things very personal. The other was a documentary that stubbornly refused to back up any of its claims, had nothing interesting to say, and even lied to the audience.

Thankfully, there were films that managed to just simply be bad. We discuss a thematic trilogy that was a great idea in theory, a supposed body horror movie that is more confusing than captivating, and a script that sounds like it was written by an edgy fifteen year old. This week we look back on our least favorite movies of 2024.

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Episode 304: 'Nosferatu' (2024) Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 3 Jan 2025 14:19:19 +0000

SPOILER WARNING!!! AS WITH ALL SPECIAL EDITIONS WE WILL BE DISCUSSING MAJOR PLOTPOINTS

When did vampires become tragically romantic figures? They certainly were not when Bram Stoker wrote Dracula. Bela Lugosi brought class to the character, but he did not make anyone swoon. Whether it was Hammer or Anne Rice, by the time Twilight stole hearts, vampires were sexy.

Nosferatu is an interesting mix that handles the dark relationship between its two leads in a way that will surprise many. It combines what vampires once were with what they somehow became. At the same time, it can be seen as commentary. This is more than just another vampire movie.

Horror is a wide ranging genre. There are creatures, all kinds of exploitation, and slashers, just to name a few. But there is something about gothic horror that stands out. A nostalgia and recognition that is impossible to ignore - at least for us. We discuss Robert Eggers and his approach to horror.

What will be the legacy of the 2024 version of Nosferatu? Where will it stand next to The Witch and The Lighthouse? Has Eggers shown that there is another way to depict vampires? We discuss all this and more in our latest episode.

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Episode 303: Last show of 2024: 'Cash on Demand' (1961)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 27 Dec 2024 13:08:31 +0000

We try to avoid rumors. We have no issues talking about speculation from unnamed sources, but just straight up gossip and fan casting isn’t really our thing. That is what the internet and social media is for. But if it involves a couple of our favorites, we have not choice but to chime in.

There are a number of criminally overlooked characters in Hollywood. The most underused may be the Universal monsters. Everyone knows who they are - Dracula, Frankenstein, the Wolf Man - but they never seem to get their just due. This is especially true of the Mummy. Are things about to change?

Heist movies tend to be a lot of fun. Unfortunately, we have not covered many bank robbery movies on our humble little podcast. And this year’s attempts at Christmas horror have frankly fallen flat. To end the year, we found something that checks off both boxes.

There are a lot of shocking things about 1961’s Cash on Demand. And the fact it was made by the renowned Hammer Film Productions may be the least. The story of a cold bank manager who has to deal with a charming bank robber does not sound all that original. Cash on Demand makes it work with strong performances, wit, and great characters.

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Episode 302: Holiday horror and UAPs: 'The Elf' (2017)/ 'The Program' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 20 Dec 2024 14:11:38 +0000

After talking about a disturbing dream involving Tom Cruise, we talk about movie franchises. There is talk of the MCU, Aliens, and Universal monsters, but what’s really on our minds is what is next for the M3gan Universe. We also share our memories on 28 Days Later and discuss the upcoming sequel.

Christmas may be the second spookiest time of year, but it is still surprising just how many holiday horror movies are out there. Just when you think you have heard about all of them, Tubi shows you there are way more than you could ever imagine. It is overwhelming. Until you see a movie called The Elf in which the titular character goes on a killing spree.

If only it were as simple as it sounded. What should be a silly holiday horror watch turns into a serious character study about….paranoia? Maybe? It is easy to say The Elf makes no sense, but that would be an insult to every nonsensical movie ever. The acting is awful, there seems to be no script, and things move painfully slow. On the plus side, there is a cool kill involving gift wrap.

We may not be card carrying members of the UFO community, but we enjoy hearing stories about extraterrestrials. The Program had promise. UFO documentaries have to contain a certain amount of sensationalism, but this one seemed like it would be a little more grounded. And there was some good stuff here. It’s unfortunate that it relied so much on old tricks.

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Episode 301: 'Dead End' (2004)/ 'Replicator' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 13 Dec 2024 13:50:18 +0000

We loved The Substance. The performances were fantastic, the story was entertaining, and the effects were great. It was sexy, funny, and gross. Its slew of Golden Globes nods have us very excited about the movie and the future of genre cinema. Final Destination 6 is a different story.

Ray Wise and Lin Shaye in a holiday horror movie sounds like a great idea. As a matter of fact, Dead End from 2003 does a lot of things right. Creepy road horror tends to be fun, there is a good kill or two, and there are even some funny moments. Unfortunately, the bad outweighs the good.

The film does not get the atmosphere right until it is just about over, most of the gore is told instead of shown, and none of the comedy seems to be intentional. Worst of all is the title. It is so on the nose that it will end up slipping by some people. To top it all off, it has the type of ending that pretty much everyone hates.

Replicator gets off to a great start. This is quickly followed up by a looooooong courtroom scene that ruins all the goodwill that was built. As it turns out, the open was just a tease while what followed is a more accurate portrayal of what the movie actually is. And that is not even the worst of its problems.

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Episode 300: 'So, you are into horror?'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 6 Dec 2024 13:50:41 +0000

Our 300th episode is upon us, and we decided we were going to try to answer the question. You say you want to get into horror but The Exorcist is not scary enough and you have already seen Scream? We have some suggestions for you. Or maybe you are just getting into genre cinema and you want to test yourself and push your boundaries. We have something for you, too.

This show is not just for those who are new to horror cinema. We know the majority of you are longtime horror lovers. The great thing about horror is there is so much of it. There are countless subgenres and sub-subgenres. We even have ideas for those of you who have been watching scary movies since they were little.

So, what movies did we discuss? We talk exploitation, arthouse horror, Lovecraftian terrors, creature features, remakes, hard to find frights, horror icons, and even vampires. This episode is truly for everyone. When you are done listening to our 300th episode, you will definitely have ideas as to what to watch. Then, you can pour through our catalog to find even more treasures.

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Episode 299: 'Hellblazers' (2022)/'Street Trash' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 22 Nov 2024 14:02:22 +0000

George A. Romero shaped modern horror, invented zombies as we know them, and is just an overall legend. Resident Evil is one of the most well-known horror franchises in the world. What would have happened if the two ever came together? We also talk about the Cape Fear series that is coming to Apple TV.

Tony Todd is a horror icon. We wanted to cover one of his lesser known movies. It was not important if the film was “good” or not. We just wanted something that conveyed the essence of Todd. When we saw Hellblazers, we figured it was the perfect choice.

Even forgetting whether it is good (spoiler alert: it isn’t), it was a horrible choice. Todd is only given a pair of scenes; the sum total does not even equal five minutes. This is Hellblazers in a nutshell. There are lots of hints at a perfectly acceptable horror movie that instead leave the audience with lots of questions. Why is it set during Christmas? Why spend so much time discussing a dog that never shows up? Why show chicken fat?

While we admit 1987’s Street Trash is a cult classic filled with great special effects, we do not like it. Which is why we want into its remake with some skepticism. As it turns out, director Ryan Kruger surpasses everything the original did. It is raunchy, silly, and very very gory.

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Episode 298: Christian horror movie: 'The Lock in' (2014)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 15 Nov 2024 14:29:25 +0000

Tony Todd is a legend in horror. Most know him from the iconic Candyman, but there is so much more to him. Though he mainly worked in genre, he managed to find mainstream success. From popular horror franchises to much loved science fiction, Todd left behind an impressive body of work.

Rod Serling is a fantastic writer and possibly the greatest host of all time. His legacy looms over much of modern horror. Every anthology ever owes him a debt of gratitude. We talk about how little we know of the man despite his accolades and the upcoming documentary about his life.

We have wanted to do a Christian horror movie for a long time. This week we talk about 2014’s The Lock In and we have so many questions. Did the film have a script? How many times did people who were not in the movie walk into the shot? Is this an anti porn or an anti dumpster diving story? All this is before we even get to the movie itself!

Surprisingly, The Lock In is a pretty straight forward horror movie. While that probably improves the overall quality, it was still disappointing to us. We also try to figure out of all the problems that were plaguing the country in 2014 why this plot centered around the harm pornography is causing. We also talk about how an awful ending is an awful ending no matter what your message may be.

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Episode 297: Indie horror favorites: 'Strange Darling' (2024)/ 'The Substance' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 8 Nov 2024 13:39:54 +0000

What do Edgar Wright, Glen Powell, Stephen King, and Arnold Schwarzenegger have in common? A remake, of course! And this one sounds pretty good. We also talk about Mila Jovovich’s next zombie movie. It is not another Resident Evil movie, but is the end of a looooong running franchise.

Strange Darling received rave reviews upon it’s release. While it didn’t make the same box office impression of some other indie horror films released this year, those who had a chance to see it were impressed.Naturally, we talk about the awesomeness of Kyle Gallner, but how did the rest of the cast do? Was the non linear style necessary? And how well did it convey its themes?

The Substance has been wowing audiences since winning the Best Screenplay award at its world premiere at the Cannes Film Festival. A gross body horror with an odd sense of humor, the film is big and bold. Whether it is disgusting scenes, flagrant nudity, or in your face messaging, the film is relentless.

We talk about feminist messaging, when gratuitous nudity is actually necessary, and how to effectively cram a message down the audience’s throat. Does this movie really check off all the boxes for Blake or was he just set up for a major disappointment? Is this truly Demi Moore's best performances?

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Episode 296: Spooky season ends: 'In a Violent Nature' (2024)/ 'Director's Cut' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 1 Nov 2024 13:18:29 +0000

We usually start the show off with the latest genre news. It may be time to just start calling our opening segment, “What remake is next?” This week it is all about the Wayans brothers returning to the Scary Movie franchise. Plus, their importance to comedy and the Super Bowl. We also discuss the potential American Psycho remake and who we would like to see in it.

In a Violent Way is unlike any slasher that has come out since…well, possibly ever. It uses some of the expected tropes - over the top kills, friends camping in the woods, a Big Bad who cannot be stopped - but it is the rare film in the subgenre that critics seem to love. But what do audiences think?

For years we have talked about how we trust the opinions the the audiences over critics. We were once told that we are just guys who watch movies. We have totally embraced that and completely agree. At the same time, we spend each week taking apart movies and, well, critiquing them. Obviously, this puts us in an awkward position. But it also means we are a combination that makes the best authority. So, what did we think of In a Violent Nature?

Normally, nostalgia is a good thing. Especially when it gives you the chance to look back on your teenage years. Yeah, there is some embarrassing stuff that will make you shake your head, but coming of age stories are popular for a reason. And besides, the stupid stuff you did when you were fifteen is a lot easier to explain than the dumb shit you do in your forties.

Director’s Cut is a reminder of younger days. It is the rare instance when it is not a good thing. Juvenile writing, horrible characters, and writing that is too on the nose are just some of the examples of what went wrong. And those may be its strong points.

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Episode 295: Spooky Season nears its end: '10-31' (2017)/ 'Members Club' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 25 Oct 2024 20:07:08 +0000

It has been years since the new Blade movie was announced to much fanfare. Since then there have been rumors and turmoil. With the latest news that the movie has been removed from its release date of next year, now is the time to ask; is Blade cursed?

VHS tapes were a huge part of our young lives. They shaped what movies we would watch for the rest of our lives. Advancements in technology have made them all but obsolete for any reason aside from collecting. That is what makes the recent announcement regarding Alien: Romulus so exciting.

There are a number of well known horror anthologies. The most popular may be a Halloween one that spawned a franchise, costumes, and is loved by adults and kids. This week, we talk about 10-31. Five stories in an hour and a half. Great special effects, gory slashings, a story one of us could remember nothing about. This movie has it all.

One of the most important parts of Halloween is the fun that surrounds it. We all love a good scare, but this is also the time of year to have a good laugh. Members Club is an import from the UK that is filled with scary moments, but also tells a heartwarming story.

Folk horror complete with witches, hags, and symbols? Check. Disgusting kills? You got it. Full frontal nudity? Plenty. This is a horror movie that knows how to gross its audience out while having fun at the same time. It is not just perfect for Halloween; it is an all around good time.

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Episode 294: Spooky season goes on: 'Ghost Game' (2024/ 'Falling Stars' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 18 Oct 2024 13:02:49 +0000

We had a long talk about the Terrfier franchise and Art the Clown last week. Based on the surprising box office receipts from this past weekend, it would seem we are in the minority. When did that ever change our opinions? Plus, everybody dies. And that’s fucked up.

Has there ever been an internet challenge that isn’t stupid? Ghost Game offers up possibly the dumbest one yet. Those who do the challenge are tasked to break into a house and live with the inhabitant without getting caught. Bad idea for a prank; great premise for a horror movie.

Along with a great premise, Ghost Game boasts a near perfect setting. It takes place in a home that looks just like you think a haunted house should. The grounded story gives a different feel to what is otherwise a very traditional horror story. It operates on many levels.

It is a shame that the writing is unable to keep up. The characters lack motivation and much of the plot feels directionless. We do not expect much from any haunted house movie; we just want to have a good time. For everything it does right, Ghost Game does even more wrong.

Falling Stars is a modern folk horror tale about witches. Putting the story in the isolated American southwest is a wise decision. There is a sense of loneliness and fear that goes beyond the supernatural. Paradoxically, the idea of togetherness is a very strong theme.

The film is a patient one that builds tension through strong storytelling. The performances are fantastic and there is great chemistry between the three leads. It is a slow burn, but it is something to put on your radar. Falling Stars tells a beautiful and frightening story that works for any time of year.

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Episode 293: Spooky season continues: 'Halloween Night' (2006)/'Salem's Lot' (2024)

nathaniel@aiptcomics.com (blake heath, Nathaniel Muir) — Fri, 11 Oct 2024 16:05:00 +0000

Christmas is the second scariest holiday of the year. From scary decorations to Christmas horror movies, there are a lot of things for horror fans to look forward to during the Yuletide season. It makes complete sense that Spirit Halloween would have a Spirit Christmas store. Though it is disappointing that they do not seem to be going a more horror-centric direction with it.

We know what we are in for when we are going to cover a movie from The Asylum. Halloween Night from 2006 sounded as original as anything else they have ever done. The plot focuses on a young boy who has spent a decade in an asylum and is now heading home to wreak havoc. Oh yeah. It is also set on Halloween.

If only it were that derivative. The story somehow manages to be straightforward and confusing. The Big Bad is one of the best from the studio. Unfortunately, he is offset by a lead who is one of the worst in cinema history. This describes Halloween Night in a nutshell. For everything it does right, it does a number of things completely wrong. But if you are participating in a 31 Days Horror Challenge is it worth a watch?

We have covered a few Stephen King adaptations on our humble little podcast. We have yet to cover a really great one. The third Salem's Lot remake had a lot going against it. The source material is one of King's best and Tobe Hooper's take on the story is iconic. Add in that the 2024 version has been in limbo for a few years and you have a recipe for disappointment.

We have yet to cover a truly awesome King movie, but the latest version of Salem's Lot does a lot of good things. The question here is not if it is actually good, but will people accept it? It seems to boil down to how familiar you are with other versions of the tale. It is by no means a masterpiece, but it may serve as a great introduction into one of the most important names in horror history.

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Episode 292: Spooky season is here: 'The Clown Murders' (1976)/'Haunt Season' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 4 Oct 2024 12:59:23 +0000

When was the last great take on Mary Shelley’s Frankenstein? We try to figure that out as we discuss the upcoming Netflix release from Guillermo del Toro. It probably has a lot more going for it than the Anaconda remake starring Paul Rudd and Jack Black.

John Candy is an absolute legend. He was funny, charming, and a great actor. We leapt at the chance to cover one of his earliest roles. Not only was it a horror movie, but it was set on Halloween. Sure, he was still fining his way, but what better way to start the spooky season?

As it turns out, 1976’s The Clown Murders is one of the worst things we have ever covered on this show. Candy is a non-factor, the movie is filled with enough misogyny to make David (no longer) Lee Roth blush, and has exactly zero killings committed by a clown. On the plus side, the characters are annoying, the story makes absolutely no sense, and the ending will leave the audience confused.

Haunt Season sounds like it has the potential to be fun. Set in a haunted house attraction, a mysterious killer begins taking out the employees. It has been done countless times before and is the perfect watch for Halloween. The only question is whether the filmmakers and cast are able to pull it off or if it is just another boring slasher.

The movie constantly surprises. It is a slasher through and through, but it is tonally unlike many similar films. There is a documentary feel to Haunt Season that gives it a grounded and natural feel. The performances are perfect and the pacing draws anyone watching into the story. Add some great kills and you have an excellent watch for October.

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Episode 291: 'Tenants' (2024)/ 'Strange Harvest' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 27 Sep 2024 12:49:53 +0000

We really didn’t care about the upcoming I Know What You Did Last Summer reboot. It just seemed like another tired reboot of what was already a ripoff. In other words, we weren't really interested. How did its latest casting announcement bring some credibility?

How long ago was the Blade movie announced? How many writer and director changes has it gone through? What are the chances that it begins production in the next three years? Is it even going to come out? In the meantime, there is the new vampire flick from Ryan Coogler to discusss.

It has literally been years since we last had a anthology on our humble little podcast. Tenants has an interesting premise. A woman wakes up in the parking garage of an apartment complex. As she looks for her sister, each encounter leads to horror.
All the tools are here for a fun anthology. Stories of mysterious rashes, lost love, and awful roommates are just a part of m what Tenants has to offer. All are tropes of the subgenre, but the film makes odd decisions that negatively impact the viewing experience.

True crime documentaries have covered every subject you can think of. So what would be the point in making a fake one that is not a spoof? Strange Harvest: Occult Murder in the Inland Empire attempts to answer this question by weaving a captivating story filled with creepy characters and gory kills .It does not succeed at everything, but it is still one of the best entries in the genre.

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Episode 290: 'Voice of Shadows' (2024)/'Lord of Wolves' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 20 Sep 2024 13:10:00 +0000

It has been an odd year for horror at the box office. While the big name movies have done little to move the needle, indie horror is doing record breaking business. There is one notable exception that has not made this a complete shutout for horror in theaters. And it is not one of the many theatrical re-releases that have come out this year.

Voice of Shadows gets off to a confusing start. It has an emotionally charged monologue that is immediately followed by a title card that includes two upside down crosses and a pentagram. Someone watching will have no idea what to expect. It is not long before it is clear you are going to be in for a lot of the former and little of the latter.

It ends up being a rough watch and it is not hard to see why. The lead actor is not able to believably pull off what the script requires. This may not be entirely his fault - he is tasked to carry all of the film’s emotion for the entire hour and a half - but it is very noticeable. Paired with a cut and paste plot that still manages to be confusing and a litany of plot holes, and Voice of Shadows becomes a very rough watch.

Lord of Wolves is unlike any werewolf movie we have ever seen. (To be fair, to call it a werewolf movie is not entirely accurate.) It has a number of strong characters, a deep message, and relies little on transformations and gore. It is a character study, but not in the same way these types of films tend to be.

There is a lot going on here in a short amount of time. It really should not work. And yet, strong storytelling and a strong mystery will keep audiences interested. The creature design manages to be simultaneously badass and hokey. It could have been something special if not for one thing.

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Episode 289: 'Booger' (2024)/ 'Dead Teenagers' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 13 Sep 2024 12:44:39 +0000

James Earl Jones will forever have a place in film history based on his voice alone. From Darth Vader to CNN commercials, he is known the world over. But there is much more to him. Our memories include Conan, baseball, and Mystery Science Theater.

The Goonies is one of the most important movies of the 1980s. It is the perfect movie filled with adventure, humor, and a satisfying ending. There was never a sequel because there was not a need for one. But we are getting one anyway.There is no point in complaining about how there are too many remakes and sequels.The question is, are we excited to see it?

Where does gross out end and body horror begin? That is just one of the questions Booger had us pondering. The indie film recently made its world premiere at the Fantasia Film Festival. Unlike other movies in the genre, it covers deep themes such as grief, loss, and friendship. Just when it looked like it was going to be something really special, it falls apart, So, what happened?

Quinn Armstrong has not made it easy on us. His trilogy seemed like a lot of fun. Stories of exorcisms, doom metal, and death sound like a great combination for a couple of horror fans. While there was some good looking stuff in the first two films, they ended up leaving a bad taste in our mouths.

But there was no way Dead Teenagers could fail. It was about a group of friends hanging out at a cabin in the woods. Before long, their fun is interrupted by a masked killer. Yes, we had seen it before, but that was part of the fun. We could not wait to see what Armstrong did with a more straightforward horror story.

Regrettably, we never got that movie. Things start off normal enough. There is even a cool Big Bad that is the stuff of franchises. The archetypes are a little different and there is a slight tweak along the way, but Dead Teenagers is definitely a slasher. Until it gets a little too clever for its own good.

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Episode 288: 'Broken Bird' (2024)/'Wolves Against the World' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 6 Sep 2024 13:33:39 +0000

For all the talk of video games on our humble little podcast, we have never talked about Minecraft. And for one really good reason. Neither of us have ever played it. So the news of a new movie was a complete shock to us. The latest casting news from the new Masters of the Universe movie also caught us off-guard, though we were much more impressed.

Broken Bird recently made its world premiere at the U.K. Frightfest to positive reviews. The film sounds like a dour affair. A lonely woman works at a funeral parlor and escapes in daydreams and poetry. Adding to the bleakness is the story of a single mother mourning the loss of a child.

Not only is the movie surprisingly funny (darkly so, obviously) it is also filled with charm and life. It would have been something really special if not for some odd decisions. Sometimes an ending can be a little too wild, especially when you choose not to have a payoff for some of your movie's most important moments.

Wolves Against the World gets off to a great start. For a while it seems like it is going to be a badass rock and roll horror movie involving werewolves. It is not long before the film becomes something else entirely. In the process, it does away with any compelling characters or interesting story.

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Episode 287" 'Skincare' (2024)/'The Exorcism of Saint Patrick' (2024)

nathaniel@aiptcomics.com (Nathaniel Muir, blake heath) — Fri, 30 Aug 2024 13:18:39 +0000

Years ago, we excitedly discussed the upcoming remake of Salem’s Lot. It was unclear whether it was going to hit theaters or go straight to streaming, but we could not wait. The release date came and went but the movie never came out. Supposedly, it comes out this October. Do we still care?

The Running Man seems to have gotten lost in the plethora of 1980s action movies. Starring Arnold Schwarzenegger at his peak and written by Stephen King, the dystopian sci-fi flick stands apart from the rest of the high octane releases of the time. And yet, no one talks about it. Maybe the upcoming remake directed by Edgar Wright and starring Glen Powell will change that.

Skincare story of a beautician who is being stalked sounds like it is either going to be an erotic thriller or a Lifetime movie. It has elements of both, but manages to stand on its own. Thanks to its strong writing, the Elizabeth Banks vehicle is able to take familiar tropes but never feel derivative. It leads to an odd mix of familiarity while providing something new and exciting. Plus, it is all based on a true story.

If only The Exorcism of Saint Patrick was as tightly written. The indie horror fails to set a strong tone and is a confusing watch. Is it a commentary against gay conversion? A supernatural revenge thriller? A story about a man who is losing his faith? In its attempt to try to be all of these things, it ends up being none of them. Can two strong performances overcome the flaws?

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Episode 286: Sex & horror: 'Caligula: The Ultimate Cut' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 16 Aug 2024 12:54:05 +0000

Few kids in the 1990s would have believed that Trent Reznor would go on to become an Oscar winning film composer. For some of us, it is even more surprising that Nine Inch Nails will be providing the soundtrack for the next Tron movie. We also talk about a recent casting announcement for Soulm8te.

Where to even begin when talking about Caligula? The stories behind the constantly changing screenplay are interesting. How actors refused huge paydays based on moral grounds is also ironic considering how fast and loose people are willing to play with their principles in Hollywood. The pornography, aftermath, and critical reevaluation are all important parts of the film’s mythos.

Caligula: The Ultimate Cut is an attempt to release the movie as original writer Gore Vidal intended. There is also an additional animated opening sequence and added importance to Helen Mirren’s character. Almost 100 hours of footage were used to give audiences what was intended. How well does it work?

The first red flag is that Vidal's vision does not exist. As soon as director Tinto Brass was brought on, Caligula went through heavy rewrites. Which means the new release is more of the same. Just a whole lot longer. Whether this is a good or bad thing will depend on your initial opinion of the movie. In other words, the latest cut adds nothing.

Just because something is pointless, does that mean it is bad? We once again talk about how even necessary nudity can be superfluous, sex carnivals in ancient Rome, gorgeous set pieces, and over the top performances. Caligula: The Ultimate Cut is something else, but is that something worth watching?

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Episode 285: Sex and nudity in horror Part II

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 9 Aug 2024 15:00:53 +0000

David Lynch is one of our favorite directors. We talk about his recent announcements and look back on some of his films. The Babadook was one of the first horror movies to garner huge internet buzz. It was a “You gotta see this!” that had everyone talking. For its ten year anniversary it will be rereleased in theaters. Will it leave the same impression?

We continue our look at sex and horror with a topic we have never discussed before. Both of this week’s movies claim to deal with sadomasochism. One of them goes too far - but not in the ways you expect. The other does it in a way that makes you wonder why they even mentioned it was a part of the plot.

The Surgeon from 2022 is about a performance artist that gets caught in a S & M love triangle. At least that is what the logline tells you. A better description would be an incomprehensible wanna be psychosexual thriller that throws everything at the audience whether it makes sense or not. Lots of pointless nudity, shocking twists that end up meaning nothing, and characters you will not be sure what to think are just part of one of the worst movies we have ever had on our humble little podcast.

Black Eyed Susan makes much more sense. It is about a man who takes a job test a sex robot whose AI learns through punishment. It is a provocative film that never holds back. It also introduces themes that are important in today’s society whether we want to think about them or not.

The problem is it has good ideas it does nothing with. In a type of story that pretty much requires nudity, when is it too much? How strong of a point can you make when you are literally dehumanizing a character? When is a person so far down on their look you don’t even care to look for them? Black Eyed Susan asks a lot of questions - and many of them are interesting, but do they overcome its glaring faults?

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Episode 284: Sex and nudity in horror Part I

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 2 Aug 2024 12:57:20 +0000

Bioshock is one of the greatest games of all time. It is not just a one off either as it has two impressive sequels. The stories tackle individuality, class, race, and a myriad of themes in a world filled with 1950s art deco and futuristic technology. They are the definition of “must play” video games.

How we overlooked that an adaption is coming to Netflix is beyond us. But we did see the news that the budget has been lowered for it. Will this negatively impact a story filled with awesome powers and robot-like monstrosities? Or is this an opportunity to focus on the amazing story and characters?

In a Violent Nature is one of the most exciting and fun slashers to come out in years. It has been a hit with audiences so it comes as no surprise that a sequel has already been announced. Is it too soon or is this the next big horror franchise?

We do things slightly differently this week as we look at three films. Our first one is a short that recently made its world premiere at the Fantasia Film Festival. It is also our first entry in our look at sex in genre film. Dirty Bad Wrong is a look at the past and possible future of how we look at sex workers. It is also a tense watch with an uncomfortable climax and thought provoking ending.

Before getting hot and heavy, we wanted to dip our toes into sex and horror. We start by entering the modern dating world in The Dead Thing. The plot revolves around a woman whose life is consumed by work, dating apps, and shallow hookups. Until she meets a man who wins her over. But when he ghosts her, it leads to a dangerous obsession.

Los Angeles has been the setting for a myriad of movies over the decades. We talk about how this film is different and how it adds to the plot. The direction also combines noir and eroticism in a stylish mix. And while the story does not reinvent the wheel, it does touch on some powerful themes and one of us thought it had an all but perfect ending.

It is almost a shame how little The Dead Thing does with its characters, however. Blu Hunt does a fine job in the lead role, but she is given little to work with. There is little in the way of development and if you end up caring about her at all it probably will not be in a positive way. The object of her affections does not give the audience anything to work with. Why is any of this happening? And if I do not know why, how can I care?

We step away from sex and close the show with Cuckoo. Intentionally choosing style over substance, Director Tillman Singer crafts an atmospheric tale that is creepy while explaining little. A great performance from Euphoria’s Hunter Shafer pair with Dan Stevens in an over the top role are highlights. But are they enough to make up for a plot that has plenty of questions but no answers?

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Episode 283: From Fantasia 'Hollywood 90028' (1973)'/'The Beast Within' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 26 Jul 2024 18:17:53 +0000

Before we get to Fantasia we talk about the rumored Spawn movie. There have been reports about this film for literally decades. Is there any reason to be excited this time around? Plus, a remake that has taken surprisingly long to see the light of day. And sharks, folk horror, and more sharks!

We love exploitation films. We have also been known to enter the world of arthouse cinema on our humble little podcast. But what happens when the two worlds collide? Hollywood 90028 is not the only movie to combine the two, but there were not too many that were doing it in 1973.

A main character you will not know what to make of, some tasteful nudity (and some not so much), and long monologues are just the tip of the iceberg. Released during a time when the country was struggling to find a new identity, Hollywood 90028 takes on a number of themes. It is not perfect, but it is one of the most interesting movies we have ever discussed on this show.

The Beast Within is a Fantasia World Premiere that left us torn. Clearly, it is an allegory for something more. The question is, does it deliver on its message? The performances are great and the setting is beautiful. So why did we both have different opinions about it?

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Episode 282: 'Longlegs' Special Edition

nathaniel@aiptcomics.com (Regina Chavez, Blake Heath/Nathaniel Muir) — Fri, 19 Jul 2024 13:26:51 +0000

SPOILER ALERT!!!!! THIS SPECIAL EDTION INCLUDES DISCUSSION ABOUT SPECIFIC PLOT POINTS IN LONGLEGS

We have talked about the marketing of the film for months. Using old school viral marketing and trailers that never showed Nicolas Cage, Longlegs was a creepy throwback that worked. The movie opened in the top five and became Cage’s biggest opening in decades. Should other movies go this route?

The unintended consequences of all the talk is that opinions have been split about Longlegs. Critics may love, but audiences have been lukewarm. We discuss what may have disappointed and how he reacted to the movie. And for all the good it does, there are definitely some things that did not sit well with us.

Cage is always polarizing. He is definitely the internet’s favorite actor, but a lot of that is ironic and based on his over the top performances. Longlegs is another memorable performance he can add to his resume. Some will find it the creepiest of his career, but there are others that may be turned off by it.

Maika Monroe’s much more grounded portrayal is a much more grounded one. It is a star-making turn that shows off her acting range. While most people will leave talking about Cage, it is Monroe that carries Longlegs.

We also talk about the movie’s take on Satanism, how it gave Cannibal Holocaust vibes to one of us, horrors versus thrillers and its chaotic ending.

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Episode 281: 'The Inheritance' (2024)/'The Mandela Effect Phenomenon' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 12 Jul 2024 12:54:38 +0000

Horror has plenty of well-known franchises, but there are not many cinematic universes. Except for one very popular one. The Conjuring universe is probably not going away anytime soon, but the final movie in the series has been announced. We also talk about a franchise that was popular when we were younger, went away for a few years, then came back stronger than ever.

The Inheritance sounds cut and dry. A rich family comes together for the first time in years in order to celebrate their father’s 75th birthday. He has brought them together because he knows someone is going to kill him that night and he wants them to stop it from happening. If they fail, they lose all of their inheritance.

It is not long before things go in a completely different direction. What initially sounds like a straightforward mystery becomes a haunted house movie with twists and turns. Great visuals and a paranoid atmosphere make this one of the most pleasantly surprising movies of the year.

On the other end of the spectrum is The Mandela Effect Phenomenon. It sounds interesting enough. A look at the possible causes and what it means for the future of humanity. But from the jump, it is clear that something is very wrong about this documentary.

Bad interview subjects who do not seem to know what they are talking about, misleading videos, and contradicting information littered the film. It aimlessly wanders until it gets to the actual point. You need to read the Bible. Oh boy.

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Episode 280: 'Re-Elected' (2020)/'Cold Blows the Wind' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 5 Jul 2024 13:42:14 +0000

When we discussed an Emmanuelle movie earlier this year, we had no idea there was another one coming. And this one with a top flight notch cast. We also discuss Inside Out 2 crossing the $1 billion dollar mark at the box office and what it says about how we look at flops today. Though it probably will not make as much money, we are still excited about the upcoming Beetlejuice Beetlejuice and its upcoming world premiere.

We all already know the country has an awful choice to make. When your choice is senile old white man or crazy old man is their a point in even making one? The answer is yes. Re-Elected from 2020 is a horror movie that knows exactly what it is. A goofy, kind of dumb, but all around fun watch that is not supposed to be taken seriously.

You would figure that a movie from this era involving dead presidents would have all sorts of social commentary. Re-Elected does not have one thing to say about what is going on in today's world and is better for it. For starters, this is not that type of movie. It's not that horror cannot say anything relevant; it has always been light years ahead of other genres when it comes to that. It is more about some films being all about just turning off your brain and enjoying what you see at the most visceral level.

Cold Blows the Wind is an awesomely named indie horror movie that constantly punches above its weight. It is a microbudget affair that is so good that it allows anyone watching to focus on the plot and characters instead of the value of the production. Filled with great performances and writing, even some noticeable missteps do not take away from the enjoyment.

We also talk about what is appropriate nudity. For years now, we have talked about how today's cinema seems to fear be sexy, erotic, or just plain naked. The rub is, when done right, nudity can add to a film, even when it an argument can be made that it was not completely necessary. But necessary and appropriate are two entirely different things.

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Episode 279: 'The Conqueror: Hollywood Fallout' (2024)/'The Omicron Killer' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 29 Jun 2024 20:00:43 +0000

It is not often that we discuss Hallmark movies. But when it involves the Kansas City Chiefs, how can we avoid it? We also talk about the trailer for the upcoming remake of Nosferatu by Robert Eggers and a M3GAN spinoff with a really neat premise. We also discuss the importance of an AI girlfriend.

Whenever we review a movie for our humble little podcast we inevitably ask ourselves, “Who is this movie for?” Never has the answer been harder than with The Conqueror: Hollywood Fallout. There is definitely something here for those who liked to hear stories about trouble productions, but overall, this is not that kind of movie.

The film has a much darker story to tell. Along with the multiple cases of cancer among the cast and crew, it also goes into how the production affected the surrounding towns. A hard hitting watch, this is one of those releases that seems like it is for one audience that is accessible to anyone.

Then there is The Omicron Killer which is not for anyone. This is bad in more ways than we can adequately describe. Awful comedy, a confusing plot, and nude scenes that even we find pointless, the film seems to go out of its way to alienate audiences. And not in the cute Troma way that ends up being charming.

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Episode 278: Looking back on the first half of 2024

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 21 Jun 2024 13:24:45 +0000

Since Jordan Peele’s next movie is not scheduled to release until 2026, there is not much to talk about. It does lead into a conversation about new ideas in Hollywood, however. We also talk about the awesome marketing behind Longlegs.

Sometimes, there is too much importance placed on being wholly original. We get so caught up in seeing something completely different that we forget that bringing a new perspective to an old idea can be just as exciting. The Weekend is a great example. It is your basic in-law horror. But the focus on characters and pacing as opposed to jump scares gives it a different feel.

Which isn’t to say that it is all good. There are some very noticeable flaws in it. This is true of any horror movie, especially one with a premise as ridiculous as The Weekend. But there are some things that even the most die hard genre fans will be unable to accept. Thankfully, there is one amazingly trashy character that brings a lot of fun to the very somber story. But is it enough?

This year has been a little different for us. We have spent more time focusing on older films than in any previous year. During our look back at the first part of 2024, we ignored those movies. There is still a lot to work with and talk about, however. From movies comprised entirely of a language invented for it to a film aimed to take down the horror community, we discuss the movies that impressed us and made us angry. And how could we not talk about the strangest movie we have ever reviewed for our humble little podcast?

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Episode 277: '#AMFAD'/John Carpenter's Vampires' (1998)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 14 Jun 2024 13:15:18 +0000

Has there ever been a more appropriately titled movie than 28 Years Later? We talk about the latest casting news for a sequel that seems like it has been decades in the making. It is the 35th anniversary of HBO’s Tales From the Crypt. Now’s the perfect time to rewatch your favorite episodes. All you need is to do is dust off those old DVDs…

Tribeca has always offered some of the best horror movies of the year. This year’s slate includes the world premiere of an old school slasher with a modern take. One of us feels that #AMFAD: All My Friends Are Dead breathes new life into the sub-genre. But why weren’t both of us as impressed?

#AMFAD is a high energy film that sometimes does more than it has to, but there is a lot to like. We talk about the evolution of the Final Girl, funny deaths, and today's fear of sexy scenes. Is it the start of a new franchise or just something for Jojo Siwa to add to her resume?

It would not be hard to believe that when John Carpenter shot Vampires, he did not care what happened since his legacy was secured long ago. Little did he know that the movie would be another strong addition to his already impressive filmography. It has some very noticeable flaws, but in a year that included a fifth Children of the Corn movie, Gus Van Sant’s Psycho, and a movie written by and starring Twisted Sister’s Dee Snider, John Carpenter's Vampires is easily one of the best horror releases of 1998.

The treatment of Sherly Lee is one of the worst ever seen, but is the entire film misogynistic? (Hint: The only women with speaking lines are hookers.) Daniel Baldwin chews up the scenery decades before his brother made sure the Baldwin name would live in New Mexico infamy. But the absolute star is James Woods.

Vampires oozes machismo - you can smell the testosterone through your television set. Woods takes things to a whole new level of manliness. Fans of Curb Your Enthusiasm and improv work will love Woods’s performances as the awesomely named Jack Crow. A minimum of 91% of his lines are improvised leading to gems like him asking a priest if he got an erection while Crow was kicking his ass. It is an amazing piece of work that absolutely needs to be seen to be appreciated.

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Episode 276: Home is Where the DIE! Is: 'What Keeps You Alive' (2918)/'The Curse II: The Bite' (1989)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 7 Jun 2024 12:51:17 +0000

We were not the only ones who loved Late Night With the Devil. It has set box office records for all independent film and has been critically praised. We talk about what its immediate future holds. Plus, David Lynch made his big announcement and we called it. (Spoiler alert: it's not the second GTA VI trailer.)

You can pinpoint the exact moment What Keeps You Alive peaks. Everything up to the moment is tension filled and exciting. The film is beautifully shot and presents an interesting set of characters. It is familiar, but still does its own thing. Regrettably, it falls right off a cliff soon after.

Things go on for too long, the writing gives away way too much, and the ending is unsatisfying. It is a classic case of going out with a whimper instead of a bang. And it ruins all the good will that had been built up over the course of the previous hour plus. Tack on the strange addition of 1990s Australian rock band Silverchair, and you have a head scratching finale.

We were really looking forward to The Curse II: The Bite. It is B-horror, stars scream queen Jill Schoelen, and is part of a franchise. The fact that it was filmed and takes place in Las Cruces only added to our anticipation. Little did we know the movie would also have Jaime Farr of MAS*H fame in one of the most ridiculously awesome subplots ever, some unironically awesome special effects, and a look at late 80s trucker culture.

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Episode 275: Home is Where the DIE! Is: 'The Terror' (1962)/Gargoyles (1972)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 31 May 2024 13:14:14 +0000

David Lynch recently made an announcement, and in typical Lynchian fashion, nothing is as simple as it seems. One thing is for certain: it will be a treat for our eyes and ears. We also talk about one of the strangest musicals we have ever heard of. If you like anime and giant naked men, this may be the news you have been waiting for.

When you are going to review a Roger Corman movie, it is hard to decide what to do. There are just so many of them. And his resume is so varied that even the most cursory look involves diving into a deep rabbit hole. So we decided to go with one that starred Jack Nicholson, Boris Karloff, and Dick Miller.

Little did we know there was more to The Terror than just a bunch of famous names.

After six directors, nine months, and days of filming without an actual script, the movie hit theaters. Unsurprisingly, it is not very good, but how well did its strong cast fare? Corman wanted his own take on Edgar Allen Poe, which he did manage to pull off, but the way he did it will surprise you (or not if you know anything about Corman’s methods). Do modern eyes have a different take on The Terror?

Over the course of five years and almost three hundred episodes, we have covered all sorts of topics. Most recently, we had Bruceploitation Month, but we have also done Black horror, LGBTQ horror, and Trucksploitation. It is so difficult that it took one of our loyal listeners to point out we had never covered movies made in the area we grew up.

We begin Home is Where the DIE! Is month with a movie that has been on our radar. While 1972’s Gargoyles was not what we specifically had in mind, we have been wanting to cover a made to TV genre movie for a long time. Lucky for us, we were able to find one that was filmed in Carlsbad Caverns and Laredo.

With special effects done by the Academy Award winning Stan Winston (who also won a Primetime Emmy for his work here), Bernie Casey playing a winged gargoyle who rides a horse, and plenty of halter tops, the film does everything it can to pull in eyeballs. Despite the strange use of slow motion, the plot moves quickly. Is it an overlooked treasure of southwest cinema or is it best left in the 70s?

Plus, our biggest complaint about Tubi.

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Episode 274: Bruceploitation Month: 'Faceless After Dark' (2024)/'New Fist of Fury' (1976)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 17 May 2024 09:56:01 +0000

It is almost impossible to quantify what Roger Corman has done for horror. He pretty much invented B horror, launched the careers of some of the most talented directors of all time, and is behind some of the most iconic genre films of all time. His influence can be seen in the video box art that older fans pine about and in podcasts like our own. He is a true icon.

Typecasting is an interesting part of Hollywood. Some like scream queens and rom-com hunks lean into it. Others try to break out of the box others try to put them in. Think all of the comedic actors who have tried their hands at serious roles or child actors who appeared in more risque fare. It is always a shame to see an actor who obviously has a range of talents regulated to the same types of roles.

But what if an actor typecasts themselves?

Faceless After Dark stars Terrifer’s Jenna Kanell as an actor whose breakout role was in a movie about a killer clown. The synopsis is a little misleading (when she is held hostage by a fan dressed as said clown, she must do whatever she can to survive) as it is more of a revenge story than the logline implies. And that is just the first confusing thing.

The lead character is completely unlikable, the direction is headache inducing, and motivations are nonsensical. Are we supposed to root for Bowie Davidson (Kanell)? Why does she hate her fans so much? Is jealousy truly the root of all evil. Faceless After Dark has something to say, and it touches on real issues like toxic fandom and gender, but it is all done in a way that is confusing and just plain insulting. This movie was absolutely directed towards Terrifer fans and they are not going to like what it has to say.

Bruceploitation Month ends with the most famous Bruce Lee imitator of all. He was also the person who brought an end to the genre. Initially, Jackie Chan was supposed to continue in the footsteps of Dragon Lee, Bruce Li, Bruce Lea, and so many others. He did not want that and proceeded to carve out his own name. But not before he gave us 1976’s New Fist of Fury.

Xenophobia, confounding death scenes, a complete downer of an ending and, of course, a completely random Bruce Lee reference are all part of the film. It is a chance to see Jackie Chan very early in his career and has a powerful story to boot. At least, it seems powerful. Since the subtitles do not translate everything, we are left to assume that much of what is happening is very poignant and meaningful. The final shot certainly left us feeling something; too bad none of it was good.

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Episode 273: Bruceploitation Month: 'For Sale' (2024)/'Kung Fu Fever' (1979)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 May 2024 12:43:42 +0000

Blade Runner is one of the most revered science fiction films of all time. It has spawned video games, books, a sequel, and an upcoming Prime series. People LOVE the movie. We talk about a major casting decision for the show and how the original movie is overrated.

The Strangers is one of the best home invasion movies of all time. Surprisingly, it did not lead to a larger franchise. As a matter of fact, there will be more installments this year than there have been in the previous decade and a half. That includes a potential four and half hour long cut of all three movies that will be coming out this year. Some horror is all about making audiences feel uncomfortable, but that may be a little too much.

Haunted house movies is one of the most popular sub-genres in horror and will will never go away. People love to hear stories about homes with violent pasts. This sub-genre has gone beyond just scaring people as more comedy horror movies may be about haunted houses than any other subject.

For Sale has a lot going for it. Its use of effects proves there is more that the practical vs CGI argument does not always matter. Essentially, it does more with less. It also has two great leads that have tremendous chemistry. There is an overall charm to the entire film.

Regrettably, it does not manage to close the deal. There are some genuinely funny moments and some really creepy ones, but the whole thing never settles on a tone. For Sale also never recovers from a major decision leading into the third act. Things grind to a halt leading to an ending that is more confusing than anything else.

As we head into the home stretch of Bruceploitation Month, we finally get to Dragon Lee. A few shows back, Blake talked about how much he was looking forward to covering the actor. Kung Fu Fever is a revelation and a disappointment. Dragon Lee is even more awesome than either of us could have imagined, but the print is of very poor quality.

Blake also presents a theory that is as zany as any of the films we have covered. It may be too far out there for some listeners to accept, but after watching Kung Fu Fever, some listeners may not think it is so ridiculous. One thing everyone will agree on; this is one of the most tasteless Bruceploitation movies ever made.

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Episode 272: Bruceploitation Month: 'Wildcat' (2024)/'Bruce Lee vs. Superman' (1975)

nathaniel@aiptcomics.com (Regina Chavez, Nathaniel Muir) — Fri, 3 May 2024 13:07:29 +0000

A few weeks back we discussed unfilmable books. One that is often brought up is Cormac McCarthy’s Blood Meridian. Reportedly, another adaptation is in the works. There is a reason that the many attempts to adapt it have fallen apart, however.

As the name implies, Southern Gothic is a subgenre that is heavily influenced by elements of the American south. Anne Rice and A Streetcar Named Desire are two of the most well known examples. This week we look at one author’s struggle to complete her novel.

Flannery O’Connor wrote a number of stories that used elements of her upbringing. Starring Maya Hawke and directed by her father Ethan, Wildcat examines how her life and works connected. Maya’s performance is fantastic and includes some real standout moments. That being said, there were some surprising missteps.

Since the birth of the internet people have asked serious questions. Who would win in a fight between Goku and the Hulk? Could Lancelot best Luke Skywalker in a duel? A/S/L? One of the things young internet denizens argued about was who would win in a one-on-one battle between Bruce Lee and Superman.

As it turns out, a 1975 movie dared to give this match to audiences. It is certainly a risk. Both are incredibly popular, meaning it was going to be impossible to not anger some viewers. Plus, how could any film possibly live up to what would certainly be sky high expectations? Worse yet, what if it is a bait and switch?

Bruce Lee vs Superman (or Bruce Lee Against the Supermen or Superdragon vs Superman) is far from a perfect movie - or even a good one - but it presents the fight it advertises. There is more than just the slugfest between the two iconic heroes, however. Green Hornet, Kato, and possibly the wildest rickshaw scene in the history of cinema all get involved. It may not be the best Bruceploitation movie, but it is hard to believe there is anything zanier.

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Episode 271: Bruceploitation Month: 'All You Need is Death' (2024)/'Fists of Bruce Lee'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 26 Apr 2024 12:45:39 +0000

We have devoted plenty of time on our humble little podcast singing the praises of The Blair Witch Project over the years. But what do we have to say now that the original cast has made some pretty heavy demands? We also talk about a video game adaptation taking place in El Paso and why the opinions of video game fans may be the most reliable.

All You Need is Death is a great title for a comedy horror. Have some fun musical numbers and an ending involving a bad looking George Harrison lookalike and you got yourself a winner. If the plot is a serious one involving Irish folklore and odd secret organizations, it is one of the worst titles ever.

A bad title does not take away from a good film, however. Especially when that film owes a big debt to David Lynch's creepiest tendencies. That being said, Lynch is definitely not for everyone. And so goes, All You Need is Death, a movie that does so much right but also cannot seem to help but get in its own way.

Bruceploitation Month continues with Fists of Bruce Lee. This episode we tried to do something different and review a movie with a plot. Sure, it is all just filler to take up space between the awesome fight scenes, but there is an actual story being told. After covering last week's travesty, it is nice to know that there are some movies that were trying to do more than just cash in on Lee's name.

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Episode 270: Bruceploitation Month: 'The Coffee Table' (2024)/'Bruce Lee Fights Back from the Grave' (1976)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 19 Apr 2024 12:56:23 +0000

A few weeks ago we talked about The First Omen and how it needed to make cuts in order to avoid an NC-17 rating. Blake brought up an interesting point. What if the movie was horrible and was relying on being over the top to garner word of mouth? And cinema history has shown that an entire film being gross just for the sake of it is not usually a good thing.

The first movie we review this week is The Coffee Table. Quotes from critics talking about how uncomfortable it will make audiences feel uncomfortable. The director has stated he wanted to make a “cruel” film. And there it definitely succeeds with both. But does that make it good? It is one thing to make people watching a feel rethink their positions on things; it is something else entirely when the goal is to just to make people feel ugly.

It can be argued that Bruce Lee Fights Back from the Grave is just as disgusting, though for completely different reasons. Released just three years after the death of Bruce Lee, the U.S distributors added a tasteless opening and title that have nothing to do with the actual plot. This was simply about capitalizing on someone’s death in the most crass way possible. The fact it stars Bruce K. Lea may be the most sensitive part of it all.

The actual movie has nothing to do with Lee or anything supernatural. It is a straight up action movie about a man trying to find his missing brother. It is filled with the wackiness that is expected of a martial arts movie from the 1970s. Unsurprisingly, it does not live up to anything done by Bruce Lee. The question is, should you spend an hour and a half of your life with it?

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Episode 269: Bruceploitation Month: 'Sting' (2024)/'Enter the Clones of Bruce' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 12 Apr 2024 13:06:16 +0000

Decades ago, Anne Rice showed us that placing vampires in the southern United States usually leads to great storytelling. While it is all rumors, there may be a new horror movie using the same formula. With names like Ryan Coogler and Michael B. Jordan attached it sounds interesting.

Killer clowns have been a thing for a very long time. You would figure that two guys who love horror movies would dig. At the very least, they would have seen the Terrifier movies. As it turns out, one of us has not seen either of them (unless you count the anthology shown on The Last Drive-In). The other saw the first one and did not really like it.

Believe it or not, neither of us are excited about the next installment. Does the Christmas theme at least have us intrigued? What is Art the Clown? Is it a bad thing when the only way to describe a horror movie is by its kills? We may not care for the franchise, but we have some things to say about it.

There was a time when sci-fi horror movies would pack drive-throughs around the country. Sting sounds like a throwback to that time. The story is about a young girl that finds a tiny space spider. As it grows in size, its appetite grows with it. What’s a pre-teen girl to do?

Is it possible for one character to ruin an otherwise fun little horror movie? What if everyone else is quirky and fun? There is a lot of good to say about Sting, but the stuff that is bad really stands out. Still, there is excellent production and some great scare shots.

It is impossible to overstate the impact of Bruce Lee. We have fond memories of him from when we were kids. Playing with nunchucks, watching Game of Death over and over, and even as stated in this week’s feature presentation Enter the Clones of Bruce, not believing he was a real person.

The documentary about Bruceploitation is a fantastic one that focuses on one of the strangest sub-genres of film that exists. In between stories of stand-ins from around the world and directors willing to sink to unbelievable lows is a story about a man that was admired by the entire world. Enter the Clones is a fantastic look at guerilla filmmaking that also remembers an absolute legend.

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Episode 268: 'Under the Skin' (2013)/'Glorious'(2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 5 Apr 2024 13:14:29 +0000

We have franchises on our minds this week. We did not think The Pope's Exorcist was a big hit. It underperformed at the box office and any time we heard about the Russel Crowe movie, it was just about how awful it was. Apparently, it has gathered a cult following. How big of a fanbase? Would you believe a trilogy? We also talk about the new Matrix movie and the importance of knowing when to quit.

Scarlett Johansson is one of the biggest movie stars in the world. Big as in second box office grossing actor in the history of movies. She has acted in a number of different genres and is known the world over. But even she has starred in some films that did not set the box office on fire.

Released in 2013, Under the Skin is one of those that did not do as well. As in, it failed to recoup its $13 million (!) budget. We talk about the guerilla filmmaking, Johansson's amazing performance, and why audiences will have trouble getting into it. Is this the best work on an impressive resume?

It seems like we are seeing a Lovecraft renaissance. The horror author has been a big influence for many, but his views have left him person non grata for a long time. But every week seems to bring us a new work inspired by him. (To be fair, Lovecraftian themes and ideas have never gone away.)

What is especially fun about this latest way of Lovecraftian horror is its willingness to try new themes. Take 2022's Glorious. The Shudder original takes many familiar themes and puts them in a road stop restroom and makes a glory hole central to the plot. Does it work? And what about that wild twist?

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Episode 267: Easter Horror 'Easter Bunny Massacre: The Bloody Trail' (2022)/'Easter Bloody Easter' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 29 Mar 2024 12:54:15 +0000

It is not often that we cover box office blockbusters. There is the occasional special edition, but most of the films we cover tend to fly under the mainstream radar. Late Night with the Devil does not change that, but it has done some interesting business. But as is par for the course nowadays, it comes with a bit of controversy.

We love hearing about movies that have taken things too far. The First Omen had already hooked up thanks to its awesome trailer. It was recently revealed that it was almost rated NC-17 - and not for the reasons you might think. This certainly sounds exciting at first, but are there ulterior motives behind this revelation?

There are some names that are common throughout horror. There are plenty of movies called “The Curse” or have “Revelations” in their title. And while you wouldn’t think there would be two movies called Easter Bunny Massacre, it should not be that shocking. The fact that they are both about friends who share a dark secret having a reunion before being picked off by a killer dressed in an Easter bunny outfit is certainly strange.

Obviously, it takes elements from I Know What You Did Last Summer, so it should come as no surprise that it borrows liberally from Scream. But when do you cross the line between homage and rip-off? (Here’s a hint; taking scenes word for word and shot for shot is a little much.) Easter Bunny Massacre: The Bloody Trail sounded like dumb fun, but just ended up being dumb.

There was no way that Easter Bloody Easter was not going to provide some sort of entertainment. Its story involving a killer jackalope and an army of killer bunny rabbits was just too silly. And the climax provided the kind of bonkers excitement that we knew we were going to get.

Regrettably, that was the only part of the film that lived up to its promise. How do you get the tone wrong in a ridiculous comedy horror? Include a toxic relationship and alcoholism for starters. And that is just the start of many problems in Easter Bloody Easter? Were the genuinely funny moments enough to overcome its many flaws? And will we ever do another Easter episode again?

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Episode 266: An interview with Joe Bob Briggs & freaky found footage!

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 22 Mar 2024 12:47:19 +0000

Since its 1988 release Beetlejuice has been a fan favorite. The story mixes outrageous moments of humor and horror while the characters are some of the most memorable in film. We knew there was no way to avoid it, but there was no need for a sequel.

And yet decades later we are presented with Beetlejuice Beetlejuice. As with any remake, it was hard not to greet the news with trepidation. The original was such a big part of our childhoods we did not want to see it sullied in any way. That being said, the recently released first look photos do look promising - even if it is hard to not be a little disappointed.

Another big part of our younger years was Joe Bob Briggs. MonsterVision introduced us to different types of horror. He was funny, informative and spoke directly to his fans. This week we are very happy to have an interview with Joe Bob.

The Loveland Frogman may not be as widely known as other cryptids, but the creature is popular enough to have been named the city mascot of his hometown. A documentary about it would be interesting, but a fictional movie would not be the worst idea. Especially if it is found footage.

Frogman goes the route of The Blair Witch Project. It is set in the woods and involves a trio of friends, with one of them on an obsessive hunt to find the truth. It is also slow, meandering, and lacks any layered characters. In other words, it is a found footage movie.

The question becomes does it have enough to overcome these faults? For much of the time, the answer is a hard no. But when Frogman is at its best, it is proof of just how awesome the genre can be. It may not be enough to make it all worth watching, but not many movies have a frog creature wielding a magic wand.

Late Night with the Devil is already one of the best reviewed horror movies of 2024. Of course what critics think and what audiences feel can be two drastically different things. So, what did two guys who just watch movies think?

For starters, it has something that is rarely seen in these types of films; there is actual character development. We discuss how Late Night with the Devil manages to remain grounded despite the outrageous premise. We also talk about one of the creepiest performances we have seen this year.

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Episode 265: From SXSW: 'Dickweed'/'Dead Mail'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 15 Mar 2024 13:14:40 +0000

Sure, the Academy Awards are a joke. But they are usually good for something. No, it was not an opportunity to make a real social statement. And who cares about Donald Trump’s nonsense? The Satanic ritual smack dab in the middle of the ceremony, however…

It has been a tough year for the Scream franchise. When everything hit the fan a few weeks ago, it looked like there was nothing that could save the fan favorite series. We thought there was one thing that could turn people’s opinions around, but we also thought there was one hope to make things better. Of course, that was never gonna happen. Until it did.

True crime documentaries are everywhere, which would be fine if they were not all so cookie cutter. The ones that have stood out recently are not the ones with the most gruesome or obscure cases. It is the docs that tackle the strange and offbeat cases that tend to be the most interesting.

Dickweed spoke to us for these exact reasons. Kidnapping, prison breaks, torture, and an amputated penis are all part of its twisted tale. The opening is fantastic and does a great job of drawing in its audience.

So, where did it go wrong? Was it the on the nose title which may be the laziest we have ever come across? Or was how it was able to take an exciting story and completely suck any fun out of it? Maybe it is the strange decision to ignore the most interesting parts of the story and spend way too much time talking to one of the most insufferable interview subjects ever? Whatever the case, Dickweed is incredibly disappointing.

Dead Mail is weird. (What may be stranger is that one of us was actually familiar with one of the strangest parts of the film.) The plot sounds straightforward enough. A dead letter investigator is presented with a bloody note requesting help. His investigation leads to a dangerous situation that may be too much for him to handle.

In that simple premise, FILMMAKER constructs a tale of friendship, betrayal, and synthesizers that will keep anyone watching on their toes. From the unusual structure of the plot to its emphasis on music, we try to break it all down. Is Dead Mail too much or is it able to find the right mix of avant garde filmmaking and sheer horror?

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Episode 264: Dune: Part II Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 8 Mar 2024 14:00:28 +0000

There have been plenty of attempts to adapt Dune, but none seemed to have captured the magic of the source material. Is Frank Herbert’s classic unfilmable? Whether you are a series expert or are just watching the new films in a vacuum, there are some noticeable flaws in the movie.

Characters are a big part of the movie, and there is one who stands out from the rest. We talk about the amazing performances, the baffling decisions, and how Dune: Part II’s most important character is done a disservice. We also talk about how it managed to pack the cast with big name stars without making any seem underused - kinda.

Dune: Part II also shows how it is possible to have an epic movie without any epic moments. Anyone who watched Spider-Man turn to dust will never forget that moment. Nothing remotely close ever happens in Part II, though it tries extremely hard.

Plus, our pro tip on how to get the most out of the new Dune movies.

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Episode 263: Look Before You Leap: '13/13/13' (2013)/ 'Amelia's Children' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 1 Mar 2024 13:47:23 +0000

It’s something of a throwback episode for Look Before Your Leap week. We review two nonsensical movies: one is a release from The Asylum and the other is a Portuguese import. Both are fun in their own way, but one is horrible while the other has to be seen. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful. Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1. Music in the background from https://www.FesliyanStudios.com

Episode 262: She's Lost Control: 'Night of the Cobra Woman' (1972)/"Stopmotion' (2024)

nathaniel@aiptcomics.com (blake heath, Nathaniel Muir) — Fri, 23 Feb 2024 13:47:05 +0000

We may give our opinions on a few movies each week, but it is rare that we go back and remind the audience that they have to go out and watch something. Lovely, Dark, and Deep is the rare exception. We have absolutely gushed about it since we first saw it last year and are glad to see it has finally been released in theaters. There are a lot of options on what to spend your theater bucks on, but this is an absolute must-see.

True Detective: Night Country was over before it began and we have a lot to talk about. We also discuss just how close the world came to getting a Truth or Dare 2 (not the Madonna version). But the strangest news of the week just may have been who has been attached the the Bee Gees biopic.

Night of the Cobra Woman is a strange movie. The story of a woman who is bit by a cobra who apparently has to sleep with men to remain young never really materializes. A person's first appearance sees assault then kill a woman while his last scene is him saving the day. People realize their significant others are in danger and just leave. Nothing makes sense and it looks like everyone involved had no idea what they were doing. At least the make up effects were good.

Stopmotion is the exact opposite. The story of a talented artist who becomes obsessed with their work is not new to horror. But the performances, effects, and storytelling in the film are fantastic. Though this is live action, it also includes some great animated moments. The horror is expertly done and there is something for all genre fans to enjoy.

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Episode 261: Toxic & Erotic: 'The Lair of the White Worm' (1988)/ 'No One Would Tell' (1996)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 16 Feb 2024 13:54:56 +0000

When over 100 million people watch something, there is no way we can avoid talking about it. We discuss our favorite trailers from this year's Super Bowl. And yes we chose to talk about Knuckles instead of Wicked. And was there a commercial for Scientology during the big game or are people just messing with us?

Bram Stoker is a horror icon, but not in the same way as other creators like Stephen King or John Carpenter. Stoker is known for Dracula and nothing else. It is the rare case where the work has completely overshadowed the author. Still, "Bram Stoker's Dracula' still carries a lot of weight to many more than just horror audiences.

But when you ask people to name any of Stoker's other works, the question will probably be met with a blank stare. in 1988, director Ken Russell gifted the world with his take on The Lair of the White Worm. Sexy, sensual, frightening, and an assault on the senses, the film is an underrated gem that we could not say enough good things about as hard as we tried.

After school specials went away a long time ago, but those who are old enough, remember them fondly. Though it was a Lifetime movie, 1996's No One Would Tell definitely fits in the category. Its story of a high school girl being abused by her boyfriend is a powerful one that remained with anyone who saw it.

But how well does it work in 2024? Putting aside how strange it is to see Fred Savage and Candance Cameron star in a movie about respecting women, it is a very effective movie. There are some poor writing decisions that are impossible to ignore, but the tension, pacing, and overall tone make for an impactful watch.

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Episode 260: Fear the Unknown 'Gods of the Deep' (2024)/'Out of Darkness' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 9 Feb 2024 13:50:46 +0000

It seems like cult movies are a thing of the past. Sure, there are ones that find a big following on streaming networks, but it is not the same as the little films with the outrageous box art that was always rented out. They were the movies whose titles would spring up constantly even though they never played at a theater. Those day are definitely long gone, but one indie film is making noise in the United Kingdom.

We have talked a lot about the inglorious fall of the Alien franchise. We have also discussed how Fede Alvarez constantly disappoints us. Now that the two are together, is there any hope for either?

Gods of the Deep does not mess around. This means there is no character development and little in the story way of plot. But there is lots of Lovecraft. And the special effects are some of the best to be found in indie cinema. It is a brave decision to forgo pretty much everything that is supposed to make a movie worth watching. Does Gods of the Deep pull it off?

Even braver is writing a movie with a made up language and setting it 45,000 years ago. Out of Darkness does just that and gives it a horror twist. We talk about the surprising depth, how scary it managed to be, and whether it was still too pretentious.

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Episode 259: Teen Slasher Week 'Hide and Go Shriek' (1988)/'Departing Seniors' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 2 Feb 2024 13:53:52 +0000

There are not enough haunted attractions. There are haunts set up all over the country during October. And most cities have some type of ghost tour, but there are very few year round places that are devoted to horror. Blumhouse is doing something to fill that void. But can the studio responsible for The Exorcist: Believer and Truth or Dare really give horror audiences what they want?

There are so many zombie movies to choose from that even the good ones tend to be forgotten. 28 Days Later is one of the strongest entries in the genre and its sequel is not too bad. For years there has been talk of a third entry. We talk about the latest news concerning the movie and whether we want to see it.

There have been occasional resurgences, but teen slashers saw their greatest output during the 80s. The genre became so popular that it was even able to break into the mainstream. The decade also saw a number of knock offs that ended up becoming cult classics and fan favorites.

Maybe we are too old for Departing Seniors. A familiar premise with a modern perspective, the film had us wondering what today’s youth are really like. We are not sure if all of today’s high school students are pieces of crap or if it is just a case of poor writing? Where do you draw the line between bravery and cowardice?

One thing is for certain, the 2024 film is a great entry point for younger audiences looking to try out teen slashers. It does not have the cringier elements found in older movies while dealing with topical issues. It is also well acted and has a fun little story. There are some flaws along the way, but it is definitely worth checking out. If you ever wanted to see what would happen when Karate Kid III and Saved by the Bell met, then this is the show for you.

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Episode 258: Let's Dance 'The Death Tour' (2024)/'Realm of Satan' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 26 Jan 2024 13:49:40 +0000

We began the year by talking about the movies we liked the least and most from 2023. Unsurprisingly, we had little crossover with the Academy Awards but the Razzies did have some of our picks, but is that a good thing?

Oppenheimer was one of the biggest movies of the year. So why did it take so long to get a Japanese release date? The answer might surprise you. We also talk about the Chinese box office and how it can affect our show in the future.

The Death Tour is probably not about what you think. Screening at the Slamdance Film Festival, the documentary is about a pro wrestling tour that takes place in the Northern Territories. When it comes to wrestling, it is fairly simple to deliver a compelling product. All it takes are engaging stories and a storyline.

This film definitely has interesting personalities. It has the normal tales of self-doubt and redemption found in these types of documentaries, but it also brings different stories and themes that would set it apart. Regrettably, The Death Tour makes decisions that would make it a difficult watch for even fans of the sport.

Realm of Satan is already getting a lot of flack. Made in collaboration with members of the Church of Satan, the documentary is not an exploration of the inner workings of the organization. Instead, it is an experimental film that seems to be about people. It is certainly not for everyone.

Due to its structure, it managed to be both entertaining and plodding. The moments that were the stereotypical view of what a Satanist is impressed us the least while the scenes that were more grounded were way more interesting. Shocking and silly, Realm of Satan is one of the most unique looks at Satanism you will ever see.

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Episode 257: Just Your Average Vampire 'A Vampire in the Family' (2023)/ 'Sunrise' (2024)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 19 Jan 2024 14:00:45 +0000

Dune: Part 2 is slated to be one of the biggest releases of this year. What better way to commemorate its release than to revisit David Lynch’s version of the Frank Herbert classic? Forty years after its controversial initial release, Lynch’s Dune will see a limited release in theaters.

Is there anything more that we need to say about The Exorcist: Believer? We have made it clear since watching it that we absolutely detested the sequel to one of the most important horror movies of all time. The latest news of the project - and its planned future - have us both thinking about the future and past.

When we first discussed the trailer for Netflix’s A Vampire in the Family, we were pleasantly surprised. It looked like good old fashioned goofy fun. Little did we know that we would be introduced to what has to be one of Brazil’s most cherished comedic treasures.

We have covered a lot of strange films on our humble little podcast. None have straight up confused us like 2024’s Sunrise. The story somehow becomes more confusing if you pay more attention to it. The fact that it is a vampire movie without an actual vampire is strange enough, but add flashbacks that make no sense, characters that do things without reason, and a backstory that brings nothing, the film left us speechless.

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Episode 256: Our favorite movies of 2023

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 12 Jan 2024 13:54:53 +0000

Before we gush about 2023, we talk about one of the most underrated remakes of all time. Largely ignored at the time of its 1988 release, The Blob is an excellent remake of a sci-fi classic. With the news that David Bruckner is attached to the next iteration of the film, we talk about what excites us - and why Bruckner has his work cut out for him.

A lot of big news came out of Hollywood this past year. From strikes to a billion dollar phenomenon, the movies were constantly in the news. So much so that many films were overshadowed by it all. That being said, it was a great year for genre cinema. From January all the way through December, we kept seeing awesome movies.

But which ones did we like best? Naturally, there is horror talk, including two of the biggest releases (at least for horror fans) of the year. But we also talk about lost sub-genres, the direction true crime can take, and The Booty Boys. It is a eclectic episode this week.

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Episode 255: Least favorite movies of 2023

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 5 Jan 2024 14:11:42 +0000

Before we get down to business, we talk some movie news. Mickey Mouse has entered the public domain - sorta - and on cue a pair of horror movies and video game were announced. When the same thing happened with Winnie the Pooh, people were amused. This announcement has been met with widespread anger and we cannot figure out why.

The news of a new horror prequel arriving in 2024 is no big surprise. Still, it is hard not to get excited after seeing the trailer for The First Omen. Great music and the use of reverse footage looks fantastic. The Omen is an excellent movie that often gets overlooked, and we are looking forward to seeing what the new movie will do.

An episode like this one requires a disclaimer. This week’s show is all about our least favorite movies of 2023, and while we may use the word “worst” interchangeably, it is not our intent to insult that work that was done by the cast or crew of any of these films. Each one is discussed in a vacuum and we understand that everyone involved has and can do great work.

That being said, these movies sucked.

From big budget mainstream theater releases to smaller indie films making their festival run, we talk about the movies that we enjoyed the least. It is a varied list that sees us talk about Dracula, true crime, and one of the greatest horror movies of all time. And for the first time ever, we drastically disagree about one of the worst picks.

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Episode 254: New Year's Evil: 'Angel Baby' (2023)/'Blackwood Evil' (2000)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 30 Dec 2023 03:33:16 +0000

It has been a tumultuous few weeks for Scream VII. After losing its two leads, the movie was rocked with the news that its director had quit. There will still be a future for the popular franchise, but should there be? American television is a strange thing. Shows either go on for too long or are canceled before their time. It is rare to see a series come to a satisfactory end. But it looks like that is exactly what is going to happen with What We Do In the Shadows.

When we spoke about the trailer for Angel Baby a few weeks ago, we both agreed it looked like generic fun. Well, we were half right. Filled with familiar tropes, the film is perfect for Escape to the Woods subgenre. It is its attempt to do something different where things fall apart. Filled with interesting ideas but little else, it ends up being a huge disappointment.

We love found footage movies. Even the flaws that come with them are easy to look over - even if they can be annoying. The origins of the genre are murky. While there is no doubting The Blair Witch Project brought it to the mainstream, it certainly was not the first. What people choose to count as found footage is where the confusion comes in.

One thing there is no debating is that Blackwood Evil is the first found footage movie to attempt to capitalize on the success of Blair Witch. (Well, if nothing else, it is one of the first.) There is a reason most people have not heard of it. The production is awful; some scenes cannot be seen, while others are impossible to hear. The acting is atrocious and there is not a hint of anything scary until over an hour has passed.

So, why did we like it so much? This is definitely a movie you have to grade on a curve. It was released over two decades ago when there was not much of a template to follow. The characters may be the most realistic ever seen in found footage and the lack of polish actually works to its benefit. It would not be accurate to say that Blackwood Evil is a good movie, but it is one that should be seen.

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Episode 253: Last Holiday Episode 'Mister Organ' (2023)/'Anna and the Apocalypse' (2017)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 22 Dec 2023 13:55:49 +0000

There is a surprising amount of genre film news this week. Godzilla Minus One has done well among critics and audiences. This has led to a re-release that sounds pretty cool. For the time being, it is only in Japan, but we are sure it will come to America. We also talk two upcoming sequels. One has us excited; the other? Not so much.

We have been planning on talking about Mister Organ for weeks now. The documentary sounds innocent enough. An investigative reporter finds out about a strange parking scam and decides to follow up. It ends up being a mistake that changes his life for the worse.

The titular character is one of the most terrifying people ever captured on film. He is manipulative, calculating, and always seems to be one step ahead of everyone. We talk about how unremarkable he seems to be (this adds to how frightening he is) and how Mister Organ uses interviews and lots of conversations to showcase how terrifying he is. This includes an epic rant from Blake.

We close out our holiday horror shows with the world’s only zombie apocalypse musical. When Anna and the Apocalypse was released six years ago, it seemed destined to be a Yuletide regular. So why did it fail to even reach cult status?

The simple answer is that it is not that good. The idea is creative and the setting is perfect for what the creators had in mind. Unfortunately, the mix of comedy and high drama never effectively come together. The songs are decent, but derail the more serious aspects. The more horrific scenes take away all the fun. Anna and the Apocalypse is a mess.

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Episode 252 Stocking Stuffers: 'Emanuelle's Revenge' (2023)/'The Sacrifice Game' (2023)

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 15 Dec 2023 21:39:50 +0000

It has been a while since we last talked about video games, but some announcements at The Game Awards sparked our interest. (At least on the show.) We also speak about Smile 2 and its imminent release. Plus, how the change from Ryan Gosling to Christopher Abbott in Wolf Man may actually be a good thing.

Whether the original French or the Italian spin offs, the Emanuelle franchise holds a special place in the memories of a certain age group. Short on plot, but highly sexual, the films eased the transition into young adulthood. Most would be hard pressed to remember what they were actually about, but they still managed to leave an impression.

Emanuelle’s Revenge is the latest installment and, unsurprisingly, it has its share of sexy moments. In what will be a surprise to many, the story takes precedence. Highlighting it all are some strong performances, with Beatrice Schiaffino stealing just about every scene she is in at the titular and titillating lead. But do all the pros outweigh the cons?

This week’s feature presentation is the latest feature from Jenn Wexler. The Sacrifice Game is a holiday horror movie that could have been something special. There are great performances, strong characters, and a fun premise. If only the ending were a little stronger…

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Episode 251: Holiday Horror 'A Creature Was Stirring'(2023)/'It's a Wonderful Knife' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 8 Dec 2023 15:23:02 +0000

Hollywood was crippled by strikes earlier this year. This led to a number of delays and changes including Dune: Part II. Thankfully, some great character posters were released. We also talk about one of the least talked about movies from one of our favorite actors. Plus, a look at the potentially great genre offerings coming at the end of the first week of December.

A Creature Was Stirring sounds like it is going to be a goofy holiday horror movie. A mother carefully takes care of her daughter who is suffering from a mysterious sickness. When two burglars great into her home, she is forced to confront her checkered past. Along the way, there is a unique creature, some well done Christmas vibes, and a pretty creepy story.

It's ending completely through us for a loop. It all but ruins every bit of goodwill that has been built by introducing a plot twist that makes little sense in the context of the story. We try to make sense of it and disagree over what it means for the movie as a whole. It also leads to the requisite conversation about whether Die Hard is a Christmas movie. (Spoiler alert: it isn't.)

It's a Wonderful Knife is a title that seems to trap a movie into being little more than a spoof. While there are some allusions to the Frank Capra classic, the 2023 film brings some fun new elements. There are great characters, a fantastic villain, and well paced story that does not waste any time. It is an overall great addition to anyone's holiday horror catalog.

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Episode 250 Banned Movies: 'No Reason' (2010)/'Beyond the Darkness' (1979)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 1 Dec 2023 20:54:27 +0000

Last week came some stunning news that seems to have crippled the Scream franchise - at least for the time being. What does the future hold for one of horror’s most iconic series? Perhaps even more stunning has been the success of Blumhouse Five Nights at Freddy’s. Against the odds, it has become the studio’s highest grossest movie of all time. We also talk about the Nosferatu adaptation from Robert Eggers.

Over the course of 250 episodes, there has been no more appropriate title than 2010’s No Reason. Graphic depictions of oral sex and babies being shot in the head are just a taste of what this extreme horror film has in store for anyone who dares to watch it. A series of random horrific things happen over the course of one grisly hour and even though a twist near the end tries to explain everything, it ends up being little more than shock cinema.

Sometimes it seems like the Video Nasties list was made specifically for Italian horror movies. One filmmaker who constantly caught heat was Joe D’Amato. Antropophagus was banned for its scenes of a monster strangling a pregnant woman then taking the fetus from her womb and eating it. One of the Emanuelle movies he was in charge of featured a scene in which a woman ejaculated a horse. D’Amoto may not be on the same plane as Dario Argento or Lucio Fulci, but he definitely left his mark.

Beyond the Darkness may be the perfect mix of sex and violence. Having plenty of each but not going overboard with either, the story pulls audiences in while disgusting them. The music (done by the always awesome Goblin) enhances the atmosphere, and while the story can get goofy and hard to understand, it is consistently fun.

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Episode 249: Thanksgiving Special Edition: 'Thanksgiving'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 24 Nov 2023 15:17:35 +0000

SPOILER ALERT! AS WITH EVERY SPECIAL EDITION WE WILL BE DISCUSSING SPECIFIC PLOT POINTS

Eli Roth is a lot like Rob Zombie. (Or is it the another way around?) That is a bold statement, but we talk about what the two horror fans have in common - and it is not the fact they both had trailers in Grindhouse. The difference is Roth knows how to put together a movie. Still, there have been some missteps along the way. Does Roth let his worst instincts take over Thanksgiving or is it more like the classic Cabin Fever?

It is hard to talk about any high school slasher made in the last quarter century without talking about Scream. The movie deconstructed horror and its influence is still felt. It is a very high bar, and most films do not even come close to meeting that lofty standard. We break down the things that Thanksgiving was able to succeed at and what did not work as well.

Whether they are there to be fodder or provide some level of depth, characters are an important part of any slasher. Thanksgiving has a surprisingly strong cast that do an excellent job getting audiences invested. But the thing most people will watch the movie for are the kills. The opening segment will clue in anyone watching. We discuss how well things were done and one of the most disturbing scenes we have watched all year.

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Episode 248: Origins of Horror: 'Leprechaun: Origins' (2014)/'Hell House LLC: The Carmichael Manor' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 Nov 2023 15:26:45 +0000

We may not have spent much time talking about it, but the actors strike loomed over our humble little podcast. Now that it is apparently over, we talk about the ramifications it had and what it means for the future. We also have a discussion about the the prequel to Stephen King's It, Welcome to Derry. There are plenty of stories to be told and the possibilities for a strong King property are there.

Leprechaun is a strange franchise. It is well-known with even people who have never watched any of them being able to name some of the movies in the franchise. And the titular character is a popular one. It is a smaller series whose first two entries were released in theaters before the rest went straight to video. Until 2014's Leprechaun: Origins.

The WWE Studios release is an interesting one that moves the franchise away from its comedy horror roots and goes all in on the scares. The jokes have all been removed and the film has become a creature feature. How well does it work? Well the fact that the next entry was a return to what the Leprechaun is known for says it all.

Hell House LLC is another franchise that does not have the largest fanbase. While there is not one villain, there is an overarching story. The fourth installment adds to the lore while staying true to its original roots. We talk about the surprisingly strong characters, the straightforward storytelling, and whether we would want to see more of the found footage movies.

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Episode 247: Squeal Like a Pig Week: Winnie the Pooh: Blood and Honey (2023)/'Squealer' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 3 Nov 2023 12:46:45 +0000

Hollywood has all but come to a complete halt in recent months. One thing that has not changed is the news of more installments of established franchises. We talk about the interesting history of Highlander, the odd decision to make another Hocus Pocus movie, and how we feel about each one.

We all knew that Winnie the Pooh: Blood and Honey was not going to set a new standard. It was clear from the beginning that it was going to coast as far as it could with its beloved children’s story adapted into a horror movie concept. If done correctly, that would be more than enough to make for a fun little horror movie.

Instead, it did the bare minimum. There is no story, characters, or even a proper ending. The filmmakers decided that the idea of a Winnie the Pooh horror movie would be enough to attract attention and instead gave audiences a pointless slasher with some admittedly awesome kills. So what can other horror movies learn from it?

Squealer has a strong opening and an interesting premise. At worst, it seems like it will be an engaging story. A lack of strong characters, a story that is way more filler than killer, and a number of subplots that add nothing make it a chore to sit through, however. Do a couple of gross moments save things. And what is Tyrese Gibson doing in it?

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Episode 246: Halloween Traditions: 'Spirit Halloween: The Movie' (2022)/'Hayride to Hell' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 27 Oct 2023 12:49:20 +0000

Viewing habits have changed drastically over the years. We talk about how delays have become a bigger part of the film calendar than ever before and how it now seems to take more than tentpole franchises to draw audiences. Plus, Mike Flannagan has another Stephen King adaptation coming and you may be surprised to hear who is part of the cast.

We have not done too many - if any - family friendly horror. This may be because there is so little to find on Shudder. This week’s show covers both bases as we cover a scary movie that the kiddos can watch and enjoy from the supernatural streaming network. The fact that it takes place in a Spirit Halloween should seal the deal for all the young ones in your house.

Spirit Halloween: The Movie is a straightforward story about a group of friends who decide to spend the night in the titular store. While there they must deal with a vengeful ghost. There are no twists or surprises and it is very much a “what you see is what you get” plot. It is perfect for a younger crowd, but it did not sit well with one of us.

Two horror icons teaming up for a horror movie centered around Halloween sounds like a good idea. Especially with a premise as goofy as the one Hayride to Hell gives audiences. But when the story is about a white man refusing to give up his land due to tradition is the least of the problems the writing has, you know you are in for a tough watch.

Hayride to Hell makes a strong case for most tone deaf movies we have ever covered. Even forgetting the protagonist who does not feel he has to pay back his bank loans, respect his neighbors’ legitimate concerns, or hire police for the crowded traffic, it is also incredibly misogynistic. Even if it were a 1970s exploitation flick, you would think they went too far.

We were both on the same page scripting-wise, but we were in entirely different books when it came to the performances. We all know Kane Hodder is a great villain, but how is he as a smarmy asshole? And is Bill Moseley' wacky performance able to save this awful film?

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Episode 245: True Crime Week: 'The Man in the White Van' (2023)/'Last Stop Larrimah' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 20 Oct 2023 12:58:15 +0000

To call Piper Laurie an underrated genre icon would not be entirely correct. She was an award winning actress who grabbed the spotlight in pretty much everything she was in. It is not until looking at her entire career that her contributions can be truly appreciated. We also revisit the idea of a Halloween television show and talk about the future of the V/H/S franchise.

True crime stories have real life horror naturally built into them. The Man in the White Van decides to lean into horror tropes and gives an almost slasher feel. It is a good idea in theory, but the execution makes for one of the worst things we have seen this year. From confusing editing to an ending that fails to work on any level, we go over everything it did wrong while trying to find something good about it.

At the other end of the spectrum is Last Stop Larrimah. For obvious reasons, there are not a lot of lighthearted true crime documentaries. This HBO documentary looks at the mysterious disappearance of a man living in the Australian outback. He lives in a small town of eleven people, and everyone is a suspect.

The film is able to mix humorous moments into its dark story without ever taking away from the gravity of the case. It is a bit of fresh storytelling that injects life into the genre. The already interesting case is made even more engaging thanks to the way in which everything unfolds. It is easily one of the better things we have seen this year.

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Episode 244: 'The Exorcist: Believer' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 13 Oct 2023 12:43:04 +0000

SPOILER ALERT! AS WITH ALL SPECIAL EDITIONS, WE HOLD NOTHING BACK AND DISCUSS MAJOR SPOILERS!

There is so much to unpack when it comes to The Exorcist: Believer. How the rights almost cost half a billion dollars. The fact there is literally not one exorcist in the movie. Trying to connect it to the original. But we mainly talk about how disappointed we were. Do we have ourselves to blame?

It is hard not to go into some movies with high expectations - especially ones that have trailers as awesome as The Exorcist: Believer. As much as we anticipated it, we knew it would have to be something special to be one of our picks for best of the year. So, we went in with clear heads and just wanted to like it.

That being said, the trailers did an excellent job of pumping us up and the name The Exorcist carries gravity. We talk about how both may have ended up doing more harm than good. Should this have been its own IP? We also discuss its place in the franchise and what it means going forward.

It has been half a century since the original was released and proceeded to frighten audiences for decades. Few expected for the new release to have the same impact, but will it have any appeal to new audiences? Will horror fans be willing to accept it? The power of Christ compels us to talk about everything - and little of it is good.

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Episode 243: Ride or Die Week: 'Scream Park' (2013)/'Spooktacular!'(2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 6 Oct 2023 12:42:58 +0000

Akela Cooper has become a low key regular on our humble little podcast. We raved about M3gan earlier this year and covered Hell Fest previously. We talk about her latest project which covers one of horror’s most popular tropes. Earlier this year, we were shocked to hear that Glen Danzig would be making an appearance at the Cannes Film Festival. He recently showed up at Fantastic Fest and made waves at a screening of V/H/S/85.

Nothing says Halloween like a good old fashioned haunted amusement park. (Not an amusement park that is literally haunted, but one that is horror themed, though the former is also really cool.) Scream Park from 2013 is a goofy idea that has promise for a fun horror movie. A scary park is having financial woes, so the owner decides to stage a series of murders to drum up interest.

It may not be the best way to get people to pay for your rides, but it works for an indie horror movie. And it was clearly made with love as it has horror vibes from the 1970s and 80s. But there are a lot of issues. From bad pacing to its poor treatment of its female characters - including a kill that is funny and gross for all the wrong reasons -, the film will constantly frustrate audiences.

Spooktacular! Will also bother those who watch, but in a different way. Again, it is a great idea; the documentary looks at the rise, fall, and lasting impact of Spooky World, the first haunted amusement park. There is lots of great archival footage and the whole thing is filled with a sense of nostalgia. But it also comes with a lot of filler. Constant clips of Vincent Price movies and incomplete tangents take away from the overall feeling. There is a lot to like here, but was it enough?

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Episode 242: 'Killer Nun' (1979)/'Demonic Toys: Jack Attack' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 30 Sep 2023 01:29:20 +0000

Last year was supposed to be the end of Halloween. It would have been the worst possible way for the celebrated franchise to end, but it was time for it to go away - at least for a lonnnnnng time. Hollywood is never afraid to keep recycling ideas, so we start the show with a talk about the future of the series.

Netflix has been a major player in the streaming wars from the beginning. What few remember and even fewer know is that it got it start as a DVD rental company with a novel idea. As that era ends, we reminisce about the early days of Netflix and the internet in general.

Video Nasties are an important part of horror history. A list of movies that were deemed as obscene and morally irrelevant were soon banned and their distribution became criminal. It was not until the end of the 20th century that the laws relaxed, if ever so slightly.

Killer Nun is an interesting inclusion. There are enough scenes that justify the decision to place it on the list, but it stands our from the rest. Less over the top and gory, the plot is based on true events. The mix of outrageous moments and grounded storytelling gave us plenty to talk about.

Full Moon Features is responsible for some of the most loved and disregarded franchises. One of the most overrated is the Demonic Toys series. We talk the latest addition and wonder what appeal it will have to modern audiences.

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Episode 241: 'Shaky Shivers' (2023)/'The Origin of Evil' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 22 Sep 2023 12:44:39 +0000

We love covering indie films. It is especially fun when you get to see something really special. Still, it is hard not to worry that these little movies will not find a home. We do not expect these releases to have Barbie levels of success (though that would be awesome); we just want audiences to have the chance to see them.

This is why channels like Shudder are so important. Movies like You’ll Never Find Me have an opportunity to be seen and hopefully appreciated. We also talk about the genius of Taylor Swift and the power of her fans. We also look ahead to the last full week of September.

Werewolves have an interesting place in horror. They are one of the most popular monsters, but they are often treated as cute or funny. A strange fate for a creature that is rooted in tragedy. Shaky Shivers is the latest werewolf film with a silly spin. We talk about its performances, comedy, and surprising tie to Fast & Furious.

When people talk about how they dislike foreign movies, they do not think of the works of Park Chan Wook or J-Horror. It is not influential giallo or the body horror from France that turns audiences off either. For whatever reason, people equate foreign movies as “too artsy”. This week’s feature presentation is a great example of why.

The Origin of Evil has all the right ingredients for a fun and twisting narrative. There are wacky characters, an engaging mystery, and some hard hitting moments. It is also strangely paced, constantly anticlimactic and the writing seems unsure of itself. It does just about everything well, but nothing stands out.

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Episode 240: Erotic Thrillers?: 'Undying Love' (1991)/ 'Dance with Death' (1992)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 15 Sep 2023 20:08:59 +0000

We love a good mystery. Hercule Poirot, ensemble casts, television shows, we enjoy them all. Though its target audience has always skewed older, we are huge fans of Murder, She Wrote. Recent news of a movie has us excited and we talk about who would make a great Jessica Fletcher. The 2019 Hellboy remake was a critical and commercial disaster. Still, few were surprised another reboot was in the works. The latest version seems to be taking a more streamlined approach but will audiences care?

Undying Love seemed like the perfect pick. It has a thumbnail reminiscent of something out of the 1990s, the plot follows a troubled youth being entangled with a beautiful vampire, and the word “erotic” constantly comes up in descriptions of the film. The fact that it came out in 2022, only made it that much more interesting.

We like to consider ourselves champions of indie film so when this movie that was released in 2022 looked like something from decade, it did not faze us. And as it turns out, Undying Love actually came out in 1991 though it looks like it was made in 1981. Even that would not be problem; the acting, story, and characters, however…

Dance With Death came out in 1992 and looks like it. With a cast that includes Martin Mull and Lisa Kudrow in her first credited screen role, the film certainly has star power. The story may be bare bones (a reporter goes undercover as a topless dancer to catch a killer), but there is plenty of intrigue and great characters. It certainly does not skimp on the nudity, but there is much more to the movie than a bunch of naked women.

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Episode 239: 'Transylvanie' (2023)/'We Kill for Love' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 8 Sep 2023 12:55:49 +0000

There is not much in the way of movie news this week (at least not the kind we are interested in talking about) so it begs the question: are the two ongoing strikes in Hollywood starting to shows their effects? On the other hand, it is one of the slower movie months of the year, so how much would there be to talk about even if things were going smoothly. Plus, there were plenty of posters and trailers that came out. We also talk about the career arc of Bill Maher.

It has been a while since we have talked about a short film on the show. This year's Fantasia Film Festival provided us with some of the best stuff we have seen this year. Transylvanie is an interesting short whose silly name will throw audiences off. Yes, it is cute and has some funny moments, but it is also very dark. We talk about where it fits in the plethora of vampire movies and whether we would be interested in seeing it as full feature.

We have never made it a secret that we love erotic thrillers. We dedicated a whole month to the genre (check out our Stank Month shows!) and have talked about it on numerous episodes this year. We have also been lucky enough to cover a couple of movies that came out this year that are reminiscent of the late night premium cable staples.

We Kill for Love is one of the best documentaries about cinema our there. It never takes itself too seriously without ever pointing fun at the genre that teenagers of the 1990s grew up on. It tracks the history of erotic thrillers and provides some interesting points. All the while, it will fill audiences with a sense of nostalgia. Even those unfamiliar with the movies will get a kick out of the great interviews and clips.

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Episode 238: 'Bootyology' (2023)/'The Black Mass' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 25 Aug 2023 19:59:52 +0000

Barbie finally relinquished the top box office spot in a close race. It was extremely close and did nothing to make us believe that the pink phenom is done at theaters. The question becomes will it reclaim number one? We also talk about National Cinema Day and why 50 Cent is so pissed.

Bootyology is a refreshing change of pace. Even the silliest movies we cover have an air of seriousness around them. A mockumentary about two white rappers who rap exclusively about butts has nothing serious to say, however. But is it too silly? Its subject matter means it is going to go for low hanging fruit. And as awesome as The Booty Boys are, the duo are incredibly dumb. Bootyology becomes a case of whether the pros outweigh the cons.

On the other end of the spectrum is this week’s feature presentation. The Black Mass is a true crime thriller about the twenty four hours leading up to a gruesome rampage. It is methodical, creepy, and has a third act that is hard to stomach. It is also about one of the most overused subjects in true crime.

Devanny Pinn did not make it easy for herself in her feature debut. We have talked about our dislike of Bundy films. Even if you ignore the fact that he is always glamorized, there is just a glut of releases centered around him. The Black Mass strips away all of the serial killer’s power and focuses on the evil around him, but did Pinn do enough to make it stand out?

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Episode 237: 'The Last Episode of the Demeter' Special Edition

nathaniel@aiptcomics.com (blake heath, Regina Chavez, Nathaniel Muir) — Fri, 18 Aug 2023 20:23:51 +0000

This podcast was recorded during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the work being covered here wouldn’t exist.

SPOILER ALERT!!! THIS IS A SPOILER FILLED REVIEW OF THE LAST VOYAGE OF THE DEMETER

As iconic as Dracula is, there are not many blockbusters centered around him. The most well known ones enter the pop culture lexicon and have long lives. Except at the box office. The vampire movies that have sprung from Bram Stoker’s novel are a different story.

The Last Voyage of the Demeter is a take on a chapter from the original book. But it is really a story of missed opportunities. We talk about all the strange plot holes and constant teases. This includes one of the worst attempts at social commentary ever seen and the misuse of a number of great actors.

We tried to judge the film on its own merits, but it’s hard not to compare it to the source material. As the trailers have shown, The Last Voyage of the Demeter leans into the monster aspect of Dracula. How well did it showcase its powers? And what did we think of its sequel baiting ending?

For all the bad, we actually had some good things to say. Not everyone may be a fan of one of the most debonair horror figures being turned into a mindless beast, but it looked pretty cool. Plus, there is some good gore and exploding bodies. But is it enough?

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Episode 236: Zach Passero talks 'The Weird Kidz'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 11 Aug 2023 12:43:54 +0000

It has been a Barbie world for the past few weeks. On our last episode, Blake made a bold prediction. We check up to see how well his comment aged and also go back to a time before “Go Ninja! Go Ninja! GO!” had entered the lexicon to see how well the Ninja Turtles of three decades ago would have fared against Greta Gerwig’s blockbuster.

Scary movies and coming of age stories traffic in the familiar. This is not a bad thing. The relatability and comfort they bring is part of what makes them so popular. Zach tells us why he married the two genres and his inspirations for the story. He also shares the process behind making The Weird Kidz and its future.

Zach came bearing gifts. He decided to stick around to talk about 1986’s River’s Edge. When Dennis Hooper is the most reasonable adult in the room, you know there are problems. Possibly the darkest teen movie ever, the film explores the lives of a group of friends after one of them commits a shocking act.

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Episode 235: 'The Passenger' (2023)/'Natty Knocks' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 4 Aug 2023 20:10:19 +0000

Barbie continues its box office onslaught but how did it fare against Haunted Mansion? And what would have happened if it came out at the same time in 2019? What kid has not at one point or another dreamed of being an astronaut? Who has not gazed at the stars or wondered what is out there? How many have demanded the upcoming streaming service from NASA?

We have reviewed four movies with Kyle Gallner on our humble little podcast. From his underserved role in Smile to the amazing Dinner in America, the actor has shown incredible range. The Passenger sees him in another role unlike anything we have seen. But is that a good thing?

Teaming up legends Robert Englund, Bill Moseley, and Danielle Harris is a great way to draw in genre fans. And the sheer power seems like enough for a good time. With the rest of the cast putting in strong performances and the director of Halloween 4 at the helm, there is no way Natty Knocks could fail. So far hat happened?

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Episode 234: From Fantasia: 'Lovely, Dark, and Deep' (2023)/'Sympathy for the Devil'(2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 28 Jul 2023 12:55:13 +0000

The show starts with a talk about Barbie. It has been a strange year at the box office and Greta Gerwig’s latest release surpassed expectations in a record breaking opening. The question becomes what can stop it? It may not be until the October release of The Exorcist: Believer. The trailer sure looks awesome.

Fantasia is the biggest genre film fest in North America and each edition has some great offerings. This year is no different as it not only boasts some of the most exciting indie films of 2023, there is also a focus on South Korean cinema.

We start our look at Fantasia with the latest movie starring Georgina Campbell. How good is Lovely, Dark, and Deep? The great acting and setting alone make it one of the best of the year. The cinematography is also fantastic, but it is the story the truly sets it apart. It is not very often you see a movie that is so good that it actually makes you jealous.

Nicolas Cage as Dracula is awesome enough, but him possibly playing the Devil may be the greatest casting choice ever. Sympathy for the Devil definitely has its twist and surprises, but not all of them were good. We talk about what we like about it and what it did to disappoint us.

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Episode 233: Listen to Your Mother Week: 'Mother, May I' (2023)/'Cobweb' (2023)

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 21 Jul 2023 19:54:41 +0000

Without the labor of the writers and actors currently on strike, the work being covered here wouldn’t exist.

We have never been shy about our opinions on fair compensation. That being said, we have not formed an opinion on the ongoing actors strike because we have not done enough research. We do address the topic as it pertains to our show and also understand that this is an age in which people have to take a stand on every single issue, one way or another. Before shouting your opinion from the rooftops make sure you know what you are talking about.

Horror franchises drive the genre. Subtitles like Origins, Extinction, and Revelations are more common than iconic villains. The announcement of Pet Sematary: Bloodlines is somewhat surprising even though it shouldn’t be. We share our excitement and trepidation.

Another upcoming sequel that caught us off guard is Saw X. There is no doubting it is one of the most popular and well know series ever, but it seemed like it was going to be put on hold for the time being. But it seems like the Spiral is experiment is over before it even had a chance to begin.

We love Kyle Gallner, so it should come as no surprise that we jumped at the chance to see him star in a genre film. Mother, May I? is a thought provoking thriller that takes on mental illness, childhood trauma, and relationships. Heady stuff to be sure, but it is also a creepy horror movie.

Cobweb is a twisty film that will keep its audiences guessing. What starts off as standard fare soon becomes something much more sinister and frightening. After creating genuine concern, things go in another direction. The first twist had us both on board, but the second had us on opposing sides.

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Episode 232: Wacky Creature Features: 'The Flood' (2023)/'Final Cut' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 14 Jul 2023 12:39:04 +0000

It is the summer blockbuster season and that means week after week of memorable movies and huge box offices. At least, it did in previous years. We talk about the surprising successes and failures, the great showing of recent horror releases, and whether there will be a bonafide hit during the biggest movie time of the year.

Alita: Battle Angel came and went without much fanfare. When one of our biggest memories is that fact that a certain subset of people supported the film for the dumbest reason, you know there is not much the the actual movie. So, it came as a huge surprise when James Cameron recently mentioned how there is not one, but two, sequels planned for the surprising hit.

The Flood seems like a fun premise. A huge storm in Louisiana provides the perfect coverage for a daring prison break. Unfortunately, some incredibly angry alligators have different plans. Throw in plenty of fodder and some pretty gnarly gator kills and it sounds like a good time for all.

Yet, it somehow does not work. From overpowered characters to strange decisions, the film never seems able to find its way. It is a great example of a recent trend in Hollywood. This is arguably the best looking and simultaneously less sexy time in cinema ever. Does this lack of sex appeal hurt movies? Not necessarily. But it can add a layer to characters and storytelling when done right.

But would it help The Flood?

One Cut of the Dead is one of the most heartwarming and interesting success stories in cinema history. Still, it is surprising that a remake would come out of France. From an Oscar winning director! Final Cut is a loving remake that does not change much from the original. We debate the effectiveness of the characters and talk about the manipulative ending that somehow works.

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Episode 231: 'Horror in the Forest' (2023)/'Biosphere'(2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 7 Jul 2023 12:44:10 +0000

Clickbait has been around since the dawn of the internet. So, it is little surprise that the news of a third Dune movie sent shockwaves throughout the internet. Of course, there has been no confirmation there will be a trilogy, but that did not stop fans from celebrating and both of us from complaining.

For years, people have warned about the increasing reliance on streaming networks. The chance of shows and movies being lost forever means little to people who grew up during the 1980s. Back then, you only had a few chances to see the stuff you really wanted. But now that the media giants are beginning to remove shows, should we be worried?

DBS Films is a credit to the horror community. Their movies may not be the most well known, but they look to their fans to cast parts and even get ideas. This does not hide the fact that Horror in the Forest is not a very good movie. From poor acting to one of the flattest endings this year, it is a huge disappointment.

Biosphere is on the other end of the spectrum. The story of the last two men on earth running out of food sounds promising, but little else. Thanks to a pair of incredible performances and a heartfelt story that will keep audiences guessing, it exceeds all expectations. It deals in a number of topical themes while mixing in visual gags. It is risky, engaging, and a hell of a lot of fun.

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Episode 230: Chattin' about Chattanooga Film Festival

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 30 Jun 2023 12:59:32 +0000

When we spoke about the disappearance of Julian Sands in January , we took for granted that we would be found. Regrettably, his remains were found this week. He was a great actor who will be missed.

We admit it. There has been too much talk about comic book movies on this show lately. But the casting of Superman and Lois Lane is impossible to ignore. We give our opinions on the new actors and what it means for the DC Extended Universe.

It has been a while since we talked about cryptids. Our first review from Chattanooga is a look at America’s most famous mythical beast. At least, that is what it sounds like. Can you have a movie called The Bigfoot Trap and have no Bigfoot?

That is not the case here, but it sure does come close. Instead of being a story about the creature, the film focuses on its two main characters. It is a mixed bag that comes together in one of the best endings we have seen this year. But is it enough to save the movie?

We love found footage movies. The two of us are not the biggest fans of the term “POV movie”, but that does not take away from our enjoyment of the sub-genre. (We are just cranky old men who have a problem when it comes to change.)

Mind Body Spirit appealed to us because it is classic found footage with a modern sensibility. There are some creepy moments, some pretty neat gore, and yes, a computer cam. The film did a lot to impress us. So what stopped it from being something special?

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Episode 229: 'Venomous' (2000)/'Mad Heidi' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 23 Jun 2023 12:54:52 +0000

We start the show with a tale of two box offices. It does not come as a surprise The Flash has underperformed at the box office. It was definitely a combination of superhero fatigue, the DCEU never catching on, and Ezra’s Miller's past problems, but what factored in the most? And how far up his own butt is Wes Anderson?

The passing of Treat Williams was a major blow to genre cinema. Treat has been around for decades and was a great leading man. We decided to cover one of his more recent movies. And who would have thought that the best Covid movie ever was made over twenty years ago?

Surprisingly, Venomous was never mentioned during the phase when everyone was locked at home watching movies about global pandemics. From lockdowns to masks to citizens being subjected to fake news, the film about genetically engineered rattlesnakes is like a crystal ball from 2000. The great use of stock footage, big explosions, and frightening snakes pushed it over the top.

They do not make movies like Mad Heidi. It is an exploitation movie pure and simple. A great mix of sex appeal and over the top violence, it will appeal to fans of old school grindhouse offerings without pushing away modern audiences. Few indie movies are as franchise ready and Alice Lucy absolutely shines.

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Episode 228: The Good, the Bad, and the Soft & Quiet of the first half of the year

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 16 Jun 2023 15:29:18 +0000

Before we talk about movies, we talk about the passing of author Corman McCarthy. One of the best American writers of all time, McCarthy’s influence on cinema cannot be overstated. He was unconventional, but he was a true credit to American literature.

Remember when Fede Alvarez was a good director? A lot of people seem to since whenever they talk about him they are sure to mention 2013’s Evil Dead. That was a decade ago and he has not done anything worthwhile since. Which is just part of the reason his upcoming Alien remake has us worried.

Those aren’t the only complaints we had about upcoming movies. Disney recently revealed some changes to their upcoming releases, and it was wild to say the least. Unsure of what you want to watch in 2031? Looking forward to Blade? Can’t wait to see Rey’s next adventure in the new Star Wars movie? You better have patience.

We only review one movie this week, but it is one of the most memorable of the year. You’ll Never Find Me is a World Premiere from Tribeca that is unafraid to take risks. Lots and lots of risks. Methodical pacing leading to a wild ending, characters you don’t know what to think of, and tomato soup all play a big role in this Australian horror movie.

Our favorite episodes are the ones where we get to go back and recap previous episodes. And the midway point of the year is a great time to look back on the movies we liked the most, could not stand, and left us wanting more. You will be surprised by some of our picks.

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Episode 227: 'Somewhere Quiet' (2023)/'The Robert Englund Story' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 9 Jun 2023 12:51:49 +0000

Action movies just aren't our thing. Sure, there are exceptions like John Wick and Sisu, but for every Hobbes & Shaw, there is the entire Fast & Furious franchise. The Expendables has never caught our fancy and the poster for the latest installment pretty much sums up what we think of the entire series.

We spoke a few weeks ago about the surprising number of genre films that are showing at this year's Tribeca Festival. We start the show with one of fest's many world premieres. Somewhere Quiet is the story of a woman who has escaped an awful kidnapping. She and her husband Scott head out to the his house in the woods so she can regroup. The unexpected appearance of Scott's cousin leads to high anxiety.

We discuss the difficulty with getting behind certain characters, suspect writing, and an outstanding performance. There is plenty of good things in Somewhere Quiet, but is it enough to save its confusing ending? Or did the deeper meaning just fly over our heads?

Robert Englund is a true icon of horror. He may not want to admit it, and every person may not recognize his name, but there isn't a soul who does not know who Freddy Krueger is. But there is more to Englund than A Nightmare on Elm Street. Hollywood Dreams and Nightmares is an in-depth look at the actor's career.

The thing that comes across most is Englund's love of cinema and his humility. He is interesting and has some great stories to share. (He has been in the orbit of some of Hollywood's most influential films.) There is a lot of talk about Nightmare, but the documentary has a whole lot more to offer. We also about our newfound appreciation for Screambox.

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Episode 226: 'Spiral'(2019)/'Follow Her'(2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 2 Jun 2023 12:52:37 +0000

You know there is not much going on in the indie and genre world when the possible KISS biopic starts off the show. That being said, it is a fun discussion that includes street festivals, the mystique behind KISS, and what it is like to see the most mountains you have ever seen in your life.

What does Chris Rock have to do with queer horror? Not much. Then why are we covering Spiral? Believe it or not, there were actually two horror movies with the name released within a few months of each other. We cover the Shudder original about a same sex couple that move to a small town to raise their teenaged daughter. They soon learn their neighbors harbor a dark secret.

On the surface, the movie does a lot right. It presents a gay couple as nothing out of the ordinary, yet still makes the pairing a focal point of the plot. One of us had an epiphany watching Spiral while the other was unimpressed. And both of us agreed that for all the good it does, the film has a lot of flaws.

We have covered some sexy movies on our humble little podcast. We even dedicated a whole month to erotic thrillers. But few movies have been as sexy as Follow Her. We even wonder if we have ever covered a movie that is filled with this much lust. The story focuses on a social media influencer who accepts a job to complete an erotic novel. It soon becomes a game of cat and mouse that is titillating, suspenseful, and a whole lot of fun.

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Episode 225: Matt Angel & Suzanne Coote on 'The Wrath of Becky'/ The Attachment Diaries (2023)/ Shark in Venice (2008)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 26 May 2023 13:33:34 +0000

We begin with a talk about two of this year’s biggest and most controversial releases. The latest Indiana Jones film was met with a mixed reaction at Cannes. Meanwhile, on this side of the ocean the director of The Flash releases a huge spoiler. How is this good news for Indy and bad news for the DCEU?

One of our most popular episodes was a show we did centered around erotic thrillers. For whatever reason, we have not covered one in a long time. This week we return to the subject with a fresh take on the genre out of Argentina. The Attachment Diaries is a stylish neo noir that tackles some heady topics. The film is well-written, boasts two strong lead performances, and is unafraid to get graphic. But does pacing and an abrupt ending destroy all the good will?

There are arguably more movies about sharks than any other subject. There were so many that it was almost impossible to fin this week's feature on Tubi. Shark in Venice proves the number of good ones is much smaller. Are two big name stars (at least, the siblings of A-listers) enough to save a plot that is unsure of what it wants to be?

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Episode 224: 'Moon Garden' (2023)/ 'Soft & Quiet' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 19 May 2023 20:12:50 +0000

TRIGGER WARNING. ONE OF THE MOVIES THIS WEEK DEALS WITH SEXUAL ASSAULT AND STRONG LANGUAGE

There is lots of movie news this week. Beetlejuice is an absolute classic, so the news of a sequel was met with lots of excitement. But the original came out over three decades ago. And Tim Burton has not made a good movie in decades. And sequels made years after the fact do not tend to do well. Are we still excited? Plus, the surprising Five Nights at Freddy's trailer and Danzig's adventures on the French Riviera.

Moon Garden sounds like one of those movies that kids will love. It boasts fantastic imagery, outrageous characters, and an awesome villain. How did it end up being one of the most difficult films we have ever watched and why? In another case of style over substance we try to figure out the audience for this movie and question the casting.

We have covered some difficult movies on this show. Soft & Quiet may top the list. Both of use were left affected and have a lot to say. Perhaps surprisingly, both of us had drastically different opinions. We agreed that there were some definite flaws, but one of us would never wish this on anyone, while the other felt this is something worth seeing.

There is no doubting it is a topical movie, but is it an important film of this generation? Would it have made a greater impact if it were released in a different time? What was the point of Soft & Quiet and did it take things too far? All this and more on our latest show.

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Episode 223: 'BlackBerry' (2023)/ 'Smile' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 12 May 2023 12:37:02 +0000

A pair of interesting trailers dropped this week. With a sequel coming soon, We remember how Bird Box took the world by storm, and how much we did not care. For those who have not seen the trailer for Meg 2, rush to check it out. We saw it and were dumbfounded and amazed.

It is hard to believe just how popular the BlackBerry was. It is even more surprising that it’s rise and fall happened within the past quarter century. Starring Glenn Howerton and Jay Baruchel, the film about the world’s first smartphone promised some entertainment.

The film exceeds all expectations and expectations with great writing and outrageous characters. BlackBerry is less about the phone and more about the people behind it. There is some nostalgia, but the movie offers much more. It is an early contender for one of the best movies of the year.

Horror is constantly looking to its past to tell new stories. Smile is one of the most formulaic ones out there. It works thanks to some great performances, scary moments, and amazing imagery. We discuss its near perfect finale, how it deals with mental health, and how even old school storytelling can be a breath of fresh air.

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Episode 222: 'The Artifice Girl' (2023)/'Sisu' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 5 May 2023 19:42:42 +0000

We do not know anything about the current writers strike in Hollywood. But that won’t stop us from giving our opinions. Plus, the Dune: Part Two trailer and a new Babylon 5 movie.

Science fiction has long explored the intersection between humanity and technology. The Artifice Girl seems like it is going to be just another to add to the pile - an AI program used to catch online predators has advanced beyond its original purpose. It defies expectations, but will audiences like it?

During the opening weekend of John Wick 4, one trailer stood out. Sisu is an over the top, violent, and bloody World War II adventure. The story involves Nazis, gold, and a cute dog, but it is the bonkers action that is the real draw. Just because a movie is crazy does not mean it is good, however.

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Episode 221: 'Evil Dead Rise' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 28 Apr 2023 12:41:55 +0000

There is nothing we can say about our love of Evil Dead that has not already been said by Deadites around the world. So, it was a no brainer that we were gonna give Evil Dead Rise the Special Edition treatment. This is one of our most anticipated movies of the year and we could not wait to talk about it.

No matter your personal opinion of the movies, there is little arguing that Evil Dead is one of the most consistent horror franchises out there. Through sequels, remakes, and television series, it always delivers a strong product. We had little worries that we were in for a good movie, but that does not mean we did not have some trepidation going in.

One of the things Evil Dead is known for its wacky humor. The latest installment is closer to the 1981 original than the rest of the series. While it has some moments of humor, this is a mean horror movies. We talk about how well this tonal change worked. We also compare it to the subject of last week's special edition. Renfield catered to horror fans, while Evil Dead Rise invited in mainstream audiences while having some fan service. The box office results demonstrate how well that worked.

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Episode 220: 'Renfield' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 21 Apr 2023 12:50:48 +0000

***SPOILER WARNING!!! AS WITH ALL SPECIAL EDITION WE WILL BE DISCUSSING SPECIFIC PLOT POINTS***

Every trailer for Renfield made a few things clear. The film was going to be silly and it was going to be bloody. Very very bloody. There are lots of great comedy-horror movies, but when the mix does not work, it makes for a bad viewing experience. We talk about how well it worked here and how it is closer to The Naked Gun than Nosferatu.

Another big part of the trailers was the support group that Renfield appears to be a part of. They played a bigger part that some may expect. Even more shocking, they showcase some of the best writing in Renfield. But was it a little too much or the perfect addition to an already silly movie?

Renfield does not shy away from violence and has what will end up being some of the bloodiest scenes of the year. It was like a midnight movie brought to mainstream audiences. The film definitely knows it audience, not only ramping up the violence, but giving little in the way of a backstory. It is easily one of the most refreshing decisions in cinema in recent years.

Of course, the most buzz will be around Cage. The internet's favorite actor puts on another fantastic performance. We compare it to some of this other roles and gush about how Cage would be a mega star in any era. Does he live up to expectations or are we simply fanboying out?

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Episode 219: ‘Followers’(2023)/‘Cube’(2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 14 Apr 2023 12:51:39 +0000

We have never denied our ability to peek into the future. A few weeks back we talked about the lack of Star Wars movies. We really did not car, but it was surprising. And wouldn’t you know it, we get news is three new films. We also talk about another spinoff of from a major horror franchise.

Like most horror fans, we love found footage movies in spite - or maybe because - of all of their faults. The first film we review this week gave is a chance to review the a modern take on the genre. It is also an old school haunted house story that feels a lot like a slasher from the 1980s. It also has a third act that feels disconnected from the rest of the film.

Cube is one of those movies that everyone seems to know, but is never mentioned. In an era when only the most popular shows and movies are revisited, a Cube remake is shocking. Is the Japanese version an improvement or is it just another sequel. We talk about the themes it tries to tackle, the kills, and the twist ending.

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Episode 218: 'Fist of the Condor' (2023)/'Paint'(2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 7 Apr 2023 12:52:52 +0000

Johnny Depp has helped audiences through some difficult times. We are not talking about any of his movies. We mean his trial with Amber Herd which provided hours of entertainment during some dark moments. Just when it looked like Depp's career was over, he is back, and you will not believe where. Plus, our excitement over the cast details for MaXXXine.

We recently saw John Wick: Chapter 4 and loved every second of it. When he found out one of the cast was in their own kung-fu movie, we knew we had to watch it. And we were not surprised, as Fist of the Condor had one of the most satisfying endings we have ever seen. But the rest of it was a confusing mess. Was a Renegade reference enough to save it?

Anyone who sees the posters for Paint will immediately think of Bob Ross. While The Joy of Painting host was a major influence, the IFC film tells its own story. We discuss is varied comedy, well written characters, and the strange decision to completely ignore one of the major characters. We also discuss reason why the movie is receiving so much hate.

Plus, Genre of the Future!

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Episode 217: 'Capsules' (2023)/ 'Smoking Causes Coughing' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 31 Mar 2023 14:30:54 +0000

Leonardo DiCaprio is one of the biggest movie stars of all time. His new movie comes out this October. We talk about his penchant for working with the same directors and his history with horror movies. Plus, we discuss the scientifically proven scariest movie of all time.

Capsules has some cool ideas. It does a good job of building tension and has an interesting premise. But the writing ignores the characters, continuity, and its own logic. What good it does do is usually in scenes that do not make sense. Most of all, it is filled with privilege.

Smoking Causes Coughing is the most absurd superhero movie ever released. It includes heroes named after cancer causing chemicals, a talking barracuda, and lots of blood. It does not make any sense on paper, but it is one of the most interesting films to come out this year.

We also talk about a modern kung fu movie, a quick remake, one of the biggest releases of the year, and a new release from Shudder.

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Episode 216: SXSW Indies: 'Only the Good Survive'/'Satan Wants You'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 24 Mar 2023 12:51:44 +0000

A few weeks back we talked about 65. While we agreed it was an interesting idea, we were split about its prospects. As it turns out, it did not do so well at the box office. We talk about possible reasons why and the star power of Adam Driver. We have made no secret that if we hear a movie has been banned, it moves to the top of our must see list. Which country is refusing to show Winnie the Pooh: Blood and Honey and why?

Only the Good Survive is one of the most unique films to screen at SXSW. It's DIY aesthetics and punk attitude set the tone immediately. There are obvious influences to past cinema classics, but it is very much its own thing. This movie frustrated and angered us. So why did we spend so much time talking about how great it is?

The Satanic Panic was a big part of our childhoods, so a documentary about it would only draw our attention more if it was banned in a country. Satan Wants You does not just focus on one story, it focuses on what started it all. It had all the makings of one of the most interesting things we watched this year. Instead, it is one of the most disappointing.

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Episode 215: 'Scream VI' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 17 Mar 2023 13:38:00 +0000

SPOILER ALERT! AS WITH ALL SPECIAL EDITONS, WE TALK SPECIFIC PLOT DETAILS

The first Scream is one of the most important films in horror history. It invented meta storytelling, Ghostface became an iconic character, and it delivered a number of memorable moments. In the quarter century since, there have been five sequels with very little change to the formula that made it initially successful.

So far, it has worked with each installment delivering a good time. Scream VI continues some of the trademarks of the franchise. Were they able to pull it off or is it starting to get stale? How well would the movie get along without Neve Campbell? Would they be able to pull off another great opening?

Taking a horror favorite out of a small setting and taking it to Manhattan has not fared so well in the past. How did Ghostface react to being in a much bigger city? Did the plot do a good job of incorporating the Big Apple or did it get to cute for its own good? Will the franchise be hitting the road again?

You cannot have a spoiler filled episode without taking about the ending. Surprisingly, one of us predicted one of the biggest moments of Scream VI. Not as surprising is one of us completely whiffed. Was the twist really that clever or did one of the best delivered lines of the franchise throw us off the scent?

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Episode 214: 'Unwelcome'(2023)/'Triangle of Sadness'(2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 Mar 2023 16:06:00 +0000

It has been a while since we have talked Star Wars, but the current state of the once revered franchise has us reminiscing about what the movies meant to us as children and where it is now. We discuss the absence of movies, and how that is a good thing, and the surprising popularity of the television shows.

Another favorite from our youths were the first two Alien movies. The series has fallen so far since that younger audiences may have trouble believing just how groundbreaking the original movie was. Fede Alvarez has seen a similar fall from grace, though in a much shorter amount of time. After wowing audiences with his Evil Dead remake, his follow ups have been disappointing to horrible. Can the two save each other?

Unwelcome is a tonal mess. It is incredibly disturbing, cartoonishly silly, and surprisingly gory. The great performances and interesting stories are undermined by oddly artificial set pieces. With a movie that has this many pros and cons, it comes as no surprise that we had different opinions about it.

Triangle of Sadness is filled with great performances, biting satire, and great characters. We talk about its simple and nonchalant storytelling and how it is still a difficult movie to describe. We also discuss whether we think it has a shot at winning the top prize on Sunday.

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Episode 213: 'Enys Men' (2023)/'Children of the Corn' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 3 Mar 2023 17:03:03 +0000

Ricou Browning is one of the most important figures in horror. His iconic work on The Creature form the Black Lagoon is still studied and an inspiration today. The character has proven to be timeless as horror fans of all ages know and love the Creature. We talk about our memories of the man and the movie.

Cocaine Bear was never high on our list of priorities. It's a funny idea, it just isn't enough to get us want to rush out and spend our money. Make it a more realistic story involving meth and a gator, however...

Thankfully, The Asylum is here to give fans what they want, and it doesn't include Elizabeth Banks.

Enys Men is everything you would expect an arthouse horror movie to be. Undoubtedly, this will be a lot of people's favorite film of the year. There is no denying it is beautifully shot and tells a creepy story. The acting is also top notch, which is incredibly important since it is basically a one person show.

But if it does not keep the audience entertained, does any of it matter? We discuss pretentious film fans versus those of us who just like to watch movies. Taste is subjective and no opinion matters more, but when the filmmaker goes out of their way to provide an experience instead of telling a story, someone has to call them out.

Stephen King has cemented his name in horror and pop culture. No matter how bad an adaption of one of his works is, there is no way it could sully his legacy. Right?

The latest iteration of Children of the Corn follows the basic premise of the 1977 short story. A group of creepy kids take over a small town in rural Nebraska. Its been given some modern touches (corn has never been more important), but it does not deviate much from the source material.

Is this the worse King adaptation ever? It certainly is one of the most nonsensical with strange character motivations, shoddy editing, and a complete lack of development past the protagonist and antagonist. Despite its (many) flaws, how did it manage to be entertaining?

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Episode 212: Black Horror: 'Dr. Black, Mr. Hyde'(1976)/'Nanny'(2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 24 Feb 2023 16:29:44 +0000

We wanted to cover two movies that exemplify Black excellence in horror. Sure, we picked a movie from one of the most polarizing sub-genres out there, but the movie's plot had so much potential. And this week's feature is an award winning film that had a lot of buzz coming out of Sundance last year. We go in with no preconceived notions whenever we watch anything, but we knew we had picked two winners.

Before we talk about the two, we discuss someone we have never talked about on our humble little podcast. Woody Allen's fiftieth movie is completed and we talk about his legacy as a director. Even before he ruined his name, were we fans of his work? What did we miss that everyone else seemed to pick up on?

One of our best episodes is our look at Heaven's Gate: The Cult of Cults. The HBO documentary is well researched, informative, and shocking. With a new movie about the infamous group coming up, we talk about whether it is something we are interested in or if we have seen all that we need to.

Blaxploitation pictures constantly tackled race and class, and Dr. Black, Mr. Hyde has one of the most ingenuous stories out there. The subtly named Dr. Pride is a Black doctor who is trying to create a cure for liver disease. When he experiments on himself, he becomes a white man. Kinda.

It has been seen in many comedies, but rarely in serious films. The 1976 release sets the table for so much. Dr. Pride is a Black man who does not fit into a white world. He turns into a white man who does not fit in the Black world. There is are allusions to other movies that have dealt with race relations.

Regrettably, it does nothing with any of these bigger ideas. So, is it enjoyable as just a regular old schlocky creature feature?

Nanny was one of the biggest critical hits of last year. It won the Grand Jury prize at the Sundance Film Festival and seemed like it was set to join Sundance horror favorites like Mandy, V/H/S, and Hereditary. Since its big win, there has been little said about the movie, however.

Though much more focused than Dr. Black, Mr. Hyde, Nanny is a case of missed opportunities. It introduces interesting themes, but does little with any of them. We talk about its pacing, its decision to barely use West African culture, and whether it is a horror movie or not.

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Episode 211: 'Lady Snowblood'(1973)/'She Came from the Woods' (2023)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 17 Feb 2023 16:16:15 +0000

The Super Bowl is over and done with, so you know what that means. Trailers!!! This year's batch had some good ones, but we were disappointed on a number of levels. From our fear of QR codes to trailers basically being a clip show, we have a lot of concerns. We also talk about the prospect of a three hour John Wick movie, and our guesses for who Ghostface will be.

You do not have to watch Lady Snowblood for too long before seeing the influence on Quentin Tarantino. There are many shots from Kill Bill that are shot for shot homages to the 1973 film. Aside from casting a long shadow, it is also incredibly stylish and filled with a surprising amount of nuance and characterization.

It is not just for the cinematography and awesome lead character it is remembered, however. The film is incredibly violent and will surprise audiences with just how graphic the brutality can get. TRIGGER WARNING: Lady Snowblood has scenes that contain sexual violence.

Because of our ages, the 1980s are the Golden Age of Horror to us. For better and worse, this means we will be drawn to 80s inspired horror movies. Set in 1987, She Came from the Woods is about a group of camp counselors who decide to have a ritual as a joke one night. You can guess what happens next.

We talk about the thin line between being an homage, a spoof, and just being derivative. She Came from the Woods does a great job of using 80s horror cliches mixed with modern storytelling, but there was one thing it completely whiffed on. B-horror can get away with a lot, but did this film go too far?

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Episode 210: 'Consecration' (2023)/'Firestarter' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 10 Feb 2023 15:55:05 +0000

There was lots of big movie news this week, highlighted by one of our favorite punching bags from a few years back. AMC unveiled a new ticket price plan and naturally we are...indifferent about it? We talk about live events versus movie theaters and the performances of 80 for Brady and Knock at the Cabin.

Consecration has everything needed for a discomforting horror film. The poster and images released have been downright frightening, the Scottish location gives the proper gloomy atmosphere, and the acting is spot on. Then comes the story. A suspicious murder that takes place in a creepy abbey has loads of potential.

Instead, the film is one of the most frustrating we have ever talked about. It looks good and the cast do a fine job, but there is just too much going on. What starts as a fishy murder soon involves, the Crusades, half-ass attempts at folk horror, kids in cages, and nonsensical visits to prisons. At least the nuns laying face down in church looked cool.

Firestarter was one of the worst received movies of 2022. It recently reentered the conversation when its young start was nominated for a Razzie. How could we not watch it? We were expecting an awful movie filled with terrible performances. Is the remake as bad as everyone says? And what does Stranger Things have to do with it?

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Episode 209: 'Don't Look at the Demon' (2023)/'The Banshees of Inisherin' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 3 Feb 2023 16:17:25 +0000

The Super Bowl is coming up, and you will be surprised by our predictions for the big game. We also talk about the upcoming merger between Paramount+ and Showtime and the new and somber Fast X poster. Believe it or not, we are anticipating the majority of these things. So who is the odd duck?

Don't Look at the Demon is an awful name of a movie. It is not as bad as changing Eight for Silver to The Cursed, but few titles are as generic. (We are looking at you A Killing in Virginia and other lazy names.) It also made strange casting decisions and completely ignores its setting.

It also boasts strong performances, effective jump scares, and a demon that does not mess around. It even has a shower scene for old school horror fans! The story is cookie cutter as can be and the ending is laughably bad, but is there enough here for a person to enjoy?

We step out of our wheelhouse and look at one of this year's Oscar nominees. The Banshees of Inisherin is funny, sad, poignant, and incredibly dark. There is no arguing how strength of the acting, but did the story take things too far? Is it truly worthy of an Academy Award, or is it lucky to be sniffing the rarified air of movies like Top Gun: Maverick and Avatar 2?

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Episode 208: Sundancin' in the Dark: My Animal/Infinity Pool (NC-17)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 27 Jan 2023 17:32:36 +0000

We have a lot to say about the two films from the Sundance Film Festival, but before we talk about them, we have a discussion about the Academy Awards and the Razzies. Neither of us are huge fans of the Oscars, but we understand their place in cinema. The Razzies, however... We also discuss the new Scream VI poster.

We brush over Young Adult themes in genre, but never really cover any. During this week's Genre of the Future we do just that. We also cover a couple of lukewarm trailers and the edited version of one of the films we are covering this week. Plus, our problem with The Last of Us.

My Animal from the Sundance Film Festival is not your typical werewolf story, though it does start out like one. The film is an family drama, teen romance, and outsider story. It covers a number of themes and is one of the most unique looking creature features you will see. So why couldn't we get completely behind it?

Infinity Pool is one of the our most anticipated movies of this year. The Sundance World Premiere also gave us a chance to see it in all its unedited glory. Brandon Cronenberg's latest is a strange watch that is lives in the moment while also telling a deeper story. We also talk about the amazing Mia Goth and what is sure to be a polarizing ending.

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Episode 207: Favorite movies of 2022

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Fri, 20 Jan 2023 16:47:18 +0000

It has been a while coming, but we finally talk about the new trailer for Evil Dead Rise. We are all huge fans of the franchise and unsurprisingly very excited to see what direction it is going in. We talk about the creepy trailer and what we liked about it and what has us worried.

There is some interesting genre fair coming at the end of January. This leads to conversations about UFO sightings we had as children and faith based movies we were tricked into watching. We also talk about Nicholas Cage's surprising history with the Left Behind franchise and the interesting decision from Paramount+ to bring audiences a no longer Teen Wolf movie.

The first half of 2022 was a goldmine as it seemed like we were watching an indie or genre gem each week. Things seem to slow down during the second half of the year, but it also included some of the best stuff we saw. We do things a little different this year and start off with some surprises before talking about the stuff we all knew we were going to say.

Our discussion includes a movie with an ending so distressing that two hosts refused to recognize the film as one of the best of the year because of it. Another film riled one of us due to its outspoken protagonist. We also managed to include two (!) movies with ties to El Paso, talk about career performances, and even get a little Weird.

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Episode 206: 'M3gan' Special Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Fri, 13 Jan 2023 16:05:06 +0000

Our first Special Edition of 2023 is sandwiched between our two recaps of last year. It makes perfect sense as we have been anticipating this movie for months. The first trailer was over the top and each one since has gotten sillier. By the time M3gan came around, we knew it was going to be one of the worst movies we saw this year or one of the best.

On the surface, the first big horror release of this year is not telling a new story. It is another addition to creepy doll sub-genre that has been around for decades. But M3gan has felt a little different from the beginning. It is clearly aimed at the younger generation and seems to have gone all in on style over substance. This is not necessarily a bad thing, but it can negatively impact an otherwise good film.

As it turns out, there is much more to M3gan than the trailers let on. There is a deep story here with some serious themes. We talk about how well it tackled its subject matter and whether audiences will be disappointed. We also discuss the target audience and who will get the most out of it.

As easy a streaming has made our lives, there is nothing like a great movie theater experience. We talk about the one we had when we watched M3gan and why it made the movie that much better. From the snappy one liners of the eponymous doll to some surprising moments, the right crowd can enhance the experience.

What is the future of M3gan? Based on the reaction, there is definitely going to be a sequel, but how will people respond? Was this just a one and done phenomenon or is M3gan the first horror icon for this generation? Is there room for more stories or did they do all they can in their first movie?

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Episode 205: Our least favorite movies of 2022

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Fri, 6 Jan 2023 16:06:22 +0000

Even as viewing habits have changed, a great movie poster will always stand out. The latest poster for Scream VI is creative and fun while also looking like very little effort was put into it. We also talk about any hidden meanings in the poster. This past week also saw the death of exploitation legend Ruggero Deodato. Best known for the infamous Cannibal Holocaust, he mark on genre cinema will last forever.

Before we discuss our least favorite movies of the year, a bit of a disclaimer. We love indie cinema and think people should make an effort to watch more. It is easier now than ever before to take a chance on a filmmaker you have never heard of. That being said, even when people put their best foot forward, it does not mean they will always avoid stepping in crap.

Our least favorite films of the year are from around the world. Horror, science fiction, and even a documentary make the list. We talk about awful protagonists and movies that can ruin an entire weekend. There are movies that are visually impressive and stores that are tone deaf. We even talk about a pair of horror icons.

All this, plus Genre of the Future. This week it is all about hatchet wielding hitchhikers, lot lizards, and dancing robots.

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Episode 204: Can't miss movies of 2022

nathaniel@aiptcomics.com (Regina Chavez, Blake Heath/Nathaniel Muir) — Fri, 30 Dec 2022 17:01:54 +0000

For many, M. Night Shyamalan lost any goodwill built from his early career a long time ago. We talk about his latest movie and how even though it has an intriguing trailer and awesome poster, it is not enough to bring in some people. This leads to a talk of the awful ending of Old (SPOILER WARNING) and why Knock at the Cabin is destined for the same fate.

Another director whose career has been spent polarizing audiences is James Cameron. We discuss the shocking success of Avatar: The Way of the Water (we know, it should not be a surprise) and why it bothers us. Will we finally break down and watch the three hour spectacle?

Dinner in America began its festival run two years ago. At the time, it was meant with critical praise. Audiences also loved the story about two outsiders who meet each other. Despite the all around goodwill, the indie film did not find a streaming home or get a theatrical release.

Until this year. But why do we think you should check it out? Set in Midwest America in the 1990s, the movie is about a punk rocker who meets a socially awkward girl. Things start off rocky until the two inevitably find they have a lot more in common than they thought. It is entirely predictable, but two of the most lovable characters of the year make this a must watch.

The Menu is one of the darkest, funniest, and best acted films of the year. It targets a niche crowd, but has been able to surpass expectations thanks to strong word of mouth. We talk about its great story and atmosphere, its use of its ensemble cast, and its in your face writings.

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Episode 203: 'Dark Water' (2005)/'Christmas Bloody Christmas' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Fri, 23 Dec 2022 16:18:06 +0000

The end of the year is right around the corner and if you guessed there would not be much movie news, you would be mostly correct. Still, there was some surprising news regarding deceptive trailers and the legal recourse audiences now have. We also show off our ignorance of the Insidious franchise and talk Barbie.

Last week, cinema lost one of its most creative voices in Angelo Badalamenti. We wanted to remember him by covering one of the many films he scored. Unfortunately, we picked 2005's Dark Water. The music is not bad, but is not a good example of Badalamenti's talent.

The movie stars Jennifer Connelly and has John C. Reilly and Tim Roth. It will not come as a surprise to anyone that the acting is top notch. As for the actual plot? We talk about missed opportunities, a busy story in which nothing really seems to happen, and try to figure out what exactly dark water is.

Last week, we reviewed a movie that Regina felt did not have a Christmas feel to it. This week, we cover a film that not only has the word Christmas in the title -twice! - there is also a killer robotic Santa Claus. As awesome as that is, it also includes some of the most obnoxious characters of the year. Was the yuletide violence enough to overcome its annoying protagonists?

Not only does the end of December have some new releases, it has some of the most interesting ones of the year!

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Episode 202: 'A Wounded Fawn'(2022)/'The Leech'(2022)

nathaniel@aiptcomics.com (Regina Chavez, Nathaniel Muir) — Fri, 16 Dec 2022 18:25:59 +0000

Jenna Ortega has been all over the place since Wednesday debuted on Netflix. Now was probably the best time to drop a teaser for the next installment in the Scream franchise. We also talk about our memories of one of the greatest film composers of all time. Angelo Badalamenti may be best known for his work with David Lynch, but he worked on a number of projects, including working with David Bowie and composing the opening theme for the 1992 Summer Olympics.

Arthouse horror is difficult to define. Everyone will give you a different answer. Making it harder to pin down what kind of movies fall in the category is the wide range of examples people will give. From the works of Lynch to grounded fare like The Witch, to over the top giallo, we all have our own idea of what art horror is. (It is definitely not "elevated horror".)

A Wounded Fawn literally begins in the art world with talks of Greek mythology and high dollar bidding. This is not what makes it art horror, however. Its focus on characters and abstract storytelling may cause some to feel that it is, however. The latest film from Travis Stevens also embraces horror tropes to provide a look that is familiar and original at the same time.

Toxic masculinity is a theme addressed in many movies today. A Wounded Fawn does so in a way that promotes talk without undermining the issue. This is due to the strong performances of the cast and excellent writing that tells an unconventional, but satisfying story.

As scary as Christmas horror can be, there is usually a sense of fun that comes with it. The Leech certainly has a degree of fun with its ridiculous characters and laugh out loud moments. The jokes come fast and furious in a holiday horror movie that is about finding the true meaning of Christmas.

And then it gets very dark. Along with being a movie about the holidays, it is a character study that follows a person's gradual descent. The Leech was so effective in its storytelling that we had completely differing opinions on the context of the film, but still came to the same conclusion.

Plus, Genre of the Future.

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Episode 201: 'Umma' (2022)/'NR. 10' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Fri, 9 Dec 2022 17:56:27 +0000

As the year comes to an end, there is little in the way of movie news. This comes us the chance to talk about some of the films we are looking forward to seeing next year. This includes a few things based on Bram Stoker's Dracula, a Child's Play movie for the younger generation, and the next installment in the Evil Dead franchise. Plus, we lose interest in a movie about a drugged up bear.

Umma seems like it is going to be a movie that deals with generational trauma, mother-daughter relationships, and Korean folklore. It barely does the first two while paying lip service to the third. The cast all do a fantastic job, but is it enough to save a story that seems to have no interest in engaging the audience?

We have reviewed a few movies this year that have started off one way before taking a dramatic turn and becoming something else. None of them have done a particularly good job at it. NR. 10 is the latest to attempt it. The plot follows Gunter, a man who was orphaned as a child. One day, a man whispers something in his ear and changes Gunter's life.

This type of setup has been used for decades in cinema, and can often be a fun story filled with mystery and shocking revelations. Initially, it works here, as the twisting narrative involves a number of not quite shady characters living mundane lives. There is intrigue and betrayal and you never know what is going to happen next.

That is certainly the case with the twist here as there is no way anyone can seeing it coming. It has no connection to the rest of the movie. As a matter of fact the rest of NR. 10 does not even factor into anything in the third act. It definitely caught us off-guard, but did we enjoy it?

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Episode 200: 200th Episode Spectacular

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 2 Dec 2022 18:18:31 +0000

We are 200 episodes in and we start by looking at one of the most important directors in genre cinema. Steven Spielberg may not be the first director that comes to mind when it comes to indie or genre films, but if it were not for Jaws, the entire landscape of film would look different. Despite his pedigree, his movies are not doing as well as they used to? Are we surprised?

Spielberg's far-reaching influence is felt strongly in the first movie we cover this week. Tintorera from 1977 claims to be about a killer shark, but it would be more accurate to call it an orgy movie that happens to have a shark in it. The smell of baby oil fills the air as we talk about possibly the most perverted tiger shark ever, history's most well adjusted throuple, and some unironically well done underwater scenes.

We also take a trip to Rancho Deluxe with Jeff Daniels and Sam Watterson. This 1975 movie is about a pair of cattle rustlers who come up with a scheme that will earn them a big score. The film came out during an interesting time. Westerns were on the decline but the hysteria surrounding truck drivers had yet to hit America. Rancho Deluxe does not always seem to know what it wants to be, but it also does not care.

This leads to a grounded story that has some amazing moments of over the top acting, a great performance from Harry Dean Stanton, and Jimmy Buffett playing one of the best songs of his career. Rancho Deluxe is about independence, not taking things too seriously, and just living your life.

Our 200th episode also includes an interview with filmmakers Aaron Moorhead and Justin Benson. The two are known for some of the most mind-bending genre films of the past decade. They talk about their latest movie, Something in the Dirt, shooting in Los Angeles, and non-traditional characters.

All this, plus the latest genre news and the winner of our Alienoid giveaway!

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Episode 199: 'The Wonder' (2022)/'Something in the Dirt' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 25 Nov 2022 15:25:08 +0000

Colder temperatures have finally arrived! When it comes to theater going audiences this means the Oscar bait is about to flood theaters. The poor box office for She Said got us thinking about the future of movie theaters. The movie adaptation about Harvey Weinstein had award buzz surrounding it. It was about a pair of newspaper reporters bringing trying to break a scandal against all odds. Make this a musical period piece and you have got yourself a record breaking number of Academy Awards to hand out.

Have the days of prestige films in theaters gone away? In today's streaming world is there a point to going out to the movies to see anything besides the latest blockbusters? We talk about some of our favorite movie theater experiences and discuss the future of small films.

The Wonder is a Netflix movie starring Florence Pugh about an English nurse who travels to Ireland to investigate reports of a girl who has not eaten for months and is in perfect health. Pugh gives the great performance that is par for the course for her, but is it enough? We talk about breaking the fourth wall, having patience, and the most unappetizing food ever filmed.

Something in the Dirt landed on our radars as soon as we hard about it. The latest film from Justin Benson and Aaron Moorhead is about two men who immediately form a friendship over cigarettes and conversation. When they witness a strange occurrence, they do what any normal person in 2022 would: attempt to monetize it.

The film is set in the Hollywood Hills and is filled with ideas about the history of Los Angeles. The intimate film focuses on its two leads while telling a twisting story. It grabs your attention immediately. So why do we think some people will be turned off by it?

All this, plus latest upcoming genre!

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Episode 198: 'All Jacked Up and Full of Worms' (2022)/'Weird: The Al Yankovic Story' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 18 Nov 2022 19:33:33 +0000

We start the show with a look at some upcoming genre fare. (Yes, we know Wednesday is coming out.) We discuss an intense road trip movie about cannibals and growing up, whether you need to watch Nope, and the odd release schedule for the next Knives Out movie. Plus, some of the strangest sequels you have never heard of.

Our first movie is probably the most gross we have talked about this year. All Jacked Up and Full of Worms is as weird as its title would have you believe. The story follows a group of people who have discovered that worms can be used as a hallucinogenic drug. What follows is a night of debauchery, death, and disgust.

There is so much to unpack here. We talk about a doll that is creepy is a way that we did not ever want to see. The movie is filled with a sexuality that co-mingles with its strangeness in a way that should not be possible. It is also filled with great characters and what plot there is engaging. But why do we think some people will hate it?

This week's feature presentation is Weird: The Al Yankovic Story. A parody of a parody about a musician who writes parodies, the film is definitely not for everybody. There is just a certain segment that have never gotten Weird Al, nor do they ever want to. Which is a shame because the movie is very clever, filled with fantastic performances, and is laugh out loud funny.

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Episode 197: Paul Gandersman and Peter Hall talk 'The Dead Friends Society' & 'Scream'(1996)

nathaniel@aiptcomics.com (Paul Gandersman and Peter Hall, Blake Heath) — Fri, 11 Nov 2022 18:05:53 +0000

We have had some fantastic guests on the show in recent months, but none have been like Paul Gandersman and Peter Hall. For the first time, we have a pair of authors on the show. The Dead Friends Society is about a group of college friends who are murdered one night. Their spirits are trapped in the house they were murdered, but this turns out to be the least of their problems.

With the possible exception of mysteries, no genre owes more to its literary past than horror. The most beloved creatures can be found in books from centuries ago while stories that are still reused today are incredibly popular. It was well passed time for us to spotlight a book on our humble little podcast.

Any horror fan will notice how the book's cover is reminiscent of slashers from the 1980s. The pair talk about the genesis of the cover (along with the illustrations within), the evolution of The Dead Friends Society from film to novel, and the creation of The Fireman. There is also talk about what the future holds for two.

Paul and Peter were also nice enough to stick around and talk about a movie. Their pick? The 1996 classic, Scream. Wes Craven's deconstruction of the slasher is one of the most important horror films of all time (and arguably, the most important of the past thirty years.) It is a film that has been copied and spoofed and entered the mainstream lexicon long ago.

When it comes the film, it is not so much what do you talk about, but where do you begin? The iconic opening, the powerful third act, and the influence of Scream on modern horror are all discussed. Is it fair to say the every horror movie of the 21st century owes a debt of gratitude to the influential movie?

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Episode 196: 'Girl at the Window'(2022)/'Barbarian'(2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 4 Nov 2022 18:49:49 +0000

October may be over, but that does not mean there is no more horror news. Friday the 13th is one of the most well known horror franchises of all time. The news of a prequel for the series was met with excitement, but we talk about some worries we have. This is not the case with the photo for Evil Dead Rise. We talk about the new movie and the history of the series. And we talk about the latest movie coming from the mind behind the Winnie the Pooh horror movie.

Australia is home for some of the most creative and fun genre movies in the history of cinema. Director Mark Hartley's Not Quite Hollywood is a fantastic look at its history, so we were looking forward to his latest thriller. Girl at the Window is about a high school student named Amy and her mom who have moved in to a new home. Amy soon begins to worry that her next door neighbor is a serial killer.

It is a familiar premise that is rife with possibilities. We talk about tropes of the genre, the use of gore in the movie, and its tone. The film also has a plot twist that throws everything off kilter. But was this a bad thing or just something we had to adjust to? We also debate where Amy ranks as one of the worst protagonists of the year.

Our feature presentation is a sleeper hit that everyone has been talking about while not saying anything. Barbarian seems to have been a topic of conversation since it first hit theaters. Surprisingly - and thankfully- we were able to see the movie without any of it being spoiled for us.

A big part of the movie is the suspense it creates. We had mixed feelings on how well this was kept over the course of the entire movie. One thing we agreed on is how uncomfortable things can get. Events of the film notwithstanding, we also talk about the possibility of Bill Skarsgard in romantic comedies. Also, one of us has a newfound respect for Justin Long.

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Episode 195: 'H4Z4RD' & 'V/H/S/99'

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 28 Oct 2022 18:40:21 +0000

We start this week's show with a talk about The Conjuring 4. At least that was the plan. Instead, we try to remember which movies were a part of the Conjuring universe and which case was really the Warrens' biggest. We also talk about the connection between a DCEU movie.

Genre of the Future returns and we talk about some of the most exciting gerne films of the year. We also go over another exorcism movie, dating apps, and the a latest release from Aaron Moorhead and Justin Benson. Plus, a discussion of Southern California and its place in genre cinema.

We have covered some interesting films from Europe on this show. The one thing they all seem to have in common is their unique take on European culture. There is a creativity to them that is daring, exciting, and fun to watch. They are something of a throwback to the American indie film scene of the 1990s.

H4Z4RD is a great example . The premise sounds simple enough. Noah loves his girlfriend and daughter. He wants to make sure to take care of them while also doing a favor for his brother. Unsurprisingly, things do not go as planned. Noah's day ends up involving drugs. wolves, and security guards who really like his car. We talk about the movie's pacing, music, and unique sense of humor.

We close the show with one of the biggest horror releases of the month. Shudder recently announced that V/H/S/99 set the record for most watched movie premiere. We helped them set that record, so we decided we have a right to say whatever we want about it. We talk about surprise endings, feeling uncomfortable, and new contenders for best horror director.

We are now on YouTube!

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Episode 194: Fantastic French Thrillers w/ Not Your Final Girl

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Not Your Final Girl) — Fri, 21 Oct 2022 16:23:59 +0000

Deep Fear is a French-Belgium co-production about three friends who are spending one last day together. One of them is going into the military the next day, so they want this day to be a special one. They decide to take a trip through the Paris catacombs. What is an exciting idea on the surface turns into their worst nightmares.

Unsurprisingly, there are lots of tight moments that give a feeling of claustrophobia. While Aril enjoys cave horror, Blake does not like the feeling of getting caught in closed quarters. But did Deep Fear do enough to make either of them feel anything? We also talk about whether the horror aspects worked and the surprising lack of a sense of urgency.

Despite its flaws, Deep Fear does a lot of things right. The setting is great and the film does a great job with lighting and shadows. The characters are well-written and there is great attention to detail. Do the pros outweigh the cons or were we all left to disappointed by the narrative?

Some Like it Rare also struck a chord with two of us. Nathaniel cannot stand cannibal movies (Thanks, Cannibal Holocaust) while Candance really enjoys them. But what happens when a cannibal movie subverts expectations and becomes more about people staying together than eating each other?

The four of us also debate the film's dark humor, discuss why it is an anti-message movie, and talk about the decision-making of the characters. Since it is a cannibal movie, we also wonder if human flesh tastes good. Plus, a conversation on actually being grossed out versus thinking about it.

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Not Your Final Girl is a podcast hosted by two women (Ariel Dyer and Candace Sluder) just trying to make it to the end of the movie. Join us bi-weekly for deep dives into horror with a fresh take on the genre we love! We’re @NYFGpod on Letterboxd if you want to check out all the movies we’ve talked about on the pod. You can also follow Candace at @crammpuss if you want to peek at what movies might be coming up next.

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Episodes 193: Midnight Movie Madness: 'Deadstream' (2022)/'Project Wolf Hunting' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 14 Oct 2022 16:04:52 +0000

We start the show with talk of the Naked Gun movies and Police Squad. Leslie Nielsen made the role of Frank Drebin his own. Liam Neeson is a great actor, but can he step into the shoes of the iconic character? And what does any of this have to do with The Simpsons?

Blake and Regina had a great idea few weeks ago to talk about upcoming genre movies. It is was a great idea and, frankly, is something we should have been doing for a long time. So, this week we are debuting a new segment on the show. This week we talk about Genre of the Future! For our first installment, we talk the Brooklyn Horror Film Festival, whether Halloween will truly end, and the greatest horror movie moments.

For the first time ever, we have a repeat review on our show. The last time we did Deadstream, Blake was not able to join us. Since the show recently debuted on Shudder, we figured this would be a great time to rectify that. We talk about having love for your craft, the importance of simplicity and horror, and uncharismatic influencers.

It is not often that a movie leaves us speechless. We may be baffled, confused, or frustrated, but we always have something to say. And then we watched Project Wolf Hunting. The South Korean movie is about a group of dangerous criminals being transported on a giant cargo ship. Naturally, they escape.

It sounds like Korean Con Air on a boat, and it is for a while. It soon becomes something so different that we had no idea what to think about. What we were both sure of is that it is easily one of the goriest movies in recent memory. We talk about when enough is too much, try to figure out what the film is going for, and try to decide if the body count is closer to 50 or 60 people dead.

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Episode 192: Lucky McKee talks 'Old Man' & 'Trick or Treats'

nathaniel@aiptcomics.com (Lucky McKee, Blake Heath/Nathaniel Muir) — Fri, 7 Oct 2022 20:24:20 +0000

Lucky McKee is one of the most respected genre film directors today. His works include The Woman, an episode of Masters of Horror, and a segment from Tales of Halloween. He may be best known for the cult favorite May. This week he joins the show to talk about his latest film, Old Man.

Starring Stephen Lang and Marc Sent, Old Man is a thriller about a hiker that stumbles on a cabin that is inhabited by an eccentric loner. As the two continue to talk, it is clear that one of them is holding a dark secret. The question becomes, who is lying and for what reason?

We talk with Lucky about his approach to the making the film and the difficulties he faced. We also talk about the amazing performances of Lang and what her brought to Old Man. We talk about the chemistry between Lang and Sent, how to keep the suspense in an exposition heavy single setting movie, and the importance of pacing.

Lucky stuck around to talk about a new addition to the Shudder library. Trick or Treats from 1982 has a premise that should make it a classic. A babysitter is stuck watching over a mean boy who pranks her every chance he gets. Even worse, the boy's father has escaped from the mental asylum and is on his way back home. And this is all happening on Halloween.

For better and worse, the movie never pulls things together in a coherent way. There are a number of plot holes, its depiction of mental health is borderline insulting, and we could never figure out what tone it was going for. It is very funny, but never for the right reasons.

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Episode 191: 'Suspiria' (1977)/ ' Satanic Hispanics' (2022)

nathaniel@aiptcomics.com (Blake Heath, Regina Chavez) — Fri, 30 Sep 2022 23:26:39 +0000

We do not spend enough time looking at what is coming up. We talk about news here and there, but an actual deep dive into upcoming genre films rarely comes up. This week, we do just that. We discuss the movies we are looking forward to, werewolves, and what it takes to scream like a Goonie.

The first movie we discuss is a classic of the genre. Dario Argento's Suspira is one of the most important movies in horror. It affects on genre cinema are clear. How often have you hear that something looks like Suspiria? What is rarely talked about is how if affected the entire medium.

Of course, we had to talk about its kickass soundtrack and look. But we also discuss the financial themes, how it is like Mean Girls, and how you should whisper its name. Everyone has heard of Suspira, but few have sat and talked about it like we do.

Satanic Hispanics is an anthology that made its World Premiere at Fantastic Fest. Made by five Latino filmmakers, the movie mixes horror, comedy, and the occult. It is a nice change of pace from an anthology we recently covered and is a template for how to make these kinds of movies the correct way.

Adventures in Movies! is hosted by Nathaniel Muir, Blake, and Danny. You can find Nathaniel on Instagram at nathaninpoortaste. Danny can be found on Twitter @default_player and on Instagram at default_player. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.

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Episode 190: Filmmaker Cate Jones talks her new film 'Chicken House'

nathaniel@aiptcomics.com (Cate Jones, Blake Heath/Nathaniel Muir) — Fri, 23 Sep 2022 15:50:46 +0000

This week, filmmaker Cate Jones joins the show to talk about her latest film. Chicken House has been playing the festival circuit this year and has been seen at genre fests such as the Chattanooga Film Festival. This weekend the movie will be playing at The Shawna Shea Memorial Film Festival, The Arizona Underground Film Festival, and the Philadelphia Unnamed Film Festival.

The film is about four aspiring actresses who live in a house together. When one of them moves out of their home, the other three have to bring in a new roommate. The new addition to their household turns things upside down as tensions rise and some unexpected visitors make their appearance.

Chicken House touches on a number of themes. It deals with friendship, sexuality, identity, and the idea of close mindedness versus being open minded. Cate goes into the process of writing the film and how she brought her cast together. There is also a discussion about some of the ideas explored in the film.

When we asked if Cate would join our humble little podcast, we also asked if there was a movie she wanted to talk about. She chose an interesting one in 2018's Vox Lux. Blake had to overcome his natural dislike of Natalie Portman in order to discuss a movie that brings a lot of ideas to the table.

We talk about the nature of celebrity and tragedy, Portman's performances, and and ending that some may find self-indulgent. We also talk about the strong acting in the movie and how it is impossible to make Jude Law not look handsome. How did this all lead into a talk about Annihilation?

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Episode 189: 'The Red Book Ritual' (2022)/'Who Invited Them' (2022)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Fri, 16 Sep 2022 21:35:33 +0000

When we covered X earlier this year, it never crossed our minds that it would be the first part of a trilogy. With Pearl around the corner and the announcement of MaXXXine, Ti West has at least three movies ready to go. We wonder how they are all connected and how far the story can actually go. It is about time for a new horror franchise, but can the X universe adequately fill that void?

We here at Adventures in Movies love horror anthologies. They are fun in a way that is unique to them and are a throwback to the scary stories we read as kids. The Red Book Ritual does not get off to the best start, but that is okay since anthologies are expected to be a hit and miss affair. Unfortunately, things would get much worse.

The Red Book Ritual includes a story that one of us thought was the worst thing we have seen this year. It has comical voice acting, is horribly dubbed, and just ends. We try to figure out the confusing movie since it is inconsistent and seems to have no point other than to include jump scares and end its segments at random moments.

Who Invited Them was much more coherent. The film is about a couple how have thrown a housewarming part at their fancy new house in The Hills. Unfortunately, they have some uninvited guests who do not seem to know that the night is over. They also harbor a dark secret.

Home invasion is sub-genre that tends to make even the most hardened horror fan uncomfortable. The movies are built on the idea of how it can easily happen to you. Who Invited Them is a Shudder original that takes things one step further. It is not a case of what might happened but something everyone in the audience has probably already experienced.

Obviously, the movie takes things to extremes, but there is a relatability that most of us do not find in other home invasion movies. These invaders have not forced their way in; they were invited-sorta. This puts the story in a realm that is a little more comfortable and easygoing.

But was this a mistake? Tension is important to these types of films, and Who Invited Them goes about building it in a way that will not work for some. We talk about whether something obviously being just a little off is enough to carry an entire thriller. Plus, subplots that exist just for the sake of it.

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Episode 188: 'Squeal' (2022)/'House of Darkness' (2022)

nathaniel@aiptcomics.com (Regina Chavez, Blake Heath/Nathaniel Muir) — Fri, 9 Sep 2022 22:00:31 +0000

There is so much movie news this week! We start with a talk about the reveal of the new Pinhead. The photo was released literally the day after we recorded last week's show which so we are very late to the party. That does not mean we do not have anything to say. We also talk about a surprising sequel from Kevin Smith.

But the big news surrounds Don't Worry Darling. This has been on our radar since it was first announced. Surprisingly, there has been little buzz around it all year before it suddenly dominated the movie headlines. We talk about Shia LeBeouf (BOO!), Olivia Wilde, Harry Styles spitting on Chris Pine, and how Florence Pugh is about it all. We also talk about how inside all the nonsense is a movie we still want to watch.

A few weeks back we talked about how genre film festivals provide some of the strangest and most unique releases of the year. This week we talk about two movies that will definitely fit that description. Twisted fairy tales are not new to horror and House of Darkness is a way too common name, but our subjects for this episode manage to stand out.

Squeal is the story of a man who is looking for his father. During his search he stumbles upon a woman and a pig in need of assistance. Before long, he finds himself in a situation that will change his life forever. The film has a lot of good things going for it. It looks great, will make audiences feel all kinds of emotions, and is disturbing.

It is also uneven, suffers from odd tonal shifts, and has one of the most unsatisfying endings of 2022. Did it do enough good to cover up the missteps?

House of Darkness starts with a man played by Justin Long dropping a woman he met at a bar (Kate Bosworth) at her palatial home. As things progress, he assumes he is in for a night he will never forget. He is right, just not in the way he expects. The movie is a single location story with a small cast. We talk about its use of foreshadowing, strong performances, and how a message can overpower the horror.

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Episode 187: 'The Harbinger' (2022)/'Old Man' (2022)

nathaniel@aiptcomics.com (Regina Chavez, Blake Heath/Nathaniel Muir) — Fri, 2 Sep 2022 22:21:51 +0000

We start this week's show with talk about some of the most iconic names in horror. Dario Argento has made some of the most influential movies in the genre. But when was the last time he made something memorable? Is a return to the subgenre that made him famous that right idea? This leads to a talk about Lucio Fulci. We talk about some of our favorite scenes from the Italian horror maestro.

We thought we finally had found a faith based horror movie to cover. Sure, it was completely by accident, but it is not something you come across everyday. As it turns outs, The Harbinger is not coming to Pureflix anytime soon. The film is about a couple who move to a small town. Once they arrive, their neighbors start dying mysteriously.

The Harbinger is an interesting film that begins and ends with some of the most family friendliest horror seen in years. One of us described it as "the Omen made by Hallmark". In between, is a thriller that would fit perfectly on Lifetime. But there are also some great jump scares and fantastic atmosphere. It is not devoid of fun, but is it worth watching?

Old Man is the exact opposite. Lucky McKee's latest movie also has twists, but its narrative is straight and to the point. There are no tonal shifts or over the top characters. We talk about Stephen Lang's amazing performance, the risk of telling such a personal story, and what we though about the ending.

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Episode 186: 'Honeycomb' (2022)/'Antrum: The Deadliest Film Ever Made' (2018)

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Fri, 26 Aug 2022 23:54:57 +0000

Hulu has had a good year in regards to genre films. Fresh impressed many critics and audiences while Prey breathed new life into the Predator franchise. Can it do the same for Hellraiser? We also talk about the iconic stature of Pinhead versus the franchise he stars in. We also try to think of the scariest moments in horror movie history. Naturally, with a list like this there are surprises.

Coming of age and horror go together very well. Honeycomb takes elements from many movies to tell its story of five girls who are about to become adults. The DIY nature of the film will definitely make it a hard sell for mainstream audiences, but there is a strong story to be found. The question becomes, is it enough? We talk about the indie film's tone, its reliance on being realistic, and make some strange comparisons.

Antrum: The Deadliest Film Ever Made is a fun idea. The horror mockumentary is about a cursed film that leads to misfortune for anyone who watches it. Only one print remains in existence and the filmmakers have it. What happens when they watch the film? And is it something you dare watch?

Going the movie within a movie route is always risky and Antrum does so in the most straightforward way possible. Was it a good idea to have a documentary and show the full film? We also talk about the actual cursed film. There is some creepy imagery, awesome music, and atmospheric folk horror tropes. So why make the gimmicky wraparound?

As a reminder, check out our episodes about A Black Rift Begins to Yawn and 18 to Life.

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Episode 185: 'When I Consume You' & 'Dr. Lamb' w/ Not Your Final Girl

nathaniel@aiptcomics.com (Not Your Final Girl, Blake Heath/Nathaniel Muir) — Fri, 19 Aug 2022 23:55:58 +0000

Ariel and Candance from Not Your Final Girl are back to talk two movies that had us feeling all sorts of emotions. From a grounded film about two siblings dealing with a demon from their past to an infamous Category III Hong Kong movie that was equal parts disgusting and silly, we were all over the place. But did we like what we saw?

Ariel and Candance from Not Your Final Girl are back to discuss the strangest genre films we could find. This week we have a pair of interesting movies. Our first review takes us to the streets of New York City where we talk about down to earth horror story with otherworldly elements. We then travel across the globe to Hong Kong to talk about exploitation flick that wants to push your buttons.

When I Consume You is the third feature film from Perry Blackshear. We start with a discussion of how much he has improved since he debuted with They Look Like People. The movie is about a sister and brother who lean on each other for support. Just when it looks like Daphne Shaw is getting her life together, a demon from her past comes back to her haunt her.

The story is about the bonds between a brother and sister and has some redemptive qualities, but is it too on the nose? Is Blackshear trying so hard to get his message across that he ruins a good story. We also discuss the performances of the two leads and talk about the recent trend of wild tonal shifts in movies.

Dr. Lamb is notorious even as Category III movies. (We briefly discuss what a Category III movie is and compare them to similar films in other parts of the world.) It is about a serial killer and what the police discovered after he was caught. It sounds simple enough, but the acts he committed are unbelievably awful. Even worse, Dr. Lamb is based on a true story.

The film is a straight up exploitation film that seems to take joy in disgusting its audiences. Torture, necrophilia, and assault all manage to find their way into the movie. We wonder how the story can get so downright nasty while the production looked beautiful at times. We also question how well Dr. Lamb would do in today's world and if there was an attempt at a deeper story.

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Episode 184: 'Dawn Breaks Behind the Eyes' (2022)/'What Josiah Saw' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath, Regina Chavez) — Fri, 12 Aug 2022 23:54:44 +0000

Last week, Regina suggested we talk about the then upcoming Prey to start the show. At the time, it did not feel it would be worth our time. This week we open the show by talking about...Prey. We discuss where it stands in the Predator franchise and how it handled the iconic alien. We also talk about some Shudder releases for August and take the opportunity to talk about The Cursed.

Dawn Breaks Behind the Eyes is a love letter to a very specific type of moving. Harkening back to European horror movies of the 1960s and 70s, the film will appeal fans of a very particular type of cinema. The question becomes does it have enough for mainstream audiences? Especially when it features an Agnes-like twist. Intentionally choosing style over substance can work, but are the filmmakers able to pull it off here.

What Josiah Saw has a lot of the elements that we enjoy. Its Southern gothic setting and atmosphere is not something you see a lot of while its story unwinds like a book. It has the scares expected from a Shudder film, but also has strong characters. The story it tells is tragic, but its unique narrative structure is risky and compelling.

So, what made it such a hard film to talk about? We were upset, frustrated, and disappointed by the ending. Some of us were trying to justify and make excuses while others just wanted to write the whole thing off entirely. We have a spoiler free discussion about the ending and debate whether it ruined the film or was the right way to end the story.

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Episode: 183: 'Slaughter High'(1986)/'Resurrection'(2022)

nathaniel@aiptcomics.com (Nathaniel Muir, Regina Chavez) — Fri, 5 Aug 2022 23:37:00 +0000

We talk a lot about horror movie franchises. It is hard not to when old favorites keep getting redone. Just this year has seen new entries from Scream and Texas Chainsaw Massacre. There has also been a trailer for Halloween Ends who creative team is also working on a trilogy for The Exorcist.

Another horror franchise that recently made its return was V/H/S. Combining found footage with the anthology format of the series, V/H/S/94 was a strong return. It was praised by critics and audiences and it is not a surprise that another installment is set to come out. What may catch some off guard is how soon V/H/S/99 will be released. We discuss the new movie in particular and the entire franchise overall.

The 1980s are one of the best decades when it comes to horror. This is especially true of slashers and B-horror. Just one look at the amazing poster for Slaughter High will convince someone that this is one of those dumb fun slashers. Things did not work out quite like we expected, but did we end up enjoying it? Did Harry Manfredini actually do a better job here than with Friday the 13th? We also try to figure out what time April Fool's Day actually ends.

Resurrection is a heavy movie that has no issues making audiences feel uncomfortable. Rebecca Hall and Tim Roth turn in a pair of amazing performances while the atmospheric film does not allow audiences to turn away. It also has one of the most memorable endings you will see this year. Does it go too far? Will the audience come out feeling entertained our sickened?

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Episode 182: 'Nope' Special Edition

nathaniel@aiptcomics.com (Regina Chavez, Blake Heath/Nathaniel Muir) — Fri, 29 Jul 2022 20:02:49 +0000

*SPOILER ALERT! AS WITH EVERY SPECIAL EDITION, THERE WILL BE MASSIVE SPOILERS***

This week we talk about one of the most anticipated movies of the year. 'Nope' is the latest release from Jordan Peele and has a lot riding on it. We take a deep dive into the movie and talk about a number of different issues. From underrepresented people in Hollywood to Peele's legacy, 'Nope' gave us a lot to talk about.

The marketing behind Nope was unique for this time and also frustrating. The first commercial aired during this year's Super Bowl and was awesome. By the time July rolled around, the trailer had been seen an average 367 times by everyone. Did this cause us to lose interest in the movie? Were we surprised by anything after the last trailer dropped.

It can be argued that this is the most important movie of writer-director Jordan Peele's career. Get Out is one of the most important movies of the past quarter century. Us did not have near the same impact. Peele is the victim of his own success and needs something to prevent people from saying he only had one good movie in him. Is he more Quentin Tarantino or John Singletary?

There is little argument that Peel is the most prominent horror director out there, but is he the best? We have a spirited discussion and you may be surprised to hear what we have to say. Would it be to cheeky to say the near universal answer was "nope"? But why?

The movie was creative and had impressive scares. And the performances were great. But was it all enough to carry the movie? Was the subplot of Nope poorly executed? There were a number of shocking reveals. We debate over how well they worked. Plus, what does the future hold for Peele?

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Episode 181: Now showing at the Fantasia Film Festival!

nathaniel@aiptcomics.com (Regina Chavez, Nathaniel Muir) — Fri, 22 Jul 2022 21:05:32 +0000

The Fantasia Film Festival is back and it is its usual rundown of Asian cinema, creative genre flicks, and head turning indie films. This week, we talk about some of the movies that left the biggest impression on us. Two of them had us smiling until our faces hurt. The other also made us laugh, but not in the way you would expect.

Before we get into Fantasia, we discuss two trailers that have a connection to Rob Zombie. We have talked a lot about Zombie's remake of The Munsters on previous shows. At first, we were skeptical and angry; this soon turned to genuine curiosity. How does the latest trailer make us feel?

Speaking of Zombie, the new teaser for Halloween Ends came out and we have lots of opinions. While Zombie had nothing to do with this new trilogy, his contributions to the franchise represent a low point. Or did Halloween Kills take its place? We discuss whether we are still interested in seeing Halloween Ends after its woeful predecessor.

Fantasia has its roots in the Montreal Asian film scene. Film from Asia have always been a big part of the fest and this year is no exception. Next Door is a South Korean movie about a man who has been training for years to enter the police academy. Before his latest attempt, he hangs out with some friends and gets real drunk. He wakes up in his neighbor's apartment and finds a dead body on the floor.

The film mixes all types of humor, using quick with and physical comedy. We also debate the importance of the mystery and the difficulty of keeping the tension in a single setting location. And how can a movie about waking up next to a dead body be relatable?

We Might as Well Be Dead is a subtle movie that also manages to be emotionally impacting. Does its social commentary go too far? And why would a film that is laugh out loud funny make us so uncomfortable? We also discuss how a movie about European attitudes means something to others.

Despite being set primarily in a single location, Glorious has a lot going on. The movie is about a man who stops at a roadside restroom. While there, someone from the next stall begins talking to him. As the conversation continues, things get serious. We talk cosmic horror, the lack of respect for genre cinema, and glory holes.

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Episode 180: Doug Wicker/'What Happened to the Others?' (2022)/'Pumpkinhead' (1988)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Sat, 16 Jul 2022 00:21:42 +0000

Writer-director Doug Wicker joins us to talk about his latest short film What Happened to the Others? We discuss folk horror, lore, indie filmmaking, and creating popular films. Doug also wanted to talk about an underrated classic from 1988. It is a great show that features scares, laughter, and no nudity!

One of the most exciting parts of any film festival are the short films blocks. This is especially true of genre fests where shorts are constantly pushing boundaries. What Happened to the Others? recently played at the Chattanooga Film Festival. It is filled with lore, well timed scares, and has an atmospheric setting.

We also talk with with Doug about what his future holds in filmmaking. One of our big discussions was on the current nature of the business. The three of us talk about how streaming film fests have been helpful to short films. What Happened to Others? also has the horror tropes we all love. But why the lack of gore?

Doug also decided on this week's movie review. Pumpkinhead pairs very well with Doug's short. The 1988 creature feature also has all kinds of lore, great creature design, and an emphasis on atmosphere. We share our memories of the film and talk about why its so memorable to us.

But if we are going to talk about what it means to us, that means we also have to discuss the elephant in the room. Why is it so widely known, yet seemingly seen by so few. Pumpkinhead is one of those movies that everyone has heard of but no one seems to have actually seen. We also talk about the drawing power of a shirtless Lance Henriksen.

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Episode 179: 'The Ones You Didn't Burn' (2022)/'The Suckling' (1990)

nathaniel@aiptcomics.com (Danny Martinez/Nathaniel Muir, Stephanie Malone) — Fri, 8 Jul 2022 22:56:13 +0000

We switch things up this week and do not open with a long talk about Tom Cruise. Instead, we discuss the Final Destination franchise. A new installment is coming to HBO Max and there is going to be a change to the classic formula. We talk about what the new wrinkle may be and our favorite death scenes.

Our first movie this week is The Ones You Didn't Burn an awkward movie about two siblings who return to their family's farm and must face their pasts. The film obviously has serious issues it wants to tackle, but it never really brings it all together. At least, that is what one of us thought. We talk weird sexual tension and breakdown the film so much that one of us has a complete change of opinion.

The second movie comes with a couple of warnings. First of all, it is a movie that is explicitly about abortion. It is not a side plot or something that is just mentioned in passing. It is the driving force behind the entire movie. If this is a topic that you are sensitive about, you might want to pass up on this review.

We also appreciate that abortion is a sensitive issue. We do not mean to demean, diminish, or mock anyone during our movie review. This review is not meant to offend and it strictly a discussion of a cheesy horror movie that deals with an important and topical issue in our country today.

The Suckling (also known as Sewage Baby) is a horror movie from 1990 that takes place in 1973. A woman visits a back alley abortion clinic. After the procedure is done, the fetus is flushed down the toilet, comes in contact with toxic waste, and lays waste to almost everyone in the building. How could we not review this?

There is so much to unpack here that it would probably take multiple episode to adequately cover unique creature feature. We try our best as we try to figure out what message the film is trying to get across - if it has any at all. We also discuss the surprising great creature effects and the not so great acting. Does The Suckling fall into "So Bad It's Good" territory or is it just a complete misfire?

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Episode 178: 'Rubikon' (2022)/'Let the Corpses Tan' (2017)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Fri, 1 Jul 2022 20:32:53 +0000

This week we decided to go with a straightforward episode. We have a little bit of movie news and we talk about two movies. And we finally make a decision about our long running giveaway. In just two weeks, we will announce the winner of original horror art, a t-shirt from Public House 28 Brewery, and a number of horror movies.

We know we just spoke about Tom Cruise a few weeks back and yes, that conversation went on for longer than it needed to. But how could we ignore that Top Gun: Maverick just made over $1 billion? We also talk about the star quality of Cruise and how there is no modern comparison.

We love madcap whounits. We drove a quote from Knives Out into the ground and dreamed of making a stage production of 1985's Clue. Recent years have seen a return of these types of movies and we talk about the trailer from the latest. See How They Run has a cast that includes Saoirse Ronan, Adrian Brody, and Sam Rockwell in a murder mystery set around a West End play.

Rubikon starts off like many other science fiction movies. It is set in the future, pollution has covered the globe, and corporation run everything. It also looks great. Few indie sci-fi movies look near as good as it. What drives the film are its characters and the story. We talk about a pretty straightforward film that still manages to be confusing.

Early on, it seems like Let the Corpses Tan is content to concentrate on an amazing title and its stylish look. Part Weird West, part heist movie, part WTF, the film will not be for everyone. It is easily one of the most memorable things we have seen this year, and not always for the best reason. We the meaning of nude women covered in gold, a day long violent shootout, and how to make people care for characters that are only given a little bit of time.

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Episode 177: Favorite movies of 2022 so far

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Fri, 24 Jun 2022 23:34:05 +0000

You can't have a "Worst of" list without having a "Best of". (Technically you can, but how can you define something as the "worst" if you have not set the bar for the "best"?) The year is half over and we discuss the movies that have left the biggest impact on us. We talk about the best ending of the year, the best end credits scene EVER, and some awful title changes. Plus, Brad Pitt and a surprising release from Tribeca.

A few weeks back, we spent too much time talking about Tom Cruise. This week, we set out sights on Brad Pitt. With the news that Pitt's career is on its last leg, we reminiscence on his career. We talk about our Pitt movies, the quality he has that separates him for others in the same rarified air, and what we would like to see from him going forward.

Next Exit is one of those movies you go into with a lot of trepidation. Its setting of a world where the afterlife has been proven as fact and ghosts do exist is an interesting one. Its premise of two people who meet each other while on the way to commit suicide is bleak to say the least. That being said, there are a number of road trip movies that use a dark set up to tell a different type of story.

The film ended up surprising us, but not in the ways we expected. A week after talking about unlikable protagonists, we talk about two of the most likeable ones we have seen this year. We also go over the performances, horror elements, and surprising comedy found in this road trip movie that embraces tropes in ways you would not expect.

It turned out our least favorite movies of 2022 ended up being more disappointing than actually bad. Are our favorite movies good or just surprising? We discuss the best midnight movie of the year, a great werewolf movie with an awful title, and a Danish movie that was so good we almost turned it off. And yes, Charlie Clark Nissan played a big part.

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Episode 176: Our least favorite films of 2022 so far

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 18 Jun 2022 00:24:54 +0000

With half the year gone, we decided it was time to reflect. We have covered a lot of movies during the first six months and we talk about our least favorites. A “topical” documentary, a much beloved horror franchise, and a Romanian animated sci-fi flick “top” our list.

We start the show with talk about the Amarillo werewolf, chupacabra, or whatever the hell it was. Two of us have a pretty clear idea on what was there. One of us derails the conversation with talk of camera technology. At least we had The Munsters to talk talk about. How did Rob Zombie screw this one up?

Swallowed is a queer body horror movie does some clever things. Camera placement is important in most body horror movies so audiences can see as much as possible. This leads to maximum gross out moments. Writer-director Carter Smith (The Ruins) uses body positions and shows very little in order to provide some unsettling scenes.

Along with some powerful scares, it is also an intimate tale of two lifelong friends who are about to be separated for the first time in their lives. The story is heartfelt and has a very touching coda. It also has a dramatic tonal shift that may be too much for some.

We close the show with a talk about our least favorites movies of the first half of the year. The running theme is "disappointment" as it is not so much about the films being bad (though most of them are), it is more about the missed opportunities. We rant about the idea of being topical, bad uses of pentagrams, and good animation gone very very bad.

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Episode 175: Crimes of the Future Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 11 Jun 2022 00:23:13 +0000

***SPOILER WARNING! AS WITH ALL SPECIAL EDITIONS, WE WILL DISCUSS EVERY DISGUTING DETAIL OF THE MOVIE***

The announcement that David Cronenberg was returning to science-fiction body horror was met with a mix of excitement and trepidation. There is no doubting that he is one of the most influential directors of all time. His influence can be found in a number of movies. Still, it has been a while since he has made one of these types of movies. Is Crimes of the Future his triumphant return or a relic of the past?

The movie is about a performance artist named Saul Tenser (Viggo Mortensen) and her partner Caprice (Lea Seydoux). The pair use their performances to showcase changes in the human body. They soon get caught up in a mystery that includes government conspiracies and murder.

Cronenberg films have always contained a heavy dose of sexuality and Crimes of the Future is no different. In this case, surgery and sex are a running theme. "Surgery is the new sex" is a great nu-metal lyric, but how well did it work in this movie? Do things go too far?

The other big selling point for the film was the return to body horror. Based on still shots and trailers, there was a lot of freaky stuff going on. Earman alone is enough body horror for some. Does Crimes of the Future live up to fan expectations? And what will people who have heard of Cronenberg's work think?

Crimes of the Future is about more than sex, surgery, and grossing audiences out. There is a surprisingly grounded story here. The question becomes, is it too down to earth? Should the plot have taken a more fantastic slant? We also discuss how well the mystery worked and the if the futuristic setting seemed dated.

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Episode 174: 'Come to Daddy' (2019)/'DASHCAM' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Fri, 3 Jun 2022 19:58:50 +0000

A horror movie starring Winnie the Pooh seems more like a joke than anything else. We talk about the trailer that does little to take away from the feeling. We also talk about Top Gun and the importance middle aged Americans played in its success. And it is impossible not to talk about the amazing Johnny Depp-Amber Heard trial. We lay it all out here and reveal what sad people we truly are.

Come to Daddy is one of those movies that you need to tell people to give it a chance. Things do not start poorly. On the contrary, it can be argued that the opening moments are the best in the film. But for those who have heard about how wild it is, the first half will catch them off guard. Things change after a shocking revelation.

We talk about the frantic pacing, some memorable performances, and how the beautiful setting ended up being a missed opportunity. Come to Daddy is one of those films that is hard to adequately talk about without completely ruining it. If you have heard about it and are still on the fence, we will help you make a decision without spoiling any of the fun.

DASHCAM is already one of the most polarizing movies of the year. It's anti-vaxxer red hat wearing protagonist will immediately anger some people due to her views. Her juvenile toilet humor will alienate others. But could there be a charm to her? We talk about Annie Hardy and what Rob Savage will do next.

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Episode 173: Mommy Issues: 'Sleepwalkers' (1992)/'Torn Hearts' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir, Regina Chavez) — Fri, 27 May 2022 21:59:48 +0000

It is one of those shows this week. Two hosts called in sick. Thankfully, there was a backup in place. We begin the episode by talking about New Orleans and The Overlook Film Festival. Anne Rice, witches, vampires, and a Brooklyn gorilla are all a part of the discussion. We also wonder why animal actors have been so overlooked despite their hefty contributions.

Brea Grant is an amazing part of genre film. She has written, directed, and starred in some amazing movies. Her latest work teams her with Katey Sagal. Sagal has been an industry mainstay for a while now. She constantly does great work, but never seems to get the credit she deserves. Both show off their immense talents in Torn Hearts, a thriller about never meeting your heroes.

Much of Grant's work has focused on what women have to deal with and this release is no different. Written by Rachel Koller Croft, the plot follows a country music duo who are trying to make it big in Nashville. When they have the chance to meet their idol, they jump at it. Things do not go quite as planned in a twist filled story that tackles the patriarchy, age, and the country music industry.

Is there anything Stephen King cannot do? Of course, he has written numerous books and short stories, but he has also been a director and acted. Sleepwalkers was the first feature film written by the horror icon. It is about a mother and son who are also shapeshifters that feed on virgins(?) and have sex with each other in their spare time.

Cat lovers will probably get a kick out it and it is a precursor to one of the most popular sub genres in modern porn, but does it have anything for horror fans? We agreed that it was inconsistent - and we even thought so for the same reasons - but we still each got something different out of Sleepwalkers. It takes a special kind of disorganized to have noticeable flaws that people find in almost opposite ways.

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Episode 172: Triple Feature Celebration!

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 20 May 2022 23:59:42 +0000

There have been some clear trends since we started our humble little podcast a few years ago. Horror movies based on true events have become increasingly popular. On one of our episodes we questioned whether there was anything different sci-fi horror could do. While we still are not sure, that has not stopped us from liking the sub-genre. Fun drinking game: listen back over the years and take a shot every time Danny mentions The Faculty. Erotic horror has been a favorite, so were had to include an example of this special episode.

Veronica is a 2017 movie from Spain about a 1991 incident in which a girl played with a Ouija board and mysteriously died three years later. When you have a blind nun named Sister Death, you can kind of guess what kind of movie you are in for. The movie does not disappoint as it proceeds to hit the audience with every horror trope imaginable. Is a kick ass soundtrack enough to save the day?

Whenever you watch a movie that is a few decades old, it becomes a question of how well has it held up? Cube was a sci-fi horror phenomenon in the late 1990s and early 2000s. Almost a quarter of a century later, flaws in the writing, over the top characters, and one deux ex machina too many stand out. There is not doubting the impact it has had on horror, but does it deserve to be recognized as one of the best ever?

Piercing is a strange little horror movie about a man who is ready to meticulously kill a prostitute. It is stylish, boasts a great soundtrack, and has a look that is as discomforting as it is eye-catching. It is definitely one of those movies that is not for everyone.

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Episode 171: Mommy Issues Month: 'Blood Red Sky' (2021)/'The Innocents' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 13 May 2022 21:50:42 +0000

The FANGORIA Chainsaw Awards return to Shudder this weekend and as expected, the nominees are an exciting bunch. 2021 was a good year for horror fans and we reminiscence over what we liked best. One us surprises even themselves with a best picture selection, we talk about a polarizing debut, and Danny talks about a movie he has never seen before.

The Innocents does not sound like it is going to be anything special. A group of kids discover they have powers. This starts out as good clean fun before quickly becoming something more sinister. The Norwegian film subverts expectations by telling a much deeper film than expected. We also talk about the drudgery of Norway and argue over whether calling it an X-Men story is too reductive.

Netflix has become a giant in the movie industry. They are such a fixture at awards shows that sometimes it is hard to forget how much content they pump out. Despite its success, Blood Red Sky ended up being forgotten rather quickly. The movie combines vampires, hijackers, and an annoying kid and gives audiences a movie they never asked for. But that does not mean they did not need it.

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Episode 170: Mommy Issues Month: 'The Dark and the Wicked' (2020)/'Green Ghost and the Masters of the Stone' (2022)

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Fri, 6 May 2022 23:41:59 +0000

The Cannes Film Festival may be the epitome of overindulgence. The outfits rival anything seen at the Met Gala while the setting is one of the most fabulous in the world. Fortnite is a multiplayer video game played by kids. So, what brought the two together? We talk about one of the strangest crossovers in years.

Every time we review a movie, we try to go in with zero expectations. That does not stop us from forming initial impressions, however. Green Ghost and the Masters of the Stone is a movie about a car salesman written by and starring... a car salesman. Charlie is down on his luck, but has a strong support system. He also learns that he has superpowers that can save the world.

We were interested in the movie because of its ties to El Paso and did not hesitate to watch it. Based on the premise, we each went in with a very specific idea of what we were going to see. All of us were surprised, but is that a good thing. We also discuss the passion put in the movie and the what seems to be a creepy crush the hero has on his sister.

The Dark and the Wicked is something of a return to form for us. The intimate horror film about a pair of siblings up against a sinister force is worlds away from the over the top fare we have recently featured. Bryan Bertino has an impressive pedigree and his knowledge of the genre is on full display. But are there too many tropes and is the twist too easy to spot?

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Episode 169: 'The Northman' Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 29 Apr 2022 21:32:53 +0000

Robert Eggers first two films have been stunning works - depending on who you ask. The Northman is easily his most accessible film to date, so why did people walk out of the showing Blake attended? Thematically, there is a direct line to The Witch and The Lighthouse. Both of those were polarizing films among audiences. Did Eggers not do enough to cater to mainstream audiences?

This also leads to a question about his future. Whether a person likes his movie or not is subjective, but there is not doubting he is a talented director. Will he be doing larger pictures that are more in line with the general public's taste or will he continue developing his nihilistic view on storytelling?

The Northman lives up to the promise of its trailer and delivers big action pieces. We talk about how well Eggers was able to move from slower more contemplative films to action adventure. Did the movie keep us engaged or was the pacing too slow for the story it was trying to tell? And it sure was nice of Bjork to use her own wardrobe for the movie.

We also take a brief detour to talk about Alex Garland's new movie. Men looks to be employing deep fake technology in an unsettling trailer. As creepy as the trailer is, the red band version seems to give away too much of the plot. We also question why A24 only uses their cool logo designs for trailers.

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Episode 168: Trucksploitation Month: 'Moonfire' (1970)/'Delta Space Mission' (1984)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Fri, 22 Apr 2022 23:41:42 +0000

It seemed impossible to find a better Trucksploitation Movie than Truck Stop Women. Then, we heard about Moonfire. A former boxing champion, so much trucking jargon the script becomes incomprehensible, and of course, Nazis make it one of the most authentic trucker movies ever made. Keep in mind that authentic does not equate to good.

Before we talk about one of the strangest Trucksploitation movies of all time, we talk about the new trailer for the latest David Cronenberg movie. Crimes of the Future looks like a return to body horror form for Cronenberg. We talk about whether this is a good decision and what it will mean for Brandon Cronenberg.

It has been a while since we have talked about an animated film. This week we go all the way back to 1984 to visit a Romanian science fiction film. Delta Space Mission plays perfectly into one of our unintended themes for April. The movie is a straightforward space adventure that focuses on the animation. There is a lot to look at it, but does that mean it is a good movie?

Moonfire is the definition of a Trucksploitation Movie. Made years before the CB craze somehow took America by storm, it is a behind the scenes look at the life of a trucker. Sunset trucking, casual and explicit racism, and a scene that Coca-Cola would steal a few years later are just part of this moving story of over the road trucking.

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Episode 167: Trucksploitation Month: 'Space Truckers' (1996)/'Wyrmwood:Apocalypse' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Fri, 15 Apr 2022 22:51:03 +0000

Danny is off doing Danny things, so this week it is just a Gruesome Twosome. We start off with a talk about the upcoming Cannes Film Festival and the surprising news of a Tom Cruise career retrospect and the World Premiere of Top Gun: Maverick. This leads to an incredibly long conversation about Cruise's career while we all but ignore some of the big movie news coming out of the Fest. We also talk about where The Sadness is headed next.

The Sadness is not the only zombie movie we talk about. Wyrmwood: Apocalypse is an Australian zombie action movie that seems simple on paper (and frankly is, in practice) but still gave us a lot to talk about. We have all seen zombies experimented on, but have they ever been toyed with and demeaned to such a degree? There is also a whole lot of gore and the Aussie film fascination with vehicles continues.

The Cellar was a pleasant surprise from South by Southwest. It is a classic haunted house story with a fun twist. During SXSW we talked to stars Elisha Cuthbert and Eion Macken, along with writer-director Brendan Muldowney. We talk about atmospheric scares, Irish folklore, and come up with a great idea for a shirt.

With a cast that includes Dennis Hopper and Stephen Dorf, a cool premise, and director Stuart Gordon, Space Truckers sounded like it had all the ingredients of an awesome movie. Our first clue that it isn't should have been the fact that neither of us had ever heard of it. For everything it does right (and there is a lot), it does just as much wrong. Does Barbara Crampton with a New York accent save things?

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Episode 166: Trucksploitation Month: 'Road Train' (2010)/'Godforsaken' (2020)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 8 Apr 2022 22:10:58 +0000

When we talked about doing Trucksploitation Month, we never thought it would give us the awesomeness that last week's episode provided. The downside to such a hot start is that there seems to be no place to go but down. Road Train - or Road Kill depending on what side of the ocean you are on - is a 2010 horror movie from Australia that also surprised us. It has more depth than this type of move usually does while delivering on the horror. So why don't more people talk about it? We have some ideas.

Found footage is one of horror's most popular sub-genres. It has become so entrenched in cinema that point of view scenes are common in many blockbusters. Even bad found footage will keep audiences engrossed. And these types of films have lots of issues. From having unlikable characters to taking too long to get things started, found footage films embrace their problems instead of moving on from them.

Except in Godforsaken. (Actually, its three main characters are the dirt worst.) It wastes no time, gives audiences a unique story, and creates a genuine sense of dread. The story is a creepy one that examines religion, our fear of death, and how much we need to believe in something. At first, it seems like one of the best things we have seen this year.

What made our opinions change so drastically by the time the final credits had rolled? Did the writers use up all their ideas or did they just give up? Fans of horror will initially enjoy Godforsaken, but even those who love found footage will have trouble forgiving where the story ended up.

We also try to talk about Bill Skarsgard being cast in The Crow. But first we have to talk about the original movie, its soundtrack, the sequels, how it made black nail polish cool, Sting, and high school.

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Episode 165: Truckspoloitation Month: 'Truck Stop Women' (1974)/'The Free Fall' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 2 Apr 2022 00:47:29 +0000

This is the first year we had no preview for the Oscars. It was not an intentional choice; we simply forgot about them. We had decided we were going to talk about how underwhelming the Academy Awards were this year. Will Smith and Chris Rock provided a moment to remember, but does that change the fact the fact that the show was not all that great?

We will never be lacking for Stephen King content so the news that HBO Max is working on a new series based on King's work in not surprising. The fact that it is a prequel to It is very interesting, however. We talk about what direction the show may go in and why we are a little concerned.

The Free Fall is a movie about a woman who attempts to commit suicide unsuccessfully. When she wakes up, she remembers little and her husband tries to nurse her back to full strength. It is a straightforward premise, but we had a lot of trouble discussing it. We do our best to talk about the movie while dancing around its interesting ending.

Trucksploitation Month begins with a doozy. Truck Stop Women is a 1974 exploitation pick that does not mess around. Starring B Movie queen Claudia Jennings the movie leans into the trucker culture. We have never discussed anything like this on the show before. From its portrayal of the south to its amazing ending, it may be the seminal big truck movie. And yes, we unironically compare it to Paris is Burning.

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Episode 164: 'X' Special edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 26 Mar 2022 00:54:38 +0000

*SPOILER WARNING!!! AS WITH ALL SPECIAL EDITIONS, WE WILL BE DISCUSSING SPECIFIC DETAILS INCLUDING WHO HAS DIES AND WHO HAS SEX*

X is the latest horror release from A24. Since it was released from the fan favorite studio, people will be predisposed to like it. That being said, Ti West is a polarizing director. There will be a group that will quickly dismiss the film once they see his name. So it stands to reason that if one host is a huge A24 fan and the other enjoys West's movies, the show will be a love-a-thon. Right?

West's detractors point out how long his films take to develop. X takes its time introducing its characters and setting. We discuss what impact that had on the film. This naturally leads to talk of the characters and a comparison to this year's Texas Chainsaw Massacre. We also talk about the X factor of one of the characters. Is it possible to not stand out but still exude that extra bit of flair?

Few things go together as well as sex and horror. From its opening moments, there is no doubt as to how provocative the film is going to be. The real question is whether it is able to integrate the scares. Even if the scares work, does that forgive people in Texas running around outdoors barefoot and in their underwear.

One thing we can all agree on is that West knows how to incorporate music into this movies. Until one of the hosts disagrees with the inclusion of a song. (In all fairness, this is the same host who cried at an LCD Soundsystem show, so their opinion on music is in question.)

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Episode 163: Irish Horror Movies Month: 'Isolation' (2005)/'The Cow' (SXSW)

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Sat, 19 Mar 2022 01:19:09 +0000

We had to make some adjustments, but Irish Horror Movies Month continues with a film from 2005. South by Southwest is also back in full force this year. We cover one of the movies that seems to have flown under the radar despite its strong cast. Our most thematically consistent episode in quite a while, and none of it was on purpose.

This week the first Resident Evil movie celebrates its twentieth anniversary We look back on it and other video game movies. We also talk about what is coming to Shudder in April. This includes See For Me which we reviewed at the beginning of the year. We reminiscence on the protagonist and talk about the 100th episode of The Last Drive In.

Isolation is probably the least Irish of the films we have covered for Irish Horror Movies Month. (Of course, Shrooms was filled with a bunch of Americans, so the competition is stiff.) The Fantastic Fest award winner is about a struggling farmer who accepts money from a scientist who wants to do DNA testing on the animals there. Naturally, things go wrong, but it leads to an amazingly disgusting story from Blake about birthing cows.

Winona Ryder has been in the public eye for decades. Her latest movie will have long time fans looking back fondly while also thinking on the roles she has taken in the latest chapter of her career. Making its World Premiere at SXSW, The Cow is part thriller, part romantic drama about a woman whose boyfriend disappears one night. The twisting narrative and performances stood out to us, but it was the more subtle things that really made an impression.

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Episode 162: Irish Horror Movie Month: 'Shrooms' (2007)/'Deadstream' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 12 Mar 2022 06:05:00 +0000

We have been doing our podcast for three and a half years. Much of that time was spent during a global pandemic. We take everything we do on the show serious, but it is also about having fun with friends. We were very pleased to see that our Twitter account that we just started last year has managed to amass 1,000 followers. We are even more excited to announce that we are on the verge of 25,000 downloads. Keep listening to hear about what exciting things we have planned.

It is always sad to see your favorite things get worse with time. The Alien franchise has suffered like few others over the decades. This week brought the news that Fede Alavarez would be helming the latest installment. Alvarez has seen his fortunes changes since a strong debut. Is this too combustible of a combination? We also talk about Steven Segal's involvement in the Russian-Ukraine conflict.

Our second film for Irish Horror Movies month is 2007's Shrooms. The movie is about a group of college friends who head to Ireland to trip out on mushrooms. Before long, they running for their lives. The film answers a question we posed last week about how much a director has to do when the setting is naturally beautiful. It also reminds audiences of the timelessness of the 1990s and how great the name 'Bluto' is.

South by Southwest is back and we begin with one of the most anticipated horror movies coming to the fest. Deadstream is a fun homage to Evil Dead, 80s B horror, and found footage. Is the lead charismatic or cringey? Is it really scary or does it try to be funny?

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Episode 161: Irish Horror Movie Month: 'Boys of County Hell' (2020)/'Agnes' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 5 Mar 2022 01:18:44 +0000

There have been a lot of great horror movies to come out of Ireland. Though we have talked about some of them here and there, we have always wanted to devote a whole month to the subject. We have finally gotten around to it as we begin Irish Horror Movie Month with a look at Boys From County Hell.

Vampires seem to be an easy target for comedy horror. There are romantic comedies, family comedies, and spoofs all centered around everyone's favorite bloodsuckers. Boys of County Hell is another in the list, this one with a distinctly Irish feel. One of us was not impressed with its humor, another saw it as a touching coming of age story, while someone else thought it took a while to get going. And yet, we still all agreed on whether others should watch it.

Horror movies have always trafficked in the strange and eerie. Agnes is a possession film that takes things to the next level. Genre bending would not be giving this enough credit as it weaves between horror, comedy, character study, and drama during its entire runtime. Of course, when a story makes too many changes, it can lose the audience. This one has one of the strangest tonal shifts you will ever see in a horror movie.

AMC was one of our favorite topics when we were unable to leave the house. Well, they are back on our radar again and - SUPRISE! - we have nothing good to say. We found the one group that could ruin our excitement over The Batman.

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Episode 160: ' Texas Chainsaw Massacre' (2022) Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 25 Feb 2022 22:00:59 +0000

*SPOILER ALERT!!! WE WILL BE DISUCSSING TEXAS CHAINSAW MASSACRE IN DEPTH, INCLUDING WHO DIES AND WHO SURVIVES*

Sequels are an important part of horror. While that do not always work out (and eventually end up diluting the source material), they are one of the determining factors of success in the genre. In recent years, legacy sequels have become increasingly popular. One of the big marketing themes around Texas Chainsaw Massacre was how it was a direct sequel to the 1974 original. We discuss reboot versus sequel and try to figure out what the latest installment in the franchise was going for.

We also talk about popular ideas in horror. Reality versus the supernatural and white science versus Black magic are often seen, but the Texas Chainsaw Massacre movies have always been about the city versus the country. This was a big part of the latest installment, but did it amount to anything more than jabs at Austin and modern society? Was the movie genuinely trying to make a statement or was it all a joke?

Unlike the original, Texas Chainsaw Massacre is a gory movie. We talk about the kills in the movie and whether it was too much. We also talk about what the film means for Fede Alavarez and how the film is indebted to horror movies of the past. Plus, talks about homages, sequels, and final girls.

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Episode 159: Vampires vs Werewolves in the World Series of Love

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 19 Feb 2022 01:24:57 +0000

It's the age old question. Vampires of werewolves? There is no right or wrong answer, but there are plenty of strong feelings. We definitely do not have an answer. We don't even spend too much time debating the issue. But we do cover Jess Franco's Count Dracula and the recently released The Cursed.

Before we begin talking movies, we get into some movie news. One of our picks for worst movie of 2021 is coming to Shudder. Were we wrong all along or are people just too forgiving? Heavy metal and horror go together hand in glove. We talk about the latest (kinda) addition. Plus, did we really need another Final Destination movie?

A certain type of film comes to mind when Jess Franco and Soledad Miranda team up as the two did with 1970's Count Dracula. We talk about why the movie disappointed us, what we liked about the movie, and how it compares to other vampire movies of the time. We also try to figure out who this movie is for.

Eight for Silver was one of the most striking world premieres from last year's Sundance Film Festival. It's powerful imagery and unique creature design mixed with classic folk horror left an impression on anyone who saw the movie. Renamed The Cursed, it is now in theaters. We talk about the wild body horror, pushing the limits of gore, and knowing when to end a movie.

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Episode 158: Cult movies with Sarah from Weird Horizon

Sat, 12 Feb 2022 01:36:14 +0000

We tend to get tired of each other on our humble little podcast and we love having guests on the show. This week Sarah from Weird Horizon joins us. We all decided that an episode about cults would be interesting. Thankfully, Netflix was able to provide us two films to discus.

Before we talked about cults, we discussed the recent nominations for the Academy Awards and the Razzies. We discuss how nostalgia influenced Space Jam: A New Legacy, licorice pizzas, and the number of Bruce Willis movies we saw last year. And yes, someone saw most of them.

Children of God is a 1994 documentary that can be found on Netflix. It looks at the cult of the same name (now known as The Family). In particular, it focuses on one woman and the affects being in the group had on her and her family. Trigger warning: the film deals with strong sexual situations which we do discuss. We also compare the documentaries of today - true crime, in particular - to this more somber presentation.

The second movie we covered can also be found on Netflix. Apostle is from 2018 and is about a man who infiltrates a cult in order to save his sister. It is atmospheric, leans more to straight horror than psychological horror, and has an ending that will have people talking. The focus is more on the individuals than the cult as a whole. How well did it all come together.

Weird Horizon can be found on Spotify, Apple, Anchor, and Goodpods or at @weirdhorizon on Twitter and @weirdhorizonpodcast on Instagram.

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Episode 157: 'The Other Me' (2022)/"Ghosts of the Ozarks' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 4 Feb 2022 22:14:05 +0000

The whole gang is back together and we have news, reviews, and opinions. What legacy sequel are we looking forward to? After years of talking about David Lynch, do we cover one of his classics? What do Scooby-Doo, David Arquette, and folk horror have in common? After a historic Sundance, is it time to reevaluate horror movies?

Legacy sequels have been all the rage in recent horror installments. This month a direct sequel to one of the most infamous horror movies of all time is coming to Netflix. We talk about how we were introduced to Texas Chainsaw Massacre and how excited we are for the latest entry in the franchise. After Nanny won Sundance's biggest prize, we also discuss whether horror movies have gotten better or if people are just paying more attention.

David Lynch has been one of the constants of our humble little podcast. We have never reviewed one of his movies, however. The Other Me was not directed by Lynch, but he does serves as executive producer. We talk the film's unique look, its twisting narrative, and it confusing ending. And of course, we ask the question, is it Lynchian?

Ghosts of the Ozarks is a feature length adaptation of the short film and it feels like it. This does not mean it cannot be fun, though. Filled with oddball characters and an interesting premise, there is actually a lot to like about the movie. How well does its folk horror turn go? Did they add too much when they adapted it?

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Episode 156: Shorthanded at Sundance

nathaniel@aiptcomics.com (Regina Chavez, Nathaniel Muir) — Sat, 29 Jan 2022 01:57:12 +0000

We are at the Sundance Film Festival for this week's episode. The only problem is we are short staffed. Thankfully, an old guest returns. As the fest comes to a close we talk about two genre movies that stood out to us. The first is a polite horror movie from Finland. We then talk about a dark science fiction comedy. We also have an interview with writer and director Riley Stearns.

On its way to Shudder, Speak No Evil played at the Sundance Film Festival. The movie is about a family who meet a couple while there are vacationing in Tuscany. The group hit it off immediately. Things go so well, that an invitation is extended. When Bjorn and Luisa go to meet their new friends, they are in for a memorable trip. We talk about social conventions, the stupidity of horror movies, and when it is possible to relate to a psychopath.

Dual is a science fiction thriller starring Karen Gillam that made its world premiere at Sundance. The movie is about a woman who has been diagnosed with an incurable and fatal disease. In order to alleviate some of the pain for those who hare close to her, she has a clone commissioned. When things suddenly change, her life goes into further disarray.

The movie has a tone that is impossible to place and incredibly dry humor. The two of us also talk about the fascinating performance of Gillam and what seems to be intentionally shallow character development. We try to peel away the layers of one of Sundance's most nuanced releases.

The show also includes an interview with the writer and director of Dual, Riley Stearns. He discusses his inspiration behind the movie, why there is so little violence in his inherently violent movie, and who would win in a duel to the death.

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Episode 155: Sundancing: All over the Sundance Film Festival

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 22 Jan 2022 01:30:13 +0000

The Sundance Film Festival is upon us and we had a chance to check out some screenings. Along with features, Sundance also has shorts and episodic programs. This week we look at a horror short, a pilot for an episodic series, and a documentary. We also discuss an award winning director, two iconic actors, and "Weird" Al Yankovic.

"Weird" Al Yankovic is an important piece of music history. If anyone deserves a biopic about their life, it is him. But should Daniel Radcliffe be the one to play him? Plus, we talk about the possible pairing of Bong Joon-ho and Robert Pattinson. How is the former Twilight star like Nicolas Cage?

We wanted to get a full feel for this year's Sundance Film Festival, so we decided to look at what the fest has to offer. We start with a review of Huella. The horror short is about a woman whose grandmother has just passed away. Horror is known for being straightforward, but there have been some movies in the genre that have been more nuanced. Does that work in a short film? We also try to figure out what the Talking Heads have to do with it.

Bring on the Dancing Horses has nothing to do with Echo and the Bunnymen. It is the tale of a female assassin who is working at completing a list of targets. We talk about the interesting pacing, what role music plays in it, and whether we would watch more episodes if and when they came available.

The show closes with a review of Riotsville, USA. The documentary is comprised of archival footage from the late 1960s. There are also no modern day interviews. How well did this work? We also talk about how a documentary can be timely but still manage to miss the point.

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Episode 154: Our favorite movies of 2021/'Belle' (2022)

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 15 Jan 2022 01:12:36 +0000

Regina returns to the show to talk about her favorite movies from 2021. Since she has seen almost all of the movie we have covered, she was able to slide right on it. Little did we know she would pick a movie that was on someone's least favorite list last week. We also talk about the anime Belle. The film was a huge hit on the festival circuit and in its native Japan. But the real question is, did WE like it?

We start the show with a talk about A24 and how some people are willing to give them a pass. This leads to a conversation about The Witch before a talk about the newest trailer from A24. From director Ti West, X is about an adult film crew who get in for more than they bargained for. We talk about West's previous works, the look of the film and whether the trailer reveals too much.

Inspired by Beauty and the Beast, Belle is the story of an shy high schooler named Suzu. When she enters the virtual world U, she becomes a talented idol known as Belle. We compare the anime to the source material, ruminate about love, and question the film's dark twist.

We are finally ready to put 2021 to close with a talk about some of our favorite movies from last year. Some of the picks are expected, some of them you can guess, but one of them was mentioned on last week's show about least favorite movies of 2021. We also discuss grown up teen sex comedies and talk about how twist endings are overrated.

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Episode 153: Our least favorite movies of 2021/'See for Me' (2022))

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 8 Jan 2022 00:18:27 +0000

To start off the new year we look back at some of our least favorite movies of 2021. From random nude scenes to major releases, we talk about the films that stood out to us for all the wrong reasons. We also review home invasion thriller SEE FOR ME. We start the year off with hot takes and disagreements. Do we reach a consensus on anything?

We start the episode off with a talk about the upcoming Sundance Film Festival. It was announced that the in person portion of the fest has been cancelled. We discuss what that means going forward and how it may be a good thing. We also talk about horror remakes that we keep forgetting about.

We start the year off with one of our most contentious movies in a while. See for Me is a home invasion movie with a twist. Skylar is a young blind woman that will not endear her to everyone. In one of our most divisive conversations, we all give our differing opinions on Skylar. We go over the importance of tension in this genre and compare abrasive lead characters from home invasion movies.

The start of a new year is a great time to look back at what we did not like about the previous one. And there was a lot of horrible films to choose from. A film that is all about shock and Jeffrey Epstein? Check. Cosplayers making sure the plans for Nikola Tesla's secret weapon does not fall into the wrong hands? You got it. A reboot of a beloved horror favorite? That's here, too.

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Episode 152: Happy New Year's!: 'Hurt' (2021)/'30 Days of Night' (2007)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 31 Dec 2021 23:05:03 +0000

It is the last show of 2021 (or the first one of 2022 depending on when you hear this), and we get back to our horror roots with a double dose of scary fun. 'Hurt' is a slasher that takes place around Halloween. When her husband returns after being deployed, the two look to get their lives back to normal. We also look back on '30 Days of Night' and wonder why it is not talked about more.

We start off with some quick thoughts on the the past year. We talk about the changes we have gone through and what plans we have for the future. SPOILER: None of us are New Year's Resolutions types and planning ahead is not our forte.

Hurt has actually been doing the festival rounds since 2018 before it was finally released this year. We talk about its character driven story, how it subverts expectations with its neat opening fake out, and how well it works as a horror movie. Mixing slashers and mental illness tends to be reductive and almost insulting. Does Hurt manage to make things work?

Vampire movies will always be popular. This week, we talk about 30 Days of Night. We all remember the movie as being pretty popular when it first came out. So, why is it that no one ever talks about it today? Could it be that audiences were not ready for its story? Does it still hold up almost fifteen years later? And why haven't other vampires made this a month long festival?

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Episode 151: Christmas Episode: 'The Last Conception'/'The Scary of Sixty-First''

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 24 Dec 2021 22:45:22 +0000

It's Christmas time on Adventures in Movies and our gift to you is one of those presents that you look at quizzically with a bemused smile on your face. This week we cover two movies that could not be more different. We look at a light hearted rom-com with strong LGBTQ themes and family values and follow it up with story about one of the most notorious predators of the modern age and loneliness.

We are big fans of The Witch on this show and be extension are fans of director Robert Eggers and Anya Taylor-Joy. We talk about the trailer for the latest collaboration between the two. The Northman has been on our radar for quite a while now and our first look left us with plenty of thoughts. We talk about the action scenes, the inclusion of supernatural elements, and whether men can be too ripped.

This week we review another listener request in The Last Conception. The movie is about a young woman who is coming out to her family. She soon learns just how important carrying on the family bloodline is to them. The plot is a breezy one that has plenty of conflict and no true villain. It has all the elements of a simple and fun movie, but is told in an interesting way that stood out to us.

The Scary of Sixty-First is a horror movie revolving around the crimes of Jeffrey Epstein. Those who say what Epstein did is horrific enough in itself would be right, but this movie takes things to a whole other level. It is a movie that seems to be made for shock value, but also does not want to seem to be care if people understand what it is about. We also talk about how uncomfortable it made us feel and if it is erotic or just plain creepy.

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Episode 150: '36 Deadly Styles'/'The Last Duel'

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 18 Dec 2021 00:49:49 +0000

We are taking a break from holiday horror (and something of a break from the show's normal material) to talk about two movies that have some similarities while being drastically different. We start in the Golden Age of exploitation cinema with a kung fu movie that typifies what people probably think about - for better and worse. We also look at one of the most underrated movies of 2021.

We waste not time getting into 1980's 36 Deadly Styles. The best way to describe the film is in the simplest ways possible. Even then, it would probably still be wrong. We discuss whether a kung fu movie can have too many fight scenes, some great hair, and the Wu-Tang Clan. We also try to figure out what the movie is about and whether it even matters.

Ridley Scott is one of the most celebrated directors in cinema. He has an impressive resume that includes some of the most iconic movies of all time. We review what may end up being one of his most overlooked works of his career. The Last Duel deals with topical issues in a medieval story. We go over the Roshomon-style of storytelling, debate how well the message was delivered, and marvel over the fight scenes. Plus, more talk about hair.

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Episode 149: Holiday Horror Movie Talk/'Frozen' (2010)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 11 Dec 2021 00:07:40 +0000

We really wanted to go the month without reviewing any holiday horror movies. We love them as much as the next person, but we just felt like going in a different direction. In lieu of an actual review, we talk about some of our favorite Christmas horror movies. Some of the are obvious while others will catch you off guard. We also talk about an underrated thriller that takes place in chilly conditions.

A few months back we talked about The Green Knight and were decidedly split on how we felt. Now that the movie is getting a Christmas re-release, we revisit what we thought. You will be surprised to find what we now think. We also wonder if people will ever stop talking about Die Hard and its connection to Christmas. We also talk about Steven Spielberg's upcoming remake of West Side Story and his decision to have no subtitles for the Spanish speaking parts.

It is the second spookiest time of year! We talk about the holiday horror movies you should see. Kiera Knightley, fever dreams, and childhood classics all crop up. We also discuss why Jack Frost is a better holiday horror movie than Thankskilling. And, more Die Hard?

Frozen is a 2010 thriller that keeps things simple. The story is about a trio of friends who get caught on a ski lift and have to battle the elements in order to describe. Obviously, this type of movie will take a lot of realism to succeed, but why did they make it feel like it was from another decade? Plus, we talk about relatable characters that are little annoying and very dumb.

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Episode 148: Holiday Horror Buying Guide/'New York Ninja' review

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 4 Dec 2021 00:46:59 +0000

Auditions are closed and the votes have been counted. So who will join Danny and Nathaniel on this week's show? This episode is a little different as the Christmas spirit takes over. The three of us have a discussion about great gifts for horror fans. There is also a review of a movie that was started and completed in 1984 and just released this year. We talk about its history and how well it holds up.

It is tough getting Christmas presents for people. Even when you know what a person is into, there can be a lot to choose from. We wanted to make things easier for getting gifts for the horror fans in your life. What indie film company can you get some of the best genre films from? Which board games would be best? What is the best last minute gift?

New York Ninja is an interesting film. Shot and completed during the cinematic ninja fad of the 1980s. However, it was not released until this year. We talk about why the movie did not come out and how it would have fared if it had. We also talk about Vinegar Syndrome's restoration of the film. When there is a roller skating ninja, it also begs the biggest question: was this made to be intentionally bad?

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Episode 147: 'The Last Rite'/'Kristy' w/ Stephanie from Cheer & Loathing

nathaniel@aiptcomics.com (Stephanie Malone, Danny Martinez/Nathaniel Muir) — Sat, 27 Nov 2021 03:16:05 +0000

We take a break from our hunt for Blake's replacement and welcome Stephanie from Cheer & Loathing to our humble little podcast. Thanksgiving has arrived and we talk about whether the holiday spirit has hit us. We also found a Thanksgiving horror movie to talk about. But before we get to that we talk an exorcism movie from the United Kingdom that may have set the groundwork for something better.

The Last Rite sounds like a typical exorcism movie - and in a lot of ways it is - but it does some really interesting things with its storytelling. A movie about an exorcism that builds up to the final battle instead of being a constant push and pull is a neat idea. Building strong characters instead of just jumping into the action is also a neat idea. So, where did this movie go wrong?

It is really hard to find a Thanksgiving horror movie. Kristy from 2014 seems to be on every list for great Thanksgiving horror films, but that is kind of misleading since it seems like there is only three of four of them. The story involves home invasion, the dark web, and a college student alone on campus. It certainly has all the ingredients for a great horror film. Does it pull it all together?

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Episode 146: 'Black Friday' w/ Not Your Final Girl

Sat, 20 Nov 2021 01:29:40 +0000

It is a big week as Regina gets a second chance and Ariel and Candance from Not Your Final Girl Podcast. We are right between Halloween and Thanksgiving so we talk about one movie that is made for the spooky month and one that is just all about the holidays. But did they get the job done?

We start with a talk about one of the most daring movies of the year. Titane is frightening, poignant, and delightfully confusing. We talk about the film's themes, its brave take on gender, and why it is better to be a firefighter in France. Candance also talks about her experience with haunts.

Night at the Eagle Inn is a great name for a horror movie. It is just a question of whether it is for the entire family or just a straight up scary story. The story involves twin magic, deals that should not be made, and a to the point story. Did it all come together better than Black Friday?

Even the combined efforts of Bruce Campbell and Devon Sawa could not stop us from tearing the movie apart. One of the charm's of horror are the shallow character development and paper thin plot? Why did it not work here? Was there anything good about the film? Despite its faults, will it become a holiday horror favorite?

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Episode 145: Listener Request: Terrified (2017)/Lair (2021)

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 13 Nov 2021 01:43:29 +0000

There is a lot going on in this episode. The hunt to replace Blake continues. Can this week's guest remedy the damaged caused by Pablo's audition last week? We also have a listener request from The Sun City Fright Fest: 2017's 'Terrified' from Argentina. Plus, a look at an inappropriate horror movie from the United Kingdom.

Bruce Campbell is an undeniable horror icon. Hallmark Holiday movies have also left their own impression on cinema. What would happen if the two came together? We speak about the upcoming One Night in December which aims to answer those questions. Which one of us will have a full report ready for next week?

Lair sounds familiar enough to be fun. A man slaughters his family and blames it on demonic possession. It seems like a pretty straightforward tale of what is and is not true. Instead, it becomes the wrong kind of creepy, never can figure out what kind of movie it wants to be, and prides itself on things it never really accomplishes. But is it worth seeing?

Our listener request takes us to Argentina and a look at Terrified. This is another movie that seems to forgot about initial premise in lieu of a different story. We talk about how it is like an anthology, the American influence on it, and time jumps in narratives. Plus, its odd connection to Fear Street.

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Episode 144: Mysterious Ways Edition: 'Burning'/'The Beta Test'

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 5 Nov 2021 22:22:36 +0000

After a year of staying as far away from the show as possible, Pablo comes back to talk about two character driven thrillers. We start with a discussion about 2018's Burning from South Korea and close with a talk about this year's The Beta Test. We also talk about another upcoming Stephen King adaptation and have an interview with the Jim Cummings and P.J. McCabe from The Beta Test.

There are just some things we cannot get away from on the show. Another Stephen King adaptation is on the way, and this time Rob Savage is at the helm. We talk about The Boogeyman, whether a short story can effectively be made into a two hour movie, and if a director known for found footage will be able to pull it all off.

Parasite made history at the Academy Awards in 2020. Arguably, the path for its success was paved the year before with Burning. The movie is about a man who runs into a childhood friend. This one chance encounter leads to a carefully laid out mystery, commentary on class, and nuanced storytelling.

Before we talk about The Beta Test , directors, writers, and stars Jim Cummings and P.J. McCabe talk about how they made the movie, what fears they had, and why improvisation does not work for them. It is a great interview that touches on what is wrong with Hollywood and possibly foreshadows the future of moviemaking.

The film itself is a genre mash that includes elements of horror, erotica, comedy, and mystery. It is a modern story that also touches on social media and datamining. But is there too much going on? We talk about the performances, whether the movie is too inside, and the loss of erotica thrillers.

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Dune Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 30 Oct 2021 00:57:59 +0000

***SPOILER WARNING! WE DISCUSS DUNE AND MAJOR PLOT REVELATIONS***

We end the spooky season with what is destined to become a Halloween favorite. This week we talk about 2021's 'Dune'. We have been talking about this movie for years and were all extremely excited to see it. The question is not if we liked the movie, but how much. There is no way any of us would dislike the movie, right?

Dune may not ever be the perfect Halloween movie, but it is one of the most anticipated movies of the year. We talk about whether a person can get into the movie without having read the books first. Right off the bat, one of us is very upset about how confusing everything is. This begs the question: there is no doubting how gorgeous the film is; but is it just a case of style over substance.

We also try to figure out the odd line deliveries and naming conventions. Timothee Chalamet has proven he is one of the best young actors today. Why does his science fiction hero speak every other YouTuber? And why do the most important characters have such normal names?

The three of us also talk about the direction outside of the grand sci-fi moments, compare this version to David Lynch's much maligned 1984 attempt (you will be surprised who has nice things to say about it - well, maybe not), and talk about how there is only one way to watch Dune.

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Episode 142: 'Dashcam'/'Hell Fest'

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 23 Oct 2021 00:01:44 +0000

31 Days of Horror continues with a visit to the nicest traveling Halloween carnival you will ever see. But when you do not follow the right order when killing plus you main annoying person does their job too well, is the movie worth watching? We also talk about the second movie of the year involving dashcams and conspiracies.

The Munsters are one of the most beloved sitcom families in television history. The news that Rob Zombie was going to make a reboot was a little worrisome. Zombie is clearly a fan of horror, but he also takes things to the extreme in the worst ways possible. He talk about the latest photo from the set of the movie and wonder why everyone looks so upset.

Dashcam (not to be confused with DASHCAM) is a thriller about a video editor that stumbles upon a possible government conspiracy. It is atmospheric, engaging, and boasts a strong lead performance. So why are we so confused about the movie? We also try to figure out if there is a right way to handle the pandemic in film.

Hell Fest seems like it would be the perfect movie for the spook season. A slasher set at a travelling Halloween carnival, the movie follows a bunch of friends hanging out on Halloween. What happens next should be obvious, except it absolutely isn't. How important is killing people in the right order in a slasher? Is there such a thing as too annoying?

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Episode 141: Kinda live from the Sun City Fright Fest

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath, Nathaniel Muir) — Sat, 16 Oct 2021 01:42:29 +0000

For the first time ever, Adventures in Movies takes their act on the road. Danny and Blake keep the crowd happy at the Sun City Fright Fest while Nathaniel handles things from deep in the heart of Texas. The Sun City Fright Fest provided us an opportunity to talk about some of our favorite things in horror. Stephen King, foreign horror, and found footage are just some of the topics we brought to El Paso.

If you are going to talk horror, then it is impossible to not talk about Stephen King. King is obviously one of the most important voices in film, but what is importance overall? How does his work from decades ago still resonate with today's crowd? And will his works ever stop being adapted?

It is hard to believe that Scream came out a quarter of a century ago. Its influence on the genre is obvious, but is it the most influential movie of the past twenty-five years? We also talk about how it was the final nail in the coffin for slashers and marvel at the casting of Drew Barrymore.

Found footage is one of the most polarizing sub genres out there. We discuss the ending of The Blair Witch Project and try to think of a better ending in point of view films. We also talk about the future of these types of movies and how they have affected non horror movies.

Foreign horror has been incredibly popular in the United States. We talk about J-Horror and wonder why it seems to have gotten over better than scary movies from other countries. We also talk about what we would like to see and try to talk about the difference between extreme an mainstream horror.

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Episode 140: 31 Days of Horror: 'Haunt'

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 9 Oct 2021 00:35:04 +0000

Before we head out to the Sun City Fright Fest, we had some things to get off our chests. It's the spooky season and we had to talk about the plans we have for the month. This year, we have some choices that go against our previous plans. Plus, we talk about what Stephen King movies to watch in October and notice something about miniseries remakes. It also seemed like the perfect time to talk about Haunt.

Watching as many horror movies as possible is a staple of October. We talk about some of our favorites that we watch every year. We also discuss how streaming as provided slightly different options for 31 Days of Halloween. Anyone in the mood for Squid Games? Or is the gruesome and nonsensical violence of Slasher: Flesh & Blood more your speed? There is a lot more than movies to check of your scary bucket list.

For many, a big part of Halloween is going to extreme haunted houses. Haunt is a Shudder exclusive about a group of friends that go to one and end up with more than they bargained for. Yes, it is a slasher, but why does it feel so different? The pacing and tone are unique, while the characters are familiar. The ending is something else entirely. We go over the good, the bad, and the terrifying.

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Episode 139: 'After Blue'/'The Sadness' with Not Your Final Girl

nathaniel@aiptcomics.com (Nathaniel Muir/Ariel Dyer/Candace Sluder) — Fri, 1 Oct 2021 21:59:40 +0000

This week I am joined by Ariel and Candace from the Not Your Final Girl podcast. We talk about two movies that seem to be nothing alike but still have a lot in common. 'After Blue' is a surreal science fiction western that has a unique look, great soundtrack, and a character named Kate Bush. 'The Sadness' is an homage to Hong Kong Category III movies. It sounds like a zombie movie that is also taking on the pandemic. While it never reaches deep levels of commentary it is an extreme horror movie that will stay with you. But is that a good thing?

It is already the spooky time of year and we talk about what plans we have for October. Can you believe one of the horror hosts has never been to a haunted house? Is it possible that one of them does not treat Halloween any different from any other time of the year? And what is WWE's Undertaker doing that has us all excited?

After Blue (Dirty Paradise) is one of the most unique looking movies of the year. The story is about a girl named Toxic who frees a woman named Kate Bush. This leads to a quest that pushes the boundaries of imagination. We talk about paintings on the sides of vans, designer guns, and the movies treatment of sex.

*WARNING! THE SADNESS DEALS WITH SEXUAL VIOLENCE*

The Sadness is one of the wildest movies we have ever talked about on this show. The film is an absolute gorefest filled with sexual violence, graphic killings, and no plot. In other words, it is a textbook extreme horror movie. We discuss its plot and characters, its frank handling of violence, and its place in today's pandemic world.

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Episode 138: Hispanic Heritage Month: The Funeral Home/Surge

nathaniel@aiptcomics.com (Nathaniel Muir) — Fri, 24 Sep 2021 22:08:34 +0000

We conclude Hispanic Heritage Month with a look at The Funeral Home, a horror movie from Argentina. We also talk about one of the most tense movies of the year. Plus, where does The Lost Boys rate as one of the all time great horror movies? We also debate the importance of Slumber Party Massacre, Verotika, and...Dire Straits?

The Lost Boys is one of the most revered vampire films of all time. Capturing the zeitgeist of the time, the movie is the perfect mix of horror, comedy. and music. With news of a remake, we talk about The Lost Boys' place in history and if we are excited to see the remake. We also talk the upcoming Slumber Party Massacre remake, The original stood out amongst other 1980s slashers for its female director, lack of Final Girl, and its treatment of women. Can the new one live up to that legacy or will it be another tired retread?

Surge is one of the most tense movies of the year. Filled with strong storytelling and great performances, the plot relies more on its characters and dialogue to tell a powerful story. We talk about the intensity of the performance, how it made us feel, and if we could relate to the protagonist. We also discuss why a movie that is this frenzied and chaotic may not be for everyone.

We conclude Hispanic Heritage Month with a trip to Argentina. The Funeral Home is a movie about a dysfunctional family that lives in their haunted funeral home. Sound design in a important part of horror movies. But are there times when there can be too much of a good thing? Character development is not the most important part of horror, but what happens when you can't stand anyone? Plus, long drawn out deaths and dying people who have a lot to say.

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Episode 137: Hispanic Heritage Month: 'The Untamed'/'Shelter in Place'

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 18 Sep 2021 01:25:02 +0000

Hispanic Heritage Month continues with an entry from Mexico that is one of the most messed up films we have ever discussed. Have you ever wanted to see a tense horror movie filled with engaging characters, animals being natural in the most unnatural ways, and alien tentacle sex? Then this is the episode for you!

Plus, a horror movie set in the infamous Roosevelt Hotel that is surprising - but not for the reasons you might think. We also talk about Elvira coming to Shudder and the future of Star Trek.

Elvira is a horror icon that is instantly recognizable even to non-horror fans. We talk about her upcoming return to Shudder and our memories of the queen of Halloween camp. We also talk about the future of Star Trek and if we are interested in what happens next.

Shelter in Place sounds like a basic scary movie that is taking advantage of the pandemic with its title. Surprisingly, quarantine plays a huge part in everything that happens. We discuss whether good acting can overcome inconsistent characters, whether there is such a thing as too many good ideas, and the importance of having a strong ending.

The Untamed is this week's pick for Hispanic Heritage Month and it is a doozy. The movie is about sex, love, wants, needs, passion, lust, and an alien that has a lot of tentacles and knows how to use them. Is this considered erotic horror? Did it go too far? And how did they get so many animals to cooperate?

Music in the background from https://www.FesliyanStudios.com

Episode 136: Hispanic Heritage Month: The Last Matinee/It Came From Below

nathaniel@aiptcomics.com (Regina Chavez, Nathaniel Muir) — Fri, 10 Sep 2021 21:26:25 +0000

The show must go on! Two-thirds of the crew is out, but an old friend drops by to help keep things running. Hispanic Heritage Month begins next week and we decided to start early with a look at 'The Last Matinee' from Uruguay. We also discuss a creature feature from the United Kingdom. Plus, Halloween is around the corner and we discuss some impressive streaming lineups.

This year's 61 Days of Halloween from Shudder has an impressive slate of movies, series, and specials. Slasher: Flesh & Blood, V/H/S/94, and Creepshow will all be coming in the next few weeks. Plus, another Joe Bob special. Netflix and Chills is also bringing the Halloween goodness. There is family friendly fare, an awesome sounding anthology, and an interactive horror movie starring...The Undertaker?

It Came From Below is a title straight out of the drive ins of the 1950s. Does the movie live up to that expectation? And can a movie still be good when it paints itself into that type of corner? We also talk about whether the creature feature still exists, the difference between atmospheric dark and annoying dark, and questionable relationships.

Hispanic Heritage Month is coming up and we travel to Uruguay to visit The Last Matinee. The love letter to Italian giallo is about a killer who is killing the audience at a movie theater. We talk about if it is possible for a movie to work with little to no plot, creative kills, and whether a giallo aesthetic still works in the 21st century.

Music in the background from https://www.FesliyanStudios.com

Episode 135: Candyman Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 4 Sep 2021 00:23:54 +0000

Candyman. Candyman. Candyman. Candyma-

You get the point. This week's episode is a Special Edition dedicated to the the new Candyman sequel. There is a lot to unpack in the movie and we cover it all. The original is remains terrifying to this day; how does the new one hold up. What did we think of the kills in the movie? Social commentary has always been a big part of horror and Candyman is no different. How effective were they in delivering their message?

And as always with Special Editions: SPOILER WARNING

There are actually two previous sequels to 1992's Candyman. How well does this one incorporate the lore of the original? We also discuss whether a person has to see the first movie before diving into the 2021 version. And if you have not seen the Tony Todd film, can you really appreciate this one? Or does going in fresh allow a fresh perspective?

Last week, we talked about a bloody movie with little violence. We talk about the kills in Candyman and the interesting direction the film took with them. Our opinions were varied and it may surprise you who enjoyed what the movie presented and how it was done.

Race was a big factor in the original Candyman and it remains so in the latest incarnation. The question is not if the discussion about race would be in the movie. The question is, would it be done effectively. We talk about how the movie handled the issue and whether it will resonate with audiences. We all have differing opinions on how well Candyman got its message across.

Ultimately, Candyman is a gruesome horror movie. The original is a classic that has been a favorite of the horror community for decades. In other words, the new one has a lot to live up to. Does it succeed? How scary was the movie?

Music in the background from https://www.FesliyanStudios.com

Episode 134: Fantasy Horror: The Head Hunter/Final Frequency

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 28 Aug 2021 01:21:30 +0000

We finally got it right! When we started Fantasy Horror Month, we figured it would be a breeze. As it turns out, there is plenty of dark fantasy, but it is difficult to find actual fantasy horror. We found one and it is a doozy. The Head Hunter is bloody and gory, but not very violent. It values storytelling payoff over actual action. The cast is comprised of one man, one girl, and lots of severed heads.

We also talk about Nikola Tesla's secret notebook and the dangers of the wrong people finding it in Final Frequency.

Spencer is not the type of movie we would normally talk about on this show, but its new poster is too beautiful to be ignored. Someone on the show also learns what Princess Diana is not her Christian name. We also talk about Denis Villeneuve's reasoning behind limiting how Dune can be watched.

We have covered some interesting (re: bad) movies the second half of 2021. Final Frequency is in the odd space where it is not so bad it is good, while also never being truly terrible. What you do end up getting is a movie that makes no sense, villains without any motives, and one of the strangest LARPing scenes ever.

The Head Hunter is a nice escape from the world of deadly earthquakes and Lou Ferrigno Jr. The final entry for Fantasy Horror Month is the tale of a father who is looking to get revenge for the loss of his daughter. It is filled with fantasy elements and horror tropes. It also has little action and dialogue. Does this combination work?

Music in the background from https://www.FesliyanStudios.com

Episode 133: Fantasy Horror: Merlin and the Book of Beasts/Finding Kendrick Johnson

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 21 Aug 2021 00:10:48 +0000

Who would have ever thought how difficult it would be to find fantasy horror? We certainly did not. This week we leave Oz and head back to Camelot. Our focus is one of its most famous characters. We visit some of his lesser known adventures, including the times he fought Medusa and he stopped King Arthur's son from getting intimate with his sister. We review our first true crime documentary. While Finding Kendrick Johnson may sound like others from the genre, it goes into unexpected detail about something few others have.

We have talked in the past about franchises that have fallen from glory. Demonic came out this week and it did not go over well with critics and audiences. Director Neill Blomkamp seemed to be on top of the world after District 9. Over a decade has passed, and we are still waiting for him to live up to the promise he once flashed.

Finding Kendrick Johnson is a true crime documentary with a powerful message. It is one that rings true throughout the country. We grapple with the film's mystery, narrator, and its graphic content. We were incredibly torn when discussing this documentary and were really not sure how to tackle it.

Fantasy Horror Month continues with a look at 2009's Merlin and the Book of Beasts. The title may sound unfamiliar to fans of Arthurian legend for good reason. There are not many stories involving Merlin, King Arthur's daughter, and incest. Even less have a Merlin who can only be understood about 5% of the time.

You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!

Music in the background from https://www.FesliyanStudios.com

Episode 132: Barbara Crampton interview & Fantasy Horror begins

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 14 Aug 2021 00:53:46 +0000

Barbara Crampton is one of the most iconic names in horror. Her latest movie King Knight is a little different. Making its world premiere at the Fantasia Film Festival, the outrageous comedy sees Crampton in a different type of role. The legendary actress drops in to talk her new movie, the acceptance of horror, and her future.

August is Fantasy Horror month and we being with a strange and wonderful sequel.

A few weeks back we talked about Blood Red Sky. We agreed that it had great looking vampires and was a fun movie. With news of the movie setting records on Netflix, we talk about what it means for similar horror stories. One of things we liked about the movie, was the setting. Will there be more scary films set in cramped spaces?

Rising Wolf is a science fiction hostage drama with a really neat premise. It also has a good look, some great stunt work, and a strong lead performance. So why didn't we like it? We talk style over substance, torture in Young Adult stories, and what may be the worse shared universe ever.

The Fantasia Film Festival has long been known for its great library of genre films. One of the most most anticipated is King Knight, a wild comedy about a high priest whose dark secret has been discovered. Barbara Crampton talks about her role in the film and where horror is headed.

We close the show with our first movie for Fantasy Horror month. Aside from rumors about munchkins committing suicide, The Wizard of Oz is a saccharine sweet movie. It's 1985 sequel is a whole other animal. Return to Oz is filled wit dark and twisted visuals, a new cast of characters, a mangy mutt, and...no music?

Music in the background from https://www.FesliyanStudios.com

Episode 131: The Green Knight Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 7 Aug 2021 00:34:01 +0000

The Green Knight is one of the most anticipated movies of the summer. This was justified for many when the positive early reviews came out. Then, the audiences saw the movie and had their say. This week, we talk about the division between critics and audiences, the imagery of the movie, mainstream versus arthouse, King Arthur, and THAT ending.

One thing that everyone has been able to agree on is the newest release from A24 looks stunning. We talk about the movie's fantastic look and how well it worked at drawing people into the story. We also have a discussion on how The Green Knight may have looked good, but it did not allow the audience to truly enjoy the beauty.

An important aspect of most tales of chivalry are the characters. We were very divided as to the depth of the characters, what their motivations were, and even who they were supposed to represent. The three of us also talk about the film's take on chivalry. It is obviously supposed to be a deconstruction of the notion, but how well did that get over. And if that does work, then what is the point of The Green Knight?

The ending is what will have everyone talking. It is not the most original idea, but it is definitely one of the most polarizing. We share our feelings and what we liked and did not like about it. We each saw The Green Knight separately and we discuss the reactions in the theaters.

As a reminder, like any Special Edition, we go all in and there will be spoilers.

Music in the background from https://www.FesliyanStudios.com

Episode 130: Summer Horror: Sea Fever/Nemesis (2021)

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 31 Jul 2021 00:22:27 +0000

We have covered some strange, disturbing, and downright awful movies this year. But none have been as confusing as Nemesis. This home invasion/crime thriller/WTF does not seem to know who it is for, has a simultaneously odd and just plain bad ending, and has what may be the weirdest nude scene of all time.

Plus, Summer Horror Month comes to a close with a look at Sea Fever.

The Wheel of Time is the greatest fantasy series of all time. The Amazon series has been in the works for years and a release date was finally released. We talk about how it compares to the Lord of the Rings and Game of Thrones and how faithful it will be the the source material. We also talk about the once proud Predator franchise.

If you take the past fifty movies you have watched, three or four of them will be really good, another three of four will be particularly bad, and the rest will fall somewhere in the middle. Nemesis is a movie that defies categorization. We talk about one of the strangest nude scenes of all time, what type of audience the movie was aiming for, and some really odd twists.

We started Summer Horror month at The Beach House and we ended up with Sea Fever. The film takes the oft-seen theme of science versus superstition and takes it out to sea. We discuss its gooey special effects, the way in which the movie handled romance, and the story's unintentional parallels to today's world.

Music in the background from https://www.FesliyanStudios.com

Episode 129: Summer Horror: Carnival of Souls (1961)/'The Nest' (2021) review

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 24 Jul 2021 01:43:36 +0000

Summer Horror continues with a look at the cult classic Carnival of Souls from 1961 (or possibly 1962). The movie is seen as one of the most innovative horror movies of all time and is responsible for inspiring names like David Lynch and George A. Romero. But not everyone likes it. We also talk about the surprising new horror movie The Nest.

The episodes starts with a discussion about Titane's winning the prestigious Palme d'Or at the Cannes Film Festival. What does this mean for genre films? Are they being given more respect or will this open the door for lots of poor imitations? We also make another uncanny prediction, this time about Dune.

The Nest is a strange horror movie. The awesome poster and creepy opening make it look like it will be just another scary movie. However, the plot is more of a mystery and the script is all over the place. Our opinions were all over the place for this one.

Our look at Summer Horror takes us to the Carnival of Souls in the early 1960s. We talk about whether the movie would make any waves in today's world, whether it is a product of luck or true skill, and the origin of "no means no".

Music in the background from https://www.FesliyanStudios.com

Episode 128: Summer Horror: A Perfect Getaway (2009)/ 'River' review

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 17 Jul 2021 01:28:42 +0000

Special guest Adrian Amador joins us as Summer Horror takes us to Hawaii. It may not be horror (it may not even be summer), but 2009's A Perfect Getaway has strong summertime vibes to go with his A list cast. We also talk about confusing sci-fi drama 'River'.

Things start with Dune's two and a half hour runtime. Movies have gotten longer over the years, but is that an excuse? We also talk about the minimalist approach to the poster and the importance of highlighting the entire cast.

The Cannes Film Festival has seen a bevy of interesting movies and news. One of the most interesting things to come out of the fest is the word of a possible new franchise. We discuss whether we would see and if it is the most depressing movie series ever.

Sticking with theme of sad movies, the four review one of the saddest movies of the year. River is a supposed science fiction drama. It is filled with bad writing, a nonsensical plot twist, and stilted acting. It does not get much sadder than that.

A Perfect Getaway from 2009 will stand out among the movies covered during Summer Horror Month. It has a cast filled with big budget stars and does not have many horror elements. It's serial killer reveal may be a little too obvious, but does that prevent it from being fun?

Music in the background from https://www.FesliyanStudios.com

Episode 127: Summer Horror: Body Count (1986)/'Scales' review

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 10 Jul 2021 02:58:32 +0000

Our month of Summer Horror continues with a combination that would seem to live in infamy. What happens with the director of one of the most notorious found footage films teams with the villain of some of the most infamous female revenge movies of all time? And why had none of us ever heard of it?

We also talk about a feminist fable that is a good idea in theory, but misses a little in the execution.

The Exorcist is one of the most familiar and iconic horror movies of all time. It is a shame that its sequels have been underappreciated at best. A sequel is in the works and we talk about why this one just may work. We also discuss the cryptic teaser for the next A24 horror movie.

Scales is marketed as a feminist fable in a dystopian society. That is not entirely correct, but it definitely deals with taking on a patriarchal society. We talk about delivering a message effectively, strong female characters, and if style over substance can work.

Summer Horror Month continues with a look at 1986's Body Count. The title may be generic, but when you have director Ruggero Deodato of Cannibal Holocaust and David Hess from I Spit on Your Grave, there is no way you are going to get your run of the mill 80s slasher. So what do you get?

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 124: Summer Horror: The Beach House/My Heart Can't Beat Unless You Tell it To

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Fri, 2 Jul 2021 23:11:16 +0000

The heat is upon us and we have decided to talk about some summer based terror. The Beach House is an interesting horror movie that uses a number of different styles. The fantastically named My Heart Can't Beat Unless You Tell it To breaks some basic rules when writing a story. Did either one work?

Plus, we talk The Last Drive-In and a new Fletch movie.

Joe Bob Briggs is a horror icon. We share memories of Monstervision and talk about what we would like to see on the new season of The Last Drive-In. Fletch is another memorable part of our childhood. We talk about the weird career of Chevy Chase and if Jon Hamm can do the iconic role justice.

The first movie we look at is the awesomely titled My Heart Can't Beat Unless You Tell it To. While it may sound like a giallo, it is something much different. The emotional tale focuses on the now and completely ignores the past. We debate how wise of a decision this was.

For our first Summer Horror movie, we covered The Beach House. This 2019 film plays with audiences expectations while using a wide array of camera tricks. We talk about the colors used, the protagonist, and keeping the audience in the dark.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 123: Our favorites from the first half of 2021/Lyle

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 26 Jun 2021 02:38:45 +0000

As Blake put it last week, we have been pretty luck here. It was a little hard to come up with the worst movies of the year. It took no time at all to think of the best. This week, we talk about the movies we enjoyed most during the first half of 2021. We also talk about queer horror movie Lyle.

Stephen King has had so much of his work adapted that he is bound to have a few bad ones. The original Pet Semetary is one of King's most beloved works. The 2019 remake? Not so much. Still, it is getting a follow up. Are we interested? Plus, we revisit (?) Disappointment Blvd.

Last week, we talked about the real stinkers the first half of the year presented us. On this episode, we discuss the stuff we loved the most. Powerful endings, having your patience tested, and kangaroo westerns are just some of the things we get into.

June is Pride Month and we wanted to review a queer horror movie that may have flown under the radar. But is that a good thing? We debate the importance of having closure, how an ending can ruin a movie, and how much we hate Michael Che.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 122: Our least favorite movies of 2021/ Twins of Evil

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 19 Jun 2021 01:44:54 +0000

It is hard to believe that 2021 is halfway over. During the first six months of the year, we have covered a good amount of movies. Unfortunately, some of them have been pretty bad. We discuss the ones that stood out the most for all the wrong reasons.

Plus, Evil Twins Month concludes with Twins of Evil.

A few weeks back, we spoke with special guest Regina Chavez about whether any films would flop this summer. The term may need to be redefined, but we try to figure out what went wrong with In the Heights. Plus, we talk about V/H/S/94 coming to Shudder.

This episodes, we change things up a little and talk about the movies we liked least so far this year. From erotic thrillers to supposed comedies, we break down the films that really bothered us.

We conclude Evil Twins Month with the appropriately named Twins of Evil. The movie claims to be a Hammer Production but aside from buxom women, does it meet the criteria? We also talk about why unintentional camp works and clean beheadings.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 121: Evil Twins Month: Goodnight Mommy/Blackstock Boneyard

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 12 Jun 2021 01:14:07 +0000

Evil Twins Month continues with two movies that polarized us for different reasons. Goodnight Mommy is an Austrian export that does a lot of things right. Is it's extreme finale one of them? Blackstock Boneyard is an indie horror film that seems to have a lot to say, but is any of it worth listening to?

We cover the big horror news of the week to start the show. Stephen King's Christine is getting another adaptation. We talk about whether we want to see more of King's older works or whether it is time for something new. Plus, Blake reads an open letter to Rob Zombie.

It is hard to tell if Blackstock Boneyard is trying to be like Get Out or WrestleManiac - especially since the synopsis mentions Candyman. We talk about when things have stopped being funny, absurd inconsistencies, and random racism.

Goodnight Mommy is a beautiful psychological thriller that keeps the audience guessing the entire time. So, why were we so conflicted by it? We discuss torture horror, creepy twins, and depressing endings.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 120: Evil Twins Month: The Dark Half/Baphomet

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 5 Jun 2021 02:00:41 +0000

AIPT Movie Contributor Regina Chavez joins us for the start of Evil Twins Month. Stephen King is a horror icon. His adapted movies are loved, hated, and polarizing. It is rare that no one talks about them. We talk about one of those films.

We talk about summer blockbusters to start the show. Will every major release this summer be a huge success? Will there be any flops? We talk about the state of the film industry. The three of us also discuss the Toxic Avenger remake.

The first movie we review this week is proof of many things. Some may argue that its shows that movies do not have to be good to be entertaining. Others may talk about the importance of having an actual plot. Either way, Baphomet is one of the more interesting films we have covered this year.

The Dark Half is a Stephen King movie that people rarely talk about. We try to figure out why you never hear about it. We go over the confusing storyline, the special effects, and why two horror legends coming together does not equal success.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 119: Obscure Horror Movie Remake: 'The Hitcher (2007)/'Deadly Illusions

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 29 May 2021 00:28:46 +0000

Obscure Horror Movie Remake Month ends with a look at a movie from almost fifteen years ago. The film remakes an underrated 80s classic horror and puts its own unique spin on it. Can Michael Bay make it work?

Plus, a look at Deadly Illusions - an erotic thriller with an ending that is meant to be talked about.

The show starts with a talk about Amazon buying MGM. It was definitely huge news, but was it interesting? We also discuss Evil Dead Rise, its place in the franchise and if we are looking forward to it.

We have never reviewed an erotic thriller before. We picked a doozy for our first one. Deadly Illusions has an ending that will invite discussion. But is that a good thing or a bad thing? We go over the difference between thought provoking and confusing, whether a great ending forgives a bad movie, and why promoting your movie's ending as the biggest part of the film is a bad idea.

For the final week of Obscure Horror Movies Remake we review 2007's The Hitcher. We all have different opinions on the movies. How is the film like Ozploitation? How many explosions does a movie with constant car wrecks and helicopter crashes need? Is it okay for the hero to be a coward?

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Spiral: From the Book of Saw Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 22 May 2021 00:28:50 +0000

Spiral: From the Book of Saw is a new entry in the long running Saw franchise. Along with moving away from Jigsaw, the new movies seems to be introducing all new characters. We talk about the good, bad, and deadly in this spoiler filled look at the film.

THIS EPISODE CONTAINS SPOILERS

Before we get into the movie, we talk about our return to movie theaters. It was the first time in a while (kinda) that all of us had ventured out to the theaters. We talk about the old movie theater feel and what it was like to be around people again.

There are certain things the Saw franchise is known for. We discuss whether it is too late to make a change of if the movie should have been an entirely unrelated film. We also talk about what was for the better and why long time fans may be disappointed.

One of the big selling points for Spiral was seeing Chris Rock in a horror movie. Did the comedian do a good job in his first major horror role? We also talk about what Samuel L. Jackson contributed to the plot.

The Saw movies are known for their twist endings. Unsurprisingly, the newest one is no different. It still does things a little differently from previous iterations. We debate about what we thought about the ending.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 118: Obscure Horror Movie Remake: The Town that Dreaded Sundown (2014)/'High Ground' review

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 15 May 2021 00:24:42 +0000

Danny is back as Obscure Horror Movie Remake month continues. This week we talk the Blumhouse remake of a 1970s horror movie that is not all that great. But with a cast that includes Gary Cole and a crew that includes Ryan Murphy, the remake must be good. Right?

The Green Knight has been one of our most anticipated movies for quite a while now. The new trailer has only made us more excited. (We have big plans for when the film releases! In the next few weeks we will have more info.) But does the trailer give audiences a little too much?

George A. Romero is a true legend of horror. We talk about the announcement of his "lost" film coming to Shudder. We talk about whether a movie that is almost fifty years ago can hold still hold up.

This week's first film is the first Kangaroo Western on Adventures in Movies! High Ground is a revenge thriller that takes places in 1930s Australia. The film deals with a number of heady themes. We discuss white saviors, character driven narratives, and how to properly use blood.

For Obscure Horror Movie Remake Month we are reviewing the 2014 remake of The Town That Dreaded Sundown. The Blumhouse version is a strange one and we discuss the storytelling decisions, why certain remakes are made, and the worst killer in horror history.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 117: Obscure Horror Remake: Nosferatu the Vampyre (1979)/The Djinn review

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Sat, 8 May 2021 01:07:19 +0000

May is Obscure Horror Remake month and we start with a big one. 'Nosferatu' may be the most recognized horror movie ever. What about the 1979 remake by Werner Herzog? Plus, we talk about indie horror film 'The Djinn'.

Demon Slayer surprised lots of people by taking the top box office slot from the highly anticipated Mortal Kombat. There is no denying its popularity, but are we curious enough watch the series? And would we go to a theater to watch the movie?

The Feast premiered at South by Southwest and is one of the best movie we have ever reviewed. IFC Midnight recently announced they have picked it up and have tentatively scheduled it for a Thanksgiving release. Would watching it in a theater add to the intimate experience?

The Djinn is something of a throwback. Taking place over the course of one night in an apartment, the indie horror movie is about a child who wishes for his greatest desire. We talk about horror movie rules, how to use narration effectively, and the power of silence in horror.

May is Obscure Horror Remake Month and this week we talk 1979's Nosferatu the Vampyre. The original is one of the iconic horror films of all time and the Werner Herzog remake is certainly beautiful. But is it good? We talk about the Dracula mythos, the best Renfield ever, and the interesting ending.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

'Sasquatch' Special Edition

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 1 May 2021 00:57:48 +0000

For the first time since joining the Morbidly Beautiful podcast network, we will be having a Special Edition. And this one is extra special since it is the first time we will be covering a docu series. Are you a fan of true crime? What about cryptozoology? This week, we review Hulu's 'Sasquatch', a true crime series where Bigfoot is the prime suspect.

The story begins in 1993. Investigative journalist David Holthouse was in the Pacific Northwest. One night, three men are murdered. The culprit? The legendary Sasquatch.

Twenty-five years after the incident, Holthouse decides to go back to the scene of the crime to investigate. Did Bigfoot really come out of the woods and murder three people. Or was it something much more sinister?

Over the course of three episodes, Sasquatch looks a a part of America that few people realize exist. The series examines the people and culture and asks questions that do not normally come up in true crime docs.

We also discuss the many issues brought up by the unique true crime series. Is this a case of the journey meaning more than the destination? How will viewers react to the ending? Does the constantly changing tone of the series work?

True crime is one of the most popular genres today. We discuss whether Sasquatch is the future of the genre. There is also talk about how it treats its characters and whether there is room for more documentaries like it.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 116: Of Chainsaws & Oscars/Greg Russo interview/'The Marijuana Conspiracy' review

nathaniel@aiptcomics.com (Nathaniel Muir, Danny Martinez; Blake Heath) — Sat, 24 Apr 2021 03:15:07 +0000

Awards season is in full swing - we think. This week, Danny, Blake, and Nathaniel review this year's Chainsaw Awards. They also look forward and preview the upcoming Academy Awards.

Fangoria's Chainsaw Awards were handed out this past weekend and the three talk about all the winners. From the big night for The Invisible Man to the nature of fan voted events, the guys discuss what they thought of the show.

The week, the guys look at The Marijuana Conspiracy. Based on true events, the movie is about a wild experiment conducted by the Canadian government in which the the effects of marijuana were tested on women. It is a great premise, but does it work as a movie?

Mortal Kombat is one of the most anticipated movies of the year. Nathaniel interviews screenwriter Greg Russo about the film. We talk about how to make a good video game movie, too much violence, and the importance of being rated R.

With the Academy Awards coming up, the guys thought it would be a great time to look back on last year. These awards are not just limited to the shortlisted nominees, however. Danny, Blake, and Nathaniel give their picks best movie, performances, and documentary. They also give their thoughts on the movies of 2020.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 115: Creature features/'Honeydew' review

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 17 Apr 2021 01:54:26 +0000

There are some small tweaks coming to the show the next few weeks. Until then, the guys have a full plate. This week, the topic is creature features. Danny, Blake, and Nathaniel talk about the best, scariest, and worst monster movies. They also review one of the strangest movies they have seen this year.

The show stars with talk about the upcoming Stephen King virtual film fest. The guys talk about the past and future of King adaptations. Plus, a discussion about Lisey's Story.

This week the three review Honeydew. The film is an arthouse horror movie about a couple that gets lost in the woods. It sounds like just another scary slasher, but it is anything but. The worst thing about horror movie leads, disgusting food, and Lena Dunham's best role are all discussed.

The show ends with a talk about creature features. The trio try to figure out how to define a creature feature, talk about the greatness of Ray Harryhausen, and look back on some of the underrated classics of the sub genre.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 114: Horror movie trivia/'Brewmance' review

nathaniel@aiptcomics.com (Nathaniel Muir, Danny Martinez/Blake Heath) — Sat, 10 Apr 2021 02:06:34 +0000

Danny, Blake, and Nathaniel love talking about movies. But every once in a while they need a break. And what do you do when you don't want to talk about movies on your movie podcast? You have a trivia show. This week the guys play horror movie trivia. And just because they can't help but talk about movies, they also review the documentary Brewmance.

This past year has been unlike any other. It has been impossible to predict anything with any certainty. Still, is there anyone would have guessed that Godzilla vs. Kong would be the movie to bring people back to theaters. This also leads to a talk about the type of entertainment we need right now, the failure of Tenet and Colossal, and the Soviet Lord of the Rings.

Craft beer has become increasingly popular over the past few years. This week, the guys review Brewmance. This documentary touches on the history of craft beer, the importance in can have in a person's life, and the community. Blake gives his insider knowledge about this surprising film.

This week Blake and Danny square off in our horror movie trivia contest. Which director did the creator of Alien hate? What infamous horror movie was intended to be rated PG? What horror movie showed the first flushing toilet in mainstream film in the United States? Test your horror knowledge!

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 113: Movies that make you want to party/'Witness Infection' review

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 3 Apr 2021 01:32:40 +0000

Who doesn't love a good party? Danny, Blake, and Nathaniel sure do. This week the three talk about their favorite party movies. Whether it is who they would invite, what they would show, or the music they would play, the guys talk about the best party movies. Plus, a review of the horror mob comedy Witness Infection.

The episode starts with talk of some of the week's biggest news. The three talk about the sequels for Knives Out and more about Spiral: From the Book of Saw. Did you know the Oscars are coming up? Apparently, they are and no one seems to know.

Zombie movies may be incredibly popular, but the guys are not the biggest fans. Still, there are some great films in the sub genre. This week, the three look at Witness Infection, a zom-com with a mob twist.

There are so many great party scenes in movies. This week the boys talk about some of their favorites. They talk about who they would and would not invite, plus the parties they wished they were at.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 112: 3-D Movies, 'Enhanced' review, Megan Park interview

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 27 Mar 2021 01:19:50 +0000

3-D movies seem like they make a comeback every few years before disappearing to repeat the cycle again. But are they any good? Danny, Blake, and Nathaniel talk their favorites, what appeals people to them, and if they will ever go away. Plus, a review of sci-fi movie 'Enhanced' and an interview with director Megan Park.

It seems like all the movie news these days revolves around changing release dates and what is coming to streaming networks. The three talk about the latest changes including Black Widow and Spiral: From the Book of Saw.

Enhanced is a science fiction movie about a man who hunts mutants. While looking for one, he begins to wonder if they are as evil as he has been taught. Meanwhile, another mutant goes on a killing spree leading to an unlikely team up. It may not be the most original story, but it can still be a good movie. Right?

The Fallout was a big hit at SXSW. The film won the jury and audience awards for Best Narrative film while director Megan Park won for Best Director. Nathaniel speaks with her about her emotional film.

This week's main segment is about 3-D movies. The guys try to figure out why the movies keep coming back, how 3-D almost ruined horror for Nathaniel (and how the genre provided one of his favorite moments), and whether it will ever go away.

Music in the background from https://www.FesliyanStudios.com

Episode 111: Time loops, 'The Feast' review, & 'The Spine of Night' interview

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 20 Mar 2021 02:37:11 +0000

Danny is back for a packed show as the boys talk time loop movies. Time travel is a popular genre, but time loop stories seem to have a particular appeal. Danny, Blake, and Nathaniel also review Welsh horror movie The Feast from SXSW. Plus, an interview from the filmmakers of The Spine of Night.

The show starts with talk about AMC. It looks like their trials and tribulations may be over. The guys also talk about the upcoming proposed movies about the Queen Mary. The supposedly haunted ship is filled with ghost stories, but can it sustain a trilogy?

This week, the trio review The Feast. The Welsh horror movie recently premiered at this year's South by Southwest. The three talk about the use of language, how to maximize an unsettling atmosphere, and great endings.

The Spine of Night is another movie that made its premiere at SXSW. Nathaniel spoke with the filmmakers of this ultra-violent rotoscoped fantasy.

This week's main segment is on time loops movie. Time travel is a popular genre and the boys focus on what specific part. From their mass appeal to why they seem to more critically accepted, Danny, Blake, and Nathaniel discuss the movies that never seem to know when to end.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 110: Female action heroes/'On-Gaku' review/'A Black Rift Begins to Yawn' interview

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 13 Mar 2021 02:12:08 +0000

March in Women's History Month so Blake and Nathaniel decide to talk about the women of a typically male dominated genre. There have been some great female action heroes over the decades and the two talk about some of their favorites. Plus, they review an anime for the first time ever and an interview with the team behind A Black Rift Begins to Yawn.

The pair open the show with a talk about the most recent box office performance and what it means. They also talk about the possibility of California reopening and what will get them back in theaters.

On-Gaku: Our Sound is an anime set in a Japanese high school. The initial image it will cause in many people's minds is the exact opposite of what this film really is. Blake and Nathaniel talk about the style of animation, the soundtrack, and whether high school kids today are able to relate to anything.

A Black Rift Begins to Yawn is a gorgeous sci fi horror movie that is hard to describe. Nathaniel spoke with director Matthew Wade and stars Sara Lynch and Saratops McDonald about their film.

This week's main segment is about female action heroes. The two talk about the high barrier of entry for female action stars, some overlooked heroes, and discuss Gina Carano.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 109: Coming of age movies & 'Au Poste!' review

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 6 Mar 2021 02:03:20 +0000

Danny, Blake, and Nathaniel are just a bunch of kids at heart. Unsurprisingly, they all enjoy coming of age movies. This week they talk about their favorites, which ones are overrated, and whether all teen movies are coming of age stories. Plus, a look at the absurdist French comedy Au Poste!

The Golden Globes this past week and none of the guys saw it. That does not prevent them from talking about how much they think they are unneeded. They also talk about their old favorite hangout filing for bankruptcy.

Director Quentin Dupieux is known for some of the strangest films of recent years. From horror stories about killer tires to comedies about giant flies, his resume is an eclectic one. His latest film is strange murder mystery comedy with fantastic elements.

This week's main segment is one coming of age stories. The genre has been popular one that will probably be around forever. The three talk about underrated movies in the genre, what elements they enjoy the most, and why they are so prevalent in the indie community.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 108: Women in Horror Month Special

nathaniel@aiptcomics.com (Danny Martinez/Nathaniel Muir/Regina Chavez) — Sat, 27 Feb 2021 02:51:31 +0000

The streak is over! After over one year, Blake finally misses a show. The good thing is Danny is back. Plus he and Nathaniel are joined by horror movie writer Regina Chavez to fill Blake's horror shoes. February is Women in Horror Month and the makeshift trio talk about some of the genre's most important females.

The show starts with a talk about the future of streaming. Mission: Impossible 7 and A Quiet Place 2 will be going to the new Paramount streaming network 45 days after their theatrical debut. Is there a point in seeing them in theaters? Are theaters on their way out? Have streaming networks gone too far? And what the heck is going on with Dune?

Prevenge is one of the most unique slashers on Shudder. The movie is about a pregnant woman on a killing spree. Danny, Nathaniel, and Regina talk about the dead pan humor of the movie, how well it managed to get the tension across, and if they felt sympathy for the lead character.

The main segment this week is about Women in Horror. The three talk about the importance of Final Girls in horror, their favorite women in horror, and some of the best female led horror movies.

Be sure to tune in every Saturday for new episodes of ADVENTURES IN MOVIES! on the Morbidly Beautiful Network.

Music in the background from https://www.FesliyanStudios.com

Episode 107: Black horror movies & 'A Black Rift Begins to Yawn' review

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 20 Feb 2021 04:10:20 +0000

February is Black History Month and Blake and Nathaniel talk Black horror movies. The two talk about their favorite heroes and villains, the Black horror movies that scared them the most, and underrepresentation.

The show starts with talk of the new Jordan Peele movie. The two talk about whether they are excited and how it important it is for Peele's legacy. They guys also talk an unmade Stanley Kubrick production that may finally see the light of day.

This week, Blake and Nathaniel review A Black Rift Begins to Yawn. Currently playing at the Slamdance Film Festival, the movie is a beautiful looking Lovecraftian horror movie. But is it worth watching.

This week's main segment is about Black horror movies. The pair talk about the lack of African culture in horror movies, discuss the variety in Black horror, and wonder why there are not more Black Final Girls.

Be sure to tune in every Saturday for new episodes of ADVENTURES IN MOVIES! on the Morbidly Beautiful Network.

ADVENTURES IN MOVIES! IS HOSTED BY NATHANIEL MUIR, BLAKE, AND DANNY. YOU CAN FIND NATHANIEL ON INSTAGRAM AT NATHANINPOORTASTE. DANNY CAN BE FOUND ON TWITTER @DEFAULT_PLAYER AND ON INSTAGRAM AT DEFAULT_PLAYER. BLAKE CAN BE FOUND ON TWITTER @FOUREYEDHORROR AND ON INSTAGRAM AT FOUREYEDHORROR.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 106: Erotic thrillers & 'PVT Chat' review

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 13 Feb 2021 02:51:42 +0000

Danny, Blake, and Nathaniel are a bunch of hopeless romantics. For Valentine's Day, the three discuss erotic thrillers. There is a whole lot more than Sharon Stone and 'Basic Instinct'. Plus, a review of Julia Fox's 'PVT Chat'.

The show starts with a discussion on how uninteresting this year's Super Bowl commercials were. Thankfully, Glenn Danzig was able to save the week with a trailer for his new movie Death Rider in the House of Vampires.

This week, the three review PVT Chat. Julia Fox stars as a cam girl named Scarlett who becomes friends with an online gambler named Jack. Its the premise for a cute love story with some adult elements. The guys talk about how well this worked in practice.

The main segment this week is about erotic thrillers. From Basic Instinct to Red Sparrow, Danny, Blake, and Nathaniel talk about their introduction to the genre, whether they can be popular again, and if they are career killers.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 105: 'The Mimic' review/Movie Draft

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 6 Feb 2021 03:38:08 +0000

It is the eve of the Super Bowl so Danny, Blake, and Nathaniel decide to have the first every Adventures in Movies! Draft. Who would be the best movie characters to watch the big game with? Which athlete had the best movie cameo? Who is the best rom-com lead? The answers will surprise you!

The guys also review sociopath comedy The Mimic and Nathaniel interviews director Maisie Crow fresh off the Sundance premiere of her documentary At the Ready.

The show opens with a discussion about Canadian cult classic Cube. The movie is set for a Japanese remake. The three also talk about horror icon Chucky's surprising appearance in Texas.

This week the boys review The Mimic. The movie is a comedy about a man who thinks his new neighbor is a sociopath. In his quest to discover the truth, he learns more than he bargained for. The premise is interesting, but is it enough?

At the recently concluded Sundance Film Festival, At the Ready made its world premiere. The film is about the Criminal Justice Club at Horizon High School in El Paso, Texas. Nathaniel interviewed director Maisie Crow right after the first showing.

This week's main segment is a movie draft. The hosts are asked three questions in which they take turns making picks. It is nowhere as simple as it sounds and leads to a fun show that will lead to debates.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 104: 'Doublespeak' interview, 'Mother Schmuckers' review & found footage

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Sat, 30 Jan 2021 03:14:57 +0000

One of the biggest breakouts in the history of the Sundance Film Festival is 'The Blair Witch Project'. Since Sundance is this weekend, Blake and Nathaniel thought it would be the perfect time to cover found footage movies. The episode also includes an interview with Hazel McKibbin and Angela Wong Carbone from the short 'Doublespeak' and a review of one of the strangest movies to ever screen at Sundance.

The show stars with talk about the passing of Cloris Leachman. The hosts talk about their memories of Cloris and her longevity in a notoriously fickle business. They also talk about another shocking change in the continued trials and tribulations of AMC.

This week Blake and Nathaniel look at the first Belgian film to be screened in the Midnight section at Sundance. Mother Schmuckers is one of the strangest movies to ever come to Sundance. Part gross out comedy, part art house experiment, the film will leave an impression with anyone who is able to sit through it.

This week's interview is with director Hazel McKibbin and actress Angela Wong Carbone. Their short Doublespeak premiered at Sundance. The film is about a young woman dealing with the aftermath of sexual harassment report at work. The two discuss the emotional effects of the film and how important it is to address issues of harassment.

This week's main segment is about found footage movies. The duo talk about why it is considered a guilty pleasure, whether it has peaked, and what they like about the genre.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 103: 'The Empty Man' review & revisiting Westerns

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 23 Jan 2021 03:43:54 +0000

A while back, the guys wondered discussed the decline of Westerns in Hollywood. Based on comments they have received, the three decided it was time to take a second look at the topic. Danny, Blake, and Nathaniel also talk about 'The Empty Man'. Based on the comic series by Cullen Bunn, the comic is one of the most mismanaged movies of 2020. Does that make it any better?

The show starts with talk about another big announcement from a streaming channel. Shudder has announced their plans for the beginning of 2021 and they are exciting. Plus, the three talk about what they are looking forward to at Sundance including an El Paso documentary and lots of horror movies.

The Empty Man will go down as one of the most mishandled movies of all time. The movie was promoted a week before its release and even then the trailer did not accurately represent the movie. Danny, Blake, and Nathaniel try to unravel one of the most confusing movies in recent years.

The main segment this week is on Westerns. Danny, Blake, and Nathaniel try to cover the items brought up by listeners. They talk more about older Westerns, look to the future of the genre, and discuss why it has not had the lasting appeal of other genres.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 102: Frank Stallone interview & a whole lotta sci-fi

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath, Nathaniel Muir) — Sat, 16 Jan 2021 01:33:15 +0000

It is hard to believe that Danny, Blake, and Nathaniel have never done an episode strictly about sci-fi; especially, since they have done two about sci-fi horror and multiple episodes that touch on UFOs. The three correct that wrong with a talk about sci-fi. They also review a science fiction movie from 2018, Prospect.

The episodes also includes an interview with Frank Stallone.

The show starts with talk about YouTube's decision to release many of the original Universal monster movies free on their platform. Unsurprisingly, Blake is excited. The guys also talk about Netflix's decision to release their entire slate for 2021.

The three then talk about Prospect. The 2018 sci-fi movie stars Pedro Pascal. The guys talk about style vs substance, old technology, and technobabble.

This week's show includes an interview with Frank Stallone. Frank is the subject of an upcoming documentary called Stallone: Frank, That Is. He talks about his greatest accomplishments, 2020, and his brother.

The show ends with a talk about sci-fi movies. The guys debate whether the genre has stopped coming up with new ideas, talk about their favorites, and reminisce on what got them into the genre.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 101: 'Hunter Hunter's' wild ending & rags to riches films

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 9 Jan 2021 01:11:23 +0000

Rags to riches tales have been an important part of storytelling since the beginning of time. This week, Danny, Blake, and Nathaniel talk about their favorite movies about sudden riches. They also talk about 'Hunter Hunter' and one of the craziest endings in years.

Covid-19 has been in the news cycle all year. It was only a matter of time before movies about it starting coming out. While this has already begun, the guys talk about HBO Max's upcoming release and whether people are interested.

Hollywood is constantly talking about how it is becoming more inclusive. This has been a case of "I'll believe it when I see it" for the most part. Surprisingly, there was a noticeable, if small, change in 2020.

The guys also look at 'Hunter Hunter'. The IFC Midnight release is a survival horror that is story driven and very tense. It also has one of the most talkable endings in years.

This week's main segment is rags to riches movies. Of course, there is Trading Places and Cinderalla, but Danny, Blake, and Nathaniel talk about why they are so popular. There is a discussion about how much audiences are willing to be preached to plus some good old fashioned rich people bashing.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 100: The best movies of 2020 & fresh starts

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 2 Jan 2021 06:54:03 +0000

For their first show on the Morbidly Beautiful Podcast Network, Danny, Blake, and Nathaniel are talking the best indie films of 2020. From animated horror to documentaries, the three cover their favorite movies of the year. At to celebrate their new journey, they also discuss new beginnings in movies.

The show opens with a talk about Richard Donner's return to the Lethal Weapon franchise. The three also debate about Donner's merits as a director. From there is talk about some interesting films coming out in 2021.

This week the boys look at the best indie movies of 2020. Rom coms, a surprising amount of documentaries, and Bjorn Borg all make an appearance on the list.

This week's main topic is about fresh starts. Danny talks about how comics do reboots better than horror, Nathaniel rants about his hatred of Shai LeBeouf, and Blake wonders how many movies people watch a year.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Music in the background from https://www.FesliyanStudios.com

Episode 99: The worst movies of 2020 & we say goodbye

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 26 Dec 2020 02:52:27 +0000

It is only fitting that in the last episode of Adventures in Movies! here on AIPT that Danny, Blake, and Nathaniel look back on some of the worst movies of a horrible year. The three also look back on the most popular topics of the first one hundred episodes.

The show starts with the ongoing Trials and Tribulations of AMC. The guys have been following this story all year and it seems to get more ridiculous each week. They also talk about how Dune may be getting an exclusive theatrical release after all.

This week, the boys also look at the worst movies of the past year. From horror to animation to comedy, the guys don't pull any punches. They also discuss the movies that disappointed them.

In the final segment of the show, the trio discuss the most popular topics in the history of the show. Sex and violence still reign, but there is also a discussion on the MCU, sex positive movies, and true crime.

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Episode 98: Short films & 'Four Games in Fall' review

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 19 Dec 2020 03:33:12 +0000

The shortest day of the year is upon us and to celebrate Danny, Blake, and Nathaniel talk short films. The three discuss shorts that have been made into features, the best features for shorts, and the last time they saw one in a theater.

The trials and tribulations of AMC continues. What happened to them this week? The guys also talk about the Revenge of the Nerds reboot and Nathaniel discovers there was a live action Dungeons & Dragons movie.

In another first, this week the boys review a sports documentary. This one is on the Deflategate controversy from 2015. The three talk about how much times has changed, when it is okay for a documentary to only cover one side of the argument, and what they believe.

This week's main segment is on short films. Danny avoids talking about cartoons, Blake has a lot more to say than he originally thought, and Nathaniel finds out about shorts on Netflix.

Music in the background from https://www.FesliyanStudios.com

Episode 97: Movies in the wild & 'Knuckledust' review

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 12 Dec 2020 01:44:38 +0000

Danny, Blake, and Nathaniel leave their comfy city slicker lives and talk about movies set in the wilderness. They discuss the genres that do it right, fact versus fiction, and what settings they like the most. Plus, a review of British indie movie Knuckledust.

Warner Bros. dropped possibly the biggest news in the history of motion pictures. The guys talk about what this means for the future, whether they think it is a good idea, and the movies that will benefit the most.

On this week's Adventures in Movies! Looks at... the three talk about Knuckledust. Lots of movies wear their influences on their sleeves. It is fun to see what new filmmakers to with the things they grew up loving. It is a thin line between bad knock off and loving homage. The guys talk about whether this film gets it right.

This week's main segment is about movies set in the wild. The boys talk whether movies about family or one person are better, their favorites, and whether they prefer to stay in the city. Plus, a little known NFL Films fact.

Music in the background from https://www.FesliyanStudios.com

Episode 96: 'Cult of Cults' review & the villains we love

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 5 Dec 2020 01:17:32 +0000

What is it about villains that people are drawn to? Danny, Blake, and Nathaniel look at their favorite baddies in movies history. They try to determine what people like about them and talk about why they like them. They also talk about anti heroes and talk about misplaced admiration.

The show starts with talk about Netflix's planned mockumentary about 2020. The boys also talk about the plan Sundance unveiled for next year's edition of the prestigious fest.

Adventures in Movies Looks at... does something entirely different this week. For the first time ever, the guys look at a television show. Their pick was the docuseries Heaven's Gate: Cult of Cults. In this special edition, the three talk about why Heaven's Gate was so easy to treat as a joke, what Cult of Cults did so differently, and how it changed their opinions.

This week's final segment is on the bad guys we love. Obviously, there is talk about Darth Vader, but the three also talk antiheroes, the importance of believing in oneself, and rooting for people you know you shouldn't.

Music in the background from https://www.FesliyanStudios.com

Episode 95: 'Run' review & movies that gross us out

nathaniel@aiptcomics.com (Blake Heath/Danny Martinez/Nathaniel Muir) — Sat, 28 Nov 2020 03:34:37 +0000

We all have our Thanksgiving traditions. Some of us watch football while others end up arguing with our family. One thing everybody does is eat so much they feel gross. This week Danny, Blake, and Nathaniel look at the films and scenes that gross them out the most.

The show starts with talk about Ari Aster's next movie Beau is Afraid. The casting of Joaquin Phoenix is certainly exciting news, but the guys talk about the things that worry them. This also leads into a talk about Adam Sandler.

This week on Adventures in Movies Looks at... the three discuss the record breaking Hulu hit Run. The guys talk about Sarah Paulson's place in horror, what it means to be Hitchcockian, the importance of strong leads.

This week's main segment is about the movies and scenes and gross the guys out the most. The subject is absolutely disgusting, yet you will be surprised by what you hear. Nathaniel talks about why eating feces is more funny that gross, Danny talks about his disgust of eating, and Blake lists the disgusting movies you have to see.

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Episode 94: Celebrating Noirvember

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 21 Nov 2020 02:28:42 +0000

Danny, Blake, and Nathaniel talk the best in noir. The three talk about the elements need to make a good noir movie, their favorites, and why there are so many spoofs of the genre. They also talk latest news from the Sundance Film Festival.

The show starts with talk about the Sundance Film Festival. The three talk about how the Fest is going virtual. This leads into a discussion on the long term effects of virtual fests and what it means for the prestige of them. Plus, talk about Scream 5.

The show will be making some big changes in the next few weeks. Adventures in Movies! Looks at... will now be a permanent part of the show. This week, the three look at Getting to Know You, a romantic comedy that has little surprises - except the final verdict.

This week's main segment is about noir films. The guys talk about noir in the modern context, whether it will ever make a comeback, and do some dream casting.

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Episode 93: The best facial hair in movies

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 14 Nov 2020 01:59:35 +0000

It is No Shave November and Danny comes back to talk the best facial hair in movies with Blake and Nathaniel. The three discuss what makes good facial hair, what is overrated and overlooked, and what they wish they could pull off. Plus, what the hell are side beards?

The show starts with talk about two submissions to the Oscars for best International Feature. This leads into a conversation about how far Shudder has come. The guys also talk about the announcement of a new Kurt Vonnegut documentary.

On this week's The Close Up, the three talk about exploitation movies. More specifically, they talk the lack of them. Has this genre gone away? If so, why? And what does bad comedy have to do with its possible disappearance?

This week's main segment is about our favorite facial hair. Danny tries to explain what side beards are, Nathaniel talks the importance of a refine cut, and Blake talks power. It is No Shave November and the guys are giving you ideas. Send us you best No Shave pics and we will post them.

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Episode 92: Johannes Nyholm interview & Martial Arts

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Sat, 7 Nov 2020 01:17:25 +0000

After a month of horror, Blake and Nathaniel have gone in a different direction. This week, the two talk about martial arts movies. The Shaw Brothers, Van Damme, and ninjas. Plus, a deep dive into sound design in movies.

The show starts with a talk about Ti West's upcoming movie. So far, no details aside from a title have been released. Is that enough to grab the guys' attentions? And how did West pay for being a trailblazer?

On this week's edition of The Close Up, the two discuss how sound design and music can impact movies. They talk about the effects they loved the most and how silence can lead to an amazing experience.

Johannes Nyholm's Koko-di Koko-da is one of the most surreal movies of the year. An examination of grief and guilt, the movie is a powerful one. Nyholm stops by the show to talk his movie and its themes.

Last week, Blake gushed with excitement over this week's topic. As promised, Blake and Nathaniel talk martial arts movies. From the venerated Shaw Brothers to the more contemporary The Paper Tigers, the two go over some of their favorites. The also try to figure out just what Big Trouble in Little China is.

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Episode 91: Killer Animals

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir) — Sat, 31 Oct 2020 01:25:06 +0000

Blake and Nathaniel end 31 Days of Halloween with a talk about Killer Animal movies. There is talk about the famous ones like Jaws and Cujo, the overlooked ones like Piranha plus ones like whatever Night of the Lepus is. Plus, talk about Michael Bay's new Covid movie.

The show starts with a talk about Oscar Isaac and Moon Knight. Blake talks about why it might work while Nathaniel wonders how Isaac will be able to play a teenager. The two also talk about Bay's new movie Songbird. The movie is set four years in the future in which Covid-23 still haunts America.

On this week's What You Need to Know, Blake and Nathaniel discuss the importance of likable characters. The two talk about how unimportant than can be in some genres and how the lack of any can ruin other types of movies.

This week's main segment is about killer animals. There is some Sharknado talk, but the two also talk dangerous baboons, rats, and how snakes are not as bad as they are made out to be. Plus, Bunnicula!

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Episode 90: Cryptids, creeps, and crazies

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Russ Dobbler, Blake Smith) — Sat, 24 Oct 2020 03:14:08 +0000

In the most Halloweeny episode of the year, computer problems abound. Blake and Nathaniel are joined by AIPT Science Editor Russ Dobbler and MonsterTalk host Blake Smith to talk about their favorite Halloween monsters.

The show starts with a talk about Jared Leto's return as Joker. The four discuss if this is enough to get them to watch the Snyder Cut of Justice League. They also talk about even more delays and the impending end of the Fast & Furious franchise.

On this week's What You Need to Know, the guys talk about horror tropes. Are audiences more forgiving of them or are they just the most known?

This week's main segment is about Halloween monsters. Talks of Dogmen, Mothman, and batsquatch are all thrown about. But how does a woodpecker fit into it all?

Blake Smith can be found on MonsterTalk

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Episode 89: Brea Grant Interview & the evil rich

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 17 Oct 2020 05:46:59 +0000

Danny, Blake, and Nathaniel come from humble beginnings. So it only make sense that they would not care for rich people. Especially, the evil ones. This week the three talk about arguably the worst villain in horror.

The trials and tribulations of AMC continue. Naturally, the trio are there to talk about it. They also talk about the new Monster Hunter trailer and how excited they are to see it.

This week's What You Need to Know is Something of a throwback. The guys talk about the death of gothic horror movies. The three try to define what gothic horror is, figure out why it went away, and wonder if it will ever come back.

Brea Grant has been a popular name on the festival circuit. She has one awards for her writing while also directing and starring in some of the best genre movies of the year. She recently spoke with AIPT about her work.

This week's main topic is about evil rich people. Is there a greater villain in (the world) movies? What is the appeal of rich villains? And why do we hate them so much?

YOUR LAST CHANCE TO ENTER THE BACK TO THE FUTURE ULTIMATE TRILOGY GIVEAWAY!

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31 Days of Halloween Livestream: Sci Fi Horror

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 10 Oct 2020 00:53:33 +0000

Last year, Blake did not have the opportunity to talk about his favorite genre. This year, there was no way he was going to miss it. And to make it even better, Blake, Danny, and Nathaniel went live. Here is the mostly unedited episode.

The show starts with talk about all of the delays in Hollywood. The three start with a talk about Dune and what the long wait will do for its box office. The three also talk about what future delays the expect. Nathaniel also has a surprise pick for the next The New Mutants.

On this week's What You Need to Know, the three talk the legacy of final girls. Each has their own different take on the trope. They talk about the past, present, and future of one the most important parts of horror.

The main segment for this week is sci fi horror. Blake tries to convince the world that it is the greatest genre of all time, Nathaniel talks about his love for the Butterfly Effect, and Danny talks... The Vast of Night?

That is the beauty of sci fi horror. It can be anything to everyone.

Plus, the return of the giveaway!

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Episode 87: Our darkest fantasies

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 3 Oct 2020 07:01:37 +0000

31 Days of Halloween begins with a talk about dark fantasy. Danny, Blake, and Nathaniel talk about why there is more crossover appeal for dark fantasy, what are some of their favorites, and what they like and dislike about the subgenre.

The show starts with a talk about the new Borat trailer. The guys also talk about Hollywood asking Congress for money. After venting some steam, the three talk about some Spider-Man movie rumors.

On this week's What You Need to Know, the trio try to figure out what Lynchian means. Is it just a term people throw around or does it actually mean something? (Different things to different people is a cop out.)

To start off the month of October, the three talk ab out dark fantasy. There is some Game of Thrones talk, discussion on why dark fantasy seems more acceptable, the best examples from the genre.

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Episode 86: Oh, the humanity!

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 26 Sep 2020 03:47:12 +0000

As pretty much everyone has stated, 2020 has been a dumpster fire of epic proportions. Danny, Blake, and Nathaniel decided that now is a great time to talk disaster movies. But is that a great a idea when one of them does not even like the genre?

The show starts with a talk about the WandaVision trailer. Is this the show that will get Nathaniel and Danny back on the Disney+ hype train they once shamelessly rode? Plus, who is launching Tom Cruise into space and why are they not going to be leaving him there?

On this week's What You Need to Know, the three talk about cinematics in games. From the latest cutscenes to VCR board games they guys talk about their favorite memories. Just this one time.

The main segment is about disaster movies. Obviously, Airplane! is the greatest disaster movie ever, but there is so much more to talk about. The ones that did the best job, the stupidity of evil storm chasers, and Nathaniel's theory on 9/11 movies are all here. All buildings matter.

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Episode 84: Latinx Cinema

nathaniel@aiptcomics.com (Danny Martinez, Blake Heath, Nathaniel Muir) — Sat, 19 Sep 2020 03:35:40 +0000

In honor of Mexico's Independence Day, Danny, Blake, and Nathaniel discuss Latinx movies and filmmakers. Anybody can talk about Diego Luna and Pan's Labyrinth (which the guys do), but the three take a deeper dive into Latinx film.

This week's episode starts with a talk about whether it is fair to label Tenet a flop. The guys also talk about the latest trailer for The Mandolorian. These leads to a discussion about the proper names for characters and the worse types of fans.

On this week's What You Need to Know, the three talk about the lack of Latinx characters on network television. This leads into a discussion on what streaming networks offer and why they do not attract any of the three.

The main segment is about Latinx films and filmmakers. The guys talk the usual suspects but also make sure to talk about names that are not as familiar. From directors like Gigi Saul Guerrero to movies such as Like Water For Chocolate, the three talk about their favorite parts of Latinx cinema.

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Episode 83: Trying to adapt

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 12 Sep 2020 03:20:41 +0000

Danny, Blake, and Nathaniel take a look at some of the best and worst adaptations of all time. From comic books to television, the boys run the gamut of redone work. Which ones surprised them and what do they dread seeing?

The show starts with some big news. The three talk about the Dune trailer, what they think of the Mulan controversy, and why the changes to the Oscars is as depressing as it is needed.

On this week's What You Need to Know, the trio talk about memes and movies. The importance of viral marketing, its effectiveness, and how it snuck up on them is discussed.

This week's main segment is about adaptations. Obviously, Stephen King is discussed. Even less surprising is how he fits in both the best and worst. The guys also talk about what they hope to see and what surprised them.

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Special Edition: Bill and Ted Face the Music (Live!)

nathaniel@aiptcomics.com (Danny Martinez/Blake Heath/Nathaniel Muir) — Sat, 5 Sep 2020 04:08:07 +0000

It has been a while, but Danny, Blake, and Nathaniel are back with a Special Edition. This time, the three tackle Bill and Ted Face the Music. After thirty years, will they boys still be able to be excellent to the franchise they once loved? Especially, when it is all live.

This month's livestream is a little different. Instead of talking about their plans for the month, the boys talk about the newest installment to the Bill and Ted franchise.

The three talk about the historical dudes, whether they liked the band, and what they thought of Bill and Ted's daughters. They also talk about its place in the franchise and whether it ever should have come back.

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Episode 82: Good Directors; Bad Movies

nathaniel@aiptcomics.com (Blake Heath/Danny Martinez/Nathaniel Muir) — Sat, 29 Aug 2020 03:42:16 +0000

After a full month of talking about bad movies by good directors, Danny, Blake, and Nathaniel were bound to run out of steam. But before they do, the guys makes sure to talk about all the directors and genres they missed. From anime to the directors that rely on twists, the three close the month out on good directors gone bad.

The three begin with a talk about the DC Fandome. Nathaniel complains about Wonder Woman, Blake pines for Dune, and Danny questions if The Batman will bring audiences to theaters.

On this week's What You Need to Know, Danny starts the conversation with a talk about hot young directors like Martin Scorsese and Steven Spielberg. The three then talk genre films and effectively using twists.

The main topic for this week is good directors who did bad movies. The boys question the anime greats ever did a bad film, and talk the new James Cameron.

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Episode 81: Good Directors; Bad Movies: Oscars Edition

nathaniel@aiptcomics.com (Blake Heath/Nathaniel Muir, Regina Chavez) — Sat, 22 Aug 2020 05:42:31 +0000

Blake and Nathaniel are joined by a special guest this week as AIPT contributor Regina joins the show. This week the three continue the theme of good directors who did bad movies. The makeshift trio talk directors with Oscar clout who made a misstep or four.

The show starts with a talk about the return of Bloodshot to theaters. Is is a good idea or a bad one. The three also debate about possibly the most perfect casting ever for The Northman from Robert Eggers.

On this week's edition of What You Need to Know, the three talk about the best streaming options. How is Netflix doing all these years later? Why did Blake dislike Shudder? Does Pluto count?

This week's main segment is about the directors who should have know better. Even the best of the best have made some bad choices. Thankfully, Blake, Nathaniel, and Regina are here to call them out.

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Episode 80: Good Directors; Bad Movies: Action Flicks

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 15 Aug 2020 04:33:43 +0000

Everyone is allowed to make a mistake, right? Danny, Blake, and Nathaniel never do and spend the episode calling our directors who should be as perfect as they are. The three talk The Predator, Hobbes & Shaw, and... Dutch?

The show starts with a talk about the last Blockbuster becoming an Air BnB for one weekend. The guys wonder what good can come out of the stunt. Nathaniel also talks about the site's upcoming Fantasia coverage.

This week's What You Need to Know is about movies with titles that fool audiences. This leads into a long talk about La Llorona and other horror movies.

The main segment is the good directors who did bad action movies. This includes Francis Ford Coppola, the fall of James Cameron, and the thin line being walked by Ridley Scott.

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Episode 79: Livestream: El Paso Strong, Changes, Good Movies; Bad Directors

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 8 Aug 2020 03:58:15 +0000

Danny, Blake, and Nathaniel were not going to stop at just one. Once the trip popped their livestream cherry, there was going to be no stopping them. On this second ever livestream, the boys talk Mulan, El Paso Strong, and what August has in store for the show.

The show starts with talk about the huge announcement from Disney to show Mulan on Disney Plus. Is this a wise decision? Will it open the floodgates? Who is willing to shell out $30 to see it?

The boys then talk about what actors will do to change the public's perception of them. Nathaniel talks Natalia Dyer's masturbation movie, Blake talks Jim Carrey, and Danny talks nonsense.

The three then talk about their favorite movies from El Paso. The usual suspects make an appearance but there are some unique choices.

The theme for August will be good directors who made bad movies. This is the mostly unedited version of this past week's show.

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Episode 78: Another episode based on true events.

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 1 Aug 2020 04:48:08 +0000

Danny, Blake, and Nathaniel were three movie podcasters who seemed to have their act together. People were listening to their shows. Their new YouTube endeavors were gaining traction. They were even hocking male grooming products. Then, the one year anniversary arrived.

The show begins with the three talking the trials and tribulations of AMC. Nothing seemed liked it was out of the ordinary, but that is usually the way even the worst stories begin.

Things began to settle down as the three began to talk about westerns. Rio Bravo, Unforgiven, and Django are all discussed. But the question still remains: where have all the westerns gone?

This week also includes an interview with director Andrea Dorfman. She discusses her new movie Spinster. But is it possible to have a rom com without any attempt at romance?

This week's main segment is about true crime. The boys discuss the movies that did things wrong, the ones that did it all wrong, and try to solve whether documentaries, docu series, or podcasts are best for true crime. Plus, whatever happened to the mafia?

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Episode 77: Do good UFO movies still exist?

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 25 Jul 2020 04:19:21 +0000

Danny, Blake, and Nathaniel talk about UFO movies this week. But not just any UFO flicks. They try to figure out if good UFO films still exist. The three also discuss which UFO twist made them the most angry.

The trials and tribulations of AMC continue and the boys are here to discuss what they think of everything. On this week's What You Need to Know, the three also talk about Tenet and the future of streaming.

Nathaniel had the chance to interview the director of Uncle Peckerhead, Matt Lawrence! The three discuss gore, laughs, and heart.

The show's main segment is about good UFO movies. The trio discuss the end of the UFO documentary, alien invasion movies, and what the last good UFO movie was. Plus, a battle between two unlikely films.

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Episode 76: Cryptids and Folklore

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 18 Jul 2020 14:48:00 +0000

Danny, Blake, and Nathaniel have a lot on their minds. This week they three talk about all kinds of monsters and the tales associated with them. How long before Bat Boy makes an appearance?

The show starts with a talk about the newest entry to the streaming wars. The boys talk about the surprisingly strong movie lineup and whether it is enough to get them to subscribe. Its the ultimate battle! You, Me, and Dupree goes up against Phantom Thread!

There is also a discussion on the charm of B horror. The guys try to figure out what makes a bad horror movie great and what makes it another installment in a tired franchise.

As the trio discussed on last week's successful livestream this week's episodes is about cryptids. There is talk about everyone's favorites like Bigfoot. The guys also make sure to mention lesser known beast like death worms. Plus, a talk about foreign folklore.

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Episode 75: First Livestream Ever! (Podcast Updates!)

nathaniel@aiptcomics.com (Blake Heath/Danny Martinez/Nathaniel Muir) — Sat, 11 Jul 2020 04:02:32 +0000

Danny, Blake, and Nathaniel go live for the first time ever. The three decide to give an update regarding the future of the podcast. What do cancel culture, cryptids, UFOs, and true crime have to do with it? This (mostly) unedited show will have all the answers.

The show starts with a conversation about Halloween Kills, The Batman, and the new trailer from The Boys. The three have a mix of emotions about all the news.

This boys then talk about a cancel culture. It is something that has come up in previous episodes of the show, but only been slightly touched upon. The gang have a lot to say this week.

The trio then talk about what the next few weeks have in store for the show. UFOs, cryptids and folklore, and true crime will all be discussed on Adventures in Movies!

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Episode 74: Feel Good Movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 4 Jul 2020 05:14:39 +0000

Danny, Blake, and Nathaniel have been a little dark lately. They are three miserable bastards, but they also recognize the good in life. This week the three edgelords look at their favorite feel good movies.

The show starts with talk about the loss of Carl Reiner. All three have pleasant memories of the comic genius and share them. They also continue to track the trials and tribulations of AMC.

Nathaniel talks about a Charlize Theron movie he did not really care for, Danny inadvertently begins a talk about cancel culture, and Blake talks about an anthology he did not care for.

This week's main segment is about feel good movies. The guys talk about underdog movies, strange picks, and make suggestions.

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Episode 73: The best Dad movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 27 Jun 2020 03:01:05 +0000

Danny is back and he has a surprise for everyone. In honor of his return, Blake and Nathaniel chose a topic without telling him what it is: the best dad movies. The best role models, what they would force their kids to watch, and the best dads ever are all discussed.

The show stars with talk about the importance of Joel Schumacher. They guys talk about why nipples aren't that big of a deal, the importance of good camp, and one of Blake's favorite movies.

The boys then talk about Michael Keaton's possible return to the Batman franchise. The big debate is whether Keaton is the best Bruce Wayne of all time.

Nathaniel talks about what movies he saw the past week. This leads to talk about what the last great American zombie movie was. Danny and Blake both talk about Indiana Jones movies.

In honor of Danny's huge announcement, the guys talk about their favorite Dad movies. Atticus Finch, Uncle Buck, and Three Men and a Baby are all mentioned, but which is the best?

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Episode 72: The Return of Blake Bloodbath

nathaniel@aiptcomics.com (Regina Chavez, Blake Heath/Nathaniel Muir) — Sat, 20 Jun 2020 03:11:54 +0000

AIPT contributor Regina joins Blake and Nathaniel to play some movie trivia. Think you know more about movies than Regina, Blake, and Nathaniel? Listen to the show and test your knowledge!

The show starts with talk about Ron Howard's new deal with Netflix. The three talk about what it means for the future of movies and streaming.

The three talk about what they saw the previous week. Nathaniel talks coming of age stories, Regina talks psychics, and Blake talks about one of the greatest soundtracks of all time.

Regina and Nathaniel go head to head in a test of movie trivia. Blake does not take it easy on either of them as they two battle it out in a test of wits and knowledge.

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Episode 71: Taking Pride in What You Do

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 13 Jun 2020 04:30:56 +0000

June is Pride month and Danny, Blake, and Nathaniel are ready to celebrate. The three talk about some of their favorite LGBTQ movies. From overlooked classics to films dealing with activism, the boys talk about the best movies for Pride month.

The show starts with a talk about the new trailer for Bill and Ted Face the Music. It has been a while since the boys have talked about a trailer and they make the most of of it. They also talk the ongoing turmoil that is AMC.

Nathaniel also talks about a horror movie starring James Earl Jones, Danny tries to decide whether to watch a movie, and Blake talks UFOs.

This week's main segment is a celebration of Pride Month. The boys talk about overlooked LGBTQ movies, the power of The Birdcage, and offer some suggestions for the month.

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Episode 70: Our favorite black filmmakers, actors, and movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 6 Jun 2020 16:05:28 +0000

Danny, Blake, and Nathaniel rarely outright say what you should watch, In a roundabout way, they offer suggestions, but it is not often they say, "Go out and watch this." This week, they pick their favorite movies from black creators.

As the country begins to reopen, talk turns to what is going to happen and when. The boys talk about the possible fortunes of two possible movie chains. They also discuss if and when they will return to movie theaters.

Nathaniel talks about a disappointing week in movies, Danny talks about his experience with HBO Max, and Blake talks about Porno.

The trio talk about the best black movies and actors. Eddie Murphy, the history of black horror, and black indie films are all discussed.

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Episode 69: Movies about isolation and paranoia

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 30 May 2020 04:02:09 +0000

Dealing with an unprecedented pandemic and a quarantine is not an easy thing to do. It can lead to boredom and loneliness. For some, the isolation can even lead to paranoia. Danny, Blake, and Nathaniel discuss movies that deal with these feelings.

The boys start with a talk about HBO Max.

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Episode 68: Navigating the New Normal

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 23 May 2020 04:30:13 +0000

Things have changed more quickly than usual in the world. Danny, Blake, and Nathaniel talk about movies that deal with handling the new normal. But what exactly does that mean?

The show starts with a talk about David Lynch's new job reporting the weather in Los Angeles. The guys also talk about the upcoming Snyder Cut of Justice League and try to figure out what the big deal is.

The guys talk about what they have watched the past week. Nathaniel talks about one of the most creative horror movies he has ever seen, Danny explains why he dislikes shared universes, and Blake talks generic horror.

This week's main segment is about dealing with the new normal. The boys tackle the subject in different ways. The three talk zombies, getting older, and positive changes.

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Episode 67: Movies That Take Place in One Location

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 16 May 2020 04:01:58 +0000

Are you tired of being stuck at home? Danny, Blake, and Nathaniel understand. This week they talk about movies that take place primarily in one place.

The show starts with a discussion about the death of Jerry Stiller. Obviously, there are Seinfeld memories, but the boys also talk Zoolander and Tales From the Darkside.

The three talk about what they have watched the previous week. Nathaniel talks about the latest offerings from Netflix and Hulu, Danny is Blinded by the Light, and Blake talks tigers and a streaming channel. And it's not the one you think.

The show's main segment is about one location movies. The trio talk about haunted houses, horror movies, and the pros and cons of shooting in one place. Plus, a different type of Die Hard debate.

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Episode 66: Brandon Christensen Interview & Conspiracy Talk

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 9 May 2020 03:26:14 +0000

When and if Danny, Blake, and Nathaniel disappear, this episode will be the reason now. The guys talk about things conspiracies and the movies. Talking about some movies may seem innocent enough, but when the conversation turns to the government, religion, and Bigfoot, things get weird.

Weeks after saying they were done talking Star Wars, the show opens with the latest Star Wars news. And if you are gonna talk a once proud franchise, how can you ignore Scoob!

Premiering Mother's Day on Shudder, Z is a creepy kid horror movie that tweaks the formula. Director Brandon Christensen speaks with Nathaniel about the second part of his "Mama Trauma" trilogy.

The show's main segment is about conspiracies. This synopsis has already said too much, but the boys talk aliens, monsters, and the myth that Austin continues to perpetuate.

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Episode 65: Movies that Make You Hungry

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 2 May 2020 04:49:21 +0000

Movies make people feel a lot of emotions. They can also make audiences feel hungry. Blake, Danny, and Nathaniel talk about the films that make their tummies grumble.

The ongoing Covid 19 pandemic has led to many changes in the movie industry. One of those has been the release of new movies to streaming platforms. The three talk about one theater's hilarious reaction to a movie studio.

The guys talk about the movies they have been watching. Nathaniel talks about the line between fact and fiction, Danny drops his hoops knowledge, and Blake defends a western horror.

This week's main segment is on the movies that give you the munchies. Pizza, cubanos, and scatological entrees are all discussed. The three end up grossed out.

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Episode 64: 4/20 Month Presents: Stoner Films

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 25 Apr 2020 05:49:15 +0000

We took our time but you knew it was coming. This week's episode during 4/20 Month is about stoner films. All the classics are discussed, but someone on the show is not a fan of weed movies.

The boys start with a talk about the week's biggest news. The Batman, Venom: There Will be Carnage, and HBO Max all discussed. Plus, The Last Drive In is back and AIPT gets a mention from Joe Bob himself.

The boys talk about what they have been watching. Nathaniel enters Danny's world, Danny talks sports, and Blake reminisces on Mortal Kombat.

This week's main segment is about stoner movies. Of course, the guys talk about Cheech & Chong, How High, and Half Baked. There is also discussion about films that may surprise some.

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Episode 63: 4/20 Month Presents: Trippy Movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 18 Apr 2020 03:12:28 +0000

4/20 Month continues with a look at some of the trippiest movies of all time. What constitutes a trippy movie? Blake, Danny, and Nathaniel all have different ideas and you may be surprised by what you hear.

It was a surprisingly news heavy week. The boys talk about Dune, Cinemark possibly reopening, Sam Raimi, and the need for new Star Wars content. Plus, a talk about death.

The guys take time to talk about what they have been watching. Nathaniel talks about the usual cheery stuff, Danny talks cartoons, and Blake talks horror. Just another week on Adventures in Movies!

The main segment of the week is trippy movies. This leads to a discussion on Terry Gilliam and anime. The three also talk anime. The episode even touches on television shows.

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Episode 62: Close Encounters of the Fifth Kind & Danny's B-Day

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 11 Apr 2020 01:48:32 +0000

4/20 Month continues with a talk about UFOs. The boys discuss Close Encounters of the Fifth Kind from Steven Greer. The documentary is a different kind of UFO film. But does that make it any better? The three also celebrate Danny's B Day with a little movie trivia.

The show starts with a talk about SXSW. The festival has found a home on Amazon. The three talk about what movies they are looking forward to. This somehow leads to a talk about Genesis versus Super Nintendo. The guys also talk about the 30th anniversary of Twin Peaks. They also talk about influential television shows and masked magicians. Plus, the risks of making fun of people you do not really know.

It is Danny's birthday, so the guys play some movie trivia. Does Danny know the answer to the questions he is asking? Does it matter in the long run? The quiz show leads to a talk about Star Wars, indie movies, and the best way to commit suicide.

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Episode 61: 4/20 Month Presents: Drug Addiction Movies

nathaniel@aiptcomics.com (Blake Heath/Danny Martinez/Nathaniel Muir) — Sat, 4 Apr 2020 02:24:38 +0000

It is April in the year of our Lord 2020. To celebrate the fourth month of 2020, we are having 4/20 month. Starting the proceedings is a look at movies about drug addiction. From adaptations of books to movies that will not be named, the boys got your fix.

The show starts with a look at the movies that have been delayed due to the coronavirus. The three talk about the state of the industry going forward and what they are looking forward to. They also try to figure out if The New Mutants is ever coming out.

The three talk about what they had seen the past week. Nathaniel tries to bum everyone out, Danny talks about white trash Game of Thrones, and Blake talks about an old favorite. Mules, and tigers, and teddy bears, oh my!

It is 4/20 month and the boys kick things off by talking about drug addiction movies. They touch on dramas, comedies, and coked out directors. Plus, a discussion about the movie that shall never be talked about.

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Episode 60: Contagion Movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 28 Mar 2020 01:21:05 +0000

It is hard to come up with a new episode every week. Movies may supply an endless stream of content, but it can be difficult to talk about something different on a weekly basis. The guys had no idea what to talk about for this week's episode. Thankfully, they randomly decided to talk contagion movies.

The show starts of with talks about the deaths of Stuart Gordon and Kenny Rogers. Blake talks about Gordon's best movies while Danny talks his favorite Rogers's memories.

There is no way to ignore the coronavirus. The pandemic continues to affect the entertainment business. They trio talk about Cannes and major movie releases.

This week's main topic is contagion movies. The boys just do not talk about viruses and plagues. They discuss movies that deal with world changing events. Alien invasions, killer plants, and bugs are all discussed.

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Episode 59: Movies to watch while you should be working from home

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 21 Mar 2020 03:46:54 +0000

Danny, Blake, and Nathaniel want to help everyone who is living that rona life. We are living in unprecedented times that have forced some to have to work from home. The boys tell you what movies you should watch while you work from home.

The show starts with the spread of the coronavirus. Idris Elba, the closings of around the country and new movies available for streaming are all discussed.

The three also talk about what they have recently watched. Nathaniel talks about SXSW coverage, Danny discusses Ma, and Blake discusses horror.

This week's main segment is about movies to watch while you should be working at home. Blake brings a list, Dannys brings the laughs, and Nathaniel is just along for the ride.

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Episode 58: The scariest and sexiest episode ever!

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 14 Mar 2020 03:04:20 +0000

The boys hit 10,000 downloads and decide it is time to celebrate! Based on the show's top episodes, the guys talk about what their listeners love most: sex and violence! True crime, the changing face of horror, and one of the most sexually explicit movies of recent years are all discussed!

The three begin with a talk about one of film's most famous faces. They boys talk about Max Von Sydow's recent passing. From horror to science fiction, the actor left many memories. The big news of the week has been the spread of the coronavirus. The trio talk about is affects on the entertainment business and what it all means. Nathaniel also talks about plans for SXSW coverage.

This week's interview is with actress Dani Lennon. Dani talks her new animated horror film, To Your Last Death.

The three talk about all the things they have watched in the past week. Nathaniel discusses what he is doing for SXSW, Danny talks Onward, and Blake talks about the Spanish Flu.

This week's main segment is about the most popular topics of the past year. The latest true crime, horror, and erotica are all touched on. But isn't it WrestleMonth?

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Episode 57: The best wrestling movies there was, is, and ever will be

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 7 Mar 2020 04:43:47 +0000

One was a fan since he was a child; one watched for three weeks twenty years ago; one was never fan. What better group to talk about the best wrestling movies of all time. Unsurprisingly, they talk less about pro graps and more about the movies. But is that a bad thing?

THIS EPISODE WAS RECORDED BEFORE THE CANCELLATION OF SXSW

The show starts with a talk about No Time to Die being pushed back due to COVID-19. This leads to a talk about SXSW. The three also talk about the newest Batmobile.

Nathaniel talks about an odd 80s genre film, Danny talks McMillion$, and Blake discusses After Midnight.

The main topic this week is wrestling movies. How do you derail an entire podcast. Blake shows how to do it with one seemingly simple question.

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Episode 56: Stank Month Presents...Erotic Potpourri

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 29 Feb 2020 04:35:02 +0000

Danny returns to join Blake and Nathaniel for the last episode of Stank Month. The reunited trio discuss cultural differences in erotic, anime, books, and television. It is an erotic potpourri!

They guys talk about the surprising retirement of Bob Iger. They also discuss the new movie from Robert Eggers, and the length of the newest James Bond movie.

Nathaniel discusses a trilogy that got better with each installment, Danny's attempt at trolling goes nowhere, and Blake talks Come to Daddy.

The main segment is erotic from all over. The boys cross the globe, different mediums, and possibly the line in a frank and honest discussion.

Thanks to Brandon Cronenberg for opening the show!

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Episode 55: Stank Month Presents...Erotic Horror

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 22 Feb 2020 03:41:27 +0000

Blake and Nathaniel continue Stank Month by taking a trip through erotic horror. The two talk the slashers of the 80s, two Davids, and why horror and sex go together so well. But how does a talking monkey fit in?

The show begins with a talk about the Saved by the Bell reboot. The duo talk about Zack Morris as Governor of California and whether it is enough to make the new Peacock network a must buy.

This week's Disney talk focuses on the Skywalker Saga box set. You may be surprised to hear who does not want to buy it.

Possessor was one of the best movies to screen at the Sundance Film Festival. Nathaniel had the chance to interview director Brandon Cronenberg.

This week's main topic is erotic horror. The guys talk David Lynch, inter-species sex, and Edgar Allan Poe. The boys also talk about what makes them uncomfortable.

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Episode 54: Intro to Stank Month

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 15 Feb 2020 06:29:04 +0000

Valentine’s Day may be over but Blake and Nathaniel are ready to spread more love. But this is not your run of the mill Valentine’s Day special. This week, the two introduce everyone to Stank Month.

Plus, an interview with director Joko Anwar and the cast of Impetigore.

The show starts off with talk about this year’s Oscars. The two talk about what worked, what could have been cut and why Luke Perry was left out of the In Memoriam.

There is also discussion on Disney, the WWE Network, and some new trailers. The two also talk the return of a childhood classic.

Impetigore was one of the best movies from Sundance. Director Joko Anwar and actors from the movie spoke with Nathaniel at the Fest.

Things get stanky at this point. Blake talks about penises in shower holes, Nathaniel talks Marlon Brando, and the two wonder what happened to porn stars.

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Academy Awards 2020 Preview Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 8 Feb 2020 06:09:34 +0000

Blake, Danny, and Nathaniel talk their favorite part of the year - the Oscars! Actually, Blake does not care and Nathaniel thinks they are a joke, but that does not stop them from talking about the Academy Awards.

The boys are always thinking outside of the box. This week's episode is the only podcast to preview the first Academy Awards of the new decade. From Best Supporting Actress to Best Picture, the three movie experts answer all of your questions.

They guys also talk about the latest Disney news. Sam Raimi, the future of the Star Wars universe, and how well Disney+ is doing are all discussed. But how does the WWE fit in?

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Episode 53: Underdog Movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 1 Feb 2020 03:07:41 +0000

America loves an underdog story. Danny, Blake, and Nathaniel talk about the best movies about retribution. From Rocky to Air Bud, the three discuss the films that made them feel best.

Plus, an interview with Brian Knappenberger, director of Church and the Fourth Estate.

Before the three talk about movies, the reflect on the death of Kobe Bryant. They all talk about their favorite Kobe memories.

This week's episode includes an interview from the Sundance Film Festival. Church and the Fourth Estate is a documentary about a cover up involving the Boy Scouts of America and the Mormon Church. Director Brian Knappenberger discusses his latest film.

The boys talk about what they have seen the previous week. Nathaniel talks about the best films from Sundance, Danny talks about a cult favorite, and Blake talks H.P. Lovecraft.

The main segment is about underdog movies. Obviously, sports movies are talked about, but the boys also talk George Lopez, Disney, and rom coms.

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Episode 52: The highs and lows of Blaxploitation

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 25 Jan 2020 10:20:59 +0000

Danny, Blake, and Nathaniel discuss one of the most groundbreaking, innovative, and controversial genres of all time. Blaxploitation is responsible for some of the most memorable films in cinema history. It has also drawn its fair share of criticism. The three discuss the good, the bad, and the ugly of Blaxploitation.

Every few weeks, Disney makes another decision that further proves they are taking over the world and will be our lords and masters sooner rather than later. Their latest move towards complete conquest is to remove the recently acquired Fox name from iconic logos. How will Danny defend this move?

The boys talk about what they have recently watched. There is further conversation about Little Women and 1917, a deeper look at HBO's The Outsider, and Danny gets his wish as a returning television show goes after #metoo.

This week's main segment is Blaxploitation. Favorite movies, the decline of the genre, and how it is so controversial are all explored. Plus, Blake puts everyone in their place.

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Episode 51: Great beginnings & happy endings

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 18 Jan 2020 03:59:32 +0000

Blake, Danny, and Nathaniel talk about their favorite fresh starts and the movies that left the best sense of closure. Which franchise ended best? What television series had one of the best finales of all time? Two sagas ended in 2019. Which one did it better?

The show starts with talks about this year's Oscar nominations. The guys talk about Joker's amazing haul, the lack of female directors, and the different tiers of movies in the Best Picture category.

The boys also talk about NBC's new streaming network. Is Peacock worth it even if it is free? What is NBC offering to the consumer? What would Zack Morris do?

It has been a while, but the guys spend a little time talking about what they saw last week. From sci fi comedies to anime to horror, the three hosts have you covered.

This week's main topic is beginnings and endings. Indiana Jones, The Breakfast Club, and Star Trek all made the list. There is also Marvel vs. Star Wars talk and multiple Pulp Fiction references.

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Episode 50: 50 Topics for 50 Minutes

nathaniel@aiptcomics.com (Blake Heath/Danny Martinez/Nathaniel Muir) — Sat, 11 Jan 2020 04:59:18 +0000

It is the landmark 50th episode of Adventures in Movies! Danny, Blake, and Nathaniel could have done a clip show. They could have answered the mail bag (if anyone every wrote to them). But the boys never do things the easy way. 50 topics in 50 minutes. GO!

Recording 50 new weekly episodes is not an easy thing. 50 topics in less than an hour may be the hardest thing the three have ever done. Can they do it?

Kevin Smith, 2-Pac, and modern society all feel the wrath of the three. James Bond, horror, and Lil Wayne all get some love. But what else do the guys talk about?

Thank you everyone for listening!

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Episode 49: 2019 in Review

Sat, 4 Jan 2020 00:37:45 +0000

Special guest Pablo joins Danny, Blake, and Nathaniel to try something that has never been done. The four look back on 2019. No podcast, website, or television show has ever done a year in review. The four do their best to review one of the most interesting years in film.

Before the four begin talking about 2019, they discuss The Irishman. All of them watched the movie recently and have lots of thoughts. Is it too long? What did they feel about another crime film from Martin Scorsese? Is it even a crime film?

This leads into a brief discussion about Parasite. Blake finally got a chance to watch the movie. What are his thoughts?

The gang begin to talk about the recently ended year. What were the biggest movies and disappointments? The four eyed gangs talk Joker, Star Wars, and the Marvel Cinematic Universe.

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Episode 48: The best movies of the past decade

Sat, 28 Dec 2019 07:25:07 +0000

Special guest Pablo joins Danny, Blake, and Nathaniel to discuss the best movies of the past decade. The four take a year by year look at the past decade. Along the way, they also discuss the best overall movies of the past ten years.

Last time Pablo was on, he spoke in depth about the Marvel Cinematic Universe. This time around he has plenty of data that helped him determine the best movies of the past decade. How does his list match up the rest of boys?

How many cartoons does Danny talk about? Which horror movies are on Blake's list? Is Nathaniel able to squeeze any giallo onto his list? This is not just the last episode of the decade, it is the most important one you will ever listen to. (Until next week.)

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The Rise of Skywalker Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 21 Dec 2019 09:10:10 +0000

The Rise of Skywalker is one of the most anticipated movies of the year. It is the end of the latest trilogy and the Skywalker saga. Naturally, the boys are going to talk about it. How do they feel?

Warning! There will be spoilers!

It has been a while since Adventures in Movies! has had a Special Edition. How excited were the guys to talk The Rise of Skywalker? Well, Nathaniel didn't even bother to show up.

TROS has been a polarizing movie already. Danny and Blake are just as conflicted. What did they think about all the revelations? How does it stack up to the others? Brie Larson?

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Star Wars Month Episode II: The Golden Globes

nathaniel@aiptcomics.com (Danny Martinez/Nathaniel Muir) — Sat, 14 Dec 2019 03:50:41 +0000

The year is already almost over. Awards season is already upon us and the nominees for the Golden Globes have been announced. Danny and Nathaniel talk about what they like and don't like. It's Episode II of Star Wars Month.

The show starts with Danny and Nathaniel revisiting the first episode's of the shows. The two talk about nostalgia while Nathaniel continues his test.

This leads into talk about Keanu Reeves day. The next installments of the John Wick and Matrix franchises are both being released on the same day. Is this a good idea? Could either of the guys marathon either series?

Nathaniel talks about a strange movie called Jake Speed. A would be spoof that is way too serious, it is one of those movies that can be recommended despite being pretty bad. How?

Danny discusses his love of Tron and Star Wars. He talks about how rewatching things can be the worst and best idea. The two also talk about "Weird" Al's importance to the saga.

The main topic of the show are the Golden Globe nominees. Danny talks about his distrust of Joaquin Phoenix while Nathaniel talks about Pulp Fiction as he is wont to do during awards season.

Thanks to Ryan Spindell for providing the intro!

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Star Wars Month Episode I: Favorite Non Star Wars Science Fiction

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 7 Dec 2019 05:53:07 +0000

Star Wars month at AIPT has begun and Danny, Blake, and Nathaniel kick things off with their favorite non Star Wars science fiction. Slaughterhouse Five, Wing Commander, and Star Trek are discussed. Quite possibly our raunchiest episode ever.

First week of test confirmed suspicions. What will week two bring?

Danny starts of the show with talk of the two big trailers released this past week. Trailers have been watched and accents will be judged. Will we be seeing FemBond anytime soon? And what is that smell?

Nathaniel talks about how 1972’s Slaughterhouse Five missed some key points from the novel but still succeeds. Blake goes into why Knives Out is one of the best films of the year despite some major caveats.

From there, the three talk their favorite sci fi. From tests posing as video games to porn stars and flight sticks, the boys have you covered.

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Episode 45: Talking Turkey

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 30 Nov 2019 01:41:24 +0000

Thanksgiving is here and with it comes the holidays. That means it is time for Danny, Blake, and Nathaniel to talk a lot of stuff. No one is safe as the guys decide to spread their cheer to everyone they can think of. Plus, they talk movies.

Thanks to Vampiro for kicking off the show properly!

The show begins with a talk about the latest Rise of Skywalker clip. Unsurprisingly, not everyone has seen clip. Wait until you hear who has. The three also talk about the horrible thumbnails on Disney+.

The guys then talk about movies they have recently watched. Nathaniel talks about comic book adaptations, Danny talks about how Disney has made a comeback, and Blake goes Gonzo.

It has been a while since they guys have dug into the mailbag, but this week they have done just that. Happy Thanksgiving to those who cannot explain why they like bad movies and mediocre directors.

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Episode 44: Vampiro Interview & Adventures in Sports Talk

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 23 Nov 2019 05:06:07 +0000

Danny, Blake, and Nathaniel are so in love with Disney+ that this week's episode is about sports documentaries and movies. The three talk about some of the funniest and most interesting sports films they have ever seen. The also give the final verdict on whether Michael Jordan is greater than Tom Brady.

Plus, an interview with wrestling legend, Vampiro!

The show begins with a talk about the Snyder Cut of Justice League. Danny tries to explain to Nathaniel what it is and why there is so much talk about it again. The trio also talk about the sequel to Joker. Danny proposes an interesting theory about a second movie.

The guys talk about sports documentaries and films during the main segment. From horse racing to the worth of the Dallas Cowboys, the three leave no stone unturned. But what the hell is an air biscuit?

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Episode 43: Mark Patton interview & the sound of musicals

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 16 Nov 2019 07:23:51 +0000

Danny, Blake, and Nathaniel are back to talk musicals. (Or documentaries about music in Nathaniel's case.) What makes them so popular? What are their favorites? And who won the battle between Nas and Jay Z?

Plus, an interview with A Nightmare on Elm Street 2's Mark Patton!

The show begins with a talk about Disney+. Danny talks about how great it is while Nathaniel goes into what made his excitement shift over time. Blake has to decide: to bundle or not to bundle?

Nightmare on Elm Street 2 has come a long way. AIPT spoke with Patton and directors Roman Chimienti and Tyler Jensen about the Scream, Queen! My Nightmare on Elm Street.

The main segment is about musicals. From West Side Story to the WWF, the boys have them all covered. Wait until you hear what they have to say about This is Spinal Tap.

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Episode 42: New York (and New Jersey) State of Mind

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 9 Nov 2019 04:03:03 +0000

Danny, Blake, and Nathaniel are joined by special guest Kevin as they talk about movies from New York and New Jersey. What are the best movies? Which stereotypes are true and which are not? Plus, comparing the New York of yesterday with the Gotham of today (kinda).

The show begins with a talk about all the week's news surrounding The Batman. The four also talk about the latest addition to the Terminator franchise and how they feel about the return of James Dean.

The guys then talk about some of their favorite movies from New York and New Jersey. The usual suspects such as Martin Scorsese and Kevin Smith are brought up. There are also surprises like a recently concluded television show and a brief talk about New Jersey's first and greatest superhero.

And Harrison Ford is given a much needed makeover!

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Episode 41: Alice Waddington Interview & Fairy Tales

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 2 Nov 2019 06:02:28 +0000

After a month discussing all aspects of horror, Danny, Blake, and Nathaniel decided it was time for something new. This week's episode is about fairy tales. What makes them so endearing? What are the elements of a great fairy tale? Which ones do the guys like the most?

It was a busy week in movie news, especially for Game of Thrones fans. Danny and Blake talk about why D & D left Star Wars and whether it was a good decision. Plus, talk of one prequel rising where one has fallen.

It is no secret how much the guys LOVED Spider-Verse. A sequel is scheduled to be released for 2022. Danny and Nathaniel talk about why they are not as excited as one would expect.

Paradise Hills is a fairy tale with modern sensibilities. Director Alice Waddington spoke with Nathaniel about her star studded film and its place in today's world.

This week's topic is fairy tales. The guys have a lot to say about the genre. But if you are going to talk fairy tales, you may as well take some time to talk about the people who complain way too much. This leads to a conversation on the importance of characters and good vs evil.

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Episode 40: Alexandre Philippe Interview & Sci Fi Horror

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 26 Oct 2019 02:28:00 +0000

It was good while it lasted. The boys finally do a 31 Days of Halloween episode together and Blake decides he has had enough after one episode. Danny and Nathaniel end this year's Halloween themed podcasts with a discussion on sci fi horror. There are a lot of horror sub genres. Is this one the best?

Plus, an interview with Alexandre Philippe, director of Memory: The Origins of Alien

The OG AiM! crew jump right into sci fi with a talk about the greatest space saga of all time. Did Danny finally follow through and watch a trailer? Nathaniel definitely did as he recounts in a pitiful tale. How excited are the two for The Rise of Skywalker? Did they even get their tickets?

Philippe has a place in Star Wars history, having directed The People vs. George Lucas. His latest documentary is a deep dive into one of the most iconic scenes in sci fi horror history. He talks with Nathaniel about the importance of the chestburster scene and Alien.

Sci fi horror is a popular genre. Danny and Nathaniel talk about some of their favorites and why it is so popular. The two also try to figure out if Jason X is sci fi horror.

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Episode 39: Gigi Saul Guerrero Interview & Underrated Horror Movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 19 Oct 2019 03:49:57 +0000

For the first time ever, Danny, Blake, and Nathaniel get together to do a special 31 Days of Halloween episode. The trio get together discuss underrated and overlooked horror movies. And if you are going to talk underrated, you need to get into overrated movies.

The episode starts with a talk about some new releases. There may not have been any new horror releases, but the Halloween season is definitely upon us. The boys also talk about the third season of Strangers Things.

Gigi Saul Guerrero has had a busy year. At this year's Fantastic Fest, she took the time to speak with Nathaniel about lucha libre, horror, and her future.

The terrible trio talk about overlooked horror movies. This leads into a talk about some popular franchises, books with monsters, and found footage.

Things get really interesting when Blake talks about what he feels is an overrated movie. A heated debate ensues in which there can only be one right answer.

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Episode 38: Legion M Interview & Video Nasties

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 12 Oct 2019 02:42:27 +0000

Danny preferred not to deal with Blake this week and decided to let Nathaniel take his chances. This week's episode is a deep dive into Video Nasties. Blake and Nathaniel have a lots to say about the genre. But is it enough to prevent Blake from yelling again? Plus an interview with Jeff Annison and Terri Lubaroff from Legion M.

Before talking about banned movies, Blake and Nathaniel discuss Joker. The latest comic book movie is one of the most controversial films of the year. It is also one of the most highly regarded. What did the dynamic duo think?

Legion M is an entertainment company that allows fans to become investors and take part in the company's decision making. Thanks to Jeff Annison and Terri Lubaroff!

Blake gives a history of Video Nasties before he and Nathaniel talk about how they got into the infamous movies. From Eaten Alive to The Beyond, the two discuss the history of the nasty videos. From cannibals to killer nuns, the boys discuss as much as they can. This leads into a talk about exploitation movies.

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Episode 37: Intro to horror movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 5 Oct 2019 06:07:56 +0000

Nathaniel has gone missing leaving Danny and Blake to start off the Adventures in Movies! celebration of the 31 Days of Halloween. And what better way to start things off than with an intro to horror movies? From horror comedy to disgusting body horror, the duo talk about what horror movies you should watch this month.

Before getting into the horror, Danny and Blake discuss Spider-Man's pseudo return to the Marvel Cinematic Universe. This leads into a talk about Kevin Feige and his contributions to Disney. Plus, talk about the future of Star Wars.

The two also discuss CW's slate of comic book shows. Kingdom Come is next up. We know Danny is hyped, but what does Blake think?

The main segment is Danny and Blake's intro to horror movies. Whether you want to laugh in fear or just be totally grossed out, the boys have the movies for you. If you want to watch scary movies but don't know where to start, these two have you covered.

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Episode 36: Cult Classics

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 28 Sep 2019 06:58:48 +0000

There are certain movies that have a stronger connection with their fans than the average movie. They could be from any genre, might be a blockbuster, or may have been critically panned. But somehow they found a huge following that goes beyond normal fandom. Danny, Blake, and Nathaniel try to figure out cult classics.

Before getting to the main segment, the boys have a long discussion about Batman. They talk about their favorite movies, toys they had, and how the Joel Schumaker movies look in hindsight.

Nathaniel is at Fantastic Fest. He talks about the movies he saw, the people he met, and the overall vibe of the film festival.

Danny has an eclectic batch of movies to talk about. In the biggest surprise of the episode, Blake goes over some horror movies he watched.

The three have a lively discussion about cult classics. This is Blake's wheelhouse and he has plenty to talk about. Age, stoner movies, and why Ed Wood movies are overrated are all touched on.

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Episode 35: Movies with Unnecessary Twists

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 21 Sep 2019 00:54:26 +0000

It seems like every movie nowadays ends with some kind of twists. Some of them work so well they became a part of pop culture. These aren't those movies. Danny, Blake, and Nathaniel talk movies with unnecessary twists and what makes a good twist.

The show starts with the guys trying to figure out what had the best weekend. Blake talks about beer, Danny talks vegetarian tacos, and Nathaniel talks about his dog's encounter with Pennywise.

As usual, the three talk about the movies they have seen. Nathaniel talks about a wannabe Halloween classic, Danny talks about musical biopics, and Blake surprisingly talks about horror.

From there the boys talk about unnecessary twists. What's Nathaniel's gripe with The Usual Suspects? Where does The Crying Game fit into all of this? How long before someone makes an M. Night joke?

Plus, another visit from Lauren Ashley Carter!

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Episode 34: Interview w/ Lauren Ashley Carter and Serial Killer Movies

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 14 Sep 2019 04:24:34 +0000

This week we have an interview with Lauren Ashley Carter. Lauren has starred in indie horror favorites like Darling and Jug Face. She discussed her past, future, and love of the genre. She also talks about her newest movie, Artik. Danny, Blake, and Nathaniel also discuss serial killer movies.

If you have not already done so, check out our It Chapter Two Special Edition. The guys have strong opions on the latest Stephen King adaptation. It only makes sense they would talk about the movie's strong box office performance.

As superhero movies become more popular, they are also starting to become better received critically. The three talk about Joker's latest festival success. But do they really want to?

This week's main segment is on serial killer movies. There are so many to choose from so the boys had plenty of material. What makes a good serial killer movie? Why do people like them so much? How do they differ from slashers? Where does Mega Man fit into all this?

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Episode 33: Are you ready for some football (movies)!?!

nathaniel@aiptcomics.com (Nathaniel Muir) — Sun, 8 Sep 2019 03:55:20 +0000

The college football season has begun and now the NFL is back. What better time to talk about football movies? Danny, Blake, and Nathaniel discuss some of their favorite football movies. They also talk about the movies they watched in preparation for the episode.

It was a slow news week in Hollywood, so the guys have a deep conversation about John Travolta. Travolta has one of the strangest careers of any actor. The three talk about the ups and downs of Travolta and how he has managed to stay in the spotlight. Does Scientology factor into his success?

Nathaniel talks about the musical week in movies he has seen, Danny rants about Kevin Smith, and Blake talks about some awesomely titled movies. You will also be surprised to hear what movie Danny has never seen.

The main segment is on football movies. The guys talk about their favorites, college football rivalries, and the rare bad football film. How does Antonio Brown fit into all of this?

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Adventures in Movies! Special Edition: It Chapter Two

Sat, 7 Sep 2019 05:32:54 +0000

Danny, Blake, and Nathaniel are joined by Vicky from the UTEP newspaper and radio station to discuss It Chapter Two. The group discusses the changes to the story, what they liked and did not care for, and whether the movie had a good ending.

AS WITH ALL SPECIAL EDITIONS, THIS EPISODE CONTAINS SPOILERS. VERY SCARY SPOILERS. READ ON AT YOUR OWN RISK

It Chapter Two is a long movie. Three hours is a long time for any movie - especially one in the horror genre. Does Chapter Two have the lore and scares to pull it off or would it have been better as a trilogy?

The movie also has plenty of changes from the source material. This is not necessarily a bad thing, but does it work here? The four discuss what they would have done differently and what changes worked.

If you are going to talk about It, you have to compare the various adaptations and the book itself. The answers may surprise you.

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Episode 32: The Best Movies of Summer 2019

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 31 Aug 2019 04:51:09 +0000

And just like that, summer is over. Danny, Blake, and Nathaniel had a chance to watch a lot of movies the past few months. The only thing to do is rate them using a very scientific system that determined the best movies of this past summer.

The show starts with talk of the D23 Fan Expo. Black Panther 2, Lizzie McGuire, and WandaVision are all discussed. Of course, this leads to a discussion about the Rise of Skywalker. Everyone shares their thoughts on Rey's awesome lightsaber and what it means.

The boys also talk about the final Joker trailer. Blake talks about why he is a little apprehensive while all agree Joaquin Phoenix looks to have put in an amazing performance.

The show takes a slightly different route this week as their is much video game discussion. Nathaniel talks about Control while Blake discusses Telling Lies. They also talk about nostalgia and adventure games.

Nathaniel goes over all the movies he watched about ladies and boys, Danny talks about actresses he has never seen before, and Blake talks about serial killers.

The main topic this week is the best movies of the summer. Some picks are not shocking, but there is also plenty of surprises. There were plenty superhero movies this summer. How did they rank?

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Episode 31: Back to School Edition

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 24 Aug 2019 04:00:58 +0000

Summer is about to end and school is back! Danny, Blake, and Nathaniel discuss their favorite back to school movies. There is a whole lot of fun movies to discuss, so why does Nathaniel get so bothered?

Plus an introduction from X-Men legend Chris Claremont!

The guys attended the first ever New Mexico Comic Expo and share their thoughts on a very entertaining experience. The three talk Chris Claremont, Jason Mamoa, and the lack of X-Men merchandise.

It has been the year of Keanu Reeves. It may have been surprising to hear another Matrix movie is coming, but it certainly was not mind blowing. The three discuss whether they are interested in taking the red pill or the blue one.

The big news this week has been about Spider-Man's future in the Marvel Cinematic Universe. All three have their own opinions about the future of Spidey and what they would do if they were in Sony's shoes.

The guys did not have a chance to watch as much as they usually do, but they do have time to disucss they time Al Pacino was gay, cartoon butts, and weird ways to pass college.

The main segment is about back to school movies. Nathaniel watched two movies that lead to rants, Danny watched some all time classics, while Blake watched an underrated great.

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Episode 30: Big Screen Misses

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 17 Aug 2019 05:36:36 +0000

Danny had better things to do, but the show must go on. This week special guest and Hobbs & Shaw giveaway winner Keith joins the show. Keith also provided the topic for the week. What movies have you never had a chance to see on the big screen? Which ones can't you afford to miss?

Movie news was a little slow this week, but the makeshift trio discusses some trailers that came out the previous week. They also give their thoughts on the rumored upcoming interactive horror movie.

Nathaniel respects Danny's rule and only talks about three movies (kinda). Blake continues to be a rebel and talks about a number of movies. Even ones that are horrible. Keith shares his thoughts on one of the most polarizing movies of recent year.

Keith picked a grat topic, but it was a lot harder than everyone initially thought it would be. Still, the the three are talk about the movies they wished they saw in theaters. They also give recommendations for movie's that should be not be missed in theaters.

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Scary Stories to Tell in the Dark Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir) — Sun, 11 Aug 2019 04:06:28 +0000

Scary Stories to Tell in the Dark is one of the most controversial and beloved children's books of all time. Danny was too scared to join the Special Edition after watching the movie adaptation. Blake and Nathaniel along with special guest Regina Chavez go in depth over one of their most anticipated movies of the year.

AS WITH ALL SPECIAL EDITIONS, THIS EPISODE CONTAINS SPOILERS. VERY SCARY SPOILERS. READ ON AT YOUR OWN RISK

Regina starts off the show by talking about the Scary Stories documentary from earlier this year. The doc is a perfect intro to those who have never read the series and a great reminder for those who have forgotten about it.

Did Scary Stories live up to the expectations of Blake, Nathaniel, and Regina? Did they see any of the stories they wanted to? What did they think of the movie's direction? The answers may surprise you.

The makeshift trio try to decipher a deeper meaning from the film. Creatures, Richard Nixon, and the Vietnam War are all a part of Scary Stories. What do they have to do with each other?

Most importantly, did they like the movie?

Adventures in Movies! is hosted by Nathaniel Muir, Blake, and Danny. You can find Nathaniel on Instagram at nathaninpoortaste. Danny can be found on Twitter @default_player and on Instagram at default_player. Blake can be found on Twitter @foureyedhorror. You can reach us personally or on Twitter @AiPTMovies. Regina can be reach at @regchavez1127.

Ghostbusters Metal Cover by Leo from the album Leo Metal Covers Vol 3
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United_Screens_Sound (on behalf of Frog Leap Studios); EMI Music Publishing, LatinAutor - SonyATV, SOLAR Music Rights Management, Sony ATV Publishing, LatinAutor, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, CMRRA, Ray Parker Jr. dba Raydiola Music, AMRA, LatinAutor - PeerMusic, and 16 Music Rights Societies

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Episode 29: Two's Company, Three's a Crowd

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 10 Aug 2019 04:33:17 +0000

This is the first episode of Adventures in Movies! since the shootings here in El Paso. It was the most difficult one we have ever had to do. Recording it was cathartic and gave us a chance to escape the ugliness of the world for a brief moment. We hope it brightens your day.

The show begins with words about the city we grew up in and the city we love. El Paso Strong.

The guys do not brag often, but they did break two personal records this past week that they waste no time telling everyone about.

Danny, Blake, and Nathaniel talk about how much money Disney lost in the third quarter. Of course, Disney being Disney, there is also some amazing news to go along with it. Plus, the writers from Game of Thrones seem to have a new gig.

Nathaniel talks He-Man, Blake talks Robin Hood, and Danny talks nonsense in an episode he was not even supposed to be on. Plus, someone hates PewdiePie and is not afraid to admit it.

Last week was the release of Hobbs & Shaw and the guys talk about how perfectly awful it was. Will they go to see the rest of the Fast & Furious franchise?

The winner of the Hobbs & Shaw giveaway was Keith Floyd. Along with winning the giftpack, he will be a gues on next week's show. And he picked the topic! When we give prizes, we GIVE prizes!

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Episode 28: This episode is based on true events.

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 3 Aug 2019 06:07:49 +0000

This episode is based on true events. Danny and Nathaniel were two friends that entered the already glutted movie podcast genre. There were some early growing pains, but the two had settled into a nice grove. When Blake came on as a special guest, it brought back fond memories. When he joined as a regular host on the show, no one expected what would happen next.

The regularly scheduled episode started with movie news. Disney sets another record, why seeing Reservoir Dogs at a flm festival is not always a good idea, and Blake and Nathaniel discuss the trailer for The Lighthouse.

The show went as normally planned with the trio discussing the movies they had seen the previous week. For some reason Nathaniel felt the need to watch and talk about Airplane!, before moving on to talk about a movie about a serial killer.

Coincidentally, Danny also saw a movie involving a serial killer. But how does everything tie into his hair and Queer Eye? Why did Blake watch a movie Danny hated? And why did he take Nathaniel's wife to watch another one?

As strange as it my seem, the three talk about Once Upon a Time in Hollywood. In an odd turn of events, they all saw the movie on three consecutive days, but on their own.

The boys ended this show by talking about true crime documentaries and movies. Gypsy Rose and Jack the Ripper make sense, but why did the discussion turn to John Holmes and Hogan's Hereoes?

Will Danny be here next week?

The Hobbs & Shaw giveaway continues. Remember to retweet this episdoe to enter. And remember subscribers get early access!

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Episode 27: Welcome to Phase 4

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 27 Jul 2019 03:20:22 +0000

We hate breaking promises, but something came up. Danny, Blake, and Nathaniel were ready to dip their toes into true crime then Marvel had to go and unveil their plans for Phase 4. The three talk about their most anticipated movies or shows, what title they like the best, and discuss Natalie Portman.

It is Spectacular Spider Month and Danny found a surprising bit of information. What are the highest and lowest grosing Spider-Man movies? The answers will probably surprise you.

The MCU was not the only movie news of the week. A number of trailers were revealed at San Diego Comic Con. The three go over what they are looking forward to most and what they really are not interested in.

What do Mr. Rogers, Harriet Tubman, and Adolph Hitler have in common? This episode has the surprsing answer.

Nathaniel gets angrier as the show turns to talk of Big Little Lies and Stranger Things. The AiMers also talk Weird Science, The Lion King, and Piercing.

Could their be any other topic aside from Phase 4? Cool movie titles, prequels, sequels, and Blade are just a little of what happened at SDCC.

Plus, we have a Hobbes & Shaw gift pack we are ready to giveaway. All it takes is one retweet!

Adventures in Movies! is hosted by Nathaniel Muir and Danny. You can find Nathaniel on Instagram at nathaninpoortaste. Danny can be found on Twitter @default_player and on Instagram at default_player. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AiPTMovies.

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Episode 26: Spectacular Spider-Month Edition

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 20 Jul 2019 02:59:13 +0000

July is Spectacular Spider Month at AiPT! and Adventures in Movies! is ready to celebrate. Joining Danny, Blake, and Nathaniel are joined by Forrest Hollingsworth from the AiPT! Comics Podcast. The Sinister not quite Six talk about their favorite Spider-Man movies and moments.

The episode starts off with talk about the latest rumors surrounding Bond 25. The four agree that there should be disappointment around the casting but it may not be for the reasons you think.

Emmy nominations were also announced and everyone gives their takes. Why are even Game of Thrones fans cheering for the show to win a certain award? Does any of it even matter?

The four then talk about what they have been watching. Familar topics like Big LIttle Lies and Toy Story 4 are discussed, new subjects likes The Art of Self Defense and The Isle, and a revisit of the third season of Twin Peaks.

The main topic of the episode is Spectauclar Spider Month. What is the best Spider-Man movie? Who was the best Spider-Man? What the hell happened to Danny? A seemingly normal topic in a very strange segment.

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Episode 25: Mid Year Awards

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 13 Jul 2019 03:34:03 +0000

Over half of 2019 is already over and it is time to pass judgment on the best and worst movies of the year. Danny, Blake, and Nathaniel discuss the most memorable moments in cinema of the year. Plus a discussion of the blurst of the year. What does that even mean? Find out here.

The show begins with a discussion of The Little Mermaid. They guys discuss Disney's interesting latest casting choice and why it is nothing new. They also talk about Disney's connection with pornography.

The state of streaming services has been an interesting topic in recent months. It seems like every week there is an announcement of a new streaming channel. This week's addition to the streaming world is HBO Max. The trio talk about if they are interested in yet another streaming network and what it means for Netflix. And how does this affect The Stand coming to Blu-Ray?

This leads to a talk about what the three have been watching. A horror anthology, an animated classic that is not from Disney, and a discussion on Stranger Things 3. Plus, only one of the guys have seen Toy Story 4. Can you guess who it was?

2019 has been an interesting year in movies, but what has actually left an impression on the guys? There are guaranteed to be surprises in our list. Especially when we try to figure out what the blurst movies are.

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Special Edition: Far From Home/Midsommar Double Feature

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 6 Jul 2019 06:42:30 +0000

Danny, Blake, and Nathaniel talk about two of the most anticipated movies of the summer. Spider-Man: Far From Home and Midsommar may seem like two completely different movies, but they have more in common than you may realized. The three cover each movie from beginning to end.

AS WITH ALL SPECIAL EDITIONS, THERE WILL BE MANY SPOILERS.

Spider-Man: Far From Home may officially be the end of the Third Phase, but it is just as much of a beginning. The crew discusses the major changes in Peter Parker's life following Avengers: Endgame and what that means to the Marvel Cinematic Universe. They also talk about the movie's tone and what they though of watching a bunch of high school kids on a European trip.

Far From Home also leaves the audiences with some major questions. Danny, Blake, and Nathaniel think they have answers. They just don't know if they are the right ones.

Midsommar looks like one of the most horrifying movies of the year. The gang discusses whether the movie lives up to its lofty expectations. They also discuss whether bright lights work in a horror movie, how important the concept of time is, and pubic hair. Plus, Yakety Sax!

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Episode 24: Pride Month Spotlight: Sleepaway Camp

Sat, 29 Jun 2019 03:54:20 +0000

Nathaniel is back as the Adventures in Movies! gang have their final episode for Pride Month 2019. The three are joined by resident Sleepaway Camp expert Regina Chavez. The four talk about why the Felissa Rose cult classic is such a groundbreaking movie and why a typical slasher movie from 1983 is still relevant in 2019.

The show starts with a talk about Toy Story 4. No one on the show has seen it, but that does not stop them from talking about it.

The group also talk about another movie they have not seen - kinda. Avengers: Endgame has been re released with new footage. Is six minuets of all new footage worth a rewatch? You decide but the AiM! team will help you make your final decision.

This leads into a discussion of what movies and shows everyone has been watching. From weird German crime thrillers, to movies with porno like titles, to movies with porno like moments, to Annabelle Comes Home it is an eclectic bunch. First person who sends a GIF that is requested during the show wins a prize!

The main topic of the show is Sleepaway Camp. Everyone talks about what makes the show a cult classic and why it is still important today. The movie has come up sporadically for months and this was the perfect time to talk about it.

Amazon Prime Video has an entire page dedicated to Pride Month that can be found here. The page includes Prime exclusives and must see LGBTQ+ films, including some of the ones discussed during this episode.

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Episode 23: The Lunatics Run the Asylum

nathaniel@aiptcomics.com (Nathaniel Muir) — Sat, 22 Jun 2019 02:12:02 +0000

Nathaniel is out on a money making venture but Danny and Blake are here to make sure everything runs smoothly. The OG Four Eyed Horror crew talk Highlander, Big Little Lies, and Men in Black: International. The show continues to celebrate Pride Month as the duo discuss their favorite LGBTQ+ movies.

Danny runs down what he has been following the past week. It is an impressive list that includes shows from HBO, a recent major release, and The Walking Dead - the comic.

The two go on to talk about TWD before Blake goes over his list for the week. Blake tries the old "quality not quantity" approach as he talks about Chernobyl and Highlander.

During the main segment talk about their favorite LGBTQ+ movies. From Michale Douglas to John Leguizamo, the dastardly duo discuss some great films.

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Episode 22: Queer Horror Movies

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 15 Jun 2019 05:31:04 +0000

Danny, Blake, and Nathaniel continue celebrating Pride Month with a talk about queer horror movies. Everyone knows about Nightmare on Elm Street 2, but what else do the guys talk about? Plus, Danny gets an inspiration for a Halloween costume.

It was a slow week for movies, but the guys still manage to get in plenty of Keanu Reeves talk. Obviously, it's breathtaking, but it also covers time travel, comedy, and politics.

The guys talk about what they watched the previous week. Danny and Nathaniel talk about how unsurprisingly great Big LIttle Lies is. Nathaniel continues his search for the best movie of the first half of the year, Danny cries again, and Blake talks The Dirt. This all leads into how a conversation into how underrated 1980s hair metal is.

The trio then get into queer horror movies. Of course, they talk about Nightmare on Elm Street 2 but they also debate the merit of the lesbian vampire boom of the 1970s, Let the Right One In, and even get into true crime.

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Episode 21: Celebrating Pride Month

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sun, 9 Jun 2019 05:43:15 +0000

Danny, Blake, and Nathaniel are back again this weekend. After their discussion about Dark Phoenix, the trio discuss LGBTQ+ movies. June is Pride Month and each week will center around queer films. This week, the guys talk about their memories about homosexuality in television and movies.

Blake and Nathaniel talk about the Scary Movies to Tell in the Dark trailer that surprisingly Danny has not seen. All three also talk about Stranger Things and how unexcited they are.

This leads into a conversation about what the three had watched the previously seen. They guys talk about vampires, BDSM, and kaiju. Now, that's one crazy movie!

This week's main segment is about the queer characters the guys have seen in their lives. Important movies like Philadelphia and The Birdcage along with Ralph Furley and David Bowie.

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X-Men: Dark Phoenix Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 8 Jun 2019 05:28:31 +0000

Blake come together for a Special Edition. The three saw X-Men: Dark Phoenix and have a whole lot to say about the story, special effects, and end credits scene. But did they enjoy the movie?

Before discussing the movie, the three talk about what trailers they saw. Ford vs. Ferrari, Midsommar, and the return of Jesse Eisenberg are all talked about. Blake also talks about offering food to strangers and when not to order food.

The three non mutants then get into the movie. How well were powers showcased, which scenes were reshot, and what did not work so well are debated.

They also compare the movie to X-Men: Last Stand, how mutants might fit into the MCU, and how excited they are to see them.

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Episode 20: Summer Movie Preview

nathaniel@aiptcomics.com (Blake Heath/Danny Martinez/Nathaniel Muir) — Sat, 1 Jun 2019 04:21:08 +0000

Danny is out on official business so Blake and Nathaniel hold down the fort. The two talk about the movies that are coming up this summer. There is a lot to look forward to and some stuff to be wary of. The results of the Brightburn/Deadpool giveaway are also announced.

Danny saw Aladdin so Blake and Nathaniel decide to talk about it. The two talk about the nostalgia the movie brings. They also discuss Guy Ritchie and want they hope to see in Ritchie's remake of the Disney classic.

The guys proceed to talk about the movies they saw last week. Brightburn, Superman, and Oasis enter the discussion. Blake talks about A24's biggest weakness. And of course, Hail Satan?

This week's main segment is the summer movie preview. Dark Phoenix, MIdsommar, Hobbes & Shaw, and Scary Stories to Tell in the Dark are just a few of the movies the two are anticipated. Plus, Nathaniel talks about his mission and Blake talks about a movie that worries him.

**Thank you to everyone who participated in our most recent giveaway. The winner of the Brightburn poster and Once Upon a Deadpool is Mikey Marlow! **

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Episode 19: Ending with a bang?

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 25 May 2019 04:30:18 +0000

Danny, Blake, and Nathaniel are joined by special guest Regina Chavez to talk about finales. Veep, Game of Thrones, and the Big Bang Theory are all discussed. Avengers: Endgame and The Rise of Skywalker are also discussed. This is also the last week to enter the BrightBurn/Deadpool giveaway.

The episode starts with a discussion about Robert Pattinson becoming Batman. The panel discusses why they like the casting and why they are tired of the glitter jokes.

They also talk about another John Wick movie and another season of The Last Drive in. Believe it or not, everyone is a little excited.

Everyone talks about the movies they saw the past week. The rules of being a Yakuza, the new Lonely Island album, and Stephen King movies are all debated.

The main segment of the show is about finales. Whether it is television or movies, the four discuss all the finales that fans have recently seen. Legacies, emotions, and Green Lantern. It looks like we've made it to the end.

Remember, this is the last week of our giveaway. Retweet this episode for a chance to win a BrightBurn poster and a copy of Once Upon a Deadpool.

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Episode 18: Whatever happened to..?

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sun, 19 May 2019 03:14:02 +0000

Fame is a fickle mistress. How do certain people stay in the public eye? Why do others burn so brightly then just go away? Danny, Blake, and Nathaniel try to figure out how Keanu Reeves and Halle Berry have survived supposed career setbacks while wondering what happened to Stifler and Jessica Alba.

The show begins with a talk about the popularity of Pikachu. It may not have grossed more than Avengers: Endgame domestically but it has made more worldwide. Danny also goes over the darker side of the cute little guy.
Danny and Nathaniel talked about their excitement that Matthew Rosenberg is working on a film adaptation for his classic 4 Kids Walk Into a Bank. But what is Nathaniel worried about?

Nathaniel talks about why the series finale of Veep was so great while Danny and Blake try to tell outraged fans not to worry about Game of Thrones. The three also talk about the recent movies they have had a chance to see.

The main segment is about the enduring popularity of some actors and the lost stardom of others. Obviously, the trio do not know how to sustain stardom, but they do have memories.

Details for the latest giveaway are discussed! This is your chance to win a great BrightBurn poster and a copy of Once Upon a Deadpool!

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John Wick Chapter 3 Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Blake Heath) — Sat, 18 May 2019 05:09:20 +0000

Blake and Nathaniel discuss John Wick Chapter 3 as Danny is missing in action. What did the think of the plot? Will there be a future? How many people did John Wick kill? The two also give the details for the show's latest giveaway.

This episode contains spoilers for John Wick Chapter 3 - Parabellum. Proceed at your own risk.

The third installment of the the John Wick franchise introduces lots of new characters. Which character did Blake and Nathaniel like best? Which one did they disagree about? How does the Iron Chef fit into all of this?

The two also talk about what the theater experience was like. They also discuss how the theater's reaction may be a sad commentary on modern society.

Where does John Wick 3 rate among action movies of all time? The answers may surprise you.

Want to win a great Brightburn poster and a Once Upon a Deadpool Blu-Ray? Details on how to win are provided in the episode.

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Episode 17: What's Wrong with this Picture?

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 11 May 2019 04:02:42 +0000

The Four Eyed Horror Reunion is complete as Blake joins Danny and Nathaniel as a permanent member of Adventures in Movies. The episode's feature segment is on the best and worst marketing tactics in movie history. The once and future threesome also talk horror movies, why Game of Thrones might suck now, and possible disappointing endings to some of our favorite shows.

The show starts with the two big trailers that were released this week. Blake and Nathaniel try to discuss the Spider-Man: Far From Home and It: Chapter II trailers without ruining anything for Danny.

The three then talk about two HBO shows about to end their runs. What have Veep and Game of Thrones done wrong? Why is Nathaniel not as worried as Blake and Danny.

From there the new team talks about the importance of marketing in movies. From Sonic to The Blair Witch Project there have been some interesting marketing decisions. And what makes "why so serious?" so great?

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Episode 16: Interview w/ Lucky McKee & a decade of horror

Sat, 4 May 2019 05:59:18 +0000

It's a Four Eyed reunion as special guest Blake Heath joins Danny and Nathaniel. The episode features a special interview with director Lucky McKee. The three also talk horror, Sonic the Hedgehog, and of course, Avengers.

The episode starts with talk about the huge box office of Avengers: Endgame. The guys also talk about the sad deaths of director John Singleton and Peter Mayhew. They also talk about the trials and tribulations of the Sonic the Hedgehog movie.

Lucky McKee provides a great interview. He talks about the best horror movies of the past decade, what actually scares him, and what movie he would like to remake. Some of what he says will surprise many.

This transitions into a talk about horror. The former Four Eyed Horror team talk about McKee's movies and how their tastes have changed. There is also lots of talk about The Last Drive-In.

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Adventures in Movies! Avengers: Endgame Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 27 Apr 2019 04:46:48 +0000

Danny and Nathaniel saw Avengers: Endgame and have a lot to talk about. What were they right about? What did they completely get wrong? Putting all theories aside, did the movie event live up to their expectations.

ANOTHER FRIENDLY REMINDER: Danny and Nathaniel go into detail when discussing Endgame. There is a whole lot to talk about and the two cover the everything that affected them the most. They still forgot to discuss many things they meant to touch on, but IF YOU HAVE NOT SEEN THE MOVIE AND DO NOT WANT IT SPOILED FOR YOU DO NOT LISTEN TO THIS EPISODE.

For those of you who have seen Endgame, this episode is a great companion piece. Movies are a shared experience and ones the magnitude of this are fun to compare notes about. Danny and Nathaniel have no filter as they share their thoughts about the movie.

Whether you are a comic book fan like Danny who has taken joy in seeing his favorites on screen or someone who has been sucked up in the MCU this episode will have something for everyone.

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Episode 15: Avengers: Endgame Preview

Sat, 27 Apr 2019 03:35:23 +0000

Danny and Nathaniel are about to see Avengers: Endgame and they bring special guest Pablo back to talk about the upcoming movie. The three talk what they want to see, what they think we will see, and what crazy theories they have. Plus, talk of HBO shows and character development and people using their phones in theaters.

The show begins about the promo image for The Lighthouse A24, Robert Pattinson, and Wilem DaFoe. The three discuss drastic changes in acting careers and talk about bare nipples.

The makeshift trio then talk about things they have seen the past week. It is an eclectic mix that includes Bigfoot, Vice Presidents, and Iron Thrones. And Danny talks about the time he almost got beat up in a theater.

The episode then moves to its main segment. On the eve of Endgame . The obvious questions are asked: who is going to live, who will die, and will Ant-Man enter a black hole? The three go over what they believe is going to happen and why.

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Episode 14: 'Star Wars vs MCU

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 20 Apr 2019 04:20:35 +0000

Danny is back for the third week of Avengers month. Nathaniel talks about where he found him before the two discuss the El Paso Comic Con, movies and TV they have seen, and Disney's continued attempt to take over the world. This week's feature segment is Star Wars vs the MCU.

After the two get reacquainted with each other, they discuss Disney +. They discuss the many positives before coming to the conclusion that it is as close to perfect as possible.

There is also talk about Star Wars celebration. There is a brief discussion about the trailer for Episode iX Danny talks about his media blackout while Nathaniel tries to avoid toy talk.

The main segment of the show is about whether Star Wars vs the MCU is the bigger franchise. The two talk about the past, present, and future of both franchises. They also discuss whether age factors in to which franchise a person prefers.

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Episode 13: 'The Infinity Gauntlet' vs MCU

nathaniel@aiptcomics.com (David Brooke, Nathaniel Muir) — Sat, 13 Apr 2019 05:11:00 +0000

Avengers Month continues! This week AiPT! Content and Media Manager David Brooke joins Nathaniel as the two talk about the differences between Marvel Comics' 'The Infinity Gauntlet' and the MCU.

The two discuss whether Batista's big loss at WrestleMania makes Endgame less interesting. After all, why would anyone pay to see a loser?

They also discuss the David's recent article about what story the Russo brothers would like to adapt next. The answer may be surprising. But is it interesting?

There is also talk about how difficult it is to avoid spoilers when your job is to write about possible spoilers.

David and Nathaniel talk about the movies and TV they have been watching. Mandy, Unicorn Store, and William are all discussed. Nathaniel also talks about why he would NEVER go on two AiPT! podcasts.

The week's main segment compares 'The Infinity Gauntlet' to the films of the MCU. The similarities, differences, themes, and themes are all discussed. Last week was a history of the MCU; this week is the history behind the MCU.

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Episode 12: Avengers Month Assemble

nathaniel@aiptcomics.com (Nathaniel Muir, Pablo Martinez) — Sat, 6 Apr 2019 06:42:15 +0000

Avengers Month begins with a mystery. What happened to Danny? Pablo Martinez fills in and is able to give a chronological history of the MCU. First appearances, and major events are discussed.

The two begin with a talk about The Joker poster and trailer. Will it be the next comic book movie to receive major awards buzz? There cannot be too many episodes of the show before there is mention of Sleepaway Camp. This week, Nathaniel discusses the upcoming documentary about the cult classic.

Getting Endgame tickets has proved to be one of the most difficult things to do this year. Pablo and Nathaniel discuss their Adventures as they tried to get opening night tickets.

Pablo goes through the history of the MCU in order of the events. It is an amazing look at one of the most beloved franchises in the history of cinema. If you did not think you could get more excited for Engame, you have to listen to this week's episode.

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Episode 11: We Give Up

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 30 Mar 2019 05:34:27 +0000

Danny and Nathaniel are not quitters, but there are a couple of times they have given up. What movies and television shows have the two given up on? And why did they do it?

The show starts off with lots of Endgame talk. Marvel released 36 posters this week and many people were affected by them. How did Danny - the man who cried for Godzilla - react to the poster?

The two also wonder when the tickets are going to sale for the movie. Both of them go over theories as to why it is taking so long. And what does Dumbo have to do with all this?

The two also talk about their recommendations for the month of April that are not called Endgame. Believe it or not, the two are able to discuss some things they are looking forward to.

Danny and Nathaniel then talk about the television shows and movies they could not keep up with. Who stopped watching Game of Thrones? What is the twenty minuet rule?

Most importantly, the winner of the Spider-Man: Into the Spider-Verse is announced. Thanks to everyone who entered!

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Shazam! Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sun, 24 Mar 2019 05:08:43 +0000

Surprise! Danny and Nathaniel have just walked out of the theater after watching the early access screening Shazam! The two had a whole lot to say about the latest entry in the DC Extended Universe.

The two talk about what the theater was like. Was the theater packed? How many crying babies were there? And why do people still walk if thirty minuets after the movies has started?

The duo also talk about whether Shazam! met their expectations and what the movie means for the future of the DECU. There is also a discussion regarding the special effects and creature designs. Is this movie as family friendly as it looks?

The two also put each other on the spot: which is the better movie; Captain Marvel or Shazam!

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Episode 10: Home Invasion Movies

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 23 Mar 2019 03:53:08 +0000

Danny and Nathaniel are once again flying solo together. The release of Us has the two thinking of home invasion movies. And what has creeped Nathaniel out so much he can't do anything right?

The two start with a talk about the many trailers that dropped this past week. Stranger Things, Toy Story 4, and Once Upon a Time in Hollywood are all discussed. Plus, a discussion on why child actors kinda suck.

Nathaniel talks about the movies he saw during the past week, including the awesome Book of Monsters.

The show's main segment is about home invasion movies. Is this the scariest genre out there?

Once again, if you follow us on Twitter and retweet this episode, you will automatically be entered for a chance to win Spider-Man: Into the Spider-Verse.

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Episode 9: Slayers & Snake Killers: Discussing Fierce Women

Sat, 16 Mar 2019 03:55:46 +0000

Danny and Nathaniel are joined by special guest, English professor Regina as they talk about toughest women in movies and television. Buffy and the Bride are two obvious ones but what about Amber Heard?

The show begins with a talk about the newest Avengers trailer - kinda. Who gets to see Shazam! early?

The episode includes a special interview with Robert Gill and Angus Johnson the creative duo behind Spriggan. The two talk about their movie and future plans.

This week's main segment is about our favorite female characters in TV and movies. Of course, there is talk about Buffy and Captain Marvel, but maniacs and killers?

Once again, if you follow us on Twitter and retweet this episode, you will automatically be entered for a chance to win Spider-Man: Into the Spider-Verse.

Watch Spriggan here: https://www.youtube.com/watch?v=fHUmuRLLLUg&t=

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Captain Marvel Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath, JJ Travers) — Sat, 9 Mar 2019 06:36:19 +0000

Danny and Nathaniel are joined by JJ Travers from Poor Taste Wrestling and Star Wars in Poor Taste to discuss Captain Marvel. What did they like? What didn't they like? And would they forget about Goose?

The episode starts with a talk about their theater experiences. What kinds of fans showed up on opening night and what was their reaction to the movie?

From their the three talk about Captain Marvel. Did you know it was set in the 90s? How does it connect with Endgame? Did they enjoy the plot?

Brie Larson has been the subject of lots of talk for weeks now. The group discusses her performance. They also talk about how the rest of the cast did.

This is a spolier free talk. There are some minor details discussed, but nothing that will ruin anyone's enjoyment of the film.

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Episode 8: Spoiler, Not Spoiler

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 9 Mar 2019 05:54:08 +0000

Danny and Nathaniel talk spoilers. Or do they? What is a spoiler? The two try to figure it out. The guys also reveal the details for their first giveaway ever.

The show begins with a talk Steven Spielberg and his feelings on Netflix. And even though trailers aren't really Danny's thing, Nathaniel felt compelled discuss Midsommar.

Both share their opinions on Alita: Battle Angel and Greta. Is The Hole in the Ground another A24 hit? And has Nathaniel already seen the worse movie he will see this year? And why isn't he bothered?

The two try to figure out what spoilers are. In this day and age it can be difficult to determine what is okay to discuss, but Danny and Nathaniel take on the subject head on and without fear.

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Episode 7: The Madea Effect

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 2 Mar 2019 07:20:38 +0000

Danny and Nathaniel are all over the place in an episode that includes talks about the Oscars, why certain people hate Captain Marvel, and Madea. The two also discuss what makes a movie a Best Picture.

The show begins with a talk about Rotten Tomatoes recent move to prevent toxic comments. This naturally leads into a discussion about Captain Marvel. Why do people hate a movie they have not seen? Danny and Nathaniel think they know why.

The two also talk Motley Crue, more talk on the different generations, and what is quite possibly the saddest movie of the year. Danny also tries to help Nathaniel in a talk about an upcoming romantic comedy - or drama.

The main segment is about what it takes to be considered a Best Picture of the year.

Keep listening for details about the first GIVEAWAY!

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Episode 6: Make AiM! Great Again

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 23 Feb 2019 08:23:31 +0000

A politically charged episode sees Danny and Nathaniel go places they have never gone before-literally. The two discuss the rumored Hulk Hogan biopic and departures to the Marvel Cinematic Universe. The pair discuss generational movies. Plus, Danny attends a MAGA rally?

The show opens with a talk Hulk Hogan and Gwyneth Paltrow. The two discuss which movies they have seen as Nathaniel talks about movies that delve into the human mind. Danny reveals the best thing is watched so far this year.

The two then entered uncharted territory as a talk about once in a generation films leads into a discussion on politics. Why was Danny at a MAGA rally? And what happened that upset Nathaniel?

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Oscar Special Edition

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Thu, 21 Feb 2019 13:00:00 +0000

Our first Special Edition release ever! The Academy Awards are this Sunday so Danny and Nathaniel decided it was the perfect time for an special Oscar themed episode. The two give their picks for the largest awards of the night and also take some time to celebrate their victory over the Academy.

The show begins with a quick discussion over the Academy's decision to back pedal yet again on another major decision. Is it finally time to go to a fan vote? You decide!

The two hosts then begin to debate the biggest awards of the night. Who is going to win Best Supporting Actress? Who was the Best Director? Why is Bohemian Rhapsody probably going to win when it really was not all that good?

We answer all these questions and have a brief talk about Mars Attacks!

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Episode 5: Booties not cooties

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 16 Feb 2019 05:45:00 +0000

Love is in the air as Danny and Nathaniel in a Valentine's Day episode. The two discuss the latest bright idea from the Oscars and movies they have recently seen. The pair try to hold back tears as they talk about their favorite rom-coms and on screen couples. Plus, another Danny talks about movies his dad forced him to watch.

The show opens with a talk about the Oscars decision to show certain awards during commercials. The two discuss which movies they have seen as Nathaniel rushes to catch up with the Oscars. He also has some recommendations - kinda. Danny is a little more straightforward with his recommendations.

Things get real as the two talk about romantic comedies and their favorite on screen couples. Danny also talks about the movies his dad forced him to watch.

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Episode 4: The Golem (2019): Review & Interview with director Doron Paz

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 9 Feb 2019 06:16:00 +0000

Danny and Nathaniel finish their talk about Ghostbusters and this time Nathaniel is healthy and ready. The two also discuss the movies they have recently seen and Danny has a surprising recommendation. There is also a review of 2019's 'The Golem' and an interview with director Doron Paz.

The show opens with a talk about Super Bowl trailers. The two then talk about the what movie they missed last week, what they will be seeing this upcoming week, and the two dig deeper into Danny's history with trailers.

This week's show includes a review of 2019's 'The Golem' and an interview with director Doron Paz.

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Episode 3: We're not (Oscar) worthy!

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 2 Feb 2019 15:59:00 +0000

Danny does the heavy lifting for a sickly Nathaniel as the two discuss the recent rant from Leslie Jones, the movies we are looking forward to watching in February, and the recent Oscar nominations. Plus, Danny explains how 'Star Wars' forced him to make a change in his life.

The show opens with a heated discussion about what Leslie Jones had to say and battle lines are drawn. The two then talk about the Kid Who Would be King, the two Fyre documentaries, the Double Dragon movie, and giallo. There is also talk about the restorations done by Arrow Video. The main segment is on the recent Oscar nominations.

Plus, is 'Pulp Fiction' overrated? Danny has an opinion and he is not afraid to share it.

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Episode 2: Ace Comic Con Artists

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Sat, 19 Jan 2019 00:05:00 +0000

Danny and Nathaniel discuss the Golden Globes, Spider-Man, Glass, what X-Men writer Mathew Rosenberg had to say about the Multiple Man movie, and the latest movie to make Danny cry.

The show opens with notes on Spider-Man: Far From Home, the Batwoman pilot, Aquaman, and the Golden Globes. From there the results of the Twitter poll are reviewed. The main segment is about the Ace Comic Con. The show closes with recommendations and Movies that Made Danny Cry.

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Episode 1: Best of 2018

nathaniel@aiptcomics.com (Nathaniel Muir/Danny Martinez/Blake Heath) — Fri, 4 Jan 2019 08:40:00 +0000

Nathaniel and Danny discuss the best of 2018, the latest movie and television news, and upcoming plans. Danny also talks about a movie his dad forced him to watch as a kid and the the two go over some feedback received at AiPT.

Intro music used with permission:

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