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    <title>Tribeca Film Festival Live</title>
    <description>WNYC is partnering with the Tribeca Film Festival for the second year in a row to bring exclusive recordings of panels, discussions and interviews straight to your podcast feed. Hear conversations about the festival’s selected films, as well as the entertainment industry at large, with such luminary voices as George Lucas, Courtney Love, and Christopher Nolan. Find the full selection of talks here, along with 2014’s panels, and subscribe to the podcast to hear them all.</description>
    <copyright>© WNYC</copyright>
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    <pubDate>Fri, 24 Apr 2015 15:44:55 +0000</pubDate>
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      <title>Tribeca Film Festival Live</title>
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    <itunes:type>episodic</itunes:type>
    <itunes:summary>WNYC is partnering with the Tribeca Film Festival for the second year in a row to bring exclusive recordings of panels, discussions and interviews straight to your podcast feed. Hear conversations about the festival’s selected films, as well as the entertainment industry at large, with such luminary voices as George Lucas, Courtney Love, and Christopher Nolan. Find the full selection of talks here, along with 2014’s panels, and subscribe to the podcast to hear them all.</itunes:summary>
    <itunes:author>WNYC Studios</itunes:author>
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    <itunes:keywords>wnyc, tribeca, film, festival, panels, film, movies</itunes:keywords>
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      <itunes:name>WNYC Studios</itunes:name>
      <itunes:email>wnycdigital@gmail.com</itunes:email>
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    <itunes:category text="TV &amp; Film"/>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/janeane-garofalo-brad-bird-and-really-smart-cartoons/</guid>
      <title>Janeane Garofalo, Brad Bird and Really Smart Cartoons</title>
      <description><![CDATA[<p>Brad Bird, director of <em>The Incredibles</em> and <em>Ratatouille</em>, first caught the attention of Disney after making his first animated film at age 14. Now one of the premier filmmakers in the Pixar camp, Bird is going live-action with the upcoming blockbuster <em>Tomorrowland</em>, based on the Disney park attraction. </p>
<p>Bird talks about making smart, creative family films with the very funny Janeane Garofalo, who stars as the voice of Colette, the feminist chef, in <em>Ratatouille</em>. </p>
]]></description>
      <pubDate>Fri, 24 Apr 2015 15:44:55 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Brad Bird, director of <em>The Incredibles</em> and <em>Ratatouille</em>, first caught the attention of Disney after making his first animated film at age 14. Now one of the premier filmmakers in the Pixar camp, Bird is going live-action with the upcoming blockbuster <em>Tomorrowland</em>, based on the Disney park attraction. </p>
<p>Bird talks about making smart, creative family films with the very funny Janeane Garofalo, who stars as the voice of Colette, the feminist chef, in <em>Ratatouille</em>. </p>
]]></content:encoded>
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      <itunes:title>Janeane Garofalo, Brad Bird and Really Smart Cartoons</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:50:58</itunes:duration>
      <itunes:summary>Brad Bird, director of The Incredibles and Ratatouille, first caught the attention of Disney after making his first animated film at age 14. Now one of the premier filmmakers in the Pixar camp, Bird is going live-action with the upcoming blockbuster Tomorrowland, based on the Disney park attraction. 
Bird talks about making smart, creative family films with the very funny Janeane Garofalo, who stars as the voice of Colette, the feminist chef, in Ratatouille. </itunes:summary>
      <itunes:subtitle>Brad Bird, director of The Incredibles and Ratatouille, first caught the attention of Disney after making his first animated film at age 14. Now one of the premier filmmakers in the Pixar camp, Bird is going live-action with the upcoming blockbuster Tomorrowland, based on the Disney park attraction. 
Bird talks about making smart, creative family films with the very funny Janeane Garofalo, who stars as the voice of Colette, the feminist chef, in Ratatouille. </itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>29</itunes:episode>
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    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/christian-slater-leads-underground-hacker-army-mr-robot/</guid>
      <title>Christian Slater Leads an Underground Hacker Army in Mr. Robot</title>
      <description><![CDATA[<p>There's a powerful group of people out there that are secretly running the world. The guys no one knows about. The guys that are invisible. The guys that play god without permission. And in the new USA Network series Mr. Robot, Christian Slater plays the leader of a hacker army at war with those guys. Hear Slater, his co-star Rami Malek, and the show's creator Sam Esmail discuss the show after a screening of the series premier.</p>
]]></description>
      <pubDate>Fri, 24 Apr 2015 15:32:53 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>There's a powerful group of people out there that are secretly running the world. The guys no one knows about. The guys that are invisible. The guys that play god without permission. And in the new USA Network series Mr. Robot, Christian Slater plays the leader of a hacker army at war with those guys. Hear Slater, his co-star Rami Malek, and the show's creator Sam Esmail discuss the show after a screening of the series premier.</p>
]]></content:encoded>
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      <itunes:title>Christian Slater Leads an Underground Hacker Army in Mr. Robot</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:40:11</itunes:duration>
      <itunes:summary>There&apos;s a powerful group of people out there that are secretly running the world. The guys no one knows about. The guys that are invisible. The guys that play god without permission. And in the new USA Network series Mr. Robot, Christian Slater plays the leader of a hacker army at war with those guys. Hear Slater, his co-star Rami Malek, and the show&apos;s creator Sam Esmail discuss the show after a screening of the series premier.</itunes:summary>
      <itunes:subtitle>There&apos;s a powerful group of people out there that are secretly running the world. The guys no one knows about. The guys that are invisible. The guys that play god without permission. And in the new USA Network series Mr. Robot, Christian Slater plays the leader of a hacker army at war with those guys. Hear Slater, his co-star Rami Malek, and the show&apos;s creator Sam Esmail discuss the show after a screening of the series premier.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
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      <itunes:episode>28</itunes:episode>
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    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/true-detective-director-cary-fukunaga-vs-clown/</guid>
      <title>&apos;True Detective&apos; Director Cary Fukunaga vs. The Clown</title>
      <description><![CDATA[<p>Cary Fukunaga, the director of such edgy films as <em>Jane Eyre</em> and <em>Sin Nombre</em>, not to mention the often discomforting first season of <em>True Detective</em>, still has a fear of clowns. Fukunaga is now remaking Stephen King's <em>It,</em> and he told a crowd at the Tribeca Film Festival that in his mind, he still sees the same haunting image of Pennywise the clown that he saw as a kid. </p>
<p>Hear Fukunaga's full conversation with veteran independent film producer James Schamus.</p>
]]></description>
      <pubDate>Fri, 24 Apr 2015 14:58:41 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Cary Fukunaga, the director of such edgy films as <em>Jane Eyre</em> and <em>Sin Nombre</em>, not to mention the often discomforting first season of <em>True Detective</em>, still has a fear of clowns. Fukunaga is now remaking Stephen King's <em>It,</em> and he told a crowd at the Tribeca Film Festival that in his mind, he still sees the same haunting image of Pennywise the clown that he saw as a kid. </p>
<p>Hear Fukunaga's full conversation with veteran independent film producer James Schamus.</p>
]]></content:encoded>
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      <itunes:title>&apos;True Detective&apos; Director Cary Fukunaga vs. The Clown</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:59:46</itunes:duration>
      <itunes:summary>Cary Fukunaga, the director of such edgy films as Jane Eyre and Sin Nombre, not to mention the often discomforting first season of True Detective, still has a fear of clowns. Fukunaga is now remaking Stephen King&apos;s It, and he told a crowd at the Tribeca Film Festival that in his mind, he still sees the same haunting image of Pennywise the clown that he saw as a kid. 
Hear Fukunaga&apos;s full conversation with veteran independent film producer James Schamus.</itunes:summary>
      <itunes:subtitle>Cary Fukunaga, the director of such edgy films as Jane Eyre and Sin Nombre, not to mention the often discomforting first season of True Detective, still has a fear of clowns. Fukunaga is now remaking Stephen King&apos;s It, and he told a crowd at the Tribeca Film Festival that in his mind, he still sees the same haunting image of Pennywise the clown that he saw as a kid. 
Hear Fukunaga&apos;s full conversation with veteran independent film producer James Schamus.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/stars-snapchat-vine-and-youtube/</guid>
      <title>The Stars of SnapChat, Vine and YouTube</title>
      <description><![CDATA[<p>Iman Crosson, who's better known on social media as Alphacat, has been making YouTube videos since the site's inception. But he's now perhaps just as well known for his Vine videos, which include remarkable six-second impressions of President Obama that actually earned Crosson the opportunity to meet the president. And yes, <a href="https://vine.co/v/Mrpz579bEYb">he Vined it</a>. </p>
<p>But social media filmmaking isn't just a hobby. Some of the top performers on Vine and SnapChat bring in up to $100,000 a week by making sponsored content and selling advertisements. </p>
<p>Joining Crosson on this panel about the art and business of social media storytelling are Michael and Even Gregory of The Gregory Brothers, famous for their <a href="https://www.youtube.com/watch?v=D_bzB3HJVcU">Auto-Tune the News</a> videos. And we'll hear from "the Godfather of SnapChat," <a href="https://www.youtube.com/channel/UCb8FPM22JlU-FriBrwyqoxg">Casey Neistat</a>. </p>
]]></description>
      <pubDate>Thu, 23 Apr 2015 19:37:47 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Iman Crosson, who's better known on social media as Alphacat, has been making YouTube videos since the site's inception. But he's now perhaps just as well known for his Vine videos, which include remarkable six-second impressions of President Obama that actually earned Crosson the opportunity to meet the president. And yes, <a href="https://vine.co/v/Mrpz579bEYb">he Vined it</a>. </p>
<p>But social media filmmaking isn't just a hobby. Some of the top performers on Vine and SnapChat bring in up to $100,000 a week by making sponsored content and selling advertisements. </p>
<p>Joining Crosson on this panel about the art and business of social media storytelling are Michael and Even Gregory of The Gregory Brothers, famous for their <a href="https://www.youtube.com/watch?v=D_bzB3HJVcU">Auto-Tune the News</a> videos. And we'll hear from "the Godfather of SnapChat," <a href="https://www.youtube.com/channel/UCb8FPM22JlU-FriBrwyqoxg">Casey Neistat</a>. </p>
]]></content:encoded>
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      <itunes:title>The Stars of SnapChat, Vine and YouTube</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:58:21</itunes:duration>
      <itunes:summary>Iman Crosson, who&apos;s better known on social media as Alphacat, has been making YouTube videos since the site&apos;s inception. But he&apos;s now perhaps just as well known for his Vine videos, which include remarkable six-second impressions of President Obama that actually earned Crosson the opportunity to meet the president. And yes, he Vined it. 
But social media filmmaking isn&apos;t just a hobby. Some of the top performers on Vine and SnapChat bring in up to $100,000 a week by making sponsored content and selling advertisements. 
Joining Crosson on this panel about the art and business of social media storytelling are Michael and Even Gregory of The Gregory Brothers, famous for their Auto-Tune the News videos. And we&apos;ll hear from &quot;the Godfather of SnapChat,&quot; Casey Neistat. </itunes:summary>
      <itunes:subtitle>Iman Crosson, who&apos;s better known on social media as Alphacat, has been making YouTube videos since the site&apos;s inception. But he&apos;s now perhaps just as well known for his Vine videos, which include remarkable six-second impressions of President Obama that actually earned Crosson the opportunity to meet the president. And yes, he Vined it. 
But social media filmmaking isn&apos;t just a hobby. Some of the top performers on Vine and SnapChat bring in up to $100,000 a week by making sponsored content and selling advertisements. 
Joining Crosson on this panel about the art and business of social media storytelling are Michael and Even Gregory of The Gregory Brothers, famous for their Auto-Tune the News videos. And we&apos;ll hear from &quot;the Godfather of SnapChat,&quot; Casey Neistat. </itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
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    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/psychological-depth-good-will-hunting/</guid>
      <title>The Psychological Depth of Good Will Hunting</title>
      <description><![CDATA[<p>There's a scene in the movie <em>Good Will Hunting</em> where the character played by Stellan Skarsgard implores anyone in his class to solve this insurmountably difficult math problem, and of course, the one who solves it is a townie janitor played by Matt Damon. It turns out -- at least according to <a href="https://www.youtube.com/watch?v=iW_LkYiuTKE">this video</a> by a Cambridge mathematician -- that the problem itself wasn't so difficult. But the point remains: there's real intellectual heft to the film. And after this special screening of the film in partnership with The Alfred P. Sloan foundation, we'll hear from psychiatrist Paul Browde and World Science Festival co-founder Brian Greene about some of the math, science and psychology in movie.</p>
<p>Joining them on the panel is the film's director, Gus Van Sant, and actors Minnie Driver and Stellan Skarsgard.</p>
]]></description>
      <pubDate>Wed, 22 Apr 2015 21:27:17 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>There's a scene in the movie <em>Good Will Hunting</em> where the character played by Stellan Skarsgard implores anyone in his class to solve this insurmountably difficult math problem, and of course, the one who solves it is a townie janitor played by Matt Damon. It turns out -- at least according to <a href="https://www.youtube.com/watch?v=iW_LkYiuTKE">this video</a> by a Cambridge mathematician -- that the problem itself wasn't so difficult. But the point remains: there's real intellectual heft to the film. And after this special screening of the film in partnership with The Alfred P. Sloan foundation, we'll hear from psychiatrist Paul Browde and World Science Festival co-founder Brian Greene about some of the math, science and psychology in movie.</p>
<p>Joining them on the panel is the film's director, Gus Van Sant, and actors Minnie Driver and Stellan Skarsgard.</p>
]]></content:encoded>
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      <itunes:title>The Psychological Depth of Good Will Hunting</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:40:24</itunes:duration>
      <itunes:summary>There&apos;s a scene in the movie Good Will Hunting where the character played by Stellan Skarsgard implores anyone in his class to solve this insurmountably difficult math problem, and of course, the one who solves it is a townie janitor played by Matt Damon. It turns out -- at least according to this video by a Cambridge mathematician -- that the problem itself wasn&apos;t so difficult. But the point remains: there&apos;s real intellectual heft to the film. And after this special screening of the film in partnership with The Alfred P. Sloan foundation, we&apos;ll hear from psychiatrist Paul Browde and World Science Festival co-founder Brian Greene about some of the math, science and psychology in movie.
Joining them on the panel is the film&apos;s director, Gus Van Sant, and actors Minnie Driver and Stellan Skarsgard.</itunes:summary>
      <itunes:subtitle>There&apos;s a scene in the movie Good Will Hunting where the character played by Stellan Skarsgard implores anyone in his class to solve this insurmountably difficult math problem, and of course, the one who solves it is a townie janitor played by Matt Damon. It turns out -- at least according to this video by a Cambridge mathematician -- that the problem itself wasn&apos;t so difficult. But the point remains: there&apos;s real intellectual heft to the film. And after this special screening of the film in partnership with The Alfred P. Sloan foundation, we&apos;ll hear from psychiatrist Paul Browde and World Science Festival co-founder Brian Greene about some of the math, science and psychology in movie.
Joining them on the panel is the film&apos;s director, Gus Van Sant, and actors Minnie Driver and Stellan Skarsgard.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/creating-sound-coen-brothers/</guid>
      <title>Creating the Sound of the Coen Brothers</title>
      <description><![CDATA[<p>Who could forget the psychedelic jams of <em>The Big Lebowski</em>; the old-timey ballads of the Soggy Bottom Boys in <em>O Brother, Where Art Thou?</em>; or the eerie silence, minus the sound of Javier Bardem's cattle prod, in <em>No Country for Old Men</em>? Composer Carter Burwell and sound mixer Skip Lievsay, who've worked on almost every Coen brothers movie, discuss the unique sound they create, and reveal further details on the upcoming Coen brothers movie <em>Hail, Caesar!</em></p>
]]></description>
      <pubDate>Wed, 22 Apr 2015 19:03:51 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Who could forget the psychedelic jams of <em>The Big Lebowski</em>; the old-timey ballads of the Soggy Bottom Boys in <em>O Brother, Where Art Thou?</em>; or the eerie silence, minus the sound of Javier Bardem's cattle prod, in <em>No Country for Old Men</em>? Composer Carter Burwell and sound mixer Skip Lievsay, who've worked on almost every Coen brothers movie, discuss the unique sound they create, and reveal further details on the upcoming Coen brothers movie <em>Hail, Caesar!</em></p>
]]></content:encoded>
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      <itunes:title>Creating the Sound of the Coen Brothers</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:50:44</itunes:duration>
      <itunes:summary>Who could forget the psychedelic jams of The Big Lebowski; the old-timey ballads of the Soggy Bottom Boys in O Brother, Where Art Thou?; or the eerie silence, minus the sound of Javier Bardem&apos;s cattle prod, in No Country for Old Men? Composer Carter Burwell and sound mixer Skip Lievsay, who&apos;ve worked on almost every Coen brothers movie, discuss the unique sound they create, and reveal further details on the upcoming Coen brothers movie Hail, Caesar!</itunes:summary>
      <itunes:subtitle>Who could forget the psychedelic jams of The Big Lebowski; the old-timey ballads of the Soggy Bottom Boys in O Brother, Where Art Thou?; or the eerie silence, minus the sound of Javier Bardem&apos;s cattle prod, in No Country for Old Men? Composer Carter Burwell and sound mixer Skip Lievsay, who&apos;ve worked on almost every Coen brothers movie, discuss the unique sound they create, and reveal further details on the upcoming Coen brothers movie Hail, Caesar!</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/hacker-and-spy/</guid>
      <title>The Hacker and The Spy</title>
      <description><![CDATA[<p>A lot has changed since 2003, when former CIA operative Valerie Plame's identity was leaked by members of the Bush administration. Now we're living in the age of WikiLeaks, Edward Snowden and the Sony hacking scandal, where digital information is more accessible than ever. Case in point: Ralph Echemendia, who goes by "The Ethical Hacker," showed just how easy it is to hack into someone's computer by pulling up a Tribeca Film Festival intern's desktop on a big screen <em>during</em> this panel. </p>
<p>Hear Plame and Echimendia, along with Alex Gibney, director of <em>We Steal Secrets: The Story of WikiLeaks</em>, and Pulitzer Prize-winning journalist Bart Gellman, discussing the intersection of "Secrecy and Power."</p>
]]></description>
      <pubDate>Wed, 22 Apr 2015 18:26:19 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>A lot has changed since 2003, when former CIA operative Valerie Plame's identity was leaked by members of the Bush administration. Now we're living in the age of WikiLeaks, Edward Snowden and the Sony hacking scandal, where digital information is more accessible than ever. Case in point: Ralph Echemendia, who goes by "The Ethical Hacker," showed just how easy it is to hack into someone's computer by pulling up a Tribeca Film Festival intern's desktop on a big screen <em>during</em> this panel. </p>
<p>Hear Plame and Echimendia, along with Alex Gibney, director of <em>We Steal Secrets: The Story of WikiLeaks</em>, and Pulitzer Prize-winning journalist Bart Gellman, discussing the intersection of "Secrecy and Power."</p>
]]></content:encoded>
      <enclosure length="34908694" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/14/pdst.fm/e/dts.podtrac.com/pts/redirect.mp3/waaa.wnyc.org/5208a25d-ba18-4109-9c3a-2e20993e336c/episodes/bd5dba26-3c27-4f8d-95d7-474cb2209afa/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=5208a25d-ba18-4109-9c3a-2e20993e336c&amp;awEpisodeId=bd5dba26-3c27-4f8d-95d7-474cb2209afa&amp;feed=5SIIdvv_"/>
      <itunes:title>The Hacker and The Spy</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:22:57</itunes:duration>
      <itunes:summary>A lot has changed since 2003, when former CIA operative Valerie Plame&apos;s identity was leaked by members of the Bush administration. Now we&apos;re living in the age of WikiLeaks, Edward Snowden and the Sony hacking scandal, where digital information is more accessible than ever. Case in point: Ralph Echemendia, who goes by &quot;The Ethical Hacker,&quot; showed just how easy it is to hack into someone&apos;s computer by pulling up a Tribeca Film Festival intern&apos;s desktop on a big screen during this panel. 
Hear Plame and Echimendia, along with Alex Gibney, director of We Steal Secrets: The Story of WikiLeaks, and Pulitzer Prize-winning journalist Bart Gellman, discussing the intersection of &quot;Secrecy and Power.&quot;</itunes:summary>
      <itunes:subtitle>A lot has changed since 2003, when former CIA operative Valerie Plame&apos;s identity was leaked by members of the Bush administration. Now we&apos;re living in the age of WikiLeaks, Edward Snowden and the Sony hacking scandal, where digital information is more accessible than ever. Case in point: Ralph Echemendia, who goes by &quot;The Ethical Hacker,&quot; showed just how easy it is to hack into someone&apos;s computer by pulling up a Tribeca Film Festival intern&apos;s desktop on a big screen during this panel. 
Hear Plame and Echimendia, along with Alex Gibney, director of We Steal Secrets: The Story of WikiLeaks, and Pulitzer Prize-winning journalist Bart Gellman, discussing the intersection of &quot;Secrecy and Power.&quot;</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/nate-silver-jesse-venturas-shocking-election-win/</guid>
      <title>Nate Silver on Jesse Ventura, Pro Wrestler-Turned-Minnesota Governor</title>
      <description><![CDATA[<p>Jesse Ventura, a former Navy Seal and fan of Aristophanes' play "The Birds," went into pro wrestling because he loved drama and competition. For Ventura, the political ring seemed like a reasonable next step. But for those in the two-party establishment, his victory in Minnesota's 1998 gubernatorial election came as a total shock. How'd it happen?</p>
<p>Nate Silver, the data guru behind FiveThirtyEight.com, has answers. He spoke with Radiolab's own Robert Krulwich about the cause of Ventura's improbable rise. This discussion followed a screening of FiveThirtyEight's short documentary, <em>Shock the World</em>.</p>
]]></description>
      <pubDate>Tue, 21 Apr 2015 16:13:12 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Jesse Ventura, a former Navy Seal and fan of Aristophanes' play "The Birds," went into pro wrestling because he loved drama and competition. For Ventura, the political ring seemed like a reasonable next step. But for those in the two-party establishment, his victory in Minnesota's 1998 gubernatorial election came as a total shock. How'd it happen?</p>
<p>Nate Silver, the data guru behind FiveThirtyEight.com, has answers. He spoke with Radiolab's own Robert Krulwich about the cause of Ventura's improbable rise. This discussion followed a screening of FiveThirtyEight's short documentary, <em>Shock the World</em>.</p>
]]></content:encoded>
      <enclosure length="21979296" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/14/pdst.fm/e/dts.podtrac.com/pts/redirect.mp3/waaa.wnyc.org/5208a25d-ba18-4109-9c3a-2e20993e336c/episodes/3d159857-5591-4bc4-b7f9-94d3180dcb66/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=5208a25d-ba18-4109-9c3a-2e20993e336c&amp;awEpisodeId=3d159857-5591-4bc4-b7f9-94d3180dcb66&amp;feed=5SIIdvv_"/>
      <itunes:title>Nate Silver on Jesse Ventura, Pro Wrestler-Turned-Minnesota Governor</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:52:12</itunes:duration>
      <itunes:summary>Jesse Ventura, a former Navy Seal and fan of Aristophanes&apos; play &quot;The Birds,&quot; went into pro wrestling because he loved drama and competition. For Ventura, the political ring seemed like a reasonable next step. But for those in the two-party establishment, his victory in Minnesota&apos;s 1998 gubernatorial election came as a total shock. How&apos;d it happen?
Nate Silver, the data guru behind FiveThirtyEight.com, has answers. He spoke with Radiolab&apos;s own Robert Krulwich about the cause of Ventura&apos;s improbable rise. This discussion followed a screening of FiveThirtyEight&apos;s short documentary, Shock the World.</itunes:summary>
      <itunes:subtitle>Jesse Ventura, a former Navy Seal and fan of Aristophanes&apos; play &quot;The Birds,&quot; went into pro wrestling because he loved drama and competition. For Ventura, the political ring seemed like a reasonable next step. But for those in the two-party establishment, his victory in Minnesota&apos;s 1998 gubernatorial election came as a total shock. How&apos;d it happen?
Nate Silver, the data guru behind FiveThirtyEight.com, has answers. He spoke with Radiolab&apos;s own Robert Krulwich about the cause of Ventura&apos;s improbable rise. This discussion followed a screening of FiveThirtyEight&apos;s short documentary, Shock the World.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/unbelievably-true-stories/</guid>
      <title>Unbelievably True Stories</title>
      <description><![CDATA[<p>Nonfiction filmmaking has truly revolutionized itself in recent years, bringing audiences stories which often seem too bizarre to be true. On this panel, leading documentary filmmakers expose how they choose their subjects and capture real life in new and innovative ways. You'll hear from <em>Bobby Fischer Against the World</em> director Liz Garbus, <em>Big Men</em> director Rachel Boynton, and <em>God Loves Uganda</em> director Roger Ross Williams. Film critic Eric Hynes moderates.</p>
]]></description>
      <pubDate>Mon, 20 Apr 2015 21:45:14 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Nonfiction filmmaking has truly revolutionized itself in recent years, bringing audiences stories which often seem too bizarre to be true. On this panel, leading documentary filmmakers expose how they choose their subjects and capture real life in new and innovative ways. You'll hear from <em>Bobby Fischer Against the World</em> director Liz Garbus, <em>Big Men</em> director Rachel Boynton, and <em>God Loves Uganda</em> director Roger Ross Williams. Film critic Eric Hynes moderates.</p>
]]></content:encoded>
      <enclosure length="22763621" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/14/pdst.fm/e/dts.podtrac.com/pts/redirect.mp3/waaa.wnyc.org/5208a25d-ba18-4109-9c3a-2e20993e336c/episodes/1d659cce-48e9-4238-89c3-a0d9f5bc9cdc/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=5208a25d-ba18-4109-9c3a-2e20993e336c&amp;awEpisodeId=1d659cce-48e9-4238-89c3-a0d9f5bc9cdc&amp;feed=5SIIdvv_"/>
      <itunes:title>Unbelievably True Stories</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:54:04</itunes:duration>
      <itunes:summary>Nonfiction filmmaking has truly revolutionized itself in recent years, bringing audiences stories which often seem too bizarre to be true. On this panel, leading documentary filmmakers expose how they choose their subjects and capture real life in new and innovative ways. You&apos;ll hear from Bobby Fischer Against the World director Liz Garbus, Big Men director Rachel Boynton, and God Loves Uganda director Roger Ross Williams. Film critic Eric Hynes moderates.</itunes:summary>
      <itunes:subtitle>Nonfiction filmmaking has truly revolutionized itself in recent years, bringing audiences stories which often seem too bizarre to be true. On this panel, leading documentary filmmakers expose how they choose their subjects and capture real life in new and innovative ways. You&apos;ll hear from Bobby Fischer Against the World director Liz Garbus, Big Men director Rachel Boynton, and God Loves Uganda director Roger Ross Williams. Film critic Eric Hynes moderates.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/shots-awesome/</guid>
      <title>The Future of Immersive Storytelling</title>
      <description><![CDATA[<p>From binge watching to virtual reality, today’s entertainment is getting more immersive both physically and psychologically. As the way we experience stories is evolving to where we no longer separate ourselves from the action, how does this affect the way storytellers are producing their work? This "Immerse Yourself" panel includes <em>The Art of Immersion</em> author Frank Rose, <em>The Storytelling Animal</em> author Jonathan Gottschall, and futurist and "Shots of Awe" video series creator Jason Silva. Journalist Jon Erlichman moderates.</p>
]]></description>
      <pubDate>Mon, 20 Apr 2015 21:29:07 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>From binge watching to virtual reality, today’s entertainment is getting more immersive both physically and psychologically. As the way we experience stories is evolving to where we no longer separate ourselves from the action, how does this affect the way storytellers are producing their work? This "Immerse Yourself" panel includes <em>The Art of Immersion</em> author Frank Rose, <em>The Storytelling Animal</em> author Jonathan Gottschall, and futurist and "Shots of Awe" video series creator Jason Silva. Journalist Jon Erlichman moderates.</p>
]]></content:encoded>
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      <itunes:title>The Future of Immersive Storytelling</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:58:39</itunes:duration>
      <itunes:summary>From binge watching to virtual reality, today’s entertainment is getting more immersive both physically and psychologically. As the way we experience stories is evolving to where we no longer separate ourselves from the action, how does this affect the way storytellers are producing their work? This &quot;Immerse Yourself&quot; panel includes The Art of Immersion author Frank Rose, The Storytelling Animal author Jonathan Gottschall, and futurist and &quot;Shots of Awe&quot; video series creator Jason Silva. Journalist Jon Erlichman moderates.</itunes:summary>
      <itunes:subtitle>From binge watching to virtual reality, today’s entertainment is getting more immersive both physically and psychologically. As the way we experience stories is evolving to where we no longer separate ourselves from the action, how does this affect the way storytellers are producing their work? This &quot;Immerse Yourself&quot; panel includes The Art of Immersion author Frank Rose, The Storytelling Animal author Jonathan Gottschall, and futurist and &quot;Shots of Awe&quot; video series creator Jason Silva. Journalist Jon Erlichman moderates.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/courtney-loves-tearful-reaction-new-kurt-cobain-documentary/</guid>
      <title>Courtney Love&apos;s Tearful Response to the New Kurt Cobain Documentary</title>
      <description><![CDATA[<p><em>Montage of Heck</em>, the first authorized documentary about the late Kurt Cobain, combines home movies, journal entries, and interviews with those who knew him best and knew him early for a striking portrait of the artist who's still celebrated 20 years after his death. Courtney Love, Cobain's former wife, teared up after a screening of the film at the Tribeca Film Festival, telling director Brett Morgen that the movie made her rethink whether she could have prevented Cobain's suicide.</p>
<p>Love also discussed the impact of watching the movie with her daughter, Frances Bean Cobain, who was an executive producer of the film. And addressing a scene in the movie of Love and Cobain kissing, etc., Love wryly told the audience, "everyone makes one sex tape once in their lives."</p>
<p>Moderating this panel between Courtney Love and Brett Morgen is Rolling Stone writer Neil Strauss. <em>Montage of Heck</em> premiers on HBO May 4.</p>
]]></description>
      <pubDate>Mon, 20 Apr 2015 12:58:37 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p><em>Montage of Heck</em>, the first authorized documentary about the late Kurt Cobain, combines home movies, journal entries, and interviews with those who knew him best and knew him early for a striking portrait of the artist who's still celebrated 20 years after his death. Courtney Love, Cobain's former wife, teared up after a screening of the film at the Tribeca Film Festival, telling director Brett Morgen that the movie made her rethink whether she could have prevented Cobain's suicide.</p>
<p>Love also discussed the impact of watching the movie with her daughter, Frances Bean Cobain, who was an executive producer of the film. And addressing a scene in the movie of Love and Cobain kissing, etc., Love wryly told the audience, "everyone makes one sex tape once in their lives."</p>
<p>Moderating this panel between Courtney Love and Brett Morgen is Rolling Stone writer Neil Strauss. <em>Montage of Heck</em> premiers on HBO May 4.</p>
]]></content:encoded>
      <enclosure length="16512988" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/14/pdst.fm/e/dts.podtrac.com/pts/redirect.mp3/waaa.wnyc.org/5208a25d-ba18-4109-9c3a-2e20993e336c/episodes/33fc2f08-e82d-4a4d-b52e-db09a71fbb3c/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=5208a25d-ba18-4109-9c3a-2e20993e336c&amp;awEpisodeId=33fc2f08-e82d-4a4d-b52e-db09a71fbb3c&amp;feed=5SIIdvv_"/>
      <itunes:title>Courtney Love&apos;s Tearful Response to the New Kurt Cobain Documentary</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:39:12</itunes:duration>
      <itunes:summary>Montage of Heck, the first authorized documentary about the late Kurt Cobain, combines home movies, journal entries, and interviews with those who knew him best and knew him early for a striking portrait of the artist who&apos;s still celebrated 20 years after his death. Courtney Love, Cobain&apos;s former wife, teared up after a screening of the film at the Tribeca Film Festival, telling director Brett Morgen that the movie made her rethink whether she could have prevented Cobain&apos;s suicide.
Love also discussed the impact of watching the movie with her daughter, Frances Bean Cobain, who was an executive producer of the film. And addressing a scene in the movie of Love and Cobain kissing, etc., Love wryly told the audience, &quot;everyone makes one sex tape once in their lives.&quot;
Moderating this panel between Courtney Love and Brett Morgen is Rolling Stone writer Neil Strauss. Montage of Heck premiers on HBO May 4.</itunes:summary>
      <itunes:subtitle>Montage of Heck, the first authorized documentary about the late Kurt Cobain, combines home movies, journal entries, and interviews with those who knew him best and knew him early for a striking portrait of the artist who&apos;s still celebrated 20 years after his death. Courtney Love, Cobain&apos;s former wife, teared up after a screening of the film at the Tribeca Film Festival, telling director Brett Morgen that the movie made her rethink whether she could have prevented Cobain&apos;s suicide.
Love also discussed the impact of watching the movie with her daughter, Frances Bean Cobain, who was an executive producer of the film. And addressing a scene in the movie of Love and Cobain kissing, etc., Love wryly told the audience, &quot;everyone makes one sex tape once in their lives.&quot;
Moderating this panel between Courtney Love and Brett Morgen is Rolling Stone writer Neil Strauss. Montage of Heck premiers on HBO May 4.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/greatest-catch-ever/</guid>
      <title>Spike Lee Relives the Greatest Catch Ever</title>
      <description><![CDATA[<p>It's Super Bowl XVII. The New York Giants are playing an undefeated New England Patriots team. And losing in the fourth quarter, Eli Manning throws one up, receiver David Tyree pins the ball to his head and comes down on the 24-yard line, and the Giants go on to win. </p>
<p>New York sports superfan Spike Lee was impressed. After a screening of his documentary, <em>The Greatest Catch Ever</em>, Lee speaks with Giants players Plaxico Burress, Chris Snee, and David Tyree himself. Michael Smith, co-host of ESPN's His and Hers podcast, moderates.</p>
]]></description>
      <pubDate>Mon, 20 Apr 2015 08:00:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>It's Super Bowl XVII. The New York Giants are playing an undefeated New England Patriots team. And losing in the fourth quarter, Eli Manning throws one up, receiver David Tyree pins the ball to his head and comes down on the 24-yard line, and the Giants go on to win. </p>
<p>New York sports superfan Spike Lee was impressed. After a screening of his documentary, <em>The Greatest Catch Ever</em>, Lee speaks with Giants players Plaxico Burress, Chris Snee, and David Tyree himself. Michael Smith, co-host of ESPN's His and Hers podcast, moderates.</p>
]]></content:encoded>
      <enclosure length="17913426" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/14/pdst.fm/e/dts.podtrac.com/pts/redirect.mp3/waaa.wnyc.org/5208a25d-ba18-4109-9c3a-2e20993e336c/episodes/558f4935-e0d5-45a8-aae9-eeaedf54b9b6/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=5208a25d-ba18-4109-9c3a-2e20993e336c&amp;awEpisodeId=558f4935-e0d5-45a8-aae9-eeaedf54b9b6&amp;feed=5SIIdvv_"/>
      <itunes:title>Spike Lee Relives the Greatest Catch Ever</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:42:32</itunes:duration>
      <itunes:summary>It&apos;s Super Bowl XVII. The New York Giants are playing an undefeated New England Patriots team. And losing in the fourth quarter, Eli Manning throws one up, receiver David Tyree pins the ball to his head and comes down on the 24-yard line, and the Giants go on to win. 
New York sports superfan Spike Lee was impressed. After a screening of his documentary, The Greatest Catch Ever, Lee speaks with Giants players Plaxico Burress, Chris Snee, and David Tyree himself. Michael Smith, co-host of ESPN&apos;s His and Hers podcast, moderates.</itunes:summary>
      <itunes:subtitle>It&apos;s Super Bowl XVII. The New York Giants are playing an undefeated New England Patriots team. And losing in the fourth quarter, Eli Manning throws one up, receiver David Tyree pins the ball to his head and comes down on the 24-yard line, and the Giants go on to win. 
New York sports superfan Spike Lee was impressed. After a screening of his documentary, The Greatest Catch Ever, Lee speaks with Giants players Plaxico Burress, Chris Snee, and David Tyree himself. Michael Smith, co-host of ESPN&apos;s His and Hers podcast, moderates.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/amy-schumer-not-trainwreck/</guid>
      <title>Amy Schumer, Far From a Train Wreck</title>
      <description><![CDATA[<p>Amy Schumer, who stars as a romantic train wreck in the new Judd Apatow film <em>Trainwreck</em>, is at the top of her game in real life. The third season of <em>Inside Amy Schumer</em> premieres April 21st on Comedy Central. The show just won a Peabody Award. And a screening of the new season's first episode at the Tribeca Film Festival showed there's nothing Schumer won't tackle. This season, the show takes on high school football and rape, declares 2015 the Year of the Butt, and Schumer and her staff told a packed audience that one of their favorite upcoming episodes will be a recreation of the film <em>12 Angry Men</em>.</p>
<p>Hear Schumer talking after the screening, along with the show's head writer Jessi Klein, director Ryan McFaul, writer Kim Caramele, writer Dan Powell, and producer Kevin Kane. Entertainment Weekly's Sara Vilkomerson moderates. </p>
]]></description>
      <pubDate>Mon, 20 Apr 2015 08:00:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Amy Schumer, who stars as a romantic train wreck in the new Judd Apatow film <em>Trainwreck</em>, is at the top of her game in real life. The third season of <em>Inside Amy Schumer</em> premieres April 21st on Comedy Central. The show just won a Peabody Award. And a screening of the new season's first episode at the Tribeca Film Festival showed there's nothing Schumer won't tackle. This season, the show takes on high school football and rape, declares 2015 the Year of the Butt, and Schumer and her staff told a packed audience that one of their favorite upcoming episodes will be a recreation of the film <em>12 Angry Men</em>.</p>
<p>Hear Schumer talking after the screening, along with the show's head writer Jessi Klein, director Ryan McFaul, writer Kim Caramele, writer Dan Powell, and producer Kevin Kane. Entertainment Weekly's Sara Vilkomerson moderates. </p>
]]></content:encoded>
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      <itunes:title>Amy Schumer, Far From a Train Wreck</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:49:32</itunes:duration>
      <itunes:summary>Amy Schumer, who stars as a romantic train wreck in the new Judd Apatow film Trainwreck, is at the top of her game in real life. The third season of Inside Amy Schumer premieres April 21st on Comedy Central. The show just won a Peabody Award. And a screening of the new season&apos;s first episode at the Tribeca Film Festival showed there&apos;s nothing Schumer won&apos;t tackle. This season, the show takes on high school football and rape, declares 2015 the Year of the Butt, and Schumer and her staff told a packed audience that one of their favorite upcoming episodes will be a recreation of the film 12 Angry Men.
Hear Schumer talking after the screening, along with the show&apos;s head writer Jessi Klein, director Ryan McFaul, writer Kim Caramele, writer Dan Powell, and producer Kevin Kane. Entertainment Weekly&apos;s Sara Vilkomerson moderates. </itunes:summary>
      <itunes:subtitle>Amy Schumer, who stars as a romantic train wreck in the new Judd Apatow film Trainwreck, is at the top of her game in real life. The third season of Inside Amy Schumer premieres April 21st on Comedy Central. The show just won a Peabody Award. And a screening of the new season&apos;s first episode at the Tribeca Film Festival showed there&apos;s nothing Schumer won&apos;t tackle. This season, the show takes on high school football and rape, declares 2015 the Year of the Butt, and Schumer and her staff told a packed audience that one of their favorite upcoming episodes will be a recreation of the film 12 Angry Men.
Hear Schumer talking after the screening, along with the show&apos;s head writer Jessi Klein, director Ryan McFaul, writer Kim Caramele, writer Dan Powell, and producer Kevin Kane. Entertainment Weekly&apos;s Sara Vilkomerson moderates. </itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
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    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/harvey-weinstein-conversation/</guid>
      <title>Harvey Weinstein in Conversation</title>
      <description><![CDATA[<p>Harvey Weinstein—movie mogul, super-producer, founder of The Weinstein Company—has been involved with some of the most highly acclaimed films of the past few decades, from <em>Pulp Fiction</em> to <em>Silver Linings Playbook</em>. The Queens native spoke to a packed house at the Tribeca Film Festival about how he's stayed at the top of his game all these years.</p>
]]></description>
      <pubDate>Sat, 18 Apr 2015 20:18:34 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Harvey Weinstein—movie mogul, super-producer, founder of The Weinstein Company—has been involved with some of the most highly acclaimed films of the past few decades, from <em>Pulp Fiction</em> to <em>Silver Linings Playbook</em>. The Queens native spoke to a packed house at the Tribeca Film Festival about how he's stayed at the top of his game all these years.</p>
]]></content:encoded>
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      <itunes:title>Harvey Weinstein in Conversation</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:53:16</itunes:duration>
      <itunes:summary>Harvey Weinstein—movie mogul, super-producer, founder of The Weinstein Company—has been involved with some of the most highly acclaimed films of the past few decades, from Pulp Fiction to Silver Linings Playbook. The Queens native spoke to a packed house at the Tribeca Film Festival about how he&apos;s stayed at the top of his game all these years.</itunes:summary>
      <itunes:subtitle>Harvey Weinstein—movie mogul, super-producer, founder of The Weinstein Company—has been involved with some of the most highly acclaimed films of the past few decades, from Pulp Fiction to Silver Linings Playbook. The Queens native spoke to a packed house at the Tribeca Film Festival about how he&apos;s stayed at the top of his game all these years.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
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    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/get-look/</guid>
      <title>Outfitting The Great Gatsby</title>
      <description><![CDATA[<p>F. Scott Fitzgerald's classic novel doesn't lack for beauty, but costume and production designer Catherine Martin, who works regularly with director Baz Luhrmann (they're also married), is plenty responsible for making <em>The Great Gatsby</em> look so vibrant on the screen. Her work on other films, including <em>Moulin Rouge!</em> and <em>Romeo + Juliet</em>, has redefined the cutting edge of maximalist glamour in modern film. </p>
<p>Martin speaks here with <em>Vogue</em> editor-at-large and a man who happened to throw himself a Gatsby-themed 50th birthday party, Hamish Bowles.</p>
<p> </p>
<p><em>Tribeca Film Festival Live theme music provided by <a href="http://www.thetakeaway.org/about/">Jason Cowit</a></em></p>
]]></description>
      <pubDate>Fri, 17 Apr 2015 08:00:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>F. Scott Fitzgerald's classic novel doesn't lack for beauty, but costume and production designer Catherine Martin, who works regularly with director Baz Luhrmann (they're also married), is plenty responsible for making <em>The Great Gatsby</em> look so vibrant on the screen. Her work on other films, including <em>Moulin Rouge!</em> and <em>Romeo + Juliet</em>, has redefined the cutting edge of maximalist glamour in modern film. </p>
<p>Martin speaks here with <em>Vogue</em> editor-at-large and a man who happened to throw himself a Gatsby-themed 50th birthday party, Hamish Bowles.</p>
<p> </p>
<p><em>Tribeca Film Festival Live theme music provided by <a href="http://www.thetakeaway.org/about/">Jason Cowit</a></em></p>
]]></content:encoded>
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      <itunes:title>Outfitting The Great Gatsby</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:02:08</itunes:duration>
      <itunes:summary>F. Scott Fitzgerald&apos;s classic novel doesn&apos;t lack for beauty, but costume and production designer Catherine Martin, who works regularly with director Baz Luhrmann (they&apos;re also married), is plenty responsible for making The Great Gatsby look so vibrant on the screen. Her work on other films, including Moulin Rouge! and Romeo + Juliet, has redefined the cutting edge of maximalist glamour in modern film. 
Martin speaks here with Vogue editor-at-large and a man who happened to throw himself a Gatsby-themed 50th birthday party, Hamish Bowles.
 
Tribeca Film Festival Live theme music provided by Jason Cowit</itunes:summary>
      <itunes:subtitle>F. Scott Fitzgerald&apos;s classic novel doesn&apos;t lack for beauty, but costume and production designer Catherine Martin, who works regularly with director Baz Luhrmann (they&apos;re also married), is plenty responsible for making The Great Gatsby look so vibrant on the screen. Her work on other films, including Moulin Rouge! and Romeo + Juliet, has redefined the cutting edge of maximalist glamour in modern film. 
Martin speaks here with Vogue editor-at-large and a man who happened to throw himself a Gatsby-themed 50th birthday party, Hamish Bowles.
 
Tribeca Film Festival Live theme music provided by Jason Cowit</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
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    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/producers/</guid>
      <title>The Producers</title>
      <description><![CDATA[<p><em>Blue Valentine</em>, the celebrated 2012 film that follows one couple's tumultuous marriage, has the intimate feel of a movie made simply. Except, it took 12 years, 66 drafts of the script, and endless headaches over budget shortfalls to get <em>Blue Valentine</em> made. And that isn't an anomaly.</p>
<p>Independent producers are responsible for some of the greatest breakout hits in movie history. They fight passionately for their art, meeting every logistical and financial challenge along the way. And these roadblocks often force indie film producers to be just as creative as their acting and directing counterparts. On this panel, we hear from <em>Blue Valentine</em> producer Alex Orlovsky, <em>Beasts of the Southern Wild</em> producer Matt Parker, <em>Meadowland</em> producer and co-star Olivia Wilde, and <em>Bachelorette</em> producer Carly Hugo. Moderating this panel is The Hollywood Reporter’s Tatiana Seigel.</p>
]]></description>
      <pubDate>Thu, 16 Apr 2015 13:19:49 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p><em>Blue Valentine</em>, the celebrated 2012 film that follows one couple's tumultuous marriage, has the intimate feel of a movie made simply. Except, it took 12 years, 66 drafts of the script, and endless headaches over budget shortfalls to get <em>Blue Valentine</em> made. And that isn't an anomaly.</p>
<p>Independent producers are responsible for some of the greatest breakout hits in movie history. They fight passionately for their art, meeting every logistical and financial challenge along the way. And these roadblocks often force indie film producers to be just as creative as their acting and directing counterparts. On this panel, we hear from <em>Blue Valentine</em> producer Alex Orlovsky, <em>Beasts of the Southern Wild</em> producer Matt Parker, <em>Meadowland</em> producer and co-star Olivia Wilde, and <em>Bachelorette</em> producer Carly Hugo. Moderating this panel is The Hollywood Reporter’s Tatiana Seigel.</p>
]]></content:encoded>
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      <itunes:title>The Producers</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:54:53</itunes:duration>
      <itunes:summary>Blue Valentine, the celebrated 2012 film that follows one couple&apos;s tumultuous marriage, has the intimate feel of a movie made simply. Except, it took 12 years, 66 drafts of the script, and endless headaches over budget shortfalls to get Blue Valentine made. And that isn&apos;t an anomaly.
Independent producers are responsible for some of the greatest breakout hits in movie history. They fight passionately for their art, meeting every logistical and financial challenge along the way. And these roadblocks often force indie film producers to be just as creative as their acting and directing counterparts. On this panel, we hear from Blue Valentine producer Alex Orlovsky, Beasts of the Southern Wild producer Matt Parker, Meadowland producer and co-star Olivia Wilde, and Bachelorette producer Carly Hugo. Moderating this panel is The Hollywood Reporter’s Tatiana Seigel.</itunes:summary>
      <itunes:subtitle>Blue Valentine, the celebrated 2012 film that follows one couple&apos;s tumultuous marriage, has the intimate feel of a movie made simply. Except, it took 12 years, 66 drafts of the script, and endless headaches over budget shortfalls to get Blue Valentine made. And that isn&apos;t an anomaly.
Independent producers are responsible for some of the greatest breakout hits in movie history. They fight passionately for their art, meeting every logistical and financial challenge along the way. And these roadblocks often force indie film producers to be just as creative as their acting and directing counterparts. On this panel, we hear from Blue Valentine producer Alex Orlovsky, Beasts of the Southern Wild producer Matt Parker, Meadowland producer and co-star Olivia Wilde, and Bachelorette producer Carly Hugo. Moderating this panel is The Hollywood Reporter’s Tatiana Seigel.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/iverson/</guid>
      <title>Iverson on &apos;Iverson&apos;</title>
      <description><![CDATA[<p><em>Iverson</em> is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, VA, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip-hop culture sent shockwaves throughout the league and influenced an entire generation.</p>
]]></description>
      <pubDate>Mon, 28 Apr 2014 01:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p><em>Iverson</em> is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, VA, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip-hop culture sent shockwaves throughout the league and influenced an entire generation.</p>
]]></content:encoded>
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      <itunes:title>Iverson on &apos;Iverson&apos;</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:24:52</itunes:duration>
      <itunes:summary>Iverson is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, VA, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip-hop culture sent shockwaves throughout the league and influenced an entire generation.</itunes:summary>
      <itunes:subtitle>Iverson is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, VA, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip-hop culture sent shockwaves throughout the league and influenced an entire generation.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/compared-what-improbable-journey-barney-frank/</guid>
      <title>Compared to What: The Improbable Journey of Barney Frank</title>
      <description><![CDATA[<p><em>Compared To What: The Improbable Journey of Barney Frank</em> is a rare and intimate peek into the life of Barney Frank, the quick-witted, cantankerous, and first openly gay Congressman in the United States. On the verge of his retirement, Frank reflects on his 40 years in office and the role his own homosexuality played in his campaigns for social justice.</p>
]]></description>
      <pubDate>Sun, 27 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p><em>Compared To What: The Improbable Journey of Barney Frank</em> is a rare and intimate peek into the life of Barney Frank, the quick-witted, cantankerous, and first openly gay Congressman in the United States. On the verge of his retirement, Frank reflects on his 40 years in office and the role his own homosexuality played in his campaigns for social justice.</p>
]]></content:encoded>
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      <itunes:title>Compared to What: The Improbable Journey of Barney Frank</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:49:02</itunes:duration>
      <itunes:summary>Compared To What: The Improbable Journey of Barney Frank is a rare and intimate peek into the life of Barney Frank, the quick-witted, cantankerous, and first openly gay Congressman in the United States. On the verge of his retirement, Frank reflects on his 40 years in office and the role his own homosexuality played in his campaigns for social justice.</itunes:summary>
      <itunes:subtitle>Compared To What: The Improbable Journey of Barney Frank is a rare and intimate peek into the life of Barney Frank, the quick-witted, cantankerous, and first openly gay Congressman in the United States. On the verge of his retirement, Frank reflects on his 40 years in office and the role his own homosexuality played in his campaigns for social justice.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/supermensch/</guid>
      <title>Becoming a Mensch: The Astounding Life of Shep Gordon</title>
      <description><![CDATA[<p>In his directorial debut, Mike Myers brings a comic touch to documenting the astounding career of consummate Hollywood insider Shep Gordon in the film <em>Supermensch</em>.</p>
]]></description>
      <pubDate>Sat, 26 Apr 2014 21:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>In his directorial debut, Mike Myers brings a comic touch to documenting the astounding career of consummate Hollywood insider Shep Gordon in the film <em>Supermensch</em>.</p>
]]></content:encoded>
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      <itunes:title>Becoming a Mensch: The Astounding Life of Shep Gordon</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:40:12</itunes:duration>
      <itunes:summary>In his directorial debut, Mike Myers brings a comic touch to documenting the astounding career of consummate Hollywood insider Shep Gordon in the film Supermensch.</itunes:summary>
      <itunes:subtitle>In his directorial debut, Mike Myers brings a comic touch to documenting the astounding career of consummate Hollywood insider Shep Gordon in the film Supermensch.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/ron-howard/</guid>
      <title>Ron Howard: I Would Like to Return to Acting</title>
      <description><![CDATA[<p>Academy Award® winning filmmaker Ron Howard discusses his career as a filmmaker, writer and producer, which already spans over fifty years.</p>
]]></description>
      <pubDate>Sat, 26 Apr 2014 19:00:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Academy Award® winning filmmaker Ron Howard discusses his career as a filmmaker, writer and producer, which already spans over fifty years.</p>
]]></content:encoded>
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      <itunes:title>Ron Howard: I Would Like to Return to Acting</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:53:16</itunes:duration>
      <itunes:summary>Academy Award® winning filmmaker Ron Howard discusses his career as a filmmaker, writer and producer, which already spans over fifty years.</itunes:summary>
      <itunes:subtitle>Academy Award® winning filmmaker Ron Howard discusses his career as a filmmaker, writer and producer, which already spans over fifty years.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">http://www.wnyc.org/story/growth-short-content/</guid>
      <title>The Growth of Short Content</title>
      <description><![CDATA[<p>Filmmakers with a thirst for storytelling are saturating our digital media landscape with short content, changing the way we seek and consume media. Hear some of the creators discuss the challenges faced in making snappy, attention-grabbing, and informative content, and how to garner an audience outside of a theater.</p>
]]></description>
      <pubDate>Sat, 26 Apr 2014 17:00:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Filmmakers with a thirst for storytelling are saturating our digital media landscape with short content, changing the way we seek and consume media. Hear some of the creators discuss the challenges faced in making snappy, attention-grabbing, and informative content, and how to garner an audience outside of a theater.</p>
]]></content:encoded>
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      <itunes:title>The Growth of Short Content</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:00:43</itunes:duration>
      <itunes:summary>Filmmakers with a thirst for storytelling are saturating our digital media landscape with short content, changing the way we seek and consume media. Hear some of the creators discuss the challenges faced in making snappy, attention-grabbing, and informative content, and how to garner an audience outside of a theater.</itunes:summary>
      <itunes:subtitle>Filmmakers with a thirst for storytelling are saturating our digital media landscape with short content, changing the way we seek and consume media. Hear some of the creators discuss the challenges faced in making snappy, attention-grabbing, and informative content, and how to garner an audience outside of a theater.</itunes:subtitle>
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      <title>Shooting and Scoring</title>
      <description><![CDATA[<p>A conversation about the particular art in creating authentic sports stories, from non-fiction material to heart-stopping hits that satisfy hardcore fans while also connecting with broader audiences.</p>
]]></description>
      <pubDate>Sat, 26 Apr 2014 00:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>A conversation about the particular art in creating authentic sports stories, from non-fiction material to heart-stopping hits that satisfy hardcore fans while also connecting with broader audiences.</p>
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      <itunes:title>Shooting and Scoring</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:59:33</itunes:duration>
      <itunes:summary>A conversation about the particular art in creating authentic sports stories, from non-fiction material to heart-stopping hits that satisfy hardcore fans while also connecting with broader audiences.</itunes:summary>
      <itunes:subtitle>A conversation about the particular art in creating authentic sports stories, from non-fiction material to heart-stopping hits that satisfy hardcore fans while also connecting with broader audiences.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
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      <itunes:episode>8</itunes:episode>
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      <title>David Simon Says &apos;The Wire&apos; Would Never Survive Today</title>
      <description><![CDATA[<p>Almost everything we do creates a digital trail containing information about who we are, where we go, how we spend our time and money, and what we watch. Media and entertainment entities are increasingly able to use this information to tell rich, data-driven stories or to decide what content to acquire or produce. But does betting on the "wisdom of crowds" bode well or ill for future innovation in film, art, and journalism? True believers and tech skeptics square off. </p>
]]></description>
      <pubDate>Thu, 24 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Almost everything we do creates a digital trail containing information about who we are, where we go, how we spend our time and money, and what we watch. Media and entertainment entities are increasingly able to use this information to tell rich, data-driven stories or to decide what content to acquire or produce. But does betting on the "wisdom of crowds" bode well or ill for future innovation in film, art, and journalism? True believers and tech skeptics square off. </p>
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      <itunes:title>David Simon Says &apos;The Wire&apos; Would Never Survive Today</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:00:58</itunes:duration>
      <itunes:summary>Almost everything we do creates a digital trail containing information about who we are, where we go, how we spend our time and money, and what we watch. Media and entertainment entities are increasingly able to use this information to tell rich, data-driven stories or to decide what content to acquire or produce. But does betting on the &quot;wisdom of crowds&quot; bode well or ill for future innovation in film, art, and journalism? True believers and tech skeptics square off. </itunes:summary>
      <itunes:subtitle>Almost everything we do creates a digital trail containing information about who we are, where we go, how we spend our time and money, and what we watch. Media and entertainment entities are increasingly able to use this information to tell rich, data-driven stories or to decide what content to acquire or produce. But does betting on the &quot;wisdom of crowds&quot; bode well or ill for future innovation in film, art, and journalism? True believers and tech skeptics square off. </itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
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      <itunes:episode>7</itunes:episode>
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      <title>All The News That’s Fit to Shoot, Print… or Tweet</title>
      <description><![CDATA[<p>Some say the birth of cable news, the 24-hour news cycle, and the internet have caused the demise of journalism. On the flip side, our thirst for news and information has only become more intense in recent years. Citizen journalists, bloggers, viral videos and even video games are stepping up to answer the call. Just this week, VICE News' Simon Ostrovsky was kidnapped while covering the pro-Russian insurgency in Ukraine (<a href="https://news.vice.com/articles/simon-ostrovsky-has-been-released?trk_source=homepage-in-the-news">his release was confirmed Thursday</a>). </p>
<p>As these citizen reporters go to ever more dangerous lengths to bring us information, new questions about boundaries and journalistic ethics need to be addressed.</p>
]]></description>
      <pubDate>Wed, 23 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Some say the birth of cable news, the 24-hour news cycle, and the internet have caused the demise of journalism. On the flip side, our thirst for news and information has only become more intense in recent years. Citizen journalists, bloggers, viral videos and even video games are stepping up to answer the call. Just this week, VICE News' Simon Ostrovsky was kidnapped while covering the pro-Russian insurgency in Ukraine (<a href="https://news.vice.com/articles/simon-ostrovsky-has-been-released?trk_source=homepage-in-the-news">his release was confirmed Thursday</a>). </p>
<p>As these citizen reporters go to ever more dangerous lengths to bring us information, new questions about boundaries and journalistic ethics need to be addressed.</p>
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      <itunes:title>All The News That’s Fit to Shoot, Print… or Tweet</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:02:07</itunes:duration>
      <itunes:summary>Some say the birth of cable news, the 24-hour news cycle, and the internet have caused the demise of journalism. On the flip side, our thirst for news and information has only become more intense in recent years. Citizen journalists, bloggers, viral videos and even video games are stepping up to answer the call. Just this week, VICE News&apos; Simon Ostrovsky was kidnapped while covering the pro-Russian insurgency in Ukraine (his release was confirmed Thursday). 
As these citizen reporters go to ever more dangerous lengths to bring us information, new questions about boundaries and journalistic ethics need to be addressed.</itunes:summary>
      <itunes:subtitle>Some say the birth of cable news, the 24-hour news cycle, and the internet have caused the demise of journalism. On the flip side, our thirst for news and information has only become more intense in recent years. Citizen journalists, bloggers, viral videos and even video games are stepping up to answer the call. Just this week, VICE News&apos; Simon Ostrovsky was kidnapped while covering the pro-Russian insurgency in Ukraine (his release was confirmed Thursday). 
As these citizen reporters go to ever more dangerous lengths to bring us information, new questions about boundaries and journalistic ethics need to be addressed.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
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      <title>Your Brain On Story</title>
      <description><![CDATA[<p>Hear a candid conversation about the "habits" of successful psychopaths. Sounds crazy? Not really. Turns out, it’s not only screen psychos that we love. Many of the people we admire -- and even elect as our leaders -- share traits with psychopathic killers.</p>
]]></description>
      <pubDate>Tue, 22 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Hear a candid conversation about the "habits" of successful psychopaths. Sounds crazy? Not really. Turns out, it’s not only screen psychos that we love. Many of the people we admire -- and even elect as our leaders -- share traits with psychopathic killers.</p>
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      <itunes:title>Your Brain On Story</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:00:32</itunes:duration>
      <itunes:summary>Hear a candid conversation about the &quot;habits&quot; of successful psychopaths. Sounds crazy? Not really. Turns out, it’s not only screen psychos that we love. Many of the people we admire -- and even elect as our leaders -- share traits with psychopathic killers.</itunes:summary>
      <itunes:subtitle>Hear a candid conversation about the &quot;habits&quot; of successful psychopaths. Sounds crazy? Not really. Turns out, it’s not only screen psychos that we love. Many of the people we admire -- and even elect as our leaders -- share traits with psychopathic killers.</itunes:subtitle>
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      <title>Aaron Sorkin Wants To Apologize For &apos;The Newsroom&apos;</title>
      <description><![CDATA[<p>Writer and producer Aaron Sorkin (The West Wing, Newsroom, The Social Network) talks with former Chief Presidential Speechwriter Jon Favreau about what it means to be moral in 2014, what we value as heroic in life and in fiction, and how film and television have documented our transition from an analogue to a digital world.</p>
]]></description>
      <pubDate>Mon, 21 Apr 2014 22:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Writer and producer Aaron Sorkin (The West Wing, Newsroom, The Social Network) talks with former Chief Presidential Speechwriter Jon Favreau about what it means to be moral in 2014, what we value as heroic in life and in fiction, and how film and television have documented our transition from an analogue to a digital world.</p>
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      <itunes:title>Aaron Sorkin Wants To Apologize For &apos;The Newsroom&apos;</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:54:42</itunes:duration>
      <itunes:summary>Writer and producer Aaron Sorkin (The West Wing, Newsroom, The Social Network) talks with former Chief Presidential Speechwriter Jon Favreau about what it means to be moral in 2014, what we value as heroic in life and in fiction, and how film and television have documented our transition from an analogue to a digital world.</itunes:summary>
      <itunes:subtitle>Writer and producer Aaron Sorkin (The West Wing, Newsroom, The Social Network) talks with former Chief Presidential Speechwriter Jon Favreau about what it means to be moral in 2014, what we value as heroic in life and in fiction, and how film and television have documented our transition from an analogue to a digital world.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
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      <itunes:episode>4</itunes:episode>
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      <guid isPermaLink="false">http://www.wnyc.org/story/shooting-film-exploration-cinematography/</guid>
      <title>Shooting the Film: An Exploration of Cinematography</title>
      <description><![CDATA[<p>Cinematographers are responsible for some of the most breathtaking and memorable images on screen. Join us to hear cinematographers discuss their careers, capturing images to tell a story, and how they shot some of their most famous scenes.</p>
]]></description>
      <pubDate>Mon, 21 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Cinematographers are responsible for some of the most breathtaking and memorable images on screen. Join us to hear cinematographers discuss their careers, capturing images to tell a story, and how they shot some of their most famous scenes.</p>
]]></content:encoded>
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      <itunes:title>Shooting the Film: An Exploration of Cinematography</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:15:44</itunes:duration>
      <itunes:summary>Cinematographers are responsible for some of the most breathtaking and memorable images on screen. Join us to hear cinematographers discuss their careers, capturing images to tell a story, and how they shot some of their most famous scenes.</itunes:summary>
      <itunes:subtitle>Cinematographers are responsible for some of the most breathtaking and memorable images on screen. Join us to hear cinematographers discuss their careers, capturing images to tell a story, and how they shot some of their most famous scenes.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
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      <title>On Set With Mike Tyson and Evander Holyfield</title>
      <description><![CDATA[<p>From inner-city housing projects to the biggest stages in boxing, <em>Champs </em>is an insightful and provocative documentary charting the lives of some of America’s heaviest hitters, including Mike Tyson, Evander Holyfield, and Bernard Hopkins, as they seek to break out of poverty via one of the few outlets available. Hear them live at the Tribeca Film Festival.</p>
]]></description>
      <pubDate>Sat, 19 Apr 2014 19:00:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>From inner-city housing projects to the biggest stages in boxing, <em>Champs </em>is an insightful and provocative documentary charting the lives of some of America’s heaviest hitters, including Mike Tyson, Evander Holyfield, and Bernard Hopkins, as they seek to break out of poverty via one of the few outlets available. Hear them live at the Tribeca Film Festival.</p>
]]></content:encoded>
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      <itunes:title>On Set With Mike Tyson and Evander Holyfield</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>00:46:08</itunes:duration>
      <itunes:summary>From inner-city housing projects to the biggest stages in boxing, Champs is an insightful and provocative documentary charting the lives of some of America’s heaviest hitters, including Mike Tyson, Evander Holyfield, and Bernard Hopkins, as they seek to break out of poverty via one of the few outlets available. Hear them live at the Tribeca Film Festival.</itunes:summary>
      <itunes:subtitle>From inner-city housing projects to the biggest stages in boxing, Champs is an insightful and provocative documentary charting the lives of some of America’s heaviest hitters, including Mike Tyson, Evander Holyfield, and Bernard Hopkins, as they seek to break out of poverty via one of the few outlets available. Hear them live at the Tribeca Film Festival.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>2</itunes:episode>
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      <title>The Cutting Room: An Insight to the Edit Suite</title>
      <description><![CDATA[<p>It’s said that a movie is made three times: once through a script, once on set, and finally in the edit room. Join us to hear tales from the cutting room floor.</p>
]]></description>
      <pubDate>Sat, 19 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>It’s said that a movie is made three times: once through a script, once on set, and finally in the edit room. Join us to hear tales from the cutting room floor.</p>
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      <itunes:title>The Cutting Room: An Insight to the Edit Suite</itunes:title>
      <itunes:author>WNYC Studios</itunes:author>
      <itunes:duration>01:08:12</itunes:duration>
      <itunes:summary>It’s said that a movie is made three times: once through a script, once on set, and finally in the edit room. Join us to hear tales from the cutting room floor.</itunes:summary>
      <itunes:subtitle>It’s said that a movie is made three times: once through a script, once on set, and finally in the edit room. Join us to hear tales from the cutting room floor.</itunes:subtitle>
      <itunes:keywords>movies, festival, film, panels, tribeca, wnyc</itunes:keywords>
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      <itunes:episode>1</itunes:episode>
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      <guid isPermaLink="false">http://www.wnyc.org/story/dolby-institute-art-sound-design-music/</guid>
      <title>Dolby Institute: The Art of Sound Design and Music</title>
      <description><![CDATA[<p>Ever since the creation of the talkie, sound in film has been evolving. The Dolby Institute brings together top sound designers to discuss what it really takes to create the sound of a film, and the army it takes just to hear a pin drop.</p>
]]></description>
      <pubDate>Fri, 18 Apr 2014 18:30:00 +0000</pubDate>
      <author>wnycdigital@gmail.com (WNYC Studios)</author>
      <link>https://www.wnyc.org/shows/tribecafilm</link>
      <content:encoded><![CDATA[<p>Ever since the creation of the talkie, sound in film has been evolving. The Dolby Institute brings together top sound designers to discuss what it really takes to create the sound of a film, and the army it takes just to hear a pin drop.</p>
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      <itunes:title>Dolby Institute: The Art of Sound Design and Music</itunes:title>
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      <itunes:duration>01:13:23</itunes:duration>
      <itunes:summary>Ever since the creation of the talkie, sound in film has been evolving. The Dolby Institute brings together top sound designers to discuss what it really takes to create the sound of a film, and the army it takes just to hear a pin drop.</itunes:summary>
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