Buy your copy here.

Connery A Novel by John Bleasdale is available here.

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Stephen Volk's website can be visited here.

Buy John Bleasdale's Connery here.

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Buy John Bleasdale's Connery here.

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Buy Here

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Buy John Bleasdale's Connery here.

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The recommended book is African Cinema: Politics & Culture by Manthia Diawara.

Meanwhile my novel Connery is available here.

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Buy Kristen's book Here.

Connery: a Novel by John Bleasdale is available here.

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Also Connery: a Novel by John Bleasdale is available here.

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But what makes a Scorsese film unique? His stories explore power, morality, and human nature, blending raw emotion with intellectual depth. Whether reinventing noir, musicals or crime dramas, his work captures the pulse of America and the Italian-American experience.

This book dives into all 26 of his films, breaking down his signature themes, iconic collaborations with Robert De Niro and Leonardo DiCaprio, and his place in film history. A true movie fanatic and preservationist, Scorsese continues to push boundaries – proving that cinema isn’t just entertainment, it’s an art form. Buy Ian's book Here.

My new novel CONNERY is also available for pre-order HERE.

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The book can be bought here.

John Bleasdale's novel CONNERY can be pre-ordered HERE.

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Mosby Confidential: https://www.amazon.com/Moseby-Confidential-Arthur-Penns-Neo-Noir/dp/0986377082/ref=sr_1_1?s=books

William Friedkin (Thomas Clagett): https://www.amazon.com/William-Friedkin-Aberration-Obsession-Reality-ebook/dp/B0F2S9WMVH/ref=sr_1_3?s=books

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Buy your copy here.

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I talk about writing Darkness Visible The Cinema of Jonathan Glazer and look forward to the publication of Connery the Novel as well as the writing of Connery the Biography.

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The book is available here.

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By interrogating this question, David Lynch's American Dreamscape broadens the interpretive horizons of Lynch's filmography, calling for a new approach to Lynch's films that goes beyond cinema and visual art to explore how Lynch's work engages with literary and musical works that have shaped the American imagination. As much as Lynch stands as a singular artistic voice, his work arises from and taps into the cultural zeitgeist in a way that illuminates not only his approach to creativity but also the way works interact with each other in an age of mass media. From children's literature to teen tragedy ballads, Nathanael West and Cormac McCarthy to folk music and mixtapes, David Lynch's American Dreamscape investigates the cultural frequencies Lynch's films tune into and positions Lynch's work as a conduit for American popular culture, a medium or channel through which the subconscious of American life finds its way into full view.

The book expands upon this approach by discussing how artists such as David Foster Wallace and Lana Del Rey graft Lynch's affiliative, cinematic sensibility onto their own projects. Reading their work as intertextual engagements with Lynch's films further illustrates the versatile interactions among creators and audiences to generate more works, readers, and readings.

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His YouTube channel is here.

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Even while the frontiers of the Wild West were being fought over, its myth was being forged. Sometimes this was in the form of incredibly popular pulp novels, on others the likes of the hugely successful Buffalo Bill’s Wild West show that even toured Europe and delighted monarchs. By the turn of the 20th Century, just as the era was being consigned to history, motion pictures began telling these stories in a new medium. Some of the early films were supervised by the very legends of the old west the movie was about. The era of the western was born.
Some of the most important films of the 20th century were westerns. Many of Hollywood’s brightest stars regularly played cowboys and for decades, the simple western was a guaranteed way to make money and fill a movie theatre.
Like every art form, over the years the western evolved. At times it was as wholesome as apple pie. There were times when it redefined cinema in terms of scope and storytelling. In other decades it created great anxiety about levels of violence and moral nihilism. The genre has been used to entertain, reveal the plight of indigenous peoples, explore racism, sexism and even homophobia. There have been westerns that have been analogies for the perils of McCarthyism. A few have been heaped with awards and critical acclaim, others were reviled by critics (and sometimes even their own studio) only to go on and be massive box office successes. Lines, images and scores from westerns have seeped into pop culture.
Today the western no longer dominates cinemas as it once did but they are still hugely popular. Once again they have evolved with the times, becoming hit video games or massively popular shows on TV or streaming services.

Buy here.

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The book is available here.

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Out of print for 50 years, this special edition is strictly limited to 1,000 copies, and exclusively available from Plumeria here.

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The event at the Barbican to celebrate Ellen's win is on 27 October - https://www.barbican.org.uk/whats-on/2025/event/imitation-of-life-12-with-introduction-reception

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The definitive, in-depth look inside the making of Alfred Hitchcock’s Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood’s greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .
Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .
Using this limited point of view, Hitchcock forces his audience to participate in his protagonist’s voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.
This eye-opening book goes straight to the source of Rear Window’s genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film’s unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick.

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You can buy the biography of Terrence Malick here

The music is Camille Saint Saens - The Carnival of the Animals: Aquarium and is performed by

pianos: Neil and Nancy O'Doan and orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. It is reproduced via the following license.

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Find out more about her work here.

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The Blurb:

From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies. Spinster tropes, witch burnings, and nineteenth-century diagnoses of hysteria have reflected and continue to inform the stories told about society's singletons, most notoriously in the original bunny boiler, Fatal Attraction (1987), and popularized in Single White Female (1992) and Promising Young Woman (2020).

In Single & Psycho, author Caroline Young explores how broader social trends such as the antifeminist backlash of the 1980s, contemporary debates about tradwives and childless cat ladies, and the absence of single women of color on-screen shape the way women are (mis)perceived and (mis)treated. Young weaves the history of a stereotype with her own fight against stigma as a single woman as well as her struggles with infertility, infusing incisive analysis with personal experience in this approachable, savvy exposé of one of mainstream media's most enduring clichés.

Single & Psycho: How Pop Culture Created the Unstable Single Woman is a dynamic addition to the ongoing dialogue surrounding the #MeToo movement and societal expectations of women.

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Explore behind the scenes of the greatest monster movies ever made!

What makes a great movie monster? Academy Award-winning make-up effects artist Howard Berger and acclaimed journalist Marshall Julius have spoken to dozens of film industry legends to find out.

A celebration of monsters, monster movies and monster movie makers, Making Monsters delivers an illuminating, entertaining and accessible oral history of the genre, gathering an enviable array of A-list talent from make-up and digital effects legends (Tom Savini, Phil Tippett) to directors (John Carpenter, Ti West), actors (Simon Pegg, Barbara Crampton), composers (Michael Giacchino) and writers (Russell T Davies).

Packed with hundreds of images, from film stills to personal, behind-the-scenes pictures from dozens of interview subjects - many never before published - Making Monsters is a treasure trove of monstrous creations, and the stories behind them, that is sure to make fans jump, scream and howl with delight.

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You can buy his book here.

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Blockbuster box office. Critical acclaim and Oscars recognition. From Get Out and M3GAN to The Substance and Sinners, the horror genre is enjoying a glorious–and gory–golden age.

Screaming and Conjuring details the films and frights that led to this extraordinary renaissance, from the release of the groundbreaking Scream in 1996 to the arrival of 2013’s The Conjuring, which spawned a multi-billion dollar franchise. Written by entertainment journalist Clark Collis (author of You’ve Got Red on You: How Shaun of the Dead Was Brought to Life), this exhaustively researched book is the first in-depth examination of a remarkably fertile and influential time for big screen horror.

Wes Craven’s Scream was followed by a flood of classic terror tales such as The Blair Witch Project, The Sixth Sense, Final Destination, The Others, Pan's Labyrinth, 28 Days Later, Resident Evil, Saw, Hostel, Paranormal Activity, and Insidious. This comprehensive history covers the often difficult and tortuous making of all these films (and many more), giving readers the exclusive lowdown on productions which were often as intense as the horrifying sights that ended up on screen.

Screaming and Conjuring features recollections from a host of genre icons, including actors Jamie Lee Curtis and Neve Campbell, directors Eli Roth and Sam Raimi, and legendary makeup effects artist Greg Nicotero. The book also includes 200 production stills, film posters, and rarely seen images.

Blood. Sweat. Tears. More blood. Clark Collis takes you behind the scenes, and the scares, with this fascinating history of the modern horror movie.

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Jonathan Glazer has created some of the most unforgettable images in twenty-first-century cinema. From the dreamlike menace of Sexy Beast to the haunting abstractions of Under the Skin and the chilling banality of evil in The Zone of Interest, his films blend surreal intensity with razor-sharp formal control. But Glazer’s world doesn’t stop at the cinema screen-it extends into commercials, music videos and short films that have redefined visual storytelling. In Darkness Visible, critic and author John Bleasdale guides readers through the full scope of Glazer’s career, offering a vivid, provocative and deeply informed portrait of a filmmaker who resists interpretation even as his work demands it. With chapters on each feature film, along with Glazer’s groundbreaking work in advertising and video, this is the first comprehensive account of a visionary whose cinema explores the dark undercurrents of modern life-and leaves audiences changed.

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'A fascinating, tragic and instructive story, vividly told' Sunday Telegraph
Roger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits.
But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives (Ann Hayes, Britt Ekland, Miranda Quarry and Lynne Frederick). He alternately showered his wives and children with gifts and then threatened to kill them. Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life.
The Life and Death of Peter Sellers concludes with his premature death at the age of 54, 'sick at heart and alone in those sunless hotel rooms', so recoiled from intimacy that no one really knew him anymore.

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Darkness Visible is available from Sticking Place books at a discount for the UK and US here.

And from all good book dealers for the rest of the world.

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Jonathan Glazer has created some of the most unforgettable images in twenty-first-century cinema. From the dreamlike menace of Sexy Beast to the haunting abstractions of Under the Skin and the chilling banality of evil in The Zone of Interest, his films blend surreal intensity with razor-sharp formal control. But Glazer’s world doesn’t stop at the cinema screen-it extends into commercials, music videos and short films that have redefined visual storytelling. In Darkness Visible, critic and author John Bleasdale guides readers through the full scope of Glazer’s career, offering a vivid, provocative and deeply informed portrait of a filmmaker who resists interpretation even as his work demands it. With chapters on each feature film, along with Glazer’s groundbreaking work in advertising and video, this is the first comprehensive account of a visionary whose cinema explores the dark undercurrents of modern life-and leaves audiences changed.

John Bleasdale is a film critic and writer whose work is regularly published in Variety, Sight and Sound, The Economist, The Financial Times and The Guardian. He is also a contributing editor of The New World and hosts the podcast Writers on Film podcast. His book The Magic Hours: The Films and Hidden Life of Terrence Malick (2025) was published by the University Press of Kentucky.

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New York Times "Editors Choice," Los Angeles Times "Must Read Book for Summer," and a New Yorker "Best Book of the Year So Far"

"This is the biography of Clint Eastwood we've been waiting for." — Sir Christopher Frayling, author of Sergio Leone

From the acclaimed film critic and New York Times bestselling biographer of Paul Newman, a revelatory portrait of Hollywood legend Clint Eastwood, the most prolific and versatile actor-director in movie history and an imposing icon of American culture for six decades.

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To buy the book, click here or visit any site where books are sold.

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Buy the book here.

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The film can be seen here.

The book can be ordered here.

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She joins me to talk all things Cannes. The final awards, the experiences on the Croisette and her own career as a journalist and film critic.

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Thomas’ YouTube channel is available here.

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Walter Murch

The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made.

Buy Here.

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A deeply reported, perceptive, and celebratory biography of beloved actor James Gandolfini from a prominent critic and film historian.

Based on extensive research and original reporting, including interviews with friends and collaborators, Gandolfini is a detailed and nuanced appraisal of an enduring artist.

More than a decade after his sudden passing, James Gandolfini still exerts a powerful pull on television and film enthusiasts around the world. His charismatic portrayal of complex, flawed, but always human men illuminated the contradictions in all of us, as well as our potential for grace, and the power of love and family.

In Gandolfini, critic and historian Jason Bailey traces the twinned stories of the man and the unforgettable roles he played. Gandolfini’s roots were working class, raised in northern New Jersey as the son of Italian immigrants, and acting was something he loved for a long time before he could see it as a career. It wasn’t until he was well into his bohemian twenties that he dedicated himself to a life on the stage and screen.

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Jonathan Rosenbaum stands as one of the most eminent film critics in the English-speaking world. After working for Sight and Sound and Monthly Film Bulletin in London in the 1970s, he served for two decades as chief film critic for the Chicago Reader. Hailed as “one of the best” by Jean-Luc Godard, who compared him to James Agee and André Bazin, Rosenbaum is known for his incisive, thought-provoking polemics, which have inspired generations of writers while reshaping how we think about cinema.

Distinguished by his equal investment in both contemporary cinema and film history, his work offers a rich dialogue between the past and present of moving images. In this wide-ranging conversation with film scholar Ehsan Khoshbakht, Rosenbaum reminisces about his childhood in Florence, Alabama, where his family ran a chain of cinemas, and follows that journey to New York, Paris, London and Chicago. Each city marks a chapter in his evolution as a critic, filled with encounters and experiences that together reveal the life of an indefatigable cinephile and cultural commentator.

“An engaging history of the esteemed critic’s career and a survey of the cinephilic landscape. Rosenbaum proves a frank, expansive interviewee, telling curator Ehsan Khoshbakht about his childhood in Alabama and his work as a critic in Paris, New York, London, Chicago and elsewhere.” — Pamela Hutchinson, Sight and Sound

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From the book:

"Terrence Malick's debut film, Badlands, announced the arrival of a unique talent. In the 40 years since that debut, Malick has only made 5 films, but they are distinctive in their beauty.

This book is not meant to be a biography of Terrence Malick. The purpose behind the book is to introduce readers to the extraordinary universe of his film-making and to aid them in understanding his work. And to do this through the words of his closest collaborators - cinematographers, set designers, costumers, cameramen, directors, producers, and actors such as Sean Penn, Martin Sheen, Sissy Spacek and Jessica Chastain. As their words flow from one to another, they form a fascinating, kaleidoscopic vision of American film and specifically Malick's artistic world. who make up a film.

This book is the fruit of a journey began years ago when Luciano Baracaroli, Carlo Hintermann, Gerardo Panichi and Daniele Villa made a documentary on the work of Terrence Malick, which led to the making of this book as well."

Get bonus content on Patreon

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The book is available here.

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Buy the book here.

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Visit also Marya's website here.

The Substack mentioned in our conversation can be read here.

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Barry is a writer on many years and many books. In British Gothic Cinema, he celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.

His latest book is Simenon: The Man, The Books, The Films, available here.

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Visit Matt's online shop here.

The Magic Hours: The Films and Hidden Life of Terrence Malick is now available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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The film wound up dominating at the box office, bringing in $170 million dollars worldwide, against a $20 million dollar budget. It also launched the careers of Jonah Hill, Michael Cera, Emma Stone, Bill Hader, Christopher Mintz-Plasse, and Seth Rogen whose careers are all thriving to this day. It further proved that Judd Apatow is now one of the most successful film producers of his generation, bringing the world hit after hit.

Superbad remains, to this day, a beloved comedy film for millennials who grew up with it. This is because, unlike other comedies of that era, it embraced the awkwardness of the characters, particularly with someone like Michael Cera. Unlike the cartoonish representations of an 80s comedy like Revenge of the Nerds, Superbad presented itself with a depth to the characters that enabled millennials (and other generations) to bond with the movie in a more meaningful way.

Full of interviews with people like Seth Rogen, Jonah Hill, Michael Cera, Emma Stone, Christopher Mintz-Plasse, Martha MacIssac, Judd Apatow, Bill Hader, Greg Motolla, Evan Goldberg, and Shauna Robertson, I Am McLovin is a comprehensive guide to the movie that changed a generation.

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Only six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the Moon. Yet, hundreds more came within an inch of winning the coveted 007 role – the pinnacle for so many actors.

For the first time, The Search for Bond tells the extraordinary story of how cinema’s most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time considered to play Bond, interviewed for the role, or went as far as to be screen tested. From Sir Ranulph Fiennes to Sam Neill, their memories and stories give a fascinating insiders’ glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.

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The Magic Hours: The Films and Hidden Life of Terrence Malick is now available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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An article by Tom for Prospect Magazine can be read here:

"Who could possibly follow in his footsteps? His impact went over the head of Hollywood and under the feet of his fellow filmmakers—cutting a zig-zagging path wide enough for one. The only person who could do Lynchian was Lynch. But the impact of his films went far and deep. The tremendous warmth of recollection that has surged on social media in the days after his death testifies to the many blessings he brought his collaborators—“I’m yelling from the bullhorn, Godspeed buddy Dave,” wrote Naomi Watts, his Mulholland Drive star, on Instagram—and also to the note of transcendence struck by even the darkest of his films. “I’m pretty sure I’m connected to the moon,” he tweeted in 2010. The Lady in the Radiator brings glad tidings. David Lynch was always out of this world."

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featuring a glittering cast of screen gods and goddesses. This vibrant

chronicle recounts how Hank Kaufman and Gene Lerner became unsung

movers and shakers of a unique and unrepeatable era: the rise of Rome as

the center of Europe’s film industry in the 1950s and ’60s. Written in the late 1970s and now published in English for the first time, this edition features a new foreword by Sandy Lieberson, who worked alongside Kaufman and Lerner in Rome.

It can be purchased here.

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Martin's book is available here.

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Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.

This historical period spans the Algerian war of independence and the early wave of postcolonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late 1980s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen and the Black Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades. Many of these movements were deeply connected to culture, including cinema, and they expressed their values through it. 

Twelve authors, including film critics and academics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the production, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.

Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements, including feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined alongside grindhouse cinema and lesser-known titles by a host of all-but-forgotten filmmakers, including many from the Global South that deserve to be rediscovered.

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My book is now available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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Shane Hazen worked on the film, first as an intern before finishing the film as one of the last editors on board.

My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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But it's a good excuse to talk to Brian Abrams about his brilliant book Die Hard: an Oral History, available here.

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From the publisher:

"The director of classic films such as Sylvia Scarlett, The Philadelphia Story, Gaslight, Adam’s Rib, A Star Is Born, and My Fair Lady, George Cukor is widely admired but often misunderstood. Reductively stereotyped in his time as a “woman’s director”—a thinly veiled, disparaging code for “gay”—he brilliantly directed a wide range of iconic actors and actresses, including Cary Grant, Greta Garbo, Spencer Tracy, Joan Crawford, Marilyn Monroe, and Maggie Smith. As Katharine Hepburn, the star of ten Cukor films, told the director, “All the people in your pictures are as goddamned good as they can possibly be, and that’s your stamp.”

"In this groundbreaking, lavishly illustrated critical study, Joseph McBride provides insightful and revealing essayistic portraits of Cukor’s actors in their most memorable roles. The queer filmmaker gravitated to socially adventurous, subversively rule-breaking, audacious dreamers who are often sexually transgressive and gender fluid in ways that seem strikingly modern today. McBride shows that Cukor’s seemingly self-effacing body of work is characterized by a discreet way of channeling his feelings through his actors. He expertly cajoled actors, usually gently but sometimes with bracing harshness, to delve deeply into emotional areas they tended to keep safely hidden. Cukor’s wry wit, his keen sense of psychological and social observation, his charm and irony, and his toughness and resilience kept him active for more than five decades in Hollywood. George Cukor’s People gives him the in-depth, multifaceted examination his rich achievement deserves."

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My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets and countless other horror films and TV series over the last few years, loving the genre still prompts the question: what's wrong with you? Implying, of course, that there is something not quite right about the people who make and consume it.

In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

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The biography The Magic Hours is available from all good book shops and online sources, including here.

Camille Saint-Saëns: Le Carnaval des Animaux

Performers

Pianos: Neil and Nancy O'Doan

Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol.

Composed 1886; recorded c. 1980.

Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.

Used under the license.

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Provides an original take on fashion in her films and shows how it was key to her popularity

Focuses on Hepburn's abilities and craft as an actress; Offers a substantive and critical analysis of her “Cinderella” films as a discernible cycle; Argues that her striking success and popularity as a movie star was not only due to her unique physical features but to specific factors of postwar culture in the 1950s.

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Please note she will be delivering a lecture in London later in November, details below.

Friday 29th November, 6pm

Venue: BLOC, ArtsOne, Queen Mary University of London, Mile End Road London E1 4NS

Free to attend, booking essential

Click here to book

The Foundation is delighted to be collaborating with Queen Mary University, London to present an evening celebrating the winner of this year’s Moving Image Book Award Professor Jie Li, for her book ‘Cinematic Guerrillas Propaganda, Projectionists, and Audiences in Socialist China‘ (Columbia University Press).

Featuring: Jie Li, Professor of East Asian Languages and Civilizations, Harvard University and Dr. Kiki Tianqi Yu, Senior Lecturer in Film Studies at Queen Mary University of London.

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Anderson’s playful and vibrant aesthetic is universally admired – but how has he managed to create such a recognisable identity?

From Hitchcock and Spielberg to Truffaut and Varda, there are countless homages and references scattered throughout Anderson’s filmography, while his cultural anchor points go far beyond film and into the worlds of art and literature.

Evocations of place and time underpin his work, from mid-century Paris in The French Dispatch to grand pre-war Europe in The Grand Budapest Hotel, while cultural institutions – such as Jacques Cousteau and The New Yorker magazine – are other touchstones.

For Wes Anderson fans and cinephiles alike, this is an essential insight into the creative process of one of the world’s most unique filmmakers.

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Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928–2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.

In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the “complicated passions” that informed Varda’s charmed life and indelible work. Rickey traces Varda’s three remarkable careers―as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda’s impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda’s incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.

A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved.

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His book Woody Allen: Film by Film is available where all good books are sold.

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Consigned to the deep freeze of critical and commercial reception upon its release in 1982, The Thing has bounced back spectacularly to become one of the most highly regarded productions from the 1980s 'Body Horror' cycle of films, experiencing a wholesale and detailed reappraisal that has secured its place in the pantheon of modern cinematic horror. Thirty years on, and with a recent prequel reigniting interest, Jez Conolly looks back to the film's antecedents and to the changing nature of its reception and the work that it has influenced. The themes discussed include the significance of The Thing's subversive antipodal environment, the role that the film has played in the corruption of the onscreen monstrous form, the qualities that make it an exemplar of the director's work and the relevance of its legendary visual effects despite the advent of CGI. Topped and tailed by a full plot breakdown and an appreciation of its notoriously downbeat ending, this exploration of the events at US Outpost 31 in the winter of 1982 captures The Thing's sub-zero terror in all its gory glory.

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Buy Adam's latest book here.

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His new comedy album HUSKY BOY can be ordered here and all the information you want is available from his site, here.

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Buy the Book Here.

The definitive story of the making of 2001: A Space Odyssey , acclaimed today as one of the greatest films ever made, and of director Stanley Kubrick and writer Arthur C. Clarke- "a tremendous explication of a tremendous film....Breathtaking" ( The Washington Post ).

Fifty years ago a strikingly original film had its premiere. Still acclaimed as one of the most remarkable and important motion pictures ever made, 2001: A Space Odyssey depicted the first contacts between humanity and extraterrestrial intelligence. The movie was the product of a singular collaboration between Stanley Kubrick and science fiction visionary Arthur C. Clarke. Fresh off the success of his cold war satire Dr. Strangelove, Kubrick wanted to make the first truly first-rate science fiction film. Drawing from Clarke's ideas and with one of the author's short stories as the initial inspiration, their bold vision benefited from pioneering special effects that still look extraordinary today, even in an age of computer-generated images.

In Space Odyssey , author, artist, and award-winning filmmaker Michael Benson "delivers expert inside stuff" ( San Francisco Chronicle ) from his extensive research of Kubrick's and Clarke's archives. He has had the cooperation of Kubrick's widow, Christiane, and interviewed most of the key people still alive who worked on the film. Drawing also from other previously unpublished interviews, Space Odyssey provides a 360-degree view of the film from its genesis to its legacy, including many previously untold stories. And it features dozens of photos from the making of the film, most never previously published.

"At last! The dense, intense, detailed, and authoritative saga of the making of the greatest motion picture I've ever seen ... Michael Benson has done the Cosmos a great service" (Academy Award-winning actor Tom Hanks).

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Visit the site here.

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Brett Davies is Associate Professor of English at Meiji University, Tokyo

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The book was also the basis for the podcast series The Plot Thickens which you can listen to here.

“So much better, so much more fun, than the movie it is about that one must be thankful to the filmmakers for producing such a spectacle, if only so that this book could be written.”—Vogue

When film director Brian De Palma invited author Julie Salamon to follow him on the set of The Bonfire of the Vanities, he had no idea that the fifty-million-dollar movie would become one of Hollywood’s biggest flops. The Devil’s Candy is the juicy, bestselling exposé that sent Hollywood honchos running for cover. Who was responsible for the last-minute casting change that cost four million dollars? Who knew that Melanie Griffith would show up halfway through the filming with a new set of breasts? Settle down in your front-row seat for a story that has more drama, hilarity, greed, folly, and ego than the movie that eventually ended up on the screen. Expertly reported and elegantly written, The Devil’s Candy is irresistible fun, a classic insider’s look at the movie business.

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Mark's recommended book is Jason Bailey's Fun City Cinema, available here.

Here's the blurb to Mark's most recent book:

An instant New York Times Bestseller!

A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges--some of the worst largely unknown until now--by the acclaimed author of Pictures at a Revolution and Five Came Back

Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends.

Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed.

The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem.

Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.

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Film trilogies used to signify a movie's success. Today, studios prefer to make never-ending stories. So what happens when the trilogy is over and the filmmakers or the studios want to make a fourth movie? Do they stick with the original story or create invent new characters who chart a new story? How do they honor what came first while inventing something new? And what happens when the artist and the studio come into conflict? This book answers those questions and many others.

Through exclusive and revealing interviews, Movies Go Fourth delves deeply into making some of the most popular film franchises of all time. Based on candid interviews from the filmmakers themselves, Movies Go Fourth reveals what happens when art and commerce collide.

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The Karlovy Vary International Film Festival is the largest film festival in the Czech Republic and the most prestigious such festival in Central and Eastern Europe. It is one of the oldest A-list film festivals (i.e., non-specialized festivals with a competition for feature-length fiction films), a category it shares with the festivals in Cannes, Berlin, Venice, Locarno, San Sebastian, Montreal, Shanghai, and Tokyo. Among filmmakers, buyers, distributors, sales agents, and journalists, KVIFF is considered the most important event in all of Central and Eastern Europe.

Every year, the festival presents some 200 films from around the world, and regularly hosts famous and important filmmakers. The Karlovy Vary festival is intended for both film professionals and the general public, and offers visitors a carefully designed programme, excellent facilities and a broad range of other services.

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Examining Hawtrey's origins as a child star and performer in revue and the Will Hay films, this wonderful little book looks at his career in radio and television, and then to the sad and slow decline of a belligerent recluse on the Kent coast. The high camp exuberance of his acting gave way to bitterness and alcoholism and if you asked Hawtrey for an autograph he'd be more likely to call the police instead.

Roger Lewis's short life of Hawtrey opens out like a Chinese box to address such issues as the nature of fame, neglect, loss, sexual confusion, Drambuie, betrayal, marine bandsmen, and fine cambric knickers trimmed with lace and blue ribbon. Its moral would seem to be that you don't necessarily turn out as the person you thought you'd become.

Buy HERE.

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An unflinching confrontation of humanity’s dark side, Brian De Palma’s crime drama film Scarface gave rise to a cultural revolution upon its release in 1983. Its impact was unprecedented, making globe-spanning waves as a defining portrait of the gritty Miami street life. From Al Pacino’s masterful characterization of Tony Montana to the iconic “Say hello to my little friend,” Scarface maintains its reputation as an unwavering game changer in cult classic cinema.

With brand-new interviews and untold stories of the film’s production, long-time film critic Glenn Kenny takes us on an unparalleled journey through the making of American depictions of crime. The World Is Yours highlights the influential characters and themes within Scarface, reflecting on how its storied legacy played such a major role in American culture.

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This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood.

“I’ll be dropping a few names,” Ed Zwick confesses in the introduction to his book. “Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints.”

He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he’s known to have a special talent for bringing out the best in the people he’s worked with, especially the actors. In those intense collaborations, he’s sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.

Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love—and won. He shares personal stories about all these people, and more.

Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won’t want to miss it.

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This fifth edition of Film, Form, and Culture by Robert P Kolker and Marsha Gordon offers a lively introduction to both the formal and cultural aspects of film.

Additional resources for students and teachers can be found on the eResource, which includes case studies, discussion questions, and links to useful websites.

Get the book HERE.

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Film fans know these are just a few key ingredients of Alfred Hitchcock’s movies. When Hitchcock fused these elements with his innovative directorial approach, that blend of familiar themes and stylistic ingenuity became known as ‘Hitchcockian’. In a refreshingly original way, HITCHOLOGY considers how Hitchcock used these narrative tropes and formal flourishes to create some of cinema’s most unforgettable experiences.

Alongside unique takes on every film and TV episode Hitchcock directed, HITCHOLOGY also examines his collaborators, his cameos, other films in the Hitchcock cinematic universe, and more. Passionately written with wit and warmth, HITCHOLOGY is an accessible introduction for newcomers to Hitchcock, and an insightful companion for devoted fans.

Buy the book HERE.

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Across his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative, signpost the era in which the films were made, and delineate the characters’ place within American culture. This book explores five of Hopper’s films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format.

The author traces Hopper’s distinctive approach to the use of music through films from 1969 to 1990, including his innovative use of popular rock, pop, and folk in Easy Rider, his blending of diegetic performances of folk and Peruvian indigenous music in The Last Movie, his use of punk rock in Out of the Blue, incorporation of hip-hop and rap in Colors, and commissioning of a jazz/blues soundtrack by Miles Davis and John Lee Hooker for The Hot Spot. Uncovering the film soundtrack as a vital piece of the narrative, this concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper’s work.

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The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.

Stanley Kubrick: An Odyssey fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I.

Revealingly, this immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.

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In Screen Deep Ellen E. Jones combines her personal experience as a mixed-race woman who cares about racism with her professional expertise as a film and TV journalist of twenty years standing, to ask – and answer – several questions: Is there such a thing as an Indigenous western? Is race comedy ‘cancelled’? Where are all the films for white people? And most importantly: Can you still fight the good fight with a mouthful of popcorn?

The book is available from Faber here.

Valerie Complex's Deadline article mentioned on the show is available here.

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A Best Book of 2023

The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama.

America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don’t be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood—and of America itself—unfolds in dramas large and small. The road to the Oscars may be golden, but it’s paved in blood, sweat, and broken hearts.

In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed.

Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large.

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A deep-dive into the unique connections between the two titans of the British cultural psyche—the Beatles and the Bond films—and what they tell us about class, sexuality, and our aspirations over sixty dramatic years.

The Beatles are the biggest band in the history of pop music. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and Love Me Do, the first Beatles record, were both released on the same day: Friday 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two iconic successes on this level, on the same windy October afternoon, is unprecedented.

Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end.

Told over a period of sixty dramatic years, this is an account of how two outsized cultural phenomena continue to define American aspirations, fantasies, and our ideas about ourselves. Looking at these two touchstones in this new context will forever change how you see the Beatles, the James Bond films, and six decades of cross-Atlantic popular culture.

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“This book takes you so close to the action that you can smell the sweat, cigar smoke, and bad cologne that brought these movies to life.”—Paul Scheer

A NEWSWEEK BEST BOOK OF THE YEAR

The Last Action Heroes opens in May 1990 in Cannes, with Arnold Schwarzenegger and Sylvester Stallone waltzing together, cheered on by a crowd of famous faces. After years of bitter combat—Stallone once threw a bowl of flowers at Schwarzenegger’s head, and the body count in Schwarzenegger’s Commando was increased so the film would “have a bigger dick than Rambo”—the world’s biggest action stars have at last made peace.

In this wildly entertaining account of the golden age of the action movie, Nick de Semlyen charts Stallone and Schwarzenegger’s carnage-packed journey from enmity to friendship against the backdrop of Reagan’s America and the Cold War. He also reveals fascinating untold stories of the colorful characters who ascended in their wake: high-kickers Chuck Norris and Jackie Chan, glowering tough guys Dolph Lundgren and Steven Seagal, and quipping troublemakers Jean-Claude Van Damme and Bruce Willis. But as time rolled on, the era of the invincible action hero who used muscle, martial arts, or the perfect weapon to save the day began to fade. When Jurassic Park trounced Schwarzenegger’s Last Action Hero in 1993, the glory days of these macho men—and the vision of masculinity they celebrated—were officially over.

Drawing on candid interviews with the action stars themselves, plus their collaborators, friends, and foes, The Last Action Heroes is a no-holds-barred account of a period in Hollywood history when there were no limits to the heights of fame these men achieved, or to the mayhem they wrought, on-screen and off.

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 Francis Ford Coppola is one of the great American dreamers, and his most magnificent dream is American Zoetrope, the production company he founded in San Francisco years before his gargantuan success, when he was only thirty. Through Zoetrope’s experimental, communal utopia, Coppola attempted to reimagine the entire pursuit of moviemaking. Now, more than fifty years later, despite myriad setbacks, the visionary filmmaker’s dream persists, most notably in the production of his decades in the making film and the culmination of his utopian ideals, Megalopolis.

Granted total and unprecedented access to Coppola’s archives, conducting hundreds of interviews with the artist and those who have worked closely with him, Sam Wasson weaves together an extraordinary portrait. Here is Coppola, charming, brilliant, given to seeing life and art in terms of family and community, but also plagued by restlessness, recklessness and a desire to operate perpetually at the extremes.

As Wasson makes clear, the story of Zoetrope is also the story of Coppola’s wife, Eleanor Coppola, and their children, and of personal lives inseparable from artistic passion. It is a story that charts the divergent paths of Coppola and his co-founder and onetime apprentice, George Lucas, and of their very different visions of art and commerce. And it is a story inextricably bound up in the making of one of the greatest, quixotic masterpieces ever attempted, Apocalypse Now, and of what Coppola found in the jungles of the Philippines when he walked the razor’s edge. That story, already the stuff of legend, has never been fully told, until this extraordinary book.

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Now revised and expanded with more beloved films and loads of special features and photos across 70+ pages of new content, this is the must-have viewing guide for the holidays, showcasing the greatest and most beloved Christmas movies of all time.

Nothing brings the spirit of the season into our hearts quite like a great holiday movie. Turner Classic Movies' Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a "Christmas movie," along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of full-color and black-and-white photos, this volume is a glorious salute to a collection of the most treasured films of all time.

Among the 35 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Miracle on 34th Street, White Christmas, A Christmas Story, National Lampoon's Christmas Vacation, Die Hard, Home Alone, Little Women, The Preacher's Wife, Love Actually, The Nightmare Before Christmas, and many more.

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Connery was written by John Bleasdale, performed by Cai Ross with music by Two Minute Noodles. Their music is available here.

Further episodes are available from wherever you get your podcasts.

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Check out Paul's website here

His recommended book is Amos Vogel's Film as Subversive Art and Alexander McKendrick's On Filmmaking.

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He is also the voice of the new podcast written by Writers on Film host John Bleasdale Connery.

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Jem’s first love has always been history, ever since he saw the Sutton Hoo helmet as a small boy. He now works as a freelance trainer which has allowed him to hone his presentation and communications skills and has been posting articles about history online since 2012. He has been writing history books for Amberley Publishing since 2013. His style has been described as an historical guide; as he says “I take the reader/viewer on an introductory journey on a topic they may know little to nothing about”. The list of books include: The Busy Person’s Guide to British History, The British Empire in 100 facts, Deus Vult a Concise History of the Crusades, The Napoleonic Wars in 100 facts, The Romans in 100 Facts, Forgotten History Unbelievable Moments from the Past, & The American Presidents in 100 Facts.

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Walking with Ghosts is the stunningly evocative memoir by Irish actor and Hollywood star, Gabriel Byrne.

'Dreamy, lyrical and utterly unvarnished' – Colm Tóibín

As a young boy growing up in the outskirts of Dublin, Gabriel Byrne sought refuge in a world of imagination among the fields and hills near his home, at the edge of a rapidly encroaching city. Born to working-class parents and the eldest of six children, he harboured a childhood desire to become a priest. When he was eleven years old, Byrne found himself crossing the Irish Sea to join a seminary in England. Four years later, Byrne had been expelled and he quickly returned to his native city. There he took odd jobs as a messenger boy and a factory labourer to get by. In his spare time he visited the cinema, where he could be alone and yet part of a crowd. It was here that he could begin to imagine a life beyond the grey world of ’60s Ireland.

He revelled in the theatre and poetry of Dublin’s streets, populated by characters as eccentric and remarkable as any in fiction, those who spin a yarn with acuity and wit. It was a friend who suggested Byrne join an amateur drama group, a decision that would change his life forever and launch him on an extraordinary forty-year career in film and theatre. Moving between sensual recollection of childhood in a now almost vanished Ireland and reflections on stardom in Hollywood and on Broadway, Byrne also courageously recounts his battle with addiction and the ambivalence of fame.

Walking with Ghosts is by turns hilarious and heartbreaking as well as a lyrical homage to the people and landscapes that ultimately shape our destinies.

‘Make no mistake about it: this is a masterpiece . . . poetic, moving and very funny’ – Colum McCann, author of Let the Great World Spin

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Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.

Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.

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He was a tough-guy Welshman softened by the affections of a breathtakingly beautiful woman; she was a modern-day Cleopatra madly in love with her own Mark Antony. For nearly a quarter of a century, Elizabeth Taylor and Richard Burton were Hollywood royalty, and their fiery romanceoften called "the marriage of the century"was the most notorious, publicized, and celebrated love affair of its day.

For the first time, Vanity Fair contributing editor Sam Kashner and acclaimed biographer Nancy Schoenberger tell the complete story of this larger-than-life couple, showing how their romance and two marriages commanded the attention of the world. Also for the first time, in exclusive access given to the authors, Elizabeth Taylor herself gives never-revealed details and firsthand accounts of her life with Burton.

Drawing upon brand-new information and interviewsand on Burton's private, passionate, and heartbreaking letters to TaylorFurious Love sheds new light on the movies, the sex, the scandal, the fame, the brawls, the booze, the bitter separations, and, of course, the fabled jewels. It offers an intimate glimpse into Elizabeth and Richard's privileged world and their elite circle of friends, among them Princess Grace, Montgomery Clift, the Duke and Duchess of Windsor, Peter O'Toole, Michael Caine, Marlon Brando, Rex Harrison, Mike Nichols, Laurence Olivier, Robert Kennedy, Tennessee Williams, Noël Coward, John Huston, Ava Gardner, the Rothschilds, Maria Callas, and Aristotle Onassis. It provides an entertaining, eye-opening look at their films, their wildly lucrative reign in Europe and in Hollywoodand the price they paid for their extravagant lives.

Shocking and unsparing in its honesty, Furious Love explores the very public marriage of "Liz and Dick" as well as the private struggles of Elizabeth and Richard, including Le Scandale, their affair on the set of the notorious epic Cleopatra that earned them condemnation from the Vatican; Burton's hardscrabble youth in Wales; the crippling alcoholism that nearly destroyed his career and contributed to his early death; the medical issues that plagued both him and Elizabeth; and the failed aspirations and shame that haunted him throughout their relationship. As Kashner and Schoenberger illuminate the events and choices that shaped this illustrious couple's story, they demonstrate how the legendary pair presaged America's changing attitudes toward sex, marriage, morality, and celebrity. Yet ultimately, as the authors show, Elizabeth and Richard shared something priceless beyond the drama: enduring love.

Addictive and entertaining, Furious Love is more than a celebrity biography; it's an honest yet sympathetic portrait of a man, a woman, and a passion that shocked and mesmerized the world.

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Go behind the scenes with the producer of Father of the Bride to learn all the skills necessary to be a top Hollywood producer

As former co-president of Dolly Parton's production company, Sandollar, and as a successful independent producer, Carol Baum is an expert in the art of film production. Creative Producing provides a crash course in the frequently misunderstood producer's role and the many skills needed to survive and thrive in Hollywood. Readers receive a master class in production––from pitching, script development, and packaging, to working with stars, directors, and difficult executives. Enhanced with behind-the-scenes stories from Baum's illustrious career, Creative Producing offers an intimate look behind the Hollywood curtain to give film students, cinephiles, aspiring executives, and industry insiders a must-have guide to understanding film development from successful pitch to hit picture.

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The remarkable artistic flowering that came from the ‘New Hollywood’ of the ’70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the ’60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way.

Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.

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Demetrios Matheou's insightful study considers Mean Streets' production history in the context of the New Hollywood period of American cinema, noting also the key roles played by John Cassavetes and Roger Corman. He analyses the importance of Scorsese's background to the film's characters and themes, including preoccupations with guilt, redemption and criminal subcultures; the development of the director's film-making process and signature style; the way in which he both drew upon and invigorated the crime genre; his relationship with emerging stars Robert De Niro and Harvey Keitel, and the film's reception and legacy.

Matheou argues that while Taxi Driver (1976) and Raging Bull (1980) are regarded as Scorsese's greatest films of the period, Mean Streets is the more influential achievement. With it, Scorsese not only paved the way for a new kind of crime movie, not least his own GoodFellas (1990), but also inspired generations of independently-minded film-makers.

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There are those who adore him as a cowboy, a superstar, the rugged, unyielding yet introspective face of American machismo. There are those who read him as a great American auteur fashioning uncompromising, fascinating, intellectual films about his country, about life, about whatever the hell takes his fancy.

No single figure in all of Hollywood, operates so freely outside of the strictures of commercial pressure. And yet, or perhaps that is because, he makes hit after hit.

Separation of actor and director is almost impossible. They are intimately related, cross pollinating, but in the latter half of his career he has come to be viewed as one of the great American artists. While drawing connections from his wider work as an actor, and those who have influenced him, it is his identity as a director that this book will celebrate.

This is not a career — it is a landscape.

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And listen to his podcast here.

Here's the blurb of his book:

There is no shortage of Hollywood films about historical events, but what do the movies actually get right, and why do they get so much wrong?

Hollywood loves a story: good guys versus bad guys, heroes winning the day, and the guy gets the girl. But we all know real life isn’t exactly like that, and this is even more true when we look at history. Rarely do the just prevail and the three-act story cannot exist over continents and decades of human interaction. So, when Hollywood decides to exploit history for profit, we end up with a wide array of films. Some are comedies like Monty Python and the Holy Grail, others are little more than action films playing dress up like Gladiator, and many are Oscar contenders burdened with an enormous sense of self-importance. But very few are historically accurate.

From Cleopatra to Da 5 Bloods, the reality is no matter what Hollywood’s intentions are, almost all historical films are an exaggeration or distortion of what really happened. Sometimes the alterations are for the sake of brevity, as watching a movie in real time about the Hundred Years War would literally kill you. Other additions may be out of necessity, since nobody thought to write down the everyday conversations between King Henry VIII and his second wife, Anne Boleyn, for The Other Boleyn Girl. And some projects twist the facts to suit a more sinister purpose.

In Hollywood and History, Jem Duducu takes readers through thousands of years of global history as immortalized and ultimately fictionalized by Hollywood, exploring many facets of the representation of history in movies from the medieval times to the wild west and both World Wars. Along the way, readers will also better understand Hollywood’s own history, as it evolved from black and white silent shorts to the multiplex CGI epics of today. As studios and audiences have matured through the years, so too have their representations of history. Armies will clash, leaders will be slain, empires will fall, and a few historical inaccuracies will be pointed out along the way. A must-read for film and history fans alike.

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Visit his Amazon Page here.

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Peaty has written for publishers including Marvel Comics, DC Comics and Dark Horse Comics in the US as well as Rebellion Publishing and Titan Comics in the UK. During that time he has written for titles including The Batman Strikes!, X-Men Unlimited, Green Arrow. Supergirl, Justice League Unlimited and Doctor Who. For 2000AD he wrote and co-created Skip Tracer (with artist Paul Marshall), while for The Judge Dredd Megazine he wrote and co-created Diamond Dogs (with artist Warren Pleece).

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Buy here books here.

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Bur the book here.

In this incendiary mash-up of horror and suspense, a notorious slasher film is remade…and the curse that haunted it is reawakened.

Arriving in L.A. to visit the set of a new streaming horror series, journalist Laura Warren witnesses a man jumping from a bridge, landing right behind her car. Here we go, she thinks. It’s started. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life.

    In The Guesthouse, Laura played the little girl with the terrifying gift to tell people how the Needle Man would kill them. When eight of the cast and crew died in ways that eerily mirrored the movie’s on-screen deaths, the film became a cult classic—and ruined her life. Leaving it behind, Laura changed her name and her accent, dyed her hair, and moved across the Atlantic. But some scripts don’t want to stay buried.

    Now, as the body count rises again, Laura finds herself on the run with her aspiring actress sister and a jaded psychic, hoping to end the curse once and for all—and to stay out of the Needle Man’s lethal reach.

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Nothing To Fear: Alfred Hitchcock And The Wrong Men

To buy click on this link.

Alfred Hitchcock is not often associated with a social justice movement. But in 1956, the world’s most famous director focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the real-life arrest of Queens musician Christopher “Manny” Balestrero for two robberies he did not commit. 

With documentary-like authenticity, Hitchcock and his team meticulously re-created Manny’s journey through the corridors of justice and the devastating effect of the arrest on his wife, Rose. In so doing, the director cast a damning light on New York’s history of mistaken identity cases. The Balestreros fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases. Their ordeal is part of a larger story of the state’s failure to reckon with its role in other wrongful prosecutions in the first half of the twentieth century. 

Attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny’s trial and new insights into an errant prosecution. He then examines how Hitchcock fused striking visual motifs with social realism to create a timeless work of art. The film bears witness to issues that animate the contemporary innocence movement, including the unreliability of eyewitness testimony, the need for police lineup reforms, and the dangers of investigative “tunnel vision.” Given the hundreds of exonerations of the wrongfully convicted in recent years, The Wrong Man remains as timely as ever.

“Nothing to Fear is a fascinating history, not only for fans of Hitchcock but for anyone interested in how our justice system works (and sometimes doesn't). The story of ‘the wrong man' continues to resonate well into the twenty-first century, and will make you question your assumptions about innocence and guilt.” Dawn Raffel, author of The Strange Case of Dr. Couney, named by NPR as one of 2018’s Great Reads and winner of a 2019 Christopher Award.

 “Thanks to Jason Isralowitz for finally writing a book about Hitchcock’s most under-appreciated movie. Isralowitz brilliantly contextualizes the movie and the true-life story of Manny Balestrero, preceded by an eye-opening prologue detailing the justice system’s long history of indicting ‘the wrong man’ (and, in a few cases, ‘the wrong woman’). A must for both cinephiles and true crime buffs.” Bruce Goldstein, Repertory Artistic Director, Film Forum, New York.

ISBN: 9781949024425

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But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller’s cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation.

When viewed through the lens of Keller’s Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.

Buy the book here.

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“Matt Pais deserves four stars for reintroducing us to many of the greatly talented but often unsung heroes of 1990s film. This is a terrific read.”—RICHARD ROEPER

“Even if you’re drowning in pop culture nostalgia, Pais’ book is a fun, insightful and informative life raft.”—ROBERT K. ELDER, author of The Film That Changed My Life

“Matt Pais captures an entire era succinctly and vividly. A fascinating read.”—GABRIELLE ANWAR

“A love letter to my wonder years, and goes far beyond nostalgia. Every ‘90s kid will love it!”—DREW FORTUNE, Vulture/Rolling Stone contributor, screenwriter, and author of No Encore! Musicians Reveal Their Weirdest, Wildest, Most Embarrassing Gigs

“Jurassic Park.” “The Fresh Prince of Bel-Air.” “That Thing You Do!” “Boy Meets World.” “A League of Their Own.” “Home Alone.” “Mighty Morphin Power Rangers.” “Doug.” “Teenage Mutant Ninja Turtles.” “Newsies.” “American Pie.” “Cool Runnings.” “The Mighty Ducks.” These are not just movies and shows. They are legends, and for so many who grew up in the ‘90s, important markers of our childhood. If you could ask the stars behind these classics anything—with the purpose of taking conversations in different directions than any they’ve had before—what would you say? What would you learn?

In “Talk ‘90s with Me,” each interview begins by exploring the subject’s own ‘90s nostalgia and then poses topics they've never discussed. It creates a blend of memories and analysis that’s fresh and unexpected, fun and thought-provoking, silly and profound—offering something new to remember (including exclusive, stump-your-friends trivia!) while honoring the movies and shows you’ll never forget.

Maybe it feels like getting a drink with the stars; maybe it just feels like the kind of long phone call that people had a lot more in the ‘90s.

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From the noted Hollywood biographer and author of The Contender comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before.

In Bogie & Bacall, William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced.

Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured.

Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy.

Buy here.

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It includes Wendy Ide, Leigh Singer, Hugo Emmerzael and Marcus

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The director and cowriter of some of the world's most iconic films―including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment―Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.

In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition.

Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.

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"Kyle Turner has selected 100 of cinema’s greatest queer films that are often overlooked but foundational to the art form and the wider culture.

Starting in early cinema with trailblazers like Making a Man of Her and Different from Others, the list progresses through the eras, from Hitchcock’s Rope to cult classic The Rocky Horror Picture Show to today’s fast-growing list of queer films, including Carol, The Duke of Burgundy, and Moonlight. From lesser-known names to Academy Award winners, The Queer Film Guide offers a fresh take on what defines great cinema, lending a voice to the diverse creators and characters who’ve shaped the art form."

Here's a Letterboxd list of the film's mentioned.

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Steven DeLay's expansive collection of essays in this anthology proves that the subject of Malick is far from exhausted, and continues to affirm this filmmaker as an arousing

artist of aesthetic, philosophical, and cinematic intrigue "In Life Above the Clouds: Philosophy in the Films of Terrence Malick, DeLay curates both established and emerging Malick contributors who keenly prove that illuminating conversations surrounding his work keep us returning to Malick with fresh takes and passionate inquiries." The Philosophical Quarterly

Steven DeLay is Research Fellow at the Global Center for Advanced Studies. He is the author of Faint Not: Twelve Brief Meditations on the Word of God (2022), In the Spirit: A Phenomenology of Faith (2021), Before God: Exercises in Subjectivity (2020), and Phenomenology in France: A Philosophical and Theological Introduction (2019). His works of fiction include Elijah Newman Died Today: A Novella (2022) and Everything (2022). He is also the editor of the forthcoming Finding Meaning: Philosophy in Crisis based on the online series of essays "Finding Meaning" at Richard Marshall's 3:16 AM.

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Here's a link to the site of Film Desk.

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Here's the blurb from his second memoir:

"Time Flies Too is the sequel to 2021’s beguiling and absorbing memoir Time Flies by Al Clark, who in its last paragraph married and settled in Australia after a Spanish village childhood, a Scottish boarding school education and nearly two decades of living and working in London in the pioneering days of Virgin Records.

These new recollections playfully explore his adjustment to life in a new country, the labyrinth involved in making films, the gifted collaborators he encountered along the way, and the work itself — notably one of Australia’s most enduringly successful movies (The Adventures of Priscilla, Queen of the Desert ). It completes the journey of a solitary boy who fell in love with cinema, and of the man who strove to bring it to life."

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A Taste of Honey (1961) is a landmark in British cinema history. In this book, Melanie Williams explores the many, extraordinary ways in which it was trailblazing. It is the only film of the British New Wave canon to have been written by a woman – Shelagh Delaney, adapting her own groundbreaking stage play. At the behest of director Tony Richardson and his company, Woodfall, it was one of the first films to be made entirely on location, and was shot in an innovative, rough, poetic style by cinematographer Walter Lassally. It was also the launchpad for a new type of young female star in Rita Tushingham.

Tushingham plays the young heroine, Jo, who finds she is pregnant after her love affair with Jimmy (Paul Danquah), a Black sailor. When Jimmy's ship sails away, Jo is comforted and supported by her gay friend Geoff (Murray Melvin), while her unreliable mother, Helen (Dora Bryan), has her own life to lead. Candid in its treatment of matters of gender, class, ethnicity, sexuality and motherhood, and highly distinctive in its evocation of place and landscape, A Taste of Honey marked the advent of new possibilities for the telling of working-class stories in British cinema. As such, its rich but complex legacy endures to this day.

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A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers. 

Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.

Visit his online book store HERE.

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